Podcast appearances and mentions of Joan Jonas

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Best podcasts about Joan Jonas

Latest podcast episodes about Joan Jonas

Ideas from CBC Radio (Highlights)
Arts Pioneer Joan Jonas on Her Great Muse, Cape Breton

Ideas from CBC Radio (Highlights)

Play Episode Listen Later Oct 22, 2024 54:08


American artist Joan Jonas was an influential figure in the late 1960s when she introduced performance art to the world. This year, New York City's Museum of Modern Art organized a major retrospective of her work, which will be on tour in Canada. One of her exhibits is inspired in part by her love for Cape Breton — a magical landscape where she lives in the summer.

Art Is Awesome with Emily Wilson
Margot Norton - Curator

Art Is Awesome with Emily Wilson

Play Episode Listen Later Aug 13, 2024 17:09


Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Today, Emily chats with BAMPFA Chief Curator Margot Norton. In this Episode, Margot discusses her background, including her move from New York to Berkeley and her previous roles at the Whitney Museum and the New Museum. She describes an upcoming exhibition titled 'To Exalt the Ephemeral,' which focuses on impermanent art. She shares the transformative potential of museums, her inspiration from artists like Pepón Osorio and Eva Hesse, and her experience working with UC Berkeley students. The exhibition highlights experimental materials, memory, photography, and ends with a video installation by Joan Jonas. Then of course, "Three Questions" with Margot sharing her curatorial career and inspirations.About Curator Margot Norton:Margot Norton is the Chief Curator at the Berkeley Art Museum and Pacific Film Archive (BAMPFA). She is formerly the Allen and Lola Goldring Senior Curator at the New Museum, New York. She organized the 2021 New Museum Triennial Soft Water Hard Stone, co-curated with Jamillah James. Norton joined the New Museum in 2011 and has worked on a number of exhibitions, curating and cocurating presentations by Carmen Argote, Diedrick Brackens, Sarah Lucas, Lynn Hershman Leeson, Pipilotti Rist, Mika Rottenberg, Bárbara Wagner and Benjamin de Burca, and Kaari Upson, among others. In 2017, she curated the Eighth Sequences Real Time Art Festival in Reykjavik, Iceland, and the Georgian Pavillion at the 2019 Venice Biennale with artist Anna K.E.. Before she joined the New Museum in 2011, Norton worked as a curatorial assistant at the Whitney Museum, New York. She has contributed to and edited numerous publications and exhibition catalogues, and regularly lectures on contemporary art and curating. She holds an MA in Curatorial Studies from Columbia University, New York.Find more from Margot HERE.   Follow Margot on Instagram:  @MargotNortonTo learn more about BAMPFA's Exhibit, "To Exalt the Ephemeral" CLICK HERE. --About Podcast Host Emily Wilson:Emily is a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

FT Everything Else
How to develop your taste in art, with critic Ariella Budick

FT Everything Else

Play Episode Listen Later May 20, 2024 19:33


After more than 25 years reviewing art, the Financial Times' US art critic Ariella Budick is full of sage advice on how to approach museums and exhibitions, and how to discover our personal taste. Her biggest tip is that art is a form of communication, “a cry in the wilderness”, and “you're just listening”. So don't run to the wall label and forget to look at the work. Approach the art first, then see if it sparks you to learn more.-------We love hearing from you. Lilah is on Instagram @lilahrap. We're on X @lifeandartpod and on email at lifeandart@ft.com. We are grateful for reviews on Apple and Spotify. And please share this episode with your friends!-------Links (all FT links get you past the paywall): – Ariella's recent review of a Renaissance mysteries exhibit at the Metropolitan Museum of Art: https://on.ft.com/3WKBhUl– Her take on the Joan Jonas retrospective at the Museum of Modern Art in New York: https://on.ft.com/3K4SGzK– The review of Hannelore Baron that she mentioned: https://on.ft.com/4bI9NCW – Ariella also recently published her MoMA top 10 picks: https://on.ft.com/3UIOSZK-------Special FT subscription offers for Life and Art podcast listeners, from 50% off a digital subscription to a $1/£1/€1 trial, are here: http://ft.com/lifeandart-------Original music by Metaphor Music. Mixing and sound design by Breen Turner and Sam GiovincoRead a transcript of this episode on FT.com Hosted on Acast. See acast.com/privacy for more information.

Time Sensitive Podcast
Adam Pendleton on His Ongoing Exploration of “Black Dada”

Time Sensitive Podcast

Play Episode Listen Later Apr 24, 2024 62:58


Most widely recognized for his paintings that rigorously combine spray paint, stenciled geometric forms, and brushstrokes, the Brooklyn-based artist Adam Pendleton is also known for his “Black Dada” framework, an ever-evolving philosophy that investigates various relationships between Blackness, abstraction, and the avant-garde. Many will recognize Pendleton's work from “Who Is Queen?,” his 2021 solo exhibition at New York's Museum of Modern Art, which he has said was his way of “trying to overwhelm the museum.” This is a natural position for him: His works in and of themselves are often overwhelming. At once political and spiritual, they provoke deep introspection and consideration, practically demanding viewers to look, and then look again.On this episode, he discusses the elusive, multifarious nature of “Black Dada”; “An Abstraction,” his upcoming exhibition at Pace Gallery in New York (on view from May 3–August 16); painting as a kind of technology; and why, for him, jazz is indefinable.Special thanks to our Season 9 presenting sponsor, L'École, School of Jewelry Arts.Show notes:Adam Pendleton[05:00] Joan Retallack[05:00] Pasts, Futures, and Aftermaths[05:22] “Becoming Imperceptible”[07:41] Ishmael Houston-Jones[07:41] Joan Jonas[07:41] Lorraine O'Grady[07:41] Yvonne Rainer[07:41] Jack Halberstam[14:26] Fred Moten[05:22] “Who Is Queen?”[23:50] Hugo Ball's Dada Manifesto[23:50] Amiri Baraka's “Black Dada Nihilismus”[31:14] Isabella Stewart Gardner Museum[31:14] “System of Display”[31:14] “Reading Dante”[34:40] “Adam Pendleton” at Pace Gallery[34:40] “An Abstraction” at Pace Gallery[34:40] Arlene Shechet[34:40] “Adam Pendleton x Arlene Shechet”[40:30] “Blackness, White, and Light” at MUMOK[45:07] “Twenty-One Love Poems” by Audrienne Rich[50:40] “Occupy Time” by Jason Adams[56:04] “What It Is I Think I'm Doing Anyhow” by Toni Cade Bambara[57:13] “Some Thoughts on a Constellation of Things Seen and Felt” by Adrienne Edwards

Más de uno
Easttown, Jesús Carrasco, MoMA

Más de uno

Play Episode Listen Later Apr 20, 2024 3:43


Una semana más, el afamado Criticón de La Cultureta Gran Reserva saca su criterio a pasear y ofrece sin coste una degustación de críticas ciegas que volverán a convertirse en faro para los oyentes y curiosos. En esta ocasión, son objeto de análisis la serie de HBO ‘Mare of Easttown' protagonizada por Kate Winslet, la novela de Jesús Carrasco titulada ‘Elogio de las manos' que ha publicado recientemente Seix Barral, y la exposición ‘Good Night Good Morning' que gira en estos días en torno a la obra de la artista Joan Jonas en el MoMA de Nueva York. Un repaso por la cultura de algo más de tres minutos que volverá a hacer las delicias de los oídos más sensibles. 

La Cultureta
Easttown, Jesús Carrasco, MoMA

La Cultureta

Play Episode Listen Later Apr 20, 2024 3:43


Una semana más, el afamado Criticón de La Cultureta Gran Reserva saca su criterio a pasear y ofrece sin coste una degustación de críticas ciegas que volverán a convertirse en faro para los oyentes y curiosos. En esta ocasión, son objeto de análisis la serie de HBO ‘Mare of Easttown' protagonizada por Kate Winslet, la novela de Jesús Carrasco titulada ‘Elogio de las manos' que ha publicado recientemente Seix Barral, y la exposición ‘Good Night Good Morning' que gira en estos días en torno a la obra de la artista Joan Jonas en el MoMA de Nueva York. Un repaso por la cultura de algo más de tres minutos que volverá a hacer las delicias de los oídos más sensibles. 

Más Noticias
Easttown, Jesús Carrasco, MoMA

Más Noticias

Play Episode Listen Later Apr 20, 2024 3:43


Una semana más, el afamado Criticón de La Cultureta Gran Reserva saca su criterio a pasear y ofrece sin coste una degustación de críticas ciegas que volverán a convertirse en faro para los oyentes y curiosos. En esta ocasión, son objeto de análisis la serie de HBO ‘Mare of Easttown' protagonizada por Kate Winslet, la novela de Jesús Carrasco titulada ‘Elogio de las manos' que ha publicado recientemente Seix Barral, y la exposición ‘Good Night Good Morning' que gira en estos días en torno a la obra de la artista Joan Jonas en el MoMA de Nueva York. Un repaso por la cultura de algo más de tres minutos que volverá a hacer las delicias de los oídos más sensibles. 

The Week in Art
2024: market predictions and the big shows

The Week in Art

Play Episode Listen Later Jan 12, 2024 78:23


In the first episode of 2024 we look ahead to the next 12 months. The Art Newspaper's acting art market editor Tim Schneider peers into his crystal ball to tell us what we might expect from the coming 12 months in the art market. Then, Jane Morris, editor-at-large, Gareth Harris, chief contributing editor, and host Ben Luke select the biennials and exhibitions they are most looking forward to in 2024.Events discussed:60th Venice Biennale: Foreigners Everywhere, 20 April-24 November; Pierre Huyghe, Punta Della Dogana, Venice, 17 March-24 November; Julie Mehretu, Palazzo Grassi, Venice, 17 March-6 January; Willem de Kooning, Gallerie dell'Accademia, Venice, 16 April–15 September; Jean Cocteau, Peggy Guggenheim Collection, Venice, 13 April-16 September; Whitney Biennial: Whitney Museum of American Art, opens 20 March; PST Art: Art & Science Collide, 14 September-16 February; Istanbul Biennial, 14 September-17 November; Diriyah Contemporary Art Biennale 2024, Saudi Arabia, 20 February-24 May; Desert X 2024 AlUla, Saudi Arabia, 9 February-30 April; Frick Collection, New York, reopening late 2024; Grand Egyptian Museum, Giza, Egypt, dates tbc; IMAGINE!: 100 Years of International Surrealism, The Royal Museums of Fine Arts of Belgium, 21 February-21 July; Centre Pompidou, Paris, 4 September-6 January (travels to Hamburger Kunsthalle, Germany, Fundación Mapfré, Madrid, Philadelphia Museum of Art, US); Paris 1874: Inventing impressionism, Musée d'Orsay, 26 March-14 July; National Gallery of Art, Washington DC, 8 September-19 January; Van Gogh, National Gallery, London, 14 September-19 January; Matthew Wong, Vincent van Gogh, Van Gogh Museum, Amsterdam, 1 March-1 September; Caspar David Friedrich, Kunsthalle, Hamburg, Germany, until 1 April; Caspar David Friedrich, Alte Nationalgalerie, Berlin, 19 April-4 August; Caspar David Friedrich, Albertinum and Kupferstich-Kabinett, Dresden, Germany, 24 August-5 January; Arte Povera, Bourse de Commerce, Paris, 9 October-24 March; Brancusi, Centre Pompidou, Paris, 27 March-1 July; Comics, Centre Pompidou, Paris, 29 May-4 November; Yoko Ono, Tate Modern, London, 15 February-1 September 2024; Angelica Kauffman, Royal Academy, London, 1 March-30 June; Women Artists in Britain, Tate Britain, London, 16 May-13 October; Judy Chicago, Serpentine North, London, 22 May-1 September; Vanessa Bell, Courtauld Gallery, London, 25 May-6 October; Woven Histories: Textiles and Modern Abstraction, Los Angeles County Museum of Art, US, until 21 January; National Gallery of Art, Washington DC, 17 March-28 July; National Gallery of Canada, Ottawa, 25 October-2 March; The Museum of Modern Art, New York, dates tbc; Unravel: The Power and Politics of Textiles in Art, Barbican, London, 13 February-26 May 2024, Stedelijk Museum, Amsterdam, 14 September-5 January; The Harlem Renaissance, Metropolitan Museum of Art, New York, 25 February-28 July; Siena: the Rise of Painting, 1300-50, Metropolitan Museum, 13 October-26 January; Museum of Modern Art, New York, shows: Joan Jonas, 17 March-6 July, LaToya Ruby Frazier, 12 May-7 September, Käthe Kollwitz, 31 March-20 July; Kollwitz, Städel Museum, Frankfurt, Germany, 20 March-9 June; Käthe Kollwitz, SMK-National Gallery of Denmark, Copenhagen, 7 November-25 February; The Anxious Eye: German Expressionism and Its Legacy, National Gallery of Art, Washington DC, 11 February-27 May; Expressionists, Tate Modern, London, 25 April-20 October; Gabriele Münter: the Great Expressionist Woman Painter, Thyssen Bornemisza, Madrid, 12 November-9 February Hosted on Acast. See acast.com/privacy for more information.

Conversations About Art
127. Tim Griffin

Conversations About Art

Play Episode Listen Later Oct 31, 2023 53:28


Tim Griffin is the Executive Director of the Industry. He joined the organization in June 2023 and continues the organization's commitment to reimagining art's relationship with its publics. Previously, Griffin was executive director and chief curator at The Kitchen (2011–2021) where he developed projects across disciplines with artists such as Chantal Akerman, ANOHNI, Charles Atlas, Abraham Cruzvillegas, Joan Jonas, Ralph Lemon, Aki Sasamoto, Wadada Leo Smith, Tyshawn Sorey, and Danh Vo, among others.  On the occasion of The Kitchen's 50th anniversary, Griffin initiated a capital campaign to renovate its building as a platform for the next generation of artists, raising roughly $22 million. From 2003 to 2010, Griffin was editor of Artforum, organizing special issues on performance; the museum in a contemporary context; art and poetry; and art and commerce. His own writing has appeared in publications from Bomb to Vogue, including catalogue essays on choreographer Maria Hassabi (MoMA, 2016), artist Ralph Lemon (Guggenheim Museum, 2016), and John Baldessari (Tate Modern, 2009). Griffin also edited a volume of selected writings on Wade Guyton (JRP), and has a forthcoming book on artists' changing engagement with site-specificity (Sternberg Press). In 2015, he was awarded the insignia of chevalier of the Order of Arts and Letters.He and Zuckerman discuss contemporary opera, popular audiences, how we know what we see, the luxury of clarity, art criticism, proximity, anxiety around popular culture, being in partnership in the art world and rethinking your own habits!

The Creative Process Podcast
LAURIE ANDERSON - DICKIE LANDRY - "HOME OF THE BRAVE"

The Creative Process Podcast

Play Episode Listen Later Jun 15, 2023 4:16


“Home of the Brave” performed by Laurie Anderson & Dickie Landry on The Late Show. Laurie Anderson is an American avant-garde artist, composer, musician, and film director whose work spans performance art, pop music, and multimedia projects.For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Keith Sonnier, Philip Glass, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson. Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11. Listen to his music on Unseen Worlds.http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landrywww.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

Art · The Creative Process
LAURIE ANDERSON - DICKIE LANDRY - "HOME OF THE BRAVE"

Art · The Creative Process

Play Episode Listen Later Jun 15, 2023 4:16


“Home of the Brave” performed by Laurie Anderson & Dickie Landry on The Late Show. Laurie Anderson is an American avant-garde artist, composer, musician, and film director whose work spans performance art, pop music, and multimedia projects.For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Keith Sonnier, Philip Glass, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson. Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11. Listen to his music on Unseen Worlds.http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landrywww.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

Feminism · Women’s Stories · The Creative Process
LAURIE ANDERSON - DICKIE LANDRY - "HOME OF THE BRAVE"

Feminism · Women’s Stories · The Creative Process

Play Episode Listen Later Jun 15, 2023 4:16


“Home of the Brave” performed by Laurie Anderson & Dickie Landry on The Late Show. Laurie Anderson is an American avant-garde artist, composer, musician, and film director whose work spans performance art, pop music, and multimedia projects.For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Keith Sonnier, Philip Glass, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson. Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11. Listen to his music on Unseen Worlds.http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landrywww.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

Music & Dance · The Creative Process
LAURIE ANDERSON - DICKIE LANDRY - "HOME OF THE BRAVE"

Music & Dance · The Creative Process

Play Episode Listen Later Jun 15, 2023 4:16


“Home of the Brave” performed by Laurie Anderson & Dickie Landry on The Late Show. Laurie Anderson is an American avant-garde artist, composer, musician, and film director whose work spans performance art, pop music, and multimedia projects.For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Keith Sonnier, Philip Glass, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson. Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11. Listen to his music on Unseen Worlds.http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landrywww.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

The Creative Process in 10 minutes or less · Arts, Culture & Society
LAURIE ANDERSON - DICKIE LANDRY - "HOME OF THE BRAVE"

The Creative Process in 10 minutes or less · Arts, Culture & Society

Play Episode Listen Later Jun 15, 2023 4:16


“Home of the Brave” performed by Laurie Anderson & Dickie Landry on The Late Show. Laurie Anderson is an American avant-garde artist, composer, musician, and film director whose work spans performance art, pop music, and multimedia projects.For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Keith Sonnier, Philip Glass, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson. Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11. Listen to his music on Unseen Worlds.http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landrywww.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

The Creative Process Podcast
ROBERT PLANT - DICKIE LANDRY - LIL' BAND O' GOLD

The Creative Process Podcast

Play Episode Listen Later Jun 10, 2023 3:36


For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Philip Glass, Keith Sonnier, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson. Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11.http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landrywww.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

Music & Dance · The Creative Process
ROBERT PLANT - DICKIE LANDRY - LIL' BAND O' GOLD

Music & Dance · The Creative Process

Play Episode Listen Later Jun 10, 2023 3:36


For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Philip Glass, Keith Sonnier, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson. Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11.http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landrywww.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

The Creative Process in 10 minutes or less · Arts, Culture & Society
ROBERT PLANT - DICKIE LANDRY - LIL' BAND O' GOLD

The Creative Process in 10 minutes or less · Arts, Culture & Society

Play Episode Listen Later Jun 10, 2023 3:36


For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Philip Glass, Keith Sonnier, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson. Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11.http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landrywww.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

LOVE - What is love? Relationships, Personal Stories, Love Life, Sex, Dating, The Creative Process

For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Philip Glass, Keith Sonnier, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson. Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11.http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landrywww.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

A brush with...
A brush with... Joan Jonas

A brush with...

Play Episode Listen Later Feb 15, 2023 51:13


Ben Luke talks to Joan Jonas about her influences—including those from the worlds of literature, film, music and, of course, art—and the cultural experiences that have shaped her life and work.Jonas, who was born in 1936 in New York and still lives in the city today, is one of the most significant and pioneering artists in the history of video and performance. She draws inspiration from a wealth of cultures and traditions, alluding to everything from fairy tales to ancient myths, scientific study and art history, and brings them together in multidisciplinary installations involving live action, drawing, spoken word, music, sound and video. She discusses her early interest in Minoan culture and Renaissance depictions of space, life-changing visits to Japan and Iceland, and writers as diverse as Jorge Luis Borges, Halldór Laxness, and Susan Howe. Plus, she gives insights into her studio life and has a stirring answer to the ultimate question: what is art for?Joan Jonas: Moving off the Land, Walther König, 272 pp, €25. Drawing in Circles, with Eiko Otake, Castelli Gallery, New York, 14 March-1 April; Joan Jonas, Haus der Kunst, Munich, Germany, until 26 February. Joan Jonas, Dia Art Foundation, Beacon, NY, US, until 13 March. Her retrospective at the Museum of Modern Art, New York, opens in spring 2024 Hosted on Acast. See acast.com/privacy for more information.

The Creative Process Podcast
Highlights - Dickie Landry - Composer, Musician, Photographer, Artist

The Creative Process Podcast

Play Episode Listen Later Nov 28, 2022 12:47


"Einstein on the Beach, it's a masterpiece. America, in 1976, was to be celebrating its 200th year of existence, and Michel Guy, the French Minister of Culture, came to New York to offer a commission to Philip Glass and Robert Wilson to write an opera. This was the gift that France would give for America's two-hundredth anniversary. That was the first time I met Robert Wilson.""My son had died, and I had taken to two years to recover. So I went to New York. I had dinner with Laurie Anderson, and as I was getting up to leave, she said, 'What are you doing in New York?' I said, "I'm looking for work' She said, 'What are you doing next week?' I said, 'Well, I'm supposed to be in Atlanta, Georgia doing a music film with David Byrne and Talking Heads. Well, what do you have?' She said, 'I'm doing a piece next week at Brooklyn Academy of Music with Trisha Brown and Robert Rauschenberg, Set and Reset. Why don't you come? Bring your sax, we'll work it out then.' Two weeks after that concert, Laurie's manager called and said, 'Do you want to go on a 20-city tour of America with Laurie? Home of the Brave?' Of course, we did that. That was the beginning of the reconstruction of my career in New York through Laurie Anderson."For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Keith Sonnier, Philip Glass, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson.Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11.http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landryMusic on this episode courtesy of Dickie Landry:E-mu & Alto Saxophone composed by D.L. for Robert Wilson's production of "1433 The Grand Voyage" based on the story of Zheng He. Premier National Theater Taipei, Taiwan 2009Philip Glass'"Einstein on the Beach”. Original recording on Tomato Records 1977. D.L. on flute “Home of the Brave” on the Late Show with Laurie Andersonwww.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

The Creative Process Podcast
Dickie Landry - Composer, Musician, Photographer, Artist

The Creative Process Podcast

Play Episode Listen Later Nov 28, 2022 73:56


For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Keith Sonnier, Philip Glass, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson. Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11."Einstein on the Beach, it's a masterpiece. America, in 1976, was to be celebrating its 200th year of existence, and Michel Guy, the French Minister of Culture, came to New York to offer a commission to Philip Glass and Robert Wilson to write an opera. This was the gift that France would give for America's two-hundredth anniversary. That was the first time I met Robert Wilson.""My son had died, and I had taken to two years to recover. So I went to New York. I had dinner with Laurie Anderson, and as I was getting up to leave, she said, 'What are you doing in New York?' I said, "I'm looking for work' She said, 'What are you doing next week?' I said, 'Well, I'm supposed to be in Atlanta, Georgia doing a music film with David Byrne and Talking Heads. Well, what do you have?' She said, 'I'm doing a piece next week at Brooklyn Academy of Music with Trisha Brown and Robert Rauschenberg, Set and Reset. Why don't you come? Bring your sax, we'll work it out then.' Two weeks after that concert, Laurie's manager called and said, 'Do you want to go on a 20-city tour of America with Laurie? Home of the Brave?' Of course, we did that. That was the beginning of the reconstruction of my career in New York through Laurie Anderson."http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landryMusic on this episode courtesy of Dickie Landry:E-mu & Alto Saxophone composed by D.L. for Robert Wilson's production of "1433 The Grand Voyage" based on the story of Zheng He. Premier National Theater Taipei, Taiwan 2009“Gloria” for Robert Wilson's “Oedipus Rex”Philip Glass'"Einstein on the Beach”. Original recording on Tomato Records 1977. D.L. on flute "Are Years What" Phillip Glass. Composed for D.L. playing 3 soprano saxophones. On his lp "North Star”,1977 Swing Kings 1965, D.L. on flute“Home of the Brave” on the Late Show with Laurie Anderson"Taideco" Zydeco, for Wilson's production of "1433" Cedric Watson, Jermain Prejean, D.L. “Ghosties” from “Dickie Landry Solo”"It Keeps Rainin'", Robert Plant with Lil' Band O' Goldwww.creativeprocess.info www.oneplanetpodcast.orgInstagram @creativeprocesspodcast

Theatre · The Creative Process
Highlights - Dickie Landry - Composer, Musician, Photographer, Artist

Theatre · The Creative Process

Play Episode Listen Later Nov 28, 2022 12:47


"Einstein on the Beach, it's a masterpiece. America, in 1976, was to be celebrating its 200th year of existence, and Michel Guy, the French Minister of Culture, came to New York to offer a commission to Philip Glass and Robert Wilson to write an opera. This was the gift that France would give for America's two-hundredth anniversary. That was the first time I met Robert Wilson."For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Keith Sonnier, Philip Glass, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson.Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11.http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landryMusic on this episode courtesy of Dickie Landry:E-mu & Alto Saxophone composed by D.L. for Robert Wilson's production of "1433 The Grand Voyage" based on the story of Zheng He. Premier National Theater Taipei, Taiwan 2009Philip Glass'"Einstein on the Beach”. Original recording on Tomato Records 1977. D.L. on flute “Home of the Brave” on the Late Show with Laurie Andersonwww.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

Theatre · The Creative Process
Dickie Landry - Composer, Musician, Photographer, Artist

Theatre · The Creative Process

Play Episode Listen Later Nov 28, 2022 73:56


For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Keith Sonnier, Philip Glass, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson. Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11."Einstein on the Beach, it's a masterpiece. America, in 1976, was to be celebrating its 200th year of existence, and Michel Guy, the French Minister of Culture, came to New York to offer a commission to Philip Glass and Robert Wilson to write an opera. This was the gift that France would give for America's two-hundredth anniversary. That was the first time I met Robert Wilson."http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landryMusic on this episode courtesy of Dickie Landry:E-mu & Alto Saxophone composed by D.L. for Robert Wilson's production of "1433 The Grand Voyage" based on the story of Zheng He. Premier National Theater Taipei, Taiwan 2009“Gloria” for Robert Wilson's “Oedipus Rex”Philip Glass'"Einstein on the Beach”. Original recording on Tomato Records 1977. D.L. on flute "Are Years What" Phillip Glass. Composed for D.L. playing 3 soprano saxophones. On his lp "North Star”,1977 Swing Kings 1965, D.L. on flute“Home of the Brave” on the Late Show with Laurie Anderson"Taideco" Zydeco, for Wilson's production of "1433" Cedric Watson, Jermain Prejean, D.L. “Ghosties” from “Dickie Landry Solo”"It Keeps Rainin'", Robert Plant with Lil' Band O' GoldPhoto: Dickie Landry in Robert Wilson's “1433—The Grand Voyage”, Music by Ornette Coleman, Dickie Landry, Chih-Chun Huangwww.creativeprocess.info www.oneplanetpodcast.orgInstagram @creativeprocesspodcast

Art · The Creative Process
Dickie Landry - Composer, Musician, Photographer, Artist

Art · The Creative Process

Play Episode Listen Later Nov 28, 2022 73:56


For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Keith Sonnier, Philip Glass, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson. Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11."The first painting I saw of what I had done, the finished painting was a real turn on. I mean, really heavy, like that painting was coming from my brain. It wasn't a photograph. It wasn't an image of something. It was coming from me, from this. That really, I mean, excited me more than when I first heard John Coltrane or Ornette Coleman. And it was like, Pow, this is what painting is about. It's about individual piece of work. It's not a photograph.""The way I became interested in art was in high school. I was graduating. What are you going to do? What are you going to do with your life? So one day I went to the library and was thumbing through Time magazine and turned the page, and there's a work of art by Robert Rauschenberg. And when I saw what he'd done and was getting international attention for, his pieces hanging in museums somewhere in the world, the light bulb went off in my head. I can be whatever I want. I don't have to be categorized. I'm free. Free...I get bored doing just one thing. People say, 'Well, you can only have one stamp of what you do.' I didn't believe in that. I was just, you know, I liked everything I did."http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landryMusic on this episode courtesy of Dickie Landry:E-mu & Alto Saxophone composed by D.L. for Robert Wilson's production of "1433 The Grand Voyage" based on the story of Zheng He. Premier National Theater Taipei, Taiwan 2009“Gloria” for Robert Wilson's “Oedipus Rex”Philip Glass'"Einstein on the Beach”. Original recording on Tomato Records 1977. D.L. on flute "Are Years What" Phillip Glass. Composed for D.L. playing 3 soprano saxophones. On his lp "North Star”,1977 Swing Kings 1965, D.L. on flute“Home of the Brave” on the Late Show with Laurie Anderson"Taideco" Zydeco, for Wilson's production of "1433" Cedric Watson, Jermain Prejean, D.L. “Ghosties” from “Dickie Landry Solo”"It Keeps Rainin'", Robert Plant with Lil' Band O' Goldwww.creativeprocess.info www.oneplanetpodcast.orgInstagram @creativeprocesspodcast

Art · The Creative Process
Highlights - Dickie Landry - Composer, Musician, Photographer, Artist

Art · The Creative Process

Play Episode Listen Later Nov 28, 2022 12:47


"The first painting I saw of what I had done, the finished painting was a real turn on. I mean, really heavy, like that painting was coming from my brain. It wasn't a photograph. It wasn't an image of something. It was coming from me, from this. That really, I mean, excited me more than when I first heard John Coltrane or Ornette Coleman. And it was like, Pow, this is what painting is about. It's about individual piece of work. It's not a photograph.""The way I became interested in art was in high school. I was graduating. What are you going to do? What are you going to do with your life? So one day I went to the library and was thumbing through Time magazine and turned the page, and there's a work of art by Robert Rauschenberg. And when I saw what he'd done and was getting international attention for, his pieces hanging in museums somewhere in the world, the light bulb went off in my head. I can be whatever I want. I don't have to be categorized. I'm free. Free...I get bored doing just one thing. People say, 'Well, you can only have one stamp of what you do.' I didn't believe in that. I was just, you know, I liked everything I did."For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Keith Sonnier, Philip Glass, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson. Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11.http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landryMusic on this episode courtesy of Dickie Landry:E-mu & Alto Saxophone composed by D.L. for Robert Wilson's production of "1433 The Grand Voyage" based on the story of Zheng He. Premier National Theater Taipei, Taiwan 2009Philip Glass'"Einstein on the Beach”. Original recording on Tomato Records 1977. D.L. on flute “Home of the Brave” on the Late Show with Laurie Andersonwww.creativeprocess.info www.oneplanetpodcast.orgInstagram @creativeprocesspodcast

Music & Dance · The Creative Process
Dickie Landry - Composer, Musician, Photographer, Artist

Music & Dance · The Creative Process

Play Episode Listen Later Nov 28, 2022 73:56


For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Keith Sonnier, Philip Glass, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson. Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11."Einstein on the Beach, it's a masterpiece. America, in 1976, was to be celebrating its 200th year of existence, and Michel Guy, the French Minister of Culture, came to New York to offer a commission to Philip Glass and Robert Wilson to write an opera. This was the gift that France would give for America's two-hundredth anniversary. That was the first time I met Robert Wilson.""My son had died, and I had taken to two years to recover. So I went to New York. I had dinner with Laurie Anderson, and as I was getting up to leave, she said, 'What are you doing in New York?' I said, "I'm looking for work' She said, 'What are you doing next week?' I said, 'Well, I'm supposed to be in Atlanta, Georgia doing a music film with David Byrne and Talking Heads. Well, what do you have?' She said, 'I'm doing a piece next week at Brooklyn Academy of Music with Trisha Brown and Robert Rauschenberg, Set and Reset. Why don't you come? Bring your sax, we'll work it out then.' Two weeks after that concert, Laurie's manager called and said, 'Do you want to go on a 20-city tour of America with Laurie? Home of the Brave?' Of course, we did that. That was the beginning of the reconstruction of my career in New York through Laurie Anderson."http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landryMusic on this episode courtesy of Dickie Landry:E-mu & Alto Saxophone composed by D.L. for Robert Wilson's production of "1433 The Grand Voyage" based on the story of Zheng He. Premier National Theater Taipei, Taiwan 2009“Gloria” for Robert Wilson's “Oedipus Rex”Philip Glass'"Einstein on the Beach”. Original recording on Tomato Records 1977. D.L. on flute "Are Years What" Phillip Glass. Composed for D.L. playing 3 soprano saxophones. On his lp "North Star”,1977 Swing Kings 1965, D.L. on flute“Home of the Brave” on the Late Show with Laurie Anderson"Taideco" Zydeco, for Wilson's production of "1433" Cedric Watson, Jermain Prejean, D.L. “Ghosties” from “Dickie Landry Solo”"It Keeps Rainin'", Robert Plant with Lil' Band O' Goldwww.creativeprocess.info www.oneplanetpodcast.orgInstagram @creativeprocesspodcast

Music & Dance · The Creative Process
Highlights - Dickie Landry - Composer, Musician, Photographer, Artist

Music & Dance · The Creative Process

Play Episode Listen Later Nov 28, 2022 12:47


"Einstein on the Beach, it's a masterpiece. America, in 1976, was to be celebrating its 200th year of existence, and Michel Guy, the French Minister of Culture, came to New York to offer a commission to Philip Glass and Robert Wilson to write an opera. This was the gift that France would give for America's two-hundredth anniversary. That was the first time I met Robert Wilson.""My son had died, and I had taken to two years to recover. So I went to New York. I had dinner with Laurie Anderson, and as I was getting up to leave, she said, 'What are you doing in New York?' I said, "I'm looking for work' She said, 'What are you doing next week?' I said, 'Well, I'm supposed to be in Atlanta, Georgia doing a music film with David Byrne and Talking Heads. Well, what do you have?' She said, 'I'm doing a piece next week at Brooklyn Academy of Music with Trisha Brown and Robert Rauschenberg, Set and Reset. Why don't you come? Bring your sax, we'll work it out then.' Two weeks after that concert, Laurie's manager called and said, 'Do you want to go on a 20-city tour of America with Laurie? Home of the Brave?' Of course, we did that. That was the beginning of the reconstruction of my career in New York through Laurie Anderson."For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Keith Sonnier, Philip Glass, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson.Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11.http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landryMusic on this episode courtesy of Dickie Landry:E-mu & Alto Saxophone composed by D.L. for Robert Wilson's production of "1433 The Grand Voyage" based on the story of Zheng He. Premier National Theater Taipei, Taiwan 2009Philip Glass'"Einstein on the Beach”. Original recording on Tomato Records 1977. D.L. on flute “Home of the Brave” on the Late Show with Laurie AndersonImage: "Solo Concerts" by Dickie Landry and Philip Glass held on April 13th and 14th, 1973 at 112 Workshop. Photos by Gerard Murrell, Robert Mapplethorpewww.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

The Creative Process in 10 minutes or less · Arts, Culture & Society
Dickie Landry - Composer, Musician, Photographer, Artist

The Creative Process in 10 minutes or less · Arts, Culture & Society

Play Episode Listen Later Nov 28, 2022 12:47


"Einstein on the Beach, it's a masterpiece. America, in 1976, was to be celebrating its 200th year of existence, and Michel Guy, the French Minister of Culture, came to New York to offer a commission to Philip Glass and Robert Wilson to write an opera. This was the gift that France would give for America's two-hundredth anniversary. That was the first time I met Robert Wilson.""My son had died, and I had taken to two years to recover. So I went to New York. I had dinner with Laurie Anderson, and as I was getting up to leave, she said, 'What are you doing in New York?' I said, "I'm looking for work' She said, 'What are you doing next week?' I said, 'Well, I'm supposed to be in Atlanta, Georgia doing a music film with David Byrne and Talking Heads. Well, what do you have?' She said, 'I'm doing a piece next week at Brooklyn Academy of Music with Trisha Brown and Robert Rauschenberg, Set and Reset. Why don't you come? Bring your sax, we'll work it out then.' Two weeks after that concert, Laurie's manager called and said, 'Do you want to go on a 20-city tour of America with Laurie? Home of the Brave?' Of course, we did that. That was the beginning of the reconstruction of my career in New York through Laurie Anderson."For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Keith Sonnier, Philip Glass, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson.Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11.http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landryMusic on this episode courtesy of Dickie Landry:E-mu & Alto Saxophone composed by D.L. for Robert Wilson's production of "1433 The Grand Voyage" based on the story of Zheng He. Premier National Theater Taipei, Taiwan 2009Philip Glass'"Einstein on the Beach”. Original recording on Tomato Records 1977. D.L. on flute “Home of the Brave” on the Late Show with Laurie Andersonwww.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

Education · The Creative Process
Dickie Landry - Composer, Musician, Photographer, Artist

Education · The Creative Process

Play Episode Listen Later Nov 28, 2022 73:56


For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Keith Sonnier, Philip Glass, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson.Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11.“Well, look at tennis players where they hit the ball on one side of the court and next thing you know it's on the other side of the court. It's all practice, practice, practice. That's what I tell people who say, "I want to learn how to play the saxophone or the flute or clarinet, or any instrument. I say, "Start practicing.”"The way I became interested in art was in high school. I was graduating. What are you going to do? What are you going to do with your life? So one day I went to the library and was thumbing through Time magazine and turned the page, and there's a work of art by Robert Rauschenberg. And when I saw what he'd done and was getting international attention for, his pieces hanging in museums somewhere in the world, the light bulb went off in my head. I can be whatever I want. I don't have to be categorized. I'm free. Free."http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landryMusic on this episode courtesy of Dickie Landry:E-mu & Alto Saxophone composed by D.L. for Robert Wilson's production of "1433 The Grand Voyage" based on the story of Zheng He. Premier National Theater Taipei, Taiwan 2009“Gloria” for Robert Wilson's “Oedipus Rex”Philip Glass'"Einstein on the Beach”. Original recording on Tomato Records 1977. D.L. on flute "Are Years What" Phillip Glass. Composed for D.L. playing 3 soprano saxophones. On his lp "North Star”,1977 Swing Kings 1965, D.L. on flute“Home of the Brave” on the Late Show with Laurie Anderson"Taideco" Zydeco, for Wilson's production of "1433" Cedric Watson, Jermain Prejean, D.L. “Ghosties” from “Dickie Landry Solo”"It Keeps Rainin'", Robert Plant with Lil' Band O' Goldwww.creativeprocess.info www.oneplanetpodcast.orgInstagram @creativeprocesspodcast

Education · The Creative Process
Highlights - Dickie Landry - Composer, Musician, Photographer, Artist

Education · The Creative Process

Play Episode Listen Later Nov 28, 2022 12:47


“Well, look at tennis players where they hit the ball on one side of the court and next thing you know it's on the other side of the court. It's all practice, practice, practice. That's what I tell people who say, "I want to learn how to play the saxophone or the flute or clarinet, or any instrument. I say, "Start practicing.”"The way I became interested in art was in high school. I was graduating. What are you going to do? What are you going to do with your life? So one day I went to the library and was thumbing through Time magazine and turned the page, and there's a work of art by Robert Rauschenberg. And when I saw what he'd done and was getting international attention for, his pieces hanging in museums somewhere in the world, the light bulb went off in my head. I can be whatever I want. I don't have to be categorized. I'm free. Free."For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Keith Sonnier, Philip Glass, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson.Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11.http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landryMusic on this episode courtesy of Dickie Landry:E-mu & Alto Saxophone composed by D.L. for Robert Wilson's production of "1433 The Grand Voyage" based on the story of Zheng He. Premier National Theater Taipei, Taiwan 2009Philip Glass'"Einstein on the Beach”. Original recording on Tomato Records 1977. D.L. on flute “Home of the Brave” on the Late Show with Laurie Andersonwww.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

Espectros
Espectros

Espectros

Play Episode Listen Later Nov 1, 2022 7:00


"Vertical Roll" (1972), de Joan Jonas

Kunst und Leben – Der Monopol-Podcast – detektor.fm
Joan-Jonas-Retrospektive: „Ein Bad in Bildern“

Kunst und Leben – Der Monopol-Podcast – detektor.fm

Play Episode Listen Later Sep 27, 2022 23:26


Sie ist die Grande Dame der Video-Performance: Joan Jonas. Das Haus der Kunst in München widmet ihr nun eine Retrospektive – mit Werken aus aus einem halben Jahrhundert künstlerischen Schaffens, die aktueller nicht sein könnten. Die Retrospektive zu Joan Jonas im Haus der Kunst könnt ihr noch bis zum 26. Februar 2023 in München besichtigen.  >> Artikel zum Nachlesen: https://detektor.fm/kultur/monopol-podcast-joan-jonas

Kultur – detektor.fm
Joan-Jonas-Retrospektive: „Ein Bad in Bildern“

Kultur – detektor.fm

Play Episode Listen Later Sep 27, 2022 23:26


Sie ist die Grande Dame der Video-Performance: Joan Jonas. Das Haus der Kunst in München widmet ihr nun eine Retrospektive – mit Werken aus aus einem halben Jahrhundert künstlerischen Schaffens, die aktueller nicht sein könnten. Die Retrospektive zu Joan Jonas im Haus der Kunst könnt ihr noch bis zum 26. Februar 2023 in München besichtigen.  >> Artikel zum Nachlesen: https://detektor.fm/kultur/monopol-podcast-joan-jonas

Podcasts – detektor.fm
Kunst und Leben – Der Monopol Podcast | Joan-Jonas-Retrospektive: „Ein Bad in Bildern“

Podcasts – detektor.fm

Play Episode Listen Later Sep 27, 2022 23:26


Sie ist die Grande Dame der Video-Performance: Joan Jonas. Das Haus der Kunst in München widmet ihr nun eine Retrospektive – mit Werken aus aus einem halben Jahrhundert künstlerischen Schaffens, die aktueller nicht sein könnten. Die Retrospektive zu Joan Jonas im Haus der Kunst könnt ihr noch bis zum 26. Februar 2023 in München besichtigen.  >> Artikel zum Nachlesen: https://detektor.fm/kultur/monopol-podcast-joan-jonas

Was wichtig wird
Joan Jonas & Marianna Simnett

Was wichtig wird

Play Episode Listen Later Sep 22, 2022 10:08


Zwei Künsterinnen, die großen Platz im neuen Heft von Monopol bekommen, sind Joan Jonas aus New York und Marianna Simnett aus Berlin. Beide sind strahlende Erscheinungen. Beide nutzen unter anderem die Videokamera. Die 86-jährige New Yorkerin zeigt in ihrem Werk eine brennende Zeitgenossenschaft, die mit eigener Poesie daherkommt. Die 36-jährige Berlinerin, die derzeit auch auf der Biennale in Venedig stark begehrt ist, gilt als eine der kompromisslosesten Künstlerinnen der Gegenwart. Ihre Werke lassen einem den Atem stocken, den Magen Autoscooter fahren und das Herz schneller schlagen. Elke Buhr, Chefredakteurin von Monopol, dem Magazin für Kunst und Leben, erzählt davon. Moderation: Yvi Strüwing detektor.fm/was-wichtig-wird Podcast: detektor.fm/feeds/was-wichtig-wird Apple Podcasts: itun.es/de/9cztbb.c Google Podcasts: goo.gl/cmJioL Spotify: open.spotify.com/show/0UnRK019ItaDoWBQdCaLOt Sie setzt ihr leben ein. JOAN JONAS, Haus der Kunst, München, bis 26. Februar 2023. MARIANNA SIMNETT „OGRESS“, Galerie Société, Berlin, bis 22. Oktober, Biennale in Venedig, bis 27. November 2022.

Ausstellungstipps
Joan Jonas Im Haus der Kunst

Ausstellungstipps

Play Episode Listen Later Sep 16, 2022 3:26


Sie war mehrmals auf der Biennale in Venedig und der Documenta in Kassel mit ihren Werken vertreten. Die US-Amerikanerin Joan Jonas gehört zu den anerkanntesten zeitgenössischen Künstlerinnen. Doch obwohl sie sieben Jahre in Stuttgart lehrte und lebte, gab es in Deutschland bislang noch keine umfassende Schau zu ihrem Oeuvre. Das ist jetzt anders. Julian Ignatowitsch empfiehlt in den Ausstellungstipps die neue Joan-Jonas-Schau im Haus der Kunst.

Fazit - Kultur vom Tage - Deutschlandfunk Kultur
Spektakulär - Arbeiten von Joan Jonas im Haus der Kunst München

Fazit - Kultur vom Tage - Deutschlandfunk Kultur

Play Episode Listen Later Sep 8, 2022 5:19


Ignatowitsch, Julianwww.deutschlandfunkkultur.de, FazitDirekter Link zur Audiodatei

Kultur heute Beiträge - Deutschlandfunk
Spektakulär - Arbeiten von Joan Jonas im Haus der Kunst München

Kultur heute Beiträge - Deutschlandfunk

Play Episode Listen Later Sep 8, 2022 5:33


Ignatowitsch, Julianwww.deutschlandfunk.de, Kultur heuteDirekter Link zur Audiodatei

A brush with...
A brush with... Adam Pendleton

A brush with...

Play Episode Listen Later Aug 23, 2022 62:07


Ben Luke talks to Adam Pendleton about his influences—from the worlds of literature, music and, of course, art—and the cultural experiences that have shaped his life and work. Pendleton, born in 1984 in Richmond, Virginia, makes paintings, drawings, performances, films and other works exploring the relationship between Blackness, abstraction and histories of the avant-garde. He is perhaps best known for an ongoing body of work he calls Black Dada. He discusses the influences behind Black Dada, from the poetry of Amiri Baraka to the sculpture of Sol LeWitt, reflects on the drawings of Jean Dubuffet and the drafts and revisions of Joan Jonas's work, and enthuses about the power of Nina Simone's voice and Julius Eastman's compositions. Plus, he gives insight into his studio life and answers the ultimate question: what is art for?Adam Pendleton: In Abstraction, Pace Gallery, Geneva, 7 September-5 October; Adam Pendleton: Toy Soldier, Galerie Eva Presenhuber, Zurich, 10 September-26 November. Whitney Biennial: Quiet as It's Kept, Whitney Museum of American Art, until 5 September. Adam Pendleton, Mumok, Vienna, 31 March-10 September 2023. Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

Intersections: The Art Basel Podcast
Joan Jonas and Jason Moran

Intersections: The Art Basel Podcast

Play Episode Listen Later Aug 23, 2022 31:22


Video- and performance-art pioneer Joan Jonas and jazz pianist Jason Moran have collaborated for almost 20 years, and it all began with a call. “I phoned him, which was very unusual for me to do. I was very shy,” Jonas remembers. From there, the pair had six weeks to develop The Shape, The Scent, The Feel of Things (2005), a now-iconic performance based on the writings of Aby Warburg. In this episode, Jonas and Moran reminisce on that very first collaboration, what they've learned from each other since, and the importance of performance—not just for an art audience in a white cube but for civilization at large.

City Life Org
Times Square Arts Presents Joan Jonas' Wolf Lights for April Midnight Moment, Co-Presented with Gladstone Gallery

City Life Org

Play Episode Listen Later Apr 2, 2022 4:32


This episode is also available as a blog post: https://thecitylife.org/2022/04/01/times-square-arts-presents-joan-jonas-wolf-lights-for-april-midnight-moment-co-presented-with-gladstone-gallery/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

The Quarantine Tapes
The Quarantine Tapes 243: Jason Moran

The Quarantine Tapes

Play Episode Listen Later Mar 16, 2022 43:22


On episode 243 of The Quarantine Tapes, Paul Holdengräber is joined by musician and composer Jason Moran. This episode comes as part of a partnership with OXY ARTS. Jason and Paul discuss collaboration, improvisation, and what it means to play the room in this thoughtful and illuminating conversation.Jason talks about the importance of being in action as an artist and recounts his experiences as both a teacher and a student. He tells Paul about his collaborations with his wife, the incredible singer Alicia Hall Moran, and one of their recent projects, Two Wings. Paul and Jason talk about therapy, ancestors, and why Jason doesn't worry too much about trying to find balance as an artist.“Follow the Light”: https://www.youtube.com/watch?v=A_Zmzy7_QuA“Two Wings”: https://www.youtube.com/watch?v=R9F2WDyvTd0Since his formidable emergence on the music scene in the late 90s, jazz pianist Jason Moran has proven more than his brilliance as a performer. The Blue Note Records recording artist has established himself as a risk-taker and innovator of new directions for jazz as a whole. In almost every category that matters – improvisation, composition, group concept, repertoire, technique and experimentation – Moran, and his group The Bandwagon – with bassist Tarus Mateen and drummer Nasheet Waits – have challenged the status quo, and earned the reputation as “the future of jazz.”His ongoing visionary collaborations in the art world have brought him additional fans and respect. Moran's music is in the collections of both the MOMA and Whitney Museum of American Art. He scored a ballet for renowned Alonzo King's LINES Ballet, as well as scoring video works for contemporary American artists Glenn Ligon and Kara Walker. Moran also has worked with pivotal visual/performance artists Joan Jonas and Adrian Piper. Moran currently teaches at the New England Conservatory. He lives in New York City with his wife, mezzo soprano Alicia Hall Moran, and their twin toddlers.You can find Jason Moran's website at http://jasonmoran.com.Paul Holdengräber is an interviewer and curator of public curiosity. He is the Founder and Director of Onassis LA (OLA), a center for dialogue. Previously he was the Founder and Director of LIVE from the NYPL, a cultural series at the New York Public Library, where he hosted over 600 events, holding conversations with everyone from Patti Smith to Zadie Smith, Ricky Jay to Jay-Z, Errol Morris to Jan Morris, Wes Anderson to Helen Mirren, Christopher Hitchens to Mike Tyson. He is the host of "A Phone Call From Paul," a podcast for The Literary Hub. 

Art and Obsolescence
Episode 011: Barbara London

Art and Obsolescence

Play Episode Listen Later Nov 9, 2021 35:59


This week on the show our guest is the one and only Barbara London. Since she began her career at MoMA in 1973 and collected the museum's first video art in 1975, Barbara has had an immeasurable impact on the field of time-based media art – from her 1979 exhibition “Video from Tokyo to Fukui and Kyoto” to her phenomenal new book “Video art: the first fifty years”. Listen in on our conversation to hear Barbara's story, and her relationships with artists such as Laurie Anderson, Joan Jonas, Nam June Paik, Teiji Furuhashi, Bill Viola, and more, that have formed the bedrock of her prolific curatorial practice.Links from the conversation with Barbara> Barbara's website: https://www.barbaralondon.net> Video/Art: The First Fifty Years: https://www.phaidon.com/store/art/video-art-the-first-fifty-years-9780714877594Join the conversation:https://twitter.com/ArtObsolescencehttps://www.instagram.com/artobsolescence/Support artistsArt and Obsolescence is a non-profit podcast, sponsored by the New York Foundation for the Arts, and we are committed to equitably supporting artists that come on the show. Help support our work by making a tax deductible gift through NYFA here: https://www.artandobsolescence.com/donate

bienal
05 - Joan Jonas

bienal

Play Episode Listen Later Sep 1, 2021 2:55


Com vozes de Marília Gabriela, Adriana Couto, Sara Bentes e André Trigueiro, o audioguia inclusivo da 34ª Bienal passa por 20 obras de arte e objetos que compõem a mostra. Ao seguir o percurso proposto – desde os objetos do Museu Nacional, no térreo, até a obra Two Choirs [Dois coros], de Ana Adamović, no final do terceiro pavimento – você será guiado por todos os andares do pavilhão. Cada uma das faixas apresenta histórias relacionadas às obras, comenta processos das e dos artistas e descreve as peças. Como é um audioguia inclusivo, na plataforma do Musea, ele também está disponível em Língua Brasileira de Sinais (Libras). O projeto é uma correalização da Fundação Bienal de São Paulo com o Goethe-Institut, com consultoria de acessibilidade pela Mais Diferenças; desenho de som e trilha sonora por Fernando Cespedes; e distribuição pelo Musea.

Lineage Podcast
Jason Moran + Alicia Hall Moran- Part Two

Lineage Podcast

Play Episode Listen Later Jul 7, 2021 35:24


Jazz pianist, composer, and artist Jason Moran was born in Houston, TX and earned a degree from the Manhattan School of Music. He was named a MacArthur Fellow in 2010 and is the Artistic Director for Jazz at The Kennedy Center. His 21 year relationship with his trio The Bandwagon (with drummer Nasheet Waits and bassist Tarus Mateen) has resulted in a profound discography for Blue Note Records and Yes Records, a label he co- owns with his wife, singer and composer Alicia Hall Moran. Alicia Hall Moran, mezzo-soprano, is a multi-dimensional artist performing and composing between the genres of Opera, Art, Theater, and Jazz.  Her solo albums, Heavy Blue and Here Today featuring the band Harriet Tubman, and live touring performances like Breaking Ice (shows for and about the ice since 2016), the motown project (her meditation on the operatic strains mixed with Motown begun in 2009); Black Wall Street (since 2016 ); and large-scale co-commissions with her husband Jason Moran. Jason and Alicia's long-standing collaborative practice is groundbreaking; as named artists in the 2012 Whitney Biennial, they together constructed BLEED, a five-day series of performances stretching from readings to wellness to a ring shouts.  In 2015, they participated in the Venice Biennnial curated by the late Okwui Enwezor. Recently they created Two Wings: The Music of Black America in Migration for Carnegie Hall's Stern Auditorium. They have collaborated with major art world figures such as Adrian Piper, Joan Jonas, Glenn Ligon, Adam Pendleton, Lorna Simpson, Carrie Mae Weems, Xaveria Simmons, Bill T. Jones and Kara Walker.

Lineage Podcast
Jason Moran + Alicia Hall Moran

Lineage Podcast

Play Episode Listen Later Jul 7, 2021 35:24


Jazz pianist, composer, and artist Jason Moran was born in Houston, TX and earned a degree from the Manhattan School of Music. He was named a MacArthur Fellow in 2010 and is the Artistic Director for Jazz at The Kennedy Center. His 21 year relationship with his trio The Bandwagon (with drummer Nasheet Waits and bassist Tarus Mateen) has resulted in a profound discography for Blue Note Records and Yes Records, a label he co- owns with his wife, singer and composer Alicia Hall Moran. Alicia Hall Moran, mezzo-soprano, is a multi-dimensional artist performing and composing between the genres of Opera, Art, Theater, and Jazz.  Her solo albums, Heavy Blue and Here Today featuring the band Harriet Tubman, and live touring performances like Breaking Ice (shows for and about the ice since 2016), the motown project (her meditation on the operatic strains mixed with Motown begun in 2009); Black Wall Street (since 2016 ); and large-scale co-commissions with her husband Jason Moran. Jason and Alicia's long-standing collaborative practice is groundbreaking; as named artists in the 2012 Whitney Biennial, they together constructed BLEED, a five-day series of performances stretching from readings to wellness to a ring shouts.  In 2015, they participated in the Venice Biennnial curated by the late Okwui Enwezor. Recently they created Two Wings: The Music of Black America in Migration for Carnegie Hall's Stern Auditorium. They have collaborated with major art world figures such as Adrian Piper, Joan Jonas, Glenn Ligon, Adam Pendleton, Lorna Simpson, Carrie Mae Weems, Xaveria Simmons, Bill T. Jones and Kara Walker.

Art Seeker Stories
EP 8 Evelyn Jean : A Lightning Bolt Awakening, from the Music Scene to Film and Performance, then Ultimately to Painting.

Art Seeker Stories

Play Episode Listen Later Jul 6, 2021 70:35


Today, on the Art Seeker Stories podcast 8th Episode  I'm delighted to chat with London based artist Evelyn Jean, a visual artist whose career began after 12 years in the music industry, where he became increasingly frustrated at the limits of the medium and began practicing visual art as a method for a new way of performance and true expression of his real feelings.​In doing this Evelyn seeks to create art that speaks to the soul and to attract a different kind of audience to his work.​His work covers many mediums including, painting; filmmaking; literature; music;  performance, and installation.​Of his work he says,"I am distracted by human behaviour and how we really feel about ourselves underneath the veil. I see life and art being played out like a film script with more control over it than we realise. The ability to rewrite every scene." I met Evelyn briefly in early 2020 just before our first lockdown at a show we were both exhibiting in, ironically called 'Fake News', and virtually more recently at the exhibition, 'The Shape of the New'. ​ Today I have cut Evelyn's episode in two, and this is his part 2 of his artist residency on  Art Seeker Island. Wow, we had such great fun and our imaginations ran wild, if not a little bit crazy. This is a real journey weaving in and out of time, into a metropolis melting pot of culture, in and out of reality and the imaginary. We start off with a spark of change, like a lightning bolt, a true awakening-  from the music scene switching to film and performance and ultimately to painting. We visit the Royal Academy Summer Exhibition and then move on to Lufi's book swap. Evelyn borrows my Unbearable Lightness of Being by Milan Kundera and he swaps it for Down and Out in London and Paris by George Orwell.  If you haven't heard Evelyn's first part one, it is definitely worth a catch up - it's on episode 7,  and we talk about Evelyn's 3 Artworks for company on Art Seeker Island. The Juniper Tree by Joan Jonas, Street Scene Chicago Archibald Motley and Atlantic Civilization by Andre Fougeron. You can find more about Evelyn:Website: www.evelynjean.comInstagram: @evelynjean_artYoutube: Evelyn Jean Europe

Lineage Podcast
Jason Moran + Alicia Hall Moran

Lineage Podcast

Play Episode Listen Later Jun 23, 2021 1:42


Jazz pianist, composer, and artist Jason Moran was born in Houston, TX and earned a degree from the Manhattan School of Music. He was named a MacArthur Fellow in 2010 and is the Artistic Director for Jazz at The Kennedy Center. His 21 year relationship with his trio The Bandwagon (with drummer Nasheet Waits and bassist Tarus Mateen) has resulted in a profound discography for Blue Note Records and Yes Records, a label he co- owns with his wife, singer and composer Alicia Hall Moran. Alicia Hall Moran, mezzo-soprano, is a multi-dimensional artist performing and composing between the genres of Opera, Art, Theater, and Jazz.  Her solo albums, Heavy Blue and Here Today featuring the band Harriet Tubman, and live touring performances like Breaking Ice (shows for and about the ice since 2016), the motown project (her meditation on the operatic strains mixed with Motown begun in 2009); Black Wall Street (since 2016 ); and large-scale co-commissions with her husband Jason Moran. Jason and Alicia's long-standing collaborative practice is groundbreaking; as named artists in the 2012 Whitney Biennial, they together constructed BLEED, a five-day series of performances stretching from readings to wellness to a ring shouts.  In 2015, they participated in the Venice Biennnial curated by the late Okwui Enwezor. Recently they created Two Wings: The Music of Black America in Migration for Carnegie Hall's Stern Auditorium. They have collaborated with major art world figures such as Adrian Piper, Joan Jonas, Glenn Ligon, Adam Pendleton, Lorna Simpson, Carrie Mae Weems, Xaveria Simmons, Bill T. Jones and Kara Walker.    

Lineage Podcast
Jason Moran + Alicia Hall Moran - Part One

Lineage Podcast

Play Episode Listen Later Jun 22, 2021 31:45


Jazz pianist, composer, and artist Jason Moran was born in Houston, TX and earned a degree from the Manhattan School of Music. He was named a MacArthur Fellow in 2010 and is the Artistic Director for Jazz at The Kennedy Center. His 21 year relationship with his trio The Bandwagon (with drummer Nasheet Waits and bassist Tarus Mateen) has resulted in a profound discography for Blue Note Records and Yes Records, a label he co- owns with his wife, singer and composer Alicia Hall Moran.Alicia Hall Moran, mezzo-soprano, is a multi-dimensional artist performing and composing between the genres of Opera, Art, Theater, and Jazz. Her solo albums, Heavy Blue and Here Today featuring the band Harriet Tubman, and live touring performances like Breaking Ice (shows for and about the ice since 2016), the motown project (her meditation on the operatic strains mixed with Motown begun in 2009); Black Wall Street (since 2016 ); and large-scale co-commissions with her husband Jason Moran.Jason and Alicia's long-standing collaborative practice is groundbreaking; as named artists in the 2012 Whitney Biennial, they together constructed BLEED, a five-day series of performances stretching from readings to wellness to a ring shouts. In 2015, they participated in the Venice Biennnial curated by the late Okwui Enwezor. Recently they created Two Wings: The Music of Black America in Migration for Carnegie Hall's Stern Auditorium. They have collaborated with major art world figures such as Adrian Piper, Joan Jonas, Glenn Ligon, Adam Pendleton, Lorna Simpson, Carrie Mae Weems, Xaveria Simmons, Bill T. Jones and Kara Walker.

The Quarantine Tapes
The Quarantine Tapes 163: Alicia Hall Moran

The Quarantine Tapes

Play Episode Listen Later Feb 23, 2021 60:12


On episode 163 of The Quarantine Tapes, guest host Imani Perry is joined by Alicia Hall Moran for a two-part episode. Imani and Alicia have a fascinating and wide-reaching conversation about Alicia’s work as an artist and vocalist.Alicia pulls on varied threads of history and music in their discussion about art, family history, and collaboration. She tells Imani about her Black Wall Street project, discussing the project’s connections to her father and her family. Ranging from Carmen to Roots to figure skating, Imani and Alicia’s conversation is an incredible and insightful look at everything that surrounds the work of making art. Imani Perry is an intellectual, a professor, and a writer who was born in Birmingham, Alabama at the dawn of the Freedom movement. She lives the life of the mind through literature, criticism, music and art. Perry's hallmarks are passionate curiosity, rigorous contemplation, and dedication to the collective "we." Her children, Freeman and Issa Rabb, keep her honest and dreaming. Alicia Hall Moran, mezzo-soprano, is a multi-dimensional artist performing and composing between the genres of Opera, Art, Theater, and Jazz. Ms. Moran made her Broadway debut in the Tony-winning revival The Gershwins' Porgy and Bess, starring as Bess on the celebrated 20-city American tour. "Moran finds the truth of the character in her magnificent voice," Los Angeles Times.A unique vocalist performing across the fine arts and in her own contemporary work, Ms. Moran's creativity has been nurtured by, and tapped by celebrated artists including Carrie Mae Weems, Adam Pendleton, Joan Jonas, Ragnar Kjartansson, Simone Leigh, Liz Magic Laser, curator Okwui Enwezor, and choreographer Bill T. Jones, musicians like Bill Frisell, Charles Lloyd, and the band Harriet Tubman, diverse writers from Simon Schama to Carl Hancock Rux, as well as institutions at the forefront of art and ideas worldwide.

Ahali Conversations with Can Altay
Episode 10: Chus Martinez

Ahali Conversations with Can Altay

Play Episode Listen Later Nov 13, 2020 56:43


Chus Martinez is one of the most speculative and critical minds within contemporary art and the curatorial field. We’ll hear her discussing the possible and perhaps necessary end of the art institution as we know it, and on what can be done to imagine other art sustaining environments. Towards an understanding of art, that is more in tune with the growing complexity of life, and one that is more at peace with its transformative role within this complexity.Chus has an internationally acclaimed curatorial practice that spans over almost two decades that generated myriad exhibitions, publications, and at times some of the most unexpected forms of cultural production. She is currently the director of the Art Institute at the FHNW Academy of Art and Design, Basel. https://institut-kunst.ch/en/we-are/studium-master/Chus was writing a short story a day and keeping the doctor away during the first COVID-19 outbreak. She published her stories through Instagram and later on compiled them into a book titled “Let life Happen to You” published by Lenz Press. https://lenz.press/products/corona-tales-let-life-happen-to-youSuzi Gablik is an artist, author and art critic, and a professor of art history and art criticism. https://en.wikipedia.org/wiki/Suzi_GablikDeep ecology is an environmental philosophy which promotes the inherent worth of all living beings regardless of their instrumental utility to human needs, plus the restructuring of modern human societies in accordance with such ideas. https://en.wikipedia.org/wiki/Deep_ecologyCarolyn Christov-Bakargiev is a writer, art historian and curator whom was the Artistic Director of dOCUMENTA (13).TBA21–Academy is an institutiton that promotes ocean literacy, research, and advocacy through the arts. The Academy is dedicated to fostering a deeper understanding of the ocean in order to engendering creative solutions to its most pressing issues. https://www.tba21.org/#item--academy--1819Donna Haraway is a leading scholar in the field of science and technology studies with a focus on contemporary ecofeminism, associated with post-humanism and new materialism movements. https://en.wikipedia.org/wiki/Donna_HarawayStephen Wright is a writer and gardener based in France. He was the guest of the first episode of Ahali. https://www.ahali.space/episodes/episode-1-stephen-wrightPromise No Promises! is a podcasts series produced by the Womxn’s Center for Excellence, a research project between the Art Institute and the Instituto Susch—a joint venture with Grażyna Kulczyk and Art Stations Foundation. It features a special chapter titled Feminism Under Corona chapter with Sonia Fernandez Pan is a Spanish thinker, curator and writer and according to Chus, a fantastic person :) https://institut-kunst.ch/we-explore/podcast-promise-no-promises/Phenomenal Ocean is a podcast series produced by Institut Kunst and TBA-21 Academy to pose questions in pursuit of a non-binary understanding of the coexistence of culture and nature, of us as living beings and the ocean. https://institut-kunst.ch/we-explore/podcast-phenomenal-ocean/Joan Jonas is a pioneer artist whose work typically encompasses video, performance, installation, sound, text, and drawing. https://en.wikipedia.org/wiki/Joan_JonasJon Mikel Euba is an artist whose work is grounded in drawing as a procedure, and sculpture as a program, resolved in diverse media. https://dutchartinstitute.eu/page/6012/jon-mikel-eubaItziar Okariz is an artist whose work examines the ties between landscape and architecture, sign and ritual, or sexuality and territory.Joan Jonas’ work “Moving Off the Land" (2016–ongoing) includes video, sculpture, drawing, and sound, centring on the oceans as a totemic, spiritual, and ecological touchstone. The performance was commissioned by TBA21–Academy and first presented in parallel to the 2016 Kochi – Muziris Biennale, and again in collaboration with Tate Modern at the Turbine Hall in 2018. https://www.ocean-space.org/exhibitions/joan-jonas-moving-off-landDavid Gruber is an American marine biologist, a Presidential Professor of Biology and Environmental Sciences and a National Geographic Explorer. https://en.wikipedia.org/wiki/David_Gruber

bienal
Joan Jonas, "Wind", 1968 - 1º Piso

bienal

Play Episode Listen Later Nov 11, 2020 1:40


Joan Jonas, "Wind", 1968 - 1º Piso by Bienal de São Paulo

Time Sensitive Podcast
How RoseLee Goldberg Reshaped the Landscape of Performance Art

Time Sensitive Podcast

Play Episode Listen Later Oct 30, 2019 69:25


It’s safe to say that, if it weren’t for art historian RoseLee Goldberg, performance art would not be what it is today. Not even close. The founder of the nonprofit organization Performa, which for nearly 15 years has been putting on biennials of live performance around New York City, has for decades helped shape and steer the conversation about what “performance art” even is—and what, at its best and most inventive, it’s capable of achieving. A scholar, critic, and New York University professor, Goldberg has written important texts on the subject, including Performance Now: Live Art for the 21st Century (Thames & Hudson), and has established new modalities for organizing and presenting performances. Her astute understanding of the multidisciplinary medium is unparalleled.With Performa, Goldberg has radically shifted the landscape of the field through collaborations with hundreds of artists, including Adam Pendleton (in what was a breakout moment for the artist), Yoko Ono, Rashid Johnson, Joan Jonas, and Julie Mehretu. Following previous overarching themes like Futurism (2009), Surrealism (2013), and Dada (2017), this year’s biennial, which runs from November 1 through 24, will explore ideas about the Bauhaus on its centenary year. Among the performances will be works by Taiwanese artist Yu Cheng-Ta, who will unpack Western “influencers” and reality TV culture; Gaetano Pesce, who, at the Salon 94 Design gallery, will create a studio atmosphere, evoking the typical conditions of a day, via his assistants molding, pouring, and crafting; and Bunny Rogers, who will turn various spaces at a public high school—including hallways, a gym, and an auditorium—into a “living installation.”On this episode of Time Sensitive, Goldberg speaks with Spencer Bailey about her upbringing as a young dancer in Durban, South Africa, when that country was under apartheid rule; her adventurous journey into the beating heart of the art world, first in London and ultimately in New York; and her path to establishing Performa—and elevating performance art as we know it in the process.

Fresh Art International
Artist Playlist—Regina Frank Listens to Joan Jonas

Fresh Art International

Play Episode Listen Later Sep 16, 2019 14:02


This episode is part of our Playlist series. We’re inviting artists, curators, architects, filmmakers, cultural producers and other listeners to share favorites from the archive. Based in Lisbon, German born artist Regina Frank has shown her work in New York, London, Los Angeles and Tokyo, among other cities globally. In recent projects, she explored environmental issues in performative installations at the Museum of Art Architecture and Technology, Lisbon, and BioArt 2018, Seoul, South Korea. Here, Regina Frank introduces our conversation with renowned video and performance artist Joan Jonas, an episode first released on June 5, 2012. Revisiting this episode is a moment to celebrate the latest chapter in Joan Jonas’s remarkable career. She represented the United States at the 56th Venice Art Biennale. In 2019, Jonas returns to Venice with an immersive, multimedia installation. Moving Off the Land II is the first public project in Ocean Space, a new global oceanic center in the restored Church of San Lorenzo. Regina Frank writes: I have been listening to Fresh Art since Cathy Byrd launched the podcast in 2011. One episode that I love features Cathy’s conversation with artist Joan Jonas. In 1991, I met Joan Jonas for the first time. She gave a lecture at the University of the Arts in Berlin. What a wonderful artist! I am fascinated and inspired by her creative approach to combining video, performance and drawing. She saw my work and suggested that I speak to the new museum of contemporary art in New York. They gave me their window and the cover of their newsletter and catalogue a few months later, which marked the beginning of my own career, in 1992. While I was in Venice for the 58th Art Biennale, I spent hours exploring Joan Jonas’s great project in the Church of San Lorenzo. I watched every video from beginning to end. Sound Editor 2019 Anamnesis Audio | 2012 Leo Madriz Special Audio: Jason Moran, “He Takes His Coat and Leaves” Feature photo: Joan Jonas, Moving Off the Land II, Ocean Space, Venice, 2019, courtesy TBA21 Academy Related Episodes: Joan Jonas on The Shape, The Scent, The Feel of Things, Art with a Sense of Placed, Part One, Regina Frank on Performing at the Intersection of Art and Technology Related Links: Joan Jonas, Ocean Space  

The Simple Sophisticate - Intelligent Living Paired with Signature Style
255: 34 Inspiring Daily Rituals to Ignite Your Creativity

The Simple Sophisticate - Intelligent Living Paired with Signature Style

Play Episode Listen Later Jun 17, 2019 44:07


We talk quite often about the importance of routine, and how by having a routine, we actually set ourselves free, especially our minds. And it is in that vein that Mason Curry shares his two books Daily Rituals. His second is focused entirely on Women at Work, sharing the routines and preferences of creative women who lived and created over the past four centuries. I thoroughly enjoyed his second book, even more than the first which I also found great inspiration. It was refreshing to see so many women living their lives in a variety of different ways, but all in which they discovered worked well for them and the craft they most loved. Not all of the ideas resonated with me, but it was wonderful to get into the minds for a moment of these women and how they approached their days. I highlighted vigorously from beginning to end, and would like to share 34 daily routines to consider to enable your creative ideas to flow freely and without withdrawal. Some will speak to you, some will not, but each one is inspired by a woman's routine which is shared in the book: Daily Rituals: Woman at Work - 143 artists on how they paint, write, perform, direct, choreograph, design, sclpt, compose, dance, etc. ~Be sure to tune into the audio version of the podcast where much more discussion takes place on each point.  1.Begin with a hot glass of lemon water Designer Elsa Schiaparelli woke up at 8 am, sipped lemon-juice-and-water and a cup of tea for breakfast as she read the papers, handled private correspondence, made telephone calls and gave the menus of the day to the cook. 2. Wake up early if that is when your creativity is most fruitful —Lillian Hellman would wake up at 6am. —Marie Bashkirtseff would wake up at 6am —Maggie Hambling wakes up at 5am each morning "I get up between three or four o'clock in the morning, because that's my best writing time." —Octavia Butler 3. If spending less time with people fuels your creativity, embrace it fully "I enjoy people best if I can be alone much of the time. I used to worry about it because my family worried about it. And I finally realized: This is the way I am. That's that." —Octavia Butler in 1998 4. If traditional "holidays" don't work for you, create your own, or dive into what you love. Coco Chanel worked six days a week, and dreaded Sundays and holidays. As she told one confidant, "That word, 'vacation,' makes me sweat." 5. Greet the day in a habitual way that sets the tone for a great day 6. Live your ideas, don't talk about them "People would sit around and talk about things constantly. I never really went in for that. If you talk something out, you will never do it. You can spend every evening talking with your friends and colleagues about your dreams, but they will remain just that —dreams." —choreographer Martha Graham 7. Keep a small journal next to your bed to capture ideas "I always have notebook and pencil on the table at my bedside. I may wake up in the middle of the night with something I want to put down." —American poet Edna St. Vincent Millay 8. If you work at home, carve out a part of the day to get out of the house and just absorb inspiration or let go of the day completely  "In the nocturnal evening, I get the hell out to some movie or damn play and I come back and sleep like a rock." —Frida Kahlo 9. Figure out the ingredients that are needed to let the ideas find you To develop a new work of choreography, Agnes de Mille needed 'a pot of tea, walking space, privacy and an idea'. 10. Don't feel obligated to keep the same schedule when you are in the middle of creating your art or craft Margaret Bourke-White required long periods of solitude to write, with as few interruptions as possible." In an interview with a Life photographer Nina Leen, Leen remembers after asking her if she would have lunch with her, "She told me she was writing a book and there was no hope of a lunch for several years. 11. Don't feel bad for loving your work and working on what you love beyond the traditional work hours. "Everything seems petty and uninteresting, everything except my work . . . ". Russian-born painter and sculptor Marie Bashkirtseff 12. Do something during the day that is relaxing and keeps you present 'I relax before lunch by arranging flowers . . . When these are all beautifully arranged in bowls and vases, it's usually lunch time." —English actress Gertrude Lawrence 13. Have a studio or space of your own to create "The most important thing is to have a studio and establish and preserve its atmosphere." —Agnes Martin 14. If you love solitude, embrace it  "But it is, as Yeats said, a 'solitary sedentary trade.' And I did a lot of gardening and cooked my own food, and listened to music, and of course I would read. I was really very happy. I can live a solitary life for month at a time, and it does me good." —poet Katherine Anne Porter 15. Trust your intuition as to what works best for you "It's not right if it doesn't feel right." —English painter Bridget Riley 16. Find regular time to just read what you love Rachel Whiteread [English sculptor] would "at some point stop for lunch, and she'd often spend an hour of the day reading sitting in a comfortable chair away from her desk. 17. Establish a flexible routine to work with what you need Morning routine: "Zittel feeds her chickens, waters plants, and performs other outdoor chores before meditating, taking a shower, making breakfast and getting dressed. In the winter, Zittel's morning schedule reverses: She meditates, showers and eats breakfast first; then, once the sun has raised the outdoor temperature, she heads out on her hike and does chores. 'It's really all about establishing a flexible routine."Andrea Zittel, an American artist, in 2017 18. Don't quit trying to live the life you wish to live "It never occurred to me that I couldn't live the life I wanted to lead. It never occurred to me that I could be stopped . . . I had this very simple view: that the reason people who start out with ideals or aspirations don't do what they dream of doing when they're young is because they quit. I thought, well, I won't quit." —Susan Sontag 19. Try a crossword puzzle like Joan Mitchell 20. Determine what view in your studio/sanctuary/work space is most productive for inspiration "Where do I write? In a Morris chair beside the window, where I can see a few trees and a patch of sky, more or less blue." —Kate Chopin, American writer 21. End the day with a signal to your mind to relax "During the performance I drink water with breadcrumbs, which is most refeshing. After the ballet I have a bath as soon as possible. Then I go out to dinner, as by that time I have an unmerciful hunger. When I get home I drink tea." —Russian prima ballerina Anna Pavlova 22. Let baths be your creative muse "Baths also played a part in her creative process - a post-breakfast bath enjoyed regularly by Virginia Woolf. 23. Let lunch be a true mid-day break At 1:00 p.m., Hambling has lunch, takes her Tibetan terrier, Lux, for a walk, and switches on the television to satisfy her tennis addiction. 24. Write when inspiration hits - even if it is in bed in the morning so as not lose the ideas.  25. Go outside and breathe in the fresh air "Fresh air and cold water are my stimulants." —Harriet Martineau - the first female sociologist 26. Enjoy someone's company for tea, lunch or a walk regularly  Emily Post would regularly welcome a guest or two for tea in the afternoon. 27. It's okay for your personal time to be less than what others feel is acceptable  "It seems to me you have to have your personal life organized so that it takes as little of your time as possible. Otherwise you can't make your art." –Eleanor Antin 28. Don't expect the routine to come naturally, create one and stick with it as it enables you to flourish 29. Cook and walk "The only other essential component of her day is a twice-daily walk with her dog, during which she avoids thinking about her writing project. In the evening, she makes herself a simple dinner and goes to bed at 10:00 or 11:00 p.m.." —Isabel Allende 30. Create space for your ideas to be seen  "Open a gap for them, create a space. Be patient." — Hilary Mantel "I think the way to become inspired is to empty your mind and let things come into your mind."  —Joan Jonas 31. Do you and don't apologize "I live here as in Paris. I rise every day at 5 o'clock; I drink my two large glasses of hot water; I take my coffee; I write when I am alone, which is rare; I do my hair in company; I dine every day with the king, chez lui, or with him and les seigneurs. I make calls after dinner; I go to the theater; I return to my place at ten o'clock; I drink my hot water , and I go to bed." —Marie-Thérèse Rodet Geoffrin, a major salonniéres of the French Englightenment 32. Turn on music paired with your favorite drink to start the day "I wake about nine, turn on the symphony and have juice, fruit and a pot of black coffee . . . " —Grace Hartigan, American painter 33. Leave evenings open for your social engagements "In the evening, she would see a friend for dinner or attend another social engagement. But the real key to this perfect writing day, she said, was to know that the following day would be exactly the same." —Eudora Welty 34. Be patient until you find what works, then cherish it "Trial and error, and then when you've found your needs, what feeds you, what is your instinctive rhythm and routine, then cherish it." —novelist Doris Lessing ~SIMILAR POSTS/EPISODES YOU MIGHT ENJOY: ~Why Not . . . Be Creative? ~The Benefit of Daily Rituals ~The Importance of a Daily Routine & How to Create One You Love, episode #164 Petit Plaisir: ~Chilled Cucumber and Yogurt Soup with Dill and Fresh Mint, a Patricia Wells recipe, click here for the recipe ~Why Not . . . Grow a(n) Herb Garden? ~Check out TSLL's IG account, see the Highlights and Part 3 of my FR Trip '18 - mid-roll to see the presentation of the dish in Provence. ~Chilled Cucumber and Yogurt Soup with Dill and Fresh Mint, enjoyed in Provence with Patricia Wells and the other cooking class students during the summer of 2018~ ~the same dish served this past weekend as the second course during a dinner party at my home. Cool and crisp cucumber and yogurt soup.~

Ausstellungstipps
#01 Joan Jonas - In the Trees II

Ausstellungstipps

Play Episode Listen Later May 27, 2019 3:37


"Joan Jonas - In the Trees II”. Bis 2.6. im Naturkunde-Museum Bamberg / "Man in the Rain. Lithografien von David Lynch". Bis 9. Juni im Kunstverein Rosenheim / "Schatten. Licht. Struktur. Papierinstallationen von Koji Shibazaki". Bis 22. September im Museum Fünf Kontinente.

Fresh Art International
Art with a Sense of Place - Part One

Fresh Art International

Play Episode Listen Later Feb 4, 2019 58:46


Art with a Sense of Place considers creative projects that respond to a physical space and those that react to or embrace a historic moment, a cultural environment, a socio-political tension, or a psychological space. Emerging in the 1960s, site-specific art sought to transcend what was perceived as the over-curated, almost clinical context of the art museum. Artists rebelled by creating their own exhibition sites (Agnes Denes brought a Wheatfield to a New York City landfill). Some flaunted the rules of museum installation with live interventions (Joseph Beuys lived in a Soho gallery with a live coyote). Our series of episodes on site sensitivity brings a broader range of cultural production into the conversation, exposing new ways of seeing place, space, and site in contemporary art. Art with a Sense of Place, Part I, highlights conversations featured in the second issue of the Fresh Art International Smart Guide. We produce the guide as a series of downloadable pdfs. Each issue delves into a different theme—through select episodes, transcriptions and links to research that informs our podcast.   Sound Editor: Anamnesis Audio   Related episodes: Joan Jonas, Jason Moran, Janet Biggs, Sarah Hobbs, Tameka Norris, Stephen Vitiello Related link: Smart Guide

Suite (212)
Cultural Review of the Year 2018

Suite (212)

Play Episode Listen Later Dec 17, 2018 60:21


In our final show of 2018, co-hosts Juliet and Tom discuss literature, films, theatre and exhibitions that made an impact on them throughout the year, as well as what they anticipate in 2019. SELECTED REFERENCES 120 BPM (dir. Robin Campillo, 2017) - https://www.imdb.com/title/tt6135348/ John Ash - https://en.wikipedia.org/wiki/John_Ash_(writer) KEVIN BREATHNACH, Tunnel Vision (2019) - http://kbreathnach.tumblr.com/post/162864960815/tunnel-vision SAM BYERS, Perfidious Albion (2018) - https://www.3ammagazine.com/3am/hysterical-realism-a-review-of-perfidious-albion-by-sam-byers/ Cold War (dir. Pawel Pawlikowski, 2018) - https://www.imdb.com/title/tt6543652/ Jean-Baptiste Del Amo The Encounter (Complicité) - http://www.complicite.org/productions/theencounter ANNIE ERNAUX, The Years (2018) - https://www.theguardian.com/books/2018/jun/22/the-years-annie-ernaux-review Faces, Places (dir. Agnès Varda & J.R., 2018) - https://www.theguardian.com/film/2018/sep/20/faces-places-review-agnes-varda-jr-road-movie-documentary Zoya Falkova - http://romovayababa.com/en/ The Film of Kyiv (dir. Oleksiy Radynski, 2017-18) - https://www.ica.art/on/learning/oleksiy-radynski-film-kyiv Gare St. Lazare Players - http://garestlazareireland.com/home/ HEIKE GEISSLER, Seasonal Associate (2018) - https://mitpress.mit.edu/books/seasonal-associate Gran Fury - https://tankmagazine.com/tank/2018/10/gran-fury/ In the Intense Now (dir. João Moreira Salles, 2017) Joan Jonas - https://www.theguardian.com/artanddesign/2018/mar/13/joan-jonas-review-tate-modern JOE KENNEDY, Authentocrats (2018) ANDREA LAWLER, Paul Takes the Form of a Mortal Girl (2017) - https://lareviewofbooks.org/article/gender-bending-the-body-on-andrea-lawlors-paul-takes-the-form-of-a-mortal-girl/ Fernand Léger - https://www.theguardian.com/artanddesign/2018/nov/25/fernand-leger-new-times-new-pleasures-tate-liverpool-adrian-searle VICTORIA LOMASKO, Other Russias (2017) - https://www.newyorker.com/books/page-turner/listening-to-ordinary-russians-by-drawing-them-one-by-one Daria Martin - https://vimeo.com/287699189 Raymond Mason - https://www.studiointernational.com/index.php/obituary-raymond-mason McDermott & McGough, Oscar Wilde Temple - https://www.oscarwildetemple.org/ Metahaven - https://www.itsnicethat.com/features/metahaven-version-history-exhibition-world-mental-health-day-101018 Jean Mohr - https://www.theguardian.com/artanddesign/2018/nov/15/jean-mohr-obituary More of an Avalanche (Wysing) - http://www.wysingartscentre.org/archive/exhibitions/more_of_an_avalanche/2018 NADA: Act 3 - The Exhibition (dir. Jasmina Cibic, 2017) - http://jasminacibic.org/projects/nada-act-iii-the-exhibition/ Penalty (dir. Kiriil Protsenko, 2005) - https://www.youtube.com/watch?v=ZpZxjXU5taE Phantom Thread (dir. Paul Thomas Anderson, 2017) - https://www.lrb.co.uk/v40/n04/michael-wood/at-the-movies Sophie Podolski - https://frieze.com/article/everything-permitted-sophie-podolskis-poetic-exuberance RICHARD POWER SAYEED, 1997: The Future That Never Happened (2017) - https://novaramedia.com/2017/11/03/the-future-that-never-was-1997-and-after/ Primas (dir. Laura Bari, 2017) - https://womenandhollywood.com/hot-docs-2018-women-directors-meet-laura-bari-primas-c62bc551f3f/ Charlotte Prodger - https://www.theguardian.com/artanddesign/2018/dec/04/iphone-film-maker-charlotte-prodger-wins-2018-turner-prize Ann Quin JORDY ROSENBERG, Confessions of the Fox (2018) - https://lithub.com/confessions-of-the-fox/ Oxana Shachko ADELLE STRIPE, Black Teeth and a Brilliant Smile (2017) - https://www.theguardian.com/books/2017/aug/18/black-teeth-brilliant-smile-adelle-stripe-review That Rush! (dir. Isaac Julien, 1995) Anne-Mie van Kerckhoven - http://www.amvk.be/ The Work (dir. Gethin Aldous & Jairus McLeary, 2017) - https://www.theguardian.com/film/2017/sep/10/the-work-review-folsom-prison Hamlet Zinkovsky - https://tinyletter.com/zinovievletter/letters/what-are-we-looking-for-here-or-an-afternoon-in-pripyat

London Review Bookshop Podcasts
Marina Warner and Eleanor Birne: Forms of Enchantment

London Review Bookshop Podcasts

Play Episode Listen Later Oct 16, 2018 57:11


Marina Warner’s new collection of essays, Forms of Enchantment (Thames and Hudson), collects her writing on art from 1988 to the present, including pieces on (among others) Louise Bourgeois, Joan Jonas and Paula Rego. She brings to artists and artworks the same anthropological and mythological approach which informs her previous books, including Stranger Magic, From Beast to Blonde and Monuments and Maidens, arguing that the social position filled by art and aesthetics is increasingly best understood in terms of magic. Warner was in conversation with Eleanor Birne, author and contributor to the London Review of Books. See acast.com/privacy for privacy and opt-out information.

TateShots
Joan Jonas: ‘I am curious about life’

TateShots

Play Episode Listen Later Apr 19, 2018 6:07


Short film about the artist Joan Jonas

Hexagram Panels & Conferences
Discussion workshop : "Affinities" with Joan Jonas

Hexagram Panels & Conferences

Play Episode Listen Later Apr 26, 2017


This event is organised in collaboration with DHC/ART and Hexagram and will offer the opportunity to discuss the practices of the various artists participating in the Affinities event series, a project curated in conjunction with the exhibition Joan Jonas : From Away on view at DHC/ ART from the 28th of April until the 18th of September. While distinct in their own practice and aesthetics each artist shares an affinity with Jonas’ engagement and insistence’ on reading the world(s) against and with the flow of the times.

HEXA_WAVE
HEXA_WAVE S01 E08 Barbara Claussen

HEXA_WAVE

Play Episode Listen Later Apr 19, 2017


Barbara Clausen est commissaire indépendante et professeure au Département d’histoire de l’art de l’UQAM. Depuis 2000, elle a écrit abondamment sur la performance et les pratiques de commissariat et a préparé de nombreuses expositions et événements de performances au Canada, en Amérique du Nord et en Europe.Dans cette entrevue, il est question de son parcours en lien avec l’art performance, des enjeux reliés à la documentation des actes performatifs et de son rôle de commissaire pour la première rétrospective canadienne consacrée à Joan Jonas présentée à DHC/ART en 2016.

National Gallery of Art | Audio
Jason + Joan: Reanimation: Jason Moran and Joan Jonas in Conversation with Lynne Cooke

National Gallery of Art | Audio

Play Episode Listen Later Feb 14, 2017 51:22


That's Not Art - Broken Area Podcast
Episode 36 Katarina Grosse, Joan Jonas and Omer Fast

That's Not Art - Broken Area Podcast

Play Episode Listen Later Jan 30, 2017


We watched an Art21 movie on three artists.  Katarina Grosse makes gigantic sculptural paintings involving trees, dirt, and the space of the art gallery itself.  Joan Jonas makes performance drawings involving dancers, musicians, and herself in her installations. Omer Fast makes experimental/journalistic-like movies about Drone Pilots or Porn Actors. We agree that performance art is problematic. Becoming the body that is viewed as the art is a little bit problematic. Where is the line? How much of that happens out of peer pressure? My definition of art is pretty broad and I would not say performance is "not art" however, I would definitely say that I cannot engage in it the same way that I would with physical space.  http://www.art21.org/artists/katharina-grosse

Artists Space
How to be a wo(man) - Dara Birnbaum & Joan Jonas, moderated by Kathy Noble

Artists Space

Play Episode Listen Later Oct 12, 2015 115:07


Talk Friday, October 2, 7pm Artists Space Books & Talks 55 Walker Street This discussion will consider the construction, performance and broadcast of gender archetypes over the last fifty years, and how these have been transformed, critiqued and subverted within visual art – specifically in the work of Dara Birnbaum and Joan Jonas. Both were part of a generation of women artists who began working in the 60s and 70s, and were pioneers in their radical address of subjectivity, imagery, artistic processes and technology. Within the wider social and political context, their work contained a powerful message of transformation that was extremely prescient: firstly, in relationship to writing by theorists such as Judith Butler and Donna Haraway in the early 90s; and, more recently, the digital and virtual revolution’s effect on identity construction and performance. For more information click here artistsspace.org/programs/how-to-be-a-woman This public event was part of We (Not I), a four-day program of discursive meetings, presentations, and events bringing together a wide range of female artists, writers, curators and thinkers identifying with feminist practices to exchange and produce content addressing questions around the role of "we" in contemporary art practice, held at Artists Space between September 30 and October 3, 2015. For more information click here http://artistsspace.org/programs/we-not-i

Tate Events
Joan Jonas in conversation with Ute Meta Bauer

Tate Events

Play Episode Listen Later Jul 24, 2013 91:28


Jonas will give an insight into how she creates the different stages and formats that form a body of work, focusing on her most recent project Reanimation, for which jazz pianist, Jason Moran composed the music

Frieze
Joan Jonas

Frieze

Play Episode Listen Later May 2, 2013 62:14


The pioneering performance and video artist will reflect on 50 years of production

Fresh Art International
Fresh Talk: Joan Jonas

Fresh Art International

Play Episode Listen Later Jun 4, 2012 10:47


In Austin, Texas, Cathy Byrd talks with seminal video and performance artist Joan Jonas about how context affects each presentation of The Shape, The Scent, The Feel of Things, a project commissioned by Dia Beacon in 2004. Joan considers the evolution of her transmedia process since the 1960s and the inspiration she gets from working with jazz improvisor Jason Moran. Joan's collaborator in The Shape, the Scent, the Feel of Things (2005-2006) and Reading Dante (2008), Jason will be featured in his own Fresh Talk episode. Jason and Joan will perform together this September in Kassel, Germany, during documenta 13. Sound Editor: Leo Madriz Photos: known credits notedMusic: Jason Moran, He Takes His Coat and Leaves

Skumma Kultur
Skumma Kultur-Nordisk Krim til Fuglane

Skumma Kultur

Play Episode Listen Later Mar 27, 2011


Magnus og Johanne slukker kulturtørsten denne mandagen med bøker, krim og kunst! Hvorfor er nordisk krim så bra? Hvorfor er Joan Jonas regnet som en pioner innen performance og videokunst? Hvorfor er "Fuglane" av Tarjei Vensaas Ingrids litterære favoritt? Og hvem i all verden er Petr Bystrov? Skumma svinger tryllestaven, og melkekartongen gir oss svar. Medvirkende: Magnus Romslo Lindvik, Johanne Oleah Hovland, Ingrid Margrehte Thorvaldsen, Kristina Wensaas og Anne Myklatun.

Exposiciones 2011
Universo vídeo. Historias cinéticas

Exposiciones 2011

Play Episode Listen Later Feb 4, 2011


Universo vídeo inicia una nueva línea de trabajo, con la que el Centro de Arte y Creación Industrial se propone presentar una investigación en torno a este medio, presentando obras realizadas desde los años 60 hasta la actualidad. (04.02.2011-04.04.2011). El espectador debe contemplar Historias cinéticas como un viaje discursivo por algunas de las intervenciones creativas y las prodigiosas visiones que han caracterizado el uso que los artistas han hecho del vídeo y de los medios digitales. Se exponen, en un diálogo recíproco, dos piezas por cada una de las décadas que median entre los años 60 y los 2000. Artistas: Dara Birnbaum, Harry Dodge & Stanya Kahn, Joan Jonas, Kristin Lucas, Takeshi Murata, Bruce Nauman, Nam June Paik & Jud Yalkut, Raindance, Pipilotti Rist y Leslie Thornton.

The Andy's Treasure Trove Podcast
8 – John Killacky Talks About His Documentary on Janis Ian, then Music by Janis Ian

The Andy's Treasure Trove Podcast

Play Episode Listen Later Oct 27, 2008 43:21


http://www.andystreasuretrove.com/andystreasuretrove.com/Media/ATTSF%20Episode%20%238%20Levelated.mp3.mp3 ()Episode #8 begins with the announcement of our very first contest! Then we talk to John Killacky of the San Francisco Foundation about his new documentary concert film Janis Ian, Live From Grand Center, and a lot about Janis Ian herself. We'll also learn about two other projects of John's: a film about 541 Broadway in New York, a nexus of postmodern dance history, and John's new passion for Shetland pony showing and pony cart driving. Then we'll hear Janis Ian herself singing We're Married in London, her wry take on marriage inequality, accompanied by her own great guitar playing and much laughter from the live audience. Please scroll down to view the photos of Janis Ian and John Killacky, and to find links to videos of John's life as a pony handler. Keywords and links for this episode: John Killacky, San Francisco Foundation, http://www.janisian.com/ (Janis Ian), “Janis Ian, Live From Grand Center” , “At Seventeen” , “At 17” , “http://store.janisianstore.com/sochmyau.html (Society's Child)” , “Jesse” , Roberta Flack, Shadow Morton, Leonard Bernstein, “Inside Pop, the Rock Revolution” , “Stars” , Barbara Cook, Cher, “Between the Lines” , Billy Joel, Giorgio Moroder, “Fly Too High” , Stern Grove, Victor Fink, John Mellencamp, “Tattoo” , foundation funding, David Geffen, Laura Nero, St. Louis, http://www.grandcenter.org/ (Grand Center), http://www.sheldonconcerthall.org/ (The Sheldon Theater), Missouri Film Commission, Anheuser Busch, Nashville, National Educational Telecommunications Association, NETA, PBS, Kent Samuel, Sesame Street, “Ginny the Flying Girl” , “Married in London” , Adrian Ellis, “Jazz at Lincoln Center” , Wynton Marsalis, Tricia Brown Dance Company, 541 Broadway, David Gordon, Valda Setterfield, Lucinda Childs, Douglas Dunn, Joan Jonas, http://en.wikipedia.org/wiki/Yvonne_Rainer (Yvonne Rainer), SoHo, Shetland ponies, YouTube, http://www.youtube.com/user/PonyManSF (ponymansf), Fog Ranch, Watsonville, same-sex marriage, Proposition 8.