Podcast appearances and mentions of Joan Jonas

Art Â· The Creative Process

Play Episode Listen Later Jun 15, 2023 4:16

“Home of the Brave” performed by Laurie Anderson & Dickie Landry on The Late Show. Laurie Anderson is an American avant-garde artist, composer, musician, and film director whose work spans performance art, pop music, and multimedia projects.For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Keith Sonnier, Philip Glass, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson. Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11. Listen to his music on Unseen Worlds.http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landrywww.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

LAURIE ANDERSON - DICKIE LANDRY - "HOME OF THE BRAVE"

Play Episode Listen Later Jun 15, 2023 4:16

“Home of the Brave” performed by Laurie Anderson & Dickie Landry on The Late Show. Laurie Anderson is an American avant-garde artist, composer, musician, and film director whose work spans performance art, pop music, and multimedia projects.For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Keith Sonnier, Philip Glass, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson. Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11. Listen to his music on Unseen Worlds.http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landrywww.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

LAURIE ANDERSON - DICKIE LANDRY - "HOME OF THE BRAVE"

Feminism · Women’s Stories · The Creative Process

Play Episode Listen Later Jun 15, 2023 4:16

“Home of the Brave” performed by Laurie Anderson & Dickie Landry on The Late Show. Laurie Anderson is an American avant-garde artist, composer, musician, and film director whose work spans performance art, pop music, and multimedia projects.For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Keith Sonnier, Philip Glass, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson. Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11. Listen to his music on Unseen Worlds.http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landrywww.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

LAURIE ANDERSON - DICKIE LANDRY - "HOME OF THE BRAVE"

The Creative Process in 10 minutes or less · Arts, Culture & Society

Play Episode Listen Later Jun 15, 2023 4:16

“Home of the Brave” performed by Laurie Anderson & Dickie Landry on The Late Show. Laurie Anderson is an American avant-garde artist, composer, musician, and film director whose work spans performance art, pop music, and multimedia projects.For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Keith Sonnier, Philip Glass, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson. Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11. Listen to his music on Unseen Worlds.http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landrywww.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

LAURIE ANDERSON - DICKIE LANDRY - "HOME OF THE BRAVE"

Play Episode Listen Later Jun 15, 2023 4:16

“Home of the Brave” performed by Laurie Anderson & Dickie Landry on The Late Show. Laurie Anderson is an American avant-garde artist, composer, musician, and film director whose work spans performance art, pop music, and multimedia projects.For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Keith Sonnier, Philip Glass, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson. Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11. Listen to his music on Unseen Worlds.http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landrywww.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

ROBERT PLANT - DICKIE LANDRY - LIL' BAND O' GOLD

Play Episode Listen Later Jun 10, 2023 3:36

For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Philip Glass, Keith Sonnier, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson. Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11.http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landrywww.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

ROBERT PLANT - DICKIE LANDRY - LIL' BAND O' GOLD

The Creative Process in 10 minutes or less · Arts, Culture & Society

Play Episode Listen Later Jun 10, 2023 3:36

For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Philip Glass, Keith Sonnier, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson. Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11.http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landrywww.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

ROBERT PLANT - DICKIE LANDRY - LIL' BAND O' GOLD

Play Episode Listen Later Jun 10, 2023 3:36

For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Philip Glass, Keith Sonnier, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson. Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11.http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landrywww.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

ROBERT PLANT - DICKIE LANDRY - LIL' BAND O' GOLD

LOVE - What is love? Relationships, Personal Stories, Love Life, Sex, Dating, The Creative Process

Play Episode Listen Later Jun 10, 2023 3:36

For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Philip Glass, Keith Sonnier, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson. Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11.http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landrywww.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

A brush with... Joan Jonas

A brush with...

Play Episode Listen Later Feb 15, 2023 51:13

Ben Luke talks to Joan Jonas about her influences—including those from the worlds of literature, film, music and, of course, art—and the cultural experiences that have shaped her life and work.Jonas, who was born in 1936 in New York and still lives in the city today, is one of the most significant and pioneering artists in the history of video and performance. She draws inspiration from a wealth of cultures and traditions, alluding to everything from fairy tales to ancient myths, scientific study and art history, and brings them together in multidisciplinary installations involving live action, drawing, spoken word, music, sound and video. She discusses her early interest in Minoan culture and Renaissance depictions of space, life-changing visits to Japan and Iceland, and writers as diverse as Jorge Luis Borges, Halldór Laxness, and Susan Howe. Plus, she gives insights into her studio life and has a stirring answer to the ultimate question: what is art for?Joan Jonas: Moving off the Land, Walther König, 272 pp, €25. Drawing in Circles, with Eiko Otake, Castelli Gallery, New York, 14 March-1 April; Joan Jonas, Haus der Kunst, Munich, Germany, until 26 February. Joan Jonas, Dia Art Foundation, Beacon, NY, US, until 13 March. Her retrospective at the Museum of Modern Art, New York, opens in spring 2024 Hosted on Acast. See acast.com/privacy for more information.

new york japan land germany ny drawing museum acast renaissance iceland haus kunst munich circles brush beacon modern art jorge luis borges halld minoan laxness joan jonas susan howe ben luke

Highlights - Dickie Landry - Composer, Musician, Photographer, Artist

Play Episode Listen Later Nov 28, 2022 12:47

"Einstein on the Beach, it's a masterpiece. America, in 1976, was to be celebrating its 200th year of existence, and Michel Guy, the French Minister of Culture, came to New York to offer a commission to Philip Glass and Robert Wilson to write an opera. This was the gift that France would give for America's two-hundredth anniversary. That was the first time I met Robert Wilson.""My son had died, and I had taken to two years to recover. So I went to New York. I had dinner with Laurie Anderson, and as I was getting up to leave, she said, 'What are you doing in New York?' I said, "I'm looking for work' She said, 'What are you doing next week?' I said, 'Well, I'm supposed to be in Atlanta, Georgia doing a music film with David Byrne and Talking Heads. Well, what do you have?' She said, 'I'm doing a piece next week at Brooklyn Academy of Music with Trisha Brown and Robert Rauschenberg, Set and Reset. Why don't you come? Bring your sax, we'll work it out then.' Two weeks after that concert, Laurie's manager called and said, 'Do you want to go on a 20-city tour of America with Laurie? Home of the Brave?' Of course, we did that. That was the beginning of the reconstruction of my career in New York through Laurie Anderson."For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Keith Sonnier, Philip Glass, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson.Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11.http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landryMusic on this episode courtesy of Dickie Landry:E-mu & Alto Saxophone composed by D.L. for Robert Wilson's production of "1433 The Grand Voyage" based on the story of Zheng He. Premier National Theater Taipei, Taiwan 2009Philip Glass'"Einstein on the Beach”. Original recording on Tomato Records 1977. D.L. on flute “Home of the Brave” on the Late Show with Laurie Andersonwww.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

Dickie Landry - Composer, Musician, Photographer, Artist

Theatre · The Creative Process

Play Episode Listen Later Nov 28, 2022 73:56

For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Keith Sonnier, Philip Glass, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson. Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11."Einstein on the Beach, it's a masterpiece. America, in 1976, was to be celebrating its 200th year of existence, and Michel Guy, the French Minister of Culture, came to New York to offer a commission to Philip Glass and Robert Wilson to write an opera. This was the gift that France would give for America's two-hundredth anniversary. That was the first time I met Robert Wilson.""My son had died, and I had taken to two years to recover. So I went to New York. I had dinner with Laurie Anderson, and as I was getting up to leave, she said, 'What are you doing in New York?' I said, "I'm looking for work' She said, 'What are you doing next week?' I said, 'Well, I'm supposed to be in Atlanta, Georgia doing a music film with David Byrne and Talking Heads. Well, what do you have?' She said, 'I'm doing a piece next week at Brooklyn Academy of Music with Trisha Brown and Robert Rauschenberg, Set and Reset. Why don't you come? Bring your sax, we'll work it out then.' Two weeks after that concert, Laurie's manager called and said, 'Do you want to go on a 20-city tour of America with Laurie? Home of the Brave?' Of course, we did that. That was the beginning of the reconstruction of my career in New York through Laurie Anderson."http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landryMusic on this episode courtesy of Dickie Landry:E-mu & Alto Saxophone composed by D.L. for Robert Wilson's production of "1433 The Grand Voyage" based on the story of Zheng He. Premier National Theater Taipei, Taiwan 2009“Gloria” for Robert Wilson's “Oedipus Rex”Philip Glass'"Einstein on the Beach”. Original recording on Tomato Records 1977. D.L. on flute "Are Years What" Phillip Glass. Composed for D.L. playing 3 soprano saxophones. On his lp "North Star”,1977 Swing Kings 1965, D.L. on flute“Home of the Brave” on the Late Show with Laurie Anderson"Taideco" Zydeco, for Wilson's production of "1433" Cedric Watson, Jermain Prejean, D.L. “Ghosties” from “Dickie Landry Solo”"It Keeps Rainin'", Robert Plant with Lil' Band O' Goldwww.creativeprocess.info www.oneplanetpodcast.orgInstagram @creativeprocesspodcast

Highlights - Dickie Landry - Composer, Musician, Photographer, Artist

Play Episode Listen Later Nov 28, 2022 12:47

"Einstein on the Beach, it's a masterpiece. America, in 1976, was to be celebrating its 200th year of existence, and Michel Guy, the French Minister of Culture, came to New York to offer a commission to Philip Glass and Robert Wilson to write an opera. This was the gift that France would give for America's two-hundredth anniversary. That was the first time I met Robert Wilson."For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Keith Sonnier, Philip Glass, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson.Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11.http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landryMusic on this episode courtesy of Dickie Landry:E-mu & Alto Saxophone composed by D.L. for Robert Wilson's production of "1433 The Grand Voyage" based on the story of Zheng He. Premier National Theater Taipei, Taiwan 2009Philip Glass'"Einstein on the Beach”. Original recording on Tomato Records 1977. D.L. on flute “Home of the Brave” on the Late Show with Laurie Andersonwww.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

Dickie Landry - Composer, Musician, Photographer, Artist

Theatre · The Creative Process

Play Episode Listen Later Nov 28, 2022 73:56

For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Keith Sonnier, Philip Glass, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson. Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11."Einstein on the Beach, it's a masterpiece. America, in 1976, was to be celebrating its 200th year of existence, and Michel Guy, the French Minister of Culture, came to New York to offer a commission to Philip Glass and Robert Wilson to write an opera. This was the gift that France would give for America's two-hundredth anniversary. That was the first time I met Robert Wilson."http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landryMusic on this episode courtesy of Dickie Landry:E-mu & Alto Saxophone composed by D.L. for Robert Wilson's production of "1433 The Grand Voyage" based on the story of Zheng He. Premier National Theater Taipei, Taiwan 2009“Gloria” for Robert Wilson's “Oedipus Rex”Philip Glass'"Einstein on the Beach”. Original recording on Tomato Records 1977. D.L. on flute "Are Years What" Phillip Glass. Composed for D.L. playing 3 soprano saxophones. On his lp "North Star”,1977 Swing Kings 1965, D.L. on flute“Home of the Brave” on the Late Show with Laurie Anderson"Taideco" Zydeco, for Wilson's production of "1433" Cedric Watson, Jermain Prejean, D.L. “Ghosties” from “Dickie Landry Solo”"It Keeps Rainin'", Robert Plant with Lil' Band O' GoldPhoto: Dickie Landry in Robert Wilson's “1433—The Grand Voyage”, Music by Ornette Coleman, Dickie Landry, Chih-Chun Huangwww.creativeprocess.info www.oneplanetpodcast.orgInstagram @creativeprocesspodcast

Dickie Landry - Composer, Musician, Photographer, Artist

Art Â· The Creative Process

Play Episode Listen Later Nov 28, 2022 73:56

For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Keith Sonnier, Philip Glass, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson. Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11."The first painting I saw of what I had done, the finished painting was a real turn on. I mean, really heavy, like that painting was coming from my brain. It wasn't a photograph. It wasn't an image of something. It was coming from me, from this. That really, I mean, excited me more than when I first heard John Coltrane or Ornette Coleman. And it was like, Pow, this is what painting is about. It's about individual piece of work. It's not a photograph.""The way I became interested in art was in high school. I was graduating. What are you going to do? What are you going to do with your life? So one day I went to the library and was thumbing through Time magazine and turned the page, and there's a work of art by Robert Rauschenberg. And when I saw what he'd done and was getting international attention for, his pieces hanging in museums somewhere in the world, the light bulb went off in my head. I can be whatever I want. I don't have to be categorized. I'm free. Free...I get bored doing just one thing. People say, 'Well, you can only have one stamp of what you do.' I didn't believe in that. I was just, you know, I liked everything I did."http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landryMusic on this episode courtesy of Dickie Landry:E-mu & Alto Saxophone composed by D.L. for Robert Wilson's production of "1433 The Grand Voyage" based on the story of Zheng He. Premier National Theater Taipei, Taiwan 2009“Gloria” for Robert Wilson's “Oedipus Rex”Philip Glass'"Einstein on the Beach”. Original recording on Tomato Records 1977. D.L. on flute "Are Years What" Phillip Glass. Composed for D.L. playing 3 soprano saxophones. On his lp "North Star”,1977 Swing Kings 1965, D.L. on flute“Home of the Brave” on the Late Show with Laurie Anderson"Taideco" Zydeco, for Wilson's production of "1433" Cedric Watson, Jermain Prejean, D.L. “Ghosties” from “Dickie Landry Solo”"It Keeps Rainin'", Robert Plant with Lil' Band O' Goldwww.creativeprocess.info www.oneplanetpodcast.orgInstagram @creativeprocesspodcast

Highlights - Dickie Landry - Composer, Musician, Photographer, Artist

Art Â· The Creative Process

Play Episode Listen Later Nov 28, 2022 12:47

"The first painting I saw of what I had done, the finished painting was a real turn on. I mean, really heavy, like that painting was coming from my brain. It wasn't a photograph. It wasn't an image of something. It was coming from me, from this. That really, I mean, excited me more than when I first heard John Coltrane or Ornette Coleman. And it was like, Pow, this is what painting is about. It's about individual piece of work. It's not a photograph.""The way I became interested in art was in high school. I was graduating. What are you going to do? What are you going to do with your life? So one day I went to the library and was thumbing through Time magazine and turned the page, and there's a work of art by Robert Rauschenberg. And when I saw what he'd done and was getting international attention for, his pieces hanging in museums somewhere in the world, the light bulb went off in my head. I can be whatever I want. I don't have to be categorized. I'm free. Free...I get bored doing just one thing. People say, 'Well, you can only have one stamp of what you do.' I didn't believe in that. I was just, you know, I liked everything I did."For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Keith Sonnier, Philip Glass, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson. Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11.http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landryMusic on this episode courtesy of Dickie Landry:E-mu & Alto Saxophone composed by D.L. for Robert Wilson's production of "1433 The Grand Voyage" based on the story of Zheng He. Premier National Theater Taipei, Taiwan 2009Philip Glass'"Einstein on the Beach”. Original recording on Tomato Records 1977. D.L. on flute “Home of the Brave” on the Late Show with Laurie Andersonwww.creativeprocess.info www.oneplanetpodcast.orgInstagram @creativeprocesspodcast

Dickie Landry - Composer, Musician, Photographer, Artist

Play Episode Listen Later Nov 28, 2022 73:56

For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Keith Sonnier, Philip Glass, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson. Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11."Einstein on the Beach, it's a masterpiece. America, in 1976, was to be celebrating its 200th year of existence, and Michel Guy, the French Minister of Culture, came to New York to offer a commission to Philip Glass and Robert Wilson to write an opera. This was the gift that France would give for America's two-hundredth anniversary. That was the first time I met Robert Wilson.""My son had died, and I had taken to two years to recover. So I went to New York. I had dinner with Laurie Anderson, and as I was getting up to leave, she said, 'What are you doing in New York?' I said, "I'm looking for work' She said, 'What are you doing next week?' I said, 'Well, I'm supposed to be in Atlanta, Georgia doing a music film with David Byrne and Talking Heads. Well, what do you have?' She said, 'I'm doing a piece next week at Brooklyn Academy of Music with Trisha Brown and Robert Rauschenberg, Set and Reset. Why don't you come? Bring your sax, we'll work it out then.' Two weeks after that concert, Laurie's manager called and said, 'Do you want to go on a 20-city tour of America with Laurie? Home of the Brave?' Of course, we did that. That was the beginning of the reconstruction of my career in New York through Laurie Anderson."http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landryMusic on this episode courtesy of Dickie Landry:E-mu & Alto Saxophone composed by D.L. for Robert Wilson's production of "1433 The Grand Voyage" based on the story of Zheng He. Premier National Theater Taipei, Taiwan 2009“Gloria” for Robert Wilson's “Oedipus Rex”Philip Glass'"Einstein on the Beach”. Original recording on Tomato Records 1977. D.L. on flute "Are Years What" Phillip Glass. Composed for D.L. playing 3 soprano saxophones. On his lp "North Star”,1977 Swing Kings 1965, D.L. on flute“Home of the Brave” on the Late Show with Laurie Anderson"Taideco" Zydeco, for Wilson's production of "1433" Cedric Watson, Jermain Prejean, D.L. “Ghosties” from “Dickie Landry Solo”"It Keeps Rainin'", Robert Plant with Lil' Band O' Goldwww.creativeprocess.info www.oneplanetpodcast.orgInstagram @creativeprocesspodcast

Highlights - Dickie Landry - Composer, Musician, Photographer, Artist

The Creative Process in 10 minutes or less · Arts, Culture & Society

Play Episode Listen Later Nov 28, 2022 12:47

"Einstein on the Beach, it's a masterpiece. America, in 1976, was to be celebrating its 200th year of existence, and Michel Guy, the French Minister of Culture, came to New York to offer a commission to Philip Glass and Robert Wilson to write an opera. This was the gift that France would give for America's two-hundredth anniversary. That was the first time I met Robert Wilson.""My son had died, and I had taken to two years to recover. So I went to New York. I had dinner with Laurie Anderson, and as I was getting up to leave, she said, 'What are you doing in New York?' I said, "I'm looking for work' She said, 'What are you doing next week?' I said, 'Well, I'm supposed to be in Atlanta, Georgia doing a music film with David Byrne and Talking Heads. Well, what do you have?' She said, 'I'm doing a piece next week at Brooklyn Academy of Music with Trisha Brown and Robert Rauschenberg, Set and Reset. Why don't you come? Bring your sax, we'll work it out then.' Two weeks after that concert, Laurie's manager called and said, 'Do you want to go on a 20-city tour of America with Laurie? Home of the Brave?' Of course, we did that. That was the beginning of the reconstruction of my career in New York through Laurie Anderson."For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Keith Sonnier, Philip Glass, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson.Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11.http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landryMusic on this episode courtesy of Dickie Landry:E-mu & Alto Saxophone composed by D.L. for Robert Wilson's production of "1433 The Grand Voyage" based on the story of Zheng He. Premier National Theater Taipei, Taiwan 2009Philip Glass'"Einstein on the Beach”. Original recording on Tomato Records 1977. D.L. on flute “Home of the Brave” on the Late Show with Laurie AndersonImage: "Solo Concerts" by Dickie Landry and Philip Glass held on April 13th and 14th, 1973 at 112 Workshop. Photos by Gerard Murrell, Robert Mapplethorpewww.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

Dickie Landry - Composer, Musician, Photographer, Artist

Play Episode Listen Later Nov 28, 2022 12:47

"Einstein on the Beach, it's a masterpiece. America, in 1976, was to be celebrating its 200th year of existence, and Michel Guy, the French Minister of Culture, came to New York to offer a commission to Philip Glass and Robert Wilson to write an opera. This was the gift that France would give for America's two-hundredth anniversary. That was the first time I met Robert Wilson.""My son had died, and I had taken to two years to recover. So I went to New York. I had dinner with Laurie Anderson, and as I was getting up to leave, she said, 'What are you doing in New York?' I said, "I'm looking for work' She said, 'What are you doing next week?' I said, 'Well, I'm supposed to be in Atlanta, Georgia doing a music film with David Byrne and Talking Heads. Well, what do you have?' She said, 'I'm doing a piece next week at Brooklyn Academy of Music with Trisha Brown and Robert Rauschenberg, Set and Reset. Why don't you come? Bring your sax, we'll work it out then.' Two weeks after that concert, Laurie's manager called and said, 'Do you want to go on a 20-city tour of America with Laurie? Home of the Brave?' Of course, we did that. That was the beginning of the reconstruction of my career in New York through Laurie Anderson."For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Keith Sonnier, Philip Glass, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson.Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11.http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landryMusic on this episode courtesy of Dickie Landry:E-mu & Alto Saxophone composed by D.L. for Robert Wilson's production of "1433 The Grand Voyage" based on the story of Zheng He. Premier National Theater Taipei, Taiwan 2009Philip Glass'"Einstein on the Beach”. Original recording on Tomato Records 1977. D.L. on flute “Home of the Brave” on the Late Show with Laurie Andersonwww.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

Dickie Landry - Composer, Musician, Photographer, Artist

Education · The Creative Process

Play Episode Listen Later Nov 28, 2022 73:56

For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Keith Sonnier, Philip Glass, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson.Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11.“Well, look at tennis players where they hit the ball on one side of the court and next thing you know it's on the other side of the court. It's all practice, practice, practice. That's what I tell people who say, "I want to learn how to play the saxophone or the flute or clarinet, or any instrument. I say, "Start practicing.”"The way I became interested in art was in high school. I was graduating. What are you going to do? What are you going to do with your life? So one day I went to the library and was thumbing through Time magazine and turned the page, and there's a work of art by Robert Rauschenberg. And when I saw what he'd done and was getting international attention for, his pieces hanging in museums somewhere in the world, the light bulb went off in my head. I can be whatever I want. I don't have to be categorized. I'm free. Free."http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landryMusic on this episode courtesy of Dickie Landry:E-mu & Alto Saxophone composed by D.L. for Robert Wilson's production of "1433 The Grand Voyage" based on the story of Zheng He. Premier National Theater Taipei, Taiwan 2009“Gloria” for Robert Wilson's “Oedipus Rex”Philip Glass'"Einstein on the Beach”. Original recording on Tomato Records 1977. D.L. on flute "Are Years What" Phillip Glass. Composed for D.L. playing 3 soprano saxophones. On his lp "North Star”,1977 Swing Kings 1965, D.L. on flute“Home of the Brave” on the Late Show with Laurie Anderson"Taideco" Zydeco, for Wilson's production of "1433" Cedric Watson, Jermain Prejean, D.L. “Ghosties” from “Dickie Landry Solo”"It Keeps Rainin'", Robert Plant with Lil' Band O' Goldwww.creativeprocess.info www.oneplanetpodcast.orgInstagram @creativeprocesspodcast

Highlights - Dickie Landry - Composer, Musician, Photographer, Artist

Education · The Creative Process

Play Episode Listen Later Nov 28, 2022 12:47

“Well, look at tennis players where they hit the ball on one side of the court and next thing you know it's on the other side of the court. It's all practice, practice, practice. That's what I tell people who say, "I want to learn how to play the saxophone or the flute or clarinet, or any instrument. I say, "Start practicing.”"The way I became interested in art was in high school. I was graduating. What are you going to do? What are you going to do with your life? So one day I went to the library and was thumbing through Time magazine and turned the page, and there's a work of art by Robert Rauschenberg. And when I saw what he'd done and was getting international attention for, his pieces hanging in museums somewhere in the world, the light bulb went off in my head. I can be whatever I want. I don't have to be categorized. I'm free. Free."For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Keith Sonnier, Philip Glass, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson.Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11.http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landryMusic on this episode courtesy of Dickie Landry:E-mu & Alto Saxophone composed by D.L. for Robert Wilson's production of "1433 The Grand Voyage" based on the story of Zheng He. Premier National Theater Taipei, Taiwan 2009Philip Glass'"Einstein on the Beach”. Original recording on Tomato Records 1977. D.L. on flute “Home of the Brave” on the Late Show with Laurie Andersonwww.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

Espectros

Play Episode Listen Later Nov 1, 2022 7:00

"Vertical Roll" (1972), de Joan Jonas

espectros joan jonas

Joan-Jonas-Retrospektive: „Ein Bad in Bildern“

Kunst und Leben – Der Monopol-Podcast – detektor.fm

Play Episode Listen Later Sep 27, 2022 23:26

Sie ist die Grande Dame der Video-Performance: Joan Jonas. Das Haus der Kunst in München widmet ihr nun eine Retrospektive – mit Werken aus aus einem halben Jahrhundert künstlerischen Schaffens, die aktueller nicht sein könnten. Die Retrospektive zu Joan Jonas im Haus der Kunst könnt ihr noch bis zum 26. Februar 2023 in München besichtigen. >> Artikel zum Nachlesen: https://detektor.fm/kultur/monopol-podcast-joan-jonas

art design haus kunst kultur jahrhundert bildern werken nachlesen das haus ausstellungen monopol retrospektive grande dame schaffens joan jonas die retrospektive

Joan-Jonas-Retrospektive: „Ein Bad in Bildern“

Kultur – detektor.fm

Play Episode Listen Later Sep 27, 2022 23:26

Sie ist die Grande Dame der Video-Performance: Joan Jonas. Das Haus der Kunst in München widmet ihr nun eine Retrospektive – mit Werken aus aus einem halben Jahrhundert künstlerischen Schaffens, die aktueller nicht sein könnten. Die Retrospektive zu Joan Jonas im Haus der Kunst könnt ihr noch bis zum 26. Februar 2023 in München besichtigen. >> Artikel zum Nachlesen: https://detektor.fm/kultur/monopol-podcast-joan-jonas

arts haus kunst kultur jahrhundert bildern werken nachlesen das haus retrospektive grande dame schaffens joan jonas die retrospektive

Kunst und Leben – Der Monopol Podcast | Joan-Jonas-Retrospektive: „Ein Bad in Bildern“

Podcasts – detektor.fm

Play Episode Listen Later Sep 27, 2022 23:26

Sie ist die Grande Dame der Video-Performance: Joan Jonas. Das Haus der Kunst in München widmet ihr nun eine Retrospektive – mit Werken aus aus einem halben Jahrhundert künstlerischen Schaffens, die aktueller nicht sein könnten. Die Retrospektive zu Joan Jonas im Haus der Kunst könnt ihr noch bis zum 26. Februar 2023 in München besichtigen. >> Artikel zum Nachlesen: https://detektor.fm/kultur/monopol-podcast-joan-jonas

Joan Jonas & Marianna Simnett

Was wichtig wird

Play Episode Listen Later Sep 22, 2022 10:08

Zwei Künsterinnen, die großen Platz im neuen Heft von Monopol bekommen, sind Joan Jonas aus New York und Marianna Simnett aus Berlin. Beide sind strahlende Erscheinungen. Beide nutzen unter anderem die Videokamera. Die 86-jährige New Yorkerin zeigt in ihrem Werk eine brennende Zeitgenossenschaft, die mit eigener Poesie daherkommt. Die 36-jährige Berlinerin, die derzeit auch auf der Biennale in Venedig stark begehrt ist, gilt als eine der kompromisslosesten Künstlerinnen der Gegenwart. Ihre Werke lassen einem den Atem stocken, den Magen Autoscooter fahren und das Herz schneller schlagen. Elke Buhr, Chefredakteurin von Monopol, dem Magazin für Kunst und Leben, erzählt davon. Moderation: Yvi Strüwing detektor.fm/was-wichtig-wird Podcast: detektor.fm/feeds/was-wichtig-wird Apple Podcasts: itun.es/de/9cztbb.c Google Podcasts: goo.gl/cmJioL Spotify: open.spotify.com/show/0UnRK019ItaDoWBQdCaLOt Sie setzt ihr leben ein. JOAN JONAS, Haus der Kunst, München, bis 26. Februar 2023. MARIANNA SIMNETT „OGRESS“, Galerie Société, Berlin, bis 22. Oktober, Biennale in Venedig, bis 27. November 2022.

Joan Jonas Im Haus der Kunst

Ausstellungstipps

Play Episode Listen Later Sep 16, 2022 3:26

Sie war mehrmals auf der Biennale in Venedig und der Documenta in Kassel mit ihren Werken vertreten. Die US-Amerikanerin Joan Jonas gehört zu den anerkanntesten zeitgenössischen Künstlerinnen. Doch obwohl sie sieben Jahre in Stuttgart lehrte und lebte, gab es in Deutschland bislang noch keine umfassende Schau zu ihrem Oeuvre. Das ist jetzt anders. Julian Ignatowitsch empfiehlt in den Ausstellungstipps die neue Joan-Jonas-Schau im Haus der Kunst.

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Spektakulär - Arbeiten von Joan Jonas im Haus der Kunst München

Fazit - Kultur vom Tage - Deutschlandfunk Kultur

Play Episode Listen Later Sep 8, 2022 5:19

Ignatowitsch, Julianwww.deutschlandfunkkultur.de, FazitDirekter Link zur Audiodatei

kunst arbeiten spektakul im haus joan jonas julianwww ignatowitsch

Spektakulär - Arbeiten von Joan Jonas im Haus der Kunst München

Kultur heute Beiträge - Deutschlandfunk

Play Episode Listen Later Sep 8, 2022 5:33

Ignatowitsch, Julianwww.deutschlandfunk.de, Kultur heuteDirekter Link zur Audiodatei

kunst arbeiten spektakul im haus joan jonas julianwww ignatowitsch

A brush with... Adam Pendleton

A brush with...

Play Episode Listen Later Aug 23, 2022 62:07

Ben Luke talks to Adam Pendleton about his influences—from the worlds of literature, music and, of course, art—and the cultural experiences that have shaped his life and work. Pendleton, born in 1984 in Richmond, Virginia, makes paintings, drawings, performances, films and other works exploring the relationship between Blackness, abstraction and histories of the avant-garde. He is perhaps best known for an ongoing body of work he calls Black Dada. He discusses the influences behind Black Dada, from the poetry of Amiri Baraka to the sculpture of Sol LeWitt, reflects on the drawings of Jean Dubuffet and the drafts and revisions of Joan Jonas's work, and enthuses about the power of Nina Simone's voice and Julius Eastman's compositions. Plus, he gives insight into his studio life and answers the ultimate question: what is art for?Adam Pendleton: In Abstraction, Pace Gallery, Geneva, 7 September-5 October; Adam Pendleton: Toy Soldier, Galerie Eva Presenhuber, Zurich, 10 September-26 November. Whitney Biennial: Quiet as It's Kept, Whitney Museum of American Art, until 5 September. Adam Pendleton, Mumok, Vienna, 31 March-10 September 2023. Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

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Joan Jonas and Jason Moran

Intersections: The Art Basel Podcast

Play Episode Listen Later Aug 23, 2022 31:22

Video- and performance-art pioneer Joan Jonas and jazz pianist Jason Moran have collaborated for almost 20 years, and it all began with a call. “I phoned him, which was very unusual for me to do. I was very shy,” Jonas remembers. From there, the pair had six weeks to develop The Shape, The Scent, The Feel of Things (2005), a now-iconic performance based on the writings of Aby Warburg. In this episode, Jonas and Moran reminisce on that very first collaboration, what they've learned from each other since, and the importance of performance—not just for an art audience in a white cube but for civilization at large.

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Times Square Arts Presents Joan Jonas' Wolf Lights for April Midnight Moment, Co-Presented with Gladstone Gallery

City Life Org

Play Episode Listen Later Apr 2, 2022 4:32

This episode is also available as a blog post: https://thecitylife.org/2022/04/01/times-square-arts-presents-joan-jonas-wolf-lights-for-april-midnight-moment-co-presented-with-gladstone-gallery/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

arts wolf lights midnight times square joan jonas gladstone gallery

The Quarantine Tapes 243: Jason Moran

The Quarantine Tapes

Play Episode Listen Later Mar 16, 2022 43:22

On episode 243 of The Quarantine Tapes, Paul Holdengräber is joined by musician and composer Jason Moran. This episode comes as part of a partnership with OXY ARTS. Jason and Paul discuss collaboration, improvisation, and what it means to play the room in this thoughtful and illuminating conversation.Jason talks about the importance of being in action as an artist and recounts his experiences as both a teacher and a student. He tells Paul about his collaborations with his wife, the incredible singer Alicia Hall Moran, and one of their recent projects, Two Wings. Paul and Jason talk about therapy, ancestors, and why Jason doesn't worry too much about trying to find balance as an artist.“Follow the Light”: https://www.youtube.com/watch?v=A_Zmzy7_QuA“Two Wings”: https://www.youtube.com/watch?v=R9F2WDyvTd0Since his formidable emergence on the music scene in the late 90s, jazz pianist Jason Moran has proven more than his brilliance as a performer. The Blue Note Records recording artist has established himself as a risk-taker and innovator of new directions for jazz as a whole. In almost every category that matters – improvisation, composition, group concept, repertoire, technique and experimentation – Moran, and his group The Bandwagon – with bassist Tarus Mateen and drummer Nasheet Waits – have challenged the status quo, and earned the reputation as “the future of jazz.”His ongoing visionary collaborations in the art world have brought him additional fans and respect. Moran's music is in the collections of both the MOMA and Whitney Museum of American Art. He scored a ballet for renowned Alonzo King's LINES Ballet, as well as scoring video works for contemporary American artists Glenn Ligon and Kara Walker. Moran also has worked with pivotal visual/performance artists Joan Jonas and Adrian Piper. Moran currently teaches at the New England Conservatory. He lives in New York City with his wife, mezzo soprano Alicia Hall Moran, and their twin toddlers.You can find Jason Moran's website at http://jasonmoran.com.Paul Holdengräber is an interviewer and curator of public curiosity. He is the Founder and Director of Onassis LA (OLA), a center for dialogue. Previously he was the Founder and Director of LIVE from the NYPL, a cultural series at the New York Public Library, where he hosted over 600 events, holding conversations with everyone from Patti Smith to Zadie Smith, Ricky Jay to Jay-Z, Errol Morris to Jan Morris, Wes Anderson to Helen Mirren, Christopher Hitchens to Mike Tyson. He is the host of "A Phone Call From Paul," a podcast for The Literary Hub.

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Episode 011: Barbara London

Art and Obsolescence

Play Episode Listen Later Nov 9, 2021 35:59

This week on the show our guest is the one and only Barbara London. Since she began her career at MoMA in 1973 and collected the museum's first video art in 1975, Barbara has had an immeasurable impact on the field of time-based media art – from her 1979 exhibition “Video from Tokyo to Fukui and Kyoto” to her phenomenal new book “Video art: the first fifty years”. Listen in on our conversation to hear Barbara's story, and her relationships with artists such as Laurie Anderson, Joan Jonas, Nam June Paik, Teiji Furuhashi, Bill Viola, and more, that have formed the bedrock of her prolific curatorial practice.Links from the conversation with Barbara> Barbara's website: https://www.barbaralondon.net> Video/Art: The First Fifty Years: https://www.phaidon.com/store/art/video-art-the-first-fifty-years-9780714877594Join the conversation:https://twitter.com/ArtObsolescencehttps://www.instagram.com/artobsolescence/Support artistsArt and Obsolescence is a non-profit podcast, sponsored by the New York Foundation for the Arts, and we are committed to equitably supporting artists that come on the show. Help support our work by making a tax deductible gift through NYFA here: https://www.artandobsolescence.com/donate

video arts tokyo kyoto moma laurie anderson obsolescence new york foundation fukui nam june paik nyfa bill viola joan jonas

05 - Joan Jonas

bienal

Play Episode Listen Later Sep 1, 2021 2:55

Com vozes de Marília Gabriela, Adriana Couto, Sara Bentes e André Trigueiro, o audioguia inclusivo da 34ª Bienal passa por 20 obras de arte e objetos que compõem a mostra. Ao seguir o percurso proposto – desde os objetos do Museu Nacional, no térreo, até a obra Two Choirs [Dois coros], de Ana Adamović, no final do terceiro pavimento – você será guiado por todos os andares do pavilhão. Cada uma das faixas apresenta histórias relacionadas às obras, comenta processos das e dos artistas e descreve as peças. Como é um audioguia inclusivo, na plataforma do Musea, ele também está disponível em Língua Brasileira de Sinais (Libras). O projeto é uma correalização da Fundação Bienal de São Paulo com o Goethe-Institut, com consultoria de acessibilidade pela Mais Diferenças; desenho de som e trilha sonora por Fernando Cespedes; e distribuição pelo Musea.

cada ao brasileira funda bienal goethe institut museu nacional musea joan jonas andr trigueiro sinais libras

Jason Moran + Alicia Hall Moran- Part Two

Play Episode Listen Later Jul 7, 2021 35:24

Jazz pianist, composer, and artist Jason Moran was born in Houston, TX and earned a degree from the Manhattan School of Music. He was named a MacArthur Fellow in 2010 and is the Artistic Director for Jazz at The Kennedy Center. His 21 year relationship with his trio The Bandwagon (with drummer Nasheet Waits and bassist Tarus Mateen) has resulted in a profound discography for Blue Note Records and Yes Records, a label he co- owns with his wife, singer and composer Alicia Hall Moran. Alicia Hall Moran, mezzo-soprano, is a multi-dimensional artist performing and composing between the genres of Opera, Art, Theater, and Jazz. Her solo albums, Heavy Blue and Here Today featuring the band Harriet Tubman, and live touring performances like Breaking Ice (shows for and about the ice since 2016), the motown project (her meditation on the operatic strains mixed with Motown begun in 2009); Black Wall Street (since 2016 ); and large-scale co-commissions with her husband Jason Moran. Jason and Alicia's long-standing collaborative practice is groundbreaking; as named artists in the 2012 Whitney Biennial, they together constructed BLEED, a five-day series of performances stretching from readings to wellness to a ring shouts. In 2015, they participated in the Venice Biennnial curated by the late Okwui Enwezor. Recently they created Two Wings: The Music of Black America in Migration for Carnegie Hall's Stern Auditorium. They have collaborated with major art world figures such as Adrian Piper, Joan Jonas, Glenn Ligon, Adam Pendleton, Lorna Simpson, Carrie Mae Weems, Xaveria Simmons, Bill T. Jones and Kara Walker.

music art theater jazz tx opera migration artistic directors motown carnegie hall black america harriet tubman kennedy center bandwagon manhattan school macarthur fellow blue note records kara walker whitney biennial jason moran bill t jones carrie mae weems joan jonas lorna simpson okwui enwezor nasheet waits adrian piper glenn ligon alicia hall moran

Jason Moran + Alicia Hall Moran

film performance shape awakening fake news painting artwork george orwell music scene milan kundera lightning bolt unbearable lightness joan jonas

Play Episode Listen Later Jul 7, 2021 35:24

Jazz pianist, composer, and artist Jason Moran was born in Houston, TX and earned a degree from the Manhattan School of Music. He was named a MacArthur Fellow in 2010 and is the Artistic Director for Jazz at The Kennedy Center. His 21 year relationship with his trio The Bandwagon (with drummer Nasheet Waits and bassist Tarus Mateen) has resulted in a profound discography for Blue Note Records and Yes Records, a label he co- owns with his wife, singer and composer Alicia Hall Moran. Alicia Hall Moran, mezzo-soprano, is a multi-dimensional artist performing and composing between the genres of Opera, Art, Theater, and Jazz. Her solo albums, Heavy Blue and Here Today featuring the band Harriet Tubman, and live touring performances like Breaking Ice (shows for and about the ice since 2016), the motown project (her meditation on the operatic strains mixed with Motown begun in 2009); Black Wall Street (since 2016 ); and large-scale co-commissions with her husband Jason Moran. Jason and Alicia's long-standing collaborative practice is groundbreaking; as named artists in the 2012 Whitney Biennial, they together constructed BLEED, a five-day series of performances stretching from readings to wellness to a ring shouts. In 2015, they participated in the Venice Biennnial curated by the late Okwui Enwezor. Recently they created Two Wings: The Music of Black America in Migration for Carnegie Hall's Stern Auditorium. They have collaborated with major art world figures such as Adrian Piper, Joan Jonas, Glenn Ligon, Adam Pendleton, Lorna Simpson, Carrie Mae Weems, Xaveria Simmons, Bill T. Jones and Kara Walker.

music art theater jazz tx opera migration artistic directors motown carnegie hall black america harriet tubman kennedy center bandwagon manhattan school macarthur fellow blue note records kara walker whitney biennial jason moran bill t jones carrie mae weems joan jonas lorna simpson okwui enwezor nasheet waits adrian piper glenn ligon alicia hall moran

EP 8 Evelyn Jean : A Lightning Bolt Awakening, from the Music Scene to Film and Performance, then Ultimately to Painting.

Art Seeker Stories

Play Episode Listen Later Jul 6, 2021 70:35

Today, on the Art Seeker Stories podcast 8th Episode I'm delighted to chat with London based artist Evelyn Jean, a visual artist whose career began after 12 years in the music industry, where he became increasingly frustrated at the limits of the medium and began practicing visual art as a method for a new way of performance and true expression of his real feelings.In doing this Evelyn seeks to create art that speaks to the soul and to attract a different kind of audience to his work.His work covers many mediums including, painting; filmmaking; literature; music; performance, and installation.Of his work he says,"I am distracted by human behaviour and how we really feel about ourselves underneath the veil. I see life and art being played out like a film script with more control over it than we realise. The ability to rewrite every scene." I met Evelyn briefly in early 2020 just before our first lockdown at a show we were both exhibiting in, ironically called 'Fake News', and virtually more recently at the exhibition, 'The Shape of the New'. Today I have cut Evelyn's episode in two, and this is his part 2 of his artist residency on Art Seeker Island. Wow, we had such great fun and our imaginations ran wild, if not a little bit crazy. This is a real journey weaving in and out of time, into a metropolis melting pot of culture, in and out of reality and the imaginary. We start off with a spark of change, like a lightning bolt, a true awakening- from the music scene switching to film and performance and ultimately to painting. We visit the Royal Academy Summer Exhibition and then move on to Lufi's book swap. Evelyn borrows my Unbearable Lightness of Being by Milan Kundera and he swaps it for Down and Out in London and Paris by George Orwell. If you haven't heard Evelyn's first part one, it is definitely worth a catch up - it's on episode 7, and we talk about Evelyn's 3 Artworks for company on Art Seeker Island. The Juniper Tree by Joan Jonas, Street Scene Chicago Archibald Motley and Atlantic Civilization by Andre Fougeron. You can find more about Evelyn:Website: www.evelynjean.comInstagram: @evelynjean_artYoutube: Evelyn Jean Europe

Jason Moran + Alicia Hall Moran

Play Episode Listen Later Jun 23, 2021 1:42

Jazz pianist, composer, and artist Jason Moran was born in Houston, TX and earned a degree from the Manhattan School of Music. He was named a MacArthur Fellow in 2010 and is the Artistic Director for Jazz at The Kennedy Center. His 21 year relationship with his trio The Bandwagon (with drummer Nasheet Waits and bassist Tarus Mateen) has resulted in a profound discography for Blue Note Records and Yes Records, a label he co- owns with his wife, singer and composer Alicia Hall Moran. Alicia Hall Moran, mezzo-soprano, is a multi-dimensional artist performing and composing between the genres of Opera, Art, Theater, and Jazz. Her solo albums, Heavy Blue and Here Today featuring the band Harriet Tubman, and live touring performances like Breaking Ice (shows for and about the ice since 2016), the motown project (her meditation on the operatic strains mixed with Motown begun in 2009); Black Wall Street (since 2016 ); and large-scale co-commissions with her husband Jason Moran. Jason and Alicia's long-standing collaborative practice is groundbreaking; as named artists in the 2012 Whitney Biennial, they together constructed BLEED, a five-day series of performances stretching from readings to wellness to a ring shouts. In 2015, they participated in the Venice Biennnial curated by the late Okwui Enwezor. Recently they created Two Wings: The Music of Black America in Migration for Carnegie Hall's Stern Auditorium. They have collaborated with major art world figures such as Adrian Piper, Joan Jonas, Glenn Ligon, Adam Pendleton, Lorna Simpson, Carrie Mae Weems, Xaveria Simmons, Bill T. Jones and Kara Walker.

music art theater jazz tx opera migration artistic directors motown carnegie hall black america harriet tubman kennedy center bandwagon manhattan school macarthur fellow blue note records kara walker whitney biennial jason moran bill t jones carrie mae weems joan jonas lorna simpson okwui enwezor nasheet waits adrian piper glenn ligon alicia hall moran

Jason Moran + Alicia Hall Moran - Part One