Podcasts about African

The fighting in Burma during the Second World War was among the most demanding of the entire conflict. Soldiers faced dense jungle, monsoon rains, disease, and a determined enemy — conditions that made the campaign both brutal and complex. Yet for decades, Burma remained one of the least remembered theatres of the war. The men who fought there — British, Indian, African, and Burmese — became known as the "Forgotten Armies." A new exhibition at the National Army Museum in London, Beyond Burma: Forgotten Armies, seeks to change that. It explores not only the campaign itself but also the wider human and political stories that emerged from the fighting in Southeast Asia. In this episode of the WW2 Podcast, I visit the museum to speak with Dr Alan Jeffreys, Head of Equipment and lead curator of Beyond Burma. We discuss the exhibition, its themes, and the challenge of bringing this complex history to life.   patreon.com/ww2podcast  

This week Max Perry Mueller drops in to talk about Wakara, a Ute man who shaped the modern American West. We also talk about the complexities of Native American identity, the impact of Manifest Destiny, and the ethical considerations in writing Native history. Max also highlights the importance of cultural exchange, environmental stewardship, and the ongoing struggles for repatriation and rematriation of Indigenous remains.About our guest:Max Perry Mueller (PhD, Harvard University) is an assistant professor in the Department of Classics and Religious Studies. He is also a fellow at the Center for Great Plains Studies and teaches in the Department of History, the Honors Program, and the Global Studies program.Mueller is a theorist and historian of race and religion in American history, with particular interest in Indigenous and African-American religious experiences, epistemologies, and cosmologies. The central animating question of his scholarship is how the act of writing—especially the writing of historical narratives—has affected the creation and contestation of "race" as a category of political and religious division in American history.His first book, Race and the Making of the Mormon People (The University of North Carolina Press, 2017), examines how the three original American races—"red," "black," and "white"—were constructed as literary projects before these racial categories were read onto bodies of Americans of Native, African, and European descent. Choice described Race and the Making of the Mormon People as an "outstanding analysis of the role of race among Mormons." The book was featured in The Atlantic and Harvard Divinity School Bulletin and has been taught at, among others, Princeton, Harvard, and Stanford Universities. His next book, Wakara's America, will be the first full-length biography of the complex and often paradoxical Ute warrior chief, horse thief, slave trader, settler colonist, one-time Mormon, and Indian resistance leader.Mueller's research and teaching also connect with his public scholarship. Mueller has written on religion, race, and politics for outlets including Slate, The New Republic, and The Atlantic. He also co-founded Religion & Politics, the online journal of the John C. Danforth Center on Religion & Politics at Washington University in St. Louis, whose mission is to bring the best scholarship on religion and American public life to audiences beyond the academy.

Episode 202 with Melissa Mbugua, East Africa Partnerships Lead at Radio Workshop. Melissa Mbugua leads partnerships across East Africa at Radio Workshop, an award winning organisation that trains young people across the continent to create powerful radio programmes and podcasts. Through storytelling, Radio Workshop equips youth with the skills, tools and confidence to inform their communities, influence public dialogue and shape Africa's future from the ground up.In this episode, Melissa shares how Radio Workshop is building a new generation of African journalists, storytellers and community leaders by supporting youth led audio storytelling. She reflects on the organisation's work training over 5,000 youth reporters across 100+ radio stations and reaching millions of listeners across Africa through local broadcasts and a globally recognised podcast.Drawing on her experience across East Africa, Melissa explores how radio remains Africa's most trusted and accessible medium, particularly in reaching underserved and rural communities. She discusses how youth led storytelling is being used to address critical social and economic issues such as mental health, education inequality, climate change and civic participation, while creating pathways for young people to develop leadership, communication and critical thinking skills.What We Discuss With Dr MercyMelissa Mbugua's journey into youth empowerment and partnerships at Radio Workshop and her role in expanding its impact across East Africa.How Radio Workshop trains youth to produce radio programmes and podcasts across Africa.Why radio continues to play a vital role in informing communities and strengthening civic participation.How youth led storytelling addresses major social and development challenges in Africa.The future of youth driven media and storytelling in East Africa and across the continent.Did you miss my previous episode where I discuss Fighting Misinformation and Advancing Health Literacy and Journalism in Africa? Make sure to check it out!Connect with Terser:LinkedIn - Terser AdamuInstagram - unlockingafricaTwitter (X) - @TerserAdamuConnect with Melissa:LinkedIn - Melissa Mbugua and Radio WorkshopMany of the businesses unlocking opportunities in Africa don't do it alone. If you'd like strategic support on entering or expanding across African markets, reach out to our partners ETK Group: www.etkgroup.co.ukinfo@etkgroup.co.uk

"Women like this really do exist."The Real Housewives reality TV franchise has become one of America's biggest cultural exports. But what happens when this franchise lands in Africa?In this episode of Limitless Africa, hosts Claude Grunitzky and Dimpho Lekgeu speak with Portia Hlubi, producer of The Real Housewives of Johannesburg, Durban, Cape Town and Lagos, and Eugene Mbugua, executive producer of The Real Housewives of Nairobi. Together, they unpack how the franchise's glamor and drama are being reimagined by African producers. From casting and cultural nuance to conflict style and aesthetics, this episode explores the behind-the-scenes decisions that make the show work across African cities.Plus: The difference between the Real Housewives in Joburg and Lagos.

It's the dry season on the African plains and it hasn't rained for months, so a warthog, a hippo and a rhino set out on a search for a greener land.Written especially for this podcast by Alice.  If you enjoyed this story, please do leave us a review.  And, if you'd like to suggest an animal for a future Animal Tales story, you can do so by emailing podcast@animaltales.uk. We would love to hear from you.  Animal Tales Books!Collections of Animal Tales children's stories are available to buy exclusively at Amazon. Simply search for Animal Tales Short Stories or follow this link: https://www.amazon.co.uk/dp/B0CLJQZ9C9?binding=paperback&ref=dbs_dp_sirpi Become a PREMIUM SubscriberYou can now enjoy Animal Tales by becoming a Premium Subscriber. This gets you:All episodes in our catalogue advert freeBonus Premium-only episodes (one per week) which will never be used on the main podcastWe guarantee to use one of your animal suggestions in a storyYou can sign up through Apple Podcasts or through Supercast and there are both monthly and yearly plans available.   Discover a brand new story every Monday, Wednesday and Friday – just for you!  You can find more Animal Tales at https://www.spreaker.com/show/animal-tales-the-kids-story-podcastA Note About The AdvertsIn order to allow us to make these stories we offer a premium subscription and run adverts. The adverts are not chosen by us, but played automatically depending on the platform you listen through (Apple Podcasts, Spotify, etc) and the country you live in. The adverts may even be different if you listen to the story twice.We have had a handful of instances where an advert has played that is not suitable for a family audience, despite the podcast clearly being labelled for children. If you're concerned about an advert you hear, please contact the platform you are listening to directly. Spotify, in particular, has proven problematic in the past, for both inappropriate adverts and the volume at which the adverts play. If you find this happening, please let Spotify know via their Facebook customer care page. As creators, we want your child's experience to be a pleasurable one. Running adverts is necessary to allow us to operate, but please do consider the premium subscription service as an alternative – it's advert free.

Show Notes:https://hutchinscenter.fas.harvard.edu/henry-louis-gates-jrhttps://german.fas.harvard.edu/people/maria-tatar https://www.instagram.com/p/DM-bkiayu7R/ https://www.youtube.com/watch?v=T9EgvKJekrA All stories read from “Annotated African American Folktales” Edited by Henry Louis Gates Jr and Maria TatarStory 1: Flying African's on page 83. The original source is from Petronella Breinburg, “Sjaki and the flying slaves” in Legends of Suriname. Story 2: The skull that talks back, on page 116. Originally sourced from “Mules and Men” by Zora Neal Hurston.Story 3: John and the Blacksnake on page 129. Originally sourced from Harold Courlander's “A treasure of Afro-American Folklore”

Andrew Mwenda joins The Long Form to reveal the truth behind the Uganda–Rwanda standoff, Museveni's long-term strategy, Kagame's leadership style, and the lies that pushed two nations to the brink. We explore regional power, misinformation, elite diplomacy, and the future of East African politics. Essential listening for anyone interested in Uganda, Rwanda, elections, journalism, governance, and Pan-African leadership.Consider supporting this podcast via our Momo code 95462 or directly to our phone number: +250 795462739 Visit Sanny Ntayombya's Official Website: https://sannyntayombya.com

Will the recent deadly fire at a housing complex in Hong Kong - and the angry response to it - have an impact on today's elections to the Legislative Council? Also on the programme: a failed coup attempt in the west African country of Benin; we'll be in Syria - a year on from the ousting of the Assad regime - and the prison diaries of Nicolas Sarkozy - written after a mere three weeks behind bars.(Image: A voter checks on the candidates at a polling station in Tai Po during the Legislative Council general election in Hong Kong on December 7, 2025. Credit: Reuters/Lam Yik)

Please help us! For Giving Tuesday and the giving season, please consider helping us keep the podcast going. Any amount helps! Give just a little to keep us going. We make no money from this, we just do this for you as we do it with you! Thank you so much. How to pay: Venmo @julianne-muhlesteinZelle using the email TheScripturesAreReal@gmail.comChecks can be made personally, or through a DAF toEnlighten Educational Experience or to Edifying Educational Experience 1935 N. 600 E Orem, UT 84097The EIN is 99-3778038 If another method would work better for you, please email us at TheScripturesAreReal@gmail.comYour donation is tax deductible and will make a huge difference in allowing us to continue and spread our work. Thank you!In this episode Kerry interviews Marcus Martins, who was the first missionary for the Church of African descent and whose father was the first General Authority of African descent. Marcus outlines how they came into the gospel and why they stayed when they could not participate in all ordinances and when people said hurtful things. His testimony and explanation are real, and are powerful Don't miss this!We are grateful for our executive producers, J. Parke, D. Watson, D. Van Blerkom, the Dawsons, M. Cannon, M. Rosema, B. Fisher, J. Beardall, D. Anderson, and H. Umphlett, and for all our generous and loyal donors. We are also very grateful for all our Patreon members. We are so thankful for Beehive Broadcast for producing the podcast and for Rich Nicholls, who composed and plays the music for the podcast.

Please hit Subscribe and tell Somone about the show. Click here to go to our Facebook page. https://www.facebook.com/222paranormal Click here to see Jens Book. https://a.co/d/0CFyrFm Click here to see Joe's Book. https://a.co/d/583VdkN Click here to save on Clothing and home goods.   In this week's episode of the 222 Paranormal Podcast, we dive deep into the mysterious and powerful world of the mojo hand — one of the most iconic tools in Hoodoo and American folk magic. You've heard it in blues music, seen it referenced in Southern folklore, and maybe even spotted one tucked away in an old attic or antique store. But what exactly is a mojo hand? And why do so many people believe it has the ability to change someone's luck, protect against harm, or alter the course of a person's life? We explore the origins of mojo hands, tracing them back to the spiritual blends of African, Native American, and European traditions. Traditionally made from red flannel and containing a carefully selected collection of roots, herbs, stones, coins, personal items, or written petitions, a mojo hand is believed to be more than an object — it is treated as a living spiritual tool that must be fed, respected, and kept hidden from others. Once touched or opened by someone else, the mojo's power is said to fade… or even turn against the owner. This episode takes listeners into the heart of blues culture, where musicians like Muddy Waters and Lightnin' Hopkins famously sang about keeping their "mojo working." We explore why so many blues legends depended on these magical charm bags and how the tradition shaped parts of Southern music and identity. We also share compelling stories from folklore and modern encounters, including the unnerving tale of a gambler whose luck skyrockets — until someone touches his mojo hand and his life unravels in days. You'll hear accounts from listeners who've found mojo bags tucked behind walls or under floorboards, along with chilling experiences that followed. We also uncover darker uses of mojo hands such as hot foot spells, hexing bags, and graveyard-consecrated charms meant to bind, confuse, or torment. Throughout the episode, we break down different types of mojo hands — love hands, money hands, protection hands, and more — and discuss how rootworkers historically crafted each one with intention and spiritual purpose. We also examine why mojo hands are still widely used today, how genuine rootworkers create them, and why mass-produced versions are considered both disrespectful and powerless. As we close, we reflect on the deeper meaning behind these charm bags: the belief in personal empowerment, the connection to ancestors and heritage, and the mysterious blend of psychology, intention, and spiritual energy that continues to draw people toward folk magic. If you've ever found or used a mojo hand — or have your own experiences with magical objects — we invite you to share your stories with us. This is one episode where the supernatural meets culture, music, and mystery… so keep your mojo working and stay spooky!   Welcome to the 222 Paranormal Podcast, your gateway to the captivating world of the supernatural. Immerse yourself in our expertly crafted episodes, where we delve deep into a wide range of paranormal phenomena, including ghostly hauntings, cryptid sightings, and unexplained mysteries that defy logic. Each episode is meticulously researched and features engaging discussions with leading experts, seasoned ghost hunters, and renowned paranormal investigators. We cover the latest advancements in ghost hunting technology, offer practical tips for both amateur and experienced investigators, and review essential equipment for your paranormal adventures. Our podcast also explores the rich history of haunted locations, sharing true stories and firsthand accounts that will send chills down your spine. Whether you're a die-hard fan of the paranormal or just curious about the unknown, our content is designed to entertain, inform, and ignite your imagination. Stay tuned as we uncover secrets from the most haunted places around the world and analyze the most intriguing supernatural events. We also provide in-depth interviews with notable figures in the field and explore theories that challenge conventional understanding of reality. By subscribing to our Paranormal Podcast, you'll stay updated with the latest episodes, allowing you to join a community of like-minded individuals who share your fascination with the unexplained. Don't miss out on our exclusive content and special features, which bring you closer to the mysteries that lie beyond our everyday experiences. Dive into the world of the unknown with our Paranormal Podcast and experience the thrill of discovering what lies just beyond the veil of reality.

In An Unformed Map: Geographies of Belonging Between Africa and the Caribbean (Duke UP, 2025), Philip Janzen traces the intellectual trajectories of Caribbean people who joined the British and French colonial administrations in Africa between 1890 and 1930. Caribbean administrators grew up in colonial societies, saw themselves as British and French, and tended to look down on Africans. Once in Africa, however, they were doubly marginalized—excluded by Europeans and unwelcome among Africans. This marginalization was then reproduced in colonial archives, where their lives appear only in fragments. Drawing on sources beyond the archives of empire, from dictionaries and language exams to a suitcase full of poems, Janzen considers how Caribbean administrators reckoned with the profound effects of assimilation, racism, and dislocation. As they learned African languages, formed relationships with African intellectuals, and engaged with African cultures and histories, they began to rethink their positions in the British and French empires. They also created new geographies of belonging across the Atlantic, foundations from which others imagined new political horizons. Ultimately, Janzen offers a model for reading across sources and writing history in the face of archival fragmentation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In last night's PH Journals podcast, I unpacked one of the biggest recent shifts in African game regulations: the Bontebok has officially been removed from CITES Appendix II. In this episode, I break down: • What the CITES delisting actually means • How this affects the South African hunting industry • Why export becomes easier — but not completely unrestricted • Whether Bontebok trophies can now be imported into the United States • The difference between CITES rules and U.S. ESA regulations • Why hunters should still be cautious about assuming “permit-free” imports • What this could mean for conservation, game farms, and future management This is a crucial moment for landowners, outfitters, PHs, and international hunters — and the implications go far beyond one species. If you want to understand where the industry is heading, this episode is a must-watch.

In last night's PH Journals podcast, I unpacked one of the biggest recent shifts in African game regulations: the Bontebok has officially been removed from CITES Appendix II. In this episode, I break down: • What the CITES delisting actually means • How this affects the South African hunting industry • Why export becomes easier — but not completely unrestricted • Whether Bontebok trophies can now be imported into the United States • The difference between CITES rules and U.S. ESA regulations • Why hunters should still be cautious about assuming “permit-free” imports • What this could mean for conservation, game farms, and future management This is a crucial moment for landowners, outfitters, PHs, and international hunters — and the implications go far beyond one species. If you want to understand where the industry is heading, this episode is a must-watch.  

Music Time in Africa is VOA's longest running English language program. Since 1965 this award-winning program has featured pan African music that spans all genres and generations. Host Heather Maxwell keeps you up to date on what's happening in African music with interviews and cultural information.

In this episode, we are joined by Oscar Scafidi, a Guinness World Record–holding adventurer, author, and expert on some of the most remote regions of Africa. Oscar recently released his new book, Kayak the Mangoky, which chronicles his expedition to paddle the length of Madagascar's longest river. Oscar shares how a “random” decision to take a teaching job in Sudan changed the entire direction of his life, sparking a 20-year journey living, working, and traveling across 35 African countries. He opens up about misconceptions that keep travelers away from places like Angola, Equatorial Guinea, and Madagascar — and why those stereotypes are outdated and unfair. Oscar also tells the full story behind the Mangoky expedition: navigating bureaucratic obstacles, trekking through remote mountain ranges, facing immense portages due to rapids and croc-filled canyons, and hiking for nine days without water resupply. With satellite maps from the 1980s, confusing tributaries, and no agreed-upon “official” river source, finding where to start the expedition was an adventure in itself. Through this intense journey, Oscar reflects on resilience, teamwork, risk, and why community support — not macho heroics — is what makes expeditions succeed. The episode also highlights Oscar's charity work supporting Malagasy children in rural education.  

Send us a textCoffee may nudge biology, but only within limits. We dig into new research suggesting that three to four cups a day align with longer telomeres for people with severe mental illness, then challenge the hype with the caveats that matter: observational design, smoking as a confounder, wildly different cup sizes and brew methods, and the reality that more caffeine can erase potential benefits. We translate the science into practical guidance—why moderation beats megadoses, how 400 mg per day became a sensible upper bound, and where sleep and stress fit into the bigger picture of healthy aging.Then we pivot to a feline mystery that spans millennia. Long before house cats padded through Chinese homes, leopard cats were the stealthy mousers around early settlements, drawn by grain and the rodents it attracts. Using mitochondrial DNA from ancient remains—paired with clues from art—we trace the species shift around the eighth century as domestic cats, descended from the African wildcat, traveled the Silk Road and found their place beside people. Tameness, tolerance, and a knack for living close to humans helped them outcompete their wild cousins in a world reshaped by trade and urban life.Across both stories runs one thread: human routines create niches that biology rushes to fill. Our cups change our days at a cellular level, and our granaries and roads alter which animals share our spaces. If you love clear science, a bit of myth-busting, and the unexpected link between breakfast and ancient history, you'll feel right at home here. If this resonated, follow the show, share it with a friend who loves coffee or cats, and leave a quick review—what surprised you most?Here is the link to all our socials and stuff!!!Support the showFor Science, Empathy, and Cuteness!Being Kind is a Superpower. All our social links are here!

The U.S. and the DR Congo signed a landmark deal on critical minerals during President Félix Tshisekedi's visit to the White House this week. The pact provides the U.S. with extraordinary access to the Congolese mining sector and is widely expected to inhibit Chinese mining companies in the DRC from expanding their operations. CGSP Africa Editor Géraud Neema joins Eric & Cobus to break down the details of the deal and explain why what happened in the DRC could set a dangerous precedent for Chinese mining operations in other African countries. JOIN THE DISCUSSION: X: @ChinaGSProject | @eric_olander | @stadenesque | @christiangeraud Facebook: www.facebook.com/ChinaAfricaProject YouTube: www.youtube.com/@ChinaGlobalSouth Now on Bluesky! Follow CGSP at @chinagsproject.bsky.social FOLLOW CGSP IN FRENCH & SPANISH:  French: www.projetafriquechine.com | @AfrikChine Spanish: www.chinalasamericas.com | @ChinaAmericas JOIN US ON PATREON! Become a CGSP Patreon member and get all sorts of cool stuff, including our Week in Review report, an invitation to join monthly Zoom calls with Eric & Cobus, and even an awesome new CGSP Podcast mug! www.patreon.com/chinaglobalsouth

In An Unformed Map: Geographies of Belonging Between Africa and the Caribbean (Duke UP, 2025), Philip Janzen traces the intellectual trajectories of Caribbean people who joined the British and French colonial administrations in Africa between 1890 and 1930. Caribbean administrators grew up in colonial societies, saw themselves as British and French, and tended to look down on Africans. Once in Africa, however, they were doubly marginalized—excluded by Europeans and unwelcome among Africans. This marginalization was then reproduced in colonial archives, where their lives appear only in fragments. Drawing on sources beyond the archives of empire, from dictionaries and language exams to a suitcase full of poems, Janzen considers how Caribbean administrators reckoned with the profound effects of assimilation, racism, and dislocation. As they learned African languages, formed relationships with African intellectuals, and engaged with African cultures and histories, they began to rethink their positions in the British and French empires. They also created new geographies of belonging across the Atlantic, foundations from which others imagined new political horizons. Ultimately, Janzen offers a model for reading across sources and writing history in the face of archival fragmentation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Nigerian national women's football team were the first African team to reach the inaugural FIFA Women's World Cup Tournament in China in 1991. In 2023 Justice Baidoo spoke to Nkiri Okosieme – who captained the hastily assembled squad – and hears how they overcame opposition to claim their tournament spot. This programme is a Made in Manchester Production for the BBC World Service. Eye-witness accounts brought to life by archive and testimony. Sporting Witness is for those fascinated by sporting history. We take you to the events that have shaped the sports world through the eyes of the people who were there. For nine minutes, you become a fan in the stands as we take you back in time to examine memorable victories and agonising defeats from all over the world. You'll hear from people who have achieved sporting immortality, or those who were there as incredible sporting moments unfolded.Recent episodes explore the forgotten football Women's World Cup, the plasterer who fought a boxing legend, international football's biggest ever beating and the man who swam the Amazon river. We look at the lives of some of the most famous F1 drivers, tennis players and athletes as well as people who've had ground-breaking impact in their chosen sporting field, including: the most decorated Paralympian, the woman who was the number 1 squash player in the world for nine years, and the first figure skater to wear a hijab. You can learn all about fascinating and surprising stories, such as the tennis player who escaped the Nazis, how a man finally beat a horse in a race, and how the FIFA computer game was created.(Photo: Nigeria playing Germany in their first game at the tournament. Credit: TOMMY CHENG/AFP via Getty Images)

Rural traditions, from morris dancing to dry stone walling and tartan weaving, could be internationally protected by UNESCO. The government has launched its search for examples of living heritage to go onto an inventory.With dairy companies continuing to cut the prices they pay farmers for milk, the man appointed to ensure fairness and transparency in the UK agricultural supply chain says he'll be watching out for any breaches in the coming months. Richard Thompson is the first in the new adjudicator role, looking first at the dairy supply chain. His report says some farmers are still afraid to speak out in case of reprisals.The UK has temporarily banned all imports of pig products from Spain after an outbreak of African swine fever in wild boars there. It's Spain's first case since 1994. The disease is spread by ticks and can be devastating to commercial herds. The National Pig Association here says it's vital our government puts adequate controls at borders to keep the disease out.The first cases of bluetongue disease In Northern Ireland have been confirmed. Two cows on a farm in County Down have the disease with a further 44 in the same herd suspected of having it. A 20km control zone has been implemented around Bangor in County Down. There have been more than 200 cases in England and Wales since July this year, though none in Scotland so far. This year's summer drought has cost arable farmers in England an estimated £828 million. The think tank the Energy and Climate Intelligence Unit says crops were hit by a very hot spring and summer as well as the resulting lack of water.All week we've been looking at winter jobs, including hedge laying and tidying sheds.Presenter = Charlotte Smith Producer = Rebecca Rooney

In An Unformed Map: Geographies of Belonging Between Africa and the Caribbean (Duke UP, 2025), Philip Janzen traces the intellectual trajectories of Caribbean people who joined the British and French colonial administrations in Africa between 1890 and 1930. Caribbean administrators grew up in colonial societies, saw themselves as British and French, and tended to look down on Africans. Once in Africa, however, they were doubly marginalized—excluded by Europeans and unwelcome among Africans. This marginalization was then reproduced in colonial archives, where their lives appear only in fragments. Drawing on sources beyond the archives of empire, from dictionaries and language exams to a suitcase full of poems, Janzen considers how Caribbean administrators reckoned with the profound effects of assimilation, racism, and dislocation. As they learned African languages, formed relationships with African intellectuals, and engaged with African cultures and histories, they began to rethink their positions in the British and French empires. They also created new geographies of belonging across the Atlantic, foundations from which others imagined new political horizons. Ultimately, Janzen offers a model for reading across sources and writing history in the face of archival fragmentation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

In this episode of the African Five-a-side podcast, Maher Mezahi recaps the 2026 FIFA World Cup draw and what it means for African national teams.-----------------------This podcast is brought to you by: www.africasacountry.comFollow us on social media:https://twitter.com/AfricanFiveSidehttps://www.tiktok.com/@african.fiveaside

In An Unformed Map: Geographies of Belonging Between Africa and the Caribbean (Duke UP, 2025), Philip Janzen traces the intellectual trajectories of Caribbean people who joined the British and French colonial administrations in Africa between 1890 and 1930. Caribbean administrators grew up in colonial societies, saw themselves as British and French, and tended to look down on Africans. Once in Africa, however, they were doubly marginalized—excluded by Europeans and unwelcome among Africans. This marginalization was then reproduced in colonial archives, where their lives appear only in fragments. Drawing on sources beyond the archives of empire, from dictionaries and language exams to a suitcase full of poems, Janzen considers how Caribbean administrators reckoned with the profound effects of assimilation, racism, and dislocation. As they learned African languages, formed relationships with African intellectuals, and engaged with African cultures and histories, they began to rethink their positions in the British and French empires. They also created new geographies of belonging across the Atlantic, foundations from which others imagined new political horizons. Ultimately, Janzen offers a model for reading across sources and writing history in the face of archival fragmentation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Tracy K. Smith, Pulitzer Prize winning poet, former Poet Laureate of the United States from 2017 to 2019, professor of English and of African and African American Studies at Harvard University and the author of several poetry collections and her latest, Fear Less: Poetry in Perilous Times (Norton, 2025), talks about her new book, making the case for reading poetry and sharing her own writing process.

Miishe Addy started her first company in California's Silicon Valley followed by another business in Accra, Ghana. Now, she runs one of Africa's fastest-growing logistics tech firms.She describes how she's tackling the hidden costs of African trade, and what she's learned as a female founder building companies in two continents.If you'd like to get in touch with the programme, our email address is businessdaily@bbc.co.ukPresenter: Sam Fenwick Producers: Ahmed Adan and Niamh McDermott(Picture: Miishe Addy. Credit: Jetstream)

Vanyfox is a DJ/producer taking the Portugal-born dance music genre batida to the world. Raised on the outskirts of Lisbon near the Quinta do Mocho neighborhood (home to many batida pioneers including Marfox and DJ Nervoso) and based in France, Vanyfox discusses his early memories and the emotions, experiences and production techniques that influence his sound, which borrows from trap, deep house and the rhythms of kuduro, kizomba and zouk. We talk about the deep life questions behind his Melodias e Choros EP, working with Montreal's Moonshine crew, his Angolan-Zairean heritage, the lineage of the coxes and foxes, his approach to DJing and his unique experiences traveling to Ivory Coast, Zanzibar, Saudi Arabia, and Ethiopia. Hosted by Vivian Host (aka DJ Star Eyes). For more info and extras, visit Ravetothegrave.org or Instagram @ravetothe.grave.

The Authentically Detroit Podcast Network in collaboration with Detroit One Million presents: The Black Detroit Democracy Podcast, hosted by Donna Givens Davidson and Sam Robinson!Together, Donna and Sam illuminate the complexities of Detroit's unique political landscape and give residents a resource for navigating civic engagement and election season.In this episode, they trace Detroit's housing failures from the Leland House scare to a subsidy-first market that missed real demand, then turn to solutions that center seniors, families, and accountability. Then, Maxwell Murray shows how DCFC and the Urban Football League use street soccer, food, and learning to reclaim space and teach civic power.Maxwell is a Detroit native and founder of The Urban Football League. He joined Detroit City FC in March 2024 to support youth programming and expand access to the game across Detroit. A proud Detroiter, he first connected with the club as a summer intern in 2017. He studied African and Black Diasporic Studies at DePaul University, where he founded The Urban Football League to use soccer as a tool for cultural expression and community building. At DCFC, he leads efforts to break down barriers to participation and chairs the Youth Travel Program's Community Resource Group.For more episodes of the Black Detroit Democracy Podcast, click here.Support the showFollow us on Instagram, Facebook and Twitter.

In this episode, the Water Colors Team discusses their top 5 aquarium plants found in Africa! When in comes to plant diversity, Africa is hard to beat! Some of our absolute favorites come from this region. This discussion revolves around our favorite species, their native ranges, care, and more! If you’re interested in designing a biotope to this region, this episode is a great place to start! What are your favorite African plants? Join the discussion on the Water Colors Aquarium Gallery Podcast Listeners Facebook group! https://www.facebook.com/groups/788428861825086/ Enjoying the show? Support the gallery by shopping aquarium plants, merch, equipment, and more! https://watercolorsaquariumgallery.com/ Looking for more content? Become a YouTube member for exclusive access to behind the scenes livestreams! https://www.youtube.com/@watercolorsaquariumgallery Species mentioned in this episode: Ammania gracilis Ammania capitellata Nymphaea zankeri Nymphaea micrantha Eleocharis dulcis Eleocharis minima Eleocharis wallichii Eleocharis huperiana Eleocharis atropurpurea Hygrophila odora Ottelia ulvifolia Bolbitis heudelotii Aubias heterophylla Anubias gigantea Aponogeton madagascarensis Crinum calimastratum Aponogeton ulvaceus

We are bringing you some actually good news and a new drug that is showing incredible promise in fighting HIV/AIDS. It's called lenacapavir. It's not available in Canada yet, but it's getting its first real-world test in three African countries. We talk to Dr Darrell Tan, a leading Canadian HIV prevention researcher about the promise of lenacapavir, and why Canadian doctors should be doing more to make sure HIV prevention drugs get to the people who need them most. And Dr Catherine Martin, a senior researcher with Wits Reproductive Health and HIV in Johannesburg.

Stories have a way of helping us recognize ourselves, and that's exactly what happened in my conversation with Nana Ekua Brew-Hammond. Nana shares what it was like to grow up in Queens, then suddenly move to a boarding school in Ghana, and how that experience shaped her identity in ways she's still uncovering today. As Nana describes her path from writer to author, her years of persistence, and the curiosity that led to books like Powder Necklace and Blue, I felt a deep connection to her commitment to keep creating even when the process feels uncertain. We also explored trust, partnership, and the lessons my guide dogs have taught me—all ideas that tie into the heart of Nana's storytelling. This conversation is an invitation to see your own life with more clarity, courage, and compassion. Highlights: 00:00:10 – Step into a conversation that explores how stories shape courage and connection. 00:01:41 – See how early environments influence identity and spark deeper questions about belonging. 00:02:55 – Learn how a major cultural shift can expand perspective and redefine personal truth. 00:23:05 – Discover what creative persistence looks like when the path is long and uncertain. 00:27:45 – Understand what distinguishes writing from fully embracing authorship. 00:33:22 – Explore how powerful storytelling draws people into a moment rather than just describing it. 00:46:45 – Follow how curiosity about history can unlock unexpected creative direction. 00:59:31 – Gain insight into why treating a publisher as a partner strengthens both the work and the audience reach. About the Guest: Nana Ekua Brew-Hammond is the author of Powder Necklace: A Novel, the award-winning children's picture book Blue: A History of the Color as Deep as the Sea and as Wide as the Sky, the collection Relations: An Anthology of African and Diaspora Voices, and My Parents' Marriage: A Novel.  Tapped for her passion about Africa's rich fashion traditions and techniques, Brew-Hammond was commissioned by the curators of Brooklyn Museum's "Africa Fashion" exhibit to pen and perform an original poem for the museum's companion short film of the same name. In the clip, she wore a look from the made-in-Ghana lifestyle line she co-founded with her mother and sister, Exit 14. The brand was featured on Vogue.com. Every month, Brew-Hammond co-leads the Redeemed Writers Group whose mission is to write light into the darkness. Learn more about it here.Learn more at nanabrewhammond.com. Ways to connect with Nana**:** Instagram, Facebook and Threads: @nanaekuawriter Twitter: @nanaekua  www.NanaBrewHammond.com  ORDER my new novel   MY PARENTS' MARRIAGE Read 2023 NCTE Award Winner & NAACP Image Award Nominee   BLUE: A History of the Color as Deep as the Sea and as Wide as the Sky   Read RELATIONS: An Anthology of African and Diaspora Voices , stories, essays & poems by new and established Black writers   Shop Exit 14 , all weather, uniquely designed, 100% cotton apparel sustainably made in Ghana About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson  00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us. Michael Hingson  01:20 And a pleasant, Good day to you all, wherever you happen to be, I would like to welcome you to another episode of unstoppable mindset. Today, we get to have a conversation with Nana Ekua Brew-Hammond And Nana has a lot of interesting things to talk about. She's written books, she's done a variety of different things, and rather than me giving it all away, it'll be more fun to let her tell the stories and get a chance for us to listen to her. She is in Oakland, California, so she's at the other end of the state for me, and we were just comparing the weather. It's a lot colder where she is than where I live down here in Victorville, where today it's 104 degrees outside. And Nana, you said it was like, what, somewhere around 70. Yeah, it's 68 There you go. See lovely weather. Well, Nana, I want to welcome you to unstoppable mindset. We're really glad you're here, and I want to thank you for taking the time to be with us. Nana Ekua Brew-Hammond  02:23 I feel the same way. Thank you for having me on your amazing show. And it's so wonderful to be in conversation with you. Michael Hingson  02:30 Well, I'm glad we get a chance to spend some time together and we can, we can talk about whatever we want to talk about and make it relevant and interesting. So we'll do that. Why don't we start with what I love to do at the beginning of these is to talk about the early Nana growing up and all that. So take us back as close to the beginning as your memory allows. Nana Ekua Brew-Hammond  02:52 Oh gosh, as my memory allows. Um, I so I was born in Plattsburgh, New York, which is upstate near Montreal, Canada. Michael Hingson  03:06 Been there. Oh, cool in the winter. I even crossed the lake in an icebreaker. Nana Ekua Brew-Hammond  03:12 But yeah, oh my gosh, wow. Okay, yeah. Bring back memories. Well, I was only there for till I was, like two years old. So, but I do, I have gone up there in the winter and it is cold. Yes, it is cold, yeah. So I was born there, but I grew up in New York City and had that really was sort of my life. I lived in New York, grew up in Queens, New York, and then at 12 years old, my parents decided to send me to Ghana to go to school. And that was sort of like a big, the biggest change of my life, like I know that there was a before Ghana and an after Ghana, Nana and so, yeah, wow. Michael Hingson  04:02 So, so when was that? What year was that that you went to Ghana? Nana Ekua Brew-Hammond  04:06 That was 1990 August of 1990 actually. Michael Hingson  04:11 So what did you think about going to Ghana? I mean, clearly that was a major change. Nana Ekua Brew-Hammond  04:15 Yeah, you know, I, you know, my parents are from Ghana originally. So when, you know, they would always talk about it. We, you know, back then phones, long distance phone calls to Ghana. I, you know, that was, that was the extent of my sort of understanding of Ghana, the food that we ate at home, etc. So going to Ghana was just sort of mind blowing to me, to sort of be crossing, you know, getting on a plane and all of that, and then being in the country that my parents had left to come to the United States, was just sort of like, oh, wow, connecting with family members. It was just, it was a lot. To process, because life was very, very, very, very different. So yeah, it was just sort of a wild eye opening experience about just the world and myself and my family that ultimately inspired me to write a book about it, because it was just, I just, it was a lot to process. Michael Hingson  05:25 Why did they want you to go to to Ghana to study? Nana Ekua Brew-Hammond  05:30 Yeah, so in the 90s, in New York City or and in the late 80s, there was the crack epidemic was happening, and we, you know, I mean, I remember, we lived in a house in Queens, and when we would, you know, part of our chores was to sweep in front of the house, you know, rake the leaves, that kind of thing in the fall. And we would, all the time there would be crack files, you know, like as we're sweeping up, and I didn't get there where we were young. My sister was, you know, a teenager. I was 12, and my, you know, my younger brother had just been born. He was just like a, like, a little under a year old. And I think my parents just didn't feel that it was a safe place for us as kids to grow up. And so, yeah, they wanted to kind of give us an opportunity to get out of, you know, that environment for a while. Michael Hingson  06:33 What did you think of it? Nana Ekua Brew-Hammond  06:35 I mean, you know, as a kid, you never want to leave what to you. So it was, I would say it was, it was, it was interesting. Because initially I loved it. I was like, I actually campaigned, you know, I was like, I really, you know, would like to stay in Ghana, but I didn't want to stay for, you know, the three years, which is what I what happened? I wanted to stay for maybe, like a year, kind of try it, you know, go to school for a year. I found it this really cool adventure, go to boarding school and on all of that. But my parents made the decision that we should just sort of ride it out and finish like I had to finish high school. And, yeah, so, so great for me. Michael Hingson  07:25 So you were there for three years, yes. So by you were 12, so by 15, you had finished high Nana Ekua Brew-Hammond  07:32 school, yeah, because the system there is different. It's it was at the time the British system. So it was like a form system where I saw I entered in form three, because it was, it wasn't quite the equivalent in the sense that I probably should have started in form two or form one, but I was also an advanced student, and and they, the way the system there works is you have to take a common entrance exam from primary school to get into secondary school. So it's very difficult to get into school midstream there. So we had to go through all of these hoops. And, you know, there was an opening in form three, and that was higher than my, you know, than where I should have been, but I was advanced, so I was able to get into that school that way. You did okay. I assume I did. I mean, I struggled, which was interesting, because I was a very, you know, good, strong student in the States, but I struggled mightily when I first got there, and throughout, it was never easy, but I was able to manage. Michael Hingson  08:49 Now, did your sister also go to Ghana? She Nana Ekua Brew-Hammond  08:52 did, and she was hopping mad. Michael Hingson  08:55 How old was she when you were 12, she was Nana Ekua Brew-Hammond  08:59 17, so she Okay, yeah, almost about to go to college. She was really excited about, like, that portion of life. And then it was like, okay, she's in Ghana. She was hopping mad. Michael Hingson  09:13 Well, how long did she stay? Nana Ekua Brew-Hammond  09:16 Well, so she stayed for two years. Because what Ghana has is sort of like, at the time it was something called sixth form, which is, again, the British system. So it's sort of like a college prep in between the equivalent of that. So she basically did that in Ghana. Michael Hingson  09:38 Okay, well, and your little brother didn't go to Ghana, Nana Ekua Brew-Hammond  09:44 not yet, not not yet. You Michael Hingson  09:47 mean they didn't send him over at one year? No, okay, well, that's probably a good idea. Well, so looking back on it, what do you think about having spent three years in. Nana Ekua Brew-Hammond  10:00 Ghana, looking back on it, I think it was actually really, really good for me. I mean, it was that doesn't take away from the fact that it was very difficult. It was very, very challenging, not only academically. It was I was bullied really hard at this boarding school that I went to. The girls just kind of made my life hell. But what was amazing about it for me was that I had, I had exposure to Ghanaian culture in a way that I would never have had in the States. As I mentioned to you, Ghana was sort of that country over there when I lived in America. And you know, it existed as you know, family members coming to visit, long distance phone calls, the food that we ate, that you know, the accents that we had, things that made us different, and at the time, that was not cool. You know, as a kid, you just want to fit in and you don't want to be different. And going to Ghana was my opportunity to learn that, wow, I didn't have to be embarrassed or ashamed of that difference. There was so much to be proud of. You know, my family was, you know, a sprawling family, you know, my my grandmother owned a business, my grandfather owned a business, you know, it was, it was really, it was eye opening, just to sort of be in another environment. People knew how to, you know, pronounce my name, and I didn't have to, you know, just explain things. And that was really affirming for a 12 year old and a 13 year old when you're going through that, you know. So it was really good for me. And in Ghana is where I came to know Christ. I became a Christian, and it was something that spiritually, I was not really, I don't know, I just didn't really think about spiritual. I did on some level. But going to Ghana, it everything just felt so palpable. It was really like we're praying for this. And it happened, you know what I mean, like, yeah. It felt very Yeah. It was just a time in my life when life really felt very the mysteries of life really felt like they were open to me, Michael Hingson  12:37 interesting and so you clearly gained a lot of insight and knowledge and experience over there that you were able to bring back with you when you came Yes, yes. Nana Ekua Brew-Hammond  12:55 When I returned to the States, I was just, I think of myself, I guess, as a weirdo. Like, when I came back, I just felt so weird because I couldn't really, fully, you know, connect with my friends, because I had missed out on three years of culture, you know. And you You don't realize how much culture means, like, until, like, you know, you don't have those references anymore. I didn't know the songs that were popular. I didn't, you know, know about, I forget, there was some sort of genes that were really popular while I was gone. I didn't know what they were. I didn't have a pair of them. So it was just sort of this, this interesting time. And I was also young, because I had finished high school, and I was 15, yeah, my friends were, you know, sophomores, yeah, you know, and I was beginning the process of looking into college. So it was just a really isolating time for me and I, but also, you know, interesting and I, again, I say it was, it was ultimately in the in the wash of it. I think it was good because it enabled me to sort of, I guess, mature in a way that enabled me to start college earlier. And, you know, sort of see the world in a much different way. Michael Hingson  14:26 So when you went to college, what did you want to do? Or had you had you decided to start laying plans for a major and what you wanted to do post college, Nana Ekua Brew-Hammond  14:36 I did not know what I wanted to do. I kind of, I mean, I kind of thought I wanted to be a doctor. I thought I wanted to be a doctor. Like, all my life, growing up, I was like, I'm going to be a doctor. And I was a science student in Ghana, but I struggled mightily. But still, I went. I entered college with us. You know, the plans? To become a bio psychology major. And you know, I took two, three classes, well more than that, I did, like, a year of classes. And I was just like, This is not for me, not for me at all. But yeah, yeah. So it was, it was that was a little rough. Michael Hingson  15:21 Things happen. So what did? What did you go off and do? Nana Ekua Brew-Hammond  15:25 Then I ended up majoring in political science and Africana Studies, and it was, I remember taking a political science class my freshman year, and I, my my professor was amazing, but it was, it was interesting to me. I think looking back now, being able to think about the world in a way that was sort of linking history and politics and culture together. And I think that was interesting to me, because I had just come from Ghana and had been exposed to, like, sort of this completely different culture, completely different political system, and, you know, kind of having that, I that thinking, or that wonderment of like, wow, you can Life can be so different somewhere else, but it's still life, and it's still happening, but also having that connection as an American to America and what's happening there. And so holding both of those things in my hands when I got to college, I think I was, I just what I was really sort of intrigued by the idea of studying politics and studying culture and society, Michael Hingson  16:48 and that's what you did. Yes, I did. So you got a degree in political science. Nana Ekua Brew-Hammond  16:54 Yes, a double degree political science and Africana Studies. Michael Hingson  16:57 Africana Studies, okay, and again, that that's probably pretty interesting, because the the Ghana influence had to help with the Africana Studies, and the desire to to do that, and you certainly came with a good amount of knowledge that had to help in getting that as a part of your major. Nana Ekua Brew-Hammond  17:16 Well, interestingly, my focus was on African American Studies, because I really growing up as an immigrant, like with immigrant parents, their understanding or their their thought process wasn't necessarily, I don't know they weren't. They didn't really raise us to think about race or being black, because their consciousness wasn't about that. It was they were immigrants. You know what? I mean, they weren't thinking about that. So I was actually quite curious, because I did grow up in America and I was black, but I didn't understand, you know, the history of America in that way. And I remember, actually, when I was in was it the third or maybe it was the second or third grade, or maybe it was fifth grade. I did a project on the Civil War, and I remember being so interested in it, because I had, I just didn't, you know, it wasn't. I was so fascinated by American history because I really wasn't. I didn't, I didn't understand it in the way that maybe somebody who wasn't the child of immigrants, you know, might, you know, connect with it. So I was just Yeah, so I was really fascinated by African American history, so I ended up double majoring in it and concentrating on African American politics, which was really fascinating to me. Michael Hingson  18:55 Yeah, and there certainly has been a fair amount of that over the years, hasn't there? Yes, there has, but you can, you can cope with it and and again. But did your time in Ghana, kind of influence any of what you did in terms of African American Studies? Did it help you at all? Nana Ekua Brew-Hammond  19:15 Um, I, I don't know, because I don't because, because I think what, what I what, what Ghana helped me with was, I remember, I'll say this. I remember one time in Ghana, in class, we were reading a book by an author who had we were reading a play, actually by a Ghanaian writer who was writing about a Ghanian man who married an African American woman and brought her to his home. And there was a lot of clash between them, because, you know, they were both black, but they had different sort of backgrounds. Yeah, and I remember the teacher asking, because the. The the wife that he brought home, the African American woman, mentioned certain things about America, and no one in the classroom could answer any questions about America, and I was the only one who could. And I was, you know, very, very sort of shy in that in that school and in that context. But I remember that day feeling so emboldened, like I was, like, I can actually contribute to this conversation. And so maybe, you know, in on some level, when I got back to the states, maybe there was some interest in linking those two things together. But it wasn't as as is in life. It wasn't obvious to me. Then it was sort of just kind of me following my interest and curiosity. And I ended up, I didn't set out to be an Africana Studies double major, but I ended up taking so many classes that I had the credits. And, you know, I was like, Okay, I guess I'm I have two degrees now, or two, two concentrations, Michael Hingson  21:02 yeah, did you go and do any advanced work beyond getting bachelor's degrees? Nana Ekua Brew-Hammond  21:08 No, I did not. When I graduated, I initially thought I might get interested, get in, go to law school. But this was me again, following my muse. I realized that my real interest was in writing papers when I was in college. You know, give me a 15 page paper, 20 page paper, I was ecstatic. I loved writing papers. And I think that's one of the reasons, too, why I loved political science and Africana Studies, because we were assigned tons of papers, and it enabled me to sort of, you know, writing these papers enabled me to kind of think through questions that I had, or process what I was reading or thinking about or feeling. And so when I graduated from college, you know, I got, you know, a job, and was working, trying to figure out, Okay, do I want to go to law school? But at the time that I graduated, that was also during the time of, like, the.com boom, and there were a lot of online magazines that were looking for writers, and so I started, kind of, you know, submitting, and I got some some things published. And as that was happening, I was like, I think this is what I want to focus on. Michael Hingson  22:30 So when did you really know that you were a writer? Then? Nana Ekua Brew-Hammond  22:34 I mean, I don't I think that when I got back, when I started working, so I, ultimately, I got a job in advertising, and I was working, you know, as an assistant in the on the account side of things, but there was this whole creative department that, you know, got to, you know, come up with all of the, you know, the the taglines and write commercials and write jingles and all that kind of stuff. And I was, like, so fascinated by that, and that's what I thought, okay, I could if you know, I need a job, I need money, and I want to write, so maybe this is what I need to be doing. And so I ultimately did get a job as a copywriter and and I still, you know, do that work today, but I think I always knew that I needed to write, and I wanted to actually write about my experience in Ghana. So I remember, you know, I started kind of very fledgling. Would began to write into that, and I ultimately started writing that the book that became my first book, powder necklace, on the subway to and from work. Every morning I would wake up very early, write what I could get ready for work, right on the bus, right on the subway, you know, get to work after work. You know, repeat. And it took me many years, but that's what I did. And I wrote my first book, Michael Hingson  24:14 and that was published in 2010 right? Yes, it was, did you self publish? Nana Ekua Brew-Hammond  24:18 Or I well, I did not self publish. I was published by Simon and Schuster. Simon and Schuster's Atria Books, Washington Square press. And part of my process was I started just kind of, you know, the Internet. The Internet was new. It was something that was available to me. So I started just kind of Googling, how do you get published? And they said you needed a literary agent. So I started looking online for literary agents. And because I lived in New York City at the time, I would literally write my my query letters and like, hand deliver them different agencies. 90s, and one woman, after four years of looking, said, Okay, this sounds interesting. I'd love to meet with you. And I didn't believe. I was like, wow, I've been rejected for four years, and somebody actually wants this, and she was able to sell the book. And I was shocked. I was like, Simon and sister, okay? And at the time they bought it, the, you know, the America, the US, was going through the whole financial, you know, crisis, the recession, in 2008 so they held my book for a year, and then we began the process in 2009 and then they, you know, we were on track to publish it in 2010 Michael Hingson  25:46 Wow. Well, tell me about that book. Yeah. Nana Ekua Brew-Hammond  25:51 Powder necklace is a novel. It's a fictionalized account of my experience going to high school in Ghana. I when I went to school in Ghana. I went to a girls boarding school in the mountains of Ghana central region, and that school was going through a major water crisis. We did not, I mean, we the short story is that, I guess, because of we were on the mountain, the water pressure was very low, and so it was really difficult to get the water up that mountain. And they didn't have like enough, you know, tanks around the school and what have you. So we had one artificial well, and then we had, like, an underground well, and that was it. And the underground well wasn't always, you know, full of water to service the whole school. It was really difficult. So, you know, we had to bring in our own water, some. And then it became, if you had money, you could bring water. But if you didn't have money, you didn't and it was a very desperate time for for young girls without being not being able to take a shower on demand. And it was, it was wild. Michael Hingson  27:15 Where does the title powder necklace come from? Nana Ekua Brew-Hammond  27:19 So the title, I named it powder necklace, because, as I mentioned, taking a shower became this like symbol of the haves and the have nots. And, you know, all of this having water, really. And if so, what, what the girls, what we would do is, you know, after you've taken a bath, people would put tons of powder on their necks. And it was sometimes it was okay we didn't take a bath, so we're going to put powder on our necks to scented powder to cover the odor. But it was also a way, like if you had bathed, to sort of, you know, show off that you'd bathed. So for me, it was as I was reflecting on the on this as I was writing this story and reflecting on that whole experience, I thought, wow, it was sort of our way of holding our heads up, you know, in the difficult situation, and kind of making the best of it. So that's why I called it powder necklace, Michael Hingson  28:17 okay? And that was for children. Nana Ekua Brew-Hammond  28:20 Well, it was for young adults, young adults, but Michael Hingson  28:25 it was more writing than pictures. Nana Ekua Brew-Hammond  28:27 Yeah, it was a young adult novel. I actually, I mean, this was my first book. I really didn't know what I was doing. I just, I wrote the book and I didn't know that it was a young adult novel, until people were like, Yeah, you wrote a young adult novel. I'm like, okay, Michael Hingson  28:47 works for me. Well, what does, what does being a writer mean to you? Nana Ekua Brew-Hammond  28:54 Um, I think being a writer means to me being able to articulate. A time, a place, a mood, a moment, being able to articulate it, one for myself, but also to create a record that helps people who don't necessarily have that gift to be able to sort of put words to the experience of living at a time place, having a certain feeling about something. Michael Hingson  29:34 Do you think there's a difference between being considered a writer and being an author, are they the same, or are they really different? Nana Ekua Brew-Hammond  29:45 I do think that there is a difference, and not in a sort of, you know, highfalutin way. I think the difference is the fact that when you I think, like, when you asked me initially, like, when do you think that you you became. Became a writer. My My instinct is to say that I think I was always a writer, because I think if you write, you're a writer. And whether you're published or not, you're a writer. If you have that inclination, that gift, and you sort of invest in that gift, and invest and develop it. I think you're a writer, but I think with an author, I think then that's to me. I think of it as the business of being a writer, or the business of being, yeah, you are now sort of in business with your publisher. Publisher has invested a certain amount in you, and it then becomes a more sort of public facing thing. The work is not just for you anymore. The work is now being disseminated to a group and hopefully to as many people as possible, and you as the writer now have to figure out, like, how do I get to my audience? How do I maximize or expand the reach of this thing that I wrote? How do I connect with people around the story and build build a readership. And how do I ultimately, you know, the my desire and goal would be to live off of this. How do I make turn this into something that I can, I can do, you know, full time and live off of Michael Hingson  31:38 so you turn from a writer to being an author. Nana Ekua Brew-Hammond  31:42 I'm, yes, I am an author, and I'm and I'm hoping to get to the to the, you know, the point where I can do it 100% full time, and it be, you know, 100% lucrative in that way. Michael Hingson  31:56 So what are you doing now? In addition to doing books, I Nana Ekua Brew-Hammond  32:01 also freelance as a copywriter, so I'm still copywriting, Michael Hingson  32:05 okay, I was wondering what you what you did? So you're doing, still marketing and jingles and all those things, yeah, well, I Nana Ekua Brew-Hammond  32:13 I'm my focus. I do do that, but my focus is mainly in the digital space. So I write lots of websites and web ads and social media copy, and, you know, things of that nature, campaign work. Michael Hingson  32:33 Well, that's, is there anything that you've written or copy written that we would all know, Nana Ekua Brew-Hammond  32:42 yeah, I mean, I did. I've done a lot. I guess the maybe the most recent thing that I've done that people might be aware of, or some people might be aware of, is the Brooklyn Museum in New York, did a an exhibition called Africa fashion. And I, they created a short film to promote it, and I, they commissioned me to write an original piece for it. And so I wrote that piece and and performed it in the film. So, you know, people who are into that kind of thing a museum, that that museum might be aware of it. But I've also written for, I did a lot of work for L'Oreal Paris, USA, and I've just done a lot of beauty work. So many of the beauty brands you might be aware, you know, you might know, I've done some work for them, cool. Michael Hingson  33:45 Well, that, you know, you do have to do things to earn an income to to be able to afford to write until you can do it full time. Nana Ekua Brew-Hammond  33:53 Yeah, yeah. And I actually really love copywriting. I think it's an it's been an incredible teacher in the sense of how to how to crystallize an idea in very short, you know, in just a few words, how to convey emotion in just a few words. And also that storytelling is not just the words, it's how you deliver the story that's all part of it. So I think it's been an incredible teacher in that way. Michael Hingson  34:28 I know for me as a speaker, it is how you tell the story. And I've learned over 23 and a half years of speaking how to take people inside the World Trade Center and actually have them travel with me and do all the things that, and experience all the things that that I went through, and then come out of the other side and I and I say that because so many people after I speak somewhere, well. Come up and say, we were with you in the building. We were with you with everything that you did. And I appreciate that there is a real significant art to storytelling, and part of it is also, and I'm sure that this is true for you as a writer and an author, that part of it has to be that you have to actually connect with the audience. You've got to understand the audience. You've got to connect with them, and you have to bring them along, because they're not expecting to go with you. Nana Ekua Brew-Hammond  35:33 Absolutely, absolutely. And I will say that I started one of your books just the beginning of it, and I was just running with Roselle, and I was so taken, so absorbed by the first few pages of it. You really do immerse us. And I think that that's the best kind of of writing. You know, when you're able to kind of present material that people may or may not be familiar with, and make it riveting and really bring us into it, and then have us invest being, feel invested well. Michael Hingson  36:16 And I think the last book that we did last year live like a guide dog. I worked really hard to make sure that we were drawing people into the experiences, because every chapter is actually taking lessons from one of my guide dogs and also from Fantasia, which who is my wife's service dog, but each chapter relates to one of those dogs, and I wanted them to be environments where people again were drawn in and appreciate the dogs for what they are and what they do, not just some dumb Animal that comes along. Yeah. Nana Ekua Brew-Hammond  37:00 Yeah, absolutely. I mean, yeah, so interesting. I think there's, there's so much, I guess. I don't want to use the word, I guess what I want to say, there's a lot of mystery in in the sort of human animal interaction, and people just aren't aware of how powerful it is, and I can, I'm saying that I speak for myself, because growing up, actually, I was really, really scared of dogs and animals, all animals, and I so there's, there's two, there's kind of two stories I'll share. But one is when we were, when we were growing up, my parents, you know, were from Ghana. They wanted to eat goat meat. And at the time, you couldn't just go to a supermarket goat meat. So we used to go to a farm out in New Jersey that had goats, and we would have to go and have the goat, you know, slaughtered and, you know, cut up and all that kind of stuff for the meat. And I remember that whenever the hand would go into, you know, the pen where the goats were, the goats would just were. They would be so stressed out, they would like, you know, part like the ocean walked in, and if he picked, when he picked one out. There would be other people, other goats in the pen that would start screaming in agony, along with the goat that had been picked out. And I was just like, Oh my gosh. That must be his family members, like, or his loved ones. And it was so I remember that was so eye opening to me, like, wow. So I ended up years, years later, I wrote a short story, and I actually did some research on goats and how brilliant they are, and I was just like, wow, oh my goodness, I remember that so well. But I have a cat right now, and my kitty cat is just such a such a joy, like just sort of to build that relationship with, with my with my pet, is just such a beautiful thing, and how she just kind of, because I grew up really scared of pets, and I sort of inherited her when I got when I got married, you know, she's been very patient with me, like, because at first I was so skittish around her, and I could see her, kind of like rolling her eyes, like, I mean, you no harm. You can pick me up. It's all good. And she's just been so wonderfully patient with me. We've built that bond over time. Michael Hingson  39:31 Well, yeah, I have, of course, my my eighth guy, dog, Alamo, and stitch the cat. Stitch is 15 and a half and a real cutie pie. We rescued her. Actually, there were people who were living next to us, and he was moving out. His wife had died, and he just told the people who were moving all of his stuff out, take the cat to the pound. I don't want anything to do with it. And we, we said, Absolutely not. We'll find it a home. And then I asked, What the. Cat's name was, and they told me the cat's name was stitch. And I knew that this cat wasn't going to go anywhere because my wife had been, well, my wife had been a quilter since 1994 and a quilter is never going to give away a cat named stitch. Yes. Nana Ekua Brew-Hammond  40:14 Oh, I'm so glad stitch found a home with you. Michael Hingson  40:18 Oh, yeah. Well, we found a stitch. Nana Ekua Brew-Hammond  40:20 Oh, that's right, that's right. Michael Hingson  40:23 And, and, and so she's, she's got lots of personality. And so it really works out pretty well. No, no complaints. And I've always said, Whenever I get a guide dog, because my wife has always had cats, when I get a new guide dog, I've always said, and will continue to say, it has to be a dog that's been raised around cats and has no problems with cats. I have seen a couple of Guide Dogs, actually, that hated cats, and one almost killed a cat, and that's I will never tolerate that. Yeah, they have to get along. Yeah, absolutely, absolutely now, when we brought Alamo home, stitch had a few concerns about this dog in her house. She got over it when she decided that Alamo wasn't going to do anything to bother her and they they talk all the time now and rub noses and all that sort of stuff. Oh, that's so cool, yeah, but, but it's, it is great, and they, they bring so much joy and so many lessons to us that I think it was really important to learn. Nana Ekua Brew-Hammond  41:34 Yeah, yeah. You're reminding me the first dog, because my grandmother actually loves animals, and when I went to Ghana, she got a dog, and, you know, as a kid, so we got a puppy. And I remember the puppy was initially supposed to be a guard dog, but we I, I would feed the I would hand feed the dog sausages and just spoil the dog so much. Could not be a guard dog, so I loved that dog. Joshua, yeah, Joshua, Michael Hingson  42:07 well, but you and Joshua got along really well. On we got along great. One of the things that people sometimes ask me is if my dog trained to protect and the answer is no, they're not trained, and then they've said, Well, what would happen if somebody were to decide to attack you with the dog around? And my response will always be and rightly so, I wouldn't want to be the person to try that and find out what will happen, because much more than guarding, there's love. And I've always believed that dogs love unconditionally. I think trusting is a different story. They are open to trust, but, but you have to earn their trust. They'll love you, but will they trust you? That depends on you. And so it's it's really pretty cool, but I would not want to be the person to ever decide to try to attack us, because I, I am sure that Alamo would not tolerate that at all. Nana Ekua Brew-Hammond  43:10 Oh, not at all. How do, how do you or how have you built trust with your your pets? Michael Hingson  43:17 Well, a lot of it has to do with they want us to be the pack leaders. They want us to be their team leader. And so I have to set the ground rules. So, for example, no jumping on the furniture and all that. But again, it's also how you convey that. So if my dog is going to jump up on something and I don't want that, I'll say, leave it. And as soon as the dog obeys, I'll give the dog a food reward, a kibble, to let the dog know, and I'll also use a clicker, but I'll let the dog know I approve of what you did, not punishing them for, you know, something else. Yeah, so it's not punishment, it's positive rewards. I think that's extremely important, but also it is in the stressful times being very focused and calm. So if we're walking somewhere and we get lost, that is not the dog's fault, because it's my job to know where to go and how to get where I'm going, and it's the dog's job to make sure that we walk safely to get there, so if we get lost, that's on me. And what I can't do, or shouldn't do, is panic and become very fearful and upset, because the dog will sense that I have to stop and figure it out and continue to praise the dog, saying what a good job you're doing, and so on. And those kinds of things are the things that will, over time, build that trust. I think it takes a good year to truly build a trusting relationship that is second. To none. And that's the kind of teaming relationship that you want, whether it's a guide dog or any dog. And even as far as that goes, although they're different cats, yeah, but it's, it's all about building that relationship and conveying the command and conveying that you want to trust and be trusted? Nana Ekua Brew-Hammond  45:24 Yeah, yeah. I think you're you. What you said that really resonated with me is that they want to know. They want you to be the pack leader and the and part of that is, you know, you lay down the ground rules, but also you're responsible for them and their well being. And, yeah, that really, that really resonated with me. Michael Hingson  45:48 Well, so you wrote your first book, and then when did you write your second book? Nana Ekua Brew-Hammond  45:55 My second book came out in 2022, so it was a 12 year spread in my first book and my second book, Why so long? Oh my gosh, my book, I was the book I was working on, like to sort of follow, was just rejected for, for all that whole time, and I was, you know, in more and more distraught, and, you know, in despair about it. I didn't know what to do about it. And I actually, you know, I was actually reading the Bible, and I came across the fact that there was a curtain, a blue curtain, in King Solomon's temple. And I was like, why does it matter that the curtain was blue? And so I just started googling casually, and I discovered that there was a snail in antiquity that was harvested for the blue drops that it it secreted, or it secreted drops that were ultimately oxidized to turn blue. And I was like, what I've never heard about this? I started doing some more research, and I realized, like, oh my gosh, the color blue has such a fascinating history. Kids need to know about this. And so I wrote it really as a poem initially, but then I thought, you know, I really want to see if I can get this published. And I was able to get it published, and that became my children's book blue, which was such a bomb to my soul, because after sort of a decade of getting, you know, rejected, and, you know, close to a decade of getting rejected, this, this sort of beautiful, like, sort of knowledge, you know, I came across, But I was able to create a book, and it's just been a wonderful experience with the children's Michael Hingson  47:45 book, wow, so the full title of blue is, Nana Ekua Brew-Hammond  47:51 it's blue a history of the color as deep as the sea and as wide as the sky. Wow. Michael Hingson  47:57 That should be enough to get the book sold. But as you point out, there's, there's a lot of history, yes, and that, that's pretty cool. So it was, it was released in 2022 and they finally, the publishers finally bought into that, huh? Nana Ekua Brew-Hammond  48:16 Well, yeah, I mean, that wasn't the novel that I've been working on. So I was still working. I ultimately, I did sell the novel, but that was its own journey, and I ended up writing another book that became the book is called my parents marriage, and it is not about my actual parents marriage. It's a novel about a young woman for adult readers. It's my first book for adult readers, and it is about a young woman whose parents are in a polygamous union, and how they're they have a really turbulent polygamous union, and how that relationship kind of kind of cast a shadow on this woman's, you know, choices in relationships and marriage for herself. Michael Hingson  49:10 So you you publish that my parents marriage. You also did a collection relations. Tell me about relationships. Nana Ekua Brew-Hammond  49:18 I did. Yeah, so relations is an anthology of its stories, essays and poems that are by writers from all across the continent of Africa. So I have Egyptian poets and Libyan you know essayists and you know, Nigerian storytellers, just it was, it was a really amazing project to work on. I started working on it during August of 2020, which was sort of like I've heard it described as peak pandemic, right? You know, we were several months. Into lockdown, and you know, it became this wonderful way for me to kind of connect while I was sort of holed up in my apartment in New York. Michael Hingson  50:15 Okay, now, were you married by then? Nana Ekua Brew-Hammond  50:18 No, I was not. I had just started dating my now husband, and I was like, Am I ever gonna see this man again? Because he lived in California, so at that time, the planes were grounded. I remember we were, like, on the first, very first flights that were able to start, you know, that started and be on planes, there'd be like, four people on the entire plane. Michael Hingson  50:42 Yeah, hopefully you both weren't on planes going against each other at the same time. No, you did communicate a little more than that. Oh, good. Well, so you published. So when was well? What was relations published? Nana Ekua Brew-Hammond  51:02 Relations came out in 2023 okay, February of 2023, and my parents marriage came out in July of 2024. Just came out in July of 2025, Michael Hingson  51:14 which one the paperback of the paperback? Oh, okay. Have any of them been converted to audio Yes, Nana Ekua Brew-Hammond  51:23 all, but my first book, are audio books. So blue is an audio book, beautifully read, and then their relations, the stories and essays and poems are read by two speaking artists, and then my parents, marriage is is also wonderfully performed. So, yeah, they're all an audience. Michael Hingson  51:50 That's cool, yeah. So when you're writing, what, what's kind of the difference, or, how do you differentiate between writing for young people and writing for adults. There must be differences. Nana Ekua Brew-Hammond  52:07 Yeah, I think, I think with for young people, and the practical thing that I try to do is make sure that the vocabulary is are is familiar to them, mostly familiar. I like to put in a stretch word now and then to kind of get them to, like, get to the dictionary and find out what. But if I'm right, when I when I wrote blue, for example, knowing that, you know, the the age group is, the age spread is four to 888, year olds are in third grade. Four year olds are in pre K, so that's that's pretty big spread. So my sweet spot is first and second grade vocabulary words. Okay, it has to be something that they've been exposed to. So thinking of it in that way, the other thing too is breaking down concepts that are, you know, as adults, you know, we just assume that you know, or you can go look it up, but just kind of thinking it through. So if I'm talking about, instead of saying that, you know, there was a snail in antiquity who, you know, heart, you know, dyers were harvesting blue dye from these snails through after a process of oxidation. I wouldn't use any of those words. I would say, snail produced some drops that when exposed to the air and the sun turned blue. And so just sort of really, kind of being mindful of that, and also thinking very visually, writing, very visually. How can I create pictures with words that would be familiar to a child, that can sort of ignite their imagination? Michael Hingson  53:53 Yeah, I think it's extremely important to to deal with the visual aspects of it, but using words and really drawing again, drawing people in because if you just say, well, you can see this in this picture. That doesn't mean a lot, and you're also, I would think, helping to teach or create the concept that some people might some children might want to go off and write because they like how you say and what you say Nana Ekua Brew-Hammond  54:24 absolutely and when I when I talk to kids, I go or visit schools, I invite them like I wrote about the color blue. What's your favorite color? These are some some things that I did to kind of learn about it. You can do these things to learn about your favorite color and write your own book? Michael Hingson  54:42 Yeah, yeah, it's, I think, so important to really draw people in and get them to think. And I think it's so much fun for me, I do some of that, but I have probably more of a chance. Challenge, because kids want to play with the dog. Yeah, it's all about the dog. I did a lecture at a K through six elementary school in San Francisco several years ago. I'm trying to remember what school it was anyway, and the teacher said you can only talk for about 10 or 12 minutes, because they just won't pay attention any longer than that. 35 minutes later, I finally ended the discussion, because they were so fascinated to hear me talk about what my dog did. And then I carried that over to how blind people work and function and all that. And the fact is, they were fascinated. The teachers couldn't believe it, but for me, it was a great lesson to know that it's all about creating these pictures that people can follow, Nana Ekua Brew-Hammond  55:53 yeah, and also to extending those pictures or those words into an experience for kids. Yeah, they really, they really appreciate, sort of like seeing it, kind of, you know, see if the having the concept come to life, yeah, way. And so I'm sure when they see your dog, or are able to interact with your dog, that must be so wonderful for them, Michael Hingson  56:22 but it's important for them to understand what the dog is all about. So by the time they get to interact with the dog, we've talked about things like, you never pet a guide dog in harness. This is what a guide dog does, and this is what they don't do. There are a lot of things to to cover. So it's great when I have the opportunity to really teach them. And sometimes we'll walk around a classroom and I'll show them what he does. Yeah, it's important to be able to do that. Oh, I love that. I love that. And he loves it, of course, all the way. So no question about that. He's you haven't lived until you've seen two or 300 kids all wanting to pet this dog. And the dog knows what to do. He's down on the floor with every appendage stretched out as far as he can go to maximize petting places, petting. Oh, it is so funny. I love that. He loves it. He's, he's, he's so happy. He doesn't care whether he'll do it more with kids even than adults, but, yeah, he'll do it with everybody. It's all about petting me and just remembering I'm the dog. I love that. Well, you've gone through a fair amount of time between books, and I'm sort of curious, what do you think about all the various kinds of changes and ebbs and flows that have come along in the book business, in the book publishing business and so on. Nana Ekua Brew-Hammond  57:56 Yeah, there have been a lot of changes. Um, I think, um, when my first book came out, like things like, you know, Instagram Bookstagram did not exist. There weren't many sort of podcasts or things of that nature. So I think that there is, there's definitely, there are more venues and more platforms to, you know, get the message out about the book. But I think also there is, it's also just hard. It's in some ways, it also feels in some ways more challenging to get the word out, because in addition to, like, yes, there are more venues in that way, regard, there are fewer book reviewers and fewer places to get a book reviewed, and there's a whole kind of interesting business about around getting reviews. So it's just not the same in that way. But then at the same time. I think what remains the same is connecting with readers. I think the most effective thing is, you know, writing a book that's good and then getting people who have read it and liked it to evangelize, to tell people I liked it, please buy it, or you should have you heard of and because at the end of the day, you know, that's what's going to, you know, give it some wind Michael Hingson  59:30 when thunder dog came out, and we did mention about reviews, and it actually has had, like well over 1600 reviews since it came out in 2011 live like a guide dog hasn't had, of course, so many yet, but every time I get a chance to talk about that book, I ask people to go review it and tell them why it's so important, because potential readers want to know what people think of the book. Yeah, for sure. For sure, it's. It really is important for readers to review and just be honest and say what you think. It's fine, but people should do that. For me, I think one of the biggest things that I see that publishers are doing less of is in a lot of ways, true marketing. You don't, you know, you don't see them doing nearly as much. Of course, I know it's more expensive, but to help create book tours or anything like that, they focus only on social media, and that's not the way to market the book. Nana Ekua Brew-Hammond  1:00:33 Yeah, I think, I mean, I've never worked inside a publishing office, so I don't know what actually, how they make these decisions and what goes on, but I do. I think what I have come to sort of think, how I've come to think of it, is the publisher is my business partner, sort of invested in terms of, they've given me an advance. They're going to do the turn key things like, you know, make sure the book gets reviewed by Publishers Weekly, or, sorry, Publishers Marketplace, or no Publishers Weekly. I was correct, and Kirkus review, Kirkus right, and all those kinds of things. And maybe they'll do a mailing to you know who they believe are the people that they need to mail it to. But outside of that, unless you know you, you know it's stipulated in your contract, or you know you are that high, yeah, you know that that celebrity author, or that that best selling author that they you know, are willing to put that money behind. You're working with some your publicist, who's been assigned to your book has is probably working on 10 other books. Can devote so much to it. And so what I've learned is thankful. I'm thankful that, you know, I have this publisher, but I also know that I need to do a lot of work on my own to get Michael Hingson  1:02:04 you've got to be your best marketer, yes, but, but there's value in that too, because you can tell the story whatever it is, like no one else, exactly, exactly. And so that's that's really pretty important, yeah, Nana Ekua Brew-Hammond  1:02:18 for sure, for sure. And you can be, you know that I think, also giving yourself permission to be creative, yeah, you know, how can you get the word out in really creative ways, like, again, the publisher. These are things that like, if there was, you know, people, there were many people dedicated to your book for this amount of time, they could kind of sit there and brainstorm and do all those things. But, you know, the reality is, in most cases, it's a small it's a lean and mean team. They don't have that bandwidth, so yeah, just kind of coming up with creative ways. And at times, what I have learned to do is, how can I, if I have an idea that is maybe low cost and but I can't necessarily do it on my own? How can I ask them for support, because they do have, you know, a little bit more resources, Michael Hingson  1:03:16 yeah, and, and the how is really pretty simple. Actually, you just ask exactly, exactly, and you know either they will or they won't, or you'll share it, or whatever. And I have found that same thing to be true. Well, Nana, if people want to reach out to you, how do they do that? If they might want to talk about you doing copywriting for them or whatever, how can people find you? Nana Ekua Brew-Hammond  1:03:41 So my website is Nana brew-hammond.com, can you spell please? It's n, a n, a, b, r, e, w, H, A, M, M, O, N, d.com, and I have a newsletter there. So a newsletter sign up. So they can sign up to be a part of my newsletter and connect with me that way. They can also find me on Instagram, I'm at n, a, n, a, e, K, U, a writer on Instagram, and I'm also on Facebook at that same name, and then on Twitter, I am that without the writer. So, n, a, n, a, e, K, U, a, Michael Hingson  1:04:28 okay, cool. Well, I hope people will reach out and and I hope that they will read your books and like them and review them. I hope the same thing. Well, I want to thank you for being here, and I want to thank all of you for listening and watching us today. We really appreciate you being here with us. I'd love to hear what you think. Please feel free to email me. I'm reachable at Michael H, I m, I C, H, A, E, L, H i at accessibe, A, C, C, E, S, S, I. B, e.com, Michael H i@accessibe.com love to hear your thoughts and love to get your your opinions. I would really appreciate it if you would give us a five star rating when you have the opportunity to review this podcast. We really value your ratings and reviews very highly, and definitely want to know what you think, but please give us a great rating. We love that. If you know anyone who wants to be a guest on a podcast, or you think ought to be a guest, we're always looking for guests. And Nana you as well. If you know anyone, we're always looking for more people to come on the podcast and tell their stories. So we appreciate it. If you'd let us know. By the way, you can also go to my podcast page, www dot Michael hingson, M, I C, H, A, E, L, H, I N, G, s o n.com/podcast, that's another way to reach out to me as well. But definitely anything you can do to bring more folks to us, we value it very highly. And so with that, once again, Nana, I want to thank you for being here. This has been great. Nana Ekua Brew-Hammond  1:06:01 Thank you so much. I really appreciate you having me on, and you are such an inspiration. And thank you. Michael Hingson  1:06:13 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.

Please follow me on Instagram: african_Jackson_012 or follow this link: https://www.instagram.com/african_jackson_012/ For Bookings Call/Whatsapp: 0813107732

You're listening to American Ground Radio with Stephen Parr and Louis R. Avallone. This is the full show for December 4, 2025. 0:30 Do you ever stop and think about what America used to be like? A country where political disagreements didn’t come packaged with threats, bankruptcies, mobs, and blacklists. From Reagan’s America to even Bill Clinton’s America, the conversation turns to how radically the tone has shifted under Obama and Biden. That sets the stage for the day’s story: Rep. Ilhan Omar launching a new boycott campaign — “We Ain’t Buying It” — aimed squarely at companies that work with the Trump administration. We unpack her loaded language: businesses must “pay a costly price” and she calls on supporters to use “every leverage” in their “arsenal.” We compare that rhetoric to historical patterns — from the French Revolution to Mao’s Red Guards to the Weather Underground — where phrases like “pay a heavy price” were precursors to coercion, destruction, and political violence. 9:30 Plus, we cover the Top 3 Things You Need to Know. More than four years after it happened, the FBI has finally made an arrest in the January 6th Pipe Bomb case. A new report out says there has been widespread fraud in Obamacare Subsidies. Two more Afghani immigrants to the US have been arrested on terrorism charges. 12:30 Get Prodovite Plus from Victory Nutrition International for 20% off. Go to vni.life/agr and use the promo code AGR20. 13:00 AT&T just joined the growing list of major corporations ditching their DEI programs — and we aren’t shedding a tear. We break down how deeply AT&T had plunged into the ideology, pushing training that claimed racism was a “uniquely white trait,” a stance that is not only absurd but openly discriminatory. From African ethnic conflicts to Imperial Japan’s belief in racial superiority, we point out the obvious: bigotry has never been exclusive to any one group. 16:00 The American Mamas dive into the big headline of the week: Michael and Susan Dell dropping a jaw-dropping $6.25 billion into Trump’s new children’s savings account program. Teri Netterville and Kimberly Burleson break down why this move could change the future for millions of kids, why early business education matters, and why generosity like this sparks both inspiration and outrage. If you'd like to ask our American Mamas a question, go to our website, AmericanGroundRadio.com/mamas and click on the Ask the Mamas button. 23:00 For the fourth month in a row, housing costs in America are falling — and the reason why has the left fuming. We break down how deporting two million illegal immigrants and ending mass releases at the border is reshaping the housing market. J.D. Vance calls the connection “clear as day,” and the numbers back him up. It’s simple economics, not politics — supply, demand, and what happens when you stop overwhelming the system. Common sense? Absolutely. Controversial? You bet. 25:00 The fatal flaw of socialism isn’t just that it has always failed — it’s that it can never succeed. We break down why “from each according to his ability, to each according to his need” works inside a loving family… but collapses the moment it’s applied to millions of imperfect human beings. Socialism demands angelic selflessness from everyone, all the time. Capitalism? It only requires people not to be outright monsters — a bar most folks can clear most of the time. From human nature to the Pilgrims to New Yorkers honking on the freeway, we dig deep into why socialism always slides into coercion, why capitalism aligns with reality, and why any system that relies on perfect people is doomed. 32:00 Get TrimROX from Victory Nutrition International for 20% off. Go to vni.life/agr and use the promo code AGR20. 32:30 We dive into a bombshell claim making waves: an internal FDA letter that critics say proves what they’ve been warning about for years — that young Americans were pushed into COVID shots they never needed, and that the government never wanted anyone questioning it. From vaccine mandates to college campuses, from “follow the science” to full-blown censorship, we walk back through how debate got shut down, how experts were elevated to unquestionable status, and how anyone who raised concerns — parents, doctors, journalists — was labeled a conspiracy theorist. 35:30 There’s finally a bright spot out of North Carolina this week—one that could change the game on violent repeat offenders. After months of shootings, releases, and a justice system that kept turning the same people back onto the streets, something different just happened in Charlotte. An 18-year-old—arrested multiple times for firing into homes—was picked up again. But this time? He didn’t walk free. His bond: $5.3 million. What changed? A brand-new law that just went into effect, born from a tragedy that never should have happened. And for the first time in a long time, it looks like consequences are finally catching up to the people who’ve been terrorizing innocent families. 40:00 And then there’s Mariah Carey—yes, the Christmas queen herself—making headlines again, but not for the song you’ve already heard 500 times this month. Over the summer, she showed up at an event in the U.K. wearing a glitter-bombed, rhinestone jacket that read “Protect the Dolls.” Now? She’s putting that jacket up for auction. And the cause it supports has a very specific mission: pushing more gender ideology into mainstream entertainment. So while everyone else is cueing up her Christmas tracks, she’s using her platform to bankroll something very different. And honestly… that deserves a big “whoa.” 41:30 And finally, a story that’ll restore a little of your faith in humanity. A first-year teacher in Virginia nearly lost her life after choking in front of her class—but three of her first graders jumped into action like seasoned pros. These kids didn’t panic—they became heroes. And their teacher says, “They 100% saved my life.” Now that’s the kind of story we need more of. Follow us: americangroundradio.com Facebook: facebook.com / AmericanGroundRadio Instagram: instagram.com/americangroundradioSee omnystudio.com/listener for privacy information.

What's better than holiday hot chocolate? If just thinking about it makes you feel all warm and fuzzy, well – that's by design. Chocolate's big history sweeps across the globe, and today we're going on that journey: from the pre–Columbus Americas, to an early 20th century reporter's hunch about what cocoa production really takes, to a 21st century medical student's story about his childhood on a farm that produces those holiday treats.Guests:Carla Martin, lecturer in African and African American Studies at Harvard University and President of the Board of the Institute for Cacao and Chocolate ResearchCatherine Higgs, professor of history at the University of British Columbia in CanadaShadrack Frimpong, founder of Cocoa360We've got a favor to ask: We know there are a lot of great NPR shows out there.. but we all know who's the best.  NPR is celebrating the best  podcasts of the year, and YOU get to crown the winner of the People's Choice Award. Vote for Throughline at npr.org/peopleschoice. May the best pod win!To access bonus episodes and listen to Throughline sponsor-free, subscribe to Throughline+ via Apple Podcasts or at plus.npr.org/throughline.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

In 1967, Nigerian writer Wole Soyinka tried to stop the country's Biafra war, in which Nigeria's Igbo people responded to violence by seceding from the rest of the country. They proclaimed a new Republic of Biafra.When the fighting began, Soyinka was building a reputation as a poet and playwright abroad. However, in a last-ditch attempt to avert civil war, he set off on a secret mission behind the front line to meet the Biafran leader, Emeka Odumegwu Ojukwu. When he left Biafra, he was imprisoned by the federal government without trial for more than two years.Soyinka drew on his prison experience in his writing over the following years, for which he was awarded the Nobel Prize in Literature in 1986 - the first African to win the award. He looks back on those events with Ben Henderson. Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from the death of Adolf Hitler, the first spacewalk and the making of the movie Jaws, to celebrity tortoise Lonesome George, the Kobe earthquake and the invention of superglue. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: Eva Peron – Argentina's Evita; President Ronald Reagan and his famous ‘tear down this wall' speech; Thomas Keneally on why he wrote Schindler's List; and Jacques Derrida, France's ‘rock star' philosopher. You can learn all about fascinating and surprising stories, such as the civil rights swimming protest; the disastrous D-Day rehearsal; and the death of one of the world's oldest languages.(Photo: Wole Soyinka in 1969. Credit: Keystone-France/Gamma-Rapho via Getty Images)

In this episode, we are joined by organizers from Lowcountry Action Committee to discuss climate justice in South Carolina's Lowcountry. We begin with a discussion about climate reparations and state's unfortunate priorities. We go on to explore the history of phosphate mining and its exploitation of newly emancipated Africans, the ecological destruction it caused, and its legacy of environmental racism.    We then turn to hurricane season and the anxiety it provokes in vulnerable working-class and poor Black communities, followed by the toxic legacy of military pollution and "forever chemicals" in North Charleston. Finally, we reflect on political consciousness, the fight against capital, and whether the Gullah Geechee are punished for their self-determination—echoing Haiti's revolutionary legacy.   Lowcountry Action Committe is a Black led grassroots organization dedicated to Black liberation through service, political education, and collective action in the Lowcountry of South Carolina. If you like what we do want to support our ability to have more conversations like this, please consider becoming a patron for as little as one dollar a month at patreon.com/millennialsarekillingcapitalism, you can also support via a one-time donation at BuyMeACoffee.com/MAKCapitalism   The piece the conversation is based on this issue of Surge: Lowcountry Climate Magazine   Lowcountry Action Committee's Website, LinkTree, Youtube    

The massive Niger River Delta is a fantastically rich cultural region and ecosystem. Unfortunately, it has been laid low by the brutal Biafran War (1967-70) and by decades of destructive and mismanaged oil exploration. This program offers a portrait of the region in two stories. First, we chronicle the Biafran War through the timeless highlife music of Cardinal Rex Jim Lawson, perhaps the most popular musician in Nigeria at the time. Then we spend time with contemporary musical activists in Port Harcourt's waterfront communities and in oil-ravaged Ogoniland to hear how music is providing hope for these profoundly challenged communities. The program features new and classic music, the words of Nigerian scholars, musicians, activists and veterans of the Biafran War, concluding with an inspiring live highlife concert on the Port Harcourt waterfront in which rappers and highlife graybeards come together to imagine a better road ahead. Produced by Banning Eyre APWW #754

We're back to Africa! Last month we kicked off a little Kenyan series on ​3 Books​ and today I'm thrilled to share another chapter recorded in the heart of pulsing downtown Nairobi in the country's top bookstore. I landed after an overnight flight and immediately filled my belly with fresh samosas, pakoras, curried goat tripe, and fresh tamarind juice ... for breakfast! ... and then, after seeing the city I hopped into a car with Perlexy, who works with our guest in Chapter 104 and current Kenyan Presidential nominee ​Boniface Mwangi​, and drove downtown... We parked the car and met up with Boniface and his son before walking up together to the second floor of a busy plaza. Tucked inside was a 1000-square-foot bookshop that happens to be one of the most influential literary hubs in the country: ​Nuria Bookstore​. That's where I met Bulle (pronounced "Boo-lay") who is of Somalian descent and born 700km north of Nairobi where he was largely raised by his wise camel-herding grandmother (who is 101 today!). Bulle took a business path early in life but as we'll hear his plans changed and now he runs what many consider the most successful bookstore in Kenya and is a huge champion and evangelist for African authors and African literature. Let's hang out upstairs in the Nairobi bookshop and talk about amplifying African voices, growing up among camels, the winding path of purpose, Bulle's 3 most formative books, and so much more … Let's flip the page to Chapter 155 now …

Get ready for an enlightening experience as the Master Teacher Ashra Kwesi returns to our classroom this Thursday morning! Brother Kwesi will delve into the rich African origins of the Holy Birth, revealing profound insights and connections. He’ll also unpack the significance of Christmas symbols, including the Christmas Tree, the Candy Cane, Santa Claus, and more. Before Brother Kwesi takes the mic, join us as Chairman Fred honors the memory of his father on the 56th anniversary of his assassination, a moment not to be missed. Additionally, the Nubian Leadership Circles’ Sadiki Kambon will join us for this momentous occasion.See omnystudio.com/listener for privacy information.

Jeffrey Epstein's early financial career is cloaked in mystery, with only fragments of fact piercing through layers of rumor and myth. After leaving Bear Stearns in 1981, he founded Intercontinental Assets Group Inc., a consulting firm where he claimed to “recover stolen money for wealthy clients.” What exactly that meant was never made clear, but the business quickly drew speculation that Epstein was dealing in murky worlds where stolen wealth, corrupt regimes, and shady operators overlapped. In a 2025 DOJ interview, Ghislaine Maxwell went further, alleging that Epstein built his fortune partly by working with or for African warlords in the 1980s. She claimed he once even showed her a photo of himself with such figures, suggesting his reach extended into circles where violence and illicit wealth were the currency.What is confirmed, however, is that Epstein was already operating in shadowy financial arenas, including his lucrative role as a consultant for Steven Hoffenberg's Towers Financial Corporation, a Ponzi scheme where Epstein earned $25,000 a month and received a $2 million loan. The warlord connection remains unproven but symbolically aligns with the trajectory of a man who, from the start, was willing to skirt moral boundaries, exploit opaque systems, and surround himself with power—whether in Wall Street boardrooms or, allegedly, among those who carved fortunes out of bloodshed in Africa.to contact me:bobbycapucci@protonmail.comsource:Records show Jeffrey Epstein's requests for multiple passports, travels to Africa and Middle East - ABC News

The man that is supposed to be the leader of the world once again embarrasses us as he called Ilhan Omar and Somali's garbage. He is normalizing hate.Subscribe to our Newsletter:https://politicsdoneright.com/newsletterPurchase our Books: As I See It: https://amzn.to/3XpvW5o How To Make AmericaUtopia: https://amzn.to/3VKVFnG It's Worth It: https://amzn.to/3VFByXP Lose Weight And BeFit Now: https://amzn.to/3xiQK3K Tribulations of anAfro-Latino Caribbean man: https://amzn.to/4c09rbE

#NYK #SitMpodcast #Africa #CameroonJoin the conversation as we discuss the "cold war" between Africans and Black AmericansGuestsKieara (Realtor)KeenEnjoy!________________Intro/Outro Song: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Manu Dibango - Africratie⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠________________Contact Us:Email: nayouknow1@gmail.comInstagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@nykpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@nayouknow1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support Us: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠NYKSupport⁠⁠⁠⁠⁠⁠

A new anthology of poems, including one that reflects on the weight of a whale, gathers voices from science, the arts, and Indigenous communities to create a portrait of nature in America. Former Virginia Poet Laureate Luisa A. Igloria (Old Dominion University) is co-editor of The Nature of Our Times: Poems on America's Lands, Waters, Wildlife, and Other Natural Wonders. Plus: Ana Lang (Washington and Lee and Central Virginia Community College) is the first ever student Poet Laureate of Virginia Community College System. She is torn between her Cambodian family's expectations of her and her desire to be a free and independent woman. Later in the show: The editor of a new online poetry journal, Steve Knepper (Virginia Military Institute) loves highlighting new lyric and narrative poetry.

Shortly after the shooting of two national guard troops in Washington, D.C., the Trump Administration said it was pausing asylum decisions and halting visas for Afghan immigrants. The alleged shooter is Rahmanullah Lakanwal, a Bellingham resident who came to the U.S. from Afghanistan in 2021. The motive for the attack is unknown. One victim – 20 year old Sarah Beckstrom – was killed in Wednesday’s shooting. The attack has prompted the Trump administration to supercharge restrictions on migrants from 19 countries, primarily ones in Africa and the Middle East. And it has left many others in this country fearful about their future as the federal government turns new scrutiny on green cards and asylee statuses that have already been granted. We’re trying to get a sense of how policy actions may impact immigrant communities, so we’re speaking with Luis Cortes Romero. He is an immigration lawyer and managing partner at Novo Legal Group. A note: After our taping, on Tuesday evening, the Department of Homeland Security announced a pause for all immigration applications for people from 19 countries deemed "high risk." Those are the same 19 countries Luis and I discussed that were under some previous restrictions: mainly African and Middle Eastern nations, including Sudan, Somalia and Iran -- also Venezuela, Haiti, and more. DHS says this requires "all aliens meeting the criteria undergo a thorough re-review process." GUESTS: Luis Cortes Romero is an immigration lawyer and managing partner at Novo Legal Group. RELATED LINKS: Shooting of National Guard members prompts flurry of U.S. immigration restrictions - PBS Trump pauses immigration applications for 19 nations on travel ban list - Washington Post Thank you to the supporters of KUOW, you help make this show possible! If you want to help out, go to kuow.org/donate/soundsidenotes Soundside is a production of KUOW in Seattle, a proud member of the NPR Network.See omnystudio.com/listener for privacy information.

Interview with Segun Lawson, CEO of Thor Exploration Ltd.Our previous interview: https://www.cruxinvestor.com/posts/thor-exploration-lsethx-nigerian-pioneer-preps-18m-oz-senegal-gold-project-for-q4-pfs-7891Recording date: 3rd December 2025Thor Explorations presents a compelling investment opportunity combining immediate cash generation from low-cost, high-grade gold production with a self-funded development pipeline spanning near-term mine life extension, advanced-stage project construction, and genuine exploration discoveries across three West African jurisdictions.The company operates the 100%-owned Segilola gold mine in Nigeria, producing 90,000–95,000 ounces annually at all-in sustaining costs below $1,000 per ounce. At current gold prices above $4,000 per ounce, Thor captures operating margins exceeding $3,000 per ounce, creating substantial free cash flow that funds quarterly dividends whilst simultaneously financing aggressive exploration and development programmes without equity dilution. Q3 2025 operational results demonstrated this financial strength, with production of 22,600 ounces generating approximately $70 million in revenue. Management's strategic decision to withhold 3,000 ounces for Q4 sale above $4,000 per ounce positions the company for potentially record quarterly financial performance. Thor has completely repaid its project debt, achieving a debt-free balance sheet that provides exceptional strategic flexibility for capital allocation decisions. This financial position distinguishes Thor from capital-constrained peers and enables the company to advance multiple projects simultaneously across different development stages.The Segilola operation represents Thor's immediate value creation opportunity through mine life extension. The company has deployed five drilling rigs exploring beneath the existing pit, systematically intersecting high-grade underground mineralisation averaging 5.5 grams per tonne (g/t) compared to open pit grades of just over 4 g/t. With all infrastructure capital expenditure already sunk and operational expertise established, every additional ounce discovered creates what management characterizes as "super ounces" requiring minimal incremental capital to extract. Thor targets an updated resource estimate in Q1 2026 whilst also pursuing satellite deposits within a 50-kilometre radius of the processing plant. The company plans a pilot mining operation in 2026 at one southern target, supplementing an existing stockpile containing over 44,000 ounces representing more than $175 million in contained gold value.Thor's Douta project in Senegal represents material near-term production growth, with a preliminary feasibility study weeks from completion. The project carries estimated capital costs of $250–$300 million, of which Thor will self-fund $150 million from operational cash flows. The remaining $100 million will be sourced through debt financing with Africa Finance Corporation, which financed Segilola and maintains an equity stake. Management targets first gold production in Q1 2028 following an investment decision expected in H1 2026, with the project featuring a larger resource base than Segilola and approximately 10 years of mine life that would materially increase Thor's consolidated production profile.Early-stage exploration success in Côte d'Ivoire provides genuine blue-sky discovery potential. At Guitry, 4,600 metres of drilling has delineated six mineralised lenses with high-grade intersections including 10 metres at 10 g/t across just 15% of an 8-kilometre by 5-kilometre geochemical footprint. The Marahui project has identified 8 kilometres of drill targets with surface rock chips returning 10–17 g/t. Both projects advance toward maiden resource estimates in H1 2026 through continuous drilling programmes funded entirely from internal cash generation.Thor's investment proposition centres on operational execution, financial strength, and portfolio diversification. The company's ability to generate substantial cash flows whilst advancing multiple growth opportunities without external capital requirements creates a differentiated risk-reward profile. Multiple near-term catalysts through 2026 include the Douta feasibility study release, Segilola resource update, Côte d'Ivoire maiden resources, construction decision-making, and continued operational cash generation supported by elevated gold prices and proven low-cost production capabilities.View Thor Exploration's company profile: https://www.cruxinvestor.com/companies/thor-explorations-ltdSign up for Crux Investor: https://cruxinvestor.com

Brother Thom Reed continues to explore how Official Declaration 2 transforms pain into possibility, healing into forward momentum, and the global church into a more unified body of Christ.YOUTUBE: https://youtu.be/MGRwbAujF2MFREE PDF DOWNLOADS OF followHIM QUOTE BOOKSNew Testament: https://tinyurl.com/PodcastNTBookOld Testament: https://tinyurl.com/PodcastOTBookBook of Mormon: https://tinyurl.com/PodcastBMBook  WEEKLY NEWSLETTER https://tinyurl.com/followHIMnewsletter  SOCIAL MEDIA Instagram: https://www.instagram.com/followHIMpodcast Facebook: https://www.facebook.com/followhimpodcastTIMECODE:00:00 Part 2 - Brother Thom Reed00:15 Genesis Group hat01:30 A tragedy and a conversion story05:26 Pushback and perspective09:00 Love for Joseph and President Kimball10:04 Revelation on a plane11:54 One man's experience with revelation16:27 Redemption and revelation18:38 Family Search with Africans and African Americans22:03 The evil of racism23:56 Going forward25:33 Juneteenth in the United States27:44 Continuous Restoration and revelation30:53 God is good, all the time34:01  End of Part 2 - Brother Thom ReedThanks to the followHIM team:Steve & Shannon Sorensen: Cofounder, Executive Producer, SponsorDavid & Verla Sorensen: SponsorsDr. Hank Smith: Co-hostJohn Bytheway: Co-hostDavid Perry: ProducerKyle Nelson: Marketing, SponsorLisa Spice: Client Relations, Editor, Show NotesWill Stoughton: Video EditorKrystal Roberts: Translation Team, English & French Transcripts, WebsiteAriel Cuadra: Spanish TranscriptsAmelia Kabwika: Portuguese TranscriptsHeather Barlow: Communications DirectorSydney Smith: Social Media, Graphic Design "Let Zion in Her Beauty Rise" by Marshall McDonaldhttps://www.marshallmcdonaldmusic.com

For the Allies it was an enormous triumph and for Nazi Germany it was another Stalingrad. But 80 years on, the battle for Tunisia is barely mentioned in popular accounts of the Second World War, having been totally eclipsed by the iconic clashes in Europe and the Pacific. In his new book, Tunisgrad, military historian Saul David seeks to redress the balance, arguing that this north African campaign was one of the three biggest turning points of the entire war. In conversation with Rob Attar, he explains why. (Ad) Saul David is the author of Tunisgrad: Victory in Africa (HarperCollins, 2025). Buy it now from Waterstones: https://go.skimresources.com?id=71026X1535947&xcust=historyextra-social-histboty&xs=1&url=https%3A%2F%2Fwww.waterstones.com%2Fbook%2Ftunisgrad%2Fsaul-david%2F9780008653811. The HistoryExtra podcast is produced by the team behind BBC History Magazine. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode, recorded in the summer of 2024, Josh interviewed two organizers from the Lowcountry Action Committee.  Lowcountry Action Committee is a Black African grassroots organization dedicated to Black liberation through service, political education, and collective action in the South Carolina Lowcountry.  Our conversation centers around their 2024 piece on environmental racism, where they trace the climate catastrophe, threatening to wash away Gullah Geechee homelands back to the phosphate mining industry of the eighteen sixties.  We discuss how today's disproportionate exposure of Black communities to hazardous waste sites, landfills, incinerators is inseparable from the region's history of chattel slavery and why Black people must be at the vanguard of the environmental movement.  We then situate the crisis within the broader context of the Black Belt, a historical homeland of Africans trafficked to North America. Now among the most vulnerable regions to climate change, drawing on Kali Akuno's prediction that large portions of the Black Belt may be underwater by 2050. We explore what displacement, housing costs, and organized abandonment mean for Black communities in the Carolinas and beyond.  The conversation also turns to international frameworks, particularly Cuba's model of sustainable development and the parallels between Cuban soil erosion and sea level rise and the ecological challenges facing Gullah Geechee communities. We discuss how the Lowcountry itself lives under a kind of economic blockade, how this juxtaposition illuminates environmental racism, neocolonialism, and anti-Blackness.  If you like what we do want to support our ability to have more conversations like this, please consider becoming a patron for as little as one dollar a month at patreon.com/millennialsarekillingcapitalism, you can also support via a one-time donation at BuyMeACoffee.com/MAKCapitalism Lowcountry Action Committee's Website, LinkTree, Youtube Crisis in the Carolinas: Racial Disparities, the Climate Catastrophe and Environmental Racism in the Lowcountry Cuba's Life Task: Combatting Climate Change (Tarea Vida)   Organizing to Free the Land with Kali Akuno    

Salegy may be the most popular dance music of Madagascar. It's a churning, harmonious groove with spine-stiffening vocal harmonies that emerged from towns and cities of northern Madagascar in the mid-20th century. On a trip to Diego Suarez, we learn that salegy's older origins are both fascinating and mysterious. We meet young salegy stars Ali Mourad and Jacs, and speak with the genre's reigning legend, Jaojoby, on the roof of his nightclub in Antananarivo. Along the way we visit a music school in Diego and hear blazing guitar riffs and get a fingerpicking tour of the entire island from guitar maestro Hajazz. Produced by Banning Eyre APWW #698

This week on the New Music Business Podcast, Ari sits down with recent GRAMMY Award winners Matt B and Angela Benson. Matt B is a GRAMMY-winning R&B singer, songwriter, and global recording artist whose career spans over a decade. His most recent project, ‘Alkebulan II', earned him and Angela a GRAMMY Award, following years of DIY artistry. Over the course of this album, Matt and Angela recorded across Africa, collaborated with artists like Eddie Kenzo and Oxlade, and worked with the Royal Philharmonic Orchestra at Abbey Road Studios. As a label owner, producer on ‘Alkebulan II', and longtime Recording Academy member, Angela has been instrumental in shaping Matt's artistic direction, visual world-building, and global strategy.In this episode, Matt B and Angela Benson walk through their incredible DIY journey and how they found themselves on the GRAMMY-winning path. They discuss the challenges of writing and recording in multiple African languages, shooting a full visual album across multiple countries, and balancing the creative workload between artist and manager. The pair break down how independent artists can navigate the GRAMMY process, the importance of joining the Recording Academy, the role of networking and bartering in major creative endeavors, and most importantly, the communication and patience required to run a music career as a married team.https://www.instagram.com/mattbworldhttps://www.instagram.com/angelavbenson01:40 – Home Studio & Recent Travels02:10 – Returning to His Alma Mater After the Grammy Win03:00 – Life & Opportunities After Winning a Grammy04:15 – Performing in Uganda & Global Breakthrough Moments05:20 – Inception of the Akebulan Concept09:00 – Connecting With Oxlade & Eddie Kenzo11:00 – Creating the “Gimme Love” Music Video13:00 – Building a Full Visual Album DIY17:40 – Finding Producers & Collaborators Worldwide20:00 – Incorporating the Royal Philharmonic Orchestra30:00 – Navigating Grammy Nominations & Recording Academy Membership47:00 – Working as a Husband-and-Wife Artist/Manager TeamEdited and mixed by Peter SchruppMusic by Brassroots DistrictProduced by the team at Ari's TakeOrder the THIRD EDITION of How to Make It in the New Music Business: https://book.aristake.com Hosted on Acast. See acast.com/privacy for more information.

Tonight, we hear spooky tales from the land of La Lechuza, La Llorona and El Chupacabra. Keep it spooky and enjoy! Season 20 Episode 15 of Monsters Among Us Podcast, true paranormal stories of ghosts, cryptids, UFOs and more, told by the witnesses themselves. SHOW NOTES:  Support the show! Get ad-free, extended & bonus episodes (and more) on Patreon - https://www.patreon.com/monstersamonguspodcast Tonight's Sponsor - BetterHelp - Get 10% off your first month of online therapy at BetterHelp.com/MAU Tonight's Sponsor - Lumi Gummies THC & CBD gummies - Feel good, not stoned. Get 30% off your order with code MAU at LumiGummies.com MAU Merch Shop - https://www.monstersamonguspodcast.com/shop MAU Discord - https://discord.gg/2EaBq7f9JQ Watch FREE - Shadows in the Desert: High Strangeness in the Borrego Triangle  - https://www.borregotriangle.com/ Monsters Among Us Junior on Apple Podcasts  - https://podcasts.apple.com/us/podcast/monsters-among-us-junior/id1764989478 Monsters Among Us Junior on Spotify - https://open.spotify.com/show/1bh5mWa4lDSqeMMX1mYxDZ?si=9ec6f4f74d61498b Most Haunted places in Mexico - https://en.wikipedia.org/wiki/List_of_reportedly_haunted_locations_in_Mexico Sightings TV Show Mexican UFO Coverage 15:02 MARK - https://www.youtube.com/watch?v=l8Gnoeu6TYQ Jaime Maussan - https://en.wikipedia.org/wiki/Jaime_Maussan Mexico UFO Survey -https://www.statista.com/statistics/1035825/mexico-opinion-extraterrestrial-life/ Mexican Legendary Creatures - https://hangar1publishing.com/blogs/cryptids/mexico-cryptids?srsltid=AfmBOopKz0_TkT48MFn5uIu8icQsNEyTOqqQWk3Um5RVPaz0YO-hmAJY What to do if you find a skeleton - https://dos.fl.gov/historical/archaeology/human-remains/#:~:text=Here%20are%20some%20guidelines%20for%20what%20to,jurisdiction%20over%20and%20control%20of%20the%20remains. African doll received in the mail - https://bit.ly/4pLJmUc Music from tonight's episode: Music by Iron Cthulhu Apocalypse - https://www.youtube.com/c/IronCthulhuApocalypse CO.AG Music - https://www.youtube.com/channel/UCcavSftXHgxLBWwLDm_bNvA Music By Karl Casey @ White Bat Audio - https://www.youtube.com/@WhiteBatAudio White Bat Audio Songs: 10 to Midnight Trapped in the Simulation Ghost of the Abyss