Priestess of the Temple of Apollo at Delphi
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Cet épisode a été initialement mis en ligne le 8 mars 2022. Elles s'appellent Lucie, Florence ou encore Audrey : elles sont sages-femmes et elles peuplent cet épisode d'Au Revoir Podcast où se mêlent les voix de 9 autres femmes qui ont dû dire au revoir à leur bébé. D'un côté, celles qui accompagnaient cette épreuve, qui ont su trouver les mots, faire les gestes adéquats, s'ajuster du mieux possible. De l'autre, celles qui ont été accompagnées.Dans cet épisode d'Au Revoir Podcast, Carole, Céline, Emmanuella, Margaux, Marie, Marie-Sophie, Nastassia, Rozenn et Sarah prennent la parole pour rendre hommage aux sages-femmes qui les ont tant aidées à traverser ce moment si difficile. Merci à elles toutes !
I'm joined by guests Praveen Perera, Future Paul & Ben Carman to go through the list.Bitcoin • Software Releases & Project Updates (00:01:29) Cove Wallet (00:18:14) Harbor.cash (00:35:45) Sparrow Wallet (00:37:05) BDK bdk_chain (00:37:52) Liana (00:38:24) Nunchuk Android (00:39:02) Bull Bitcoin Mobile (00:40:39) Blue Wallet (00:41:00) Bitkey App (00:43:21) FullyNoded (00:44:03) Zaprite (00:45:43) BoltzExchange (00:45:46) Padawan Wallet (00:46:23) Blockstream Green Android (00:46:37) Samourai Dojo (00:46:49) ESP-Miner (00:46:51) NBXplorer (00:47:12) Mempal• Poject Spotlight (00:47:23) DahLIAS (00:48:25) Manna Bitcoin (00:48:34) Darkwire (00:48:44) Parasite Pool (00:48:55) Blockpicker (00:49:10) LOCK Protocol (00:49:17) Sigbash (00:49:38) Arkade OS (00:50:09) Swift Bitcoin (00:50:36) Pythia (00:50:45) Arcana Seed Lodge (00:50:54) BIP47 Message Verifier (00:51:02) Traxe (00:51:08) Censorship Resistant (00:51:21) Bitcoin-4-AllVulnerability Disclosures (00:51:38) Coinbase data breach (00:54:07) Ledger Donjon (00:54:46) CVE-2023-21563 (00:55:59) BitpixiePrivacy & Other Related Bitcoin Projects • Software Releases & Project Updates (00:57:14) SimpleX (00:57:15) NomadNet (00:57:16) Sideband (00:57:17) Mullvad VPN Loader (00:58:17) Signal Desktop (00:58:20) Have I Been Pwned (00:58:22) KYCnot.me• Poject Spotlight (01:00:26) OniuxLightning + L2+ • Project Spotlight (01:00:39) Routstr (01:02:22) Lightning Blinder (01:02:32) Phoenixd MCP Server (01:03:27) Amboss Rails (01:03:48) Sixty Nuts (01:03:54) BTCNutServerBoosts (01:07:13) Shoutout to top boosters AVERAGE_GARY, hgw39, Rod Palmer, Chris, Hech, AVERAGE_GARY, Bob the Cow, Plunger & Homer Hodl.Links & Contacts:Website: https://bitcoin.review/Substack: https://substack.bitcoin.review/Twitter: https://twitter.com/bitcoinreviewhqNVK Twitter: https://twitter.com/nvkTelegram: https://t.me/BitcoinReviewPodEmail: producer@coinkite.comNostr & LN: ⚡nvk@nvk.org (not an email!)Full show notes: https://bitcoin.review/podcast/episode-97
Cet épisode hors-série a été réalisé dans la cadre d'un partenariat avec Petite Emilie. Rassemblant des parents et des soignant·es, cette association sans appartenance politique ou religieuse œuvre pour un meilleur accompagnement des personnes qui sont confrontées à une IMG et à un deuil périnatal. Plus d'informations : https://www.petiteemilie.org/.
Fête des mères, fête des pères, fête des parents, fête des gens qu'on aime… Peu importe le nom que vous associez à ces dates qui reviennent tous les ans : si votre coeur se serre parce que vous vous étiez projeté·es avec un bébé vivant au creux de vos bras, le message qui va suivre est pour vous. Pour vous mettre un peu de baume au cœur et vous aider, l'espace d'un instant, à vous sentir moins seul·es. Cet épisode est accompagné d'une newsletter que vous pouvez lire sur la plateforme Substack : https://aurevoirpodcast.substack.com/p/fete-des-meres-peres-parents-deuil-perinatal
Klicka på länken för att lyssna på "Henry frågar ChatGPT" och "Henry läser dagens historia":https://linktr.ee/henryspoddarOraklet i Delfi utgör en av de mest kända religiösa företeelserna från antikens Grekland. Med oraklet menas en prästinna vid namn Pythia som uttalade profetior under gudomlig inspiration från Apollon. Men hur gick det till att välja ett orakel? Vad gjorde dessa egentligen? Och hur gick det till när de fick svar från deras gud? Wikipedia säger sitt pm Oraklet i Delfi. Hosted on Acast. See acast.com/privacy for more information.
A real mixed bag this week with new tracks on this weeks DarkCompass, from Our North, Pridian, Pythia and more … Violent Possession – DarkCompass 9th May 2025
"HKBU20" koduyla, tüm randevu paketlerinde geçerli %10'luk indirimden yararlanmak için https://doctorontheline.com adresini ziyaret edebilirsiniz
Pour soutenir Au Revoir Podcast, je vous donne rendez-vous sur https://fr.tipeee.com/aurevoir-podcast ! Merci à vous de permettre à l'aventure de se poursuivre !
Welcome to episode 97 (season 5, episode 3) of High Tales of History! We knew you'd be here because we saw it happen in our scrying mirror. We have our friend Saundra in the Smoke Circle with us for a two part episode on divination through history. Saundra is a psychic medium and intuitive tarot card reader and we have a blast all hanging out and taking a long trip back to the many divination practices of ancient civilizations.In this two part series, we will travel the Silk Road from east to west, stopping at various civilizations along the way and finishing in Ancient Rome. In part two, we will be picking up again in the Elizabethan Age, visiting those wild Victorians in their Spiritualism Era, and bringing it up through to the New Age Movement and today. Along the way, we will be meeting famous divinators, learning about tarot's evolution from card game to fortune telling, and get a reading from our guest, Saundra!~~~~~~~*Check Out What Our Guest, Saundra, is Doing!www.saundrainsagittarius.comTikTok: @saundra.in.sagittariusInstagram: @saundra.in.sagYouTube: @saundra.in.sagittarius~~~~~~*The Socials and Patreon!Patreon-- The Best Buds Club! Instagram - @HighTalesofHistory TikTok- @HighTalesofHistoryPod YouTube-- @High Tales of HistoryFacebook -High Tales of History or @HighTalesofHistory Email—hightailingthroughhistory@gmail.com ~~~~*~Source Materials--https://www.oxfordbibliographies.com/display/document/obo-9780195393361/obo-9780195393361-0287.xml#:~:text=Divination%20is%20a%20universal%20phenomenon,unpublished%20even%20in%20the%202020shttps://www.jstor.org/stable/2347094?read-now=1&seq=1https://daily.jstor.org/how-to-read-bones-like-a-scapulimancer/https://en.wikipedia.org/wiki/Chinese_astrologyhttps://bmcr.brynmawr.edu/2005/2005.06.29/#:~:text=The%20liver%20diviners%20and%20celestial%20diviners%20appear,as%20to%20confirm%20or%20refute%20medical%20advice.&text=The%20latest%20known%20Babylonian%20horoscope%2C%20BH%2027,the%20Greek%20tradition%20by%20just%20seven%20yearshttps://www.academia.edu/44688407/Geomancy_in_the_Islamic_Worldhttps://oxfordre.com/planetaryscience/display/10.1093/acrefore/9780190647926.001.0001/acrefore-9780190647926-e-46#:~:text=The%20relationship%20between%20planets%20and,more%20often%20than%20direct%20observationhttps://www.worldhistory.org/Pythia/#:~:text=There%2C%20at%20the%20temple%20center,sacrifice%20of%20a%20black%20ram.&text=It%20is%20a%20Hellenic%20tradition,accordance%20with%20our%20editorial%20policy~~~~*Intro/outro music: "Loopster" by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/
Welcome to episode 97 (season 5, episode 3) of High Tales of History! We knew you'd be here because we saw it happen in our scrying mirror. We have our friend Saundra in the Smoke Circle with us for a two part episode on divination through history. Saundra is a psychic medium and intuitive tarot card reader and we have a blast all hanging out and taking a long trip back to the many divination practices of ancient civilizations.In this two part series, we will travel the Silk Road from east to west, stopping at various civilizations along the way and finishing in Ancient Rome. In part two, we will be picking up again in the Elizabethan Age, visiting those wild Victorians in their Spiritualism Era, and bringing it up through to the New Age Movement and today. Along the way, we will be meeting famous divinators, learning about tarot's evolution from card game to fortune telling, and get a reading from our guest, Saundra!~~~~~~~*Check Out What Our Guest, Saundra, is Doing!www.saundrainsagittarius.comTikTok: @saundra.in.sagittariusInstagram: @saundra.in.sagYouTube: @saundra.in.sagittarius~~~~~~*The Socials and Patreon!Patreon-- The Best Buds Club! Instagram - @HighTalesofHistory TikTok- @HighTalesofHistoryPod YouTube-- @High Tales of HistoryFacebook -High Tales of History or @HighTalesofHistory Email—hightailingthroughhistory@gmail.com ~~~~*~Source Materials--https://www.oxfordbibliographies.com/display/document/obo-9780195393361/obo-9780195393361-0287.xml#:~:text=Divination%20is%20a%20universal%20phenomenon,unpublished%20even%20in%20the%202020shttps://www.jstor.org/stable/2347094?read-now=1&seq=1https://daily.jstor.org/how-to-read-bones-like-a-scapulimancer/https://en.wikipedia.org/wiki/Chinese_astrologyhttps://bmcr.brynmawr.edu/2005/2005.06.29/#:~:text=The%20liver%20diviners%20and%20celestial%20diviners%20appear,as%20to%20confirm%20or%20refute%20medical%20advice.&text=The%20latest%20known%20Babylonian%20horoscope%2C%20BH%2027,the%20Greek%20tradition%20by%20just%20seven%20yearshttps://www.academia.edu/44688407/Geomancy_in_the_Islamic_Worldhttps://oxfordre.com/planetaryscience/display/10.1093/acrefore/9780190647926.001.0001/acrefore-9780190647926-e-46#:~:text=The%20relationship%20between%20planets%20and,more%20often%20than%20direct%20observationhttps://www.worldhistory.org/Pythia/#:~:text=There%2C%20at%20the%20temple%20center,sacrifice%20of%20a%20black%20ram.&text=It%20is%20a%20Hellenic%20tradition,accordance%20with%20our%20editorial%20policy~~~~*Intro/outro music: "Loopster" by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/
Pour soutenir Au Revoir Podcast, je vous donne rendez-vous sur https://fr.tipeee.com/aurevoir-podcast ! Merci à vous de permettre à l'aventure de se poursuivre !
Cet épisode hors-série a été réalisé dans la cadre d'un partenariat avec Petite Emilie. Rassemblant des parents et des soignant·es, cette association sans appartenance politique ou religieuse œuvre pour un meilleur accompagnement des personnes qui sont confrontées à une IMG et à un deuil périnatal. Plus d'informations : https://www.petiteemilie.org/.
Yaramaurd and Pythia discuss the cultures, practices, and cosmology of the Senoi Temiar people of Malaysia and their use of ritual and its correlations with theatre. After consideration of techniques we could bring into our own practices, Yara talks about methods of herbal tincture making and Pythia brings attention to the Aquilaria or lign-aloe tree and sustainability. Cited Sources:Abdullah, Muhammad Fuad, et al. “TRADITIONAL KNOWLEDGE and the USES of NATURAL RESOURCES by the RESETTLEMENT of INDIGENOUS PEOPLE in MALAYSIA.” Journal of Southeast Asian Studies, vol. 25, no. 1, 20 June 2020, pp. 168–190, https://doi.org/10.22452/jati.vol25no1.9.Benjamin, Geoffrey. “Austroasiatic Subgroupings and Prehistory in the Malay Peninsula.” Oceanic Linguistics Special Publications, no. 13, 1976, pp. 37–128. JSTOR, http://www.jstor.org/stable/20019154.Ch, Russell Maeth. “G. William Domhoff. The Mystique of Dreams ; a Search for Utopia through Senoi Dream Theory. Berkeley, Calif. : University of California Press, 1985. X, 146 P.” Estudios de Asia Y África, vol. 21, no. 2, 1 Apr. 1986, pp. 354–356.Cole, Fay-Cooper. The Peoples of Malaysia. 1945.Domhoff, G William. “Senoi, Kilton Stewart and the Mystique of Dreams: Further Thoughts on an Allegory about an Allegory.” Lucidity Letter, vol. 10, 1 Jan. 1991. Accessed 27 Jan. 2025.Fix, Alan G. The Demography of the Semai Senoi. U OF M MUSEUM ANTHRO ARCHAEOLOGY, 1 Jan. 1977.G William Domhoff. The Mystique of Dreams : A Search for Utopia through Senoi Dream Theory. Berkeley, University Of California Press, 1985.Jennings, Sue. Theatre, Ritual and Transformation. Routledge, 20 Dec. 2018.Masron, T. & Masami, F. & Ismail, Norhasimah. (2013). Orang Asli in Peninsular Malaysia: population, spatial distribution and socio-economic condition. J. Ritsumeikan Soc. Sci. Hum.. 6. 75-115.Noone, H. D. “Report on the Settlements and Welfare of the Ple-Temiar Senoi of the Perak-Kelantan Watershed.” Journal of the Federated Malay States Museums. 1936.Saputra, Riza & Khotimah, Husnul. (2021). BRIDGING TO ANOTHER DIMENSION: THE RELATIONAL SYSTEM OF SHAMANISM AND RELIGIOUS ENCOUNTER AMONGST THE TEMIAR SENOI OF MALAYA. Jurnal Ilmiah Ilmu Ushuluddin. 20. 72. 10.18592/jiiu.v20i1.5051.Thambiah, Shanthi, et al. “Reclaiming the Eclipsed Female in the Sacred.” Bijdragen Tot de Taal-, Land- En Volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia, vol. 174, no. 2-3, 1 Jan. 2018, pp. 264–290, https://doi.org/10.1163/22134379-17402002.Toshihiro Nobuta. Living on the Periphery. Trans Pacific Press, 2008.
Episode: 2822 Herodotus describing historical events of 5th century BC, fantastical and entertaining component of The Histories. Today, we visit Herodotus.
Pour soutenir Au Revoir Podcast, je vous donne rendez-vous sur https://fr.tipeee.com/aurevoir-podcast ! Merci à vous de permettre à l'aventure de se poursuivre ! 4e épisode de notre série sur les amitiés et le deuil périnatal avec le podcast Friendship ! Vous avez pu écouter les parcours de deux duos d'amies : Camille et Allison sur Friendship, puis Marie et Candice sur Au Revoir Podcast. Vous avez découvert les témoignages d'Aurélie et de Charlotte, qui ont essayé d'être présentes du mieux possibles pour leurs amies. Aujourd'hui, écoutez les plus belles preuves d'amitié et de soutien qu'Alix, Jeanne, Khatidja, Peggy et plus d'une dizaine de personnes ont reçues lors de la traversée de leur deuil périnatal. Ce sont des mots, des gestes, des attentions qui leur ont fait du bien, qui leur ont permis de se sentir reconnu·es.Nous savons qu'il est parfois difficile de savoir quoi faire, quoi dire. Dans les mots de mes invité·es, vous pourrez trouver des pistes pour y voir plus clair. Gardez cependant bien à l'esprit que chaque personne a des besoins différents et que ces besoins varient dans le temps : vous pourrez piocher dans cet épisodes les idées qui vous semblent les plus adaptées aux femmes, aux couples que vous devez accompagner et qui sont aussi les plus adaptées à votre personnalité, à ce que vous vous sentez capable de faire !Vous avez envie d'en savoir plus sur la manière d'être présent·e de la manière la plus ajustée possible ? De nombreux épisodes d'Au Revoir Podcast sont conçus pour l'entourage et ils sont compilés dans une playlist spécifique : https://podcast.ausha.co/aurevoirpodcast/playlist/l-entourage-et-le-deuil-perinatal
Pour soutenir Au Revoir Podcast, je vous donne rendez-vous sur https://fr.tipeee.com/aurevoir-podcast ! Merci à vous de permettre à l'aventure de se poursuivre !
Vor rund 3000 Jahren entsteht an den Hängen des Parnass die größte Weisssagungsstätte der griechischen Welt. In seiner Mitte steht das mysteriöse Heiligtum des Gottes Apollon. Hier haust auch das Orkael selbst - eine Frau aus Delphi, die im Rausch die Stimme des Gottes verkündet. Der Einfluss dieses Orakels wird bald so groß werden, dass internationale Gesandte, Könige, Vertreter vieler Dynastien aber auch einfache Bürger vor den wichtigsten Entscheidungen um eine Weissagung bitten. So bestimmt das Orakel von Delphi bald die Schicksale der griechischen Welt, von einfachen Bürgern bis zu ganzen Königreichen…….…Das Folgenbild zeigt das Orakel bzw. die Pythia und Priester im Apollon-Heiligtum bei einer Weissagung........WERBUNGExpressVPN - Ein schnelles und sicheres VPN! Spare jetzt exklusiv 61% auf den 2-Jahres Plan und bekomme 4 Monate gratis! https://ExpressVPN.com/His2GoDu willst dir die Rabatte unserer weiteren Werbepartner sichern? Hier geht's zu den Angeboten!.......Jetzt His2Go unterstützen für tolle Vorteile - über Steady!Klick hier und werde His2Go Hero oder His2Go Legend.......LITERATURScott, Michael: Delphi: a history of the center of the Ancient world, Princeton; Oxford 2014.Nesselrath, Heinz-Günther; Bäbler, Balbina: Delphi : Apollons Orakel in der Welt der Antike, Tübingen 2021.......COPYRIGHTMusic from https://filmmusic.io: “Sneaky Snitch” by Kevin MacLeod and "Plain Loafer" by Kevin MacLeod (https://incompetech.com) License: CC BY....... !Neu! Jetzt hier His2Go unterstützen, Themen mitbestimmen und Quiz2Go mit Moderatorin Chiara erleben! https://plus.acast.com/s/his2go-geschichte-podcast. Hosted on Acast. See acast.com/privacy for more information.
Welcome back to the 209th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 209th episode we bring you a Duet Review of Oraculum, created and performed by Denim and Pythia, directed by ted witzel, and presented by Buddies in Bad Times Theatre. Join Mackenzie Horner and Ryan Borochovitz, as they discuss the aesthetics of drag performance, the legitimacy of tarot readings, and anxieties about the future. Oraculum is playing at Buddies in Bad Times Theatre (12 Alexander Street, Toronto, ON) until December 14th, 2024. Tickets can be purchased from the following link: https://buddiesinbadtimes.com/show/oraculum/ This review contains many SPOILERS for Oraculum. It will begin with a general non-spoiler review until the [14:21] mark, followed by a more in-depth/anything goes/spoiler-rich discussion. If you intend to see the production, we recommend you stop watching after that point, or at least proceed at your own risk. Follow our panelists: Mackenzie Horner (Before the Downbeat: A Musical Podcast) – Instagram/Facebook: BeforetheDownbeat Apple Podcasts: https://apple.co/3aYbBeN Spotify: https://spoti.fi/3sAbjAu Ryan Borochovitz – [Just send all that love to CoH instead; he won't mind!]; if you enjoy his theatre thoughts, more can be found at https://www.intermissionmagazine.ca/author/ryan-borochovitz/ & https://nextmag.ca/search/borochovitz Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatre If you'd like us to review your upcoming show in Toronto, please send press invites/inquiries to coh.theatre.MM@gmail.com --- Support this podcast: https://podcasters.spotify.com/pod/show/cup-of-hemlock-theatre/support
Découvrez la seconde partie du témoignage d'Éléonore et Marc, les parents de Lazare...
Être prématuré, ce n'est pas seulement être né trop tôt et être un peu plus petit et plus léger que les autres bébés. Être prématuré, en fonction du terme auquel on vient au monde, c'est être exposé à des risques, à des dangers. C'est, pour les parents, encaisser le choc d'une naissance inattendue, encaisser le choc de savoir que son bébé est peut-être trop fragile pour vivre. ⚡Et parfois, quelques minutes, heures, jours, semaines, mois après cette arrivée en trombe dans la vie ex utero, c'est la déflagration. C'est la mort qui croise la route de cette petite vie. Une petite vie parfois très courte, parfois plus longue, mais une petite vie intense.
"Je n'ai pas envie de cacher que j'ai eu 3 enfants, je n'ai pas envie d'être mal à l'aise alors que je n'ai pas à être mal à l'aise..." : ces mots, ce sont ceux de Soizic.Alors qu'elle attendait des jumeaux, Soizic a vécu en 2007 une interruption sélective de grossesse. Une épreuve qu'elle raconte dans l'épisode 49 d'Au Revoir Podcast. Dans cet épisode bonus, je vous propose quelques passages inédits de notre enregistrement. Des passages dans lesquels Soizic revient sur sa vision du deuil périnatal avec le recul qui est le sien, sur certaines remarques blessantes et sur ce dont elle aurait eu besoin pour traverser cette tempête : une présence humaine, bienveillante, à l'écoute. Soizic a traversé le deuil de l'un de ses jumeaux dans le cadre d'une ISG : il s'agit d'une réalité médicale singulière mais je suis sûre que ses mots vous feront du bien, quelle que soit l'épreuve médicale que vous avez vécue. Et si vous faites partie de l'entourage d'une personne qui vit un deuil périnatal, ce court épisode vous aidera à y voir plus clair et à mieux comprendre comme être présent·es pour celleux qui ont besoin de votre soutien.
Pour cette 5e saison, j'ai eu envie de voir les choses en grand ! Après un nouveau générique, il fallait une nouvelle identité visuelle pour Au Revoir Podcast. Autrement dit, un nouveau logo, de nouvelles couleurs, des nouvelles couvertures d'épisodes (elles vous seront présentées vendredi en même temps que le premier témoignage de la saison)...
Le 15 octobre, c'est journée mondiale de sensibilisation au deuil périnatal. A cette occasion, je vous propose d'en savoir plus sur la saison 5 d'Au Revoir Podcast ! Dans cet épisode introductif, vous pourrez découvrir le nouveau générique et découvrir les voix de d'Elodie, Eléonore et Marc, Ingrid, Jeanne, Khatidja, Marie, Marion et Soizic. Je vous en dirai plus sur les thématiques que nous aborderons au cours de cette 5e saison, permise grâce à un financement participatif lancé en mai dernier. Merci encore à vous pour votre soutien et votre confiance ! Grâce à vous, nous allons continuer de lever le voile sur le deuil périnatal.Je vous souhaite une belle écoute.
La saison 5 d'Au Revoir Podcast débute la semaine prochaine !En attendant, je vous propose de (re)découvrir le tout premier témoignage, mis en ligne en septembre 2021. Nous étions alors en pleine épidémie de Covid 19, entre deux confinements. Le confinement, justement : c'est lors du premier, qui s'est déroulé entre mars et mai 2020, que Chloé qui a dû vivre avec son compagnon une interruption médicale de grossesse.Au micro d'Au Revoir Podcast, elle nous fait part de sa tristesse, de ses regrets, mais aussi de sa rencontre avec son fils, Gabriel, et des moments plus lumineux qui ont jalonné la dure épreuve de l'IMG et le début de sa reconstruction pendant le confinement. Alors que de nombreux médias se sont interrogés sur l'accompagnement médical des femmes enceintes pendant l'épidémie, rares sont ceux qui ont vraiment questionné la prise en charge de celles et ceux qui ont perdu un bébé. Pourtant, il nous paraît urgent de mettre en lumière la problématique du deuil périnatal dans un contexte aussi anxiogène et incertain. Poser la question du deuil périnatal en plein confinement, c'est parler de ces femmes qui se sont rendues seules à leurs rendez-vous de suivi de grossesse ou aux urgences et qui ont appris - seules - qu'il y avait un problème. C'est soulever la question des compagnons et des compagnes qui ont attendu sur le parking de l'hôpital pendant que leur conjointe devait faire face à une fausse-couche. C'est mettre en lumière le chagrin de personnes qui sont rentrées à la maison les bras vides et à qui le contexte a pu fait encore plus de mal : éloignement des familles et des ami.e.s, interdiction des visites à l'hôpital, obsèques a minima, annulation des interventions des associations de soutien, par exemple. Encore merci à Chloé d'avoir eu la force, il y a 4 ans, de témoigner. Je vous souhaite une belle écoute et vous dis à la semaine prochaine pour le lancement de la saison 5 !
La saison 5 d'Au Revoir Podcast commencera début octobre. Alors en attendant, j'ai eu envie de vous faire découvrir ou redécouvrir des épisodes qui ont marqué l'histoire d'Au Revoir depuis ses débuts.En septembre 2021, c'est un épisode chorale qui a inauguré la saison 2. Un épisode à plusieurs voix pour mettre en mots et en lumière un impensé : le post-partum consécutif à un deuil périnatal. Post-partum : un mot qui renvoie à l'après. Après l'accouchement, après la naissance, après la venue au monde. Mais dans le cas d'un deuil périnatal, cet après va de pair avec la mort, avec les projets qui s'envolent, les espoirs déçus. Avec le vide abyssal et l'impression qu'il y a tout à reconstruire. Elles s'appellent Marion, Méliza, Yolanda, Eva, Céline ou encore Daphné. Elles ont décidé de prendre la parole autour de cette expérience si singulière qu'elles ont toutes en commun : le post-partum endeuillé. Dans ce premier épisode de la deuxième saison, elles se sont réunies pour vous faire part de leurs parcours, de ces temporalités qui leur sont propres, de ces choses qui leur ont fait du bien pour parvenir à vivre ce tourbillon émotionnel, hormonal, physique, psychologique. Ce tourbillon qu'elles ont traversé avec le ventre vide et le coeur gros.Un grand merci à Stéphanie Ailloud, dont le message ouvre cet épisode, pour sa recommandation !Je vous souhaite une bonne écoute.Ressources complémentaires :Si vous souhaitez en savoir plus sur le post-partum, je vous conseille la lecture de l'ouvrage d'Illana Weizman, Ceci est notre post-partum (Marabout, 2021). Concernant le post-partum consécutif au deuil périnatal, deux épisodes d'Au Revoir Podcast y ont déjà été consacrés : les épisodes 15 ("Julie, mon post-partum sans bébé") et 16 ("Post-partum et deuil périnatal en Allemagne et aux Pays-Bas : quelques pistes pour mieux accompagner les femmes").
La saison 5 d'Au Revoir Podcast commencera début octobre. Alors en attendant, j'ai eu envie de vous faire découvrir ou redécouvrir des épisodes qui ont marqué l'histoire d'Au Revoir depuis ses débuts.L'an passé, la saison 4 s'est ouverte sur un épisode thématique très attendu : la photographie et le deuil périnatal. Après un détour historique, vous pourrez notamment y écouter Ulrike, photographe et bénévole de l'association Souvenange, dont les bénévoles se déplacent dans les maternités pour photographier les bébés après leur décès. Autre mission de Souvenange : retoucher les photographies déjà réalisées par les parents ou les soignant·es. Cet épisode vous est chaudement recommandé par Rozenn, maman du petit Arthur décédé in utero en fin de grossesse à l'été 2022 : "j'ai ressenti dans cet épisode beaucoup de douceur alors que pour les gens qui ne connaissent pas le deuil périnatal c'est choquant de photographier les bébés décédés", m'a-t-elle confiée. "Je pense que je vois aussi différemment les photos de mon bébé grâce à cet épisode." L'intégralité de son message est à écouter au début de cet épisode !Merci à Rozenn pour cette recommandation et à l'association Souvenange qui oeuvre pour accompagner les parents endeuillés. Je vous souhaite une belle écoute.Ressources complémentaires :
La saison 5 d'Au Revoir Podcast commencera début octobre. Alors en attendant, j'ai eu envie de vous faire découvrir ou redécouvrir des épisodes qui ont marqué l'histoire d'Au Revoir depuis ses débuts.Il y a 3 ans, ce n'est pas un mais deux invités qui ont partagé avec vous leur parcours : Capucine et Alban, parents de Marceau décédé in utero. Comment vit-on ce deuil en couple ? C'est justement la question qui est posée tout au long de cet épisode. C'est aussi la question que s'est posée Marion, lorsqu'elle l'a écouté après le décès in utero de son petit Isaiah il y a 2 ans. "J'avais peur qu'après tout ce qu'on avait vécu, notre couple ne tienne pas face à ces difficultés, m'a-t-elle écrit il y a quelques semaines". Aujourd'hui, elle vous recommande cet épisode car il l'a beaucoup aidée pour mieux saisir ce que son couple traversait : "avec cet épisode, j'ai compris que nous étions sur la même ligne mon conjoint et moi... Sur la même ligne mais pas au même endroit, ce qui ne veut pas dire un plus avancé que l'autre. Mais cet épisode m'a fait relativiser et m'a permis de patienter plus sereinement le temps que nos horloges se rassemblent sur le même fuseau horaire."Merci à Marion pour cette recommandation et à Capucine et Alban pour leur témoignage. Je vous souhaite une belle écoute.
La saison 5 d'Au Revoir Podcast commencera début octobre. Alors en attendant, j'ai eu envie de vous faire découvrir ou redécouvrir des épisodes qui ont marqué l'histoire d'Au Revoir depuis ses débuts. En février 2022, Alexandra a partagé le récit de sa première grossesse, de son premier bébé, Victor, décédé au moment de l'accouchement. Dans son témoignage, elle raconte comment elle a tenté, au fur et à mesure, de voir la lumière là où il n'y en avait plus. Parce que pour elle, la lumière était vitale, c'était cette lumière qui allait l'aider à cheminer. Cet épisode, d'ailleurs, a fait du bien à Laura, maman de Léon. Avant de découvrir l'histoire d'Alexandra, vous pourrez découvrir quelques mots de Laura, qui vous recommande cet épisode. Un grand merci à elle.Je vous souhaite une bonne écoute.
La saison 5 d'Au Revoir Podcast commencera début octobre. Alors en attendant, j'ai eu envie de vous faire découvrir ou redécouvrir des épisodes qui ont marqué l'histoire d'Au Revoir depuis ses débuts.Pour le premier épisode de cette série, j'ai sélectionné le témoignage qui a été le plus écouté : celui de Carole. Carole, lors de notre enregistrement, est revenue sur cette décision que son conjoint et elle ont prise : celle de l'IMG, de l'interruption médicale de grossesse. Prendre la parole sur ce sujet n'est pas simple, s'exprimer quand cette IMG est liée à un diagnostic de trisomie 21, l'est encore moins.Et pourtant, quand Carole a fait entendre sa voix en février 2023, vous avez été des milliers à l'écouter. Parce que ce témoignage, vous l'attendiez depuis longtemps. Je vous laisse découvrir le parcours de Carole, l'histoire de sa première grossesse, de son petit Camille, de sa famille.
In these three new historical mysteries, I tell you about the Pythia, the High Priestess of Apollo in Delphi, who for more than a millennium delivered sought-after prophecies in a state of frenzy - but the Oracle may have been more ancient than Classical Greece. The second story is about the myth of changelings, that is to say newborns, or young children that would have been exchanged by fairies, or trolls in the Scandinavian version. Why this belief, and how did it appear? I also added a touch of true crime with the story of Bridget Cleary, a woman murdered in 1895 because she was believed to be a changeling. The third story takes us from Russia and Germany to the USA in the 20th Century: who were all these women claiming to be Grand Duchess Anastasia, the youngest daughter of the last Tsar of Russia, miraculously alive? This modern mystery found an answer thanks to DNA, I tell you how, and a little bit about Eugenia Smith or Anna Anderson. Welcome to Lights Out LibraryJoin me for a sleepy adventure tonight. Sit back, relax, and fall asleep to documentary-style stories read in a calming voice. Learn something new while you enjoy a restful night of sleep.Listen ad free and get access to bonus content on our Patreon: https://www.patreon.com/LightsOutLibrary621Listen on Youtube: https://www.youtube.com/@LightsOutLibraryov ¿Quieres escuchar en Español? Echa un vistazo a La Biblioteca de los Sueños!En Spotify: https://open.spotify.com/show/1t522alsv5RxFsAf9AmYfgEn Apple Podcasts: https://podcasts.apple.com/us/podcast/la-biblioteca-de-los-sue%C3%B1os-documentarios-para-dormir/id1715193755En Youtube: https://www.youtube.com/@LaBibliotecadelosSuenosov
In this episode, our host Gaby Azorsky speaks with Ariella Daly. This is part two of a two part series! Ariella is a beekeeper and teacher. She is a voice in the wave of bee people devoted to the preservation of the bee and pollinators in their own sovereignty. Here because she believes in the wild, divine power of nature as both teacher and healer. For the last 14 years, she has been a devoted student of the bee, bee animism, womb wisdom, and history and folklore around bees and bee priestesses of Ancient Greece. Ariella's approach to beekeeping falls under the labels of natural and bee-centric beekeeping. She is primarily interested in the relationship between beekeeper and bees, what we can learn from the hive as a colony and what we can offer to the bees, both in a single hive and as a species. From Ariella's instagram: Hymenoptera. The veil winged. She who carries souls between the worlds. Descended from stars. Born of bull. Born of lion. Melissae: the bee nymph and Mistress to Python. The bond between bee and woman goes as far back as recorded history. She, of the in between places. When the Melissae nymphs recused infant Zeus from his all-consuming father, they hid him away in a cave and raised him on sweet ambrosia: honey and milk. When bees came to earth they arrived in a long comet of starts. Seven of them remain to this day in the heavens. The seven Bees. The seven sisters. The Pleiades. When the tiny cluster of stars rise in the spring, honey bees cover the earth and bounty returns to the land. They say the first brewer was a woman and she brewed mead from her bees who told her the secrets of their intoxicating elixir. The great Greek prophetess was of the bee. Most revered oracles of the west, their era spanning centuries. The priestesses of Delphi were called Melissae, meaning bee, and the Pythia offering prophecy, was called the Delphic Bee. The bee offers the hum of life. The sound of creation. She, lover to flower and sunlight. Beloved companion of darkness. She who dances through the dim golden halls of her honeycomb cathedral. In our conversation today, we talk about magick, animism, imagination, ancient cultures and mythology, natural beekeeping, the hive, how they sound and feel and look, how we listen and relate, swarms, sovereignty, the bees and the flowers, eros, the beloved, the rhythms of beekeeping, and dreams. *For 20% off your first month of The Flower Portal, use the code SPIRALOFFLOWERS through the end of August* Connect ~ With our guest Ariella | Website and IG @beekeepinginskirts With her free lecture and other lectures, Messengers of Love With our host Gaby Azorsky | Website and IG @gaby.azorsky With Spiral Deeper | Website and IG @spiral.deeper Sign up for Gaby's newsletter Partners ~ Thank you to our partners! Moon Juice - Code ‘GABY.AZORSKY' Activist Manuka Honey - Code ‘GABY15' The Retreat Newspaper - Code ‘GABY100' for your first issue free Music by Gaby's incredible partner, Connor Hayes. Spiral Deeper Icon by Kami Marchand. If you would like to advertise on Spiral Deeper, please email gabyazorsky@gmail.com for packages and information. Please rate, review, and subscribe wherever you listen ~ it means so much. Thank you for your support!
In this episode of the RuPaul's Drag Race Recap Show, Joe and Robert discuss the second part of the Global Talent Extravaganza. They review the mini challenge, where Nehellenia wins and Pythia's performance falls flat. They also analyze the talent show performances, including Nehellenia's original lip sync, Vanity Vain's generic pop song, and Tessa's burlesque routine. The hosts share their thoughts on the queens' performances and provide their ratings for each act. In this episode, Robert and Joe discuss the talent show performances and the runway looks of the queens. They share their thoughts on the comedy performance, the original song, and the pole dancing routine. They also discuss the cultural references and humor in the show, particularly related to Mexican and Filipino cultures. The hosts explore the concept of humor in different cultures and the appeal of certain types of performances. They also touch on the themes of family and support within the drag community. Overall, they provide a humorous and insightful analysis of the episode. Voicemail: speakpipe.com/afterthoughtmedia Email: dragracerecap@afterthought.media Twitter: @dragracerecap YouTube: youtube.com/dragracerecap Patreon: patreon.com/afterthoughtmedia Learn more about your ad choices. Visit podcastchoices.com/adchoices
In this episode, our host Gaby Azorsky speaks with Ariella Daly. This is part one of a two part series! Ariella is a beekeeper and teacher. She is a voice in the wave of bee people devoted to the preservation of the bee and pollinators in their own sovereignty. Here because she believes in the wild, divine power of nature as both teacher and healer. For the last 14 years, she has been a devoted student of the bee, bee animism, womb wisdom, and history and folklore around bees and bee priestesses of Ancient Greece. Ariella's approach to beekeeping falls under the labels of natural and bee-centric beekeeping. She is primarily interested in the relationship between beekeeper and bees, what we can learn from the hive as a colony and what we can offer to the bees, both in a single hive and as a species. From Ariella's instagram: Hymenoptera. The veil winged. She who carries souls between the worlds. Descended from stars. Born of bull. Born of lion. Melissae: the bee nymph and Mistress to Python. The bond between bee and woman goes as far back as recorded history. She, of the in between places. When the Melissae nymphs recused infant Zeus from his all-consuming father, they hid him away in a cave and raised him on sweet ambrosia: honey and milk. When bees came to earth they arrived in a long comet of starts. Seven of them remain to this day in the heavens. The seven Bees. The seven sisters. The Pleiades. When the tiny cluster of stars rise in the spring, honey bees cover the earth and bounty returns to the land. They say the first brewer was a woman and she brewed mead from her bees who told her the secrets of their intoxicating elixir. The great Greek prophetess was of the bee. Most revered oracles of the west, their era spanning centuries. The priestesses of Delphi were called Melissae, meaning bee, and the Pythia offering prophecy, was called the Delphic Bee. The bee offers the hum of life. The sound of creation. She, lover to flower and sunlight. Beloved companion of darkness. She who dances through the dim golden halls of her honeycomb cathedral. In our conversation today, we talk about magick, animism, imagination, ancient cultures and mythology, natural beekeeping, the hive, how they sound and feel and look, how we listen and relate, swarms, sovereignty, the bees and the flowers, eros, the beloved, the rhythms of beekeeping, and dreams. *For 20% off your first month of The Flower Portal, use the code SPIRALOFFLOWERS through the end of August* Connect ~ With our guest Ariella | Website and IG @beekeepinginskirts With her free lecture and other lectures, Messengers of Love With our host Gaby Azorsky | Website and IG @gaby.azorsky With Spiral Deeper | Website and IG @spiral.deeper Sign up for Gaby's newsletter Partners ~ Thank you to our partners! Moon Juice - Code ‘GABY.AZORSKY' Activist Manuka Honey - Code ‘GABY15' The Retreat Newspaper - Code ‘GABY100' for your first issue free Music by Gaby's incredible partner, Connor Hayes. Spiral Deeper Icon by Kami Marchand. If you would like to advertise on Spiral Deeper, please email gabyazorsky@gmail.com for packages and information. Please rate, review, and subscribe wherever you listen ~ it means so much. Thank you for your support!
Welcome to The Nonlinear Library, where we use Text-to-Speech software to convert the best writing from the Rationalist and EA communities into audio. This is: Stitching SAEs of different sizes, published by Bart Bussmann on July 13, 2024 on The AI Alignment Forum. Work done in Neel Nanda's stream of MATS 6.0, equal contribution by Bart Bussmann and Patrick Leask, Patrick Leask is concurrently a PhD candidate at Durham University TL;DR: When you scale up an SAE, the features in the larger SAE can be categorized in two groups: 1) "novel features" with new information not in the small SAE and 2) "reconstruction features" that sparsify information that already exists in the small SAE. You can stitch SAEs by adding the novel features to the smaller SAE. Introduction Sparse autoencoders (SAEs) have been shown to recover sparse, monosemantic features from language models. However, there has been limited research into how those features vary with dictionary size, that is, when you take the same activation in the same model and train a wider dictionary on it, what changes? And how do the features learned vary? We show that features in larger SAEs cluster into two kinds of features: those that capture similar information to the smaller SAE (either identical features, or split features; about 65%), and those which capture novel features absent in the smaller mode (the remaining 35%). We validate this by showing that inserting the novel features from the larger SAE into the smaller SAE boosts the reconstruction performance, while inserting the similar features makes performance worse. Building on this insight, we show how features from multiple SAEs of different sizes can be combined to create a "Frankenstein" model that outperforms SAEs with an equal number of features, though tends to lead to higher L0, making a fair comparison difficult. Our work provides new understanding of how SAE dictionary size impacts the learned feature space, and how to reason about whether to train a wider SAE. We hope that this method may also lead to a practically useful way of training high-performance SAEs with less feature splitting and a wider range of learned novel features. Larger SAEs learn both similar and entirely novel features Set-up We use sparse autoencoders as in Towards Monosemanticity and Sparse Autoencoders Find Highly Interpretable Directions. In our setup, the feature activations are computed as: Based on these feature activations, the input is then reconstructed as The encoder and decoder matrices and biases are trained with a loss function that combines an L2 penalty on the reconstruction loss and an L1 penalty on the feature activations: In our experiments, we train a range of sparse autoencoders (SAEs) with varying widths across residual streams in GPT-2 and Pythia-410m. The width of an SAE is determined by the number of features (F) in the sparse autoencoder. Our smallest SAE on GPT-2 consists of only 768 features, while the largest one has nearly 100,000 features. Here is the full list of SAEs used in this research: Name Model site Dictionary size L0 MSE CE Loss Recovered from zero ablation CE Loss Recovered from mean ablation GPT2-768 gpt2-small layer 8 of 12 resid_pre 768 35.2 2.72 0.915 0.876 GPT2-1536 gpt2-small layer 8 of 12 resid_pre 1536 39.5 2.22 0.942 0.915 GPT2-3072 gpt2-small layer 8 of 12 resid_pre 3072 42.4 1.89 0.955 0.937 GPT2-6144 gpt2-small layer 8 of 12 resid_pre 6144 43.8 1.631 0.965 0.949 GPT2-12288 gpt2-small layer 8 of 12 resid_pre 12288 43.9 1.456 0.971 0.958 GPT2-24576 gpt2-small layer 8 of 12 resid_pre 24576 42.9 1.331 0.975 0.963 GPT2-49152 gpt2-small layer 8 of 12 resid_pre 49152 42.4 1.210 0.978 0.967 GPT2-98304 gpt2-small layer 8 of 12 resid_pre 98304 43.9 1.144 0.980 0.970 Pythia-8192 Pythia-410M-deduped layer 3 of 24 resid_pre 8192 51.0 0.030 0.977 0.972 Pythia-16384 Pythia-410M-deduped layer 3 of 24 resid_pre 16384 43.2 0.024 0.983 0.979 The base language models used are those included in Transform...
Let's Talk About Myths, Baby! Greek & Roman Mythology Retold
Finishing off the play about the crimes of gods and men. Creusa considers burning Apollo's Oracle to the ground. Help keep LTAMB going by subscribing to Liv's Patreon for bonus content! CW/TW: far too many Greek myths involve assault. Given it's fiction, and typically involves gods and/or monsters, I'm not as deferential as I would be were I referencing the real thing. Sources: Euripides' Ion: translation by Cecelia Eaton Luschnig; introduction to Euripides' Orestes and Other Plays by Edith Hall. Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions.See omnystudio.com/listener for privacy information.
Yara and Pythia discuss Australian Aboriginal Dreamtime, cacti, and cordage.
Welcome to The Nonlinear Library, where we use Text-to-Speech software to convert the best writing from the Rationalist and EA communities into audio. This is: Progress Update #1 from the GDM Mech Interp Team: Full Update, published by Neel Nanda on April 19, 2024 on The AI Alignment Forum. This is a series of snippets about the Google DeepMind mechanistic interpretability team's research into Sparse Autoencoders, that didn't meet our bar for a full paper. Please start at the summary post for more context, and a summary of each snippet. They can be read in any order. Activation Steering with SAEs Arthur Conmy, Neel Nanda TL;DR: We use SAEs trained on GPT-2 XL's residual stream to decompose steering vectors into interpretable features. We find a single SAE feature for anger which is a Pareto-improvement over the anger steering vector from existing work (Section 3, 3 minute read). We have more mixed results with wedding steering vectors: we can partially interpret the vectors, but the SAE reconstruction is a slightly worse steering vector, and just taking the obvious features produces a notably worse vector. We can produce a better steering vector by removing SAE features which are irrelevant ( Section 4). This is one of the first examples of SAEs having any success for enabling better control of language models, and we are excited to continue exploring this in future work. 1. Background and Motivation We are uncertain about how useful mechanistic interpretability research, including SAE research, will be for AI safety and alignment. Unlike RLHF and dangerous capability evaluation (for example), mechanistic interpretability is not currently very useful for downstream applications on models. Though there are ambitious goals for mechanistic interpretability research such as finding safety-relevant features in language models using SAEs, these are likely not tractable on the relatively small base models we study in all our snippets. To address these two concerns, we decided to study activation steering[1] (introduced in this blog post and expanded on in a paper). We recommend skimming the blog post for an explanation of the technique and examples of what it can do. Briefly, activation steering takes vector(s) from the residual stream on some prompt(s), and then adds these to the residual stream on a second prompt. This makes outputs from the second forward pass have properties inherited from the first forward pass. There is early evidence that this technique could help with safety-relevant properties of LLMs, such as sycophancy. We have tentative early research results that suggest SAEs are helpful for improving and interpreting steering vectors, albeit with limitations. We find these results particularly exciting as they provide evidence that SAEs can identify causally meaningful intermediate variables in the model, indicating that they aren't just finding clusters in the data or directions in logit space, which seemed much more likely before we did this research. We plan to continue this research to further validate SAEs and to gain more intuition about what features SAEs do and don't learn in practice. 2. Setup We use SAEs trained on the residual stream of GPT-2 XL at various layers, the model used in the initial activation steering blog post, inspired by the success of residual stream SAEs on GPT-2 Small ( Bloom, 2024) and Pythia models ( Cunningham et. al, 2023). The SAEs have 131072 learned features, L0 of around 60[2], and loss recovered around 97.5% (e.g. splicing in the SAE from Section 3 increases loss from 2.88 to 3.06, compared to the destructive zero ablation intervention resulting in Loss > 10). We don't think this was a particularly high-quality SAE, as the majority of its learned features were dead, and we found limitations with training residual stream SAEs that we will discuss in an upcoming paper. Even despite this, we think the results in this work are tentative evidence for SAEs being useful. It is likely ea...
Introducing Cristina Cristina's big 3 and how her intuition shows up for her Cristina shares how she came to astrology Working with asteroids and look for the Divine Feminine in the birth chart Asteroids connected to the witch archetype: Hecate, Circe, Medusa, Sibila, Pythia, Vesta, Persephone Lilith and the banished wild feminine Where can we look in our chart for our portal to spiritual connection Themes and collective lessons for 2024 Tips for choosing the right timing of a new project/endeavor Something Cristina wants to debunk about astrology (ALT: Debunking the fear mongering around astrology) How to connect with Cristina Sitting with Spirit ******* Cristina Farella runs Eighth House Astrology, where she offers both astrology consultations and a series of classes on astrology, myth, and ritual. Her work is guided by the prevailing belief that all things are interconnected, and in both her teaching and astrology readings, she strives to find ways to illuminate those connections for whomever she works with. You can find her on IG and TikTok @eighthhouseastro, subscribe to her Substack where she shares weekly astro forecasts, a bi-weekly podcast on mythology, and other nice astro writings. You can also hear more from Cristina by tuning into her podcast, Soror Mystica, a podcast exploring life's mysteries through its symbols, co-hosted with tarotist Mariana Louis." https://www.cristinafarella.com https://www.instagram.com/eighthhouseastro/ https://eighthhouseastrology.substack.com https://www.sorormysticapodcast.com She is offering a discount just for this audience for her new class Astrology for Beginners. Use the code ANGEL for $5 off your ticket price. https://www.cristinafarella.com/astrology-for-beginners ******* Connect with Taylor further on Instagram @angels_and_amethyst or on her website www.angelsandamethyst.com. Follow @MagicHourPod on instagram for more Magic Hour content. If you have any questions about, intuition, spirituality, angels, or anything and everything magical, please email contact@magichourpod.com, Taylor will answer one question at the top of each episode. Don't forget to leave us a 5 sparkling star review, they help more people find the pod and remember their magic. Please screenshot and email your 5 star reviews to contact@magichourpod.com and we will send you a free downloadable angelic meditation, and enter you to win an angel reading with Taylor Paige! The first Angel Reading giveaway will happen when we hit 55 5 star reviews. Join the waitlist for a reading with Taylor here: https://angelsandamethyst.com/offerings/ Find Taylor's 3 part workshop series on Angelic Connection, Attracting a Soulmate Connection, and Healing the Witch wound here: https://angelsandamethyst.com/workshops/ Code 333 gives $33 off, plus, each student can email Taylor one question on the subject material per lesson. Join Taylor's email list at angelsandamethyst.com to know when her monthly gatherings of Earth Angel Club are open for registration. Earth angel club is a monthly meeting of like-minded and magical people across the world. EAC includes an astrological and energetic overview, a guided meditation attuned to the current zodiac season, and for the highest ticket tier, a mini email angel reading. Each EAC member also has the option to skip the waitlist and sit with Taylor sooner for a reading. Are you an aligned business owner that would like to advertise to our beautiful community of magical people? Please email contact@magichourpod.com Music by Justin Fleuriel and Mandie Cheung. For more of their music check out @goodnightsband on instagram.
Introducing Cristina Cristina's big 3 and how her intuition shows up for her Cristina shares how she came to astrology Working with asteroids and look for the Divine Feminine in the birth chart Asteroids connected to the witch archetype: Hecate, Circe, Medusa, Sibila, Pythia, Vesta, Persephone Lilith - the banished wild feminine Where can we look in our chart for our portal to spiritual connection Themes and collective lessons for 2024 Tips for choosing the right timing of a new project/endeavor Something Cristina wants to debunk about astrology (ALT: Debunking the fear mongering around astrology) How to connect with Cristina Sitting with Spirit ******* Cristina Farella runs Eighth House Astrology, where she offers both astrology consultations and a series of classes on astrology, myth, and ritual. Her work is guided by the prevailing belief that all things are interconnected, and in both her teaching and astrology readings, she strives to find ways to illuminate those connections for whomever she works with. You can find her on IG and TikTok @eighthhouseastro, subscribe to her Substack where she shares weekly astro forecasts, a bi-weekly podcast on mythology, and other nice astro writings. You can also hear more from Cristina by tuning into her podcast, Soror Mystica, a podcast exploring life's mysteries through its symbols, co-hosted with tarotist Mariana Louis." https://www.cristinafarella.com https://www.instagram.com/eighthhouseastro/ https://eighthhouseastrology.substack.com https://www.sorormysticapodcast.com She is offering a discount just for this audience for her new class Astrology for Beginners. Use the code ANGEL for $5 off your ticket price. https://www.cristinafarella.com/astrology-for-beginners ******* Connect with Taylor further on Instagram @angels_and_amethyst or on her website www.angelsandamethyst.com. Follow @MagicHourPod on instagram for more Magic Hour content. If you have any questions about, intuition, spirituality, angels, or anything and everything magical, please email contact@magichourpod.com, Taylor will answer one question at the top of each episode. Don't forget to leave us a 5 sparkling star review, they help more people find the pod and remember their magic. Please screenshot and email your 5 star reviews to contact@magichourpod.com and we will send you a free downloadable angelic meditation, and enter you to win an angel reading with Taylor Paige! The first Angel Reading giveaway will happen when we hit 55 5 star reviews. Join the waitlist for a reading with Taylor here: https://angelsandamethyst.com/offerings/ Find Taylor's 3 part workshop series on Angelic Connection, Attracting a Soulmate Connection, and Healing the Witch wound here: https://angelsandamethyst.com/workshops/ Code 333 gives $33 off, plus, each student can email Taylor one question on the subject material per lesson. Join Taylor's email list at angelsandamethyst.com to know when her monthly gatherings of Earth Angel Club are open for registration. Earth angel club is a monthly meeting of like-minded and magical people across the world. EAC includes an astrological and energetic overview, a guided meditation attuned to the current zodiac season, and for the highest ticket tier, a mini email angel reading. Each EAC member also has the option to skip the waitlist and sit with Taylor sooner for a reading. Are you an aligned business owner that would like to advertise to our beautiful community of magical people? Please email contact@magichourpod.com Music by Justin Fleuriel and Mandie Cheung. For more of their music check out @goodnightsband on instagram.
A dramatic reading by Jason Louv of the 1819 poem "The Fall of Hyperion—A Dream" by John Keats, set to music by Jason. Not uncommon for the 19th century, it is awash in occult and Hermetic symbolism. Show Links Magick.Me Magick.Me's Fast-Growing YouTube Channel: Like and Subscribe!!! The full text of the poem follows: "The Fall of Hyperion—A Dream" John Keats CANTO I Fanatics have their dreams, wherewith they weave A paradise for a sect; the savage too From forth the loftiest fashion of his sleep Guesses at Heaven; pity these have not Trac'd upon vellum or wild Indian leaf The shadows of melodious utterance. But bare of laurel they live, dream, and die; For Poesy alone can tell her dreams, With the fine spell of words alone can save Imagination from the sable charm And dumb enchantment. Who alive can say, 'Thou art no Poet may'st not tell thy dreams?' Since every man whose soul is not a clod Hath visions, and would speak, if he had loved And been well nurtured in his mother tongue. Whether the dream now purpos'd to rehearse Be poet's or fanatic's will be known When this warm scribe my hand is in the grave. Methought I stood where trees of every clime, Palm, myrtle, oak, and sycamore, and beech, With plantain, and spice blossoms, made a screen; In neighbourhood of fountains, by the noise Soft showering in my ears, and, by the touch Of scent, not far from roses. Turning round I saw an arbour with a drooping roof Of trellis vines, and bells, and larger blooms, Like floral censers swinging light in air; Before its wreathed doorway, on a mound Of moss, was spread a feast of summer fruits, Which, nearer seen, seem'd refuse of a meal By angel tasted or our Mother Eve; For empty shells were scattered on the grass, And grape stalks but half bare, and remnants more, Sweet smelling, whose pure kinds I could not know. Still was more plenty than the fabled horn Thrice emptied could pour forth, at banqueting For Proserpine return'd to her own fields, Where the white heifers low. And appetite More yearning than on earth I ever felt Growing within, I ate deliciously; And, after not long, thirsted, for thereby Stood a cool vessel of transparent juice Sipp'd by the wander'd bee, the which I took, And, pledging all the mortals of the world, And all the dead whose names are in our lips, Drank. That full draught is parent of my theme. No Asian poppy nor elixir fine Of the soon fading jealous Caliphat, No poison gender'd in close monkish cell To thin the scarlet conclave of old men, Could so have rapt unwilling life away. Among the fragrant husks and berries crush'd, Upon the grass I struggled hard against The domineering potion; but in vain: The cloudy swoon came on, and down I sunk Like a Silenus on an antique vase. How long I slumber'd 'tis a chance to guess. When sense of life return'd, I started up As if with wings; but the fair trees were gone, The mossy mound and arbour were no more: I look'd around upon the carved sides Of an old sanctuary with roof august, Builded so high, it seem'd that filmed clouds Might spread beneath, as o'er the stars of heaven; So old the place was, I remember'd none The like upon the earth: what I had seen Of grey cathedrals, buttress'd walls, rent towers, The superannuations of sunk realms, Or Nature's rocks toil'd hard in waves and winds, Seem'd but the faulture of decrepit things To that eternal domed monument. Upon the marble at my feet there lay Store of strange vessels and large draperies, Which needs had been of dyed asbestos wove, Or in that place the moth could not corrupt, So white the linen, so, in some, distinct Ran imageries from a sombre loom. All in a mingled heap confus'd there lay Robes, golden tongs, censer and chafing dish, Girdles, and chains, and holy jewelries. Turning from these with awe, once more I rais'd My eyes to fathom the space every way; The embossed roof, the silent massy range Of columns north and south, ending in mist Of nothing, then to eastward, where black gates Were shut against the sunrise evermore. Then to the west I look'd, and saw far off An image, huge of feature as a cloud, At level of whose feet an altar slept, To be approach'd on either side by steps, And marble balustrade, and patient travail To count with toil the innumerable degrees. Towards the altar sober paced I went, Repressing haste, as too unholy there; And, coming nearer, saw beside the shrine One minist'ring; and there arose a flame. When in mid May the sickening East wind Shifts sudden to the south, the small warm rain Melts out the frozen incense from all flowers, And fills the air with so much pleasant health That even the dying man forgets his shroud; Even so that lofty sacrificial fire, Sending forth Maian incense, spread around Forgetfulness of everything but bliss, And clouded all the altar with soft smoke, From whose white fragrant curtains thus I heard Language pronounc'd: 'If thou canst not ascend 'These steps, die on that marble where thou art. 'Thy flesh, near cousin to the common dust, 'Will parch for lack of nutriment thy bones 'Will wither in few years, and vanish so 'That not the quickest eye could find a grain 'Of what thou now art on that pavement cold. 'The sands of thy short life are spent this hour, 'And no hand in the universe can turn 'Thy hourglass, if these gummed leaves be burnt 'Ere thou canst mount up these immortal steps.' I heard, I look'd: two senses both at once, So fine, so subtle, felt the tyranny Of that fierce threat and the hard task proposed. Prodigious seem'd the toil, the leaves were yet Burning when suddenly a palsied chill Struck from the paved level up my limbs, And was ascending quick to put cold grasp Upon those streams that pulse beside the throat: I shriek'd; and the sharp anguish of my shriek Stung my own ears I strove hard to escape The numbness; strove to gain the lowest step. Slow, heavy, deadly was my pace: the cold Grew stifling, suffocating, at the heart; And when I clasp'd my hands I felt them not. One minute before death, my iced foot touch'd The lowest stair; and as it touch'd, life seem'd To pour in at the toes: I mounted up, As once fair angels on a ladder flew From the green turf to Heaven. 'Holy Power,' Cried I, approaching near the horned shrine, 'What am I that should so be saved from death? 'What am I that another death come not 'To choke my utterance sacrilegious here?' Then said the veiled shadow 'Thou hast felt 'What 'tis to die and live again before 'Thy fated hour. That thou hadst power to do so 'Is thy own safety; thou hast dated on 'Thy doom.' 'High Prophetess,' said I, 'purge off, 'Benign, if so it please thee, my mind's film.' 'None can usurp this height,' return'd that shade, 'But those to whom the miseries of the world 'Are misery, and will not let them rest. 'All else who find a haven in the world, 'Where they may thoughtless sleep away their days, 'If by a chance into this fane they come, 'Rot on the pavement where thou rottedst half.' 'Are there not thousands in the world,' said I, Encourag'd by the sooth voice of the shade, 'Who love their fellows even to the death; 'Who feel the giant agony of the world; 'And more, like slaves to poor humanity, 'Labour for mortal good? I sure should see 'Other men here; but I am here alone.' 'Those whom thou spak'st of are no vision'ries,' Rejoin'd that voice; 'they are no dreamers weak; 'They seek no wonder but the human face, 'No music but a happy noted voice; 'They come not here, they have no thought to come; 'And thou art here, for thou art less than they: 'What benefit canst thou do, or all thy tribe, 'To the great world? Thou art a dreaming thing, 'A fever of thyself think of the Earth; 'What bliss even in hope is there for thee? 'What haven? every creature hath its home; 'Every sole man hath days of joy and pain, 'Whether his labours be sublime or low 'The pain alone; the joy alone; distinct: 'Only the dreamer venoms all his days, 'Bearing more woe than all his sins deserve. 'Therefore, that happiness be somewhat shar'd, 'Such things as thou art are admitted oft 'Into like gardens thou didst pass erewhile, 'And suffer'd in these temples: for that cause 'Thou standest safe beneath this statue's knees.' 'That I am favour'd for unworthiness, 'By such propitious parley medicin'd 'In sickness not ignoble, I rejoice, 'Aye, and could weep for love of such award.' So answer'd I, continuing, 'If it please, 'Majestic shadow, tell me: sure not all 'Those melodies sung into the world's ear 'Are useless: sure a poet is a sage; 'A humanist, physician to all men. 'That I am none I feel, as vultures feel 'They are no birds when eagles are abroad. 'What am I then? Thou spakest of my tribe: 'What tribe?' The tall shade veil'd in drooping white Then spake, so much more earnest, that the breath Moved the thin linen folds that drooping hung About a golden censer from the hand Pendent. 'Art thou not of the dreamer tribe? 'The poet and the dreamer are distinct, 'Diverse, sheer opposite, antipodes. 'The one pours out a balm upon the world, 'The other vexes it.' Then shouted I Spite of myself, and with a Pythia's spleen, 'Apollo! faded! O far flown Apollo! 'Where is thy misty pestilence to creep 'Into the dwellings, through the door crannies 'Of all mock lyrists, large self worshipers, 'And careless Hectorers in proud bad verse. 'Though I breathe death with them it will be life 'To see them sprawl before me into graves. 'Majestic shadow, tell me where I am, 'Whose altar this; for whom this incense curls; 'What image this whose face I cannot see, 'For the broad marble knees; and who thou art, 'Of accent feminine so courteous?' Then the tall shade, in drooping linens veil'd, Spoke out, so much more earnest, that her breath Stirr'd the thin folds of gauze that drooping hung About a golden censer from her hand Pendent; and by her voice I knew she shed Long treasured tears. 'This temple, sad and lone, 'Is all spar'd from the thunder of a war 'Foughten long since by giant hierarchy 'Against rebellion: this old image here, 'Whose carved features wrinkled as he fell, 'Is Saturn's; I Moneta, left supreme 'Sole priestess of this desolation.' I had no words to answer, for my tongue, Useless, could find about its roofed home No syllable of a fit majesty To make rejoinder to Moneta's mourn. There was a silence, while the altar's blaze Was fainting for sweet food: I look'd thereon, And on the paved floor, where nigh were piled Faggots of cinnamon, and many heaps Of other crisped spice wood then again I look'd upon the altar, and its horns Whiten'd with ashes, and its lang'rous flame, And then upon the offerings again; And so by turns till sad Moneta cried, 'The sacrifice is done, but not the less 'Will I be kind to thee for thy good will. 'My power, which to me is still a curse, 'Shall be to thee a wonder; for the scenes 'Still swooning vivid through my globed brain 'With an electral changing misery 'Thou shalt with those dull mortal eyes behold, 'Free from all pain, if wonder pain thee not.' As near as an immortal's sphered words Could to a mother's soften, were these last: And yet I had a terror of her robes, And chiefly of the veils, that from her brow Hung pale, and curtain'd her in mysteries That made my heart too small to hold its blood. This saw that Goddess, and with sacred hand Parted the veils. Then saw I a wan face, Not pin'd by human sorrows, but bright blanch'd By an immortal sickness which kills not; It works a constant change, which happy death Can put no end to; deathwards progressing To no death was that visage; it had pass'd The lily and the snow; and beyond these I must not think now, though I saw that face But for her eyes I should have fled away. They held me back, with a benignant light Soft mitigated by divinest lids Half closed, and visionless entire they seem'd Of all external things; they saw me not, But in blank splendour beam'd like the mild moon, Who comforts those she sees not, who knows not What eyes are upward cast. As I had found A grain of gold upon a mountain side, And twing'd with avarice strain'd out my eyes To search its sullen entrails rich with ore, So at the view of sad Moneta's brow I ach'd to see what things the hollow brain Behind enwombed: what high tragedy In the dark secret chambers of her skull Was acting, that could give so dread a stress To her cold lips, and fill with such a light Her planetary eyes, and touch her voice With such a sorrow 'Shade of Memory!' Cried I, with act adorant at her feet, 'By all the gloom hung round thy fallen house, 'By this last temple, by the golden age, 'By great Apollo, thy dear Foster Child, 'And by thyself, forlorn divinity, 'The pale Omega of a withered race, 'Let me behold, according as thou saidst, 'What in thy brain so ferments to and fro!' No sooner had this conjuration pass'd My devout lips, than side by side we stood (Like a stunt bramble by a solemn pine) Deep in the shady sadness of a vale, Far sunken from the healthy breath of morn, Far from the fiery noon and eve's one star. Onward I look'd beneath the gloomy boughs, And saw, what first I thought an image huge, Like to the image pedestal'd so high In Saturn's temple. Then Moneta's voice Came brief upon mine ear 'So Saturn sat When he had lost his realms ' whereon there grew A power within me of enormous ken To see as a god sees, and take the depth Of things as nimbly as the outward eye Can size and shape pervade. The lofty theme At those few words hung vast before my mind, With half unravel'd web. I set myself Upon an eagle's watch, that I might see, And seeing ne'er forget. No stir of life Was in this shrouded vale, not so much air As in the zoning of a summer's day Robs not one light seed from the feather'd grass, But where the dead leaf fell there did it rest. A stream went voiceless by, still deaden'd more By reason of the fallen divinity Spreading more shade; the Naiad 'mid her reeds Press'd her cold finger closer to her lips. Along the margin sand large footmarks went No farther than to where old Saturn's feet Had rested, and there slept, how long a sleep! Degraded, cold, upon the sodden ground His old right hand lay nerveless, listless, dead, Unsceptred; and his realmless eyes were clos'd, While his bow'd head seem'd listening to the Earth, His ancient mother, for some comfort yet. It seem'd no force could wake him from his place; But there came one who with a kindred hand Touch'd his wide shoulders after bending low With reverence, though to one who knew it not. Then came the griev'd voice of Mnemosyne, And griev'd I hearken'd. 'That divinity 'Whom thou saw'st step from yon forlornest wood, 'And with slow pace approach our fallen King, 'Is Thea, softest natur'd of our brood.' I mark'd the Goddess in fair statuary Surpassing wan Moneta by the head, And in her sorrow nearer woman's tears. There was a listening fear in her regard, As if calamity had but begun; As if the vanward clouds of evil days Had spent their malice, and the sullen rear Was with its stored thunder labouring up. One hand she press'd upon that aching spot Where beats the human heart, as if just there, Though an immortal, she felt cruel pain; The other upon Saturn's bended neck She laid, and to the level of his hollow ear Leaning with parted lips, some words she spake In solemn tenor and deep organ tune; Some mourning words, which in our feeble tongue Would come in this like accenting; how frail To that large utterance of the early Gods! 'Saturn! look up and for what, poor lost King? 'I have no comfort for thee; no not one; 'I cannot cry, Wherefore thus sleepest thou? 'For Heaven is parted from thee, and the Earth 'Knows thee not, so afflicted, for a God; 'And Ocean too, with all its solemn noise, 'Has from thy sceptre pass'd, and all the air 'Is emptied of thine hoary majesty: 'Thy thunder, captious at the new command, 'Rumbles reluctant o'er our fallen house; 'And thy sharp lightning, in unpracticed hands, 'Scorches and burns our once serene domain. 'With such remorseless speed still come new woes, 'That unbelief has not a space to breathe. 'Saturn! sleep on: Me thoughtless, why should I 'Thus violate thy slumbrous solitude? 'Why should I ope thy melancholy eyes? 'Saturn, sleep on, while at thy feet I weep.' As when upon a tranced summer night Forests, branch charmed by the earnest stars, Dream, and so dream all night without a noise, Save from one gradual solitary gust, Swelling upon the silence; dying off; As if the ebbing air had but one wave; So came these words, and went; the while in tears She press'd her fair large forehead to the earth, Just where her fallen hair might spread in curls A soft and silken mat for Saturn's feet. Long, long those two were postured motionless, Like sculpture builded up upon the grave Of their own power. A long awful time I look'd upon them: still they were the same; The frozen God still bending to the earth, And the sad Goddess weeping at his feet, Moneta silent. Without stay or prop But my own weak mortality, I bore The load of this eternal quietude, The unchanging gloom, and the three fixed shapes Ponderous upon my senses, a whole moon. For by my burning brain I measured sure Her silver seasons shedded on the night, And ever day by day methought I grew More gaunt and ghostly. Oftentimes I pray'd Intense, that Death would take me from the vale And all its burthens gasping with despair Of change, hour after hour I curs'd myself; Until old Saturn rais'd his faded eyes, And look'd around and saw his kingdom gone, And all the gloom and sorrow of the place, And that fair kneeling Goddess at his feet. As the moist scent of flowers, and grass, and leaves Fills forest dells with a pervading air, Known to the woodland nostril, so the words Of Saturn fill'd the mossy glooms around, Even to the hollows of time eaten oaks And to the windings of the foxes' hole, With sad low tones, while thus he spake, and sent Strange musings to the solitary Pan. 'Moan, brethren, moan; for we are swallow'd up 'And buried from all Godlike exercise 'Of influence benign on planets pale, 'And peaceful sway above man's harvesting, 'And all those acts which Deity supreme 'Doth ease its heart of love in. Moan and wail, 'Moan, brethren, moan; for lo, the rebel spheres 'Spin round, the stars their ancient courses keep, 'Clouds still with shadowy moisture haunt the earth, 'Still suck their fill of light from sun and moon, 'Still buds the tree, and still the sea shores murmur; 'There is no death in all the Universe, 'No smell of death there shall be death Moan, moan, 'Moan, Cybele, moan; for thy pernicious babes 'Have changed a God into a shaking Palsy. 'Moan, brethren, moan, for I have no strength left, 'Weak as the reed weak feeble as my voice 'O, O, the pain, the pain of feebleness. 'Moan, moan, for still I thaw or give me help; 'Throw down those imps, and give me victory. 'Let me hear other groans, and trumpets blown 'Of triumph calm, and hymns of festival 'From the gold peaks of Heaven's high piled clouds; 'Voices of soft proclaim, and silver stir 'Of strings in hollow shells; and let there be 'Beautiful things made new, for the surprise 'Of the sky children.' So he feebly ceas'd, With such a poor and sickly sounding pause, Methought I heard some old man of the earth Bewailing earthly loss; nor could my eyes And ears act with that pleasant unison of sense Which marries sweet sound with the grace of form, And dolorous accent from a tragic harp With large limb'd visions. More I scrutinized: Still fix'd he sat beneath the sable trees, Whose arms spread straggling in wild serpent forms, With leaves all hush'd; his awful presence there (Now all was silent) gave a deadly lie To what I erewhile heard only his lips Trembled amid the white curls of his beard. They told the truth, though, round, the snowy locks Hung nobly, as upon the face of heaven A mid day fleece of clouds. Thea arose, And stretched her white arm through the hollow dark, Pointing some whither: whereat he too rose Like a vast giant, seen by men at sea To grow pale from the waves at dull midnight. They melted from my sight into the woods; Ere I could turn, Moneta cried, 'These twain 'Are speeding to the families of grief, 'Where roof'd in by black rocks they waste, in pain 'And darkness, for no hope.' And she spake on, As ye may read who can unwearied pass Onward from the antechamber of this dream, Where even at the open doors awhile I must delay, and glean my memory Of her high phrase: perhaps no further dare. CANTO II 'Mortal, that thou may'st understand aright, 'I humanize my sayings to thine ear, 'Making comparisons of earthly things; 'Or thou might'st better listen to the wind, 'Whose language is to thee a barren noise, 'Though it blows legend laden through the trees. 'In melancholy realms big tears are shed, 'More sorrow like to this, and such like woe, 'Too huge for mortal tongue, or pen of scribe. 'The Titans fierce, self hid or prison bound, 'Groan for the old allegiance once more, 'Listening in their doom for Saturn's voice. 'But one of our whole eagle brood still keeps 'His sov'reignty, and rule, and majesty; 'Blazing Hyperion on his orbed fire 'Still sits, still snuffs the incense teeming up 'From man to the sun's God: yet unsecure, 'For as upon the earth dire prodigies 'Fright and perplex, so also shudders he: 'Nor at dog's howl or gloom bird's Even screech, 'Or the familiar visitings of one 'Upon the first toll of his passing bell: 'But horrors, portioned to a giant nerve, 'Make great Hyperion ache. His palace bright, 'Bastion'd with pyramids of glowing gold, 'And touch'd with shade of bronzed obelisks, 'Glares a blood red through all the thousand courts, 'Arches, and domes, and fiery galleries: 'And all its curtains of Aurorian clouds 'Flush angerly; when he would taste the wreaths 'Of incense breath'd aloft from sacred hills, 'Instead of sweets his ample palate takes 'Savour of poisonous brass and metals sick. 'Wherefore when harbour'd in the sleepy West, 'After the full completion of fair day, 'For rest divine upon exalted couch 'And slumber in the arms of melody, 'He paces through the pleasant hours of ease 'With strides colossal, on from hall to hall; 'While far within each aisle and deep recess 'His winged minions in close clusters stand 'Amaz'd, and full of fear; like anxious men, 'Who on a wide plain gather in sad troops, 'When earthquakes jar their battlements and towers. 'Even now, while Saturn, roused from icy trance, 'Goes step for step with Thea from yon woods, 'Hyperion, leaving twilight in the rear, 'Is sloping to the threshold of the West. 'Thither we tend.' Now in clear light I stood, Reliev'd from the dusk vale. Mnemosyne Was sitting on a square edg'd polish'd stone, That in its lucid depth reflected pure Her priestess garments. My quick eyes ran on From stately nave to nave, from vault to vault, Through bow'rs of fragrant and enwreathed light And diamond paved lustrous long arcades. Anon rush'd by the bright Hyperion; His flaming robes stream'd out beyond his heels, And gave a roar, as if of earthly fire, That scared away the meek ethereal hours And made their dove wings tremble. On he flared. THE END 1819
We are in 336. Alexander travels too Delphi to ask Pythia how his Persian campaign will go. Afterwards, he will head north to avenge some of his father's defeats.Instagram:https://www.instagram.com/eloudianos/Donation link:https://alexandroscast.gr/en/donate/
Join Kat and Jethro for another mind-bending episode of The Box of Oddities podcast! This week, we're diving deep into the strange and unusual, exploring four incredible topics that will leave you in awe. First, we unravel the mysteries of the "Stone Tape Theory." Is it possible for inanimate objects to record and playback past events? Discover the eerie phenomena and the science behind it as we venture into the unexplained. Next, we take you on a journey to uncover the enigmatic "Chatata Wall Inscriptions." The ancient writings that have baffled historians and archaeologists alike. Join us as we delve into the secrets hidden within these mysterious inscriptions, their significance, and their surprising origin, Then, we unveil a fascinating scientific theory about how Pythia, the legendary oracle of Delphi, summoned her visions. Was it the magic, rituals, or something entirely different? Tune in to explore this captivating aspect of ancient history. And finally, we bring you the incredible story of how scientists have defied time itself by resurrecting a 32,000-year-old plant. It's a tale of scientific marvel and wonder that will leave you questioning the boundaries of life and death. Join us on this journey of the bizarre, as we explore the Stone Tape Theory, The Chatata Wall Inscriptions, Pythia's visions, and the resurrection of an ancient plant. Don't miss out on this episode packed with oddities and surprises! Subscribe, rate, and share The Box of Oddities podcast to keep the curiosity flowing. If you would like to advertise on The Box of Oddities, contact sales@advertisecast.com http://www.airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices
A new week means new questions! Hope you have fun with these!What name is given to a European plum that has been dried?In Greek Mythology, Pythia was the priestess of Apollo and was known as the what of Delphi?Which Scottish novelist wrote the novels Rob Roy, The Lady of the Lake and Ivanhoe?How many pillars are there in the 'Pillars of Islam'?What part of your body can only be seen when you are sitting?Riccardo Muti, Leopold Anthony Stokowski and Marin Alsop are all famous what?What other team competes against Real Madrid in "The Classic"?Which Taylor Swift song had the longest stay on the Billboard top 10 with a nearly six-month stay?What language does the term eureka come from?MusicHot Swing, Fast Talkin, Bass Walker, Dances and Dames, Ambush by Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/Don't forget to follow us on social media:Patreon – patreon.com/quizbang – Please consider supporting us on Patreon. Check out our fun extras for patrons and help us keep this podcast going. We appreciate any level of support!Website – quizbangpod.com Check out our website, it will have all the links for social media that you need and while you're there, why not go to the contact us page and submit a question!Facebook – @quizbangpodcast – we post episode links and silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Instagram – Quiz Quiz Bang Bang (quizquizbangbang), we post silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Twitter – @quizbangpod We want to start a fun community for our fellow trivia lovers. If you hear/think of a fun or challenging trivia question, post it to our twitter feed and we will repost it so everyone can take a stab it. Come for the trivia – stay for the trivia.Ko-Fi – ko-fi.com/quizbangpod – Keep that sweet caffeine running through our body with a Ko-Fi, power us through a late night of fact checking and editing!
Episode: 2822 Herodotus describing historical events of 5th century BC, fantastical and entertaining component of The Histories. Today, we visit Herodotus.
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