POPULARITY
Categories
El pianista cubano Roberto Fonseca y el violonchelista francés Vincent Segal firman a dúo el disco 'Nuit parisienne à La Havane' con piezas como 'Rumbo a ti', 'Soul kiss', 'Un homme qui dort', 'Day' o 'Te extraño'. También 'Aqui oh!', de Toninho Horta y Fernando Brant, en una grabación inédita de Ricardo Bacelar con Flora Purim y Airto Moreira, y 'Jardín botánico', de Michael Franks, grabada por Elisabeth Melander. Y un adelanto del disco que recoge el último concierto que dio Gal Costa, 'As varias pontas de uma estrela', con 'Vapor barato' -con Tim Bernardes- y 'Baby' -con Tim Bernardes y Rubel-. Abre y cierra Pat Metheny con otros dos temas de su 'Side-eye III +': 'Risk and reward' y 'SE-o'.Escuchar audio
Del recién editado disco de Pat Metheny, 'Side-eye III +', con el trío que forma para sus conciertos con el baterista Joe Dyson y el teclista Chris Fishman, más 15 músicos como invitados en la grabación, las piezas inéditas 'Don´t look down', 'Make a new world', 'Urban and western', 'Our old street' y 'In on it'. Y del disco 'Get out of town', de la cantante Laura Anglade, los clásicos 'Manhattan', 'This can't be loved' y 'L' étang'. Escuchar audio
Este 27 de febrero se publican los nuevos discos de la cantante y trompetista barcelonesa Andrea Motis 'Intimate', grabado con los guitarristas Josep Traver y Jurandir da Silva ('Beatriz' de Edu Lobo y Chico Buarque, 'Preconceito' de Wilson Batista y Marino Pinto, 'O meu amor' de Chico Buarque -con el chelo de Jaques Morelenbaum-, 'De mica en mica' de Serrat -con Morelenbaum-, 'You sent me flying' de Amy Winehouse, 'Tan tranqui.la' de Jurandir y Andrea) y del cantante y compositor bahiano Dorea 'O que mais você quer saber de mim?' ('Pequenas criaturas', 'Cidade', 'Maria milhoes', 'Mais que dois', 'Sem ancorar' -a dúo con Luiza Brito-). Y también 'Side-eye III +', nuevo disco del guitarrista Pat Metheny, que vamos a poder disfrutar ampliamente la semana próxima y del que escuchamos 'Don´t look down'. Escuchar audio
I know two things that are true - Erwin Broers is a great contributor to Low Light Mixes and I'm an airhead.
durée : 00:59:49 - Pat Metheny "Side-Eye III+" - par : Nicolas Pommaret - Après plus de 50 albums et une vingtaine de Grammys à son actif, le guitariste américain Pat Metheny fait paraître "Side-Eye III+" le 27 février sur le label Uniquity Music. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
Ryan Estes sits down with Don Lucoff, founder of DL Media and Artistic Director of the Denver Jazz Fest. Don has spent nearly four decades in jazz as a publicist, producer, and festival programmer, working with legendary artists and labels like Impulse and Blue Note. Now he is helping build a national caliber jazz festival right here in Denver. The State of Jazz Don reflects on how dramatically jazz media coverage has changed. There was a time when major outlets regularly reviewed jazz records and featured artists on national television. Today, most of that coverage has vanished. Yet jazz itself has not disappeared. It continues to shape modern music. Artists like Kendrick Lamar have collaborated with jazz musicians such as Kamasi Washington and Robert Glasper. The influence is everywhere. As Don puts it, jazz can sell everything but itself. It is deeply embedded in popular culture, even if it is no longer center stage in mainstream media. Why Denver Is a Jazz City Denver has a stronger jazz pedigree than many people realize. The Front Range is home to major jazz education programs at the University of Northern Colorado, University of Denver, University of Colorado Boulder, Metropolitan State University of Denver, and Colorado State University. These institutions consistently produce world class players. Historically, Five Points was known as the Harlem of the West, a vital stop for touring jazz musicians crossing the country. Add the Beat Generation passing through town and you have a city that has long been part of America's cultural and musical story. Inside Denver Jazz Fest The Denver Jazz Fest spans 15 venues across Denver and includes performances in Boulder County. It blends national headliners with respected local artists, creating a citywide celebration. This year's lineup includes Pat Metheny, Branford Marsalis, Bob James, and John Beasley. The festival also honors the centenary of Miles Davis and John Coltrane with special tribute performances, including a presentation of A Love Supreme by Denver saxophonist Keith Oxman. The goal is inclusivity and accessibility. Whether you are a lifelong jazz fan or just jazz curious, there is a show for you. Where to Start Listening For new listeners, Don recommends classics from the Blue Note catalog such as Lee Morgan's Search for the New Land, Herbie Hancock's Maiden Voyage, Wayne Shorter's Speak No Evil, and Grant Green's Idle Moments. From Impulse, he points to John Coltrane's Crescent and A Love Supreme, Alice Coltrane's Journey in Satchidananda, and Pharoah Sanders' Thembi. These records are not homework. They are entry points into a vast and vibrant tradition. Final Takeaway Don's career proves one thing. You may not get rich in jazz, but you can build a life around passion, community, and great music. Denver Jazz Fest is more than a series of concerts. It is a statement that this city values artistry, education, and cultural history. Learn more and get tickets at denverjazz.org. See you there.
El 10 de febrero de 2021 nos dejó el pianista, teclista y compositor Lyle Mays, artífice, junto a Pat Metheny, del Pat Metheny Group. De los discos publicados con su nombre las piezas 'August', 'Chorinho' y 'Possible straight' ('Sweet dreams' , 1988, con Bill Frisell, Marc Johnson, Bob Mintzer...), 'Bill Evans' y 'Something left unsaid' ('Fictionary', 1992, con Marc Johnson, Jack DeJohnette...) y 'Procession' y 'This moment' ('Solo. Improvisations for expanded piano' de 1988). Con el Pat Metheny Group, 'Better days ahead' (del disco 'Letter from home'), 'First circle' (de 'The first circle') y 'Third Wind' (de 'Still life talking'). Escuchar audio
Presentado por Lester Cuba, la octava entrega de Actualijazz te ofrece una selección de novedades de las últimas dos semanas. Playlist: – Diz Que Fui Por Aí, Nara Leao; – Oração Ao Tempo, António Zambujo y Caetano Veloso; – Se Acabou, Luca Argel; – Meraviglioso, Celso Fonseca & Tony Canto; – Au Lait, Airelle Besson & Lionel Suarez; – In On It, Pat Metheny; – Seventh Avenue, Mario Morla Quintet; – Go Away Little Boy, Malene Mortensen & Christian Sands.
En nuestro nueva cita mensual con el mejor jazz de la red, Radio Jazznoend os propone descubrir el universo musical del guitarrista Kurt Rosenwinkel. Un prodigioso instrumentista y compositor que, a lo largo de las últimas décadas, se ha erigido como la voz más destacada en su instrumento desde Pat Metheny o John Scofield. Innovador e inconformista, en la variedad de sus proyectos, en su dominio de otros instrumentos, especialmente el piano, y su genio creativo en la composición, se descubre a un artista poliédrico, inclasificable, que navega con su música en un ámbito de texturas y abstracciones a menudo alejadas de planteamientos más convencionales y comerciales. En su guitarra hay una constante exploración de sonoridades que se alejan del sonido clásico de la guitarra de jazz, definido por esa figura seminal que es Wes Montgomery, al que Rosenwinkel no reconoce entre sus principales influencias, buscando sus referencias más allá del jazz, en el rock, la música pop, los compositores clásicos o en los entornos de la música electrónica o brasileña. Un artista inquieto, sin barreras ni prejuicios, a cuya obra nos aproximaremos a través de algunos de sus registros más destacados y que escucharemos en los más variados contextos al lado de otros grandes músicos de los más diversos estilos.
Antonio Carlos Jobim, uno de los mayores compositores de música popular del siglo XX, hubiera cumplido 99 años este 25 de enero. Le rendimos un pequeño homenaje escuchando en grabaciones propias 'Se todos fossem iguais a você', 'The girl from Ipanema', 'Surfboard', 'Bonita', 'Wave', 'Arquitetura de morar', 'Água de beber'. 'Águas de março', 'How insensitive'/'Insensatez' -a dúo con Pat Metheny-, 'Passarim', 'Valsa de Porto das Caixas', 'Eu preciso de você' y 'Samba do avião'. Y también 'Zingaro' -título de 'Retrato em branco e preto' en versión instrumental- grabado por el pianista Fred Hersch en solitario.Escuchar audio
Artist Track Album Year Time Pat Metheny Group (Cross The) Heartland American Garage 1979 6:47 Pat Metheny Group Imaginary Day Imaginary Day 1997 9:54 Pat Metheny Facing West Secret Story 1992 5:50 Pat Metheny Group Phase Dance Pat Metheny Group 1978 8:09 Pat Metheny Group Slip Away Letter From Home 1989 5:25 Pat Metheny & Lyle Mays It’s For You As Falls Wichita, So Falls Wichita Falls 1981 8:20 Pat Metheny Group The Awakening Imaginary Day 1997 8:55 Pat Metheny Group Last Train Home Still Life (Talking) 1987 5:41 Pat Metheny Antonia The Orchestrion Project 2013 6:01 Pat Metheny Group Are We There Yet Letter From Home 1989 7:50 Pat Metheny Pathmaker From This Place 2020 8:20 Pat Metheny Group April Joy Pat Metheny Group 1978 8:15 Pat Metheny Group Beat 70 The Road To You [Live] 1993 5:00 Pat Metheny Group The Epic American Garage 1979 12:59 Pat Metheny Group Follow Me Imaginary Day 1997 5:56 Pat Metheny Group Better Days Ahead Letter From Home 1989 2:57 Pat Metheny Unity Group Born Kin () 2014 7:35 Pat Metheny Group Something To Remind You We Live Here 1995 6:45 Pat Metheny The Truth Will Always Be Secret Story 1992 8:58 Pat Metheny Group Are You Going with Me? Offramp 1982 9:06 Pat Metheny Group The Heat Of The Day Imaginary Day 1997 9:21 Pat Metheny Lodger Side-Eye NYC (V1.IV) 2021 6:15 Pat Metheny Group San Lorenzo Travels 1982 13:20 Pat Metheny Group Dream Of The Return Letter From Home 1989 5:01
In this episode, I sit down with drummer Paul Stewart for a conversation that starts with how music can connect people across oceans and turns into a deep dive on taste, touch, craft, and the long arc of a career. Paul and I talk about how I first discovered his band The Feeling years ago from a CD a friend handed me after a gig, and how that one listen turned into a long-term appreciation for the songs, the playing, and the production. Paul shares why so many musicians connected with that sound, and how their work pulled from both the 70s world of Supertramp, 10CC, Elton John, and Fleetwood Mac, and the deeper 60s roots that fed that era, like The Beatles, The Stones, The Kinks, and The Zombies. We get into drum sound, why that thuddy, dead 70s tone fits their music so well, and how those choices shaped the identity of the recordings.Paul walks me through his origin story, from being hooked on drum sound as a kid, to getting his first kit at 12, to saying yes to every playing opportunity he could find. He tells an incredible story about a middle school teacher who stayed late after school so Paul could get extra time in the drum room, and we zoom out on how mentors, parents, and supportive educators change the course of a life. From there, we talk about preparation, professionalism, and the responsibility you carry in an ensemble, including how the anxiety of being underprepared can be its own lesson in why doing the work matters. Paul also shares a regret he has about not keeping his reading chops sharper, and why playing along with records became his true north as a drummer.We dig into influences from both sides of Paul's musical world, from rock and early Chili Peppers and Rage Against the Machine, to the cassette tapes an uncle sent that opened the door to jazz, funk, fusion, and players like Vinnie Colaiuta, Dave Weckl, and the Tower of Power world. Paul explains how the UK acid jazz scene became a significant pull, and how an acid jazz band at music college eventually evolved into The Feeling. We also talk about what it's like working with major artists outside the band, including how touring logistics can lead to local musicians being hired, and how surreal it can be to play iconic songs with legendary voices while still remembering they're just musicians on stage doing the same job.A meaningful part of our conversation is about performance anxiety, stage fright, and the emotional extremes musicians ride before, during, and after gigs. We talk honestly about confidence, coping, and what it means to choose a healthier path, and we acknowledge that even global superstars can struggle with fear right before walking on stage. Paul and I also reflect on the approaching anniversary of The Feeling's first album, how those songs were originally recorded as a weekend friends project without any expectation of success, and how playing them now carries twenty years of growth, finesse, and perspective while still honoring the original parts that make the songs work. We close with what Paul has been up to recently, including work with Anastacia, Paul Young, The Voice UK, and the broader creative world around the band, and why music remains a powerful source of joy, balance, and hope for people everywhere.Music from the Episode:Never Be Lonely (The Feeling)Everyday and All of the Night (The Feeling)Sun Won't Shine (The Feeling)I Want You Now (The Feeling)Thank you for listening. If you have questions, feedback, or ideas for the show, please email me at brad@thebandwichtapes.com.
Canciones de The Beatles en grabaciones de Bobby McFerrin ('Drive my car'), Danilo Rea ('The long and winding road'), Rita Lee ('All my loving', 'Minha vida'/'In my life', 'Michelle'), Uakti ('Julia', 'Mother´s nature son', 'Golden slumbers', 'She´s leaving home'), Toninho Horta ('She´s leaving home'), Pat Metheny ('And I love her'), Shirley Horn ('Yesterday'), Bill Frisell ('Across the universe') y Brad Mehldau ('Blackbird'). Escuchar audio
让我们闪聚一次,在告别2025之际。和两位爵士乐传奇轻轻挥手,获得新一年的好运和勇气。- 片头曲 -少白 - Fugue on a theme of Charlie Parker ‘Anthropology'(超人cut版)- 音乐 -Pat Metheny, Charlie Haden, Jack DeJohnette - The BatJack DeJohnette - Quiet NowSheila Jordan - The Very Thought of You- 聊天的人 -顾超(公众号“天方乐谈Intermezzo”,小红书“超人”)- 互动方式 -节目微信公众号:天方乐谈Intermezzo听友群管理员微信号:guchaodemajia
What drives a 20-time Grammy winner to continually innovate and evolve in the world of jazz music? Join host Buzz Knight on this captivating replay interview episode of takin' a walk as he dives deep into the mind of legendary jazz guitarist Pat Metheny. Known for his groundbreaking contributions to jazz guitar, Metheny shares his journey through the intricate landscape of music, revealing the dedication and passion that fuel his creative process. As Buzz Knight engages with Pat Metheny in this musician interview, listeners will uncover the secrets behind his daily life as a musician, including the continuous learning that defines his artistry. Metheny opens up about his early influences, paying homage to the iconic Miles Davis and Wes Montgomery, whose sounds shaped his musical identity. The conversation seamlessly flows into the importance of maintaining balance in life, as Metheny emphasizes his love for family and personal interests alongside his illustrious career. Throughout this episode of takin' a walk, Metheny reflects on his teaching experiences, shedding light on the significance of collaboration in the music industry. He discusses his creative process, detailing the development of unique guitars that have become synonymous with his sound. Listeners will also get an exclusive look into his latest album, "Moondial," and the stories behind the songs that make it a standout in his discography. Moreover, Pat Metheny shares heartfelt memories of collaborating with other legendary musicians, including the unforgettable David Bowie. His desire to work with both established icons and emerging indie artists showcases his commitment to fostering creativity within the music community. This episode encapsulates the essence of what it means to be a musician, making it a must-listen for jazz enthusiasts, aspiring musicians, and anyone passionate about the music journey. Join Buzz Knight on this inspiring episode of takin' a walk as he explores the stories behind albums and the creative journeys of one of jazz music's most influential figures. Whether you're a fan of classic rock history, indie music, or simply love diving into the rich tapestry of music history, this musician interview promises to deliver valuable insights and inspiration. Tune in now and walk alongside Buzz Knight and Pat Metheny as they unravel the magic of music! Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.
What drives a 20-time Grammy winner to continually innovate and evolve in the world of jazz music? Join host Buzz Knight on this captivating replay interview episode of takin' a walk as he dives deep into the mind of legendary jazz guitarist Pat Metheny. Known for his groundbreaking contributions to jazz guitar, Metheny shares his journey through the intricate landscape of music, revealing the dedication and passion that fuel his creative process. As Buzz Knight engages with Pat Metheny in this musician interview, listeners will uncover the secrets behind his daily life as a musician, including the continuous learning that defines his artistry. Metheny opens up about his early influences, paying homage to the iconic Miles Davis and Wes Montgomery, whose sounds shaped his musical identity. The conversation seamlessly flows into the importance of maintaining balance in life, as Metheny emphasizes his love for family and personal interests alongside his illustrious career. Throughout this episode of takin' a walk, Metheny reflects on his teaching experiences, shedding light on the significance of collaboration in the music industry. He discusses his creative process, detailing the development of unique guitars that have become synonymous with his sound. Listeners will also get an exclusive look into his latest album, "Moondial," and the stories behind the songs that make it a standout in his discography. Moreover, Pat Metheny shares heartfelt memories of collaborating with other legendary musicians, including the unforgettable David Bowie. His desire to work with both established icons and emerging indie artists showcases his commitment to fostering creativity within the music community. This episode encapsulates the essence of what it means to be a musician, making it a must-listen for jazz enthusiasts, aspiring musicians, and anyone passionate about the music journey. Join Buzz Knight on this inspiring episode of takin' a walk as he explores the stories behind albums and the creative journeys of one of jazz music's most influential figures. Whether you're a fan of classic rock history, indie music, or simply love diving into the rich tapestry of music history, this musician interview promises to deliver valuable insights and inspiration. Tune in now and walk alongside Buzz Knight and Pat Metheny as they unravel the magic of music! Support the show: https://musicsavedme.net/See omnystudio.com/listener for privacy information.
Antonio Sanchez has become one of the most sought-after drummers in the international jazz scene. Following 18 years and 9 albums as one of the most revered collaborators with guitarist/composer Pat Metheny, he also has recorded and performed with many other most prominent artists like Chick Corea, Gary Burton, Michael Brecker, Charlie Haden and Toots Thielemans. In 2014 Sanchez popularity soared when he scored Alejandro González Iñárritu's Birdman which ended up winning 4 Academy awards (including best picture) and for which Antonio won a Grammy award. He currently has many recordings as a leader and solo artist. Some recent recordings include Beatrio w/ Bela Fleck, Edmar Castaneda as well as his own group Migration. You can hear Anotino's masterful compositions and drumming on the award winning show The Studio on Apple TV In this episode, Antonio talks about Why he calls Barcelona, Spain his home Creating a strong reputation The realities a seasoned pro has to contend with Antonio's journey into jazz and notoriety Staying artistically and creatively curious Using your own voice when making music Composing for the movie Birdman & the TV series The Studio Creating a counter culture to social media Here's our Patreon Here's our Youtube Here's our Homepage
What if the best mix isn't the cleanest, but the truest? In this podcast takeover, Lij Shaw (Recording Studio Rockstars) dives into a standout conversation with engineer, songwriter, and producer-in-the-making Abby Griffin to explore how “being the weird girl” can be a creative superpower, and why the moments you capture now may matter more than perfection later. From choir training and vocal anatomy to tape love and AI stems, Abby brings a sharp, generous lens to making music that feels alive.The conversation starts with foundations you can use today: training your ear with tools like Pink Trombone, choosing mics for the job (vintage U87 clarity vs 414 warmth), and recording drums the simple way, two mics, tight kit, one great bar, and tasteful overdubs for fills and transitions. Abby maps out a low-stress workflow for song-first productions, where loops carry pocket, and a click becomes optional. Along the way, we swap gross mic tales and gig-life realities with a wink and a wince.Songwriting sits at the heart of everything. Abby's “song seeds” method, notes app phrases, moleskin pages, and free-writing, pairs with alternate tunings to break muscle memory and unlock lines you can't play in standard tuning. They unpack “show vs tell” with Taylor Swift's plain-spoken detail, Shakespeare's sonnets, and the poem Two-Headed Calf. The aim isn't to prescribe feelings; it's to stage scenes so the listener writes their own. A moving centrepiece: Abby's family recording made days before her grandmother passed, a time capsule that proves how capturing the chapter can matter more than polish.Tech doesn't replace taste; it supports it. AI stem separation shines in pre-production and post, voice-memo overdubs turn ideas into demos, and tape, hardware or plugin adds character where it counts. Pat Metheny's advice threads through it all: be yourself from day one and let the work find its people over time. Abby's take is simple and brave: match your freak, protect your rituals, and put the moment first.Links mentioned in this episode:Listen to Recording Studio RockstarsFollow Abbie GriffinSend me a message Support the showWays to connect with Marc: Listener Feedback Survey - tell me what YOU want in 2026 Radio-ready mixes start here - get the FREE weekly tips Book your FREE Music Breakthrough Strategy Call Follow Marc's Socials: Instagram | YouTube | Synth Music Mastering Thanks for listening!! Try Riverside for FREE
PROGCAST PATRONS get bonus episodeshttps://www.patreon.com/theprogcastStudy Drums/Composition/Music with Gregg: https://www.bendianmusic.com GREGG BENDIAN is a percussionist/composer/producer/educator/podcaster from Teaneck, New Jersey. During his wide-ranging career he has toured internationally and recorded with Todd Rundgren, Jan Hammer, The Mahavishnu Project, Keneally-Bendian-Lunn, The Musical Box, John Zorn, Derek Bailey, Nels Cline, Cecil Taylor, Pat Metheny, Ornette Coleman and Zoot Horn Rollo. On the academic front, Gregg develops and teaches courses in studio production aesthetics, music history, and composing/arranging at William Paterson University of New Jersey. For the Yale Oral History of American Music, he has contributed over 100 expansive interviews with major figures including Wayne Shorter, Sonny Rollins, Quincy Jones, Carla Bley and Steve Reich. Bendian is archivist/producer for the Bottom LIne Archive of historic concerts. Recorded over 30 years at the Greenwich Village venue, the series features discs by Jack Bruce with Billy Cobham, The Brecker Bros, Lou Reed/Kris Kristofferson, Pete Seeger/Roger McGuinn, and Doc Watson. An accomplished percussionist and a composer of over 200 works, he has created a body of innovative music for jazz, rock, percussion (solo and ensemble) and mixed chamber groups, which include his Interzone and Trio Pianissimo bands. Gregg's music is published by Iamuziks (ASCAP). Begun in August of 2020, The ProgCast explores the creative process and musical history of a diverse assortment of cutting edge artists. You can also find us on:SPOTIFY: https://open.spotify.com/show/0x9bzb0...APPLE PODCASTS: https://podcasts.apple.com/us/podcast...https://www.bendianmusic.comhttps://open.spotify.com/artist/0HBmV...https://www.bottomlinearchive.comhttps://guides.library.yale.edu/oham/...https://www.mahavishnuproject.comhttps://www.wpunj.edu/coac/department...
Kirk sits down with jazz piano legend Peter Martin to talk about Peter's musical background, his momentous early encounters with Wynton Marsalis and Kenny Kirkland, the jazz scene of the 1990s, how the Suzuki method works, and why jazz students today should be less shy about talking to their heroes. Check out Peter's online jazz education program Open Studio, as well as You'll Hear It, the music podcast he co-hosts with Adam Maness. DISCUSSED/REFERENCED:“Variations Sur ‘Le Carnaval de Venise” feat. Wynton Marsalis and the Eastman Wind Ensemble from Carnival, 1987“Path Adjacent” Peter Martin w/ Gregory Hutchinson, Sarah Hanahan & Reuben Rogers from Generation S, 2023“Bag's Groove” by Milt Jackson from Miles Davis, Bag's Groove, 1967“Tea For Two” by Youmans/Ceasar, played by Art Tatum from Piano Starts Here, 1968“Broad Way Blues” by Ornette Coleman from New York Is Now, 1968“Swingin' at the Haven” by Branford Marsalis from Royal Garden Blues, 1986“Now's The Time/Billie's Bounce” by Charlie Parker from Jamey Aebersold Vol. 6: All Bird“Naima's Love Song” by Betty Carter from I_t's Not About The Melody_, 1992“Mental Phrasing” by Roy Hargrove live w/ Joshua Redman, Ron Blake, Peter Martin, Rodney Whitaker, Greg Hutchinson“Turnaround” by Joshua Redman w/ Pat Metheny from Wish, 1993“Jig-A-Jug” by Joshua Redman and “St. Thomas” by Sonny Rollins” from Spirit of the Moment: Live at the Village Vanguard, 1995“Cat Battles” and “One Shining Soul” by Joshua Redman from Freedom in the Groove, 1996“The Loneliness of a Long Distance Runner” intro and “Mind and Body” from Solo, Live in New York, 2015“Why Approach Chords Matter” - Adam Maness for Open Studio on YouTube, 2025“2 Down & 2 Across,” “Sing a Song of Song,” “Before It's Time to Say Goodbye” by Kenny Garrett feat. Kenny Kirkland from Songbook, 1997“Phyrzzinian Man” by Wynton Marsalis from Black Codes from the Underground, 1985“Necessary Evil” by Elvin Jones and “Whatever Possessed Me” by Chet Baker feat. Pat LaBarbera (Tenor) and Kenny Kirkland from Brother John, 1982“Stella by Starlight” by Hoagy Carmichael, performed by the Miles Davis Quintet on My Funny Valentine: In Concert, 1965----LINKS-----
Today we're putting The Tonearm's needle on bassist and composer Linda May Han Oh.Linda's a Grammy winner who's recorded with Pat Metheny, Kenny Barron, and Joe Lovano. She was even the model for the bassist character in Pixar's 'Soul.' But it's her own work that brings us together.Her latest album, Strange Heaven, explores why we choose familiar hells over strange heavens—why we stick with what we know even when change might save us. It's a question that cuts through everything from personal relationships to political choices.Linda approaches her albums like journals, each one capturing where she is as an artist and a person. Since becoming a mother, she says her music has become more direct, more distilled—less about ego and more about emotional truth.She's here to discuss creative honesty, her work promoting women composers in jazz through the New Standards project, and why making music with emotional directness matters more than ever.(The musical excerpts heard in the interview are from Linda May Han Oh's album Strange Heaven)–Dig DeeperVisit Linda May Han Oh at lindamayhanoh.com and follow her on Instagram, Facebook, and BandcampPurchase Linda May Han Oh's Strange Heavens from Biophilia Recordings, Bandcamp, or Qobuz and listen on your streaming platform of choiceLinda May Han Oh: Tiny Desk ConcertDig into this episode's complete show notes at podcast.thetonearm.com–• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice.• Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.
Today we're putting The Tonearm's needle on bassist and composer Linda May Han Oh.Linda's a Grammy winner who's recorded with Pat Metheny, Kenny Barron, and Joe Lovano. She was even the model for the bassist character in Pixar's 'Soul.' But it's her own work that brings us together.Her latest album, Strange Heaven, explores why we choose familiar hells over strange heavens—why we stick with what we know even when change might save us. It's a question that cuts through everything from personal relationships to political choices.Linda approaches her albums like journals, each one capturing where she is as an artist and a person. Since becoming a mother, she says her music has become more direct, more distilled—less about ego and more about emotional truth.She's here to discuss creative honesty, her work promoting women composers in jazz through the New Standards project, and why making music with emotional directness matters more than ever.(The musical excerpts heard in the interview are from Linda May Han Oh's album Strange Heaven)–Dig DeeperVisit Linda May Han Oh at lindamayhanoh.com and follow her on Instagram, Facebook, and BandcampPurchase Linda May Han Oh's Strange Heavens from Biophilia Recordings, Bandcamp, or Qobuz and listen on your streaming platform of choiceLinda May Han Oh: Tiny Desk ConcertDig into this episode's complete show notes at podcast.thetonearm.com–• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice.• Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.
Toninho Horta, el autor de nuestra sintonía, actúa este domingo 16 de noviembre en Madrid (Café Central) al frente de un cuarteto y lo celebramos escuchando sus grabaciones de 'Pica pau', 'Lullaby of Birdland' y 'Once I loved' -en trío con Gary Peacock y Billy Higgins-, 'Aqui, oh', 'Prato feito '-con Pat Metheny, 'Manuel o audaz' -con Lô Borges y Pat Metheny-, 'Mountain flight', 'Pilar'', 'Durango kid', 'Bons amigos' y 'Magical trumpets'. Escuchar audio
Pierre Piscitelli is a Grammy winning keyboardist, composer and arranger. He's worked as a session keyboardist as well as an arranger for various string ensembles and big bands. His master work is a comprehensive 253-page anthology of all of the music of Lyle Mays, longtime collaborator with Pat Metheny. And he also scored Mays's work Eberhard. Pierre has re-imagined a Metallica album and he's done big band arrangements of Todd Rundgren and Emerson Lake and Palmer music.My featured song is “The Gift”, my recent single that turns my jazz ballad into a big band Samba. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH PIERRE:www.pierrepiscitelli.com—----------------------------------------ROBERT'S LATEST SINGLE:“MI CACHIMBER” is Robert's latest single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com
In this episode, I'm joined by John Mailander, a fearless and lyrical fiddler/violinist whose work bridges bluegrass, jazz, ambient improvisation, and songcraft. We trace his path from San Diego to Berklee (where he studied American Roots with mentor Darol Anger) to Nashville, where he found a close-knit community that's as experimental as it is supportive. John discusses the city's “weirdo music” scene, ambient nights, free improvisation, and oddball collaborations, and how that energy coexists alongside the touring calendar. We dig into his life-changing chair with Bruce Hornsby: the no-setlist ethos, learning the “top 80” deep-cut originals, living on the edge together, and the night Bruce rearranged the stage so John could stand next to John Scofield, then kept tossing them intertwined solos all evening. John shares recent runs with Sam Grisman (with hero Peter Rowan onboard), producing and recording more from Nashville, and the origin of his own band Forecast, a genre-porous collective inspired by Bill Frisell, Brian Blade Fellowship, Pat Metheny/Brad Mehldau, and Joni Mitchell. We talk through the new record Let the World In: how residency nights at Dee's in Madison shaped the tunes, why the drums sound so alive, and why he welcomes rotating lineups to hear the same music through new lenses. Teaching and mentorship thread through the conversation: passing on what was given to him (formally and backstage between songs), honoring influences like Matt Mundy (ARU/Bruce Hampton), and why the point isn't “pushing boundaries” as a goal but playing honestly enough that the music pushes itself. It's a generous, grounded conversation about trust, curiosity, and letting the music lead.To learn more about John, visit his website. Music from the Episode:Let the World In (John Mailander's Forecast)Road (John Mailander's Forecast)Gardener (John Mailander's Forecast)Reprise (John Mailander's Forecast)Thank you for listening. If you have questions, feedback, or ideas for the show, please email me at brad@thebandwichtapes.com.
John Scofield is undeniably one of the preeminent forces in contemporary jazz guitar. Along with a few of his peers—see Pat Metheny, Bill Frisell, Mike Stern—he modernized the sound of our instrument and the genre. But there's much more to Scofield than just jazz.To break down the deepest of Scofield's records and talk about the intricacies of his playing, we called up another great, Adam Levy. There's a great chance you've heard Levy alongside artists such as Tracy Chapman or Norah Jones, and his solo discography is deep! Adam has a host of Scofield know-how, so we get right to it. Sponsored by Two Rock: two-rock.comFollow Nick: https://www.instagram.com/nickmillevoiFollow Jason: https://www.instagram.com/jasonshadrickGet at us: 100guitarists@premierguitar.comCall/Text: 319-423-9734Podcast powered by Sweetwater. Get your podcast set up here! - https://sweetwater.sjv.io/75rE0dSubscribe to the podcast:Spotify: https://open.spotify.com/show/0aXdYIDOmS8KtZaZGNazVb?si=c63d98737a6146afApple: https://podcasts.apple.com/us/podcast/100-guitarists/id1746527331
Music and readings about guitarist Metheny and drummer Motian. Motian toured with Metheny around 1980.Set List: https://jazzcloset.blogspot.com/2025/11/pat-metheny-paul-motian-around-1980.htmlPhoto: Pat Metheny & Paul Motian at McCabe's in Santa Monica, CA Dec. 1980 photographer unknown courtesy McCabe's & David Goodrich
Here is the paylist for the 11/02 episode of Crosswinds. Enjoy!Stan Kenton Orchestra- Intermission RiffChase- Open Up WideMaynard Ferguson- BirdlandDon Ellis Orchestra- Mercy, Maybe MercyBuddy Rich Big Band- Mercy, Mercy, MercyBob Mintzer Big Band- MosaicCount Basie Orchestra- Segue in CCount Basie Orchestra- Easin' ItBob Curnow Big Band- And Then I KnewJack DeJohnette w/Bruce Hornsby- Dirty GroundBruce Hornsby, Christian McBride and Jack DeJohnette- Camp MeetingBruce Hornsby- Absolute ZeroBill Evans, Eddie Gomez and Jack DeJohnette- Some Other TimeDewa Budjana- Ujung GaluhJack DeJohnette, Pat Metheny and Herbie Hancock- DancingHerbie Hancock- Love is Stronger Than PrideKeith Jarrett, Gary Peacock and Jack DeJohnette- All the Things You AreHudson- Tony Then JackGonzolo Rubalcala, Ron Carter and Jack DeJohnette- RonJackRubaHudson- WoodstockEthan Iverson, Larry Grenadier and Jack DeJohnette- For Ellen RaskinJack DeJohnette, Matt Garrison and Ravi Coltrane- Serpentine FireEarth, Wind and Fire- Sing a SongTake 6- Biggest Part of MeJoni Mitchell- How Do You Stop?DC Talk- Between You and MePat Metheny Group- Phase Dance
Ayer, 26 de octubre, cumplió años Milton Nascimento. Lo celebramos escuchando todas las canciones de 'Minas' el disco que publicó hace 50 años: 'Minas', 'Fe cega faca amolada', 'Beijo partido', 'Saudade dos avioes da Panair', 'Gran circo', 'Ponta de areia', 'Trastevere', 'Idolatrada', 'Leila (Venha ser feliz)', 'Paula e Bebeto' y 'Simples'. Y el bonus track de la edición remasterizada del disco en los estudios Abbey Road de Londres en 1995: 'Norwegian wood' de Lennon y McCartney. Para despedir, una grabación de 'Vera Cruz' con Milton acompañado por Herbie Hancock, Pat Metheny, Ron Carter y Jack DeJohnette.Escuchar audio
Episode 91: Christian McBride. Nine-time GRAMMY winner Christian McBride is one of the most influential jazz artists in the game. His collaborations span icons like Chick Corea, Herbie Hancock, Pat Metheny, James Brown, and Sting. He's the leader of multiple acclaimed bands including the Christian McBride Big Band, Inside Straight, and New Jawn. He also serves as the host of NPR's Jazz Night in America and was the Artistic Director of the Newport Jazz Festival for a decade. His story is incredible, and we're setting the stage here with Part 1, The Early Years. Growing up in Philadelphia, Christian was surrounded by greatness. His high school classmates included Questlove, Black Thought, Joey DeFrancesco, and Kurt Rosenwinkel, just to name a few. In this episode, we talk about those formative years, the Philly music scene, and how he broke into the spotlight with Wynton Marsalis and Freddie Hubbard, along with the wild story of his rare opportunity to play for Miles Davis. We also get into his professional mentality, early lessons on leadership, and what it took to earn respect from legends while still a teenager. Christian is an amazing storyteller, and this conversation is full of history, heart, and laughs. We had the best time recording this one, so I hope you enjoy it as much as we did. Lets go! Special thanks to Apogee Electronics. We used their Apogee HypeMic and Podcast Kit in this episode and they sounded great. Check it out! Apogee HypeMic & Podcast Kit: https://hubs.li/Q03zczhb0 ‘Go with Elmo Lovano' is a weekly podcast where Elmo interviews creatives and entrepreneurs in music on HOW they push forward every day, got where they are in their careers, manage their personal lives, and share lessons learned and their most important insights. Please SUBSCRIBE / FOLLOW this podcast to catch new episodes as soon as they drop! Your likes, comments and shares are much appreciated! https://www.patreon.com/gowithelmo Become a Patreon Member to stay in the loop as we post Patreon-only exclusive content, Zoom hangs, invite only events, and discussions about music and music careers. Listen to the audio form of this podcast wherever you get your podcasts: https://elmolovano.komi.io/ Follow Christian: https://www.instagram.com/chrmcbride/ Follow Go With Elmo: https://www.instagram.com/gowithelmo/ https://www.tiktok.com/@gowithelmo https://x.com/gowithelmopod Follow Elmo Lovano: https://Instagram.com/elmolovano https://x.com/elmolovano Follow Jammcard: https://www.youtube.com/@jammcard jammcard.com Learn more about your ad choices. Visit megaphone.fm/adchoices
durée : 00:59:57 - Bonnes questions - par : Nathalie Piolé - ❓ Ce soir, dans Banzzaï, toutes les questions sont bonnes à poser ! Certaines, par contre, n'ont pas de réponse... - réalisé par : Fabien Fleurat Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
This week's program features a Tribute to John Lodge of the Moody Blues who passed away a few days ago. Additionally, there's tuneage from Renaissance, King Crimson, Cat Stevens, Michael Hedges, Led Zeppelin, Leo Kotke, Love, The Beatles, Pat Metheny, The Rolling Stones, Phil Collins, Canned Heat, Bob Dylan, Bob Seger & The Silver Bullet Band and NRBQ.
PAUL BIELATOWICZ is a composer and master guitarist from England. For the last 20 or so years he has been the featured guitarist in all of drummer CARL PALMER'S projects, with Paul miraculously nailing all of KEITH EMERSON'S keyboard parts on midi-guitar. Paul and I are about to head out on tour performing his NOSFERATU LIVE soundtrack to the original 1921 silent film.We talk about that project, Paul's long history with Mr. Palmer, and so much more, on The ProgCast.PROGCAST PATRONS get bonus episodes / theprogcast Study Drums/Composition/Music with Gregg: https://www.bendianmusic.com GREGG BENDIAN is a percussionist/composer/producer/educator/podcaster from Teaneck, New Jersey. During his wide-ranging career he has toured internationally and recorded with Todd Rundgren, Jan Hammer, The Mahavishnu Project, Keneally-Bendian-Lunn, The Musical Box, John Zorn, Derek Bailey, Nels Cline, Cecil Taylor, Pat Metheny, Ornette Coleman and Zoot Horn Rollo. On the academic front, Gregg develops and teaches courses in studio production aesthetics, music history, and composing/arranging at William Paterson University of New Jersey. For the Yale Oral History of American Music, he has contributed over 100 expansive interviews with major figures including Wayne Shorter, Sonny Rollins, Quincy Jones, Carla Bley and Steve Reich. Bendian is archivist/producer for the Bottom LIne Archive of historic concerts. Recorded over 30 years at the Greenwich Village venue, the series features discs by Jack Bruce with Billy Cobham, The Brecker Bros, Lou Reed/Kris Kristofferson, Pete Seeger/Roger McGuinn, and Doc Watson. An accomplished percussionist and a composer of over 200 works, he has created a body of innovative music for jazz, rock, percussion (solo and ensemble) and mixed chamber groups, which include his Interzone and Trio Pianissimo bands. Gregg's music is published by Iamuziks (ASCAP). Begun in August of 2020, The ProgCast explores the creative process and musical history of a diverse assortment of cutting edge artists. You can also find us on:SPOTIFY: https://open.spotify.com/show/0x9bzb0...APPLE PODCASTS: https://podcasts.apple.com/us/podcast...https://www.bendianmusic.comhttps://open.spotify.com/artist/0HBmV...https://www.bottomlinearchive.comhttps://guides.library.yale.edu/oham/...https://www.mahavishnuproject.comhttps://www.wpunj.edu/coac/department...
Este monográfico está dedicado al saxofonista Michael Brecker, un artista fallecido en el año 2007. Repasamos sus apariciones en discos de artistas tan conocidos como David Garfield & Karizma, Tom Browne, Patti Austin, Chris Botti, Neil Larsen, Herbie Hancock, Everything But The Girl, Eliane Elias, Narada Michael Walden, Michael White, Pat Metheny y Jason Miles & Sting. Es el segundo programa especial que dedicamos a la figura de Michael Brecker. El primero lo puedes escuchar en la edición 950 de Cloud Jazz.
PER NILSSON is an incredible guitarist and producer from Sweden, whom I've had the pleasure of hearing on several occasions with Meshuggah, when he covered during Fredrik Thordendal's hiatus from the band. Per a founding member of Scar Symmetry and the guitarist for prog rock band Kaipa, and power metal band Nocturnal Rites. PROGCAST PATRONS get bonus episodes / theprogcast Study Drums/Composition/Music with Gregg: https://www.bendianmusic.com GREGG BENDIAN is a percussionist/composer/producer/educator/podcaster from Teaneck, New Jersey. During his wide-ranging career he has toured internationally and recorded with Todd Rundgren, Jan Hammer, The Mahavishnu Project, Keneally-Bendian-Lunn, The Musical Box, John Zorn, Derek Bailey, Nels Cline, Cecil Taylor, Pat Metheny, Ornette Coleman and Zoot Horn Rollo. On the academic front, Gregg develops and teaches courses in studio production aesthetics, music history, and composing/arranging at William Paterson University of New Jersey. For the Yale Oral History of American Music, he has contributed over 100 expansive interviews with major figures including Wayne Shorter, Sonny Rollins, Quincy Jones, Carla Bley and Steve Reich. Bendian is archivist/producer for the Bottom LIne Archive of historic concerts. Recorded over 30 years at the Greenwich Village venue, the series features discs by Jack Bruce with Billy Cobham, The Brecker Bros, Lou Reed/Kris Kristofferson, Pete Seeger/Roger McGuinn, and Doc Watson. An accomplished percussionist and a composer of over 200 works, he has created a body of innovative music for jazz, rock, percussion (solo and ensemble) and mixed chamber groups, which include his Interzone and Trio Pianissimo bands. Gregg's music is published by Iamuziks (ASCAP). Begun in August of 2020, The ProgCast explores the creative process and musical history of a diverse assortment of cutting edge artists. You can also find us on:SPOTIFY: https://open.spotify.com/show/0x9bzb0...APPLE PODCASTS: https://podcasts.apple.com/us/podcast...https://www.bendianmusic.comhttps://open.spotify.com/artist/0HBmV...https://www.bottomlinearchive.comhttps://guides.library.yale.edu/oham/...https://www.mahavishnuproject.comhttps://www.wpunj.edu/coac/department..
Antonio Sánchez: Drumming Legend, Birdman Composer, Pat Metheny Group, The Studio, 4 GRAMMYs, Emmy Episode 88: Antonio Sánchez. Antonio is one of the most celebrated drummers and composers of our time. From shaping the sound of the Pat Metheny Group, to scoring Alejandro Iñárritu's Oscar-winning film Birdman, to composing for Apple TV+'s The Studio, Antonio has pushed the boundaries of what a drummer can be. With 4 GRAMMY wins, a 2025 Emmy nomination, and collaborations spanning jazz, film, and world music, his artistry continues to inspire musicians and audiences worldwide. This is a 2.5 hour deep dive interview with Antonio that covers the full scope of his career. We talk about his journey from Mexico City to Berklee and how he got onto the world stage, the story behind creating the all-drum score for Birdman, and what it was like to spend decades working side by side with Pat Metheny. We dig into the lessons he's carried forward, his approach to film scoring, and how he brings storytelling into his drumming. We also get into his newest projects like Bad Hombre 1 and 2, BEATrio with Béla Fleck and Edmar Castañeda, Elipsis with Michael League and Pedrito Martínez, and his collabs with Dave Matthews, Trent Reznor, Atticus Ross, Silvana Estrada, Joe Lovano, John Patitucci, Christian McBride, John Scofield and more, as he continues to expand his musical universe. Hope you enjoy my conversation with the incredible human, Antonio Sanchez. Big thanks to our friends at DistroKid! DistroKid is the easiest and fastest way to get your music on over 150 platforms worldwide! Go to https://distrokid.com/vip/elmo to get 20% off your first year! ‘Go with Elmo Lovano' is a weekly podcast where Elmo interviews creatives and entrepreneurs in music on HOW they push forward every day, got where they are in their careers, manage their personal lives, and share lessons learned and their most important insights. Please SUBSCRIBE / FOLLOW this podcast to catch new episodes as soon as they drop! Your likes, comments and shares are much appreciated! https://www.patreon.com/gowithelmo Become a Patreon Member to stay in the loop as we post Patreon-only exclusive content, Zoom hangs, invite only events, and discussions about music and music careers. Listen to the audio form of this podcast wherever you get your podcasts: https://elmolovano.komi.io/ Follow Antonio: https://www.instagram.com/antoniodrums1/ Follow Go With Elmo: https://www.instagram.com/gowithelmo/ https://www.tiktok.com/@gowithelmo https://x.com/gowithelmopod Follow Elmo Lovano: https://Instagram.com/elmolovano https://x.com/elmolovano Follow Jammcard: https://www.youtube.com/@jammcard jammcard.com Learn more about your ad choices. Visit megaphone.fm/adchoices
The Trombone Corner Podcast is brought to you by Bob Reeves Brass and The Brass Ark. Join hosts Noah and John as they interview Tom "Bones" Malone. About Tom : Tom “Bones” Malone, trombonist, multi-instrumentalist, arranger & producer is best known for his work with The Blues Brothers, David Letterman Show and Saturday Night Live. Tom has played on 4,400+ television shows, 3,500+ radio & television commercials, over 1,500 recordings and thousands of live performances throughout the world. Tom has done 3,000 arrangements for television. Tom plays trombone, tuba, bass trombone, contrabass trombone, euphonium, bass trumpet, trumpet, flugelhorn, piccolo trumpet, alto sax, tenor sax, baritone sax, flute, piccolo, alto flute and bass flute. “Tom Bones Malone, a multi-instrumentalist, is perhaps the most successful musician in the history of film, live television and sound recording production.” - Ray Hair, president, American Federation of Musicians Tom has performed, recorded and/or arranged for Ray Charles, James Brown, Stevie Wonder, Paul McCartney, Gil Evans, Yes, Miles Davis, Beck, Aretha Franklin, Spyro Gyra, Jimmy Cliff, Frank Zappa, Stuff, The Temptations, The Supremes, Sting, Elton John, James Taylor, J Giels Band, Blood Sweat & Tears, The Band, Levon Helm, Phil Collins, Wilson Pickett, Sam & Dave, Ben E. King, The BeeGees, Meco, The Coasters, Bon Jovie, Carly Simon, Dr. John, Olivia Newton-John, Joe Cocker, The Meters, The Neville Brothers, Leo Sayer, Boz Skaggs, Chuck Berry, Robert Plant, Jeff Beck, Jimmy Page, Gypsy Kings, Willie Nelson, Clint Black, Dolly Parton, George Benson, B B King, Vince Gill, John Mayer, Steve Winwood, The Killers, Blues Traveler, The Stylistics, Busta Rhymes, Bonnie Raitt, Bruce Springsteen, Al Green, Gloria Estefan, Garth Brooks, Faith Hill, Eddie Harris, Cyndi Lauper, David Bowie, ‘N Sync, Coolio, Snoop Dog, 50 Cent, Solomon Burke, Steely Dan, Aerosmith, Tony Bennett, Mary J. Blige, Peter Frampton, Lyle Lovett, Etta James, Jon Secada, Joe Cocker, Sinead O'Conner, Toni Braxton, Harry Connick, Jr., Randy Newman, Little Richard, Pointer Sisters, Eric Clapton, Billy Preston, Marvin Gaye, Whitney Houston, Chaka Kahn, Four Tops, Elephant's Memory, Eddie Floyd, Count Basie, The Spinners, The Stylistics, Barry Manilow, Jose Feliciano, Woody Herman, Tom Petty, Macy Grey, Van Morrison, Frankie Valli, Hanson, Peggy Lee, Brenda Lee, Liza Minelli, Cab Calloway, The O'Jay's, Nancy Wilson, Shirley Bassey, Billy Joel, Bonnie Tyler, Lou Reed, Baja Men, Dr. Buzzard's Savannah Band, Joss Stone, Dionne Warwick, Meatloaf, Ashford & Simpson, Pat Metheny, David Sanborn, Luther Vandross, Teddy Pendergrass, Glen Campbell, Malo, Vicki Sue Robinson, Mandrill, Gladys Knight & The Pips, Diana Ross, Average White Band, Dreamgirls, Van McCoy, Mongo Santamaria, Instant Funk, Stephanie Mills, Herbie Mann, Paul Simon, Gloria Gayner, Plácido Domingo, Village People, Bobby Blue Bland, Pink Floyd, Hubert Laws, Tina Turner, Joe Jackson, Chuck Mangione, Lou Rawls, David Byrne, Phil Woods, James Ingram, Hank Crawford, Carmen McRae, Bette Midler, Phoebe Snow, Rupert Holmes, BJ Thomas, Samantha Sang, Al Jarreau, Sheena Easton, Johnny Taylor, Little Milton, Stanley Clark, Little Anthony & The Imperials, Joe Pesche, Ron Carter, Buddy Rich, Les Elgart, Larry Elgart, Billy Cobham, Louis Bellson, Stanley Turrentine, Gato Barbieri, Ringo Starr, Lady Gaga, Bob Geldoff, Debbie Harry, Run DMC, Ricky Martin, John Mellencamp, Eurythmics, Rufus Thomas, Debby Harry, Run DMC, Ricky Martin, Shaggy, John Mellencamp, Chris Montez, Joey Dee, Dusty Springfield, The Blues Brothers, Hanson and many others.
El 15 de septiembre de 1980 nos dejó Bill Evans. Recordamos al influyente pianista en grabaciones en solitario ('What kind of fool am I', 'Emily'), con su trío más longevo junto a Eddie Gómez y Marty Morell ('Emily', 'Alfie'), con el histórico trío que formó con Scott LaFaro y Paul Motian ('Waltz for Debby', 'Alice in Wonderland') o en otros formatos ('A child is born', 'Someday my prince will come'). Y escuchamos la pieza que Pat Metheny y Lyle Mays le dedicaron en su disco 'As falls Wichita, so falls Wichita Falls' al enterarse de su muerte cuando lo estaban grabando en Oslo: 'September fifteenth'.Escuchar audio
My longtime drum pal, JOHN "PUGWASH" WEATHERS is back on The ProgCast! It's always fun and revelatory to chat with JP and this time around we get into John's life before, during and after GENTLE GIANT. Lots of drummer talk as we delve into John's work with MAN, EYES OF BLUE, GRAHAM BOND, THE GREASE BAND and of course, GIANT. Only here, on The ProgCast!PROGCAST PATRONS get bonus episodes / theprogcast Study Drums/Composition/Music with Gregg: https://www.bendianmusic.com GREGG BENDIAN is a percussionist/composer/producer/educator/podcaster from Teaneck, New Jersey. During his wide-ranging career he has toured internationally and recorded with Todd Rundgren, Jan Hammer, The Mahavishnu Project, Keneally-Bendian-Lunn, The Musical Box, John Zorn, Derek Bailey, Nels Cline, Cecil Taylor, Pat Metheny, Ornette Coleman and Zoot Horn Rollo. On the academic front, Gregg develops and teaches courses in studio production aesthetics, music history, and composing/arranging at William Paterson University of New Jersey. For the Yale Oral History of American Music, he has contributed over 100 expansive interviews with major figures including Wayne Shorter, Sonny Rollins, Quincy Jones, Carla Bley and Steve Reich. Bendian is archivist/producer for the Bottom LIne Archive of historic concerts. Recorded over 30 years at the Greenwich Village venue, the series features discs by Jack Bruce with Billy Cobham, The Brecker Bros, Lou Reed/Kris Kristofferson, Pete Seeger/Roger McGuinn, and Doc Watson. An accomplished percussionist and a composer of over 200 works, he has created a body of innovative music for jazz, rock, percussion (solo and ensemble) and mixed chamber groups, which include his Interzone and Trio Pianissimo bands. Gregg's music is published by Iamuziks (ASCAP). Begun in August of 2020, The ProgCast explores the creative process and musical history of a diverse assortment of cutting edge artists. You can also find us on:SPOTIFY: https://open.spotify.com/show/0x9bzb0...APPLE PODCASTS: https://podcasts.apple.com/us/podcast...https://www.bendianmusic.comhttps://open.spotify.com/artist/0HBmV...https://www.bottomlinearchive.comhttps://guides.library.yale.edu/oham/...https://www.mahavishnuproject.comhttps://www.wpunj.edu/coac/department...
Composiciones para el cine de Ennio Morricone, que nos dejó hace ya 5 años, grabadas por Kyle Eastwood ('Per le antiche scale'), Charlie Haden y Pat Metheny ('Cinema Paradiso love them', 'Cinema Paradiso main theme'), George Mraz ('Cinema Paradiso'), Yo-Yo Ma (Gabriel's oboe', 'The falls', 'Once upon a time in America: Deborah´s theme', 'Cockeyes song', 'Main theme') o el propio Morricone. Y trabajos suyos para películas menos conocidas, de los años 60 y 70, con piezas influenciadas por el samba jazz y la bossa como 'Waltzer bossa nova', 'Ritratto d´autore', 'Alla serenità', 'Metti una sera cena' o 'Samba in tribunale'. Escuchar audio
Unos elefantes muy cinematográficos con la cantante Petra Haden ('Cinema Paradiso', 'A fistful of dollars theme', 'Psycho main title', 'Goldfinger', 'This is not America'), su padre el contrabajista Charlie Haden a dúo con el guitarrista Pat Metheny ('Two for the road'), el guitarrista Bill Frisell ('To kill a mockingbird', 'The shadow of your smile' -con Petra Haden-, 'Once upòn a time in the west -con Petra Haden-), el pianista Brad Mehldau ('Marcello´s box', 'Cécile I', 'Peace', 'Henri´s lament' y 'Fait chier Paris' de la película francesa 'Mon chien stupide') y el contrabajista Kyle Eastwood ('The Pink panther theme').Escuchar audio
TONY LEVIN is well-known to The ProgCast audience as bassist for KING CRIMSON, PETER GABRIEL, STICK MEN, LIQUID TENSION EXPERIMENT, and so many more. We talk about Tony's early days as a classical player and his transition to bass guitar/stick. Tony regales us with tales of his time with Buddy Rich, Peter Gabriel, forming the KC "Discipline" band, and even playing under Igor Stravinsky's baton, as a student bassist at Eastman School of music. A rather special episode celebrating the 5th Anniversary of The ProgCast!PROGCAST PATRONS get bonus episodes / theprogcast Study Drums/Composition/Music with Gregg: https://www.bendianmusic.com GREGG BENDIAN is a percussionist/composer/producer/educator/podcaster from Teaneck, New Jersey. During his wide-ranging career he has toured internationally and recorded with Todd Rundgren, Jan Hammer, The Mahavishnu Project, Keneally-Bendian-Lunn, The Musical Box, John Zorn, Derek Bailey, Nels Cline, Cecil Taylor, Pat Metheny, Ornette Coleman and Zoot Horn Rollo. On the academic front, Gregg develops and teaches courses in studio production aesthetics, music history, and composing/arranging at William Paterson University of New Jersey. For the Yale Oral History of American Music, he has contributed over 100 expansive interviews with major figures including Wayne Shorter, Sonny Rollins, Quincy Jones, Carla Bley and Steve Reich. Bendian is archivist/producer for the Bottom LIne Archive of historic concerts. Recorded over 30 years at the Greenwich Village venue, the series features discs by Jack Bruce with Billy Cobham, The Brecker Bros, Lou Reed/Kris Kristofferson, Pete Seeger/Roger McGuinn, and Doc Watson. An accomplished percussionist and a composer of over 200 works, he has created a body of innovative music for jazz, rock, percussion (solo and ensemble) and mixed chamber groups, which include his Interzone and Trio Pianissimo bands. Gregg's music is published by Iamuziks (ASCAP). Begun in August of 2020, The ProgCast explores the creative process and musical history of a diverse assortment of cutting edge artists. You can also find us on:SPOTIFY: https://open.spotify.com/show/0x9bzb0...APPLE PODCASTS: https://podcasts.apple.com/us/podcast...https://www.bendianmusic.comhttps://open.spotify.com/artist/0HBmV...https://www.bottomlinearchive.comhttps://guides.library.yale.edu/oham/...https://www.mahavishnuproject.comhttps://www.wpunj.edu/coac/department...
Tune in for an episode of Recording Studio Rockstars with host Lij Shaw, featuring the talented musician and recording arts student, Abbie Griffin. Abbie shares her personal journey—from falling in love with music inspired by artists like Joni Mitchell and Taylor Swift, to navigating the challenges of the industry. She opens up about her songwriting process, the influence of her family and life experiences, and how technology is transforming the way we create music. Most importantly, Abbie emphasizes the importance of staying true to yourself and embracing your individuality. Don't miss her latest track, "Live from Onie's House," available on Spotify. Join us as we chat about music and creativity on this episode of Recording Studio Rockstars. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Abbie Griffin, an engineer, singer, guitarist, and bassist, and a student of Recording Arts and Production at Montclair State University in NJ, where she studies audio engineering, post-production, and live event audio. At just 22 years old, she's already been performing for nearly two decades. She loves making music and recently released her first record, Live from Onie's House, inspired by Joni Mitchell. To quote her greatest inspiration—her musical grandmother—Abbie is “the saddest yet happiest songbird you'll ever meet, with that smile.” I met Abbie at NAMM when she came to a meetup for Recording Studio Rockstars. The first thing she said to me was that she was a fan of the podcast—and so was her dad! It's so cool to hear how the podcast is reaching a younger audience and inspiring those just starting out in their music and audio careers. Today, we're going to find out what it's like to be a young student of recording aspiring to be a musician and songwriter. We'll talk about what Abbie's learning in school, what she thought she needed to learn, and what music really means to her. She shares her thoughts on the rapid changes in music technology with AI, how the definition of a producer is evolving for the next generation, and where she sees the future of music heading. We'll also dive into her love for vintage gear, DIY instruments, and how strength training plays a surprising role in her creative process. And—one of the coolest parts—Abbie recently had the chance to interview Pat Metheny, one of her musical heroes. Get ready for an inspiring conversation about songwriting, personal growth, and embracing your unique sound! THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/7jc5wSU8VTbukzdbPmvyXa?si=fc479fd1cff4463d If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/520
I've been listening to the ECM record label since the 1970s. You can always count on ECM to put out interesting and sometimes great records. My favorite ECM release is Steve Reich's "Music for 18 Musicians." It's not only my favorite ECM album, it's one of my top albums of all-time. A real desert island record for me. A few of my other favorite regular ECM artists are Steve Tibbetts, Eberhard Weber & Pat Metheny. We had a discussion about our favorite ECM recordings over on Mixcloud. You can read or join in the thread here - https://www.mixcloud.com/lowlight/posts/favorite-ecm-albums/ I decided it wouyld be cool to make a mix of my top ten favorite ECM albums. I put it together in chronological order, starting with Ralph Towner & a fantastic version of Icarus. And ending with a 2017 album from Björn Meyer. Please leave a comment with some of your favorites in the comments and enjoy this little journey through ECM. Cheers! T R A C K L I S T : 00:00 Ralph Towner - Icarus (Diary 1974) 06:08 Pat Metheny - Sirabhorn (Bright Size Life 1976) 11:28 Eberhard Weber - Moana I (The Following Morning 1976) 19:54 Steve Reich - Pulses (Music For 18 Musicians 1978) 25:08 Pat Metheny & Lyle Mays - As Falls Wichita, So Falls Wichita Falls (As Falls Wichita, So Falls Wichita Falls 1980) 32:45 Steve Tibbetts - Ur (Yr 1988) 40:15 Jan Gabarek - Parce Mihi Domine(de Morales) (Officium 1993) 45:40 Arvo Pärt - Spiegel Im Spiegel (Alina 2000) 54:30 Jon Hassell - Blue Period (Last Night The Moon Came Dropping Its Clothes In The Street 2009) 61:20 Björn Meyer - Pulse (Provenance 2017) 64:05 end