Podcast appearances and mentions of takeshi murata

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Sixième épisode de Scanners autour du vidéoclip, forme hybride et populaire, en compagnie d’Antoine Gaudin, maître de conférence à l’Université Paris Sorbonne Nouvelle et auteur de Le vidéoclip musical : approches théoriques et critiques d’un art pop, à paraître courant 2020 aux Presses du Septentrion. Programme 01:17 – Le vidéoclip, format hybride entre publicité et comédie musicale (Josué Morel) 06:00 – Le datamoshing dans Welcome to Heartbreak de Kanye West, après Takeshi Murata et Paul B. Davis (Corentin Lê) 11:28 – Les clips de Jesse Kanda pour Björk, Arca et FKA Twigs (Chloé Cavillier) 15:53 – Entretien avec Antoine Gaudin, maître de conférence à l’Université Paris Sorbonne Nouvelle Ressources – Bob Dylan, Subterranean Homesick Blues : https://www.youtube.com/watch?v=MGxjIBEZvx0 – The Beatles, Paperback Writer : https://www.youtube.com/watch?v=yYvkICbTZIQ – Daft Punk, Around the world : https://www.youtube.com/watch?v=LKYPYj2XX80 – Fatboy Slim, Weapon of Choice : https://www.youtube.com/watch?v=wCDIYvFmgW8 – Kanye West, Welcome to Heartbreak : https://www.youtube.com/watch?v=wMH0e8kIZtE – Takeshi Murata, Monster Movie : https://www.youtube.com/watch?v=t1f3St51S9I – Paul B. Davis, Compression Study #1 : https://www.youtube.com/watch?v=CWG5jqzYsEI – Rihanna, Umbrella : https://www.youtube.com/watch?v=CvBfHwUxHIk – Cranberries, Zombie : https://www.youtube.com/watch?v=BtV1-gJ_bm0 – Paul B. Davis, Define Your Terms (or Kanye West Fucked Up My Show) : http://www.seventeengallery.com/exhibitions/paul-b-davis-define-your-terms-or-kanye-west-fucked-up-my-show/ – Björk, Arisen my senses : https://www.youtube.com/watch?v=6VrqR_GfvzE – Bjork, Mouth mantra : https://www.youtube.com/watch?v=iIhLCXmrCm8 – Arca, Fluid Silhouettes : https://www.youtube.com/watch?v=XBxlPZyHQlU – FKA Twigs, How’s That : https://www.youtube.com/watch?v=a7CTo2-bAA8 – Björk, Notget : https://www.youtube.com/watch?v=aWrV8NQnbqE – Björk, Utopia : https://www.youtube.com/watch?v=Sqbv7cCM5AI – Arca, Reverie : https://www.youtube.com/watch?v=0WKWZ9y-dvU – Antoine Gaudin, Le vidéoclip : un art populaire intermédial à l’ère numérique, 2015 : https://hal.archives-ouvertes.fr/hal-01385712 Générique Mathieu Bonnafous : https://soundcloud.com/catartsis Une émission animée et réalisée par Corentin Lê.

Our bodies are filled with molecular and cellular machines, pumping, spinning and moving. How do tiny single molecules pump sodium ions across a cell? What is the connection between a single molecule pump and cells producing electricity? How can a single molecule pump be more efficient than our modern ones? How do we make pacemakers safer? Overtime a pacemaker grows to become part of the heart fibre. How do we make pacemakers less likely to be overgrown and easier to replace?  References:  Tatsuya Iida, Yoshihiro Minagawa, Hiroshi Ueno, Fumihiro Kawai, Takeshi Murata, Ryota Iino. Single-molecule analysis reveals rotational substeps and chemo-mechanical coupling scheme of Enterococcus hirae V1-ATPase. Journal of Biological Chemistry, 2019; 294 (45): 17017 DOI: 10.1074/jbc.RA119.008947 Francesco Robotti, Ita Sterner, Simone Bottan, Josep M. Monné Rodríguez, Giovanni Pellegrini, Tanja Schmidt, Volkmar Falk, Dimos Poulikakos, Aldo Ferrari, Christoph Starck. Microengineered biosynthesized cellulose as anti-fibrotic in vivo protection for cardiac implantable electronic devices. Biomaterials, 2020; 229: 119583 DOI: 10.1016/j.biomaterials.2019.119583

  Rare Frequency Podcast 55 1 RP Collier, "Cloky" Trundlebox (Bandcamp) 2016 mp3 Time: 00:00-01:50 2 Carers, "Easter" …it’s eternity, Ester”/ Easter (Cerium) 2016 EP Time: 02:33-08:03 3 Klangkrieg, "Flieger In Der Großen Spirale" Das Fieber Der Menschlichen Stimme (Audioview) 1998 CD Time: 08:03-15:43 4 Valerio Tricoli, "As for the Crack" Clonic Earth (PAN) 2016 2x12” Time: 15:43-22:26 5 Laura Cetilia, "Plucked From Obscurity" Used, Broken & Unwanted (Estuary, Ltd.) 2013 LP Time: 22:27-29:15 6 Vanessa Rossetto, "I cut my own" The Way You Make Me Feel (Unfathomless) 2016 CD Time: 29:15-38:26 7 Fluxmonkey, "Failure #89" Failure Cake (self-released) 2015 CD Time: 38:26-44:58 8 Robert Beatty, "untitled (1)" Soundtracks for Takeshi Murata (Glistening Examples) LP 2013Time: 44:58-47:50 9 Nils Potet, "Lointaines résonances: premiere partie: errance" Lointaines résonances (GMVL) CD 2014 Time: 53:02-58:02 10 Lea Bertucci, "Dragano Earworm" Axis/Atlas (Clandestine Compositions) cassette/mp3 2016 Time: 59:25-end 11 Richard Garet, "Pulse" Silver (Observatoire) CD 2012 Time: 53:02-58:02 12 Z’ev and Karl J. Paloucek, "Rails" Cities and Rails (Latest Flame Records) CD 2015 Time: 53:02-58:02 13 Lithops, "Handed" Ye, Viols! (Thrill Jockey) CD 2008 Time: 53:02-58:02 14 Pita, "S200729" Get In (Editions Mego) CD 2016 Time: 53:02-58:02

This week: San Francisco checks in with a great interview. Bad at Sports contributors Brian Andrews and Patricia Maloney sat down with artist Takeshi Murata and sound designer Robert Beatty on November 9, 2013, at Ratio 3, in San Francisco, to discuss Murata’s most recent digitally animated video, OM Rider (2013). OM Rider follows two animated creatures: a wizened old man that Andrews describes as “half the Curious George Man in the Yellow Suit, half like the butler from Rocky Horror Picture Show,” and a hipster wolf, which rides a moped through a barren landscape and performs other aimless tasks. The video begins with the creature playing a synthesizer that gives the video its title. Om Rider contains Murata’s characteristic absurd humor and aesthetic, which mixes highly attuned lighting and composition with more retro modeling and minimalist, almost antiseptic spaces. Takeshi Murata was born in 1974 in Chicago. In 1997, he graduated from the Rhode Island School of Design, where he studied film, video, and animation. He currently lives and works in Saugerties, New York. Murata has exhibited at the New Museum, New York; the Museum of Modern Art, New York; the Museum of Fine Arts, Houston; the Fondazione Sandretto Re Rebaudengo, Turin, Italy; Sikemma Jenkins & Co., New York; Gladstone Gallery, New York; and Salon 94, New York. Murata’s work is featured in the collections of the Hirshhorn Museum and Sculpture Garden, Washington DC; DESTE Foundation for Contemporary Art, Athens; and The Smithsonian Museum of American Art. FYI, AP will post an excerpted text version of this interview on Dec. 3, and the link for that conversation should be: http://www.artpractical.com/column/interview-with-takeshi-murata/ And here is a related review Brian wrote for his previous show: http://www.artpractical.com/review/get_your_ass_to_mars_andrews/

Universo vídeo inicia una nueva línea de trabajo, con la que el Centro de Arte y Creación Industrial se propone presentar una investigación en torno a este medio, presentando obras realizadas desde los años 60 hasta la actualidad. (04.02.2011-04.04.2011). El espectador debe contemplar Historias cinéticas como un viaje discursivo por algunas de las intervenciones creativas y las prodigiosas visiones que han caracterizado el uso que los artistas han hecho del vídeo y de los medios digitales. Se exponen, en un diálogo recíproco, dos piezas por cada una de las décadas que median entre los años 60 y los 2000. Artistas: Dara Birnbaum, Harry Dodge & Stanya Kahn, Joan Jonas, Kristin Lucas, Takeshi Murata, Bruce Nauman, Nam June Paik & Jud Yalkut, Raindance, Pipilotti Rist y Leslie Thornton.