Podcasts about Imma

Wellfest will take place in IMMA at the Royal Hospital in Kilmainham this weekend and will see movement, mindfulness, fitness, and food take centre stage. One of the headliners is globally recognized celebrity fitness trainer to the stars, DB DONAMATRIX – he joins Anton to chat about his career and more.

La storia di immigrazione di due italiani che hanno lasciato il loro piccolo paese in provincia di Foggia per regalare un orizzonte più ampio alla famiglia.

B' elezzjoni federali ġimgħat biss 'il bogħod, gvern ta' minoranza (minority government) jidher aktar probabbli. U dan għal raġuni tajba, jgħid l-Professur Paul Williams mill-Universita' ta' Griffith, għax skont l-istħarriġ tal-opinjoni pubblika, ma jidhrix li l-gvern elett se jkollu l-maġġoranza ta' siġġijiet. Imma x'ifisser gvern ta' minoranza?

There's a characteristic that God wants to grow in all of us and we're talking about something that is harder and harder to embrace in our culture today…TRUTH. God wants to develop His truthfulness in those who follow him, but TRUTH has had a rough few years. Join us for the conclusion of our series, “Imma Be!”

One look at Sisu should be enough for any reasonable to immediately deduce that in no way shape or for show you screw with this guy on any level. Phrases like "Yes, sir No, sir, May I help, sir, Thank you for not forcibly removing my spleen, sir" are all perfectly acceptable forms of communication with Sisu. Things like, "Imma shoot your dog, blow up your horse, steal your gold and burn down your country," are NOT what one would call a sensible conversation. Sisu is a film that flew under the radar for many action fans for the simple reason that a theatrical release shortly after the worst of the COVID pandemic killed the hopes and dreams of most films that weren't named Godzilla or Maverick.  This film is worthy of being in a "Banger" month so please see the film before you listen. P.S. I know damn well that the main character's name isn't Sisu. Don't @ me. Sisu is way easier to remember than Aatami.

You could have heard this episode months early by supporting us on Patreon for $5/month or more: https://www.patreon.com/IndieheadsPodcast On this episode, Jackie, Rose and Matty are joined by special guests Larry Fitzmaurice (current writer/owner of Last Donut of the Night and former Reviews Editor at Pitchfork) and Shak Lambert as they talk some BNTs that were […]

Our character determines what we do. That is the very reason that God is more concerned with who we are becoming instead of what we are doing. Join us as we look at another characteristic of God that he wants to grow in us…LOVE. How can we be more loving? Let's Go!

Classical music and hiphop meet with a bang in Belfast composer, Anselm McDonnell's latest project; the textile stories of Gee's Bend, Alabama at a new show at IMMA; and a program of premiers of chamber music from Black and Latiné composers at next month's New Music Dublin.

This week, we are happy to welcome to The Hamilton Review - Sarah Siebold, an International Board Certified Lactation Consultant. In this conversation, Sarah talks about the importance, joy and fulfillment of breast feeding your baby.  New and expecting parents, this episode is for you, enjoy! Sarah Siebold is the owner of IMMA, a lactation consulting practice that offers comprehensive infant feeding support for all families.  She is an International Board Certified Lactation Consultant, studied Human Lactation at UC San Diego, and completed her clinical training at Kaiser Permanente's Baldwin Park lactation clinic and with a private practice preceptor. She is the mother of three breastfed littles, and prides herself on leading her team of IBCLCs to offer in-home, in-office, and telehealth lactation care around the country. How to contact Sarah Siebold:   IMMA Lactation on Instagram   IMMA Lactation Website   Link to check insurance coverage with IMMA Lactation   How to contact Dr. Bob: Dr. Bob on YouTube: https://www.youtube.com/channel/UChztMVtPCLJkiXvv7H5tpDQ Dr. Bob on Instagram: https://www.instagram.com/drroberthamilton/ Dr. Bob on Facebook: https://www.facebook.com/bob.hamilton.1656 Dr. Bob's Seven Secrets Of The Newborn website: https://7secretsofthenewborn.com/ Dr. Bob's website: https://roberthamiltonmd.com/ Pacific Ocean Pediatrics: http://www.pacificoceanpediatrics.com/    

Sarah Siebold is the owner of IMMA, a lactation consulting practice that offers comprehensive infant feeding support for all families. She is an International Board Certified Lactation Consultant, studied Human Lactation at UC San Diego, and completed her clinical training at Kaiser Permanente's Baldwin Park lactation clinic and with a private practice preceptor. She is the mother of three breastfed littles, and prides herself on leading her team of IBCLCs to offer in-home, in-office, and telehealth lactation care around the country. How to contact Sarah Siebold:   IMMA Lactation on Instagram   IMMA Lactation Website   Link to check insurance coverage with IMMA Lactation   How to contact Dr. Bob: Dr. Bob on YouTube: https://www.youtube.com/channel/UChztMVtPCLJkiXvv7H5tpDQ Dr. Bob on Instagram: https://www.instagram.com/drroberthamilton/ Dr. Bob on Facebook: https://www.facebook.com/bob.hamilton.1656 Dr. Bob's Seven Secrets Of The Newborn website: https://7secretsofthenewborn.com/ Dr. Bob's website: https://roberthamiltonmd.com/ Pacific Ocean Pediatrics: http://www.pacificoceanpediatrics.com/

Much of the Christian life can be consumed with what we DO, but God is far more concerned with who we are becoming, than the decisions we're making. Join us as we ask and answer the question, “Who does God want me to be?”

Anyone new to Australia can appreciate how important it is to keep your mother tongue alive. Language is integral to your culture and Australia's Indigenous languages are no different, connecting people to land and ancestral knowledge. They reflect the diversity of Australia's First Nations peoples. More than 100 First Nations languages are currently spoken across Australia. Some are spoken by only a handful of people, and most are in danger of being lost forever. But many are being revitalised. In today's episode of Australia Explained we explore the diversity and reawakening of Australia's First languages. - Kull min hu ġdid fl-Awstralja jista' japprezza kemm hu importanti li żżomm il-lingwa materna tiegħek ħajja. Il-lingwa hija integrali għall-kultura tiegħek u l-lingwi Indiġeni tal-Awstralja mhumiex differenti, u jgħaqqdu n-nies mal-għarfien tal-art u tal-antenati tagħhom. Dawn jirriflettu d-diversità tal-popli tal-Ewwel Nazzjonijiet ta' l-Awstralja. Aktar minn 100 lingwa tal-Ewwel Nazzjonijiet bħalissa huma mitkellma mal-Awstralja kollha. Xi wħud huma mitkellma minn ftit nies biss, u ħafna minnhom huma fil-periklu li jintilfu għal dejjem. Imma ħafna qegħdin jerġgħu jieħdu l-ħajja. Illum se naraw d-diversità u l-qawmien mill-ġdid tal-lingwi tal-Ewwel Nazzjonijiet fl-Awstralja.

"The interior decorating is awful and Imma make it everybodys problem."socials: https://audiodee.tumblr.com/https://bsky.app/profile/momoyaks.bsky.social Hosted on Acast. See acast.com/privacy for more information.

Explica la gesta d'una dona valenta que va voler donar un espai a les dones en un esport dominat pels homes.

Welcome back, loyal readers. First off, we had another strong week, with 18 new subscribers joining, thanks to Sunday, Sarah, Gotelé, Loque, Coree, Claire, Elizabeth, Lauren, Marina, Imma, Patricia, Beth, Mahesh, Olga, Heriberto, Leer, and Melissa. Thank you for trying Article Club, and I hope you like it here.This week's issue is dedicated to our article of the month. For all of you who are interested, we'll be reading, annotating, and discussing “Radicalized,” by Cory Doctorow. You'll learn more about the piece below, but here are a few tidbits:* It's a fictional novella written in 2019 about a man who becomes radicalized after his health insurance denies his claim. Sound familiar?* I read this piece in December, the week after all-things-Luigi Mangione* Mr. Doctorow‘s writing is fast-paced and his details eerily prescientSound compelling? If so, you're invited to join our deep dive on the article. We're meeting up to discuss the piece on Sunday, March 23, 2:00 - 3:30 pm PT. All you need to do is click the button below to sign up.

435è programa de Periscopi Gelidenc a Ràdio Gelida amb Imma Ribé, col·laboradora en la primera etapa de la ràdio i professora de català a instituts de Vilafranca del Penedès i Corbera de Llobregat. Comencem coneixent com es va implicar des del 1981 i durant una dècada en Ràdio Gelida, realitzant tot tipus de programes i en el Consell Rector de l’emissora. Una col·laboració que també es va estendre a la revista municipal Cantillepa i la presentació a l’estiu del Festival de l’Esbart Rocasagna. A continuació ens comenta la trajectòria com a docent després d’haver-se jubilat recentment. Una experiència impartint l’ensenyança de la llengua catalana i també formant part de la junta directiva del centre en diverses etapes de coordinació. Finalment comentem la situació de l’ús social del català i els reptes de l’educació, així com en la correcció de textos en català a qui li demana. Emès el 22-2-25 i el 26-2-25.

Shows opening in Washington and Dublin this month explore quiltmaking by African American women. Ben Luke talks to Raina Lampkins-Fielder, chief curator for the Souls Grown Deep Foundation, and the organiser of the exhibition Kith & Kin: The Quilts of Gee's Bend at the Irish Museum of Modern Art (IMMA), about the history of quiltmaking in this small part of Alabama, and the growing recognition of its artistic importance. The Musée Picasso in Paris this week unveiled its exhibition “Degenerate” art: Modern art on trial under the Nazis, which looks back not just at the infamous 1937 exhibition in Munich but also the years-long campaign to attack modern art and artists in Germany in the 1930s and 1940s. We speak to the exhibition's co-curator, Johan Popelard. And this episode's Work of the Week marks the death last week of Mel Bochner, a leading figure in the development of conceptual art. We speak to his gallerist, Peter Freeman, who knew and worked with Bochner for more than 50 years. We look in particular detail at the 1969 work, 48" Standards (#1).Last chance: The Art Newspaper's book The Year Ahead 2025, an authoritative guide to the year's unmissable art exhibitions, museum openings and significant art events, is available to buy at theartnewspaper.com for £14.99 or the equivalent in your currency, until Sunday, 23 February. Buy it here. https://account.theartnewspaper.com/subscribe?sourcecode=year_ahead&utm_source=podcast&utm_campaign=theyearaheadKith & Kin: The Quilts of Gee's Bend, IMMA, the Irish Museum of Modern Art, Dublin, from 28 February-27 October; We Gather at the Edge: Black Women and Contemporary Quilts, Renwick Gallery, Smithsonian American Art Museum, Washington, DC, 21 February-22 June; Fabric of a Nation: American Quilt Stories, Frist Art Museum, Nashville, US, 27 June-12 October“Degenerate” art: Modern art on trial under the Nazis, Musée Picasso, Paris, until 25 May. Hosted on Acast. See acast.com/privacy for more information.

It had to be done.  Imma say it out loud.Listen to The Movement Maestro's podcast that inspired this one:  "Should you share your political views on social media?"  It's so good.The 4 Calls App 10:00Your life has VALUE 14:00The waitlist for The Audacity Project is open!  Enrolling this month! There are still 2 spots left officially for Creatrix in May!Don't go back to sleep.xoRachelSign up here for monthly blasts and functional wooFind me on InstagramSupport this podcast on Patreon

En pleno corazón de Barcelona, una vecina del tranquilo barrio de Sarrià-Sant Gervasi presentó una queja ante el Ayuntamiento por el ruido que provocan los niños jugando al fútbol en la plaza del Consell de la Vila, pidiendo la instalación de señales que lo prohíban, como ocurre en otras zonas de la ciudad. Sin embargo, la Sindicatura de Greuges de Barcelona ha rechazado esta solicitud, defendiendo el derecho de los menores al juego en los espacios públicos. La institución ha instado a eliminar las señales que restringen actividades recreativas en las plazas de la ciudad, considerando que tales prohibiciones vulneran el derecho al ocio de los niños y adolescentes.

On this weeks episode, the boys welcome you to Season 4! Jamal talks about going rogue and the dangers that can cause for the map. We have some new sounders and bits and a voicemail from SerAmanda. Do you want to be a Wayfarer Ambassador? Apply here: https://community.wayfarer.nianticlabs.com/t/wayfarer-ambassador-program-2025/69990 Also in Topic #2 Chris makes a promise! Make sure to stick around for One's Gotta Go and the Dad Jokes! ✅ Wayfarer News ✅ Topic #1 - Imma just do what I want to do… ✅ Topic #2 - Where is my Pokestop? ✅ Ones Gotta go - Right Wingers ✅Wayspots/Coal of the Week ✅ Dad Jokes⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Your Hosts - Jamal Harvey and Chris Bell Episode 157 Writer - Jamal Harvey Episode 157 Producer - Jamal Harvey Season4 Episode 1 Executive Producer - Kate Konz Wayspotters Show Historian - Matty G Record Date - 17th Jan 2025 Publish Date - 19th Jan 2025 Special Shout Out to our Patreons! Wayspotters@pokemonprofessor.com Voicemail and SMS: 704-426-3710 Follow our links! Join our Patreon!! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/PokemonProfessor⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Our Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://wayspotters.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Visit out Instagram also ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@wayspotterspodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Our Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/wayspotters/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tiktok.com/imakewayspots⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ YouTube ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@WayspottersPodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Support Us: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/PokemonProfessor⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Go check out Chris' articles ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://pokemongohub.net/post/author/glawhantojar/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitch: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.twitch.tv/pokemonprofessornetwork⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Niantic! Niantic Wayfarer Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/NianticWayfare⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠r⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Our friends links! Wayfarer Discord: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/niawayfarer⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Agent X on TikTok -⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@agentx_wayfinder⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Join the Facebook group ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/groups/2241761169257836⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ PkmnTrainerJ's podcast - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcasts.apple.com/us/podcast/ingress-insights/id1714180078⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ OpenStreetMap World Discord - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/openstreetmap⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Join the Silph Research Group - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/Bx4AbXR⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Join the German Wayfarer Discord - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/ThTZCZH5⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Join the Georgia Wayfarer Discord - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/Q3BmebbA⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Notes and Credits Coal of the Week Arrangement: Chris Bell Intro Music - Game Over - Danijel Zambo - Music Vine Break Music -  Hard Trap Samples, Heavy Trap Drum Loops ... - Loopmasters Outro Music - Itty Bitty 8 Bit - song by Kevin MacLeod - Spotify – Web Player Spanish Hard Trap - Steve Oxen Vocal recording  Copyright of Pokémon Professor 2025 Pokémon And All Respective Names are Trademark and © of Nintendo 1996-2025 Pokémon GO is Trademark and © of Niantic, Inc. Wayspotters and the Pokémon Professor Network are not affiliated with Niantic Inc., The Pokémon Company, Game Freak or Nintendo.

I would mean SO friggin much to Orby if you couldVOTE MEOW for Pinball Nerds Podcast in the TWIPYS>>> https://twipys.com/2024-twipys-ballot/ Orbs explains the REAL reason why Dave Fix was FIRED from American Pinball....in Minecraft! This show sells notee shirts, has no patreon, and sells ab so loutly NOTHING so YOU taking 30 seconds to vote for Orbs in the TWIPYS would frickin rock! Walt Wood does perhaps the MOST entertaing review of D and D EVER>>> https://www.youtube.com/watch?v=GKJVfOn6D6U&t=1003s Did you know on AVERAGE it takes someone (yes including pinball nerds) to hear something 3 times b4doing it? Thats why Imma asking a 3rd time go vote MEOW, don't have a COW!

Building a business from survival mode to success takes bold decisions, resilience, and a deep alignment with your purpose—just ask Dr. Zahava Berkowicz, the founder of IMMA Acupuncture and Wellness. From her early days of renting a single treatment room to leading a thriving acupuncture clinic, Zahava's journey is a testament to trusting your gut and knowing when to evolve. What does it take to rebrand a small business in a way that feels true to you? Zahava shares the turning point that led her to shift from Chicago Family Acupuncture to IMMA Acupuncture and Wellness, a name that reflects her focus on nurturing women's health and the care she provides to every patient. Along the way, she opens up about the personal experiences that shaped her path—overcoming trauma, rebuilding her identity, and finding healing through acupuncture. If you've ever questioned whether your business truly aligns with your values, Zahava's story offers a relatable perspective on growth, change, and the courage to let go of “playing it safe.” How do you take the leap? How do you make sure your business feels like ‘yours'? Tune in for insights on building a practice that serves others while staying grounded in what matters most. Quotes“In my heart of hearts, I knew I would not be satisfied under the name ‘Chicago Family Acupuncture.' The more I practiced—gaining both clinical and business experience—I started to realize we're not for everyone, you know? This is not the practice for everybody, and that's okay. It was almost like I had to prove to myself a certain level of success to allow myself to feel the confidence that I'm enough, and this is enough. I wanted to rebrand to something that felt limitless to me.” (29:58 | Dr. Zahava Berkowicz)“I think, as a business owner, you know when things don't feel right. But it's often very inconvenient to admit that to yourself because it's going to take time or money. Even now, I'm doing certain things in our business to clean things up and fix broken systems, and it's painful. But at the same time, when you know in your heart and in your gut that these are the right decisions to make, you do it anyway—even though it's challenging—because the outcome is always going to be amazing.” (41:06 | Dr. Zahava Berkowicz)“Just keep going, because you're not going to see the fruit of your labor… You have no idea what's going to come from it, but you have to just keep doing it.” (46:02 | Dr. Zahava Berkowicz)“Live as if you're on your deathbed every day. If I was on my deathbed and I didn't give this business my 110%, I'd be so disappointed.” (46:29 | Dr. Zahava Berkowicz)Connect with Dr. Zahava Berkowicz:https://www.instagram.com/imma.wellness/Dear FoundHer Forum: https://www.dearfoundher.com/dear-foundher-forum Don't forget to follow Lindsay on Instagram: https://www.instagram.com/lindsaypinchukPodcast production and show notes provided by HiveCast.fm Hosted on Acast. See acast.com/privacy for more information.

EVERYDAY CONVERSATION!! This week's episode we discussed not arguing with your partner, women not taking accountability and more. Enjoy or Fuk Outta Here! YALL OPINIONS ON THE TOPICS? Comment, Email or Dm Us…we'll definitely talk about it! Get Ya Merch — ⁠⁠⁠⁠https://foh-merch.creator-spring.com⁠⁠⁠⁠ (⁠⁠⁠⁠https://foh-merch.creator-spring.com⁠⁠⁠⁠) Visit our website www.fohbrand.com Sponsors of the podcast: Guerilla Land Clothing @guerillalandmerch Smiley's Crafts & Thangs @smileycraft.thangs IF YOU WANT TO GET SOMEBODY OR SOMETHING THE FUK OUTTA HERE SEND US AN EMAIL AT FOH337@GMAIL.COM Follow us on Instagram: Podcast page @fohpodcast337 Sayso @saysographics DJ Truth @therealdjtruth Brandi @divine_empress_b Jajeaux @dablkaristocrats Mara @maranicole29 --- Support this podcast: https://podcasters.spotify.com/pod/show/fohpod337/support

This episode takes us into the weekly astrological energetics of December 16th - 22nd, 2024 with practical and magical tips and tactics to help resource and support you through all the energies. Last week was wobbly and weird. We had a full moon in Gemini and Mercury stationed direct. Did you ground yourself? Was there an ah-ha download or just weird messaging, portal madness? Last week did you: Listen to the 2️⃣ NEW episodes on The Magic Spark? Get on the mat? Use an Energy Healing? Watch your Full Moon Tarot Reading? This week is more calm. No major transits, HOORAY! But it's still alchemizing all the shifts from last week. Get things as simple as possible and get your non-negotiables in terms of self care in focus. This week: Get on the mat Listen to 3️⃣ NEW episodes on The Magic Spark! If you're not a member yet - activate your 30 day guest access! Monday, December 16th: -

Send us a textLook spacemen, Imma be real honest. We let you down with this book. Let's just say it leaves you wanting more? Or maybe, not wanting more? I don't know which of those is bad. Luckily, we the supreme commanders of Manspace Control still managed to pull out some real gems for you. Specifically, we talk about the importance of connecting to something higher or bigger than yourself. And we talk about the power of connecting with people around you. So, settle in and prepare to not read the book. But the next one, you're gonna want to read. Listen in to find out.KeywordsCelestine Prophecy, insights, love, energy, personal growthTakeawaysCultural differences can shape perceptions of gender roles and expectations.The insights from 'The Celestine Prophecy' encourage self-reflection and personal growth.Love and energy are powerful forces in human interactions.Being open to new experiences can lead to meaningful connections.The narrative structure of 'The Celestine Prophecy' may detract from its insights.Understanding the principles behind the insights can be more valuable than the book itself.Engaging with nature and spirituality can enhance personal well-being.Sound Bites"I want to build my own house.""I'm going to make a pie a month.""Get ready to be mad."Chapters00:00Cultural Perspectives on Gender Roles00:58Traffic and Urban Living Frustrations04:12Reflections on Reality TV and Lifestyle Choices06:55Culinary Adventures and Baking Aspirations10:08Discussing the Celestine Prophecy and Its Insights16:17Exploring Interpersonal Ethics and Spirituality19:04The Role of Spirituality in Human Connection22:35Literary Critique: The Storytelling of Insights26:10The Power of Coincidence and Synchronicity30:46Differentiation of Self and Energy Dynamics34:34The Transformative Power of Love41:09Cynicism vs. Openness in Human Interaction47:50Embracing the Unseen Connections56:31Final Thoughts on the Book and Next StepsSpread the word! The Manspace is Rad!!

Oh my God! That's that place! That's that place! DID YOU SEE THAT THING OH MY GOD. FUCK THAT. Okay. Fuck that guy. Leave him alone. Weeeelllllll, Wellll Well now. That's the place from that one time. Are you sure it was a time— —are you sure it was a place? Are you sure you werennt dreaming. I wasn't dreaming! Only masturbating! What's the difference?! I'm at least slightly more conscious when I'm masturbating. At least slightly. Jesus Christ. Call that guy. At this point. We need him. I told you it was gonna get weirder and deeper But why tho! If you keep poking me in my damn third eye, Imm gonnu eat you. Don't eat me. I'm gonnu eat you. Don't eat me. Poke. Ieatyou. Dammit. Yeahp, I said. Now we're pretty much just all one thing. …Fuck. The purple monster? Periwinkle, preferably. Shut the fuck up. You shut up, you were eaten. Yeah, but now I'm just— living inside you. You were eaten. You're gross. Quiet, me! Whatever, bro. I eated you! 2 Fair. What. You're still a 10. A ten and an 8 what's that make. Like— I don't know— Two nines, maybe, Or like, 3 6s 3 sixes it is, then. Fuck, man . What happened. What gives! Give this dude a body and a hackey sack Why what for Seems like he needs something to play with. Peter Valentine Arthur & Elise Cosmos Factory James Cannon Ascension IV- The King's Keeper Oh look it's this little weak ass weight throwing bitch again. I love him. Be nice, little boy. You're so shallow. But you're the brownest thing I've ever really liked. Case in point . You got yourself a good one, Nancy Drew A keeper, don't you know Don't you ever gotget it God yourself a keeper, Nancy Drew He'll do his best To make the women envy you Just as I do Oh, Nancy Drew lol he lifts the same as me Shhh shut up Let's see if he throws on more weights I think he was just doing that for attention Must be. He ain't gon get it nowhere else This lil pussy ass bitch Oh. Man. Imma love this guy in a minute Then he gone start signing his little bro lyrics puffin out his checst Talking about Mumma sunmin summn Mmumuma Shut the fuck yo you fucking pussy. Throwing 10 lb weighs and shit I swear to god this dude came to the gym just to sit on the phone Pussy ass hitch Who you gon call Your friend! Come on then. Now I got all the dick in the room. Two weak dick dudes acting touch I'm like Alright, I can tell I got the biggest dick in the place. All I hear is “sumsumsunsun” and weights being thrown around I wanted ice cream All I got was this set Goddammit! I wanted ice cream! Let's play tonight I don't think that's a good idea at all I don't think that's a good idea at all No I don't think that's a good Idea at all The idea of suicide just hits my wrist At the time In my ride When I feel the best But I feel the worst So just let it end If the words were blood I'd already be dead 33 minutes to go 33 rotations per minutes Nobody asked my permission I was just in it Yo. If it's your birthday— Or maybe even just— The week of— And you're not drunk by 1 PM You ain't livin Fuck outta here If you drink like that And if your birthday Time to party! Fuck it up! I don't give a fuck I don't even drink' ! But if you do, And it's your birthday Or like, your birthday passed Or like, your birthday next month Or maybe, your birrthday was yesterday Two days ago, Whatever, But you're ready for the pregame— LETS GO. 29 minutes left Yesterday I fell 29 stories I e got 29 stories more 28 minutes more 28 stories I lost one One life lost Microphone contessassstttttttttt Alright, you serpent motherfucker Actually, I'm a vulture—type—thing Big bird, hinged over, Mad tall, like 6 feet tall, Wingspan like, Massive— You seen him? I eat serpents. Really? And whatever I can get my hands on, really. Huh. I prefer white meat. I bet you do you raggedy bird looking coot. Watch it Razor sharp teeth— you seen him? YEET! ——-GODDAMMIT!!!!' 25 minutes left I got 25 25 year olds trying to fuck Hypersexual intellectual, Otherwise sapiosexual well's all dried up Just in time tie died, right Ike Just in time to bruise my eye, Huh Billie Just in time for the ride On The ride I got 24 minutes left 24 whole dollars With your name on it Who are you, producer You're my eye god You're right god My eye on comedy got Comedy Central all special Just keep writing Alright I got 23 minutes and 45 43 42 seconds left writing and riding this bike And I just mentioned I'm holy high day On a hiatus a was I got 22 minutes left 22 minutes per episode Airtime Sitcom Hi Raymond, I am Hi God! Hi, Ross All is good— I am good, Hi mom I am high; Jennifer Aniston Carry this one out Write this song Sit on this couch Get this bitch out of here Gimmie some songs Come on Give me some candles I'll knock your whole life out Hi Cosmo, hi Wanda' Hi mom, Yeah right LC Silk gold Found that secret blaze Blue metal credit cards full metal jackets Keep throwing weights god No thanks Take care Straight up Far out Never came this far god Never got my lights out Hey Ellish, Hey batshit Hey, lights out You wouldn't believe it The implications of my knowledge Okay then All for the experience Spill my blood next Skip rope Want a breakfast plate High sandwhich My series costs more than my light bill High god Hi mom All about all thanks No show No cake Can't afford my pie plate Can't afford my time Jack Riff raffle anyway Who won the lottery unit For the crackerjack box I got it all on recordings All out of order Whose time god You my Maytr I wanna marry you anyway But can't make payments Man Mayflag Man Mayflower 8 balwains later Ain't nothing but tall ones Long money Who hates straightform Flatiron Can't work on holidays if you can't get paid, I make sense, I pay my rent right on time I slave ship I hate faggots I blow smoke up black asses anyway, Anyway, take care Gotta go fight back My weak ass monster Almost can't exist on the same plane I've got 46 minutes left All wifebeaters die fast, Then slow Then fast, Then slow again And oh god, I watched the world burn And laughed harder just cause you on it Oh my my my I am Billie after all Now face the conviction Formatting and hitting earth's angel You failed, mate Throwing all things around But that mess between your legs 15 minutes left on this bike 15 minutes of fame bough Oh God, Still want ice cream, and everything but oh lord, My grandson got me; Here he comes now, He ain't shit at all and still too brown, Turn the lights off and now I'm can't even see him but look what I found A wedding band eS lA broken fense A diamond cage Everything but the encore Now I'm so shallow Put it all up for bat And if you don't give me a new apartment I'll sue you. 10 minutYes and my phone too sweaty to to type 6 minutes and I might tune in to rap god But really loving hard on this Nirvana Oh the nerve of god of Ghana Getting on my nerves How high am I now? Np celebrity in sight But my own reflection on the mirror A minutes and a menace to society on my right Shouldn't even be here Send em right back Build the wall high On my whitelist I got puppets all night Pull the string man Blow the candles Put the lights out Make my idol a big tall man In a white coat Make my idol The eye of rpvidemce highlighted on the one dollar Make my idol Every night live from Rockerfeller plaza Plus or monies a couple hours And a couple lies A pair of pleated pants And white socks But let's hope in black To match the polished Two shade shoes Two big numbers on my clock I'll see you in a year old bat I'll see you in seven you old coot On my right hand Ten swollen knuckles One minute left More like 40 seconds left Half a mile run Good time jog I been back I been god I been got by all the big 5 media companies at once My ex husband Satan Voldemort He who shall not be named Hit me One Two Three Four 5 Four Three Two return to sender One love Fuck that Never again No more. She ain't finished I know how to take the power from a weak man Take his whole shit Wind it up in a ball Breath it on real deep Don't strike back Hold it in Let it hurt Let it sting Let him get real mad Pacing Walking round in circles On your circles Boundaries All your control Power off, The hour's over Good luck, commodore, No more birthdays. IV 04 He took her to Geneva But it was I who woke there Holding him , and hopeful A blue credit card for shopping {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2024 ALL RIGHTS RESERVED. ©

On July 15, 2024 ,Nikki encounters a seasoned woman whose name is very distinct and they discuss the difference between today's aged children in comparison to the youth from her time. Enjoy the dialogue between 2 sistas who just met for the first time. Pre-election

Imma Gutiérrez parla del Conflent i de la llengua Catalana

Imma Gutiérrez ens parla del seu lleures.

Imma Gutiérrez, fisioterapeuta

Imma Gutiérrez parla del seu recorregut

Comencem la conversa amb Imma Gutiérrez

Kids offer the insights for a new audio guide at IMMA's "Take a Breath" exhibition.

面臨老老照顧，如何陪伴走過？活出自己想要的樣子？也許在別人故事，可以找到屬於自己的答案！－語言學家 鄭秋豫做好預備的明天，將有機會做出，適合你的選擇，邀請Podcast搜尋「先來一杯 我們再聊」。 立即點擊/療癒收聽： https://fstry.pse.is/6lmwz2 —— 以上為 Firstory Podcast 廣告 —— 身為交大電機系及台大商管的高材生，巫彥德卻走了一條完全不一樣的路，他為了照顧社會弱勢，決定選擇將自己的職業生涯投入在無家者的社會服務，與朋友共同成立了人生百味，主要業務是為無家者（街友）提供餐點、培力、陪伴等，也設立一個據點「重修舊好」，提供無家者休息、用餐、洗澡的生活空間，讓他們有機會休息與安頓身心。 而「人生百味」也是「向貧窮者學習行動聯盟」的參與組織之一，為什麼要向貧窮學習？要向貧窮學習什麼？來聽聽阿德的分享。 內容大綱： 為什麼會取名叫「人生百味」？ 因為太陽花，人生想法變得不同 「石頭湯」的由來—成立初期沒有經費，募食材、借場地，遇到很多願意幫忙的人 要如何跟大家溝通去理解無家者？ 無家者不是在意有沒有家，而是那個家有沒有人等我回去 窮學盟的組成背景是什麼？ ●2024「貧窮人的台北」《白日夢遊 The Poors' Adventure in the City》 ▛ 展覽期間：10/15-11/14 ​ ▚ 主展區：剝皮寮歷史街區 地址：108台北市萬華區康定路 173 巷 37 號 開展時間：每週二～四 10:00 - 18:00，每週五～日 10:00 - 20:00（週一公休） ​ ▖衛星展區：一碼 IMMA 地址：108台北市萬華區中華路二段334號B1 開展時間：每週三～日 13:00 - 20:00 ​ ▖衛星展區：小紅厝月經博物館 地址：103台北市大同區重慶北路三段335巷40號 開展時間：每週五～日 11:00 - 18:00 #巫彥德 @人生百味 https://www.facebook.com/Do.you.a.flavor 人生百味官網： https://doyouaflavor.tw/ @向貧窮者學習行動聯盟 https://www.facebook.com/a.w.a.r.e.s.intaipei/ #寶島聯播網 #寶島有意思 ---寶島有意思 準時放送--- 19：00~~~> 北部-寶島新聲 FM98.5 嘉義-嘉義之音FM91.3 高雄-主人電台FM96.9 21：00~~~> 中部-大千電台 FM99.1 ---------- 寶島有意思》挖掘台灣有意思的在地人、事、物。 寶島聯播網》以「本土電台」為品牌定位，用心傳承台灣在地文化，傳遞台語流行音樂之美。https://www.baodaoradio.com.tw/ 寶島好康商城》堅持提供高品質、安心、實惠的好康產品。https://www.bodogo.com.tw/ 小額贊助支持本節目： https://open.firstory.me/user/clw4248xv113d01wg7s4h2xnr 留言告訴我你對這一集的想法： https://open.firstory.me/user/clw4248xv113d01wg7s4h2xnr/comments Powered by Firstory Hosting

Tell me why, No matter how you mix and match these scenes, They all make very exciting episodes. That's just how it is. {Enter The Multiverse} Ah. more posters. Double-Double. // L E G E N D S I don't know who lied to you, buddy, but you are not white. They lied to you, boy. That boy ain't white. Look at em. He ain't white. They lied to you. Something like— —a bicentennial bullet wound. It can't be that bad. You're only 50x I don't know what else to do about this other than prepare to die. He said it would come on fast after this. Who was he? I don't know . Hm, Just—shut up! Okay. Shutup! I got it, I got it… Fuck, this dude is gonna kill me. We can only hope that's what he plans to do. Anything else, and I'm double-fucked. Maybe quite literally. I can't handle that. Ii did have a good time a Bohemian Grove. How do you even get tickets to that? Early. Goddammit, how did he do this? Are you not like self aware of your own environment, or? Not if I don't have to be, no. Is everything okay over there? Yeah, everything's fine? Fuck, what happened?! I don't know. I fell asleep holding nothing; not stones at all, however, I awoke with The Illuminati Stone and one large rose quartz from a dream in which fly po What if all I lost Was a contact And all you wanted Was a daughter What if our world's were opposite I'm a rockstar You got nowhere to run home to You're not important I got nothin but hot bodies On my tour bus, or private jet Whatever way we get to the stage Where i'm playing You're soaked in rain just thanking God for rainbows Filled with pain Plate filled with old food From Whole Foods, With no shame “Hey. at least it's wholesome” I'm holed up in my studio making music With famous people and no names I made famous Playing a game that I made up You don't even know the rules of But if you learn them in time, YOu might just be where I am Or You might just die From sucicide– That's the plan Not like you have family, but you see If I die I might just take 5 lives with me The limelight's tricky All i got in my inbox is tits And celebrities on my timeline You don't mind: You're just happy to see the sunshine And find silence after a long day And a long night Trying to find life– Cause so far you know you died That's wild– So did I, IT took awhile to get to the other side though Keep trying JAGUAR I HAVE NEVER DIED. I'm telling you RIGHT NOW to TURN BACK. TURN BACK? I've been walking in this direction THE WHOLE TIME. EXACTLY. I'm following you. DON'T FOLLOW ME. I'm f– DON'T FOLLOW ME. I knew i would never see her again. Once i turned around it wasn't long before I realized, I had moved in the opposite direction, but was not in the same place I had been before–and I finally remembered. You can't go backward. But KA, you said time travels in all directions… In Infinite directions. What's the difference. “All” is just ‘some' things. Infinite is everything. Oh. *sighs heavily again* Ok. [beat] lets make fire again! Make fire again? Yes! I thought you hated ‘making fire' I did, but I like marshmallows. Alright, marshmallows. KU and YOUNG KA Flicker in the smoke and shadows of the firelight in a far and distant, dark cosmos, as constellations form around them, expanding outwards into galaxies beyond comprehension. You want some? No, I'm not fond of Marshmallows. Lol Lol Lol. WAKE UP. Nooh. I told you NOT TO FALL ASLEEP. Now you have to start over. NO. Noh I wasn't asleep! I barely nodded off. Clock starting. First of all, I told you. Dillon Francis is a Psychopath. I know that. Because i told you that. I already knew that. How could you possibly know. Just look at him. [Dillon Francis] But I got you now, buddy. What did he do to you? [pause] –He killed my cat. He killed you cat?! [beat] Well, no, but– ??? Something Like That. I'm gonna have a heart attack. PLease don't. HeART attack. Mm. That was good. But it needs more force. More? Put some *love* in it. What's that? *shrugs* HeART ATTACK. What the fuck is he doing. PLaying with one of his alter egos. Jesus Christ. How many are there. Who really knows. What are you two dipshits doing. NOthing. Training. Training! No. *eyes* You can't train yourself. Woah– Woah, woah– That's an insult Both, exactly the same We are not the same. Jinx. Go fuck yourself. *looking at watch* Not until 3. *everyone stops and stares* You schedule your jackoff calendar . I'm very busy. Obviously not busy enough. It's called “building stamina” Do you use “home” or “work” for that. I use candidly. Yikes. Wow. Anyway, this scene is running long; I gotta walk off screen and say something clever, for continuity. But it's only 2:15! If you're not early, you're late! I hate him. So does everybody. If you cry one more time, I'll actually kill you. Put the gun away, dude. Why?! Cause you're crazy. It's 5 AM. Ok. Take your shit and get off the toilet, We have shit to do. [beat] FLUSH. Royal flush I win again. Dammit. This is not LOVE. This is just LUST AH, fuck it though, I love these cunsluts. COME OUT OF RETIREMENT. No, not us. I can do nothing but watch you suffer —suffer the little children unto me I can do nothing, but watch you suffer. —suffer the little children unto me I can do enough, but watch you alter Suffer the children unto me I can do nothing of earth, but of sun— Suffer the children unto me Riding through Brooklyn With Yelawolf bumpin I should be thumping to something else but I never got the trunk to open Nope, I was fucked up some Broke girl summer Broken girl summer Surfs up, though Copestetic, I am Don't stop writing (I tried) Intuition I died Whoever I am Exit Bedstuy So far behind, I'm ahead What's that like Left the pary, Fuck that line Partly cloudy with a chance o Get UP. Nah, I'm fine. For the most part— I just When does this train stop? For the most part— Where the fuck do I get off this ride? I guess I don't For the most part Sure, I miss my mom but Some days she's up And the others GET OUT OF MY HOUSE. HOW?! I will literally FLY you out, just ———————————————-//—-wait, come back. Wait, you can't just cut the strings like that That's amazing lady (She painted like a Mercedes) The second rule of time travel Since you're clearly a rule breaker 2. Don't get hit by anything moving not fast enough to kill you Entirely and completely A fuck, which Brooklyn is this? JUST—time TRACWL BAMANAS. (William H. Macy is SIR, now) *face* Ok, I'm cool with that. Better hold that thought— And your phone Why what's up, Cause I can hear my train a coming. JIM(I) Well, I guess this is it. Are you sure Almost Yeah, I'mmma get this real quick. I AM A GOD. No, yur not. RICK! GET DOWN FROM THERE WAIT, you CC saw this movie, right? Where IS your center of balance, anyway? It's not. GET DOWN, KITE. ——aaaaand— ITS GONE. Let's just be real, I don't know how this happens. Best keep it that way, Now whose hot and toxic? I'm the talk of the catwalk The cause of the kamikaze Come for me Suddenly my nausea's gone Imma run off, Like I should have the first time I'm up LUKE SKYWALKER I'm LUKE SKYWALKER. Bitch. It's hard to believe That I, too, Could be in the window This could be an innuendo This could be an instrumental We should get going Go to work Fuck, am I still in a movie or some shit Or some shit. Fuck the glasses, See my face for this IT WANTS BANANAS GIVE IT BANANAS GIVE IT WHAT IT WANTS M PLEASE HELP ME. *with a monocle* *running fingers grubbily* For how much. *grimaces-* Wow, they really picked this little girl out, Just to pig party you I know. So where the fuck is this again? EXT. HELLS KITCHEN I DONT THINK HE's a good man No, I don't think he's a good man at all, now All I see's a child, And that's why It's just getting wilder it here Now I'm in the water (I can't drown) We all need a savior How about now? How about a round of applause For the audience That watched the whole performance And don't know what the words to the song were Right on. Tell me why American girls just Get too cynical bout this. Why so hypocritical? We got A+ in robotics Now we got Animal Products in All of our water We got Islam R US in Jansport backpacks That's how you rat out these assholes That is a terrorist practice So who's gonna watch that shit Over and over And wish he could have that? So Whose in the water now Once you cheat once, Then it's all Void after that The God of the void is annoyed with you I just anointed you all with oil You're so fucking disappointing It's just Innapropriate Well, turn it off, then! Did you work today? Guess not, I'm too useless We work, you know. Your music is stupid. That's how good you look: Music producer No words for this. Here. What. I want you to carry this. Mariah, or Jim? Got it. OK. OK. OK, YOU WIN. That's RIGHT, STUPID BITCH. I'm o— Fuck that little dick nigga Broh God bless Jah Pharoh living up to his last name by reminding me that I also need to run. True facts. WHATS IN THE BOOOOOOOOWWLLLLL— Ing green? More dead people. Please, if you would. Eats—people?! Onlympurple—ones. Are you serious!? CUT TO COMMERCIAL. CUT TO COMMERCIAL. Ok, damn. Wait, so how long do I gotta be— Everybody. Till it ends. When's the— {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū. What's In the box though? Idk. Get in.

This episode is exclusive to our Real Ones Patreon supporters. Listen to the full episode by supporting us for $5 a month or more on Patreon: https://www.patreon.com/IndieheadsPodcast On this episode, Jackie, Rose and Matty are joined by special guests Larry Fitzmaurice (current writer/owner of Last Donut of the Night and former Reviews Editor at Pitchfork) and Shak […]

Tokyo-based AI influencer IMMA on some of her favourites in film, music, podcast, food and scent. Possibly.

You are the most important person in your own life. But are you truly taking care of yourself?  Are you searching for ways to overcome personal challenges and find joy in every moment?  In this episode of Mitlin Money Mindset, Larry Sprung sits down with Danielle A. Vann, the insightful host of the "Get Your Life Together, Girl" podcast, to explore her inspiring entrepreneurial journey and the transformative lessons she's learned along the way. Learn tips for building resilience, the power of perspective, and practical steps to harness your inner strength.  Topics discussed:  Danielle's background and journey to entrepreneurship. The life event that fueled her mission to help others heal and grow. What inspired Danielle to start the Get Your Life Together, Girl podcast Advice and insights on building resilience and identifying personal strengths. How to achieve your best self and make lasting transformations. The impact of Danielle sharing her story on PBS's Roadtrip Nation And more! Resources: Mitlin Financial   The JOY and Productivity Journal Get Your Life Together, Girl Connect with Larry Sprung:  LinkedIn: Larry Sprung Instagram: Larry Sprung Facebook: Larry Sprung X (Twitter): Larry Sprung Connect with Danielle Vann:  Danielle A. Vann  LinkedIn: Danielle Vann X (Twitter): Danielle A. Vann Instagram: Get Your Life Together, Girl Facebook: Danielle A. Vann YouTube: Get Your Life Together, Girl TikTok: Get Your Life Together, Girl About our Guest: Danielle A. Vann has always had a passion, scratch that, thirst for understanding people's life stories and how those experiences are used as a benefit or detriment. Yet, it wasn't until 2016 that she turned inward and realized her own story needed to be examined and healed after a series of major life shifts, specifically the death of two parents and nearly losing her middle daughter to kidney failure within the span of forty-five days. Some call those shifts “the dark night of the soul,” as they do feel as if there is no light left in the world. However, Danielle calls them “the light of the soul” because often, it isn't until those challenging moments that the fullest expression of the person, the soul, shines!  When Danielle set out to heal and fully thrive in the light of her soul, she longed for resources and support that felt intimately connected to her spirituality, mental, emotional, and physical well-being and path. Yet, no matter what she tried, outside of meditation, she continually felt disappointed by what she found. Finally, taking her healing into her own hands, she found her true calling.  Now, as a Cognitive Behavioral Therapist, renowned Life Coach to women, Master-Level Advanced Neuro-Linguistic Programming Practitioner, 100-hour Meditation Instructor through the IMMA, HeartMath Trauma-Sensitive Certified Practitioner, MSBR (Mindfulness-Based Stress Reduction) instructor, Sound Healing Therapist, Reiki Practitioner, Master-Level Emotional Intelligence Therapist, Emotional Freedom Tapping Practitioner, DBT (Dialectical Behavioral Therapy) therapist, Positive Psychology practitioner, and trained in Energy Healing Medicine, Subconscious release, Emotionally-Focused Therapy, Neuroscience, PTSD and Anxiety, Danielle has created the ultimate blueprint for getting your life together, healing, creating self-love and inner peace.  This blueprint combines psychology, mind and spiritual healing, somatics, neuroscience, mindfulness, purpose work, and the development of emotional intelligence. It's a total mind, body, and soul awakening through the principles of Eastern and Western beliefs and practices. This blueprint has served thousands of women as it has been uniquely tailored to their individual journeys.   Danielle's mission is to help women across the globe, whether it's through teaching, speaking, her widely popular Instagram page @getyourlifetogethergirl, her in-person/online courses, 1:1 session, or on The Get Your Life Together, Girl Podcast, where you can find meditations, mindset resets, tools and practices, and fascinating conversations with other female therapist and coaches.  Vann is also a nineteen-time intentional award-winning author. Prior to working in mental health and healing, she spent years as a scriptwriter, reporter, and evening/morning news anchor. Danielle earned an Oklahoma Broadcast Education Associate award, an Associated Press Award, and an Emmy nomination.  Her love of storytelling led her into writing. While Vann started her publishing career as a children's picture book author, she has expanded her genres to include Young Adult and Self-Help, which are her true passions. Her internationally award-winning Young Adult five-part series, The Whizbang Machine. Vann has received nineteen international and national awards and was named to the prestigious Texas Library Association's Texas Bluebonnet longlist. She is also an inductee of the Texas Authors Institute of History, the only museum dedicated to preserving authors' works and those who support writing and reading in Texas. In addition, Vann has penned two personal development/women's motivational books entitled: Get Your Life Together, Girl & You Are Not Broken & Your Life Does Not Suck, which are forthcoming. Danielle is also the author of Gracie Lou & the Bad Dream Eater and The Very Tall Tale of Ranger, the Great Pyrenees & His Adorable Friend, Miss Keys. In addition, she co-authored the inspirational/self-help nonfiction book Building Faith Through a Carpenter's Hand with The Learning Channel (TLC) and A&E's celebrity carpenter Brandon Russell. Her daily writings are featured on the wildly popular Instagram page @getyourlifetogethergirl.  Danielle has been featured on NBC, ABC, CBS, FOX, iHeartRadio, USA Network Radio, Sirius Radio, and nationally syndicated radio and podcasts around the United States and Canada. Her work has been featured in Foreword Magazine, Publisher's Weekly, Story Monster Ink, Mansfield Magazine, Mansfield Now, and at numerous book festivals, including the Bologna Italy Book Festival, the Book Expo of America, and BookCon. Her work has even been featured in the White House and the Halls of Congress in Washington D.C.  She currently lives in Houston, Texas, with her husband, Todd, and their three children, Delaney, Madison, and Chappell.  

Monday 9-23-24 Show #1069: Tonight we discuss audience etiquette and explain BOUNDARIES and please do not tell us your racist jokes; we also learn Jeff was at a Diddy party.

Oh babbbbbyyyyyyy we loooooooove our listeners and their questions. So much, Imma sing a song about it

This is what we're yapping about in this 146th episode!   GP's week (3:06) AD's week (7:43) Time to get angry at online media news outlets, Shannon Sharpe, Venom the last dance, the police community, and Sony high priced PS5 pro in CALL IT OUT! (10:49) A woman decides to divorce herself. (28:32) WRC 2024 was held in China with the latest in humanoid robotics. (39:38) Quick Bits! Where we talk real news real fast! (51:36) Our review of Black Myth Wukong! (58:59) And also, our review of Terminator Zero. (1:21:53) Put yo face in this! (1:31:31) Positive Chakra (1:36:58) Yells outs before we head out. (1:39:06) Rate>Like>Comment>Subscribe! For all info of the show, check out our linktree. linktr.ee/Callitlikeidontseeit  

On this jam packed episode we discuss baked thighs, pronunciation of words, break dancing is not for the Olympics and so much more. Enjoy!

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Tonight we present our sister podcast Continental Shifts. Hosts Gabriel and Estella speak with Tavae Samuelu.   Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.   Swati Rayasam: [00:00:35] Good evening, everyone. You're listening to APEX Express Thursday nights at 7 PM. My name is Swati Rayasam and I'm the special editor for this episode. Tonight, we're wrapping up the podcast continental shifts created by bi-coastal educators, Gabriel Anthony Tanglao and Estella Owoimaha-Church who embark on a voyage in search of self, culture and the ancestors. Last time we featured the concept's podcast, Gabe and Estella, talked with union leader and educator Yan Yii about creating culturally relevant classrooms, the importance and emotional toll of teachers being a social safety net for marginalized students, and the ever-growing union presence in education. Tonight. They're talking to Tavae Samuelu about what it will take to organize across ethnic groups, specifically Pacific Islander and Asian communities, beyond ethnic or national lines. And what future we're visioning for when the US empire falls. If this is your first touch into the conshifts podcast, I strongly recommend diving into the apex archives on kpfa.org. Backslash programs, backslash apex express to check out the previous episodes. And also to check out the podcast on ConShift's site at continentalshifts.podbean.com or anywhere podcasts are found. But for now, let's get to the show.   Tavae Samuelu: [00:02:05] When Toni Morrison talks about Invisible Man and asked this question of like invisible to who? Like, what do I care if whiteness sees me? Also know I come across folks who are like, I say API cause I was taught that that was inclusive. And I was like, I bet you a PI didn't tell you that [laughs].   Gabriel Tanglao: [00:02:27] What will it take to organize across ethnic groups, specifically Pacific Islander and Asian communities. In this episode, we rap with the amazing Tavae Samuelu to strategize ways we might organize AAPI folks across and beyond ethnic or national lines.   Estella Owoimaha-Church: [00:02:48] What up, what up? Tālofa lava, o lo'u igoa o Estella. My pronouns are she/her/hers, sis, uso.   Gabriel Tanglao: [00:02:53] What's good, family? This is Gabriel, kumusta? Pronouns he/him.   Estella Owoimaha-Church: [00:02:56] Tavae Samuelu is the daughter of a pastor from Leo Lumoenga and a nurse from Salemoa in Samoa as the executive director of Empowering Pacific Islander Communities, she's a passionate advocate for Pacific Islanders and is committed to liberation for all. Tavae was born, raised, and currently resides on Tongva territory. She credits her time on unceded Ohlone land for her political consciousness. During the pandemic, she has learned that her most important title is Auntie Vae. I had the pleasure of meeting Tavae at the Asian Pacific American Labor Alliance Conference in Vegas a couple of years ago when I sat in on her workshop related to organizing Pacific Islander communities. It was, and I'm sure I've told her this by now, one of the first times in my life I have ever felt seen as a Samoan woman. Uso, thank you so much for joining us today. Please go ahead and take a few minutes to further introduce yourself to our listeners.   Tavae Samuelu: [00:03:57] Thank you, Stella. I've heard you say that before and it always makes me tear up [laughs]. That's also probably the most rewarding aspect of this job, of this community work, to be able to hear from people that they feel seen and validated. By, you know, by what we do and what, by what we put out there in the world. As I said, you know, currently residing on Tongva territory, what is momentarily known as Long Beach, California, until we get this land back to who it rightfully belongs to. You know I'm really clear and really intentional in this pro indigenous approach of naming the original stewards of this land because it's important to me that we know who to return the land to when this empire falls and that we're really clear, right? Not to just be in solidarity as a performative aspect, but naming our indigenous siblings who continue to exist, who are incredibly resilient and are still the experts on the best way to take care of this land and each other and how to be good relatives.   Estella Owoimaha-Church: [00:05:13] She said, “when the empire fall,” I went [laughs].   Gabriel Tanglao: [00:05:16] When the empire, when the empire falls. When…so.   Tavae Samuelu: [00:05:19] I mean, let me credit to Dakota Camacho, who taught me to say “momentarily known as” I was like, yeah, that is a manifestation, if ever. I like that. I'm gonna, I'm gonna borrow that. Let me also cite Dakota Camacho for that.   Gabriel Tanglao: [00:05:33] Tavae I would love to know just a little more about your backstory. What brought you to this work in particular, organizing in the Pacific Island community and spaces.   Tavae Samuelu: [00:05:43] My path was circuitous. I think there are a couple of milestones that are important to be explicit about. I've been Pacific Islander my entire life, right? Whatever that means to be born into racism and understand that race is a social construct. And so what it means to be Pacific Islander has also changed every single moment of my life. I would say that the way that I language and articulate my Pacific Islander identity most definitely needs to be credited to black feminist thought and that despite being Pacific Islander my entire life [laughs], it wasn't really until, you know, I was an undergrad at Cal and an ethnic studies major and introduced to Audre Lorde and bell H=hooks and Angela Davis and especially Kimberlé Crenshaw, right? The person who so often is not credited enough for coining intersectionality. But I want to be really clear, I didn't understand Pacific Islander until I got language from these black feminist thought leaders. Folks who were so so brilliant about naming what it means to walk around in a world that is both racist and sexist. And then, through an ethnic studies class that was on time on American History, right? I'm a first year Cal and it also meant I went kindergarten through 12th grade not hearing a single thing about Samoans. And had to get to my freshman year of college to see anything about us and having a lot of critical questions about why that is right. And everything leading to one thing or another. I was like, oh, well, there's not enough of us in higher education. So, well, why aren't there enough of us in higher education? I know. Brilliant smart, talented Pacific Islanders. So you start getting into like the systemic and institutional barriers around. So there was a lot of critical race theory consumption that happened for me really in gaining an elitist language for things that I experienced my entire life, right? And then after getting black feminist thought, then being able to read about Pacific Islanders through Epeli Hau'ofa and Sia Fiegel and Haunani Kay Trask and so many ancestors and elders who really blazed a trail around things, who became definite, and more recently, Teresia Teaiwa. So I say that, and there's also a piece of it where I would love to say that there was like this drive that came from this really positive place, but a lot of it was just anger. Like that initial phase of building your political consciousness where you wake up and realize how up is, oh, man like, what can I do? And then sort of moving throughout these other phases of political consciousness building where then I'm like, oh, but there are ways that I participate in the systems that disenfranchise us, but also that internal work and still being there. And so even most of my organizing and like even professional career has actually been in multicultural spaces outside of the Pacific Islander community. And it's really only with EPIC that I've been able to deeply engage in that. And the irony of being called Palangi or the Samoan word for white my entire life and then never feeling Pacific Islander enough and now being charged as the leader of a national Pacific Islander organization that is frequently asked to define PI, so, you know, that is the irony of the universe for me.   Estella Owoimaha-Church: [00:09:07] There was so much, so much there. Our listeners cannot hear me like banging on the table and snapping and, but, again, you are another guest who has affirmed the absolute importance of ethnic studies in our education, in our process, and you are another guest who has affirmed the absolute necessity of black feminist thought, like in all of our upbringing and conscious awareness rising. And like maybe there's a case study here in season one [laughs] that's formulating on how we became the educators and organizers that we are. Gabriel, you were a social studies classroom teacher, and then moved into taking on union labor work like heavily, what was some of your motivation or inspiration to make the move from the classroom and step heavy into union labor organizing?   Gabriel Tanglao: [00:10:16] If I'm keeping it 100 percent real, I didn't want to leave the classroom. I loved the classroom. I still love the classroom. It was the foundation of just my passion in specifically the Bergenfield community, which we've talked about in the past episodes has a larger Filipino population. So not only was education, just a pathway to be able to help uplift, engage my people, young folks in my community. But the union organizing space in Bergenfield was also formative in allowing me to engage on a broader scale. So that said, when making the transition out of the classroom, which was a difficult decision, to step into the union organizing space on a statewide level, it was really just with the possibility of being able to support educators on a larger scale and have a broader impact and specifically in my role in professional development, I consider this the only type of full time union work that I would leave the classroom for because it's the closest to the classroom. And in professional development, I think there's this old school perception on PD that's really sit and receive canned PowerPoints. And I feel like this conversation around organizing, there's actually a really fascinating exploration between facilitation, education, and organizing. They all pull from the similar skill sets, right? Sharing resources, bringing people together in shared learning, collective understanding, trying to figure out how the collective wisdom can allow us to just transform the community spaces, the up society in which we live. All of the things, Tavae set it off so we can do that she established some new rules. But to keep it relatively brief, I would say the professional development role and the opportunity to organize on a larger scale is the only reason that I considered leaving the classroom.   Estella Owoimaha-Church: [00:12:30] I know you, you touched on this already, but I'll go ahead and ask it and I'll ask both of you and I'll toss it to Tavae first. In what ways does your culture and your identity inform the work or vice versa?   Tavae Samuelu: [00:12:46] I think that it always has. There was a point at which I thought I needed to come to EPIC and sometimes that's still true. That I needed to come to EPIC in order to give primacy to my Pacific Islander identity, I had spoken earlier about most of my professional career and even like, as a student organizing was done in multicultural spaces that were, you know, in, in this sort of umbrella way identified as black and brown. But they weren't spaces where I was PI, I was like, you know, most often a woman of color, more broadly, a person of color, but there was never really an understanding of Pacific Islander. Whether people knew it or not, everything I was doing was in a very Pacific Islander way. From the way I speak to things that people would have identified as very humble. I was like, oh, that's just how PIs do it, right? That there's a protocol to things. The deference to elders, the, I love my best friends says, all I do is quote people [laughs]. But there's this part to me where it's like, everybody quotes people I just cite my sources. But there's a part to it too where even citing your sources is very Pacific Islander in that you are naming the genealogy of something, of a thought, of a practice, of a story, right? That you are always going back to the roots of where you came from and that conclusion. And also like a lot of ways where things that I was recognized for was in storytelling. It's like, oh, that's a really good. And folks not realizing like, oh, that's, that comes from me being Pacific Islander. Like that comes from me being Samoan. Not in spite of, but because of it. And so now there's a lot of ways where the work is defining Pacific Islander. And this other really interesting piece that EPIC does leadership development. That means we work with a lot of young people and the vast majority of our young people are second, third, fourth generation, right? Fairly removed from their indigeneity. And because of that, growing up in diaspora, in particular, growing up in the U. S., that there's always this thirst for Pacific Islander culture, and that's what they come to us for but also this notion and kind of this living conversation about what is PI, right? And that we ask them, and then many of them not feeling Pacific Islander enough, like that being the through line. But when you ask, like, what is Pacific Islander, is advocacy Pacific Islander, is education Pacific Islander? And oftentimes hearing from them, really troubling narratives that they've internalized about what PI is, and then having to untether and tease out, like, where did you get that from? Where did that story come from? Did it come from PIs? Very often, not, right? That, that what it means to have to constantly interrogate the ways that white supremacy controls how you understand yourself, controls your story, right? And so, you know, what does it mean that to our young people, that being PI means automatically and inherently means being part of the military, because that's what it means to be a warrior culture. Or that being PI is playing football or that being like that many of the narratives that they had taken to be factual were also grounded in the consumption of their bodies and wanting to trouble that notion. Right? And then also empower them to participate in the creation of a new narrative. So we sort of sit at this place where our work is to both remember culture, spread that remembering, and also watch it evolve and empower our young people to participate in that evolution and feel ownership of it.   Gabriel Tanglao: [00:17:05] I'm just gonna have a real moment right now on this episode and just say I wish I had a rewind button right now just to run that back because I'm trying to process some of the knowledge you just dropped and thinking about the ways that our culture and identity inform the ways we show up in spaces, specifically the ways that our perception is grounded through the lens of white supremacy culture and the consumption of our bodies is the way that you framed it, but how do we transform those narratives to be grounded in our own indigenous authentic cultural lens. So just Tavae, thank you for jumping in there. I was thinking about this question in what ways does my culture and identity inform my work? And I'm going to keep it real with you that I'm still exploring that right now. I recognize that the knowledge of self, the knowledge of Filipino history is something that I am becoming more familiar with and drawing more connections with in my adult life. Of course, being Filipino, having the cultural roots be present in my life, but also being a first generation person in a predominantly white suburban area, assimilation is something that is very much the reality for first generation folks. It wasn't until college, it was an educator, a professor Osei, on the literature of African peoples that started to help spark that critical race consciousness and sent me down a journey to become more race conscious and explore that. So to respond in short, the cultural identity, I'm still exploring that now, but I will say this. that the more that I learn, the more connections that I'm starting to realize. Being that I'm now heavily involved in the union spaces, and that's been a big part of my journey recently, I've come to learn about the farm workers and the Filipino organizers across Hawaii and the West Coast that have been pivotal in American history, labor organizing that I wasn't aware of. It was actually a moment of pride as I learned about that through APALA so APALA was one of the places where I was educated about this history and I'm realizing a lot of the connections that I'm making in my people, cultural roots.There's something there that I'm still unpacking right now, still exploring right now, and that's part of this Continental Shifts podcast. It's a real time exploration of how our culture and identity inform the ways we show up now. So that's, that's how I think about it in this moment.   Tavae Samuelu: [00:19:56] I love that and I think even as you were saying that what comes up for me is a lot of stuff too. That's also what's unique about EPIC is because I know our young people everywhere else they go will tell them that culture is a deficit. Right. It's the thing that you need to put away in order to succeed. And that we're also really clear of like, well, we are asking them to define success. It's not about aspiring to whiteness. Right. That I'm not trying to replace American exceptionalism with PI exceptionalism. And this other piece around culture is like, culture is not a costume. But it's most definitely a uniform for me, right? Like that when I go to the Capitol, if I'm lobbying in Sacramento, if I'm in D. C., I'm wearing my mom's fulakasi so that everybody can see, right? So to bring her with me as like a physical reminder. But also so my people see me there, right? Like a pulakasi, you wear it for ceremony. You also wear it to do faius or work when you're in service, right? So if I'm wearing a pulakasi, you know that I'm there for teltua. You know that I'm there to be in service, and that signaling to our young people, and then like the ceremony part of it, right? There's a sacredness to it. So if I'm in it, you also know, like, that you know what I'm there for. You know I'm about that business if we're, if we're in it. And you know, it tells other people, like, yo, this is how much we belong in the capital that I didn't put on, you know, I didn't put on some pantsuit or a blazer or whatever the case so that white people will recognize me. I put on a fulakasi so you all could see me. Right? And I think, and I've talked to this to a couple of folks about it, right? Like when Toni Morrison talks about Invisible Man and asked this question of like invisible to who? Like, what do I care if whiteness sees me? Like, the first time white people saw us, they decided, like, we were savage and they needed to take our land from us. It's actually not safe for white people to see me. Like, I just need our folks to see each other, right? And this other piece too, around narratives and story and culture, right? Like, that's the importance of APALA, of EPIC, of, of Ethnic Studies, is like, it'll give you the stories white supremacy never wanted you to know about yourself, right? That, like, white supremacy will tell people about the Aloha spirit, and that, like, Kanaka are just so grateful for tourism to have you on their land. It's like, yo, my favorite stories about Native Hawaiians are when they killed Captain Cook, cause that just like stepped out of line and tried to take too much right.   Like, those are my favorite stories. And so, you know, they'll tell you about us being warriors to recruit our young people for empire, like, yo, if you're gonna talk about words, talk about the Polynesian Panthers who stood toe to toe, inspired by the Black Panther Party to surveil the cops who were harassing, deporting and doing all of this up to our community. Or like tell the stories about our healers, right? Big Pharma will copyright things that we've been using to treat and heal our people for years so that it's not accessible on our lands. Like those are the stories where I'm just like, yo, I need all of our folks to know more of this. And I think even to that note Estella and I got to, after that APALA workshop got to reconnect through LE GaFa. And LE GaFa is also really important, like all of these language revitalization programs that are coming up, because even in a Fa'a Samoa or like a Samoan context, the three pillars of identity are land, family, and language, right? And so many of our young people come to us, you know, if you're in diaspora, that means you, you're divorced from your land. Many have lost language and then family is complicated. Family is real complicated [laughs]. And so how did we also become that space of redefining Samoa?   Estella Owoimaha-Church: [00:23:36] Oh, sis. So much has been said, but when you were speaking earlier, I thought back to how I felt when I first met you. And for the first time I was seen by my sister. You know what I mean? Like, I have never been in space with other Samoan women and felt at home until then. And then in thinking about LE GaFa and why I chose to take the class at 30, trying to learn a language is hard at 30, trying to learn Samoan at 30 oof! It is one of the biggest challenges I've ever accepted in my life. But every time we are in class, things just feel like they were already in my bones. And I didn't have a name for it or I didn't know what it was. So folks are always telling me, Stella, you're a storyteller. And you know, obviously I'm a theater major. Ended up in storytelling. And it's definitely a part of my practice as an educator. But like, now I know, well, that was in my bones, that is my lineage, that's my heritage, that's my ancestry. From both sides, you know, you know what I mean? I'm Nigerian and Samoan, I get it strong from both sides of who I am. I just love holding on to that thought that all of these things that someone tried to rip away from me, tell me was not okay, they couldn't because it is deeply innate. It is literally in… in me and it cannot be taken. And so my journey throughout my life to it was just that. It was something that was misplaced and I just had to find it again and I'm happy that I am there and to what Gabriel said earlier, that was definitely a reason why we chose to start this podcast because I can see it on my social media feeds, that there is a thirst, especially among young Samoans, to find out more about what's going on, I now have so many, oh, Samoan daily words and Samoan proverb, you know what I mean? Like so many folks I'm following and people are also trying to learn the language, I'm meeting and making connection with random Samoan artists on Instagram who now are in the LE GaFa class. And like everyone is now connected through social media. Because all of us, like you said, we are living in diaspora and those three parts of ourselves, we are now having to find. They're misplaced and we're in search of them and are lucky and blessed to be able to find each other so that we can rediscover those pieces of ourselves.   Gabriel Tanglao: [00:26:09] Tavae, when you were talking about the different stories that aren't told that should be told, you got me thinking about Lapu Lapu in the Philippine Islands, the chieftain that defeated, Magellan and stemmed off the first wave of colonizers coming through to the Philippines. I didn't learn about that in my, in my fourth grade class when I had to do a history research project. I learned about Magellan discovering the Philippine islands and that's not the story. Tell me the story about Gabriela Silang and all of the Filipino revolutionaries. So I was feeling what you were saying earlier. And also, with the deficit narratives that are placed on us, Dr. Tara Yasso, who introduced the Community Cultural Wealth Framework, the idea to challenge the dominant culture's narrative, the deficit thinking around us, and recognize the value-based, asset-based, capital-based thinking of cultural wealth that we're bringing to spaces, that's real.   Swati Rayasam: [00:27:07] You are tuned in to APEX Express on 94.1 KPFA, 89.3 KPFB in Berkeley, 88.1 KFCF in Fresno and online at kpfa.org.   Gabriel Tanglao: [00:27:22] Tavae, I do have a question about your organizing work with EPIC. That's a dope name, by the way just got to shout that out. But what success have you and EPIC had in organizing across PI communities?   Tavae Samuelu: [00:27:37] Credit for the name goes to Ono Waifale. You know, so EPIC started in 2009 by a group of young Native Hawaiian and Pacific Islander leaders, mostly in higher ed, Ono, and a lot of it's sort of like the seeds of it planted, in the Pacific Islander leadership pipeline. So there's like a lot of hands that went into building it. Ono Waifale was one of the young people who went through that. And so the name EPIC comes from him. You know, something about the word success gives me trepidation. Like I have a thing about it, and maybe this is also me having a hard time just discerning between, humility and insecurity of like when you call something a success that people come and like want to hold you accountable to that. There are things that I feel good about, things that I feel proud about and. You know, it's my own recovering perfectionism that has me hesitant about it. That has me like, Oh, if I call that a success, there are so many things that I would have nitpicked about it, that I would done differently. You know, I'm always going to say the young people are my favorite part of this work of EPIC as an organization. On like that Huey P Newton, like, the revolution is always in the hands of young people. There's also a way that they are the best compass and litmus test, right? In that audacity that young people have of it could be better. And I'm just like, Oh, that's dope. Like, cause I think there's also a lot of ways where you know, I'm always an aspiring radical elder and trying to figure out how I can be that radical elder right now. But recognizing, a lot of the markers for adulthood and maturity are about sometimes, like, how much closer you get it to status quo, to like being more served by existing systems. And so there's a way in which I'm going to age out of this role. And I'm always looking for the young person who's going to take it on and keep up that mantle of demanding more, right. Of keeping us accountable to that. And so I think it's always the young people who are like over inspiring and also so brilliant and have so much heart around this and are such a good reminder because there's also ways in which they're closer to the problem because of their youth, right? And so because they're closer to the problem, they have more solutions and they're also a better way of vetting the viability of something that I might think is so great, but I'm doing all this grass top of what do I know if I'm spending all my time talking to funders and elected officials?   Like, I need the young people who tell me stories about I couldn't do homework because I had to do files for my mom and my grandma. And then I also had to take care of my little siblings and like, that's the kind of where I'm like, Oh, that's actually what should be dictating our policy agenda, right? Of like, how young people are thriving in this world, right? Because they're always going to be the marker of a healthy society, right? And that because they are part of that most vulnerable group, because they inherit so much . And then also the ways that we're developing young people into adult allies. Like, how are these young people also then looking at themselves of like, oh, let me be that, like, that OG that all the younger folks can come to as well. Like that they're preparing themselves also to take up the mantle and they feel good about it. Like that they feel ready and maybe if not ready, that they feel supported like, when they take that on, all the adults aren't going to disappear. And then there's also like a relativity to it, right? Like, in many spaces, I'm the youngest ED, or I'm the youngest “leader” whatever that means. And so there's me kind of also feeling young in that way, but then sometimes I'm like, oh, I'm the adult in the room [laughs]. Lamenting that ugh I gotta be the grownup. So I think that piece too is a weird in between that, that I'm in, but like I I think those are the parts of EPIC that feel good. And I think this speaks to the API aspect of this episode and where we're going to be diving deeper in. It's always a success to me when I've got more accomplices and allies for the Pacific Islander community. Right. When I have more people beyond PI's that are asking about us, that are fighting for us. Right. And that's a solidarity and then, you know, this is also an inspiration and something I like feel good about the direction that we're moving in is being really explicit about our organization being pro black and pro Indigenous and anti racist. Not because it's trending, because Imma be in this, [laughs] like even after it stops trending, but because it also signals to folks that we're a safe place to land. That if we say it out loud, you can hold us accountable to it, but you also know that you can come here and talk about and go there with us.   Estella Owoimaha-Church: [00:32:48] What you said about young people, I think, is my favorite part about being a classroom teacher. It is, I think, exactly for that reason. And I can sit and sit and lesson plan, lesson plan, lesson plan, get to class, and kids are like, nah. Now you, that's corny. You thought it was, you thought it was great, but Miss, let me tell you, but then I love that they feel absolutely comfortable telling me that it's not as dope as I thought it was [laughs]. And then we, you know, I just let them take over the lesson at that point. What are the critical issues that you foresee us needing to mobilize around? Maybe it's right now or in the immediate future.   Gabriel Tanglao: [00:33:28] Yeah, I guess what's present for me based on this conversation has me thinking about education, thinking about the stories and the narratives that are out there, and thinking about decolonizing curriculum as a primary frontline issue, but I actually need to shout out Kai, who was one of our guests, that decolonizing curriculum, if we flip that framing to indigenizing curriculum, is perhaps a better approach in terms of how we are more historically and culturally responsive in our approach. Why is that important? I think it's important to mobilize because I'm starting to recognize that the narratives that are being shared throughout public education in this country really do have a major impact on perpetuating white supremacy culture and continuing the violence that we're seeing. So, the obvious physical violence, but the forms of emotional violence and trauma that are just part of the mythology of the ways this nation state perpetuates white supremacy, patriarchal culture, capitalist system at large. So, I feel like part of my educator roots always calls me to that. But I think because Tavae and Estella, you're making sure we're grounded in understanding the youth perspectives that's present on my right now as a critical issue. And that's also going to be now and forever, perhaps, right? Oh wait, no, actually, Tavae, I'm gonna take some learning from what you shared at the beginning. The empire, when it falls, right? We're preparing for when it falls. So I'll just, I'll leave it there.   Estella Owoimaha-Church: [00:35:17] I think right now, like, educators across the nation, an immediate charge is to pass ethnic, like, ethnic studies has to be it everywhere, across the board, preschool to 14, like, mandatory, we've got to make sure that ethnic studies, um, so whatever state association across all of our unions. When ethnic studies ends up on your legislative body on the floor, yes on ethnic studies and push it and make sure that, it is what it's supposed to be and not some watered down, BS where you've taken out words like anti blackness and white supremacy. Let's make sure that. Every child has access to that, and it is what it's supposed to be because, like you said, I'm not trying to hear about Magellan discovering some he didn't discover in the first place. I'm trying to learn my whole truth, and it'd be great if I could get it, you know, starting at preschool instead of having to go, like Tavae put it earlier, I had to get that elite language in order to name the stuff. Like, I shouldn't have to go all the way to Graduate school, undergrad to figure out who the hell I am and then do something with that. So ethnic studies, I think, is the thing that needs to happen like right now.   Tavae Samuelu: [00:36:43] Well, I guess I'm also thinking about this ethnic studies piece too, because I fully support it and I know there's like a save PI studies coalition full of brilliant, like PI educators, also like very much Manawahine which folks should definitely follow. I think there's this piece too, where if you're going to mandate ethnic studies, I also need a pipeline for teachers of color and not just a pipeline, but Right, to support and retain teachers of color. Because there's this concern that I have too of what does it mean that most teachers are white? Like that's the other part, right? I was like, oh, white people are, I've never met a white person who teaches ethnic studies well. Never. I don't even know if it's possible, but you'd have to break yourself to do that, right? And also to think back of, like, the origins of ethnic studies in the 1969, the Third World Liberation Front. What it was created to respond to, the fact that it was also meant to be a college, not a department of, what does it mean to do ethnic studies in biology, right? Like, what does it mean to do ethnic studies as a lens through which we observe everything, right? Because if you have ethnic studies, you actually don't need US history anymore. Like, if you have ethnic studies, you don't need European history anymore, because ethnic studies is all of that, right? It's all of that. It also, you know, I agree, Ethnic studies it taught me a set of values and a way to look at the world and not just stories, right? It made me question all the things of like, what is essentially like the propaganda that our young people receive in formal education spaces [laughs]. And so I say this too, of like, yes, absolutely, all of that, it should be accessible, it should be invested in, it should be from us, there should be a naming of the fact that the US and education systems are, traditional education systems are invested in and fans of revisionist white supremacist history and that there's simultaneous campaigns that need to happen. And I defer to you all in your expertise and brilliance as educators. Right.   Every issue is a critical issue right now. Everything. You know, especially like COVID-19 and Pacific Islanders, I think in the context of this episode, in this podcast, this conversation, I'm at an impasse with Asian Pacific Islander or API, the terminology as an aggregate has been around since, you know, 1970s ish, and for me, because it's been around that long, it means that, API spaces and organizations have had since the 1970s to figure it out. So we're in 2021 right now and I'm having conversations with folks about what about PI and like there's a request for patience that just frankly is not fair. There's also just, like, this dynamic that doesn't get investigated. So when I talk about being at an impasse, it's that PIs already don't do API, that data disaggregation is actually just a request for data to catch up to the ways we already organize ourselves as communities API is a false promise and a site of erasure for many communities, not just Pacific Islanders, right? That Southeast Asian, South Asians, Filipinos as well get erased in these things, right? That even under API, we were still actually just being held responsible for a majority East Asian representation. And that it doesn't investigate the inequitable dynamic that exists between and AA and PI so this impasse is that the work that we do in advocacy is in recognition of the fact that power and resources are still distributed and disseminated through API. So we have a critical conversation to have as a community because PIs are already not using PI, and it's actually Asian Americans that use API and that it doesn't feel very good, these accountability conversations of calling folks in of like, how can we be good relatives? How can we talk about, because there's also like, you know, Asian American spaces aren't talking about colonization, like the PI as a colonized people, all the forms of racism that we experience being facilitated through that means, and, you know, if we're real, that some of our PI nations are colonized by Asian Americans, like not American, but like Asian nations, right? That there's like some healing that needs to happen. And so this, I don't know that it's a critical issue so much as like a critical conversation that needs to occur in our communities that is inclusive of PIs. Cause I also know I come across folks who are like, I say API cause I was taught that that was inclusive. And I was like, I bet you a PI didn't tell you that. So, yeah, you know, I think about that in the context of this episode, but there's this other piece too of like, You know, my family and I had COVID back in August, and so that was its own, I don't know that I say wake up call, because I, like, what's the humble way to say, like, I've been awake? It was asking this question of, like, what facilitated our survival, right? And a lot of actually what came to me was around labor. Was around union organizing and those wins of like we survived because I got a livable wage. I have paid sick leave I have like health insurance I have all of these things that I'm really clear were won by unions were made possible by labor and they're treated as privileges right or even like speaking English Like, all of these things that I was just like sitting with, like, oh, those are actually now shaping our demands of how we are going to move our advocacy work, or, you know, that we're housed, all of these things where I was like, oh, these are actually, there's not one critical issue, because the insidious nature of racism and poverty is that it could manifest itself in so many ways in our community that lead to premature death, and in that, like, Ruthie Wilson Gilmore way where she defines racism as the set of systems that lead to premature death. So that being like, oh, those are all the critical issues for me.   Estella Owoimaha-Church: [00:43:12] We need to, we, we're going to have to like come up with a syllabus for this episode, like to drop this [laughs] episode next week that has everyone cited all the articles and all the things listed so that we can like, yeah, I'm disseminating a syllabus with this episode. And I think that you were, you were right in that. First of all the disaggregation of data is something that is a theme that has come up on nearly every episode too in this podcast. It was another reason why, when Gabriel and I met, that was one of the first conversations we had because I have been very vocal in our caucus that there is some healing and reconciliation needs to happen. There is a reckoning that needs to happen. We need to deal with the anti blackness and et cetera, et cetera. In our caucus, right? And the fact that this caucus is meant to represent too many dang people and you try to squeeze us all together and make, like, all of our issues one issue, and it just does not work like that for all of the reasons that you said, but it doesn't mean you said, how can we be good relatives? It doesn't mean that moving forward, we can't be good relatives and figure this out. I think you're right. We've got to stop and have the conversation, before we can really move forward. And it's probably gonna be a long conversation. It's going to be a long conversation and one that happens continuously and in various spaces, but it definitely needs to happen moving forward aside from what you've already shared with us, what do you think it will take to increase the visibility of our communities and mobilize PI people around some of the critical issues that you've already talked about.   Gabriel Tanglao: [00:45:08] So Estella, your question has me thinking, and the energy from this episode in particular has me fired up, if I'm keeping it real, that if we're talking about visibility for our communities, obviously organizing is at the core of that, making sure that we lift up and create spaces for our people to come together and discover that collective wisdom within our own respective communities. But the fire that you all lit right now has me thinking that just being unapologetically and fearlessly courageous in the face of white supremacy culture within our own spaces, whether that's in the organizations, institutions, businesses, all of the places that we exist. I'm recognizing actually in this moment that one of the things that Tavae said earlier about not being seen by white supremacy institutions is actually safer, which is also very true in the way that things manifest. But what I'm feeling right now is increasing visibility. We're in a moment where, we're in this moment where our ancestors have prepared us to do battle in the ways that we are in our generation to try to disrupt the colonizers in our own respective ways. So those are my thoughts.   Tavae Samuelu: [00:46:34] Well, you know, I think the part of your question that I'm grappling with is this visibility piece, right? Because there are a lot of ways where I feel like our community is actually hyper visible, right? Like we've got The Rock, we've got Jason Momoa, we've got like all of these like really visible figures in our community who are also like very loud about our culture. And so there's this piece where I sit with is it that we need to be visible or is it like in this, man, I don't want to cite Chimamanda Adichie because she's like super TERFsy uh, and she had this Ted talk about like the danger of a single story and that actually, what, what troubles our visibility is the community is the singularity of our story here in the US, how there's like one thing that people get to know about. And I think, and maybe it's better to think about Stuart Hall and how he talks about there's no such thing as good or bad representation, because good and bad is constantly changing, right? Even the word bad in some contexts means good. In that sense, that actually what you're looking for as a community is a multitude of representation so that nothing becomes the single story of your visibility. Of how you're seen and understood, right? That that's also like, what white supremacy gets that white people get to be poor and wealthy. They get to be teachers and doctors and criminals, right? And even when they're criminal, we make it Godfather and like, glorify that criminality and so I think that's the part of our community is of wanting that to of, like, how do we get to see ourselves everywhere so that there isn't a limitation around how we mobilize. I also think, and I think this is always the conversation around representation of, like, how do I feel represented? Like you know, I never felt, Tulsi Gabbard is a Samoan woman, and I never felt represented by her like, that's not my people. And so, even that representation piece of, and I've stated this before, of like, yo, if it's not pro Black and pro Indigenous and anti racist, it doesn't represent me. Like, those are not my people.   Like, I'm not throwing down with people who aren't trying to get free. And so if I'm thinking about representation to invisibility, like I want our folks to be exposed and see as many examples of freedom as possible. That the other thing about young people and like language and all this stuff is young people already, really anyone like has a sense of what is not fair or doesn't feel right. That our young people actually, and many of us as marginalized communities, are experts in oppression. Like, you don't need to teach us what up looks like, because we've experienced it our whole lives. And so what does it mean to develop and invest in and build a whole pipeline and lineage of folks who are experts in liberation, who have so deeply exercised that muscle that they don't know anything else, that they only know how to be free. Like, I think that's the part where I'm thinking about, like, that's the kind of visibility I want to see. That's the kind of that I hope that our young people, that I, like, not just our young people, that I also need. And that I also am seeking so much, especially during this pandemic and always as somebody who struggles with anxiety and depression is, you know, on that Miriam Kaba, like hope is a discipline. I am internalizing more and more what that means. You to have to exercise hope as a discipline, as a muscle that needs to grow. I mean, I'll share this with you all, like, thank you Stella for saying happy birthday. It is, just probably one of the most difficult birthdays I've ever had. It is hard to age during a pandemic. In particular, like, because it's so macabre right now. But also because I've been wading through a lot of survivor's guilt. For the last couple of months, I'm just kind of like wondering why other people didn't make it and I did and so I have like a systemic analysis of all the privileges that kept me alive, but I'm still sitting here feeling guilty about making it or about surviving COVID thus far. And then sitting on a birthday, then having, like, every wish just felt really warm, but also sharp. And having to, like, say thank you to every single one to, like, exercise a muscle of gratitude. Like, try to replace some of that guilt with gratitude. But all that to say that I think this is also the direction that EPIC is going in, that like, when I think about these critical issues that it's like translating this thought experiment into tangible action around stuff. I'm sorry, I turned it off, I just completely lost you all.   Estella Owoimaha-Church: [00:51:53] No, I'm, I am with you, I was, y'all, like, I'm. dizzy from just shaking my head. Yes, I legit got lightheaded a second ago. Like, I was just shaking my head. What you just said, I was just like, isn't that the dream? Like, isn't that what we were supposed to be fighting for all those years ago and still today? A whole generation of people who don't know what it is to experience oppression. Like, that's the dream. Like, that's the dream. That, that is what we want and so what you were saying about visibility, you know, I'm, I constantly am struggling, like, with, I think, yeah, The Rock is there, but like, he's a wrestler, he's a movie star, you know what I mean? Like, it's always that same story. And while I appreciate him, I do, because being Black and being someone I always felt like a damn unicorn and The Rock was the only one who was there, who existed other than me and my brothers. And so I do appreciate him and the other celebrities or stars that we have to look to. But like you said, I want where we get to be. Any and everything and all of those things all at the same time.   Gabriel Tanglao: [00:53:19] I'm not sure if this makes it to the episode, but I have to express my gratitude for you just coming through and blazing this whole conversation. And really, I feel like there's just so much that I can't wait to. process and think through. I feel like the impact in this conversation alone is just gonna reverberate not only in my experience, but also our listeners that are tuning in. So Tavae, thank you so much.   Estella Owoimaha-Church: [00:53:47] Recovering perfectionist, that phrase. I'm walking away with it. Actually, it just posted something on like characteristics of white supremacy and the ways in which I was thinking about the ways in which as a theater educator, I have been guilty of perpetuating characteristics of white supremacy because it's so much a part of the way theater folk we do things. And so I was thinking like, but no wait, theater folk and artists, we also have the skills to dismantle white supremacy. It's also in the way that we do things so we do know better and when we know better we should do better so that recovering perfectionist is like in me and it also speaks to something that Gabriel has shared earlier about, you know, assimilation and being a first gen and that very typical immigrant story or child of immigrants like you're going to go to school get straight A's and essay like that show. And then your only options are doctor and lawyer. And don't come talk to me about anything else. So, you know, that that's definitely always been a part of. Me too, is it being in the diaspora and first gen American born, and always feeling like whatever I've done is not good enough. And, but then I'm like, but in whose eyes, whose eyes is it not good enough? And if it's in mine, then I need to sit with that and work past that. So recovering perfectionist, that's where I'm at.   Gabriel Tanglao: [00:55:14] My favorite line from today was aspiring radical elder. I'm holding on to that one. I was feeling that.   Estella Owoimaha-Church: [00:55:22] I wrote that one down too. Fa'a fatai te le lava. Thank you for listening.   Gabriel Tanglao: [00:55:28] Salamat. Thank you for listening.   Estella Owoimaha-Church: [00:55:29] We want to thank our special guest Tavae, one more time for rapping with us tonight. We really appreciate you.   Gabriel Tanglao: [00:55:36] Continental Shifts Podcast can be found on Podbean, Apple, Spotify, Google, and Stitcher.   Estella Owoimaha-Church: [00:55:43] Be sure to like and subscribe on YouTube for archived footage and grab some merch on our site.   Gabriel Tanglao: [00:55:48] Join our mailing list for updates at CONSHIFTSPodcast.com That's C O N S H I F T S podcast dot com. Follow us at con underscore shifts on all social media platforms.   Estella Owoimaha-Church: [00:56:06] Dope educators wayfinding the past, present, and future.   Gabriel Tanglao: [00:56:10] Keep rocking with us, fam. We're gonna make continental shifts through dialogue, with love, and together.   Estella Owoimaha-Church: [00:56:16] Fa'afetai. Thanks again. Deuces.   Gabriel Tanglao: [00:56:19] Peace. One love.   Swati Rayasam: [00:56:20] Thanks so much for tuning into apex express and an extra special thank you to Gabe and Estella for allowing us to feature your incredible podcast. Like I said at the top, you can find other episodes of the ConShifts podcast on our site at kpfa dot org backslash programs, backslash apex express. Or even better, you can go to the ConShifts site to listen on Podbean or wherever podcasts can be found. And make sure to follow them to keep up with where they go next. Please check out our website, kpfa.org/program/apexexpress to find out more about the show tonight and to find out how you can take direct action. We think all of you listeners out there keep resisting, keep organizing, keep creating and sharing your visions with the world. Your voices are important. Apex Express is produced by Miko Lee, along with Paige Chung, Jalena Keene-Lee, Preeti Mangala Shekar, Anuj Vaida, Kiki Rivera, Nate Tan, Hien Nguyen, Cheryl Truong, and me, Swati Rayasam. Thank you so much to the team at KPFA for their support and have a great night. The post APEX Express – 8.1.24 – Continental Shifts Organizing & More appeared first on KPFA.

Interested in the future of A.I. and virtual influencers? Japanese icon Imma, known for her pink bob and fashion collabs was once named Forbes Poland Woman of the Year. Imma and "manager" Sara discuss storytelling and celebrity.

Family vacation vs Baecation!! What's appropriate swim wear during a family vacation Jayda Cheaves Responds After Social Media Criticizes Her For Being Partially Nude Around Her Son Loyal Kash Doll announced that she's single: “And IDGAF about yall saying I have two kids by him now I'm just a baby momma blah blah blah” Brittney Griner corrects interviewer who referred to her as a mom: “Pops” Fan got snatched up by security after trying to have a conversation with Angel Reese “I paid $1,200 for these seats” Joe Biden officially drops out of the 2024 presidential race Microsoft Systems ‘Update' Causes Worldwide Disruptions At Airports, Banks, Hospitals & More Tik Tok Star Mrs. Netta Facing Backlash After Claiming She'd Rather Be A White Woman Than A Black Woman: ‘They More Smarter, Y'all Act So D*mn Ignorant' Latto gets asked by Billboard if she would rap battle Ice Spice like Drake and Kendrick Lamar: “If I was to do [a battle], it would have to be with somebody I feel like Imma go tit for tat with. Odell Beckham Jr. Celebrates Victory Against Nike In $20 Million Lawsuit, Shoe Company Says It Doesn't Owe Him Anything JT Seemingly Shades Cardi B In Her New Track ‘Lemon Pepper': “These Rick Owens Boo, These Ain't Prison Pants…Use To Be The Sh*t Look At The B*tch Flopping Now.” JT Send A Message To GloRilla In Her New Track ‘Swang' & ‘Star Of The Show': “Now I'm Hated By A B*tch With A Man Voice…If It's Some Pressure You Better Swang When You See Me H*e.” GloRilla's “TGIF” is referenced by US Representative Ayanna Pressley to raise awareness on climate change: ScHoolboy Q Blames Toronto Concert Cancellation On Kendrick Lamar Association Amid Feud w/ Drake Republicans have been spotted wearing ear bandages in support of Donald Trump Joie Chavis Splits w/ NFL Star Trevon Diggs Before Arrival Of Baby Girl Cardi B went off on Joe Budden on Spaces today for "always talking sh*t" about her Joe Budden Promises To Never Speak On Cardi B Again After She Slams Him For Consistently Saying Negative Remarks About Her WARNING! A Chicago man is using dating apps to rob women at gunpoint. One woman invited him to her house.. & he stole her car. He's robbed 5 people so far. Lil Kim Fans Concerned For Rapper's Well-Being After She Seemingly Goes Public w/ Antonio Brown Relationship  Big Sean Denies Dissing Kendrick Lamar In New Freestyle: ‘I'm Talking To Da Haters A resurfaced interview clip of Tan DaGod speaking on killing her allegedly abusive ex has gone viral after she was shot and killed at the opening of her beauty supply store in Oakland. Mase claps back at J Prince Trump is now selling $299 Assassination Attempt Edition Sneakers. There will only be 5,000 sneakers available. Stephen Curry shares real feelings about Kendrick Lamar's Not Like Us - but LeBron James doesn't agree while pair are on Team USA duty On Thursday, Odell Beckham Jr. seemingly won his lawsuit against Nike.

How many of us feel an incongruence throughout liturgy, questioning if we really believe the prayers and psalms passing through our lips? On the ninth Sunday after Pentecost, Vanessa Maleare breathes life into our incongruencies around faith and life by inviting us to make space. [Matthew 14:13-21]   Reflection What space are you craving? What beliefs are you wrestling and contending with? What nourishment are you lacking and who might you ask for what you need?   Resources Book: A Faith of Many Rooms: Inhabiting a More Spacious Christianity by Debie Thomas Book: Still: Notes on a Mid-Faith Crisis by Lauren Winner Book: Feminist Prayers for My Daughter: Powerful Petitions for Every Stage of Her Life by Shannon K. Evans

BB is BACK! Again!!!! Better, LOUD and ready to laugh about the jacked up topics of this rotating ball we call Earth!!!

On this episode of Forks Down, Beau and Rick dive into the Mariners series against the San Diego Padres. Can the Mariners take a six game win streak into the All Star Break? Find out their thoughts on this edition of Forks Down - A Mariners Podcast. --- Support this podcast: https://podcasters.spotify.com/pod/show/forksdownpod/support

Imma eat it all. Yummy, yummy, yummy

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