Podcasts about Raindance

This week, a special road trip episode featuring up and coming Irish finger style guitar Jedi Shane Hennessy recorded live at the 2024 Walnut Valley Festival in Winfield, Kansas. Also, a performance from each of the top three 2024 Walnut Valley International finger style guitar champions, Hiroya Tsukamoto, Mikey Bilello, and Stephen Bennett. The annual Walnut Valley Festival, now in it's 53rd season, is one of the oldest and most respected acoustic music festivals in the world. Held at the Winfield, Kansas fairgrounds, more than 30 musical acts will perform on four separate stages, presenting over 200 hours of live music. Also, there is a dedicated contest stage where contestants vie for national and international championships in Finger Style Guitar, Flat Pick Guitar, Bluegrass Banjo, Old Time Fiddle, Mandolin, Mountain Dulcimer, Hammered Dulcimer, and Autoharp. There is a juried arts and crafts fair, exhibits by renowned instrument makers and music shops, family activities, a bevy of food vendors, a farmer's market and even a pub! An unusual aspect of Walnut Valley is its campground tradition. Campsites are not reserved and campers line up to claim a choice campsite during the "Land Rush.” Walnut Valley Festival goers often bring their own musical instruments to participate in the sometimes all night campground jam sessions. Bands like Old Sound and Sally & The Hurts that began as "Jam Bands" in the campgrounds, have even been invited to perform at the festival. Shane Hennessy is a virtuoso fingerstyle guitarist, singer/songwriter, and composer. With an upbringing in the world of Irish traditional music, Shane has been captivating audiences globally for the past few years, with sell-out solo tours in Europe and North America under his belt, as well as regular appearances at major international music festivals including MerleFest, Walnut Valley Bluegrass Festival, Sound of Europe Festival (Düsseldorf, Germany), and Milwaukee Irish Fest. He has released four albums of original music, and his most recent studio album ‘Rain Dance' was hailed as “a triumphant reaffirmation of his virtuosity and compositional excellence” by Irish Music Magazine. Shane has collaborated with Tommy Emmanuel, worked with Grammy-winner Bill Whelan (composer of Riverdance), and made his début on the Grand Ole Opry in Nashville, Tennessee in March 2023. A musician from a young age, Shane credits his background in Irish traditional music as the base on which he has built his genre-defying musical explorations. Initially a concertina player, he achieved successes in competitions in Ireland. He then turned to the guitar aged twelve inspired by the music of James Taylor. Becoming more interested in songwriting and in music in general, it was when he discovered the styles of Tommy Emmanuel and Chet Atkins that his interest in solo performance blossomed. Described by legendary guitarist and mentor Tommy Emmanuel as “a brilliant entertainer and an amazing musician who transcends the guitar the same way Muhammed Ali transcended boxing”, Shane has since developed an unmistakably unique voice as a fingerstyle guitarist, blending his native Irish music with elements of jazz, country, blues, funk, classical, soul, world, and hip-hop. With the addition of some smooth vocals and improvisations, it makes sense why music legend super-producer Nile Rodgers (CHIC) remarked that “[Shane's] style is killer, it's really cool stuff.” https://www.shanehennessy.ie/bio In this week's “From the Vault” segment, OHR producer Jeff Glover offers a 2015 archival recording of Ozark original guitarists Danny Dozier and Randy Buckner performing the 1924 Isham Jones song “I'll See You in My Dreams,” from the Ozark Folk Center State Park archives. In his segment “Back in the Hills,” writer, professor and historian Dr. Brooks Blevins concludes his three part series on the surprisingly violent history of tornadoes in the Ozarks.

Watch This Episode On YouTubeThe tagline of the podcast is “the future of filmmaking.” I don't think you can earn that without hosting my guest, Elliott Hasler, who began his filmmaking journey at the age of 10.Fifteen years later, he's two features in, the latest being VINDICATION SWIM (2022), a biopic around Mercedes Gleitze and her attempt to become the first British woman to swim the English Channel. Big period pieces aren't what you'd expect him to take on, but that boldness is partially, he acknowledges, why he's been successful. He also has a keen sense of the business of film, writing for the film festival Raindance about “What It's Like to be the UK's Youngest Film Director.” Elliott is here today to share his unique insight. In this episode, Elliott and I talk about:His unique start at filmmaking at the age of 10(!) and whether something like that is made easier through YouTube and online tutorials;His article “What It's Like To Be UK's Youngest Film Director” and what he'd change about it looking back six years; How he related to older filmmakers at 16 and his advice for young filmmakers now;Encouraging the youth movement in filmmaking;How people should feel when they watch VINDICATION SWIM;The challenges of shooting at sea without a green screen or a tank and what drew him to spending his resources on that part of the film versus other elements;Whether he'd use AI in a future film;What he's learned about in the world of distribution;Whether he's interested in producing films;What a bottle film would like from him, coming from period pieces;How to make a unique short film;Breaking away from the festival circuit and branding of the system;Whether he feels pressure to have a large presence on YouTube, TikTok and social media; Differences in US and UK filmmaking;What's next for him.Elliott's Indie Film Highlight: WITCHFINDER GENERAL (1968) dir. by Michael ReevesMemorable Quotes:“What sets this film apart is the fact that it is all real.”On nepotism: “if it's going to make your life easier to get into something, then why not; I certainly would've used it, it would've made my life a hell of a lot easier.”“ Making the film is 50% of the journey and then releasing it is the next 50%.”“ What you always wanna strive for in a film is to take audience somewhere where they've never been before.” “ Always aim big. And then you can always temper your expectations a bit. But if you start out too small, then I think you're selling yourself short.”“ In terms of AI, I think essentially what it will be good as is sort of a big cost cutting exercise.”Links:Follow Elliott On Instagram“What It's Like to be the UK's Youngest Film Director.”Support this podcast at — https://redcircle.com/first-time-go/exclusive-content

Slipmatt's journey took him from school discos to illegal warehouse raves… and all the way to Top of the Pops. As one half of SL2, he helped shape the sound of early UK rave — with tunes like On a Ragga Tip becoming anthems of a generation. In this episode, Slipmatt shares stories from 35+ years at the heart of dance music — from the birth of Raindance to emotional sets in Japan, Ibiza madness, and why he still avoids agents to this day.This is the eventful life of DJ SlipmattYouTube: Dodge WoodallInstagram: @Dodge.WoodallWebsite: DodgeWoodall.comTikTok: @DodgeWoodallLinkedIn: @DodgeWoodall Hosted on Acast. See acast.com/privacy for more information.

I spoke with Kaerun about being featured in Madame Kana's documentary about him called a Dutchman in Virtual Japan | A VRChat documentary as a part of my Raindance Immersive 2025 coverage. Kana also previosly made a short doc about Kaerun's VR photography called Kaerun, event photographer on #vrchat. See more context in the rough transcript below. https://www.youtube.com/watch?v=hR--zc4MOVk This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

I spoke with Khang Lu, Quinn Heptig, & Eliza Zhang about their short film shot in VRChat called Our Precious Autumn as a part of my Raindance Immersive 2025 coverage. See more context in the rough transcript below. https://www.youtube.com/watch?v=oxrbWg5vYdk This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

I spoke with ReVerse Butcher & Kylie Supski about The Continuous Present as a part of my Raindance Immersive 2025 coverage. See more context in the rough transcript below. https://www.youtube.com/watch?v=DL_2L0jzUhA This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

I spoke with Jessien about his Virtual Museum of Virtual Art as well as his latest What is Virtual Art? VRChat World exhibition as a part of my Raindance Immersive 2025 coverage. We also talk about his previous Raindance award-winning world Thickness Of Calligraphy. See more context in the rough transcript below. https://www.youtube.com/watch?v=9xOZhfAMORw This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

I spoke with Anders Fray (aka Ders) & Starheart about Natura's Queendom as a part of my Raindance Immersive 2025 coverage. See more context in the rough transcript below. This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

I spoke with TrainingFangs & TehArbitter about Raindance Immersive Closing Night music and VR performance (now available as a replayable event in the Moon Pool VRChat World) as a part of my Raindance Immersive 2025 coverage. (Photo by Kaerun). See more context in the rough transcript below. Here's a recap of my Raindance Immersive 2025 & VRChat coverage: #1566: Raindance Immersive Curators on the 2025 Selection of Immersive Art on Social VR Platforms [VRChat Story] - #1634: User Claims Potential Gaps in VRChat's Moderation of NSFW Avatars [VRChat Story] - #1635: VRChat's Avatar Marketplace is Targeting Demographic of New Users [VRChat Story] - #1636: Planned Improvements of VRChat's Trust & Safety from New Lead Jun Young Ro #1637: VRChat Doc "The Architect Across Realities" Features MR Design Innovations in Japan #1638: Virtual Photographer Kaerun's Japanese Friendships Featured in Documentary at Raindance #1639: Playing Live Jazz in VRChat with EMN Records enabled by Yamaha SYNCROOM in Japan #1640: "Tonevok" features Real-Time Audioreactive MIDI Visualizations in VRChat #1641: "Siholette of Memories" Cinematic VR Concert Experience Features Live Choreography #1642: "Cathedral of Witches" Performance Explores Trans & Queer Spirituality in VRChat #1643: Studio Penrose's "Our Precious Autumn" Short Film Shot in VRChat Wins Raindance Award #1644: Julianna Loh on Creating Immersive Art in VR and AR #1645: "Hommage" Adventure Inspired by Moebius' Art Collaboratively Built in Resonite #1646: "The Continuous Present" Combines Poetry, Music, & Giant Immersive Sculptures to Win Raindance Immersive's Best Art Experience #1647: Virtual Art Exhibition Innovations in Jessien's "What is Virtual Art?" VRChat World #1648: Vast Hand-Painted "Natura's Queendom" Wins Raindance Immersive's Best Art World #1649: Fangs & Arbi Close Out Raindance with a Breathtaking Music and VJ Show at the Moon Pool This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

Although this album was the fourth  Elton John studio album, it was also the third album released in 1971.  John had released a film soundtrack album and a live album previously in the year.  Madman Across the Water is a more progressive album than his previous outings, containing nine tracks with all but the final track exceeding four minutes.  Elton John also had Yes keyboardist Rick Wakeman sit in on the sessions for two of the tracks, playing Hammond organ.  Although it went to number 8 on the US Billboard 200 chart, it did not do as well in his native UK.  The mediocre results in England may be partly explained by the song lengths not fitting nicely into the 3-minute span typical of singles.  Nevertheless, the album contains two singles which would prove to be amongst John's greatest hits. Contemporary critics had mixed reactions to the prog rock bent of the album, with some finding the lyrics confusing and the album as a whole too deep for new fans.  As with much of the discography of music icons like Elton John, reviews would trend more positive over time. Madman Across the Water finds Elton John on the cusp of his ascent to superstardom, when his next several albums would trend towards a glam rock approach and would start regularly topping the charts.Original host Brian Dickhute returns to "What the Riff" studios to help us finish off our podcast series focusing on the Months from 1965 to 1995. Tiny DancerThe lead off track takes its inspiration from two places.  Generally, it is inspired by the spirit of the women Bernie Taupin met in California, and how their styles contrasted with those in the U.K at the time.  More specifically it references Maxine Feibelman, who really was the "seamstress for the band," and supported John's elaborate stage costume style.  Feibelman and Taupin were married in March 1971, with Elton John serving as best man.LevonThe first single from the album tells the story of Levon, a man who is successful in the family business, but trapped in his lifestyle.  "Levon wears his war wound like a crown."  This symphonic piece uses a backing orchestra written, arranged, and conducted by Paul Buckmaster.  Madman Across the WaterThe title track to the album was originally supposed to be a track on John's previous studio album, but it was rearranged for this album.  The lyrics are about a man in a coastal mental institution who doesn't know if he belongs there or not.  Many have speculated that Taupin wrote this about then President Richard Nixon, speculation to which Taupin responds, "That is genius.  I could never have thought of that."Indian SunsetThe story about an American Indian warrior on the verge of defeat was inspired by Frederic Remington painting and/or a visit that Bernie Taupin paid to a reservation.  John has stated that the song is not a protest song, but a story.  The opening acapella verse sets the wistful tone of the rest of the song. ENTERTAINMENT TRACK:Main theme from the children's television series “Electric Company""Hey you guys!"  This children's educational show debuted in 1971.   STAFF PICKS:Uncle Albert/Admiral Halsey by Paul and Linda McCartneyBruce begins the staff picks with a song from "Ram," the only album attributed to Paul and Linda McCartney.  It reached number 1 on the Billboard Hot 100 in September 1971, making it the first post-Beatles McCartney single to top the US charts.  It is actually a compilation of several song fragments assembled by engineer Eirik Wangberg.  The lyric "hands across the water/heads across the sky" refers to Linda and Paul being American and British.Rain Dance by the Guess WhoRob brings us a song penned by Burton Cummings and Kurt Winter which was the lead-off track from the Guess Who's eighth studio album, "So Long, Bannatyne."  Randy Bachman had departed the band by this time.  Many of the lyrics reference landmarks or businesses in their native Winnipeg, Canada.  You Say It by Al GreenWayne's staff pick is a fusion of funk and soul off Al Green's third studio album.  Green got his start at the age of nine in a gospel quartet. The lyrics from this song discuss the difficulties a guy has in picking up the phone to call his girl.  Al Green became a minister in 1976 and returned to gospel music in the mid-80's.I'd Love to Change the World by Ten Years AfterLynch features a song that is the sole top-40 single from the British blues rock group in the U.S., peaking at number 40 on the Billboard Hot 100.  The lyrics express the frustration of the counter culture movement in wanting to change the world, but realizing that solutions are harder to reach than thought.Gypsys, Tramps and Thieves by CherBrian finishes out the episode with a story from Cher. The lyrics are told from the perspective of a Gypsy girl born to a dancer in a traveling show.  When she is 16, she becomes pregnant from a young stranger who runs off, leaving her to raise a baby girl in the same situation as her mother raised her. Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Bottle films, films made predominately in one location, are like playing with fire. There's not a lot of room to make a good film if you don't cast well, for instance, or if the location of your bottle isn't fantastic. My guest, director Nicolai Schumann, understood all this….because he watched a bunch of the previous bottle films…and went ahead with THE LONELY MUSKETEER (2024) anyway. And I'm so glad that he did. The film tells the story of “the psychological downfall of a man who is highly traumatized by life.” Along the way, it's earned numerous awards, including cinematography at the 2025 Raindance Film Festival. And Nico is here to talk about it with me today. In this episode, Nico and I discuss:The clausterphobic nature of his film and what people should expect to see when they watch THE LONELY MUSKETEER?The pairing of investment bankers and hooligans in London that made this film;The secret to success for the feature film that won best cinematography at Raindance 2025;Why they cast Edward Hogg for a film that centers around a man locked in a box;How he feels about bottle films;Utilizing color throughout the film as well as putting important scenes in the credits;Whether he can trace awards won to tangible benefits for the film;London as an indie filmmaking location;What he's working on now” — “three teenagers who decide on a suicide pact in the backdrop of Thatcherism”;Nico's Indie Film Highlight: JAMES (2024) dir. by Max TrainMemorable Quotes:“The next decision I made, stylistically or creatively, is that there is not a single camera movement in the whole movie. So our big role model for that was a shower scene in PSYCHO;“ If there's not a hundred percent certainty that the actor can put it off, we wouldn't have done it.”“ The other thing which was really important for us is that we got the visuals right…that we started with wide lenses and then we went to long lenses over the movie so that the walls were literally closing in on the actor.” “The credit sequence is there to keep the audience guessing.”Links:Follow Nicolai On InstagramSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

On today’s episode of Stinchfield, we dismantle the absurd and desperate new narrative coming from the radical Left: that somehow President Trump is to blame for the devastating floods and tragic deaths that struck Texas on the Fourth of July. That’s right — they’re blaming the weather on Trump now. You can’t make this stuff up. Even Elon Musk’s Grok AI bot parroted the nonsense. This is what happens when facts are replaced by feelings and political talking points. We expose the coordinated attempt by media elites, tech giants, and Democrat operatives to weaponize a natural disaster to attack our President. From bogus climate hysteria to the digital brainwashing of AI, we’re calling out every lie, every smear, and every coward hiding behind a keyboard. Go to http://freegoldguide.com/grant or call 800 458 7356 for your free Colonial Metals Group retirement protection kit – created specifically for our listeners where you can get up to $7500 in free Silver. www.EnergizedHealth.com/Grant www.PatriotMobile.com/Grantwww.Get20Now.comTWC.Health/Grant Use "Grant" for 10% Off See omnystudio.com/listener for privacy information.

Welcome to Episode 2 of The Dread Broadcast — your new favorite monthly horror news roundtable, hosted by Tim and Johnathan of The Average Reviews Podcast! We're building a free, creator-powered community, fueled by our love of horror in all its forms. If you're into slashers, screamers, physical media, or under-the-radar gems, you're in the right place.

Send us a textIn today's episode, I interview Jake Wachtel, whose film "The Sentry" recently screened at SXSW London, Raindance, and the Palm Springs International ShortFest.Listen to hear about the idea for the film that came from wanting to get to know one of the anonymous henchmen from an action film like James Bond, the challenges of filming in the former residence of a king, and how visual effects and sound combined to create a ghostly character.Books mentioned in this episode include:Never Let Me Go by Kazuo IshiguroThe Overstory by Richard PowerPlayground by Richard PowerFilms and TV shows mentioned in this episode include:"The Sentry" directed by Jake WachtelKarmalink directed by Jake WachtelAfter Yang directed by KogonadaEternal Sunshine of the Spotless Mind directed by Michel GondryBicycle Thieves directed by Vittorio De SicaMinority Report directed by Steven SpielbergThe Jungle Book directed by Wolfgang Reitherman"Cattywampus" directed by Jono Chanin (trailer)Listen to "Love You Only" by Ros Sereysothea whose music is featured in the film.Follow Jake on Instagram @jakewachtel.director and the film @thesentryfilm.Support the show

Watch This Episode On YouTubeJoining me today is…he is going to hate that I say it this way, as you'll hear in the conversation…but the director with the most nominated film at Raindance, Max Morgan, talking about his film BREAKWATER (2025).The ability to make your first feature, your first film, carry the weight of, and I'll quote Max here, “people never mean what they say, and there is a lot of that in BREAKWATER” is simply breathtaking. I've posted the trailer in the YouTube conversation, go watch it and you see what you mean. And the trailer is hardly encompassing of the beauty of the film.The film has its premiere at Raindance on June 23rd, 2025 — sold out — but tickets are still available for the 24th. Go watch it if you can. There's a reason it's the most nominated film, the first feature out of the University of Oxford since 1982, and that's Max Morgan and his team. In this episode, Max and I talk about:What people should expect to see when they watch BREAKWATER, such a wide ranging and expansive film — “it's a psychological drama about connection between two characters, Otto and an older retired angler on the East Coast of England…and it's about how their lives come together, collide through happenstance and fuse irreversibly and thematically”;How he decided to make such an ambitious film, the first film he ever shot! — “so it really was like a massive learning curve for me”; “and then when I went to university, I did lots of theater”;Was screenwriting a safety net for him? “ I find that thinking about myself as a writer is almost more important to me as thinking myself as a director in some ways”His advice for someone who is not gifted at writing and how to develop that skill without decades of education — “I don't think that being able to write a good play or screenplay is necessarily a gift. I think it's important to think about writing and directing in all kind of creative capacities as more of a craft.”His issues with the term debut film and filmmaker as “quite misleading”, as there's so much that goes into a creative's life;How mentors gave him advice on what he termed “bad plays, bad screenplays” — “ if anyone tells you as a piece of feedback that something is straight up bad, then they're really awful at giving notes”; How you have to trust your instincts as well — you have to challenge incredibly bad and incredibly good feedback equally;The realistic dialogue in BREAKWATER — was it from life experience? “It was from the theater”; “people never mean what they say, and there is a lot of that in BREAKWATER”BREAKWATER has its world premiere at Raindance — has he seen it on a cinema screen and does he see a theatrical run for the film?An interlude about the amazingness of Tom Cruise and his stunts;What does being a British filmmaker mean to him and how he thinks people think of that identity? “ the way I think about it is so massively influenced by British art and the sense of British independent filmmaking, which has historically produced so many amazing filmmakers”;How he is planning for the world premiere at Raindance;Max's Indie Filmmaker Highlights: Mark Jenkin, famously of BAIT (2019) and other films; Sarah BrocklehurstLinks:Buy Tickets To BREAKWATERFollow BREAKWATER On InstagramFollow BREAKWATER's WebsiteMax Morgan's WebsiteSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Today, we're absolutely thrilled to have on John Crowley a director, screenwriter and filmmaker whose work consistently delves into the intricate tapestry of human experience with remarkable sensitivity and depth. Dom Lenoir sits down for a natter with John to unpack the creative journey behind this poignant film and explore the themes that drive his artistic vision. John Crowley has a masterful touch for storytelling as he burst onto the scene with his critically acclaimed feature debut, "Intermission" (2003), followed by the powerful and poignant "Boy A" (2007). He captivated audiences and critics alike with the deeply moving "Brooklyn" (2015), which earned him an Academy Award nomination for Best Adapted Screenplay. He then took on the complex literary adaptation of "The Goldfinch" (2019), and his television work includes episodes of the acclaimed series "True Detective" and "Black Mirror." His latest film, "We Live in Time," promises to be another compelling addition to his already impressive filmography. This romantic drama, written by Nick Payne, explores the relationship of a couple, Tobias Durand, played by the incredible Andrew Garfield, and Almut Brühl, portrayed by the brilliant Florence Pugh, over the course of a decade. The film uniquely employs a nonlinear narrative, weaving through snapshots of their lives together – falling in love, building a home, and becoming a family – while confronting a difficult truth that challenges their very foundation. We Live in Time is OUT NOW OTHER LINKS DIRTY BOY Premiere at Raindance tickets https://raindance.eventive.org/schedule/dirty-boy-68234eda5e47ea122831f7f4 FOOD FOR THOUGHT documentary out NOW | Watch it HERE. A documentary exploring the rapid growth and uptake of the vegan lifestyle around the world. – And if you enjoyed the film, please take a moment to share & rate it on your favourite platforms. Every review & every comment helps us share the film's important message with more people. Your support makes a difference! PODCAST MERCH Get your very own Tees, Hoodies, onset water bottles, mugs and more MERCH. https://my-store-11604768.creator-spring.com/   COURSES Want to learn how to finish your film? Take our POST PRODUCTION COURSE https://cuttingroom.info/post-production-demystified/   PATREON Big thank you to: Serena Gardner Mark Hammett Lee Hutchings Marli J Monroe Karen Newman Want your name in the show notes or some great bonus material on film-making? Join our Patreon for bonus episodes, industry survival guides, and feedback on your film projects!   SUPPORT THE PODCAST Check out our full episode archive on how to make films at TheFilmmakersPodcast.com   CREDITS The Filmmakers Podcast is written, edited and produced by Giles Alderson @gilesalderson Logo and Banner Art by Lois Creative  Theme Music by John J. Harvey Learn more about your ad choices. Visit podcastchoices.com/adchoices

Aylin Tezel joins Dom Lenoir on The Filmmakers Podcast to discuss making her debut indie film Falling into Place Falling Into Place is OUT now in CINEMAS #behindthescenes #movie #filmmakers #moviedirectors #filmpodcast #podcast #interview #AylinTezel #FallingIntoPlace OTHER LINKS DIRTY BOY Premiere at Raindance tickets https://raindance.eventive.org/schedule/dirty-boy-68234eda5e47ea122831f7f4 FOOD FOR THOUGHT documentary out NOW | Watch it HERE. A documentary exploring the rapid growth and uptake of the vegan lifestyle around the world. – And if you enjoyed the film, please take a moment to share & rate it on your favourite platforms. Every review & every comment helps us share the film's important message with more people. Your support makes a difference! PODCAST MERCH Get your very own Tees, Hoodies, onset water bottles, mugs and more MERCH. https://my-store-11604768.creator-spring.com/   COURSES Want to learn how to finish your film? Take our POST PRODUCTION COURSE https://cuttingroom.info/post-production-demystified/   PATREON Big thank you to: Serena Gardner Mark Hammett Lee Hutchings Marli J Monroe Karen Newman Want your name in the show notes or some great bonus material on film-making? Join our Patreon for bonus episodes, industry survival guides, and feedback on your film projects!   SUPPORT THE PODCAST Check out our full episode archive on how to make films at TheFilmmakersPodcast.com   CREDITS The Filmmakers Podcast is written, edited and produced by Giles Alderson @gilesalderson Logo and Banner Art by Lois Creative  Theme Music by John J. Harvey Learn more about your ad choices. Visit podcastchoices.com/adchoices

I spoke with Raindance Immersive curators Mária Rakušanová, Joe Hunting, Fangs about the 2025 selection of projects across 8 different categories. Tune in to get all of the latest tips from this year's selection that is mostly happening on social VR platforms including VRChat, Resonite, and Orion Drift. This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

Join us this week as we invite actor Jai Courtney (Suicide Squad) and director & writer Sean Bryne (The Loved Ones) onto The Filmmakers Podcast to chat about their latest feature film Dangerous Animals which is out in cinemas on the 6th June! Giles Alderson sits and has a great natter with Jai Courtney about acting on the sea, why he takes parts, filming in Australia, what he looks for in a director and shooting Dangerous Animals. Then he talks to director Sean Bryne about genre filmmaking, action, stunts. How he made his debut The Loved Ones. Issues on set and overcoming obstacles as an indie filmmaker and the importance of prep and storyboarding. Jai Courtney's breakthrough came with the role of Varro in the Starz historical drama series "Spartacus: Blood and Sand" and he quickly followed that up with roles in Tom Cruise's "Jack Reacher" and Jack McClane Jr., in "A Good Day to Die Hard" with Bruce Willis. He played Eric Coulter in the "Divergent" film series (2014-2016) and portrayed Kyle Reese in "Terminator Genisys" (2015), and in Stuart Gatt's Catching Dust. One of his most recognizable roles came in 2016 when he joined the DC Extended Universe as Captain Boomerang in David Ayer's "Suicide Squad," a role he reprised with critical acclaim in James Gunn's "The Suicide Squad" (2021). Sean Byrne first gained international acclaim with his 2009 debut feature, "The Loved Ones." The darkly comedic horror film captivated audiences and critics alike, winning the People's Choice Award in the Midnight Madness category at the Toronto International Film Festival. He followed up with "The Devil's Candy" in 2015, a heavy metal-infused horror film. DANGEROUS ANIMALS is in CINEMAS on the 6th JUNE! OTHER LINKS DIRTY BOY Premiere at Raindance tickets https://raindance.eventive.org/schedule/dirty-boy-68234eda5e47ea122831f7f4 FOOD FOR THOUGHT documentary out NOW | Watch it HERE. A documentary exploring the rapid growth and uptake of the vegan lifestyle around the world. - And if you enjoyed the film, please take a moment to share & rate it on your favourite platforms. Every review & every comment helps us share the film's important message with more people. Your support makes a difference! PODCAST MERCH Get your very own Tees, Hoodies, onset water bottles, mugs and more MERCH. https://my-store-11604768.creator-spring.com/   COURSES Want to learn how to finish your film? Take our POST PRODUCTION COURSE https://cuttingroom.info/post-production-demystified/   PATREON Big thank you to: Serena Gardner Mark Hammett Lee Hutchings Marli J Monroe Karen Newman Want your name in the show notes or some great bonus material on film-making? Join our Patreon for bonus episodes, industry survival guides, and feedback on your film projects!   SUPPORT THE PODCAST Check out our full episode archive on how to make films at TheFilmmakersPodcast.com   CREDITS The Filmmakers Podcast is written, edited and produced by Giles Alderson @gilesalderson Logo and Banner Art by Lois Creative  Theme Music by John J. Harvey Learn more about your ad choices. Visit podcastchoices.com/adchoices

1st hour Dj Rasco- Insane Beats  2nd hour Robbie c & dj concept on scratch attack- Raindance set

durée : 02:28:55 - France Musique est à vous du samedi 31 mai 2025 - par : Gabrielle Oliveira-Guyon - La sonate de Requiem d'Olivier Greif, Rain Dance de Herbie Hancock, La nef sacrée de Cécile Chaminade, L'ode à la lune d'Antonín Dvořák : que d'images poétiques qui reflètent la diversité de vos coups de coeur musicaux ! - réalisé par : Delphine Keravec

Our brand new Business of Film SPECIAL: Join Enfys Dickinson, Dom Lenoir, Stephen Follows and Giles Alderson, as we talk Cannes, Festivals, Indie Films, AI and What Makes an American Film. Plus we do the QUIZ! On this special MASSIVE BUMPER episode we are joined by the wonderful Stephen Follows who's website stephenfollows.com is a must read by an indie filmmaker. PLUS we are also joined by the wonderful Enfys Dickinson who has more than 250 productions under her belt incl: HIGH FIDELITY, CHOCOLAT, THE POLAR EXPRESS and 102 DALMATIANS before moving to Warner Bros to work on films such as HARRY POTTER, BATMAN BEGINS, CHARLIE & THE CHOCOLATE FACTORY and OCEAN'S 12. Enfys then left the studios to set up WonderLust Pictures. Listen and Enjoy. LINKS DIRTY BOY Premiere at Raindance tickets https://raindance.eventive.org/schedule/dirty-boy-68234eda5e47ea122831f7f4 FILM FORGE FILM COURSES info here. FOOD FOR THOUGHT documentary out NOW | Watch it HERE. A documentary exploring the rapid growth and uptake of the vegan lifestyle around the world.  And if you enjoyed the film, please take a moment to share & rateit on your favourite platforms. Every review & every comment helpsus share the film's important message with more people. Your supporttruly makes a difference! PODCAST MERCH Get your very own Tees, Hoodies, onset water bottles, mugs and more MERCH. https://my-store-11604768.creator-spring.com/   COURSES Want to learn how to finish your film? Take our POST PRODUCTION COURSE https://cuttingroom.info/post-production-demystified/   PATREON Big thank you to: Serena Gardner Mark Hammett Lee Hutchings Marli J Monroe Karen Newman Want your name in the show notes or some great bonus material on film-making? Join our Patreon for bonus episodes, industry survival guides, and feedback on your film projects!   SUPPORT THE PODCAST Check out our full episode archive on how to make films at TheFilmmakersPodcast.com   CREDITS The Filmmakers Podcast is written, edited and produced by Giles Alderson @gilesalderson Logo and Banner Art by Lois Creative  Theme Music by John J. Harvey Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week, Giles Alderson is absolutely thrilled to be joined by one of the most influential and respected producers in independent cinema today: the visionary Ken Kao! As the co-founder and President of Waypoint Entertainment, Ken Kao has been the driving force behind an incredible slate of diverse and thought-provoking films and has recently formed a strategic partnership with the acclaimed distributor Neon. Ken has produced a dozen feature films, with an impressive filmography that includes working with cinematic titans like Martin Scorsese on the powerful drama Silence, and Terrence Malick on his contemplative films Song to Song and Knight of Cups. He also produced the action-comedy The Nice Guys, starring Ryan Gosling and Russell Crowe, and The Glass Castle, adapted from the bestselling book by Jeannette Walls and starring Brie Larson and Woody Harrelson. His work also extends to the intense Western Hostiles starring Christian Bale, the suspenseful Tau, and the gritty police drama Rampart. His recent projects include the highly anticipated Project Hail Mary, again starring Ryan Gosling, and the horror film Cuckoo. It's worth noting that Ken also co-founded a production company with his frequent collaborator, the acclaimed actor and filmmaker Ryan Gosling, a partnership dedicated to developing a wide range of unique material for film and television. Ken's dedication to diverse and impactful storytelling truly sets him apart. Join Giles and Ken as they delve into the intricate world of film producing. We'll be discussing the art of identifying compelling stories, the challenges of navigating financing and distribution in the independent sector (especially with Waypoint's recent partnership with Neon), the collaborative process with visionary directors and talented casts like Ryan Gosling, and Ken's philosophy on fostering creativity while bringing ambitious projects to fruition. This is an unmissable conversation for anyone aspiring to produce, passionate about independent film, or simply curious about the crucial role of a producer in shaping cinematic masterpieces. Let's welcome the extraordinary Ken Kao to The Filmmakers Podcast! LINKS DIRTY BOY Premiere at Raindance tickets https://raindance.eventive.org/schedule/dirty-boy-68234eda5e47ea122831f7f4 https://raindance.eventive.org/schedule/dirty-boy-68234eda5e47ea122831f7f4 FILM FORGE FILM COURSES info here. FOOD FOR THOUGHT documentary out NOW | Watch it HERE. A documentary exploring the rapid growth and uptake of the vegan lifestyle around the world.  And if you enjoyed the film, please take a moment to share & rateit on your favourite platforms. Every review & every comment helpsus share the film's important message with more people. Your supporttruly makes a difference! PODCAST MERCH Get your very own Tees, Hoodies, onset water bottles, mugs and more MERCH. https://my-store-11604768.creator-spring.com/   COURSES Want to learn how to finish your film? Take our POST PRODUCTION COURSE https://cuttingroom.info/post-production-demystified/   PATREON Big thank you to: Serena Gardner Mark Hammett Lee Hutchings Marli J Monroe Karen Newman Want your name in the show notes or some great bonus material on film-making? Join our Patreon for bonus episodes, industry survival guides, and feedback on your film projects!   SUPPORT THE PODCAST Check out our full episode archive on how to make films at TheFilmmakersPodcast.com   CREDITS The Filmmakers Podcast is written, edited and produced by Giles Alderson @gilesalderson Logo and Banner Art by Lois Creative  Theme Music by John J. Harvey Learn more about your ad choices. Visit podcastchoices.com/adchoices

Spring is the season when gardeners throw off the hibernation and slumber of months of wet feet, many layers and waterproofs and are reborn anew! The stirring of life in the garden is one of the years great experiences, and makes a gardening life such a worthwhile pursuit, not only is it good for the planet to see the earth greening up, it is also good for the gardeners soul. But there is still lots of hard work to get on with - seeds have to be sown, mulch laid, supports erected and lawns mown. So join Lucy and Saul as they continue their professional gardening lives in the pure heaven that is Spring!With no rain on the horizon for Lucy and plenty for Saul, the East - West divide is playing out true to form. But other traditionally damper UK regions are also experiencing dry weather, giving the gardening duo plenty to talk about. Musing aside, Saul has been busy erecting bamboo canes, whilst Lucy has been wielding her saws and fine-tuning her ears to local birdsong. Mr Walker can also now celebrate his first decade as a Head Gardener - congratulations, Mr W! Let's hope the NGS group left you a decent slice of cake on Thursday.LinkedIn link:Saul WalkerInstagram link:Lucy lucychamberlaingardensIntro and Outro music from https://filmmusic.io"Fireflies and Stardust" by Kevin MacLeod (https://incompetech.com)License: CC BY (http://creativecommons.org/licenses/by/4.0/)Support the show

Ken talks to Mark Gregory from Landform UK about his 34th year of designing and building gardens at the RHS Chelsea Flower Show. Mark previews the work he has coming up in May 2025 at this year's show. Mark also talks about some of the things to look out for at the show and on TV including a stand with South African Quiver trees and pines are very in-fashion with designers. He also highlights the Boodles Raindance Garden being built to mark 25th anniversary of the ‘Raindance' jewellery collection. It is inspired by the impact of water on stone and the garden reflects the style and motifs of the jewellery. For more information on Landform UK at RHS Chelsea Flower Show 2025: bit.ly/3ExYDGi Part 1 of the interview is here: bit.ly/437qvKz Part 2 of the interview is here: https://bit.ly/3F6mSLZ #gardeningtips #showgardens #garden #flowers == We're delighted to have Gro-rite Horticulture sponsoring World Radio Gardening, find out about automatic pot watering systems available for mail order delivery: bit.ly/3wCPyHy Also, don't forget – if you like what we do, why not tip Ken and team with a coffee – Buy us a coffee (bit.ly/48RLP75) – as a thank you for the work done to bring this website to life.

1. KamZa Heavypoint & Peekay Mzee -Trata 3 (Rain Dance)r 2. Blackcoffee - Drive (Malumzondecks Edit)  3. LMichael & Aluku Rebels Feat. Alexander Wall - Midnight 4. Sogha Niger - Fulbe (Domboshaba Remix)5. Studio Bros, Shona SA & LindAlive Remix - Sabanaxua (Shona SA & LindAlive Remix) 

Whether you first heard about them on America's Got Talent, on the popular FX television series Reservation Dogs, or pushing their CDs and merch around the Oklahoma City metro area, no one can deny the brotherly hip-hop and entertainment duo Lil Mike & Funny Bone (known collectively as MikeBone) were destined for stardom. The local legends and authors of the popular song "Rain Dance" joined us in the studio to reflect on their career journey, including their self-sabotaged AGT experience, how they scored a role on Reservation Dogs, and the duo's undeniable aura which has been said to ward away nefarious spirit energy. As a staff full of MikeBone fans, we're super excited about this one! Also on this week's show, the editors discuss what other Oklahoma celebrities they'd like to meet, and podvents takes us back to the future with no DeLorean required. You won't want to miss it! 

A journey through 35 years of house from the godfather of UK rave. In popular mythology, the '90s are without question, the halcyon days of dance music—an era of free raves and unadulterated hedonism. It's a myth that Matthew Nelson, AKA Slipmatt, knows better than most–he was there. During the late '80s, as the rave scene in the UK began to boom, Nelson began moonlighting as a DJ. He would land his first residency at Raindance, the East London rave that launched in September 1989 and would become the UK's first legal rave. By 1991 , he'd reach number two in the UK charts with "On A Ragga Tip" as one-half of SL2 and two years later, sell over 10,000 copies of SMD#1. Nelson has got a lot to share (as you'll see in his interview) so we'll let him do the talking. He's been variously called the godfather of rave and happy hardcore, but what you'll hear on RA.958 is as "a journey through my 35 years of house." A DJ with this much pedigree brings much more than that, of course: touching on the breakbeat, jungle and acid house that soundtracked that golden age, as well as nods to the rich cross-pollination with scenes beyond the UK, from Joey Beltram's "Energy Flash" to Stardust's "Music Sounds Better With You." Read more at ra.co/podcast/958

"It made me laugh. So I did it."Stand up comedian, writer, director, and trained physiotherapist, Barry Ferns has written for the BBC, C4, Radio and has won awards for both stand up and directing short films. His films have been selected for The LA Comedy Film festival, Raindance, North by Northwest and he has won the Malcom Hardee Award for Comedy, as well as the Mervyn Stutter Spirit of the Fringe award and has been nominated as one of the 4 best MC's in the entire country.***LIVE SHOW OCTOBER 21st***We Can Be Weirdos is LIVE again on Monday 21st October 2024, at the Underbelly Boulevard, London. Stay tuned for the guest announcement!Head here for more info and to buy your tickets: https://underbellyboulevard.com/tickets/we-can-be-weirdos-live/

From Pashas to Pokemon (Vishwakarma Publications, 2024), Maaria Sayed's first novel, is a coming-of-age story. Aisha grows up in the Muhammad Ali Road neighborhood of Mumbai in the Nineties–a time when India was starting to grapple with liberalization, globalization, and polarization. In Mumbai and London, Aisha tries to learn what it means to grow up, as an Indian, a daughter, a woman, and a Muslim. In this interview, Maaria and I talk about the Nineties, how filmmaking differs from writing a novel, and her long process in getting From Pashas to Pokemon completed. Maaria Sayed is a writer and filmmaker based in Mumbai and Northern Italy. She's worked as a writer for networks such as Discovery Channel, National Geographic, and Fox. Her shorts “Aabida” and “Chudala” screened at film festivals such as Raindance, Izmir Kisa, BFI Flare and Busan. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of From Pashas to Pokemon. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

From Pashas to Pokemon (Vishwakarma Publications, 2024), Maaria Sayed's first novel, is a coming-of-age story. Aisha grows up in the Muhammad Ali Road neighborhood of Mumbai in the Nineties–a time when India was starting to grapple with liberalization, globalization, and polarization. In Mumbai and London, Aisha tries to learn what it means to grow up, as an Indian, a daughter, a woman, and a Muslim. In this interview, Maaria and I talk about the Nineties, how filmmaking differs from writing a novel, and her long process in getting From Pashas to Pokemon completed. Maaria Sayed is a writer and filmmaker based in Mumbai and Northern Italy. She's worked as a writer for networks such as Discovery Channel, National Geographic, and Fox. Her shorts “Aabida” and “Chudala” screened at film festivals such as Raindance, Izmir Kisa, BFI Flare and Busan. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of From Pashas to Pokemon. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

From Pashas to Pokemon (Vishwakarma Publications, 2024), Maaria Sayed's first novel, is a coming-of-age story. Aisha grows up in the Muhammad Ali Road neighborhood of Mumbai in the Nineties–a time when India was starting to grapple with liberalization, globalization, and polarization. In Mumbai and London, Aisha tries to learn what it means to grow up, as an Indian, a daughter, a woman, and a Muslim. In this interview, Maaria and I talk about the Nineties, how filmmaking differs from writing a novel, and her long process in getting From Pashas to Pokemon completed. Maaria Sayed is a writer and filmmaker based in Mumbai and Northern Italy. She's worked as a writer for networks such as Discovery Channel, National Geographic, and Fox. Her shorts “Aabida” and “Chudala” screened at film festivals such as Raindance, Izmir Kisa, BFI Flare and Busan. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of From Pashas to Pokemon. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

soon

Would it even be a World Cup without a natural event playing a major role in the outcome? Loudenvielle, the sixth World Cup of the season, was the third race to be heavily affected by rain on race day. We saw ideal conditions for the Juniors and 98% of the Elite Women's field before Deja vu struck and the skies opened up for fastest qualifier, Tahnée Seagrave. And oh boy, did it get spicy as the rain continued to fall throughout the Elite Men's final. Gnarly conditions always foster spectacular displays of bike handling, and some racers put on a clinic this weekend. We also got to witness Vali and Bruni each wrap up another Elite title, a bunch of young Kiwis filling the podiums in the junior fields, and a ton of feel-good results, like Benoit taking the win after crashing here last year, Reece Wilson landing on the podium after so many setbacks, Aaron Gwin back racing after two years, and Myriam Nicole taking her first win after missing all of last season to a concussion. We chat about all of this, plus get the inside scoop on why our dude Dak was off the pace last weekend, points battles leading into MSA, RockShox Kashima knock-off, Asa Vermette's bike size, mass dampers (obviously), and a bunch of other nonsense. Enjoy!

SoftlySteph's The Friction of a Modulated Soul took home the Best Dance Experience at Raindance Immersive in a groundbreaking performance that tells the "story about the different cages that bind us from our authentic truth." It's a piece that completely blew me away with it's technological innovations, her fluid and emotionally-driven dance, a moving story that takes you on guided journey towards authentic identity, and an excellent curation of music from other VRChat creators. The piece manages to tie together so many different strands of technical innovation, storytelling, and performance, and it was one of my highlights from the entire Raindance Immersive festival this year. https://www.youtube.com/watch?v=OAUjJ_ozldM The crux of the innovations within The Friction of a Modulated Soul are from the new holographic shader (aka the "Apple Global Illumination") developed in partnership with SNR Labs' Apple Blossom, A://DDOS, and namoron (covered in great detail in the previous episode #1413) that both plays back recorded holographic objects that are a part of a timed dance performance, but also replicates and mirrors her dance performance at different scales in real-time. There's also real-time lighting effects on the 1.4 million point-cloud pixels that are utterly awe-inspiring, and took lots of black magic shader wizardry pull it all off by encoding and decoding information from video streams (again many of the more technical details are covered in episode #1413). I saw this piece as a live performance during Raindance, but they're also working on a replayable VRChat world that should be ready within the next month or so. SoftlySteph also curated a soundtrack of independent music by VRChat creators with five of the songs specifically composed for this piece. Everything in this piece was designed around story, which takes the audience on a journey from resisting internal disconnections, to achieving authentic connection to self, to then resisting collective pressures to disconnect, and then finally culminating with authentic connection. https://twitter.com/SoftlySteph/status/1807125937819148769 Overall, this was a beautifully-executed piece that is pushing into new forms of dance genre and performance, and was well-deserving of the best dance performance at Raindance Immersive. I had a chance to catch up with SoftlySteph to get a bit more context about how this project came about, her journey into VR via the stage dance and dance performance scene, and then her intentions with architecting this story about authentic self. This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

There was a new holographic shader developed by members of SNR Labs group on VRChat that completely blew me away in how it was used in a couple of performances at Raindance Immersive. It's like a new form of volumetric capture that also has lighting effects, and can be used in translating 2D images into 3D or capturing low-res 3D objects into a sort of hybrid of point-cloud, particle effect, 3D objects. It's called Apple Global Illumination after it's primary author Apple_Blossom, who worked with designing it with A://DDOS along with other collaborating artists including VJ Silent, VJ Namoron, and immersive dancer SoftlySteph. SoftlySteph's Frictions of a Modulated Soul took home the best dance performance at Raindance Immersive (and will be featured more in depth in the next episode), and the Night Under Lights: The Seasons at Moon Pool was one of the more awe-inspiring uses of this shader and was a personal favorite of mine from this year's festival. See the VRChat replay of the Moon Pool here and I'll be covering this in two episodes from now. There's a particle screen variation of the shader that is able to translate 2D VJ screens into more volumetric experiences based upon the luminance value of each pixel, which can be seen in this video below: https://youtube.com/watch?v=rZJ53W7NYnA Then there's a version that can encode 3D objects into a video that is streamed into VRChat, and then decoded into a dynamic hybrid between a particle effect, point cloud representation, and 3D model. And each of the particles are emitting light that are reflected on the surrounding environment and avatars. Here's a clip of SoftlySteph's performance as captured by Madame Kana https://twitter.com/SoftlySteph/status/1807125937819148769 Their SNR Labs Test Facility was also selected to be a part of the Venice Immersive Worlds gallery that opens next week. Here's a video overview: https://twitter.com/SNR_LABS/status/1813989248837595504 I had a chance to sit down with Apple_Blossom and A://DDOS to learn more about how this breakthrough shader was developed, as well as diving a bit into the weeds for the mechanics for how it works. The Apple Global Illumination feels like a real revelation and breakthrough in how it's opening up new avenues for how VJs and dancers will be able to use it for new forms of creative expression and holographic and volumetric effects to be paired with DJ sets across different clubbing venues in VRChat. This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

Shadow Canyon: A Puppeteer's Tale is a unique blend of VRChat Worldbuilding by nprowler, immersive dance performances by students of the VR Dance Academy founded by Dust Bunny, and then improv actors and immersive theatre staging led by Mycana. Overall, it was such a unique blend of different disciplines that the curators of Raindance Immersive awarded it with a special prize reserved for projects that embody the indie spirit of Raindance. The project started when nprowler and Dust Bunny saw some shadow effects in VRChat that inspired them to experiment with creating shadow dances with both sheet materials hanging from a line as well as onto the walls of a walking simulator VRChat world called Horse Canyon that premiered last year's Venice Immersive. Dust Bunny brought in her students from the VR Dance Academy, and then collaborated with theatre director and digital storyteller Mycana to figure out a narrative. The story primarily is motivating a sort of guided tour to different locations on the map that feature different dances that were inspired by different Tarot cards. The main protagonist is watching each of these dances while another Mystic sidekick character helps interpret the meaning leading to breakthroughs of creative inspiration. For me the strongest part of the piece were the awe-inspiring dance scenes with beautiful shadow effects and getting a chance to explore this latest iteration of nprowler's vast world of nature-inspired spatial architectures. To get a sense of some of the journey that you're taken on, then be sure to watch the section of Madame Kana's Raindance Immersive 2024 documentary featuring clips from Shadow Canyon. https://www.youtube.com/watch?v=soHDdq0Lbwk&t=256s I had a chance to catch up with Dust Bunny, nprowler, and Mycana to unpack their unique creative collaboration and how they fused each of their strengths to put together a very unique and awe-inspiring piece that's at the intersection of immersive dance, the vastness of walking simulator world building, immersive theatre, improv, and immersive storytelling. This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

FlowersRite (花之祭P) is a music producer, 3D artist, cosplayer, and VRChat world builder who won the Best Music Experience at Raindance Immersive 2024 with her experience called Children of the Seed. Within a couple of days of discovering VR in 2019, she had bought a PC, HTC Vive, and Vive Trackers to do full-body tracking, and has slowly been transitioning into becoming a professional 3D artist. She has published 11 VRChat worlds since August 2019, including The Great Inventor Escape, which was featured in the Worlds Gallery at Venice Immersive 2022. She was building the world for Children of the Seed at the same time as she was composing the music in a creative process where the VRChat world building directly feed into the creation of the lore and backstory that directly inspired the development of the music. The end result is a majestic performance space and auditorium that's suspended in a dark forest that the audience has to move up in vertical space through a series of ramps and stairs to get it. The audience sits in a semi-circle while she stands on a island-like stage in the middle performing as a DJ / VJ controlling a series of in-world effects like rain as well as circles of light and organic shapes that slowly transition each of the movements that are demarcated with their name in a floating text overlay. I had a chance to catch up with FlowersRite to get more context about her journey into VR, some of the different VRChat worlds she's created over the past 5 years, and how her world building creative process influenced the development of The Children of the Seed. At this point, she hasn't uploaded a replayable version of her musical performance in VRChat yet, but you can listen to her music in this 2D music video of Children of the Seed that has a completely different art style and experience than what was shown in VRChat during Raindance Immersive 2024. This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

Doug North Cook is the CEO and Creative Director for Creature, which is both an immersive game studio and label announced a year ago that's representing 10 different XR studios and 16 projects slated as far out as 2027. Creature had four different projects with announcements as a part of the UploadVR Summers Showcase 2024 on June 26th that included Laser Dance, Thrasher, Maestro as well as the "cozy sci-fi, psychedelic adventure" mixed reality game that they're building called Starship Home. Each of these games are exploring either innovative hand-tracking or mixed reality mechanics that are exploring new forms of embodied gameplay. He describes the ribbon dance-inspired gamed mechanic of Thrasher as "a form of extended proprioception" where it feels like an extension of your body when playing it. I totally agree with this assessment, and I elaborate more on the magical experience of Thrasher's hand tracking with the creators after having a chance to have an early look at Raindance Immersive where it took home the best game experience. I also caught up with the solo developer of Laser Dance, which picked up one of the Spirit of Raindance 2024 Awards. North Cook said that Laser Dance has become his go-to demo in order to show off the affordances of mixed reality, and both of these games capture the innovative indie spirit that are represented by the game label side of Creature. I had a chance to catch up with North Cook to unpack the challenges of mixed reality development, a bit of a behind-the-scenes sneak preview on their mixed reality game Starship Home, collaborating with SideQuestVR on a $1M Indie VR Fund, but also how he's found a unique sweet spot between an agency and publisher to create a collaborative brain trust of veteran XR game developers who are helping to solve many of these intractable XR design problems. This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

Madame Kana is a French, transgender woman and VReporter who has been publishing a new documentary about VRChat every 2-3 weeks for the past year on her YouTube channel, and she won the Discovery Award this year at Raindance Immersive 2024 for her short film called New Eden Evergarden; Behind the Magic. She published a 39-minute documentary about last year's Raindance Immersive 2023 edition, and she also recently published a 32-minute documentary about this year's Raindance Immersive 2024 edition, which I highly recommend checking out as she highlights many of the projects that I have been and will be featuring on the Voices of VR podcast series featuring different Raindance Immersive artists. https://www.youtube.com/watch?v=soHDdq0Lbwk I had a chance to catch up with Kana to get more information about her journey into VR, and her motivations for capturing so many different elements of virtual culture including the two Raindance Immersive documentaries from 2023 and 2024, short-form and long-form documentaries about Evergarden, a collection of meaningful moments from Public VRChat instances (Part #1 and Part #2), the Furry scene in VRChat, a vlog about how Joe Hunting's We Met in Virtual Reality film inspired her to make her own documentaries within VRChat, an update on Dust Bunny's VR Dance Academy, trip reports on the Virtual Market, Spookality and other VRChat horror worlds, a profile on VRChat Creator Tonton Demon, and reports on the Japanese scene in VRChat including VR Japan Tours performance group, the Japanese Jazz scene in VRChat, and an interview with Japanese musicians AMOKA. Needless to say, it's an impressive amount of coverage of the frontiers of virtual culture within VRChat over the past year, and certainly played a big part in why the Raindance Immersive curators Mária Rakušanová and Joe Hunting honored her with a Discovery Award. Kana is currently working on a documentary on the transgender community within VRChat as gender expression is a particularly personal interest of hers as VRChat helped her to become more public about her own transgender identity, and she sounds committed to continuing to explore the frontiers of virtual culture and continue to crank out these 10, 20, or 30-minute documentaries. Be sure to follow her on X (formerly Twitter) @Les_Gribouilles for clips and previews of her latest videos and be sure to subscribe to her YouTube channel to follow her latest completed works. This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

Starheart is a Musician, Composer, Filmmaker, and VTuber who has been doing live performances in VR over the past couple of years. She started making music videos on Halloween of 2022, and realized that she needed a persistent avatar. VR had already been creating a safe space for her to anonymously experiment with and discover her identity as a transgender woman, and she debuted her VTubing persona of Starheart on April 18, 2023 with a music video called "Elsewhere." Then three days later she opened for Naku on Phia's The Virtual Reality Show, which opened up opportunities to play at over 40 different music venues over the past year. VR has opened up many new opportunities for Starheart to discover the core essence of her identity and new modes of creative expression as an artist, musician, and filmmaker. Starheart is her name and persona, but it's much more than a character. In fact, she told The Metaculture magazine's K. Guillory last year that "Becoming Starheart has been integral for finding my musical voice, and is the most authentic version of myself as a performer I've ever been." I picked up on this thread to hear more about Starheart's creative journey into VR through her music videos, musical performances, filmmaking explorations and creation of her authentic identity beyond her physical body. Starheart's "I Still Love You" ended up winning the Best Music Video this year at Raindance, and this episode will be kicking off a series of interviews that I'll be doing with Raindance Immersive artists to get a better sense of what's been happening at the frontiers of virtual culture within the social VR platform of VRChat. This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

David Merritt is a writer, director, and producer from Durham, North Carolina and now lives in Tarzana, California. He is a passionate storyteller who delves into multiple mediums. His writing accomplishments span the spectrum from awkward comedy to compelling drama. At the beginning of his film career, David wrote and directed the dramatic short, The Rain Dance, which depicts the horror of domestic violence. As quoted by New York film critic Godfrey Cheshire “Rain Dance…is harrowing and believable yet also poetic and non sensational…mounted with considerable technical polish and visual sophistication.” David also served as a writer and director for WWE RAW on the USA Network and Smack Down on the CW network. He directed action sequences and impromptu monologues, and he served as a writer and story editor on the video game Smack Down vs. Raw 2007. In 2008, David started his production company, King David Films. In 2009, his horror script, Hangman, placed in the finals of the Screamfest LA screenwriting competition. In 2010, Hangman placed in the 2nd round of the Page Awards.Recently, David has written/ directed and produced the thriller 5697 Pounds, starring Lamonica Garrett of 1883 and Rey Gallegos of DMZ. Currently, David is a Story Editor on NBC's The Blacklist. Inspired at an early age by Star Wars and other mind-blowing films that changed the entertainment landscape, David Merritt II is a lifelong painter and sculptor turned emerging writer and director, winning the UCP Pitchfest and becoming a finalist in the ABC and CBS Directing programs before getting staffed. Raised in North Carolina by a social worker and a cop, it is no surprise that his work spans the spectrum of the human experience and leaves an indelible impression through the many facets of his artistry. When he is not busy creating, he is mastering his skills in the martial art form of Kung Fu San Soo. https://x.com/KingDavidFilms https://www.instagram.com/kingdavidfilms Connect with your host Kaia all Alexander: https://entertainmentbusinessleague.com/ https://twitter.com/thisiskaia  Produced by Stuart W. Volkow P.G.A. Get career training and a free ebook “How to Pitch Anything in 1 Min.” at www.EntertainmentBusinessLeague.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Raindance Immersive 2024 opened last weekend in VRChat, and will run for the next four weekends featuring the latest innovations of virtual culture with 77% of experiences happening on social VR platforms and 69% that feature VRChat. I spoke at length with co-curators Mária Rakušanová and Joe Hunting about each of the 36 experiences that span nine different categories with four experiences each including Best Art World, Dance Experience, Game, Live Show, Music Experience, Narrative, Out of Competition experiences as well as the Music Video of VR and Short Film of VR. https://www.youtube.com/watch?v=PZ-VmsZ5oAU There are a number of mixed reality games that will be showing on the Apple Vision Pro and Quest 3, as well as the four narrative experiences that will be showing at a physical exhibition at Raindance, but otherwise the other 30 experiences all have some connection to a social VR platform. The best live show and best dance experience categories are new this year, and Hunting is continuing to cultivate the two film categories featuring short films and music videos, all of which were shot within VRChat. I talk with both Rakušanová and Hunting about the shift from June to November, and then dive into each of the nine categories and 36 experiences highlighting the latest trends and innovations by indie XR artists who are primarily working on social VR platforms including VRChat, Resonite, and EngageXR.

Trent & Frankie dissect everything Breaking 90, from the early days of not breaking 100, to John Tillery's impact, to the round of a lifetime at Raindance, to what's next and beyond. Before that, Riggs & Dan react to the MacIntyres feel-good win at the RBC Canadian Open and Lancaster presenting as the perfect U.S. Open venue. We also preview next week's U.S. Open at Pinehurst, take several From The Galleries, do Fore The Cut, and get hyped about Dan & Busch being at the Memorial this week.You can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/foreplaypod

June brings the heat of summer and a new series. Pastor Ronnie Harrison opens the month with a message entitled "Rain Dance" in the new series RAIN CATCHERS.

June brings the heat of summer and a new series. Pastor Ronnie Harrison opens the month with a message entitled "Rain Dance" in the new series RAIN CATCHERS.

In this episode, I'm joined by Chelsea Leyland, a London-born DJ, cannabis and epilepsy activist, and co-founder of Looni, a menstrual health and wellness company on a mission to elevate the menstrual cycle and democratize body literacy. Chelsea and I discuss how her experience of chronic illnesses and the pursuit of healing have deeply shaped her life and how that has led her on a path of advocacy work. Chelsea's determination to not give up, persist far beyond what doctors have told her is possible, and to actually do something about the injustices of the medical system is beyond incredible. Living with two chronic health conditions, epilepsy and endometriosis, has shaped Chelsea's life, as she now understands it, for the better. After suffering for many years from misdiagnoses and strong prescription drugs meant to improve her condition she discovered cannabinoids. The use of cannabinoids simultaneously began to improve Chelsea's experience of endometriosis. After reaching the end of the line with medical help from doctors, she was forced to look outside the box and self-study, and she shares the wealth of healing modalities she turned to and learned from instead. This is the source of one of her biggest platforms, that women are often not correctly diagnosed with menstrual issues, and even if they are, they are not provided with the tools to heal.Chelsea Leyland is a born and bred Londoner living in Brooklyn, NY. She has worked as a deejay for 10+ years alongside brands such as Chanel, Valentino, and Fendi, opening for acts such as Duran Duran and Diplo. Chelsea, who has a passion for wellness, is also the proud co-founder of Looni, a new menstrual health and wellness company on a mission to elevate the menstrual cycle and demystify hormonal health. Looni offers support through education and innovative, science-backed offerings. As an epilepsy, endometriosis, and plant medicine activist with a passion for building community and supporting others, Chelsea produced and was featured in the documentary Sisters Interrupted, which was recently accepted to the Raindance film festival in London. She has been invited to speak at the European Parliament and Cambridge University about her journey with epilepsy and medical cannabis.Rate, review, and subscribe on Apple Podcasts, Spotify, Google Podcasts, or on your favorite podcast platform. Topics Covered:The importance of sharing our healing storiesMedical resistance to alternative treatments Lessons learned from living with endometriosisGuest Info: Chelsea's InstagramLooni's WebsiteLooni's InstagramLooni's Community What's App Group 15% first Looni order with code BENSHENGet in Touch:Benshen.co Website

The movie that gave the world the term “sharting” is turning 20 years old, the Stiller/Aniston classic rom-com, Along Came Polly. We brought back a couple of our favorite New Yorkers to break it down with us, Adam Renegade Wilson and Benny Elledge. We had a blast and hope you enjoy! Good things.

Veteran filmmaker Julia Verdin is a multi-hyphenate - she is known as an accomplished producer, award-winning Director and has written a number of screenplays. Having been in the film business for 30 years, Julia has established herself as one of Hollywood's leading independent producers, with over 36 critically acclaimed feature films produced to date. She founded and has been running Rough Diamond Productions since 1995.Some of the memorable, acclaimed theatrical releases and top film festival favorites Julia has produced, includes 2 Jacks, directed by Bernard Rose: the film starred Danny Huston, Jack Huston, Sienna Miller, Jacqueline Bisset, and Billy Zane; Stander, directed by Bronwen Hughes starring Thomas Jane, Deborah Unger, Dexter Fletcher, and David O'Hara; Sony Pictures Classics released The Merchant of Venice, directed by Michael Radford, starring Al Pacino, Jeremy Irons, and Joseph Fiennes; and Riding The Bullet based on a Stephen King story, directed by Mick Garris, and starring David Arquette, Jonathan Jackson, Erica Christensen, and Barbara Hershey. Julia's faith-based film, The Least Among You was a Lionsgate release, starring Lou Gossett Jr., Lauren Holly, and William Devane, and featured in major festivals, being nominated for two N.A.A.C.P awards. Julia also Executive Produced the 2015 Lionsgate release Born of War, directed by Vicky Jewson, starring James Frain and Sophia Black D'Elia.Julia's films have been selected for many major film festivals including Sundance, Toronto, Venice, AFI, Raindance, Vancouver International, and London. As a director, her former acting background has given her the tools to support her actors and bring out amazing performances, and her producing background enables her to stay on budget while bringing out the best creative results.

Olive McGloin and Darrell Johnson don't seem content with straightforward thru-hikes, they tend to go for the YOYO. That is: they turn around and head back the way they've come to complete double thrus in a season. Olive has YOYO'd the Triple Crown, with Darrell almost complete in that endeavor. Their remarkable story has, I'm afraid, been beset by some technical difficulties on my part, but their story is so fascinating that I wanted to tell it. You can follow along with their adventures through Instagram at Instagram (@oudarrell) Mark Carpenter returns to the show with his reflections on his 2023 thru-hike after the benefit of a couple of months back home. If you like what we're doing on the Hiking Radio Network, and want to see our shows continue, please consider supporting us with either a one-off or monthly donation. You'll find the donate button on each Hiking Radio Network page at https://www.hikingradionetwork.com If you prefer NOT to use PayPal, you can now support us via check by mailing it to Mighty Blue Publishing, PO Box 6161, Sun City Center, FL 35751. Any support is gratefully received. If you'd like to take advantage of Steve's Trail Days book offer (all three of his printed hiking books for $31, including postage to the United States) send a check payable to Mighty Blue Publishing at the address just above.