Podcasts about Death march

Join the DARKNESS SYNDICATE for the ad-free version: https://weirddarkness.com/syndicateAlexander Jordan, terrified of being buried alive during cataleptic fits, rigs a mausoleum with safety measures. His nephew's greed, aimed at securing the inheritance, triggers a lethal chain of events. Will the safeguards work—or will his nightmare come true? | #RetroRadio EP0497CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = CBS Radio Mystery Theater, “Living Corpse” (October 14, 1976) ***WD (LQ)00:44:52.123 = Creeps By Night, “Strange Burial of Alexander Jordan” (July 13, 1944)01:14:22.617 = The Crime Club, “Murder Makes a Mummy” (May 29, 1947) ***WD01:43:46.892 = CBC Deep Night, “Bonehouse” (August 22, 2005)02:16:56.717 = The Devil and Mr. O, “Chest” (January 28, 1972)02:45:12.325 = Diary of Fate, “Trina Crowley” (March 09, 1948) ***WD03:13:41.270 = Dimension X, “Outer Limits” (April 08, 1950) ***WD03:43:35.230 = The Strange Dr. Weird, “Two Faces of Death” (March 13, 1945) ***WD03:55:40.015 = The Creaking Door, “Yesterday You Died” (August 31, 1964) ***WD04:24:39.665 = Escape, “The Fugitive” (August 15, 1948)04:53:37.367 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.Weird Darkness theme by Alibi Music LibraryABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.= = = = =#ParanormalRadio #ScienceFiction #OldTimeRadio #OTR #OTRHorror #ClassicRadioShows #HorrorRadioShows #VintageRadioDramasCUSTOM WEBPAGE: https://weirddarkness.com/WDRR0497

When a woman inherits a quaint antique shop, she soon discovers that its charm hides unsettling secrets. Strange warnings, eerie encounters, and an unshakable sense of danger linger in the shadows — and the cost of keeping the shop may be more than she bargained for. This store is “Not For Sale.” | #RetroRadio EP0489Join the DARKNESS SYNDICATE: https://weirddarkness.com/syndicateCHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = CBS Radio Mystery Theater, “Not For Sale” (September 30, 1976)00:45:40.078 = The Clock, “Hazel: The Mystery of Loring Square” (October 16, 1947)01:10:49.496 = Creeps By Night, “The Final Reckoning” (July 12, 1944) ***WD01:38:46.348 = The Crime Club, “Murder On Margin” (May 22, 1947) ***WD02:05:17.951 = CBC Deep Night, “Ice Screams” (August 05, 2005)02:39:16.184 = The Devil and Mr. O, “Three Thousand Dollars” (January 21, 1972) ***WD03:04:41.056 = Diary of Fate, “Peter Drake” (February 23, 1948) ***WD03:34:07.822 = Dimension X, “Nightfall” (September 29, 1951) ***WD04:04:28.662 = The Strange Dr. Weird, “Voice of Death” (March 06, 1945) ***WD (LQ)04:16:55.686 = The Creaking Door, “Inn Spectre” (July 27, 1964) ***WD04:43:05.630 = The Eleventh Hour, “Woman In Case” (1963-1971)05:09:33.822 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.Weird Darkness theme by Alibi Music LibraryABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.= = = = =#TrueCrime #Paranormal #ScienceFiction #OldTimeRadio #OTR #OTRHorror #ClassicRadioShows #HorrorRadioShows #VintageRadioDramas #SuspenseRadioClassics #1940sRadioHorror #OldRadioMysteryShows #CreepyOldRadioShows #TrueCrimeRadio #SupernaturalRadioPlays #GoldenAgeRadio #EerieRadioMysteries #MacabreOldTimeRadio #NostalgicThrillers #ClassicCrimePodcast #RetroHorrorPodcast #WeirdDarkness #WeirdDarknessPodcast #RetroRadio #ClassicRadioCUSTOM WEBPAGE: https://weirddarkness.com/WDRR0489

Ian and Aaron discuss sleep, what's next for Database School, the "Fake Date", and so much more.Sponsored by: Bento, Honeybadger, Laravel Nightwatch, Flare by Spatie, and Laracon AU.Interested in sponsoring Mostly Technical?  Head to https://mostlytechnical.com/sponsor to learn more.(00:00) - So Freakin Tired (08:26) - On The Horizon (16:37) - Aaron's Business Journey (23:55) - The Death March (39:16) - A Thought Exercise (44:56) - Follow Up (46:31) - Ian's AI Adventure (57:19) - The Fake Date Links:Eight SleepBon Iver - For Emma, Forever AgoDatabase SchoolAaron's looking for some help with research!Rands' article on AI

Last week's episode talked about finishing my STEALTH & SPELLS ONLINE LitRPG trilogy, and in this week's episode we respond to some of the insightful reader comments the prevoius episode generated. We also discuss the mechanics of putting series numbers on book covers. Once again it is time for Coupon of the Week! This coupon code will get you 25% off the ebooks in the Dragonskull series at my Payhip store: DRAGONSUMMER25 The coupon code is valid through August 25, 2025. So if you need a new ebook this summer, we've got you covered! TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 262 of The Pulp Writer Show. My name is Jonathan Moeller. Today is August 8, 2025, and today we are looking at reader comments on my LitRPG trilogy. We will also take a look at why sometimes books do not have the series order number on their front cover. Before we get into that, we'll have Coupon of the Week and then an update on my current writing progress. First up, Coupon of the Week. This week's coupon code will get you 25% off the ebooks in the Dragonskull series at my Payhip store. That coupon code is DRAGONSUMMER25. And as always, the coupon code and the links to my store will be available in the show notes. This coupon code is valid through August 25th, 2025. So if you need a new ebook to read this summer, we have got you covered. And now for a progress update on my current writing projects. I am 83,000 words into the rough draft of Ghost in the Siege, which is the sixth and final book in the Ghost Armor series. I think maybe one or two more good sessions and I will have the rough draft done and then I'll write a bonus short story that newsletter subscribers will get for free when the book comes out and then start editing. I'm also 9,000 words into Blade of Flames, which will be the first book in my new epic fantasy series after I finish Ghost in the Siege and my Super Summer of Finishing Things. In audiobook news, Brad Wills is currently recording Shield of Power, so we should have some updates on that soon. In addition, the distribution problems I was having with Shield of Battle and Ghost in the Corruption should be cleared up. So all those books should be turning up on all the usual audiobook stores before too much longer. Before, they should have all been available on Audible, Amazon, Apple, Google Play, and Kobo, but they should be showing up on all the other available stores before too much longer now. And of course I should mention that those audiobooks are available on my Payhip store and you can get them anytime (regardless of distribution troubles). So that is where I'm at with my current writing projects. 00:02:07 Question about Series Numbering And now let's take a look at a question about series numbering. A librarian acquaintance recently asked (with no small exasperation), why can't the series number be in the book title, on the spine, and on the cover? Well, as with so many things, the answer boils down to “it depends”, specifically, it depends on the publisher and the author (but only if the author is indie). For my books, they always have the series number on the cover. A random example- Orc Hoard, the fourth book in my Half-Elven Thief series, has plainly at the top of the cover “Half-Elven Thief Number Four”. Whether or not the series number will be on the cover depends on the publisher (or the writer, if the writer is indie). For myself, since I make my own covers, it is a trivial amount of extra work to make sure the series number is also on the cover. A small publisher or an indie author hiring a cover designer has to specifically ask for the series number on the cover, and they don't always think to do that. In terms of the spine of the print edition, it depends whether or not it is included with cover design. Typically for a print book, you need to make a wraparound PDF cover or you can use the automated tools with a platform like KDP Print to create it. The trouble is that space can be at a premium on a book spine and after you have the book title and the author name, there might not be adequate room left for the series number. For example, a title like Stealth and Spells Online: Final Quest takes up a lot of real estate on the spine and combine that with the author name of Jonathan Moeller, and we really don't exactly have much space left to work with. However, for ebooks, there's really no good reason for them not to be arranged in series order on the store because all the online platforms now have good series management tools, which is admittedly a relatively new development. For a long time Amazon and the other self-publishing platforms didn't have any series metadata management tools, so we had to take things into our own hands. That's why for a long time you'd see books with titles like Frostborn: The Iron Tower (Frostborn #5), because there was no other way in the metadata to indicate that the book was part of a series. Obviously this was a problem. So eventually all the self-publishing platforms added series manager tools. So now it's fairly easy to add ebooks to a series, so on the storefront they should show up in the proper series order. But for tradpub print books, I expect traditional publishers are not terribly invested in providing series numbers on the spines of print books because it is a layer of from their perspective, unnecessary work with no return on investment. Remember, most publishers are owned by big international conglomerates these days, and from the corporate owner's perspective, the publisher's existence boils down to a cell in a spreadsheet. So a series will only get new cover art (potentially numbers on the cover) if doing so might make “number go up” in that particular spreadsheet cell. A series is most likely to get numbers on its cover and its spine if it's one, finished and two, popular enough to be re-released with new covers. So the “too long, didn't read” answer: it depends if the publisher or the indie author has the resources to add numbers to the cover. 00:05:01 Main Topic of the Week: Comments on my LitRPG Trilogy Now onto our main topic this week, reader comments on my LitRPG trilogy. You might remember last week I did an episode and a blog post about the experience of finishing up my LitRPG trilogy and some of the misjudgments I made during the process and how I was grateful for the people who did enjoy it. And this inspired many interesting and insightful comments on the topic. So I thought I would read through some of the comments and share my own thoughts on them. Our first comment is from LEJ who says: “The big problem with virtual reality type LitRPG books is that virtual reality fights have no real stakes or consequences, or if they do, they're being arbitrarily assigned. This makes them dull no matter how well the fight scene is written. The second problem is character. In epic fantasy, the party members are developed characters and the reader learns who they are through the “show, not tell” guideline of writing. The characters are a group of people who have come together to put their lives on the line to do the plot is about. In a virtual reality game book, the party members are fake personas playing a game. There's no way to be sure who they really are and they're not invested. In books and in real life, people who go through grave peril together often forge powerful friendships. A gaming group is a lousy stand in for an actual epic fantasy questing party because they're not facing actual danger together.” That's an interesting comment and that was something I thought about during the outlining of Stealth and Spells, how essentially so much of the book is about a man sitting in a chair playing in a game, which is inherently not suspenseful. So that's why in Stealth and Spells, I designed it so that the game itself was dangerous and the reason the main character was playing the game so much was to try and find proof that the game was dangerous. But I think LEJ makes a good larger point about how why LitRPGs with virtual reality MMORPGs aren't as popular as the other subgenres, just because the stakes are so low essentially when you're playing a game. I was playing Wizardry Proving Grounds of the Mad Overlord the other night and had a total party kill, but so what? Just spin out new characters and start the game again. But that doesn't make for a good narrative tension in the story. Our next comment is from Justin who says: “There are some VR LitRPG books out, but they are a niche market. As LEJ noted (above), there's no real consequences and the character development is minimal. The successful ones (for measures of success) go heavy on humor. I like Stealth and Spells, but I like science fiction and had no problem with the premise. So another attempt at widening your audience has fallen flat. Sorry about that. The mystery market that you tried before is even worse now with AI pastiches flooding Kindle. You could try the superhero section, but there's lot of competition and the big boys have been stinking up that particular room, so I wouldn't recommend it. Well, at least you're a successful writer, able to apply your craft full time. That puts you in the top 1%. Getting any further requires either incredible luck or selling your soul. I look forward to Ghost in the Siege!” Thanks, Justin. I'm glad you liked the Stealth and Spells trilogy. It is true that I'm very fortunate to be able to do what I do in terms of writing full-time. I should mention I'm not hugely worried about AI books partly because they're generally not very good and partly because you can't legally copyright them. Though we should mention that historically writers often have a difficult time when they try to change a genre. Even 150 years ago, Sir Arthur Conan Doyle decided he wanted to write a historical fiction instead of Sherlock Holmes, so he killed off Sherlock Holmes and wrote historical fiction, which didn't go hugely over well with the public, and eventually he succumbed both to popular demand and large sums of money to start writing Sherlock Holmes again. Our next comment is from Joe who says: “I have never read a LitRPG book before. I read it because I enjoy your writing. I know I am in the minority, but it turned out to be my favorite series. Even though it shouldn't, it amazes me that Half-Elven Thief has done so much better. I guess I just dance to the beat of my own drummer.” Well, I suppose everyone dances to the beat of their own drummer in the end. I do think it's important for writers to remember, especially long-term writers like myself, that every book you've written is somebody's favorite book regardless of your personal opinion about it. Like for example, I think in all honesty, Tower of Endless Worlds is one of my weaker series. I was trying to do something in terms of urban fantasy that I don't think I had the writing skills to do until I started writing Cloak Games fourteen years later. But there are several people for whom Tower of Endless Worlds is their favorite book of all the ones I've written. So it's good to always keep that in mind and not trash one's own work unnecessarily because you are then trashing somebody's favorite book, which is just impolite. In terms of Half-Elven Thief doing better, I think that is because I really narrowed in better on the market for that than I did with Stealth and Spells. We've already talked about how Isekai, portal fantasy, progression fantasy, and System Apocalypse are much more popular genres than virtual reality LitRPG, but with Half-Elven Thief, I think I really narrowed into what the market wants and what my own particular skillset is for writing stories. So it worked pretty well. I'm very happy about that. Our next comment is from Geoff, who said: “Just went through and finished it and I absolutely loved it. It's a shame it only ended up being three when you had plans for more, but you ended it really well and made it feel like it was always meant to be ended that way. Really love that big reveal at the end about Calliande and Ridmark.” Thanks, Geoff. I'm very glad you liked the ending. I admit I thought really hard for a really long time about how to properly finish the series with just one book. I typically, as part of my exercise program, do an hour a day on the treadmill in the morning with variable rate cardio and I was thinking about Stealth and Spells a lot while I was doing that, so I'm very grateful that you appreciated the ending. Our next comment is from Keith who says: “I'm so glad you finished the series. I have avidly read pretty much everything you published almost as soon as you publish it (except the Ghost series finally lost me a year or two ago), and I was starting to wonder if you're going to continue this series. I'm sure I enjoyed Stealth and Spells a bit more because of my own experience with MMORPG games as an adult, no less from 1997 to about 2012 and still dabbled now and then. It was very entertaining reading the series about a game set in Ridmark's world that I've been so immersed in for the past few years. It's unfortunate that there won't be more Stealth and Spells to read, but I enjoyed the way the series ended as a trilogy, even though you say it was originally supposed to be more books.” Thanks, Keith. I am glad you enjoyed the ending. I suppose one of my weaknesses as I set out to write this trilogy was that I've never actually seriously played MMORPG. It was just when things like World of Warcraft and its various successors and imitators became popular it was a time in my life when I was both pretty broke and pretty busy, so I couldn't afford to play an MMORPG and even if I could have afforded to play an MMORPG, I wouldn't have had the time to do so. I think that lacking that experience may have been one of the reasons I had a bit of trouble sort of connecting the series to a wider market. That said, I have tried an MMORPG recently, Elder Scrolls Online. I enjoyed it, but the big problem with that, and the reason I didn't keep playing was that you can't pause it. I think it's fair to say that I'm a pretty busy guy and sometimes I need to pause the game right now and attend to things, but the inability to do that was just a huge deal breaker for me, so I just never really continued with it, though I did have fun with the parts I played and think it's a good game. Randy says: “I still maintain it's a great SF series and a great setting, but it does have a great ending, even if the hero never gets an encrypted message from Wire again.” Thanks, Randy. If I ever do return to this setting, it won't be as a LitRPG. It'll be just as a straight science fiction thriller adventure like Silent Order because while I don't particularly want to write another LitRPG series, I would like to write another science fiction series at some point. But as I've mentioned on earlier episodes, I've decided it's probably for the best to limit myself to three ongoing series at any one time, just for keeping the complexity level manageable. So once I finish one of my ongoing series (which currently would be Blades of Ruin, Half-Elven Thief, and Cloak Mage), then I might consider slotting a sci-fi one in as well. Our next comment is from Mike who says: “Thank you for sharing your thoughts on it. I really enjoyed the series and I'm glad you finished it. I always find it frustrating when an author leaves the story unfinished, but I understand it's a tough balance. At the end of the day, writing needs to be sustainable and that often means the books have to be profitable. So thank you for seeing it through.” Thanks Mike. I'm glad you enjoyed the ending. In terms of sustainability, Half-Elven Thief by itself across its entire lifetime has sold more than all three books of Stealth and Spells Online put together (which I am very grateful for). And the Half-Elven Thief series and the, let's see, three sequels for it I wrote in 2024 combined, did well enough to pay for my health insurance for that year, which is trust me, no small thing, for which I'm very grateful. But like I said before, I think Half-Elven Thief dialed into the market a bit better than I did with Stealth and Spells Online. Our next comment comes from Alon who says. “If you try again, you can consider progression fantasy; it is somewhere between regular and LitRPG. The best ones are Dungeon Crawler Carl and Mother of Learning.” Well, if you want to try some progression fantasy, there are some examples for you. I admit I've only read the first book of Dungeon Crawler Carl. I thought it was pretty good, if definitely a bit on the darker side. William says: “I think LitRPG/Isekai literature and other media is best understood as a specific kind of fantasy in the literal sense that happens to use fantasy aesthetics because the people in Japan who started writing it all grew up playing Dragon Quest as kids do and still do. Yet the core of said fantasy has nothing to do with the cultural nostalgia that drives a fantasy genre we know and love, but instead reflects a desire for a non-complex world where everything follows easily understood and quantifiable rules, which the authors and the readers found in video games. Anyway, I enjoyed Stealth and Spells Online as a sci-fi thriller. It reminded me of the MMOPG subplot in Tad William's Outland novels.” Thanks, William. I'm glad you enjoyed the series. And I think that's a good point about the lack of ambiguity in some LitRPG, because Stealth and Spells has quite a bit of ambiguity to it at times, where the protagonist is trying to figure out if he can trust Hardcase19. He's trying to figure out who is controlling the Calliande NPC and he's trying to determine if he can trust that person or persons as well. So there's a lot of ambiguity in there that I think I probably picked up from how many mystery novels I enjoy and that might clash with the more popular tropes in LitRPG. Jesse says: “I'm glad you gave us a proper ending and I enjoyed discovering the identity of the Calliande/Ridmark NPCs. Honestly, the bit I will miss is you taking cracks at yourself (“failed historian”, “author secure in the knowledge he would never have to visualize it”), which was hysterical. Well done, sir.” Thanks. I'm glad you enjoyed the series and like I said before, I really didn't want to leave it unfinished because for a variety of reasons, it is very bad in the fantasy genre to leave things unfinished. Our next comment is from Jason who says: “Thank you for finishing the series. As you say, it was more of a science fiction thriller than a LitRPG. Nonetheless, I did enjoy it. LitRPGs have the roots in manga with their audience being teens and young adults who play video games and have kind of wish fulfillment of applying their game experience to a quasi-real world, usually like Death March to a Parallel World Rhapsody (a very long web novel, pretty bad anime, ongoing light novels and manga), combined with the cheat/administrator system to break the world in the main character's favor. Often such stories include female characters who throw themselves at the male lead for no discernible reason to be met with obliviousness, terror, or indifference. Fortunately, as authors have gotten older and married their portrayals, male characters and love interests have become more mature as well. The herbivore (a male character with no interest in women) main character still shows up, but not as often.” Thanks, Jason. I am glad you enjoyed the series and I was thinking about that to the extent that the basis that LitRPG has a strong basis in wish fulfillment and sort of retreating from reality. And I'm more interested in stories where the protagonist tends to actively protagonize and then engage with and grapple with reality. So maybe that was why I chose to write a VR based LitRPG instead of one of the other genres. And our last comment is from Michael who says: “I'm saddened that it wasn't more popular, but your reasoning makes sense to me. I tried to get into LitRPG years ago when it first appeared, but struggled to find any of the stories interesting despite loving MMORPGs and games in general. It all seemed to be about the kind of dreams that a stereotypical 14-year-old boy might have- being able to hyperfocus on min/maxing statistics, being powerful, being able to forget about the prosaic real world, being a ruler of a village/kingdom, et cetera (oh, and having lots of attractive women adore you). In any case, thanks for finishing the series. I thought it went from strength to strength and Final Quest was really good.” Thanks, Michael. I'm glad you enjoyed the books. And I have joked several times that maybe what I really needed to do to make Stealth and Spells Online popular was to add a harem of anime monster girls for the protagonist. But that ties into what we were talking about earlier where a lot of LitRPG is about sort of a flight from reality, which I should mention, there's nothing wrong with that in literature, but I'm more interested in writing the kind of stories where the protagonist has to grapple in some way with reality. So that is all the comments we are going to talk about on the show. I'd like to thank everybody who first, read and enjoyed the Stealth and Spells Online books, and second, took the time to share their thoughts about it. It was a really interesting discussion, I thought. So thank you again for reading Stealth and Spells Online. So that is it for this week. Thank you for listening to the Pulp Writer Show. A reminder that you can listen to all the back episodes at https://thepulpwritershow.com. If you enjoyed the podcast, please leave your review on your podcasting platform of choice. Stay safe and stay healthy, and we'll see you all next week.

A terrified maid's claim of seeing a ghost in the Worthington mansion leads Boston Blackie to uncover a deadly plot of greed, madness, and murder where nothing supernatural is quite what it seems. | #RetroRadio EP0475Join the DARKNESS SYNDICATE: https://weirddarkness.com/syndicateCHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = CBS Radio Mystery Theater, “The Magic Cay” (September 02, 1976)00:45:29.119 = Philip Marlowe, “Dude From Manhattan” (July 02, 1949)01:14:41.883 = Boston Blackie, “The Worthington Ghost” (March 19, 1946)01:41:09.671 = The Black Mass, “All Hallows” (September 06, 1963)02:19:59.468 = Beyond Midnight, “Harry” (December 13, 1968) ***WD (LQ)02:46:16.539 = MindWebs, “Helen Oloy” (April 15, 1979)03:14:29.935 = Guests of Doom, “Program 11 & 12 – Incomplete Story, But I Explain” (1930s) ***WD03:40:12.646 = Mystery In The Air, “Mask of Medusa” (September 04, 1947) ***WD04:09:11.099 = Molle Mystery Theater, “Triangle of Death” (March 28, 1947) ***WD04:38:13.813 = Results, Inc., “Mummysitting With Queen Sheshack” (December 30, 1944)05:07:28.066 = Murder at Midnight, “The Man Who Was Death” (September 23, 1946)05:33:21.263 = The Black Museum, “Canvas Bag” (February 19, 1952)05:58:33.912 = The Mysterious Traveler, “No Grave Can Hold Me” (June 14, 1949)06:27:22.258 = Mystery House, “Death With a Punch” (April 28, 1946) ***WD06:53:22.682 = CBS's Nightfall, “Mr. Agostino” (April 30, 1982) ***WD07:22:33.140 = Obsession, “Amnesia” (February 19, 1951) ***WD07:45:44.822 = Origin of Superstition, “Whistling In The Dressing Room” (1935)07:59:44.737 = Mystery Playhouse, “Criminal At Large” (April 11, 1944) ***WD (LQ)08:29:15.320 = Price of Fear, “Speciality of the House” (April 13, 1974) ***WD08:57:46.402 = The Adventures of Ellery Queen, “Mischief Maker” (January 15, 1944) ***WD09:23:11.205 = Quiet Please, “It's Later Than You Think” (August 02, 1948)09:48:05.017 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.Weird Darkness theme by Alibi Music LibraryABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.= = = = =#TrueCrime #Paranormal #ScienceFiction #OldTimeRadio #OTR #OTRHorror #ClassicRadioShows #HorrorRadioShows #VintageRadioDramas #SuspenseRadioClassics #1940sRadioHorror #OldRadioMysteryShows #CreepyOldRadioShows #TrueCrimeRadio #SupernaturalRadioPlays #GoldenAgeRadio #EerieRadioMysteries #MacabreOldTimeRadio #NostalgicThrillers #ClassicCrimePodcast #RetroHorrorPodcast #WeirdDarkness #WeirdDarknessPodcast #RetroRadio #ClassicRadioCUSTOM WEBPAGE: https://weirddarkness.com/WDRR0475

01 Death March 02 Hurry Hurry 03 She Got Something to Hide 04 The Devil's Workshop 05 Bulletproof Garden 06 Age of Rage 07 Ballistics Expert 08 Down in the Dirt 09 Unarmed Revolution 10 Town to town 11 Seaside Waves 12 Memorial to the Brave 13 Slap Boxing with the Devil

A lavish dinner party turns deadly when a guest dies while laughing hysterically – leaving everyone wondering what happened, and if one of them will be next. Hear the tale from Mystery House! | #RetroRadio EP0467Join the DARKNESS SYNDICATE: https://weirddarkness.com/syndicateCHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = CBS Radio Mystery Theater, “Every Dog Has His Day” (August 02, 1976)00:45:24.999 = Mr. District Attorney, “Hijack Killer” (August 10, 1952)01:11:19.513 = Fleischman's Yeast Hour, “School For Scandal” (February 07, 1953) ***WD02:06:51.114 = Murder at Midnight, ‘Red Wheels” (September 13, 1946)02:32:03.551 = The Black Museum, “The Brass Button” (February 05, 1952) ***WD02:56:11.414 = The Mysterious Traveler, “Out of the Past” (April 19, 1949)03:21:27.692 = Mystery House, “Laugh I Thought I'd Die” (April 14, 1946)03:46:09.701 = Night Beat, “Juke Box Romance” (May 18, 1951) ***WD04:16:10.848 = Nightfall, The Debt” (April 02, 1982)04:45:08.777 = Mr. And Mrs. North, “Who Killed Stefano” (October 16, 1951)05:09:54.726 = Obsession, “Dynamite” (October 09, 1950) ***WD05:39:32.874 = Origin of Superstition, “Knock on Wood” (1935) ***WD05:53:16.171 = Philip Morris Playhouse, “The Night Has a Thousand Eyes” (August 19, 1953) ***WD06:16:53.491 = Price of Fear, “Remains To Be Seen” (September 01, 1973) ***WD06:43:57.046 = Adventures of Ellery Queen, “The World Series of Crime” (October 02, 1943) ***WD07:13:24.895 = Quiet Please, “As Long As I Live” (July 19, 1948)07:38:09.199 = Radio City Playhouse, “Two Moods From Past” (March 07, 1949)08:07:47.139 = Starlight Theater, “Man Hires Hit Man To Kill Him” (late 40s/early 50s) ***WD08:35:27.195 = Ripley's Believe it or Not, “Church Inspired By a Footstool” (1930) ***WD08:36:24.896 = Sam Spade, “Farmer's Daughter Caper” (September 03, 1950) ***WD09:03:53.544 = The Sealed Book, “Hands of Death” (March 18, 1945) ***WD09:33:49.959 = The Shadow, “Death Is An Art” (February 11, 1940) ***WD09:57:09.375 = Show Close (ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.Weird Darkness theme by Alibi Music LibraryABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.= = = = =#TrueCrime #Paranormal #ScienceFiction #OldTimeRadio #OTR #OTRHorror #ClassicRadioShows #HorrorRadioShows #VintageRadioDramas #SuspenseRadioClassics #1940sRadioHorror #OldRadioMysteryShows #CreepyOldRadioShows #TrueCrimeRadio #SupernaturalRadioPlays #GoldenAgeRadio #EerieRadioMysteries #MacabreOldTimeRadio #NostalgicThrillers #ClassicCrimePodcast #RetroHorrorPodcast #WeirdDarkness #WeirdDarknessPodcast #RetroRadio #ClassicRadioCUSTOM WEBPAGE: https://weirddarkness.com/WDRR0467

Old Time Radio Paranormal & Crime | #RetroRadio EP0440Join the DARKNESS SYNDICATE: https://weirddarkness.com/syndicateCHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:50.000 = CBS Radio Mystery Theater, “Three Elders of Lifeboat Landing” (April 26, 1976) ***WD00:47:26.848 = Appointment With Fear, “The Speaking Clock” (April 13, 1944)01:15:01.436 = BBC Ghost Story, “Lifeline” (1986-1987)01:44:24.793 = Beyond the Green Door, “Alfred Dix – All Hallows Eve” (1966)01:48:35.989 = The Black Book, “Vagabond Murder” (March o2, 1952)02:03:17.134 = Box 13, “One Of These Four” (May 08, 1949)02:29:59.228 = CBC Mystery Theater, “The Tell-Tale Heart” (November 1966) ***WD02:56:00.237 = The Clock, “The Hypnotist” (July 06, 1947) ***WD03:19:12.173 = Confession, “Doris Kane” (July 05, 1953)03:48:54.110 = The Crime Club, “Death Blew Out a Match” (December 02, 1946)04:18:31.379 = Sounds of Darkness, “Face of Death” (March 24, 1970)04:44:49.882 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.Weird Darkness theme by Alibi Music LibraryABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.= = = = =CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0440

No time to get roped into soliloquizing, we've got mysteries to solve, soup to brew, and (apparently) bells to ring! Pilfer bribes a bunch of teenagers. Oleg takes the lead in the kitchen. Master Brickithon puts his rhyming couplets to the test. • • • Patreon: patreon.com/improvtabletop Twitter / Instagram / Facebook / TikTok: @ImprovTabletop Email: ImprovTabletop@gmail.com Donations: ko-fi.com/improvtabletop • • • Audio Credits The theme song for The Tension Builders is "Melodic Marauders Scared Stupid" by Ned Wilcock. The following songs are used courtesy of the YouTube Audio Library License. “Tiptoes” by Myuu “First Dream” by Brian Bolger The following songs are by the fantastic Kevin MacLeod. Music: March of the Spoons by Kevin MacLeod Free download: https://filmmusic.io/song/4021-march-of-the-spoons Licensed under CC BY 4.0: https://filmmusic.io/standard-license Music: The Snow Queen by Kevin MacLeod Free download: https://filmmusic.io/song/4511-the-snow-queen Licensed under CC BY 4.0: https://filmmusic.io/standard-license The following songs are used courtesy of Arcane Anthems, creator of royalty-free music for TTRPGs. Support Arcane Anthems on Patreon at patreon.com/arcaneanthems “Death March of the Under King” • • • This actual play episode uses the Bump in the Dark RPG rules by Jex Thomas and Last Pine Press. This is a fanmade work of parody. Improv Tabletop is not affiliated with the LEGO brand or its owner The LEGO Group.

Holmes investigates a series of murders involving young women, leading him to disguise himself and hide in a wax museum to catch the killer. | #RetroRadio EP0417Join the DARKNESS SYNDICATE: https://weirddarkness.com/syndicateCHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:50.000 = CBS Radio Mystery Theater, “A Matter of Love and Death” (March 19, 1976)00:46:41.229 = BBC Haunted Tales of the Supernatural, “Esmeralda” (August 30, 198)01:13:04.989 = The Haunting Hour, “No Escape” (September 01, 1945)01:38:16.049 = Have Gun Will Travel, “Blind Courage” (May 31, 1959)02:02:27.609 = Mystery Is My Hobby, “Sally Anders Is Murdered” (August 29, 1945)02:25:43.899 = Sherlock Holmes, “The Strange Case of the Murderer In Wax” (January 07, 1946)02:54:17.659 = Incredible But True, “Perennial Guest” (1950-1951) ***WD02:57:56.049 = Inner Sanctum, “The Man Who Couldn't Die” aka “Elixir Number Four” (October 30, 1945)03:27:28.689 = The Key, “Child Murderer” (1956) ***WD03:53:20.589 = Lights Out, “The Projective Mr. Drogan” (January 26, 1943)04:22:57.379 = The LineUp, “Lieutenant Guthrie Kidnapped” (June 19, 1951)04:47:44.635 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.Weird Darkness theme by Alibi Music LibraryABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.= = = = =CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0417

Dr. James White preaches on Mark 8:34-38.

The title says it all. It is not Anti-Semitic to question what is done in your name. It has possibly cost this brave young man his diploma from NYUhttps://edition.cnn.com/2025/05/16/us/nyu-withholds-diploma-student-gaza-speech-hnkhttps://www.youtube.com/watch?v=B4htjp8pO-8James Elder UNICEF interview https://www.youtube.com/watch?v=PvzA1CPw8Gk&pp=0gcJCY0JAYcqIYzv

Mikel's farewell show kicks off with our most spoileriffic Top 5 EVER, focusing on games where the hero's death is an unavoidable part of the story - will you tough it out, or skip around with the spoiler-dodging timestamps we throw out before even speaking each entry's name? Once that's done, we'll get into more Doom: The Dark Ages, Revenge of the Savage Planet, Rift Riff, game-industry price-hike forecasts, and your favorite memories of Mikel's 12-year tenure on VGA. Question of the Week: With the show under new direction going forward, what would you like to see from VGA in the future? Break song is Price of Freedom -I Want to See You Smile- by The Death March and Brothers by Paul Williams. Vidjagame Apocalypse theme by Matthew Joseph Payne.

On Yom HaShoah, Holocaust Remembrance Day, Margarita interviews Holocaust survivor - Miriam Griver. Miriam lived through the Holocaust as a child, and she talks about her family's brave, unbelievable story of survival. Miriam's father survived years in Auschwitz followed by the Death March. Miriam and her older sister hid in the trash in their ghetto to save themselves. Miriam reflects on her life, tells us how she channeled her story into an incredibly successful career of Jewish philanthropy, and leaves us with a powerful message to future Jewish generations. On Yom HaShoah, consider donating to The Blue Card fund which supports Holocaust survivors in need -https://bluecardfund.org/What We Discuss: 00:00 Intro & Episode Agenda 04:03 Miriam's impressive career & life in Israel 10:03 The story of Miriam's family during the Holocaust 36:50 Miriam's reflections on living in Israel post Oct 7th42:02 Miriam's message to young Jewish people

In this episode: Pub Quiz 1 Malcolm Bennett night First Day of Cheltenham Gold Cup Day Gravesend Dalston Pub & Beer News Crisp News Other News Pub Quiz 2 Meet the Brewer: Will Hiscocks Readers' Letters Book Corner Desert Island Crisps Bum Dosser Social Media Scene

Join us on The Big Fat Podcast as we salute the unbreakable spirit of Stillwater County's service members who traded Montana's quiet plains for the chaos of war. From John Matovich's tactical dog sleds built for a secret WWII invasion to William Arnold's harrowing survival in the Philippines, these local heroes carved legacies of grit and grace. Part of our "They Gazed on the Beartooths" series, this episode—packed with untold tales of courage—is brought to you in partnership with the Museum of the Beartooths and sponsored by Pinnacle Property of Montana. Like, subscribe, and share to honor their stories!**Thank You to Our Sponsor: Pinnacle Property of Montana**  Donna West, Owner/Broker  https://www.pinnacleproperty.com**Thank You to Penny Redli, Executive Director - Museum of the Beartooths**  https://www.museumofthebeartooths.comChapter Timestamps:  - [00:00] Introduction: Honoring Stillwater's Heroes  - [01:00] John Matovich: Crafting Tactical Dog Sleds  - [07:00] Camp Rimini: WWII's Sled-Building Hub  - [15:00] Steam-Bending Secrets: Sled Craft Unveiled  - [19:00] You Should Know: Battle of Hailstone Basin  - [21:00] William Arnold: From Fishtail to the Philippines  - [26:00] December 8, 1941: Bombs Over Bataan  - [33:00] POW Survival: Escaping the Death March  - [40:00] Hell Ships and Coconut Cargo: A Prisoner's Journey  - [50:00] Liberation: American Planes Drop Hope  - [56:00] Homecoming: Resilience After War  

Mars has been colonized by Earth, but the native Martians—gentle, intelligent beings—are treated as second-class citizens by humans… until the uprising. Hear the tale, “Martian Death March” from Future Tense in this marathon!CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:02:00.000 = CBS Radio Mystery Theater, “They Shall Stone Them With Stones” (September 09, 1975) ***WD00:47:38.689 = Future Tense, “Martian Death March” (May 07, 1974) ***WD01:15:52.799 = Gang Busters, “Russo Gang, AKA Safecrackers” (May 03, 1947) ***WD01:39:41.729 = The Green Hornet, “War on the Waterfront” (July 18, 1939)02:09:53.749 = The Lives of Harry Lime, “Hand of Glory” (January 11, 1952) ***WD02:36:04.219 = BBC Haunted Tales of the Supernatural, “What Was It” (January 02, 1980)03:04:06.199 = The Haunting Hour, “Homicide House” (May 27, 1945)03:29:07.129 = Have Gun Will Travel, “Sense of Justice” (March 29, 1959)03:50:06.189 = The Hermit's Cave, “It Happened On Sunday” (1940) ***WD04:13:33.009 = Mystery Is My Hobby, “Phony Husband” (1945-1947) ***WD (LQ)04:36:51.239 = Sherlock Holmes, “Gunpowder Plot” (November 05, 1945)05:06:18.855 = Show Close (ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.Weird Darkness theme by Alibi Music Library= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.= = = = =CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0336

In the summer of 1939 there was a little girl living in Lodz, Poland who was looking forward to the first grade. It was while on the family summer vacation that Eva Unterman heard her family members quietly talking about Germany and war. They cut short their vacation and went home to Lodz and soon little Eva was looking at black, shiny boots. The German invasion of Poland was underway. Eva's family was forced into the Lodz Ghetto. After four years in the ghetto they were deported to Auschwitz, Stutthof and a labor camp in Dresden and then marched to Theresienstadt. This march is referred to as the Death March. It was May 1945 when Eva and her parents were liberated.The German Third Reich took the lives of three million Polish Jews in World War II. Only a small number survived or managed to escape. And today, survivor Eva Unterman, now an Oklahoman, tells her story to honor the millions of children whose lives were cut short by the Nazis, and to be sure the Holocaust shall never happen again!Eva's granddaughter Phoebe has written a children's book Through Eva's Eyes about her grandmother's early life in Poland.

SUBSKRYPCJA SPOTIFY: https://creators.spotify.com/pod/show/micha-rapacz0/subscribe Jak wyglądały święta Bożego Narodzenia w 1942 roku na froncie wschodnim? Włoscy żołnierze z elitarnej jednostki Alpini zmierzyli się nie tylko z wrogiem, ale i z mroźną zimą, którą nazwali "Generałem Mrozem". W tym odcinku przyglądamy się ich wspomnieniom i opisom życia w okopach, próbom obchodzenia świąt oraz codziennym wyzwaniom na froncie. To wyjątkowa historia o walce, przetrwaniu i ludzkiej determinacji w ekstremalnych warunkach. #historia #podcasthistoryczny

Darkness Syndicate members get the ad-free version. https://weirddarkness.com/syndicateInfo on the next LIVE SCREAM event. https://weirddarkness.com/LiveScreamCHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:56.000 = CBS Radio Mystery Theater, “Frame-Up” (June 18, 1975)00:47:07.229 = The Green Hornet, “Trouble Hits Trolleys” (June 08, 1939) ***WD01:14:40.839 = The Hall of Fantasy, “Markheim” (April 24, 1947)01:40:55.669 = Harry Lime, “In Pursuit of a Ghost” (November 16, 1951)02:06:08.439 = Haunted – Tales of the Supernatural, “The Lamp” (July 07, 1984)02:32:01.029 = The Haunting Hour, “Bird of Death” (March 31, 1945)02:57:06.289 = Have Gun Will Travel (“A Matter of Ethics” (February 01, 1959)03:20:59.349 = The Hermit's Cave, “The Story Without End” (October 13, 1946) ***WD03:44:06.159 = Mystery Is My Hobby, “Short Distance to Murder” (ADU)04:09:04.609 = Sherlock Holmes, “Colonel Warburton's Madness” (September 10, 1945)04:37:28.009 = House of Mystery, “The Ghost Who Forgot Halloween” (October 27, 1945) ***WD05:08:49.060 = Show Close (ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.Weird Darkness theme by Alibi Music Library= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2024, Weird Darkness.= = = = =CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0268

Darkness Syndicate members get the ad-free version. https://weirddarkness.com/syndicateInfo on the next LIVE SCREAM event. https://weirddarkness.com/LiveScreamCHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:56.000 = CBS Radio Mystery Theater, “The Transformer” (June 06, 1975)00:46:45.419 = The Sealed Book, “Hands of Death” (March 18, 1945) ***WD01:16:54.039 = I Love a Mystery, “Grandma What Big Teeth You Have” (April 21, 1945) ***WD01:43:54.689 = The Shadow, “Gun Island” (October 23, 1938) ***WD02:13:43.939 = Sleep No More, “Passenger to Bali” (April 10, 1957) ***WD02:41:25.949 = BBC Spine Chillers, “The Boy Who Cried Woof” (March, 2006)02:55:35.709 = Strange, “Capt. Robinson” (1955)03:09:31.509 = Suspense, “The Pit and the Pendulum” (January 12, 1943) ***WD03:38:17.819 = Tales of the Frightened, “Hands of Fate” (1955)03:43:01.089 = Tales of Tomorrow, “The Other Now” (January 22, 1953)04:13:09.369 = Theater Five, “Incident at Apogee” (August 28, 1964) ***WD04:33:29.359 = CBC's Theater 1030, “The Pedestrian” (ADU) ***WD04:59:12.561 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.Weird Darkness theme by Alibi Music Library= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2024, Weird Darkness.= = = = =CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0262

Info on the next LIVE SCREAM event. https://weirddarkness.com/LiveScreamDarkness Syndicate members get the ad-free version. https://weirddarkness.com/syndicateCHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:56.000 = CBS Radio Mystery Theater, “Just One More Day” (May 29, 1975)00:48:24.699 = The Strange Dr. Weird, “Two Faces of Death” (March 13, 1945) ***WD (LQ)01:00:53.919 = The Eleventh Hour, “Bomb” (ADU)01:27:48.939 = Escape, “An Occurrence at Owl Creek Bridge” (December 10, 1947)01:57:27.839 = Murder By Experts, “It's Luck That Counts' (August 29, 1949) ***WD02:27:09.459 = Exploring Tomorrow, “Stranger With Roses” (June 11, 1958) ***WD02:45:33.049 = Fear on 4, “The Beast With Five Fingers” (January 31, 1988) 03:14:37.369 = Five After The Hour, “Life And Times of a Happy Man” (May 16, 1945) ***WD03:38:46.219 = Future Tense, “Protection” (May 19, 1974) ***WD (LQ)04:02:11.619 = Gang Busters, “Blackie Thompson” (December 08, 1945) ***WD (LQ)04:23:47.429 = BBC: Ghosts From The Past, “Black Stockings And Broken Mirrors” (July 08, 1992)05:07:27.263 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.Weird Darkness theme by Alibi Music Library= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2024, Weird Darkness.= = = = =CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0257

Info on the next LIVE SCREAM event: https://weirddarkness.com/LiveScreamDarkness Syndicate members get the ad-free version: https://www.patreon.com/posts/116412127CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:56.000 = CBS Radio Mystery Theater, “Deadly Dilemma” (May 15, 1975)00:48:29.679 = Sounds of Darkness, “Blind Lead Blind” (October 20, 1967)01:12:20.789 = CBC Deep Night, “Pig And Pepper” (July 22, 2005)01:44:40.769 = The Devil And Mr. O, “Official Killer” (October 07, 1972)02:13:42.169 = Diary of Fate, “Philip Vale” (June 01, 1948) ***WD (LQ)02:43:42.729 = Dimension X, “The Castaways” (August 11, 1950)03:09:01.599 = Doc Savage, “Flight Into Fear” (December 02, 1985)03:36:16.349 = The Strange Dr. Weird, “Voice of Death” (March 06, 1945) ***WD (LQ)03:48:55.409 = The Eleventh Hour, “Black Magic” (ADU) ***WD (LQ)04:13:54.589 = Escape, “Taboo, aka Taboo Werewolf” (December 03, 1947) ***WD04:43:32.949 = Exploring Tomorrow, “Diamond Mountain of Venus / Inferiority” (June 04, 1958) ***WD05:03:36.766 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.Weird Darkness theme by Alibi Music Library= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2024, Weird Darkness.= = = = =CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0249

Wake up Call! When you do not have the full armor of God you will wear the World's version and live as one walking on a Death March. Is there hope? The Enemy wants you to think you have no hope, do you listen? Bible Verse(s): Ephesians 6:10-13; Philippians 1:27-30; Romans 8:26-39 E: warriorwithin.christianmanhood@gmail.com TikTok: https://www.tiktok.com/@pastorwarriorwithin ----------------------------------------------------- Track: Jim Yosef - Samurai [NCS Release] Music provided by NoCopyrightSounds. Watch: Free Download / Stream: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://NCS.io/Samurai⁠⁠⁠⁠⁠⁠⁠ --- Support this podcast: https://podcasters.spotify.com/pod/show/warrior-within-christian/support

On today's program, The Fellowship's C.J. Burroughs shares the story of a brave Gentile who tried to save Jewish women marked for death by the Nazis.

Can the coworkers save Varrick World from Tokuga and his angry spirits? Let's find out! Chen reveals some secrets. Marion blows the fight sky high. Grandma Halmeoni fires her laser hands. • • • Patreon: patreon.com/improvtabletop Twitter / Instagram / Facebook / TikTok: @ImprovTabletop Email: ImprovTabletop@gmail.com Donations: ko-fi.com/improvtabletop • • • Audio Credits Varrick World's theme song is “Tiptoe Out the Back” by Dan Lebowitz, used courtesy of the YouTube Audio Library License. The following songs are also used courtesy of the YouTube Audio Library License. “The Black Cat” by Aaron Kenny “Smokey's Lounge” by TrackTribe The following songs are by the fantastic Kevin MacLeod. Music: Trouble With Tribals by Kevin MacLeod Free download: https://filmmusic.io/song/6621-trouble-with-tribals License (CC BY 4.0): https://filmmusic.io/standard-license Artist website: https://incompetech.com Music: Guzheng City by Kevin MacLeod Free download: https://filmmusic.io/song/7523-guzheng-city License (CC BY 4.0): https://filmmusic.io/standard-license Artist website: https://incompetech.com The following songs are used courtesy of Arcane Anthems, creator of royalty-free music for TTRPGs. Support Arcane Anthems on Patreon at patreon.com/arcaneanthems “Death March of the Under King” • • • This actual play episode uses the Avatar Legends RPG rules by Magpie Games.

In this episode, Dr. Snyder challenges the traditional high-volume dental model, once seen as the gold standard for success. As economic pressures rise and insurance reimbursements dwindle, many practices are struggling to stay afloat or closing their doors. He explores how shifting to a low-volume, high-value care model could save your dental business from burnout, increase profitability, and enhance patient satisfaction. Discover how innovation, AI, and personalized service can transform your practice for long-term sustainability.Listen in!Thank You for enjoying this episode of Delusional: Winning the Weekly War of DentistryRESOURCES:Learn more about LEGIONSubscribe to DELUSIONAL: Winning The Weekly War PodcastWrite a Review on iTunes‎

Broadcast 08/09/1955

Darkness Syndicate members get the ad-free version plus all of the artwork created for the YouTube and podcast thumbnails: https://www.patreon.com/posts/112272334CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:56.000 = CBS Radio Mystery Theater, “The Eye of Death” (March 07, 1975)00:47:26.990 = The Black Mass, “the Man In The Crowd” (ADU) ***WD00:59:36.090 = Boston Blackie, “Star Of The Nile” (July 14, 1944) ***WD01:29:32.661 = Box 13, “Triple Cross” (November 07, 1948)01:58:10.160 = Cabin B13, “The Bride Vanishes” (December 12, 1948)02:28:59.062 = Chet Chetter's Tales From The Morgue, “Peace To The Frifalites” (1989)02:57:23.992 = Cloak And Dagger, “The Norwegian Incident” (August 20, 1950)03:28:33.612 = The Clock, “All The Money In The World / The Actor” (November 17, 1946)03:54:18.950 = Confession, “Martin Everett” (July 12, 1953)04:25:30.960 = The Creaking Door, “Isle of Lost Souls” (ADU) ***WD04:54:29.273 = Show Close(ADU) = Air Date Unknown***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.Weird Darkness theme by Alibi Music Library= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2024, Weird Darkness.= = = = =CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0210

Belgian ultra runner Ivo Steyaert sits down with Doc in the Hiker Trash Radio studio to talk about his literal and figurative journeys. Settle in and buckle up as Ivo, as he is wont to do, covers A LOT of ground in his conversation with Doc. Listen closely, and you'll hear about non-athletic beginnings, shoe nostalgia, the Death March, the discovery of his super power, managing the suffering, back of the pack stories, breaking through barriers, stopping to smell the roses, FKTs, goosebumps, completing a six-day ultra with four days of tendonitis, and a Backyard Championship finish for the ages. Unbelievable. Learn more about your ad choices. Visit megaphone.fm/adchoices

2 hours of Crime First a look at the events of the dayThen X Minus One, originally broadcast September 8, 1955, 69 years ago, The Martian Death March. The story of man's inhumanity to Martians. An allegory of the westward expansion and the mistreatment of the native Americans.We follow that with Wanted, originally broadcast September 8, 1950, 74 years ago, FBI #15098 (Henry Clay Tolettr). The real-life story of a robber who has escaped jail told by those who were the officers and victims. Then Counterspy starring Don Maclaughlin and Mandel Kramer, originally broadcast September 8, 1949, 75 years ago, The Case of the Courageous Come-On.  A girl is "good at being bad" until she sees a blind spot. Is the sword mightier than the pen? After the drama, Vice President Barkley speaks about hiring disabled veterans. Next  The Mysterious Traveler, originally broadcast September 8, 1946, 78 years ago, The Symphony of Death.  Shortly after a composer buys three tombstones for his sisters, all three die of "unfortunate" accidents. Finally, Superman, originally broadcast September 8, 1941, 83 years ago.  Metropolis Football Team Poisoned.  The gorilla in the Doctor's lab is released.  But Superman gets him back in. Thanks to Honeywell for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamIf you like what we do here, visit our friend Jay at http://radio.macinmind.com for great old time radio shows 24 hours a day

From Schmelt Camp to "Little Auschwitz" Blechhammer's Role in the Holocaust (Purdue UP, 2024) is the first in-depth study of the second largest Auschwitz subcamp, Blechhammer (Blachownia Śląska), and its lesser known yet significant prehistory as a so-called Schmelt camp, a forced labor camp for Jews operating outside the concentration camp system. Drawing on previously untapped archival documents and a wide array of survivor testimonies, the book provides novel findings on Blechhammer's role in the Holocaust in Eastern Upper Silesia, a formerly Polish territory annexed to Nazi Germany in the fall of 1939, where 120,000 Jews lived. Established in the spring of 1942 to construct a synthetic fuel plant, the camp's abhorrent living conditions led to the death of thousands of young Jews conscripted from the ghettos or taken off deportation convoys from Western Europe. Blechhammer was not only used for selecting parts of the Jewish ghetto population for Auschwitz, but also for killing pregnant women and babies. As an Auschwitz satellite, Blechhammer became the scene of brutal executions and massacres of prisoners refusing to go on the Death March. This microhistory unearths the far-reaching complicity of often overlooked perpetrators, such as the industrialists, factory guards, policemen, and "ordinary" civilians in these atrocities, but more importantly, it focuses on the victims, reconstructing the prisoners' daily life and suffering, as well as their survival strategies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

From Schmelt Camp to "Little Auschwitz" Blechhammer's Role in the Holocaust (Purdue UP, 2024) is the first in-depth study of the second largest Auschwitz subcamp, Blechhammer (Blachownia Śląska), and its lesser known yet significant prehistory as a so-called Schmelt camp, a forced labor camp for Jews operating outside the concentration camp system. Drawing on previously untapped archival documents and a wide array of survivor testimonies, the book provides novel findings on Blechhammer's role in the Holocaust in Eastern Upper Silesia, a formerly Polish territory annexed to Nazi Germany in the fall of 1939, where 120,000 Jews lived. Established in the spring of 1942 to construct a synthetic fuel plant, the camp's abhorrent living conditions led to the death of thousands of young Jews conscripted from the ghettos or taken off deportation convoys from Western Europe. Blechhammer was not only used for selecting parts of the Jewish ghetto population for Auschwitz, but also for killing pregnant women and babies. As an Auschwitz satellite, Blechhammer became the scene of brutal executions and massacres of prisoners refusing to go on the Death March. This microhistory unearths the far-reaching complicity of often overlooked perpetrators, such as the industrialists, factory guards, policemen, and "ordinary" civilians in these atrocities, but more importantly, it focuses on the victims, reconstructing the prisoners' daily life and suffering, as well as their survival strategies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

From Schmelt Camp to "Little Auschwitz" Blechhammer's Role in the Holocaust (Purdue UP, 2024) is the first in-depth study of the second largest Auschwitz subcamp, Blechhammer (Blachownia Śląska), and its lesser known yet significant prehistory as a so-called Schmelt camp, a forced labor camp for Jews operating outside the concentration camp system. Drawing on previously untapped archival documents and a wide array of survivor testimonies, the book provides novel findings on Blechhammer's role in the Holocaust in Eastern Upper Silesia, a formerly Polish territory annexed to Nazi Germany in the fall of 1939, where 120,000 Jews lived. Established in the spring of 1942 to construct a synthetic fuel plant, the camp's abhorrent living conditions led to the death of thousands of young Jews conscripted from the ghettos or taken off deportation convoys from Western Europe. Blechhammer was not only used for selecting parts of the Jewish ghetto population for Auschwitz, but also for killing pregnant women and babies. As an Auschwitz satellite, Blechhammer became the scene of brutal executions and massacres of prisoners refusing to go on the Death March. This microhistory unearths the far-reaching complicity of often overlooked perpetrators, such as the industrialists, factory guards, policemen, and "ordinary" civilians in these atrocities, but more importantly, it focuses on the victims, reconstructing the prisoners' daily life and suffering, as well as their survival strategies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

From Schmelt Camp to "Little Auschwitz" Blechhammer's Role in the Holocaust (Purdue UP, 2024) is the first in-depth study of the second largest Auschwitz subcamp, Blechhammer (Blachownia Śląska), and its lesser known yet significant prehistory as a so-called Schmelt camp, a forced labor camp for Jews operating outside the concentration camp system. Drawing on previously untapped archival documents and a wide array of survivor testimonies, the book provides novel findings on Blechhammer's role in the Holocaust in Eastern Upper Silesia, a formerly Polish territory annexed to Nazi Germany in the fall of 1939, where 120,000 Jews lived. Established in the spring of 1942 to construct a synthetic fuel plant, the camp's abhorrent living conditions led to the death of thousands of young Jews conscripted from the ghettos or taken off deportation convoys from Western Europe. Blechhammer was not only used for selecting parts of the Jewish ghetto population for Auschwitz, but also for killing pregnant women and babies. As an Auschwitz satellite, Blechhammer became the scene of brutal executions and massacres of prisoners refusing to go on the Death March. This microhistory unearths the far-reaching complicity of often overlooked perpetrators, such as the industrialists, factory guards, policemen, and "ordinary" civilians in these atrocities, but more importantly, it focuses on the victims, reconstructing the prisoners' daily life and suffering, as well as their survival strategies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

From Schmelt Camp to "Little Auschwitz" Blechhammer's Role in the Holocaust (Purdue UP, 2024) is the first in-depth study of the second largest Auschwitz subcamp, Blechhammer (Blachownia Śląska), and its lesser known yet significant prehistory as a so-called Schmelt camp, a forced labor camp for Jews operating outside the concentration camp system. Drawing on previously untapped archival documents and a wide array of survivor testimonies, the book provides novel findings on Blechhammer's role in the Holocaust in Eastern Upper Silesia, a formerly Polish territory annexed to Nazi Germany in the fall of 1939, where 120,000 Jews lived. Established in the spring of 1942 to construct a synthetic fuel plant, the camp's abhorrent living conditions led to the death of thousands of young Jews conscripted from the ghettos or taken off deportation convoys from Western Europe. Blechhammer was not only used for selecting parts of the Jewish ghetto population for Auschwitz, but also for killing pregnant women and babies. As an Auschwitz satellite, Blechhammer became the scene of brutal executions and massacres of prisoners refusing to go on the Death March. This microhistory unearths the far-reaching complicity of often overlooked perpetrators, such as the industrialists, factory guards, policemen, and "ordinary" civilians in these atrocities, but more importantly, it focuses on the victims, reconstructing the prisoners' daily life and suffering, as well as their survival strategies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

From Schmelt Camp to "Little Auschwitz" Blechhammer's Role in the Holocaust (Purdue UP, 2024) is the first in-depth study of the second largest Auschwitz subcamp, Blechhammer (Blachownia Śląska), and its lesser known yet significant prehistory as a so-called Schmelt camp, a forced labor camp for Jews operating outside the concentration camp system. Drawing on previously untapped archival documents and a wide array of survivor testimonies, the book provides novel findings on Blechhammer's role in the Holocaust in Eastern Upper Silesia, a formerly Polish territory annexed to Nazi Germany in the fall of 1939, where 120,000 Jews lived. Established in the spring of 1942 to construct a synthetic fuel plant, the camp's abhorrent living conditions led to the death of thousands of young Jews conscripted from the ghettos or taken off deportation convoys from Western Europe. Blechhammer was not only used for selecting parts of the Jewish ghetto population for Auschwitz, but also for killing pregnant women and babies. As an Auschwitz satellite, Blechhammer became the scene of brutal executions and massacres of prisoners refusing to go on the Death March. This microhistory unearths the far-reaching complicity of often overlooked perpetrators, such as the industrialists, factory guards, policemen, and "ordinary" civilians in these atrocities, but more importantly, it focuses on the victims, reconstructing the prisoners' daily life and suffering, as well as their survival strategies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/genocide-studies

Jacki Krestel, re-joins the show to talk about the White Sox trade deadline, Garrett Crochet's demands, as well as the prospects of Drew Thorpe and Jonathan Cannon, as the White Sox head into the final 2 months of the season, "THE DEATH MARCH". SPONSORED BY PUNKY'S PIZZA AND PASTA!! Follow Jacki on Twitter https://x.com/zombie_jacki Order from Punky's https://punkyspizza.com/

Today we talk to Craig Day Borders about his great retirement adventure with marathons! Marathon running or walking is a huge goal for many people, retired and working, and Craig tells us about his journey on the Bataan Death March Marathon here. Great job, Craig! You are an inspiration and rocking this thing called Retirement!

Following a trail of withered, frozen trees up in to the mountains, our investigators prepare themselves for a face-to-face confrontation with the White Witch. Drew Tape insults people. Sam Sparrowgold calls his boss. Isi Kai makes a grand reveal. • • • Patreon: patreon.com/improvtabletop Twitter / Instagram / Facebook / TikTok: @ImprovTabletop Email: ImprovTabletop@gmail.com Donations: ko-fi.com/improvtabletop • • • Audio Credits Improv Tabletop's theme song is “Melodic Marauder”, written by Scott Villanueva, and performed by Scott Villanueva and Ned Wilcock. The following also by Ned Wilcock “The Seven Most Dangerous Things in the Outback” “Marauder Noir”  The following songs are used courtesy of Arcane Anthems, creator of royalty-free music for TTRPGs. Support Arcane Anthems on Patreon at patreon.com/arcaneanthems “Death March of the Under King” “Descent” The following songs are from tabletopaudio.com. All of the 10 minute ambiences on this site are licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License (https://creativecommons.org/licenses/by-nc-nd/4.0/). “Hidden Valley” • • • This actual play episode uses the Fate Accelerated RPG rules by Evil Hat Productions. This is a fanmade work of parody. Improv Tabletop is not affiliated with the Chronicles of Narnia brand or its owner the C.S. Lewis Company Ltd.

Avipaul Bhandari: Why Agile Processes Matter, And Help Avoid Deathmarch Projects Read the full Show Notes and search through the world's largest audio library on Scrum directly on the Scrum Master Toolbox Podcast website: http://bit.ly/SMTP_ShowNotes. Avipaul shares the story of a team working on an iPad app under tight deadlines. They skipped Scrum events, leading to chaos and missed deadlines. In this episode, we explore some of the most common anti-patterns that come from skipping or avoiding Agile processes and the importance of structure for teams, especially when under tight deadlines.  Featured Book of the Week: The Coaching Habit by Michael Bungay Stanier In this segment, Avipaul shares how "The Coaching Habit" by Michael Bungay Stanier,  transformed his approach as a Scrum Master. The book's seven powerful coaching questions, especially "And what else?", helped him enhance his coaching skills and deepen his 1:1 interactions.    [IMAGE HERE] Do you wish you had decades of experience? Learn from the Best Scrum Masters In The World, Today! The Tips from the Trenches - Scrum Master edition audiobook includes hours of audio interviews with SM's that have decades of experience: from Mike Cohn to Linda Rising, Christopher Avery, and many more. Super-experienced Scrum Masters share their hard-earned lessons with you. Learn those today, make your teams awesome!     About Avipaul Bhandari Avipaul is a seasoned Agile Coach with extensive experience helping teams and organizations implement Agile practices effectively. His expertise spans various domains, and he is passionate about fostering collaboration and continuous improvement. You can link with Avipaul Bhandari on LinkedIn and connect with Avipaul Bhandari on Twitter.

This one is all about getting more results and enjoyment out of your training. Be creative and make things work. Don't trudge through training tired and uninterested. A little undertrained is always better than being overtrained. Both for the race and your longevity. Do this for the right reasons and find ways to make training GIVE you energy, not take it away. Save the Death March for Race Day.  Topics: Your only worry during the heat Adapting to life situations Saddle pain Pool closed Traditional training plans When riding and swimming are paramount Undertrained vs overtrained Too much confidence could mean overtraining Fitness is fitness Don't be sedentary We just sit Walk You work work work, then we put on the icing Gray zone Mt. Bike for run supplement Death March - Save it for the race Flexible on the fkaround   Mike Tarrolly - mike@c26triathlon.com Robbie Bruce - robbie@c26triathlon.com

Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com!A creaking door and a chorus of haunting organ music. No radio show opening is more memorable for many fans than the one heard on Inner Sanctum Mysteries. This disturbing simple salvo led people into thirty minutes of suspense and horror sprinkled with puns from a creepy host, all of which can now be heard again in sparkling audio quality from Radio Archives.Inner Sanctum Mysteries was the brainchild of producer Himan Brown, inspired by the unsettling creaking door in the basement of a studio where he once worked. Brown took that inspiration and built around it a formula that lived on beyond the show itself. Listeners tuned in every week to hear that door open and be welcomed by the sinister, yet often humorous host to join him in a chair near the fire inside the Inner Sanctum for a story sure to chill them to the bone.Stories on Inner Sanctum Mysteries originally included both classic and original tales, the new stories taking center stage as the show continued. With writers like pulp scribes Emile Tepperman and Robert Newman, as well as Robert Sloan, Milton Lewis, and others, it is little surprise that Inner Sanctum is still beloved by fans today. Utilizing numerous clichés and literary devices, Inner Sanctum Mysteries carried listeners into the heart of horror, a liberal dose of camp often thrown in. Using voices ranging from star Boris Karloff to a veteran crew of New York radio actors, Inner Sanctum set the standard for horror programs both on radio and even inspired decades of horror hosts on television.Inner Sanctum Mysteries features some of the best of fright, terror, and fantastic storytelling old time radio has to offer!00:00:00.000 = INTRODUCTION00:01:54.794 = Creeping Wall (January 08, 1946)00:31:27.729 = Edge of Death (January 15, 1946)01:01:06.024 = Confession (January 22, 1946)01:30:49.779 = Blood of Cain (January 29, 1946)02:00:28.785 = Skeleton Bay (February 05, 1946)02:30:05.613 = Man Who Couldn't Die (February 12, 1946)02:59:42.217 = I Walk In Night (February 26, 1946)03:29:16.539 = Strands of Death (March 12, 1946)03:59:11.121 = Death Is A Doublecrosser (March 26, 1946)04:28:47.362 = Lady With a Plan (April 09, 1946)SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarknessWeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =CUSTOM WEBPAGE: https://weirddarkness.com/innersanctum-marathon-008

The Death March is over, but we still have to do our Plot Line Power Rankings, play a bracing game of Ned, Kitty, El, and slide, gracefully, into Dodo's DMs. Our scintillating Middlemarch content block comes to a scintillating end with the 1994 BBC miniseries! Music credits: “Typewriter Blues,” by AllenGrey "Slow Dance for Classical Strings," by Orchestralis Special thanks to Baby Bee Carys for the theme music! Subscribe to our Patreon at Patreon.com/BSCCPodcast and support the show at Bit.ly/RattlesnakeJake! Advertise on The Baby-Sitters Club Club via Gumball.fm Learn more about your ad choices. Visit megaphone.fm/adchoices

Our brutal march comes to an end in the forsaken lands where George's murderous schemes make targets of us all. But before we few survivors can rest our broken bodies on the unforgiving ground, we must spin the dread roulette of "Fred, Mary, Will" one last time. And also make a very steamy kissing scene a good deal more family friendly. Music credits: "Prince of Darkness," by Allen Grey "Baroque Harpsichord," by Cinemedia "Classical Baroque," by Cinemedia "Neoclassica Baroque," by Synthezx "Inspiring Baroque," by Orchestralis “Typewriter Blues,” by AllenGrey "Love Story," by SF Music Special thanks to Baby Bee Carys for the theme music! Subscribe to our Patreon at Patreon.com/BSCCPodcast and support the show at Bit.ly/RattlesnakeJake! Advertise on The Baby-Sitters Club Club via Gumball.fm Learn more about your ad choices. Visit megaphone.fm/adchoices

And now we march through the most dangerous territory yet: The fevered swamps where Emo Will Ladislaw lurks and the weary survivors must play "Fred, Mary, Will" ... or die. Music credits: "Neoclassica Baroque," by Synthezx "Prince of Darkness," by Allen Grey “Sadness,” by Allen Grey "Baroque Harpsichord," by Cinemedia "Classical Baroque," by Cinemedia “Chopstick Slapstick,” by OurMusicBox Special thanks to Baby Bee Carys for the theme music! Subscribe to our Patreon at Patreon.com/BSCCPodcast and support the show at Bit.ly/RattlesnakeJake! Advertise on The Baby-Sitters Club Club via Gumball.fm Learn more about your ad choices. Visit megaphone.fm/adchoices

The grueling death march through Middlemarch continues at a breakneck pace, and even King George himself has racked up a body count. Music credits: "Baroque Harpsichord," by Cinemedia "Classical Baroque," by Cinemedia "Inspiring Baroque," by Orchestralis "Baroque," by Gold Tiger "Neoclassica Baroque," by Synthezx "Marching Military Drums," by Orchestralis Special thanks to Baby Bee Carys for the theme music! Subscribe to our Patreon at Patreon.com/BSCCPodcast and support the show at Bit.ly/RattlesnakeJake! Advertise on The Baby-Sitters Club Club via Gumball.fm Learn more about your ad choices. Visit megaphone.fm/adchoices

March 6th: Thomas D. Carr Born (1846) One arrest can open up the floodgates and solve some seemingly unsolvable cases. On March 6th 1846 a man was born who would end up behind bars for one murder and one murder alone. However, if he is to be believed, then he is a prolific serial killer who, somehow, never got caught. https://en.wikipedia.org/wiki/Thomas_D._Carr, https://murderpedia.org/male.C/c/carr-thomas.htm, https://www.onlyinyourstate.com/west-virginia/carr-serial-killer-wv/, https://www.nytimes.com/1869/07/04/archives/the-sentence-of-thomas-d-carr-to-death-for-the-murder-of-miss-fox.html, Learn more about your ad choices. Visit megaphone.fm/adchoices

Dodo Brooke just rizzed up Casaubon, and that's only the first book. The blistering death march through Middlemarch begins in earnest. Music credits: "Prince of Darkness," by Allen Grey "Baroque," by Gold Tiger "Neoclassica Baroque," by Synthezx "Classical Baroque," by Cinemedia "Baroque Harpsichord," by Cinemedia "Inspiring Baroque," by Orchestralis Special thanks to Baby Bee Carys for the theme music! Subscribe to our Patreon at Patreon.com/BSCCPodcast and support the show at Bit.ly/RattlesnakeJake! Advertise on The Baby-Sitters Club Club via Gumball.fm Learn more about your ad choices. Visit megaphone.fm/adchoices

It begins. Music credits: "Heroic Ancient Adventure," by R-Production "Prince of Darkness," by Allen Grey Special thanks to Baby Bee Carys for the theme music! Subscribe to our Patreon at Patreon.com/BSCCPodcast and support the show at Bit.ly/RattlesnakeJake! Advertise on The Baby-Sitters Club Club via Gumball.fm Learn more about your ad choices. Visit megaphone.fm/adchoices