Podcasts about Weird Tales

Bar Talk (our recommendations):Jessica is watching The Assessment (2024, dir. Fleur Fortuné); drinking Evil Twin Brewing Pils: Dandies.Damien is watching DTF St. Louis (2026; TV series); drinking Larceny Bourbon old fashioned with chipotle bitters.Ryan is watching Lee Cronin's The Mummy (2026; dir. Lee Cronin); drinking Campbeltown Journey whisky. If you liked this week's story, read  Voice of the Fire by Alan Moore. Up next: "The Badlands" by John Metcalfe Special thank you to Dr Blake Brandes for our Whiskey and the Weird music!  Like, rate, and follow! Check us out @whiskeyandtheweird on Instagram, Threads & Facebook, and at whiskeyandtheweird.com

A grieving traveller in twentieth century London, drawn to morbid curiosities, encounters a mysterious old man with an extraordinary claim.This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “THE GORGON” by Clark Ashton Smith, 1932.

Bar Talk (our recommendations):Jessica is reading Baldwin: a Love Story by Nicholas Boggs; drinking Freeland Spirits Rye.Damien is watching Mother of Flies (2025; dir. Adams Family); drinking Kyrö Wood Smoke Whisky.Ryan is reading Shroud by Adrian Tchaikovsky; drinking Ardbeg Uigeadail. If you liked this week's story, read  Lakewood by Megan Giddings. Up next: "Scarrowfell" by Robert Holdstock Special thank you to Dr Blake Brandes for our Whiskey and the Weird music!  Like, rate, and follow! Check us out @whiskeyandtheweird on Instagram, Threads & Facebook, and at whiskeyandtheweird.com

There is a house in Auburn, California, with a tragic history and a new tenant. Jean Averaud has come from New Orleans with money, with books, with a beautiful mute woman who watches him with eyes full of something between devotion and dread. He has come with a theory about evil — not the Devil, not sin, not the ordinary darkness of human nature, but evil as a cosmic force, a radiation from a black sun somewhere in the depths of space.And he has come with a purpose. In the old Larcom house, with its history of sorrow and disaster, he has found exactly the conditions he needs. His neighbour, a novelist, finds himself drawn into Averaud's orbit. Clark Ashton Smith's The Devotee of Evil is a quiet story. It does not rush. It thinks. And what it thinks about has been troubling philosophers and theologians for two thousand years. The Devotee of Evil was first published in Smith's self-produced chapbook The Double Shadow and Other Fantasies in 1933, after failing to find a commercial publisher. It reappeared in Stirring Science Stories in February 1941. Clark Ashton Smith (1893–1961) was a California poet, painter, sculptor and writer of weird fiction, one of the central figures of the Weird Tales circle alongside H.P. Lovecraft and Robert E. Howard, with whom he maintained a long correspondence.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-classic-ghost-stories-podcast--7002956/support.*To buy my paperback books:* https://books.by/tony-walker-booksThe Classic Ghost Stories Newsletter — short essays on the genre, odd discoveries, and recommendations. Free, fortnightly. Subscribe: https://www.classicghost.com/#/portal To buy my ebooks and audiobooks: payhip.com/TheClassicGhostStoriesPodcastOr, if you'd just like to make a one-off gesture of thanks for my work https://buymeacoffee.com/10mn8sk *Intro and Outro Music by The Heartwood Institute*

Hoy Álvaro Loman entrevista a Kennet Hite, autor de las anotaciones del Libro El Rey de Amarillo Anotado. Robert W. Chambers AUTOR DE EL REY DE AMARILLO Robert W. Chambers (Brooklyn, 1865- Nueva York, 1933) fue escritor y pintor. En 1894 publicó su primer libro, In the Quarter, y al año siguiente, la que es su obra más conocida, la colección de relatos de horror sobrenatural El Rey de Amarillo, en los que introdujo el concepto de libro maldito que induce a la locura. Su influencia en H. P. Lovecraft y autores posteriores es innegable y, con el tiempo, se ha convertido en un clásico de culto. Más adelante publicó numerosas novelas históricas y románticas, que le reportaron gran éxito. Era aficionado a coleccionar mariposas y al arte oriental. Alberto Martínez «Kisama» Ilustraciones de la obra Alberto Martínez «Kisama» es ilustrador y autor de cómic, especializado en ilustración digital, matte painting y fotomontaje aplicados al género del terror. Es el creador del webcómic Apócrifa y colaborador habitual de Shadowlands Ediciones, donde ha ilustrado títulos como Amor por el dinero, Asesinato en el Imperial Fox, A un segundo de la medianoche, El aullido de las quimeras o El juego del océano. Kenneth Hite anotaciones de la obra Kenneth Hite (Oklahoma, 1965) es un reconocido diseñador y escritor de juegos de rol, con más de un centenar de obras publicadas. Es autor de la columna sobre Lovecraft en la edición de la revista Weird Tales galardonada con el Premio Hugo y de los juegos de rol El rastro de Cthulhu y Agentes de la Noche, la quinta edición de Vampire: Mascarada, así como de la galardonada campaña The Dracula Dossier, junto a Gareth Ryder-Hanrahan. Información La música que se escucha al principio es The Edge de Swoop. License code: AF9VIM0FXNO8YMOQ Suny Side/Airstream

Bar Talk (our recommendations):Jessica is watching The Household (2025; dir. Luke Shaw); drinking Meier's Creek Backwoods Trail.Damien is watching Super Dark Times (2017; dir. Kevin Phillips) & Soft & Quiet (2022; dir. Beth de Araujo); drinking Hai Seas San Oaks Whiskey.Ryan is watching Civil War (2024, dir. Alex Garland); drinking Tullibardine 15. If you liked this week's story, read  Famous Men Who Never Lived by K. Chess. Up next: "The Yellow Wallpaper" by Charlotte Perkins Gilman Special thank you to Dr Blake Brandes for our Whiskey and the Weird music!  Like, rate, and follow! Check us out @whiskeyandtheweird on Instagram, Threads & Facebook, and at whiskeyandtheweird.com

Our feature story appeared in Weird Tales magazine in February of 1925 about a grave robber who digs up the wrong grave. Any reproduction of Robert Crandall's voice for any purpose including Artifical Intelligence is prohibited. All right reserved.

For one hundred and fifty years, Columbus Norton has lived untouched by disease while the world outside studies him like a miracle trapped behind glass. But when a single visitor awakens a longing no experiment can control, the man who helped humanity live longer must decide whether freedom is worth dying for. The Incubator Man by Wallace West. That's next on The Lost Sci-Fi Podcast.Andrew sent us an email recently: “Loving all the new stories. I've noticed there's been a new episode every day for the last several weeks. Please keep it up!” Thanks for noticing, Andrew. Our goal is to keep releasing a brand-new story every day for as long as possible.If you have requests, comments, or suggestions, we'd love to hear from you. Send an email to scott@lostscifi.com.This is the first time we've featured a story by author Wallace West. Wallace George West was born in Walnut Hills, Kentucky, in 1900. Between 1927 and 1967 he published more than 60 short stories and four novels.Today's story was only his second published work. It appeared in Weird Tales magazine in October 1928 on page 535, The Incubator Man by Wallace West…Next on The Lost Sci-Fi Podcast, Factory workers race to meet impossible wartime production demands while hidden enemies move through the endless machinery of a spinning city in space. One man notices a detail no one else catches, and suddenly millions of lives depend on whether he acts before the shift ends. Factory In The Sky by Basil Wells.

Bar Talk (our recommendations):Jessica is reading Turtle Island by Sean Sherman; drinking Bodalen Bourbon by Far North Spirits.Damien is watching The Toxic Avenger (2025; dir. Macon Blair); drinking Mary Dowling Bourbon.Ryan is reading If We Were Villains by M.L. Rio; drinking Woodford Reserve Rye Old Fashioned. If you liked this week's story, read  Robert E. Howard's Conan stories: Xuthal of the Dusk, The Iron Shadows of the Moon, and Queen of the Black Coast. Or Lady Eleanor Smith's No Ships Pass (featured in WatW: S1E4). Interested in reading Mrs Roliston's Travelling Adventures by Amelia B Edwards? Find it here: https://digital.bodleian.ox.ac.uk/objects/80e3bb63-79f3-4505-9c4c-be8cd3d02ff0/ Up next: "The Curfew Tolls" by Stephen Vincent Benet Special thank you to Dr Blake Brandes for our Whiskey and the Weird music!  Like, rate, and follow! Check us out @whiskeyandtheweird on Instagram, Threads & Facebook, and at whiskeyandtheweird.com

Hechiceros, monstruos y bosques primigenios. Abadías, templos y castillos en ruinas, el Ciclo de Averoigne representa una de las más emblemáticas y paradójicamente desconocidas facetas de la obra de Clark Ashton Smith, que publicó buena parte de su obra en la mítica revista Weird Tales donde dejó una huella imborrable entre los renovadores de la literatura fantástica del siglo XX. Esta noche estrenamos su relato "La Bestia de Averoigne" invocado desde la antología de la Editorial Valdemar, "Cuentos de Averoigne" con la traducción de Marta Lila Murillo y la inestimable colaboración de Toliol, librero del mal en Gigamesh. Pueden hacerse con estos tomos primigenios aquí: https://www.valdemar.com/ Sigan al maestro Toliol en sus redes del Mal https://bsky.app/profile/toliol.bsky.social Sigan las redes de Librería Gigamesh https://bsky.app/profile/gigamesh.com

In this episode Mark interviews Canadian writer Colleen Anderson about writing horror and speculative fiction and poetry as well as non-fiction articles. Prior to the interview, Mark shares comments from recent episode, a personal update, and a word from this episode's sponsor. This episode is sponsored by Author Nation, being held in Las Vegas Nov 13 through 14, 2026 Learn more about Author Nation and register at AuthorNation.live. In the interview, Mark and Colleen talk about: How they've known each other mostly online Colleen's editing of the Tesseracts Seventeen anthology which Mark had a story in The Canadian horror anthology that Mark and Colleen Anderson are going to be which is coming in December 2026 Colleen's forthcoming poetry collection (TO THE LAST ION) and the poetry collection she published last year How Colleen uses such things as an instance of alien abduction and body horror in one of her poems to illustrate societal observations about things like the way we do body modifications or live within a world of stereotypes The prevalence of body horror lately and how it's often about a loss of control A look at universal monsters in a recent article Colleen wrote A definition of what body horror is, and a discussion of the Bram Stoker Award winning novel Queen of Teeth The days of paper manuscript submissions and the logistics involved in that The open mic workshop that takes place at places like StokerCon for speculative and horror poetry How Colleen decides what format an idea is going to take Putting in her "poet brain" instead of her "fiction writer brain" in some instances The methods Colleen uses to find markets to submit her writing to and how some of them work Finding and applying for various grants for writers/artists/creatives Advice Colleen would offer to writers wanting to submit their writing to various markets Colleen's first experience doing a live reading Some of the conferences Colleen is going to be attending in the next little while Where people can find Colleen online After the interview Mark reflects on the value of writing and submitting short pieces and the potential earning. He also talks about CanCon and the way different music/sounds can stir up emotions and deep memories and even things like Canadian pride. Links of Interest: Colleen Anderson's Website/Blog Nov 2, 2025 Episode of The Creative Penn Podcast (Creating While Caring with Donn King) Manuscript Report (Mark's affiliate link - use MARK10 to save 10%) Buy Mark a Coffee Patreon for Stark Reflections Mark's YouTube channel ElevenLabs (AI Voice Generation - Affiliate link) Mark's Stark Reflections on Writing & Publishing Newsletter (Signup) An Author's Guide to Working With Bookstores and Libraries The Relaxed Author Buy eBook Direct Buy Audiobook Direct Publishing Pitfalls for Authors An Author's Guide to Working with Libraries & Bookstores Wide for the Win Mark's Canadian Werewolf Books This Time Around (Short Story) A Canadian Werewolf in New York Stowe Away (Novella) Fear and Longing in Los Angeles Fright Nights, Big City Lover's Moon Hex and the City Only Monsters in the Building Once Bitten (Novella) The Canadian Mounted: A Trivia Guide to Planes, Trains and Automobiles Yippee Ki-Yay Motherf*cker: A Trivia Guide to Die Hard Merry Christmas! Shitter Was Full!: A Trivia Guide to National Lampoon's Christmas Vacation I Think It's A Sign That The Pun Also Rises   Colleen Anderson has been widely published across eight countries, with works appearing in publications such as Weird Tales, Cemetery Dance, Amazing, and Shadow Atlas. Rhysling Award winner for "Machine (r)Evolution" and a two-time winner of the SFPA's dwarf poetry contest, she has been nominated for Pushcart, Elgin, Rhysling, and Dwarf Stars Awards. She is a Canada Council, BC Arts Council and Ladies of Horror Fiction grant recipient. Her poetry collections include The Lore of Inscrutable Dreams, I Dreamed a World, Weird Worlds, and Vellum Leaves and Lettered Skins as well as two fiction collections A Body of Work and Embers Amongst the Fallen. Colleen freelances as an editor, and has served on the SFPA executive, as well as British Fantasy Award and Stoker juries. She lives in Vancouver, BC where she searches for mermaids.   The introductory, end, and bumper music for this podcast ("Laser Groove") was composed and produced by Kevin MacLeod of www.incompetech.com and is Licensed under Creative Commons: By Attribution 3.0

In this episode, we wrap up our three-part Death Valley series by diving into the 2000 documentary Amargosa—and let's just say… we had thoughts.We get into Megan's slow burn experience with the film (it took about an hour to click… but when it did, it really did), while Amy was immediately charmed by its very specific “1970s educational film” vibe—grainy footage, questionable cinematography, and all. Somehow, this thing both feels amateur and also won an Emmy, which… we're still processing.But what really pulled us in wasn't the filmmaking—it was MartaWe talk about her resilience, her wildly difficult upbringing, her complicated relationships, and how she somehow came out the other side as this deeply optimistic, slightly woo-woo, fully committed artist who just… did whatever the hell brought her joy. Whether that was painting murals she didn't own, performing for empty rooms, or building an entire life in the middle of nowhere, Marta didn't wait for permission.So, grab your wildflower seeds and join us where… The Activity Continues.Content Warning:We didn't find anything we thought deserved a content warning, but we did swear.Chapter Markers 00:00:00 Hello/Intro00:17:00 Side Quest: School Movies from Our Youth00:28:15 Marta and the Animals00:29:00 Back to Wilget00:32:54 Marta Looking Toward the Future00:35:52 Question for Everyone00:38:36 Other Shows Featuring Amargosa00: 47:19 End creditsEpisode links:Amargosa: https://www.imdb.com/title/tt0229976/ - you can watch on Amazon Prime ($) or Tubi (free)Weird Tales 4: The Ghosts of Death Valley Junction: https://www.imdb.com/title/tt1783417/ (Tubi free)Ghost Adventures Season 2 episode 11: https://www.imdb.com/title/tt1789274/Central California Paranormal Investigators: https://www.facebook.com/ccpifresno/Blog about films shown in school. Might bring back some memories! https://www.jenx67.com/2020/01/old-classroom-films.htmlCipher in the Snow (1973): https://en.wikipedia.org/wiki/Cipher_in_the_SnowMcGee and Me (1989): https://en.wikipedia.org/wiki/McGee_and_Me!Books:Amazon links could generate a small commission to us at no cost to you. If you don't want to buy it on Amazon ask at your local bookseller. I've included the publishers' names here too.“To Dance on Sands: The Life and Art of Death Valley's Marta Becket” by Marta Becket (2015 - Page Publishing):Paperback https://amzn.to/4cHXIjkKindle https://amzn.to/4cCe3pLHardcover: https://amzn.to/42av4mp(not on Audible)Marta Becket, a Theatrical Portrait: The Artist, the Performer, and Her Amargosa Opera House 4th Edition (2003 – Creel): https://amzn.to/4tm7jn8 (newer, more complete and less $$ edition of the below edition)Marta Becket: A Theatrical Portrait: The Artist, the Performer, and Her Amargosa Opera House (2000 - Creel) https://amzn.to/4tundfq (this is a very expensive different edition of the previous listed one)The Activity Continues is a paranormal podcast where soul friends Amy and Megan chat about true crime, ghost stories, hauntings, dreams, and other paranormal stuff including the TV show, The Dead Files. Our recaps are full of recurring jokes about recurring tropes.This episode was recorded on April 6, 2026, and released on May 14, 2026.Credits:Hosted by: Amy Lotsberg and Megan SimmonsProduction, Artwork, and Editing: Amy Lotsberg at Collected Sounds Media, LLC. https://www.collectedsounds.com/Theme song. “Ghost Story” and segment music by Melissa WestOverview music: “Beyond the Stars” by Chris Collins Engage!Our website, https://www.theactivitycontinues.com/ Leave us a Voicemail: https://www.theactivitycontinues.com/voicemail/ (might be read on the show)Newsletter sign-up: https://www.theactivitycontinues.com/newsletter  Join us on Patreon: https://www.patreon.com/theactivitycontinuesWe're on (almost) all the socials too @theactivitycontinuesAffiliates/SponsorsPlease see our Store page for all the links for all our current affiliates. https://www.theactivitycontinues.com/store/ Thank you for listening, take care of yourselves. We'll see you next time!If you want to hear us early and ad-free EVERY week, become a Patron, join our Ghosty Fam and get bonus exclusive episodes! https://www.patreon.com/theactivitycontinuesAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Beneath Castle Kralitz, a family ritual waits in darkness for the next heir to descend the hidden stairway and take his place among the dead. Franz Kralitz enters expecting a secret and discovers a fate that has been waiting for him since birth. The Secret of Kralitz by Henry Kuttner. That's next on The Lost Sci-Fi Podcast.Henry Kuttner was one of the most prolific writers in the early days of science fiction. I stopped counting after around 200 short stories, and what makes it all the more amazing is that he did it in just 21 years. Kuttner was only 42 when he died of a heart attack in 1958.This was only his fourth published story which can be found in Weird Tales magazine in October 1936 on page 361, The Secret of Kralitz by Henry Kuttner…Next on The Lost Sci-Fi Podcast, Two exhausted spacemen gamble their lives on an impossible return from Venus while an isolated outpost waits for rescue that may never come. As Earth races closer by the second, one reckless landing idea stands between them and a fireball over the Pacific. Message from Venus by Russ Winterbotham

Bar Talk (our recommendations):Jessica is watching Repeat (2021, dir. Richard Miller & Grant Archer); drinking Hudson Whiskey Do The Rye Thing.Damien is reading Breathe In, Bleed Out by Brian McAuley & Haunted Forest Tour by Jeff Strand and James A. Moore; drinking a Natasha's Pulverized Paste (Elijah Craig whiskey sour with apple and ginger).Ryan is watching "Wayward" (Netflix, 2025); drinking the Glenlivet 14 Cognac Cask. If you liked this week's story, read The Man in the High Castle by Philip K. Dick Up next: "The Discovery of the Treasure Isles" by Amelia B Edwards. Special thank you to Dr Blake Brandes for our Whiskey and the Weird music!  Like, rate, and follow! Check us out @whiskeyandtheweird on Instagram, Threads & Facebook, and at whiskeyandtheweird.com

Hechiceros, monstruos y bosques primigenios. Abadías, templos y castillos en ruinas, el Ciclo de Averoigne representa una de las más emblemáticas y paradójicamente desconocidas facetas de la obra de Clark Ashton Smith, que publicó buena parte de su obra en la mítica revista Weird Tales donde dejó una huella imborrable entre los renovadores de la literatura fantástica del siglo XX. Esta noche estrenamos su relato "La Bestia de Averoigne" invocado desde la antología de la Editorial Valdemar, "Cuentos de Averoigne" con la traducción de Marta Lila Murillo y la inestimable colaboración de Toliol, librero del mal en Gigamesh. Pueden hacerse con estos tomos primigenios aquí: https://www.valdemar.com/ Sigan al maestro Toliol en sus redes del Mal https://bsky.app/profile/toliol.bsky.social Sigan las redes de Librería Gigamesh https://bsky.app/profile/gigamesh.com Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Hechiceros, monstruos y bosques primigenios. Abadías, templos y castillos en ruinas, el Ciclo de Averoigne representa una de las más emblemáticas y paradójicamente desconocidas facetas de la obra de Clark Ashton Smith, que publicó buena parte de su obra en la mítica revista Weird Tales donde dejó una huella imborrable entre los renovadores de la literatura fantástica del siglo XX. Esta noche estrenamos su relato "La Bestia de Averoigne" invocado desde la antología de la Editorial Valdemar, "Cuentos de Averoigne" con la traducción de Marta Lila Murillo y la inestimable colaboración de Toliol, librero del mal en Gigamesh. Pueden hacerse con estos tomos primigenios aquí: https://www.valdemar.com/ Sigan al maestro Toliol en sus redes del Mal https://bsky.app/profile/toliol.bsky.social Sigan las redes de Librería Gigamesh https://bsky.app/profile/gigamesh.com

Reducto de nerds y filósofos, ilustradoras atrevidas e inversores de prestigio, Weird Tales fue el busque insignia durante años de lo que hoy entendemos como la herencia directa de lo que más amamos: la alternativa, lo que va por las calles, lo que le toca el culo a la vida cuando la vida le da la espalda. Hoy le pegamos un repaso a la Weird Tales. Para comprar mi último libro, Señora de los Caídos: https://www.amazon.es/Se%C3%B1ora-los-ca%C3%ADdos-Precuela-Atlas-ebook/dp/B0G3RTLK82 ¿Estás buscando un taller de terror verdadero? ÚNETE a la Academia Oscura: https://alvaroaparicio.net/taller-literario/ Cinco años metiéndole hachazos a nuestros protagonistas 🕶 ☄️ Y si este programa te ha gustado: comenta, dale a me gusta, compártelo. Ayúdanos a llegar a más gente ☄️ APÓYANOS EN: ☄ Patreon: https://www.patreon.com/vuelodelcometa ☄ iVoox: https://www.ivoox.com/support/1049191 ☄ YouTube: https://www.youtube.com/@vuelodelcometa TELEGRAM: ☄ Telegram (canal de difusión): https://t.me/canalvuelodelcometa ☄ Telegram (chat grupal): https://t.me/vuelodelcometacomunidad REDES SOCIALES: ☄ Instagram: https://www.instagram.com/vuelodelcometa ☄ Twitter: https://twitter.com/Vuelodelcometa ☄ Bluesky: https://bsky.app/profile/vuelodelcometa.bsky.social ☄ Threads: https://www.threads.com/@vuelodelcometa ☄ Facebook: https://www.facebook.com/Vuelodelcometa WEB: ☄ Web: alvaroaparicio.net Y si quieres contactar con nosotros para una promoción, no dudes en ponerte en contacto a través de: vuelodelcometapodcast@gmail.com Si quieres apoyar este y otros proyectos relacionados, puedes acudir a https://www.patreon.com/vuelodelcometa o a través del sistema de mecenazgo en iVoox. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Bar Talk (our recommendations):Jessica is reading Salt Slow by Julia Armfield; drinking Uncle Nearest 1884.Damien is watching Marshmallow (2025; dir. Daniel DelPurgatorio); drinking Mary Dowling bourbon.Ryan is reading Yeehaw Junction by Kayli Scholz; drinking the Aberlour 12. If you liked this week's story, read The Garden of Forking Paths by Jorge Luis Borges. Up next: "An Undistinguished Boy" by Gerald Kersh. Special thank you to Dr Blake Brandes for our Whiskey and the Weird music!  Like, rate, and follow! Check us out @whiskeyandtheweird on Instagram, Threads & Facebook, and at whiskeyandtheweird.com

On the last surviving star, a civilization that has mastered time, matter, and life itself faces a slow extinction they cannot stop. When a newly created mind claims victory over the unstoppable force consuming the universe, one decision will determine whether anything at all remains. The Red Brain by Donald Wandrei. That's next on The Lost Sci-Fi Podcast.Author Donald Wandrei makes his debut on the podcast today. Born in 1908 in St. Paul, Minnesota, he built a reputation as a science fiction writer, poet, and editor—and, like many writers of his era, he shared a strong connection with H. P. Lovecraft.As a teenager, Wandrei hitchhiked from Minnesota to Rhode Island to meet Lovecraft in person. That journey led to his involvement in the Lovecraft Circle, alongside writers such as Frank Belknap Long and Clark Ashton Smith.Wandrei also played a crucial role behind the scenes. Without his intervention, The Call of Cthulhu might never have appeared in Weird Tales. He wrote directly to the magazine's publisher, making it clear that if Lovecraft's work wasn't accepted, the author would take his stories elsewhere.In late 1937, after H. P. Lovecraft's death, Donald Wandrei and August Derleth tried to publish a memorial collection of his best weird fiction. When major publishers passed, they created their own company—Arkham House—to release Lovecraft's work in hardcover.The name comes from Lovecraft's fictional city of Arkham, Massachusetts.Donald Wandrei went on to write nearly 100 science fiction short stories, and he was just 16 when he wrote the one you're about to hear—his first to be published, in Weird Tales magazine in October 1927 on page 531, The Red Brain by Donald Wandrei…Next on The Lost Sci-Fi Podcast, Humanity finally reaches Mars expecting discovery, only to stumble into a revelation that quietly rewrites Earth's entire history. What begins as triumph turns into a cosmic joke with unsettling implications no one is prepared to accept. Mimsy's Joke by Millard Grimes.

WEIRD TALES - New York City Edition - with Steve StocktonBecome a supporter of this podcast: https://www.spreaker.com/podcast/missing-persons-mysteries--5624803/support.

Join Tod and Congressional Candidate Claire as they discuss H.P. Lovecraft's "The Silver Key," first published in the January, 1929 issue of Weird Tales.Please note: while this story is largely fanciful, this is ultimately a horror podcast, and so it may not be suitable for all audiences. In particular, this discussiojn involves the horrors of growing old, the siren's song of nostalgia bordering on retromania, grotesque packaging, and the utter meaningless of life in a blind and uncaring cosmos. If this subject matter is likely to disturb or offend you, you may wish to skip this episode.You can catch Claire on CombatVetPaul's channel, live streamed (or recorded if it's after April 29, which is almost certainly is when you read this): https://www.youtube.com/watch?v=8z_si0s8YO8You can follow along with Tod's adventures with "The Lovecraft Conference" here: https://lovecraft-conference.podsothoth.clubHey, it's registration and travel planning time for NecronomiCON Providence! Go here: https://necronomicon-providence.com/welcome/. Wanna meet up? Write or at-us at hideous@podsothoth.club or https://defcon.social/@podsothoth!Finally, you should also listen to War in Pieces: https://warinpiec.es. It's a day-by-day, sentence-by-sentence reading of War in Peace, usually read by Tod, occasionally read by Claire and other guests. If you want to read a sentence, just record yourself on a voice memo and email it to patience@warinpiec.es. It'd be helpful to limit yourself to something nearby where the podcast is, and of course, please use the same text Tod uses: https://github.com/todb/warinpieces/blob/main/warpeace01tols_0.pdf (as of this show note in April of 2026, we've just started on page 4).You can text us now. Why? That's between you and your Elder God. Support the showLike the show? Say so with money! Or just hang out with us on Mastodon, at @podsothoth@defcon.social. Or email us at hideous@podsothoth.club. Best thing? Rate us (positively!) in your favorite podcast app. That helps other people find the show!

WEIRD TALES from OTR - Strange Tales of Trucks and Truckers with Steve StocktonBecome a supporter of this podcast: https://www.spreaker.com/podcast/missing-persons-mysteries--5624803/support.

"Soñé con aquella entidad oscura, era como un árbol que caminaba por los bosques y echaba raíces en un lugar escogido... Y rezaba con todas aquellas bocas... Rezaba al viejo dios que habita bajo del suelo" "Cuaderno hallado en una casa deshabitada", traducido por Francisco Torres Oliver e invocado en diversas compilaciones de la Editorial Valdemar, publicado en el número de mayo de 1951 de la revista Weird Tales... Un relato de Horror Cósmico escrito por Robert Bloch para deleite y pavor de los amantes de los Mitos de Cthulhu. Esta adaptación ha sido posible gracias a la colaboración de Toliol, Librero del Mal en Gigamesh y a nuestros mecenas, únanse a nuestro culto tentacular y disfruten de invocaciones exclusivas y delirios primigenios! Pueden hacerse con estos tomos primigenios aquí: https://www.valdemar.com/ Sigan al maestro Toliol en sus redes del Mal https://bsky.app/profile/toliol.bsky.social Sigan las redes de Librería Gigamesh https://bsky.app/profile/gigamesh.com Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Rainy Stormy Overnight at The Night Cafe - Weird Tales to Sleep By with Steve StocktonBecome a supporter of this podcast: https://www.spreaker.com/podcast/missing-persons-mysteries--5624803/support.

Weird Tales Legends and Stories of New York with Steve StocktonBecome a supporter of this podcast: https://www.spreaker.com/podcast/missing-persons-mysteries--5624803/support.

Here’s the audio from the April 8, 2026 Fantastic Fiction at KGB, with guests Michael Swanwick & Mike Allen. Both read from their works to wow the audience. Support the Fantastic Fiction at KGB series by clicking here!​​​​​​​​​​​​ ​ Michael Swanwick Michael Swanwick has been writing fantasy and science fiction at every length from flash fiction to novel trilogy for over forty years, during which time he has received the Nebula, Theodore Sturgeon, and World Fantasy Awards, as well as five Hugo Awards. As a hobby, he writes critical non-fiction and the occasional interview. & Mike Allen Mike Allen's most recent novel is Trail of Shadows, published in 2025. Two of his collections of horror tales, Unseaming and Aftermath of an Industrial Accident, were finalists for the Shirley Jackson Award, and as an editor, he's a two-time World Fantasy Award nominee. His short fiction has appeared in Apex Magazine, Beneath Ceaseless Skies, Cosmic Horror Monthly, Interzone, Weird Tales, and Storyteller: A Tanith Lee Tribute Anthology. With his wife and creative partner, Anita, he runs Mythic Delirium Books in Roanoke, Virginia.

Este es uno de nuestros proyectos de ficción sonora más emblemáticos y primigenios! Tras una ardua labor de traducción, locución y edición sonora tentacular, os ofrecemos por fin uno de los pilares de Los Mitos de Cthulhu! Con la inestimable colaboración de los maestros Iskander, KeySvnKvlt y Lucian en los guturales del primigenio YogSOthOth. iVoox ha facilitado un nuevo formato de publicación de pago único, lo que nos permitirá desarrollar ficciones exclusivas, más largas y titánicas, de Lovecraft y otros escritores de Fantasía Terror y Ciencia Ficción. Si queréis contribuir, mostrar vuestro apoyo por el proyecto de Noviembre Nocturno y disfrutar de El Horror de Dunwich, adquirir este episodio es el mejor medio para hacerlo! Más de tres horas de ficción sonora con nuestra habitual introducción y análisis posterior. Con el guión, la voz y el montaje de Lávdano. Y que las Babas del Gran Cthulhu caigan sobre vosotros y os cubran de deleites! Aquí os dejamos la reseña. Escrito en 1928, El Horror de Dunwich se publicó por primera vez en el número de abril de 1929 de la mítica revista Weird Tales. Ambientado en una localidad imaginaria de Massachusetts, para muchos, es una de las historias centrales de los Mitos de Cthulhu. Lovecraft se enorgullecía de "El horror de Dunwich", calificándolo de "tan diabólico que Farnsworth Wright (editor de Weird Tales) quizá no se atreva a publicarlo". Sin embargo, Wright lo compró de inmediato después de su lectura, y le envió a Lovecraft un cheque por 240 dólares, una buena suma para la época, y de hecho, el mayor pago que había recibido por su obra hasta ese momento En una carta dirigida a su amigo y corresponsal Farnsworth Wright, fechada el 5 de julio de 1927, Lovecraft escribe: "Todos mis cuentos se basan en la premisa fundamental de que las leyes, intereses y emociones humanas carecen de validez o importancia en la escala del vasto cosmos. Me resultan pueriles los cuentos que pretenden trasladar las formas y pasiones de la condición humana a otros mundos y universos". H.P.L. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   From the Probabilities Archive: E. Hoffman Price, Fantasy & Science Fiction Pulp Writer E. Hoffman Price (1898-1988), fantasy and science fiction author who published in various pulp magazines from the 1920s into the 1950s, in conversation with Probabiliaties hosts Richard Wolinsky, Richard A. Lupoff and Lawrence Davidson, recorded in early 1979 at Price's home in Redwood City, California. E. Hoffman Price, who was born 1898 and died shortly before his 90th birthday in 1988, wrote fantasy and science fiction stories for the pulp magazines of the first half of the twentieth century, along with some non-fiction. Mostly forgotten today, though several of his stories are available in small press editions, his claim to fame is a single collaboration with the great horror writer H.P. Lovecraft, titled “Through the Gates of the Silver Key,” a sequel to Lovecraft's story, “The Silver Key.” A contributor to Weird Tales, he was also friends with two other writers from the magazine, Seabury Quinn and Clark Ashton Smith, as well as with the longtime editor of Weird Tales, Farnsworth Wright. He also knew Otis Adelbert Kline, famous in his day for writing imitations of Edgar Rice Burroughs. In the interview, Price talks about his writing career, his friendships with H.P. Lovecraft, horror writer Seabury Quinn, adventure writer Otis Adelbert Kline, and horror master Clark Ashton Smith. The Probabilities radio show first went on the air on KPFA in 1977. Within a year, my co-host Lawrence Davidson was on the trail for old pulp writers and editors, egged on by science fiction and fantasy author Richard A. Lupoff, who officially joined the show a couple of years later. This interview, following on the heels of interviews with pulp science fiction author Stanton A. Coblentz and editor Charles Hornig, was conducted at Price's house in Redwood City, California, most likely in the spring of 1979. Accompanying Dick, Lawrence and myself were Dick's wife Pat Lupoff and science fiction fanzine editor Jim Purviance. Over two hours were recorded on multiple tapes, and parts of the transcription can be found in the book Space Ships Ray Guns Martian Octopods: Interviews with Science Fiction Legends. The interview was digitized and then remastered using AI technology first, and then edited for clarity and coherence. Some outtakes exist which I can forward by email via richard@kpfa.org. The unpublished memoir Price discusses in the interview, Book of the Dead: Friends of Yesteryear, Fictioneers and Others was eventually published posthumously, in 2001. The interview opens with a question by Richard A. Lupoff. Several collections of stories by E. Hoffman Price were published in 2017 by Wildside Press, and are available both digitally and in print. The interview was digitized, remastered and edited in March 2026. This interview was first heard in a very truncated version in 1979 and has not been aired until now. The complete 68-minute interview can be heard here.   Rob Nillson: Award-Winning Independent Film-maker Rob Nillson is a Bay Area based maverick filmmaker. The winner of the Camera d'Or at Cannes in 1979 for Northern Lights and the Grand Prize at Sundance for Heat and Sunlight in 1988, he continues to make independently distributed films. A documentary about the life and work of Rob Nillson, titled The Way Things Seem to Be, introduced by Rob Nillson and the documentary's director, Zahn Petrov, gets its world premiere at the Christopher Smith San Rafael Film Center this coming sunday, March 29th at 12 noon, and for more information you can go to cafilm.org. This interview was part of a larger interview about the life and work of filmmaker David Schickele.     Review of “Assassins” at Oakland Theatre Project through April 5, 2026.e     Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others for shorter periods each week. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival  See website for highlights from the 110th Annual Bay Area Book Festival, May 31 – June 1, 2025. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.  Monthly Event Calendar. BookShop West Portal. Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actors Ensemble of Berkeley.  See website for readings and events. Actor's Reading Collective (ARC).  See website for upcoming productions. African American Art & Culture Complex. See website for calendar. American Conservatory Theatre  ||: Girls :||: Chance :||: Music :||. through April 19, Strand Theatre. Hamnet, adapted by Lolita Chakrabarti, April 22 – May 24.  Awesome Theatre Company. See website for information. BATS Improv Improvised theatre. See website for schedule. BATS Bayfront Theatre, Fort Mason Center, San Francisco. Berkeley Playhouse. Once, February 20 – March 29.  Berkeley Rep. All My Sons by Arthur Miller, Feb. 20 – March 29, Roda Theatre. The Monsters by Ngozi Anyanwu, March 27 – May 3, Peets Theatre. Berkeley Shakespeare Company See website for upcoming productions. Brava Theatre Center: See calendar for events listings. BroadwaySF: MJ The Musical, March 24 – April 5, Orpheum. Hadestown, April 21 -26,  Orpheum.  Hells Kitchen, May 6 – 24, Orpheum. See website for complete listings for the Orpheum, Golden Gate and Curran Theaters. note: BroadwaySF is now ATG Tickets. Broadway San Jose:  Beetlejuice, March 31 – April 5. Les Miserables, April 29 – May 3. Back to the Future, June 2 – 7. The Sound of Music, July 21-26, Center REP: Lost in Yonkers by Neil Simon, March 29 – April 19. Central Stage. See website for upcoming productions, 5221 Central Avenue, Richmond Central Works After Happy by Patricia Milton, Feb. 28 – March 29. Cinnabar Theatre. The Christians by Lucas Hnath, April 10-26, The Secret Garden, June 12 – 28. Club Fugazi. Dear San Francisco, ongoing. Closed Monday and Tuesday. Contra Costa Civic Theatre A Chorus Line, June 6 – 21, 2026. See website for other events and concerts. Golden Thread  Festival of Palestinian Art, April 9-19, Potrero Stage..See website for details and specifics. Hillbarn Theatre: The Play That Goes Wrong by Henry Lewis, Jonathan Sayer & Henry Shields, April 23 – May 17. Lorraine Hansberry Theatre. 2026 season: Sistahfriend by Phaedra Tillery-Boughton, Magic Theatre, May 15-17; African Stew by Dr. Lisa B. Thompson, Sept. 10-27. Magic Theatre; Soulful Christmas, December, Magic Theatre. Los Altos Stage Company. The Cherry Orchard by Anton Chekhov, adapted by Tom Stoppard, April 16 – May 10. Lower Bottom Playaz  See website for upcoming productions. Magic Theatre. Macbeth, translated and adapted by Migdalia Cruz. Extended through April 12. Marin Shakespeare Company: La Comedia of Errors, April 17 – May 10, As You Like It, June 19 – July 19, Julius Caesar, August 14 – Setpember 13, See website for schedule. Marin Theatre:  60th Anniversary Gala, April 19. Pictures from Home by Sharr White, May 7-31. Masquers Playhouse, Point Richmond. The Gods of Comedy by Ken Ludwig, April 24 – May 17. Mission Cultural Center for Latino Arts Closed. SF Chronicle gift article. New Conservatory Theatre Center (NCTC)  Gods and Monsters based on the novel by Christopher Bram, written and adapted by Tom Mullen, March 6 – April 5. New Performance Traditions.  See website for upcoming schedule Oakland Theater Project. Assassins, March 29 – April 5. The House of Bernarda Alba by by Federico Garcia Lorca, adapted by Chay Yew, May 22 – June 7. The Fre by Taylor Mac, June 18-28. Odd Salon: Upcoming events in San Francisco & New York, and streaming. Palace of Fine Arts Theater.  See website for event listings. Pear Theater. Anon(ymous) an adaptation of the Odyssey, by Naomi Iizuka, April 18 – May 3, God of Carnage by Yazmina Reza, June 12 – 28. See website for staged readings and other events. Playful People Productions. See website for classes and upcoming events. . Presidio Theatre. See website for complete schedule of events and performances. Ray of Light: Mean Girls The Musical. May 1 – 30. Urinetown, July 31 – August 29. Ross Valley Players: See website for New Works Sunday night readings and other events. San Francisco Playhouse. Flex by Candrice Jones. March 26 – May 7.. SFBATCO.  See website for streaming and in- theater shows. San Francisco Shakespeare Festival. Shakespeare on Tour: Julius Caesar, through May. See website for more information. San Jose Stage Company: See website for events and upcoming season Shotgun Players.  The Goat, or Who Is Sylvia by Edward Albee, March 21 – April 19. South Bay Musical Theatre:  On The Twentieth Century, April 19-20. SPARC: See website for upcoming events. Stagebridge: See website for events and productions. Storytime every 4th Saturday. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Lunatico  See website for upcoming productions.. Theatre Rhino  Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley Primary Trust by Eboni Booth, March 4 – 29, Lucie Stern Theatre, Palo Alto. Word for Word.  See website for upcoming productions. Misc. Listings: BAMPFA: On View calendar for Berkeley Art Museum and Pacific Film Archive. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2025 Season. Dance Mission Theatre. On stage events calendar. Fort Mason Center. Events calendar.Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Gay Men's Chorus. See schedule for upcoming SFGMC performances. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. League of Livestream Theatre: See website for streaming plays. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org   . y. The post Bookwaves/Artwaves – March 26, 2026: Pulp Magazine Author E. Hoffman Price (1898-1988) appeared first on KPFA.

E. Hoffman Price (1898-1988), fantasy and science fiction author who published in various pulp magazines from the 1920s into the 1950s, in conversation with Probabiliaties hosts Richard Wolinsky, Richard A. Lupoff and Lawrence Davidson, recorded in early 1979 at Price's home in Redwood City, California. E. Hoffman Price, who was born 1898 and died shortly before his 90th birthday in 1988, wrote fantasy and science fiction stories for the pulp magazines of the first half of the twentieth century, along with some non-fiction. Mostly forgotten today, though several of his stories are available in small press editions, his claim to fame is a single collaboration with the great horror writer H.P. Lovecraft, titled “Through the Gates of the Silver Key,” a sequel to Lovecraft's story, “The Silver Key.” A contributor to Weird Tales, he was also friends with two other writers from the magazine, Seabury Quinn and Clark Ashton Smith, as well as with the longtime editor of Weird Tales, Farnsworth Wright. He also knew Otis Adelbert Kline, famous in his day for writing imitations of Edgar Rice Burroughs. In the interview, Price talks about his writing career, his friendships with H.P. Lovecraft, horror writer Seabury Queen, adventure writer Otis Adelbert Kline, and horror master Clark Ashton Smith, as well as colorful tales of whore houses and the publishing industry that existed a century ago. The Probabilities radio show first went on the air on KPFA in 1977. Within a year, my co-host Lawrence Davidson was on the trail for old pulp writers and editors, egged on by science fiction and fantasy author Richard A. Lupoff, who officially joined the show a couple of years later. This interview, following on the heels of interviews with pulp science fiction author Stanton A. Coblentz and editor Charles Hornig, was conducted at Price's house in Redwood City, California, most likely in the spring of 1979. Accompanying Dick, Lawrence and myself were Dick's wife Pat Lupoff and science fiction fanzine editor Jim Purviance. Over two hours were recorded on multiple tapes, and parts of the transcription can be found in the book Space Ships Ray Guns Martian Octopods: Interviews with Science Fiction Legends. The interview was digitized and then remastered using AI technology first, and then edited for clarity and coherence. Some outtakes exist which I can forward by email via richard@kpfa.org. The unpublished memoir Price discusses in the interview, Book of the Dead: Friends of Yesteryear, Fictioneers and Others was eventually published posthumously, in 2001. The interview opens with a question by Richard A. Lupoff. Several collections of stories by E. Hoffman Price were published in 2017 by Wildside Press, and are available both digitally and in print. The interview was digitized, remastered and edited in March 2026. This interview was first heard in a very truncated version in 1979 and has not been heard until now.   The post Probabilities Archive: E. Hoffman Price (1898-1988), Science Fiction & Fantasy Pulp Magazine Author appeared first on KPFA.

"Xeethra" is a Zothique Cycle story by Clark Ashton Smith, first published in the December 1934 edition of Weird Tales. "A strange tale about a goatherd who had been king in the olden days, and how he regained and lost again his kingship." Learn more about your ad choices. Visit megaphone.fm/adchoices

APPALACHIAN DREAD - WEIRD TALES From The SOUTH Steve Stockton & Jared King - Check out Jared's EXCELLENT Appalachian YouTube channel: https://www.youtube.com/@JaredKingTVBecome a supporter of this podcast: https://www.spreaker.com/podcast/missing-persons-mysteries--5624803/support.

A reading of the "The Silver Key," by H.P. Lovecraft, first published in the January, 1929 issue of Weird Tales, and first read aloud here, by me, in March of 2026.Please note: while this story is largely fanciful, this is ultimately a horror podcast, and so it may not be suitable for all audiences. In particular, this story involves the horrors of growing old, the siren's song of nostalgia bordering on retromania, suicidal thoughts, grotesque packaging, and the utter meaningless of life in a blind and uncaring cosmos. If this subject matter is likely to disturb or offend you, you may wish to skip this episode.You can read this story yourself at HPLovecraft.com, or enjoy the ambient "Sound of Jupiter | 12 Hours of Space Ambient Sounds" by Voice of the Deep Space, at https://www.youtube.com/watch?v=G8myhlA8PZAYou can text us now. Why? That's between you and your Elder God. Support the showLike the show? Say so with money! Or just hang out with us on Mastodon, at @podsothoth@defcon.social. Or email us at hideous@podsothoth.club. Best thing? Rate us (positively!) in your favorite podcast app. That helps other people find the show!

He escapes drowning only to discover that the island holding him is not as empty as it seems. When he finds a machine that might change more than his location, he must decide whether to risk everything on a button marked START. Castaway by A. Bertram Chandler. That's next on The Lost Sci-Fi Podcast.We do love narrating stories that were published in Weird Tales magazine. From the November 1947 issue of the the publication where strange beings stirred in the dark, and every page felt like something you maybe shouldn't be reading alone at midnight. Turn to page 86, Castaway by A. Bertram Chandler…Next on The Lost Sci-Fi Podcast, In a world where machines have ended hunger and hardship, two men discover that being unnecessary can hurt more than being poor. When they confront the most powerful creation ever built, they expect a fight—and instead hear something that leaves them shaken. Quixote And The Windmill by Poul Anderson.☕ Buy Me a Coffee - https://lostscifi.com/coffee===========================

In this interview, writer, editor, and publisher James Aquilone discusses his journey into horror and weird fiction, founding Monstrous Books, and creating projects like the noir-horror-comedy Dead Jack, Zombie Detective alongside major anthologies such as Classic Monsters Unleashed and the Kolchak: The Night Stalker 50th Anniversary graphic novel. Aquilone reflects on what reviving the legendary Weird Tales brand means to him personally, details his new Kickstarter project including his approach to selecting contributors and the tone backers can expect, addresses the challenges of producing a legacy anthology in today's publishing landscape, and shares his Bram Stoker Award experience. Go back Weird Tales now at http://kck.st/3ZFaj0S! You can follow James at his site jamesaquilone.com or on Instagram @james_aquilone. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

"The Spirits of the Lake" is a short story by Alonzo Deen Cole, author and director of the 1930s radio series, The Witch's Tale. The story first appeared in the November 1941 edition of Weird Tales. "Was it at the bidding of the 'Old Ones' that slime—loathsome, hideously green—rose from the lake's dreadful depths?" Learn more about your ad choices. Visit megaphone.fm/adchoices

He wanted to look beyond time and prove that history was still alive, waiting in hidden dimensions. What answered him from those angles was patient, hungry, and already on his scent. The Hounds of Tindalos by Frank Belknap Long. That's next on The Lost Sci-Fi Podcast.Frank Belknap Long spent more than forty years shaping the landscape of science fiction. He wrote nearly 200 short stories, with about 60 now in the public domain. We've narrated fewer than ten so far, which means many more tales from this gifted storyteller are still to come on The Lost Sci-Fi Podcast.You know a story has staying power when editors keep bringing it back. Today's tale has been reprinted nearly 80 times since its original publication—a remarkable run that speaks for itself.First published 97 years ago in the March 1929 issue of Weird Tales magazine, let's go to page 373, The Hounds of Tindalos by Frank Belknap Long…Next on The Lost Sci-Fi Podcast, Episode 500, A single mind reshapes the future in silence—until power attracts the wrong kind of attention. When creation accelerates beyond control, the price of playing god may no longer be paid by the god alone. Microcosmic God by Theodore Sturgeon.===========================☕ Buy Me a Coffee - https://lostscifi.com/coffee

This week on Bronze and Modern Gods, the comic market delivers another round of surprises, from instant speculation heat to Golden Age auction drama.A brand-new Image Comics debut, White Sky #1, is already selling for multiples of cover price just days after release. Is this real demand, market momentum…or another short-term spec spike?Meanwhile, a high-grade copy of Captain America's Weird Tales #74 is currently climbing at auction - already reaching eye-opening numbers with bidding still underway. But is it REALLY a 7.5?

A brilliant physician risks his own life to force open the border between body and soul, determined to correct what he believes nature has failed to complete. When the experiment ends and only one flame returns, his assistant must decide whether to protect a dangerous legacy—or let it rise again in a new form. The Ultimate Problem by Victor Rousseau. That's next on The Lost Sci-Fi Podcast.Victor Rousseau joins us on The Lost Sci-Fi Podcast for the first time today.Born in Belgium in 1879, Rousseau was educated in Europe before emigrating to the United States as a young man. He eventually settled in New York, where he moved from journalism and translation work into fiction. Like many early pulp writers, he didn't begin in science fiction alone. He wrote adventure stories, historical fiction, and romances, building a reputation for fast-paced storytelling long before the science fiction boom fully took shape.Rousseau became a regular presence in magazines, Adventure, Argosy, and later Weird Tales. Over the course of his career, Rousseau wrote dozens of novels and a large body of short fiction across multiple genres. In science fiction alone, he produced almost 100 short stories and several novels, most of them in the 1920s and 30s.The Ultimate Problem appeared in U.S. newspapers in 1911. We found it in the Stevens Point Journal of Stevens Point, Wisconsin, on Friday, March 3, 1911, published under Victor Rousseau's H. M. Egbert byline.Sixteen years later it was published in the July 1927 issue of Weird Tales Magazine on page 77, The Ultimate Problem by Victor Rousseau…Next on The Lost Sci-Fi Podcast, He wanted to look beyond time and prove that history was still alive, waiting in hidden dimensions. What answered him from those angles was patient, hungry, and already on his scent. The Hounds of Tindalos by Frank Belknap Long.===========================☕ Buy Me a Coffee - https://lostscifi.com/coffee

A retired physicist triggers an experiment he knows he cannot reverse, forcing him to choose between unchecked growth and deliberate disappearance. As the universe recedes and reality reshapes itself around him, one question remains unresolved: whether returning home means survival—or something far stranger. The Ultimate Paradox by Thorp McClusky. That's next on The Lost Sci-Fi Podcast.Thorp McClusky makes his debut on the podcast today. He wrote twenty science fiction short stories across the 1930s, 40s, and 50s, with nearly all of them appearing between 1936 and 1945.Yesterday we featured The Ultimate Wish. Today it's The Ultimate Paradox, followed by The Ultimate World and The Ultimate Problem.You might call this the Ultimate Run.Turn to page 58 in the May 1945 issue of Weird Tales magazine, The Ultimate Paradox by Thorp McClusky…Next on The Lost Sci-Fi Podcast, A civilization that has solved every problem sends one man into the far future to decide whether life itself should continue. What he discovers forces a choice no perfect world can face without risking its own end. The Ultimate World by Bryce Walton.===========================☕ Buy Me a Coffee - https://lostscifi.com/coffee

"The Weaver in the Vault" is a Zothique Cycle story by Clark Ashton Smith, first published in the January 1934 edition of Weird Tales. "A story of the weird and ghastly-beautiful horror that came upon the searchers in the eery tombs of Chaon Gacca." Learn more about your ad choices. Visit megaphone.fm/adchoices

When a glimpse of tomorrow reveals how the world is undone, a scientist is given a narrow window to act. The risk isn't failure—but coming back unable to remember what he changed. World's End by Henry Kuttner. That's next on The Lost Sci-Fi Podcast.Your 5 star reviews are greatly appreciated. This comes from Benjermano 01 on Apple Podcasts Australia, “Cracking Podcast. Couldn't ask for more in these episodes, variety, excitement, suspense. Awesome.” Thank you Benjermano 01!More of you listen to us on Apple Podcasts than any other place and we would love it if you would leave us a 5 star review on Apple Podcasts in your country. If you think we deserve it of course.I can never tell enough time travel stories, just cannot get enough of them. This one was first published in Weird Tales magazine in February 1938 on page 204, World's End by Henry Kuttner…Next on The Lost Sci-Fi Podcast, They built a machine to handle chores, not to wait by the door or feel the sting of being left behind. When affection stops being programmable, someone has to decide whether turning it off is an act of mercy or something far worse. Helen O'Loy by Lester Del Rey.☕ Buy Me a Coffee - https://lostscifi.com/coffeeNewsletter - https://lostscifi.com/free/Facebook - https://lostscifi.com/facebookYouTube - https://lostscifi.com/youtubeX - http://Lostscifi.com/xInstagram - https://www.instagram.com/lostscifiguyMerch - https://lostscifi.creator-spring.com/❤️ ❤️ Thanks to Our Listeners Who Bought Us a Coffee$200 Someone$100 Tony from the Future$75 James Van Maanenberg$50 MizzBassie, Anonymous Listener$25 Someone, Someone, Eaten by a Grue, Jeff Lussenden, Fred Sieber, Anne, Craig Hamilton, Dave Wiseman, Bromite Thrip, Marwin de Haan, Future Space Engineer, Fressie, Kevin Eckert, Stephen Kagan, James Van Maanenberg, Irma Stolfo, Josh Jennings, Leber8tr, Conrad Chaffee, Anonymous Listener$15 Every Month Someone$15 SueTheLibrarian, Joannie West, Amy Özkan, Someone, Carolyn Guthleben, Patrick McLendon, Curious Jon, Buz C., Fressie, Anonymous Listener$10 Anonymous Listener$5 Every Month Eaten by a Grue$5 TLD, David, Denis Kalinin, Timothy Buckley, Andre'a, Martin Brown, Ron McFarlan, Tif Love, Chrystene, Richard Hoffman, Anonymous Listenerhttps://lostscifi.com/podcast/worlds-end-by-henry-kuttner/Please participate in our podcast survey https://podcastsurvey.typeform.com/to/gNLcxQlk Hosted on Acast. See acast.com/privacy for more information.

Editor and author James Aquilone talks about adapting the classic WEIRD TALES magazine into a graphic novel format, expanding on the work that Jonathan Maberry and John Harlacher have been doing since they resurrected the magazine in 2019.

“Left by the Tide” first appeared in Weird Tales, March 1929 “Sirens Chasing Sirens” first appeared in The Gateway Review back in 2018 “Dread and Faith” was originally published in February 2025 in Blood Lust from Black Hare Press The Go-Between by LP Hartley Forteana Jim Kristofic novels Coyote Stranger The Sundown Killers From the author of “Sirens Chasing… Source

Today I welcome back a good friend and wonderfully terrifying writer, Johnny Compton to chat about his new book DEAD FIRST. It's his first venture into genre blending his usual love of horror with mystery and noir. We get into his influences for the book as well as discuss how he gives his stories the flavor and atmosphere that immerse the reader in his stories. We also chat about his new story collection from Weird Tales called MIDNIGHT SOMEWHERE. My blurb on this book describes it as a more terrifying Twilight Zone, and I stand by that.  All links and show notes at https://www.sheworeblackpodcast.com/

"Twister" is a short story by the American writer, Mary Elizabeth Counselman, first published in the January 1940 edition of Weird Tales. "Ghostly was the village where the newly wedded couple stopped for gasoline, and weird was their experience there." Learn more about your ad choices. Visit megaphone.fm/adchoices

How do you juggle multiple book projects, a university teaching role, Kickstarter campaigns, and rock albums—all without burning out? What does it take to build a writing career that spans decades, through industry upheavals and personal setbacks? Kevin J. Anderson shares hard-won lessons from his 40+ year career writing over 190 books. In the intro, Draft2Digital partners with Bookshop.org for ebooks; Spotify announces PageMatch and print partnership with Bookshop.org; Eleven Audiobooks; Indie author non-fiction books Kickstarter; Bones of the Deep – J.F. Penn This podcast is sponsored by Kobo Writing Life, which helps authors self-publish and reach readers in global markets through the Kobo eco-system. You can also subscribe to the Kobo Writing Life podcast for interviews with successful indie authors. This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Kevin J. Anderson is the multi-award-winning and internationally bestselling author of over 190 books across different genres, with over 24 million copies in print across 34 languages. He's also the director of publishing at Western Colorado University, as well as a publisher at WordFire Press, an editor and rock album lyricist, and he's co-written Dune books and worked on the recent Dune movies and TV show. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights, and the full transcript is below. Show Notes Managing multiple projects at different stages to maximise productivity without burning out Building financial buffers and multiple income streams for a sustainable long-term career Adapting when life disrupts your creative process, from illness to injury Lessons learned from transitioning between traditional publishing, indie, and Kickstarter Why realistic expectations and continuously reinventing yourself are essential for longevity The hands-on publishing master's program at Western Colorado University You can find Kevin at WordFire.com and buy his books direct at WordFireShop.com. Transcript of Interview with Kevin J. Anderson Jo: Kevin J. Anderson is the multi award-winning and internationally bestselling author of over 190 books across different genres, with over 24 million copies in print across 34 languages. He's also the Director of Publishing at Western Colorado University, as well as a publisher at WordFire Press, an editor, a rock album lyricist, and he's co-written Dune books and worked on the recent Dune movies and TV show. Welcome back to the show, Kevin. Kevin: Well, thanks, Joanna. I always love being on the show. Jo: And we're probably on like 200 books and like 50 million copies in print. I mean, how hard is it to keep up with all that? Kevin: Well, it was one of those where we actually did have to do a list because my wife was like, we really should know the exact number. And I said, well, who can keep track because that one went out of print and that's an omnibus. So does it count as something else? Well, she counted them. But that was a while ago and I didn't keep track, so… Jo: Right. Kevin: I'm busy and I like to write. That's how I've had a long-term career. It's because I don't hate what I'm doing. I've got the best job in the world. I love it. Jo: So that is where I wanted to start. You've been on the show multiple times. People can go back and have a listen to some of the other things we've talked about. I did want to talk to you today about managing multiple priorities. You are a director of publishing at Western Colorado University. I am currently doing a full-time master's degree as well as writing a novel, doing this podcast, my Patreon, all the admin of running a business, and I feel like I'm busy. Then I look at what you do and I'm like, this is crazy. People listening are also busy. We're all busy, right. But I feel like it can't just be writing and one job—you do so much. So how do you manage your time, juggle priorities, your calendar, and all that? Kevin: I do it brilliantly. Is that the answer you want? I do it brilliantly. It is all different things. If I were just working on one project at a time, like, okay, I'm going to start a new novel today and I've got nothing else on my plate. Well, that would take me however long to do the research and the plot. I'm a full-on plotter outliner, so it would take me all the while to do—say it's a medieval fantasy set during the Crusades. Well, then I'd have to spend months reading about the Crusades and researching them and maybe doing some travel. Then get to the point where I know the characters enough that I can outline the book and then I start writing the book, and then I start editing the book, which is a part that I hate. I love doing the writing, I hate doing the editing. Then you edit a whole bunch. To me, there are parts of that that are like going to the dentist—I don't like it—and other parts of it are fun. So by having numerous different projects at different stages, all of which require different skill sets or different levels of intensity— I can be constantly switching from one thing to another and basically be working at a hundred percent capacity on everything all the time. And I love doing this. So I'll be maybe writing a presentation, which is what I was doing before we got on this call this morning, because I'm giving a new keynote presentation at Superstars, which is in a couple of weeks. That's another thing that was on our list—I helped run Superstars. I founded that 15 years ago and it's been going on. So I'll be giving that talk. Then we just started classes for my publishing grad students last week. So I'm running those classes, which meant I had to write all of the classes before they started, and I did that. I've got a Kickstarter that will launch in about a month. I'm getting the cover art for that new book and I've got to write up the Kickstarter campaign. And I have to write the book. I like to have the book at least drafted before I run a Kickstarter for it. So I'm working on that. A Kickstarter pre-launch page should be up a month before the Kickstarter launches, and the Kickstarter has to launch in early March, so that means early February I have to get the pre-launch page up. So there's all these dominoes. One thing has to go before the next thing can go. During the semester break between fall semester—we had about a month off—I had a book for Blackstone Publishing and Weird Tales Presents that I had to write, and I had plotted it and I thought if I don't get this written during the break, I'm going to get distracted and I won't finish it. So I just buckled down and I wrote the 80,000-word book during the month of break. This is like Little House on the Prairie with dinosaurs. It's an Amish community that wants to go to simpler times. So they go back to the Pleistocene era where they're setting up farms and the brontosaurus gets into the cornfield all the time. Jo: That sounds like a lot of fun. Kevin: That's fun. So with the grad students that I have every week, we do all kinds of lectures. Just to reassure people, I am not at all an academic. I could not stand my English classes where you had to write papers analysing this and that. My grad program is all hands-on, pragmatic. You actually learn how to be a publisher when you go through it. You learn how to design covers, you learn how to lay things out, you learn how to edit, you learn how to do fonts. One of the things that I do among the lectures every week or every other week, I just give them something that I call the real world updates. Like, okay, this is the stuff that I, Kevin, am working on in my real world career because the academic career isn't like the real world. So I just go listing about, oh, I designed these covers this week, and I wrote the draft of this dinosaur homestead book, and then I did two comic scripts, and then I had to edit two comic scripts. We just released my third rock album that's based on my fantasy trilogy. And I have to write a keynote speech for Superstars. And I was on Joanna Penn's podcast. And here's what I'm doing. Sometimes it's a little scary because I read it and I go, holy crap, I did a lot of stuff this week. Jo: So I manage everything on Google Calendar. Do you have systems for managing all this? Because you also have external publishers, you have actual dates when things actually have to happen. Do you manage that yourself or does Rebecca, your wife and business partner, do that? How do you manage your calendar? Kevin: Well, Rebecca does most of the business stuff, like right now we have to do a bunch of taxes stuff because it's the new year and things. She does that and I do the social interaction and the creating and the writing and stuff. My assistant Marie Whittaker, she's a big project management person and she's got all these apps on how to do project managing and all these sorts of things. She tried to teach me how to use these apps, but it takes so much time and organisation to fill the damn things out. So it's all in my head. I just sort of know what I have to do. I just put it together and work on it and just sort of know this thing happens next and this thing happens next. I guess one of the ways is when I was in college, I put myself through the university by being a waiter and a bartender. As a waiter and a bartender, you have to juggle a million different things at once. This guy wants a beer and that lady wants a martini, and that person needs to pay, and this person's dinner is up on the hot shelf so you've got to deliver it before it gets cold. It's like I learned how to do millions of things and keep them all organised, and that's the way it worked. And I've kept that as a skill all the way through and it has done me good, I think. Jo: I think that there is a difference between people's brains, right? So I'm pretty chaotic in terms of my creative process. I'm not a plotter like you. I'm pretty chaotic, basically. But I come across— Kevin: I've met you. Yes. Jo: I know. But I'm also extremely organised and I plan everything. That's part of, I think, being an introvert and part of dealing with the anxiety of the world is having a plan or a schedule. So I think the first thing to say to people listening is they don't have to be like you, and they don't have to be like me. It's kind of a personal thing. I guess one thing that goes beyond both of us is, earlier you said you basically work at a hundred percent capacity. So let's say there's somebody listening and they're like, well, I'm at a hundred percent capacity too, and it might be kids, it might be a day job, as well as writing and all that. And then something happens, right? You mentioned the real world. I seem to remember that you broke your leg or something. Kevin: Yes. Jo: And the world comes crashing down through all your plans, whether they're written or in your head. So how do you deal with a buffer of something happening, or you're sick, or Rebecca's sick, or the cat needs to go to the vet? Real life—how do you deal with that? Kevin: Well, that really does cause problems. We had, in fact, just recently—so I'm always working at, well, let's be realistic, like 95% of Kevin capacity. Well, my wife, who does some of the stuff here around the house and she does the business things, she just went through 15 days of the worst crippling migraine string that she's had in 30 years. So she was curled up in a foetal position on the bed for 15 days and she couldn't do any of her normal things. I mean, even unloading the dishwasher and stuff like that. So if I'm at 95% capacity and suddenly I have to pick up an extra 50%, that causes real problems. So I drink lots of coffee, and I get less sleep, and you try to bring in some help. I mean, we have Rebecca's assistant and the assistant has a 20-year-old daughter who came in to help us do some of the dishes and laundry and housework stuff. You mentioned before, it was a year ago. I always go out hiking and mountain climbing and that's where I write. I dictate. I have a digital recorder that I go off of, and that's how I'm so productive. I go out, I walk in the forest and I come home with 5,000 words done in a couple of hours, and I always do that. That's how I write. Well, I was out on a mountain and I fell off the mountain and I broke my ankle and had to limp a mile back to my car. So that sort of put a damper on me hiking. I had a book that I had to write and I couldn't go walking while I was dictating it. It has been a very long time since I had to sit at a keyboard and create chapters that way. Jo: Mm-hmm. Kevin: And my brain doesn't really work like that. It works in an audio—I speak this stuff instead. So I ended up training myself because I had a big boot on my foot. I would sit on the back porch and I would look out at the mountains here in Colorado and I would put my foot up on another chair and I'd sit in the lawn chair and I'd kind of close my eyes and I would dictate my chapters that way. It was not as effective, but it was plan B. So that's how I got it done. I did want to mention something. When I'm telling the students this every week—this is what I did and here's the million different things—one of the students just yesterday made a comment that she summarised what I'm doing and it kind of crystallised things for me. She said that to get so much done requires, and I'm quoting now, “a balance of planning, sprinting, and being flexible, while also making incremental forward progress to keep everything moving together.” So there's short-term projects like fires and emergencies that have to be done. You've got to keep moving forward on the novel, which is a long-term project, but that short story is due in a week. So I've got to spend some time doing that one. Like I said, this Kickstarter's coming up, so I have to put in the order for the cover art, because the cover art needs to be done so I can put it on the pre-launch page for the Kickstarter. It is a balance of the long-term projects and the short-term projects. And I'm a workaholic, I guess, and you are too. Jo: Yes. Kevin: You totally are. Yes. Jo: I get that you're a workaholic, but as you said before, you enjoy it too. So you enjoy doing all these things. It's just sometimes life just gets in the way, as you said. One of the other things that I think is interesting—so sometimes physical stuff gets in the way, but in your many decades now of the successful author business, there's also the business side. You've had massive success with some of your books, and I'm sure that some of them have just kind of shrivelled into nothing. There have been good years and bad years. So how do we, as people who want a long-term career, think about making sure we have a buffer in the business for bad years and then making the most of good years? Kevin: Well, that's one thing—to realise that if you're having a great year, you might not always have a great year. That's kind of like the rockstar mentality—I've got a big hit now, so I'm always going to have a big hit. So I buy mansions and jets, and then of course the next album flops. So when you do have a good year, you plan for the long term. You set money aside. You build up plan B and you do other things. I have long been a big advocate for making sure that you have multiple income streams. You don't just write romantic epic fantasies and that's all you do. That might be what makes your money now, but the reading taste could change next year. They might want something entirely different. So while one thing is really riding high, make sure that you're planting a bunch of other stuff, because that might be the thing that goes really, really well the next year. I made my big stuff back in the early nineties—that was when I started writing for Star Wars and X-Files, and that's when I had my New York Times bestselling run. I had 11 New York Times bestsellers in one year, and I was selling like millions of copies. Now, to be honest, when you have a Star Wars bestseller, George Lucas keeps almost all of that. You don't keep that much of it. But little bits add up when you're selling millions of copies. So it opened a lot of doors for me. So I kept writing my own books and I built up my own fans who liked the Star Wars books and they read some of my other things. If you were a bestselling trad author, you could keep writing the same kind of book and they would keep throwing big advances at you. It was great. And then that whole world changed and they stopped paying those big advances, and paperback, mass market paperback books just kind of went away. A lot of people probably remember that there was a time for almost every movie that came out, every big movie that came out, you could go into the store and buy a paperback book of it—whether it was an Avengers movie or a Star Trek movie or whatever, there was a paperback book. I did a bunch of those and that was really good work. They would pay me like $15,000 to take the script and turn it into a book, and it was done in three weeks. They don't do that anymore. I remember I was on a panel at some point, like, what would you tell your younger self? What advice would you give your younger self? I remember when I was in the nineties, I was turning down all kinds of stuff because I had too many book projects and I was never going to quit writing. I was a bestselling author, so I had it made. Well, never, ever assume you have it made because the world changes under you. They might not like what you're doing or publishing goes in a completely different direction. So I always try to keep my radar up and look at new things coming up. I still write some novels for trad publishers. This dinosaur homestead one is for Blackstone and Weird Tales. They're a trad publisher. I still publish all kinds of stuff as an indie for WordFire Press. I'm reissuing a bunch of my trad books that I got the rights back and now they're getting brand new life as I run Kickstarters. One of my favourite series is “Dan Shamble, Zombie P.I.” It's like the Addams Family meets The Naked Gun. It's very funny. It's a private detective who solves crimes with monsters and mummies and werewolves and things. I sold the first one to a trad publisher, and actually, they bought three. I said, okay, these are fast, they're fun, they're like 65,000 words. You laugh all the way through it, and you want the next one right away. So let's get these out like every six months, which is like lightning speed for trad publishing. They just didn't think that was a good idea. They brought them out a year and a half apart. It was impossible to build up momentum that way. They wanted to drop the series after the third book, and I just begged them—please give it one more chance. So they bought one more book for half as much money and they brought it out again a year and a half later. And also, it was a trad paperback at $15. And the ebook was—Joanna, can you guess what their ebook was priced at? Jo: $15. Kevin: $15. And they said, gee, your ebook sales are disappointing. I said, well, no, duh. I mean, I am jumping around—I'm going like, but you should have brought these out six months apart. You should have had the ebook, like the first one at $4. Jo: But you're still working with traditional publishers, Kevin? Kevin: I'm still working with them on some, and I'm a hybrid. There are some projects that I feel are better served as trad books, like the big Dune books and stuff. I want those all over the place and they can cash in on the movie momentum and stuff. But I got the rights back to the Dan Shamble stuff. The fans kept wanting me to do more, and so I published a couple of story collections and they did fine. But I was making way more money writing Dune books and things. Then they wanted a new novel. So I went, oh, okay. I did a new novel, which I just published at WordFire. But again, it did okay, but it wasn't great. I thought, well, I better just focus on writing these big ticket things. But I really liked writing Dan Shamble. Somebody suggested, well, if the fans want it so much, why don't you run a Kickstarter? I had never run a Kickstarter before, and I kind of had this wrong attitude. I thought Kickstarters were for, “I'm a starving author, please give me money.” And that's not it at all. It's like, hey, if you're a fan, why don't you join the VIP club and you get the books faster than anybody else? So I ran a Kickstarter for my first Dan Shamble book, and it made three times what the trad publisher was paying me. And I went, oh, I kind of like this model. So I have since done like four other Dan Shamble novels through Kickstarters, made way more money that way. And we just sold—we can't give any details yet—but we have just sold it. It will be a TV show. There's a European studio that is developing it as a TV show, and I'm writing the pilot and I will be the executive producer. Jo: Fantastic. Kevin: So I kept that zombie detective alive because I loved it so much. Jo: And it's going to be all over the place years later, I guess. Just in terms of—given I've been in this now, I guess 2008 really was when I got into indie—and over the time I've been doing this, I've seen people rise and then disappear. A lot of people have disappeared. There are reasons, burnout or maybe they were just done. Kevin: Yes. Jo: But in terms of the people that you've seen, the characteristics, I guess, of people who don't make it versus people who do make it for years. And we are not saying that everyone should be a writer for decades at all. Some people do just have maybe one or two books. What do you think are the characteristics of those people who do make it long-term? Kevin: Well, I think it's realistic expectations. Like, again, this was trad, but my first book I sold for $4,000, and I thought, well, that's just $4,000, but we're going to sell book club rights, and we're goingn to sell foreign rights, and it's going to be optioned for movies. And the $4,000 will be like, that's just the start. I was planning out all this extra money coming from it, and it didn't even earn its $4,000 advance back and nothing else happened with it. Well, it has since, because I've since reissued it myself, pushed it and I made more money that way. But it's a slow burn. You build your career. You start building your fan base and then your next one will sell maybe better than the first one did. Then you keep writing it, and then you make connections, and then you get more readers and you learn how to expand your stuff better. You've got to prepare for the long haul. I would suggest that if you publish your very first book on KU, don't quit your day job the next day. Not everybody can or should be a full-time writer. We here in America need to have something that pays our health insurance. That is one of the big reasons why I am running this graduate program at Western Colorado University—because as a university professor, I get wonderful healthcare. I'm teaching something that I love, and I'm frankly doing a very good job at it because our graduates—something like 60% of them are now working as writers or publishers or working in the publishing world. So that's another thing. I guess what I do when I'm working on it is I kind of always say yes to the stuff that's coming in. If an opportunity comes—hey, would you like a graphic novel on this?—and I go, yes, I'd love to do that. Could you write a short story for this anthology? Sure, I'd love to do that. I always say yes, and I get overloaded sometimes. But I learned my lesson. It was quite a few years ago where I was really busy. I had all kinds of book deadlines and I was turning down books that they were offering me. Again, this was trad—book contracts that had big advances on them. And anthology editors were asking me. I was really busy and everybody was nagging me—Kevin, you work too hard. And my wife Rebecca was saying, Kevin, you work too hard. So I thought, I had it made. I had all these bestsellers, everything was going on. So I thought, alright, I've got a lot of books under contract. I'll just take a sabbatical. I'll say no for a year. I'll just catch up. I'll finish all these things that I've got. I'll just take a breather and finish things. So for that year, anybody who asked me—hey, do you want to do this book project?—well, I'd love to, but I'm just saying no. And would you do this short story for an anthology? Well, I'd love to, but not right now. Thanks. And I just kind of put them off. So I had a year where I could catch up and catch my breath and finish the stuff. And after that, I went, okay, I am back in the game again. Let's start taking these book offers. And nothing. Just crickets. And I went, well, okay. Well, you were always asking before—where are all these book deals that you kept offering me? Oh, we gave them to somebody else. Jo: This is really difficult though, because on the one hand—well, first of all, it's difficult because I wanted to take a bit of a break. So I'm doing this full-time master's and you are also teaching people in a master's program, right. So I have had to say no to a lot of things in order to do this course. And I imagine the people on your course would have to do the same thing. There's a lot of rewards, but they're different rewards and it kind of represents almost a midlife pivot for many of us. So how do we balance that then—the stepping away with what might lead us into something new? I mean, obviously this is a big deal. I presume most of the people on your course, they're older like me. People have to give stuff up to do this kind of thing. So how do we manage saying yes and saying no? Kevin: Well, I hate to say this, but you just have to drink more coffee and work harder for that time. Yes, you can say no to some things. My thing was I kind of shut the door and I just said, I'm just going to take a break and I'm going to relax. I could have pushed my capacity and taken some things so that I wasn't completely off the game board. One of the things I talk about is to avoid burnout. If you want a long-term career, and if you're working at 120% of your capacity, then you're going to burn out. I actually want to mention something. Johnny B. Truant just has a new book out called The Artisan Author. I think you've had him on the show, have you? Jo: Yes, absolutely. Kevin: He says a whole bunch of the stuff in there that I've been saying for a long time. He's analysing these rapid release authors that are a book every three weeks. And they're writing every three weeks, every four weeks, and that's their business model. I'm just like, you can't do that for any length of time. I mean, I'm a prolific writer. I can't write that fast. That's a recipe for burnout, I think. I love everything that I'm doing, and even with this graduate program that I'm teaching, I love teaching it. I mean, I'm talking about subjects that I love, because I love publishing. I love writing. I love cover design. I love marketing. I love setting up your newsletters. I mean, this isn't like taking an engineering course for me. This is something that I really, really love doing. And quite honestly, it comes across with the students. They're all fired up too because they see how much I love doing it and they love doing it. One of the projects that they do—we get a grant from Draft2Digital every year for $5,000 so that we do an anthology, an original anthology that we pay professional rates for. So they put out their call for submissions. This year it was Into the Deep Dark Woods. And we commissioned a couple stories for it, but otherwise it was open to submissions. And because we're paying professional rates, they get a lot of submissions. I have 12 students in the program right now. They got 998 stories in that they had to read. Jo: Wow. Kevin: They were broken up into teams so they could go through it, but that's just overwhelming. They had to read, whatever that turns out to be, 50 stories a week that come in. Then they write the rejections, and then they argue over which ones they're going to accept, and then they send the contracts, and then they edit them. And they really love it. I guess that's the most important thing about a career—you've got to have an attitude that you love what you're doing. If you don't love this, please find a more stable career, because this is not something you would recommend for the faint of heart. Jo: Yes, indeed. I guess one of the other considerations, even if we love it, the industry can shift. Obviously you mentioned the nineties there—things were very different in the nineties in many, many ways. Especially, let's say, pre-internet times, and when trad pub was really the only way forward. But you mentioned the rapid release, the sort of book every month. Let's say we are now entering a time where AI is bringing positives and negatives in the same way that the internet brought positives and negatives. We're not going to talk about using it, but what is definitely happening is a change. Industry-wise—for example, people can do a book a day if they want to generate books. That is now possible. There are translations, you know. Our KDP dashboard in America, you have a button now to translate everything into Spanish if you want. You can do another button that makes it an audiobook. So we are definitely entering a time of challenge, but if you look back over your career, there have been many times of challenge. So is this time different? Or do you face the same challenges every time things shift? Kevin: It's always different. I've always had to take a breath and step back and then reinvent myself and come back as something else. One of the things with a long-term career is you can't have a long-term career being the hot new thing. You can start out that way—like, this is the brand new author and he gets a big boost as the best first novel or something like that—but that doesn't work for 20 years. I mean, you've got to do something else. If you're the sexy young actress, well, you don't have a 50-year career as the sexy young actress. One of the ones I'm loving right now is Linda Hamilton, who was the sexy young actress in Terminator, and then a little more mature in the TV show Beauty and the Beast, where she was this huge star. Then she's just come back now. I think she's in her mid-fifties. She's in Stranger Things and she was in Resident Alien and she's now this tough military lady who's getting parts all over the place. She's reinvented herself. So I like to say that for my career, I've crashed and burned and resurrected myself. You might as well call me the Doctor because I've just come back in so many different ways. You can't teach an old dog new tricks, but— If you want to stay around, no matter how old of a dog you are, you've got to learn new tricks. And you've got to keep learning, and you've got to keep trying new things. I started doing indie publishing probably around the time you did—2009, something like that. I was in one of these great positions where I was a trad author and I had a dozen books that I wrote that were all out of print. I got the rights back to them because back then they let books go out of print and they gave the rights back without a fight. So I suddenly found myself with like 12 titles that I could just put up. I went, oh, okay, let's try this. I was kind of blown away that that first novel that they paid me $4,000 for that never even earned it back—well, I just put it up on Kindle and within one year I made more than $4,000. I went, I like this, I've got to figure this out. That's how I launched WordFire Press. Then I learned how to do everything. I mean, back in those days, you could do a pretty clunky job and people would still buy it. Then I learned how to do it better. Jo: That time is gone. Kevin: Yes. I learned how to do it better, and then I learned how to market it. Then I learned how to do print on demand books. Then I learned how to do box sets and different kinds of marketing. I dove headfirst into my newsletter to build my fan base because I had all the Star Wars stuff and X-Files stuff and later it was the Dune stuff. I had this huge fan base, but I wanted that fan base to read the Kevin Anderson books, the Dan Shamble books and everything. The only way to get that is if you give them a personal touch to say, hey buddy, if you liked that one, try this one. And the way to do that is you have to have access to them. So I started doing social media stuff before most people were doing social media stuff. I killed it on MySpace. I can tell you that. I had a newsletter that we literally printed on paper and we stuck mailing labels on. It went out to 1,200 people that we put in the mailbox. Jo: Now you're doing that again with Kickstarter, I guess. But I guess for people listening, what are you learning now? How are you reinventing yourself now in this new phase we are entering? Kevin: Well, I guess the new thing that I'm doing now is expanding my Kickstarters into more. So last year, the biggest Kickstarter that I've ever had, I ran last year. It was this epic fantasy trilogy that I had trad published and I got the rights back. They had only published it in trade paperback. So, yes, I reissued the books in nice new hardcovers, but I also upped the game to do these fancy bespoke editions with leather embossed covers and end papers and tipped in ribbons and slip cases and all kinds of stuff and building that. I did three rock albums as companions to it, and just building that kind of fan base that will support that. Then I started a Patreon last year, which isn't as big as yours. I wish my Patreon would get bigger, but I'm pushing it and I'm still working on that. So it's trying new things. Because if I had really devoted myself and continued to keep my MySpace page up to date, I would be wasting my time. You have to figure out new things. Part of me is disappointed because I really liked in the nineties where they just kept throwing book contracts at me with big advances. And I wrote the book and sent it in and they did all the work. But that went away and I didn't want to go away. So I had to learn how to do it different. After a good extended career, one of the things you do is you pay it forward. I mentor a lot of writers and that evolved into me creating this master's program in publishing. I can gush about it because to my knowledge, it is the only master's degree that really focuses on indie publishing and new model publishing instead of just teaching you how to get a job as an assistant editor in Manhattan for one of the Big Five publishers. Jo: It's certainly a lot more practical than my master's in death. Kevin: Well, that's an acquired taste, I think. When they hired me to do this—and as I said earlier, I'm not an academic—and I said if I'm going to teach this, it's a one year program. They get done with it in one year. It's all online except for one week in person in the summer. They're going to learn how to do things. They're not going to get esoteric, analysing this poem for something. When they graduate from this program, they walk out with this anthology that they edited, that their name is on. The other project that they do is they reissue a really fancy, fine edition of some classic work, whether it's H.G. Wells or Jules Verne or something. They choose a book that they want to bring back and they do it all from start to finish. They come out of it—rather than just theoretical learning—they know how to do things. Surprise, I've been around in the business a long time, so I know everybody who works in the business. So the heads of publishing houses and the head of Draft2Digital or Audible—and we've got Blackstone Audio coming on in a couple weeks. We've got the head of Kickstarter coming on as guest speakers. I have all kinds of guest speakers. Joanna, I think you're coming on— Jo: I'm coming on as well, I think. Kevin: You're coming on as a guest speaker. It's just like they really get plugged in. I'm in my seventh cohort now and I just love doing it. The students love it and we've got a pretty high success rate. So there's your plug. We are open for applications now. It starts in July. And my own website is WordFire.com, and there's a section on there on the graduate program if anybody wants to take a look at it. Again, not everybody needs to have a master's degree to be an indie publisher, but there is something to be said for having all of this stuff put into an organised fashion so that you learn how to do all the things. It also gives you a resource and a support system so that they come out of it knowing a whole lot of people. Jo: Brilliant. Well, thanks so much for your time, Kevin. That was great. Kevin: Thanks. It's a great show. The post Managing Multiple Projects And The Art of the Long-Term Author Career with Kevin J. Anderson first appeared on The Creative Penn.

"The Tomb-Spawn" is a Zothique Cycle story by Clark Ashton Smith, first published in the May 1934 edition of Weird Tales. "A tale of a star-spawned monstrosity, and the eldritch magic of a powerful king and wizard." Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 1010-Jason Interviews  James Aquilone - WEIRD TALES – A Graphic Novel of Bizarre & Unusual StoriesThe Prestige Format Graphic Novel from Monstrous Will Adapt Seminal Stories by Ray Bradbury, Robert E. Howard, H.P. Lovecraft, and C.L. Moore — And Also Includes Original Tales Back It: https://www.kickstarter.com/projects/manbomb/weird-tales-graphic-novel?tab=prelaunch-storyTheme Songs by Drew: Weird Tales & Printed in the DarkLinks: https://beacons.ai/comicsfunprofit Listen: https://comcsforfunandprofit.podomatic.com/Like & Subscribe on Youtube www.youtube.com/@comicsforfunandprofit5331Patreon https://www.patreon.com/comicsfunprofitMerch https://comicsfunprofit.threadless.comDonate Here https://bit.ly/36s7YeLAll the C4FaP links you could ever need  https://beacons.ai/comicsfunprofit Listen To the Episode Here: https://comcsforfunandprofit.podomatic.com/

“The End Of The Story” was originally published in Weird Tales, vol. 15, no. 5 (May 1930). Link: Weird Tales original text Original layout from Weird Tales The Emperor of Dreams documentary Best collection of Smith's poetry The following narrative was found among the papers of Christophe Morand, a young law-student of Tours, after his unaccountable disappearance during a… Source

A disheveled stranger sat down next to me at a London bar and claimed to be the Devil. By the time she finished telling me the truth about Hell, I believed every word.IN THIS EPISODE: It's the classic horror story, “The Man Who Returned” by Edmond Hamilton. Originally published in 1934, "The Man Who Returned" is an effective horror story.  Since first transmitting its sad and cynical realism from the pages of Weird Tales, it has been reprinted in numerous collections of stories from that magazine, as well as in a 1980 volume entitled “Fear! Fear! Fear!” *** I've pulled out what I hope you'll agree is definitely worth the “creepy” part of creepypasta. It was found on Reddit, written by user AThousandRows. The original title of the story is “I Met Someone Who Claimed To Be The Devil... And I Believed Them.” CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Lead-In00:01:05.190 = Show Open00:02:45.849 = She Claimed To Be The Devil, And I Believed Her00:45:03.961 = *** The Man Who Returned01:19:22.525 = Show Close*** = Begins immediately after inserted ad breakSOURCES and RESOURCES:“She Claimed To Be The Devil, And I Believed Her” by Redditor u/athousandrows: https://tinyurl.com/yc56prtr“The Man Who Returned” by Edmond Hamilton: https://tinyurl.com/y5dh2fl7=====(Over time links may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.=====Originally aired: July 18, 2019 (The Man Who Returned); March 2021 (She Claimed To Be The Devil)EPISODE PAGE (includes sources): https://weirddarkness.com/SheDevilABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all things strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold cases, conspiracy theories, and more. Weird Darkness has been named one of the “20 Best Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a blend of “Coast to Coast AM”, “The Twilight Zone”, “Unsolved Mysteries”, and “In Search Of”.DISCLAIMER: Stories and content in Weird Darkness can be disturbing for some listeners and intended for mature audiences only. Parental discretion is strongly advised.#WeirdDarkness #HorrorStories #Creepypasta #ScaryStories #Paranormal #TrueScary #HorrorPodcast #Supernatural #DarkStories #Macabre