Podcasts about Hermosa

La alavesa visita a las chicas del Araba y aprovechamos para recordarle que nos debe una porrusalda

On a sweltering 90-degree summer day, Deanna Belos of Sincere Engineer joins James VanOsdol in the car for episode 1128 of Car Con Carne. To beat the heat, they enjoy ice cream from Rainbow Cone while diving into the new Sincere Engineer album, Probable Claws, which arrives on June 26th. Deanna shares behind-the-scenes stories about writing the tracks, and how her songwriting has evolved to focus on a more refined, classic structure for this release. The conversation covers the fascinating details behind the album's tracks, including the opening song "Twist My Tongue" and the standout track (and JVO favorite) "LOL," which features a surprise spoken-word introduction from actor Wil Wheaton. Deanna explains how that internet friendship blossomed, leading to a fun discussion about her own name being inspired by Deanna Troi from Star Trek: The Next Generation. She also reveals the hilarious, stealthy process of filming her latest music video inside a Jewel grocery store right before closing time. As Sincere Engineer prepares for a massive summer ahead, Deanna also previews her upcoming performances at major Midwestern festivals, including Summerfest in Milwaukee on June 25th and a return to Chicago for Riot Fest in September.  Check out Probable Claws on June 26! ## Exploding House Printing is here for all of your screen printing, embroidery and other merchandising needs. They're local, headquartered in the heart of Hermosa. Here's why I want you to consider them for your t-shirts, merch, whatever - their focus is on small businesses, bands, brands, and everything in between. They've worked on products for Meat Wave, Empty Bottle, the Music Box, Dante's Pizzeria, the Brokedowns, and the list goes on and on. Jonathan at Exploding House has been doing screen printing for decades. He knows what he's doing - besides his technical expertise, he delivers production efficiency and cost awareness to offer boutique print shop quality at much lower, large print shop prices. Check out their work on Instagram at (at)explodinghouse, or check out their site at exploding house printing dot com for a quote, or to see a list of some of their clients.  

Yesika Salgado is the L.A. poet whose words have become a voice for a generation of Angelenos finding beauty in a raw examination of Los Angeles. Born and raised in L.A. to Salvadoran parents, Yesika helped create Chingona Fire, the groundbreaking Latina feminist poetry collective that carved out space for women of color to tell their stories loudly and unapologetically. Yesika discusses identity, Boyle Heights, love, loss, body positivity, and why Los Angeles remains at the center of her work. From her bestselling poetry collections Corazón, Tesoro, and Hermosa, to her rise from open mic nights to becoming one of the most recognizable contemporary Latina poets in America, Yesika has always written with honesty, vulnerability, and defiance.

The future of critical minerals in the United States is being reshaped in southern Arizona. In this episode of Mining NOW, host Jerrod Downey explores the collaboration between South32 and the University of Arizona through the development of the Hermosa Project—one of the most advanced underground mining operations currently under construction in North America.At 50% completion, the Hermosa Project is designed to deliver five critical minerals including zinc, manganese, silver, lead, and copper, while setting a new global benchmark for sustainable mining. The operation is built around automation, electrification, renewable energy integration, and a significantly reduced environmental footprint. A key focus is also workforce development, with a goal of 80% local employment and long-term upskilling for communities new to modern mining.Learn More about South32

When Clark Vogeler joined the Toadies in 1996, there was no way to imagine the band would still be going, selling out rooms across North America. Thirty years later, the veteran guitarist finds himself navigating a beautifully unpredictable landscape, touring behind The Charmer, a gritty, tough new LP recorded with the late, legendary Steve Albini. Sitting over pizza at The Art of Pizza in Chicago (3033 N Ashland Ave, Chicago, IL 60657), Vogeler reflects on how the band has defied time to become a cross-generational force. From old-school fans to teenagers crowding the front row, the Toadies are experiencing a career renaissance they never could have predicted decades ago.   Vogeler pulls back the curtain on the creative process behind the new material, including the dark, self-critical inner voice that inspired frontman Vaden Todd Lewis to write the album's title track as a way of making peace with his own creative friction.   Being an independent band in 2026 comes with freedom, a sharp contrast to the major label pressures the Toadies faced in the 1990s. By self-funding their studio time through relentless touring, the band completely owns their masters, ensuring their creative output stays entirely in their own hands. As they prepare to share the stage at the Vic Theatre with Local H, Vogeler chats about the camaraderie of the road, the enduring legacy of Steve Albini, and why age has absolutely nothing to do with making great, muscular rock and roll.   Featured Sponsor: Exploding House Printing Exploding House Printing is here for all of your screen printing, embroidery, and other merchandising needs. They're local, headquartered in the heart of Hermosa. Here's why I want you to consider them for your t-shirts, merch, whatever—their focus is on small businesses, bands, brands, and everything in between.    Check out their work on Instagram at @explodinghouse, or check out their site at explodinghouseprinting.com for a quote, or to see a list of some of their clients.

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Hermosa comunidad

Zeb and Ray from the fantastic North Carolina band Bask join me for this episode as we chat on the back patio of Livewire Lounge in Chicago's Avondale neighborhood. Bask released their epic, genre-defying album The Turning last year, blending elements of psych, prog, atmospheric rock, and country into an incredibly awesome, cinematic vibe. We dig into their collaborative songwriting evolution, how they execute their massive sonic dynamics, and how their music serves as a true journey for the listener. Plus, since the interview fell on Zeb's birthday, we talk about the band's essential Chicago birthday stop: hitting up Johnny's Beef in Elmwood Park (this band knows how to maximize their tour down time).   Support Our Sponsor Exploding House Printing is here for all of your screen printing, embroidery and other merchandising needs. They're local, headquartered in the heart of Hermosa. Here's why I want you to consider them for your t-shirts, merch, whatever - their focus is on small businesses, bands, brands, and everything in between. They've worked on products for Meat Wave, Empty Bottle, the Music Box, Dante's Pizzeria, the Brokedowns, and the list goes on and on. Jonathan at Exploding House has been doing screen printing for decades. He knows what he's doing - besides his technical expertise, he delivers production efficiency and cost awareness to offer boutique print shop quality at much lower, large print shop prices. Check out their work on Instagram at @explodinghouse, or check out their site at explodinghouseprinting.com for a quote, or to see a list of some of their clients.  

L7 takes victory lap on 'Last Hurrah' tour (Episode 1124) L7 is embarking on their final run, The Last Hurrah Tour, capping off a legendary career with a final celebration of iconic songs, hooks, and unforgettable riffs. For Chicago fans, the circle closes at the Vic Theatre on Sunday, November 1, a stage the band hasn't commanded since 1994. In this episode, L7 co-founder, guitarist, and vocalist Donita Sparks joins the show to reflect on the long road, the band's legacy, and what it means to finally say goodbye on their own terms. Donita looks back at the band's transition from its indie roots to early 90s alternative mainstays and highlights along the way, like being anointed by John Waters for Serial Mom. "We wanted our gender to not be relevant... we just wanted to prove in a punk rock way that you could throw a band together, work hard, and go on tour." — Donita Sparks Beyond the nostalgia, Donita dives deep into the sonic DNA of L7, explaining why they will always be a "guitar band, not a vocal band." She opens up about the realities of the 90s major label system, the resilience it took to create The Beauty Process: Triple Platinum, and the joy of reconnecting with fans over the last decade. It's a candid conversation about hard work, and ultimately, a mission accomplished. The end is near, and you don't want to miss the last hurrah. Press play and check out the full conversation with Donita Sparks. (Permission to use "Fuel My Fire" and the associated tour video sizzle kindly provided by L7/rights holders)   ## Exploding House Printing is here for all of your screen printing, embroidery and other merchandising needs. They're local, headquartered in the heart of Hermosa. Here's why I want you to consider them for your t-shirts, merch, whatever: their focus is on small businesses, bands, brands, and everything in between. They've worked on products for Meat Wave, Empty Bottle, the Music Box, Dante's Pizzeria, the Brokedowns, and the list goes on and on. Jonathan at Exploding House has been doing screen printing for decades. He knows what he's doing. Besides his technical expertise, he delivers production efficiency and cost awareness to offer boutique print shop quality at much lower, large print shop prices. Check out their work on Instagram at @explodinghouse, or check out their site at explodinghouseprinting.com for a quote, or to see a list of some of their clients.  

El Hotel Restaurante Venta Baños, situado en Cañada Hermosa, representa la evolución del clásico ventorrillo de carretera hacia un complejo multifuncional con un diseño contemporáneo tras su reforma integral en 2008. Bajo la dirección de Javier Baños, el establecimiento destaca por una oferta culinaria que abarca desde el menú del día con platos de cuchara hasta una carta sofisticada con referentes de la mesa murciana como el arroz con conejo, la paletilla de cabrito o el pulpo roquero. Gracias a su ubicación privilegiada, amplio parking privado y servicios de hotel, se ha convertido en un punto de encuentro clave tanto para viajeros y comerciales como para la celebración de eventos familiares y bodas.

¿Tun Tun terminó arruinado por amor a una diva del cine mexicano? La historia jamás fue confirmada… pero durante años circuló un rumor que involucró a la bellísima Ofelia Montesco. De Perú a México, Ofelia conquistó el cine junto a Cantinflas, Santo y Buñuel, convirtiéndose en una de las actrices más admiradas de los años 60. Sin embargo, detrás de su éxito habría existido un romance secreto que terminó en tragedia. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

"We're a little egoless. We're happy to just do the content, be a part of the lighting, or help anybody execute and create something cool." — Robb Jibson In this episode, I sit down with Robb Jibson, the founder and creative director of So Midwest, a Chicago-based production design firm. Robb has spent decades building the visual experiences that define live music for artists like Fall Out Boy, Incubus, and Panic! At The Disco. We discuss his journey from a teenager in Michigan to the center of the concert production world. Episode highlights The "Tetanus" origin story: Robb recounts his early days in a metal band called Tetanus and how an attempt to use car headlights for stage lighting led to a run-in with the law and a formative stint doing community service at the Frauenthal Theater. Touring with the Backstreet Boys: At just 19 years old, Robb landed a spot on a tour with the Backstreet Boys during the height of their popularity. The birth of So Midwest: Originally started as a tax shelter while touring with Incubus, the company name was inspired by a simple 1-inch button found at the Empty Bottle. The shift to motion graphics: Robb explains how the industry transitioned from "smoky beams of light" to complex video content and 3D animation around 2007. Working with Chicago legends: We talk about his long-standing relationships with local favorites like Alkaline Trio, The Lawrence Arms, and Chevelle. Follow So Midwest: Visit somidwest.com to learn more. Car Con Carne is sponsored by Exploding House Printing! Exploding House Printing is here for all of your screen printing, embroidery and other merchandising needs. They're local, headquartered in the heart of Hermosa, and their focus is on small businesses, bands, brands, and everything in between. They've worked on products for Meat Wave, Empty Bottle, the Music Box, Dante's Pizzeria, the Brokedowns, and the list goes on and on. Jonathan at Exploding House has been doing screen printing for decades. He knows what he's doing - besides his technical expertise, he delivers production efficiency and cost awareness to offer boutique print shop quality at much lower, large print shop prices. Check out their work on Instagram at (at)explodinghouse, or check out their site at exploding house printing dot com for a quote, or to see a list of some of their clients.

Jahmal Cole, founder and CEO of My Block, My Hood, My City, joins Lisa Dent to talk about his mission to live in all 77 of Chicago's neighborhoods. This month, he's in Hermosa, and he updates listeners on his upcoming plans and shares how you can support his journey.

Speaker - Carlos De La CruzCreative Arts Pastor

In this episode of Car Con Carne, host James VanOsdol talks with Colombian icon Andrés Cepeda. A multi-Latin Grammy winner and 2026 Grammy nominee for his album Bogota, Cepeda visits the podcast to discuss his upcoming performance at the Riviera Theatre on May 10. This Chicago date marks the beginning of the final leg of a tour that has spanned two years and multiple continents. Highlights from the conversation Cepeda reflects on his 30 years in the music industry, offering insights into his creative process and his evolution from a teenage rock musician to a global solo artist. Starting the US tour in Chicago: Although the tour routing began in Chicago due to logistics, Cepeda shares his excitement about returning to the city where he has performed on several previous tours. The power of storytelling: Cepeda explains how sharing the anecdotes behind his songs helps him connect with multi-generational audiences, including those who may not be familiar with his music. Finding an authentic voice: Having served as a mentor on The Voice and The Voice Kids, Cepeda emphasizes the importance of originality for independent artists. He suggests that authenticity is the only way to stand out in a world where thousands of songs are released daily. The recording of Bogota: The album was recorded in Los Angeles and Bogota using analog techniques. Cepeda describes the experience of "locking himself in" with a band for weeks to capture a more organic, realistic sound. What comes next: As the Bogota tour concludes, Cepeda is already looking toward the future. He plans to begin a new project in July and is working with several producers on a fresh album this summer. Event details Catch Andrés Cepeda live as he kicks off his latest run of shows. Venue: Riviera Theatre (Lawrence and Broadway, Chicago) Date: May 10, 2026 The Show: A full band performance featuring musicians who have collaborated with Cepeda for over 20 years. Support for Car Con Carne Exploding House Printing is here for all of your screen printing, embroidery and other merchandising needs. They're local, headquartered in the heart of Hermosa. Here's why I want you to consider them for your t-shirts, merch, whatever: their focus is on small businesses, bands, brands, and everything in between. They've worked on products for Meat Wave, Empty Bottle, the Music Box, Dante's Pizzeria, the Brokedowns, and the list goes on and on. Jonathan at Exploding House has been doing screen printing for decades. He knows what he's doing. Besides his technical expertise, he delivers production efficiency and cost awareness to offer boutique print shop quality at much lower, large print shop prices. Check out their work on Instagram at @explodinghouse, or check out their site at explodinghouseprinting.com for a quote, or to see a list of some of their clients.

James VanOsdol sits down with Sean Mulroney at the legendary Gallery Cabaret in Bucktown to discuss the evolving landscape of Chicago's music scene. Mulroney, the owner of Double Door, shares major updates regarding the iconic venue's future and his new role as the operator of Gallery Cabaret.     A new chapter at Gallery Cabaret After 38 years as a Bucktown staple, Gallery Cabaret is undergoing a revitalization under Mulroney's guidance. The goal is to preserve the dive bar's classic Chicago vibe while elevating the experience for artists and patrons. Upgraded Sound: The venue now features a professional sound system, incorporating high-end gear from the Double Door collection. Community Focus: The heart of the bar remains its open mic nights, which provide a platform for everyone from jazz musicians to poets. Staff Continuity: To maintain the bar's soul, Mulroney has retained a mix of legacy staff and new team members. The pivot of Double Door Mulroney provides a candid update on the Double Door relocation. While the previously announced move to the Wilson Theater in Uptown is no longer moving forward, the brand is far from dead. "Double Door was never intended to be a nine million dollar venue. The math doesn't work for a 750-capacity club." The high costs and rigid requirements of city grant programs made the Wilson Theater project unfeasible. Instead, Mulroney is currently scouting a new location that aligns with the "roadhouse" spirit of the original Double Door. He is currently working through zoning and city requirements to bring this new vision to life. Open mic and booking information Gallery Cabaret continues to be a home for local talent. Musicians, poets, and performers of all stripes are encouraged to participate in the weekly schedule: Sundays: Open Mic (Sign-up at 6:30 PM). Tuesdays: Open Mic hosted by Victor. Thursdays: Open Mic hosted by Kelly Wazer. Artists interested in booking a set or showing art can reach out to the venue directly at bookinggallerycabaret@gmail.com.   Exploding House Printing is here for all of your screen printing, embroidery and other merchandising needs.  They're local, headquartered in the heart of Hermosa. Here's why I want you to consider them for your t-shirts, merch, whatever - their focus is on small businesses, bands, brands, and everything in between. They've worked on products for Meat Wave, Empty Bottle, the Music Box, Dante's Pizzeria, the Brokedowns, and the list goes on and on.   Jonathan at Exploding House has been doing screen printing for decades. He knows what he's doing - besides his technical expertise, he delivers production efficiency and cost awareness to offer boutique print shop quality at much lower, large print shop prices.    Check out their work on Instagram at (at)explodinghouse, or check out their site at exploding house printing dot com for a quote, or to see a list of some of their clients.   You can always expect prompt and quick communication as they're a small company and are hyper-focused on making your vision a reality. Their goal isn't just to print another t-shirt; you put your heart and soul into your project or business- they want their work to reflect that passion, as well. Email info at exploding house printing dot com for a quote today. Upcoming event: Local music night James VanOsdol will be at Gallery Cabaret on Wednesday, April 22, spinning an all-Chicago music set. Stop by to hear local favorites and celebrate the city's rich musical history.

Ignacio Peyró reflexiona sobre la histórica precariedad económica de los escritores, contrastando la bohemia con la necesidad material, ilustrada por figuras como Balzac o Salgari. Se destaca el premio de un millón de euros de Aena a Samantha Schweblin como una inyección económica valorada por el gremio, a pesar de las dudas sobre la idoneidad de una empresa pública para este fin. 

We come to the end of our time at Riverdale High with an unfortunately bad couple of episodes. We talk about the characters not acting like themselves, the confusing way they write off FP, Archie being very unlikable, Hermosa getting her time to shine, infantilizing Jellybean, and the gross military propaganda.Next week we'll head back over to Sabrina with the first episode of part 3!Our amazing cover art is by Senki R and you can follow them at https://cara.app/senkireignEpisode 51 content warnings: cheating, emotional and physical abuse, misogyny, toxic masculinity, mental health, violence, murder, death, gore, military industrial complex, military propaganda Theme song: "Beauty Flow" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/Follow us on Instagram at deadendspcast and bluesky @dead-ends.bsky.socialSend your podcast or show questions to our inbox at deadendspcast@gmail.com.Find all of Emily's links here: https://linktr.ee/emilypyleFind all of Brenton's here: https://linktr.ee/brentonpyle

This episode of SANDCAST: Beach Volleyball with Tri Bourne and Travis Mewhirter, features Miles Evans, who had a massive breakthrough year with Chase Budinger in winning the Manhattan Beach Open -- the year after competing in the Olympics and winning the Hermosa Open. What's next for Evans, perpetually underrated on the AVP and Beach Pro Tour? We find out in this conversation. Miles and Tri talk about: Planning a schedule on the Beach Pro Tour and AVP, and the difficulty of having to peak in November Why he and Chase Budinger continue to stick together amidst an off-season of partnership changes The absolutely stacked AVP qualifiers, and how difficult it will be to qualify for them Preparing for the 2028 Los Angeles Olympic Games And a whole lot more! SHOOTS! We have a NEW BOOK! Pre-order your copy of Volleyball for Dummies today at Barnes and Noble! Want SANDCAST merch? We got you covered. Check it out here! Get 20 PERCENT off all Wilson products with our code, TRIANDTRAVIS26. https://www.wilson.com/en-us/volleyball Get 10 PERCENT OFF VBTV using our discount code, SANDCAST10 Want to get better at beach volleyball? Use our discount code, SANDCAST, and get 10 percent off all Better at Beach products!  If you want to receive our SANDCAST weekly newsletter, the Beach Volleyball Digest, which dishes all the biggest news in beach volleyball in one quick newsletter, click here and sign on up! SHOOTS! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this episode, Martin Atkins (Public Image Ltd., Killing Joke, Pigface) joins the show from his Post-Punk and Industrial Music Museum to discuss the upcoming 45th-anniversary recreation of Public Image Ltd.'s third album, The Flowers of Romance. On Saturday, April 11, Martin returns to Reggie's in Chicago with a "murderers' row" of talent, including Chris Connelly, Robert Byrne, Leyla Royale, Orville Kline, Alicia Gaines, and Alan Lake, to bring the stark, experimental, and percussive record back to the stage. Martin reflects on the "Music Concrete" nature of the original recording sessions, which were defined by improvisation and disregard for traditional rock structures. He shares fascinating stories behind the album's signature sounds, such as the ticking of a Mickey Mouse watch used for the track "Four Enclosed Walls" and the CO2 fire extinguisher that opens "Under the House". He also sheds light on the band's internal dynamics during that era, including the departure of bassist Jah Wobble and Keith Levene's intense focus on video game. The conversation also covers Martin's recent performance of Killing Joke's "Extremities" and his complex, perhaps a bit strained, relationship with John Lydon. Martin discusses how his museum has become a surprising hub for younger generations who are just now discovering the textures and stories of the post-punk movement. I adore Martin, respect his career and business mind, and always love talking with him. Hope you enjoy the chat, and to see you at Reggie's!   ###   This episode is brought to you by Exploding House Printing. Based in Hermosa, they specialize in screen printing, embroidery, and custom merch for bands and brands. Visit explodinghouseprinting.com for a quote.  

In this episode, Martin Atkins (Public Image Ltd., Killing Joke, Pigface) joins the show from his Post-Punk and Industrial Music Museum to discuss the upcoming 45th-anniversary recreation of Public Image Ltd.’s third album, The Flowers of Romance. On Saturday, April 11, Martin returns to Reggie’s in Chicago with a "murderers' row" of talent, including Chris Connelly, Robert Byrne, Leyla Royale, Orville Kline, Alicia Gaines, and Alan Lake, to bring the stark, experimental, and percussive record back to the stage. Martin reflects on the "Music Concrete" nature of the original recording sessions, which were defined by improvisation and disregard for traditional rock structures. He shares fascinating stories behind the album's signature sounds, such as the ticking of a Mickey Mouse watch used for the track "Four Enclosed Walls" and the CO2 fire extinguisher that opens "Under the House". He also sheds light on the band’s internal dynamics during that era, including the departure of bassist Jah Wobble and Keith Levene’s intense focus on video game. The conversation also covers Martin’s recent performance of Killing Joke’s “Extremities” and his complex, perhaps a bit strained, relationship with John Lydon. Martin discusses how his museum has become a surprising hub for younger generations who are just now discovering the textures and stories of the post-punk movement. I adore Martin, respect his career and business mind, and always love talking with him. Hope you enjoy the chat, and to see you at Reggie’s! ### This episode is brought to you by Exploding House Printing. Based in Hermosa, they specialize in screen printing, embroidery, and custom merch for bands and brands. Visit explodinghouseprinting.com for a quote.See omnystudio.com/listener for privacy information.

San Juan 8, 1 - 11"Jesús fue al monte de los Olivos. Al amanecer volvió al Templo, y todo el pueblo acudía a él. Entonces se sentó y comenzó a enseñarles. Los escribas y los fariseos le trajeron a una mujer que había sido sorprendida en adulterio y, poniéndola en medio de todos, dijeron a Jesús: "Maestro, esta mujer ha sido sorprendida en flagrante adulterio. Moisés, en la Ley, nos ordenó apedrear a esta clase de mujeres. Y tú, ¿qué dices?". Decían esto para ponerlo a prueba, a fin de poder acusarlo. Pero Jesús, inclinándose, comenzó a escribir en el suelo con el dedo. Como insistían, se enderezó y les dijo: "El que no tenga pecado, que arroje la primera piedra". E inclinándose nuevamente, siguió escribiendo en el suelo. Al oír estas palabras, todos se retiraron, uno tras otro, comenzando por los más ancianos. Jesús quedó solo con la mujer, que permanecía allí, e incorporándose, le preguntó: "Mujer, ¿dónde están tus acusadores? ¿Alguien te ha condenado?". Ella le respondió: "Nadie, Señor". "Yo tampoco te condeno, le dijo Jesús. Vete, no peques más en adelante".……………Además puedes escuchar el Evangelio diario en las siguientes plataformas:Spotify: https://open.spotify.com/show/2M0Ubx3Jh55B6W3b20c3GOApple podcast: https://podcasts.apple.com/us/podcast/evangelio-del-d%C3%ADa/id1590423907 Para más información puede consultar nuestro sitio: https://www.vozcatolica.com o escríbanos a info@vozcatolica.com .Si quiere colaborar con este Apostolado lo puede hacer dirigiéndose a: https://vozcatolica.com/ayudanos . Desde ya muchas gracias.

Mike Stephen learns about inspiring the next generation of civil engineers from Pinpoint Scholars Foundation founder & president Michael Bempah, replays his visit to The Levee bar in the Hermosa neighborhood, and discovers the Secret History of local saxman Ed Wilkerson Jr.

This episode of Car Con Carne features Cat Ayala, the frontwoman for the Chicago band Scarlet Demore. James and Cat discuss the band's impressive trajectory, moving from DIY basement shows to playing Thalia Hall and Lincoln Hall and performing at Lollapalooza. The conversation covers several key areas: The Evolution of Sound: Cat explains the shift from their earlier melodic "pop" perspective to the heavier, more experimental, and post-grunge sound found on their upcoming full-length record. The Writing Process: A look into how Cat uses songwriting as a form of catharsis and why she often needs time and perspective to process emotions before putting them to paper. Life on the Road: The reality of "van feelings" and the mental toll of touring, contrasted with the excitement of their upcoming tour. Community and Representation: The importance of being a voice for young women in the music scene and creating a safe, supportive environment at their live shows. Scarlet Demore kicks off their tour at Beat Kitchen on May 8th, where fans can expect to hear plenty of new material. ### This episode is brought to you by Exploding House Printing. Based in Hermosa, they specialize in screen printing, embroidery, and custom merch for bands and brands. Visit explodinghouseprinting.com for a quote.  

This episode of Car Con Carne features Cat Ayala, the frontwoman for the Chicago band Scarlet Demore. James and Cat discuss the band's impressive trajectory, moving from DIY basement shows to playing Thalia Hall and Lincoln Hall and performing at Lollapalooza. The conversation covers several key areas: The Evolution of Sound: Cat explains the shift from their earlier melodic "pop" perspective to the heavier, more experimental, and post-grunge sound found on their upcoming full-length record. The Writing Process: A look into how Cat uses songwriting as a form of catharsis and why she often needs time and perspective to process emotions before putting them to paper. Life on the Road: The reality of "van feelings" and the mental toll of touring, contrasted with the excitement of their upcoming tour. Community and Representation: The importance of being a voice for young women in the music scene and creating a safe, supportive environment at their live shows. Scarlet Demore kicks off their tour at Beat Kitchen on May 8th, where fans can expect to hear plenty of new material. ### This episode is brought to you by Exploding House Printing. Based in Hermosa, they specialize in screen printing, embroidery, and custom merch for bands and brands. Visit explodinghouseprinting.com for a quote.See omnystudio.com/listener for privacy information.

In this episode of Car Con Carne, James VanOsdol welcomes Josh Chicoine, the creative force behind Cult Canyon, to discuss the release of the debut album, Smoke Tricks. The conversation delves into the evolution of Josh's musical projects, from the raw energy of the M's and the acoustic harmonies of Cloudbirds to the collaborative and sophisticated sound of Cult Canyon. Key Highlights: The Making of Smoke Tricks: Josh explains how the album, initially inspired by string arrangements recorded in 2019, was brought to life through a grant from the Department of Cultural Affairs and Special Events (DCASE). Creative Collaborations: The album features contributions from talented musicians like Alison Chesley, Susan Voelz, and Dave Max Crawford, as well as backup vocals from Melissa Busch-Wolford and Lindsay Weinberg. DIY Spirit: Josh shares his experiences with the DIY approach to music, from producing and promoting records to filming music videos with a GoPro and a vintage VHS filter. The Influence of Chicago: The city of Chicago serves as a backdrop for the album, with Josh reflecting on his relationship with the city and the local music scene. Second Hand News: Josh and James discuss his involvement in the Fleetwood Mac tribute band, Second Hand News, and the transgenerational appeal of the legendary band's music. Album Information: Item Details Artist Cult Canyon Album Title Smoke Tricks Release Date March 13, 2026 Label Rattleback Records Release Show The Hideout, March 14, 2026     This episode is brought to you by Exploding House Printing. Based in Hermosa, they specialize in screen printing, embroidery, and custom merch for bands and brands. Visit explodinghouseprinting.com for a quote. Episode Transcript James VanOsdol: This right here is Car Con Carne. Car Con Carne is a Q101 podcast. I'm James VanOsdol. Car Con Carne is brought to you by Exploding House Printing. They're based in Hermosa and they specialize in screen printing, embroidery, and custom merch for bands and brands. Check them out on explodinghouseprinting.com. Get a quote, see all the people, businesses, bands, and brands that they've worked with. Explodinghouseprinting.com. (Theme song plays) James VanOsdol: So, after the Golden Line EP a few years ago, Cult Canyon is set to release its debut album, Smoke Tricks, on March 13th. The album will be released on lovely vinyl via Rattleback Records and the release will be celebrated with a live show at The Hideout the following night. Josh Chicoine, whose creative resume is deep, impressive, and familiar, joins me in the car on a rainy, dreary, just kind of shitty transitional winter-into-spring night. Josh Chicoine: Muck, winter mix. James VanOsdol: Let's talk about Cult Canyon. We're here, the album's almost out as we're sitting here talking about it. Josh Chicoine: It is. James VanOsdol: A lot of us came to know you from your time with the M's earlier this century. Have you metaphorically moved from the garage to the living room with these projects? Josh Chicoine: It feels like I have. I mean, there was definitely a lot of garage influences happening with the M's. Certainly a DIY spirit. James VanOsdol: That kind of raw immediacy. Josh Chicoine: Yeah, I think we were trying to—well, it was of the time too. So this was the early 2000s, there was a lot of that stuff rolling around. And we kind of fit into that mix and just wanted to bring our own little flavor, which is heavily melodic, a lot of singing, a lot of gang vocals, which is one of my favorite things to do. And still, I guess, pop ethos, you know? Major and minor chords, nothing crazy. But yeah, we got done with that and I started a three-piece singing group called Cloudbirds and did that for about three years with a couple of guys that were in the M's also, Joey King and Glenn Russell. And that was definitely in the living room. That was acoustic guitars, sometimes we had electric, but mostly acoustic music and three-part harmonies and very folky. And it was a real welcome relief, I'd say, to almost 10 years of loud guitars and bashing drums and shouting vocals. James VanOsdol: You weren't pounding kids anymore. Josh Chicoine: We were not. We were not, and we kind of got started late anyway. So by the time 2009 rolled around, I was probably in my mid-30s, early 30s, everybody was kind of getting into their 30s. So being on the road was just awful. I think I was about ready to have my first child. And so yeah, the whole kind of idea shifted. And so we just couldn't sustain that. So being in a singing group and just three guys, a lot easier to organize practices and singing some sweet melodies and harmonies, and that was more my style. And I kind of chased that for a little while, and then I had a new band called Sabres and I tried to do the rock thing again in 2014 and self-released that record, put a lot of time into that record. And it was another big record. And I found out I was just really tired. The DIY thing is that you have to do it yourself. So that means producing the record, promoting the record, getting all the artwork together, getting five people—now more grown people—to get together for any rehearsal, any show. I thought it was going to maybe be a bit easier, but it just wasn't. It wasn't easy, so I had to put that down. James VanOsdol: DIY is hard. We're doing DIY right now in a car on urban radio in 2026. I do it in my car with a couple of cheap—see how the world has shifted for us both. Josh Chicoine: It has. I might say for the better. James VanOsdol: One would argue or could argue that, yeah. We're our own bosses. Josh Chicoine: I think so. Yeah, there you go. James VanOsdol: You're the CEO of Cult Canyon. Josh Chicoine: I am the CEO of Cult Canyon. I have a lot of contributors and collaborators, which I'm very thankful for. James VanOsdol: Let's talk about some of them. Alison Chesley is a contributor. Josh Chicoine: She is. She is actually appearing on the latest record. To go back to the Golden Line EP in 2019, so right before COVID, I released an EP called Josh Chicoine and it was called Dream Believers. And I was imagining this trajectory where the next bunch of songs would include a string quartet. And so in 2019, early 2019, I recorded three songs including with Susan Voelz, who's a good friend also. James VanOsdol: She's delightful. Josh Chicoine: Yeah, she's delightful, she's an old friend, she's a great contributor, what a great spirit. And with her and a few other string players. And then COVID came, so I sat on this thing. And I sat on this thing for quite a while because part of the DIY situation that we're in now is that there's so much noise and there's so many competing avenues for attention, including your couch doing nothing. That's a big one. James VanOsdol: Yeah. Josh Chicoine: Yeah, so I sat on it and I didn't know what I was going to do. And so I applied for a grant. It was really the Department of Cultural Affairs and Special Events here in Chicago, they have an individual artist program, DCASE. James VanOsdol: DCASE. Shout out to DCASE. Josh Chicoine: They have a grant program every year, and I applied and I said, you know, I'm coming back into making things and this is what I want to do. I want to make a rock record in the city of Chicago using Chicago musicians out of Chicago studios. And that was really the kind of impetus to be like, okay, what do I want this Cult Canyon thing to be? And so that's when I looked back at those Golden Line songs, which are really lush string arrangements done by our good friend Dave Max Crawford of Poi Dog Pondering and the Total Pro Horns. And he does a fantastic job. I've been collaborating with him since the M's, he did a lot of those string arrangements and horn arrangements and stuff, so he's really adept and really tasteful. And so I was just like, why not bring it into everything that I'm doing and make Cult Canyon more of a catch-all and a place where, for one, I can do what I want and I can do it with others that I want to do it with, people that I love. And yeah, Alison Chesley, I met her through Susan because playing with quartets, you end up having a large stable of artists because people are busy or they want more money than you want to give them or can give them on any given night. So I was able to meet and reach out to a bunch of string players and continually find new ones in town that can fill a role for a time. And happily, Alison is on this record on a tune called Good Bad Habits. James VanOsdol: I love it. And the album sounds great. Now, we're recording this right before it comes out, like I said. The album is Smoke Tricks. We've had—we, the public—have experienced some of it already. Real Sublime is a single. You shot a video for this one. Josh Chicoine: I did. James VanOsdol: Was that your house you shot it in? Josh Chicoine: That was at my house, yeah. James VanOsdol: Very tastefully appointed. Josh Chicoine: Thank you. That's all due to my wife. James VanOsdol: You've got you in a convertible on the lakefront. Josh Chicoine: That's my buddy Al's '67 Oldsmobile. James VanOsdol: That's badass. Josh Chicoine: Pretty badass. We all need a buddy like Al. Al's the best. James VanOsdol: Convertible on the drive, clearly different time of year from when we're recording this. Josh Chicoine: Yeah. James VanOsdol: And is that the lake you jumped into or did you shoot that— Josh Chicoine: Yeah, jumped into the lake. Another good friend of mine is a Great Lake jumper, Dan O'Conor. James VanOsdol: He's a celebrated Great Lake jumper. Josh Chicoine: They continually celebrate Great Lake jumper. I think he did it for five years straight every day. And yeah, so I started going out there and doing that. So it wasn't so far afield to imagine, because what are videos now? I don't even know what they are. But for this one, it was like, all right, Al, let's get in a car, let's drive around. I got this GoPro, I'll stick it to your car, drive around, and then let's go to the lake and let's jump in the lake. James VanOsdol: So it doesn't necessarily tie back to the lyrics or the theme? Josh Chicoine: I don't think so. I mean, but maybe somebody sees something that I don't. I think that's part of my MO, at least, is to leave enough fog to allow for some interpretation. But yeah, this is more of kind of a performance, roll around, get some good footage, put a 1989 VHS filter on it and make it look cool and get it out. James VanOsdol: And you're a fan of film and what can be done with movies. Josh Chicoine: Yeah, for sure. I mean, I love film, I love movies, I love music movies. For eight years I was the co-founder and director of the Chicago International Movies and Music Festival. And we were all over the place throughout the city. And we would show movies from all over the world, like 33 countries usually were represented each year. And that was just, for me, was fascinating to figure out how to build something like that that could last and to raise money for it, you know, practicing all these adult skills that being in a van in a band on tour you're not really practicing too much. James VanOsdol: Do you miss doing CIMMfest? Josh Chicoine: There's a lot of it that I do. I really miss just the people and the spirit. I mean, we had an incredible group of volunteers that would come every year and really they were the ones that were able to activate this thing. And so I loved sitting around and dreaming, I loved building marketing materials, if only because then I could have something to go and take to people that I knew and a network that I was building. And I thought it was really a cool thing for the city and it really got me in touch with a lot of old friends and made so many new friends and it kept me—this was right after the M's, and the M's were kind of media darlings and played a lot of shows and, you know, I knew a lot of club owners and I knew publicists and I knew all that network. So it kind of allowed me personally to stay connected to that world. And coming out of there, that's what my kind of career goals were. I was just like, okay, I want to stay in this world, I want to stay connected to these people. So it was my friend Ilko Davidov, who's a Bulgarian filmmaker, and it was his concept. And I was just sort of the right person that was able to come and hoodwink a bunch of people into coming on board and giving me a bunch of money and being able to try to make this thing into a sustainable institution. We never quite got there. It's always resource-light and operations-heavy. And never quite got there, but still just some great memories and really happy and really proud of what we were able to build. James VanOsdol: Thinking about film and music and making short music films, I've wondered this out loud on this podcast before, but I feel like this is a golden moment. This is the time for artists to explore that side of things. I mean, it's not like the 1980s when I grew up, when videos were bankrolled by record labels and there were millions of dollars. Like, you grabbed a GoPro, you sit it on the dash—like, this is a real opportunity for creative expression, I think. I just don't know if enough independent artists are taking advantage of it. Josh Chicoine: I mean, if you look at—I'll have to disagree, I feel like, you know, the barriers are down and people now, everybody's got a pretty decent camera in their pocket at all times. Since the barriers are down and since everybody's got a camera, you can do whatever you want, put it up there, and not going to say it's good, most of it's not, most of it's schlock. But you at least have the opportunity to make something that's decent and the technology affords it. You don't even need to be great at editing. You can cobble stuff together. You really can. I mean, I use a really cheap editing software. James VanOsdol: Can I ask? Josh Chicoine: It's called CapCut. And the same company, I can't remember what they're called, the TikTok corporation, ByteDance. It's a ByteDance product. And I got it because it was cheap and another friend of mine was using it. And he was making some cool stuff, so I was just like, all right, I'm just going to dive in and start doing stuff. And so that's what I did. James VanOsdol: That's DIY. Roll up your sleeves, let's get to it. Josh Chicoine: Yeah, it's just—I had spent CIMMfest was so much about favors and so much about waiting for favors from people that you were either getting a deep discount from or not paying at all. And I know the pain, you know? And it's real. So if you have any kind of means by which you can get a hold of this stuff, then it's just about putting the work in and, you know, time is mine to give or throw away. So, yeah, it's just sort of—I keep getting better and better, I mean other people can be the judge of that, but I feel pretty good about what I've been able to do with hardly any resources. James VanOsdol: It's pretty cool. Josh Chicoine: Yeah, it's pretty cool. James VanOsdol: All right, going back to this album Smoke Tricks again, available on March 13th. Bitter Birdies is how we begin. If you listen close, actually you don't even need to listen that closely, there are dogs barking at the beginning of the song. Josh Chicoine: Yeah, Ralfy. James VanOsdol: I was going to ask. Josh Chicoine: It's my doggie. James VanOsdol: And you were aware when you were recording the dog was part of it, right? Josh Chicoine: Yeah, well, my producer, my co-producer on this was Todd Rittmann and Todd Rittmann was in US Maple. I don't know if you remember that band. Affiliated with Cheer-Accident, of course. James VanOsdol: Of course, always interesting. Josh Chicoine: Yes. Now he's in Dead Rider, for everybody out there who's watching, check out Dead Rider. Yeah, he's fascinating, he's got a great little studio called Shy Diamond Studio down in Logan, just north of Fullerton. And, you know, him and I kind of cobbled this thing together. And I never expected that the piano tracks were the final. So I would just make demos at my house and then I would send them to Todd and I'd be like, "Here's what I'm thinking for this song," and then we would try and fit it in somehow. And he was just—he's like a maestro. He was just like, "I love it, you're never taking away the dog's bark. We're keeping it in there 100%." So I was like, "All right, let's go." Piano sounded fine, sounded good, it's my piano in my living room. I loved it, and that's my boy Ralfy. So he's my spirit animal and I'm glad he's on the record too. James VanOsdol: Good boy, Ralfy. Josh Chicoine: He's a very good boy. James VanOsdol: On this song, I know you want people to interpret songs as, you know, as any artist would suggest, like you want to feel a connection, right? But you do mention "stuck here in Chicago" in that song. Were you feeling—do you feel a weird relationship with the city? Josh Chicoine: I think I love Chicago. It's my favorite city. It's especially my favorite city to come back to. I don't know if you've ever leave for like a little while, but when you come back, it's just like—ah. Especially when you're driving back home and like you catch that first glimpse of the skyline. That is a moment. It's real. So, I mean, when I got that grant from DCASE, it was like, "Oh no, now I got to write a record." They called your bluff. Every time for me, at least, I decide to write a record, I have to figure out how to write a record again. And that—it's like a lot of introspection and a lot of like, "Who am I now? What am I going to write about now?" And it takes a long—it took me a long time. And Bitter Birdies kind of came about based upon that piano that opens it up. I had that piece for a long time, but sort of like lyrically I wasn't quite sure. And my wife and I are going to be married 25 years in June. James VanOsdol: Congratulations, that's a big milestone. Josh Chicoine: Thank you. It's been wonderful. But seven years into our relationship, there was a breakup. Post-college, I mean I was dating her since I was 19. I've known her for a long time. So yeah, moved to Chicago, joined a band, you know, our lives were diverging. And so we broke up. And she went—she quit her job, she was like working at a financial firm downtown. I was in a band, so you can see divergence. For sure. But yeah, she quit her job, she went on walkabout in Europe for six months. And I took myself back to that time. And that time was sort of very freeing and very fun at the beginning, and then the longing just really set in and, you know, the longer my notes and messages would go to her, the shorter and shorter that they came back to me. So it appeared like she was moving on and there was something really heart-wrenching about that for me. So yeah, that song was about that. So, you know, she was having this really great experience and seeing all new things and new people and I was here stuck in Chicago. So I was living in a loft space where Salvage One is now off of Hubbard, between Wood and Wolcott. With these crazy artist people and there were raves and I was making a bunch of music. So it was just like this Kevin Bacon Quicksilver life that I was living. And I just started to really miss her, no matter what I was just like, "What if she came back here and she lived with me in this hovel and we could do this together?" And that's sort of the kind of emotional impulse that I felt from writing that and wanting to get out of it, you know, wanting to get out of that space. So nothing against Chicago, I love Chicago, but you know there's definitely moments where you're just like, "Okay, get me out of here." James VanOsdol: Write what you know. Josh Chicoine: That's I think what I came back to and when I was confronted with that idea and I keep a quote book and Louise Bourgeois said that, "If you're not writing about yourself, then it doesn't mean anything." And I'm parsing—I'm screwing that quote up, but I really took that to heart. So I was like, "Okay, well then I am going to write about myself and my experiences because it's all that I have really that I could feel a connection with." Oh, it's okay up there. I got an ambulance. Ambulance, police car, normal stuff. Stuck in Chicago. Here we are. James VanOsdol: Run Red Lights, which I don't recommend. I mean, I recommend the song. Who's doing the backup vocals on that? Josh Chicoine: Yeah, so that's my friend Melissa and Lindsay. Melissa Busch-Wolford and Lindsay Weinberg. And they play with me in a Fleetwood Mac tribute band called Second Hand News. James VanOsdol: Good segue. I was going to ask about that. Because the backup vocals have a really nice texture in that song in particular. Josh Chicoine: Thanks. James VanOsdol: And that actually dovetails perfectly to the question about working and being part of Second Hand News because you play with those harmonies which are magical. Clearly you bring some of that back to Cult Canyon. Josh Chicoine: Yeah, I think it for me it's always sort of been there. You can hear it in the M's, you can hear it if you listen to Sabres, you can hear it there too. Certainly with Cloudbirds it was very much about the harmonies. And yeah, as I started to enter into this promo world of Cult Canyon, I was just trying to like think about things that were a common thread. And harmonies, singing—that's how I kind of come up with ideas. I just kind of start with the voice, have something on the guitar that's fine. I'm a mediocre guitar player but it's really about voice and vocals. And so when I started playing in Second Hand News, you know, I had never been in a band with women before. I've played music with women before, but not in a band. So it was sort of like, "Oh, this whole another resource that I would love to bring into this project." And they were so game and, you know, they brought their whole selves to it and I think it really shows in the recording. James VanOsdol: I love it. Since we're on the topic of Fleetwood Mac, Tusk. Misunderstood classic or big awful mess? Josh Chicoine: Can it be both? Depends on which side you're on, yeah. I was really naive about Tusk and I had it in my record collection just from a bunch of records that somebody gave me. And I think at one point the—because there's two record sleeves in it—they both got kind of separated. So all of a sudden I had four record sleeves separated and I was like, "Wait a minute, this is a quadruple album? This is crazy." But it wasn't. There's a record sleeve that hides another record sleeve that has the record in it. That's how much money and wasteful money that they had. Because that's coming off Rumours. Like, they could do whatever they wanted. Lindsey Buckingham could do whatever he wanted. And he really did. He really did. And some of it, you know, it could be argued that he shouldn't have done it, but we still play a bunch of jams off of there. The title track to me is still one of the coolest songs of the 1970s. Super cool. I mean, there's a lot on there that are really unheralded. Think About Me is another really good one that we love to play. James VanOsdol: Sara's on that too, right? Josh Chicoine: Oh God, I'm going to get killed by my bandmates. Sara's on there, yeah, it's on there. Let's say yeah, when no one's looking it up. But yeah, we play Sara all the time and it's like seven minutes long and the audience loves it and Melissa crushes it. And yeah, those are just really fun songs to play. And the audiences are crazy. It's like there's 18-year-olds there. James VanOsdol: I was going to say. Josh Chicoine: There's 88-year-olds there. James VanOsdol: It's one of those bands that is transgenerational. My daughter, who's heading towards 21, Stevie Nicks is probably a top five artist for her. For her birthday a few years ago I took her to see Stevie Nicks at the United Center and it was this magical night for her. Like, we walked out of the United Center and she said, "I only cried three times." I'm like, "What do you mean you cried?" "Well, you know, during Gold Dust Woman and... oh gosh, what else did she cry during? Dreams, Rhiannon, and Landslide." Of course, classics. But I mean it is interesting how maybe millennials didn't give a shit, but suddenly like Gen Z is full on board with Stevie Nicks. Josh Chicoine: I take it back to that dude who was on the skateboard chugging cranberry juice and all of a sudden Dreams became something. But it just feels like it's cyclical. It keeps coming back, those songs are just so classic. Timeless, absolutely timeless. And the recordings of them were amazing. So it just seems like they're just not going to go away, which is great for Second Hand News. Yeah, I mean we played the Metro a couple weeks ago. That's amazing. James VanOsdol: That's nuts. Josh Chicoine: Yeah. I love it. James VanOsdol: And to your point, like all ages get into it. That's something you don't get to experience necessarily in the M's or Cult Canyon. Josh Chicoine: It's different. Yeah, it's different for sure. And I think that we—I've been told this by a lot of audience members after the show and they're just like glowing coming out after scream-singing at us for two hours. And they just say like, "You bring so much joy." And I really feel that. Like, we do. I mean the band is killer. And so the band in Second Hand News, the guitar player, bassist, drummer, Mike, Mike, and Dan, they play in Cult Canyon too. So they're the ones who are the backing band on this Cult Canyon record. So I just was just enamored with this whole group and just because we had such good times together on stage and in front of giant crowds and harmonizing and singing and playing those classic songs. So it was just kind of a natural little pivot to bring them into my songwriting and I was really happy that they did. James VanOsdol: I love that. So Rattleback Records, easily a favorite record store of mine. Josh Chicoine: Mm-hmm. James VanOsdol: Releasing the album on vinyl. How important was it for you to have this as a record, as an LP? Josh Chicoine: It was critical for me. I think one of the things—so I released the Sabres record in 2014. And it kind of, like many, many, many, many, many records out there, it just kind of gets—it's like, "Okay, it's out there," and then you tell your friends and then it just doesn't really go anywhere. James VanOsdol: And that ambitious ordering of 500 records turns into, "Okay, we're still sitting on 250." Josh Chicoine: I have a lot of CDs. Let's put it to you that way. Hit me up if you want a CD by Sabres. I'll just give it to you. It's got—anyway. Yeah, so I think I was determined to at least try and make a stink with this Cult Canyon record. And I really liked it. And so one of the first things I did was I talked to my friends in the AM Slingers, who are another Rattleback band and they're friends of mine too. And I knew that Paul over at Rattleback had put out a 7-inch of theirs. And by put out, I mean he paid for it. So he facilitated the production and then, you know, created a connection between the band and the record store. Really love that idea, you know? It's going to be DIY anyway, it's all about building community bit by bit by bit. So I was introduced to Paul kind of—I don't even remember when, it's probably a year ago now, if not more. And he was really intrigued and I sent him a bunch of songs including the Golden Line EP, which he really loved. And that just gave me a lot of confidence, and so I took this Smoke Tricks record and I was like, "I'm really looking for somebody to help me out with this." And he was game and continues to be game. James VanOsdol: I love that. Josh Chicoine: It was his dream to have a boutique record store. And that happened, and then it was his dream to have a boutique little tiny record label. So that happened. James VanOsdol: I've never been in that store, by the way, where it hasn't been busy. Josh Chicoine: Oh good. James VanOsdol: No, I mean I love going there. Like, they've got one of the best, I think, mixes of new and used and their prices are very reasonable. Josh Chicoine: I agree. I agree. Yeah, they have a lot of cool chotchkies around, good t-shirt collection. It's like a proper record store. James VanOsdol: And I mean if you're one of those budget-bin divers like there's dollar records, you'll hurt your knees going through them, but I mean there's occasionally gold to find in there. Josh Chicoine: I agree. It's everywhere. James VanOsdol: But yeah, it's a cool place, I mean right over there on Clark Street. And I love just that kind of brand extension for Rattleback. Like it makes so much sense. Josh Chicoine: I love that. I love that for Paul, I love that we were able to become a part of that and we're putting on a showcase of Rattleback Records artists May 29th at the Burlington. James VanOsdol: Nice. Which for the record, one of the loudest rooms in Chicago. Josh Chicoine: That's right. We'll do what we can, but I mean it's hard, it's like a lot of hard flat surfaces and they didn't do any soundproofing or nothing. So, yeah. James VanOsdol: That's good. That's part of its charm. Josh Chicoine: It's part of the charm. Yeah, yeah, you know what you're getting into when you go back there. Just bring earplugs, what's the big deal? James VanOsdol: Just bring ear—that's—if you bring earplugs, you're good. Josh Chicoine: Yeah, that's right. James VanOsdol: But if you go deaf, I mean who better to go deaf from? Josh Chicoine: Yeah, that's a badge of honor. It's a badge of honor. I mean it's not a good recommendation, I would say. But if you want good earplugs, just go to Sensaphonics down there on Milwaukee Avenue. Shout out. Yesterday was National Hearing Day and I got myself fitted for a new pair of earplugs. James VanOsdol: Smart. Josh Chicoine: And it basically—it's no joke. No, it's no joke if you listen to a lot of live music. It basically just turns the volume down. The clarity is still there versus sticking toilet paper in your ears or those foam things. James VanOsdol: Exactly what they feel like. Or those like pool noodles shrunk down. Josh Chicoine: Yeah, that's right. They're good if you want to sleep. If you're like on tour and everybody else snores in your hotel room, then those are really effective. James VanOsdol: For sure. All right, so Smoke Tricks is the album. It's awesome. It comes out on March 13th. The Hideout is the release show on March 14th. And onward and upward. What a great record, you really did it. Josh Chicoine: Thanks, man. I really appreciate it. That was nice talking to you. Are we done? Is this the wrap? James VanOsdol: This is the wrap. Josh Chicoine: All right, love it.

In this episode of Car Con Carne, James VanOsdol welcomes Josh Chicoine, the creative force behind Cult Canyon, to discuss the release of the debut album, Smoke Tricks. The conversation delves into the evolution of Josh's musical projects, from the raw energy of the M's and the acoustic harmonies of Cloudbirds to the collaborative and sophisticated sound of Cult Canyon. Key Highlights: The Making of Smoke Tricks: Josh explains how the album, initially inspired by string arrangements recorded in 2019, was brought to life through a grant from the Department of Cultural Affairs and Special Events (DCASE). Creative Collaborations: The album features contributions from talented musicians like Alison Chesley, Susan Voelz, and Dave Max Crawford, as well as backup vocals from Melissa Busch-Wolford and Lindsay Weinberg. DIY Spirit: Josh shares his experiences with the DIY approach to music, from producing and promoting records to filming music videos with a GoPro and a vintage VHS filter. The Influence of Chicago: The city of Chicago serves as a backdrop for the album, with Josh reflecting on his relationship with the city and the local music scene. Second Hand News: Josh and James discuss his involvement in the Fleetwood Mac tribute band, Second Hand News, and the transgenerational appeal of the legendary band's music. Album Information: Item Details Artist Cult Canyon Album Title Smoke Tricks Release Date March 13, 2026 Label Rattleback Records Release Show The Hideout, March 14, 2026 This episode is brought to you by Exploding House Printing. Based in Hermosa, they specialize in screen printing, embroidery, and custom merch for bands and brands. Visit explodinghouseprinting.com for a quote. Episode Transcript (Note: Auto-generated transcript; errors are possible) James VanOsdol: This right here is Car Con Carne. Car Con Carne is a Q101 podcast. I'm James VanOsdol. Car Con Carne is brought to you by Exploding House Printing. They’re based in Hermosa and they specialize in screen printing, embroidery, and custom merch for bands and brands. Check them out on explodinghouseprinting.com. Get a quote, see all the people, businesses, bands, and brands that they’ve worked with. Explodinghouseprinting.com. (Theme song plays) James VanOsdol: So, after the Golden Line EP a few years ago, Cult Canyon is set to release its debut album, Smoke Tricks, on March 13th. The album will be released on lovely vinyl via Rattleback Records and the release will be celebrated with a live show at The Hideout the following night. Josh Chicoine, whose creative resume is deep, impressive, and familiar, joins me in the car on a rainy, dreary, just kind of shitty transitional winter-into-spring night. Josh Chicoine: Muck, winter mix. James VanOsdol: Let’s talk about Cult Canyon. We’re here, the album’s almost out as we’re sitting here talking about it. Josh Chicoine: It is. James VanOsdol: A lot of us came to know you from your time with the M’s earlier this century. Have you metaphorically moved from the garage to the living room with these projects? Josh Chicoine: It feels like I have. I mean, there was definitely a lot of garage influences happening with the M's. Certainly a DIY spirit. James VanOsdol: That kind of raw immediacy. Josh Chicoine: Yeah, I think we were trying to—well, it was of the time too. So this was the early 2000s, there was a lot of that stuff rolling around. And we kind of fit into that mix and just wanted to bring our own little flavor, which is heavily melodic, a lot of singing, a lot of gang vocals, which is one of my favorite things to do. And still, I guess, pop ethos, you know? Major and minor chords, nothing crazy. But yeah, we got done with that and I started a three-piece singing group called Cloudbirds and did that for about three years with a couple of guys that were in the M’s also, Joey King and Glenn Russell. And that was definitely in the living room. That was acoustic guitars, sometimes we had electric, but mostly acoustic music and three-part harmonies and very folky. And it was a real welcome relief, I’d say, to almost 10 years of loud guitars and bashing drums and shouting vocals. James VanOsdol: You weren’t pounding kids anymore. Josh Chicoine: We were not. We were not, and we kind of got started late anyway. So by the time 2009 rolled around, I was probably in my mid-30s, early 30s, everybody was kind of getting into their 30s. So being on the road was just awful. I think I was about ready to have my first child. And so yeah, the whole kind of idea shifted. And so we just couldn’t sustain that. So being in a singing group and just three guys, a lot easier to organize practices and singing some sweet melodies and harmonies, and that was more my style. And I kind of chased that for a little while, and then I had a new band called Sabres and I tried to do the rock thing again in 2014 and self-released that record, put a lot of time into that record. And it was another big record. And I found out I was just really tired. The DIY thing is that you have to do it yourself. So that means producing the record, promoting the record, getting all the artwork together, getting five people—now more grown people—to get together for any rehearsal, any show. I thought it was going to maybe be a bit easier, but it just wasn't. It wasn't easy, so I had to put that down. James VanOsdol: DIY is hard. We’re doing DIY right now in a car on urban radio in 2026. I do it in my car with a couple of cheap—see how the world has shifted for us both. Josh Chicoine: It has. I might say for the better. James VanOsdol: One would argue or could argue that, yeah. We’re our own bosses. Josh Chicoine: I think so. Yeah, there you go. James VanOsdol: You’re the CEO of Cult Canyon. Josh Chicoine: I am the CEO of Cult Canyon. I have a lot of contributors and collaborators, which I’m very thankful for. James VanOsdol: Let’s talk about some of them. Alison Chesley is a contributor. Josh Chicoine: She is. She is actually appearing on the latest record. To go back to the Golden Line EP in 2019, so right before COVID, I released an EP called Josh Chicoine and it was called Dream Believers. And I was imagining this trajectory where the next bunch of songs would include a string quartet. And so in 2019, early 2019, I recorded three songs including with Susan Voelz, who’s a good friend also. James VanOsdol: She’s delightful. Josh Chicoine: Yeah, she’s delightful, she’s an old friend, she’s a great contributor, what a great spirit. And with her and a few other string players. And then COVID came, so I sat on this thing. And I sat on this thing for quite a while because part of the DIY situation that we’re in now is that there’s so much noise and there’s so many competing avenues for attention, including your couch doing nothing. That’s a big one. James VanOsdol: Yeah. Josh Chicoine: Yeah, so I sat on it and I didn’t know what I was going to do. And so I applied for a grant. It was really the Department of Cultural Affairs and Special Events here in Chicago, they have an individual artist program, DCASE. James VanOsdol: DCASE. Shout out to DCASE. Josh Chicoine: They have a grant program every year, and I applied and I said, you know, I’m coming back into making things and this is what I want to do. I want to make a rock record in the city of Chicago using Chicago musicians out of Chicago studios. And that was really the kind of impetus to be like, okay, what do I want this Cult Canyon thing to be? And so that’s when I looked back at those Golden Line songs, which are really lush string arrangements done by our good friend Dave Max Crawford of Poi Dog Pondering and the Total Pro Horns. And he does a fantastic job. I’ve been collaborating with him since the M’s, he did a lot of those string arrangements and horn arrangements and stuff, so he’s really adept and really tasteful. And so I was just like, why not bring it into everything that I’m doing and make Cult Canyon more of a catch-all and a place where, for one, I can do what I want and I can do it with others that I want to do it with, people that I love. And yeah, Alison Chesley, I met her through Susan because playing with quartets, you end up having a large stable of artists because people are busy or they want more money than you want to give them or can give them on any given night. So I was able to meet and reach out to a bunch of string players and continually find new ones in town that can fill a role for a time. And happily, Alison is on this record on a tune called Good Bad Habits. James VanOsdol: I love it. And the album sounds great. Now, we’re recording this right before it comes out, like I said. The album is Smoke Tricks. We’ve had—we, the public—have experienced some of it already. Real Sublime is a single. You shot a video for this one. Josh Chicoine: I did. James VanOsdol: Was that your house you shot it in? Josh Chicoine: That was at my house, yeah. James VanOsdol: Very tastefully appointed. Josh Chicoine: Thank you. That’s all due to my wife. James VanOsdol: You’ve got you in a convertible on the lakefront. Josh Chicoine: That’s my buddy Al’s ‘67 Oldsmobile. James VanOsdol: That’s badass. Josh Chicoine: Pretty badass. We all need a buddy like Al. Al’s the best. James VanOsdol: Convertible on the drive, clearly different time of year from when we’re recording this. Josh Chicoine: Yeah. James VanOsdol: And is that the lake you jumped into or did you shoot that— Josh Chicoine: Yeah, jumped into the lake. Another good friend of mine is a Great Lake jumper, Dan O’Conor. James VanOsdol: He’s a celebrated Great Lake jumper. Josh Chicoine: They continually celebrate Great Lake jumper. I think he did it for five years straight every day. And yeah, so I started going out there and doing that. So it wasn’t so far afield to imagine, because what are videos now? I don’t even know what they are. But for this one, it was like, all right, Al, let’s get in a car, let’s drive around. I got this GoPro, I’ll stick it to your car, drive around, and then let’s go to the lake and let’s jump in the lake. James VanOsdol: So it doesn’t necessarily tie back to the lyrics or the theme? Josh Chicoine: I don’t think so. I mean, but maybe somebody sees something that I don’t. I think that’s part of my MO, at least, is to leave enough fog to allow for some interpretation. But yeah, this is more of kind of a performance, roll around, get some good footage, put a 1989 VHS filter on it and make it look cool and get it out. James VanOsdol: And you’re a fan of film and what can be done with movies. Josh Chicoine: Yeah, for sure. I mean, I love film, I love movies, I love music movies. For eight years I was the co-founder and director of the Chicago International Movies and Music Festival. And we were all over the place throughout the city. And we would show movies from all over the world, like 33 countries usually were represented each year. And that was just, for me, was fascinating to figure out how to build something like that that could last and to raise money for it, you know, practicing all these adult skills that being in a van in a band on tour you’re not really practicing too much. James VanOsdol: Do you miss doing CIMMfest? Josh Chicoine: There’s a lot of it that I do. I really miss just the people and the spirit. I mean, we had an incredible group of volunteers that would come every year and really they were the ones that were able to activate this thing. And so I loved sitting around and dreaming, I loved building marketing materials, if only because then I could have something to go and take to people that I knew and a network that I was building. And I thought it was really a cool thing for the city and it really got me in touch with a lot of old friends and made so many new friends and it kept me—this was right after the M’s, and the M’s were kind of media darlings and played a lot of shows and, you know, I knew a lot of club owners and I knew publicists and I knew all that network. So it kind of allowed me personally to stay connected to that world. And coming out of there, that’s what my kind of career goals were. I was just like, okay, I want to stay in this world, I want to stay connected to these people. So it was my friend Ilko Davidov, who’s a Bulgarian filmmaker, and it was his concept. And I was just sort of the right person that was able to come and hoodwink a bunch of people into coming on board and giving me a bunch of money and being able to try to make this thing into a sustainable institution. We never quite got there. It’s always resource-light and operations-heavy. And never quite got there, but still just some great memories and really happy and really proud of what we were able to build. James VanOsdol: Thinking about film and music and making short music films, I’ve wondered this out loud on this podcast before, but I feel like this is a golden moment. This is the time for artists to explore that side of things. I mean, it’s not like the 1980s when I grew up, when videos were bankrolled by record labels and there were millions of dollars. Like, you grabbed a GoPro, you sit it on the dash—like, this is a real opportunity for creative expression, I think. I just don’t know if enough independent artists are taking advantage of it. Josh Chicoine: I mean, if you look at—I’ll have to disagree, I feel like, you know, the barriers are down and people now, everybody’s got a pretty decent camera in their pocket at all times. Since the barriers are down and since everybody’s got a camera, you can do whatever you want, put it up there, and not going to say it’s good, most of it’s not, most of it’s schlock. But you at least have the opportunity to make something that’s decent and the technology affords it. You don't even need to be great at editing. You can cobble stuff together. You really can. I mean, I use a really cheap editing software. James VanOsdol: Can I ask? Josh Chicoine: It’s called CapCut. And the same company, I can’t remember what they’re called, the TikTok corporation, ByteDance. It’s a ByteDance product. And I got it because it was cheap and another friend of mine was using it. And he was making some cool stuff, so I was just like, all right, I’m just going to dive in and start doing stuff. And so that’s what I did. James VanOsdol: That’s DIY. Roll up your sleeves, let’s get to it. Josh Chicoine: Yeah, it’s just—I had spent CIMMfest was so much about favors and so much about waiting for favors from people that you were either getting a deep discount from or not paying at all. And I know the pain, you know? And it’s real. So if you have any kind of means by which you can get a hold of this stuff, then it’s just about putting the work in and, you know, time is mine to give or throw away. So, yeah, it’s just sort of—I keep getting better and better, I mean other people can be the judge of that, but I feel pretty good about what I’ve been able to do with hardly any resources. James VanOsdol: It’s pretty cool. Josh Chicoine: Yeah, it’s pretty cool. James VanOsdol: All right, going back to this album Smoke Tricks again, available on March 13th. Bitter Birdies is how we begin. If you listen close, actually you don’t even need to listen that closely, there are dogs barking at the beginning of the song. Josh Chicoine: Yeah, Ralfy. James VanOsdol: I was going to ask. Josh Chicoine: It’s my doggie. James VanOsdol: And you were aware when you were recording the dog was part of it, right? Josh Chicoine: Yeah, well, my producer, my co-producer on this was Todd Rittmann and Todd Rittmann was in US Maple. I don’t know if you remember that band. Affiliated with Cheer-Accident, of course. James VanOsdol: Of course, always interesting. Josh Chicoine: Yes. Now he’s in Dead Rider, for everybody out there who’s watching, check out Dead Rider. Yeah, he’s fascinating, he’s got a great little studio called Shy Diamond Studio down in Logan, just north of Fullerton. And, you know, him and I kind of cobbled this thing together. And I never expected that the piano tracks were the final. So I would just make demos at my house and then I would send them to Todd and I’d be like, “Here’s what I’m thinking for this song,” and then we would try and fit it in somehow. And he was just—he’s like a maestro. He was just like, “I love it, you’re never taking away the dog’s bark. We’re keeping it in there 100%.” So I was like, “All right, let’s go.” Piano sounded fine, sounded good, it’s my piano in my living room. I loved it, and that’s my boy Ralfy. So he’s my spirit animal and I’m glad he’s on the record too. James VanOsdol: Good boy, Ralfy. Josh Chicoine: He’s a very good boy. James VanOsdol: On this song, I know you want people to interpret songs as, you know, as any artist would suggest, like you want to feel a connection, right? But you do mention “stuck here in Chicago” in that song. Were you feeling—do you feel a weird relationship with the city? Josh Chicoine: I think I love Chicago. It’s my favorite city. It’s especially my favorite city to come back to. I don’t know if you’ve ever leave for like a little while, but when you come back, it’s just like—ah. Especially when you’re driving back home and like you catch that first glimpse of the skyline. That is a moment. It’s real. So, I mean, when I got that grant from DCASE, it was like, “Oh no, now I got to write a record.” They called your bluff. Every time for me, at least, I decide to write a record, I have to figure out how to write a record again. And that—it’s like a lot of introspection and a lot of like, “Who am I now? What am I going to write about now?” And it takes a long—it took me a long time. And Bitter Birdies kind of came about based upon that piano that opens it up. I had that piece for a long time, but sort of like lyrically I wasn’t quite sure. And my wife and I are going to be married 25 years in June. James VanOsdol: Congratulations, that’s a big milestone. Josh Chicoine: Thank you. It’s been wonderful. But seven years into our relationship, there was a breakup. Post-college, I mean I was dating her since I was 19. I’ve known her for a long time. So yeah, moved to Chicago, joined a band, you know, our lives were diverging. And so we broke up. And she went—she quit her job, she was like working at a financial firm downtown. I was in a band, so you can see divergence. For sure. But yeah, she quit her job, she went on walkabout in Europe for six months. And I took myself back to that time. And that time was sort of very freeing and very fun at the beginning, and then the longing just really set in and, you know, the longer my notes and messages would go to her, the shorter and shorter that they came back to me. So it appeared like she was moving on and there was something really heart-wrenching about that for me. So yeah, that song was about that. So, you know, she was having this really great experience and seeing all new things and new people and I was here stuck in Chicago. So I was living in a loft space where Salvage One is now off of Hubbard, between Wood and Wolcott. With these crazy artist people and there were raves and I was making a bunch of music. So it was just like this Kevin Bacon Quicksilver life that I was living. And I just started to really miss her, no matter what I was just like, “What if she came back here and she lived with me in this hovel and we could do this together?” And that’s sort of the kind of emotional impulse that I felt from writing that and wanting to get out of it, you know, wanting to get out of that space. So nothing against Chicago, I love Chicago, but you know there’s definitely moments where you’re just like, “Okay, get me out of here.” James VanOsdol: Write what you know. Josh Chicoine: That’s I think what I came back to and when I was confronted with that idea and I keep a quote book and Louise Bourgeois said that, “If you’re not writing about yourself, then it doesn’t mean anything.” And I’m parsing—I’m screwing that quote up, but I really took that to heart. So I was like, “Okay, well then I am going to write about myself and my experiences because it’s all that I have really that I could feel a connection with.” Oh, it’s okay up there. I got an ambulance. Ambulance, police car, normal stuff. Stuck in Chicago. Here we are. James VanOsdol: Run Red Lights, which I don’t recommend. I mean, I recommend the song. Who’s doing the backup vocals on that? Josh Chicoine: Yeah, so that’s my friend Melissa and Lindsay. Melissa Busch-Wolford and Lindsay Weinberg. And they play with me in a Fleetwood Mac tribute band called Second Hand News. James VanOsdol: Good segue. I was going to ask about that. Because the backup vocals have a really nice texture in that song in particular. Josh Chicoine: Thanks. James VanOsdol: And that actually dovetails perfectly to the question about working and being part of Second Hand News because you play with those harmonies which are magical. Clearly you bring some of that back to Cult Canyon. Josh Chicoine: Yeah, I think it for me it’s always sort of been there. You can hear it in the M’s, you can hear it if you listen to Sabres, you can hear it there too. Certainly with Cloudbirds it was very much about the harmonies. And yeah, as I started to enter into this promo world of Cult Canyon, I was just trying to like think about things that were a common thread. And harmonies, singing—that’s how I kind of come up with ideas. I just kind of start with the voice, have something on the guitar that’s fine. I’m a mediocre guitar player but it’s really about voice and vocals. And so when I started playing in Second Hand News, you know, I had never been in a band with women before. I’ve played music with women before, but not in a band. So it was sort of like, “Oh, this whole another resource that I would love to bring into this project.” And they were so game and, you know, they brought their whole selves to it and I think it really shows in the recording. James VanOsdol: I love it. Since we’re on the topic of Fleetwood Mac, Tusk. Misunderstood classic or big awful mess? Josh Chicoine: Can it be both? Depends on which side you’re on, yeah. I was really naive about Tusk and I had it in my record collection just from a bunch of records that somebody gave me. And I think at one point the—because there’s two record sleeves in it—they both got kind of separated. So all of a sudden I had four record sleeves separated and I was like, “Wait a minute, this is a quadruple album? This is crazy.” But it wasn’t. There’s a record sleeve that hides another record sleeve that has the record in it. That’s how much money and wasteful money that they had. Because that’s coming off Rumours. Like, they could do whatever they wanted. Lindsey Buckingham could do whatever he wanted. And he really did. He really did. And some of it, you know, it could be argued that he shouldn’t have done it, but we still play a bunch of jams off of there. The title track to me is still one of the coolest songs of the 1970s. Super cool. I mean, there’s a lot on there that are really unheralded. Think About Me is another really good one that we love to play. James VanOsdol: Sara’s on that too, right? Josh Chicoine: Oh God, I’m going to get killed by my bandmates. Sara’s on there, yeah, it’s on there. Let’s say yeah, when no one’s looking it up. But yeah, we play Sara all the time and it’s like seven minutes long and the audience loves it and Melissa crushes it. And yeah, those are just really fun songs to play. And the audiences are crazy. It’s like there’s 18-year-olds there. James VanOsdol: I was going to say. Josh Chicoine: There’s 88-year-olds there. James VanOsdol: It’s one of those bands that is transgenerational. My daughter, who’s heading towards 21, Stevie Nicks is probably a top five artist for her. For her birthday a few years ago I took her to see Stevie Nicks at the United Center and it was this magical night for her. Like, we walked out of the United Center and she said, “I only cried three times.” I’m like, “What do you mean you cried?” “Well, you know, during Gold Dust Woman and... oh gosh, what else did she cry during? Dreams, Rhiannon, and Landslide.” Of course, classics. But I mean it is interesting how maybe millennials didn’t give a shit, but suddenly like Gen Z is full on board with Stevie Nicks. Josh Chicoine: I take it back to that dude who was on the skateboard chugging cranberry juice and all of a sudden Dreams became something. But it just feels like it’s cyclical. It keeps coming back, those songs are just so classic. Timeless, absolutely timeless. And the recordings of them were amazing. So it just seems like they’re just not going to go away, which is great for Second Hand News. Yeah, I mean we played the Metro a couple weeks ago. That’s amazing. James VanOsdol: That’s nuts. Josh Chicoine: Yeah. I love it. James VanOsdol: And to your point, like all ages get into it. That’s something you don’t get to experience necessarily in the M’s or Cult Canyon. Josh Chicoine: It’s different. Yeah, it’s different for sure. And I think that we—I’ve been told this by a lot of audience members after the show and they’re just like glowing coming out after scream-singing at us for two hours. And they just say like, “You bring so much joy.” And I really feel that. Like, we do. I mean the band is killer. And so the band in Second Hand News, the guitar player, bassist, drummer, Mike, Mike, and Dan, they play in Cult Canyon too. So they’re the ones who are the backing band on this Cult Canyon record. So I just was just enamored with this whole group and just because we had such good times together on stage and in front of giant crowds and harmonizing and singing and playing those classic songs. So it was just kind of a natural little pivot to bring them into my songwriting and I was really happy that they did. James VanOsdol: I love that. So Rattleback Records, easily a favorite record store of mine. Josh Chicoine: Mm-hmm. James VanOsdol: Releasing the album on vinyl. How important was it for you to have this as a record, as an LP? Josh Chicoine: It was critical for me. I think one of the things—so I released the Sabres record in 2014. And it kind of, like many, many, many, many, many records out there, it just kind of gets—it’s like, “Okay, it’s out there,” and then you tell your friends and then it just doesn’t really go anywhere. James VanOsdol: And that ambitious ordering of 500 records turns into, “Okay, we’re still sitting on 250.” Josh Chicoine: I have a lot of CDs. Let’s put it to you that way. Hit me up if you want a CD by Sabres. I’ll just give it to you. It’s got—anyway. Yeah, so I think I was determined to at least try and make a stink with this Cult Canyon record. And I really liked it. And so one of the first things I did was I talked to my friends in the AM Slingers, who are another Rattleback band and they’re friends of mine too. And I knew that Paul over at Rattleback had put out a 7-inch of theirs. And by put out, I mean he paid for it. So he facilitated the production and then, you know, created a connection between the band and the record store. Really love that idea, you know? It’s going to be DIY anyway, it’s all about building community bit by bit by bit. So I was introduced to Paul kind of—I don’t even remember when, it’s probably a year ago now, if not more. And he was really intrigued and I sent him a bunch of songs including the Golden Line EP, which he really loved. And that just gave me a lot of confidence, and so I took this Smoke Tricks record and I was like, “I’m really looking for somebody to help me out with this.” And he was game and continues to be game. James VanOsdol: I love that. Josh Chicoine: It was his dream to have a boutique record store. And that happened, and then it was his dream to have a boutique little tiny record label. So that happened. James VanOsdol: I’ve never been in that store, by the way, where it hasn’t been busy. Josh Chicoine: Oh good. James VanOsdol: No, I mean I love going there. Like, they’ve got one of the best, I think, mixes of new and used and their prices are very reasonable. Josh Chicoine: I agree. I agree. Yeah, they have a lot of cool chotchkies around, good t-shirt collection. It’s like a proper record store. James VanOsdol: And I mean if you’re one of those budget-bin divers like there’s dollar records, you’ll hurt your knees going through them, but I mean there’s occasionally gold to find in there. Josh Chicoine: I agree. It’s everywhere. James VanOsdol: But yeah, it’s a cool place, I mean right over there on Clark Street. And I love just that kind of brand extension for Rattleback. Like it makes so much sense. Josh Chicoine: I love that. I love that for Paul, I love that we were able to become a part of that and we’re putting on a showcase of Rattleback Records artists May 29th at the Burlington. James VanOsdol: Nice. Which for the record, one of the loudest rooms in Chicago. Josh Chicoine: That’s right. We’ll do what we can, but I mean it’s hard, it’s like a lot of hard flat surfaces and they didn’t do any soundproofing or nothing. So, yeah. James VanOsdol: That’s good. That’s part of its charm. Josh Chicoine: It’s part of the charm. Yeah, yeah, you know what you’re getting into when you go back there. Just bring earplugs, what’s the big deal? James VanOsdol: Just bring ear—that’s—if you bring earplugs, you’re good. Josh Chicoine: Yeah, that’s right. James VanOsdol: But if you go deaf, I mean who better to go deaf from? Josh Chicoine: Yeah, that’s a badge of honor. It’s a badge of honor. I mean it’s not a good recommendation, I would say. But if you want good earplugs, just go to Sensaphonics down there on Milwaukee Avenue. Shout out. Yesterday was National Hearing Day and I got myself fitted for a new pair of earplugs. James VanOsdol: Smart. Josh Chicoine: And it basically—it’s no joke. No, it’s no joke if you listen to a lot of live music. It basically just turns the volume down. The clarity is still there versus sticking toilet paper in your ears or those foam things. James VanOsdol: Exactly what they feel like. Or those like pool noodles shrunk down. Josh Chicoine: Yeah, that’s right. They’re good if you want to sleep. If you’re like on tour and everybody else snores in your hotel room, then those are really effective. James VanOsdol: For sure. All right, so Smoke Tricks is the album. It’s awesome. It comes out on March 13th. The Hideout is the release show on March 14th. And onward and upward. What a great record, you really did it. Josh Chicoine: Thanks, man. I really appreciate it. That was nice talking to you. Are we done? Is this the wrap? James VanOsdol: This is the wrap. Josh Chicoine: All right, love it. See omnystudio.com/listener for privacy information.

Episode Overview In this episode of Car Con Carne, host James VanOsdol welcomes Meredith and Jon from the Chicago-based band Latter. Described as "equal parts art project and band," Latter delivers a sound that is jarring, experimental, and unapologetically intense. James talks with the duo about their integration into the local heavy music scene, and the raw, emotional alchemy that defines their creative process.     What You'll Hear in This Episode The "Latter" Origin Story: How a "just for funsies" Instagram post and a mutual friend brought together a New Jersey transplant and the drummer from Beach Bunny to form this formidable duo. Songwriting as Catharsis: Meredith explains why her lyrics are fueled by raw emotion, channeling whatever she is "pissed off about"—from the state of the world to personal struggles—into the music. World-Building Through Visuals: A look at the band's cinematic approach, from rmusic videos to curated Pinterest mood boards for future releases. Left-Handed Synergy: A fun look at the "similar genes" and creative connection Meredith and Jon share as two left-handed musicians. What's Next: Details on their Audiotree session dropping March 4th and their upcoming May tour supporting Faetooth     Featured Music & Mentions Album: My Body is My Sickness (2024) EP: What Lives Inside Me (2025) Key Tracks: "Bloodlines," "Expiration Date," "Callous," and "I Don't Owe You." Local Ties: Shoutouts to The Empty Bottle, SubT, and their engineer Pete, the "King of Tones".     About the Guests Meredith: Vocals/Guitar. A sound artist and musician originally from New Jersey and Philadelphia who uses Latter as a vehicle to "exorcise demons". Jon: Drums/Bass. Known also for his work in Beach Bunny, Jon explores his love for heavy, propulsive music and experimental tones with Latter.     Sponsor Spotlight This episode is brought to you by Exploding House Printing. Based in Hermosa, they specialize in screen printing, embroidery, and custom merch for bands and brands. Visit explodinghouseprinting.com for a quote.  

Episode Overview In this episode of Car Con Carne, host James VanOsdol welcomes Meredith and Jon from the Chicago-based band Latter. Described as "equal parts art project and band," Latter delivers a sound that is jarring, experimental, and unapologetically intense. James talks with the duo about their integration into the local heavy music scene, and the raw, emotional alchemy that defines their creative process. What You’ll Hear in This Episode The "Latter" Origin Story: How a "just for funsies" Instagram post and a mutual friend brought together a New Jersey transplant and the drummer from Beach Bunny to form this formidable duo. Songwriting as Catharsis: Meredith explains why her lyrics are fueled by raw emotion, channeling whatever she is "pissed off about"—from the state of the world to personal struggles—into the music. World-Building Through Visuals: A look at the band's cinematic approach, from rmusic videos to curated Pinterest mood boards for future releases. Left-Handed Synergy: A fun look at the "similar genes" and creative connection Meredith and Jon share as two left-handed musicians. What’s Next: Details on their Audiotree session dropping March 4th and their upcoming May tour supporting Faetooth Featured Music & Mentions Album: My Body is My Sickness (2024) EP: What Lives Inside Me (2025) Key Tracks: "Bloodlines," "Expiration Date," “Callous,” and "I Don’t Owe You.” Local Ties: Shoutouts to The Empty Bottle, SubT, and their engineer Pete, the "King of Tones". About the Guests Meredith: Vocals/Guitar. A sound artist and musician originally from New Jersey and Philadelphia who uses Latter as a vehicle to "exorcise demons". Jon: Drums/Bass. Known also for his work in Beach Bunny, Jon explores his love for heavy, propulsive music and experimental tones with Latter. Sponsor Spotlight This episode is brought to you by Exploding House Printing. Based in Hermosa, they specialize in screen printing, embroidery, and custom merch for bands and brands. Visit explodinghouseprinting.com for a quote.See omnystudio.com/listener for privacy information.

Mike Gebert is one of my all-time favorite food writers - he's a James Beard award-winner who just published a deep reaching oral history of Chicago's culinary scene called "The Chicago Way: An Oral History of Chicago Dining." Mike talked to the big names, big personalities and big story tellers who contributed to decades of incredible American cuisine.   He returns to the podcast for the first time in over six (!) years to talk about his excellent new book, and all the restaurants, chefs, and eyewitnesses mentioned within.   __   Car Con Carne is sponsored by Exploding House Printing.   Exploding House Printing is here for all of your screen printing, embroidery and other merchandising needs.  They're local, headquartered in the heart of Hermosa, and their focus is on small businesses, bands, brands, and everything in between.   Jonathan at Exploding House has been doing screen printing for decades. He knows what he's doing - besides his technical expertise, he delivers production efficiency and cost awareness to offer boutique print shop quality at much lower, large print shop prices.    Check out their work on Instagram at (at)explodinghouse, or check out their site at exploding house printing dot com for a quote, or to see a list of some of their clients.

In this episode of Car Con Carne, James VanOsdol welcomes James Beard Award-winning food writer Mike Gebert to discuss his ambitious new book, The Chicago Way: An Oral History of Chicago Dining. The conversation explores the evolution of Chicago’s culinary identity, from the high-stakes "Mad Men" era of the 1960s to the modern, diverse food scene of 2026. Key Highlights: The Evolution of Chicago Dining: Gebert explains how he tracked the city’s change through its restaurants, starting with the formal, male-dominated French dining scene and moving through the neighborhoods that restaurants helped put on the map. Legendary Personalities: The episode dives into the "outsized personalities" of Chicago’s most famous chefs, including: Charlie Trotter: Discussion of his complicated legacy, intense kitchen culture, and the "PTSD" some former staff still carry. Louis Szathmary: The story of Chicago's first celebrity chef at The Bakery and his surprising connection to Stouffer’s spinach souffle. Rick Bayless and Tony Mantuano: How they acted as the "anti-Trotters" by fostering reasonable workplaces and focusing on local produce and peasant cuisines. Neighborhood Transformations: Gebert and James discuss how dining pioneered areas like River North (thanks to Gordon Sinclair and developer Al Friedman) and the ongoing gentrification patterns in neighborhoods like Rogers Park and Bronzeville. The "Chicago Way" of Dining: Mike defines the city's unique dining spirit as a blend of high-end artistry and blue-collar work ethic—where even at the finest restaurants, the goal is for the experience to be unpretentious and, above all, fun. Car Con Carne is sponsored by Exploding House Printing. Exploding House Printing is here for all of your screen printing, embroidery and other merchandising needs. They’re local, headquartered in the heart of Hermosa, and their focus is on small businesses, bands, brands, and everything in between. Jonathan at Exploding House has been doing screen printing for decades. He knows what he’s doing - besides his technical expertise, he delivers production efficiency and cost awareness to offer boutique print shop quality at much lower, large print shop prices. Check out their work on Instagram at (at)explodinghouse, or check out their site at exploding house printing dot com for a quote, or to see a list of some of their clients.See omnystudio.com/listener for privacy information.

In advance of their show at Cobra Lounge on Sunday, 2/21, I'm joined by members of the Effigies and the Evictions at Cobra! Paul, Steve, and Andy from the Effigies and Johnny from the Evictions jumped in the car to preview the show and talk about the long history of Chicago music and punk.   We also were treated to new items from Cobra's pizza menu, thanks to Chef Jason:    Dragged Through the Garden - poppy seed crust, sliced hot dogs, onion, sport peppers, dill pickles, green relish, mustard and celery salt   Louie's Pizza - Pepperoni, giardiniera, and calabrian chili oil   Both pizzas were spectacular, but I think the hot dog pizza was really something extra special.   See you at Cobra on Saturday! Apologies for not also having the Bollweevils on this episode - looks like I'll have to have Daryl on again soon.   Cobra Lounge (235 N. Ashland) - Saturday 2/21 - Effigies, Bollweevils, Evictions Car Con Carne is sponsored by Exploding House Printing.   Exploding House Printing is here for all of your screen printing, embroidery and other merchandising needs.  They're local, headquartered in the heart of Hermosa. Here's why I want you to consider them for your t-shirts, merch, whatever - their focus is on small businesses, bands, brands, and everything in between. They've worked on products for Meat Wave, Empty Bottle, the Music Box, Dante's Pizzeria, the Brokedowns, and the list goes on and on.   Jonathan at Exploding House has been doing screen printing for decades. He knows what he's doing - besides his technical expertise, he delivers production efficiency and cost awareness to offer boutique print shop quality at much lower, large print shop prices.    Check out their work on Instagram at (at)explodinghouse, or check out their site at exploding house printing dot com for a quote, or to see a list of some of their clients

In advance of their show at Cobra Lounge on Sunday, 2/21, I’m joined by members of the Effigies and the Evictions at Cobra! Paul, Steve, and Andy from the Effigies and Johnny from the Evictions jumped in the car to preview the show and talk about the long history of Chicago music and punk. We also were treated to new items from Cobra’s pizza menu, thanks to Chef Jason: Dragged Through the Garden - poppy seed crust, sliced hot dogs, onion, sport peppers, dill pickles, green relish, mustard and celery salt Louie’s Pizza - Pepperoni, giardiniera, and calabrian chili oil Both pizzas were spectacular, but I think the hot dog pizza was really something extra special. See you at Cobra on Saturday! Apologies for not also having the Bollweevils on this episode - looks like I’ll have to have Daryl on again soon. Cobra Lounge (235 N. Ashland) - Saturday 2/21 - Effigies, Bollweevils, Evictions Car Con Carne is sponsored by Exploding House Printing. Exploding House Printing is here for all of your screen printing, embroidery and other merchandising needs. They’re local, headquartered in the heart of Hermosa. Here’s why I want you to consider them for your t-shirts, merch, whatever - their focus is on small businesses, bands, brands, and everything in between. They’ve worked on products for Meat Wave, Empty Bottle, the Music Box, Dante’s Pizzeria, the Brokedowns, and the list goes on and on. Jonathan at Exploding House has been doing screen printing for decades. He knows what he’s doing - besides his technical expertise, he delivers production efficiency and cost awareness to offer boutique print shop quality at much lower, large print shop prices. Check out their work on Instagram at (at)explodinghouse, or check out their site at exploding house printing dot com for a quote, or to see a list of some of their clients See omnystudio.com/listener for privacy information.

Are you doin' the Dale? You should plan on doin' the Dale.    https://dointhedale.com/   My guests are Shawn Podgurski (DMen/Sybris) and Dave Hornyak (Livewire Lounge), organizers of Doin' the Dale, an Avondale-centric music and arts festival happening 2/26-3/1.   We met outside Avondale Tap and talked about the event, which will include (but isn't limited to) the following:   Thursday 2/26 - Dmen Tap - Art Show Friday 2/27 & Saturday 2/28 - Livewire Lounge 2 days of music Sunday 3/1 - Dmen Tap - Craft Fair   This is an exclusively Avondale event - everyone is from the neighborhood. If you're keeping track, it'll be (roughly) 15 bands, 7 artists, 7 vendors.   And how's this for the music line-up?  Lollygagger, Salvation, Autofobia, Vaudettes, Sharkula, the Sonnets, Reivers, Revel Noise, Freelapse, the Nix, Vince and Lauren, Chancey Brothers, Selfish Lovers, Werewolf Detective, Denim Daisy, Baggy Time   I plan on coming out for some of it, and hope you will, too! DO THE DALE.   Car Con Carne is sponsored by Exploding House Printing.   Exploding House Printing is here for all of your screen printing, embroidery and other merchandising needs.  They're local, headquartered in the heart of Hermosa. Here's why I want you to consider them for your t-shirts, merch, whatever - their focus is on small businesses, bands, brands, and everything in between. They've worked on products for Meat Wave, Empty Bottle, the Music Box, Dante's Pizzeria, the Brokedowns, and the list goes on and on.   Jonathan at Exploding House has been doing screen printing for decades. He knows what he's doing - besides his technical expertise, he delivers production efficiency and cost awareness to offer boutique print shop quality at much lower, large print shop prices.    Check out their work on Instagram at (at)explodinghouse, or check out their site at exploding house printing dot com for a quote, or to see a list of some of their clients.  

Are you doin’ the Dale? You should plan on doin’ the Dale. https://dointhedale.com/ My guests are Shawn Podgurski (DMen/Sybris) and Dave Hornyak (Livewire Lounge), organizers of Doin’ the Dale, an Avondale-centric music and arts festival happening 2/26-3/1. We met outside Avondale Tap and talked about the event, which will include (but isn’t limited to) the following: Thursday 2/26 - Dmen Tap - Art Show Friday 2/27 & Saturday 2/28 - Livewire Lounge 2 days of music Sunday 3/1 - Dmen Tap - Craft Fair This is an exclusively Avondale event - everyone is from the neighborhood. If you’re keeping track, it’ll be (roughly) 15 bands, 7 artists, 7 vendors. And how’s this for the music line-up? Lollygagger, Salvation, Autofobia, Vaudettes, Sharkula, the Sonnets, Reivers, Revel Noise, Freelapse, the Nix, Vince and Lauren, Chancey Brothers, Selfish Lovers, Werewolf Detective, Denim Daisy, Baggy Time I plan on coming out for some of it, and hope you will, too! DO THE DALE. Car Con Carne is sponsored by Exploding House Printing. Exploding House Printing is here for all of your screen printing, embroidery and other merchandising needs. They’re local, headquartered in the heart of Hermosa. Here’s why I want you to consider them for your t-shirts, merch, whatever - their focus is on small businesses, bands, brands, and everything in between. They’ve worked on products for Meat Wave, Empty Bottle, the Music Box, Dante’s Pizzeria, the Brokedowns, and the list goes on and on. Jonathan at Exploding House has been doing screen printing for decades. He knows what he’s doing - besides his technical expertise, he delivers production efficiency and cost awareness to offer boutique print shop quality at much lower, large print shop prices. Check out their work on Instagram at (at)explodinghouse, or check out their site at exploding house printing dot com for a quote, or to see a list of some of their clients.See omnystudio.com/listener for privacy information.

Jaime Black (Dynasty Podcasts) has been podcasting for 20+ years, and has a wealth of experience and success behind that history. While not his first time on the podcast, this marks his first time joining me in the car - very exciting stuff. We talk about the art and business of podcasting. It's a bit "inside baseball," but I think it's a conversation that will click with anyone who's ever taken a DIY approach or who's worked to build a brand.   Jaime's one of the good ones - I'm thrilled I got to reconnect with him!   Car Con Carne is sponsored by Exploding House Printing.   Exploding House Printing is here for all of your screen printing, embroidery and other merchandising needs.  They're local, headquartered in the heart of Hermosa. Here's why I want you to consider them for your t-shirts, merch, whatever - their focus is on small businesses, bands, brands, and everything in between. They've worked on products for Meat Wave, Empty Bottle, the Music Box, Dante's Pizzeria, the Brokedowns, and the list goes on and on.   Jonathan at Exploding House has been doing screen printing for decades. He knows what he's doing - besides his technical expertise, he delivers production efficiency and cost awareness to offer boutique print shop quality at much lower, large print shop prices.    Check out their work on Instagram at (at)explodinghouse, or check out their site at exploding house printing dot com for a quote, or to see a list of some of their clients.  

Jaime Black (Dynasty Podcasts) has been podcasting for 20+ years, and has a wealth of experience and success behind that history. While not his first time on the podcast, this marks his first time joining me in the car - very exciting stuff. We talk about the art and business of podcasting. It’s a bit “inside baseball,” but I think it’s a conversation that will click with anyone who’s ever taken a DIY approach or who’s worked to build a brand. Jaime’s one of the good ones - I’m thrilled I got to reconnect with him! Car Con Carne is sponsored by Exploding House Printing. Exploding House Printing is here for all of your screen printing, embroidery and other merchandising needs. They’re local, headquartered in the heart of Hermosa. Here’s why I want you to consider them for your t-shirts, merch, whatever - their focus is on small businesses, bands, brands, and everything in between. They’ve worked on products for Meat Wave, Empty Bottle, the Music Box, Dante’s Pizzeria, the Brokedowns, and the list goes on and on. Jonathan at Exploding House has been doing screen printing for decades. He knows what he’s doing - besides his technical expertise, he delivers production efficiency and cost awareness to offer boutique print shop quality at much lower, large print shop prices. Check out their work on Instagram at (at)explodinghouse, or check out their site at exploding house printing dot com for a quote, or to see a list of some of their clients.See omnystudio.com/listener for privacy information.

Yeshi and Zach of La Rosa Noir jump into the car, conveniently parked outside their Pilsen practice space, for a chat about the band's history, their Riot Fest performance, and new music/happenings for 2026.   See La Rosa Noir at the Athenaeum on February 21!   Car Con Carne is sponsored by Exploding House Printing. Exploding House Printing is here for all of your screen printing, embroidery and other merchandising needs.  They're local, headquartered in the heart of Hermosa. Here's why I want you to consider them for your t-shirts, merch, whatever - their focus is on small businesses, bands, brands, and everything in between. They've worked on products for Meat Wave, Empty Bottle, the Music Box, Dante's Pizzeria, the Brokedowns, and the list goes on and on.   Jonathan at Exploding House has been doing screen printing for decades. He knows what he's doing - besides his technical expertise, he delivers production efficiency and cost awareness to offer boutique print shop quality at much lower, large print shop prices.    Check out their work on Instagram at (at)explodinghouse, or check out their site at exploding house printing dot com for a quote, or to see a list of some of their clients.  

Yeshi and Zach of La Rosa Noir jump into the car, conveniently parked outside their Pilsen practice space, for a chat about the band’s history, their Riot Fest performance, and new music/happenings for 2026. See La Rosa Noir at the Athenaeum on February 21! Car Con Carne is sponsored by Exploding House Printing. Exploding House Printing is here for all of your screen printing, embroidery and other merchandising needs. They’re local, headquartered in the heart of Hermosa. Here’s why I want you to consider them for your t-shirts, merch, whatever - their focus is on small businesses, bands, brands, and everything in between. They’ve worked on products for Meat Wave, Empty Bottle, the Music Box, Dante’s Pizzeria, the Brokedowns, and the list goes on and on. Jonathan at Exploding House has been doing screen printing for decades. He knows what he’s doing - besides his technical expertise, he delivers production efficiency and cost awareness to offer boutique print shop quality at much lower, large print shop prices. Check out their work on Instagram at (at)explodinghouse, or check out their site at exploding house printing dot com for a quote, or to see a list of some of their clients.See omnystudio.com/listener for privacy information.

Jonathan of Time Thieves returns to the podcast in advance of the band's LP release show at Empty Bottle on February 26 (also featuring Josh Caterer Trio, Al Scorch, and Earl Gary).   We met at Dante's (1936 W. Chicago), which played host to a Palermo's Unreal Foods pop-up: VEGAN TACO HELL. Returning guest Mustafa is one of the principals at Palermo's, and he shared the amazing Crunchwrap and Taco Hell Grande with us - I swear it tasted authentic, and was entirely plant-based.   Jonathan and I talk about the suitable-for-framing-and-playing new album, old record players, authentic recording, and the goal of being a one-hit wonder. It's always a great time with Jonathan - hope you enjoy listening/watching!   ## Let's talk about merch.    Exploding House Printing is here for all of your screen printing, embroidery and other merchandising needs.  They're local, headquartered in the heart of Hermosa. Here's why I want you to consider them for your t-shirts, merch, whatever - their focus is on small businesses, bands, brands, and everything in between. They've worked on products for Meat Wave, Empty Bottle, the Music Box, Dante's Pizzeria, the Brokedowns, and the list goes on and on.   Jonathan at Exploding House has been doing screen printing for decades. He knows what he's doing - besides his technical expertise, he delivers production efficiency and cost awareness to offer boutique print shop quality at much lower, large print shop prices.    Check out their work on Instagram at (at)explodinghouse, or check out their site at exploding house printing dot com for a quote, or to see a list of some of their clients.  

Jonathan of Time Thieves returns to the podcast in advance of the band’s LP release show at Empty Bottle on February 26 (also featuring Josh Caterer Trio, Al Scorch, and Earl Gary). We met at Dante’s (1936 W. Chicago), which played host to a Palermo’s Unreal Foods pop-up: VEGAN TACO HELL. Returning guest Mustafa is one of the principals at Palermo’s, and he shared the amazing Crunchwrap and Taco Hell Grande with us - I swear it tasted authentic, and was entirely plant-based. Jonathan and I talk about the suitable-for-framing-and-playing new album, old record players, authentic recording, and the goal of being a one-hit wonder. It’s always a great time with Jonathan - hope you enjoy listening/watching! ##Let’s talk about merch. Exploding House Printing is here for all of your screen printing, embroidery and other merchandising needs. They’re local, headquartered in the heart of Hermosa. Here’s why I want you to consider them for your t-shirts, merch, whatever - their focus is on small businesses, bands, brands, and everything in between. They’ve worked on products for Meat Wave, Empty Bottle, the Music Box, Dante’s Pizzeria, the Brokedowns, and the list goes on and on. Jonathan at Exploding House has been doing screen printing for decades. He knows what he’s doing - besides his technical expertise, he delivers production efficiency and cost awareness to offer boutique print shop quality at much lower, large print shop prices. Check out their work on Instagram at (at)explodinghouse, or check out their site at exploding house printing dot com for a quote, or to see a list of some of their clients.See omnystudio.com/listener for privacy information.

Arden and Courtney of Double Identity jump in the car in the dead of winter to talk about the band's growth, songwriting, live show, and the need for CDs.   Car Con Carne is sponsored by Exploding House Printing. Exploding House Printing is here for all of your screen printing, embroidery and other merchandising needs.  They're local, headquartered in the heart of Hermosa. Here's why I want you to consider them for your t-shirts, merch, whatever - their focus is on small businesses, bands, brands, and everything in between. They've worked on products for Meat Wave, Empty Bottle, the Music Box, Dante's Pizzeria, the Brokedowns, and the list goes on and on.   Jonathan at Exploding House has been doing screen printing for decades. He knows what he's doing - besides his technical expertise, he delivers production efficiency and cost awareness to offer boutique print shop quality at much lower, large print shop prices.    Check out their work on Instagram at (at)explodinghouse, or check out their site at exploding house printing dot com for a quote, or to see a list of some of their clients.   You can always expect prompt and quick communication as they're a small company and are hyper-focused on making your vision a reality. Their goal isn't just to print another t-shirt; you put your heart and soul into your project or business- they want their work to reflect that passion, as well. Email info at exploding house printing dot com for a quote today.

Arden and Courtney of DØUBLE IDENTITY jump in the car in the dead of winter to talk about the band’s growth, songwriting, live show, and the need for CDs. Car Con Carne is sponsored by Exploding House Printing. Exploding House Printing is here for all of your screen printing, embroidery and other merchandising needs. They’re local, headquartered in the heart of Hermosa. Here’s why I want you to consider them for your t-shirts, merch, whatever - their focus is on small businesses, bands, brands, and everything in between. They’ve worked on products for Meat Wave, Empty Bottle, the Music Box, Dante’s Pizzeria, the Brokedowns, and the list goes on and on. Jonathan at Exploding House has been doing screen printing for decades. He knows what he’s doing - besides his technical expertise, he delivers production efficiency and cost awareness to offer boutique print shop quality at much lower, large print shop prices. Check out their work on Instagram at (at)explodinghouse, or check out their site at exploding house printing dot com for a quote, or to see a list of some of their clients. You can always expect prompt and quick communication as they're a small company and are hyper-focused on making your vision a reality. Their goal isn't just to print another t-shirt; you put your heart and soul into your project or business- they want their work to reflect that passion, as well. Email info at exploding house printing dot com for a quote today.See omnystudio.com/listener for privacy information.

"You're born, you'rе cursed, and every deck is stacked."   Who are the Brokedowns? "A tradesman, two remote workers, and a pizza chef named Mustafa forged their sound in the industrial glow of Chicagoland, channeling blue-collar grit through a lens of existential comedy and transforming Midwest frustration into something loud enough to sound like hope."   The Brokedowns piled into the car to chat about their excellent new album, "Let's Tip the Landlord." It's not every day you can get all four guys in the same place, so I was excited to be joined by:   Kris Megyery (guitar/vocals)  Eric Grossmann (guitar/vocals) Jon Balun (bass/vocals) Mustafa Daka (drums)   We go deep into "Let's Tip the Landlord," an album that includes a saxophone, a disturbing recurring ad, loving gaslighting, the Beach Boys and Sirhan Sirhan … a must-listen!   See the Brokedowns at Beat Kitchen in April! You have plenty of advance notice!   ## Car Con Carne is sponsored by Exploding House Printing.   Exploding House Printing is here for all of your screen printing, embroidery and other merchandising needs.  They're local, headquartered in the heart of Hermosa. Here's why I want you to consider them for your t-shirts, merch, whatever - their focus is on small businesses, bands, brands, and everything in between. They've worked on products for Meat Wave, Empty Bottle, the Music Box, Dante's Pizzeria, the Brokedowns, and the list goes on and on.   Jonathan at Exploding House has been doing screen printing for decades. He knows what he's doing - besides his technical expertise, he delivers production efficiency and cost awareness to offer boutique print shop quality at much lower, large print shop prices.    Check out their work on Instagram at (at)explodinghouse, or check out their site at exploding house printing dot com for a quote, or to see a list of some of their clients.

“You're born, you'rе cursed, and every deck is stacked.” Who are the Brokedowns? “A tradesman, two remote workers, and a pizza chef named Mustafa forged their sound in the industrial glow of Chicagoland, channeling blue-collar grit through a lens of existential comedy and transforming Midwest frustration into something loud enough to sound like hope.” The Brokedowns piled into the car to chat about their excellent new album, “Let’s Tip the Landlord.” It’s not every day you can get all four guys in the same place, so I was excited to be joined by: Kris Megyery (guitar/vocals) Eric Grossmann (guitar/vocals) Jon Balun (bass/vocals) Mustafa Daka (drums) We go deep into “Let’s Tip the Landlord,” an album that includes a saxophone, a disturbing recurring ad, loving gaslighting, the Beach Boys and Sirhan Sirhan … a must-listen! See the Brokedowns at Beat Kitchen in April! You have plenty of advance notice!! ## Car Con Carne is sponsored by Exploding House Printing. Exploding House Printing is here for all of your screen printing, embroidery and other merchandising needs. They’re local, headquartered in the heart of Hermosa. Here’s why I want you to consider them for your t-shirts, merch, whatever - their focus is on small businesses, bands, brands, and everything in between. They’ve worked on products for Meat Wave, Empty Bottle, the Music Box, Dante’s Pizzeria, the Brokedowns, and the list goes on and on. Jonathan at Exploding House has been doing screen printing for decades. He knows what he’s doing - besides his technical expertise, he delivers production efficiency and cost awareness to offer boutique print shop quality at much lower, large print shop prices. Check out their work on Instagram at (at)explodinghouse, or check out their site at exploding house printing dot com for a quote, or to see a list of some of their clients. See omnystudio.com/listener for privacy information.

Los aires de la campiña cubana tuvieron en Guillermo Portabales, durante la primera mitad del siglo XX, a uno de sus más fieles exponentes. Volver a su arte, a través de estas grabaciones históricas, es honrar la esencia de la música popular y la memoria de uno de aquellos cantores naturales que conquistaron aplauso y reconocimiento animando fiestas familiares, serenatas y, como no, haciendo innumerables presentaciones en salas teatrales, radio emisoras y cabarets por toda Cuba. A pesar de que en su repertorio no faltaron boleros, sones montunos, guarachas y pregones, entre otros géneros de la música popular cubana, Portabales, finalizando los años 30, por su estilo depurado, ya era bien conocido como "el creador de la guajira de salón". Su verdadero nombre José Guillermo Quesada Castillo, un artista de pueblo que impuso en el género campesino un estilo bien original que en décadas posteriores continuaron otros buenos exponentes, entre ellos Ramón Veloz y Eliades Ochoa. Murió lejos de Cuba, víctima de un fatal accidente de tránsito en San Juan, Puerto Rico, el 25 de octubre de 1970. Había nacido en la localidad cienfueguera de Rodas el 6 de abril de 1911. Gracias al empeño del investigador y musicólogo Alberto Mugercia quedó para la historia uno de los últimos testimonios del inmenso Abelardo Barroso. El 6 de enero de 1969 el veterano sonero repasó algunos de los pasajes más importantes de su extensa carrera musical. Andrés Echevarría, conocido desde siempre como el Niño Rivera, fue un notable tresero, compositor y arreglista. Nacido en Pinar del Río y radicado en La Habana durante los primeros años 40, su renovador concepto melódico y armónico, desarrollado de manera completamente empírica, le abrió todos los caminos posibles en el ambiente musical de su tiempo. Desde la segunda mitad de los años 40, a partir de su trabajo como arreglista del Conjunto Casino, comenzó a destacar su concepto innovador a la hora de orquestar los diversos géneros de la música popular cubana utilizando elementos y recursos del jazz norteamericano, particularmente de las corrientes del swing y el be bop, así como concebir arreglos completos incluyendo partes de bajo, piano y sección de metales (1ra, 2da, 3ra y 4ta trompetas) incluso algunas veces escribiendo los solos de la 1ra trompeta. Su relación con los muchachos del feeling, además del progresivo estilo que siempre caracterizó al "Casino", tendieron el puente perfecto para que llegaran al repertorio de la agrupación las primeras obras de César Portillo de la Luz, José Antonio Méndez, Juan Pablo Miranda, Tania Castellanos, Jorge Mazón y del propio Niño Rivera, entre otros compositores de ese importante movimiento. Seguidamente un recuerdo para el cantante Rolo Martínez. Lo recordaremos con algunos de sus primeros grandes éxitos registrados por la etiqueta "Duarte". Junto a Rolo la banda de Ernesto Duarte y otra de las revelaciones artísticas de finales de los 50: Tata Ramos. Cantante completo, nacido en el musical barrio de Cayo Hueso el 15 de mayo de 1935, brilló con luz propia en los más variados escenarios defendiendo el bolero, el son montuno y la guaracha, entre tantos géneros de la música popular cubana. Rolo Martinez falleció el 14 de enero de 2017. Con la complicidad de Richard Egües, Maraca Valle y Pío Leyva, despide el programa.

As I head toward the end of my appendectomy/ileocectomy recovery, I jump back into podcasting with an obvious guest: Dr. Daryl Wilson of the Bollweevils. Who better to talk through the past 2 ½ months of medical madness than a celebrated ER doctor with decades of experience?   We talk through my experiences, from the moment my appendix burst through my current recovery, all discussed with a requisite amount of dark humor (and insight). If you ever wanted to know what the most vomit-inducing experience was during this period, we don't hold back (spoiler: the colonoscopy doesn't even come close).   After Daryl "clears me" to return to podcasting and we put a bow on my appendix era, we get into Daryl's new band, Pressure Set. It's surprising, brand new, and something you'll want to look out for in 2026. And don't forget the Bollweevils: They have big plans for '26, as well.   I'm grateful to have a friend like Daryl, and I think after listening to this episode Daryl will feel like a friend of yours, as well.   So yeah… I'm back. As Daryl says in the episode, I'm "big back." Thank you for your support, positive vibes, and kind words. Let's have fun this year.    -JVO ### Let's talk about merch.    Exploding House Printing is here for all of your screen printing, embroidery and other merchandising needs.  They're local, headquartered in the heart of Hermosa. Here's why I want you to consider them for your t-shirts, merch, whatever - their focus is on small businesses, bands, brands, and everything in between. They've worked on products for Meat Wave, Empty Bottle, the Music Box, Dante's Pizzeria, the Brokedowns, and the list goes on and on.   Jonathan at Exploding House has been doing screen printing for decades. He knows what he's doing - besides his technical expertise, he delivers production efficiency and cost awareness to offer boutique print shop quality at much lower, large print shop prices.    Check out their work on Instagram at (at)explodinghouse, or check out their site at explodinghouseprinting.com for a quote, or to see a list of some of their clients.  

As I head toward the end of my appendectomy/ileocectomy recovery, I jump back into podcasting with an obvious guest: Dr. Daryl Wilson of the Bollweevils. Who better to talk through the past 2 ½ months of medical madness than a celebrated ER doctor with decades of experience? We talk through my experiences, from the moment my appendix burst through my current recovery, all discussed with a requisite amount of dark humor (and insight). If you ever wanted to know what the most vomit-inducing experience was during this period, we don’t hold back (spoiler: the colonoscopy doesn’t even come close). After Daryl “clears me” to return to podcasting and we put a bow on my appendix era, we get into Daryl’s new band, Pressure Set. It’s surprising, brand new, and something you’ll want to look out for in 2026. And don’t forget the Bollweevils: They have big plans for ‘26, as well. I’m grateful to have a friend like Daryl, and I think after listening to this episode Daryl will feel like a friend of yours, as well. So yeah… I’m back. As Daryl says in the episode, I’m “big back.” Thank you for your support, positive vibes, and kind words. Let’s have fun this year. -JVO ### Let’s talk about merch. Exploding House Printing is here for all of your screen printing, embroidery and other merchandising needs. They’re local, headquartered in the heart of Hermosa. Here’s why I want you to consider them for your t-shirts, merch, whatever - their focus is on small businesses, bands, brands, and everything in between. They’ve worked on products for Meat Wave, Empty Bottle, the Music Box, Dante’s Pizzeria, the Brokedowns, and the list goes on and on. Jonathan at Exploding House has been doing screen printing for decades. He knows what he’s doing - besides his technical expertise, he delivers production efficiency and cost awareness to offer boutique print shop quality at much lower, large print shop prices. Check out their work on Instagram at (at)explodinghouse, or check out their site at explodinghouseprinting.com for a quote, or to see a list of some of their clients.See omnystudio.com/listener for privacy information.

# Señora bonita, véngase a lo más cancelado, lo más desinformado, lo más ‘funado' del internet, de este mundo y los que vienen. Aquí está la Radio de la República, el peor noticiero con su tuitero favorito.

This episode features a solo session with John Casmon, where he draws on personal investing experience in markets like Chicago, Cincinnati, Louisville, and San Antonio to share a deep-dive framework for evaluating which markets to invest in, and how to spot the signs of long-term growth. From understanding economic indicators and infrastructure to aligning your personal investing style with neighborhood dynamics, this episode is packed with strategic guidance on identifying the right market — and the right moment — to make your move.     Make sure to download our free guide, 7 Questions Every Passive Investor Should Ask, here.     Key Takeaways Start by investing in your own backyard, local familiarity and access outweigh national trends early on. Use "path of progress" logic to spot adjacent neighborhoods with similar fundamentals but lower prices. Look for population growth, industry diversification, infrastructure investment, and pro-development policies. Understand your own investing goals to determine what kind of markets and submarkets align with your criteria. Ride the coattails of developers and large employers, when they commit to a market, opportunity follows.     Topics Why Market Selection Matters Why investing close to home gives you an advantage How John evaluated neighborhoods like North Center, Avondale, and Hermosa in Chicago Expanding Beyond Your City Lessons from shifting to Cincinnati and using family ties to anchor new market exploration The importance of clarity on investor criteria before analyzing new areas What Makes a Market Attractive Key indicators: population growth, job diversity, geographic accessibility Red flags: rent control, oversupply, misaligned development Case Studies: Cincinnati, Louisville, San Antonio The impact of infrastructure and corridor development in Cincinnati How recession-resistant industries shaped John's decision to invest in Louisville Why San Antonio's "quiet strength" made it a strategic move Using Public Data to Guide You Sites John uses: census.gov, bls.gov, datausa.io How to track local chambers of commerce, development plans, and funding incentives What to Avoid or Watch Closely Risks of relying on government subsidies or unstable funding Importance of local political climate and long-term planning by municipalities