Podcasts about 'april

DAVID GAUSA presents SUTIL SENSATIONS RADIO / N#399 TRACKLIST JUNE 11th 2021 / 11 JUNIO 2021 Meduza feat. Elroii 'Headrush' - Insomniac John Summit & Parachute Youth 'Better Than This' - Sweat It Out MK 'Chemical' - Columbia Tibasko 'The One' - Another Rhythm / Threesixzero Boys Noize 'All I Want' (Purple Disco Machine Remix) - Defected Jungle 'Keep Moving' (The Blessed Madonna Remix) - Caiola Records / AWAL Cinthie 'City Lights' - Aus Silly Boy Blue 'The Riddle' (Yuksek Remix) - Columbia France Jay de Lys, Piem 'Intentions' - Moon Harbour Honey Dijon feat. Annette Bowen & Nikki-O 'Downtown' - Classic --- TEMA DE LA SEMANA / TRACK OF THE WEEK Shouse 'Love Tonight' (Vintage Culture & Kiko Franco Remix) - Hell Beach --- SIDEPIECE 'Acrobatic' - Insomniac Shermanology 'Boyz N Da Club' - DEAUPE Tim Taylor (UK) 'Do You Like...' - Hot Creations MD X-Spress 'God Made Me Phunky' (10 Years Of Eats Everything Extended Remix) - Defected AZETE 'In My Head' - Saved Maur 'Deep Inside' - Sola ABSOLUTE. ft. Regal Jason 'Convalesce' (taken from 'Wonderland' mixtape) - Skint / BMG --- THE LAIDBACK ROOM / LA SALA 2 Solomun feat. Jamie Foxx 'Ocean' (taken from 'Nobody Is Not Loved' new artist album) - NINL Diplo feat. Elderbrook & Andhim 'One By One' (Sofia Kourtesis Remix) - FFRR / Higher Ground Fred Again.. 'Sabrina (I Am A Party)' (taken from 'April 14 - December 17 2020' LP) - again..Records Keinemusik (Rampa, &ME and Adam Port) feat. Cubicolor 'Before The Flood' - Keinemusik --- DAVID GAUSA IN THE MIX: #CANELAFINA TAKEOVER Rampa 'The Church' (taken from 'Monday Dreamin' Blue EP) - Circoloco Records Joseph Ashworth 'Cobalt' (taken from Episode 8' EP) - Siamese (UK) Musumeci, Enzo Elia feat. Stefano Proietti 'The More I Feel' (taken from 'Discoteca Italiana' EP) - Multinotes Elninodiablo 'Dorothea's Rainbow' (Elninodiablo Riding The Rainbow Remix) - El Nino Diablo Music Gorge & Marc Lenz 'Yuna' - 8Bit Catz 'n Dogz 'Existential Perfection' - Diynamic Shouse 'Love Tonight' (Oliver Huntemann Remix) - Hell Beach Parra for Cuva 'Her Entrance' (Innellea's Interstellar Remix) - Parra for Cuva Cristoph x Yotto feat. Sansa 'Out Of Reach' - Pryda Presents Shannon 'Let The Music Play' (Alan Fitzpatrick's 6am Terrace Mix) - Unidisc EL CLSICO/ THE CLASSIC Shannon 'Let The Music Play' (Original 1983 Mix) - Emergency Records / Unidisc --- If you wants to know more about DAVID GAUSA, visit: Si quieres saber mas de DAVID GAUSA, visita: http://www.davidgausa.com http://instagram.com/davidgausa http://www.facebook.com/davidgausa http://twitter.com/davidgausa http://soundcloud.com/davidgausa http://www.mixcloud.com/davidgausa http://www.sutilrecords.com http://www.facebook.com/sutilrecords

The National Covid Memorial Wall on the bank of the Thames opposite the Houses of Parliament is an unofficial site of remembrance and reflection for the 150,000 or so individuals who've died from Covid. Artists and writers consider the role and design of memorials in the 21st century, from the poppies at The Tower of London in 2014 which toured the UK, to the recent controversy of the toppling of the Edward Colston statue in Bristol, and the proposed memorial to enslaved Africans and their descendants. Iraqi-American artist Michael Rakowitz discusses his new statue 'April is the Cruellest Month' which has just been unveiled in Margate, which he describes as both a memorial and a monument. Anne McElvoy and historian Kate Williams consider the changing culture and significance of memorials. Oku Ekpenyon recounts her struggle to create a new memorial to slaves whose labour brought wealth to the UK, and writer Spencer Bailey considers how architects across the world have responded to recent and historic tragic events in the last four decades. Presenter John Wilson Producer Jerome Weatherald

This week on the show we welcome friends from the world of television, film, sport and literature.Acting and writing superstar Domhnall Gleeson chats co-writing his brand new show 'Frank of Ireland' alongside his brother Brian.TV entertainment king Stephen Mulhern tells all about the third series of 'In For A Penny' on ITV.Professor Noel Fitzpatrick shares his experience with getting Covid twice and discusses his upcoming live virtual event 'How Animals Saved My Life'.And the hilarious Joe Pasquale talks about returning to the stage in his new play 'April in Paris'.Plus Dame Ellen MacArthur, Jon Culshaw, Matt Baker and David Croft.You can catch Chris and the team live weekdays 6:30am-10am on Virgin Radio UK.Be sure to subscribe to the podcast to hear the highlights every week.Domhnall Gleeson - 00:49Stephen Mulhern - 07:10Professor Noel Fitzpatrick - 13:18Dame Ellen MacArthur - 21:38Jon Culshaw - 28:02Joe Pasquale - 34:57Matt Baker - 41:52David Croft - 48:31 See acast.com/privacy for privacy and opt-out information.

The saying may be, 'April showers may bring you flowers'. With this call, we think it is, 'April taxes bring you May accountants'. Are you one of those who have gathered all of your tax information in the first quarter of the year and given it to your accountant? Did you also sit with your accountant during that time and discuss your taxes? Our guest for May's conversation, Mike McCormick, CPA, tells us this may be the wrong arrangement. Mike says you should visit with the accountant after the tax season to determine how you can learn from what happened last year as well as what has happened in the first few months of the current year. Listening to what Mike has to say may change the way you do business with your accountant.

AFAM est un acronyme désignant les «géants du web» ou «The Big Five»: Google, Apple, Facebook, Amazon et Microsoft. La puissance de ces géants inquiète et les scandales se multiplient : vol de données, diffusion de fausses nouvelles et de contenu haineux, perpétuation de biais discriminatoires, enfermement dans les chambres d'échos... Après l'exécutif, le législatif, le judiciaire et les médias, les GAFAM? Quel pouvoir ont-ils sur nos vies? Invitée : Edlira (Eda) Nano, informaticienne, membre de La Quadrature du Net et membre du conseil d'administration (CA) de l'APRIL. Animateur : Frédéric Mérand, directeur scientifique du CÉRIUM et professeur de science politique à l’Université de Montréal Producteur délégué : Alain Saulnier Directeur technique : Mario Jacob Journalistes à la recherche : Meryem Bezzaz et Emma Guerrero Dufour Monteur : Alex Champagne

Na zijn trilogie over de Bloomsbury-groep rond schrijfster Virginia Woolf stortte Rindert Kromhout zich op de markante Duitse schrijversfamilie Mann. In de 34ste aflevering van De Grote Vriendelijke Podcast praten kinderboekrecensenten Jaap Friso (JaapLeest.nl) en Bas Maliepaard (Trouw) met hem over zijn trilogie over schrijver Klaus Mann (foto rechts), zoon van Nobelprijswinnaar Thomas Mann. In 'Een Mann', 'En ik was zijn held' en 'De naam van mijn vader' (Leopold 15+) vertelt Rindert hoe Klaus gebukt ging onder de schaduw van zijn beroemde vader, maar ook hoe hij opstond tegen de nazi's en hoe hij worstelde met zijn drugsverslaving en moeizame liefdesleven.We spreken met Rindert over de stapels boeken die hij van en over de Mann's las, de plekken die hij bezocht, en hoe hij uit die berg research een trilogie boetseerde. En over hoe hij ging houden van Klaus. Aan het eind heeft Rindert bovendien nog een primeur voor ons: hij werkt aan een boek samen met zijn goede vriendin Tonke Dragt!In deze aflevering praten we kort over zelfmoord. Denk je aan zelfdoding? Praat erover, bijvoorbeeld via deze websites/telefoonnummers: 0900-0113 (Nederland) of 1813 (België).Verwijzingen in de afleveringHet filmpje waarin ons de Dutch Podcast Award wordt uitgereikt is hier te bekijken. De Bloomsbury-trilogie van Rindert Kromhout bestaat uit deze titels: 'Soldaten huilen niet', 'April is de wreedste maand' en 'Vertel me wie wij waren' (Leopold 15+). De autobiografie van Klaus Mann, Rinderts startpunt in zijn onderzoek, heet 'Het keerpunt' (privé-domein 87, De Arbeiderspers, 15+). De villa van de familie Mann in München is hier te bekijken. De lesbrief die Rindert schreef bij zijn kunstenaarsromans is hier te downloaden.Besproken boeken 'Samen zijn we thuis'Stephanie Parsley LedyardTekeningen: Chris SasakiVertaling: Jaap RobbenGottmer 3+'Toen ik de sterkste was'Jason ReynoldsVertaling: Maria PostemaBlossom Books 14+'Het Jungleboek'Daan Remmerts de Vries (naar Rudyard Kipling)Tekeningen: Mark JanssenVolt 6+

Time to get to this Mailbag! Why are flip-flops called 'thongs'? When people write the date as '7 April' or 'April 7', do they also say it that way? Why do we add 'up' to verbs like 'cut up' or 'eat up'? Why do some words have opposite meanings?

Co praat in deze aflevering met pianist Brad Mehldau over zijn album 'April 2020' dat gisteren zonder aankondiging verscheen. Ook spreekt hij Sanne Rambags over haar nieuwe label 'Sonna Records', en Mike Bindraban over hoe het nu gaat met de petitie Liefde Voor Muziek. Verder spreekt Co met Ed Wubbe en Michiel Borstlap over het wegvallen van subsidie voor Scapino Ballet. In deze uitzending ook muziek van de Valvetronic Brassband, Bonsai Panda en de Red Light Jazz Society.

Co praat in deze aflevering met pianist Brad Mehldau over zijn album 'April 2020' dat gisteren zonder aankondiging verscheen. Ook spreekt hij Sanne Rambags over haar nieuwe label 'Sonna Records', en Mike Bindraban over hoe het nu gaat met de petitie Liefde Voor Muziek. Verder spreekt Co met Ed Wubbe en Michiel Borstlap over het wegvallen van subsidie voor Scapino Ballet. In deze uitzending ook muziek van de Valvetronic Brassband, Bonsai Panda en de Red Light Jazz Society.

'April 7, 1969' by Richard Brautigan read by Emma Astner. 'April 7, 1969' first appears in the collection, 'Rommel Drives on Deep Into Egypt' published by Delacorte Press/Seymour Lawrence in 1970. A transcript can be found at https://jonathanleeb.tumblr.com/post/12340199131/richard-brautigan-april-7-1969/amp More from Emma Astner can be found at https://www.instagram.com/emma.astner/?hl=en

'April is the cruellest month' dichtte T.S. Eliot. Dat had misschien te maken met de Eerste Wereldoorlog en de verscheurde psyche van de moderne mens (wie zal het zeggen?), maar in deze uitzending verkennen we een prozaïscher aspect van de wreedheid van het voorjaar: hooikoorts. Aafke praat over kelen, pollen en neuzen met Bas van Geel, universitair hoofddocent paleo-ecologie, en Wytske Fokkens, hoogleraar keel-, neus- en oorheelkunde.

The Attorney General on the 'difficult birth' of Brexit, talking to Corbyn and why 'April is the cruellest month'

It’s a wonder how Caitlin Ledoux did it, given that she operates with the same 24 hours a day, the same seven days a week, as the rest of us. There she was, working full-time at Lululemon. There she was, coaching two or three club teams and a high school team. There she was, playing full-time professional beach volleyball, making three quarterfinals and her first career Sunday in Hermosa Beach, capping the year as the AVP’s Most Improved player. “I worked a lot,” she said on SANDCAST: Beach Volleyball with Tri Bourne and Travis Mewhirter. “Literally seven days a week coaching for four hours a day. That’s what I mean. I was overworked, I was exhausted, my body was struggling to keep up with what I was doing mentally, physically, everything. I just needed to hit that reset button.” On the court, 2017 had been her most successful year. Off it, it had been both mentally and physically debilitating, something that didn’t go unnoticed by her partner for the final three tournaments, Maria Clara Salgado. “She knew I was struggling here with my nutrition and my workouts and my working, I had been working a ton. It was too much. She said ‘Come down to Brazil, let’s see what works for you, because what you’ve been doing isn’t really working. Let’s put the reset button on and see if it works.’” And so, for three months of the “off-season,” Ledoux went to Brazil, getting reps six days a week from four different coaches. She switched her weight routine, swapping out Olympic lifting for more functional movements. She overhauled her nutrition. “It was the first time I’ve ever felt like a professional athlete,” said Ledoux, who has been playing professionally since she first qualified on the AVP in 2012. “That was career changing. It was amazing.” Indeed, it seems it has been career-changing. This year, Ledoux has arguably the best case to again take home the AVP’s Most Improved Player, making the quarterfinals in New York with Salgado before getting the call of a lifetime, from perhaps the most dominant female player in the game today: April Ross. "It was pretty funny because in New York she texted me and said 'Hey I need a practice partner for these days, can you practice with me?' And I had never played or practiced with her so I was stoked to practice with her for two days," Ledoux said. "And I was in the car with my mom and she texted me and I said 'Mom! Guess what just happened?' And she said 'April asked you to play.' And I said 'Yes!' It was awesome."  With Ross playing behind her block, Ledoux made her first final, which may be the match of the year on the AVP thus far, a 21-19, 19-21, 16-18 loss to Emily Day and Betsi Flint. Two weeks later she did it again with Geena Urango, making her third career Sunday and second straight losing once more to Day and Flint in the finals, 17-21, 21-16, 7-15. Another three weeks after that, in Hermosa, Ledoux was back on a Sunday, falling in three to Ross and Alix Klineman, 14-21, 21-18, 9-15. “A lot of it is just personal growth about myself and having the right support system around myself the last year and a half,” Ledoux said of her blink-and-you-missed-it rise. “Having that support system and the coaches and helping you figure out what you need to do, I’d say that honestly is the biggest thing.” What you need to do. It’s a simple concept for Ledoux. Identify what your goal is. Figure out the next step. Just do. Olympics, she knew, has been her goal since she was a little girl. How would one get into the Olympics? Travel. A lot. With no promises of a return anytime soon. So there her and Irene Pollock went, jet-setting across the world, beginning in Russia of 2014. Over the next three years, they went to 16 FIVBs in 10 different countries, qualifying in some, whiffing on others, taking every risk they could, because there were goals to reach and one ladder to get there. Just go. “It was hard, but the same time it wasn’t,” Ledoux said. “Irene and I had the same goal and that’s to make the Olympics and we knew that was what we needed to do. We needed to just drown ourselves in all the experience of traveling and losing and having to play these single elimination matches to get that experience. I look back on that year and it was a very draining year but I also learned a lot. “When you look at the end game: what’s your goal? I had to do it. It’s a no-brainer.” And sure, it may have been rough for a while. There may have been a learning curve on how to travel internationally, particularly when doing so in, say South Africa. The investment is beginning to see returns, dividends in the form of a bronze medal (in China with Sarah Sponcil), a silver (in Australia with Jace Pardon) and a gold (in Thailand with Emily Stockman). “I think there’s probably a more responsible way to do it than the way I did it,” Ledoux said of climbing the ranks of the FIVB. “But I’ve really enjoyed my life the last five years of just doing it and saying yes to a bunch of experiences. One of the cool things about this career is I look back on the last five years and all of the crazy memories I have of going to all of these places and a lot of times I had fun because we lost out super early and we didn’t know how to book flights yet so we’d book our flight home a week or week and a half in these places and we lost on the first day and now we have a week in South Africa and it’s ‘What do we do?’ “I look back on these last five years and I wouldn’t change anything. If you’re looking to just start, I would say set your goal and jump in.”

"'April 3 - Dear Frieda - Listen - I feel comfortable telling you everything in person with the exception of how I met Jack...'  Chapter TWELVE Day 2 (The Letters/Dead Sea Scroll) -  By Listener Request, may I humbly Introduce To YOU 'Dear Prudence' by ME... Amanda G. - A LIVE READING, chapter by chapter... from the horse's mouth! Please Tune In and ENJOY!  'Dear Prudence' Radio - Life Advice to Help YOU Cope!"Please join Amanda Grieme, Author of “Dear Prudence,” Motherhood Made ME Get Over MYSELF: A Metamorphosis, and former English/Creative Writing Educator. Amanda LIVES with Bipolar Disorder choosing writing as her catharsis and creative medium to help others. Her life experience with mental illness, self-medication will lend listeners invaluable, often quirky life advice. Tune in to share in life's struggles, folly, laughter, tears… idiosyncratic oddities… cradled by eclectic music selections.“Dear Prudence” Radio – Life Advice to Help YOU Cope will provide you with entertaining and informative fodder about life stuff, backed by research, justified by public opinion… and humbled by ill-experience. Check Out the NEW video trailer:http://youtu.be/PBQ3TADwSyQBooks:https://www.createspace.com/4714654http://www.eloquentbooks.com/dearprudence.htmlDear Prudence Column: http://www.newjerseynewsroom.comAbout The Host:  http://amandagrieme.hubpages.com/hub/GREAT-READS-BY-NEW-AUTHORS-CHECK-THEM-OUT-HERE

"As one White House official put it off the record, 'April is all nukes all the time.'" On April 8, 2010, the new Strategic Arms Reduction Treaty (START) was signed in Prague.   On this edition of Tell Somebody, Alicia Dressman, a volunteer with the Greater Kansas City Chapter of Physicians for Social Responsibility and PeaceWorks KC explains some of the issues related to START and how this is relates to the U.S. Nuclear Weapons Complex and Kansas City's prominent role in the complex. To download a copy of the audio file of this show, right click on the .mp3 filename below and select "save target as", or you can subscribe to the podcast, for free, at the iTunes store or other podcast directory. Comments or questions to mail@tellsomebody.us