Podcasts about Raindance

Watch This Episode On YouTubeJoining me today is…he is going to hate that I say it this way, as you'll hear in the conversation…but the director with the most nominated film at Raindance, Max Morgan, talking about his film BREAKWATER (2025).The ability to make your first feature, your first film, carry the weight of, and I'll quote Max here, “people never mean what they say, and there is a lot of that in BREAKWATER” is simply breathtaking. I've posted the trailer in the YouTube conversation, go watch it and you see what you mean. And the trailer is hardly encompassing of the beauty of the film.The film has its premiere at Raindance on June 23rd, 2025 — sold out — but tickets are still available for the 24th. Go watch it if you can. There's a reason it's the most nominated film, the first feature out of the University of Oxford since 1982, and that's Max Morgan and his team. In this episode, Max and I talk about:What people should expect to see when they watch BREAKWATER, such a wide ranging and expansive film — “it's a psychological drama about connection between two characters, Otto and an older retired angler on the East Coast of England…and it's about how their lives come together, collide through happenstance and fuse irreversibly and thematically”;How he decided to make such an ambitious film, the first film he ever shot! — “so it really was like a massive learning curve for me”; “and then when I went to university, I did lots of theater”;Was screenwriting a safety net for him? “ I find that thinking about myself as a writer is almost more important to me as thinking myself as a director in some ways”His advice for someone who is not gifted at writing and how to develop that skill without decades of education — “I don't think that being able to write a good play or screenplay is necessarily a gift. I think it's important to think about writing and directing in all kind of creative capacities as more of a craft.”His issues with the term debut film and filmmaker as “quite misleading”, as there's so much that goes into a creative's life;How mentors gave him advice on what he termed “bad plays, bad screenplays” — “ if anyone tells you as a piece of feedback that something is straight up bad, then they're really awful at giving notes”; How you have to trust your instincts as well — you have to challenge incredibly bad and incredibly good feedback equally;The realistic dialogue in BREAKWATER — was it from life experience? “It was from the theater”; “people never mean what they say, and there is a lot of that in BREAKWATER”BREAKWATER has its world premiere at Raindance — has he seen it on a cinema screen and does he see a theatrical run for the film?An interlude about the amazingness of Tom Cruise and his stunts;What does being a British filmmaker mean to him and how he thinks people think of that identity? “ the way I think about it is so massively influenced by British art and the sense of British independent filmmaking, which has historically produced so many amazing filmmakers”;How he is planning for the world premiere at Raindance;Max's Indie Filmmaker Highlights: Mark Jenkin, famously of BAIT (2019) and other films; Sarah BrocklehurstLinks:Buy Tickets To BREAKWATERFollow BREAKWATER On InstagramFollow BREAKWATER's WebsiteMax Morgan's WebsiteSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Today, we're absolutely thrilled to have on John Crowley a director, screenwriter and filmmaker whose work consistently delves into the intricate tapestry of human experience with remarkable sensitivity and depth. Dom Lenoir sits down for a natter with John to unpack the creative journey behind this poignant film and explore the themes that drive his artistic vision. John Crowley has a masterful touch for storytelling as he burst onto the scene with his critically acclaimed feature debut, "Intermission" (2003), followed by the powerful and poignant "Boy A" (2007). He captivated audiences and critics alike with the deeply moving "Brooklyn" (2015), which earned him an Academy Award nomination for Best Adapted Screenplay. He then took on the complex literary adaptation of "The Goldfinch" (2019), and his television work includes episodes of the acclaimed series "True Detective" and "Black Mirror." His latest film, "We Live in Time," promises to be another compelling addition to his already impressive filmography. This romantic drama, written by Nick Payne, explores the relationship of a couple, Tobias Durand, played by the incredible Andrew Garfield, and Almut Brühl, portrayed by the brilliant Florence Pugh, over the course of a decade. The film uniquely employs a nonlinear narrative, weaving through snapshots of their lives together – falling in love, building a home, and becoming a family – while confronting a difficult truth that challenges their very foundation. We Live in Time is OUT NOW OTHER LINKS DIRTY BOY Premiere at Raindance tickets https://raindance.eventive.org/schedule/dirty-boy-68234eda5e47ea122831f7f4 FOOD FOR THOUGHT documentary out NOW | Watch it HERE. A documentary exploring the rapid growth and uptake of the vegan lifestyle around the world. – And if you enjoyed the film, please take a moment to share & rate it on your favourite platforms. Every review & every comment helps us share the film's important message with more people. Your support makes a difference! PODCAST MERCH Get your very own Tees, Hoodies, onset water bottles, mugs and more MERCH. https://my-store-11604768.creator-spring.com/   COURSES Want to learn how to finish your film? Take our POST PRODUCTION COURSE https://cuttingroom.info/post-production-demystified/   PATREON Big thank you to: Serena Gardner Mark Hammett Lee Hutchings Marli J Monroe Karen Newman Want your name in the show notes or some great bonus material on film-making? Join our Patreon for bonus episodes, industry survival guides, and feedback on your film projects!   SUPPORT THE PODCAST Check out our full episode archive on how to make films at TheFilmmakersPodcast.com   CREDITS The Filmmakers Podcast is written, edited and produced by Giles Alderson @gilesalderson Logo and Banner Art by Lois Creative  Theme Music by John J. Harvey Learn more about your ad choices. Visit podcastchoices.com/adchoices

Aylin Tezel joins Dom Lenoir on The Filmmakers Podcast to discuss making her debut indie film Falling into Place Falling Into Place is OUT now in CINEMAS #behindthescenes #movie #filmmakers #moviedirectors #filmpodcast #podcast #interview #AylinTezel #FallingIntoPlace OTHER LINKS DIRTY BOY Premiere at Raindance tickets https://raindance.eventive.org/schedule/dirty-boy-68234eda5e47ea122831f7f4 FOOD FOR THOUGHT documentary out NOW | Watch it HERE. A documentary exploring the rapid growth and uptake of the vegan lifestyle around the world. – And if you enjoyed the film, please take a moment to share & rate it on your favourite platforms. Every review & every comment helps us share the film's important message with more people. Your support makes a difference! PODCAST MERCH Get your very own Tees, Hoodies, onset water bottles, mugs and more MERCH. https://my-store-11604768.creator-spring.com/   COURSES Want to learn how to finish your film? Take our POST PRODUCTION COURSE https://cuttingroom.info/post-production-demystified/   PATREON Big thank you to: Serena Gardner Mark Hammett Lee Hutchings Marli J Monroe Karen Newman Want your name in the show notes or some great bonus material on film-making? Join our Patreon for bonus episodes, industry survival guides, and feedback on your film projects!   SUPPORT THE PODCAST Check out our full episode archive on how to make films at TheFilmmakersPodcast.com   CREDITS The Filmmakers Podcast is written, edited and produced by Giles Alderson @gilesalderson Logo and Banner Art by Lois Creative  Theme Music by John J. Harvey Learn more about your ad choices. Visit podcastchoices.com/adchoices

I spoke with Raindance Immersive curators Mária Rakušanová, Joe Hunting, Fangs about the 2025 selection of projects across 8 different categories. Tune in to get all of the latest tips from this year's selection that is mostly happening on social VR platforms including VRChat, Resonite, and Orion Drift. This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

Join us this week as we invite actor Jai Courtney (Suicide Squad) and director & writer Sean Bryne (The Loved Ones) onto The Filmmakers Podcast to chat about their latest feature film Dangerous Animals which is out in cinemas on the 6th June! Giles Alderson sits and has a great natter with Jai Courtney about acting on the sea, why he takes parts, filming in Australia, what he looks for in a director and shooting Dangerous Animals. Then he talks to director Sean Bryne about genre filmmaking, action, stunts. How he made his debut The Loved Ones. Issues on set and overcoming obstacles as an indie filmmaker and the importance of prep and storyboarding. Jai Courtney's breakthrough came with the role of Varro in the Starz historical drama series "Spartacus: Blood and Sand" and he quickly followed that up with roles in Tom Cruise's "Jack Reacher" and Jack McClane Jr., in "A Good Day to Die Hard" with Bruce Willis. He played Eric Coulter in the "Divergent" film series (2014-2016) and portrayed Kyle Reese in "Terminator Genisys" (2015), and in Stuart Gatt's Catching Dust. One of his most recognizable roles came in 2016 when he joined the DC Extended Universe as Captain Boomerang in David Ayer's "Suicide Squad," a role he reprised with critical acclaim in James Gunn's "The Suicide Squad" (2021). Sean Byrne first gained international acclaim with his 2009 debut feature, "The Loved Ones." The darkly comedic horror film captivated audiences and critics alike, winning the People's Choice Award in the Midnight Madness category at the Toronto International Film Festival. He followed up with "The Devil's Candy" in 2015, a heavy metal-infused horror film. DANGEROUS ANIMALS is in CINEMAS on the 6th JUNE! OTHER LINKS DIRTY BOY Premiere at Raindance tickets https://raindance.eventive.org/schedule/dirty-boy-68234eda5e47ea122831f7f4 FOOD FOR THOUGHT documentary out NOW | Watch it HERE. A documentary exploring the rapid growth and uptake of the vegan lifestyle around the world. - And if you enjoyed the film, please take a moment to share & rate it on your favourite platforms. Every review & every comment helps us share the film's important message with more people. Your support makes a difference! PODCAST MERCH Get your very own Tees, Hoodies, onset water bottles, mugs and more MERCH. https://my-store-11604768.creator-spring.com/   COURSES Want to learn how to finish your film? Take our POST PRODUCTION COURSE https://cuttingroom.info/post-production-demystified/   PATREON Big thank you to: Serena Gardner Mark Hammett Lee Hutchings Marli J Monroe Karen Newman Want your name in the show notes or some great bonus material on film-making? Join our Patreon for bonus episodes, industry survival guides, and feedback on your film projects!   SUPPORT THE PODCAST Check out our full episode archive on how to make films at TheFilmmakersPodcast.com   CREDITS The Filmmakers Podcast is written, edited and produced by Giles Alderson @gilesalderson Logo and Banner Art by Lois Creative  Theme Music by John J. Harvey Learn more about your ad choices. Visit podcastchoices.com/adchoices

1st hour Dj Rasco- Insane Beats  2nd hour Robbie c & dj concept on scratch attack- Raindance set

durée : 02:28:55 - France Musique est à vous du samedi 31 mai 2025 - par : Gabrielle Oliveira-Guyon - La sonate de Requiem d'Olivier Greif, Rain Dance de Herbie Hancock, La nef sacrée de Cécile Chaminade, L'ode à la lune d'Antonín Dvořák : que d'images poétiques qui reflètent la diversité de vos coups de coeur musicaux ! - réalisé par : Delphine Keravec

Our brand new Business of Film SPECIAL: Join Enfys Dickinson, Dom Lenoir, Stephen Follows and Giles Alderson, as we talk Cannes, Festivals, Indie Films, AI and What Makes an American Film. Plus we do the QUIZ! On this special MASSIVE BUMPER episode we are joined by the wonderful Stephen Follows who's website stephenfollows.com is a must read by an indie filmmaker. PLUS we are also joined by the wonderful Enfys Dickinson who has more than 250 productions under her belt incl: HIGH FIDELITY, CHOCOLAT, THE POLAR EXPRESS and 102 DALMATIANS before moving to Warner Bros to work on films such as HARRY POTTER, BATMAN BEGINS, CHARLIE & THE CHOCOLATE FACTORY and OCEAN'S 12. Enfys then left the studios to set up WonderLust Pictures. Listen and Enjoy. LINKS DIRTY BOY Premiere at Raindance tickets https://raindance.eventive.org/schedule/dirty-boy-68234eda5e47ea122831f7f4 FILM FORGE FILM COURSES info here. FOOD FOR THOUGHT documentary out NOW | Watch it HERE. A documentary exploring the rapid growth and uptake of the vegan lifestyle around the world.  And if you enjoyed the film, please take a moment to share & rateit on your favourite platforms. Every review & every comment helpsus share the film's important message with more people. Your supporttruly makes a difference! PODCAST MERCH Get your very own Tees, Hoodies, onset water bottles, mugs and more MERCH. https://my-store-11604768.creator-spring.com/   COURSES Want to learn how to finish your film? Take our POST PRODUCTION COURSE https://cuttingroom.info/post-production-demystified/   PATREON Big thank you to: Serena Gardner Mark Hammett Lee Hutchings Marli J Monroe Karen Newman Want your name in the show notes or some great bonus material on film-making? Join our Patreon for bonus episodes, industry survival guides, and feedback on your film projects!   SUPPORT THE PODCAST Check out our full episode archive on how to make films at TheFilmmakersPodcast.com   CREDITS The Filmmakers Podcast is written, edited and produced by Giles Alderson @gilesalderson Logo and Banner Art by Lois Creative  Theme Music by John J. Harvey Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week, Giles Alderson is absolutely thrilled to be joined by one of the most influential and respected producers in independent cinema today: the visionary Ken Kao! As the co-founder and President of Waypoint Entertainment, Ken Kao has been the driving force behind an incredible slate of diverse and thought-provoking films and has recently formed a strategic partnership with the acclaimed distributor Neon. Ken has produced a dozen feature films, with an impressive filmography that includes working with cinematic titans like Martin Scorsese on the powerful drama Silence, and Terrence Malick on his contemplative films Song to Song and Knight of Cups. He also produced the action-comedy The Nice Guys, starring Ryan Gosling and Russell Crowe, and The Glass Castle, adapted from the bestselling book by Jeannette Walls and starring Brie Larson and Woody Harrelson. His work also extends to the intense Western Hostiles starring Christian Bale, the suspenseful Tau, and the gritty police drama Rampart. His recent projects include the highly anticipated Project Hail Mary, again starring Ryan Gosling, and the horror film Cuckoo. It's worth noting that Ken also co-founded a production company with his frequent collaborator, the acclaimed actor and filmmaker Ryan Gosling, a partnership dedicated to developing a wide range of unique material for film and television. Ken's dedication to diverse and impactful storytelling truly sets him apart. Join Giles and Ken as they delve into the intricate world of film producing. We'll be discussing the art of identifying compelling stories, the challenges of navigating financing and distribution in the independent sector (especially with Waypoint's recent partnership with Neon), the collaborative process with visionary directors and talented casts like Ryan Gosling, and Ken's philosophy on fostering creativity while bringing ambitious projects to fruition. This is an unmissable conversation for anyone aspiring to produce, passionate about independent film, or simply curious about the crucial role of a producer in shaping cinematic masterpieces. Let's welcome the extraordinary Ken Kao to The Filmmakers Podcast! LINKS DIRTY BOY Premiere at Raindance tickets https://raindance.eventive.org/schedule/dirty-boy-68234eda5e47ea122831f7f4 https://raindance.eventive.org/schedule/dirty-boy-68234eda5e47ea122831f7f4 FILM FORGE FILM COURSES info here. FOOD FOR THOUGHT documentary out NOW | Watch it HERE. A documentary exploring the rapid growth and uptake of the vegan lifestyle around the world.  And if you enjoyed the film, please take a moment to share & rateit on your favourite platforms. Every review & every comment helpsus share the film's important message with more people. Your supporttruly makes a difference! PODCAST MERCH Get your very own Tees, Hoodies, onset water bottles, mugs and more MERCH. https://my-store-11604768.creator-spring.com/   COURSES Want to learn how to finish your film? Take our POST PRODUCTION COURSE https://cuttingroom.info/post-production-demystified/   PATREON Big thank you to: Serena Gardner Mark Hammett Lee Hutchings Marli J Monroe Karen Newman Want your name in the show notes or some great bonus material on film-making? Join our Patreon for bonus episodes, industry survival guides, and feedback on your film projects!   SUPPORT THE PODCAST Check out our full episode archive on how to make films at TheFilmmakersPodcast.com   CREDITS The Filmmakers Podcast is written, edited and produced by Giles Alderson @gilesalderson Logo and Banner Art by Lois Creative  Theme Music by John J. Harvey Learn more about your ad choices. Visit podcastchoices.com/adchoices

Spring is the season when gardeners throw off the hibernation and slumber of months of wet feet, many layers and waterproofs and are reborn anew! The stirring of life in the garden is one of the years great experiences, and makes a gardening life such a worthwhile pursuit, not only is it good for the planet to see the earth greening up, it is also good for the gardeners soul. But there is still lots of hard work to get on with - seeds have to be sown, mulch laid, supports erected and lawns mown. So join Lucy and Saul as they continue their professional gardening lives in the pure heaven that is Spring!With no rain on the horizon for Lucy and plenty for Saul, the East - West divide is playing out true to form. But other traditionally damper UK regions are also experiencing dry weather, giving the gardening duo plenty to talk about. Musing aside, Saul has been busy erecting bamboo canes, whilst Lucy has been wielding her saws and fine-tuning her ears to local birdsong. Mr Walker can also now celebrate his first decade as a Head Gardener - congratulations, Mr W! Let's hope the NGS group left you a decent slice of cake on Thursday.LinkedIn link:Saul WalkerInstagram link:Lucy lucychamberlaingardensIntro and Outro music from https://filmmusic.io"Fireflies and Stardust" by Kevin MacLeod (https://incompetech.com)License: CC BY (http://creativecommons.org/licenses/by/4.0/)Support the show

Ken talks to Mark Gregory from Landform UK about his 34th year of designing and building gardens at the RHS Chelsea Flower Show. Mark previews the work he has coming up in May 2025 at this year's show. Mark also talks about some of the things to look out for at the show and on TV including a stand with South African Quiver trees and pines are very in-fashion with designers. He also highlights the Boodles Raindance Garden being built to mark 25th anniversary of the ‘Raindance' jewellery collection. It is inspired by the impact of water on stone and the garden reflects the style and motifs of the jewellery. For more information on Landform UK at RHS Chelsea Flower Show 2025: bit.ly/3ExYDGi Part 1 of the interview is here: bit.ly/437qvKz Part 2 of the interview is here: https://bit.ly/3F6mSLZ #gardeningtips #showgardens #garden #flowers == We're delighted to have Gro-rite Horticulture sponsoring World Radio Gardening, find out about automatic pot watering systems available for mail order delivery: bit.ly/3wCPyHy Also, don't forget – if you like what we do, why not tip Ken and team with a coffee – Buy us a coffee (bit.ly/48RLP75) – as a thank you for the work done to bring this website to life.

1. KamZa Heavypoint & Peekay Mzee -Trata 3 (Rain Dance)r 2. Blackcoffee - Drive (Malumzondecks Edit)  3. LMichael & Aluku Rebels Feat. Alexander Wall - Midnight 4. Sogha Niger - Fulbe (Domboshaba Remix)5. Studio Bros, Shona SA & LindAlive Remix - Sabanaxua (Shona SA & LindAlive Remix) 

Whether you first heard about them on America's Got Talent, on the popular FX television series Reservation Dogs, or pushing their CDs and merch around the Oklahoma City metro area, no one can deny the brotherly hip-hop and entertainment duo Lil Mike & Funny Bone (known collectively as MikeBone) were destined for stardom. The local legends and authors of the popular song "Rain Dance" joined us in the studio to reflect on their career journey, including their self-sabotaged AGT experience, how they scored a role on Reservation Dogs, and the duo's undeniable aura which has been said to ward away nefarious spirit energy. As a staff full of MikeBone fans, we're super excited about this one! Also on this week's show, the editors discuss what other Oklahoma celebrities they'd like to meet, and podvents takes us back to the future with no DeLorean required. You won't want to miss it! 

A journey through 35 years of house from the godfather of UK rave. In popular mythology, the '90s are without question, the halcyon days of dance music—an era of free raves and unadulterated hedonism. It's a myth that Matthew Nelson, AKA Slipmatt, knows better than most–he was there. During the late '80s, as the rave scene in the UK began to boom, Nelson began moonlighting as a DJ. He would land his first residency at Raindance, the East London rave that launched in September 1989 and would become the UK's first legal rave. By 1991 , he'd reach number two in the UK charts with "On A Ragga Tip" as one-half of SL2 and two years later, sell over 10,000 copies of SMD#1. Nelson has got a lot to share (as you'll see in his interview) so we'll let him do the talking. He's been variously called the godfather of rave and happy hardcore, but what you'll hear on RA.958 is as "a journey through my 35 years of house." A DJ with this much pedigree brings much more than that, of course: touching on the breakbeat, jungle and acid house that soundtracked that golden age, as well as nods to the rich cross-pollination with scenes beyond the UK, from Joey Beltram's "Energy Flash" to Stardust's "Music Sounds Better With You." Read more at ra.co/podcast/958

"It made me laugh. So I did it."Stand up comedian, writer, director, and trained physiotherapist, Barry Ferns has written for the BBC, C4, Radio and has won awards for both stand up and directing short films. His films have been selected for The LA Comedy Film festival, Raindance, North by Northwest and he has won the Malcom Hardee Award for Comedy, as well as the Mervyn Stutter Spirit of the Fringe award and has been nominated as one of the 4 best MC's in the entire country.***LIVE SHOW OCTOBER 21st***We Can Be Weirdos is LIVE again on Monday 21st October 2024, at the Underbelly Boulevard, London. Stay tuned for the guest announcement!Head here for more info and to buy your tickets: https://underbellyboulevard.com/tickets/we-can-be-weirdos-live/

From Pashas to Pokemon (Vishwakarma Publications, 2024), Maaria Sayed's first novel, is a coming-of-age story. Aisha grows up in the Muhammad Ali Road neighborhood of Mumbai in the Nineties–a time when India was starting to grapple with liberalization, globalization, and polarization. In Mumbai and London, Aisha tries to learn what it means to grow up, as an Indian, a daughter, a woman, and a Muslim. In this interview, Maaria and I talk about the Nineties, how filmmaking differs from writing a novel, and her long process in getting From Pashas to Pokemon completed. Maaria Sayed is a writer and filmmaker based in Mumbai and Northern Italy. She's worked as a writer for networks such as Discovery Channel, National Geographic, and Fox. Her shorts “Aabida” and “Chudala” screened at film festivals such as Raindance, Izmir Kisa, BFI Flare and Busan. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of From Pashas to Pokemon. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

From Pashas to Pokemon (Vishwakarma Publications, 2024), Maaria Sayed's first novel, is a coming-of-age story. Aisha grows up in the Muhammad Ali Road neighborhood of Mumbai in the Nineties–a time when India was starting to grapple with liberalization, globalization, and polarization. In Mumbai and London, Aisha tries to learn what it means to grow up, as an Indian, a daughter, a woman, and a Muslim. In this interview, Maaria and I talk about the Nineties, how filmmaking differs from writing a novel, and her long process in getting From Pashas to Pokemon completed. Maaria Sayed is a writer and filmmaker based in Mumbai and Northern Italy. She's worked as a writer for networks such as Discovery Channel, National Geographic, and Fox. Her shorts “Aabida” and “Chudala” screened at film festivals such as Raindance, Izmir Kisa, BFI Flare and Busan. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of From Pashas to Pokemon. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

From Pashas to Pokemon (Vishwakarma Publications, 2024), Maaria Sayed's first novel, is a coming-of-age story. Aisha grows up in the Muhammad Ali Road neighborhood of Mumbai in the Nineties–a time when India was starting to grapple with liberalization, globalization, and polarization. In Mumbai and London, Aisha tries to learn what it means to grow up, as an Indian, a daughter, a woman, and a Muslim. In this interview, Maaria and I talk about the Nineties, how filmmaking differs from writing a novel, and her long process in getting From Pashas to Pokemon completed. Maaria Sayed is a writer and filmmaker based in Mumbai and Northern Italy. She's worked as a writer for networks such as Discovery Channel, National Geographic, and Fox. Her shorts “Aabida” and “Chudala” screened at film festivals such as Raindance, Izmir Kisa, BFI Flare and Busan. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of From Pashas to Pokemon. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

soon

Would it even be a World Cup without a natural event playing a major role in the outcome? Loudenvielle, the sixth World Cup of the season, was the third race to be heavily affected by rain on race day. We saw ideal conditions for the Juniors and 98% of the Elite Women's field before Deja vu struck and the skies opened up for fastest qualifier, Tahnée Seagrave. And oh boy, did it get spicy as the rain continued to fall throughout the Elite Men's final. Gnarly conditions always foster spectacular displays of bike handling, and some racers put on a clinic this weekend. We also got to witness Vali and Bruni each wrap up another Elite title, a bunch of young Kiwis filling the podiums in the junior fields, and a ton of feel-good results, like Benoit taking the win after crashing here last year, Reece Wilson landing on the podium after so many setbacks, Aaron Gwin back racing after two years, and Myriam Nicole taking her first win after missing all of last season to a concussion. We chat about all of this, plus get the inside scoop on why our dude Dak was off the pace last weekend, points battles leading into MSA, RockShox Kashima knock-off, Asa Vermette's bike size, mass dampers (obviously), and a bunch of other nonsense. Enjoy!

SoftlySteph's The Friction of a Modulated Soul took home the Best Dance Experience at Raindance Immersive in a groundbreaking performance that tells the "story about the different cages that bind us from our authentic truth." It's a piece that completely blew me away with it's technological innovations, her fluid and emotionally-driven dance, a moving story that takes you on guided journey towards authentic identity, and an excellent curation of music from other VRChat creators. The piece manages to tie together so many different strands of technical innovation, storytelling, and performance, and it was one of my highlights from the entire Raindance Immersive festival this year. https://www.youtube.com/watch?v=OAUjJ_ozldM The crux of the innovations within The Friction of a Modulated Soul are from the new holographic shader (aka the "Apple Global Illumination") developed in partnership with SNR Labs' Apple Blossom, A://DDOS, and namoron (covered in great detail in the previous episode #1413) that both plays back recorded holographic objects that are a part of a timed dance performance, but also replicates and mirrors her dance performance at different scales in real-time. There's also real-time lighting effects on the 1.4 million point-cloud pixels that are utterly awe-inspiring, and took lots of black magic shader wizardry pull it all off by encoding and decoding information from video streams (again many of the more technical details are covered in episode #1413). I saw this piece as a live performance during Raindance, but they're also working on a replayable VRChat world that should be ready within the next month or so. SoftlySteph also curated a soundtrack of independent music by VRChat creators with five of the songs specifically composed for this piece. Everything in this piece was designed around story, which takes the audience on a journey from resisting internal disconnections, to achieving authentic connection to self, to then resisting collective pressures to disconnect, and then finally culminating with authentic connection. https://twitter.com/SoftlySteph/status/1807125937819148769 Overall, this was a beautifully-executed piece that is pushing into new forms of dance genre and performance, and was well-deserving of the best dance performance at Raindance Immersive. I had a chance to catch up with SoftlySteph to get a bit more context about how this project came about, her journey into VR via the stage dance and dance performance scene, and then her intentions with architecting this story about authentic self. This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

There was a new holographic shader developed by members of SNR Labs group on VRChat that completely blew me away in how it was used in a couple of performances at Raindance Immersive. It's like a new form of volumetric capture that also has lighting effects, and can be used in translating 2D images into 3D or capturing low-res 3D objects into a sort of hybrid of point-cloud, particle effect, 3D objects. It's called Apple Global Illumination after it's primary author Apple_Blossom, who worked with designing it with A://DDOS along with other collaborating artists including VJ Silent, VJ Namoron, and immersive dancer SoftlySteph. SoftlySteph's Frictions of a Modulated Soul took home the best dance performance at Raindance Immersive (and will be featured more in depth in the next episode), and the Night Under Lights: The Seasons at Moon Pool was one of the more awe-inspiring uses of this shader and was a personal favorite of mine from this year's festival. See the VRChat replay of the Moon Pool here and I'll be covering this in two episodes from now. There's a particle screen variation of the shader that is able to translate 2D VJ screens into more volumetric experiences based upon the luminance value of each pixel, which can be seen in this video below: https://youtube.com/watch?v=rZJ53W7NYnA Then there's a version that can encode 3D objects into a video that is streamed into VRChat, and then decoded into a dynamic hybrid between a particle effect, point cloud representation, and 3D model. And each of the particles are emitting light that are reflected on the surrounding environment and avatars. Here's a clip of SoftlySteph's performance as captured by Madame Kana https://twitter.com/SoftlySteph/status/1807125937819148769 Their SNR Labs Test Facility was also selected to be a part of the Venice Immersive Worlds gallery that opens next week. Here's a video overview: https://twitter.com/SNR_LABS/status/1813989248837595504 I had a chance to sit down with Apple_Blossom and A://DDOS to learn more about how this breakthrough shader was developed, as well as diving a bit into the weeds for the mechanics for how it works. The Apple Global Illumination feels like a real revelation and breakthrough in how it's opening up new avenues for how VJs and dancers will be able to use it for new forms of creative expression and holographic and volumetric effects to be paired with DJ sets across different clubbing venues in VRChat. This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

Shadow Canyon: A Puppeteer's Tale is a unique blend of VRChat Worldbuilding by nprowler, immersive dance performances by students of the VR Dance Academy founded by Dust Bunny, and then improv actors and immersive theatre staging led by Mycana. Overall, it was such a unique blend of different disciplines that the curators of Raindance Immersive awarded it with a special prize reserved for projects that embody the indie spirit of Raindance. The project started when nprowler and Dust Bunny saw some shadow effects in VRChat that inspired them to experiment with creating shadow dances with both sheet materials hanging from a line as well as onto the walls of a walking simulator VRChat world called Horse Canyon that premiered last year's Venice Immersive. Dust Bunny brought in her students from the VR Dance Academy, and then collaborated with theatre director and digital storyteller Mycana to figure out a narrative. The story primarily is motivating a sort of guided tour to different locations on the map that feature different dances that were inspired by different Tarot cards. The main protagonist is watching each of these dances while another Mystic sidekick character helps interpret the meaning leading to breakthroughs of creative inspiration. For me the strongest part of the piece were the awe-inspiring dance scenes with beautiful shadow effects and getting a chance to explore this latest iteration of nprowler's vast world of nature-inspired spatial architectures. To get a sense of some of the journey that you're taken on, then be sure to watch the section of Madame Kana's Raindance Immersive 2024 documentary featuring clips from Shadow Canyon. https://www.youtube.com/watch?v=soHDdq0Lbwk&t=256s I had a chance to catch up with Dust Bunny, nprowler, and Mycana to unpack their unique creative collaboration and how they fused each of their strengths to put together a very unique and awe-inspiring piece that's at the intersection of immersive dance, the vastness of walking simulator world building, immersive theatre, improv, and immersive storytelling. This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

FlowersRite (花之祭P) is a music producer, 3D artist, cosplayer, and VRChat world builder who won the Best Music Experience at Raindance Immersive 2024 with her experience called Children of the Seed. Within a couple of days of discovering VR in 2019, she had bought a PC, HTC Vive, and Vive Trackers to do full-body tracking, and has slowly been transitioning into becoming a professional 3D artist. She has published 11 VRChat worlds since August 2019, including The Great Inventor Escape, which was featured in the Worlds Gallery at Venice Immersive 2022. She was building the world for Children of the Seed at the same time as she was composing the music in a creative process where the VRChat world building directly feed into the creation of the lore and backstory that directly inspired the development of the music. The end result is a majestic performance space and auditorium that's suspended in a dark forest that the audience has to move up in vertical space through a series of ramps and stairs to get it. The audience sits in a semi-circle while she stands on a island-like stage in the middle performing as a DJ / VJ controlling a series of in-world effects like rain as well as circles of light and organic shapes that slowly transition each of the movements that are demarcated with their name in a floating text overlay. I had a chance to catch up with FlowersRite to get more context about her journey into VR, some of the different VRChat worlds she's created over the past 5 years, and how her world building creative process influenced the development of The Children of the Seed. At this point, she hasn't uploaded a replayable version of her musical performance in VRChat yet, but you can listen to her music in this 2D music video of Children of the Seed that has a completely different art style and experience than what was shown in VRChat during Raindance Immersive 2024. This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

Doug North Cook is the CEO and Creative Director for Creature, which is both an immersive game studio and label announced a year ago that's representing 10 different XR studios and 16 projects slated as far out as 2027. Creature had four different projects with announcements as a part of the UploadVR Summers Showcase 2024 on June 26th that included Laser Dance, Thrasher, Maestro as well as the "cozy sci-fi, psychedelic adventure" mixed reality game that they're building called Starship Home. Each of these games are exploring either innovative hand-tracking or mixed reality mechanics that are exploring new forms of embodied gameplay. He describes the ribbon dance-inspired gamed mechanic of Thrasher as "a form of extended proprioception" where it feels like an extension of your body when playing it. I totally agree with this assessment, and I elaborate more on the magical experience of Thrasher's hand tracking with the creators after having a chance to have an early look at Raindance Immersive where it took home the best game experience. I also caught up with the solo developer of Laser Dance, which picked up one of the Spirit of Raindance 2024 Awards. North Cook said that Laser Dance has become his go-to demo in order to show off the affordances of mixed reality, and both of these games capture the innovative indie spirit that are represented by the game label side of Creature. I had a chance to catch up with North Cook to unpack the challenges of mixed reality development, a bit of a behind-the-scenes sneak preview on their mixed reality game Starship Home, collaborating with SideQuestVR on a $1M Indie VR Fund, but also how he's found a unique sweet spot between an agency and publisher to create a collaborative brain trust of veteran XR game developers who are helping to solve many of these intractable XR design problems. This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

Madame Kana is a French, transgender woman and VReporter who has been publishing a new documentary about VRChat every 2-3 weeks for the past year on her YouTube channel, and she won the Discovery Award this year at Raindance Immersive 2024 for her short film called New Eden Evergarden; Behind the Magic. She published a 39-minute documentary about last year's Raindance Immersive 2023 edition, and she also recently published a 32-minute documentary about this year's Raindance Immersive 2024 edition, which I highly recommend checking out as she highlights many of the projects that I have been and will be featuring on the Voices of VR podcast series featuring different Raindance Immersive artists. https://www.youtube.com/watch?v=soHDdq0Lbwk I had a chance to catch up with Kana to get more information about her journey into VR, and her motivations for capturing so many different elements of virtual culture including the two Raindance Immersive documentaries from 2023 and 2024, short-form and long-form documentaries about Evergarden, a collection of meaningful moments from Public VRChat instances (Part #1 and Part #2), the Furry scene in VRChat, a vlog about how Joe Hunting's We Met in Virtual Reality film inspired her to make her own documentaries within VRChat, an update on Dust Bunny's VR Dance Academy, trip reports on the Virtual Market, Spookality and other VRChat horror worlds, a profile on VRChat Creator Tonton Demon, and reports on the Japanese scene in VRChat including VR Japan Tours performance group, the Japanese Jazz scene in VRChat, and an interview with Japanese musicians AMOKA. Needless to say, it's an impressive amount of coverage of the frontiers of virtual culture within VRChat over the past year, and certainly played a big part in why the Raindance Immersive curators Mária Rakušanová and Joe Hunting honored her with a Discovery Award. Kana is currently working on a documentary on the transgender community within VRChat as gender expression is a particularly personal interest of hers as VRChat helped her to become more public about her own transgender identity, and she sounds committed to continuing to explore the frontiers of virtual culture and continue to crank out these 10, 20, or 30-minute documentaries. Be sure to follow her on X (formerly Twitter) @Les_Gribouilles for clips and previews of her latest videos and be sure to subscribe to her YouTube channel to follow her latest completed works. This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

Starheart is a Musician, Composer, Filmmaker, and VTuber who has been doing live performances in VR over the past couple of years. She started making music videos on Halloween of 2022, and realized that she needed a persistent avatar. VR had already been creating a safe space for her to anonymously experiment with and discover her identity as a transgender woman, and she debuted her VTubing persona of Starheart on April 18, 2023 with a music video called "Elsewhere." Then three days later she opened for Naku on Phia's The Virtual Reality Show, which opened up opportunities to play at over 40 different music venues over the past year. VR has opened up many new opportunities for Starheart to discover the core essence of her identity and new modes of creative expression as an artist, musician, and filmmaker. Starheart is her name and persona, but it's much more than a character. In fact, she told The Metaculture magazine's K. Guillory last year that "Becoming Starheart has been integral for finding my musical voice, and is the most authentic version of myself as a performer I've ever been." I picked up on this thread to hear more about Starheart's creative journey into VR through her music videos, musical performances, filmmaking explorations and creation of her authentic identity beyond her physical body. Starheart's "I Still Love You" ended up winning the Best Music Video this year at Raindance, and this episode will be kicking off a series of interviews that I'll be doing with Raindance Immersive artists to get a better sense of what's been happening at the frontiers of virtual culture within the social VR platform of VRChat. This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

Byron Lindeque previews the course and runs through all of the odds while making his 2024 TRAVELERS CHAMPIONSHIP picks. @TheModelManiac provides his Fantasy Golf picks and best bets for the event at TPC RIVER HIGHLANDS. Episode “103” | LET'S MAKE IT RAIN!Sign up with “MAYO” to claim your Special Pick + First Time Deposit offer up to $250 in bonus cash!: https://play.underdogfantasy.com/p-pat-mayoGet 30% off a RotoBaller Sub with code “SUMMER” https://www.rotoballer.com/membership-account/membership-checkout?level=94?pa=maniac

David Merritt is a writer, director, and producer from Durham, North Carolina and now lives in Tarzana, California. He is a passionate storyteller who delves into multiple mediums. His writing accomplishments span the spectrum from awkward comedy to compelling drama. At the beginning of his film career, David wrote and directed the dramatic short, The Rain Dance, which depicts the horror of domestic violence. As quoted by New York film critic Godfrey Cheshire “Rain Dance…is harrowing and believable yet also poetic and non sensational…mounted with considerable technical polish and visual sophistication.” David also served as a writer and director for WWE RAW on the USA Network and Smack Down on the CW network. He directed action sequences and impromptu monologues, and he served as a writer and story editor on the video game Smack Down vs. Raw 2007. In 2008, David started his production company, King David Films. In 2009, his horror script, Hangman, placed in the finals of the Screamfest LA screenwriting competition. In 2010, Hangman placed in the 2nd round of the Page Awards.Recently, David has written/ directed and produced the thriller 5697 Pounds, starring Lamonica Garrett of 1883 and Rey Gallegos of DMZ. Currently, David is a Story Editor on NBC's The Blacklist. Inspired at an early age by Star Wars and other mind-blowing films that changed the entertainment landscape, David Merritt II is a lifelong painter and sculptor turned emerging writer and director, winning the UCP Pitchfest and becoming a finalist in the ABC and CBS Directing programs before getting staffed. Raised in North Carolina by a social worker and a cop, it is no surprise that his work spans the spectrum of the human experience and leaves an indelible impression through the many facets of his artistry. When he is not busy creating, he is mastering his skills in the martial art form of Kung Fu San Soo. https://x.com/KingDavidFilms https://www.instagram.com/kingdavidfilms Connect with your host Kaia all Alexander: https://entertainmentbusinessleague.com/ https://twitter.com/thisiskaia  Produced by Stuart W. Volkow P.G.A. Get career training and a free ebook “How to Pitch Anything in 1 Min.” at www.EntertainmentBusinessLeague.com Learn more about your ad choices. Visit megaphone.fm/adchoices

This is a special musical presentation of Rain Dance by Calvin Kadrofske on Marimba at Faith Lutheran Church in Okemos, Michigan

Raindance Immersive 2024 opened last weekend in VRChat, and will run for the next four weekends featuring the latest innovations of virtual culture with 77% of experiences happening on social VR platforms and 69% that feature VRChat. I spoke at length with co-curators Mária Rakušanová and Joe Hunting about each of the 36 experiences that span nine different categories with four experiences each including Best Art World, Dance Experience, Game, Live Show, Music Experience, Narrative, Out of Competition experiences as well as the Music Video of VR and Short Film of VR. https://www.youtube.com/watch?v=PZ-VmsZ5oAU There are a number of mixed reality games that will be showing on the Apple Vision Pro and Quest 3, as well as the four narrative experiences that will be showing at a physical exhibition at Raindance, but otherwise the other 30 experiences all have some connection to a social VR platform. The best live show and best dance experience categories are new this year, and Hunting is continuing to cultivate the two film categories featuring short films and music videos, all of which were shot within VRChat. I talk with both Rakušanová and Hunting about the shift from June to November, and then dive into each of the nine categories and 36 experiences highlighting the latest trends and innovations by indie XR artists who are primarily working on social VR platforms including VRChat, Resonite, and EngageXR.

Trent & Frankie dissect everything Breaking 90, from the early days of not breaking 100, to John Tillery's impact, to the round of a lifetime at Raindance, to what's next and beyond. Before that, Riggs & Dan react to the MacIntyres feel-good win at the RBC Canadian Open and Lancaster presenting as the perfect U.S. Open venue. We also preview next week's U.S. Open at Pinehurst, take several From The Galleries, do Fore The Cut, and get hyped about Dan & Busch being at the Memorial this week.You can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/foreplaypod

June brings the heat of summer and a new series. Pastor Ronnie Harrison opens the month with a message entitled "Rain Dance" in the new series RAIN CATCHERS.

June brings the heat of summer and a new series. Pastor Ronnie Harrison opens the month with a message entitled "Rain Dance" in the new series RAIN CATCHERS.

Normally Memorial Day weekend is one of the busiest for racing during the summer. Mother Nature abbreviated a lot of that action but the places that did have racing, there was a LOT going on!

In this episode, I'm joined by Chelsea Leyland, a London-born DJ, cannabis and epilepsy activist, and co-founder of Looni, a menstrual health and wellness company on a mission to elevate the menstrual cycle and democratize body literacy. Chelsea and I discuss how her experience of chronic illnesses and the pursuit of healing have deeply shaped her life and how that has led her on a path of advocacy work. Chelsea's determination to not give up, persist far beyond what doctors have told her is possible, and to actually do something about the injustices of the medical system is beyond incredible. Living with two chronic health conditions, epilepsy and endometriosis, has shaped Chelsea's life, as she now understands it, for the better. After suffering for many years from misdiagnoses and strong prescription drugs meant to improve her condition she discovered cannabinoids. The use of cannabinoids simultaneously began to improve Chelsea's experience of endometriosis. After reaching the end of the line with medical help from doctors, she was forced to look outside the box and self-study, and she shares the wealth of healing modalities she turned to and learned from instead. This is the source of one of her biggest platforms, that women are often not correctly diagnosed with menstrual issues, and even if they are, they are not provided with the tools to heal.Chelsea Leyland is a born and bred Londoner living in Brooklyn, NY. She has worked as a deejay for 10+ years alongside brands such as Chanel, Valentino, and Fendi, opening for acts such as Duran Duran and Diplo. Chelsea, who has a passion for wellness, is also the proud co-founder of Looni, a new menstrual health and wellness company on a mission to elevate the menstrual cycle and demystify hormonal health. Looni offers support through education and innovative, science-backed offerings. As an epilepsy, endometriosis, and plant medicine activist with a passion for building community and supporting others, Chelsea produced and was featured in the documentary Sisters Interrupted, which was recently accepted to the Raindance film festival in London. She has been invited to speak at the European Parliament and Cambridge University about her journey with epilepsy and medical cannabis.Rate, review, and subscribe on Apple Podcasts, Spotify, Google Podcasts, or on your favorite podcast platform. Topics Covered:The importance of sharing our healing storiesMedical resistance to alternative treatments Lessons learned from living with endometriosisGuest Info: Chelsea's InstagramLooni's WebsiteLooni's InstagramLooni's Community What's App Group 15% first Looni order with code BENSHENGet in Touch:Benshen.co Website

Fluent Fiction - Catalan: Rain Dance: A Catalonian Night of Triumph and Joy Find the full episode transcript, vocabulary words, and more:fluentfiction.org/rain-dance-a-catalonian-night-of-triumph-and-joy Story Transcript:Ca: Amb la llum del sol ponent-te a Barcelona, la ciutat s'omplia d'un ambient de festa.En: With the setting sun casting its light over Barcelona, the city was filled with a festive atmosphere.Ca: A la platja de la Barceloneta, allà anava tot cap al gran esdeveniment.En: At Barceloneta beach, everyone was heading towards the grand event.Ca: En Jordi, gran amant de la sardana, la dansa tradicional catalana, no veia l'hora de ballar.En: Jordi, a great lover of the sardana, the traditional Catalan dance, couldn't wait to dance.Ca: Amb el seu somriure ampli, anava buscant a la seva amiga Marta entre la multitud.En: With his wide smile, he searched for his friend Marta among the crowd.Ca: Marta, amb el seu vestit vermell viu, es destacava com un far enmig de l'oceà de gent.En: Marta, in her bright red dress, stood out like a lighthouse in the sea of people.Ca: Jordi, al veure-la, la va salutar amb efusió.En: When Jordi saw her, he greeted her warmly.Ca: Ella li va tornar el somriure, amb els ulls plens d'esperança.En: She returned the smile, her eyes full of hope.Ca: Marta amava la música, però el ritme de la sardana li costava. Por això, en Jordi li havia promès que l'ajudaria.En: Marta loved music, but the rhythm of the sardana was challenging for her. That's why Jordi had promised to help her.Ca: El sol es va pondre completament, il·luminant la platja amb els llums de la ciutat. L'orquestra de cobla va començar a tocar la primera sardana.En: As the sun completely set, illuminating the beach with the city lights, the cobla orchestra began to play the first sardana.Ca: En Jordi i la Marta, de la mà, van entrar al cercle de ball.En: Hand in hand, Jordi and Marta entered the dance circle.Ca: Facilitats inesperades van sorprendre a la Marta. Amb el suport del Jordi, s'oblia de la seva vergonya i deia adéu a les seves pors.En: Unexpected difficulties surprised Marta. With Jordi's support, she forgot her shyness and said goodbye to her fears.Ca: Els seus peus seguien el ritme, els seus cossos es movien a l'uníson, mentre reien i gaudien ballant sota la lluna de Barcelona.En: Their feet followed the rhythm, their bodies moved in unison, while they laughed and enjoyed dancing under the moonlight of Barcelona.Ca: Però, com en moltes festes, la pluja no va avisar.En: However, as often happens at parties, the rain did not give warning.Ca: El cel es tornà gris i l'aigua començà a caure.En: The sky turned gray and the rain began to fall.Ca: Molts van córrer a buscar refugi, però ni en Jordi ni la Marta es van moure. Continuaven ballant, amb l'aigua caient sobre ells, sense preocupar-se pel món.En: Many ran for shelter, but neither Jordi nor Marta moved. They kept on dancing, with the water falling on them, without worrying about the world around them.Ca: L'aigua a la platja, els llums de la Barceloneta lluent en l'obscuritat, la música de la cobla... Tot es combinava per crear una atmosfera màgica.En: The water on the beach, the lights of Barceloneta shining in the darkness, the music of the cobla... Everything combined to create a magical atmosphere.Ca: I al mig, en Jordi i la Marta, ballant sota la pluja.En: And in the middle of it, Jordi and Marta, dancing in the rain.Ca: Finalment, la música va acabar i es va aplaudir amb entusiasme.En: Finally, the music ended and was applauded enthusiastically.Ca: Els dos es van trobar empapats, cansats i contentíssims.En: They found themselves soaked, tired, and extremely happy.Ca: Havia estat una experiència que mai oblidarien.En: It had been an experience they would never forget.Ca: No importava què succeís o com es desenvolupés la nit. La pluja pot ser una bendició o una maledicció, depenent de com es miri.En: It didn't matter what happened or how the night unfolded. Rain can be a blessing or a curse, depending on how you look at it.Ca: Per a en Jordi i la Marta, la pluja va ser una benedicció, donant-los una memòria que sempre estimarien.En: For Jordi and Marta, the rain was a blessing, giving them a memory they would always cherish.Ca: Balla sardanes sota la pluja es convertiria, sens dubte, en una de les seves històries per explicar als seus nens.En: Dancing sardanas in the rain would undoubtedly become one of the stories to tell their children.Ca: Així, enmig de la platja de la Barceloneta, al cor de la festa, en Jordi i la Marta van descobrir que la vida no és sobre el que et passa, sinó sobre com vas a reaccionar a això.En: Thus, in the midst of Barceloneta beach, at the heart of the party, Jordi and Marta discovered that life is not about what happens to you, but how you react to it.Ca: Esa nit, van decidir ballar, sense importar la pluja.En: That night, they decided to dance, regardless of the rain.Ca: Aquella era la seva recerca de felicitat, el seu triomf en la vida.En: It was their pursuit of happiness, their triumph in life.Ca: I això és el que importa.En: And that's what matters.Ca: Al final, sempre val la pena ballar sota la pluja.En: In the end, dancing in the rain is always worth it. Vocabulary Words:setting: posantsun: solBarcelona: Barcelonacity: ciutatfestive: de festaatmosphere: ambientbeach: platjaevent: esdevenimentlover: amantdance: dansasmile: somriurefriend: amigared: vermelllighthouse: farpeople: gentlight: llumhope: esperançamusic: músicarhythm: ritmechallenging: costavasupport: suportfears: porsfeet: peuslaughter: riuremoonlight: llunarain: plujasky: celdarkness: obscuritatlife: vidahappiness: felicitat

Playlist   Track Time Start Time Opening and Introduction (Thom Holmes) 11:57 00:00 1.    Herbie Hancock, Herbie Hancock Demonstrates The Rhodes Piano (1973 Rhodes). A terrific flexi-disc produced by Rhodes and narrated by Hancock who tells an interesting story about his first encounter with the instrument on a Miles Davis session and then he walks the keyboard through a series of effects. He speaks with the authority of a proud electronics tinkerer who understands the nuances that make this instrument so beloved by jazz musicians. This flexi-disc was originally delivered in the November 8, 1973 issue of Down Beat magazine. I provide both sides of the disc, in entirety. Tunes included during the demonstration include parts of Watermelon Man, Maiden Voyage, and The Spook. Soloist, Rhodes Electric Piano, Voice, Herbie Hancock. I thought it would be wisest to lead off this podcast with an overview of the Rhodes even though it is out of chronological sequence, being from 1973. We then go back a few years to hear tracks in proper time order. 12:48 11:57 2.    The Don Ellis Orchestra, “Open Beauty” from Electric Bath (1967 Columbia). Alto Saxophone, Flute, Soprano Saxophone, Joe Roccisano, Ruben Leon; Baritone Saxophone, Flute, Bass Clarinet, John Magruder; Bass, Dave Parlato, Frank De La Rosa; Bass, Sitar, Ray Neapolitan; Congas, Bongos, Chino Valdes; Drums, Steve Bohannon; Leader, Trumpet, Don Ellis; Percussion, Alan Estes; Piano, Clavinet, Fender Electric Piano Fender, Mike Lang; Tenor Saxophone, Flute, Clarinet, Ron Starr; Tenor Saxophone, Flute, Piccolo Flute, Clarinet, Ira Schulman; Timbales, Vibraphone, Percussion , Mark Stevens; Trombone, Dave Sanchez, Ron Myers, Terry Woodson; Trumpet, Alan Weight, Bob Harmon, Ed Warren, Glenn Stuart. 5:33 24:44 3.    Miles Davis, “Stuff” from Miles In The Sky (1968 Columbia). I think this was Miles' first album recorded using the Fender Rhodes, played by Herbie Hancock. See the opening tracks from this podcast for a story about this session from Hancock. Bass, Ron Carter; Drums, Tony Williams; Piano, Fender Electric Piano, Herbie Hancock; Tenor Saxophone, Wayne Shorter; Trumpet, Miles Davis. 16:59 30:14 4.    Joe Zawinul, “The Soul Of A Village (Part II)” from The Rise & Fall Of The Third Stream (1968 Vortex). Zawinul, along with Hancock, was an early adopter of the Fender Rhodes. Cello, Kermit Moore; Double Bass, Richard Davis; Drums, Freddie Waits, Roy McCurdy; Percussion, Warren Smith; Piano, Fender Electric Piano, Joe Zawinul; Tenor Saxophone, Arranged by, William Fischer; Trumpet, Jimmy Owens; Viola, Alfred Brown, Selwart Clarke, Theodore Israel. 4:16 47:10 5.    Oliver Nelson and Steve Allen, “Go Fly a Kite” from Soulful Brass (1968 Impulse). Another Steve Allen record, whom we heard from in part 1 playing the Wurlitzer Electric Piano. Here is a selection from an album on which he plays the Rock-Si-Chord and occasional piano. Arranged by Oliver Nelson; Rock-Si-Chord, piano, Steve Allen; Drums, Jimmy Gordon; session musicians, Barney Kessel, Bobby Bryant, Larry Bunker, Roger Kellaway, Tom Scott; Produced by Bob Thiele. 2:30 51:24 6.    J & K “Mojave” from Betwixt & Between (1969 A&M, CTI). “J” is J.J. Johnson (trombonist) and “K” is Kai Winding (trombonist). Their ensemble included Roger Kellaway playing the electric clavinette. An example of using the clavinet in jazz. This was most likely a Hohner Clavinet Model C which had just been introduced in 1968. Recorded at Van Gelder Studios during late 1968. 2:31 53:54 7.    Albert Ayler, “New Generation” from New Grass (1969 Impulse). An electric harpsichord played by Call Cobbs adds some subtle comping to this buoyant tune written by Ayler, Mary Parks, Rose Marie McCoy. Baritone Saxophone, Buddy Lucas; Design Cover And Liner, Byron Goto, Henry Epstein; Drums, Pretty Purdie; Electric Bass, Bill Folwell; Piano, Electric Harpsichord, Organ, Call Cobbs; Producer, Bob Thiele; Tenor Saxophone, Flute, Seldon Powell; Tenor Saxophone, Vocals, Albert Ayler; Trombone, Garnett Brown; Trumpet, Burt Collins, Joe Newman; Vocals, The Soul Singers. 5:06 56:22 8.    Bill Evans, “I'm All Smiles” from From Left To Right (1970 MGM). Piano, Rhodes Electric Piano, Bill Evans; Bass, John Beal; Conducted, arranged by Michael Leonard; Double Bass, Eddie Gomez; Drums,Marty Morell; Guitar, Sam Brown; Liner Notes, Harold Rhodes, Helen Keane, Michael Leonard; Produced by Helen Keane. For his 24th solo album, the long-established jazz pianist Evans took his turn playing both the Fender Rhodes and Steinway acoustic piano on this album, as two-handed duets no less. Liner notes were written by Harold Rhodes, inventor of the Rhodes Electric Piano. 5:42 1:01:24 9.    Sun Ra And His Intergalactic Research Arkestra, “Black Forest Myth” from It's After The End Of The World - Live At The Donaueschingen And Berlin Festivals (1971 MPS Records). You can hear Sun Ra enticing other-worldly sounds from a Farfisa organ beginning at about 1:35. Recorded in 1970. Of the many electronic keyboards heard elsewhere on this album (and occasionally on this track), here the Farfisa is heard the most. Farfisa organ, Hohner Electra, Hohner Clavinet, Piano, Performer, Rock-Si-Chord, Spacemaster, Minimoog, Voice, composed by, arranged by, Sun Ra; ; Alto Saxophone, Clarinet, Flute, Abshlom Ben Shlomo; Alto Saxophone, Flute, Clarinet, Danny Davis; Alto Saxophone, Flute, Oboe, Piccolo Flute, Drums, Marshall Allen; Baritone Saxophone, Alto Saxophone, Flute, Danny Thompson; Baritone Saxophone, Tenor Saxophone, Alto Saxophone, Clarinet, Bass Clarinet, Flute, Drums, Pat Patrick; Bass, Alejandro Blake Fearon; Bass Clarinet, Robert Cummings; Drums, Lex Humphries; Drums, Oboe, Flute, James Jackson; English Horn, Augustus Browning; Mellophone, Trumpet, Ahk Tal Ebah; Oboe, Bassoon, Bass Clarinet, Leroy Taylor; Percussion African, Other Fireeater, Dancer , Hazoume; Percussion Hand Drums, Nimrod Hunt; Percussion, Other Dancer, Ife Tayo, Math Samba; Photography By, Hans Harzheim; Producer, Liner Notes, Joachim E. Berendt; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Kwame Hadi; Violin, Viola, Cello, Bass, Alan Silva; Voice, June Tyson. 9:07 1:07:05 10.Joe Scott And His Orchestra, “Raindrops Keep Fallin' On My Head” from Motion Pictures - The NOW Generation (1970 Mainstream). Listen for the Rock-Si-Chord in electric harpsichord mode. Bass, Charles Rainey; Cello, Charles McCracken, Gene Orloff, George Ricci, Maurice Bialkin;  Drums, Alvin Rogers, Joe Cass; Flute, Alto Flute, Bassoon, Tenor Flute, George Dessinger, Joe Soldo, Joseph Palmer, Philip Bodner; Flute, Flute Tenor, Alto Flute, Bassoon, Walt Levinsky; French Horn, Donald Corrado; Guitar, Jay Berliner, Stuart Scharf; Keyboards Rock-Si-Chord, Frank Owens; Mastered By Mastering, Dave Crawford (2); Percussion, Joseph Venuto; Piano, Frank Owens; Producer, Bob Shad; Trombone, Buddy Morrow, Tony Studd, Warren Covington, Wayne Andre; Trumpet, Bernie Glow, James Sedlar, John Bello, Mel Davis; Viola, Emanuel Vardi, Harold Coletta, John DiJanni, Theodore Israel; Violin, Aaron Rosand, Arnold Eidus, Emanuel Green, Frederick Buldrini, Harold Kohon, Harry Lookofsky, Joseph Malignaggi, Jules Brand, Leo Kahn, Lewis Eley, Mac Ceppos, Max Pollikoff, Paul Gershman, Peter Buonoconsiglio, Raymond Gniewek, Rocco Pesile, Winston Collymore. 2:28 1:16:12 11.The Phoenix Authority, “One” from Blood, Sweat & Brass (1970 Mainstream). Note the Rock-Si-Chord. Arranged by Ernie Wilkins; Bass, Charles Rainey; Drums, Grady Tate, Herbie Lovelle; Flute, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Chris Woods, Hubert Laws; Guitar, David Spinosa, Kenneth Burrell; Organ, Piano, Rock-Si-Chord, Frank Anderson, Frank Owen; Producer, Bob Shad; Trombone, Benny Powell, George Jeffers; Trumpet, Joseph Newman, Lloyd Michaels, Ray Copeland, Woody Shaw. 2:43 1:18:38 12.The Phoenix Authority, “Sugar, Sugar” from Blood, Sweat & Brass (1970 Mainstream). Listen for the Rock-Si-Chord. Arranged by Ernie Wilkins; Bass, Charles Rainey; Drums, Grady Tate, Herbie Lovelle; Flute, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Chris Woods, Hubert Laws; Guitar, David Spinosa, Kenneth Burrell; Organ, Piano, Rock-Si-Chord, Frank Anderson, Frank Owen; Producer, Bob Shad; Trombone, Benny Powell, George Jeffers; Trumpet, Joseph Newman, Lloyd Michaels, Ray Copeland, Woody Shaw. 3:34 1:21:20 Sun Ra's flare for electronic sound in performance is demonstrated in the following three tracks that make excellent use of the several keyboards, the Farfisa organ, Minimoog, and Rock-Si-Chord. 13.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Discipline No. 11” from Nidhamu (Live In Egypt Vol. II) (1974 El Saturn Records). Recorded at Ballon Theater, Cairo, Egypt December 17, 1971. Sun Ra playing several electronic keyboards in turn, the organ, Minimoog, and Rock-si-Chord. What I hear is some organ (Farfisa?) in the opening, then Sun Ra turns to a wild exchange between the Minimoog (monophonic) and Rock-Si-chord (polyphonic) during the second half of the track. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged By, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 9:31 1:24:52 14.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Cosmo-Darkness” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic). Beginning around 0:26, you get an example of Sun Ra's rhythmic, trace-like playing of the Rock-Si-Chord. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged by, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 2:05 1:34:25 15.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Solar Ship Voyage” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic). This track features Sun Ra and the Minimoog in an extended solo. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged by, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 2:40 1:36:30 Herbie Hancock mastered an array of keyboards, including the Fender Rhodes and several ARP models in the next three tracks tracing only two years in his musical journey. 16.Herbie Hancock, “Rain Dance” from Sextant (1973 Columbia). Patrick Gleason provides beats and beeps using the ARP 2600 and ARP Soloist. Bass Trombone, Tenor Trombone, Trombone Alto Trombone, Cowbell, Pepo (Julian Priester); Congas, Bongos, Buck Clarke; Drums, Jabali (Billy Hart); Effects Random Resonator, Fundi Electric Bass Fender Electric Bass With Wah-Wah And Fuzz, Double Bass, Mchezaji (Buster Williams); Electric Piano Fender Rhodes, Clavinet Hohner D-6 With Fender Fuzz-Wah And Echoplex, Percussion Dakka-Di-Bello, Mellotron, Piano Steinway, Handclaps, Songs by Mwandishi (Herbie Hancock); Synthesizer, Mellotron, John Vieira; Soprano Saxophone, Bass Clarinet, Piccolo Flute, Afoxé Afuche, Kazoo Hum-A-Zoo, Mwile (Benny Maupin); ARP 2600, ARP Soloist, Dr. Patrick Gleeson; Trumpet, Flugelhorn, Mganga (Dr. Eddie Henderson). 9:19 1:39:08 17.  Herbie Hancock, “Palm Grease” from Thrust (1974 Columbia). Hancock himself plays all the keyboards and synthesizers on this album. Drums, Mike Clark; Electric Bass, Paul Jackson; Electric Piano Fender Rhodes, Clavinet Hohner D-6, Synthesizer Arp Odyssey, Arp Soloist, Arp 2600, Arp String, written by Herbie Hancock; Percussion, Bill Summers; Producers, David Rubinson, Herbie Hancock; Soprano Saxophone, Tenor Saxophone, Bass Clarinet, Alto Flute, Bennie Maupin. 10:36 1:48:18 18.Herbie Hancock, “Nobu” = ノブ from Dedication = デディケーショ(1974 CBS/Sony). Fascinating recording because it is Hancock solo with an assortment of keyboards, including the Fender Rhodes and multiple ARP models. Piano, Fender Rhodes, Arp Pro Soloist, Arp Odyssey, Arp 3604, Arp 2600, Arp PE-IV String Ensemble, composed by Herbie Hancock; Engineer, Tomoo Suzuki; Producer, David Rubinson. 7:33 1:58:46 The analog synthesizer became a regular companion of the Fender Rhodes in jazz, leading up to the end of the 1970s. 19.Bobbi Humphrey, “My Little Girl” from Satin Doll (1974 Blue Note). The great jazz funk flutist Bobbi Humphrey released a series of albums around this time that often-featured fantastic synthesizer players. Here you can pick out the Minimoog by Don Preston and the ARP (Odyssey?) by Larry Mizell. The synths included here are in contrast to the more experimental sounds that Herbie Hancock was issuing at the same time. Flute, Vocals, Bobbi Humphrey; ARP Synthesizer, Larry Mizell; Minimoog, Don Preston; Bass, Chuck Rainey; Congas, King Errison; Drums, Harvey Mason; Electric Piano Fender Rhodes, Fonce Mizell, Larry Mizell; Guitar, John Rowin, Melvin "Wah Wah" Ragin; Percussion, Roger Sainte, Stephany Spruill; Piano, Jerry Peters; Produced by Chuck Davis, Larry Mizell; Trumpet, Fonce Mizell. 6:39 2:06:19 20.Ramsey Lewis, “Jungle Strut” from Sun Goddess (1974 Columbia). Another mainstream jazz artist who found many interesting sounds to accompany his electric piano. ARP, ARP Ensemble, Piano, Fender Rhodes, Wurlitzer electric piano, Ramsey Lewis; Congas, Drums, Derf Rehlew Raheem, Maurice Jennings; Electric Upright Bass Fender, Cleveland Eaton; Guitar, Byron Gregory; Synthesizer Freeman String, Ramsey Lewis; Tambura, Percussion, Maurice Jennings; Vocals, Derf Rehlew Raheem; Written by, R. Lewis. 4:40 2:12:54 21.  Ramsey Lewis, “Tambura” from Sun Goddess (1974 Columbia). ARP, ARP Ensemble, Piano, Fender Rhodes, Wurlitzer electric piano, Ramsey Lewis; Drums, Tambura, Congas, Percussion, Maurice Jennings; Electric Upright Bass Fender, Cleveland Eaton; Guitar, Byron Gregory; Written by R. Lewis. 2:52 2:17:32 22.Clark Ferguson, “Jazz Flute” from RMI Harmonic Synthesizer And Keyboard Computer (1974 Rocky Mount Instruments, Inc.). Not an instrument often used in jazz, so I turn to the company's demonstration album for a sample of this more advanced in the RMI keyboard family. RMI Harmonic Synthesizer, Clark Ferguson. 2:43 2:20:24 23.  Fernando Gelbard, “Sombrero De Flores” from Didi (1974 Discos Redonde). A straight-up jazz track from Argentine musicial Gelbard that features both the Fender Rhodes and the Minimoog. Fender Rhodes, Minimoog, Fernando Gelbard; Bass, Ricardo Salas; Congas, Vocals, Ruben Rada; Drums, Norberto Minichillo; Fender Rhodes, Minimoog, Fernando Gelbard; Percussion, Effects, Miguel "Chino" Rossi; Producer, Alberto M. Tsalpakian, Juan Carlos Maquieira; Tenor Saxophone, Horacio "Chivo" Borraro. 7:25 2:23:04 24.  Fernando Gelbard, “Mojo Uno” from Didi (1974 Discos Redonde). This track features an outrageously unique Minimoog part that is akin to something you would hear from Sun Ra. Fender Rhodes, Minimoog, Fernando Gelbard; Bass, Ricardo Salas; Congas, Vocals, Ruben Rada; Drums, Norberto Minichillo; Fender Rhodes, Minimoog, Fernando Gelbard; Percussion, Effects, Miguel "Chino" Rossi; Producer, Alberto M. Tsalpakian, Juan Carlos Maquieira; Tenor Saxophone, Horacio "Chivo" Borraro. 2:00 2:30:28 25.Jan Hammer “Darkness / Earth In Search Of A Sun” from The First Seven Days (1975 Atlantic). On this track you get to hear (I think) three different synthesizers all fit for Hammer's purpose, the solo Moog, Oberheim fills, and Freeman strings. Producer, Engineer, Piano, Electric Piano, Moog, Oberheim, and the Freeman string synthesizer; digital sequencer, Drums, Percussion, Composed by, Jan Hammer. 4:29 2:32:26 26.Larry Young's Fuel, “Moonwalk” from Spaceball (1976 Arista). CDX-0652 Portable Moog Organ, Minimoog , FRM-S810 Freeman String Symphonizer, Organ Hammond B-3, Fender Rhodes, Piano, Larry Young Jr.; Bass Rickenbacker, Dave Eubanks; Hohner Clavinet , Piano, Minimoog, Julius Brockington; Drums Ludwig Drums, Zildgian Cymbals, Percussion, Jim Allington; Guest Special Guest Star, Larry Coryell; Guitar, Danny Toan, Ray Gomez; Percussion, Abdoul Hakim, Barrett Young, Clifford Brown, Farouk; Producer, Terry Philips; Tenor Saxophone Selmer, Soprano Saxophone Selmer, Flute Armstrong, Vocals, Al Lockett; Vocals, Paula West. 5:32 2:36:52 27.Larry Young's Fuel, “Startripper” from Spaceball (1976 Arista). CDX-0652 Portable Moog Organ, Minimoog , FRM-S810 Freeman String Symphonizer, Organ Hammond B-3, Fender Rhodes, Piano, Larry Young Jr.; Bass Rickenbacker, Dave Eubanks; Hohner Clavinet , Piano, Minimoog, Julius Brockington; Drums Ludwig Drums, Zildgian Cymbals, Percussion, Jim Allington; Guest Special Guest Star, Larry Coryell; Guitar, Danny Toan, Ray Gomez; Percussion, Abdoul Hakim, Barrett Young, Clifford Brown, Farouk; Producer, Terry Philips; Tenor Saxophone Selmer, Soprano Saxophone Selmer, Flute Armstrong, Vocals, Al Lockett; Vocals, Paula West. 4:44 2:42:22 28.Wolfgang Dauner, “Stück Für Piano Und Synthesizer Op. 1” from Changes (1978 Mood Records). Dauner is one of the only jazz players to utilize the massive EMS Synthi 100. Written, produced, recorded, Steinway C-Flügel piano, EMS Synthi 100, Oberheim 4 Voice Polyphonic Synthesizer, Wolfgang Dauner. 9:51 2:47:04 29.Wolfgang Dauner, “War Was, Carl?” from Grandison - Musik Für Einen Film (1979 Zweitausendeins). More analog synthesizer jazz from Germany. C-flute, Alt-flute, Baß-flute, Manfred Hoffbauer; Oboe, English Horn, Hanspeter Weber; Percussion, Drums,  Jörg Gebhard; Piano, Synthesizer, Percussion, Conductor, Wolfgang Dauner. 1:12 2:56:54 30.Wolfgang Dauner, “Intellektuelles Skalpell” from Grandison - Musik Für Einen Film (1979 Zweitausendeins). C-flute, Alt-flute, Baß-flute, Manfred Hoffbauer; Oboe, English Horn, Hanspeter Weber; Percussion, Drums,  Jörg Gebhard; Piano, Synthesizer, Percussion, Conductor, Wolfgang Dauner. 1:26 2:58:06   Opening background music: 1) Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “The Light Thereof” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic) (5:14). Farfisa organ playing from Sun Ra. 2) Oliver Nelson and Steve Allen, “Green Tambourine” from Soulful Brass (1968 Impulse) (2:28). Steve Allen plays the Rock-Si-Chord. 3) Oliver Nelson and Steve Allen, “Torino” from Soulful Brass (1968 Impulse) (2:02). Steve Allen plays the Rock-Si-Chord. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. I created an illustrated chart of all of the instruments included in this podcast, paying special attention to the expressive features that could be easily adopted by jazz musicians. You can view it on my blog, Noise and Notations.  

Robbie C - Soon   AtB Live @ Raindance @ Heaven - Nov 19th 2023 1 Totally Enormous Extinct Dinosaurs, Bonobo Heartbreak 2 ,Pirate Jams Original Rude  3 Brothers Of Funk Make My Day (Original Mix) 4 Krafty Kuts Tell Me (Original Mix) 5 Alex Clubbers, Orebeat Two Away (Original Mix) 6 Raze Break_4_Love_Child_of_the_90s_Remix 7 obscene frequency - don't have you 8 Skool Of Thought Together (Extended Mix) 9 Bartdon Come On_(Original Mix) 10 Bowser Gold (Original Mix) 11 Bartdon Come Back (Original Mix) 12 WeZ WhaTevR Live For The Future 13 Ed Solo & Skool of Thought When I was a yout (Original) 14 quest and oddissi  break me (quest v pyramid rmx) - botchit 15 Baby D Let Me be Your Fantasy (Beatkillers Remix) 16 Ratpack Hands_Of_Time_Original_Mix 17 Stanton Warriors Up2U

Short and Spooky ain't dead yet! This week Tommy Trash and Big Sniff discuss an episode of MONSTERS picked by Johnny Junk. It's called "Rain Dance" about a vengeful stone statue. check it out now! --- Support this podcast: https://podcasters.spotify.com/pod/show/shortandspooky/support

I am a socially-conscious connector and innovator, transforming enterprise IT sourcing, high vibrational entities & blockchain - globally. As investor and advisor to more than 20 companies focused on maximizing social impact in healthcare, telecom and emerging markets, I mentor executive teams, build partnerships and go-to-market strategies to turn good ideas into thriving businesses.As CEO of RampRate for 20+years, we have transformed how IT services are bought and sold, saving clients hundreds of millions, improving flexibility, and optimizing supplier relationships for more than 250 top brands such as Microsoft, ATT, eBay, Nike, and Hearst, while ensuring that corporate social responsibility CSR becomes a bigger part of IT decision making. Prior, I held senior executive level positions with market-creating technology and digital media innovators including Raindance and Exodus.https://ramprate.com/ 

The movie that gave the world the term “sharting” is turning 20 years old, the Stiller/Aniston classic rom-com, Along Came Polly. We brought back a couple of our favorite New Yorkers to break it down with us, Adam Renegade Wilson and Benny Elledge. We had a blast and hope you enjoy! Good things.

Veteran filmmaker Julia Verdin is a multi-hyphenate - she is known as an accomplished producer, award-winning Director and has written a number of screenplays. Having been in the film business for 30 years, Julia has established herself as one of Hollywood's leading independent producers, with over 36 critically acclaimed feature films produced to date. She founded and has been running Rough Diamond Productions since 1995.Some of the memorable, acclaimed theatrical releases and top film festival favorites Julia has produced, includes 2 Jacks, directed by Bernard Rose: the film starred Danny Huston, Jack Huston, Sienna Miller, Jacqueline Bisset, and Billy Zane; Stander, directed by Bronwen Hughes starring Thomas Jane, Deborah Unger, Dexter Fletcher, and David O'Hara; Sony Pictures Classics released The Merchant of Venice, directed by Michael Radford, starring Al Pacino, Jeremy Irons, and Joseph Fiennes; and Riding The Bullet based on a Stephen King story, directed by Mick Garris, and starring David Arquette, Jonathan Jackson, Erica Christensen, and Barbara Hershey. Julia's faith-based film, The Least Among You was a Lionsgate release, starring Lou Gossett Jr., Lauren Holly, and William Devane, and featured in major festivals, being nominated for two N.A.A.C.P awards. Julia also Executive Produced the 2015 Lionsgate release Born of War, directed by Vicky Jewson, starring James Frain and Sophia Black D'Elia.Julia's films have been selected for many major film festivals including Sundance, Toronto, Venice, AFI, Raindance, Vancouver International, and London. As a director, her former acting background has given her the tools to support her actors and bring out amazing performances, and her producing background enables her to stay on budget while bringing out the best creative results.

Elijah was just a common man like us (James 5:17), but God worked in and through this prophet in enormous ways. As we begin the "Peaks & Valleys Series" in 1/2 Kings, we discover an obscure prophet called by God, emboldened by His Spirit, and.... in training. We see how God hides Elijah away for a season of waiting, of preparation that is vital to his character development and faith. Oftentimes we fight against the times of waiting, thinking it is a waste of time. But oftentimes this season equips us for the greater work. This is why PATIENCE and PRAYER is vital in the waiting. Message preached on Sunday, January 14, 2024 by Pastor Joey. Join us this Sunday as we continue on in this series.

Olive McGloin and Darrell Johnson don't seem content with straightforward thru-hikes, they tend to go for the YOYO. That is: they turn around and head back the way they've come to complete double thrus in a season. Olive has YOYO'd the Triple Crown, with Darrell almost complete in that endeavor. Their remarkable story has, I'm afraid, been beset by some technical difficulties on my part, but their story is so fascinating that I wanted to tell it. You can follow along with their adventures through Instagram at Instagram (@oudarrell) Mark Carpenter returns to the show with his reflections on his 2023 thru-hike after the benefit of a couple of months back home. If you like what we're doing on the Hiking Radio Network, and want to see our shows continue, please consider supporting us with either a one-off or monthly donation. You'll find the donate button on each Hiking Radio Network page at https://www.hikingradionetwork.com If you prefer NOT to use PayPal, you can now support us via check by mailing it to Mighty Blue Publishing, PO Box 6161, Sun City Center, FL 35751. Any support is gratefully received. If you'd like to take advantage of Steve's Trail Days book offer (all three of his printed hiking books for $31, including postage to the United States) send a check payable to Mighty Blue Publishing at the address just above.

In this episode we speak with film director, Richard Raymond. We focus on his journey from directing the feature film ‘Desert Dancer' which starred Freida Pinto and was distributed by Relativity to directing the short film “Souls of Totality” - the only film ever to have been shot during a solar eclipse!‘Souls' won Best Short Film at Raindance in 2018, the Grand Jury prize at Hollyshorts, had a special mention at the Edinburgh International Film Festival and was selected for Tribeca Film Festival. Online it's everywhere from platforms like ‘DUST' to ‘Alter' and ‘Omeleto,' and has had millions of views. Richard also takes us through why he went back into short films, the planning involved in shooting a film during an actual solar eclipse, how he gets his work funded and his methods for making sure his work is seen by the right people. We really encourage you to watch ‘Souls Of Totality' before listening. You can watch it here on Vimeo: https://vimeo.com/295048498We also delve into the brilliant “A Million Eyes,' his latest short film. You can watch that here: https://www.youtube.com/watch?v=unyb8wu4FDoAnd here is the trailer for Desert Dancer: https://www.youtube.com/watch?v=OzCdDC3e0AEWe hope you enjoy this one as much as we did!

Raindance Immersive is back with 40 independent VR experiences across eight categories of Immersive World, Immersive Experience, Immersive Art Experience, Immersive Music Experience, Immersive Narrative, Immersive Game, and two new categories of Short Film of VR and Music Video of VR, which are 2D films that are shot within virtual reality. 75% of this year's selection has some connection to a social VR platform with 28 connected to VRChat with single experiences in EngageXR and Resonite (i.e. the spiritual successor to NeosVR. I had a chance to catch up with the co-curators of Raindance Immersive of Mária Rakušanová and Joe Hunting to get a rundown and sneak peak of all 40 experiences at this year's selection that runs online in VRChat from November 4th to December 3rd. Nearly all of the screenings are free (everything aside from the gaming selection) with free sign-ups for live performances, guided tours, and screenings listed on their website. Raindance is at the forefront of curating the trends that are at the bleeding edge of virtual culture and the best-in-class of worldbuilding, live performances, and musical experiences within these VRChat and social VR environments. It's always great to hear more about how they curate this festival by being deeply in tune with the VRChat community and actively participating in events throughout the year to build relationships and create a creative deadline for immersive artists, worldbuilders, and storytellers to share their latest works. I can highly recommend checking out this year's selection, particularly the immersive world selection and be sure to drop by one of the screenings of films that were shot within VR chat as that's a new and exciting trend. I get a bit more historical context in this development from Hunting as he shares some of the early film festivals in VR, and selections of 2D films shot in VR that he curated starting in 2020. Phia's The Virtual Reality Show Film Fest featured a selection of 14 films shot in VRChat on February 25th, 2023, which led to the founding of a VRChat filmmaker Discord and provided a catalyst for collaboration and knowledge sharing with other VRChat-based filmmakers. Hunting provides a bit more context as to how the community got to that point, and why it was the perfect time for the VRChat filmmaker community to self-organize and for Raindance to expand their selection this year to feature these 2D films. Raindance Immersive runs for a few more weeks until December 3rd, 2023, and so be sure to check out RaindanceImmersive.com for more information for how to check out this year's selection. This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

We meet Lucie on Halloween morning, at a bus stop by a pier that is festooned with flyers with the names and faces of missing children.  She's soon picked us by Catherine Wilson, a wisecracking nurse who makes house calls to elderly residents.  Lucie, who is interning for Ms. Wilson, is none too happy about the work, and at the end of her first day, relates her experiences to her friends Will and Ben over beers at the local pub.  Will is a fisherman who works for his father, and Ben works for his mother at the pub.  Like Lucie, the boys aren't thrilled with the quality of their lives – and so they hatch a plan to break into the home of one of Ms Wilson's patients, the comatose Ms. Jessel, whose house allegedly contains treasure which will, the kids hope, set them on the paths to prosperity.  There's just one catch:  Ms. Jessel's home is not what it seems.  Nor is Ms. Wilson.  And when the residents of the home extend a hearty welcome to the thieving trio, the result is a Halloween night of chaos and spiritual mayhem that changes their lives forever. Intro, Math Club, Debate Society, Hot for Teacher (spoiler-free): 00:00-31:13Honor Roll and Detention (spoiler-heavy): 31:14-1:02:42Superlatives (spoiler-heavier): 1:02:43-1:26:52 Directors Alexandre Bustillo & Julien MauryScreenplay Julien Maury and Alexandre BustilloFeaturing Chloé Coulloud, Béatrice Dalle, Catherine Jacob, Jérémy Kapone, Chloé Marcq, Félix Moati, Marie-Claude Pietragalla Alix Austin and Keir Siewert are co-founders of Switchblade Cinema. Alix is a British/Swiss Director and Creative Producer with an all-consuming passion for action-fuelled films driven by practical effects & lethal sound design. Her work has screened at festivals including Brooklyn Horror Film Festival, Chicago International Film Festival, Raindance and Brussels International Fantastic Festival. After completing work on leech creature short SUCKER (2022), which released on SHUDDER and ALTER, she directed her first feature film, toxic relationship body horror KILL YOUR LOVER, with creative partner in crime Keir Siewert, which opened the Brooklyn Horror Film Festival in October 2023. Other work includes co-directing the London segment of Horror Anthology Feature ISOLATION (2021) with Siewert, alongside Larry Fessenden (WENDIGO). Alix is a member of Directors UK and was the recipient of the Raimi Productions Scholarship in '23. Recess snack: BabyBel cheese. Keir is a Scottish and American filmmaker who is partial to making visceral, genre-bending films and a BFI Network X BAFTA Crew 2021 Alum. Writer/Director of award-winning horror short RETCH, which toured over 30 festivals, including London Short Film Festival and the Brussels International Fantastic Film Festival; KILL YOUR LOVER (with Alix Austin), which opened the Brooklyn Horror Film Festival in October 2023; MMA short film DUCHESS, and Genera grant winner PORTRAIT. Besides narrative films, he has directed over 100 music videos. You can find more of his work, including music videos, promos and commercials here. Recess snack: Penny candy. EPISODE NOTES Music from “Livid” by Raphaël Gesqua.

It's time for side quests!  Our heroes head towards the lake in search of a Wattlet to trade. Meanwhile, how are those Jewel types they left as sentries doing on their own?Disclaimer: We do not own or claim ownership of the Pokémon franchise and any Pokémon established in official canon. That's all owned by Nintendo, Game Freak, and Creatures. This is a fan-made podcast, and a love letter to a series we grew up with. Please support the official releases.We have a Patreon. Feel like supporting the show? Click here! https://www.patreon.com/PKMNLegacyTweet about the show using #PKMNLegacy. Give us a thumbs up and comment on our YouTube releases. Leave a review on your podcasting platform. We might use your name for one of our NPCs!Ariana Nicole   https://www.youtube.com/channel/UClefH4JpiqLKXdhreQlfJ8Q   https://twitter.com/arianangeorgeChi-chi   https://www.youtube.com/channel/UCfqLwSbk9u6Mv3hlSaN2_ww   https://twitter.com/ChichiAi/DryeGuy   https://www.youtube.com/user/ZekeX79   https://twitter.com/terrancedryevaKayVox   https://www.youtube.com/c/kayvox   https://twitter.com/KillianPoplykVA