Podcasts about Aphrodite

Wonder Woman thought Steve being all hands was bad enough, but wait til she gets a load of the CRimson Centipede! PLUS, casting an imaginary 1945 Wonder Woman movie, Time Machine Mailbag, Dr. Husband learns about the Amazons' bracelets of submission, and lots of exciting discourse about West Virginia's personal property tax! It's all right here in Wonder Woman #169! Chapters (00:00:00) - Oh, My!(00:00:17) - Checkered Past: Wonder Woman #169(00:01:37) - Crimson Centipede(00:03:08) - Lawns Are Green Again(00:06:04) - Who Would Play Wonder Woman in 1945?(00:09:06) - Talking To My Cat About Wonder Woman(00:09:55) - Wonder Woman Is Blitzed By The Villains(00:10:50) - Wonder Woman vs The Crimson Centipede(00:15:44) - Crimson Centipede Gets A Motorcycle(00:17:17) - Aphrodite vs Mars in Wonder Woman(00:18:57) - The Crimson Centipede vs Wonder Woman(00:21:20) - How to Pay Personal Property Taxes in West Virginia(00:26:34) - Coughing during a pulmonary scan(00:26:54) - The IRS audit of personal property taxes(00:28:43) - Oh My God, I'm So Angry Over Fees(00:29:43) - Wonderman vs the Crimson Centipede(00:32:34) - How Much Does Wonder Woman Hurt Me?(00:35:18) - Wonder Woman in The Dark Knight(00:36:12) - Wonder Woman vs The Crimson Centipede(00:40:15) - The Bracelets of Submission(00:45:41) - Mailbag(00:48:38) - Dr. Husband(00:51:49) - Wonder Woman is asked to make a choice between Steve Trevor and General Darnell(00:53:41) - Wonder Woman on a Date(00:57:01) - Wonder Woman vs The Gangsters(01:00:18) - The Lion vs Wonder Woman(01:02:07) - Wonder Woman vs General Darnell

Continuing directly after the party thrown by Zeus, Chapter 5 of Psychopompos - a new mythology follows the aftermath of our newly formed factions. As Hera, Artemis and Hermes try to stabilize; Demeter and Poseidon dissolve into furious discussions of the path forward. Meanwhile, Aphrodite and Ares see weaknesses to exploit, and take dangerous steps to advance their designs for Olympus.This episode was sponsored by Northcenter Healthcare.Content Warning: Explicit Language, Sexual Content, ViolenceFor more information about the story and podcast, a full transcript of this episode, or if you like what you heard and want to donate to this project, visit our site - www.psychopomp-cast.com.Cast:-Brandon Boler as Zeus-Anya Clingman as Calliope-Taylor Dariarow as Psyche-Elizabeth Ellis as Hera-Dave Fink as Hephaestus-Tate A. Geborkoff as Ares-Paige Hauer as Persephone-Valerie Lyvers as Dionysus-RjW Mays as Demeter-Mandyn Mueller as Eros-Shayne Patrick as Poseidon-Adam Qutaishat as Hermes -Julian “joolz” Stroop as Aphrodite-Marie Tredway as Artemis-Theo Zucker as EurydiceCrew:-Tate A. Geborkoff - Author, Producer-Rachel Staelens - Director, Producer-Brandon Boler - Producer-Joe Palermo - Director of Sound-Roy Freeman - Musical Director & Composer-Drew Durfee - Podcast Manager-Desiree Stypinski - Marketing Assistant, Social Media Lead

He was born to a wealthy, noble family in Thessalonica around 347. Filled more and more with a yearning for God, he abandoned his worldly possessions and traveled to Egypt, living for five years as a monk at Sketis. From there he went to Palestine, where he lived for another five years in a cave in the Jordan desert. Suffering from a severe ailment, he was forced to move to Jerusalem; there he was suddenly and completely cured following a vision on Golgotha, in which he saw the Good Thief come down from the cross to lead him to Christ, who gave the Cross into his keeping.   Porphyrius took up the trade of a shoemaker in Jerusalem to provide for his few needs. His humility and charity became so well-known that the Bishop of Jerusalem ordained him to the priesthood at the age of forty-five, and made him Stavrophylax, keeper of the True Cross of the Savior — thus fulfilling Porphyrius' vision on Golgotha. Three years later, much against his will, he was elected Bishop of Gaza.   Throughout his episcopate he was persecuted by the pagans who still dominated the life of that city — though he was able to convert many of them by his own example of holiness, and by the many miracles that were wrought through his intercessions. Once, when the city was suffering from a long drought, the Saint gathered the city's Christians (who numbered no more than 280), told them to fast, and celebrated an all-night vigil. The next morning, as the Bishop and his entire flock went in procession through the city it began to rain. At this, 127 pagans were converted. When the pagans' violent attacks continued, Porphyrius appealed to the Emperor Arcadius for an edict closing of the pagan temples in Gaza. With the support of St John Chrysostom the edict was issued. When the Imperial representatives entered Gaza, accompanied by Bishop Porphyrius bearing the Cross, the statue of Aphrodite in the city's main temple shattered into pieces. Eight temples were destroyed, and a Church was built on the site of the largest. Hundreds of pagans embraced the Faith and, after instruction, were baptized by the Saint.   After twenty-five years as bishop, during which he had seen his see transformed from a small flock of beleaguered Christians into a Christian territory, Saint Porphyrius reposed in peace in 420.

VYS0058 | Queer Devotion - Vayse to Face with Charlie Claire Burgess - Show notes The first Vayse interview of 2026 is with someone that Hine and Buckley have wanted to interview for years, it's none other than Charlie Claire Burgess! As an author and artist working at the intersection of spirituality and queerness, Charlie has written two of the most original and powerful spiritual books of the decade, Radical Tarot and Queer Devotion and has created the Fifth Spirit Tarot Deck, the Gay Marseille Tarot deck and has a third deck, the Aquarius Rising Oracle Deck in the works. Charlie was super generous with their time and ideas, talking about how tarot was their rebellion against a conservative religious upbringing, how their attempt at conforming with societal norms and expectations left them searching for more and how discovering the way in which their magic and queerness is intertwined led them to finding themselves, others like them and a new direction in life. The conversation also wanders through Charlie's process in creating the Fifth Spirit Tarot, the importance of self-expression, individuality and authenticity, the magick which can arise from embracing chaos and uncertainty... and why it's always a good time to embrace your inner-teen-goth... (Recorded 15 January 2026) Charlie's Links Queer Devotion by Charlie Claire Burgess Radical Tarot by Charlie Claire Burgess Fifth Spirit Tarot The Gay Marseille Tarot The Aquarius Rising Oracle Charlie's Website Charlie's Instagram Charlie's Bluesky Charlie's Substack Charlie's Origin Story The Craft - Wikipedia The Craft Trailer - Youtube Buffy The Vampire Slayer - Wikipedia Rider Waite Smith Tarot - Wikipedia Wicca - Wikipedia Shamanism - Wikipedia Drawing Down the Moon: Witches, Druids, Goddess-Worshippers, and Other Pagans in America by Margot Adler - Good Reads Spiral Dance by Star Hawk - Good Reads Radical Tarot Fifth Spirit Tarot Images TransActual Advocates for Trans Equality Glossary of Must-Know Sexual Identity Terms by Daniella Amato - VeryWellMind.com How to Navigate Your Own Privilege by Akeem Marsh, MD - VeryWellMind.com Learning How to Fall, Or, How Getting Relentlessly Thrown on My Ass Helped Me Learn to Love the Wheel by Charlie Claire Burgess - WordWitch.com Why we're so terrified of the unknown by David Robson - BBC The Word Witch Podcast Queer Devotion Neoliberalism - Wikipedia Nationalism - Wikipedia Individualism - Wikipedia Community - Wikipedia ‘Everything you've been told is a lie!' Inside the wellness-to-fascism pipeline by James Ball - The Guardian How the world loved the swastika - until Hitler stole it by Mukti Jain Campion - BBC News Cancel Culture - Wikipedia The dark side of wellness: the overlap between spiritual thinking and far-right conspiracies by Eva Wiseman - the Guardian Neil Gaiman: accuser files civil lawsuit alleging rape, sexual assault and human trafficking by Sian Cain - the Guardian JK Rowling says loved ones ‘begged' her to keep trans views to herself by Ellie Muir - the Independant Sappho - Wikipedia Hymn to Aphrodite by Sappho - Translated from Ancient Greek by Katie Byford - Modern Poetry in Translation A Guide to Being a Trans Ally - LGBT Foundation 10 Ways to Be An LGBTQ+ Ally - BBC Tarot for Hope by Charlie Claire Burgess Persecution of transgender people under the second Trump administration - Wikipedia Anti-transgender legislation accelerates in early 2026 by Alexandra Martinez - Prism Charlie's Recommendations Hades - Wikipedia Orphic Hymns - Wikipedia Confessions of the Fox by Jordy Rosenberg - Good Reads Jordy Rosenberg's Website Vayse online Website Twitter Bluesky Instagram Bandcamp (Music From Vayse) Ko-Fi Email: vayseinfo@gmail.comSpecial Guest: Charlie Claire Burgess.

But God! Ephesians 2:1-10 by William Klock Earlier this week Veronica and I watched an episode of the X Files that unintentionally had some pretty sound theology embedded in the story.  Agents Mulder and Scully were called to investigate some strange goings-on in a small town—as usual.  As it turned out, a guy cleaning out an abandoned storage locker found a genie.  And the genie gave him three wishes.  As you would expect, it didn't go well.  He wished to be able to make himself invisible so that he could spy on people.  And not being terribly bright, he prompted got killed crossing the street, because he was…invisible.  His brother claimed the genie and didn't fare any better.  His wish ended up blowing up his house with him in it.  And so Mulder ended up, unexpectedly, with the genie and three wishes.  And he asked the genie why the wishing thing always ends in disaster and the genie told him that it's because people are stupid and selfish.  So Mulder thought long and hard and in his best effort at altruism, he wished for world peace.  St. Paul would call it shalom.  And he went outside to discover that he was the only person left on earth.  Because the genie knew fallen human nature and getting rid of all of us was the only way to bring world peace.  Thankfully, Mulder had two more wishes so he could undo the first and set the genie free with the third. And I thought that St. Paul would probably have a bit of a chuckle at that.  Because Paul knew the same thing the genie knew: we are all sinners, idolaters who worship anything and everything but the God who created us and loves us.  And, like Agent Mulder, but unlike the genie, Paul also knew that there is no shalom without human beings in our rightful place.  Creation groans in eager longing for the day God will finally set us to rights, he says in Romans, Creation waits for the day when God restores us to our position as his stewards, to rule creation and to serve him in his temple.  That, Brothers and Sisters, is shalom, peace.  Creation can never be complete without us in our proper place—filling the vocation God created us for in the first place.  That's why God doesn't just “Deal with evil” like so many people want him to.  Like the genie, he'd just have to remove us all from creation—and that's not how creation is supposed to be.  This is why Paul practically shouts out ho de Theos, at the beginning of Ephesians 2:4: “But God!”  Because he knew that in setting creation to rights, God can and will, first, set us and our fallen, sinful hearts to rights—something no genie could ever do. And so far, in Ephesians 1, Paul has begun with a great shout of praise for what God has done in Jesus the Messiah and then he's told the Ephesians how he prays for them—that they would know, that they would understand this great story of redemption, the power behind it to renew creation, so that they can be part of this story that ends with the knowledge of the glory of God filling the earth.  Remember at the end of chapter one, closing his prayer for them, he wrote about the church, united with Jesus and full of the Spirit being the “fullness of the one who fills all in all.”  It's a prayer that God, that Jesus, that the Spirit, that the scriptures would form and shape them and truly make them the church.  And while we might miss the significance of Paul's language of filling and fullness and being all in all, it was not lost on the Ephesians.  This was temple language. It's the language of God coming to dwell with his people.  The way he did with Adam and Eve in the garden.  The story ever since has pointing in that direction.  The restoration of God's temple, the return of his presence, and God dwelling with his people forever.  This is what the Exodus was all about.  God rescued and created a people, he gave them a law to make and to keep them pure and holy, so that he could take up his residence in their midst—so that he could tabernacle with them.  It wasn't perfect.  The people needed to offer sacrifices repeatedly so that they could be purified by that blood.  A veil separated them from the direct presence of the Almighty.  But this model of new creation pointed forward to the day when God would set his people and his creation fully to rights.  The long exile, first from the promised land and the temple, then from the presence of God, primed Israel with hope for that coming day.  And now Paul's ready to explain to the church that they—that we—are the beginning of that fulfilment.  In us, God has established a new temple.  By the blood of Jesus he has purified us.  Through the gift of his Spirit he has taken up his dwelling in us.  He has begun the work of setting our hearts to rights.  And in that, he has made us the working model of his new creation and stewards of his good news—that we might, to use the language he used with Adam and Eve, that we might be fruitful and multiply, spreading the gospel, until the earth is filled with the knowledge of his glory. Brothers and Sisters, this is the story we need to inhabit.  Too often Christians have got it backwards.  We think the gospel story is a story of escape from creation—that in Jesus, God forgives our sins, so that someday he can take us away from earth and up to heaven to live with him.  But it's really just the opposite.  Through the blood of Jesus he has purified us and made us fit to be his holy temple, so that he can dwell with us.  Jesus is the model, Immanuel, God with us.  This is the story Paul wants to get across in Ephesians 2.  Ideally we'd cover the whole chapter all at once, but we'll have to break it into two halves.  This temple story will jump out at us in the second half.  The first half begins with our sin problem. How did these mostly Gentile Christians in Ephesus find themselves in this oh so Jewish story?  He writes beginning at verse 1, “Well, you were dead because of your offenses and sins in which you used to walk, keeping in step with the world's ‘present age'; in step, too, with the ruler of the power of the air, the spirit who is, even now, amongst the children of disobedience.” “You”—he's addressing them as Gentiles.  In verse 3 he'll link them with “us”—the Jews.  You were dead.  Because you walked—there's that great word peripateo again—you walked, you lived a life of offense and sin against God.  And we can't hear these two words sin and death together without it taking us back to Genesis.  And if we go back to Genesis 3 and Adam and Eve's choice to listen to the serpent's lie, not just to disobey God, but to reject their vocation as priests of God's temple and to try to become gods themselves, if go way back to the beginning of the story there, we should understand that sin and death aren't about God just setting up a bunch of rules and then condemning the people who disobey them.  Sin, and especially “offence”, are what we call it when human beings, created to bear God's image—that means to be his priests and his representatives in the temple, in creation—sin and offence are what we call it when we reject that vocation.  When we try to take the temple for ourselves.  And death is not an arbitrary punishment, but the natural result of turning away from the God who is the source of life.  That's why the wages of sin is death. And, of course, once humanity chose that path of disobedience and death it just snowballed.  Human culture and even those unseen powers that God had put in place to oversee the nations went horribly wrong.  The Jews called it the present evil age, because they lived in hope of the age to come when God would set creation to rights.  But the Gentiles had no hope.  They just went with the sinful flow.  We see it today as the world rejects Christianity.  Jeffrey Epstein and his cabal of degenerate, paedophile friends would have been right at home in pagan Greece or Rome and they're exactly what you get when a people rejects God.  The devil didn't just tempt the man and woman to reject God.  He and his cronies continue to steer and influence fallen humanity.  Paul will have more to say about this later when he writes about “principalities and powers”.  In our baptismal rite, we put this in terms of the temptations of the world, the flesh, and the devil. All these forces work together to keep humanity lost in idolatry and sin.  And so far as this goes, Paul is just restating the standard Jewish analysis of the Gentiles.  But then in verse 3 Paul goes on and writes, “We all used to live this way, in the passions of our flesh, carrying out the desires of flesh and mind.  We, too—he means he and his fellow Jews—were by nature children of wrath, just like everyone else.”  Paul recognised that even though his own people had the torah, God's law, and were trying to live by it, they were suffering the same problem as the Gentiles.  The corrupt desires of flesh and mind had just as much a grip on Israel as they did the peoples of the nations.  The whole world, all of humanity was mired in darkness, Jew and gentile alike. And this where, at the beginning of verse 4 Paul interjects this powerful, earth shattering: “But God!”  Into the darkness, into the hopelessness, into the condemnation, into the death, God intervenes to bring light, to bring hope, to bring deliverance, to bring life.  “But God,” Paul writes, who is rich in mercy, because of the great love with which he loved us, he took us at the very point where we were dead through our offenses, and made us alive together with the Messiah.  Yes, by grace you are saved!” Israel knew about God's mercy and love.  The story they told of their history with God was full of mercy and grace.  And occasionally some gentile would hear that story and be drawn to it, because the God of Israel was unlike any of the other gods.  Zeus and Poseidon and Hades, Aphrodite and Artemis, people might believe all sorts of things about them, but no one ever believed that the gods loved them.  The gods served themselves.  If they sometimes showed favour to this person or to that city, it wasn't because of love; it was to further their own schemes and ambitions.  No Greek or Roman—no Egyptian or Persian, for that matter—would have ever said of their gods anything even remotely like what Paul says here of the God of Israel: that he is rich in mercy, that he loves us with a great love, or that he has shown us kindness.  Zeus and Hera, Osiris and Isis, they were all purely transactional.  If you did something good for them and you were lucky, they might do something nice for you.  We need to be careful, because Christians can fall into the same pagan way of thinking about God—making deals with him or treating him like a divine vending machine.  But Paul makes it clear that the God of Israel isn't like that.  Instead, he's full of mercy and love and kindness.  Yes, his purpose is to fill the earth with his glory, but he is glorious precisely because he is unlike the gods humans dream up.  He is full of mercy and love. And Paul reminds the Ephesians: By his grace, God has taken what he did for Jesus when he raised him from death, and has made it true of us.  If we are “in the Messiah”, then we are alive together with him.  He goes on in verse 6: “He raised us up with him and made us sit with him, in the heavenly places in Messiah Jesus.  This was so that in the ages to come he could show just how unbelievably rich his grace is, the kindness he has shown us in Messiah Jesus.”  This is how God reveals his glory.  Not merely with a show of strength or power, but by showing his grace. Again, what is true of Jesus is true of the church—of the Ephesians Christians, and of us.  And it's not just Jesus' resurrection, his being made alive again.  Paul has said that before.  But here he also stresses that Jesus' ascension is somehow true of us too.  God didn't just make us alive with Jesus the King; he's made us alive in order to sit us with the Messiah, with the King in the heavenly places.  So Jesus ascended to sit at the right hand of his Father.  He's the King and that's what kings do: they take their thrones and they rule.  But Paul is saying that if we are “in the Messiah”, then we're right there with him. The resurrection part of that, the being made alive with Jesus probably isn't too hard for us to wrap our heads around.  In Jesus, God has made us a promise.  Even though we'll die, because we are in the Messiah, he will raise us to life again just as he did with Jesus.  If we have any doubts, Paul would remind us that God has filled us with his Spirit to give us a taste of and downpayment on resurrection life with him.  That part I think we can pretty well wrap our heads around.  But what does it mean to be seated with him in the heavenlies? This is where we need to make sure we've got the story right.  Because if we understand the climax of the story as someday escaping from earth, as escaping our bodies, to live a sort of disembodied spiritual life forever in heaven, we're going to miss Paul's point.  Again, the story isn't about us going up; it's about God making us fit, through the death and resurrection of Jesus, to be his temple—so that he can come down—to us. Consider: Jesus has already done this.  Remember the end of Chapter 1, where Paul said that Jesus is the one in whom heaven and earth—all of creation—are summed up, are brought together, are unified, the way it was in the beginning: heaven and earth overlapping, God and human beings dwelling together.  That's how it began and that's the ending towards which God is taking history—to set his broken, sin-sundered creation to rights.  Jesus is the prototype, the signpost who points us to, who shows us what God's future will be like.  In him, God has joined our nature to his own.  In him, heaven and earth have been brought back together.  Think of that great Ascension Day hymns, “See the Conqueror Mounts in Triumph”: He has raised our human nature, on the clouds to God's right hand; there we sit in heavenly places, there with him in glory stand.”  Brothers and Sisters, Jesus is the temple in person.  And Jesus is the whole of creation—heaven and earth—in miniature. And what is true of him is equally true of those who are united with him by God's grace.  As we'll see in the second half of the chapter, the church—the Ephesian Christians and you and me—we are also that temple and if we have any doubts, all we need to remember is that God has come to dwell in us in the person of his Spirit.  And remember the goal, the one promised by the prophets so long before, the goal is for the knowledge of the glory of God to fill the earth.  The church is his means of making that happen.  He didn't just send his son to be the on-earth-as-in-heaven man, through his son and through his Spirit he has created a whole community of on-earth-as-in-heaven people to do just that: to live out in our lives, in our relationships, in our community heaven on earth—to be a people who show the world God's love and mercy and grace and kindness.  To be a working model of his new creation and to give the world a taste of that future right now.  To reveal the glory and the beauty and goodness of God in our lives and in our own proclamation so that everyone around us will know his glory and be drawn to him. This is then what Paul gets at in verses 8-10.  He writes, “For you have been saved by grace, through faith. This is not of your own doing; it is God's gift.  It isn't on the basis of works, so no one is able to boast.  You see, we are his workmanship, created in Messiah Jesus for the good works that he prepared, ahead of time, so that we should walk in them.”  What does he mean?  Well, Paul's reminding them that there was a time when Jews and gentiles were separated by the law, by torah.  God poured out his grace on Israel, set them apart with his law as a way to teach them how to love him and to love their neighbours, so that they could be a light to the gentiles—so they could make his glory known in the earth.  Israel failed in that mission, but God acted in grace again.  He gave his son to be the faithful Israelite and in Jesus, Israel's mission to witness the grace and glory of God was fulfilled.  And now these gentile Ephesians who have encountered the risen Jesus, who have heard the gospel, and been filled with God's Spirit—they've been united together with faithful Jews in Messiah Jesus.  In them, God's promises—all the way back to Abraham and even to Adam—are being fulfilled.  In them, God's glory is on display before the nations.  And there is no longer a need for the division that had been given by torah.  Now the Spirit is teaching them and enabling them to love God and to love each other for all the world to see.  In Jesus and the Spirit, God has made them a people who are fulfilling the very thing that torah was meant to do, not just because we keep a set of rules or live according to a certain moral code—there's a sense in which we actually do do that—but because, through Jesus and the Spirit we actually live out and put on display the new creation, God's future that is breaking into the world in the midst of the old. Paul puts it beautifully, but in a way we might miss in English translation, when he says that we—the church—are God's “workmanship”.  The Greek word is poiema.  We get our word “poem” from it.  The Greek word doesn't mean “poem”—maybe we could almost say it means “artwork”.  In the Old Testament it's often used to describe the creative work of God.  In other places it's used to describe things that are carefully and meticulously crafted for his use, like the garments of the priests or the vessels of the tabernacle.  Brothers and Sisters, we—the church—are God's carefully, purposefully, and wonderfully created masterpiece.  He's given his son and he's given his Spirit to craft, to create, to work us into something good—to restore his broken creation in us.  And, Paul sums up, God has done this work in us so that in our own lives and in the life of the church together, we can do such good work too.  Not doing good works to please him or to earn his favour.  That would be like going back to the pagan world of people doing things to manipulate the gods.  God is pleased by our good works, but he's created and enabled us to do good works as a way of showing his new creation to the world, a way of fulfilling the law he had given to Israel, as a way of loving him and loving each other—ultimately as a way to restore us to that vocation as his image bearers, to be the priests of his temple who steward his goodness and his good rule for the sake of creation. Brothers and Sisters, this is the story that God has written for us.  The story of our priesthood, reject and lost, but now restored through Jesus and the Spirit, a story of renewal and a story of hope—as it points us toward the day when God finishes his great work of bringing heaven and earth back together, of the day when he will return to dwell with us as he did in the beginning.  This the story that reminds what Jesus and the Spirit have made us.  It's the story that reminds us of our vocation as the church—that we're not just the people who long for things to be on earth as they are in heaven; we're the people who find our very identity in Jesus, the heaven-and-earth Messiah, and who are, ourselves, called to be the heaven-on-earth people—a people who reflect back to the world God's love and grace, his justice and goodness, who are by our very redemption witnesses of his faithfulness and, above all, his glory.  We are his workmanship.  May the world, by God's grace, see his glory in us and in our life together. Let's pray: Heavenly Father, our Collect today reminded us that without love, nothing we do is worth anything.  Fill us with your grace, that we might truly love.  Love you.  Love our neighbours.  Making us the heaven-on-earth people you intend for us to be, so that the world may see your glory on display in your church.  Through Jesus we pray.  Amen.

Zeus will Gaia von der Last der Menschen befreien. Um die Menschheit zu dezimieren, plant er einen großen Krieg. Paris wird zum trojanischen Prinzen. Oinone sitzt weinend am Fluss. Der Wald wird abgeholzt. Das Übel nimmt seinen Lauf und Kassandra kann es nicht verhindern. Personen: Zeus, Gaia, Momos, Helena, Paris (Alexander / Alexandros), Menelaos, Hermione, Tyndareus, Oinone, Priamos, Hekabe, Agelaos, Hektor, Deiphobos, Kassandra, Apollon, Aphrodite, Hera, Athene, Thetis, Peleus, Aeneas, Anchises, Eros, Iris, Agamemnon, Krateus, Kolluthos, Hermes, Chariten, Horen. Orte: Troja (Ilion), Sparta, Mykene, Berg Ida, Kreta, Sidon, Eurotas, Hellespont Sonstiges: Trojanischer Krieg, Epischer Zyklus, Kypria, Leichenspiele, Urteil des Paris, Schwur der Freier, Raub der Helena, trojanische Flotte, Orakel, Prophezeiung, Apollons Fluch, Zankapfel, Steady-Extra: Hymnus an Aphrodite LINKS https://linktr.ee/daschaosundseinekinder STAMMBÄUME u. SCHAUBILDER https://steady.page/de/chaoskinder/posts/9476fd9d-75cd-475b-88b1-d320569b23f0?utm_source=chatgpt.com LITERATUR https://steadyhq.com/de/chaoskinder/posts/b59d1093-cdff-4158-8dca-bc0ac992d47c MUSIK https://www.youtube.com/watch?v=zfnRMIFHHrE FR „Le Chaos et ses enfants“ https://podcasters.spotify.com/pod/show/lechaosetsesenfants?utm_source=chatgpt.com MASTODON @daschaosundseinekinder https://mastodon.social/@daschaosundseinekinder INSTAGRAM @chaos.kinder https://www.instagram.com/chaos.kinder/?utm_source=chatgpt.com MAIL chaoskinderkontakt@gmail.com STEADY https://steadyhq.com/de/chaoskinder/about PAYPAL https://www.paypal.com/donate/?hosted_button_id=VB2QKC88H9NYJ CHAOS-SHOP https://chaoskind.myshopify.com/

Deconstruction of a Slur: How the Patriarchy Invented the "World's Oldest Profession" | Season 3, Episode 1The phrase “world's oldest profession” isn't history—it's a linguistic weapon. In the Season 3 premiere, we expose how this slur was forged to erase sacred feminine power and control the narrative of history itself.We journey to the ancient world, where women served as divine diplomats, ritual healers, and sovereign artists—from the Hors of Inanna's temple and the hierodules of Aphrodite to the Devadasis of India and the Qedeshah. This episode traces the "Great Unweaving": the systematic campaign by colonial patriarchy to reduce these complex spiritual vocations to a single, shamed physical act, creating the Madonna-whore dichotomy to fracture female identity.This episode explores:· The 16th-century invention of the word "prostitution" as a semantic weapon.· Sacred sexuality in Mesopotamia, Greece, and India as essential civic and spiritual infrastructure.· The original, powerful meanings of "virgin" (one-in-herself) and "whore" (from "Hor," the Beloved One).· How the colonial gaze pathologized holistic practice into stigmatized act.· Modern reclamation through voices like priestess Tina Heals.· The ongoing impact of this history on power, psychology, and culture today.This is a journey into herstory, a reclamation of power, and a call to decolonize our imagination.

This episode walks you through this week's astrology + practical and magical tactics to help you harness and navigate the energetics February 9th - 15th, 2026. This week is definitely more. Venus goes for a swim, Mercury gets shady, and Saturn, officially shifts into Aries. Saturn's move is the one to watch. In general grounding is still our focus. Confusion ramps up, but so does the desire to create self-discipline around progress. Mo(o)nday, February 9th: We have significant shifts this week. Continue to focus on care of you so you can care for you and yours. We continue the long game that is 2025 - 2026. More of the energetics that are so major from 2025 take hold in 2026, this week and next. General reminder: The Year of the Snake (2025 energy) is still in play until next week Lunar New Year, February 17th - on the first eclipse of the season. This is when the Fire Horse energy officially begins. Until then, we are shedding, listening, evaluation, releasing, squirming to transform and let go. Don't look away, do not disassociate, escape, or look away. These are defining moments personally, and collectively. We are called to get radically honest about what bad behavior we have let slide and what we really, really, really want..from the depth of our soul....and to then take action towards said thing(s). We still have no personal planets in Earth. My loves, the issue of general stability is real. We will not have support from the astrology on this until March 30th (when Venus moves into Taurus) and May 2nd (When Mercury moves into Taurus). Grounding is everything this year. Mat, meditation, prayer, time alone, root veggies, nourishing food, decrease in caffeine, lifting heavy things, weighted blankets, hugs, slathered in vetiver and honey, conversations with safe community. All of your tools need to be at the ready and you'll need to stick to basics. This is one of those times when motivation will not serve. It's going to be self-discipline and adulting and understanding the long game. We have equal placements in Fire, Air, and Water and this is a nice harmony....again...in theory...without Earth it still feels chaotic, mutable, and in general unstable....because it is...and if we focus on harnessing all the mutability...we can create incredible outcomes because of it, not in spite. We are in transition. As an individual and as a collective. Focus on what you want. Participate at a pace and in ways you can. All is helpful, just please do not tap out completely. Boundaries, limits, expectations, and hopes continue to sharpen. This week as Saturn moves into Aries for the first time since 1999 we gain focus on self-discipline, ambition, responsibility, and self assertion. And although Saturn doesn't do so well in Pisces (where it's been since 2023), it's considered to be in its fall in Aries. I don't prescribe to binaries and try to stay away from it. In astrology nothing is good or bad...but there can be ease or challenges and this is definitely a challenge. It sets a fire under our collective asses. It has us all focusing on what is best for us as an individual (more equity) but we can see how that can create conflict and challenge if everyone individually is focused on personal centering, yes? To harmonize this, we must embrace intersectionality. Freedom for one, is freedom for none. Justice for one is justice for none. We rise together. We thrive together. Our practices are genuinely meant for this. When we calm and center ourselves, we can earnestly do the same for the collective and the future. Tiny and mighty. It still matters. It always matters. This transit takes us to task in a really good way. We will start stepping up in ways we have not before. Go with it. Embrace it. It's a 3 year process. On top of all of this, we're in the eclipse portal. We just need to be aware of how big all the energetics are right now. On top of no Earth in the chart, a shift from one of our major planets (Saturn) the Universe says it's time for buckets full of energy/magic to be dumped on us as it hits the reset button of astrology (power off/power on) in eclipse season. This eclipse portal begins now, essentially, and closes March 13th. This is the period of time we will be uttering "Plot twist! " "That was not on my bingo card for 2026" or "I did not see that coming." PLEASE REMEMBER these things can be incredible gifts, happy surprises, opportunities, and blessings! It is truly wild times with incredible potential and wonderful Easter eggs tucked in them. Stay curious about what your soul really wants, and stay focused and committed to what you want. Where attention goes, energy flows. Tuesday, February 10th: Day 1 of Supportive Solutions - You'll need a wall space for this workout. I know it can be a tricky prop to require, but again I'm a super fan of this no cost support that can also create resistance. Simple is best and always works. Venus in Pisces. This is a regular transition. Venus continues to move her way through the chart house by house. She stays in a sign an average of 4 weeks at a time. Venus loves to be here! We are here for this romantic, poetic, creative, backstroke through our fantasies and realities. Embrace this. Fuel this. Spend extra time with Aphrodite in this period of time (till March 6th) to expand, grow, and protect all the good things in our lives (friendships, networks, communities, partners....overall connections). They both want our desires to become a reality. This is one of the major Easter eggs of 2026. Wednesday, February 11th: Listen to The Magic Spark. Thursday, February 12th: Connect in The Unicorn Wellness Studio private member group. Friday, February 13th: It's Goddess Day! Time to ask: What does my inner goddess need in order to remember she is sacred, divine, and designed to receive? Today is actual Goddess Day - a Friday on the 13th. This is not bad luck, this is a historical celebration of the female divine, in its origin terms, in honor of the 13 moon cycles, our personal 13 moon cycles. It's truly an anti-patriarchal day. Reclaim it. Celebrate. Embrace creative life force, it's unlimited hope and potential to forever recreate, birth, make new, and begin again. However it calls to you, spend time at your altar, spend time with your vessel/body. Remind yourself of the potential YOU are and can generate and participate in. -Mercury Retroshade begins. We know the drill: ▪️Mercury stations retrograde 3xs a year ▪️The slow down prior to stationing Rx is called the pre-shadow or as I call it Retroshade. ▪️The actual Rx is lighter than the pre or post shadow. ▪️This week and next (Retroshade) is the brochure of the lesson/blessing we are to work with in this cycle. ▪️We will revisit this opportunity again in the Rx (February 26th - March 19th) and post shadow (March 20th - April 3rd). This Retrograde isn't great. I cannot sugar coat it. Mercury is not the best swimmer. Things get mucky, confused, poetic, and sound really great but could just be pretty words and empty promises. It could, at its best, offer feeling to heal things, honest words, the get raw and hit soul truths but will take effort after retrograde to bring to actual fruition. Triple check communications, travel, and finances. As clarifying questions. If you think you should check on something, DO. We will thrive and survive, but know this one isn't set up for ease. Check what house Pisces is in in your natal chart. This is where your themes and focus will be. This is great energy for making and creating. Focus on that. Craft, write, sing, dance, garden, cook....this is the way through. Saturn moves into Aries. Please see Monday. But here's the repeat: Saturn moves into Aries for the first time since 1999. We gain focus on self-discipline, ambition, responsibility, and self assertion. And although Saturn doesn't do so well in Pisces (where it's been since 2023), it's considered to be in its fall in Aries. I don't prescribe to binaries and try to stay away from it in the astrology...nothing is good or bad...but there can be ease or challenges and this is definitely a challenge. It sets a fire under our collective asses. It has us all focusing on what is best for us as an individual (more equity) but we can see how that can create conflict and challenge if everyone individually is focused on personal centering, yes? To harmonize this, we must embrace intersectionality. Freedom for one, is freedom for none. Justice for one is justice for none. We rise together. We thrive together. Our practices are genuinely meant for this. When we calm and center ourselves, we can earnestly do the same for the collective and the future. Tiny and mighty. It still matters. It always matters. This transit takes us to task in a really good way. We will start stepping up in ways we have not before. Go with it. Embrace it. It's a 3 year process. This is one of the major shifts we experienced a toe dip into in 2025 but takes root now, in 2026. Neptune and Saturn are travel partners these days. Delusion, dreams, and what it takes to bring outcomes to fruition is the lesson they are trying to teach the collective. Day 1 of Core Solutions - You'll need a set of yoga blocks for this workout. It's extra core focused and you'll be better supported with a cork set of blocks for stability and resistance. Saturday, February 14th: First day of New Moon Energy. We begin the down turn of energy today. But this is no regular new moon we're headed towards on the 17th. We're in the eclipse portal and the energy may have gotten weirder already, as early as Monday or Tuesday. This is a new moon so it's all about clearing the schedule for restoration, rejuvenation, rest, and meditation. Things will shift. Let them. Whatever is leaving, going, releasing....let it. Welcome in the new, emotional intelligence upgrade. Use your monthly meditation (it's a 3rd eye cleanse), work with any of the Energy Healings; Frequency or Goddesses in your UWS member library. Now is the time for recalibration and healings. Sunday, February 15th: Your weekly mantra. I surrender to the pivot. I embrace the plot twist. I keep my heart and mind focused on what I want, wish, and desire. I allow the upgrades, the reveals, the resets, and the fresh timelines. Our wildest dreams are still possible. We hold the vision. Additional Resources: Explore Mentoring Lite for the Spring/Summer session. We begin March 20th. Schedule an Exploration Call for Mentoring Lite February 28th - March 6th. UnicornWellnessStudio.com Offering 30-min Pilates based workouts in alignment to the astrological season and lunar cycles. Activate 30-day guest access at UnicornWellnessStudio.com Subscribe to Tandy's weekly newsletter Follow and DM on Instagram @tandy_gutierrez Additional episodes you might enjoy: EP 103: 2025 Year of the Snake: A Journey into the Heart of Lilith EP 140: Lilithian Language: Creating Boundaries and Bridges in a Single Breath.

Elizabeth Baird Hardy, Deputy Headmistress of Hogwarts Professor, the genius behind AppalachianInkling.com, Hunger Games expert, and author of Milton, Spenser and the Chronicles of Narnia: Literary Sources for the C.S. Lewis Novels, joined Nick and John to discuss the Charm Bracelet that J. K. Rowling posted on her Twixter home page as a Christmas gift to her readers. She said that that the thirteen charms on nine links were a set of clues about the next Strike novel, the ninth in a ten book series.In the first Part of Elizabeth, Nick, and John's conversation, they discussed Rowling's charm bracelet history, speculated about why she posted this picture when she did, decided to look at each charm on the bracelet for its stand-alone meaning and its place in the nine link set, and to read the whole series as if it were a ring composition, one reflecting a nine Part structure in Strike 9. They then made deep dives into the details of each charm: the heart shaped box containing a ‘You and Me' engagement ring, a golden diamond-laden egg, a foul anchor, two angels, and a Trojan horse.In this second Part of that conversation, the trio of Serious Strikers continue with the remaining charms on the bracelet, namely, a Jack-in-the-box, an Hourglass, a White Rose and Crocodile, a Corvid head, and a Psalter paired on the last link with the Head of Persephone. They share their thoughts, too, about the bracelet as a symbolic integer and its ring meaning.The notes below are in support of references they make mid-flight and to other resources of interest to Magic Charm Decoders! Enjoy.Thank you to all our subscribers with special gratitude and appreciations for our paid subscribers; you are the wind in our sails, the heat from our vents… Serious Strikers are reading Browning's The Ring and the Book, charting Hallmarked Man Part Six, and reviewing the Myth of Cupid and Psyche to look for parallels in the Strike-Ellacott series. See you soon!Jack-in-the-Box Charm* Rowling claims this as her favorite charm (Nick and John in the conversation mistakenly attribute this preference to the Psalter charm):* Badly Wired Lamp ID'd it* Is it a devil — or a Racoon?* The jack in the box toy, the 'Jack' being a devil, was invented in Germany in the 16th century as a mockery of the Roman Catholic doctrine of the Real Presence of Christ in the Eucharist. * The shape of this charm, the golden circular center in the inside of the open box top, represents the transcendent spiritual realm and the square bottom with its four directions, the fallen world. The ‘jack' devil lives in the latter but is from the former.* The charm is the third latched object in the chain, the heart box and Trojan horse preceding it and the psalter at chain's end following it — which means the ring latch and center are latched objects with surprises inside. The two interior objects at center have deadly surprises and the beginning and end eternal life interiors. The symbolism here is of the human being and its capacity via choice for either spiritual perfection in sacrificial love (anteros) or consumption by individual desires (eros). The thing hidden inside, man's spiritual capacity or heart, is either light or darkness, the inside bigger than the outside. (John)* What is the Strike 9 connection, the analogue to the demonic Jack in the box? Is it RFM? Uncle Ted? Ilsa's husband Nick? Polworth?* The Jack's position is at the center of the bracelet and between the hourglass and the Trojan horse. So it's placed between cleverness and craftiness and things that we can control and bad surprises, but also time, because we can't control time. (Elizabeth)Hourglass Charm* tempus fugit ‘like sand in an hourglass'* memento mori* infinite symbol* The Strike series may be a collection of mystery-story genres, each one illustrating a unique type of story, different from all the others while keeping the same core of characters and overarching narrative (cf., Rowling's note in The Running Grave acknowledgements that that book was her “cult” book). The hourglass, then, may be Rowling's pointer to Strike9 being a suspense drama in which the good guys not only have a challenging mission (find and rescue the missing Robin, Strike, Lucy, Pat, whomever) but have to do it before a literal deadline arrives. The Ticking Clock plot device.* If the Jack at link five is the center of the bracelet ring of nine links, how does the hourglass mirror the Trojan horse? It's two parts? The deadline aspect? “Reveal the crazies inside before the hourglass empties”?White Rose Charm* White Rose of Yorkshire* The interior of the flower charm is a literal Turtleback or ring composition diagram.* White Rose of Dante: Paradiso Cantos XXXI and XXXIIThe true home of all the blessed is with God in the Empyrean, a heaven of pure light beyond time and space. Dante sees the blessed systematically arranged in an immense white rose: like a hologram, a three-dimensional image, the rose is formed from a ray of light reflected off the outer surface of the Primum Mobile (30.106-17). The queen of this white rose is the Virgin Mary, traditionally represented as a rose herself (see Par. 23.73-4). This celestial rose recalls large rose windows of Gothic cathedrals, many of which are dedicated to Mary. The image of the rose, often red, is also used to represent Christ or, in other contexts, earthly love. The white rose is symmetrically structured according to various criteria, including belief, age, and gender. One half of the rose, already full, holds those who, according to Christian tradition, believed in Christ to come (the blessed of the Hebrew Bible); the other half, with only a few seats still unoccupied, contains those who believed in Christ already come (saved Christians). Two gendered rows mark this division of the rose in two halves. In the row below Mary appear women of the Hebrew Bible (Eve, Rachel, Sarah, Rebecca, Judith, Ruth, and unnamed others); Beatrice is seated next to Rachel, on the third row from the top. Opposite Mary, John the Baptist heads a row of men containing Francis, Benedict, Augustine, and other Christian fathers. Mary is flanked by Adam (first man) and Moses on one side, and Peter (first pope) and John the Evangelist on the other. John the Baptist is flanked by Lucy on one side and Anna, the mother of Mary, on the other. While only adults are seated in the upper section of the rose, below a certain line the rose contains souls of blessed children, their precise location based not on their own merits (since they lacked the power of free will) but on predestination. As physical laws do not apply in the Empyrean, Dante's ability to see these figures is not diminished by distance (30.118-23; 31.76-8).* White Rose of Mockingjay (Hunger Games finale)The prevailing symbol of Catching Fire and the most meaningful token the Christ figure of the series gives Katniss is a pearl, the solid-light symbolism of which we've discussed before. I think Commander Paylor's name may be our last Madge-Pearl-Mags name reference in being a “pale orb.” That gold and pearls have a similar translucency and metaphysical correspondence with the ‘Light of the World' make the twin possibilities that much more rich — and Commander Paylor's ascending to Panem's Presidency that much more meaningful and appropriate.Katniss steps into the Garden with the Pearl's blessing (“on my authority”) and discovers roses of every possible color. There are red, of course, and “lush pink, sunset orange, and even pale blue.” She knows what she wants, though; the rose colored like light, the white rose, Dante's symbolic prelude to the beatific vision and transcendence. Just as she cuts the “magnificent white bud just about to open” “from the top of a slender bush” (ibid, p. 355), the manacled, “pale, sickly green” President Snow, our snake in the Garden, speaks.“The colors, are lovely, of course, but nothing says perfection like white.”Our story Satan, you recall, left her a white rose in District 12 in chapter 1 and dropped roses with the bunker buster bombs in Part 1 to terrify Katniss. Now we know why. He was taunting her with her end, that as a seeker's soul he knew her goal was perfection in Christ and taunted her with it, especially when he held Peeta-Christ and understood the cartharsis and chrysalis she would have to pass through to claim it herself. Now that she is in the inner sanctuary, the High Place, he tells her the truth she could not hear anywhere else, the final, ugly truth about the cause for which Katniss had sacrificed everything. Snow reveals, just as Peeta had told her at the story's start, that she was deceived by those she trusted. President Coin killed Primrose with a weapon designed by Gale.Having been to the Absolute center, the world navel, and taken away the beatific vision as a white rose, Katniss is no longer a seeker but the resolution of contraries, an androgyn of justice and mercy. She is above right and wrong now as the phoenix-mockingjay and hears the voice of the “murderer” on the Hanging Tree at last. She deceives President Coin at the Victors Meeting as something of an avenging angel; she becomes a murderer herself by assassinating President Coin. Peeta-Christ comes down from the tree as her savior once again and prevents her suicide via Nightlock by his out-of-nowhere intervention.* Why does the White Rose share the seventh bracelet link with a crocodile? Faerie Queene!Crocodile Charm* The Crocodile in Shed, crocodile skin handbags (Hallmarked Man) “Maybe the4 crocodile or whatever they're keeping in the shed's chewed its way out,” said Strike. “ (Chapter 22, p 176; center chapter of Part 2)* Crocodile entry, Cirlot's Dictionary of SymbolismCrocodile Two basically different aspects of the crocodile are blended in its symbolic meaning, representing the influence upon the animal of two of the four Elements. In the first place, because of it viciousness and destructive power, the crocodile came to signify fury and evil in Egyptian hieroglyphics (19); in the second place, since it inhabits a realm intermediate between earth and water, and is associated with mud and vegetation, it came to be thought of as an emblem of fecundity and power (50). In the opinion of Mertens Stienon there is a third aspct, deriving from its resemblance to the dragon and the serpent, as a symbol of knowledge. In Egypt, the dead used to be portrayed transformed into crocodiles of knowledge, an idea which is linked with that of the zodiacal sign of Capricorn. Blavatsky compares the crocodile with the Kumara of India (40). Then, finally, come the symbols of Inversion proper and of rebirth. (67)* Lyndy Abraham's Dictionary of Alchemical Imagery entry for ‘Crocodile:'Crocodile The mercurial *serpent or transforming arcanum in its initial chthonic aspect during the dark, destructive opening of the opus alchymicum. Like the *bee, the crocodile was classified as a serpent in te bestiaries of the sixteenth and seventeenth centuries. The amphibious nature of the crocodile made it an apt symbol for the dual-natured *Mercurius. When Lepidus in Shakespeare's Antony and Cleopatra says, ‘Your serpent of Egypt is bred of your mud by the operation of your sun; so is your crocodile' (2.7.26-7), he is referring to the generation of gold in the earth, and the generation of the mercurial serpent through the heat of the secret *fire or ‘sun'. With the phrase ‘operation of your sun' Lepidus also alludes to the final law of the alchemical Emerald Table: ‘That which I had to say about the operation of the Sun is completed' (48)* Sandy Hope on Crocodile symbolismIsis Church crocodile in Faerie Queene: Book 5, Canto VIIBook V Canto vii. The speaker praises the virtue of justice and cites Osyris as an example of the just man. His wife, Isis, represented equity and to the Temple of Isis Britomart and Talus come to spend the night. Talus, however, is not allowed into the temple. Britomart enters and sees a statue of Isis with her foot on a crocodile. The temple is also full of the priests of Isis who are not allowed to drink wine as it leads to rebellion. Britomart sleeps under the statue of Isis and dreams that the crocodile comes alive and threatens the Goddess. The Goddess subdues the crocodile and it becomes meek and then impregnates the Goddess. She gives birth to a lion which conquers all other beats. Britomart awakes and tells her troubling dream to a priest. He tells her that the crocodile represents Arthegall, Isis represents Britomart, and the lion their son whom they will conceive. Grateful for the interpretation, Britomart leaves and comes to Radigund's castle. Radigund and Britomart battle, Britomart is wounded in the shoulder, and finally Britomart beheads Radigund. Talus enters the castle and wreaks carnage on the Amazon women inside. Britomart finds Arthegall dressed, like other, in women's clothing. she is shamed by the sight, and it is not quite clear whether her suspicions that Arthegall has been unfaithful are confirmed or refuted. She finds Arthegall some armour, arms him, and the rest in the castle. during this time Britomart rules as a princess and reforms the Amazon society so that women are restored to proper subjection to men. Finally, Arthegall leaves to complete his quest against Grantorto. Britomart lets him leave because she knows that his success in this quest is important to restore his ego. After residing further at the Amazon castle she finally leaves to help keep her mind off the absent Arthegall.* The Spenser Encyclopedia entry for ‘Church of Isis:' (408) Clifford DavidsonWhen Britomart spends the night in the temple, she sees a ‘wondrous vision' in which she participates first as a votary of Isis and then as the goddess herself. Her devotion to the statue causes her to become Isis in her dream: she is serving at the altar when she sees herself transformed into Isis but wearing the royal robe. The crocodile awakens, devours the flames which threaten to destroy the temple, and threatens to eat Isis/Britomart until it is driven back by her rod. Then it seeks her ‘grace and love,' she yields, it impregnates her, and from their union she gives birth to a lion. As the Priest explains, the crocodile is Osiris (the Egyptian god of Justice) who sleeps under the feet of Isis ‘To shew that clemence oft in things amis,/ Restraines those sterne behests, and cruell doomes of his' (22), and who shows thereby the proper relation of justice and judgment to equity. The Priest also explains to Britomart that the crocodile is Artegall, ‘The righteous Knight,' who will settle the storms and ‘raging flames, that many foes shall reare' and restore to her the heritage of her throne, and who will give her a ‘Lion like' son (23), the new British monarchy of the Tudors.The crocodile is a symbol both of guile and of a regeneration that will affect future history. As guile, its relation to Isis is reminiscent of Vice figures under the feet of triumphing Virtues in medieval art. An iconographic association between the crocodile in its demonic aspect and medieval saints' legends derives ultimately – significantly for Spenser – from the classical figure of Britomartis (Miskimin 1978). In Plutarch's Isis and Osiris 50, it is linked to Typhon, the enemy of justice and order, while in Renaissance iconographic tradition it is often symbolic of the need for prudence (for one must be prudent to avoid the wily crocodile). Cesare Ripa's Iconologia (sv Lussuria) shows the nude Luxury (or Lechery) seated upon a crocodile, an interesting analogy to its phallic sexuality in Britomart's dream. Yet along with these primarily negative associations, there are also positive ones in the crocodile's identification with Osiris/Artegall/Justice and in the implication that Isis/Britomart/Equity is incomplete without her partner. The image contains its own contradiction, unresolved by the Priest.* Troubled Blood and Faerie Queene: Where Britobart and Artegall are used as stand-ins for Robin and Cormoran:Troubled Blood features several embedded texts, the most important of which is never mentioned in the book: Edmund Spenser's Faerie Queen. Serious Strikers enjoyed the luxury of not one but two scholars of Edmund Spenser who checked in on the relevance and meaning of Rowling's choice of the greatest English epic poem for her epigraphs, not to mention the host of correspondences between Strike 5 and Queen. Elizabeth Baird-Hardy did a part by part exegesis of the Troubled Blood-Faerie Queen conjunctions and Beatrice Groves shared her first thoughts on the connections as well. Just as Lethal White's meaning and artistry is relatively unappreciated without a close reading of Ibsen's Rosmersholm, so with Strike 5 and Faerie Queen.Elizabeth Baird-Hardy* Day One, Part One: The Spenserian Epigraphs of the Pre-Released Troubled Blood Chapters* Day Two, Part Two: The Spenserian Epigraphs of Troubled Blood Chapters Eight to Fourteen* Day Three, Part Three: The Spenserian Epigraphs of Troubled Blood Chapters Fifteen to Thirty* Day Four, Part Four: The Spenserian Epigraphs of Troubled Blood Chapters Thirty One to Forty Eight* Day Five, Part Five: The Spenserian Epigraphs of Troubled Blood Chapters Forty Nine to Fifty Nine* Part Six: The Spenserian Epigraphs of Troubled Blood Chapters Sixty to Seventy One* Spenser and Strike Part Seven: Changes for the BetterBeatrice Groves* Trouble in Faerie Land (Part 1): Spenserian Clues in Troubled Blood Epigraphs* Trouble in Faerie Land (Part 2): Shipping Robin and Strike in the Epigraphs of Troubled Blood* Trouble in Faerie Land (Part 3): Searching for Duessa in Troubled BloodJohn Granger:* How Spenser Uses Cupid in Faerie Queen and Its Relevance for Understanding Troubled Blood* Reading Troubled Blood as a Medieval Morality PlayCorvid Charm* Rowling Twixter headers: 12 January 2016, 9 April 2017 (Nick)* Fantastic Beasts reference? The Lestrange Family Motto features a crow and the ‘Lost Child' of that series is named ‘Corvus'* Crow Symbolism per Cirlot, Dictionary of Symbols:Crow Because of its black colour, the crow is associated with the idea of beginning (as expressed in such symbols as the maternal night, primigenial darkness, the fertilizing earth). Because it is also associated with the atmosphere, it is a symbol for creative, demiurgic power and for spiritual strength. Because of its flight, it is considered a messenger. And, in sum, the crow has been invested by many primitive peoples with far-reaching cosmic significance. Indeed, for the Red Indians of North America it is the great civilizer and the creator of the visible world. It has a similar meaning for the Celts and the Germanic tribes, as well as in Siberia (35). In the classical cultures it no longer possesses such wide implications, but it does still retain certain mystic powers and in particular the ability to foresee the future; hence its claw played a special part in rites of divination (8). In Christian symbolism it is an allegory of solitude. Amongst the alchemists it recovers some of the original characteristics ascribed to it by the primitives, standing in particular for nigredo, or the initial state which is both the inherent characteristic of prime matter and the condition produced by separating out the Elements (putrefactio) … In Beaumont's view, the crow in itself signifies the isolation of him who lives on a superior plane (5), this being the symbolism in general of all solitary birds. (71-72)* Lyndy Abraham's Dictionary of Alchemical Imagery entry for ‘Crow:' (49)Crow, crow's head, crow's bill A symbol of the *putrefaction and *black nigredo which is the first stge of the opus alchymicum. The old body of the metal or matter for the Stone is dissolved and putrefied into the first matter of *creation, the *prima materia, so that it may be regenerated and cast into a new form. The Hermetis Trismegisti Tractatus Aureus said of this initial stage of death and dissolution in the work: ‘The First is the Corvus, the Crow or Raven, which from its blackness is said to be the beginning of the Art' (bk. 2, 235). In his Aurora, Paracelsus wrote that when the matter has been placed in the gentle heat of the secret fire it passes through corruption and grows black: ‘This operation they call putrefaction, and the blackness they name the head of the Crow' (55). Thomas Charnock likewise wrote of the putrefaction: ‘The Crowes head began to appere as black as Jett' (TCB, 296). In Zoroaster's Cave the matter produced during this stage is identified with the name of the process: ‘When the matter has stood for the space of forty dayes in a moderate heat, there will begin to appear above, a blacknesse like to pitch, which is the Caput Corvi of the Philosophers, and the wise men's Mercury' (80). According to Ripley the terms ‘crows head' and ‘crows bill' are synonymous: ‘The hede of the Crow that tokeyn call we,/And sum men call hyt the Crows byll' (TCB, 134) (see ashes). In A Fig for Momus Thomas Lodge listed the crow's head amongst other alchemical enigmas: ‘Then of the crowes-head, tell they weighty things' (Works, 3:69). When Face in Jonson's The Alchemist says that the matter of the Stone has become ‘ground black', Mammon enquires of him, ‘That's your crowes-head? And Subtle replies, ‘No, ‘tis not perfect, would it were the crow' (2.3.67-8).Psalter Charm* In ‘Charms, Psalms & Golden Clues: A brace(let) of clues for Strike 9,' Prof Groves discusses the psalm as charm:Charm first meant the incantation itself, and then the amulet that carried that incantation to protect the wearer and then – from the 19th century – the small ornamental trinkets, fastened to girdles, watch-chains and bracelets, that resembled those original, talismanic charms. This means that Rowling's clue-charm of a Psalm book (which can actually carry a sacred text) circles back beautifully to the original meaning of the word – in which a charm was an amulet carrying a holy text. These charms do not always hold texts but Rowling has confirmed that this one does: ‘The book is a psalm book and holds real, miniature psalms' I think this protective hinterland of charms make it likely that the specific psalm that such a psalm-book charm would carry would be the most comforting and talismanic of psalms – Psalm 23. This psalm famously describes the Lord's love as protective, even unto the valley of the shadow of death* John argues that, in addition to the 23rd Psalm, Psalm 90 (91 in Masoretic or KJV reckoning), the so-called ‘Soldier's Psalm' is at least as likely as an insert for this charm, which is to say, as a talisman a soldier might give a woman about to enter Hades to beg a gift from Persephone…The Head of Persephone Charm* Rowling's clarifying picture* Psyche's Last Task from Venus:One final task is then given to Psyche, one in which Psyche is commanded to bring back a bit of Persephone's beauty from the Underworld. In Greek mythology no living soul is meant to be able to enter the Underworld, let alone leave it, and so Aphrodite felt that she would be rid of Psyche once and for all. Indeed, it seemed that Aphrodite would be proved right, for Psyche's only idea about entering the Underworld was to kill herself. Before Psyche can commit suicide a voice whispers to her instructions about how to complete the task. Thus Psyche finds an entrance to the Underworld and is soon crossing the Acheron upon the skiff of Charon, and the princess even manages to gain an audience with Persephone. Persephone on the surface appears to be sympathetic to the quest of Psyche, but Psyche has been warned about accepting food or a seat in the palace of Hades, for both would bind her to the Underworld for all time. But eventually, Persephone gives Psyche a golden box, said to contain some of the goddess' beauty.* The Head of Persephone charm is paired with the Psalter on the ninth and last link; again, if the Psalm is 22 (23) or 90 (91), then the connection is an invocational prayer for help traveling through the “valley of death,” for protection from the “asp and basilisk,” the “lion and dragon.”* As above, note that the beginning, middle, and end of the bracelet feature clasped objects, with the Psalter being a codex that opens and Psyche's journey to Persephone is in pursuit of a “golden box” containing the means to otherworldly beauty. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit hogwartsprofessor.substack.com/subscribe

Send us a textWhat happens when young readers are invited to question the stories they've always been told?In this episode of the Adventures in Learning podcast, Dr. Diane Jackson Schnoor welcomes bestselling author Tracy Wolff to celebrate the launch of her middle grade fantasy debut, The Aftermyth. Together they explore how mythology, storytelling, empathy, and student identity come together in powerful ways, and why middle grade fiction plays a critical role in helping young readers discover who they are and where they belong.From challenging patriarchal myth narratives to reimagining Aphrodite through compassion and friendship, this conversation highlights how fantasy literature can spark critical thinking, emotional growth, and a love of reading.Perfect for educators, librarians, families, literacy advocates, and middle grade readers.Episode Chapters01:21 Building a New Mythological World at Anaximander's Academy03:12 Questioning History, Power, and Perspective in Stories07:13 Empathy, Friendship, and the Reimagining of Aphrodite10:12 Middle Grade Identity, Belonging, and Finding Your Voice13:29 Read-Alouds, Choice, and Building Reading Motivation18:32 Writing Middle Grade Fantasy and Keeping Kids Engaged19:49 What Brings Hope: Raising Compassionate ReadersWhat You'll Learn in This EpisodeWhy The Aftermyth challenges traditional Greek mythology narrativesHow middle grade fantasy supports identity development and belongingThe importance of empathy and compassion in children's literatureWhy read-alouds should continue beyond early elementary gradesHow student choice and format flexibility support reluctant readersHow storytelling builds motivation and reading staminaFeatured Book

You are cordially invited to a gathering of the Olympians.In the next chapter of Psychopompos - a new mythology, Zeus has invited the family over for a party no one will ever forget.Content Warning: Explicit Language, Violence.For more information about the story and podcast, a full transcript of this episode, or if you like what you heard and want to donate to this project, visit our site:www.psychopomp-cast.com.Cast:-Brandon Boler as Zeus-Anya Clingman as Calliope-Elizabeth Ellis as Hera & Chorus-Dave Fink as Hephaestus & Chorus-Tate A. Geborkoff as Ares, Thanatos & Chorus-Miguel Long as Ganymede & Chorus-Valerie Lyvers as Athena, Dionysus, Triplicate Voice & Chorus-RjW Mays as Demeter & Chorus-Shayne Patrick as Poseidon & Chorus-Adam Qutaishat as Hermes & Chorus-Julian “joolz” Stroop as Aphrodite, Nyx & Chorus-Ryan Tang as Apollo & Chorus-Marie Tredway as Artemis & Chorus-Theo Zucker as ErisCrew:-Tate A. Geborkoff - Author, Producer-Rachel Staelens - Director, Producer-Brandon Boler - Producer-Joe Palermo - Director of Sound-Roy Freeman - Musical Director & Composer

Introduction: 4 Things to Say To Yourself When You're Tempted: (1 Corinthians 6:12-20) I can't EXCUSE sin. (1 Cor 6:12-14) I am ONE with Christ. (1 Cor 6:15-17) God says to RUN from sexual sin. (1 Cor 6:18) My body BELONGS to God. (1 Cor 6:19-20) Sermon Notes (PDF): BLANKHint: Highlight blanks above for answers! AUDIO TRANSCRIPT 00:43-00:45What kind of a church is this?00:46-00:48We are a church that sits on four pillars.00:50-00:53We proclaim the authority of God's Word without apology.00:55-00:58We lift high the name of Jesus in worship.00:59-01:01We believe firmly in the power of prayer.01:02-01:05And we share the good news of Jesus with boldness.01:09-01:19Speaking of that first pillar, we're going through a series here Corinthians, and we go where the text takes us.01:21-01:23And today we're going to talk about sexual immorality.01:26-01:28I'm going to be direct but not explicit.01:28-01:33The question comes up, "Should my child listen to this?" But parental discretion advised.01:33-01:36Again, direct but not explicit.01:37-01:44I would encourage you parents, whether you're sitting here or whether you're streaming somebody's going to be talking to your kids about this.01:44-01:54You should be, but they're going to be hearing a lot of different opinions regarding matters of marriage and sexuality.01:54-01:56I think it might do them good to hear God's opinion of it.01:58-02:10So I'm just going to ask you would please pray for me to be faithful to communicate God's word clearly, and I will pray for you to have your heart open to receive what He wants to tell us today.02:17-02:30Father in heaven, let this not just be another sermon sat through, but let Your Word transform our hearts and minds.02:30-02:36Father, give us the faith to believe and act upon what You have already pronounced to be true.02:39-02:41Let this be the day of repentance.02:42-02:52Let this be a day of joy and celebration and truly embracing Your gifts.02:53-02:55Your Word says every good and perfect gift comes from above.02:56-02:57Father, we believe that.03:01-03:04And I thank You, Father, ahead of time for the work that You're going to do.03:05-03:12We pray in Jesus' name and all of God's people said, "Amen." Amen.03:12-03:331 Corinthians chapter 6, we're in a series through 1 Corinthians called "Unified and Purified." Unified, that's the first four chapters, unified, where Paul says, "Church, collectively, get it together." Right?03:34-03:53In this next section that we're in, the church purified, Paul says, "Each of you, be who Jesus saved you to be." And today we are going to be talking about sexual immorality.03:54-04:14And those of you who have been going through this series with us might be saying at this point, "Oh, Pastor Jeff, maybe the cold is affecting your brain, but didn't we talk about that guy two weeks ago?" Oh, you think there was just one person in that church struggling with it.04:16-04:18Did you hurt your head when you fell off the turnip truck?04:19-04:19No.04:20-04:32There wasn't just one person at that church dealing with it, and I guarantee you there's There's not just one person in this church dealing with it.04:32-04:34Look down to verse 18.04:34-04:36This is the sermon.04:38-05:10Verse 18, Paul says, "Flee from sexual immorality." "Flee from sexual immorality." See, in Corinth, they were famous for their temple to Aphrodite, And their priestesses were actually prostitutes, and they would by those means help men worship according to their religion.05:12-05:14That was their context.05:16-05:20But the principles in this passage aren't limited to that.05:20-05:22And you have to get that.05:23-05:37You know, we don't want guys sitting here going, "Well, I'm doing pretty good because I've never been with a prostitute." Flea, sexual immorality, that word sexual immorality covers it all.05:38-05:54Whether it's an affair, or pornography, or one of these apps that allow you to meet up with people, it's anything outside of God's design for marriage and sexuality.05:55-05:59And look, there is nothing new under the sun.06:00-06:06The problem that this church had is the same problem that the church has today.06:06-06:07We touched on this a couple of weeks ago.06:08-06:08Here's the problem.06:09-06:13It's not viewing sex as sacred.06:14-06:14That's the problem.06:17-06:24We've turned this gift from God into some gross form of self-gratification.06:27-06:30So what is the purpose of sex?06:31-06:32What is it?06:33-06:38Well, what is the purpose of everything that God created?06:41-06:44The purpose of everything that God created is to glorify Him.06:46-06:48So what is the purpose of marital intimacy?06:50-06:51You're like, "Really?06:51-06:53To glorify God?" Yeah.06:54-06:54Yeah.06:55-07:01Need I remind you that the whole idea of marital intimacy was God's idea.07:01-07:08The whole idea that this was to be a pleasure shared between a married couple, that was God's plan.07:10-07:12He designed that, right?07:12-07:15Genesis tells us male and female, He created them.07:16-07:19The two shall become one flesh, Genesis 2.24.07:20-07:30That's the purpose of intimacy, but what's the objective of sex?07:30-07:33What's the objective of sexual relations?07:34-07:45Well, some would say, "Well, the objective is procreation, that's it." That's not the primary objective.07:47-07:55And for some, they would say, "It's pleasure." There's that, but that's not the primary objective of sex.07:56-07:59The primary objective is intimacy.08:03-08:05And you need to learn this statement from God's Word.08:08-08:10Intimacy is for those in the covenant.08:13-08:15Intimacy is for those in the covenant.08:18-08:26See under the new covenant, God desires the closest relationship possible that He can have with His people.08:26-08:27So what does He do?08:28-08:31He lives inside the heart of a believer.08:34-08:40And the Bible tells us that marriage and sex is a picture of the gospel.08:41-08:45The man representing Jesus, the woman representing the church.08:45-08:47Ephesians 5, you can read that later.08:48-08:49Same point though.08:51-08:54God's relationship with man, man's relationship with his wife.08:55-08:58Intimacy is for the covenant.09:01-09:05And sex is the physical manifestation.09:05-09:08It's the illustration of such intimacy.09:13-09:19Because in the covenant of marriage, the man representing Jesus is initiating a love relationship.09:20-09:28And the woman representing the church is receiving an intimacy that the two exclusively enjoy.09:29-09:39And the fact right now that people would hear something like that and start to snicker and start to giggle shows you the problem.09:41-09:43That the whole idea of sex has been perverted.09:45-09:47Like obviously, right?09:48-09:49Like how did that happen?09:52-09:56Well the Bible tells us when Adam and Eve sinned, they immediately noticed what?09:58-09:59They noticed that they were naked.10:00-10:01Isn't that strange?10:02-10:06Because up until that point, they only ever saw each other naked.10:07-10:15Now all of a sudden that sin is in the world, now they cast a whole new light on this.10:18-10:22But all of the sudden they had to cover themselves up.10:28-10:33There is a shame associated with sexuality because of sin.10:37-10:46God's wedding gift to men and women has been misused and abused and perverted.10:48-10:58And like the Corinthians, the world's profane, disgusting view of sex has been brought into the church.11:02-11:10And like them, there are many people here that are indulging in some form of sexual sin.11:15-11:18So what's it going to take to get you to break free?11:18-11:18What is it?11:21-11:23I've been doing this a long time.11:23-11:24I know how sermons work.11:24-11:27This is the part of the sermon where you get the stats, right?11:28-11:36You get the statistics on pornography and usage in the church and out the church.11:37-11:39That doesn't make a difference to people.11:41-11:49Or this is the part of the sermon where I can tell you the effect that pornography will have on your marriage and your relationships.11:49-12:05And I can get, you know, line graphs up there or quotes from brilliant scientists talking about the effect that it has on your marriage and the effect that it has on your brain, and that's not going to move anybody.12:07-12:11We could talk about the risk of sexually transmitted diseases.12:15-12:24I don't really think any of those things are very effective to get people on track with God's design for marital intimacy.12:25-12:27What we need is the power of the Holy Spirit.12:28-12:31What we need is the wisdom that comes from the Word of God.12:33-12:37So on your outline, that's what we're going after today.12:38-12:50That when you find yourself in a place of temptation, through this passage you're going to see, there's four things that you need to say to yourself when temptation shows up.12:52-12:52Alright?12:52-12:55Number one, break this down, I can't excuse sin.12:56-12:59I just can't excuse sin.13:04-13:12You see, the Corinthians, in their culture, they had some popular sayings that they used to excuse sin.13:12-13:14Look at your Bible, here's two of them.13:14-13:26Verse 12, "All things are lawful for me." Verse 13, "Food is meant for the stomach, and the stomach for food." Stop there.13:26-13:32Those were two of the sayings of the culture, two of the, you know, secular proverbs, so to speak.13:33-13:39But when they wanted to excuse and justify their sexual sin, they would say one of those statements.13:39-13:44And what we have here in 1 Corinthians 6 is Paul systematically breaking them down.13:44-13:51He's like, "Your reasoning is really messed up here." So let's look at it.13:51-13:58First of all, verse 12, he says, "All things are lawful for me." Stop there.14:00-14:01Is that true?14:05-14:20Look, if you are a born-again believer in Christ, if you are truly regenerate, if you are truly saved, you have freedom in Christ.14:21-14:25Yes, nothing can separate you from the love of God.14:25-14:30No sin that you commit will disqualify you from being a child of God.14:30-14:31That is true.14:31-14:32All right?14:34-14:35But let's look at what Paul says.14:35-14:48He says, "All things are lawful for me, but not all things are helpful." Just because you can do something doesn't mean you should.14:48-14:49This is Paul's first argument.14:51-14:54Just because you can do something doesn't mean you should.14:57-15:01Can I have gummy bears and cream soda for breakfast?15:04-15:07Aaron, can I have gummy bears and cream soda for breakfast?15:09-15:11Yes, I can.15:12-15:15And you were all witness that she nodded her head yes.15:16-15:19Look, God's not going to condemn me for that.15:22-15:23Is it very helpful though?15:24-15:26What about, can I play the lottery?15:27-15:29Can I play the...oh, Aaron says no on that one.15:31-15:35For purposes of illustration, can I play the lottery?15:37-15:38Sure I can.15:40-15:44God's not going to send me to hell if I buy a scratchy ticket, right?15:45-15:49If I buy a scratchy lottery, Pastor Taylor, God's not going to send me to hell for that.15:53-15:54But does that make it a good idea?15:57-15:58It's not helpful, is it?15:59-16:00It's not wise.16:00-16:03The lottery is just a tax on people who are bad at math.16:06-16:11Okay, now how about sleeping with someone you're not married to?16:12-16:17If you're a true Christian, that is not going to send you to hell.16:21-16:29Saying that it is not helpful is one of the biggest understatements of all time.16:32-16:33I think that's Paul's point.16:35-16:35It's not helpful.16:37-16:39Sleeping with someone you're not married to is not helpful.16:40-16:44It can result in an unwanted pregnancy.16:47-16:50If she's married, you're going to deal with an angry husband when he finds out.16:52-16:56You're going to deal with shame in your workplace, in your church, in your community.16:59-17:03Your testimony, if you're a Christian, certainly not going to help that.17:04-17:10Oh, and if she's married, now you've destroyed two families, yours and hers.17:11-17:15And if you're not married, you've done damage to future spouses, yours and hers.17:18-17:19There's consequences.17:20-17:21So that's where Paul starts.17:21-17:25He's like, "All things are lawful for me." He's like, "Bag that excuse.17:26-17:30Not all things are helpful." Let's look at the next one.17:31-18:12Back in verse 12, he says, "All things are lawful for me, but I will not be enslaved anything. Some translations, "I will not be dominated by anything." He goes, "Why would I mess around with something that could enslave me? Why would I do that?" It's just, it's foolishness, right? And sexual sin is addictive, right? Talk to the guy who struggled with looking at things on his computer that he shouldn't be looking at.18:13-18:14It's addictive.18:15-18:21Talk to the girl who's in that wrong relationship that she just keeps going back to.18:21-18:22It's addictive.18:25-18:31I mean, with any sin, one and done is bad enough.18:32-18:43But when you have a sin that just keeps drawing you back in, Paul says, "You really want to mess around with something that's going to consume your life?18:44-18:53I'm not going to be dominated by anything." He's like, "You can bag that excuse too." But there's another one.18:53-18:54Look at verse 13.18:55-18:59He says, "Food is meant for the stomach, and the stomach for food.19:01-19:15And God, this is Paul's commentary on that saying, he goes, "And God will destroy both one and the other." The body's not meant for sexual immorality, but for the Lord, and the Lord for the body.19:19-19:21See that was the other excuse for sexual sin.19:21-19:24Food is meant for the stomach, and the stomach's for food.19:24-19:25You see that argument?19:26-19:37The argument is this, look, the act of physical intimacy, it's just biological, right?19:37-19:39It's just a biological thing.19:39-19:43I mean, you guys are a little too uptight about that.19:43-19:46It's just a biological function.19:47-19:49I mean, let me break it down for you.19:49-20:00and my tummy is hungry, and I see food, I'm like, well, I see a connection here.20:00-20:02You two were sort of made for each other.20:03-20:04Let's get this together, right?20:05-20:07It's obvious what needs to happen here.20:08-20:10The food needs to go in my tummy.20:15-20:18He applied that same logic to sex.20:20-20:28It's like, "Look, I have body parts and there is a woman, so it's obvious what needs to happen here.20:28-20:36These two were made for each other." You see, Paul shoots that one down, foolish thinking.20:36-20:40He goes, "Yeah, food and stomach, that's an appropriate match.20:41-20:46body doesn't match with sexual sin.20:48-20:52What body matches with is the Lord.20:53-20:58So your little analogy is fundamentally faulty.21:00-21:04And Paul says further, "More food for the stomach." That's a temporary thing.21:08-21:10That's just a temporary thing.21:10-21:12But your body is the Lord's.21:14-21:15That's an eternal thing.21:16-21:26In other words, Paul says your analogy breaks down because while digestion, yes, is a biological function, sex is not just a biological function.21:26-21:28It's not just a physical act.21:28-21:28It's not.21:31-21:34By the way, your body is not going to be destroyed.21:35-21:36It's going to be glorified.21:36-21:5214, Paul says, "And God raised the Lord and will also raise us up by His power." Paul is saying, "Your body has a glorious destiny.21:54-22:01Don't use it for lust." Paul is like, "Bag that excuse.22:01-22:03It's just a biological function.22:04-22:06You are not a dog, okay?22:08-22:15This act of intimacy is more than just some biological function like eating or drinking.22:19-22:23That saying, "All things are lawful for me," boy, that one didn't go away, did it?22:24-23:18I think we all know people that are like the ultra-grace people that are like, "Hey, because Christ died for me, I can do whatever I want. I have freedom in Christ to do whatever I want." That mindset overtook the Corinthians, and so many Christians today have such a skewed view of God's Word. Look, liberty is not license. All right? Liberty is not license. And I want to say this with as much love and compassion as I can muster here, but you are either unregenerate or you're a toddler Christian if you think freedom in Christ is a green light for anything and everything that you want to do." Those were their sayings.23:20-23:25Boy, we could spend a lot of time talking about some of the sayings that we threw around in our day, right?23:26-23:30We have other popular sayings that we use to excuse sin.23:31-23:32I've heard them all.23:34-23:40Here's a big one, you've heard this one, when people want to excuse their sexual sin, they're like, "Everyone does it." You heard that one?23:40-23:41Everyone does it.23:41-23:45Oh, okay, that's the measure of what's appropriate, right?23:45-23:47As long as everybody's doing it, then it must be okay.23:50-23:52You can bag that excuse.23:54-23:55Here's one that I hate.23:56-24:08I've heard so many times people say, "Well, you wouldn't buy a car without test driving it, huh?" A problem with that analogy, we're talking about a human being, not a car.24:08-24:17If I go to a lot and test drive a car and decide not to buy it, that car isn't going to carry emotional damage with it for the rest of its life.24:21-24:22You use cars.24:23-24:24You don't use people.24:25-24:27Beg that excuse.24:28-24:37You hear people say, "Well, you know, come on, a man has needs." Yeah, yeah, a man does have needs.24:37-24:38A man needs Christ.24:39-24:41Let's focus on that need.24:41-24:43That's the most important need.24:43-24:44Let's go after that one.24:45-24:46Or how about this one?24:48-24:49"Oh, you don't understand.24:49-25:01We love each other." Okay, well if you love her that much, then you should enter into a covenant with her and honor the Lord with it.25:02-25:10But if you don't love her enough to enter the covenant with her in marriage, then you shouldn't be physical with her.25:12-25:13Beg that excuse.25:15-25:18Paul says, "Your body's not meant for sexual sin.25:18-25:20It's not meant for self-gratification.25:20-25:21It's meant for the Lord.25:21-25:22It has a glorious destiny.25:22-25:31And here's the bottom line, church, you are never going to repent if you're always looking for an excuse to sin.25:36-25:43So next time you are tempted, you need to stop and say, "I can't excuse sin.25:44-25:45I can't excuse this.25:47-25:51There's nothing I can say before God that would make this sin okay.25:53-25:54I can't excuse sin.25:56-25:56All right?25:56-26:05Number two, when you're tempted, you need to learn to stop and say this, "I am one with Christ.26:07-26:09I am one with Christ." Look at verses 15 through 17.26:11-26:18Paul goes on, he says, "Do you not know that your bodies are members of Christ?26:22-26:28Shall I then take the members of Christ and make them members of a prostitute?26:28-26:29Never!26:32-26:39Or do you not know that he who is joined to a prostitute becomes one body with her?26:41-26:45Or, as it is written, the two will become one flesh.26:48-26:54But he who is joined to the Lord becomes one spirit with Him.26:55-26:57I am one with Christ.26:57-27:05You see, Paul was talking to the Corinthians who were worshipping with the temple prostitutes.27:06-27:16Like you're taking a body, your body, the personal property of Jesus, and using it to gratify yourself in a relationship with a godless woman.27:19-27:25And this is equivalent to dragging Christ Himself into prostitution.27:26-27:29That is an absolutely horrible thought, but that's what He says.27:31-27:32Think about that.27:33-27:38Think about how repulsive and appalling this is.27:38-27:39Think about it.27:42-27:46I mean, would you call Pastor Taylor up and say, "Hey, a bunch of us are going down to the strip club.27:46-27:48You want to go with us?" Would you do that?27:52-27:54Not in a million years would I do that.27:58-28:05Or would you call up Pastor Rich and say, "Hey, we're going to go downtown and see if we can pick up some women.28:05-28:10You want to come with us?" You would never do that.28:14-28:18But see, the reality, according to God's Word, is far worse.28:20-28:29Because the Bible says we are one with Christ, and engaging in sexual immorality is joining Christ Himself in the act.28:33-28:36Be like asking Jesus to go pick up prostitutes with you.28:40-28:41Absolutely foul.28:43-28:50But you know, it's the same principle, men, when you're looking at things on your computer that you shouldn't be looking at.28:51-28:52It's the same principle.28:52-29:15It would be like calling Jesus up and saying, "Hey, why don't you come over and surf the net with me. Let's look at some stuff together. Would you do that? It's the same principle when you're sneaking around with a co-worker. "Hey Jesus, we're going to call my wife and say we're working late, but we're really going to meet up with so-and-so." Would you do that?29:17-29:21Or when you use an app to meet up with people for a physical relationship.29:24-29:28Look, if you're a Christian, the very thought of that's repulsive.29:28-29:30There's nothing funny about that at all.29:32-29:36So the next time you're tempted, you need to stop and say, "What am I doing?29:36-29:39I am one Spirit with Christ.29:39-29:44Why in the world would I drag the Lord into engaging in this garbage?29:48-29:56I'm one with Christ." Number three, four things to say to yourself when you're tempted.29:56-30:00Number three, God says to run from sexual sin.30:02-30:11Here it is, verse 18, "Flee from sexual immorality." Flee.30:12-30:13Get away.30:18-30:19This is how you win.30:25-30:26I grew up in the '80s.30:28-30:38And I, you know I never, I don't like bragging.30:40-30:44But I'm going to, for a couple of minutes if you'll indulge me.30:47-30:52But I grew up in the '80s, and one of my favorite things about the '80s was Mike Tyson.30:54-31:00Now some of you might remember, or might know of Mike Tyson, rather, seeing him in movies, or cartoons, or whatever.31:01-31:02That's not the Mike Tyson that I knew growing up.31:03-31:05Growing up, I could not wait.31:06-31:23HBO would show his fights, he'd come out with the ripped towel over his head, he had the coin laced in his boot, and he would just come out, and it would be like, "Ding, blaka blaka!" Like, "Ouch!" Look it up on the YouTubes if you don't believe me.31:23-31:28It was, he was an absolute monster.31:32-31:39You know, always the highlight, you know, to watch the usually 90-second fight or whatever.31:41-31:44But okay, I don't, but listen, like I said, I don't want to brag.31:47-31:52But I have never lost a fight to Mike Tyson.31:56-31:58And I know what some of you are thinking.31:59-32:10Some of you are thinking, "Yeah, Pastor Jeff, well, Mike Tyson probably didn't fight ten-year-olds." And I would say, "Look, my record speaks for itself.32:12-32:19I have never lost to Mike Tyson. Not one time. Do you know why I've never lost to Mike Tyson?32:20-32:26Because I wasn't stupid enough to show up to fight him. That's the principle here.32:29-32:37Look, it's the same thing with sexual sin. If you stay and try to fight, you will lose.32:39-33:04That's why you don't fight it. The Bible says you run from it. You run from it. And I got to tell you guys, that's why many of you are losing the battle with pornography today. You've isolated yourself again. You're on your computer or your phone again, and you lost again because you showed up.33:08-33:22That's why some of you continue to go too far physically with that person that you're not married to, because you ended up alone with her again, and you gave in to desire with her again.33:22-33:26You showed up again, and you lost again.33:30-33:34You will give in every time you show up.33:35-33:37That's why God says to run.33:38-33:38Run!33:42-33:42Why?33:42-33:44What's the urgency here?33:44-33:45Look at the rest of verse 18.33:47-33:49This is about as serious as it gets.33:49-33:59He says, "Every other sin a person commits is outside the body, but the sexually immoral person sins against his own body.34:00-34:01Please hear me.34:01-34:09Sexual sin is not the worst sin, but it is unique in its consequences.34:10-34:15The Bible says when you sin sexually, you are actually sinning against your own body.34:18-34:23Other sins don't affect you the same way that sexual sin does.34:27-34:28Other sins affect outwardly.34:29-34:33There's something different about sexual sin, it affects you inwardly.34:39-34:40Why is that?34:40-34:41Listen closely, please.34:42-34:55No other physical act that you commit in your body carries the spiritual weight that sexual intimacy does.34:55-35:02So no other sin is going to bring the impact that sexual sin brings.35:07-35:10It consumes, it destroys like no other sin.35:13-35:21You know, over the years I've seen a lot of preachers who have disqualified themselves for ministry because of sin.35:22-35:24Do you know what the most common reason is?35:27-35:28You could probably guess, huh?35:31-35:32I do a lot of counseling.35:33-35:38Do you know what's the most common area we find where people need help?35:43-35:44You probably guess.35:46-35:53We've lost ministry, we've hurt our families, we're doing damage control all because we didn't flee.35:54-35:59We showed up, we thought we could handle it this time, and we lost again.36:02-36:04Nobody's surprised but you.36:06-36:20So the next time you're tempted, stop, stop, and say, "This is so serious that God says I should run from it." All right?36:21-36:25And finally, number four, four things to say when you're tempted.36:25-36:28Number four, "My body belongs to God.36:31-36:35My body belongs to God." Look at verse 19.36:37-36:51He says, "Or do you not know that your body is a temple of the Holy Spirit within you, whom you have from God?" Humans have a unique capacity.36:54-37:00are the only thing in creation that have the ability to be indwelt by God Himself.37:01-37:03No other creature can say that.37:05-37:10God lives inside you if you're a follower of Christ, if you're a believer.37:11-37:13You know, you are the temple of God.37:13-37:31In the Old Testament, the temple of God was a building, and when Jesus walked the earth, The temple, the tabernacle of God was in one man, Jesus Christ, but now under the new covenant, God's temple is in the heart of every believer of Christ.37:35-37:35You're the temple.37:38-37:38What would you think?37:40-37:54What would you think of someone who, during sermon time today, they were looking at explicit of the opposite sex on their phone during the sermon, what would you think about that?37:55-37:57Wouldn't you just sort of be appalled?38:00-38:04Like, I can't believe during the preaching of the Bible somebody was looking at that.38:04-38:05Wouldn't that be appalling?38:06-38:17Or what would you think if there was someone in this church that was having an affair, and they decided that this room was a perfect private place?38:17-38:22Some night through the week when nobody's here, they sneak in here and have an affair right in this room.38:22-38:23What would you think about that?38:24-38:28Wouldn't you be like, "What is the matter with you?38:28-38:39You did that in church?" I don't want to burst any bubbles, but this room, this room is really nothing special.38:40-38:41This is an office building.38:47-38:49That was a rumpus room before we moved in here.38:51-38:53And who knows what they'll do with it when we're gone.38:54-38:56This room is nothing special at all.38:59-39:02You are the temple of God.39:02-39:04You are holy property.39:04-39:15God says, "You are where I live." So every time you commit sexual sin, no matter where you do it, you're doing it in God's living room.39:19-39:35He goes on, look at verse 19, he says, "You are not your own, for you were bought with a price to glorify God in your body." You have a holy obligation to Jesus.39:35-39:36You are not your own.39:37-39:40Listen, you have no right to yourself.39:44-39:53You have no right to yourself, because you were bought with a price.39:55-39:56What did it cost to buy you?39:58-40:00It cost the blood of Jesus Christ.40:08-40:10You know, everybody is so concerned about their rights.40:12-40:14"I have rights!40:15-40:16I'm going to stand up for my rights!40:17-40:24I know my rights!" You know, as Christians, we have no rights.40:25-40:26Did you know that?40:30-40:34As a Christian, all I can say is, I'm not my own.40:36-40:37I don't even belong to myself.40:40-40:44This body belongs to Jesus.40:45-40:47This body was heading to hell.40:48-40:56This body was going to be separated from God forever, and Jesus Christ bought this back with His own death.40:57-40:59So this belongs to Jesus.40:59-41:00He paid for it.41:04-41:13So, you know the saying that was so popular, and there's still remnants of it, people walking around going, "My body, my choice." That's not biblical.41:15-41:34You want to make it biblical, you say it this way, "Christ's body, Christ's choice." So, he says, "So, glorify God in your body." We are a wholly motivated church.41:34-41:36We are wholly motivated.41:36-41:38Our highest priority is to glorify God.41:40-41:51Physical intimacy in the covenant of marriage, the purpose for which God designed intimacy, When that act occurs, that glorifies God.41:52-42:00And refusing to allow your passions to control you, when you flee from sexual immorality, you glorify God.42:03-42:07So next time you're tempted, you need to stop and say, "No, no, no.42:09-42:19This belongs to God." You know, the church is called the Bride of Christ.42:22-42:35Jesus desires intimacy with His bride, so He entered a covenant with His bride, and He keeps His covenant because He is faithful to His bride.42:35-42:39And that is exactly what we are called to emulate as children of God.42:40-42:49I keep my covenant to my bride because that's what my Lord does." Her worship team would make their way back up front.42:53-42:58Look, when you leave here today, at some point you're going to be tempted.43:00-43:09You're going to be tempted to think of something you shouldn't, to look at something you shouldn't, to do something that you shouldn't.43:09-43:34going to be tempted. Some of you, it might be tomorrow or Wednesday. Some of you, it might be on your way to the car from church. I want to encourage you, if that's a struggle for you, keep this outline and make it a steady habit in your devotions to read and review These principles from God's Word.43:36-43:45If you're unmarried and you keep finding yourself tempted, sit down and read these together with your boyfriend or girlfriend.43:48-43:53How about you make these four statements the lock screen on your phone?43:55-43:59I can't excuse sin because there is no excuse.44:00-44:03Number two, I am one with Christ.44:06-44:09God says to run from sexual sin.44:11-44:14And my body belongs to God.44:16-44:16Let's pray.44:20-44:32Our Father in heaven, I pray, Father, again by the power of your Holy Spirit, by the wisdom of your Word that today would be the day of repentance.44:34-44:46That some people for too long have just made excuses or shrugged their shoulders or have just given up any thought that this is a sin that can be avoided.44:47-45:07I pray today, Father, that we reexamine the purpose of it and that we would be a people You are truly wholly motivated to enjoy this gift in the way which you told us to enjoy.45:09-45:22Thank you, Father, for this glorious picture that you've given us of Christ faithful to His bride.45:25-45:26Give us the faith to imitate that.45:26-45:28We pray in Jesus' name, amen. Small Group DiscussionRead 1 Corinthians 6:12-20What was your big take-away from this passage / message?Explain the expressions the Corinthians used to justify sexual sin (1 Cor 6:12-13)?What expressions do people use today? How do you refute those?How exactly is sexual sin different from other sins (1 Cor 6:18)?How would you respond to a Christian that justifies their sin by saying, “I have freedom in Christ to live how I want!”? (See 1 Cor 6:19-20) BreakoutPray for one another.

Daily Dose of Hope January 29, 2026   Scripture: I Corinthians 5   Prayer:  Our Father in heaven, hallowed be your Name, your kingdom come, your will be done, on earth as in heaven. Give us today our daily bread. Forgive us our sins as we forgive those who sin against us. Save us from the time of trial and deliver us from evil. For the kingdom, the power and the glory are yours, now and forever. Amen.   Welcome back to the Daily Dose of Hope, the devotional and podcast that complements the New Hope daily Bible reading plan.  We are currently journeying through Paul's letters.  Right now, we are working our way through I Corinthians.   A significant problem in the church of Corinth was both sexual immorality and sexual deviancy, which simply underscored their shallow discipleship. Corinth was a port town that was home to the Temple of Aphrodite, a pagan temple with many, many prostitutes. Sexual immorality was rampant and almost a way of life in the city. To say that Corinth was a very sexualized society would be a massive understatement.  It's estimated that one in every thirty people were prostitutes. You really see this when you visit there.  It touches every area of their culture.  So, it isn't surprising that the church was dealing with it.  What the culture deals with seeps into the church and the church is tasked with figuring out how to deal with it based on God's truth. The apostle Paul was trying to develop a holy church, based on commitment to Jesus rather than the pagan gods and ways of being. We see the struggles over these first few chapters.   In chapter five, today's reading, Paul addresses a case of incest in the church, specifically a man sleeping with his father's wife (presumably his stepmother). While this might have been acceptable in Corinthian society, it is absolutely deplorable among God's people. This kind of behavior was forbidden in the Torah and that translated into the church. The people of Jesus were also supposed to seek holiness and sexual morality was part of that. They are the body of Christ.   The issue isn't just the incest – yes, that is really bad – but it's that there are no boundaries whatsoever for sexual behavior.  And they are bringing those values, or lack thereof, into the church.  God's people have to call sin what it is and recognize it as a problem.  So, there was that.  Paul is appalled - why does this not bother them?  Their arrogance is hard to take.   Let's be real. This is just as much as issue in today's church as it was 2000 years ago in Corinth. Why don't we behave like the body of Christ, holy and blameless? We tolerate all kinds of stuff!  Do we demonstrate the same kind of arrogance and complacence? Certainly something to think about.   I do want to at least touch on what Paul says at the very end of the chapter, verses 12-13, What business is it of mine to judge those outside the church? Are you not to judge those inside? God will judge those outside. "Expel the wicked person from among you."  Basically, Christians are not called to judge those outside the church.  If someone is not a Christ-follower, then we can't hold them to the same standards.  They don't know any better really.  But, those inside the church have to be held accountable.  Paul is holding the Corinthians responsible for not dealing with the man having sex with his stepmother.  That kind of sinfulness has no place in Jesus' church.    Now, if someone committed a sin and then was repentant, that would be a different story.  Afterall, Jesus gives us all second chances and third chances and fourth chances.  If someone is serious about forgiveness and wants to change, then the church welcomes them.  If they are arrogant and refusing to change, that's when church accountability has to occur.    We struggle with this.  Accountability in general is something we struggle with in our culture.  What if this same situation were to happen at New Hope?  It would be uncomfortable and awkward but I couldn't, as the pastor, allow this man to sit in the pew with his arm draped around his stepmom for all to see.    What other situations might also require a response?   Blessings, Pastor Vicki

Chapter 1 of Psychopompos - a new mythology opens in Oblivion, where Phanes' World Egg hatches, setting the stage for violence, vengeance and a war for the throne of the gods.As Zeus surprises two of his children, Athena and Apollo, with a sudden plan to exile Hera and put a mortal he just met in her place; Hera, meanwhile, throws a bridal shower for Persephone and Eurydice, whose upcoming wedding is hoped to calm tensions on Olympus. In the center of it all is Aphrodite, the shape-shifting Goddexx of Love, who seemingly comes as both an antagonistic flirt and powerful puppeteer.Content Warning: Explicit Language, Violence.For more information about the story and podcast, a full transcript of this episode, or if you like what you heard and want to donate to this project, visit our site:www.psychopomp-cast.com.Cast:-Brandon Boler as Zeus-Anya Clingman as Calliope-Elizabeth Ellis as Hera-Paige Hauer as Persephone-Miguel Long as Ganymede-Valerie Lyvers as Athena & Dionysus-RjW Mays as Demeter-Julian “joolz” Stroop as Aphrodite & Nyx-Ryan Tang as Apollo-Marie Tredway as Artemis-Theo Zucker as EurydiceCrew:-Tate A. Geborkoff - Author & Producer-Rachel Staelens - Director & Producer-Joe Palermo - Director of Sound-Roy Freeman - Musical Director & Composer

Hello Wonderful Reader,Today, I've chosen a very special unpublished poem and writing prompts for you to explore the power of forbidden love. You'll discover why the poet never published this work in a second. So grab a pen and paper, and let's uncover some of your juicy secrets…Evanescence(unpublished, 1920s)By Angelina Weld Grimké (1880 – 1958)You are like a pale purple flower    In the blue spring dusk . . . . . .You are like a yellow starBudding and glowingIn an apricot sky . . . . . .You are like the beautyOf a voice . . . . . .Remembered after death . . . . . .You are like thin, white petalsFalling           And                  Floating                                DownUpon the white, stilled hushing                 Of my soul.Source: Aphrodite's Daughters: Three Modernist Poets of the Harlem Renaissance.Your 4 Writing Prompts on Forbidden Love

Michael Jackson was the pop icon the media loved to hate. Tremendously wealthy, inarguably eccentric, and one of the most famous people in the world, Jackson was the unenviable target of constant public humiliation. The media poked fun at his skin, his features, his sexuality, and his lifestyle.Here, seasoned crime reporter Aphrodite Jones condemns the media for perpetuating hateful rumors and innuendoes, recounting just the sordid details, and reporting only the most despicable accusations and grisly charges made against Michael Jackson during his criminal trial. They had built a highly profitable industry around the superstar's "freaky life" and banked on his conviction.And, it turns out, they got it all wrong.In their efforts to make money and win ratings, the media missed the truth. It wasn't until after the "not guilty" verdict that Jones had the insight and courage to admit her own unintentional role in the frenzy surrounding the shocking testimony, high drama, and countless celebrities in Michael Jackson's high-profile criminal trial. Bestselling author and TV host Jones makes amends with what is not only a truthful, well-documented chronicle of the entire trial but a powerful indictment against the media for conspiring to distort, dehumanize, and destroy Michael Jackson. She argues convincingly that the case against Jackson amounted to nothing more than a media-made, tax-paid scandal, and she makes an impassioned call to action for the public-at-large to think critically, question the integrity, and demand the truth in the “news”.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

Bridget, Caitlin, and Hilda discuss "Tender Cruelty," book 9 in Katee Robert's Dark Olympus series. Longtime listeners know Hilda's feelings on this series, but what do Bridget and Caitlin think? Did this book live up to what they were hoping for? Well, listen now and find out.  Join our Patreon for exclusive behind-the-scenes content and let's be friends!Instagram > @Booktokmademe_podTikTok > @BooktokMadeMe

Today we dive into the history of Cleopatra VII—the queen who charmed Julius Caesar and famously seduced Mark Antony as the goddess Aphrodite. We track her ruthless political maneuvers, the brutal smear campaign against her, the massive Battle of Actium, and the mysterious circumstances surrounding her death and burial site. Welcome to HISTORY CAMP!

Hello Wonderful Reader,Today, I've chosen a very special unpublished poem and writing prompts for you to explore the power of forbidden love. You'll discover why the poet never published this work in a second. So grab a pen and paper, and let's uncover some of your juicy secrets…Evanescence(unpublished, 1920s)By Angelina Weld Grimké (1880 – 1958)You are like a pale purple flower    In the blue spring dusk . . . . . .You are like a yellow starBudding and glowingIn an apricot sky . . . . . .You are like the beautyOf a voice . . . . . .Remembered after death . . . . . .You are like thin, white petalsFalling           And                  Floating                                DownUpon the white, stilled hushing                 Of my soul.Source: Aphrodite's Daughters: Three Modernist Poets of the Harlem Renaissance.Your 4 Writing Prompts on Forbidden Love

You've no doubt heard that certain foods can increase desire, or even improve sexual performance. Oysters, ginger, chocolate and strawberries are just a few examples of foods that supposedly have that magical effect. They're labelled aphrodisiacs, a word which comes from the name of Aphrodite, the Greek goddess of love. There are very few scientific studies out there to back that belief up. In people who have blood circulation issues, some foods can have the same effect as Viagra, which relaxes the blood vessels and thereby improves blood flow to the genitals. Can food really have an impact on our level of sexual desire? What about alcohol? So why do people keep talking about aphrodisiacs if they don't really work? In under 3 minutes, we answer your questions! To listen to the last episodes, you can click here: ⁠What is Calimero syndrome?⁠ ⁠What is Lucky Girl syndrome, this new method that is all the rage on Tik Tok?⁠ ⁠How often should I wash my hair?⁠ A Bababam Originals podcast, written and produced by Joseph Chance. First Broadcast: 10/2/2023 Learn more about your ad choices. Visit megaphone.fm/adchoices

When two fatal accidents befall the same family over a 17-year span, authorities take a closer look at just how unlucky one person could be.Sources:Jones, Aphrodite. Levi's Eyes. 2023.“Christina Ann Alexander Karlsen (1960-1991) - Find a Grave Memorial.” Find a Grave - Millions of Cemetery Records, https://www.findagrave.com/memorial/95118366/christina_ann-karlsen. Accessed 13 Dec. 2025.Dateline NBC. 1992.“Levi Holger Karlsen (1985-2008) - Find a Grave Memorial.” Find a Grave - Millions of Cemetery Records, https://www.findagrave.com/memorial/95118367/levi_holger-karlsen. Accessed 13 Dec. 2025.Smith, Jenner, and Sean Dooley. “Daughters on Losing Their Mother and Brother to Dad Who Killed for Insurance Payouts - ABC News.” ABC News, ABC News, 4 June 2020, https://abcnews.go.com/US/daughters-losing-mother-brother-dad-killed-insurance-payouts/story?id=71029005.This Week's Episode Brought To You By:Arey - Slow the growth of greys and get 15% off by using code Love at Arey.comShopify - $1 per month trial - http://shopify.com/lovemurderProgressive Insurance - Discover better rates at https://www.progressive.com/ ****IndaCloud - If you're 21 or older, get 25% OFF your first order + free shipping with code lovemurder at https://inda.shop/lovemurderFind LOVE MURDER online:Website: lovemurder.loveInstagram: @lovemurderpodTwitter: @lovemurderpodFacebook: LoveMrdrPodTikTok: @LoveMurderPodPatreon: /LoveMurderPodCredits: Love Murder is hosted by Jessie Pray and Andie Cassette, researched by Sarah Lynn Robinson and researched and written by Jessie Pray, produced by Nathaniel Whittemore and edited by Kyle Barbour-HoffmanSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Send us a textA new year invites new rhythms, and the kitchen is one of the most powerful places to begin. In this episode of the Magick Kitchen Podcast, Leandra Witchwood and Elyse Welles explore how to start — or refresh — a kitchen witchery practice rooted in green magic, balance, and everyday life.They discuss why kitchen witchery and green witchcraft are inseparable paths, how perfection and rigid planning can block magical flow, and why the hearth has always been the energetic heart of the home. From cooking with seasonal ingredients to working with what's already in your spice cabinet, this conversation offers grounded ways to make magic sustainable, nourishing, and intuitive.You'll also learn how food connects us to cycles — the moon, the body, the land — and why honoring ingredients through use, reuse, and gratitude matters deeply in the craft. The episode closes with a simple cinnamon–apple tea or simmer pot practice you can make right away using common kitchen ingredients.January 6 – January 27 | Tuesdays at 7 PM EST | Live via ZoomLearn to handcraft blends for cooking, herbalism, ritual, and hands-on spellwork into a month-long journey where your kitchen becomes a place of power, healing, and everyday enchantment. A short, spoken invitation calling women who feel the Dark Goddess stirring to step into embodied power through a nine week initiatory journey with ancient goddesses. Learn more at elysewelles.com/redthread. Have you felt the call of the Oracle? This May, join me in Greece to walk Delphi, Eleusis, Aphrodite's Springs, and the Temple of Artemis. Be anointed in sacred waters and experience the prophecy still alive in the land. Learn more at elysewelles.com/2026Immersives. The Rebel Mystic Coven is my heart-crafted teaching circle in South-Central Pennsylvania—a sanctuary where curiosity meets mystery and seekers kindle their inner fire. As an Eclectic Coven, we explore a variety of topics and areas of study to help build our awareness, deepen our practices, and develop understanding. 

This episode offers a critical, historically grounded examination of Aphrodite as a trans-cultural religious phenomenon rather than a stable mythological figure. It traces the goddess's development from Near Eastern traditions associated with Astarte, Ishtar, and Inanna through her incorporation into Greek religion, where tensions between her martial, erotic, civic, and cosmic dimensions produced multiple and often contradictory forms of worship. The discussion then follows her Roman reconfiguration as Venus, focusing on the political and ideological implications of her role as divine ancestress and guarantor of imperial order.Combining literary sources, archaeological evidence, cult practice, and ritual calendars, the lecture analyses how Aphrodite functioned within ancient economies of desire, gender, power, and civic cohesion, as well as how regional cults negotiated her ambivalent capacity to generate both harmony and destruction. The final section examines modern resurrections of Aphrodite in Neopaganism, feminist spirituality, Hellenic reconstructionism, and Western esotericism, assessing how contemporary movements selectively reinterpret ancient materials.CONNECT & SUPPORT

SHOW 12-30-25 CBS EYE ON THE WORLD WITH JOHN BATCHELOR THESDHOW BEGINS WITH DOUBTS ABOUT THE PURPOSE OF WAR-MAKING AS EXPRESSED MOURNFULLY BY HECTOR'S WIFE ANDROMACHE... SHOW 12-30-25 CBS EYE ON THE WORLD WITH JOHN BATCHELOR TRANSLATION AND THE SEARCH FOR TROY Colleague Professor Emily Wilson. John Batchelor interviews Professor Emily Wilson about her new iambic pentameter translation of the Iliad. They discuss the historical location of Troy in modern Turkey and the archaeological layers discovered by Schliemann, who wrongly believed he found Agamemnon's mask. Wilson explains that while the Greeks viewed the Iliad as partly historical, it is a poetic imagining composed centuries after the events, designed for oral performance and rhythmic reading. NUMBER 1 HOMER'S NARRATIVE CHOICES AND ORAL TRADITION Colleague Professor Emily Wilson. Wilsondiscusses the "Homeric Question," noting that oral stories existed for centuries before the alphabet arrived in the 8th century BCE. She highlights the Iliad's sophisticated narrative structure, which omits famous events like the Apple of Discord and the Trojan Horse to focus intensely on a specific period of the war. The conversation compares the Iliad'sfocus on Greek infighting with Virgil's Aeneid, noting the distinct goals of each epic tradition. NUMBER 2 TRAGIC COUPLES AND DIVINE INTERVENTION Colleague Professor Emily Wilson. The segment explores key character pairings, starting with Helen's complex view of Paris and her weaving as a metaphor for the story. Wilsonanalyzes the tragic relationship between Hector and Andromache, emphasizing Hector's choice of duty over family. They discuss the gods' roles, particularly Thetis's prayer to Zeus which seals Achilles' fate, and Hera's bargaining with Zeus to ensure Troy's destruction, highlighting the interplay of divine will and mortal suffering. NUMBER 3 TRANSLATION AND THE SEARCH FOR TROY Colleague Professor Emily Wilson. John Batchelor interviews Professor Emily Wilson about her new iambic pentameter translation of the Iliad. They discuss the historical location of Troy in modern Turkey and the archaeological layers discovered by Schliemann, who wrongly believed he found Agamemnon's mask. Wilson explains that while the Greeks viewed the Iliad as partly historical, it is a poetic imagining composed centuries after the events, designed for oral performance and rhythmic reading. NUMBER 1 HOMER'S NARRATIVE CHOICES AND ORAL TRADITION Colleague Professor Emily Wilson. Wilsondiscusses the "Homeric Question," noting that oral stories existed for centuries before the alphabet arrived in the 8th century BCE. She highlights the Iliad's sophisticated narrative structure, which omits famous events like the Apple of Discord and the Trojan Horse to focus intensely on a specific period of the war. The conversation compares the Iliad'sfocus on Greek infighting with Virgil's Aeneid, noting the distinct goals of each epic tradition. NUMBER 2 TRAGIC COUPLES AND DIVINE INTERVENTION Colleague Professor Emily Wilson. The segment explores key character pairings, starting with Helen's complex view of Paris and her weaving as a metaphor for the story. Wilsonanalyzes the tragic relationship between Hector and Andromache, emphasizing Hector's choice of duty over family. They discuss the gods' roles, particularly Thetis's prayer to Zeus which seals Achilles' fate, and Hera's bargaining with Zeus to ensure Troy's destruction, highlighting the interplay of divine will and mortal suffering. NUMBER 3 APHRODITE, PATROCLUS, AND TROPHY WOMEN Colleague Professor Emily Wilson. Wilson examines Aphrodite's intervention on the battlefield and her representation of baser instincts like lust. The discussion shifts to Briseis, a "trophy" of war, and her relationship with Patroclus, whom Wilson refuses to classify as a "beta male" despite his kindness. Patroclus is described as a brutal killer and Achilles' closest companion. The segment highlights the emotional depth of Achilles, who displays immense vulnerability alongside his capacity for violence. NUMBER 4 AGAMEMNON'S FAILURE AND DIVINE POLITICS Colleague Professor Emily Wilson. This segment details the plot's catalyst: Agamemnon seizing Briseis from Achilles, causing the hero to withdraw from battle. Wilson explains the divine politics, including Hera trading three Greek cities to Zeus to ensure Troy's destruction. They analyze Agamemnon's flawed leadership; while he blames Zeus for his bad decisions, the poem portrays the immense difficulty of holding a disparate army together, leading to disastrous choices that necessitate Achilles' eventual return. NUMBER 5 THE GORE AND GLORY OF BATTLE Colleague Professor Emily Wilson. Wilson discusses translating the Iliad'svivid violence, drawing on insights from combat veterans regarding the trauma of battlefield death. A central theme is the treatment of corpses; possessing and stripping a dead enemy's armor is the ultimate sign of dominance. The conversation touches on the physical nature of the gods, who bleed "ichor" when wounded, and Poseidon's support for the Greeks in contrast to his brother Zeus. NUMBER 6 THE DEATH OF PATROCLUS AND HECTOR Colleague Professor Emily Wilson. The tragedy culminates with Patroclus ignoring Achilles' warning, leading to his death by Hector and the loss of Achilles' armor. Wilson describes Achilles' terrifying return to battle, equipped with new armor from Hephaestus, and his slaughter of Trojans. The segment covers the final confrontation where Achilles kills Hector and, driven by vengeance, drags his body behind a chariot, denying him burial rights and intending to mutilate him forever. NUMBER 7 GRIEF, GAMES, AND ACCEPTANCE Colleague Professor Emily Wilson. After Hector's death, Achilles finds a form of healing through funeral games, which offer a non-lethal model of competition. He even awards Agamemnon a prize without a contest, possibly as a slight. The poem concludes not with victory, but with a "humanitarian pause" for Hector's funeral. Wilson notes the ending focuses on women's lamentations, emphasizing the Iliad's enduring lesson on the struggle to accept human mortality. NUMBER 8 FEMALE AUTHORSHIP AND THE TROJAN WOMEN Colleague Daisy Dunn. Daisy Dunn discusses the legend of Phantasia, a rumored female source for Homer, and the myth of Leda and the Swan. She argues that the Trojan Warlikely reflects real historical conflicts at the site of Hisarlik. The segment highlights key female figures: Andromache, who offers military advice to Hector, and Briseis, the enslaved woman central to the dispute between Agamemnon and Achilles, illustrating the centrality of women to the epic. NUMBER 9 SAPPHO OF LESBOS Colleague Daisy Dunn. Dunn explores the life of Sappho, debunking myths about her appearance and suicide. She explains that Sappho was exiled due to her family's aristocratic background during a time of political revolution. The conversation covers Sappho's disapproval of her brother's relationship with the courtesan Doricha and her professional jealousy when students left her school for rivals. Weaving is presented as a metaphor for women shaping fate. NUMBER 10 ETRUSCANS AND THE WOMEN OF EARLY ROME Colleague Daisy Dunn. Dunn discusses the Etruscans, noting their advanced dentistry and the shock Greeks felt at Etruscan men and women dining together openly. Transitioning to Rome, they recount the violent founding myth of the Rape of the Sabine Women. The segment details the tragedy of Lucretia, whose rape and subsequent suicide led Brutus to overthrow the monarchy and establish the Roman Republic, making her a paragon of virtue. NUMBER 11 DIDO AND THE FOUNDING OF CARTHAGE Colleague Daisy Dunn. Dunn recounts the story of Dido, the clever founder of Carthage who tricked a local king to secure land. When Aeneas abandons her to fulfill his destiny, Didocurses him, foreshadowing the Punic Wars between Rome and Carthage. The segment explores her tragic suicide on a pyre, noting the societal judgment against her for breaking vows of celibacy, while acknowledging her capacity as a talented ruler and builder of cities. NUMBER 12 CORNELIA AND SERVILIA: MOTHERS OF ROME Colleague Daisy Dunn. This segment focuses on Cornelia, the educated "one-man woman" who raised the reforming Gracchi brothers to challenge the Roman elite. Dunn notes Cornelia's heartbreak as she tried to dissuade her second son from following his assassinated brother's path. The discussion shifts to Servilia, Caesar's long-term mistress and mother of Brutus. Servilia is depicted as a politically astute woman caught between her lover and her son, the future assassin. NUMBER 13 CLEOPATRA AND CAESAR Colleague Daisy Dunn. Dunn describes Cleopatra's dramatic entrance from a rug to meet Caesar and secure her rule in Egypt. Despite her intelligence and linguistic skills, the Romans viewed her with suspicion and distaste, labeling her a "whore queen." Dunn challenges the Hollywood image of Cleopatra's beauty, noting coin portraits show a hooked nose, and argues her power lay in her charisma and voice. She remains a figure of admiration today. NUMBER 14 ANTONY, FULVIA, AND CLEOPATRA'S END Colleague Daisy Dunn. The conversation turns to Mark Antony'sunpopular affair with Cleopatra and his wife Fulvia, who instigated a war in Italy to counter Octavian. Dunn highlights the Roman propensity for public emotion and early marriage. Following Antony's botched suicide, Cleopatra takes her own life to avoid being paraded as a trophy by Octavian. Dunn suggests the "asp" story might be a myth covering a lethal injection or poison. NUMBER 15 THE WOMEN OF THE JULIO-CLAUDIAN DYNASTY Colleague Daisy Dunn. Dunn profiles the powerful women of the Julio-Claudian dynasty. Livia is portrayed as Augustus's essential political partner and diplomat. The segment covers the tragic life of Julia, the lechery of Caligula, and the notorious reputation of Messalina. Finally, Agrippina the Younger is described as a co-emperor to her son Nero before he turned against her. Dunn concludes that Roman politics were bloodier but more politically savvy than the Greeks. NUMBER 16

APHRODITE, PATROCLUS, AND TROPHY WOMEN Colleague Professor Emily Wilson. Wilson examines Aphrodite's intervention on the battlefield and her representation of baser instincts like lust. The discussion shifts to Briseis, a "trophy" of war, and her relationship with Patroclus, whom Wilson refuses to classify as a "beta male" despite his kindness. Patroclus is described as a brutal killer and Achilles' closest companion. The segment highlights the emotional depth of Achilles, who displays immense vulnerability alongside his capacity for violence. NUMBER 4 500 AD AMBROSI AN ILIAD

Welcome to Weird Web Radio! Happy New Year, my friends! May 2026 bring your magic to beautiful life! This episode features Irisanya Moon! Irisanya and I talked about ghosts, haunting, Reclaiming Witchcraft tradition, benefits of a tradition, what it means to be a Witch today, the Norns from Nordic myth, Greek Myths, Fate, Aphrodite, Gods, and so much more! This was a wonderful and fun conversation with an amazing human being! Irisanya's BIO: Irisanya Moon (she/they) is an author of 10+ books, Witch, priestess, international teacher, and initiate in the Reclaiming tradition. A devotee of Aphrodite, Hecate, the Norns, and Iris, she has practiced magick for 20+ years. They are passionate about the idea that life is (and humans are) love spells, ever experiencing a dance of desire and connection, moving in and out of the heart, always returning to love. Her teaching/facilitation style is immersive, gracious, safe, authentic, and welcoming to inspire transformation and liberation individually and collectively. Irisanya On the WEB: www.irisanyamoon.com irisanya.substack.com   Enjoy the show! Stay Weird! Want to know what Irisanya and I Talk about in the bonus portion?! Join us and find out! Join here! It's time to sport a new look? Hell yes! Check out the Official Weird Web Radio Store for Shirts, Hoodies, Hats, and more! You can also come join the Facebook discussion group here: https://www.facebook.com/groups/weirdwebradio/ New Instagram for Weird Web Radio! Follow for unique content and videos! https://www.instagram.com/weirdwebradio/ You can make a One-Time Donation to help support the show and show some love! Is this show worth a dollar to you? How about five dollars? Help support this podcast! That gets you into the Weird Web Radio membership where the extra goodies appear! Join the membership at patreon.com/weirdwebradio or at weirdwebradio.com and click Join the Membership! SHOW NOTES: SUBSCRIBE ON Apple Podcasts, Amazon Podcasts, and Spotify! Also streaming on mobile apps for podcasts! Intro voice over by Lothar Tuppan. Outro voice over by Lonnie Scott Intro & Outro Music by Nine Inch Nails on the album '7', song title 'Ghost', under Creative Commons License.

It was a cosmopolitan city. It was a commercial city. And it was a corrupt city. In short, it was very much like many of our big cities today. It was Corinth, a melting pot of people, a center of trade, and home to ten thousand prostitutes serving at the temple of Aphrodite. It was also a turning point in Paul's ministry. To support this ministry financially, visit: https://www.oneplace.com/donate/81/29?v=20251111

Zwischen den Jahren, zwischen die Ohren! Es ist wieder so weit: Zwischen Weihnachten und Silvester ist traditionell die Zeit für märchenhafte Erzählungen. Mit ihrem Freund Matthias Renger vom großartigen Podcast „Couple of“ widmen sich Christian und Franca erstmals einer griechischen Sage. "Amor und Psyche" erzählt von der sterblichen Psyche, die so schön ist, dass sie den Zorn der Göttin Aphrodite auf sich zieht. Deren Sohn Amor verliebt sich jedoch in Psyche, verliert sie aber, als sie aus Misstrauen sein göttliches Geheimnis enthüllt. Es folgen schwere Prüfungen mit ungewissem Ausgang. Franca, Matthias und Christian gehen der tieferen Psychologie in der antiken Erzählung mit Humor auf den Grund.

Professor Toby Wilkinson. Cleopatra seduced Mark Antony with a theatrical entrance as Aphrodite, securing a romantic and political partner. Antony relied on Egyptian wealth for his campaigns but suffered military setbacks, alienating Rome by adopting Eastern customs. Their union produced children and challenged Octavian's authority, leading to inevitable conflict. 2900 SUEZ

What if taking Mary seriously actually deepens, rather than distracts from, devotion to Jesus? Art historian and theologian Matthew Milliner joins Mark Labberton to explore that possibility through history, theology, and the Incarnation. In a searching conversation about Mary, the meaning of Marian devotion, and the mystery of the Incarnation, they draw from early Christianity, Protestant theology, and global Christianity, as Milliner reframes Mary as a figure who deepens devotion to Christ rather than distracting from it. "I don't see how anyone cannot understand this to be the revolution of revolutions in regards to the way that women are understood." In this episode, they reflect on Mary as presence, witness, and theological key to understanding God's entry into human life. They discuss Marian devotion before the Reformation, excess and restraint in Christian practice, the Incarnation's implications for embodiment and gender, Protestant fears and recoveries, global Marian traditions, grief and discipleship, and why Mary ultimately points beyond herself to Christ. Episode Highlights "I love Jesus so much that I love his mom too. Isn't she great too?" " What relationship do you have in your life where if you knew the parents of the person you're in relationship with, that would damage the relationship? … It's a sign of deep intimacy." "There is no Christianity without Mary. That's how God came into the world." "She is my tutorial in grief." "If it's the real Mary you're dealing with, she will point you to Jesus." "The answer to the abuse is to point to the best use." "She became a presence in the church for me." "I don't see how anyone cannot understand this to be the revolution of revolutions." About Matthew Milliner Matthew J. Milliner is Associate Professor of Art History at Wheaton College, where he specializes in early Christian, Byzantine, and global Christian art. His scholarship explores theology through visual culture, with particular attention to Mary, the Incarnation, and Christian devotion across traditions. Milliner is widely published in academic journals and popular outlets, including Comment Magazine, where he has written extensively on Marian theology and Christian art. He is a frequent speaker and lecturer on Christianity and aesthetics, and his work bridges evangelical theology, Anglican practice, and historic Christian tradition. Milliner is also known for his teaching on icons, pilgrimage, and the relationship between art, doctrine, and discipleship. Helpful Links and Resources Read Matthew Milliner's column, Material Mysticism, for Comment Magazine https://comment.org/columns/material-mysticism/ Matthew Milliner, Mother of the Lamb: The Story of a Global Icon: https://www.amazon.com/Mother-Lamb-Story-Global-Icon/dp/1506478751 Matthew Milliner faculty page: https://www.wheaton.edu/academics/faculty/matthew-milliner/ Stephen Shoemaker, Mary in Early Christian Faith and Devotion: https://yalebooks.yale.edu/book/9780300217216/mary-in-early-christian-faith-and-devotion/ Rosemary Radford Ruether, Goddesses and the Divine Feminine: https://www.ucpress.edu/books/goddesses-and-the-divine-feminine/paper William Johnston, The Wounded Stag: https://www.harvard.com/book/9780823218394 The Angelus Prayer (recited in this conversation): https://www.usccb.org/prayers/angelus Shrine of Our Lady of Walsingham: https://www.walsinghamanglican.org.uk Show Notes Opening prayer invoking Mary's witness, comfort, and example as a way of drawing listeners toward Christ rather than away from him Evangelical identity reclaimed as gospel proclamation rather than political alignment or cultural branding Early Marian devotion emerging "early and often" in Christian history, grounded in Jerusalem rather than later medieval invention "I love Jesus so much that I love his mom too. Isn't she great too?" Honoring Mary without worship, framed through Revelation imagery of the bride and the people of God Archaeological and manuscript discoveries reshaping assumptions about early Christian practice Marian devotion expanding intimacy rather than competing with Christological focus Newman on devotion requiring excess, extravagance, and emotional overflow to be genuinely human "Let the Christian Church let it boil over every once in a while." Reformation dynamics producing extremes: feverish excess on one side and stone-cold rejection on the other Rosemary Radford Ruether, Goddesses and the Divine Feminine Pagan goddess traditions contrasted with Marian imagery and their treatment of women's bodies Aphrodite imagery as endorsement of male desire versus Marian imagery as reverence for God's entry into flesh "Find me an image of Mary that does anything close to that." Incarnation reshaping how Christians see the female body, sexuality, and dignity "This is the body God entered the world through." The angel Gabriel's Annunciation and Mary's consent Annunciation framed as consent rather than coercion, with Luke emphasizing Mary's agency "Nothing happens to her until she consents." Mary as theological answer to pornographic and exploitative religious imaginations "I don't see how anyone cannot understand this to be the revolution of revolutions." Guadalupe as evangelistic bridge for indigenous peoples pointing toward Christ without blood sacrifice Mary's global accessibility across Muslim, Hindu, and non-Christian contexts "She is a real evangelist, Mary." Walsingham pilgrimage as Anglican recovery of Marian devotion Marian attraction functioning as penumbra drawing outsiders toward Christianity "If it's the real Mary you're dealing with, she will point you to Jesus." Abuse of Marian devotion acknowledged alongside historical self-correction within Catholicism "The answer to the abuse is to point to the best use." Matthew Milliner's personal spiritual journey from childhood Catholicism through evangelical conversion Anti-Mary phase followed by rediscovery through art history and theology "She became a presence in the church for me." Mary understood as presence rather than abstract idea, without becoming divine William Johnson's, The Wounded Stag: God is beyond gender Devotional practice as tributary flowing into Trinitarian worship rather than replacing it "There is no Christianity without Mary. That's how God came into the world." Angelus prayer as scriptural meditation culminating in Trinitarian praise "Pour your grace into our hearts, O Lord." Psychological and spiritual healing through Marian presence without theological confusion Mary as guide for grief through images of sorrow and seven swords "She is my tutorial in grief." Black Madonna traditions interpreted through devotion, time, soot, and divine darkness Darkness as sign of overwhelming divine light rather than absence of God #ConversingPodcast #MatthewMilliner #MaryTheology #Incarnation #ChristianTradition #AdventReflections #FaithAndArt Production Credits Conversing is produced and distributed in partnership with Comment Magazine and Fuller Seminary.  

By way of Lithuania to Australia to the Garden, comes Kristina Dryza. She's a master of archetypes and mythology with a new age flair. Of course, new age is really just ancient age. Dryza helps us with our goddesses. Especially, those of Greece and Egypt. We discuss Hera and Athena. A bit about Demeter and Aphrodite. A touch of Artemis. Toss in a little Romanization too.We go across that pond and visit Hathor and Isis. Then we make stops at Inanna and some others.But we really explore archetypal themes rather than textbook definitions and descriptions. It's another far ranging and fun conversation with a new friend.

Charlie and Phoenicia Rogerson (Aphrodite) discuss the latter's mythological comedy, an incredibly unique book about the Greek goddess of love which sports an ensemble cast of many narrators in an Ancient Greek theatre fashion, a variety of different modes and effective mediums of writing including interrupting footnotes, and more sexual references than Zeus himself could produce. Please note that this episode includes necessary mentions of mythological regular and sexual violence and swearing. General references: Pausanius says in his Description of Greece, chapter 19.2: "Now the shape of it is square, like that of the Her­mae, and the in­scrip­tion de­clares that the Heav­enly Aphrodite is the old­est of those called Fates." Disney's Hercules Books mentioned by name or extensively: Bram Stoker: Dracula Phoenicia Rogerson: Herc Phoenicia Rogerson: Aphrodite Suzanne Collins: The Hunger Games Release details: recorded 12th September 2025; published 22nd December 2025 Where to find Phoenicia online: Website || Instagram Where to find Charlie online: Website || Instagram || TikTok Discussions 01:41 Why Aphrodite? Changes made, and the Fates 07:01 Phoenicia's interesting writing style for her book, full of slang 09:47 Phoenicia's version of Zeus 12:25 The importance of humans in the mythology, how the gods rely on them, and how it's humanity who creates and furthers the story 16:14 Starting to discuss the different narratives and continuing on with the importance of humans to mythological stories 21:22 Phoenicia's favourite mythological character 22:37 Changing Cadmus' story to include dragons rather than serpents 23:57 The different written styles and multi-media writing Phoenicia uses, starting with the paragraph of one repeated word, and continuing on with the footnotes before talking about the way she allows reader interpretation 33:56 The chapter that is simply a list of the dead 36:34 The choice on when to change narrators 37:56 How the novel was planned 39:58 Did Phoenicia consider bringing her version of Prometheus back? 45:23 The ending, moving from Greek gods to Roman gods, in particular Aphrodite 47:03 Talking book cover knitwear 48:53 Brief notes about Phoenicia's next book

Today on Nephilim Death Squad, we're joined again by Jamie Dyer—researcher, author, and co-host of Jay's Analysis—for a deep dive into the Cults of the First Century and how ancient goddess worship, mystery religions, Rome, Babylon, and early Christian persecution mirror exactly what we're seeing in culture today.We cover:

Gods, Warriors, and the Brutality of Patroclus: Colleague Emily Wilson discusses the gods' involvement, specifically Aphrodite and Ares representing base instincts on the battlefield, characterizing Patroclus not merely as gentle but as a brutal warrior, also examining the status of enslaved women like Briseis and the deep intimacy between Achilles and his companion Patroclus. 1599 ARMS FOR ACHILLES

Send us a textIn this cozy Yule edition of the Magick Kitchen Podcast, Leandra Witchwood and Elyse Welles gather around the stove for a heartwarming, fully intuitive simmer pot ritual. Together they explore how scent, memory, and elemental magic weave into one of witchcraft's simplest yet most profound seasonal practices.Join them as they build two simmer pots — one on the stove and one in a tiny cast-iron cauldron — sharing the magical correspondences of rosemary, alfalfa, apple, clove, motherwort, lavender, bay, nutmeg, and more. Along the way, they reflect on the blessings of the past year, the lineage of their craft, the art of releasing what no longer serves, and the nourishment that kitchen witchery offers in the dark months.This is an episode filled with warmth, laughter, history, and heartfelt magic — a perfect way to honor the turning of the year and welcome the returning light.✨ Want to dive deeper into seasonal kitchen magic? Join Leandra's free two-day Kitchen Witchery Event on December 18–19, where you'll learn to create teas, salts, simmer pots, and more. 

On Prophecy Radio episode #146, Karen and Kristen revisit Percy Jackson and the Olympians season 1 in all its glory, discussing their very favorite moments and any lingering questions ahead of season 2. They also delve into the latest news, including some new footage from the upcoming season. New episodes of Prophecy Radio air every other week. All discussions are PG-13. News and Updates (00:6:07) Do you have a Menchie's Frozen Yogurt near you? If so, make sure you stop there on December 10! The new Percy Jackson and the Olympians season 2 posters depict the giants, Polyphemus, and even the sirens. Did you hear about the Percy Jackson and the Olympians official podcast? Rick is the Indigo Author of the Month, which means it's the perfect time to pick up the Sea of Monsters Deluxe Collector's Edition. (Rick shows off what it looks like on his Instagram.) Illumicrate is reprinting their exclusive Percy Jackson and the Olympians set! This is your sign to pick it up if you missed out last time. Percy Jackson and the Olympians season 1 revisit (00:18:44) It's time to jump into our revisit of Percy Jackson and the Olympians season 1, starting with–you guessed it–episode 1! Walker is so young in these episodes! And Young Percy is masterful in those early scenes (and the later ones, too!). We're still impressed with the CGI in this show. The cabin scene is so emotional–both Walker and Virginia bring their A-Game. Honestly, this pilot is one of the best we've ever seen. Our first question after jumping into episode 2 is whether we'll see the Council of Cloven Elders again. Will we get another montage in season 2 of all the things Percy got better at?? Was Annabeth watching Percy the whole time, or was she following Clarisse instead? How big are the other symbols going to be when kids start getting claimed? Clarisse is a textbook bully, and we're so excited to see her growth in Percy Jackson and the Olympians season 2. Grover is smarter than both Chiron and Mr. D, and we'll be taking no objections to that. Episode 3 is fantastic for so many reasons, but especially the growth of the trio's relationship. Percy earned a lot of Annabeth's respect when he talked about why he chose her for the quest. Grover stood up to his friends, and that's super difficult. Percy IS impertinent. Medusa was a standout in this episode–especially her speech about how the gods are the real monsters. Episode 4 begins with Young Percy in the pool and ends with current-day Percy in the river. It's good that Percy got to see that not all mythological creatures are monsters. Will we see more of the Mist in season 2? Echidna was super terrifying, actually. Episode 5 is a standout, for sure. We get Percy and Annabeth's first hug, so mark that down. But the real emotional epicenter of this episode is during the chair scene and Annabeth's speech to Hephaestus. Ares is the worst, but we still kind of love him. “Thank you for the cheeseburgers and the emotional abuse.” Yeah, they're not going to shy away from his abusive relationship with Clarisse. Oh, Leah Jeffries is a PROFESSIONAL. Will they have a callback to this episode once Aphrodite is introduced? Episode 6 brings us to the Lotus Hotel and Casino. We also meet Hermes in this episode, and it's interesting to see Annabeth's interactions with him. We talk about Clarisse a little, too, and how she differs from Annabeth but has her own strengths.. Percy misses out on his dad, unfortunately. In episode 7, we get the long-awaited mattress shop scene, even if it was pretty brief. Cerberus is super cute, and Annabeth is so smart! We don't always love flashbacks, but they work super well in this show. How do we feel about Hades' casting? The best moment from this episode might just be the diner scene when Poseidon shows up. Finally, we talk about the Percy Jackson and the Olympians season 1 finale. Percy vs. Ares was awesome, especially that ichor effect. It's amazing to see Percy own his abilities and the relationship with his dad. What did we think of the look of Olympus? Lance Reddick will always be our Zeus. Poseidon totally still has the hots for Sally. We can't help but notice the lighting for the scene between Luke and Percy at the end. Grover's Searcher's license is a flower!! We're so excited for Percy Jackson and the Olympians season 2. It won't be long now! Thanks for listening, and tune in next time for episode 147, where we'll recap Percy Jackson and the Olympians season 2, episode 1, as well as all the latest news. This episode's hosts are: Karen and Kristen Each episode, Prophecy Radio‘s hosts will discuss any official news coming out of Camp Half-Blood before doing a chapter by chapter reread of Percy Jackson or one of Rick Riordan's other series. Follow Us: Instagram // Facebook // Tumblr Listen and Subscribe: Audioboom // Apple // Spotify Feel free to leave us your questions or comments through any of these mediums! You can also email us at prophecyradiopodcast@gmail.com or visit our homepage for archives and more information about our show. Prophecy Radio is a Subjectify Media podcast production. Visit Subjectify Media for more shows, including Not Another Teen Wolf Podcast, ReWatchable, and Not About The Weather, and for all our latest articles about the stories we're passionate about.

Two highly intelligent, creative, compassionate and accomplished elders of our society— Randall Carlson and Master Sculptor Sabin Howard— enter into a deeply honest and important conversation about life, art, education, sociology, world history, personal history, war & peace, science, spirituality, religion, architecture and sacred geometry. They also discuss humanity's evolving consciousness set against rapidly advancing technology and the geopolitical influences that are clearly at play. They even dip into transhumanism, suggesting that the proverbial crossroads upon which humanity now stands, demands that we make a choice; a decision of the utmost importance that is sure to indelibly shape humanity's future forever— all discussed over an EPIC, 2+ hour episode. We hope you enjoy this very deep, very compelling and very important conversation between two legends. ONLY RANDALL'S AUDIENCE GET'S HIS FAVORITE CBD PRODUCTS (for pain relief, for deep sleep and/or stress and anxiety relief) WITH FREE SHIPPING FOR LIFE: https://cbdfromthegods.com ABOUT SABIN HOWARD: https://sabinhoward.com/ Sabin Howard is the foremost practitioner of, and authority on, Modern Classicism. Sabin Howard grew up in New York City and in Torino, Italy. He studied art at the Philadelphia College of Art and then earned his MFA from the New York Academy of Art. For twenty years, he taught at the graduate and undergraduate levels. He has been elected to the board of the National Sculpture Society. He has received numerous commissions and has showed his work at more than fifty solo and group shows. After 45,000 hours of working from life models in the studio, he is the creator of three heroic scale pieces, HERMES, APHRODITE, and APOLLO, as well as many smaller pieces. His works are owned by museums and private collectors all over the world, and they have been favorably reviewed by The New York Times, The Washington Post, The Epoch Times,American Artist, Fine Arts Connoisseur, American Arts Collector, and The New Criterion, as well as many other journals internationally. He is an accomplished public speaker and is the subject of several television profiles. He is the author of the book THE ART OF LIFE with his wife author Traci L. Slatton.

Drift away with the Greek myth of Hero, a maiden trapped in a tower with a prophecy warning her against venturing out. With the guidance of her loyal nurse, Hero dares to defy destiny and attend the feast of Aphrodite, hoping to find freedom and perhaps even appease the goddess herself. She meets Leander, whose nightly swims guided by Hero's torch symbolize a love that braves both myth and marine fury. The music in this episode is Frankel by Syntropy.Use this link to sign up for the Patreon Christmas special to receive a hand-written card in the mail, a sticker, and a shout-out on our Christmas episode!Text a Story Suggestion (or just say hi!)Support the showNeed more Dreamful? For more info about the show, episodes, and ways to support; check out our website www.dreamfulstories.com Subscribe on Buzzsprout to get bonus episodes in the regular feed & a shout-out in an upcoming episode! Subscribe on Apple Podcasts for bonus episodes at apple.co/dreamful To get bonus episodes synced to your Spotify app & a shout-out in an upcoming episode, subscribe to dreamful.supercast.com You can also support us with ratings, kind words, & sharing this podcast with loved ones. Find us on Facebook at facebook.com/dreamfulpodcast & Instagram @dreamfulpodcast! Dreamful is produced and hosted by Jordan Blair. Edited by Katie Sokolovska. Theme song by Joshua Snodgrass. Cover art by Jordan Blair. ©️ Dreamful LLC

Who was Aphrodite? She's often thought of as a goddess of sexuality, but there's so much more to this woman.Which ancient civilisation was she created by? How did the early Christians react to her overt sexuality? Was she ever thought of a sex worker?Joining Kate today is the fantastic author and historian Dr. Stephanie Budin, to introduce us to this fascinating goddess.*TW: This episode includes references to sexual assault*This episode was edited by Tim Arstall and produced by Stuart Beckwith. The senior producer was Freddy Chick.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe.  You can take part in our listener survey here.All music from Epidemic Sounds.Betwixt the Sheets: History of Sex, Scandal & Society is a History Hit podcast. Hosted on Acast. See acast.com/privacy for more information.

In this Bible Story, Paul establishes the Corinthian church. The wicked port city of Corinth is a dark and twisted place, yet the light of Jesus is spreading forth in power. This story is inspired by Acts 18. Go to BibleinaYear.com and learn the Bible in a Year.Today's Bible verse is Acts 18:8 from the King James Version.Episode 234: As Paul descended into the bustling, cultural city of Corinth he saw the temple to Aphrodite and the broken state of the people, he also met a Jewish couple named Aquila and Priscilla. They shared the same occupation and quickly became friends. Every day, Paul would go into the synagogues and marketplaces where he would preach about Jesus. The Jews mocked him, but the Greeks and citizens of Corinth welcomed him gladly.Hear the Bible come to life as Pastor Jack Graham leads you through the official BibleinaYear.com podcast. This Biblical Audio Experience will help you master wisdom from the world’s greatest book. In each episode, you will learn to apply Biblical principles to everyday life. Now understanding the Bible is easier than ever before; enjoy a cinematic audio experience full of inspirational storytelling, orchestral music, and profound commentary from world-renowned Pastor Jack Graham.Also, you can download the Pray.com app for more Christian content, including, Daily Prayers, Inspirational Testimonies, and Bedtime Bible Stories.Visit JackGraham.org for more resources on how to tap into God's power for successful Christian living.Pray.com is the digital destination of faith. With over 5,000 daily prayers, meditations, bedtime stories, and cinematic stories inspired by the Bible, the Pray.com app has everything you need to keep your focus on the Lord. Make Prayer a priority and download the #1 App for Prayer and Sleep today in the Apple app store or Google Play store.Executive Producers: Steve Gatena & Max BardProducer: Ben GammonHosted by: Pastor Jack GrahamMusic by: Andrew Morgan SmithBible Story narration by: Todd HaberkornSee omnystudio.com/listener for privacy information.

Actor Zoe Terakes (Talk To Me, Nine Perfect Strangers, Marvel's Ironheart) is reclaiming Ancient Greek mythology in their debut novel Eros: Queer Myths For Lovers.In this episode, Zoe chats with Dee about why so many of the iconic Greek myths - from Zeus and Aphrodite to Icarus and Hermaphroditus - are really stories of queer and trans life, lust, sex, and revenge. And why it's so important to reclaim these tales that celebrate all types of love and bodies. SHOW NOTES:Zoe Terakes Insta: https://www.instagram.com/zoeterakes/?hl=en Eros: Queer Myths For Lovers: https://www.hachette.com.au/zoe-terakes/eros-queer-myths-for-loversDM us your thoughts, questions, topics, or to just vent at @triplejthehookup on IG or email us: thehookup@abc.net.auThe Hook Up is an ABC podcast, produced by triple j. It is recorded on the lands of the Wurundjeri people of the Kulin nation. We pay our respects to elders past and present. We acknowledge Aboriginal and Torres Strait Islander peoples as the First Australians and Traditional Custodians of the land where we live, work, and learn.

Send us a textIn this landmark episode of the Magick Kitchen Podcast, hosts Leandra Witchwood and Elyse Welles sit down with spiritual teacher, psychic healer, and bestselling author George Lizos to explore the modern revival of Hellenic polytheism — the living religion of the ancient Greek gods.George shares his groundbreaking experience performing the first Hellenic polytheist wedding in Cyprus, what it means to practice an evolving ancient faith, and how community, ritual, and activism are helping restore sacred traditions to modern life. Together, they dive deep into the real essence of the Greek gods — beyond myth — and explore how these deities represent universal laws, virtues, and living forces that guide us today.From the mysteries of Zeus and Aphrodite to the misunderstood roles of Hekate and Dionysus, this conversation bridges witchcraft and religion, exploring how the old ways are alive, evolving, and deeply needed in our world.

On Prophecy Radio episode #144, Karen and Kristen discuss the final chapter of The Red Pyramid by Rick Riordan, as well as what they might expect when they pick up Throne of Fire sometime in the future. They also chat about the latest Percy Jackson news, including the surprising Aphrodite casting. New episodes of Prophecy Radio air every other week. All discussions are PG-13. News and Updates (00:14:01) Kate McKinnon has been cast as Aphrodite! Yes, we're surprised, but…we can see it. Kristen also found a couple clips from Percy Jackson and the Olympians season 3 filming which you can watch here and here. Blackjack and little baby Nico make an appearance! NerdDaily did an interview with Rick and Mark for The Court of the Dead. They describe writing the book as “improvisational jazz” and we really love that. They have no plans for the future, but that doesn't mean there might not be any…in the future. Percy Jackson and the Olympians: Create Your Fate: A Coloring Book hits store shelves on November 11. The Sea of Monsters graphic novel (with a new cover) and the Disney+ tie-in edition also come out on the same day. The Red Pyramid discussion (00:31:38) This is it! We're here to talk about the final chapter of The Red Pyramid and then make our predictions for what may come next. A lot happened in the last two chapters, so we do a mini recap. Carter gets the last POV chapter! The kids (and Amos) return to Brooklyn and are greeted by an enthusiastic Khufu. Muffin is safe and comfortable, and everyone gets a spot to sleep amongst the rubble. How thoughtful. It takes a while to rebuild the mansion, and each sibling has their own strength. Amos is still struggling with what happened to him, and we totally understand why–it was such a violation. Who is the real Amos and will we get to see him in Book 2? The amulets are safe, and we wonder what it'll be like when the kids are actually ready to host the gods again. Why can Carter see Anubis in his human form now? It must be so weird to see their old home in L.A. We were right about Julius, Osiris, and the Underworld throne! The banter between Anubis and Sadie is what romance books are made of! The situation with Julius is complicated to say the least, though we understand why he did what he did. Ruby shows up and we learn that she was kind of there with Isis when Sadie was hosting the goddess. Horus takes the throne of the gods and no one challenges him. Then all the gods bow to the Kanes. ZEUS WOULD NEVER. The gods restored the mansion, which is super nice, but we all know what we were really hoping for. Amos is leaving to go back to the House of Life and leaving the kids on their own. Except Bast is totally back! Carter thinks Sadie will want to go back to her grandparents, but she's totally going to stay with him in Brooklyn. We really loved the end of this book and how it hints to more coming soon. What were our favorite lines and favorite moments? What can we expect in Book 2? We can't wait to see the new recruits! Carter is totally going to track down the real Zia. The next book is titled The Throne of Fire, and we have a pretty good idea of what that could mean. Feedback (01:12:05) Thank you to Moon for sending in cute pictures of their kitty, Oreo! Thanks for listening, and tune in next time for episode 145, where we'll chat about the Percy Jackson and the Olympians season 2 trailer, as well as all the latest news. This episode's hosts are: Karen and Kristen Each episode, Prophecy Radio‘s hosts will discuss any official news coming out of Camp Half-Blood before doing a chapter by chapter reread of Percy Jackson or one of Rick Riordan's other series. Follow Us: Instagram // Facebook // Tumblr Listen and Subscribe: Audioboom // Apple // Spotify Feel free to leave us your questions or comments through any of these mediums! You can also email us at prophecyradiopodcast@gmail.com or visit our homepage for archives and more information about our show. Prophecy Radio is a Subjectify Media podcast production. Visit Subjectify Media for more shows, including Not Another Teen Wolf Podcast, ReWatchable, and Not About The Weather, and for all our latest articles about the stories we're passionate about.

Send us comments, suggestions and ideas here! In this week's episode we explore the final three chapters of Liber ARARITA, an obscure class A holy book from the mystic religion of Thelema which operates as an alchemical tool to reduce the entirety of the universe to a unity with God using Hebrew letters, angel math and creative visualization that is illegal in at least six countries. In the free side of the show we discuss the origins and occult meaning behind the Hebrew letter Yod and its complement in the text Tau. We discuss the Hermetic version of Neti-Neti, the High Priestess of the Tarot and the little dogs of hell. In the extended episode we loosen the eight belts of heaven, break into the Outer College, plough Venus, finish The Great Work and Go Beyond The Words of the Fool. Thank you and enjoy the show!In this week's episode we discuss:Hebrew Letters Yod and Tau (IT)The Little Dogs of HellHadit and NuitCrossing the AbyssExeptus AdeptThe Little Dogs of HellThe High PriestessNo, Certainly Not!In the extended episode at www.patreon.com/TheWholerabbit we finish the text and conclude by discussing:The Egyptian OMTo Know / SwallowThe Fire KadoshAt The EndSpiritual AlchemyThe Eight BeltsBeyond The Words of the FoolThis episode was prepared by Luke Madrid and Heka Astra, quotes read by Tim Hacker, Blue sections prepared by Mari Sama.Where to find The Whole Rabbit:Spotify: https://open.spotify.com/show/0AnJZhmPzaby04afmEWOAVInstagram: https://www.instagram.com/the_whole_rabbitTwitter: https://twitter.com/1WholeRabbitOrder Stickers: https://www.stickermule.com/thewholerabbitOther Merchandise: https://thewholerabbit.myspreadshop.com/Music By Spirit Travel Plaza:https://open.spotify.com/artist/30dW3WB1sYofnow7y3V0YoSources:Liber ARARITA / IAO 131https://iao131.com/commentaries/liber-dcccxiii-vel-ararita-sub-figura-dlxx/Book of Thoth:https://dn710008.ca.archive.org/0/items/out-of-print-and-rare-books-collection/BookOfThoth.pdfBook of the Law:https://sacred-texts.com/oto/engccxx.htmDion Fortune, Mystical KabbalahAleister Crowley, The Vision and the VoiceSupport the show

Mia Goth is the latest actor shedding a bit of light on the long-shelved Blade movie from Marvel Studios. In an interview with Elle, promoting her upcoming appearance in Guillermo del Toro's Frankenstein, Goth shared only that she is still attached to the film and commented that “It's for the best that it's taken the time it has. They want to do it right.” This is in line with Kevin Feige's comments this summer that the film is still moving forward.In an interview with the AP this week, Adam Driver dropped some major information about the Ben Solo movie in Star Wars that never was. Driver explained that Lucasfilm was interested in continuing his character's story in a film that had a script written by Steven Soderbergh. Driver was supportive of the script and the creative team took it to Bob Iger and Alan Bergman at Disney who turned the project down as they “didn't see how Ben Solo was alive.” Fan favorites Amber Midthunder and Walton Goggins will star in a new action movie from the creator of the John Wick franchise. The film, called Painter, has a major executive producer credit - with Avatar and Titanic director James Cameron serving in that role. Stunt coordinator Garrett Warren, who worked with Cameron on the last two Avatars as well as Logan and the Road House reboot, is directing the movie; a debut effort. The movie's plot will focus on Midthunder's character, trained as a child who must save her father after he is kidnapped.Lightning RoundKate McKinnon has joined the cast of “Percy Jackson and the Olympians” Season 3 and will play Aphrodite.Jim Carrey is in talks to star in a live action film adaptation of The Jetsons from Warner Bros. Pictures that has Colin Trevorrow attached to direct and write the script. There have been attempts to reboot the animated series from the 1960s in some form at various times over the years, but this is the first project that seems to have some traction.Blumhouse's The Black Phone 2 took the number one spot at the box office this weekend with a worldwide box office opening of $42 million, with $26.5 million from North America and $15.5 million from international markets. Disney's Tron: Ares is at $103M global for ten-days and is currently bound to lose more than $132M off a $220 million net production cost.Colman Domingo has been cast as the voice of the Cowardly Lion in “Wicked: For Good.” The announcement was made on the “Wicked” Instagram account on Monday, with Domingo hiding behind a lion stuffed animal before revealing himself and saying: “See you in Oz!”Netflix has won the rights to adapt the popular Asmodee board game Settlers of Catan and is planning an array of projects — scripted and unscripted, live-action and animated based on the franchise.AppleTV has released some first look photos for Shrinking season 3 and has confirmed a release date. The series starring Jason Segel and Harrison Ford returns with a one-hour episode on Jan. 28, 2026 on Apple TV. The 11-episode season will then release new episodes weekly on Wednesdays, until the April 8 finale.Netflix has entered development on a series about the Kennedy family, described as the American version of ‘The Crown' and Michael Fassbender has been cast as Joseph Kennedy Sr.Andor actress Denise Gough has joined the cast of Greta Gerwig's Narnia adaptation.

tracklist and more info: https://www.bestdrumandbass.com/podcast565/Happy Friday my friends, we are back with another epic edition of the best dnb podcast! Skorpion just dropped an epic single on Abducted LTD and Basket O Fries is in the guest mix with a basket o fire. So lets go, your weekend has begun!Subscribe to the podcast: bestdnb.com/podcast  Skorpion - Take This Gun / Cavendish Scum [OUT NOW on Abducted LTD]Download / Stream: bestdrumandbass.com/altd129/Supported by: MNDSCP, Eatbrain Radio, Aphrodite, Stonx, Sindicate, Bytecode, 2Whales, MV, Chief Jesta, Odi, Korax, Bad Ace, ZIONOV ND, Drone, BassDrive, Pish Posh,ESKR, Mygr, Nightstalker, Nox, ARI-ON and More!Catch Bad Syntax alongside some of the largest names in the game in Atlanta for Jungle Bells 2025! Click the image for more info!

Tracklist and more info: https://www.bestdrumandbass.com/podcast564/We are back with another epic week! We are celebrating the brand new slamming release by Skorpion out now on Abducted LTD, and in the guest mix we have RAID! So lock it in, your weekend has begun! Subscribe to the podcast: bestdnb.com/podcast  Skorpion - Take This Gun / Cavendish Scum [OUT NOW on Abducted LTD]Download / Stream: bestdrumandbass.com/altd129/Supported by: MNDSCP, Eatbrain Radio, Aphrodite, Stonx, Sindicate, Bytecode, 2Whales, MV, Chief Jesta, Odi, Korax, Bad Ace, ZIONOV ND, Drone, BassDrive, Pish Posh,ESKR, Mygr, Nightstalker, Nox, ARI-ON and More!Catch Bad Syntax alongside some of the largest names in the game in Atlanta for Jungle Bells 2025! Click the image for more info!

full episode info: https://www.bestdrumandbass.com/podcast563/What a week its been my friends! We are climbing up the charts with our new release (currently #33) and a MASSIVE thank you to everyone supporting it. Also we have a debut mix from Mattmattik in the guest spot, and all the tunes you need to fill your weekend with DNB goodness. Lock it in, the weekend has begun!Subscribe to the podcast: bestdnb.com/podcast TRCD ft Kryptomedic – Nowhere To Run VIP / Lose Control (Bad Syntax & FauxRealz RMX) [OUT NOW on Abducted LTD]Download / Stream: bestdrumandbass.com/altd128/Supported by: Black Sun Empire, Gydra, Figure, Eatbrain, Aphrodite, Stonx, Nemean, Sindicate, Bytecode, 2Whales, Bad Ace, MV, X.Morph, Transforma, Jane Doe DNB, Nightstalker, Direct shift, Scout 22, Korax, Subcat, Ari-On, Nox and More!Catch Bad Syntax alongside some of the largest names in the game in Atlanta for Jungle Bells 2025! Click the image for more info!

6/8. Professor Emily Wilson emphasizes the pervasive and often ambiguous role of the gods in The Iliad. They interfere constantly, appearing in various disguises, and hold strong opinions. Though "deathless," gods like Aphrodite and Ares can be wounded and bleed "ichor" rather than blood, revealing their human-like flaws despite divine power. Figures like Hera cleverly outmaneuver Zeus, and Thetis, Achilles's mother, tirelessly advocates for her son, framing much of the poem's plot through her prayers to Zeus.