Podcast appearances and mentions of Pat Metheny

A cross-generational and cross-genre journey from raw soul and classic jazz storytelling to contemporary experimentation, tracing unexpected connections across today's global jazz landscape. Detailed playlist at https://spinitron.com/RFB/pl/22523732/Mondo-Jazz [from "Up For Soul" to "Ahiahi"]. Happy listening! Photo: Jimmy Katz.

De son premier disque avec Jaco Pastorius au Pat Metheny Group, en passant par le trio et les robots-musiciens, Pat Metheny n'a jamais cessé d'innover, et de raconter sa vision de l'Amérique à travers des projets. C'est aussi un son de guitare qui a marqué cinquante ans de musique, aux côtés des plus grands ! Deuxième partie de notre enquête consacrée à Pat Metheny, avec David Koperhant. Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

A l'occasion de son concert le 22 juin au Grand Rex à Paris, David Koperhant raconte l'incroyable destin de Pat Metheny. Soliste virtuose et raconteur d'histoires, Pat Metheny s'est mis à la guitare adolescent, alors que les Beatles étaient en train de conquérir les Etats-Unis. Au grand dam de ses parents, il se lance un formidable défi : devenir musicien, jusqu'à intégrer au culot le quintette de Gary Burton en 1974 lors d'un festival à Wichitta, Kansas : il n'a que dix-neuf ans ! Naissance d'un guitar-hero dans le premier épisode de notre enquête. Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Ab Ende der 70er Jahre unterwegs mit seinen Bands, erreichte der Gitarrist Pat Metheny spielend das grosse Publikum. Die Mischung aus Sunnyboy und süffigem Fusion-Jazz, die Leichtigkeit der Improvisation, die euphorisierenden Songs - der Erfolg und die Herzen schienen Pat Metheny stets zuzufliegen. Was vielleicht insofern erstaunlich ist, als er durchaus auch Risiken einging mit seiner Musik und - gerade auch nach dem Ende der Pat Metheny Group 2010 - immer wieder neue Wege suchte. Wie er es schafft, auch mit über 70 jugendlich zu wirken und live unterwegs zu sein, was seine Musik auszeichnet und wie man sich selber als Gitarrist von einer solchen Über-Figur lösen kann, das diskutiert der selber sehr erfolgreiche Jazzgitarrist Wolfgang Muthspiel in der JazzCollection mit Jodok Hess. Musiktitel: Interpet:in: Titel (Album / Label): - Pat Metheny: First Circle (First Circle / ECM) - Pat Metheny: Bright Size Life (Bright Size Life / ECM) - Pat Metheny: 80/81 (80/81 / ECM) - Pat Metheny: Are You Going With Me? (OffRamp / ECM) - Pat Metheny: Kathelin Gray (Song X / Nonesuch) - Pat Metheny: Waltz for Ruth (Beyond the Missouri Sky. Short Stories by Charlie Haden & Pat Metheny / Verve) - Pat Metheny: You're Everything? (MoonDial / Modern Recordings) - Pat Metheny: In On It (Side-Eye III+ / Green Hill)

On this episode of The Bandwich Tapes, I sit down with legendary percussionist Luis Conte for a conversation that goes far beyond music, into life, freedom, faith, and the deep roots of rhythm.  Luis has played with just about everyone, from James Taylor to Pat Metheny, and has been a defining voice in modern percussion for decades. But what struck me most in this conversation is not just what he's played, it's how he thinks about music and where it comes from.We begin with where he is today, working out of his home studio and navigating the modern recording world. Luis strikes a balance between convenience and connection, the trade-off between recording alone and the magic that happens when musicians are in the same room together.  From there, we get into one of my favorite parts of the conversation: the relationship between drummer and percussionist. Luis has such a simple and powerful philosophy: don't overthink it. Listen. Let the music tell you what to play. It's a reminder that great musicianship is often about awareness, not complexity.Luis then shares his incredible personal story, growing up in Cuba, being immersed in music from an early age, and eventually leaving the country as a teenager. What follows is a story of sacrifice, resilience, and ultimately freedom. His reflections on that experience are deeply moving and provide valuable context for the way he approaches music and life.We also talk about his journey into the Los Angeles music scene, the importance of relationships, and what it really takes to build a career: not just playing well, but being someone people want to be around. Along the way, he shares stories about working with some of the greats, including the late Carlos Vega, whose impact on musicians runs deep.  Toward the end, we get into his work with Pat Metheny and the idea of trusting great musicians to bring their own voice to the music. It's a theme that runs throughout the entire conversation. Music isn't something you force; it's something you respond to.This is a conversation about feel, about listening, and about the life experiences that shape the way we play.Key TakeawaysLuis Conte explains why listening, not thinking, is the foundation of great percussion playing.He shares the nuanced role of a percussionist alongside a drummer and how to complement the music.Luis reflects on his journey leaving Cuba and the profound meaning of freedom in his life and career.We discuss how early musical exposure shaped his instincts long before formal training.Luis emphasizes that relationships, attitude, and reliability are just as important as musicianship.He shares stories about Carlos Vega and what made him such a special musician.Luis talks about working with Pat Metheny and the importance of trusting artists to bring their own voice.Music from the EpisodeSantiaguero - Ropa Vieja ft. Luis Conte & San MiguelLa Aguita - Ropa Vieja ft. Luis Conte & San MiguelAmerica Undefined - Pat MethenyAbout the PodcastThe Bandwich Tapes is my chance to sit down with musicians, composers, songwriters, and creative artists I admire for honest conversations about craft, collaboration, career, and the deeper musical ideas that shape their work. It's a show about process, perspective, and the stories behind a life in music.Connect with the ShowEmail: contact@thebandwichtapes.com

La trompetista Airelle Besson y el acordeonista Lionel Suárez firman el disco 'Blossom' con piezas como 'Ida Lupino' de Carla Bley y 'Au lait' de Pat Metheny. La pianista y cantante Eliane Elias acaba de publicar 'Ao vivo', grabado en concierto en San Francisco, con clásicos brasileños como 'Saudade da Bahia'/'Você já foi à Bahia?' de Dorival Caymmi junto a su composición 'At first sight'. La cantante holandesa Josee Koning publicó hace un par de años 'Doce presença' con la canción de Ivan Lins que le da título -a dúo con el propio Ivan-, 'Sei là porque' y 'Plus fort que nous'. La hija pequeña de João Gilberto, Loulu, que cumple 22 años en este mes de junio, lo celebra con su primer disco: 'João', 'Duas contas', 'Mr Sandman', 'Tea for two', 'Qui nem jiló'. Despiden el armonicista Gabriel Grossi y el pianista Laurent Coulonfre tocando 'Bebê' de Hermeto Pascoal -con la trompeta de Ibrahim Maalouf-.Escuchar audio

Txetxu Altube aprovecha el año sabático - sin carretera - y creativo de Los Secretos y se arranca con su gira propia en solitario con nuevas canciones que hoy nos presenta. Y también recibimos a Julio Martí para hablar un año más, y van diez, de las Noches del Botánico. ¿Danny Elfman? ¿Silvana Estrada? ¿Love Of lesbian? ¿Pat Metheny? ¿Alabama Shakes? ¿Rubén Blades ¿Chic?  DISCO 1 DANNY ELFMAN Intro (Tittles) (EDWARD SCISSORHANDS 1990) SALUDO A JULIO MARTÍ Y TXETXU ALTUBE DISCO 2 ALABAMA SHAKES Hang Loose (BOYS AND GIRLS 2012) DISCO 3 OMD Enola Gay (ORGANISATION 1980) DISCO 4 SILVANA ESTRADA La Corriente (MARCHITA 2022) DISCO 5 JEFF GOLDBLUM & THE MILDRED SNITZER ORCHESTRA ft. ARIANA GRANDE I Don’t Know Why (I Just Do) (STILL BLOOMING 2025) DISCO 6 TXETXU ALTUBE Final feliz (2021) DISCO 7 TXETXU ALTUBE Dèjâ Vû (2023) DISCO 8 TXETXU ALTUBE Con uno Menos (2025)Escuchar audio

Harper Talks host Brian Shelton sits down with retiring Harper College English Professor and alumnus Kris Piepenburg to reflect on a remarkable journey that began as a Harper student in 1979. Kris shares memories of a very different campus, his experiences as a WHCM radio DJ, and his role in bringing legendary musical acts like Survivor and Pat Metheny to Harper. He also discusses the professors who inspired his path, his career in publishing, and his return to Harper as a faculty member who would spend more than three decades shaping students' lives.

On this episode of The Bandwich Tapes, I sit down in person with drummer Joe Dyson, the first in-person conversation I've recorded for the show, and it couldn't have been with a better musician or person.  Joe is currently on the road with Pat Metheny, and we talk about the experience of being inside that music night after night, how the band continues to grow, how chemistry develops on the road, and what it truly means to live inside the music.We begin at the very beginning, Joe's earliest connection to the drums, growing up in church, watching his family play, and learning through imitation long before formal instruction. That foundation, playing with purpose, listening deeply, and serving something larger than yourself, continues to shape everything he does today.  From there, we dive into the cultural impact of growing up in New Orleans and the moment Joe realized just how unique that musical environment is. His reflections on culture, identity, and the preservation of tradition are powerful and deeply personal.One of the most meaningful parts of this conversation centers around mentorship, specifically his relationships with Alvin Batiste and Donald Harrison. Joe shares incredible stories about how these mentors shaped him, not just musically, but philosophically, and how their lessons continue to reveal themselves years later.  We also spend time talking about listening, not just as a musical skill, but as a life skill. Joe makes a compelling case that listening is at the center of everything: collaboration, groove, communication, and even being a better human being.We get into his artistic philosophy, how he balances honoring the lineage of great drummers like Elvin Jones, Roy Haynes, and Philly Joe Jones while still pushing forward creatively. His perspective on imitation, emulation, and innovation is something every musician can learn from.Joe also shares the incredible (and almost missed!) story of how he connected with Pat Metheny, starting with an email he nearly ignored, and what it's like working with an artist of that level in both live and studio settings.We wrap up by talking about his debut album, Look Within, and how stepping into the role of a bandleader changed his perspective, not just musically, but also in how he approaches collaboration and supports other artists.This is a conversation about growth, humility, and the lifelong process of becoming a musician.Key TakeawaysJoe Dyson explains why listening is the most important skill a musician can develop—on and off the stage.He shares how growing up in church shaped his sense of purpose and connection to music.Joe reflects on the unique cultural identity of New Orleans and its lasting influence on his playing.He discusses the profound impact of mentorship from Alvin Batiste and Donald Harrison.Joe breaks down the process of musical growth: imitation → emulation → innovation.He tells the story of nearly ignoring the email that led to working with Pat Metheny.Leading his own band gave him a deeper respect for collaboration and the responsibilities of being a bandleader.Music from the EpisodePious Walk - Joe DysonForward - Joe DysonFleeting Faith - Joe DysonIn On It - Pat Metheny Side Eye IIINaysayers - Joe DysonAbout the PodcastThe Bandwich Tapes is my chance to sit down with musicians, composers, songwriters, and creative artists I admire for honest conversations about craft, collaboration, and the deeper musical ideas that shape their work. It's a space to explore process, perspective, and the human side of a life in music.Connect with the ShowEmail: contact@thebandwichtapes.com

On this episode of The Bandwich Tapes, I sit down with Mark Kibble of Take 6, a group whose music has been part of my life since the very beginning of my musical journey.   We start with a full-circle moment, me seeing Take 6 live as a teenager, and now getting to sit down and talk with Mark about his career, his process, and the music that continues to inspire him.We begin with his work on Pat Metheny's latest project, in which Mark contributed vocal arrangements that add an entirely new dimension to Pat's sound. Mark walks through the process, receiving tracks, interpreting harmonic language, and building a choir sound that fits seamlessly into a complex musical landscape.   From there, we zoom out and talk about what it means to be a collaborator, how Mark approaches working with other artists, what he listens for, and how he balances his own voice with the music's needs. His perspective is simple but profound: it's not about him. It's about making the music better.We spend time reflecting on the longevity of Take 6, how a group can stay together for decades, navigate challenges, and still maintain both musical excellence and deep personal relationships. Mark shares that their foundation goes far beyond music; it's rooted in purpose, faith, and a genuine commitment to each other as family.  We also talk about influence, how artists like Jacob Collier are carrying the torch forward, and how meaningful it is to see a new generation connect with the music that Take 6 has been making for decades.There are some great moments of reflection, too, working with legends like Joe Sample, collaborating with Lalah Hathaway, and the challenge (and joy) of continuing to grow as a vocalist over time.  We also get into vocal health, longevity, and what it takes to sustain a career at the highest level—physically, mentally, and creatively.This is a conversation about harmony in every sense of the word: musical, personal, and spiritual.Key TakeawaysMark Kibble breaks down how he approached arranging vocals for Pat Metheny's latest project.He shares why collaboration is about serving the artist—not showcasing yourself.The longevity of Take 6 is rooted in purpose, faith, and treating each other like family.Mark reflects on the group's influence on artists like Jacob Collier.Great arranging is about fitting into the music—not competing with it.Vocal longevity requires discipline, rest, and learning how to pace yourself.Coaching others reinforced the importance of finding your own authentic voice.Music from the EpisodeBiggest Part of Me - Take 6Don't Look Down - Pat MethenyU-Turn - Joe Sample with Take 6Someday We'll All Be Free - Take 6 with Lalah HathawayCome Unto Me - Take 6About the PodcastThe Bandwich Tapes is my chance to sit down with musicians, composers, and creative artists for honest conversations about the craft, the process, and the stories behind the music. It's about digging deeper—into how great music gets made and the people who make it.Connect with the ShowEmail: contact@thebandwichtapes.com

Episode 105: Richard Bona is one of the most respected bass players, composers, vocalists, and bandleaders in modern music. Born in Cameroon and now celebrated around the world, Richard has worked with legends including Pat Metheny, Quincy Jones, Joe Zawinul, Harry Belafonte, Chick Corea, Herbie Hancock, Bobby McFerrin, Mike Stern, George Benson, and many more. From the Pat Metheny Group to the Zawinul Syndicate, Richard has helped shape the sound of jazz fusion, African music, world music, and modern bass playing for decades. Richard has also shared the stage and studio with some of the greatest drummers in the world including Antonio Sanchez, Vinnie Colaiuta, Dave Weckl, Steve Smith, Omar Hakim, Paco Séry, Dennis Chambers, Manu Katché, Simon Phillips, Terri Lyne Carrington, Mark Guiliana, Steve Gadd, and more. In this episode, Richard and Elmo talk about growing up in Cameroon, building his own instruments as a child, discovering Jaco Pastorius, moving to Germany, Paris, and New York, becoming Harry Belafonte's musical director, joining Joe Zawinul's Syndicate, winning a Grammy with Pat Metheny, rhythm, groove, African music, storytelling, singing while playing bass, improvisation, how to feel odd time signatures and polyrhythms, being managed by Quincy Jones, bass technique, composition, musical identity, and much more. Richard also shares stories from the road, lessons from the greatest musicians in the world, and his philosophy on music, culture, creativity, and humanity. We hope you enjoy our conversation with the great Richard Bona! Big thanks to our friends Ace Studio for supporting the show. Check them out! https://acestudio.ai/ Another huge thanks to our friends at DistroKid! DistroKid is the easiest and fastest way to get your music on over 150 platforms worldwide! Go to https://distrokid.com/vip/elmo to get 20% off your first year! Become a Patreon Member to stay in the loop as we post Patreon-only exclusive content, Zoom hangs, invite only events, and discussions about music and music careers. https://www.patreon.com/gowithelmo Please SUBSCRIBE / FOLLOW this podcast to catch new episodes as soon as they drop! Your likes, comments and shares are much appreciated! Listen to the audio form of this podcast wherever you get your podcasts: https://elmolovano.komi.io/ Follow Richard: https://www.instagram.com/richardbonaofficial/ Follow Go With Elmo: https://www.instagram.com/gowithelmo/ https://www.tiktok.com/@gowithelmo https://x.com/gowithelmopod Follow Elmo Lovano: https://Instagram.com/elmolovano https://x.com/elmolovano Follow Jammcard: https://www.youtube.com/@jammcard https://www.instagram.com/jammcard/ jammcard.com Learn more about your ad choices. Visit megaphone.fm/adchoices

In this rare 2014 radio archive interview, Elisa Fiorillo of Prince & The NPG joins Joe Kelley alongside guitarist Tyler Reese to discuss their Dease & Reese project Life In 20, working with Prince, touring, songwriting, Berklee College of Music, Pat Metheny, and balancing life on and off the stage.Elisa shares stories about rehearsing with Prince, performing with Shelby J and Liv Warfield, and the pressures of being part of the NPG, while Tyler discusses his musical journey and guitar influences.Originally aired on Musicians Reveal with Joe Kelley.

This was Jan's birthday show where participants discussed various topics including De-Feedback innovations, Thunder Audio beginnings, equipment setups, fascinating audio industry experiences from the early days up to recent events. Everyone shared multiple stories from their years of experience in the concert touring industry. The group shared stories about working at the Milken Institute conference, with Bruce describing his successful use of DeFeedback equipment in a small venue with 6 wireless mics, while Christopher Cuse complained about poor sound quality at a Pat Metheny concert at Disney Hall where front fills were missing. Tony Villarreal shared his history with Thunder Audio and Metallica, while the group discussed various audio equipment including Meyer systems, Nexo Alpha speakers, and Gamble consoles. The conversation also touched on technical support challenges for DeFeedback's Mac application and included updates about Curt Hare's restoration work on vintage Gamble consoles.  I want to thank Bruce Fallis, Tony Villarreal, Gregory Baker, Ken Newman, David Dansky, Fred Domenigoni, Wayne Sims, Duane Sheets, Devin Sheets, Christopher Cuse, Curt Hare, Steve Gill, Aya-Troll-Ah for their contributions to the conversation.----------Today is my 75th birthday. Celebrate with me and share how we met and a story or two from a past life.Show 310: AN OPEN CONVERSATION WITH FRIENDS THAT LOVE THE WORLD OF CONCERT AND SPECIAL EVENT PRODUCTIONSMaster the Professional Life—Without Being Bored. -Stop guessing and start growing. Join Jan Landy and his knowledgeable, affable panel of friends and colleagues for a no-filter discussion on mastering the professional life—with more laughs than a comedy club.Our ZoomCast isn't just a fountain of industry knowledge; it's also an opportunity to laugh. Think of it as therapy, but with more jokes and fewer couches. Stay updated on life and world events, share your thoughts, and enjoy multiple good chuckles along the way. -JOIN US LIVE EVERY WEDNESDAY:- 4:45 PM Pacific (UTC-7) / 7:45 PM EasternHow to Assist:Offer your support by giving us a Like, opinions in the comments on Facebook, LinkedIn, and YouTube and remember to share the show with your industry friends.

Guitarist, composer and Berklee professor Lyle Brewer joins us this week. We talk about his journey as a professional guitarist and educator, how he ended up teaching at Berklee (and what the students are listening to), his influences (from Pat Metheny to Andy Shauf), his love for nylon-string guitars, workshopping new music on the internet, and so much more. Brewer has a ton of insights on composing, songwriting, the future of AI and music, and more.  https://lylebrewermusic.net Join us at our 2026 Fretboard Summit in Chicago for three days of guitar demos, concerts, workshops and podcast tapings with some of our favorite artists: https://fretboardsummit.org This year's Summit has over 80 luthiers and brands showcasing their new and prototype gear!  Subscribe to the Fretboard Journal's quarterly print magazine: https://shop.fretboardjournal.com/products/fretboard-journal-annual-subscription We are brought to you by Peghead Nation: https://www.pegheadnation.com  (Get your first month free or $20 off any annual subscription with the promo code FRETBOARD at checkout). Mike & Mike's Guitar Bar: https://mmguitarbar.com

Episode 20: Whit Sidener Featuring legendary jazz educator and multi-woodwind artist Whit Sidener, this episode highlights a remarkable career that bridges elite performance and transformative education. A seasoned saxophonist and woodwind specialist, Sidener has performed and recorded with iconic artists including Frank Sinatra, Barbra Streisand, and the Bee Gees, bringing a deep well of real-world artistry into his teaching.As a longtime professor and former Chair of Studio Music and Jazz at the Frost School of Music, Sidener played a pivotal role in shaping one of the nation's leading jazz programs. Across decades of leadership, mentorship, and vision, he has guided generations of musicians—many of whom have gone on to define the modern jazz landscape.Sidener's legacy is not only measured by his own accomplishments, but by the lasting impact of his students, his commitment to artistic excellence, and his belief in music as a lifelong pursuit of growth, discipline, and human connection.►Learn more about Whit Sidener:RS Berkeley Bio: https://www.rsberkeley.com/whit-sidenerFrost School Feature: https://news.miami.edu/frost/stories/2024/11/program-leader-honored.html►Key Moments:0:00 - Introductions1:31: Whit's biography6:21: Early musical experiences and influences12:47: Joining the Tommy Dorsey Band, (around 1962)17:12: Mingling with the Duke Orchestra Orchestra18:00: Gigging with the circus, Holiday On Ice, playing to track, and the union in Florida22:53: Leaving Tommy Dorsey, “Moneyball”, and going back to college.27:40: Meeting Jerry Coker, Jamey Aebersold, Gary Campbell, Randy Brecker, in Indiana.28:52: U.S. State Department Tour to the middle east for 5 months (1965).29:40: Miami invitation33:30: University of Miami in the mid-1960's37:37: Gigging in Miami in the mid to late 60's39:36: Playing with Frank Sinatra40:20: Louis Armstrong story43:25: joining University of Miami's faculty46:39: Gerry Mulligan joins the UM faculty for a year.48:25: Impact on Jazz Education, teaching excellence53:06: Why is this important?55:50: Evolution of higher education since 197258:00: Acceptance of electric guitar as principle instruments at UM, Pat Metheny and many more…1:01:19: Building a financial future for younger students1:04:42: Taking care of health1:09:53: What's happening now? What do you listen to?1:12:00: “Thanks for putting up with me”1:13:40: UM legacy, the Foster Building, and Thank You's►Follow John Daversa Online:Instagram: https://www.instagram.com/johndaversa/Facebook: https://www.facebook.com/JohnDaversaMusic/YouTube:  https://www.youtube.com/johndaversamusicWebsite: http://www.johndaversa.com  ►CreditsHost and Producer: John DaversaVideo Capture: Yang YangAudio Capture: Yang YangVideo and Audio Editing: Izzi GuzmanGraphic Design: Izzi GuzmanRecorded in Coral Gables, FL, January 31, 2025►Music"The John Daversa Podcast""Moonlight Muse""Junk Wagon"All compositions composed and arranged by John DaversaDaversafications Publications (ASCAP),#whitsidener #universityofmiami #UM #frostschoolofmusic #frostmsj #msj #tommydorsey #holidayonice #trumpet #johndaversa #johndaversSupport the show►CreditsHost and Producer: John DaversaVideo: Max Nierlich Audio: Dudley MerriamAdditional Audio: Jake SondermanVideo and Audio Editing: Yang YangIzzi Guzman: Graphic DesignRecorded in Miami, FL►Music"The John Daversa Podcast""Moonlight Muse""Junk Wagon"All compositions composed and arranged by John DaversaDaversafications Publications (ASCAP)

Del disco improvisado del flautista y saxofonista Carlos Malta, el baterista Robertinho Silva y el pianista Francisco Pellegrini 'Tanajura' los temas 'Tanajura', 'Sinos', 'Golfinhos' y 'Reco-reco'. El acordeonista Vincent Peirani, que toca en último disco de Pat Metheny 'Side eye III +', con 'Le cabinet des énigmes', 'Better days' y 'Phantom resonance' de su disco 'Living being IV. Time reflections'. Descubrimos al brasileño Pedro Mizutani con un EP titulado 'Aperana': 'Melhor você se acostumar' y 'Chuva de verão'. Despide Matheus Prado con 'Saudades da América' del disco 'Brasilidade. A Jazz portrait of Brazil' que saldrá en mayo.  Escuchar audio

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On this episode of The Bandwich Tapes, I sit down with guitarist and composer Bob Lanzetti, best known as one of the founding members of Snarky Puppy. I've admired Bob's playing for a long time, so getting the chance to talk with him felt especially meaningful. We begin with something many musicians quietly carry with them: the fear of hand issues and how that concern evolves over the course of a career. Bob reflects honestly on how he thinks about it now compared to earlier years.From there, we rewind to the beginning—growing up around his dad's guitar, discovering The Beatles, and the simple invitation that changed everything: “Learn this song and you can sit in with my band.” That moment set Bob firmly on the path toward becoming a guitarist. He traces his journey through early mentors, jazz studies, and eventually to the University of North Texas, where he found a musical community that would change his life—and where Snarky Puppy first came together.We spend time talking about the musical ecosystem around North Texas as well, especially the gospel and R&B scenes that shaped Bob's ear in ways the classroom couldn't. Bob shares how Snarky Puppy actually learns and rehearses music—often through oral tradition, demos, and Logic sessions—and how the band's three-guitar setup works without stepping on each other's sonic space. Along the way, he reflects on something younger musicians often overlook: the importance of restraint, listening, and self-balancing within a band.One of my favorite parts of the conversation centers on Bob's Nosferatu project, where he composed and performed an original score for the classic silent film during the COVID years. That project opened the door to exploring 20th-century classical textures, string writing, layered guitars, and production techniques. We wrap up by talking about the wide range of influences that shape Bob's music—from Charlie Christian and Jim Hall to Sonic Youth and Derek Bailey—and what's ahead in 2026, including GroundUP Festival, touring with Snarky Puppy alongside the Metropole Orchestra, his trio work, and the growing role of producing in his creative life.Key TakeawaysMusicians confront physical concerns over time — long careers require resilience and perspective.Early invitations can shape a life path — a simple opportunity to sit in with a band set Bob on the guitar journey.Community matters — the University of North Texas and the surrounding Dallas scene were foundational for Snarky Puppy.Listening and restraint define great band playing — especially in complex ensemble settings like a three-guitar lineup.Musical learning often happens by ear — oral tradition and demos play a huge role in how bands develop material.Creative side projects expand the palette — Bob's Nosferatu score opened the door to new textures and production ideas.Producing can become another creative outlet — shaping the sound of recordings scratches the same itch as performing.Music from the EpisodeB - Bob LanzettiAnonymous - Bob LanzettiThe Seven Deadly Sins (from Nosferatu) - Bob LanzettiJenny is a Donkey - Bob LanzettiAbout the PodcastThe Bandwich Tapes is a podcast hosted by Brad Williams, featuring conversations with musicians, composers, producers, and creative thinkers about their musical journeys. Each episode explores the influences, decisions, and experiences that shape a life in music—one conversation at a time.Connect with the ShowEmail: contact@thebandwichtapes.com

Here is the playlist for the 04/12 episode of Crosswinds. EnjoyStan Kenton Orchestra- Intermission RiffDuke Ellington and Count Basie Orchestras- Jumpin' at the WoodsideDuke Ellington and Count Basie Orchestras- Corner PocketJazz at Lincoln Center Orchestra- Exposition SwingJazz at Lincoln Center Orchestra- Rent Party BluesBuddy Rich Big Band- Channel One SuiteBirdland Big Band- StorybookWDR Big Band w/Darol Anger and Mike Marshall- In the Lion's DenDon Ellis Orchestra- Turkish BathAngine de Poitrine- SarniezzTerence Trent D'Arby- Wishing WellBootsy Collins- Wishing WellPat Metheny Group- Spring Ain't HereBill Evans Trio- You Must Believe in SpringJohn Coltrane- Lazy BirdMiles Davis- FootprintsGary Burton, Chick Corea, Pat Metheny, Dave Holland and Roy Haynes- Country RoadShawn Colvin, Billy Childs and Chris Botti- Save the CountryRobert Glasper Trio- I'm Country and That's OKJamiroqui- Space CowboyBrad Mehldau- Old ManRickie Lee Jones- Don't Let the Sun Catch You CryingBeth Hart and Joe Bonamassa- Black CoffeeHerbie Hancock and John Mayer- Stitched UpBruce Hornsby w/Bob Weir- Might as Well be Me, FlorindaBilly Cobham- Solarization

Canciones de The Beatles en las guitarras de Pat Metheny ('And I love her'), Toninho Horta ('She´s leaving home', 'Across the universe'), Bill Frisell ('Across the universe', 'In my life', 'Nowhere man'), Larry Coryell ('Something'), Ralph Towner ('Here, there and everywhere'), Toots Thielemans ('Yesterday'), Mark Whitfield ('Come together') y Aquarela Carioca ('Sgt. Pepper´s lonely hearts club band').Escuchar audio

Jocelyn Gould, Aaron Shorr, David Lavoie & Carson Tworow, Andres Vial, Marika Galea, Hugo Blouin, Mike Bruzzese, Pat Metheny, Matthew Stevens, Dave Stryker, Mike Johnson, The Gus Moberg Travesty and Bill FrisellPlaylist: Jocelyn Gould - You're SweetAaron Shorr - Omand's CreekDavid Lavoie, Carson Tworow - Where Are You GoingDavid Lavoie, Carson Tworow - Night FunctionAndres Vial Percussion Ensemble, featuring Joe Chambers - ConcentricMarika Galea - LongevityHugo Blouin - Un art du tempsMike Bruzzese, featuring Ben Solomon, Mike DeMasi and Adam Arruda - HillcrestPat Metheny - In On ItMatthew Stevens - Who Does She Hope to Be?Dave Stryker - Blue FireMike Johnson - The Lords of CreationThe Gus Moberg Travesty - The Long Walk HomeBill Frisell - Isfahan

Dos adelantos del próximo disco de la cantante sueca Elisabeth Melander: 'Jardín botánico' de Michael Franks, 'In summer' ('Estate') de Bruno Martino y Bruno Brighetti. Y dos piezas de 'The summer knows', disco del clarinetista y saxofonista estadounidense Ken Peplowski fallecido en febrero: 'Like a lover' de Dori Caymmi y 'The summer knows' de Michel Legrand. Del último disco de Pat Metheny 'Side eye III +' los cortes 'Don´t look down' y 'Risk and reward' y, del último disco de Dori Caymmi 'Utopía', las canciones 'Búzio azul' -con Boca Livre-, O nome da moça' -con Mônica Salmaso-, 'Sonho de nascença' y 'Ninho de vespa'.Escuchar audio

Minneapolis-based musician, educator, percussionist, recording artist, and visual artist Jenny Klukken stops by to talk about her portfolio career and the challenges of playing marimba in small rooms (04:50), her recording and compositional process, her new album Marimba Standard, and the importance of entrepreneurship in the arts (24:30), growing up in rural Minnesota, her enjoyment of jazz and early country music, Spotify Wrapped, and focusing on listening to albums (43:25), attending the University of Minnesota for undergrad, working through 4-mallet grips, her experiences attending the Zeltsman Marimba Festival, her puppetry career as “Jenny and the Pets”, and combining musical artistry with her visual artistry (01:05:45), and finishing with the Random Ass Questions, including her experiences as a woman in the arts, cooking stories, movies that inspire and/or infuriate, pet names and their backstories, living on a dairy farm, and Pat Metheny (01:35:25).Finishing with a remembrance on the passing of an important living being (02:00:00).Jenny Klukken Links:Jenny Klukken's websiteJenny Klukken's new album Marimba StandardPrevious Podcast Guests Mentioned:Fernando Meza in 2020Eri Isomura in 2024Josh Graham in 2025Marco Schirripa in 2022Abby Fisher in 2021Lynn Vartan in 2019Other Links:Steve YeagerEric SammutPete's Marimba album“Shadows of the Night” - Pat BenatarAngela Myles Beeching“Don't Fence Me In” - Gene Autry“Crowded Table” - The HighwomenNickel Creek's NPR Music Tiny Desk ConcertNancy ZeltsmanJack van GeemIvana BilicMaurice'sKatarzyna MyckaKeiko AbeThe Emperor's New Groove trailerThe Devil Wears Prada trailerThe Little Mermaid trailerRebecca trailerRebecca - Daphne du MaurierJane Eyre - Charlotte BrontëJames - Percival Everett“Kin” - Pat Metheny

On this episode of The Bandwich Tapes, I sit down with Larry Goldings—keyboardist, organist, composer, and one of the most respected musical collaborators working today. Larry has built a career that stretches across jazz, pop, film, television, and session work, but what really stands out in our conversation is his deep commitment to serving the music first.We start by talking about some of the projects currently on his plate. From a new recording with his organ trio featuring Peter Bernstein and Bill Stewart, to an unexpected and joyful children's album with tap-dance legend Melinda Sullivan, Larry's creative world is constantly expanding. Whether it's instrumental jazz, singer collaborations, or more experimental projects, his curiosity keeps pushing him into new musical spaces.A major part of the conversation centers on his long-running role in James Taylor's band. Larry shares how he first connected with James in the early 2000s and what it takes to serve those songs night after night at the highest level. Playing alongside musicians like Steve Gadd, he reflects on what he's learned about feel, restraint, and the kind of deep musical trust that makes a rhythm section truly work.From there we head down the rabbit hole into Scary Goldings and Scary Pockets, the groove-driven projects that have introduced Larry to a whole new generation of listeners online. He talks about how those sessions began, why the format encourages spontaneity, and how collaboration and curiosity remain the driving forces behind the music.For the gearheads and music nerds—myself included—we also revisit a memorable moment from the Michael Brecker “Time Is of the Essence” sessions. Larry recalls the experience of playing alongside Elvin Jones, navigating the nerves of the session, and the unforgettable moment when the music suddenly locked into place.Along the way, we also get into the craft of organ playing itself—especially Larry's approach to left-hand bass, and why bass players have influenced his musical language just as much as other organists. At the end of the day, everything comes back to the same principle: serve the feel, serve the song.Key TakeawaysLarry Goldings's current creative projects, including a new organ trio record with Peter Bernstein and Bill Stewart.The unexpected collaboration with tap-dance legend Melinda Sullivan on a children's album.How Larry joined James Taylor's band and what he's learned from years on that stage.The musical philosophy of rhythm sections built on feel, restraint, and trust, especially alongside Steve Gadd.The origins of Scary Goldings and Scary Pockets and how those sessions reached a global audience online.A behind-the-scenes story from the Michael Brecker “Time Is of the Essence” recording sessions with Elvin Jones.Why Larry's organ language is shaped as much by bass players as by other keyboardists.Music from the EpisodeThe Shakes — Scary PocketsTimeline — Michael BreckerSolid Jack — The Larry Goldings TrioDisco Pills — Scary PocketsArc of the Pendulum — Michael BreckerAbout the PodcastThe Bandwich Tapes is a long-form conversation podcast where host Brad Williams sits down with some of the most thoughtful musicians, composers, and artists working today. The show explores the stories behind the music—creative process, collaboration, career paths, and the human experiences that shape the sounds we love.Connect with the ShowEmail: contact@thebandwichtapes.com

Hace tres años que el compositor y cantante brasileño Antonio Villeroy, ahora residente en Portugal, editó 'Banquete' un disco inspirado en la obra del filósofo Platón: 'Floresta dos sonhos', 'As coisas do mundo' -con la fadista Joana Amendoeira-, 'Choro chorado' -dúo con Francis Hime-, 'Por Amsterdam', 'Between now and goodbye' -con la italiana Chiara Civello-, 'Canção da magnólia', 'Serena serenata' -con la italiana Mafalda Minozzi- y 'Mais uma vez' -con el brasileño Gelson Oliveira-. Y de un disco que publicó en 2019 con el título de 'Samboleria' recuperamos 'Germinal do samba' -dúo con Mart´nalia- y 'Uni duni tê' -con el añorado João Donato-. Abre el guitarrista brasileño Fabiano do Nascimento con 'Floresta dos sonhos' y cierra Pat Metheny con 'Risk and reward'.Escuchar audio

Die Produktion sei so aufwändig wie ein Steven-Spielberg-Film gewesen, sagt der Gitarrist über sein neues Album "Side-Eye III+".

'Vila' se titula el disco que Fabiano do Nascimento, el guitarrista brasileño que vive en California, ha grabado con una orquesta de 16 músicos bajo la dirección del trombonista y arreglista Vittor Santos: 'O tempo (Foi o meu mestre)', 'Tema em harmônicos', 'Uirapuru', 'Trenzinho imaginário', 'Valsa' y 'Floresta dos sonhos'. Del disco 'Donateando. The music of João Donato', de Ramiro Pinheiro y Rodrigo Balduíno, publicado por el sello de Jordi Pujol, 'Vento no canavial' -con el trombón de Rita Payès-, 'Então, que tal', 'Nua idéia' -con Rita Payès y Mônica Salmaso- y 'Bluchaga'. Doble adelanto del próximo disco de la cantante sueca Elisabeth Melander, producido por Arnaldo de Souteiro, con 'Jardín botánico' de Michael Franks y la adaptación al inglés, 'In summer', de la canción italiana 'Estate'. Despedida con 'Don´t look down' del nuevo disco de Pat Metheny.Escuchar audio

Perhaps the heart and soul of this episode is the collaboration of Joe Henderson and Alice Coltrane from the album The Elements. The other recording that deserves attention is the release of guitarist Pat Metheny' Side-Eye III+. Not only did Pat's album drop this week, but he has begun a tour of the US and Europe. I'm looking forward to seeing Metheny in May as I already have my tickets. Playlist Artist ~ Name ~ Album Clarke, Rushen & Chancler ~ Take Five ~ Standards Joe Henderson & Alice Coltrane ~ Fire ~ The Elements Joe Henderson ~ Black Narcissus ~ Power To The People Pat Metheny ~ SE-O ~ Side-Eye III+ Nicole McCabe ~ Twister ~ Color Theory Dave Holland, Norma Winstone ~ Not Waving But Drowning ~ Vital Spark McCoy Tyner ~ Fly With The Wind ~ Fly With The Wind

This week's show features tuneage from Pat Metheny w Lyle Mays, Peter Gabriel, Neil Diamond, Bill Evans w Jim Hall, The Beatles, Strawbs, Oasis, Love, Leon Russell, Paul & Linda McCartney, Randy Newman, Todd Rundgren, Jefferson Airplane, Ten Years After, Mad Dogs & Englishmen, Miles Davis, John McLaughlin, Larry Coryell, Led Zeppelin and Lou Reed.

El pianista cubano Roberto Fonseca y el violonchelista francés Vincent Segal firman a dúo el disco 'Nuit parisienne à La Havane' con piezas como 'Rumbo a ti', 'Soul kiss', 'Un homme qui dort', 'Day' o 'Te extraño'. También 'Aqui oh!', de Toninho Horta y Fernando Brant, en una grabación inédita de Ricardo Bacelar con Flora Purim y Airto Moreira, y 'Jardín botánico', de Michael Franks, grabada por Elisabeth Melander. Y un adelanto del disco que recoge el último concierto que dio Gal Costa, 'As varias pontas de uma estrela', con 'Vapor barato' -con Tim Bernardes- y 'Baby' -con Tim Bernardes y Rubel-. Abre y cierra Pat Metheny con otros dos temas de su 'Side-eye III +': 'Risk and reward' y 'SE-o'.Escuchar audio

Del recién editado disco de Pat Metheny, 'Side-eye III +', con el trío que forma para sus conciertos con el baterista Joe Dyson y el teclista Chris Fishman, más 15 músicos como invitados en la grabación, las piezas inéditas 'Don´t look down', 'Make a new world', 'Urban and western', 'Our old street' y 'In on it'. Y del disco 'Get out of town', de la cantante Laura Anglade, los clásicos 'Manhattan', 'This can't be loved' y 'L' étang'. Escuchar audio

Este 27 de febrero se publican los nuevos discos de la cantante y trompetista barcelonesa Andrea Motis 'Intimate', grabado con los guitarristas Josep Traver y Jurandir da Silva ('Beatriz' de Edu Lobo y Chico Buarque, 'Preconceito' de Wilson Batista y Marino Pinto, 'O meu amor' de Chico Buarque -con el chelo de Jaques Morelenbaum-, 'De mica en mica' de Serrat -con Morelenbaum-, 'You sent me flying' de Amy Winehouse, 'Tan tranqui.la' de Jurandir y Andrea) y del cantante y compositor bahiano Dorea 'O que mais você quer saber de mim?' ('Pequenas criaturas', 'Cidade', 'Maria milhoes', 'Mais que dois', 'Sem ancorar' -a dúo con Luiza Brito-). Y también 'Side-eye III +', nuevo disco del guitarrista Pat Metheny, que vamos a poder disfrutar ampliamente la semana próxima y del que escuchamos 'Don´t look down'. Escuchar audio

I know two things that are true - Erwin Broers is a great contributor to Low Light Mixes and I'm an airhead.

durée : 00:59:49 - Pat Metheny "Side-Eye III+" - par : Nicolas Pommaret - Après plus de 50 albums et une vingtaine de Grammys à son actif, le guitariste américain Pat Metheny fait paraître "Side-Eye III+" le 27 février sur le label Uniquity Music. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Ryan Estes sits down with Don Lucoff, founder of DL Media and Artistic Director of the Denver Jazz Fest. Don has spent nearly four decades in jazz as a publicist, producer, and festival programmer, working with legendary artists and labels like Impulse and Blue Note. Now he is helping build a national caliber jazz festival right here in Denver. The State of Jazz Don reflects on how dramatically jazz media coverage has changed. There was a time when major outlets regularly reviewed jazz records and featured artists on national television. Today, most of that coverage has vanished. Yet jazz itself has not disappeared. It continues to shape modern music. Artists like Kendrick Lamar have collaborated with jazz musicians such as Kamasi Washington and Robert Glasper. The influence is everywhere. As Don puts it, jazz can sell everything but itself. It is deeply embedded in popular culture, even if it is no longer center stage in mainstream media. Why Denver Is a Jazz City Denver has a stronger jazz pedigree than many people realize. The Front Range is home to major jazz education programs at the University of Northern Colorado, University of Denver, University of Colorado Boulder, Metropolitan State University of Denver, and Colorado State University. These institutions consistently produce world class players. Historically, Five Points was known as the Harlem of the West, a vital stop for touring jazz musicians crossing the country. Add the Beat Generation passing through town and you have a city that has long been part of America's cultural and musical story. Inside Denver Jazz Fest The Denver Jazz Fest spans 15 venues across Denver and includes performances in Boulder County. It blends national headliners with respected local artists, creating a citywide celebration. This year's lineup includes Pat Metheny, Branford Marsalis, Bob James, and John Beasley. The festival also honors the centenary of Miles Davis and John Coltrane with special tribute performances, including a presentation of A Love Supreme by Denver saxophonist Keith Oxman. The goal is inclusivity and accessibility. Whether you are a lifelong jazz fan or just jazz curious, there is a show for you. Where to Start Listening For new listeners, Don recommends classics from the Blue Note catalog such as Lee Morgan's Search for the New Land, Herbie Hancock's Maiden Voyage, Wayne Shorter's Speak No Evil, and Grant Green's Idle Moments. From Impulse, he points to John Coltrane's Crescent and A Love Supreme, Alice Coltrane's Journey in Satchidananda, and Pharoah Sanders' Thembi. These records are not homework. They are entry points into a vast and vibrant tradition. Final Takeaway Don's career proves one thing. You may not get rich in jazz, but you can build a life around passion, community, and great music. Denver Jazz Fest is more than a series of concerts. It is a statement that this city values artistry, education, and cultural history. Learn more and get tickets at denverjazz.org. See you there.

El 10 de febrero de 2021 nos dejó el pianista, teclista y compositor Lyle Mays, artífice, junto a Pat Metheny, del Pat Metheny Group. De los discos publicados con su nombre las piezas 'August', 'Chorinho' y 'Possible straight' ('Sweet dreams' , 1988, con Bill Frisell, Marc Johnson, Bob Mintzer...), 'Bill Evans' y 'Something left unsaid' ('Fictionary', 1992, con Marc Johnson, Jack DeJohnette...) y 'Procession' y 'This moment' ('Solo. Improvisations for expanded piano' de 1988). Con el Pat Metheny Group, 'Better days ahead' (del disco 'Letter from home'), 'First circle' (de 'The first circle') y 'Third Wind' (de 'Still life talking'). Escuchar audio

En nuestro nueva cita mensual con el mejor jazz de la red, Radio Jazznoend os propone descubrir el universo musical del guitarrista Kurt Rosenwinkel. Un prodigioso instrumentista y compositor que, a lo largo de las últimas décadas, se ha erigido como la voz más destacada en su instrumento desde Pat Metheny o John Scofield. Innovador e inconformista, en la variedad de sus proyectos, en su dominio de otros instrumentos, especialmente el piano, y su genio creativo en la composición, se descubre a un artista poliédrico, inclasificable, que navega con su música en un ámbito de texturas y abstracciones a menudo alejadas de planteamientos más convencionales y comerciales. En su guitarra hay una constante exploración de sonoridades que se alejan del sonido clásico de la guitarra de jazz, definido por esa figura seminal que es Wes Montgomery, al que Rosenwinkel no reconoce entre sus principales influencias, buscando sus referencias más allá del jazz, en el rock, la música pop, los compositores clásicos o en los entornos de la música electrónica o brasileña. Un artista inquieto, sin barreras ni prejuicios, a cuya obra nos aproximaremos a través de algunos de sus registros más destacados y que escucharemos en los más variados contextos al lado de otros grandes músicos de los más diversos estilos.

Antonio Carlos Jobim, uno de los mayores compositores de música popular del siglo XX, hubiera cumplido 99 años este 25 de enero. Le rendimos un pequeño homenaje escuchando en grabaciones propias 'Se todos fossem iguais a você', 'The girl from Ipanema', 'Surfboard', 'Bonita', 'Wave', 'Arquitetura de morar', 'Água de beber'. 'Águas de março', 'How insensitive'/'Insensatez' -a dúo con Pat Metheny-, 'Passarim', 'Valsa de Porto das Caixas', 'Eu preciso de você' y 'Samba do avião'. Y también 'Zingaro' -título de 'Retrato em branco e preto' en versión instrumental- grabado por el pianista Fred Hersch en solitario.Escuchar audio

Artist Track Album Year Time Pat Metheny Group (Cross The) Heartland American Garage 1979 6:47 Pat Metheny Group Imaginary Day Imaginary Day 1997 9:54 Pat Metheny Facing West Secret Story 1992 5:50 Pat Metheny Group Phase Dance Pat Metheny Group 1978 8:09 Pat Metheny Group Slip Away Letter From Home 1989 5:25 Pat Metheny & Lyle Mays It’s For You As Falls Wichita, So Falls Wichita Falls 1981 8:20 Pat Metheny Group The Awakening Imaginary Day 1997 8:55 Pat Metheny Group Last Train Home Still Life (Talking) 1987 5:41 Pat Metheny Antonia The Orchestrion Project 2013 6:01 Pat Metheny Group Are We There Yet Letter From Home 1989 7:50 Pat Metheny Pathmaker From This Place 2020 8:20 Pat Metheny Group April Joy Pat Metheny Group 1978 8:15 Pat Metheny Group Beat 70 The Road To You [Live] 1993 5:00 Pat Metheny Group The Epic American Garage 1979 12:59 Pat Metheny Group Follow Me Imaginary Day 1997 5:56 Pat Metheny Group Better Days Ahead Letter From Home 1989 2:57 Pat Metheny Unity Group Born Kin () 2014 7:35 Pat Metheny Group Something To Remind You We Live Here 1995 6:45 Pat Metheny The Truth Will Always Be Secret Story 1992 8:58 Pat Metheny Group Are You Going with Me? Offramp 1982 9:06 Pat Metheny Group The Heat Of The Day Imaginary Day 1997 9:21 Pat Metheny Lodger Side-Eye NYC (V1.IV) 2021 6:15 Pat Metheny Group San Lorenzo Travels 1982 13:20 Pat Metheny Group Dream Of The Return Letter From Home 1989 5:01

In this episode, I sit down with drummer Paul Stewart for a conversation that starts with how music can connect people across oceans and turns into a deep dive on taste, touch, craft, and the long arc of a career. Paul and I talk about how I first discovered his band The Feeling years ago from a CD a friend handed me after a gig, and how that one listen turned into a long-term appreciation for the songs, the playing, and the production. Paul shares why so many musicians connected with that sound, and how their work pulled from both the 70s world of Supertramp, 10CC, Elton John, and Fleetwood Mac, and the deeper 60s roots that fed that era, like The Beatles, The Stones, The Kinks, and The Zombies. We get into drum sound, why that thuddy, dead 70s tone fits their music so well, and how those choices shaped the identity of the recordings.Paul walks me through his origin story, from being hooked on drum sound as a kid, to getting his first kit at 12, to saying yes to every playing opportunity he could find. He tells an incredible story about a middle school teacher who stayed late after school so Paul could get extra time in the drum room, and we zoom out on how mentors, parents, and supportive educators change the course of a life. From there, we talk about preparation, professionalism, and the responsibility you carry in an ensemble, including how the anxiety of being underprepared can be its own lesson in why doing the work matters. Paul also shares a regret he has about not keeping his reading chops sharper, and why playing along with records became his true north as a drummer.We dig into influences from both sides of Paul's musical world, from rock and early Chili Peppers and Rage Against the Machine, to the cassette tapes an uncle sent that opened the door to jazz, funk, fusion, and players like Vinnie Colaiuta, Dave Weckl, and the Tower of Power world. Paul explains how the UK acid jazz scene became a significant pull, and how an acid jazz band at music college eventually evolved into The Feeling. We also talk about what it's like working with major artists outside the band, including how touring logistics can lead to local musicians being hired, and how surreal it can be to play iconic songs with legendary voices while still remembering they're just musicians on stage doing the same job.A meaningful part of our conversation is about performance anxiety, stage fright, and the emotional extremes musicians ride before, during, and after gigs. We talk honestly about confidence, coping, and what it means to choose a healthier path, and we acknowledge that even global superstars can struggle with fear right before walking on stage. Paul and I also reflect on the approaching anniversary of The Feeling's first album, how those songs were originally recorded as a weekend friends project without any expectation of success, and how playing them now carries twenty years of growth, finesse, and perspective while still honoring the original parts that make the songs work. We close with what Paul has been up to recently, including work with Anastacia, Paul Young, The Voice UK, and the broader creative world around the band, and why music remains a powerful source of joy, balance, and hope for people everywhere.Music from the Episode:Never Be Lonely (The Feeling)Everyday and All of the Night (The Feeling)Sun Won't Shine (The Feeling)I Want You Now (The Feeling)Thank you for listening. If you have questions, feedback, or ideas for the show, please email me at brad@thebandwichtapes.com.

Canciones de The Beatles en grabaciones de Bobby McFerrin ('Drive my car'), Danilo Rea ('The long and winding road'), Rita Lee ('All my loving', 'Minha vida'/'In my life', 'Michelle'), Uakti ('Julia', 'Mother´s nature son', 'Golden slumbers', 'She´s leaving home'), Toninho Horta ('She´s leaving home'), Pat Metheny ('And I love her'), Shirley Horn ('Yesterday'), Bill Frisell ('Across the universe') y Brad Mehldau ('Blackbird'). Escuchar audio

让我们闪聚一次，在告别2025之际。和两位爵士乐传奇轻轻挥手，获得新一年的好运和勇气。- 片头曲 -少白 - Fugue on a theme of Charlie Parker ‘Anthropology'（超人cut版）- 音乐 -Pat Metheny, Charlie Haden, Jack DeJohnette - The BatJack DeJohnette - Quiet NowSheila Jordan - The Very Thought of You- 聊天的人 -顾超（公众号“天方乐谈Intermezzo”，小红书“超人”）- 互动方式 -节目微信公众号：天方乐谈Intermezzo听友群管理员微信号：guchaodemajia

What drives a 20-time Grammy winner to continually innovate and evolve in the world of jazz music? Join host Buzz Knight on this captivating replay interview episode of takin' a walk as he dives deep into the mind of legendary jazz guitarist Pat Metheny. Known for his groundbreaking contributions to jazz guitar, Metheny shares his journey through the intricate landscape of music, revealing the dedication and passion that fuel his creative process. As Buzz Knight engages with Pat Metheny in this musician interview, listeners will uncover the secrets behind his daily life as a musician, including the continuous learning that defines his artistry. Metheny opens up about his early influences, paying homage to the iconic Miles Davis and Wes Montgomery, whose sounds shaped his musical identity. The conversation seamlessly flows into the importance of maintaining balance in life, as Metheny emphasizes his love for family and personal interests alongside his illustrious career. Throughout this episode of takin' a walk, Metheny reflects on his teaching experiences, shedding light on the significance of collaboration in the music industry. He discusses his creative process, detailing the development of unique guitars that have become synonymous with his sound. Listeners will also get an exclusive look into his latest album, "Moondial," and the stories behind the songs that make it a standout in his discography. Moreover, Pat Metheny shares heartfelt memories of collaborating with other legendary musicians, including the unforgettable David Bowie. His desire to work with both established icons and emerging indie artists showcases his commitment to fostering creativity within the music community. This episode encapsulates the essence of what it means to be a musician, making it a must-listen for jazz enthusiasts, aspiring musicians, and anyone passionate about the music journey. Join Buzz Knight on this inspiring episode of takin' a walk as he explores the stories behind albums and the creative journeys of one of jazz music's most influential figures. Whether you're a fan of classic rock history, indie music, or simply love diving into the rich tapestry of music history, this musician interview promises to deliver valuable insights and inspiration. Tune in now and walk alongside Buzz Knight and Pat Metheny as they unravel the magic of music! Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

What drives a 20-time Grammy winner to continually innovate and evolve in the world of jazz music? Join host Buzz Knight on this captivating replay interview episode of takin' a walk as he dives deep into the mind of legendary jazz guitarist Pat Metheny. Known for his groundbreaking contributions to jazz guitar, Metheny shares his journey through the intricate landscape of music, revealing the dedication and passion that fuel his creative process. As Buzz Knight engages with Pat Metheny in this musician interview, listeners will uncover the secrets behind his daily life as a musician, including the continuous learning that defines his artistry. Metheny opens up about his early influences, paying homage to the iconic Miles Davis and Wes Montgomery, whose sounds shaped his musical identity. The conversation seamlessly flows into the importance of maintaining balance in life, as Metheny emphasizes his love for family and personal interests alongside his illustrious career. Throughout this episode of takin' a walk, Metheny reflects on his teaching experiences, shedding light on the significance of collaboration in the music industry. He discusses his creative process, detailing the development of unique guitars that have become synonymous with his sound. Listeners will also get an exclusive look into his latest album, "Moondial," and the stories behind the songs that make it a standout in his discography. Moreover, Pat Metheny shares heartfelt memories of collaborating with other legendary musicians, including the unforgettable David Bowie. His desire to work with both established icons and emerging indie artists showcases his commitment to fostering creativity within the music community. This episode encapsulates the essence of what it means to be a musician, making it a must-listen for jazz enthusiasts, aspiring musicians, and anyone passionate about the music journey. Join Buzz Knight on this inspiring episode of takin' a walk as he explores the stories behind albums and the creative journeys of one of jazz music's most influential figures. Whether you're a fan of classic rock history, indie music, or simply love diving into the rich tapestry of music history, this musician interview promises to deliver valuable insights and inspiration. Tune in now and walk alongside Buzz Knight and Pat Metheny as they unravel the magic of music! Support the show: https://musicsavedme.net/See omnystudio.com/listener for privacy information.

Antonio Sanchez has become one of the most sought-after drummers in the international jazz scene. Following 18 years and 9 albums as one of the most revered collaborators with guitarist/composer Pat Metheny, he also has recorded and performed with many other most prominent artists like Chick Corea, Gary Burton, Michael Brecker, Charlie Haden and Toots Thielemans. In 2014 Sanchez popularity soared when he scored Alejandro González Iñárritu's Birdman which ended up winning 4 Academy awards (including best picture) and for which Antonio won a Grammy award. He currently has many recordings as a leader and solo artist. Some recent recordings include Beatrio w/ Bela Fleck, Edmar Castaneda as well as his own group Migration. You can hear Anotino's masterful compositions and drumming on the award winning show The Studio on Apple TV In this episode, Antonio talks about  Why he calls Barcelona, Spain his home Creating a strong reputation The realities a seasoned pro has to contend with Antonio's journey into jazz and notoriety  Staying artistically and creatively curious  Using your own voice when making music Composing for the movie Birdman & the TV series The Studio Creating a counter culture to social media ⁠⁠⁠Here's our Patreon⁠⁠⁠ ⁠⁠⁠Here's our Youtube⁠⁠⁠ ⁠⁠⁠Here's our Homepage

What if the best mix isn't the cleanest, but the truest? In this podcast takeover, Lij Shaw (Recording Studio Rockstars) dives into a standout conversation with engineer, songwriter, and producer-in-the-making Abby Griffin to explore how “being the weird girl” can be a creative superpower, and why the moments you capture now may matter more than perfection later. From choir training and vocal anatomy to tape love and AI stems, Abby brings a sharp, generous lens to making music that feels alive.The conversation starts with foundations you can use today: training your ear with tools like Pink Trombone, choosing mics for the job (vintage U87 clarity vs 414 warmth), and recording drums the simple way, two mics, tight kit, one great bar, and tasteful overdubs for fills and transitions. Abby maps out a low-stress workflow for song-first productions, where loops carry pocket, and a click becomes optional. Along the way, we swap gross mic tales and gig-life realities with a wink and a wince.Songwriting sits at the heart of everything. Abby's “song seeds” method, notes app phrases, moleskin pages, and free-writing, pairs with alternate tunings to break muscle memory and unlock lines you can't play in standard tuning. They unpack “show vs tell” with Taylor Swift's plain-spoken detail, Shakespeare's sonnets, and the poem Two-Headed Calf. The aim isn't to prescribe feelings; it's to stage scenes so the listener writes their own. A moving centrepiece: Abby's family recording made days before her grandmother passed, a time capsule that proves how capturing the chapter can matter more than polish.Tech doesn't replace taste; it supports it. AI stem separation shines in pre-production and post, voice-memo overdubs turn ideas into demos, and tape, hardware or plugin adds character where it counts. Pat Metheny's advice threads through it all: be yourself from day one and let the work find its people over time. Abby's take is simple and brave: match your freak, protect your rituals, and put the moment first.Links mentioned in this episode:Listen to Recording Studio RockstarsFollow Abbie GriffinSend me a message Support the showWays to connect with Marc: Listener Feedback Survey - tell me what YOU want in 2026 Radio-ready mixes start here - get the FREE weekly tips Book your FREE Music Breakthrough Strategy Call Follow Marc's Socials: Instagram | YouTube | Synth Music Mastering Thanks for listening!! Try Riverside for FREE

Kirk sits down with jazz piano legend Peter Martin to talk about Peter's musical background, his momentous early encounters with Wynton Marsalis and Kenny Kirkland, the jazz scene of the 1990s, how the Suzuki method works, and why jazz students today should be less shy about talking to their heroes. Check out Peter's online jazz education program Open Studio, as well as You'll Hear It, the music podcast he co-hosts with Adam Maness. DISCUSSED/REFERENCED:“Variations Sur ‘Le Carnaval de Venise” feat. Wynton Marsalis and the Eastman Wind Ensemble from Carnival, 1987“Path Adjacent” Peter Martin w/ Gregory Hutchinson, Sarah Hanahan & Reuben Rogers from Generation S, 2023“Bag's Groove” by Milt Jackson from Miles Davis, Bag's Groove, 1967“Tea For Two” by Youmans/Ceasar, played by Art Tatum from Piano Starts Here, 1968“Broad Way Blues” by Ornette Coleman from New York Is Now, 1968“Swingin' at the Haven” by Branford Marsalis from Royal Garden Blues, 1986“Now's The Time/Billie's Bounce” by Charlie Parker from Jamey Aebersold Vol. 6: All Bird“Naima's Love Song” by Betty Carter from I_t's Not About The Melody_, 1992“Mental Phrasing” by Roy Hargrove live w/ Joshua Redman, Ron Blake, Peter Martin, Rodney Whitaker, Greg Hutchinson“Turnaround” by Joshua Redman w/ Pat Metheny from Wish, 1993“Jig-A-Jug” by Joshua Redman and “St. Thomas” by Sonny Rollins” from Spirit of the Moment: Live at the Village Vanguard, 1995“Cat Battles” and “One Shining Soul” by Joshua Redman from Freedom in the Groove, 1996“The Loneliness of a Long Distance Runner” intro and “Mind and Body” from Solo, Live in New York, 2015“Why Approach Chords Matter” - Adam Maness for Open Studio on YouTube, 2025“2 Down & 2 Across,” “Sing a Song of Song,” “Before It's Time to Say Goodbye” by Kenny Garrett feat. Kenny Kirkland from Songbook, 1997“Phyrzzinian Man” by Wynton Marsalis from Black Codes from the Underground, 1985“Necessary Evil” by Elvin Jones and “Whatever Possessed Me” by Chet Baker feat. Pat LaBarbera (Tenor) and Kenny Kirkland from Brother John, 1982“Stella by Starlight” by Hoagy Carmichael, performed by the Miles Davis Quintet on My Funny Valentine: In Concert, 1965----LINKS-----

Today we're putting The Tonearm's needle on bassist and composer Linda May Han Oh.Linda's a Grammy winner who's recorded with Pat Metheny, Kenny Barron, and Joe Lovano. She was even the model for the bassist character in Pixar's 'Soul.' But it's her own work that brings us together.Her latest album, Strange Heaven, explores why we choose familiar hells over strange heavens—why we stick with what we know even when change might save us. It's a question that cuts through everything from personal relationships to political choices.Linda approaches her albums like journals, each one capturing where she is as an artist and a person. Since becoming a mother, she says her music has become more direct, more distilled—less about ego and more about emotional truth.She's here to discuss creative honesty, her work promoting women composers in jazz through the New Standards project, and why making music with emotional directness matters more than ever.(The musical excerpts heard in the interview are from Linda May Han Oh's album Strange Heaven)–Dig DeeperVisit Linda May Han Oh at lindamayhanoh.com and follow her on Instagram, Facebook, and BandcampPurchase Linda May Han Oh's Strange Heavens from Biophilia Recordings, Bandcamp, or Qobuz and listen on your streaming platform of choiceLinda May Han Oh: Tiny Desk ConcertDig into this episode's complete show notes at podcast.thetonearm.com–• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice.• Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Pierre Piscitelli is a Grammy winning keyboardist, composer and arranger. He's worked as a session keyboardist as well as an arranger for various string ensembles and big bands.  His master work is a comprehensive 253-page anthology of all of the music of Lyle Mays, longtime collaborator with Pat Metheny. And he also scored Mays's work Eberhard. Pierre has re-imagined a Metallica album and he's done big band arrangements of Todd Rundgren and Emerson Lake and Palmer music.My featured song is “The Gift”, my recent single that turns my jazz ballad into a big band Samba. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH PIERRE:www.pierrepiscitelli.com—----------------------------------------ROBERT'S LATEST SINGLE:“MI CACHIMBER” is Robert's latest single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

Music and readings about guitarist Metheny and drummer Motian. Motian toured with Metheny around 1980.Set List: https://jazzcloset.blogspot.com/2025/11/pat-metheny-paul-motian-around-1980.htmlPhoto: Pat Metheny & Paul Motian at McCabe's in Santa Monica, CA Dec. 1980 photographer unknown courtesy McCabe's & David Goodrich