Podcast appearances and mentions of annie freud

Poet and artist Annie Freud shares her extraordinary life journey and reads some of her favourite poems. Links: Biography: https://tinyurl.com/yyvg6o2l Lucien Freud/Jack Yeats exhibition at IMMA https://tinyurl.com/yyebebe4 Buy Annie's poetry: https://tinyurl.com/y2toyrf3 A Pint With Seaniebee Please subscribe to support the podcast: www.patreon.com/seaniebee Audible Feast list of Best Podcast Series of 2016 & 2017: https://tinyurl.com/ya5yj9vs 50 Best Podcast Episodes list 2016 &2017: https://tinyurl.com/y7ryajat Release date: October 20th 2019 Runtime: 55m Recorded: Dublinhttps://tinyurl.com/y2toyrf3

In an ongoing collaboration with BBC Radio 3, the Wellcome Collection's Reading Room is the setting for a series of Radio 3's 'The Essay', in this case devoted to the bodily organs. 'Body of Essays' invites five writers to ruminate on a different organ of the body. This strange proposition has a mysterious allure: the organs are hidden, buried from view, and yet are at the very core of our physical functioning as well as our emotional world. Suctioned together in dark flesh, the organs can be all the more puzzling and intriguing. Annie Freud won the the Dimplex Prize for New Writing for her first poetry collection The Best Man That Ever Was and her most recent collection, The Remains, showcases her skill as both a poet and a visual artist. Annie brings a powerful, pungent, perfumed physicality to everything she sets out to write about; this evening's serving of kidneys being no exception.

Introduction to Jacques Tornay by Annie Freud, published in MPT 'Profound Pyromania'. I met Jacques Tornay in 2016 at HeadRead, the International Literary Festival of Estonia. Sitting in the audience, listening to poems in many languages which are foreign to me, I was suddenly transported by the familiar sounds of the French language. Having been brought up on the poems of Ronsard, Du Bellay, Lamartine and de Regnier, I had the sensation of inhabiting that part of myself that breathes, hears and dreams in French. While the poet spoke, the hubbub of chairs and glasses quietened and I was overtaken by an irresistible smile. For those who don’t know him, Tornay is a French-speaking Swiss writer, journalist and translator. His work includes poetry, short stories, aphorisms and biography. He is the author of numerous books and has been the recipient of prestigious prizes. It was no surprise to learn of his love for Rilke, the poet I am most reminded of when reading his work. Set in the stark landscapes of his native country, these are poems of introspection and of the enigma of the self. They explore opposing states of being human: serenity, anxiety; enlightenment, delusion; conviction, uncertainty; mundanity, exaltation – and their ephemeral nature. Yet in spite of their apparent focus on the ‘grand’ themes, these poems are rooted in the everyday. Whether recalling the delight on fi nding a wild plum lying on his path, the smell of pickled cabbage, or a pair of sandals le on a step, the reader is aware not only of a richness of thought but also of their unique quality of stoicism. They off er the reader an ‘arm to steer a path though Winter’. I am proud to call him a friend. Grandeur nature (2003), Gains de causes (2009) and Feuilles de présence (2006) by Jacques Tornay are available from Éditions l’Arrière-Pays. h p://www.larrièrepays.fr/ ____ ANNIE FREUD is the author of three poetry collections published by Picador: The Best Man That Ever Was, The Mirabelles and The Remains. She is one of the Next Generation Poets 2014, named by the Poetry Book Society.

Annie Freud is a poet, artist and teacher. Her first full poetry collection (Picador 2007), The Best Man That Ever Was received the Dimplex Award for New Writing (Poetry). The Mirabelles, her second collection (Picador 2011) was a Poetry Book Society Choice and was shortlisted for the TS Eliot Prize. Her most recent collection The Remains includes her own illustrations. Francesca Melandri was born in Rome in 1964. After many years screenwriting her literary debut was in 2010 with Eva Sleeps, a critically acclaimed bestseller translated in most European languages and now published in English by Europa Editions. Her second novel Higher Than The Sea (2012) confirmed her standing among readers and literary critics. She continues in documentary filmmaker and has two children. Inspired by Conversations Before The End Of Time by Suzi Gablik. Conversations In Time was recorded and Distributed as part of European Capital of Culture Aarhus 2017.

Lessons from the School of Night "I generally find that language will just open up again every time you hit a wall" — Eric Langley Sean Robinson met with Eric Langley at the Topping bookshop, before Eric's appearance at the School of Night, where he read from his first book of poetry, Raking Light. They discussed Eric's childhood holidays with J.H. Prynne, the influence of the Elizabethans on his work, and the role of the words themselves in the process of composition. Eric also read his poem 'Puncture' for us (at 26m50s). Eric Langley's first poetry collection, Raking Light, was published by Carcanet earlier this year. His work has previously appeared in New Poetries VI, Blackbox Manifold, and PN Review. Eric works in the English department at UCL, where he teaches both Renaissance and contemporary literature, and he has published scholarship on Shakespeare in a variety of contexts, particularly in relation to developments in medical and scientific thought of the period: his first academic monograph is Narcissism and Suicide in Shakespeare and His Contemporaries (OUP, 2009), and he is in the final stages of a second book to be called Ill Communications: Shakespeare' Contagious Sympathies. He was born in the Midlands, went to university in Leeds, lived in St Andrews, and has now settled in London. Sean Robinson is studying for an MFA in poetry writing at St. Andrews under Don Paterson. An erstwhile policy wonk, he graduated in 2013 from Oxford with a bachelors in Philosophy, Politics and Economics and worked for some time with the Civil Service, until deciding to chuck it all in to do something useful, and write poems. He is from London. Lessons from the School of Night are an irregular series of video or audio interviews and tips from poets and writers who visit St Andrews. The School of Night – inspired by the group which included Christopher Marlowe and Sir Walter Raleigh – is Topping & Company Booksellers' Year-Round Poetry Festival in St Andrews. Curated with the help of Don Paterson and playing host to poets as varied as Paul Muldoon and Lorraine Mariner, Simon Armitage and Annie Freud, it is anchored to a regular fixture on the last Tuesday of the month. The School of Night offers the chance to explore and discuss the work of some of the best poets on the contemporary scene. For more details on these and other events, please visit the Topping & Company website. Music: Luvva by Heman Sheman. Image: Johnny Adolphson

It's not so much about imagery or language as it is about longing for that human connection. It's imagining yourself into another life in order to connect with it and be less isolated. And that is the case in my poetry as well - imagination is a way of reaching other people. — Polly Clark Sean Robinson met with Polly Clark at Toppings bookshop, after her appearance at the School of Night, where she read from her novel Larchfield. They discussed the difference between writing a novel and writing a poem, as well as the roles of imagination and location in the writing process. Polly also read her poem 'Heaven' (at 14m55s). Polly Clark was born in Toronto and lives in Helensburgh on Scotland’s west coast, close to where W.H. Auden wrote The Orators. She is Literature Programme Producer for Cove Park, Scotland’s International Artist Residency Centre, and the author of three poetry collections. She won the MsLexia Prize for Larchfield, the Eric Gregory Award, and has been shortlisted for the TS Eliot Prize. Larchfield will be published by Quercus under their riverrun imprint March 2017. Her pamphlet A Handbook for the Afterlife was shortlisted in the 2016 Michael Marks Awards and a volume of New and Selected Poems, Afterlife, is due in 2018. Sean Robinson is studying for a masters in poetry writing at St. Andrews under Don Paterson. An estwhile policy wonk, he graduated in 2013 from Oxford with a bachelors in Philosophy, Politics and Economics and worked for some time with the Civil Service, until deciding to chuck it all in to do something useful, and write poems. He is from London. Lessons from the School of Night are an irregular series of video or audio interviews and tips from poets and writers who visit St Andrews. The School of Night – inspired by the group which included Christopher Marlowe and Sir Walter Raleigh – is Topping & Company Booksellers' Year-Round Poetry Festival in St Andrews. Curated with the help of Don Paterson and playing host to poets as varied as Paul Muldoon and Lorraine Mariner, Simon Armitage and Annie Freud, it is anchored to a regular fixture on the last Tuesday of the month. The School of Night offers the chance to explore and discuss the work of some of the best poets on the contemporary scene. For more details on these and other events, please visit the Topping & Company website. Photo Credit: Johnny Adolphson, http://johnny-adolphson.pixels.com/

Annie Freud, the award-winning poet and artist, will talk about where her poems come from, her development as an artist and writer, and the relationship between her poems and paintings. Also Sowon S Park gives her talk, 'Memory and the New Unconscious' where she discusses the role of memory in the history of the idea of the unconscious and the impact of the neuroscience of memory on the earlier models of the unconscious.

Start the Week returns for a new series with a discussion about cultural exchange. Andrew Marr talks to the potter Edmund de Waal about his fascination with porcelain. De Waal's journey to understand the history and secrets of 'white gold' takes him from China to Europe and the USA. From white pots to multi-coloured: the contemporary Chinese artist Ai Weiwei mounts an exhibition at the Royal Academy; co-curator Tim Marlow explores his cultural significance. The poet Annie Freud takes inspiration from shards of pottery found in her garden for her collection, The Remains. Producer: Katy Hickman.