Podcasts about Lausanne

Le Carnet de Maxime Blot "Devenir un Artisan Hôtelier" pour 39€ seulement !Fruit de plusieurs années d'expérience sur le terrain, ce carnet signé Maxime Blot, Meilleur Ouvrier de France, offre un regard affûté sur les enjeux actuels du service hôtelier.1️⃣ Présentation de l'invitée :Ariane Guevara a choisi le côté de la distribution hôtelière et en a fait son parcours professionnel. Jusqu'à intégrer une fintech nouvelle génération !Ariane est une professionnelle accomplie dans le domaine de la distribution hôtelière. Diplômée de l'école hôtelière de Lausanne avec une spécialisation en marketing, elle a commencé sa carrière en sales pour une bed bank en France. Elle a ensuite rejoint Hotel Beds, où elle a joué un rôle crucial dans l'unification des équipes après une fusion majeure. Aujourd'hui, elle travaille pour Hopper, une entreprise qui se positionne comme un challenger sur le marché des OTA (Online Travel Agencies), avec une approche centrée sur l'innovation technologique et la finTech.Quelles sont les tendances actuelles et futures de la distribution hôtelière ?Quelle est la part croissante des canaux digitaux et des technologies émergentes comme l'intelligence artificielle ?Comment Hopper utilise des algorithmes de machine learning pour offrir des solutions innovantes, telles que la flexibilité des annulations et le gel des tarifs ?Comment améliorer l'expérience utilisateur, mais également une valeur ajoutée aux partenaires hôteliers ?Quels sont tes conseils pour les hôteliers qui cherchent à naviguer dans ce paysage en constante évolution ?Toutes les réponses dans notre échange !2️⃣ Notes et références :▶️ Toutes les notes et références de l'épisode sont à retrouver ici.Cet épisode est produit en partenariat avec Hopper. Un grand merci aux équipes pour leur collaboration et leur professionnalisme.3️⃣ Le partenaire de l'épisode :HotelPartner Revenue ManagementPrendre un rendez-vous avec MarjolaineDites que vous venez d'Hospitality Insiders et Marjolaine se déplace gratuitement dans votre établissement pour effectuer un diagnostic !4️⃣ Chapitrage : 00:00:00 - Introduction00:01:05 - Parcours professionnel d'Ariane Guevara00:05:26 - Présentation de la Fintech Hopper00:07:31 - Habitudes de consommation de la Génération Z00:11:30 - Flexibilité des réservations00:16:10 - Positionnement de Hopper en Europe00:21:30 - Stratégie d'acquisition clients00:29:10 - Conseils pour la distribution hôtelière en France00:35:00 - Questions signaturesSi cet épisode vous a passionné, rejoignez-moi sur :L'Hebdo d'Hospitality Insiders, pour ne rien raterL'Académie Hospitality Insiders, pour vous former aux fondamentaux de l'accueilLe E-Carnet "Devenir un Artisan Hôtelier" pour celles et ceux qui souhaitent faire de l'accueil un véritable artLinkedin, pour poursuivre la discussionInstagram, pour découvrir les coulissesLa bibliothèque des invités du podcastMerci de votre fidélité et à bientôt !Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Après que son propriétaire l'a mis à la porte, Hakim a vécu sans domicile fixe pendant huit mois, se faisant loger chez des amis et chez ses parents et dormant parfois dans son véhicule. Aujourd'hui hébergé par l'Hospice général, à Genève, il cherche à retrouver un logement pérenne. À Lausanne, à la Marmotte, les bénéficiaires de cet hébergement d'urgence ne peuvent rester que la nuit, et pas plus de vingt-huit jours consécutifs. Reportages de Grégoire Molle Réalisation: Sandro Lisci Production: Laurence Difélix

Des loyers souvent plus bas que les prix du marché, la possibilité de prendre une part plus active dans la vie et la gestion de l'immeuble: voici ce que proposent les coopératives d'habitation, qui représentaient environ 4% du parc immobilier suisse en 2025. Plusieurs mois avant d'emménager dans leur nouveau logement, les futurs locataires du projet de la Codha " Via 105 ", à Versoix, imaginent déjà leur nouveau chez-eux. À Lausanne, la SCHL se présente aux locataires d'un immeuble dont la société coopérative a récemment fait l'acquisition. Reportages de Grégoire Molle Réalisation: Sandro Lisci Production: Laurence Difélix

Nous sommes vers l'an trente avant notre ère. Virgile, poète latin contemporain de la fin de la République romaine et du début du règne de l'empereur Auguste, termine un texte consacré à l'agriculture. Il écrit : « Oui, c'est le printemps qui pare les bosquets de leur feuillage, le printemps qui pare les forêts. Au printemps, les terres se gonflent et réclament les semences génératrices. Alors le Père tout puissant, l'Ether descend en pluies fécondantes dans le sein de son épouse prolifique et, uni dans une puissante étreinte à son corps puissant, vivifie tous les embryons. Alors les oiseaux mélodieux font résonner les buissons écartés, et le bétail réclame Vénus à dates fixes. La terre nourricière est en gésine (sur le point d'accoucher), et, aux souffles tièdes de Zéphyr, les champs ouvrent leur sein. » Marqueur social et culturel essentiel en Occident, le printemps nous ramène à une époque où les humains et la nature étaient liés par le même ordre des choses. Or, si les grands hivers et les étés torrides ont leurs chroniqueurs, le printemps, symbole de renaissance et d'espoir, a laissé moins de traces dans les sources. À l'heure où le rythme des saisons semble avoir perdu la boussole, où les enjeux climatiques et environnementaux occupent les esprits : que reste-t-il de « l'éternel et vert printemps » ? Avec nous : François Walter, professeur honoraire à l'Université de Lausanne. « Désir de printemps – Histoire sensible d'une saison » ; Payot. sujets traités : Printemps, République,romaine, Virgile, poète, latin, Auguste,Vénus, Zéphyr Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

WM 2026: Der Fußball könnte wieder einmal die Welt vereinen - so der Traum. Stattdessen hagelt es schon jetzt Kritik von sehr vielen Seiten. Dieses Ereignis werde den „größten CO2-Fußabdruck“ in der Geschichte des internationalen Sports hinterlassen, glaubt die Universität Lausanne, wenn rund sechs Millionen Fans zwischen 16 Spielorten mit großen Distanzen unterwegs sind. Die FIFA hat die WM von 64 auf 104 Spiele vergrößert und wird vor allem mit Erlösen in Milliardenhöhe selbst davon profitieren, so weitere Befürchtungen. Und was bleibt für die Menschen in den Austragungsländern beim Ansturm von Fans, drastischen Sicherheitsmaßnahmen und zu teuren Tickets? Diese Frage stellt sich auch bei anderen Sport-Großveranstaltungen wie Europameisterschaften oder Olympischen Spielen. Wie können solche Großereignisse so ausgerichtet werden, dass sie nicht zum Albtraum für die Bevölkerung werden? Und wo bleibt eigentlich der Spaß am Spiel? Darüber spricht Karen Fuhrmann mit Helena Raspe von Misereor, mit Eckart Maudrich von Nolympia Hamburg, dem Sportwissenschaftler Jörg Königstorfer und dem ARD-Sportreporter Philipp Hofmeister, der auch von dieser WM berichtet. Podcast-Tipp: Behind The Games - Wer den Sport kontrolliert? Seit zehn Jahren ist Gianni Infantino FIFA-Präsident und dabei so mächtig wie kein Fußballfunktionär vor ihm. "Behind The Games” blickt tief in das raffinierte System Infantino und erzählt bisher unbekannte Hintergründe zur Fußball-WM 2026. https://www.ardsounds.de/sendung/behind-the-games-wer-den-sport-kontrolliert/urn:ard:show:35e9fc449f24e316/

Schiffstouren auf knallblauem Wasser und eine Bahn, die immer pünktlich ist: Rund um den Genfersee macht das Reisen richtig viel Freude, stellte Tinka auf ihrer großen Schweiz-Reise fest. Ihrer Co-Hostin Silvia Tyburski erzählt sie in dieser Folge von mondänen Hotels, Picknicks im Weinberg und einem Schwimmbad mit großem Unterhaltungsfaktor. Außerdem erfahrt ihr, wo Charlie Chaplin lebte und wie der Song "Smoke on the Water" von Deep Purple entstand.

Sʹinspirant dʹun essai de Virginia Woolf paru en 1938 sur la guerre et la place des femmes dans la société dʹalors, la chorégraphe Maud Blandel imagine "Same old Songs", un spectacle puissant et galvanisant pour un trio de danseuses. A découvrir à lʹArsenic de Lausanne jusquʹau 13 juin, puis à Genève, salle de lʹADC du 18 au 21 mars 2027. Maud Blandel répond au micro de Thierry Sartoretti.

In Episode 106 of the Cybersecurity Readiness Podcast Series, Dr. Dave Chatterjee is joined by Holger Hügel, Chief Technology Officer of SecurityBridge and a global authority on SAP cybersecurity with over 26 years of experience — to address a governance blind spot that exists inside the security perimeters of even the most mature enterprise organizations: the SAP environment.Opening with the August 2024 ransomware attack on Stoli Group USA — where attackers went straight for the company's SAP enterprise resource planning (ERP) system, disrupting financial operations and contributing directly to a bankruptcy filing within three months — Dr. Chatterjee frames the episode's central challenge: organizations can have zero trust architecture, network segmentation, and identity governance fully deployed across their IT landscape, and still be critically exposed, because most CISOs have never formally claimed accountability for SAP security, and most SAP teams do not think of themselves as part of the security function.Hügel explains the structural gap at the heart of this problem. SAP systems are simultaneously the most business-critical and the least security-governed assets in most large organizations. The C-suite depends on them for financial operations, payroll, procurement, and supply chain continuity, yet SAP teams and security teams speak different languages, operate under different budgets, and rarely collaborate. SAP departments typically define "security" as managing user authorizations and privileges — a narrow interpretation that leaves configuration drift, patch backlogs, and monitoring gaps entirely unaddressed.Analyzed through Dr. Chatterjee's Commitment–Preparedness–Discipline (CPD) framework, the conversation translates SAP cybersecurity from a technical niche into a governance imperative. The Medtronic case study demonstrates what good looks like: a CISO who crossed the organizational divide, sponsored SAP hardening from the cybersecurity budget, built a continuous patch management process, and created the governance structure that allowed the team to respond to an out-of-band vulnerability within hours rather than weeks.The episode's central message is neither technical nor abstract: the organizations that will survive the next ERP-targeted ransomware attack are not those with the most sophisticated tools — they are the ones that have claimed ownership of the problem, built the processes to address it continuously, and created the cross-functional governance structures that SAP and cybersecurity teams cannot build on their own.To access and download the entire podcast summary with discussion highlights - https://www.dchatte.com/episode-106-the-invisible-attack-surface-zero-trust-for-sap-and-erp-environments/Connect with Host Dr. Dave ChatterjeeLinkedIn: https://www.linkedin.com/in/dchatte/ Website: https://dchatte.com/Books PublishedThe DeepFake ConspiracyCybersecurity Readiness: A Holistic and High-Performance ApproachArticles & Cases PublishedChatterjee, D. (2026). Root: Automating the Remediation Gap, Ivey Publishing, Jan 7, 2026.Ramasastry, C. and Chatterjee, D. (2025). Trusona: Recruiting For The Hacker Mindset, Ivey Publishing, Oct 3, 2025.Chatterjee, D. and Leslie, A. (2024). “Ignorance is not bliss: A human-centered whole-of-enterprise approach to cybersecurity preparedness,” Business Horizons, Accepted on Oct 29, 2024.Isik, O., Chatterjee, D., and Lourenco, D.A. (2024). “Getting Cybersecurity Right,” California Management Review — Insights, Accepted for Publication, July 8, 2024. Chatterjee, D. (2023). “Mission critical – How American Cancer Society successfully and securely migrated to the cloud amid the pandemic,” I by IMD, March 13, 2023.Chatterjee, D. (2022). “Preventing security breaches must start at the top,” I by IMD, September 28, 2022, Institute for Management Development, Lausanne, SwitzerlandChatterjee, D. (2022). “Making Cybersecurity Readiness Mainstream,” Executive Blog Post, NETSPI, March 1, 2022Benz, M. and Chatterjee, D. (2020). “Calculated Risk? A Cybersecurity Evaluation Tool for SMEs,” Business Horizons, available online from May 4, 2020Chatterjee, D. (2019). “Should Executives Go To Jail Over Cyber Attacks,” Journal of Organizational Computing and Electronic Commerce, Vol 29, Issue 1, pp. 1-3.Abraham, C., Chatterjee, D., and Sims, R. (2019). “Muddling through cybersecurity: Insights from the U.S. healthcare industry,” Business Horizons, July 2019.

L'exposition se tient actuellement à Lausanne, à lʹespace dʹart contemporain V V, jusqu'au 28 juin 2026. Cette exposition originale réunit 100 artistes vaudois qui ont toustes reçu une seule contrainte : créer une œuvre miniature respectant strictement le format poche d'une carte de visite (84 × 55 mm), le curateur de lʹexpo Renaud Defrancesco est au micro de Florence Grivel

(1) "Rundown" - Sorsby, Knicks, Stacy King, Arena League Memphis & Bear in Indy (2) Chris Mitchell from Lausanne taking the Head Baseball job at Houston HS

En 1981, les femmes obtiennent l'inscription dans la constitution helvétique de leur égalité. C'est inscrit et il n'y a plus qu'à appliquer ce nouveau principe fondateur de la nation. Mais à partir de là commence une décennie de frustration face à la lenteur de mise en application de ce nouveau principe tant attendu. Des frustrations et une grève choc en 1991. Brigitte Studer, historienne et autrice de La conquête d'un droit-Le suffrage féminin en Suisse, (Editions Alphil). Sarah Kiani enseigne à l'université de Neuchâtel en études genre. Elle est également réalisatrice de cinéma et l'autrice de De la révolution féministe à la Constitution. Mouvement des femmes et égalité des sexes en Suisse (1975-1995) (Editions Antipodes).. Charlène Calderaro est doctorante au Centre en Etudes Genre de l'université de Lausanne. Elle s'intéresse aux dynamiques d'institutionnalisation des droits des femmes en France et en Angleterre. Eléonore Lepinard est sociologue à l'Université de Lausanne et a publié un essai pédagogique intitulé Féminisme (Editions Anamosa, Collection " Le mot est faible ") Pauline Milani, historienne, enquête sur l'histoire des antiféministes. Elle est l'autrice de Iris von Roten et Femmes sous surveillance, une dénonciation de l'antiféminisme (2022, Cahiers d'histoire du mouvement ouvrier).

Au cours de l'histoire, il y a plusieurs féminismes, de droite ou de gauche, libéral ou anticapitaliste. Les années septante voient se déployer le féminisme que l'on qualifie de "deuxième vague". Brigitte Studer, historienne, est l'autrice de : La conquête d'un droit-Le suffrage féminin en Suisse (Editions Alphil). Eléonore Lepinard est sociologue à l'Université de Lausanne. Elle a publié un essai pédagogique intitulé Féminisme (Editions Anamosa, collection " Le mot est faible ") Sarah Kiani enseigne à l'université de Neuchâtel en études genre. Elle est également réalisatrice de cinéma et l'autrice de De la révolution féministe à la Constitution. Mouvement des femmes et égalité des sexes en Suisse (1975-1995) (Editions Antipodes).

Les femmes votent depuis 1971, mais qu'en est-il ensuite en matière de politique familiale ? Si les femmes travaillent toujours plus à l'extérieur, elles conservent malgré tout la grande exclusivité du travail ménager. Ce travail gratuit devient un objet de débat, toujours actuel. Anne-Françoise Praz est historienne et elle s'intéresse en particulier à l'histoire de la famille et des femmes. Sarah Kiani enseigne à l'université de Neuchâtel en études genre. Elle est également réalisatrice de cinéma et l'autrice de De la révolution féministe à la Constitution. Mouvement des femmes et égalité des sexes en Suisse (1975-1995) (Editions Antipodes). Pauline Milani, historienne, enquête sur l'histoire des antiféministes. Elle est l'autrice de Iris von Roten et Femmes sous surveillance, une dénonciation de l'antiféminisme (Cahiers d'histoire du mouvement ouvrier, 2022). Charlène Calderaro est doctorante au Centre en Etudes Genre de l'Université de Lausanne. Elle s'intéresse aux dynamiques d'institutionnalisation des droits des femmes en France et en Angleterre. Brigitte Studer, historienne et autrice de La conquête d'un droit-Le suffrage féminin en Suisse, (Editions Alphil).

How can the global church speak about sexuality with both biblical conviction and the compassion of Christ? Summary In this episode of the Lausanne Movement Podcast, Jason Watson speaks with Vaughan Roberts about why sexuality has become one of the most pressing mission conversations facing the global church. Drawing on Scripture, pastoral experience, and his own personal story, Vaughan helps listeners reflect on identity in Christ, the goodness of God's design, the false promises of the sexual revolution, and the need for churches to speak with both grace and truth. Guest Bio Vaughan Roberts is Rector of St Ebbe's Church in Oxford and President of The Proclamation Trust. He is a pastor, speaker, and author of Full of Grace and Truth: The Gospel and Sexuality in the Global Church, a short book based on his Lausanne presentation that offers a biblical and pastoral vision for engaging questions of sexuality with compassion and faithfulness. Main Points Sexuality is now relevant in the global mission conversation. Vaughan explains how the sexual revolution has become a major barrier for many people engaging with Christianity, and how the internet is discipling younger generations around the world. Identity in Christ is deeper than sexual desire. Vaughan shares from his own story, distinguishing between same-sex attraction as part of his reality and Christ as his true identity. The Bible begins with a positive vision of sexuality. Vaughan frames biblical sexuality around four truths: God is for sex, sex is for marriage, marriage is for life, and life is for Christ. Marriage points beyond itself to Christ and the church. Human marriage is not the ultimate answer to our deepest longings; it points to the greater union between Christ and his people. Shame and isolation make discipleship harder. Vaughan urges leaders to remember that when they speak about sexuality, they are speaking to real people in the room who need both truth and grace. The church must be full of grace and truth. Leaders must resist both compromise and condemnation, offering courageous biblical teaching alongside the open hands of Christ. Call to Action If this episode encouraged you, subscribe to the Lausanne Movement Podcast and share it with a pastor, ministry leader, parent, or young adult who is seeking to engage questions of sexuality with biblical conviction and Christlike compassion. We'd also love for you to join the conversation in the Lausanne Movement Podcast space on the Lausanne Action Hub, where you can share your thoughts and engage with our podcast community—and if this episode encouraged you, please consider leaving a rating or review so others can discover it too. Lausanne Movement Podcast Archive Redeeming Human Identity: Exploring the Intersection of Scripture, AI, Biotechnology, Gender and Human Sexuality with Dr Carmen Imes & Dr Matthew Niermann Restoring Biblical Sexuality — Lausanne Movement — Vaughan's Fourth Lausanne Congress presentation on sexuality through the lens of creation, fall, and redemption. Links & Resources Full of Grace and Truth: The Gospel and Sexuality in the Global Church — Vaughan Roberts' short book on the gospel and sexuality in the global church. Living Out — Resources for Christians, churches, and leaders seeking to think biblically and pastorally about sexuality, identity, singleness, marriage, and same-sex attraction. Restoring Biblical Sexuality – Worldwide | Living Out — A Living Out post sharing Vaughan's Lausanne talk as a model for speaking biblically and graciously about sexuality. St Ebbe's Church, Oxford — The church where Vaughan serves as Rector. Genesis 2:24, Ephesians 5, Revelation 21 — Key passages Vaughan references in his biblical overview of sex, marriage, Christ, and the church.

Das Zürcher Kantonsparlament diskutierte heute Morgen über Massnahmen gegen Hassbotschaften gegenüber queeren Menschen - und dabei deckten sich die Parteien mit Vorwürfen ein. Ausserdem: · Den «Notfall-Finder» gibt es nun für den ganzen Kanton Bern · 180'000 RTS-Schallplatten ziehen von Lausanne nach Luzern · Die Zürcher Langstrasse will Unesco-Weltkulturerbe werden

Mit dem Umzug des Westschweizer Radios und Fernsehens (RTS) verlässt auch eine riesige Vinylsammlung Lausanne. Die 40-Tonnen-Vinylsammlung wird künftig in einem ehemaligen Militärbunker im luzernischen Schlierbach gelagert. Weiter in der Sendung: · Erwartungen übertroffen: 50'000 Personen besuchten das Schweizerische Trachtenchorfest in Sursee. · Weggis im Zeichen der Ländlermusik: Organisatoren sind mit der 21. Ausgabe des Heirassa-Festivals zufrieden.

Lionel reçoit Vinzenz Hediger, directeur de la Cinémathèque suisse, qui nous présente la rétrospective de la réalisatrice, scénariste canado-suisse, Léa Pool. En salle, du 13 mai au 28 juin 2026 à Lausanne. – Invité : Vinzenz Hediger Animation : Lionel Réalisation : Noé Production : Roxanne Crédits images : DR […] The post Rétrospective Léa Pool à la cinémathèque suisse first appeared on Radio Vostok.

Lionel reçoit Vinzenz Hediger, directeur de la Cinémathèque suisse, qui nous présente la rétrospective de la réalisatrice, scénariste canado-suisse, Léa Pool. En salle, du 13 mai au 28 juin 2026 à Lausanne. – Invité : Vinzenz Hediger Animation : Lionel Réalisation : Noé Production : Roxanne Crédits images : DR […] The post Rétrospective Léa Pool à la cinémathèque suisse first appeared on Radio Vostok.

1) Jardin botanique de lʹUniversité de Fribourg: une exposition sur les marguerites Quel lien existe-t-il entre une marguerite et un arbre? Au Jardin botanique de lʹUniversité de Fribourg, lʹexposition "Et si la marguerite était un arbre?" explore les formes prises par certaines plantes de la famille des Astéracées. Sous les tropiques, des cousines de nos marguerites, pissenlits ou pâquerettes poussent parfois sous forme dʹarbustes, de lianes ou de petits arbres. Lʹexposition propose aussi des jeux et des dispositifs interactifs pour mieux comprendre cette grande famille de plantes. 2) Le biocompostage humain, une alternative post-mortem Le biocompostage humain, alternative écologique à l'inhumation et à la crémation, est au cœur des recherches du SHIFT, un centre unique en Europe basé à Lausanne. En étudiant la décomposition des corps, ce projet repense nos pratiques funéraires face aux enjeux éthiques et environnementaux. 3) Quand les ombres éclairent les grandes découvertes scientifiques Comment l'ombre a t elle pu révéler l'existence de phénomènes invisibles? Pourquoi ce phénomène si familier a-t-il joué un rôle décisif dans des découvertes majeures, de la géométrie à l'astronomie L'exposition «À l'ombre des découvertes», au Musée d'histoire des sciences de Genève, explore la place essentielle de l'ombre dans l'histoire des sciences.

Culte en direct du Eglise Saint-François à Lausanne, avec Jean-François Ramelet pour la prédication et Marie-Claude Julsaint pour les lectures pour la liturgie. Avec la participation musicale de Benjamin Righetti à l'orgue et Augustin Lipp, percussion. Présentation : Laurence Villoz Lectures bibliques : Apocalypse, chapitre 1, versets 8 à Luc, chapitre 23, versets 33 à 34 1 Corinthiens, chapitre 1, versets 22 à 25 Et si l'on parlait de la foi de Jésus plutôt que de la foi en Jésus? Nous évoquons beaucoup dans nos églises la foi en Jésus-Christ et nous dépensons beaucoup d'énergie à essayer de convaincre nos contemporains qu'il est bon de croire en lui. Si nous parlons beaucoup de la foi en Jésus-Christ, nous parlons rarement en Église de la foi de Jésus-Christ.

Elena Poniatowska, Mexico's most celebrated journalist and one of the most significant literary voices in the Spanish-speaking world, argues in this conversation that the crisis of contemporary journalism is inseparable from the collapse of critical reading—and that both are symptoms of a deeper cultural abandonment. Born in Paris in 1932 to a French-Polish father and Mexican mother, Poniatowska contends that her formation as a writer was shaped by displacement, by learning to listen to those rendered voiceless by history, and by understanding that journalism must be an act of solidarity before it is anything else. Widely credited with helping to establish the genre of testimonio in Latin American letters, she transformed the voices of the marginalised into literature that forced an entire nation to confront its own silence. She maintains that her landmark work La Noche de Tlatelolco was not a journalistic achievement but a moral obligation, and reflects on her decision to refuse the Xavier Villaurrutia Prize, asking who would award the dead. Poniatowska insists that the greatest threat to literature and journalism today is not artificial intelligence but the disappearance of patience—the willingness to sit with a text, a story, or a life long enough for meaning to emerge. At 94, she affirms her belief in the innate goodness of human beings as not a sentiment but a necessity.Elena Poniatowska, la periodista más célebre de México y una de las voces literarias más significativas del mundo hispanohablante, sostiene en esta conversación que la crisis del periodismo contemporáneo es inseparable del colapso de la lectura crítica—y que ambos son síntomas de un abandono cultural más profundo. Nacida en París en 1932 de padre franco-polaco y madre mexicana, Poniatowska afirma que su formación como escritora estuvo marcada por el desplazamiento, por aprender a escuchar a quienes la historia había silenciado, y por comprender que el periodismo debe ser ante todo un acto de solidaridad. Ampliamente reconocida por haber contribuido a establecer el género del testimonio en las letras latinoamericanas, transformó las voces de los marginados en literatura que obligó a una nación entera a confrontar su propio silencio. Sostiene que su obra emblemática La Noche de Tlatelolco no fue un logro periodístico sino una obligación moral, y reflexiona sobre su decisión de rechazar el Premio Xavier Villaurrutia, preguntando quién iba a premiar a los muertos. Poniatowska insiste en que la mayor amenaza para la literatura y el periodismo hoy no es la inteligencia artificial sino la desaparición de la paciencia—la disposición a permanecer con un texto, una historia o una vida el tiempo suficiente para que emerja el significado. A los 94 años, reafirma su creencia en la bondad innata de los seres humanos no como un sentimiento sino como una necesidad.English transcript:SAVAGE MINDS — Elena PoniatowskaJulian Vigo (00:00:15):Welcome to Savage Minds.Julian Vigo (00:00:26):I am your host, Julian Vigo.Julian Vigo (00:00:30):Today's guest is Elena Poniatowska Amor,Julian Vigo (00:00:33):daughter of a French father of Polish origin, Jean E.Julian Vigo (00:00:37):Poniatowski, and Mexican mother Paula Amor.Julian Vigo (00:00:41):She was born in Paris in 1932.Julian Vigo (00:00:46):She has practiced journalism since 1953 at the newspapers El Día, Excélsior, Novedades, and La Jornada.Julian Vigo (00:00:57):She is the first woman to receive the National Journalism Prize.Julian Vigo (00:01:02):Among her works is La Noche de Tlatelolco,Julian Vigo (00:01:05):a classic since its publication, for which she was awarded the Xavier Villaurrutia Prize,Julian Vigo (00:01:12):which she refused, asking who was going to award the dead.Julian Vigo (00:01:17):Her novels and stories include La Flor de Lis,Julian Vigo (00:01:20):De Noche Vienes and Tlapalería,Julian Vigo (00:01:24):Paseo de la Reforma,Julian Vigo (00:01:26):Hasta No Verte Jesús Mío,Julian Vigo (00:01:28):The Life of a Mexican Soldadera,Julian Vigo (00:01:31):Querido Diego Te Abraza Quiela, Tinísima, winner of the Mazatlán Prize in 1992, La Piel del Cielo,Julian Vigo (00:01:40):winner of the Alfaguara Novel Prize in 2001, and El Tren Pasa Primero,Julian Vigo (00:01:48):about the lives of Mexican railway workers,Julian Vigo (00:01:52):winner of the Rómulo Gallegos International Novel Prize in 2007. Leonora won the Premio Biblioteca Breve Seix Barral in 2011. El Universo o Nada (2013) is the biography ofJulian Vigo (00:02:07):astrophysicist Guillermo Haro. Ondas de la Niña Mala is her first poetry collection, andJulian Vigo (00:02:14):her children's books include Boda en Chimalistac, La Vendedora de Nubes,Julian Vigo (00:02:20):El Burro que Metió la Pata, Sansimonsi, illustrated by Rafael Barajas el Fisgón, and ElJulian Vigo (00:02:27):Niño Estrellero by Fernando Robles, and El Charito Cantor by Osvaldo Hernández.Julian Vigo (00:02:34):Her most recent novel, El Amante Polaco, portrays the last king of Poland, Stanisław AugustJulian Vigo (00:02:41):Poniatowski. Translated into 20 languages. Gabi Brimmer and Las Mil y Una, the story ofJulian Vigo (00:02:48):Paulina,Julian Vigo (00:02:49):address social issues.Julian Vigo (00:02:52):After receiving honorary doctorates from UNAM and UAM,Julian Vigo (00:02:57):she was awarded them from the University of Puebla,Julian Vigo (00:03:01):Sonora, Estado de México,Julian Vigo (00:03:04):Guerrero,Julian Vigo (00:03:06):Chiapas, and Puerto Rico.Julian Vigo (00:03:09):She also received honorary degrees from the New School for Social Research in New York,Julian Vigo (00:03:13):Manhattanville College, and Florida Atlantic University in the United States, and fromJulian Vigo (00:03:19):Paris 8,Julian Vigo (00:03:19):La Sorbonne, and Pau-Pyrénées, as well as the Maria Moors Cabot Prize for Journalism atJulian Vigo (00:03:27):Columbia University, New York, in 2004, and from the Universidad Complutense, Madrid, inJulian Vigo (00:03:32):2015.Julian Vigo (00:03:34):She received the French Legion of Honour at the rank of Officer, the Gabriela Mistral Prize from Chile, and inJulian Vigo (00:03:41):2006, the Courage Award from the International Women's Media Foundation.Julian Vigo (00:03:43):In 2013 she was awardedJulian Vigo (00:03:49):the Miguel de Cervantes Prize for literature in the Spanish language, and she received theJulian Vigo (00:03:55):Belisario Domínguez Medal in 2022.Julian Vigo (00:03:58):This is the highest honour granted by the Senate of the Mexican Republic, along with theJulian Vigo (00:04:05):Carlos Fuentes International Prize for Literary Creation in the Spanish Language in 2023.(00:04:12):I welcome Elena Poniatowska to Savage Minds.Julian Vigo (00:04:19):I wanted to begin with a memory I have of you.Julian Vigo (00:04:22):In 1993,Julian Vigo (00:04:25):I think,Julian Vigo (00:04:27):or 94 —Julian Vigo (00:04:28):one of those two years —Julian Vigo (00:04:29):I was in Puebla,Julian Vigo (00:04:31):Cholula,Julian Vigo (00:04:32):teaching at the Universidad de las Américas.Julian Vigo (00:04:35):Yes.Julian Vigo (00:04:36):And you came to give a talk at an observatory — I believe it was Tonantzintla.Elena Poniatowska (00:04:44):Yes, of course.Elena Poniatowska (00:04:46):Yes, I remember it, andJulian Vigo (00:04:49):you made a great impression on me that day. But I must confess that your entire life's work made a great impression on me — not only on me. I wanted to begin with your formation, your life, because you were born in France andJulian Vigo (00:05:12):how do you remember your childhood in France, and what elements of that world did you bring with you when you arrived in Mexico in 1942?Elena Poniatowska (00:05:21):Well, thank you very much for your interest.Elena Poniatowska (00:05:29):I can tell you that I was born in 1932 in Paris, France, because my mother Paula Amor marriedElena Poniatowska (00:05:42):Juan Poniatowski, who held a noble title — that of prince —Elena Poniatowska (00:05:54):because the last king of Poland was Stanisław Poniatowski, who was, I believe, one ofElena Poniatowska (00:06:07):the lovers —Elena Poniatowska (00:06:09):one of the younger lovers of the Empress of Russia, Catherine the Great.Elena Poniatowska (00:06:21):My mother was a woman born also in Paris, of Mexican origin, who leftElena Poniatowska (00:06:32):France because of the Mexican RevolutionElena Poniatowska (00:06:36):and went to live with her parents — Pablo Amor and Elena Iturbe de Amor — inElena Poniatowska (00:06:49):Biarritz, and they later moved to Paris. My mother always spoke Spanish with a French accent. She had two sisters who also lived in France for a long time,Elena Poniatowska (00:07:07):and they were rather Frenchified. She met my father Jean Poniatowski in Paris andElena Poniatowska (00:07:20):married him, and I was born in 1932 in Paris.Elena Poniatowska (00:07:25):I would like to knowJulian Vigo (00:07:31):more about this experience, because as you probably know — especially Americans and Canadians — they think everyone wants to come to their countries. But something they don't know until they travel is that in Mexico, Honduras, and all of Latin America there is a great deal of immigration, people from every country in the world. Why not?Elena Poniatowska (00:08:01):Her mother was in France; my mother was Mexican, born in France. Her family — she had a grandmother, my mother's great-grandmother, who was Russian, and in general her father was educated in England, so they wereElena Poniatowska (00:08:29):Mexicans — Amor is a Mexican surname — but they were very closely tied to Europe. For my mother, living in Europe was very natural becauseElena Poniatowska (00:08:49):she first attended a boarding school in Switzerland, in Lausanne,Elena Poniatowska (00:08:56):and then was in Paris. At a Rothschild ball she met my father JuanElena Poniatowska (00:09:07):Poniatowski and married him in 1931,Elena Poniatowska (00:09:17):or perhaps at the beginning of 1932, because I was born on the 19th of May 1932.Elena Poniatowska (00:09:29):My sister was born in 1933.Julian Vigo (00:09:34):As a child who spoke French and had to learn Spanish, in what way did language become your first tool for survival?Elena Poniatowska (00:09:47):Well, I also know English and French. Language, for me — learning Spanish in Mexico — was obviously about communicating with people in the streetElena Poniatowska (00:09:56):and with friends at school. But French remained my mother tongue, andElena Poniatowska (00:10:03):later I dedicated myself to speaking Spanish with the people at home, with the MexicansElena Poniatowska (00:10:14):I met at school.Elena Poniatowska (00:10:23):Curiously, I attended an English school called the Windsor School, but I learned SpanishJulian Vigo (00:10:38):in the street — one always learns Spanish better in the street. You learn so much from people in Mexico. I found people very warm and open. On the other hand, for Mexicans in my country, it's not the same at all.Julian Vigo (00:10:59):What was the first moment you felt that writing was the only possible way to understand the Mexico around you?Elena Poniatowska (00:11:11):Well, I would never say it was the only possible way.Elena Poniatowska (00:11:17):I think that at twenty,Elena Poniatowska (00:11:22):twenty-one years old, returning from studying at a convent of nuns, I had theElena Poniatowska (00:11:30):good fortune to be able to start writing at a newspaper called, at that time,Elena Poniatowska (00:11:42):Excelsior.Elena Poniatowska (00:11:43):They asked me to submit a daily article,Elena Poniatowska (00:11:48):an interview,Elena Poniatowska (00:11:51):a chronicle, and I did so with enormous enthusiasm and great pleasure, because it allowed meElena Poniatowska (00:12:00):to know Mexico much better, and also to meet great figures of Mexico such asElena Poniatowska (00:12:09):Diego Rivera,Elena Poniatowska (00:12:11):José Clemente Orozco, actresses like Dolores del Río and María Félix, architects likeElena Poniatowska (00:12:20):Luis Barragán, and writers — even writers of my own generation, or slightlyElena Poniatowska (00:12:31):older than me — such as Juan Rulfo,Elena Poniatowska (00:12:38):Rosario Castellanos, Carlos Fuentes, and of course Octavio Paz.Julian Vigo (00:12:46):What a rich life! María Félix — what a figure!Julian Vigo (00:12:52):How was your experience beginning in journalism in the early 1950s in a predominantly male environment?Elena Poniatowska (00:13:05):Well, I was truly very lucky, because people were very kind andElena Poniatowska (00:13:14):even affectionate towards me. No one ever refused me an interview. I was able to reach Alfonso Reyes, Octavio Paz,Elena Poniatowska (00:13:25):the great architect Luis Barragán, José Vasconcelos the philosopher, and all were veryElena Poniatowska (00:13:40):kind and cordial with me, as were important actors like Ignacio LópezElena Poniatowska (00:13:51):Tarso,Elena Poniatowska (00:13:52):and of course those I already mentioned — Dolores del Río, María Félix — and singers, and also many visitors who came from Europe, the United States, or Latin America to perform in Mexico.Elena Poniatowska (00:14:20):Did you know El Indio Fernández?Elena Poniatowska (00:14:23):Yes,Elena Poniatowska (00:14:24):of course —Elena Poniatowska (00:14:25):I interviewed him,Elena Poniatowska (00:14:26):I knew El Indio Fernández, who by ten in the morning was already offering me a tequila, whichElena Poniatowska (00:14:35):I did not drink, as I'm not accustomed to drinking. And also many otherElena Poniatowska (00:14:47):famous actors of that era, like the comedian Cantinflas, whoseJulian Vigo (00:14:56):real name was Mario Moreno. Cantinflas — I know his work. Wow. And you were in Mexico during the same period as Luis Buñuel?Elena Poniatowska (00:15:06):Yes, I ended up with Luis Buñuel — yes, we had a great friendshipElena Poniatowska (00:15:15):because out of affection he came to have lunch at my house several times, so I saw him on manyElena Poniatowska (00:15:24):occasions. We even went together to the prison of Lecumberri to visit, for example, aElena Poniatowska (00:15:33):Colombian who had committed an offence and was imprisoned — his name wasElena Poniatowska (00:15:42):Álvaro Mutis.Julian Vigo (00:15:45):And you have lived through and narrated great social transformations.Julian Vigo (00:15:51):Do you think that today's digital democratisation of public opinion helps social justice, or does it rather dilute real struggles into mere narratives of identity and likes?Elena Poniatowska (00:16:08):Well, I think the Mexican Revolution,Elena Poniatowska (00:16:15):led by a man like Emiliano Zapata, was extraordinary in redistributing the lands and haciendas of Mexico and in giving all MexicansElena Poniatowska (00:16:32):access to better education, better formation, a better life. I consider thatElena Poniatowska (00:16:46):Emiliano Zapata was one of the great heroes of Mexico, even though he personally took away the haciendas of my grandparents, the Amors and the Iturbes.Julian Vigo (00:17:06):What did you learn from the great intellectuals of your youth?Julian Vigo (00:17:08):You mentioned Juan Rulfo, Alfonso Reyes, and many others.Julian Vigo (00:17:15):What influenced your decision to dedicate your life to letters?Elena Poniatowska (00:17:20):No, they did not influence my decision to dedicate myself to letters.Elena Poniatowska (00:17:26):I met them later.Elena Poniatowska (00:17:30):I began as a journalist, a modest journalist, at the newspaper Excelsior in 1953 —Elena Poniatowska (00:17:42):I think 1952 or 1953. Very young. I had come from an education at a convent of nuns inElena Poniatowska (00:17:53):Philadelphia, and I decidedElena Poniatowska (00:17:57):to write chronicles and interviews to get to know Mexico better. I came to know those figures through my work as a journalist, and because I could question themElena Poniatowska (00:18:14):in the language I knew and had learned as a child — at ten years old — which is Spanish. My other languages until then had beenElena Poniatowska (00:18:22):English,Elena Poniatowska (00:18:27):and French, which is my mother tongue.Julian Vigo (00:18:32):You are known for the testimonio.Julian Vigo (00:18:36):At what exact point did you feel that traditional fiction was not sufficient to capture Mexican reality?Elena Poniatowska (00:18:47):As I mentioned, I began by engaging with many valuable MexicansElena Poniatowska (00:18:54):who received me in their homes, gave me their opinions. At the same time as I received what they wished to give me,Elena Poniatowska (00:19:04):I observed how their homes were, how they treated the people around them — their wives, their children, their servants — and all of that helped meElena Poniatowska (00:19:22):to know Mexico better. I also spent a great deal of time in the streets — that is, with the poorest people, whom I was able to reachElena Poniatowska (00:19:34):through my own nature and also with the help of a great Mexican illustrator, Alberto Beltrán. In the street he made sketches of everything the Mexicans did — the newspaper vendors,Elena Poniatowska (00:19:59):the taco sellers,Elena Poniatowska (00:20:03):the women making corn tortillas by hand,Elena Poniatowska (00:20:12):the bakeries, and then the hardware stores where everything was sold — from nails toElena Poniatowska (00:20:22):cleaning cloths — and all of that was a very vital andElena Poniatowska (00:20:32):generous apprenticeship in learning to see the lives of working Mexicans.Julian Vigo (00:20:40):But it is an art — to be able to listen to people, to their voices.Julian Vigo (00:20:53):How did you learn to listen to the voice of the other?Elena Poniatowska (00:20:58):Well, I think it is a natural inclination.Elena Poniatowska (00:21:03):It is not learned.Elena Poniatowska (00:21:05):It is not forced.Elena Poniatowska (00:21:06):It is a way of being.Elena Poniatowska (00:21:10):I am far more interestedElena Poniatowska (00:21:11):in speaking of what others do, how they do it, and who they are, than in speaking of myself, my sensations, my emotions. And I have done this from a very young age, so it has become a habit — it is part of my daily life.Julian Vigo (00:21:36):Do you believe that the testimonio is essentially an act of political resistance?Elena Poniatowska (00:21:44):I think so.Elena Poniatowska (00:21:45):It helps enormously to know the thinking of those who have no power, who are not in power, who do not consider themselves political, who are not leaders — although I did have the great privilege of interviewing leaders and very important figures in Mexico,Elena Poniatowska (00:22:14):such as, for example, the Spanish refugee of the Civil War, Luis Buñuel.Julian Vigo (00:22:26):And how was the process of gathering the voice of Jesusa Palancares?Julian Vigo (00:22:32):How long did it take you to absorb her story?Elena Poniatowska (00:22:38):Well, it was a privilege. I heard her — she was doing laundry in a popular building, a building where many Mexicans lived who had noElena Poniatowska (00:22:56):economic resources. Everything she said caught my attention enormously. I approached her and asked if I could visit her at her home,Elena Poniatowska (00:23:13):which was a very poor house, obviously far from the area where I lived. And so I went toElena Poniatowska (00:23:26):see her once a week. We became friends, and she began telling me her life. And that is howElena Poniatowska (00:23:36):the novel Hasta No Verte Jesús Mío came about. When it was published,Elena Poniatowska (00:23:43):she asked me to give her ten copies to give to her friends —Elena Poniatowska (00:23:52):the bricklayers or the people she had worked with.Julian Vigo (00:24:00):And why did she choose the testimonial genre for Hasta No Verte Jesús Mío?Julian Vigo (00:24:09):It is one of the testimonial novels because —Elena Poniatowska (00:24:16):She didn't really choose it — she didn't. It was I who gathered her words andElena Poniatowska (00:24:27):assembled them in the best way I could. But she did not choose it.Elena Poniatowska (00:24:34):She could not read or write. She did not know how to read or write. But she asked for the books, and I — the cover of the book, what goes on the outside, is the Santo Niño de Atocha, a small Christ child that she liked.Julian Vigo (00:25:08):And I saw it in the street, and so I put it there so she would be happy. But I was asking you about the testimonial genre — in 1969 it was not a common thing in literature.Julian Vigo (00:25:26):How was this novel received?Julian Vigo (00:25:30):I wonder if people were confused.Julian Vigo (00:25:32):Is it a true story or is it fiction?Elena Poniatowska (00:25:35):No, it was very well received. The book was greatly liked.Elena Poniatowska (00:25:41):Immediately many editions came out and it was translated into English and French.Julian Vigo (00:25:51):And I wonder if at that time — less so today — people were confused because they did not know if it was a completely real story or partly real. Because the novel Hasta No Verte Jesús Mío was categorised as a novel.Elena Poniatowska (00:26:16):Yes, that's right, that is what it was.Elena Poniatowska (00:26:19):It is a novel based on a character — a woman who was in the Mexican Revolution, the life of a soldadera. To what extent is Jesusa an invented character or a real woman? I have said it, I have written it many times: Jesusa is a real character. After that I wroteElena Poniatowska (00:26:49):other books about other women who were also real characters. I had the joy of knowing Jesusa in person, but for example Tina Modotti, the main character ofElena Poniatowska (00:27:08):the novel Tinísima, I did not know. And other novels about other women and other characters I also did not know.Julian Vigo (00:27:22):What lessons about the resilience of Mexican women did you learn from Jesusa that remain relevant today?Elena Poniatowska (00:27:31):All the women in Mexico whom I see and engage with and encounter in the streetElena Poniatowska (00:27:41):and who come to my house — they are women who have known how to struggle and continue to struggle. For example, one woman, Rosario Ibarra de Piedra, whose son was disappeared, and who searched all of Mexico — she is obviously one of the heroines who has most caught my attention.Julian Vigo (00:28:10):And especially in recent years — almost thirty years — the femicides and the disappearances of men and women. You are still fighting for your society, and I think literary words have the power to carry reality forward. I am thinking of La Noche de Tlatelolco — that was the first book of yours I read. It is incredible. I have no words. Thank you. It is one of the best books of the twentieth century, and I teach it. It is astonishing. Can you speak about why you began that work, and also for those listening now who do not know the history of what happened in Mexico?Elena Poniatowska (00:29:03):Well, in general I can tell you that I received letters from a prisoner in the jail — Jesús Sánchez García — and I began going to Lecumberri, which was called the Black Palace of Lecumberri. It was no palace — it was a prison with bars and cells. I asked permission from the prison director — I believe his name was Martín del Campo — and he gave it to me. That is how I went to gather life stories from men, and later, at the women's prison, from women who had nothing to do with my own life, who bore no resemblance to what I hadElena Poniatowska (00:30:03):lived or what I would go on to live.Elena Poniatowska (00:30:16):That was an enormous enrichment for me, and a knowledge of an unknown Mexico that also helped me understand MexicoElena Poniatowska (00:30:31):— a Mexico to which I owe a great deal.Elena Poniatowska (00:30:35):I think that everything I am I owe to the voice, and to the gift of their voice, that the poorest Mexicans gave me — those I was able to approach over years and years,Elena Poniatowska (00:30:52):going to the prison and sometimes going to their own very poor homes, called vecindades, which were located in the very neighbourhoods where the prisons were.Julian Vigo (00:31:11):How did you manage the pain and trauma of the testimonies you heard while assembling the book?Elena Poniatowska (00:31:22):Pain is not managed. To manage something is to seek something. Pain is simply assumed and lived. So the pain is in the words written in the book.Julian Vigo (00:31:46):And why did you choose the technique of a collage of voices rather than a linear, chronological narrative for this book?Elena Poniatowska (00:31:57):I have many other books that speak even of personal stories — books that contain much of biography.Julian Vigo (00:32:13):Yes, but it is very interesting how you wove those narratives together in this book. It is very beautiful, in fact.Julian Vigo (00:32:24):Was there any moment during the writing of La Noche de Tlatelolco when you felt fear or censorship?Elena Poniatowska (00:32:33):Well, there was always the dread of entering terrain unknown to me.Elena Poniatowska (00:32:40):Ultimately, I was educated —Elena Poniatowska (00:32:45):I spent time in the United States at a convent to be educated, not to become a nun — it was called the Sacred Heart Convent.Elena Poniatowska (00:33:03):When I came out I was speaking English. My mother tongue is French. And when I left there, my strongest desire was truly to know Mexico — the country I had arrived in at the age of ten, but in which I had received an educationElena Poniatowska (00:33:30):in both English and French, not in Spanish.Julian Vigo (00:33:36):More than fifty years later, what impact do you think that book has on the collective memory of young Mexicans today?Elena Poniatowska (00:33:48):Well, I think that is a question that should be put to them.Elena Poniatowska (00:33:55):What I can say is that I have receivedElena Poniatowska (00:33:59):a great deal of affection from young people — many come to find me at my home, and I give lectures and talks with some frequency. Remember that I am already 94 years old and have lost the use of my left eye, which prevents me from seeing well. So within my limitations,Elena Poniatowska (00:34:27):I remain in contact with the people who want to see me, which for me produces great enthusiasm and which I experience as great support.Julian Vigo (00:34:42):The book you wrote is something very specific — evidently about Mexico — but it is still a book with which everyone can identify. If we look around today, where there are acts of political repression in almost every country in the world in one form or another — and I know your books are translated into many languages — I wonder whether the power of La Noche de Tlatelolco came from the form of the narration itself, not only from the fact that you confronted the government, the police, and justice. You narrated a story of the people seeking justice, yes, but literature itself was also seeking truth within its pages. There are wars everywhere, there is too much sadness. After the lockdown — which was less bad in Mexico than here in Italy — we are living through a very difficult moment. Do you sometimes think of this book as a model for dialogue, for collaboration, for moving forward together, the people united?Elena Poniatowska (00:36:09):Well, what I love about this book is that it has so many voices — many voices gathered from mothers of families, from children of political prisoners. For me it was a great learning experience to go to the prison in Mexico and see a world I did not know, to be accepted in that world, to go frequently to hear and gather the voices of political prisoners and of young people whoElena Poniatowska (00:36:52):didn't even have strong political ideas but were imprisoned because they had stolen something in a market. It meant entering a world I was completely unfamiliar with,Elena Poniatowska (00:37:13):to which I did not belong. And it was an enormous lesson — a very generous lesson — in how the lives of others can be. That is what I have dedicated myself to over many years, because I remain a journalist and continue writing about disasters such asElena Poniatowska (00:37:39):not only the massacre of the 2nd of October, but what the earthquake of 1985 meant for Mexico and the loss, for many Mexicans, of their families and their homes.Julian Vigo (00:37:59):Yes. You documented the earthquake of ‘85 — a moment when the Mexican government was completely paralysed and it was civil society that took control to rescue the city.Julian Vigo (00:38:15):Do you believe that peoples are still alone in the face of tragedy, or is that organic solidarity you described an invincible force?Elena Poniatowska (00:38:29):Yes,Elena Poniatowska (00:38:29):of course.Elena Poniatowska (00:38:30):I believe — that is why I believe in the invincible force of Mexicans, who help and support each other, who run to answer a cry for help. They are the ones who save themselves by saving others. I believe in that truth. It is a truth I lived, that I witnessed,Elena Poniatowska (00:38:57):and for me it is a lesson, a way of life.Julian Vigo (00:39:03):Does it reflect the structural abandonment of the seamstresses, the inhabitants, those who live in vecindades, and the poorest?Julian Vigo (00:39:13):How did you manage, in the midst of the chaos, the dust, and the mourning of those days, to earn the trust of people so that they would share their most painful and raw testimonies?Elena Poniatowska (00:39:30):Well, I have two physical advantages.Elena Poniatowska (00:39:32):I am small in stature. I frighten no one. No one is afraid of me. I can go anywhere. I am not someone who imposes anything at all, and I know how to listen. So by listening to others' voices, I gather them, I keep them, I memorise them,Elena Poniatowska (00:40:03):and then I put them on paper.Elena Poniatowska (00:40:06):That is the most solitary and difficult moment — writing about what happens to others,Elena Poniatowska (00:40:21):their sorrows,Elena Poniatowska (00:40:22):their joys,Elena Poniatowska (00:40:24):their defeats and also their triumphs —Elena Poniatowska (00:40:28):and making books and articles from them. Because I am also a journalist sinceElena Poniatowska (00:40:38):1953. I am now 94 years old.Julian Vigo (00:40:47):You're listening to Savage Minds.Julian Vigo (00:40:49):If you're enjoying the show, take a second to subscribe at savageminds.co.Julian Vigo (00:40:54):Feel free to comment below or drop us a line to share your thoughts.Julian Vigo (00:40:59):Support independent media today.Julian Vigo (00:41:01):Now, let's get back to it.Julian Vigo (00:41:15):Many consider that the earthquake of ‘85 not only brought down buildings but also toppled the myth of the Mexican State's absolute control — marking the true birth of modern citizenship in the country.Julian Vigo (00:41:33):From your perspective as a chronicler —Elena Poniatowska (00:41:40):I think Mexicans have always had enormous character and enormous capacity to defend themselvesElena Poniatowska (00:41:49):in spite of their own poverty, or in spite of the total absence of outside help.Elena Poniatowska (00:42:02):There was in Mexico a Mexican Revolution,Elena Poniatowska (00:42:08):a country conquered by very cruel conquerors, and yet the country has continued to forge ahead and has continued to demonstrate its bravery and courage in allElena Poniatowska (00:42:28):circumstances — one of which was, for example, the earthquake, in which the neighbours themselvesElena Poniatowska (00:42:37):helped each other before the State or the so-called government did anything.Elena Poniatowska (00:42:46):So I think it is a country with many very brave men, women, and children who save themselves, who know how to look after themselves.Elena Poniatowska (00:43:03):Of course there are people who don't know how to do it, and there are people who sometimes end upElena Poniatowska (00:43:12):in prison or in hospital. But in general Mexico is a country of very solidary people, people who help each other and defend themselves.Julian Vigo (00:43:31):What I love about your books in general is that you give voice — you shed light on the lives that are forgotten.Julian Vigo (00:43:42):Do you feel that in this book, for example, or in Nadie Me Verá Llorar, the author's voice becomes more present or closer to her characters than in your earlier works?Elena Poniatowska (00:43:56):No,Elena Poniatowska (00:43:57):I think that element is present in all my works — in Hasta No Verte Jesús Mío, in the book about the 2nd of October, in the earthquake — and it is always present in everything I still do at the newspaper where I work. I am in a certain way a chronicler and aElena Poniatowska (00:44:21):participant in the lives of other Mexicans.Julian Vigo (00:44:27):And I also notice that many of your works are about women — Tinísima, the life of Tina Modotti, a woman who lived so many lives in one. Leonora. And I wanted to ask — before we get to those books — about Querido Diego Te Abraza Quiela. Why did you choose that subject? Not only Diego Rivera but his first wife.Elena Poniatowska (00:44:59):I was moved to learn that in Paris, Angelina Beloff had gone to Mexico to seeElena Poniatowska (00:45:12):Diego Rivera, whom she had supported in Paris. He had lived with her and had livedElena Poniatowska (00:45:22):off her, because she was the one with a salary. He was a very young painter withoutElena Poniatowska (00:45:33):money, without resources. She helped him. And when she went to Mexico, she had also hadElena Poniatowska (00:45:42):the only male child that Diego Rivera ever had, who died of cold in Paris. And when she decided to go to Mexico — in a sense, to get to know the country of her lover — she decided to go to the Palacio de Bellas Artes because she knew that heElena Poniatowska (00:46:11):would be there. And he walked right past her — past the seat, one of those red velvet seats in the Palacio de Bellas Artes, called butacas, in which she was sitting — he walked past and did not even recognise her.Elena Poniatowska (00:46:40):That story struck me deeply, and that is why I decided to write the small book —Elena Poniatowska (00:46:55):it is not a very long book —Elena Poniatowska (00:46:58):called Querido Diego, Te Abraza Quiela.Julian Vigo (00:47:00):In Tinísima, what was it that drew you to the life of Tina Modotti?Elena Poniatowska (00:47:08):In reality it came from a request to make a film. The cinematographerElena Poniatowska (00:47:17):Gabriel Figueroa told me that a film was going to be made about Tina Modotti, the Italian woman who had been in Mexico. So I began interviewing all the people who had knownElena Poniatowska (00:47:38):Tina Modotti. And even when I was invited to France for a conference, I had theElena Poniatowska (00:47:47):opportunity to go to Udine in Italy to meet and get to know the siblings of Tina Modotti —Elena Poniatowska (00:48:00):to see them, interview them, speak with them.Elena Poniatowska (00:48:05):Then when I was told that the film about Tina Modotti in Mexico was no longer going to be made because there was no money, I — who had gone at my own expense to that conference in France and another writers' conference inElena Poniatowska (00:48:37):Italy — decided to launch into writing the novel called Tinísima, because I hadElena Poniatowska (00:48:48):interviewed many old communists whom I had gone to visitElena Poniatowska (00:48:56):in their various homes — generally very modest, very poor homes.Elena Poniatowska (00:49:03):I did not want to let them down, and so the novel Tinísima was published.Julian Vigo (00:49:10):And to what extent does Tina Modotti represent the struggle of the woman artist in the twentieth century?Elena Poniatowska (00:49:19):To the extent that she commits herself —Elena Poniatowska (00:49:23):she takes photographs of Mexico alongside Edward Weston, and then goes alongsideElena Poniatowska (00:49:33):Commander Carlos of the Fifth Regiment to Spain — she goes to the Spanish Civil War and becomes a nurse, caring evenElena Poniatowska (00:49:52):on the ground for the bodies that had fallen on the earth before taking them to the Red Cross — giving them first aid and dedicating herself to saving lives,Elena Poniatowska (00:50:08):or helping to save lives. I believe that many soldiers did not die thanks to the care of this womanElena Poniatowska (00:50:19):who was in the trench following the doctors.Julian Vigo (00:50:25):You have said that the writer must be a bridge.Julian Vigo (00:50:29):Between what worlds do you think it is most necessary to build bridges — or should we be breaking bridges today?Elena Poniatowska (00:50:38):No, I think one should never break a bridge, for anything.Elena Poniatowska (00:50:42):I think one mustElena Poniatowska (00:50:45):communicate — that the most important thing in the life of any human being is dialogue. Peoples too must dialogue with others in order to know each other. I think Mexico must have a dialogue with the United States, and that many Mexicans who have returned fromElena Poniatowska (00:51:09):the United States because TrumpElena Poniatowska (00:51:12):did not want to receive them, has rejected them — well, they nevertheless had, with another nation or with the inhabitants of another nation, knowledge and dialogue.Elena Poniatowska (00:51:28):And that I believe is what is called,Elena Poniatowska (00:51:34):within Catholicism if you like, or within any religion by whatever name it may be called — that is human fraternity. The otherElena Poniatowska (00:51:50):is the one who exists and who awaits you and whom you must help, because perhapsElena Poniatowska (00:51:58):one day you will need him to extend a hand to you.Julian Vigo (00:52:05):Trump is certainly a character, but I see the situation as too tragic for Americans — the United States, still my country — because the reality is that a large part of the Western world has absolutely no idea of the immense cultural, intellectual, and spiritual richness of Mexico.Julian Vigo (00:52:30):For me, it's not only Trump —Julian Vigo (00:52:32):but Americans, Canadians, etc.Julian Vigo (00:52:35):know nothing about the sharpest chroniclers of this country. If you had to open the eyes of an international audience completely unaware of Mexico's depth, what would you say is the most valuable treasure of Mexican identity that the rest of the world is missing?Elena Poniatowska (00:53:01):Well, I must say that many North Americans have come and written about Mexico — anthropologists and sociologists. We have Oscar LewisElena Poniatowska (00:53:17):and many others who have written about the poorest Mexicans, starting in Tepoztlán, a city near Mexico City, following them to the vecindades in the city where they took refuge and found very modest work. So yes, there have been North AmericansElena Poniatowska (00:53:44):who have written about the richness and beauty of Mexico, and their books areElena Poniatowska (00:53:53):translated into Spanish and are admired and appreciated by Mexicans who are grateful that attention is paid to them. So one cannot say that no one who has come from outside has cared about Mexico — in archaeology, in anthropology, as well as figures like Frances Toor, who was a North American woman who created a magazineElena Poniatowska (00:54:39):called Mexico Today and wrote extensively about Mexican customs and lived in Taxco.Elena Poniatowska (00:54:41):For example, a certain William Spratling enriched himself personally but helped many Mexicans inElena Poniatowska (00:54:51):Taxco to learn how to work silver and sell silver. And still today many foreigners and tourists go to buy silver objectsElena Poniatowska (00:55:10):that come from a mine discovered by foreigners — and clearly alsoElena Poniatowska (00:55:20):plundered, one might say, by foreigners.Julian Vigo (00:55:30):Because not everything is entirely good or entirely bad. But I was referring to the fact that — as you know, having been in the United States and many other countries — Trump and far too many people insufficiently educated about Mexico think that all Mexicans want to invade the United States. But the reality is otherwise. In Mexico there was a great cinematic tradition, for example. Mexican cinema has greatly influenced Hollywood — not only today but throughout history. The Oscar statuette itself was modelled on the body of El Indio Fernández. People do not know the depth of Mexican philosophy. I am thinking of Sor Juana, who contributed so much to poetry, theatre, even science — if we think of her letter to Sor Filotea, who was actually Manuel Fernández de Puebla. That dialogue was very important. Western feminists know nothing of these exchanges between those two figures. But for me Mexico has an enormous and very important force in the history of philosophy, science, and feminism. And I am thinking of Octavio Paz's book on Sor Juana Inés de la Cruz, called Sor Juana Inés de la Cruz, or The Traps of Faith. You knew Paz closely. Did you have conversations with him about his perspective on this book — especially regarding the power dynamics of the Church and the silencing she suffered as an intellectual woman?Elena Poniatowska (00:58:09):No, but I think you are mixing very many topics into one question, and it isElena Poniatowska (00:58:18):difficult to answer you because you are speaking of very diverse things that evenElena Poniatowska (00:58:27):happened in different centuries.Elena Poniatowska (00:58:30):Sor Juana — there have always been in Mexico,Elena Poniatowska (00:58:34):before Octavio Paz, people who dedicated themselves to reading,Elena Poniatowska (00:58:40):studying, and getting to know Sor Juana Inés de la Cruz.Elena Poniatowska (00:58:45):I will not add more names to those you mentioned, but there are many studies and many Sor Juana scholars in Mexico, as well as at the University of SantaElena Poniatowska (00:59:01):Barbara, California, in Paris, in France —Elena Poniatowska (00:59:04):there are many studies on the great figures of Mexico — not only The Traps of Faith by the Mexican poet Octavio Paz. So these are studies that will continue and do continue. In California, for example, Sara Poot HerreraElena Poniatowska (00:59:32):is dedicated to studying Sor Juana Inés de la Cruz, along with many other scholars — I don't know if she is still living — whose name was Rivers. All of these are studies that have been carried out in Mexico and outside Mexico.Julian Vigo (00:59:55):No, I was asking specifically about Paz's book because you knew him and —Elena Poniatowska (01:00:03):I knew him,Elena Poniatowska (01:00:04):I admired him, and I also wrote about him. I have a book about him. I admired him,Elena Poniatowska (01:00:12):I knew him, his poetry dazzled me. And he is a man whom I have admired since getting to know him, and whom I also hold with affection.Julian Vigo (01:00:29):I asked about your relationship with him because sometimes it happens to me too — with other writers — one asks or someone asks me, “Why did you do that?” It is a dialogue. Because that book, The Traps of Faith, had something very important — not only for Mexico but it placed the image of Sor Juana before the world. Many people began to ask who this nun was because it is very important. I was asking about the presentation Paz gave of her — whether you had any dialogues with Paz from your own perspective.Elena Poniatowska (01:01:20):Well, yes, of course. But there were others who also spoke at great length about Sor Juana de la Cruz — other Mexicans before Octavio Paz, other Mexicans who, for example, also concerned themselves with indigenous peoples, such as a priest — Ángel María Garibay — who was also a Sor Juana scholar. So there are many studies on Sor Juana Inés de la Cruz and there are Sor Juana scholars in Santa Bárbara, for example, such as Doctor Sara Poot Herrera and others — a woman by the name of Rivers and many more.Julian Vigo (01:02:16):You have dedicated your life to listening and giving voice to those who have none, through the chronicle and literature.Julian Vigo (01:02:26):Today,Julian Vigo (01:02:27):with social media,Julian Vigo (01:02:28):it seems that everyone has a platform for opinions.Julian Vigo (01:02:32):But are we really listening?Julian Vigo (01:02:36):What happens to the power of the word when it becomes a constant noise, as in social media?Elena Poniatowska (01:02:45):I don't know.Elena Poniatowska (01:02:46):I suppose it loses efficacy.Elena Poniatowska (01:02:49):But that depends on the activity of each human being.Elena Poniatowska (01:02:58):There are people — elderly people, for example, people already old — for whom life,Elena Poniatowska (01:03:08):even in institutions, in care homes, means turning the television on from morning until night and being entertained — that is, entertained without making the least effort of criticism or thought in front ofElena Poniatowska (01:03:29):the television.Elena Poniatowska (01:03:31):I have seen that this has been very important in keeping the elderly calm andElena Poniatowska (01:03:41):allowing them to die little by little in institutions called health facilities, where they have thisElena Poniatowska (01:03:52):constant and rather sad entertainment. ButElena Poniatowska (01:03:59):as they say in Mexico: no hay de otra — there is no other option, or no other option has been found, or there are not enough people willing to dedicate themselves to attending to and caring for others. So I see it as an end of lifeElena Poniatowska (01:04:28):for an individual who was once a thinking individual, who knew how to act,Elena Poniatowska (01:04:37):who knew how to elevate himself,Elena Poniatowska (01:04:41):to become a better human being. And I find it sad.Julian Vigo (01:04:46):Today, and for twenty years now, I have noticed as a university professor that students are reading less and less. Today, with so-called artificial intelligence — so-called because intelligence it is not — students are not reading. How can literature or journalism restore the true value and depth of words when we are in a world full of social media, opinions, and videos of a cat doing something funny?Elena Poniatowska (01:05:31):Your question is very difficult because I don't have the answer.Elena Poniatowska (01:05:37):What I can say is that ultimately it depends on the teachers.Elena Poniatowska (01:05:44):It depends on students having a good teacher,Elena Poniatowska (01:05:49):because even I have seen in classes —Elena Poniatowska (01:05:54):in different classes —Elena Poniatowska (01:05:57):that many young people continue looking at their phones while the teacher is writing onElena Poniatowska (01:06:07):the board, or speaking, or giving a class.Elena Poniatowska (01:06:13):So we shall see whether the destiny of young people will depend on what theyElena Poniatowska (01:06:21):learn from their phone. I don't have a phone —Elena Poniatowska (01:06:27):I never bought one,Elena Poniatowska (01:06:28):never got one. Or whether they will be able to go beyond themselvesElena Poniatowska (01:06:37):and beyond above all what the phone wants to give you or teach you or not teach youElena Poniatowska (01:06:46):or distract you from — because ultimately it is a distraction. Yes.Julian Vigo (01:06:53):Writing something to share — in quotation marks — they are sharing nothing in the end. I have noticed that many people are sharing articles they have not read. Young people are embracing identity politics and cancel cultureJulian Vigo (01:07:16):in the absence of any engagement with material reality today.Julian Vigo (01:07:21):That is my fear —Julian Vigo (01:07:23):that the millennials,Julian Vigo (01:07:26):this generation of thirty-year-olds,Julian Vigo (01:07:31):are fixated on pronounsJulian Vigo (01:07:36):but do nothing to help their neighbour.Julian Vigo (01:07:41):They do nothing to fight for living wages.Elena Poniatowska (01:07:46):Well, not all of them.Elena Poniatowska (01:07:49):It's a generalisation, of course.Elena Poniatowska (01:07:54):But I think you are right.Elena Poniatowska (01:07:58):It is a generalisation, because in any case there are human beings who live for others.Julian Vigo (01:08:08):We are in two camps today, because during the lockdown I noticed that many people — even on the right — were fighting for the poor in the United States, where I published. I could not publish a single article questioning the lockdown. That is when I started Savage Minds, because I was asking: what is happening? I no longer recognise this world in which the left is pushing people not to speak. We weren't talking about the lockdown, and the right was speaking very openly. And I see that politically, left and right — there is no longer that dichotomy, so to speak.Elena Poniatowska (01:09:02):Yes,Elena Poniatowska (01:09:03):I thank you greatly for your interest and I thank you enormously for this conversation. I feel animated,Elena Poniatowska (01:09:11):I feel glad to hear what you are saying.Elena Poniatowska (01:09:19):But I do feel that,Elena Poniatowska (01:09:22):as you say,Elena Poniatowska (01:09:23):the speed,Elena Poniatowska (01:09:26):the pace of all events,Elena Poniatowska (01:09:29):the television —Elena Poniatowska (01:09:32):it sets critical thinking and reflection on events to one side,Elena Poniatowska (01:09:41):because everything must be immediate, mustn't it?Elena Poniatowska (01:09:46):That is to say, everything ends in a second. Even the deepest interests sometimes last onlyElena Poniatowska (01:09:56):a few — one might even think, as we say in Mexico,Elena Poniatowska (01:10:01):un ratito — just a little while. There is no continuity in ideas orElena Poniatowska (01:10:12):even in purposes. There is something we all know called habit, and each personElena Poniatowska (01:10:21):lives according to the habits they have established in order to keep going —Elena Poniatowska (01:10:28):to keep existing, if you will. To make it to night, fall asleep, and know that you will wake the following day. Or perhaps you won't wake, because — well, for example, IElena Poniatowska (01:10:45):am a person of 94 years old and I have no certainty that I will see the following morning. ButElena Poniatowska (01:10:55):what I do believe is thatElena Poniatowska (01:10:58):I believe in the innate goodness of every human being.Elena Poniatowska (01:11:03):I have to believe in it, because I need that hope.(01:12:02): Get full access to Savage Minds at www.savageminds.co/subscribe

Des Arts de rue à Genève. Du théâtre à l'Arbanel à Treyvaux. Des aquarelles racontées à Nyon. De la littérature young adult à Lausanne. Du gospel à Neuchatel.

Invités: Matthieu Leimgruber et Thibaud Giddey. En Suisse, il est possible de payer des impôts, non pas sur sa fortune et sur ses revenus, mais sur son train de vie. Cela sʹappelle le forfait fiscal. Un système qui ne sʹadresse quʹaux riches étrangers résidant dans notre pays sans y travailler. Pourquoi ce système a-t-il été mis en place? Quelles en sont les implications aujourd'hui? Est-ce que ce forfait fiscal rapporte vraiment de lʹargent aux cantons qui lʹappliquent? Tribu reçoit  Matthieu Leimgruber et Thibaud Giddey. Le premier est professeur dʹhistoire contemporaine à lʹUniversité de Zurich, le deuxième maitre-assistant en histoire contemporaine à lʹUniversité de Lausanne. Avec leur collègue Geoffroy Legentilhomme, ils ont mené la première étude historique sur le forfait fiscal en Suisse. 

100% LIFESTYLE : - Les lundis de 17H à 18H sur Happyness Radio et en podcast sur happynessradio.fr - Les jeudis de 19H à 20H sur RDL 103.5 FM en Centre Alsace et sur rdlcolmar.fr/emission-radio/100-lifestyle/ - En PODCAST sur SOUNDCLOUD et happynessradio.fr/amiens/podcasts/100-lifestyle/ - FACEBOOK : www.facebook.com/people/100-Lifes…/61565011947886/ Dans ce numéro, Anne-Claire & Yann vous proposent : - En route pour l'aventure (voyage/Yann): De Genève à Lausanne: la douceur de vivre suisse - La minute soignante (santé & bien-être/Anne-Claire): Comment bien supporter la chaleur en cas de canicule ? - Chanson Story (histoire d'un tube/Yann): "L'envie d'aimer", Daniel Levi, 2000 - Trucs & Astuces (Anne-Claire) : Idées cadeaux pour la fête des pères MUSIQUES: "J'voulais", Amine, 2006 "L'envie d'aimer", Daniel Levi, 2000 "Save me tonight", David Guetta et Jennifer Lopez, 2026 EXTRAITS: "Déconnectés", DJ Hamida Ft. Kayna Samet, Lartiste, Rimk du 113, 2014 Générique de Sous le soleil, 1996 "The greatest reward", Céline Dion, 2002 (version anglaise de "l'Envie d'aimer" de Daniel Levi) "L'homme de ma vie"', Lorie, 2011 Important: Je ne touche aucun droits d'auteur sur ces chansons. Les droits reviennent intégralement aux auteurs/compositeurs/interprètes. Tous droits réservés

China is running the EV playbook on humanoid robots — and it's working https://restofworld.org/2026/china-humanoid-robots-unitree-agibot-tesla-optimus/Flexion https://flexion .ai/ ETH robotics club https://www.ethrobotics.ch/ The co-founders of Manus are exploring options to fulfill Beijing's demand to unwind a controversial takeover by Meta, including raising about $1 billion from external investors to buy back the Chinese-founded AI operation https://www.bloomberg.com/news/articles/2026-05-21/manus-weighs-raising-1-billion-to-unwind-meta-takeover Agentic AI in Retail: How Autonomous Shopping Is Redefining the Customer Journeyhttps://www.bain.com/insights/agentic-ai-in-retail-how-autonomous-shopping-redefining-customer-journey/The fundamental issue with independent agentic commerce https://x.com/eric_seufert/status/2034727848498667642 Softbank announced a plan to spend ‘up to' €75bn ($87bn) to build 5GW of AI data centres in France, leveraging ‘data sovereignty' on one hand and France's nuclear-generated electricity on the other. https://group.softbank/en/news/press/20260531_0 IA jobpocalypse ou WFH ? https://papers.ssrn.com/sol3/papers.cfm?abstract_id=6787638 Ferrari Luce https://www.ferrari.com/en-EN/auto/ferrari-luce Acquired podcast https://www.acquired.fm/episodes/ferrari INSPIRATION #EVENT :: Niptech Explore - Olivier Clerc 30.06 à Lausanne https://boutique.cah.ch/products/niptech-presente-au-dela-des-4-accords-tolteques-avec-olivier-clerc #LEARNING :: The "Gell-Mann amnesia effect" https://x.com/syde/status/2060680824324821445?s=20 #BOOK :: The Unheard Cry for Meaning: Psychotherapy and Humanism by Viktor Emil Frankl https://www.amazon.com/Unheard-Cry-Meaning-Psychotherapy-Humanism/dp/0671247360 #PODCAST :: Yuval Noah Harari https://www.nytimes.com/2026/05/26/opinion/ezra-klein-podcast-yuval-noah-harari.html #QUOTE ::“The truth is that as the struggle for survival has subsided, the question has emerged: survival for what? Ever more people today have the means to live but no meaning to live for.” Viktor Frankl, The Unheard Cry for Meaning Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Invité-es: Rudolf Mahrer et Aline Perrenoud. Certains enfants ont beaucoup de facilité à lʹécole et, parfois, sʹennuient. Un nouveau programme destiné aux élèves motivées, douées ou à haut potentiel intellectuel a ouvert dans le canton de Vaud à l'été 2015. Le cours Saussure, c'est son nom, sʹadresse aux ados dʹenviron 14 à 17 ans, en parallèle à leur scolarité. Les cours sont donnés à lʹUniversité de Lausanne, les vendredis après-midi, et visent à développer les compétences des élèves dans les sciences humaines. Comment fonctionnent ces cours? Jusquʹoù faut-il nourrir intellectuellement des élèves qui ont beaucoup de la facilité à lʹécole? Tribu reçoit Rudolf Mahrer, professeur de linguistique à lʹUniversité de Lausanne et à lʹEPFL, et initiateur et directeur du cours Saussure et Aline Perrenoud, enseignante, responsable dʹune classe haut potentiel pour adolescents et conseillère pédagogique du cours Saussure.

Présidence et prédication : Abbé Joseph Demierre Groupe dʹanimation de la paroisse Saint-Etienne de Lausanne, VD Directrice : Anne-Laure Quatravaux Orgue : Bruno Vezina Présentation : Christine Mo Costabella

Inaugurée en 1935, la Maison de la Radio est un bâtiment conçu par lʹarchitecte suisse Charles Brugger. Cet édifice se distingue par son style épuré, caractéristique du modernisme architectural des années 1930. Appelée aussi " La Sallaz ", la Maison de la Radio ne se résume pas à un simple objet architectural : son histoire est étroitement liée à lʹévolution des programmes radiophoniques. Pour en parler, Johanne Dussez accueille Daniela Zetti, historienne des techniques, qui a mené des recherches sur lʹhistoire des studios de radio à Lausanne dans le cadre dʹun projet financé par le Fonds national suisse et François Vallotton, professeur dʹhistoire contemporaine à la Faculté des lettres de l'Université de Lausanne et ʹauteur du livre " Un siècle de radio-télévision. Le service public audiovisuel en Suisse romande " aux éditions EPFL Press, collection Savoir Suisse.

Joey Kirkpatrick and Flora C. Mace consistently invite us to enter a meditative state. Whatever the medium, each piece seems to raise more questions than provide answers. The artists, respected for their innovative work, have concluded the series for which they are most known, large-scale blown glass fruit and vegetable forms. Their subsequent work includes life-size figurative wood and glass sculptures as well as outdoor bronze installations and glass work that features blown vessels and cast panels with illustrations of the 'first facts' of bird identification realized through applied glass powder drawings. Most recently, the artists have been working on their Botanicals, a body of work that preserves real flowers in composite and glass.  Kirkpatrick and Mace have worked collaboratively for the past 47 years after meeting at the Pilchuck Glass School in 1979. The artists have consistently explored seminal themes: principles of drawing as incorporated into glass, the metaphoric content of human relationship to nature and the appropriation of materials to support a visual idea. They recently installed a large public art project at the Seattle Center in Seattle, Washington.  Kirkpatrick (born in Des Moines, Iowa, 1952) and Mace (born in Exeter, New Hampshire, 1949) have exhibited, lectured and taught extensively throughout the world. They taught for 12 years at Pilchuck Glass School. Their collaborative work is included in collections and museums around the world including the Corning Museum of Glass, NY; The Detroit Institute of Art Detroit, MI; The Boston Museum of Fine Art, Boston, MA; Hokkaido Museum, Japan; Metropolitan Museum of Art, New York NY; Musee des Arts Decoratifs, Lausanne, Switzerland; Seattle Art Museum, Seattle, WA; Toledo Art Museum, Toledo, OH and The National Museum of American Art, Renwick Gallery, Smithsonian Institution, Washington, D.C.  Mark Doty, wrote in the introduction of the book, Joey Kirkpatrick and Flora C Mace: "This might be the most complex yoking of all, the way that two sensibilities overlap, merge, separate, conflict and resolve. A continuing dynamic, itself both unstable and solid, evolving, transforming materials and processes as it transforms itself." Kirkpatrick and Mace were recognized in 2019 for their outstanding achievement in the field of contemporary glass art by the Art Alliance for Contemporary Glass, and have been elected to the American Craft Fellows in 2005, interviewed for the Smithsonian Archives of American Art in 2006 and given the 2001 Chateau Ste. Michelle Libensky Award by Pilchuck Glass School honoring outstanding contemporary artists working in glass. Kirkpatrick served as a trustee on the board of Pilchuck Glass School for 16 years.  Now, the artists split their time between a home and studio in Seattle, Washington, and a farm on the Olympic Peninsula near the Washington Coast. Their current Botanical sculptures grew out of a desire to capture the essence of a plant by preserving it through portraiture. Each plant is harvested as it shares its bloom, brought into the studio, deconstructed, dried and reassembled. The specimen is then suspended within layers of composites and glass. The finished work has been recreated through the artist's hand and dependent on the artist's view of the specimen by observing in life, the plant's structure, the result, a portrait of a flower. Of their Botanical sculpture, Daniel J. Hinkley, plantsman wrote: "The works of Joey Kirkpatrick and Flora C. Mace capture the improbable if not the impossible, the apprehension of not just a moment reflecting the magic and majesty of our natural world but the abduction and amplification of a precise moment of perfection. To say that the paragon of their subjects has been frozen in time implies incorrectly that what you observe in their work is not simply an expiration and preservation of a plant at its floral zenith. These flowers embody the mystery and beauty, comprehended and embraced by the artists, to such a degree that one might actually perceive its ultimate drop of petal, abscission of leaf or growth of root." A selection of Kirkpatrick and Mace works is also on view now at the Corning Museum of Glass, Corning, New York, in Tough Stuff: Women in the American Glass Studio. The exhibition showcases the groundbreaking creators who shaped the past and future of glass art.   

Pise est connue dans le monde entier pour sa célèbre tour penchée. Mais Pise compte d'autres monuments fabuleux comme la cathédrale, le Baptistère Saint-Jean ou encore le Camposanto monumental. Pour parler de cette ville fascinante de Toscane, Johanne Dussez accueille Michele Tomasi, Professeur ordinaire d'histoire de l'art médiéval à l'Université de Lausanne. sujets traités : Pise, Italie, Baptistère Saint-Jean, Camposanto monumental, Toscane, tour Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

In this episode, Donna and Tom sit down with Vineet Khanna, CEO of Advanter Advisory and former Global Head of Supply Chain at Nestlé, to explore the evolution of supply chain leadership in an era of rapid technological change. Vineet shares insights from nearly four decades of multi-cultural experience, discussing how AI and digital transformation are reshaping supply chain operations. He emphasizes the critical importance of mindset shifts required to leverage AI effectively, noting that success in the next several years will separate companies based on their ability to adopt these technologies. Vineet also provides valuable perspective on developing the next generation of supply chain leaders, highlighting the essential skills and cultural shifts needed to thrive in an increasingly complex global landscape. Takeaways: The transformative potential of AI in supply chain operations and the mindset shift required for success Critical talent and cultural changes needed for next-generation supply chain leaders Lessons from leading global supply chain transformation at Nestlé Strategic approaches to navigating technological disruption in supply chain management Stay connected with CSCR on LinkedIn (Center for Supply Chain Research) and Instagram (@pennstatesupplychain), and be sure to follow us on Spotify, Apple Podcasts, or wherever you are tuning into Unpacked: Insights hosted by the Penn State Smeal Center for Supply Chain Research™. Thank you for joining us!  Visit our website: https://www.smeal.psu.edu/cscr  Guest Bio: Vineet Khanna is a global business leader with nearly four decades  of multi-cultural experience across various domains, including supply chain & procurement, finance, digital technologies, and operational excellence. As the CEO of Advanter Advisory, he is a trusted advisor to several leading corporates, tech firms, consulting firms, and startups. Prior to Advanter Advisory, he was the Global Head of Supply Chain at Nestlé where he exemplified his strategic prowess and leadership, managing end-to-end supply chain operations and transformation projects encompassing demand and supply planning, physical logistics & sustainability, digital transformations, customer service and materials management. Throughout his career, Vineet has delivered results in senior leadership roles for 25 years, contributing his expertise at country, regional, and global levels. Vineet's influence extends to the boardroom, having served as a board member of Nestlé Enterprises SA. Currently, Vineet lends his transformative insights to diverse companies and start-ups as an advisor for the entire strategy-transformation-execution spectrum, leveraging his extensive experience to drive excellence. He is widely recognized as a thought leader in the realms of business, leadership, and societal progress, making him an inspiring and highly sought-after keynote speaker. Academically, Vineet holds an MBA degree from IIMA (India) and has pursued advanced studies at esteemed institutions including IMD, Lausanne, and London Business School.

(00:47) Er war eine der grossen Figuren aus dem goldenen Zeitalter des Jazz: der US-amerikanische Saxofonist und Komponist Sonny Rollins. Jetzt ist er im Alter von 95 Jahren gestorben. Weitere Themen: (05:11) Hommage zum 100. Geburtstag – was Jazzstudierende der Zürcher Hochschule der Künste am grossen Jazztrompeter Miles Davis bewundern. (08:52) Lesen als Form der Beziehungspflege – warum es Kindern und Erwachsenen guttut, wenn man ihnen vorliest. (12:53) Treffpunkt für die Schweizer Theaterszene – in Yverdon-les-Bains und Lausanne startet heute das Schweizer Theatertreffen. (16:55) Spielerisches Hin- und Her – Choreograf Declan Whitaker zeigt in «Away with the Faeries» eine Mischung aus irischem und zeitgenössischem Tanz.

durée : 00:58:10 - Cultures monde - par : Julie Gacon, Mélanie Chalandon - Le Mondial 2026 sera le plus vaste de l'histoire. Sous la présidence de Gianni Infantino, la FIFA est devenue une machine financière toujours plus puissante, mais aussi un acteur global, alors même que l'institution paraît réinstallée dans les travers dénoncés par le FIFAgate en 2016. - réalisation : Margot Page, Fanny Richez, Sacha Mattei, Barthélémy Gaillard, Inès Bouffartigue Sebastia, Pénélope Le Mauguen - invités : Simon Bolle Journaliste à l'Equipe, Carole Gomez Assistante diplômée en sociologie du sport à l'Université de Lausanne, Justine Birot Directrice au sein de l'Association de l'Institut du Sport Durable Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Au cours de l'histoire des épidémies, il en est une dont on pensait s'être débarrassés : la rougeole peut être mortelle et surtout, elle est extrêmement contagieuse - 1 personne touchée peut en contaminer 18 à 20 autres. Un vaccin est mis au point dès les années 1960 mais la rougeole est toujours là. Selon l'OMS, si le nombre de morts diminue de près de 90% depuis les années 2000, en 2024, 95'000 personnes - dont la majeure partie sont des enfants - sont décédées des suites de la rougeole et le nombre d'infections est en augmentation. Pour comprendre pourquoi nous n'avons pas réussi à éradiquer ce virus, il faut se pencher sur son histoire scientifique et géopolitique. La diffusion de la rougeole commence au IVe ou Ve siècle de notre ère, mais on la confond longtemps avec d'autres maladies comme la variole. Les données sur sa présence géographique et sa mortalité sont donc rares. C'est ce qu'explique Laurence Monnais, professeure ordinaire en histoire de la médecine et de la santé publique à l'IHM, l'Institut des humanités en médecine de Lausanne, qui a publié Vaccinations. Le mythe du refus (Georg éditeur).

Entre adrénaline, solidarité et engagement, les pompiers professionnels de Lausanne vivent lʹurgence au quotidien. Feu, accident de voiture, pollution ou ascenseur en panne, les sapeuses et sapeurs interviennent en moyenne deux mille fois par an sur le terrain, tandis que les gardes, entraînements et moments de convivialité rythment la vie de caserne. Quʹest-ce qui motive ces femmes et ces hommes à se confronter chaque jour au risque? Comment se construisent lʹesprit dʹéquipe et la résilience face à des situations parfois extrêmes? En quoi le drame de Crans-Montana a-t-il marqué les esprits? Reportages de Bastien Confino Réalisation: Mathieu Ramsauer Production: Raphaële Bouchet Les invités: Nicolas Millot, Capitaine pompier, officier de communication du groupement Service Incendie Secours, Genève & Philippe Chassaigne, Professeur d'histoire contemporaine à l'Université Bordeaux Montaigne

Peu de filières universitaires sont aussi sélectives que la médecine: numerus clausus dans les Universités alémaniques et à Fribourg, première année éliminatoire à Genève ou à Lausanne. Et en raison de la pénurie de médecins de famille, de plus en plus de facultés tentent d'orienter très tôt les étudiantes et étudiants vers la filière généraliste, le parent pauvre de la médecine. Comme à Fribourg, où un master orienté médecine de famille a été créé. Avec quel succès? Reportage: Francesca Argiroffo. Réalisation: Jérôme Nussbaum. Première diffusion, le 31 octobre 2022.

C dans l'air l'invité du 21 mai 2026 avec Bruno Le Maire, ancien ministre de l'Economie et des Finances, actuellement professeur à Lausanne, en Suisse. Il publie Le Temps d'une décision, aux éditions Gallimard. Bruno Le Maire, ancien ministre de l'Economie et des Finances et de l'Agriculture. Il publie Le Temps d'une décision, aux éditions Gallimard. Il y relate ses années de ministre, y décrit les coulisses du pouvoir et les ressorts de la prise de décision tout en pointant les dysfontionements de l'Etat. Il y parle également des Finances publiques : « La dette est notre échec collectif », écrit-il.Un ouvrage qui fait échos à l'actualité du jour, alors que le Premier ministre Sébastien Lecronu doit annoncer en conférence de presse aujourd'hui un nouveau paquet d'aides pour le mois de juin destinées aux secteurs les plus touchés par la hausse des prix du carburant. Aujourd'hui, le FMI a estimé que la réponse en France au choc énergétique doit rester « limitée, temporaire et ciblée ».

Niptech Podcast en Live au CAH à Lausanne le 30.06 avec l'auteur OLIVIER CLERC https://boutique.cah.ch/products/niptech-presente-au-dela-des-4-accords-tolteques-avec-olivier-clerc NEWS Google IO 2026 I/O '26 Recap: Everything You Need to Know https://youtu.be/tfx2CjqtCUI?si=oeDStHv9aocCrM_7 Introducing Gemini Omni https://blog.google/innovation-and-ai/models-and-research/gemini-models/gemini-omni/ Gemini Spark Your 24/7 personal AI agent. https://gemini.google/overview/agent/spark/ Google Pics https://workspace.google.com/products/pics/ A new era for AI Search https://blog.google/products-and-platforms/products/search/search-io-2026/ Google Antigravity @ I/O 2026 https://www.antigravity.google/blog/google-io-2026 'Ask YouTube' brings AI-powered conversational search to video, adds Gemini Omni to Shorts https://techcrunch.com/2026/05/19/ask-youtube-brings-ai-powered-conversational-search-to-video-adds-gemini-omni-to-shorts/ Intelligent eyewear is coming this fall https://blog.google/products-and-platforms/platforms/android/android-xr-io-2026/Apple Apple's AirPods with cameras for AI are apparently close to production https://www.theverge.com/tech/926376/apple-airpods-cameras-ai-production Apple plans to make iOS 27 a Choose Your Own Adventure of AI models https://techcrunch.com/2026/05/05/apple-plans-to-make-ios-27-a-choose-your-own-adventure-of-ai-models/ Apple serait en discussion avec Intel, big if true https://www.wsj.com/tech/apple-intel-have-reached-preliminary-chip-making-agreement-69eb9370 John Ternus to become Apple CEO as of 01.09.2026 https://www.apple.com/newsroom/2026/04/tim-cook-to-become-apple-executive-chairman-john-ternus-to-become-apple-ceo/ Rebellion against AI ? Ex-Google CEO Eric Schmidt booed after AI remarks at Arizona commencement https://www.theguardian.com/us-news/2026/may/18/eric-schmidt-ai-university-commencement-speech-booed The American Rebellion Against AI Is Gaining Steam https://www.wsj.com/tech/ai/the-american-rebellion-against-ai-is-gaining-steam-94b72529?mod=e2tw Inspiration#EVENT :: Niptech Explore - Olivier Clerc 30.06 à Lausanne https://boutique.cah.ch/products/niptech-presente-au-dela-des-4-accords-tolteques-avec-olivier-clerc #TV :: Legends https://www.imdb.com/title/tt33265765/ #BOOK :: La Société ouverte et ses ennemis par Karl Popper https://fr.wikipedia.org/wiki/La_Soci%C3%A9t%C3%A9_ouverte_et_ses_ennemis #PODCAST :: Krishna Rao - Anthropic's CFO on Compute, Scaling to $30B ARR, and the Returns to Frontier Intelligence - [Invest Like the Best, EP.472] https://open.spotify.com/episode/5aqjRClzztuVmXEdGz281O #QUOTE :: "When you're in your head, you're dead" Tony Robbins Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

First up on the podcast, Senior International Correspondent Richard Stone joins host Sarah Crespi to discuss the surprising commonalities between our immune systems and the tools bacteria use to defend themselves against viruses. These unexpected parallels have become rich ground for researchers investigating new molecular biology tools and model systems for immune research. Next on the show, Dominic Rohner, a professor of economics at the Geneva Graduate Institute and University of Lausanne, talks about the impact of cuts in international aid on violent conflict in Africa. His team harnessed the natural experiment of the U.S. Agency for International Development (USAID) work stoppage ordered by the Trump administration in early 2025 to find links between the sudden withdrawal of high levels of aid to increases in conflict. See also Science's 2025 news series on the impact of USAID cuts on children. Finally, Valerie Thompson, Science's books and media editor, interviews undergraduate student and author Theo Baker. Baker wrote the book How to Rule the World: An Education in Power at Stanford University, which covers the heavy involvement of Silicon Valley investors in Stanford University and his investigation of research misconduct by former Stanford President Marc Tessier-Lavigne. See the full review here. This week's episode was produced with help from Podigy. About the Science Podcast Learn more about your ad choices. Visit megaphone.fm/adchoices

In Episode 105 of the Cybersecurity Readiness Podcast Series, Dr. Dave Chatterjee is joined by Andrei Robachevsky — Technical Director of the Internet Integrity Program at the Global Cyber Alliance, founding contributor to MANRS (Mutually Agreed Norms for Routing Security), former CTO of RIPE NCC, and former Senior Director of Technology Programs at the Internet Society — to examine a cybersecurity risk that almost no enterprise security team is governing: the internet routing layer.Opening with the June 2024 Cloudflare 1.1.1.1 BGP hijack incident — where two Brazilian network operators' routing mistakes propagated to over 300 networks across 70 countries, silently rerouting traffic for several hours without triggering a single enterprise security alert — Dr. Chatterjee frames the episode's central challenge: organizations with excellent perimeter controls, clean firewalls, and healthy identity systems can still have their user traffic redirected to unintended destinations by failures occurring on networks they have never heard of, in countries they have no operations in, governed by routing norms they have never been asked to consider.Drawing on the February 2026 MANRS Report, Robachevsky explains that the Border Gateway Protocol (BGP) — the foundational routing system across nearly 80,000 autonomous networks — has no built-in authentication. Routing incidents occur 200 to 300 times per month, most of which are invisible to enterprise security teams, manifesting as unexplained outages or performance degradation rather than as identifiable threats. The implications range from SLA breaches and erosion of customer trust to man-in-the-middle exposure of silently rerouted traffic.Analyzed through Dr. Chatterjee's Commitment–Preparedness–Discipline (CPD) framework, the conversation delivers a clear and actionable message: routing security is not a network engineering problem — it is a supply chain governance problem. The tools already exist. RPKI exists. MANRS exists. MANRS+ is nearly here. The gap is entirely on the governance side, and it is closeable. The organizations that will not find themselves in the next routing incident are the ones that start with a map of their connectivity supply chain and a single question to every provider: Are you MANRS+ certified?To access and download the entire podcast summary with discussion highlights - https://www.dchatte.com/episode-105-the-invisible-layer-governing-routing-security-as-a-supply-chain-risk/Connect with Host Dr. Dave ChatterjeeLinkedIn: https://www.linkedin.com/in/dchatte/ Website: https://dchatte.com/Books PublishedThe DeepFake ConspiracyCybersecurity Readiness: A Holistic and High-Performance ApproachArticles & Cases PublishedChatterjee, D. (2026). Root: Automating the Remediation Gap, Ivey Publishing, Jan 7, 2026.Ramasastry, C. and Chatterjee, D. (2025). Trusona: Recruiting For The Hacker Mindset, Ivey Publishing, Oct 3, 2025.Chatterjee, D. and Leslie, A. (2024). “Ignorance is not bliss: A human-centered whole-of-enterprise approach to cybersecurity preparedness,” Business Horizons, Accepted on Oct 29, 2024.Isik, O., Chatterjee, D., and Lourenco, D.A. (2024). “Getting Cybersecurity Right,” California Management Review — Insights, Accepted for Publication, July 8, 2024. Chatterjee, D. (2023). “Mission critical – How American Cancer Society successfully and securely migrated to the cloud amid the pandemic,” I by IMD, March 13, 2023.Chatterjee, D. (2022). “Preventing security breaches must start at the top,” I by IMD, September 28, 2022, Institute for Management Development, Lausanne, SwitzerlandChatterjee, D. (2022). “Making Cybersecurity Readiness Mainstream,” Executive Blog Post, NETSPI, March 1, 2022Benz, M. and Chatterjee, D. (2020). “Calculated Risk? A Cybersecurity Evaluation Tool for SMEs,” Business Horizons, available online from May 4, 2020Chatterjee, D. (2019). “Should Executives Go To Jail Over Cyber Attacks,” Journal of Organizational Computing and Electronic Commerce, Vol 29, Issue 1, pp. 1-3.Abraham, C., Chatterjee, D., and Sims, R. (2019). “Muddling through cybersecurity: Insights from the U.S. healthcare industry,” Business Horizons, July 2019.

First up on the podcast, Senior International Correspondent Richard Stone joins host Sarah Crespi to discuss the surprising commonalities between our immune systems and the tools bacteria use to defend themselves against viruses. These unexpected parallels have become rich ground for researchers investigating new molecular biology tools and model systems for immune research. Next on the show, Dominic Rohner, a professor of economics at the Geneva Graduate Institute and University of Lausanne, talks about the impact of cuts in international aid on violent conflict in Africa. His team harnessed the natural experiment of the U.S. Agency for International Development (USAID) work stoppage ordered by the Trump administration in early 2025 to find links between the sudden withdrawal of high levels of aid to increases in conflict. See also Science's 2025 news series on the impact of USAID cuts on children. Finally, Valerie Thompson, Science's books and media editor, interviews undergraduate student and author Theo Baker. Baker wrote the book How to Rule the World: An Education in Power at Stanford University, which covers the heavy involvement of Silicon Valley investors in Stanford University and his investigation of research misconduct by former Stanford President Marc Tessier-Lavigne. See the full review here. This week's episode was produced with help from Podigy. About the Science Podcast Learn more about your ad choices. Visit megaphone.fm/adchoices

Invitée: Aurélie Jung. La mort est une réalité universelle, un événement inéluctable qui touche chacun d'entre nous. Mais comment notre société aborde-t-elle le deuil? Et comment accompagnons-nous ceux qui restent, confrontés à la perte d'un être cher? Quel rôle les professionnels jouent-ils aujourd'hui dans ce processus à la fois très intime et profondément social? Tribu reçoit Aurélie Jung, sociologue, qui travaille à la Haute école de travail social et de la santé Lausanne. Elle signe ce livre chez Antipodes "De la fin de vie au deuil". 

durée : 00:58:48 - Entendez-vous l'éco ? - par : Aliette Hovine - La dernière rencontre de Xi Jinping et Donald Trump sonne comme un aveu : encore très dépendants économiquement, les deux pays semblent payer le prix de leur rivalité. Une question d'actualité suivie d'une réflexion sur l'usage du terme "équilibre" dans le champs de l'économie politique. - réalisation : Tina Iung, Sorj Leroy - invités : Emmanuel Véron Géographe, spécialiste de la Chine contemporaine et professeur à l'Ecole de guerre , Benjamin Bürbaumer Économiste et auteur de Chine/États-Unis, le capitalisme contre la mondialisation (Ed. La Découverte, 2024), Justine Loulergue Philosophe et économiste, chercheuse post-doctorale à l'Université de Lausanne, auteure d'une thèse intitulée "Le mot « équilibre », outil d'une dépolitisation de l'économie politique : (Journal des économistes, 1841-1871)" Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:30:50 - Entendez-vous l'éco ? - par : Aliette Hovine - Au XIXème siècle, le terme d'"équilibre" structure un discours économique libéral qui souhaite s'imposer sur la scène scientifique et politique. - réalisation : Tina Iung, Sorj Leroy - invités : Justine Loulergue Philosophe et économiste, chercheuse post-doctorale à l'Université de Lausanne, auteure d'une thèse intitulée "Le mot « équilibre », outil d'une dépolitisation de l'économie politique : (Journal des économistes, 1841-1871)" Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Elon Musk und Donald Trump sind im Rahmen eines Staatsbesuchs nach China gereist. Musk war einer der wichtigsten Unterstützter Trumps, bis es zu einem Streit kam. Warum ist der Tech-Milliardär wieder zurück in der US-Delegation? Antworten von Professor Thomas Jäger von der Universität Köln. Weitere Themen: · Lange hat Trump davon gesprochen, dass die USA Grönland übernehmen sollten – wenn nötig auch mit militärischen Mitteln. Damit hat er ziemlichen Wirbel ausgelöst. Der damals aufgewirbelte Staub hat sich inzwischen wieder etwas gelegt. Nun ist bekannt geworden, dass die USA mit Dänemark über drei neue US-Militärbasen auf Grönland verhandeln. Nordeuropa-Korrespondent Bruno Kaufmann mit Hintergründen. · Kevin Warsh – so heisst der neue Chef der US-Notenbank Fed. Der Senat hat am Mittwochabend der Ernennung zugestimmt. Doch wer ist Kevin Warsh? US-Börsenkorrespondent Jens Korte über den neuen Notenbankchef und seine Frau, die keine unerhebliche Rolle spielt. · Im Januar 2025 haben die USA massiv und Knall auf Fall Gelder für die Entwicklungshilfe gestrichen. Viele Länder in Afrika mussten ohne diese Hilfe stark umstellen. Es fehlt seither an Mitteln in der Gesundheitsversorgung oder in Schulen. Dominic Rohner von der Universität Lausanne hat in einer neuen Studie die konkreten Folgen der Kürzungen bei USAID untersucht. Fazit: Dort, wo die Hilfe abrupt entzogen wurde, gibt es mehr Gewalt, mehr Plünderungen, mehr bewaffnete Konflikte. · Viele im Land geniessen über Auffahrt ein verlängertes Wochenende. Vielleicht gibt es da auch einmal ein Glas Wein. Eine neue Statistik zeigt allerdings: Der weltweite Konsum und auch die Produktion von Wein gehen stark zurück. Wirtschaftsredaktor Manuel Rentsch hat die neuen Zahlen unter die Lupe genommen.

Rund um ein Gebäude im Zentrum von Lausanne gab es in den letzten Monaten 28 Polizeieinsätze. Die eingeleiteten Strafverfahren stehen im Zusammenhang mit Drogenhandel, Geldwäscherei und Sozialhilfemissbrauch. Alle Themen: (00:00) Intro und Schlagzeilen (01:32) Lausanne: Grossoperation der Polizei gegen Kriminalität (04:47) Nachrichtenübersicht (08:41) Initiative «Keine 10-Mio-Schweiz»: Folgen für Beziehung zur EU (15:50) Was die Forschung zum Hantavirus herausgefunden hat (20:09) Türkei: Wo steht der Friedensprozess mit der PKK? (24:03) Irankrieg beschäftigt Schweizer Tech-Exportindustrie (28:14) Unfreiwillig in Teilzeit (33:04) Italienische Medien ticken anders (37:11) Asria Mohamed setzt sich für Sahraouis ein

durée : 00:58:58 - Le Cours de l'histoire - par : Xavier Mauduit - Des chefs coutumiers de la fin du XIXᵉ siècle aux élites occidentalisées des années 1950, l'histoire de l'administration coloniale française en Afrique subsaharienne ne peut être racontée sans évoquer le recours constant aux élites locales. - réalisation : Thomas Beau, Anne-Toscane Viudes, Jeanne Delecroix, Jeanne Coppey, Gérard Noiriel, Maïwenn Guiziou - invités : Nicolas Bancel Historien, professeur à l'Université de Lausanne, spécialiste d'histoire coloniale et postcoloniale, Carole Reynaud-Paligot Historienne, chercheuse associée à l'Université Paris 1 Panthéon-Sorbonne Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Can AI move from predicting proteins to actually designing new drugs? Isomorphic Labs is trying to answer one of the biggest questions in science.In this episode of The Neuron, Corey Noles and Grant Harvey talk with Rebecca Paul, Head of Medicinal Drug Design at Isomorphic Labs, and Michael Schaarschmidt, Foundational AI Research Lead.They explain why drug discovery is so slow, expensive, and failure-prone—and why AI drug design is much more complicated than “generate a molecule and ship it.” The conversation covers AlphaFold, structure prediction, molecule generation, binding models, clinical failure rates, human trust in AI systems, and the long-term hope of designing drugs for targets once considered “undruggable.”In this episode:Why drug discovery can take more than a decadeWhat people misunderstand about “AI-designed drugs”How medicinal chemists actually use AI modelsWhy biology is harder than text, images, or codeWhat it would take to make drug discovery faster and cheaperThe dream of designing a drug candidate in one iterationWhy “undruggable” proteins may not stay undruggable foreverAdditional resources:Technical report blog Best resource for learning about the capabilities that we are buildingIsomorphic Labs websiteBest destination for learning more about Iso and joining our team in London, Lausanne or Cambridge, MASubscribe for more grounded conversations on how AI is changing science, work, and the world.For more practical, grounded conversations on AI systems that actually work, subscribe to The Neuron newsletter at https://theneuron.ai.

We present a Special Episode of SmarterMarkets™, bringing you exclusive interviews from the FT Commodities Global Summit 2026. SmarterMarkets™ returned to Lausanne, Switzerland for the 15th edition of the Financial Times Commodities Global Summit, where we caught up with summit participants on the important issues of the day. The theme for this year's summit was ‘finding the advantage in a fragmented world.' The conversations were focused on the state of our supply chains and the increasing stakes of the ongoing conflict in Iran. We've compiled a selection of those interviews into this Special Episode of SmarterMarkets™. If you would like to listen to the full interviews, they are available on the SmarterMarkets™ Presents media portal. They're also available on our second podcast channel, SmarterMarkets™ Presents. Our guests are: Leslie Hook – Natural Resources Editor, Financial Times Helima Croft – Managing Director and the Head of Global Commodity Strategy and MENA Research, RBC Capital Markets Robert Friedland – Executive Co-Chairman, Ivanhoe Mines & Co-Founder, Chairman, and CEO, I-Pulse Brian Menell – CEO & Chairman, TechMet Gracelin Baskaran – Founding Director, Critical Minerals Security Program, Center for Strategic and International Studies Ruth Crowell – CEO, LBMA Alasdair Were – Head of Environmental Markets, Abaxx Exchange