POPULARITY
2 episodes with Bruce Nauman
2 episodes with Bruce Nauman
2 episodes with Bruce Nauman
2 episodes with Bruce Nauman
2 episodes with Bruce Nauman
2 episodes with Bruce Nauman
2 episodes with Bruce Nauman
5 episodes with Bruce Nauman
3 episodes with Bruce Nauman
Episode 456 Brian Boucher is an art writer, journalist and critic living in New York, with bylines at publications including the New York Times, New York Magazine, Artnet News, ARTnews, and many others. He previously served as a staff writer and editor at Art in America and a staff writer at Artnet News. He writes about crazy artists' projects (such as when Darren Bader offered his practice for sale), reports on the art market, covers developments in the art education field, and often reports on places where the art world and the wider world intersect, such as the potential cultural impact of the second Trump presidency and how Syrian artists and other cultural figures are looking ahead to a post-Assad era. Here, he looks back on some of the shows, events and artworks that moved him in 2024, some of which he wrote about, including Bruce Nauman's current show at Sperone Westwater, Marlon Mullen's current show at MoMA, Guillaume Guillon Lethiere's recent show at the Clark Art Institute, now at the Louvre, Christopher Wool's recent self-organized show at a disused Lower Manhattan office space, the collective MSCHF's piece “Met's Sink of Theseus" in their recent Perrotin show, and some he didn't write about, like the Maurice Sendak exhibition now at the Denver Art Museum and the Siena exhibition now at the Metropolitan Museum of Art. He also talked about some of the live music that turned his crank in 2024, including Soul Coughing, Tigue, and the Jesus Lizard, and looks ahead to the farewell tour of the legendary British punk band Gang of Four.
Michael Craig-Martin talks to Ben Luke about his influences—from writers to film-makers and, of course, other artists—and the cultural experiences that have shaped his life and work. Craig-Martin was born in Dublin in 1941, and grew up in the US, but has been based in London for most of his working life. Over the past six decades he has created an instantly recognisable body of work in which everyday objects are depicted simply in black outlines and often filled and surrounded by saturated, bright colour. The objects can be alone, in close-up fragments, or in complex combinations, and are captured in everything from small prints to room-scale installations. Intending at first to eschew style, Craig-Martin came to realise that his technique is inimitably his. And the works' meaning has also shifted over the decades, gaining new and poetic meanings. Fifty years on from his first drawing, his core questions remain: what is it to represent something, to make an image of it? How does image-making work? What does it allow you to do? And what happens when a viewer encounters what you have done? The result is a world of sensation and visual and experiential pleasure that might seem unexpected given the nature of the items he depicts. This knack of making the humdrum compelling, even lending it a sensory power and emotional resonance, is why Craig-Martin has remained an enduringly significant figure in contemporary art. He talks about returning to the basics of drawing in the mid-1970s when it was “forbidden territory”, his slow but eventually hearty embrace of colour, why humour is a useful tool in addressing subjects of the utmost seriousness, his early encounter with the work of Picasso as a child in Washington DC, the effect of studying according to the principles of Josef Albers at Yale, his admiration for Bruce Nauman and Gerhard Richter, and his love of the work of Samuel Beckett. Plus, he responds to our usual questions, including the ultimate: what is art for?Michael Craig-Martin, Royal Academy of Arts, London, 21 September-10 December; Michael Craig-Martin: An Anthology, Prints and Multiples 1996 – 2024, Cristea Roberts, London, 25 October-23 November. Hosted on Acast. See acast.com/privacy for more information.
In this episode of Turning Points, Patricia Killeen welcomed Jeff Rian, writer, musician, and associate editor of Purple fashion magazine – to play a few new songs from his most recent albums ‘Sketches' and ‘Such is Life'– Jeff has lived in Paris for almost three decades; he talks about how his music, art and writing all found harmony in the City of Light. Jeff has written numerous essays and exhibition catalogues on art and was a long-time contributor to Art in America, Flash Art, Frieze, and Artforum magazines. He is the author of Buckshot Lexicon, Purple Years, and monographs on contemporary artists (among them, Vito Acconci, Robert Smithson, Robert Rauschenberg, Bruce Nauman, Lewis Baltz, Richard Prince, Philip Lorca di Corcia, to name a few). As a guitarist/composer, his albums include Everglade, with Jean-Jacques Palix; Battle Songs and Méteo, with Bob Coke; four albums on major labels with French singer Alexandra Roos; and, in 2024, Such Is Life, a selection of songs, released by Coriolis Sounds, and Sketches, a selection of guitar tracks with one song, curated by photographer Giasco Bertoli for his magazine Roses Tatouées. SHOW NOTES: Songs played in episode: Oh God – Such is Life(2024) These Are the Times – Such is Life(2024) Sleep – Sketches (2024)
Contemporary and performance artist Paul Maheke moves between France, Congo, and Canada, exploring the ‘archive of their body' through drawing and dance, via Taboo Durag (2021). To Be Blindly Hopeful emerged from the very last sentence of a journal that Paul Maheke kept between August 2020 and June 2021, capturing the turbulence of the COVID pandemic. Central to Maheke's practice is a delicate dance between the individual and the collective, personal and broader sociopolitical contexts, echoing the sentiment expressed by bell hooks, who reminds us that ‘the space of our lack is also the space of possibility.' Currently based in France, Paul shares works 'staged' in previous exhibitions at South London Gallery, Chisenhale Gallery, and Tate Modern, highlighting how the ‘new' drawings, prints, book illustrations, and paintings on display here have long formed part of his practice. He explains how performance and dance can be both emancipatory and trapping, with respect to queerness, masculinity and gender, and the reality of being ‘brown body looked at my white audience' - drawing on his lifelong admiration for the French-born ice skater, Surya Bonaly. We discuss Paul's popular culture and academic Influences like Grace Jones and Félix González-Torres, Audre Lorde and Édouard Glissant, and Bruce Nauman to Paul B. Preciado - not as icons but real, complex people. Finally, Paul highlights how his work changes in its global travels, from the Baltic Triennale in Estonia, to Johanneburg, South Africa - and, drawing on collaborations with family members and fellow artist Melika Ngombe Kolongo (Nkisi) for the Congo Biennale in 2021, his personal relationship with arts institutions on the continent, as a diasporic artist. Paul Maheke: To Be Blindly Hopeful runs at MOSTYN, Wales until 29 June 2024. It includes Taboo Durag (2021), produced as a performance to camera for Glasgow International 2021. This episode marks this iteration of Scotland's biennale festival of contemporary art, which continues until 23 June 2024.** Paul has also shown work as part of the Diaspora Pavilion at the 58th Venice Biennale in 2019, the first to feature an official performance programme co-produced with the Delfina Foundation, and has work in the Drawing Biennal 2024, which runs at the Drawing Room in London until 3 July 2024. For another of Paul's collaborators, listen to Barby Asante's Declaration of Independence (2023), performed as part of Art on the Underground in London: pod.link/1533637675/episode/aa2803b68933ab974ca584cf6a18479c For another exhibition from MOSTYN, hear artist and curator Taloi Havini on Habitat (2017) and Artes Mundi 10: pod.link/1533637675/episode/e30bd079e3b389a1d7e68f5e2937a797 For more about bell hooks, listen to Professor Paul Gilroy, on The Black Atlantic (1993-Now): pod.link/1533637675/episode/90a9fc4efeef69e879b7b77e79659f3f And for more about Édouard Glissant, listen to Manthia Diawara, co-curator of The Trembling Museum at the Hunterian in Glasgow, and artist Billy Gerard Frank on Palimpsest: Tales Spun From Sea And Memories (2019), part of PEACE FREQUENCIES 2023.: instagram.com/p/C0mAnSuodAZ/?img_index=1 PRODUCER: Jelena Sofronijevic. Follow EMPIRE LINES on Instagram: instagram.com/empirelinespodcast And Twitter: twitter.com/jelsofron/status/1306563558063271936 Support EMPIRE LINES on Patreon: patreon.com/empirelines
Fünfzehn historische Werke aus dem Braunschweiger Herzog Anton Ulrich-Museum sind zu Gast im Wolfsburger Kunstmuseum, gehen sozusagen in den Dialog mit zeitgenössischen Gemälden, Skulpturen, Installationen international bekannter Künstler, darunter Jonathan Meese, Andreas Gursky, Bruce Nauman oder Cindy Sherman. Und so treffen Sichtweisen auf Körper, Befindlichkeiten, gesellschaftliche Rahmenbedingungen. Der Blick geht von der Geschichte in die Gegenwart, vom Einzelnen aufs Ganze. Mit der Ausstellung "Welten in Bewegung" eröffnet das Kunstmuseum Wolfsburg seine Jubiläumsschau, zu Gast bei "NDR Kultur à la carte" ist Museumsdirektor Andreas Beitin.
Einmal die Woche spielen Hamburgs Kunsthallen-Direktor Alexander Klar und Abendblatt-Chefredakteur Lars Haider „Ich sehe was, was du nicht siehst“ – und zwar mit einem Kunstwerk. Heute geht es um die Installation „Marching Man“ von Bruce Nauman aus dem Jahr 1985 und die Frage, wo die Grenze zwischen Kunst und Pornographie ist.
Peschs che sgolan, pleds che serpegian, persunas che discurran – lingua n'è betg be udibla, ma er visibla e palpabla. Quai mussa actualmain in'exposiziun tematica en il Museum d'art dal Grischun a Cuira. En crusch ed en travers maina ella tras la cuntrada linguistica grischuna, navighescha lunsch sur ses cunfins sur mar tar l'anteriura colonia franzosa Île de France ed enavos per mussar, che l'universal è il regiunal e viceversa. Damian Jurt, il curatur da l'exposiziun maina la Marella durant ina gita auditiva da Gion Casper Collenberg ed Alois Carigiet sur Not Vital ed Erica Pedretti fin a Bruce Nauman e Susan Hiller. La cuntrada linguistica survegn fatscha e furma e la Marella porscha cun visitar il museum d'art purtrets per las ureglias.
In s3e51, Platemark host Ann Shafer talks with Chris Santa Maria, artist and gallery director at Gemini G.E.L. at Joni Moisant Weyl. As director of the New York gallery, Chris is responsible for showcasing and selling the print output of the storied LA workshop to enable it to keep working with amazing artists and producing incredible editions. Chris and Ann touch on Gemini's history, the structure of the workshop, how artists get to work there, and Julie Mehretu, Julie Mehretu, and Julie Mehretu. They also talk about Chris' side hustle as an artist and his intricate paper collages. Josef Albers. White Line Square IV, 1966. 53.3 x 53.3 cm (21 x 21 in.). 2011. The Josef and Anni Albers Foundation / Artists Rights Society (ARS), New York; ©Gemini G.E.L. and the Artist. Chris Santa Maria wrangling prints at Gemini G.E.L. at Joni Moisant Weyl, New York. Sidney Felsen, co-founder of Gemini G.E.L. Photo by Alex Berliner. Gemini G.E.L. at Joni Moisant Weyl, 535 West 24th Street, third floor, New York. ©Gemini G.E.L., Los Angeles, California. Chris Santa Maria hanging Julie Mehretu's print at Art Basel Miami, 2019. Julie Mehretu's etching installed at the New York gallery, June 8–August 24, 2023. ©Gemini G.E.L., Los Angeles, California. Julie Mehretu at work at Gemini G.E.L., Los Angeles. Photograph by Sidney B. Felsen. ©Gemini G.E.L., Los Angeles, California. Julie Mehretu at work at Gemini G.E.L., Los Angeles. Photograph by Sidney B. Felsen. ©Gemini G.E.L., Los Angeles, California. Analia Saban working at Gemini workshop. Photograph by Sidney B. Felsen. ©Gemini G.E.L., Los Angeles, California. Robert Rauschenberg working on the limestone for Waves from the Stoned Moon series with Stanley Grinstein in the background. Photograph by Sidney B. Felsen, 1969. From the collection of Getty Research Institute. Jasper Johns deleting imagery from a lithography plate for Cicada, November 1981. Photograph by Sidney B. Felsen. ©Gemini G.E.L., Los Angeles, California, 2001. Richard Serra at work on his etchings and Paintstik compositions, November 1990. Photograph by Sidney B. Felsen. ©Gemini G.E.L., Los Angeles, California, 2001. Ellsworth Kelly (left) and NGA curator Mark Rosenthal at Gemini; Ellsworth canceling a print from the Portrait Series, February 1990. Photograph by Sidney B. Felsen. ©Gemini G.E.L., Los Angeles, California, 2001. Works by Richard Serra and Julie Mehretu at the IFPDA Print Fair, October 2023. ©Gemini G.E.L., Los Angeles, California. Joni Weyl and Sidney Felsen at the 2019 IFPDA Print Fair, New York. Tacita Dean at work at Gemini G.E.L., Los Angeles. Photograph by Sidney B. Felsen. ©Gemini G.E.L., Los Angeles, California. Roy Lichtenstein at work at Gemini G.E.L., Los Angeles. Photograph by Sidney B. Felsen. ©Gemini G.E.L., Los Angeles, California. Julie Mehretu at Gemini G.E.L.'s booth at the IFPDA Print Fair, October 2023. Tacita Dean. LA Magic Hour 1, 2021. Hand-drawn, multi-color blend lithograph. 29 7/8 x 29 7/8 in. (75.88 x 75.88 cm). ©Gemini G.E.L., Los Angeles, California. Chris Santa Maria. Field 31, 2023. Paper college on 4-ply ragboard. 10 x 10 in. Chris Santa Maria's studio. Chris Santa Maria's studio. Chris Santa Maria. President Trump, 2020. Paper collage. 72 x 72 in. Chris Santa Maria. No. 5, 2014. Paper collage on MDF. 58 x 60 in. in the window of Jim Kempner Fine Art, New York. Ellsworth Kelly. The River (state), 2003 and River II, 2005. Lithographs. Installed during the exhibition Ellsworth Kelly: The Rivers, October 25–December 8, 2007 at Gemini G.E.L. at Joni Moisant Weyl, New York. Julie Mehretu's etchings installed at the New York gallery, June 8–August 24, 2023. ©Gemini G.E.L., Los Angeles, California. Bruce Nauman in the curating room canceling a copperplate by drawing a sharp tool across it to destroy the image with assistance from William Padien, 1983. Photograph by Sidney B. Felsen. ©Gemini G.E.L., Los Angeles, California, 2001. Julie Mehretu at work at Gemini G.E.L., Los Angeles. Photograph by Sidney B. Felsen. ©Gemini G.E.L., Los Angeles, California. Works by Ann Hamilton and Tacita Dean in the exhibition at the New York gallery, Selected Works by Gemini Artists. January 2–February 24, 2024. ©Gemini G.E.L., Los Angeles, California. Daniel Buren at Gemini workshop, August 1988. Photograph by Sidney B. Felsen. ©Gemini G.E.L., Los Angeles, California, 2001. USEFUL LINKS Gemini G.E.L. at Joni Moisant Weyl. | (joniweyl.com) Gemini G.E.L. Graphic Editions Limited (geminigel.com) Chris Santa Maria Instagram accounts @chrisantamaria @geminigel @joniweyl
Du 13 septembre 2023 au 28 janvier 2024 MUSÉE DU LUXEMBOURG À l'occasion de la célébration du 50ᵉ anniversaire de la mort de Picasso, le Musée du Luxembourg propose une grande exposition sur l'histoire d'une amitié hors norme, entre deux icônes du XXe siècle, Pablo Picasso et Gertrude Stein. Gertrude Stein (1874-1946), une immigrée juive américaine, à la fois écrivaine, poète et esthète, s'installe à Paris dès 1903, peu après l'arrivée de Picasso, alors jeune artiste. Leur position d'étrangers et leur marginalité fondent leur appartenance à la bohème parisienne et leur liberté artistique. Leur amitié s'est cristallisée autour de leur travail respectif, fondateur du cubisme et des avant-gardes picturales et littéraires du XXe siècle. Leur postérité est immense. En examinant leur complicité et leur inventivité, l'exposition du Musée du Luxembourg traversera un siècle d'art, de poésie, de musique et de théâtre à travers de grandes figures telles que Henri Matisse, Juan Gris, Marcel Duchamp, Jasper Johns, Andy Warhol, Bruce Nauman, Carl Andre, Joseph Kosuth, Hanne Darboven, Glenn Ligon, John Cage, Bob Wilson, Gary Hill ou encore Philip Glass.
In this episode, in honor of the creative magic of the Court of Cups, we speak with art consultant Beth Pickens, author of Make Your Art No Matter What, and Your Art Will Save Your Life; and host of the podcast, Mind Your Practice.. Talking with Beth inspired us to roll up our sleeves and recommit to our creative work, and we know it will for you as well. We talk about why artists are important, how to keep making work even if you're feeling depressed or anxious, and how to build a life that can support your creativity. We know you're going to love it! Join us! **********************************COME TO AMANDA'S PERFORMANCE ON FEBRUARY 18THBoil Toil and Trouble and features work by over 50 contemporary artists in a multigenerational grouping that examines water through the lens of magic, ritual, and the role of the “witch” or medium in contemporary art. Some great LA Based artists in the show, such as Trulee Grace Hall and Lita Albuquerque as well as big names like Ana Mendieta, Marina abramovic and Bruce Nauman.The exhibition will be up for a few weeks, but Amanda will be performing 1-1 personal rites of inspiration Saturday February 18th 6-10 pm, in Hollywood at 708 N Manhattan Place.Free and open to the public. Food and drinks served.Find out more here. **********************************FIND OUT MORE ABOUT OUR GUEST BETH PICKENS.Beth Pickens is an arts consultant and author of Make Your Art No Matter What and Your Art Will Save Your Life. She (and her producer, our very own Carolyn Pennypacker Riggs) also make a podcast called Mind Your Practice, geared towards artists and writers looking for strategies and support to build their projects and practices (plus loving pep talks).Her “Homework Club” offers creative people support and strategies for keeping their projects and practices a priority with monthly webinars, worksheets, live QnA's, optional accountability pods, and ACTUAL HOMEWORK (that you'll never be graded on. Ever!)You can visit https://www.bethpickens.com/homework-club for more details or listen wherever you stream Between the Worlds.**********************************BETWEEN THE WORLDS CHARIOT YEAR: RIDE OF YOUR LIFE WORKSHOPIn this course, you'll learn how the Chariot Year can help us reach for our goals, focus, and step into our most exalted form! (All while avoiding burn out!) Each one of us has a specific area in our life where we can make most use of the medicine of the Chariot Year, and it's different for everyone. In this workshop you'll learn how the Chariot Year can be YOUR vehicle for transformation.FIND OUT MORE You can buy this as a one off or become a member of our coven where you get workshops, monthly tarot studio classes, and lots of other goodies included in the cost of membership.Become a Between the Worlds Weird Circle Subscriber, click here.**********************************Learn More About Your Host Amanda Yates GarciaTo join Amanda's MYSTERY CULT on Substack click here.To order Amanda's book, "Initiated: Memoir of a Witch" CLICK HERE.Amanda's InstagramTo book an appointment with Amanda go to www.oracleoflosangeles.com*********************************Original MUSIC by Carolyn Pennypacker Riggs**********************************Get in touch with sponsorship inquiries for Between the Worlds at betweentheworldspodcast@gmail.com.CONTRIBUTORS:Amanda Yates Garcia (host) & Carolyn Pennypacker Riggs (producer, composer). The BTW logo collage was created by Maria Minnis (tinyparsnip.com / instagram.com/tinyparsnip ) with text designed by Leah Hayes.
Bruce Nauman all'Hangar Bicocca: una mostra esperienziale del grande artista americano. Il giardino di Villa Necchi ospita una videoinstallazione: “Un ambiente per l'ambiente”. Una piscina dorata, una macchina che fabbrica sorrisi: l'opera di Nari Ward, artista giamaicano alla piscina Romano. Siamo alla diciassettesima edizione: ha preso il via il Photofestival a Milano e non solo. E poi tanti altri appuntamenti da non perdere!
In s3e7 of Platemark series three, Ann Shafer and Tru Ludwig sit down with Elizabeth Wyckoff, Curator of Prints and Drawings at the Saint Louis Art Museum, to talk about the exhibition Catching the Moment: Contemporary Art from the Ted L. and Maryanne Ellison Simmons Collection, which is open until September 11, 2022. The Simmons collection, recently acquired by the Saint Louis Art Museum, provided an opportunity to take a deep dive into three artists they collected in depth: Kiki Smith, Enrique Chagoya, and Tom Huck. The major through line is works that critique a broad range of social, political, and art historical concepts. Other artists in the exhibition include Jaune Quick-to-See Smith, Bruce Nauman, H.C. Westermann, Tony Fitzpatrick, and Kara Walker. Elizabeth, like so many curators of prints and drawings, is responsible for works of art on paper from the 15th century through tomorrow, even though her dissertation focused on Dutch print publisher Jan Pietersz Berendrecht, who was active in Haarlem in the 1620s. Hear about living in Amsterdam while researching Berendrecht, working with the Simmons, and what her (fictitious) retirement gift will be. Episode image of Elizabeth Wyckoff: Courtesy of the Saint Louis Art Museum. Saint Louis Art Museum Print and Drawing Room link: https://www.slam.org/research/print-study-room/
Mas Onde Está a Espada? é um trabalho site-specific que examina o fenómeno do canto, milagre arquitectónico, seguindo a tradição das Corner Pieces tais como as de Joseph Beuys ou Bruce Nauman. Falámos com a criadora Isadora Alves sobre esta performance, que pode ser vista dias 27 e 28 de maio no âmbito do festival Temps d'Images.O poema desta semana é da autoria de Sónia Baptista, chama-se “Menos olhos que barriga”, e é lido por Sónia Baptista.RecursosFestival Temps d´ImagesMr Bird (autor da música)Nicolás Fabian (autor do design)Subscreve no SpotifySubscreve na Apple PodcastsSubscreve no Google PodcastsSe quiseres apoiar o Coffeepaste, para continuarmos a fazer mais e melhor por ti e pela comunidade, vê como aqui.
Angela Westwater at 257 Bowery, 2020, photo by Alexei Hay Angela Westwater co-founded Sperone Westwater Fischer in 1975 with Italian art dealer Gian Enzo Sperone and German gallerist Konrad Fischer, opening a space at 142 Greene Street in SoHo, New York. (The gallery's name was changed to Sperone Westwater in 1982.) An additional space was later established at 121 Greene Street. The founders' original program showcased a European avant-garde alongside a core group of American artists to whom its founders were committed. Notable early exhibitions include a 1977 show of minimalist works by Carl Andre, Dan Flavin, Donald Judd, and Sol Lewitt; seven of Bruce Nauman's seminal early shows; six early Gerhard Richter shows; two Cy Twombly exhibitions in 1982 and 1989; eleven Richard Long exhibitions; and the installation of one of Mario Merz's celebrated glass and neon igloos in 1979 -- part of the gallery's ongoing dedication to Arte Povera artists, including Alighiero Boetti. Other early historical exhibitions at the Greene Street space include a 1989 group show, "Early Conceptual Works," which featured the work of On Kawara, Bruce Nauman, Alighiero Boetti, and Joseph Kosuth, among others; a 1999 Fontana exhibition titled "Gold: Gothic Masters and Lucio Fontana"; and selected presentations of work by Piero Manzoni. From May 2002 to May 2010, the gallery was located at 415 West 13 Street, in a 10,000-square foot space in the Meatpacking District. In September 2010, Sperone Westwater inaugurated a new Foster + Partners designed building at 257 Bowery. Today, over 45 years after its conception, the gallery continues to exhibit an international roster of prominent artists working in a wide variety of media. Artists represented by Sperone Westwater include Bertozzi & Casoni, Joana Choumali, Kim Dingle, Shaunté Gates, Jitish Kallat, Guillermo Kuitca, Wolfgang Laib, Helmut Lang, Amy Lincoln, Richard Long, Emil Lukas, David Lynch, Heinz Mack, Mario Merz, Katy Moran, Malcolm Morley, Bruce Nauman, Otto Piene, Alexis Rockman, Susan Rothenberg, Tom Sachs, Peter Sacks, Andrew Sendor, and William Wegman. Past exhibitions, press, and artworks can be found on the gallery website. Born in Columbus, Ohio, Westwater received her BA from Smith College and her MA from New York University. She arrived in New York City in 1971 and landed her first job as a “gallery girl” at the John Weber Gallery at 420 West Broadway. From 1972 to 1975, she served as Managing Editor of Artforum magazine. In 1975, the same year the gallery was founded, Westwater was appointed to the Board of Trustees of The Louis Comfort Tiffany Foundation, where she has served as President since 1980. The books mentioned in the interview are The Free World, Art and Thought in the Cold War by Louis Menand and A Life of Picasso, The Minotaur Years by John Richardson. Joana Choumali, Untitled (Ça Va Aller), 2019, mixed media, 9 1/2 x 9 1/2 inches (24 x 24 cm), 16 1/4 x 16 1/4 inches (41,3 x 41,3 cm) Joana Choumali, WE ARE STILL NOW, 2022, mixed media, 4 parts; 38 1/2 x 78 inches (97,8 x 198,1 cm)
C'est qui les artistes de demain ? Ceux qui, de leur vivant, sont exposés et discutés comme s'ils étaient déjà dans l'Histoire de l'Art, au côtés de Michel-Ange, Ingres ou Matisse. Cela donne envie de savoir qui sont ces créateurs qui prétendent déjà à l'éternité. Qu'expriment ils ? Comment le font ils ? Et à travers leur travail, que cela dit-il de nous ? Tour d'horizon des 10 artistes les plus reconnus de l'art contemporain. Car oui, il existe des classements qui permettent de déterminer les artistes qui sont le plus soutenus par le circuit des musées, des critiques et des expositions. En faisant la moyenne de ces apparitions, on en a déduit la place des artistes dans le monde de l'art contemporain. Ca ressemble un peu à un classement de course de chevaux ! Mais si on peut critiquer la méthode, allons faire un tour dans l'œuvre de ces 10 artistes, pour mieux comprendre ce qu'ils ont à nous dire. Featuring. Gerhard Richter, Bruce Nauman, Georg Baselitz, Rosemarie Trockel, Cindy Sherman, Olafur Eliasson, Tony Cragg, Anselm Kiefer, William Kentridge et Pipilotti Rist *** Retrouvez Art Talks Coffret! Dans des coffrets assemblés à la main, numérotés et signés, retrouvez un livre d'art, le podcast, et dix œuvres satyriques, en lien avec les séries d'Art Talks. Ils sont tirés en 100 exemplaires seulement, et c'est un magnifique objet d'art à offrir, ou simplement pour compléter la découverte du podcast. Rendez-vous sur : https://www.art-talks.fr Retrouvez les œuvres du podcast et suivez Art Talks sur Instagram @art.talks.podcast
Bruce Nauman's "Vices and Virtues" for the Stuart Collection at UC San Diego consists of seven pairs of words superimposed in blinking neon, which run like a frieze around the top of the Charles Lee Powell Structural Systems Laboratory. Seven vices alternate with seven virtues: FAITH/LUST, HOPE/ENVY, CHARITY/SLOTH, PRUDENCE/PRIDE, JUSTICE/AVARICE, TEMPERANCE/GLUTTONY, and FORTITUDE/ANGER. The virtues flash sequentially clockwise around the building at one rate; and the vices circulate counterclockwise at a slightly faster rate. At brief intervals, all seven virtues and all seven vices flash together. The progression of the two repeating cycles playing off each other allows all possible combinations of the words to be displayed. This complicated performance, generated by the mechanical sequencing of a simple moral dichotomy, dramatizes the instability of any ethical judgment. Series: "Stuart Collection at UC San Diego" [Arts and Music] [Show ID: 37810]
Bruce Nauman's "Vices and Virtues" for the Stuart Collection at UC San Diego consists of seven pairs of words superimposed in blinking neon, which run like a frieze around the top of the Charles Lee Powell Structural Systems Laboratory. Seven vices alternate with seven virtues: FAITH/LUST, HOPE/ENVY, CHARITY/SLOTH, PRUDENCE/PRIDE, JUSTICE/AVARICE, TEMPERANCE/GLUTTONY, and FORTITUDE/ANGER. The virtues flash sequentially clockwise around the building at one rate; and the vices circulate counterclockwise at a slightly faster rate. At brief intervals, all seven virtues and all seven vices flash together. The progression of the two repeating cycles playing off each other allows all possible combinations of the words to be displayed. This complicated performance, generated by the mechanical sequencing of a simple moral dichotomy, dramatizes the instability of any ethical judgment. Series: "Stuart Collection at UC San Diego" [Arts and Music] [Show ID: 37810]
Bruce Nauman's "Vices and Virtues" for the Stuart Collection at UC San Diego consists of seven pairs of words superimposed in blinking neon, which run like a frieze around the top of the Charles Lee Powell Structural Systems Laboratory. Seven vices alternate with seven virtues: FAITH/LUST, HOPE/ENVY, CHARITY/SLOTH, PRUDENCE/PRIDE, JUSTICE/AVARICE, TEMPERANCE/GLUTTONY, and FORTITUDE/ANGER. The virtues flash sequentially clockwise around the building at one rate; and the vices circulate counterclockwise at a slightly faster rate. At brief intervals, all seven virtues and all seven vices flash together. The progression of the two repeating cycles playing off each other allows all possible combinations of the words to be displayed. This complicated performance, generated by the mechanical sequencing of a simple moral dichotomy, dramatizes the instability of any ethical judgment. Series: "Stuart Collection at UC San Diego" [Arts and Music] [Show ID: 37810]
En parallèle aux passionnantes expositions des artistes Mary Sibande, Thameur Mejri et du crossover de David Posth-Kohler x Bruce Nauman, le macLYON a inauguré une nouvelle présentation de sa collection qui a retenu toute mon attention.
Este encuentro entre una entidad privada y una pública comenta la situación de las instituciones de arte en España en la actualidad. Manuel Segade es Historiador del Arte y comisario. Actualmente desempeña el cargo de director del Centro de Arte 2 de Mayo. Segade ha sido coordinador de contenidos de Metrònom Fundació Rafael Tous d'Art Contemporani de Barcelona en el pasado y comisario jefe del Centro Galego de Arte Contemporánea de Santiago de Compostela. En su rol como investigador y comisario independiente realizó proyectos para La Casa Encendida, ARCO, MUSAC y Centre d'Art La Panera en España y TENT, en Holanda, y el Pavillon Vendôme, en Francia. Por su parte, Jimena Blázquez es Doctora en Arte Contemporáneo, coleccionista y directora de la Fundación Montenmedio Arte Contemporáneo (NMAC) de Vejer de la Frontera. Ha comisariado más de cuarenta proyectos artísticos y cuenta con una colección particular compuesta por más de 125 piezas entre los que destacan nombres como Marina Abramovic, Bruce Nauman, Daniel Steegmann, Mateo López, Cristina Lucas o James Turrell.
Collections of artists' lectures on Bruce Nauman, Dia Art Center. Includes Judith Barry, William Kentridge, David Levine, Gedi Sinnott, Gary Simmons, Charline von Heyl, Mark Wallinger --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/yesitsyanyan/support
Giovanni di Lorenzo, Chefredakteur der „Zeit“, über den designierten Kanzler Olaf Scholz. Und: Happy Birthday: der Konzeptkünstler Bruce Nauman feiert 80. Geburtstag
00:25min - “We're built from the inside out” ~ Geoffrey B Small-12:30min - ! WICHTIGE INFOS FÜR FOLGE 100 !-20:30min - Hat Kunst Grenzen? Ist alles von der Kunstfreiheit gedeckt?-49:30min - Musikempfehlungen der Woche (feat. Danger Dan, Miles Davis etc.)-53:15min - Last Cops Dan: Alberto Giacometti & Peter Lindbergh Buch, Austrian Fashion Design Buch, Richard Serra - Work Comes Out of Work Buch, Bruce Nauman - 100 Fish Fountain Buch, Bruce Nauman - Works With Neon Buch, Günter Brus - Unruhe Nach dem Sturm Buch, Lucio Fontana Monographie, Brandhorst Collection Buch, Rodin Monographie, Edward Hopper Monographie, Cy Twombly Buch, Mark Rothko - Numero Special Buch, Woody Clogs, Marc Point Venezia Blazer, Carol Christian Poell Blazer-01:05:50min - Sind Verschlüsse das neue Logo-Mania?
Una riflessione attorno all'opera di Bruce Nauman “video corridor”, il suo rapporto con il concetto di identità e la cura
À la Pointe de la Douane à Venise en Italie, l'un des musées de la Fondation Pinault, une monographie est consacrée à l'artiste américain Bruce Naumann. Lion d'Or de la Biennale de Venise, Naumann n'est pas pour autant un artiste grand public. Son approche radicale privilégie le processus de fabrication de l'œuvre à l'objet final et à l'esthétique. L'exposition se focalise sur des performances qu'il répète depuis plusieurs années autour du Contrapposto, (la Contre-pose), figure de la sculpture antique et qui donne son titre à l'exposition. Pour en savoir plus sur l'exposition de Bruce Naumann : La Punta della Dogana à Venise.
In queste edizioni estive de I GIRASOLI, rispolveriamo gli appuntamenti interessanti che vale la pena di tenere d'occhio e sono quelli che è possibile visitare durante tutta l'estate...-Oggi andiamo a Venezia dove è in corso la 17° BIENNALE D'ARCHITETTURA e a Punta della Dogana, un'ampia mostra dedicata a Bruce Nauman..-Poi a Firenze che ospita a Palazzo Strozzi AMERICAN ART,..la collezione del Walker Art Center Minneapolis..-E poi torniamo a Milano per un'affascinante mostra sulla FORMA DEL TEMPO al Museo Poldi Pezzoli..- e all'ADI Design Museum, il Museo del Compasso d'Oro.
In queste edizioni estive de I GIRASOLI, rispolveriamo gli appuntamenti interessanti che vale la pena di tenere d'occhio e sono quelli che è possibile visitare durante tutta l'estate...-Oggi andiamo a Venezia dove è in corso la 17° BIENNALE D'ARCHITETTURA e a Punta della Dogana, un'ampia mostra dedicata a Bruce Nauman..-Poi a Firenze che ospita a Palazzo Strozzi AMERICAN ART,..la collezione del Walker Art Center Minneapolis..-E poi torniamo a Milano per un'affascinante mostra sulla FORMA DEL TEMPO al Museo Poldi Pezzoli..- e all'ADI Design Museum, il Museo del Compasso d'Oro.
Jan Mom spreekt directeur van het Stedelijk Museum Rein Wolfs over de tentoonstelling over Bruce Nauman in het Stedelijk Museum. Het Stedelijk Museum presenteert samen met Tate Modern het grootste overzicht van de Amerikaanse kunstenaar Bruce Nauman in Nederland tot nu toe. Deze tentoonstelling omvat een periode van meer dan vijftig jaar en ruim veertig werken, waarvan sommigen zelden of nooit vertoond. Werken die een nieuwe richting geven aan Naumans artistieke ontwikkeling, en werken die je onderdeel maken van een indringende ervaring.
L'architettura moderna è nata nella Vienna cosmopolita di fine '800 per rispondere al bisogno di ambienti che rispettassero i nuovi standard sanitari richiesti dai medici: spazi ampi, più luce e migliore areazione. Oggi, mentre ci lasciamo lentamente alle spalle una lunga pandemia, il legame tra architettura, salute e stile di vita è tornato a essere un tema cruciale. Costantino e Francesco ci raccontano una storia laterale dell'architettura contemporanea, parlando di anarchitetti batterici come Gordon Matta-Clark e archistar mancati come gli italiani di Archizoom, dell'architettura senza architetti di Yona Friedman e dell'architettura per i poveri promossa da Hassan Fathy e Laurie Baker.In questa puntata si parla di Sigmund Freud, Egon Schiele, Arnold Schönberg, Beatriz Colomina, Josef Hoffman, Adolf Loos, Gordon Matta-Clark, Mark Wigley, Holly Solomon, Roberto Matta, Benjamin Ward Richardson, Ludwig Mies van der Rohe, Gunter Sachs, John Zorn, Luis Barragán, Jill Magid, Rolf Fehlbaum, Federica Zanco, Harald Szeemann, Laurie Baker, Josef Albers, Anni Albers, Banksy, Kaws, Takashi Murakami, John Hilliard, Hassan Fathy, Superstudio, Archizoom, Poltronova, Ufo, Gianni Pettena, Rem Koolhaas, Mario Dezzi Bardeschi, Stefano Boeri, Gianandrea Barreca, Rachel Whiteread, Bruce Nauman, Sant'Agostino, Yona Friedman, Toni Negri, Renzo Piano, Richard Rogers, Minecraft, Bernard Rudofsky e Jeff Wall.
Aperta da oggi a Venezia la 17 ma Mostra Internazionale d'Architettura..- Contrapposto Studies, una grande retrospettiva di Bruce Nauman a Punta della Dogana..- Sempre da oggi a Parigi apre il Museo Pinault..- Cortilii Segreti a Milano, tutti da scopreire con l'Associazione Dimore Storiche..- Sulla luna e sulla Terra.. fare largo ai sognatori..- ha preso il via a Reggio Emilia Fotograifa Europea..- Tempo sospeso: le donne siriane negli scatti di Francesca Volpi..- e ancora vi diamo un' anticipazione de LE FOTOGRAFE una docu-serie su Sky Arte
Aperta da oggi a Venezia la 17 ma Mostra Internazionale d'Architettura..- Contrapposto Studies, una grande retrospettiva di Bruce Nauman a Punta della Dogana..- Sempre da oggi a Parigi apre il Museo Pinault..- Cortilii Segreti a Milano, tutti da scopreire con l'Associazione Dimore Storiche..- Sulla luna e sulla Terra.. fare largo ai sognatori..- ha preso il via a Reggio Emilia Fotograifa Europea..- Tempo sospeso: le donne siriane negli scatti di Francesca Volpi..- e ancora vi diamo un' anticipazione de LE FOTOGRAFE una docu-serie su Sky Arte
Brad Cloepfil of Allied Works talks about the firm's first museum commission- the Contemporary Art Museum in St. Louis. The Contemporary is a non-collecting exhibition, educational and event space in downtown St. Louis, Missouri. The site is located in the Grand Center District, adjacent to the Pulitzer Foundation for the Arts. Together, the institutions are a focal point for the arts community in St. Louis and a catalyst for the redevelopment of the surrounding neighborhood. The Contemporary’s mission is not to preserve, but to provoke: presenting work from noted artists such as Maya Lin, Bruce Nauman and Cindy Sherman, as well as emerging contemporary artists.The two-story, 27,000 sf museum provides open, flexible space for exhibitions and programs while emphasizing transparency at ground level. The building is formed by two intersecting ribbons of concrete and stainless steel mesh that weave and overlap to define the principal volumes. The lower walls bound the museum and create a series of large interconnecting galleries. The walls alternately delineate the site boundaries and fold inwards, inviting the public to enter and providing views through the building from the neighboring streets. The upper walls span above the galleries, providing spaces for administration and education. Between these walls, ceiling planes are held at varying heights to create variations in scale, proportion and enclosure, providing a diversity of day lighting conditions and curatorial opportunities.This building is a simultaneous act of enclosure and invitation, allowing the landscape to flow through the entire site, while tenuously capturing and containing rooms for art. The museum is not a privileged domain, but an open field that concentrates the forces of the city in preparation for later occupation by the artists.
L'arte contemporanea e la spiritualità hanno più punti in comune di quanto non si creda. In fin dei conti, gli spazi bianchi e silenziosi delle gallerie e dei musei ricordano sempre più la sacralità di un tempio e molti artisti hanno fatto il possibile per creare attorno a sé una vera e propria aura mistica. Costantino e Francesco parlano di asceti come John McCracker e Agnes Martin, di sciamani come Joseph Beuys e James Lee Byers e di artisti contemplativi come James Turrell e Hilma Af Klint. Inoltre, conosceremo Desirée, la cagnolina di Francesco, massima espertadi reincarnazione.In questa puntata si parla di Bruce Nauman, John McCracken, Stanley Kubrick,Arthur C. Clarke, David Zwirner, James Hayward, Desirée (detta Desi), JamesTurrell, Pippo Baudo, Giambattista Tiepolo, Vittorio Sgarbi, Philippe Daverio,James Lee Byars, Harald Szeemann, Joseph Beuys, Ötzi, Arlecchino, Pulcinella,Gino De Dominicis, Urvasi, Gilgamesh, The Blues Brothers, Kenneth Anger,Lucifero, Louise Bourgeois, Martin Scorsese, David Lynch, Hilma Af Klint,Rudolph Steiner, Carl Gustav Jung, Vasilij Kandinskij, Kenneth Noland,Wojciech Fangor, Ugo Rondinone, On Kawara, Agnes Martin, Ralph WaldoEmerson, Henry David Thoreau, Walt Whitman e Richard Tuttle.
La parola può essere uno slogan pubblicitario, un grido politico ma anche un'immagine. In questa puntata, Costantino e Francesco mettono a confronto il serioso Joseph Kosuth e il giocoso Lawrence Wiener, ci spiegano come fare arte fotocopiando un vocabolario e parlano dei neon logorroici di Maurizio Nannucci, di come un marchio di moda si è appropriato dello stile di Barbara Kruger e di quanto Jenny Holzer terrorizzasse i galleristi. Infine, Francesco ci propone la sua distinzione tra artisti-mattone e artisti-colonna e cerca di far luce su uno dei più grandi gialli del nostro tempo: Costantino è davvero stitico o ha solo un bagno deprimente?In questa puntata si parla di Joseph Kosuth, Ferdinand de Saussure, Ludwig Wittgenstein, Dawn French, Jennifer Saunders, Jacopo da Pontormo, Lawrence Wiener, Tino Sehgal, Maurizio Nannucci, Bruce Nauman, Kerry Hill, Geoffrey Bawa, Sophie Calle, Barbara Kruger, Guerrilla Girls, Cartesio, Jenny Holzer, Helmut Lang, Glenn Ligon, Okwui Enwezor, The Harlem Six, Robert Barry, Richard Prince, Hito Steyerl e Alberto Manzi.
On this almost spring day our hosts embark on another journey into the heart of puzzling darkness. They discuss Owen Wilson, Parises, and Buzzes in rockets. And Daniel drinks his wife’s dandelion wine. ART SECTION Daniel has started painting, and you can check out his art here: https://www.instagram.com/danielfostersmith/ David gives himself another piggy back by calling back to The Witcher and now also recommends the audiobook. https://www.audible.com/series/The-Witcher-Saga-Audiobooks/B00YU09S0Y Lindsey lives and loves and the enlightening art of Bruce Nauman. https://www.moma.org/artists/4243
On this week's Into the Absurd, we talk about collaboration and connectedness through the study of Avant-Garde art and practice in Philadelphia, with John Heon andDavid McKnight, who shepherd the conversation and programming at PASC, The Philadelphia Avant-Garde Studies Consortium. The avant-garde is flexibility of mind. And it follows like day, the night from not falling prey to government and education. Without the avant-garde nothing would get invented.” — John CageIt’s been a banner year for absurdity, and the contemplation of the absurd has been one of the most salient features of avant-garde art and thought from the nineteenth century to the present. From Kierkegaard, Nietzsche, and Heidegger, to Camus, Sartre, and Baudrillard; from Jarry, Stein, and Kafka to Ionesco, Beckett, Artaud, and Kathy Acker; from Duchamp, Kurt Schwitters, Baroness Elsa, and Dali to Bruce Nauman, Carolee Schneemann, and Jenny Holzer; from Schoenberg, Cage, and Glass, to Frank Zappa, The Talking Heads, and Père Ubu (the band), the modern mind has grappled with life in an increasingly entropic and violent world that seems to crush meaning, justice, and individual agency.John Heon, a founding co-director of the Philadelphia Avant-Garde Studies Consortium, is an independent scholar specializing in the psychology, politics, and aesthetics of humor in modern/postmodern literature and visual art. His essay, “Twisted Witz: Experiments in Psychopathology and Humor by Dr. Faustroll and His Pataphysical Progeny,” will appear in the forthcoming book, Pataphysics Unrolled, published by the Refiguring Modernism series of Penn State University Press.His book in progress, Articulate Art: Language, Literature, and Humor in the Works of Bruce Nauman, examines Nauman’s oeuvre in the context of avant-garde black humor and the comic theories of Nietzsche, Freud, Bergson, and Wittgenstein.John holds a doctorate in English with a concentration in psychology and the history of science from the University of Pennsylvania, where he received the Arts and Sciences Distinguished Teaching Award. He has also taught at the University of Wisconsin-Madison, Marquette University, and in the Education Department of the Phillips Collection, America’s first museum of modern art. David McKnight is Director of the Annenberg Rare Book and Manuscript Library at the University of Pennsylvania Libraries. Prior to accepting the position at the University of Pennsylvania in 2006, he was Director of the Rare Book and Manuscript Library and Head of the Digital Collections Program at McGill University Libraries where he worked in various roles for fifteen years. A past president of the Bibliographical Society of Canada, McKnight is currently founding Co-Director of the Philadelphia Avant-Garde Studies Consortium and a member of both the Grolier Club (New York) and the Philobiblon Club (Philadelphia).In 2014, David in collaboration with John Heon, Katie Price and several others founded the Philadelphia Avant-Garde Studies Consortium, a non-profit arts and advocacy group devoted to exploring the past, present and future of the avant-garde’s place in Philadelphia cultural history.In 2018, David curated an exhibition focused on Modernist Literary Publishing at the University of Alberta and in 2019 he curated an exhibition on the legendary Gotham Book Mart entitled “Wise Men Fished Here.” At the present time, he is working on an exhibition related to Andy Warhol. https://www.youtube.com/watch?v=-5ohS4uPLJQ
Voci dipinte Sun, 03 Jan 2021 09:35:00 GMT RSI - Radiotelevisione svizzera false no
Our final attempt at a podcast for 2020, and we're trying to keep it fun-filled and Covid-free! We kick procedures off in traditional form for Christmas with a mostly art-based quiz.As it's a bit of a special episode we round up our favourite artist discoveries in 2020, we pin our hopes on new shows in 2021, and we couldn't resist but stir up drama with some art-world stories. The controversial Mary Wollstonecraft statue, the soft-opening of the Humboldt Forum in Berlin, and the frustration of a Kandinsky restitution claim.We were both a bit giddy about our final Artist Focus of 2020: it's the record-breaking Georgia O'Keeffe. Mother of American Modernism, she was plagued throughout her life by interpretations of her work as expressions of the female sex organ. But while she found success amongst the New York elite, she spent most of her life working in New Mexico, avoiding the city scene and the labels they attributed to her. Enjoy!SHOW NOTES:Salman Toor: https://www.salmantoor.com/ Hanna Hansdotter: https://www.instagram.com/hannahansdotter/ Daisy Parris: https://daisyparris.com/Hester Finch: http://www.hesterfinch.com/Doron Langberg: http://www.doronlangberg.com/Jules de Balincourt: https://julesdebalincourt.com/Oscar Murillo: https://www.davidzwirner.com/artists/oscar-murillo Sophie von Hellermann: https://www.pilarcorrias.com/artists/38-sophie-von-hellermann/Manon Steyaert: https://www.manonsteyaertart.com/Emin/Munch: Between the Clock and the Bed: https://www.bbc.co.uk/programmes/m000q5zn Beyond the Visible - Hilma af Klint: https://www.modernfilms.com/hilmaafklint Klaus on Netflix: https://www.netflix.com/gb/title/80183187Happiest Season on Sky/Now TV: https://www.nowtv.com/watch/happiest-season-2020/A5EK5E17HwqyCtmaCdEkJJoana Vasconcelos 'Beyond' at Yorkshire Sculpture Park until 9 January 2022: https://ysp.org.uk/exhibitions/joanavasconcelosHenry Taylor at Hauser & Wirth Somerset 6 Feb - 6 June 2021: https://www.hauserwirth.com/hauser-wirth-exhibitions/30991-henry-taylor Bruce Nauman at Tate Modern until 21 February 2021: https://www.tate.org.uk/whats-on/tate-modern/exhibition/bruce-naumanCece Phillips: Yayoi Kusama Infinity Mirror Rooms at Tate Modern 29 March 2021 - 27 March 2022: https://www.tate.org.uk/whats-on/tate-modern/exhibition/yayoi-kusama-infinity-mirror-roomsJohn Nash 'The Landscape of Love and Solace' at Towner Eastbourne 1 May - 26 September 2021: https://www.townereastbourne.org.uk/exhibition/john-nash-the-landscape-of-love-and-solace/ Bridget Riley 'Pleasures of Sight' at Lightbox Woking 13 February - 16 May 2021: https://www.thelightbox.org.uk/bridget-riley-pleasures-of-sight'Alice: Curiouser and Curiouser' at the Victoria and Albert Museum from 27 March 2021: https://www.vam.ac.uk/exhibitions/alice-curiouser-and-curiouser Helen Frankenthaler 'Radical Beauty' at the Dulwich Picture Gallery 27 May - 28 November 2021: https://www.dulwichpicturegallery.org.uk/whats-on/exhibitions/2021/may/helen-frankenthaler-radical-beauty/Paula Rego at the Tate Britain 16 June - 24 October 2021: https://www.tate.org.uk/whats-on/tate-britain/exhibition/paula-rego Maggi Hambling responds to statue critics: https://www.theguardian.com/artanddesign/2020/nov/14/i-need-complete-freedom-maggi-hambling-responds-to-statue-critics Humboldt Forum in Berlin Finally Opens (Sort of): https://www.theguardian.com/artanddesign/2020/nov/14/i-need-complete-freedom-maggi-hambling-responds-to-statue-critics Disputed Kandinsky won't be returned to Jewish heirs: https://www.dw.com/en/nazi-looted-art-trial-disputed-kandinsky/a-55957434 The Real Meaning of Georgia O'Keeffe's Flowers: https://www.wsj.com/articles/the-real-meaning-of-georgia-okeeffes-flowers-1467394564Georgia O'Keeffe 'A Life in Art' documentary: https://www.youtube.com/watch?v=UonkqMuOZgM
Ben Luke talks to Rachel Whiteread about how her influences and cultural experiences have affected her life and work. Among other things, she talks about the influence of her parents on her work; the enduring power of Piero della Francesca; the seismic effect of seeing Bruce Nauman's art; how poetry informs her sculpture; and she recalls memorable trips to Egypt and the Soviet Union. Plus, she answers the questions we ask all our guests, including: if you could live with just one work of art, what would it be? And what is art for? See acast.com/privacy for privacy and opt-out information.
In this episode of Art on the Verge, independent curator and founder of Coplan Hurowitz Art Advisory, Sharon Coplan Hurowitz talks with Bryce Wolkowitz about her auction world experience at Sotheby's and Christie's, her exquisite projects with Ellsworth Kelly, Jasper Johns, John Baldessari, and Bruce Nauman. They discuss the shift in the idea of expertise, her passion for artist books and artist editions, the emergence of prints and multiples market, and where her love of fashion comes from.
Die Gitarrenlegende Eddie Van Halen ist tot. Der Rock-Musiker erlag nach Angaben seines Sohnes am Dienstag im Alter von 65 Jahren einem Krebsleiden. Eddie Van Halen hatte in den 70er Jahren zusammen mit seinem älteren Bruder Alex die Band Van Halen gegründet und feierte mit dem Song "Jump" weltweit Erfolge. Auch aus der Stromgitarrenszene: AC/DC veröffentlicht heute die neue Single "Shot in the Dark". Unsere weiteren Themen: "Lebenswerk”: Nach "Lebenslauf" erscheint Alice Schwarzers zweiter Teil ihrer Autobiographie. / "Seitenwechsel”: Isabelle Huppert wechselt im Film "Eine Frau mit berauschenden Talenten” ins Drogengeschäft. / "Gesamtschau": Die Tate Modern London zeigt bahnbrechende Werke von Bruce Nauman.
Autor: Klinger, Natalie Sendung: Fazit Hören bis: 19.01.2038 04:14
VOICES ON ART - The VAN HORN Gallery Podcast, hosted by Daniela Steinfeld
English voice over of a conversation with Prof. Dr. Susanne Gaensheimer, since 2017 Director of the Kunstsammlung Nordrhein-Westfalen, K20/K21 in Düsseldorf. Susanne also curated the German pavilion of the Biennale di Venezia 2011, which was originally planned to be designed by Christoph Schlingensief. The pavilion received the "Golden Lion", the highest award of the Biennale. In 2013 she also curated the German contribution to the 55th Venice Biennial. Susanne gives personal insights and speaks about the moment in which she understood how deeply art is connected with life, when encountering works by Mike Kelley or Bruce Nauman during her studies in the early 1990ies. She relates in depth what art means for her personally and reveals that she is driven by the wish to move things. She also explains what it takes to lead an institution with a world class collection into the future - on the human, as well as political and structural level and leaves us with a very positive outlook into whats coming next. Düsseldorf, August 2020, 42 min., Language: german with english voice over
VOICES ON ART - The VAN HORN Gallery Podcast, hosted by Daniela Steinfeld
A conversation with Prof. Dr. Susanne Gaensheimer, since 2017 Director of the Kunstsammlung Nordrhein-Westfalen, K20/K21 in Düsseldorf. Susanne also curated the German pavilion of the Biennale di Venezia 2011, which was originally planned to be designed by Christoph Schlingensief. The pavilion received the "Golden Lion", the highest award of the Biennale. In 2013 she also curated the German contribution to the 55th Venice Biennial. Susanne gives personal insights and speaks about the moment in which she understood how deeply art is connected with life, when encountering works by Mike Kelley or Bruce Nauman during her studies in the early 1990ies. She relates in depth what art means for her personally and reveals that she is driven by the wish to move things. She also explains what it takes to lead an institution with a world class collection into the future - on the human, as well as political and structural level and leaves us with a very positive outlook into whats coming next. Düsseldorf, August 2020, 43 min., Language: german
Podcast: This week we feature a pre-recorded conversation with Richard Whittaker about the nature of Aesthetic Thought, the connection of Numinous in artistic expression, and the exquisite sensitivity of the human instrument when unmediated by conceptual association. Richard Whittaker is the co-founder, with Rue Harrison, of the non-profit "Society for theReCognition of Art" and founding editor in 1998 of the magazine works & conversations. Earlier he founded The Secret Alameda [published from 1990-96]. He is also the West Coast editor of Parabola Magazine. Although Whittaker has a background in philosophy [BA] and clinical psychology [MA] and has done graduate work at the GTU in Berkeley, his connections with art go back over forty years including photography, ceramics, painting and sculpture. In answer to the question of why he started an art magazine, Richard says: A central motivation was my dismay at what I found missing in the art world as I began exploring it in 1980. [Before I'd simply done art on my own.] Nowhere did I find any resonance in the writing of critics and art theorists for what Bruce Nauman expressed (with considerable ambivalence) in an early piece: 'The true artist helps the world by expressing mystic truths.' Such an elevated thought could not be taken seriously in 1980. In 1967, the ground for such a proclamation was already very shaky. Was it a joke? And yet my own experiences in the face of beauty (especially of light) were such that I felt compelled to find a way of honoring them. Surely, the experience of the presence of the numinous had not gotten old. It had only gone missing somehow. What I found lacking in art world discourse was not difficult to find when I turned to artists themselves. A common understanding was often near at hand. And here was the material I wanted to help get into circulation through the public space of a magazine. "Since then, my focus has widened to include broader examples of the transformative power of creativity used in the service of a greater good. This possibility is not limited to artists. AK Coomaraswamy's formulation, taken from his study of traditional societies, puts it well: 'The artist is not a special person, but each person is a special kind of artist.' More information about Richard Whittaker's work can be found at: works & conversations online: www.conversations.org, Interview with Richard Whittaker on ServiceSpace: www.servicespace.org.
Worldwide phenom, Carole Douillard discusses her film "Idir", why Bruce Nauman haunts her, how different cultures influence the understanding of our own body gestures and why she is investigating the Stanford University lab dedicated to understanding rituals.
Shapeshifter reúne narrativas e histórias do teatro no escuro, explorando (e revelando) a forma como a ideia de escuridão é menos constante do que condicionada por contingências culturais, políticas e tecnológicas. O palco vazio, de teatro e de luz, mostra-se como máquina de aprendizagem, que absorve e reconstitui o seu próprio passado, traçando os gestos de corpos invisíveis que ainda desobedecem e desaprendem com a matéria. Neste lugar de escuta, lugar virtual que combina o palco da enunciação e o lugar que o corpo ouvinte ocupa, Shapeshifter procura resgatar os prazeres auditivos no plural e a intriga de sombra e obscuridade, abrindo, em vez de impedir, um processo de pesquisa. A autora sugere que a audição deste podcast seja feita com auscultadores e de olhos fechados. Shapeshifter, 2019 colagem de áudio com samples, gravações de campo, sintetizadores modulares, percussão e loop station criação, voz e edição de som Diana Policarpo edição final Sara Morais estúdio Fisga Studio uma encomenda do Teatro do Bairro Alto agradecimentos Afonso Simões Autores citados: 1.Peter Brook, The Empty Space: A Book About the Theatre: Deadly, Holy, Rough, Immediate, 1995 2. Edward Hopper, Solitary figure in a theater, 1903 3. Samuel Beckett, All That Fall, radio play first broadcast by BBC in 1957. 4.Adam Alston, Martin Welton; Theatre in the Dark, 2017 5. Jacques Attali, Noise: The Political Economy of Music, 1977 Lista de samples: Sample 1 gravação no espaço de um video do Bruce Nauman, Violent Incident, 1986 Sample 2 Samuel Beckett, All that Fall, BBC, 1956
No guest this week! Just Rob and Taylor excited to be talking to one another. Thanks to Charlene McBride for the challenge! Rob and Taylor dive in on projects! Rob jiggles it... just a little bit. Taylor puts the "imp" in imposter. Taylor discovers "sharenting." Yowch. Bruce Nauman is a wacky dude. Roger Corman is too. You can check out our projects at http://projects.opposablepodcast.com Props to Blondihacks, Nik Kantar, Walter Kitundu, Federico Tobon, Kelly Martin, Luke Noonan, Mike Tully, Adam Mayer, David Bellhorn, Tim Sway and Charlene McBride! They're our top Patreon supporters! Join 'em at: https://www.patreon.com/opposablethumbs
Editions Blume is an obscure Milan based record imprint that publishes avant-garde gems packed in a radical monochromatic color coding. The label's laconic website declare, in a form of manifesto: "Blume explores the relation between performers and solo instrument. Solely sound and color. One." The episode features: Bruce Nauman, John Butcher, Jocy de Oliveira, Mary Jane Leach, Sarah Hennies and Julius Eastman.
Latest episode of 33ª Bienal
Bruno Moreschi • Bruce Nauman por [by] Rita Marinho by Bienal de São Paulo
We discuss the vast Bruce Nauman retrospective at the Museum of Modern Art and MoMA PS1 New York and chart the British Museum's Islamic collection's journey from dusty back rooms to grand light-filled spaces. See acast.com/privacy for privacy and opt-out information.
“Because Sylvio is courageous, I was able to buy more hamburgers to keep up my strength, and more paint to continue painting,” said artist Robert Ryman about collector Sylvio Perlstein, who was a patron of his at a time when few others were interested. Born in Belgium, Perlstein grew up in Rio de Janeiro, where his family moved when fleeing the Nazis in 1939. Perlstein bought his first work of art from a florist in Brazil; over the course of the next five decades, he would add more than 1,000 works to his collection by artists including Man Ray; Duchamp; Carl Andre; Diane Arbus; Hans Bellmer; Magritte Solowitz; Donald Judd; Hannah Kirk; Max Ernst; Bruce Nauman; Edward Shea; and Andy Warhol—to name just a few. “For me, it was not even a collection. It was things that I saw, and I liked,” Perlstein says. “To tell you the truth, I never count them. I'm not well organized.” A selection of works from the Perlstein collection is now on show at Hauser & Wirth, New York (“A Luta Continua”, until 27 June). Reflecting on the differences between the art world then and now, Perlstein tells host Charlotte Burns: “Today, it's not so much art anymore; it's a real business. At that time, you could easily acquire works from the artist because it was more about friendship.” From exchanging diamonds for art with Man Ray to hanging out with artists in New York in the 1970s at the legendary Max's Kansas City, Perlstein talks about a life in art and his tastes (“ugly can be nice, too,” he says). “What does it mean, art? Anything. You can make art from shoes, from a nice bag, from a hat— it's also art. Everything is art,” he says. “Buy what you like.” Transcript: http://www.artagencypartners.com/transcript-sylvio-perlstein/ “In Other Words” is a presentation of AAP and Sotheby's, produced by Audiation.fm.
“Because Sylvio is courageous, I was able to buy more hamburgers to keep up my strength, and more paint to continue painting,” said artist Robert Ryman about collector Sylvio Perlstein, who was a patron of his at a time when few others were interested. Born in Belgium, Perlstein grew up in Rio de Janeiro, where his family moved when fleeing the Nazis in 1939. Perlstein bought his first work of art from a florist in Brazil; over the course of the next five decades, he would add more than 1,000 works to his collection by artists including Man Ray; Duchamp; Carl Andre; Diane Arbus; Hans Bellmer; Magritte Solowitz; Donald Judd; Hannah Kirk; Max Ernst; Bruce Nauman; Edward Shea; and Andy Warhol—to name just a few. “For me, it was not even a collection. It was things that I saw, and I liked,” Perlstein says. “To tell you the truth, I never count them. I'm not well organized.” A selection of works from the Perlstein collection is now on show at Hauser & Wirth, New York (“A Luta Continua”, until 27 June). Reflecting on the differences between the art world then and now, Perlstein tells host Charlotte Burns: “Today, it’s not so much art anymore; it’s a real business. At that time, you could easily acquire works from the artist because it was more about friendship.” From exchanging diamonds for art with Man Ray to hanging out with artists in New York in the 1970s at the legendary Max's Kansas City, Perlstein talks about a life in art and his tastes (“ugly can be nice, too,” he says). “What does it mean, art? Anything. You can make art from shoes, from a nice bag, from a hat— it's also art. Everything is art,” he says. “Buy what you like.” Transcript: http://www.artagencypartners.com/transcript-sylvio-perlstein/ “In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.
Het Middelheimmuseum in Antwerpen kocht een nieuw werk van Bruce Nauman aan dat een centrale rol speelt in de tentoonstelling Experience Traps. Curator Pieter Boons komt langs. Chantal Pattyn gaat verder in gesprek met David Claerbout over zijn film The Pure Necessity, te zien bij Micheline Szwajcer tijdens Antwerp Art Weekend. Filip Tielens zag 'Summerless' van de Iraanse regisseur Amir Reza Koohestani op het Kunstenfestivaldesarts.
Marcel Duchamp, the father of conceptual art, and responsible for that famously provocative urinal signed 'R Mutt, 1917', is the great life choice of fellow artist Cornelia Parker. She explains to Matthew Parris why he's influenced not only her work but that of so many other artists since his death in 1968. As an art student in the 1970s she recalls the attraction of Duchamp's 'readymades', such as a bicycle wheel or suspended wine bottle rack - manufactured items that the artist selected and modified, antidotes to what he dismissed as conventional 'retinal art'. They are joined by Dawn Ades, Professor of the History of Art at the Royal Academy, who's curated the current RA exhibition on Duchamp and Dali. Dawn recalls an occasion when, whilst she didn't actually meet Duchamp, she once saw him completely absorbed in a game of chess in a café in the Spanish seaside town of Cadaqués, whilst visiting Salvador Dali. They also discuss Duchamp's intriguing female alter ego, Rrose Selavy (Eros, c'est la vie or "physical love is the life") Man Ray's photographs of whom featured in some Surrealist exhibitions. We hear how Duchamp let the world know that he'd given up being in artist in favour of devoting himself to chess whilst still in his 30s. He played the game at a high level, representing France at international tournaments, whilst covertly continuing his art work. Cornelia Parker explains that his works spoke not just to the Pop Art and Op Art movements of the 1960s, but more broadly to American artists like Bruce Nauman and the composer John Cage, and whose influence can be seen today in the work of, for example, fellow English artist, Rachel Whiteread. Producer: Mark Smalley.
Who is Bruce Nauman? Tateshots film about Bruce Nauman.
In this week's episode of the ArtTactic Podcast, we're joined by New York-based art advisor and founder of SFA Art Advisory, Lisa Schiff. First, Lisa shares her impressions from last week's TEFAF and Frieze fairs in New York. Then, she gives her thoughts on how strong the art market is at the moment. Also, Lisa explains why private sales are up at the expense of auction houses. Lastly, Lisa shares her thoughts on artworks she's closely following that are upcoming at auction next week which are also featured in ArtTactic's ArtForecaster May competition. These include artworks by Jean-Michel Basquiat, Christopher Wool, Donald Judd, Bruce Nauman and Joan Mitchell.
In this week's edition of the ArtTactic Podcast, dealer and author Kenny Schachter, speaks with us about the upcoming May major post-war and contemporary auctions. First, Kenny reflects on the zombie formalist movement and shares with us what trends people in the market are speaking about most frequently at the moment. Then, he describes current market conditions and where he foresees the marketing heading in the near-term. After, Kenny shares insights and predicts prices for artworks he's closely following that are upcoming at auction which are also featured in ArtTactic's ArtForecaster May competition. These includes artworks by: Andy Warhol, Jean-Michel Basquiat, Bruce Nauman, Rudolf Stingel, Christopher Wool, Marcel Duchamp, Mark Grotjahn, Jonas Wood, Richard Prince and Peter Doig.
Part of Artsy's Onsite series, Ben Borthwick and Gabriel Coxhead in conversation on the occasion of: Bruce Nauman, Natural Light, Blue Light Room at Blain|Southern London 5 October 2016 – 12 November 2016 • Ben Borthwick, Artistic Director of Plymouth Arts Centre previously Assistant Curator at Tate Modern • Gabriel Coxhead, Freelance Art Critic and curator • Noura Al-Maashouq, Curator and Artist Liaison, Blain|Southern • Matthew Israel, Curator at Large at Artsy
An unusual formalist analysis of the classic, focusing on its self-referential and abstract elements, as well as the cool art all through it (bone furniture, performance art, etc.). Comparisons made with Hooper's other films, and stuff from the art world, including work by Marina Abramovic, Chris Burden, Damien Hirst, Alexander McQueen, Leigh Bowery, Gordon Matta-Clark and Bruce Nauman. Email us at tellusyourfears@gmail.com
Established in 1982, the Stuart Collection at UC San Diego is a unique assembly of commissioned works by leading contemporary artists, including Niki de Saint Phalle, Robert Irwin, Bruce Nauman, and William Wegman. Each project is tailored for a specific site on the 1200-acre campus, and the diversity of forms, materials, and scale reflect and enhance the topographical and architectural distinctiveness of UC San Diego. Many of the artists who have designed works for the Collection are seldom represented in public sculpture collections and a significant number of the artists were better known for work in other media before creating their first permanent outdoor sculpture for the Stuart Collection. Series: "Stuart Collection" [Humanities] [Arts and Music] [Show ID: 27754]
Established in 1982, the Stuart Collection at UC San Diego is a unique assembly of commissioned works by leading contemporary artists, including Niki de Saint Phalle, Robert Irwin, Bruce Nauman, and William Wegman. Each project is tailored for a specific site on the 1200-acre campus, and the diversity of forms, materials, and scale reflect and enhance the topographical and architectural distinctiveness of UC San Diego. Many of the artists who have designed works for the Collection are seldom represented in public sculpture collections and a significant number of the artists were better known for work in other media before creating their first permanent outdoor sculpture for the Stuart Collection. Series: "Stuart Collection" [Humanities] [Arts and Music] [Show ID: 27754]
Established in 1982, the Stuart Collection at UC San Diego is a unique assembly of commissioned works by leading contemporary artists, including Niki de Saint Phalle, Robert Irwin, Bruce Nauman, and William Wegman. Each project is tailored for a specific site on the 1200-acre campus, and the diversity of forms, materials, and scale reflect and enhance the topographical and architectural distinctiveness of UC San Diego. Many of the artists who have designed works for the Collection are seldom represented in public sculpture collections and a significant number of the artists were better known for work in other media before creating their first permanent outdoor sculpture for the Stuart Collection. Series: "Stuart Collection" [Humanities] [Arts and Music] [Show ID: 27754]
Established in 1982, the Stuart Collection at UC San Diego is a unique assembly of commissioned works by leading contemporary artists, including Niki de Saint Phalle, Robert Irwin, Bruce Nauman, and William Wegman. Each project is tailored for a specific site on the 1200-acre campus, and the diversity of forms, materials, and scale reflect and enhance the topographical and architectural distinctiveness of UC San Diego. Many of the artists who have designed works for the Collection are seldom represented in public sculpture collections and a significant number of the artists were better known for work in other media before creating their first permanent outdoor sculpture for the Stuart Collection. Series: "Stuart Collection" [Humanities] [Arts and Music] [Show ID: 27754]
Ep 28 Richard Jackson & Sinead Finnerty-Pyne: The People Richard Jackson was born in Sacramento, California in 1939. He was one of the artists included in the 1992 exhibition, Helter Skelter at the Los Angeles Museum of Contemporary Art. His work has featured in numerous group exhibitions including the 48th Venice Biennale. Jackson's work was the subject of a retrospective exhibition entitled Ain't Painting a Pain at Orange County Museum of Art. Recent solo shows include Richard Jackson – CAR WASH, CAB Art Center, Brussels, Belgium (2014), New Paintings, Hauser & Wirth, London, England (2014), and Accidents in Abstract Painting, the Armory, Armory Center for the Arts, Pasadena, CA (2012). Sinéad Finnerty-Pyne has been the Assistant Curator/Gallery Manager at Armory Center for the Arts in Pasadena since 2007, and is currently an MA candidate in the Museum and Curatorial Studies Program at Cal State Long Beach. She has produced a number of exhibitions and projects with artists such as Richard Jackson, Bruce Nauman, Barbara T. Smith, Yoko Ono, and Chris Burden. Curatorial projects include Richard Jackson, Accidents in Abstract Painting, The Armory (2012). She is currently organizing a nine-part series about the cross disciplinary nature of painting entitled Expanding on an expansive subject.
Host Kinte K. Fergerson Guests: Franklin Sirmans Web Address: http://www.blogtalkradio.com/artbeatLive Listener call in #: (909) 362-8242 Since January 2010, Franklin Sirmans is the Terri and Michael Smooke Department Head and Curator of Contemporary Art at the Los Angeles County Museum of Art. He is the curator of recent exhibitions on Steve Wolfe and Vija Celmins which both traveled to LACMA. At LACMA, Sirmans has installed Color and Form, selections from the Broad Collection to coincide with the museum’s presentation of Blinky Palermo; an exhibition from the museum’s permanent collection titled Human Nature (cocurated with Christine Y. Kim) and a solo presentation of works by Robert Therrien from the collections of Broad and LACMA. He is at work on a solo project with Ai Weiwei, opening September 2011 and overseeing installations of new works by Bruce Nauman and Chris Burden in addition to the traveling survey exhibition Glenn Ligon: America, all for October 2011. Prior to LACMA, Sirmans was Curator of Modern and Contemporary Art at The Menil Collection in Houston, from 2006-2010, where he organized ten exhibitions in three years including Maurizio Cattelan accompanied by the catalogue Is There Life Before Death?; Vija Celmins: Television and Disaster, 1964-1966; Steve Wolfe: On Paper; Face Off: A Selection of Old Masters and Others from The Menil Collection; John Chamberlain: American Tableau; NeoHooDoo: Art for a Forgotten Faith; Robert Ryman, 1976; The David Whitney Bequest; Otabenga Jones: Lessons from Below; and Everyday People: 20th Century Photography from The Menil Collection. He was also the coordinating curator for major traveling exhibitions on Bruce Nauman and Marlene Dumas.
Host Kinte K. Fergerson Guests: Franklin Sirmans Web Address: http://www.blogtalkradio.com/artbeatLive Listener call in #: (909) 362-8242 Since January 2010, Franklin Sirmans is the Terri and Michael Smooke Department Head and Curator of Contemporary Art at the Los Angeles County Museum of Art. He is the curator of recent exhibitions on Steve Wolfe and Vija Celmins which both traveled to LACMA. At LACMA, Sirmans has installed Color and Form, selections from the Broad Collection to coincide with the museum’s presentation of Blinky Palermo; an exhibition from the museum’s permanent collection titled Human Nature (cocurated with Christine Y. Kim) and a solo presentation of works by Robert Therrien from the collections of Broad and LACMA. He is at work on a solo project with Ai Weiwei, opening September 2011 and overseeing installations of new works by Bruce Nauman and Chris Burden in addition to the traveling survey exhibition Glenn Ligon: America, all for October 2011. Prior to LACMA, Sirmans was Curator of Modern and Contemporary Art at The Menil Collection in Houston, from 2006-2010, where he organized ten exhibitions in three years including Maurizio Cattelan accompanied by the catalogue Is There Life Before Death?; Vija Celmins: Television and Disaster, 1964-1966; Steve Wolfe: On Paper; Face Off: A Selection of Old Masters and Others from The Menil Collection; John Chamberlain: American Tableau; NeoHooDoo: Art for a Forgotten Faith; Robert Ryman, 1976; The David Whitney Bequest; Otabenga Jones: Lessons from Below; and Everyday People: 20th Century Photography from The Menil Collection. He was also the coordinating curator for major traveling exhibitions on Bruce Nauman and Marlene Dumas.
Nils Wessel of Brooklyn Butcher Blocks joins THE FOOD SEEN to talk all things wood, be it walnut or cherry, he existentially asks, “how much wood could a butcher block cut”. Inspired by sculptural artists like Bruce Nauman, Louise Bourgeios, Huma Bhabha, hear how this seemingly art & crafts movement goes dada. This episode is sponsored by Cain Vineyard and Winery. Photo by Meaghin Kennedy of Cheer Observations
Playliste de Bryan Lewis Saunders pour webSYNradio : avec Les Crane, Steven Jesse Bernstein, CM von Hausswolff, Gregory Whitehead, Willem de Ridder + Crawl Unit, uns, John Duncan, Kiki Smith, Bruce Nauman, Thomas Del Signore, Patti Smith, Kathy Acker, Peter Rehberg ...
Universo vídeo inicia una nueva línea de trabajo, con la que el Centro de Arte y Creación Industrial se propone presentar una investigación en torno a este medio, presentando obras realizadas desde los años 60 hasta la actualidad. (04.02.2011-04.04.2011). El espectador debe contemplar Historias cinéticas como un viaje discursivo por algunas de las intervenciones creativas y las prodigiosas visiones que han caracterizado el uso que los artistas han hecho del vídeo y de los medios digitales. Se exponen, en un diálogo recíproco, dos piezas por cada una de las décadas que median entre los años 60 y los 2000. Artistas: Dara Birnbaum, Harry Dodge & Stanya Kahn, Joan Jonas, Kristin Lucas, Takeshi Murata, Bruce Nauman, Nam June Paik & Jud Yalkut, Raindance, Pipilotti Rist y Leslie Thornton.
Bruce Nauman explores the capacity to trick human perception and elicit strong emotional and intellectual responses with his propositions as evidenced in this work Floating Room, 1972 (Light Outside, Dark Inside).
We begin by focusing on long discussions about Bruce Nauman's work in the 60's based on a recent exhibition of his early work as a conceptual artist, bumped along by Pink Floyd and other 60s music. Also, the commercial side of music and the radio industry that bumps it along, various text/sound works and pieces about sound, and the phone receptacle is open. 3 Hours. The post Over the Edge – “All Art Radio” appeared first on KPFA.
This week Duncan and Richard talk to Michelle Grabner and Annika Marie about Picturing the Studio and among other things whether or not anyone does four studio visits a day. Go check out the show, even the art I disliked was interesting. Lifted from SAIC: This exhibition explores the richly complex politically- and psychologicaly-charged notion of the artist's studio today. With works by over 30 artists spanning the past two decades, this exhibition also includes several specially designed installations undertaken by artists on site. Curated by Michelle Grabner, SAIC, and Annika Marie, Columbia College, "Picturing the Studio" is presented in conjunction with the College Art Association's 98th Annual Conference in Chicago, February 11-13, 2010. It is made possible in part with funds from the College Art Association and the Illinois Art Council, a state agency. Artists include: Bas Jan Ader, Conrad Bakker, John Baldessari, Stephanie Brooks, Ivan Brunetti, Ann Craven, Julian Dashper, Dana DeGiulio, Susanne Doremus, Joe Fig, Dan Fischer, Julia Fish, Nicholas Frank, Alicia Frankovich, Judith Geichman, Rodney Graham, Karl Haendel, Shane Huffman, Barbara Kasten, Matt Keegan, Daniel Lavitt, Adelheid Mers, Tom Moody, Bruce Nauman, Paul Nudd, Frank Piatek, Leland Rice, David Robbins, Kay Rosen, Amanda Ross-Ho, Carrie Schneider, Roman Signer, Amy Sillman, Frances Stark, Nicholas Steindorf, and James Welling.
Michael Mercil and students from the Department of Art Embodied Knowledge Ensemble and Volunteer Corps read selected Art Manifestos both historical and contemporary:How to write a Manifesto by Nicole Debrabandere, What is Art For? by Tom Marioni, Instructions for reading an Srt Manifesto (in public and aloud) by Paula Gaetano Adi, Karawane by Hugo Ball (1916), No Manifesto by Yvonne Rainer (1965) The Advantage of Being a Woman Artist by Guerilla Girls, Statement by the International Faction of Constructivists (1922), 15 Lines of Words on Art Statement by Ad Reinhardt, The Future of Music - Credo by John Cage (1937), Manifesto by Group BMPT, Bruce Nauman, Does Money Manipulate Art? by The Art Workers Coalition (1969).
We talk to Chicago Artist Amanda Browder about her current local and international projects, and about the meaning of Career Day. The three of us discuss the Bruce Nauman show at theDonald Young Gallery Gallery and we look at the Nevin Tomlinson show at Gallery 40000. Also... Anyone interested in show opportunities that exist in Canada should check out these websites. AkimboInstant Coffee Closer to home... The Illinois Arts CouncilThe City of Chicago Department of Cultural Affairs Grant Opportunities Richard Interviews everyone he can at the Chicago Composers Forum: John Cages Musicircus the MCA. The Alliance of Pentaphilic Curators, Experiment 400/5 With a tongue-in-cheek curatorial style, Experiment 400/5 seeks to question and play with the structure of gallery systems. To apply for Experiment 400/5, please pick up an application at Gallery 400 or email pentaphilic@yahoo.com.
© 2020-2025 Ivy Podcast Discovery LLC
