Podcasts about scordatura

It was a pleasure to welcome Ali and Bailey onto the podcast to talk about the setting up of the first ever Sonic Dissonance Festival in Edinburgh on Sept 15-17th. The lads talk us through the brilliant line-up and what to expect over the two days. This episode was pre-recorded a few months back and was originally lost due to my laptop dying but thankfully the episode was recovered by my mate Cormac an IT guru! Hope you enjoy it and please hit 'SUBSCRIBE' on the YouTube channel. Info and links on festival: Sonic Dissonance is a two-day three-venue UK underground extreme metal festival in Edinburgh featuring a horde of around 30 bands who will be taking over the capital's best underground venues with a crushing concoction of brutal sounds. Lurking within the vaults and catacombs of Bannermans, Legends, and the Banshee Labyrinth, a gathering of death and black metal, grindcore, sludge, and wild card experimental sounds. Featuring: Abyssal, Wallowing, Mastiff, Crepitation, Live Burial, Scordatura, Iniquitous Savagery, Vacivus, Kastrated, Deus Vermin, Aphotic, Headless Kross, Nemorous, Exhumation, Ageless Summoning, Gendo Ikari, Penny Coffin, Uir, Coffin Mulch, Endless Swarm, BrainBath, Tymvos, Ven, Catafalque, Stairmaster, Forever Machine, Extort, Suffering Rites, Wolvesrot, Oliver Wardell, Unhallowed Void, Fall of the Gatekeepers and more! Weekend tickets: £30 https://tickets-scotland.com//artists.html?eventmethod=viewevent&eventid=3cf26df6-ab0c-11ed-9a83-06a7f13f5e4c Friday tickets: £12 https://tickets-scotland.com//artists.html?eventmethod=viewevent&eventid=c942a2a9-304b-11ee-bd08-0a212b197700 Saturday tickets: £20 https://tickets-scotland.com//artists.html?eventmethod=viewevent&eventid=c80424dc-304c-11ee-bd08-0a212b197700 Songs played: Disdain © Deus Vermin, all rights reserved. Precognition © Endless Swarm, all rights reserved. Antinatalist © Iniquitous Savagery, all rights reserved. Flesh and Steel © Wallowing, all rights reserved.

this episode recorded April 16, 2021

A return to the shows we love doing, it's just the 3 of us riffing on a little bit of everything from Metallica to vinyl to beer! We played 2 songs from 2 incredible bands, Ultimate Power Corrupts from Philly, and Scordatura from Scotland! We drink and talk about 3 beers including 2 great local brews, and did I say we shoot the shit????? --- Send in a voice message: https://anchor.fm/metalbeerand-bs/message

durée : 01:58:04 - En pistes ! du mercredi 06 janvier 2021 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au menu du jour également : trois concertos pour trompette ; la cantate "Gli amori di Teolinda" de Meyebeer en version de concert par le chœur de l'Opéra et l'orchestre de chambre de Lausanne ; l'intégrale des enregistrements Decca de la pianiste américaine Ruth Slenczynska... - réalisé par : Gilles Blanchard

... In our 10th episode we meet  The Pythia, perhaps Greece's most astonishing figure.  She served as Apollo's voice of prophesy.  And unsurprisingly, she was never wrong.You may have heard her referred to as the Delphic Oracle, because she lived in Delphi, which the Greeks considered the center of the worldThe Pythia was considered infallible, and indeed, for a period exceeding 1,000 years, she is never recorded as making a wrong prediction. Generals, politicians, tyrants and common men all relied on her counsel.Narrated by mythologist and best-selling author, Patrick Garner,  Garner's Greek Mythology is unlike any other Greek history series.  Here these divine beings are viewed as if they were anything but mythical...If you love these podcasts, you'll also enjoy new stories about the gods in Garner's novel Homo Divinitas, now available as an audio book on Amazon.com and Audible.com.(Musical score includes selections from Fesliyan Studios and Free Sounds Library. Many thanks to both. In addition, thanks to "klankbeeld", freesound.org, Capella Ducis, Organ Axel Wenstedt, Cello Angela Heetvelt, and members of Scordatura.)Support the show (https://www.patreon.com/garnersgreekmythology)

... In our best  installment yet (and our 9th episode) , we meet  Aphrodite. You might think of her as Venus, but the Greeks knew her as Aphrodite, the eternal Goddess of Love.Her origins are amazing, and her decision to devote herself to the arts of love are an amazing decision, as you will see. What happened to this seductress? Reassuringly, nothing. Of all the gods and goddesses, Aphrodite remains the most engaged in the modern world.Narrated by mythologist and best-selling author, Patrick Garner,  Garner's Greek Mythology is unlike any other Greek history series.  Here these divine beings are viewed as if they were anything but mythical...If you love these podcasts, you'll also enjoy new stories about the gods in Garner's novel Homo Divinitas, now available as an audio book on Amazon.com and Audible.com.(Musical score includes selections from Fesliyan Studios and Free Sounds Library. Many thanks to both. In addition, thanks to "klankbeeld" and freesound.org for the choir music at 10:54; thanks also to Capella Ducis, Organ Axel Wenstedt, Cello Angela Heetvelt, and members of Scordatura.)Support the show (https://www.patreon.com/garnersgreekmythology)

Darkside Interview by Andy Shaw with Scordatura

S4E81: Horror-Torlet Grandma Beatdown Halloween trivia, Houdini lessons, savage manager might take Grandma out. Studies show that a specific "metal" band could be used as an insecticide against female mosquitos.Playing face-melting metal for those filthy earballs! *Available on your favorite streaming service* Apple, Spotify, Google, Stitcher, Podcast Addict, Podchaser, Deezer, Listen Notes Special Thanks to: The Scarecrow Show, SONG: Breakaway The Living Braindead, SONG: Violated Bedsore, SONG: Disembowelment of the Souls Asylum, SONG: Hard Times Ahead Grandma’s Pantry: Revok – entire Perpetual Ruin demo Eternal Frost, SONG: Cold Of The Winter To Come Vision Serpent, SONG:Line Your Coffin Ritual of Flesh, SONG: Zombie Armageddon Scordatura, SONG: Mass Failure

durée : 00:59:01 - Scordatura - par : Lionel Esparza - Les compositeurs Bernard Cavanna et Marc Monnet, la violoniste Noëmi Schindler et le chef d'orchestre Arie van Beek sont les invités du Classic Club, en direct et en public depuis l'Hôtel Bedford à Paris. - réalisé par : Antoine Courtin

INTRO: THE INHERENT HEALTH RISKS OF PLAYING GUITAR A couple common themes have emerged with the four guitarists we’ve covered so far. First of all: being a world-renowned guitarist is, without question, bad for your health. Another lesson we can take away from Joe, Paco, and Frank is that good music rarely occurs in a vacuum. What is often considered innovation is usually an artful synthesis of musical influences. Michael Hedges’ 1981 Windham Hill release Breakfast in the Field was a landmark guitar recording full of percussive effects, open tunings, and right hand legato techniques. There’s a third thread that ties all these artists together, and it’s probably my favorite feature of their work. That is that the guitar was a vehicle that served their compositional ideas rather than the other way around.   Recordings: Matthew Cochran, “Cicadas at the Equinox” from Vapor Trail from a Paper Plane Michael Hedges, “Layover” from Breakfast In The Field Commercial Break: Season Sponsor, Strings By Mail Music Bed: Steve Reich, “Fast” from Electric Counterpoint, Pat Metheny, guitarist   PART TWO: SOME ESSENTIAL HEDGES GUITAR TECHNIQUES (AND WHY HE EMPLOYED THEM) This section of the conversation gets a bit technical. Non-guitarists, bear with me for a few minutes, or feel free to skip ahead to Part Three, where I discuss Hedges early musical influences. For my money, it doesn’t get any more quintessentially Hedges than the title track from Aerial Boundaries. If you’re interested in replicating Hedges’ legato effects, or maybe you got lost in the explanation, fear not! Here’s a talented guy named Mark Whidden who’s made a video of himself playing “Aerial Boundaries” with both hands prominently displayed:   https://www.youtube.com/watch?v=XyLXPKgfjVo   Oh, and I should mention that “Aerial Boundaries”, like all Hedges compositions, uses a Scordatura, or a non-standard tuning. This particular one is, from low to high, C2, C3, D3, G3, A3, D4. If you’d like to know more about Hedges’ tunings, I’d recommend visiting www.stropes.com   Michael Hedges is often referred to as a “fingerstyle” guitarist, but he’s also great with a pick. We listen to two tracks that feature Hedges with a pick.   Recordings Michael Hedges, “Aerial Boundaries” from Aerial Boundaries  Michael Hedges, “Fusion of Five Elements” from Scorched Michael Hedges, “Ritual Dance” from Taproot   PART THREE: HEDGES BIO AND EARLY MUSICAL INFLUENCES We explore Hedges’ early life in Enid, OK, his studies at Peabody, and his first records with Windham Hill.   Recordings: Arnold Schoenberg, “The Moonfleck” from Pierrot Lunaire, Christine Schäfer, sop., Pierre Boulez, cond.   Steve Reich and Musicians, “Pulse” from Music for 18 Musicians Music bed: Michael Hedges, “Baal T ‘Shuvah” from Beyond Boundaries Michael Hedges, “Eleven Small Roaches” from Breakfast in the Field Commercial Break: Peghead Nation Music Bed: Punch Brothers, “Flippen” from Who’s Feeling Young Now?   PART FOUR: THE JONI EFFECT Michael Hedges often cited Joni Mitchell as major influence. He understood the genius of Joni’s songwriting of course, but he also appreciated her unique, inventive, and criminally underrated approach to the guitar.   Recordings: Joni Mitchell, “Otis and Marlena” from Don Juan’s Reckless Daughter Michael Hedges, “Woman of the World” from Watching My Life Go By Joni Mitchell, “God Must Be A Boogie Man” from Mingus Michael Hedges, “After the Gold Rush” (Neil Young cover) from Aerial Boundaries   PART FIVE: THE HEDGES’ LEGACY Some closing thoughts about originality and Hedges’ lasting legacy   Recording: Michael Hedges, “Chava’s Song” from Taproot