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Aujourd'hui, Zohra Bitan, Charles Consigny et Antoine Diers débattent de l'actualité autour d'Alain Marschall et Olivier Truchot.
durée : 00:03:19 - L'événement ici Lorraine Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
Avec : Périco Légasse, journaliste. Élise Goldfarb, entrepreneure. Et Daniel Riolo, journaliste RMC. - Accompagnée de Charles Magnien et sa bande, Estelle Denis s'invite à la table des français pour traiter des sujets qui font leur quotidien. Société, conso, actualité, débats, coup de gueule, coups de cœurs… En simultané sur RMC Story.
Présenté comme l'avenir du travail, le télétravail séduit moins. Plébiscité pendant la pandémie pour sa flexibilité et la fin des trajets quotidiens, il révèle aussi ses revers : isolement, fatigue numérique, perte de cohésion. Résultat : de plus en plus d'entreprises réduisent les jours à distance ou rappellent leurs équipes au bureau, tandis que d'autres testent encore des formules hybrides. Avec : - Sophie Louey, sociologue et politiste, post-doctorante à la Chaire Transformation des Organisations et du Travail de Sciences Po Paris- Jean-Claude Delgènes, économiste spécialisé dans l'organisation du travail, directeur du cabinet TechnologiaRetrouvez tous nos contenus, articles et épisodes sur rcf.frSi vous avez apprécié cet épisode, participez à sa production en soutenant RCF.Vous pouvez également laisser un commentaire ou une note afin de nous aider à le faire rayonner sur la plateforme.Retrouvez d'autres contenus d'économie et société ci-dessous :Silence, on crie : https://audmns.com/jqOozgUOù va la vie ? La bioéthique en podcast : https://audmns.com/UuYCdISContre courant : https://audmns.com/swImDAMAu bonheur des herbes : https://audmns.com/XPVizmQSacré patrimoine : https://audmns.com/TNJhOETEnfin, n'hésitez pas à vous abonner pour ne manquer aucun nouvel épisode.À bientôt à l'écoute de RCF sur les ondes ou sur rcf.fr !Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
The Cinematography Podcast Episode 325: John Conroy, ASC, ISC For the Netflix six-part political thriller, Zero Day, cinematographer John Conroy, ASC, ISC worked with director Lesli Linka Glatter to create a visual style that felt grounded in reality. Their goal was to make the story, which follows a cyberterrorist attack, feel like it could happen tomorrow. This approach allowed them to focus on the human element and the psychological impact of the events rather than sensationalized drama or violence. John shot all six episodes of the series, a creative choice he found deeply rewarding, although he doesn't feel the need to always be the lead DP. “Ultimately, if you're lucky enough to be shooting, you should feel lucky enough that you're shooting,” he says. “Doing all six was really great because I felt that I could curate the whole look of the show by episode by episode. But if I was only going to do two episodes, I would have enjoyed it just as much.” The cohesive approach was important since they prepped the episodes over 10 weeks as three separate films. John and Glatter shotlisted scenes on weekends, deciding what images would create the most impact for beginnings, transitions and exits for each scene. He made notes in his script to track the desired look, light, and emotion for each scene. John says working with Robert De Niro was a pleasure. “It was one of the privileges of my career to shoot him. And he was very gracious and took notes and was very helpful with the camera crew and overall it was just like a really really good experience.” John found a subtle way to enhance De Niro's performance through lighting and camera tests. “People's faces look different when you light them from one side or the other,” he notes. “I found with Bob that when he was lit from his right hand side, that he looked more severe than when he was lit from the left hand side.” John used this technique in interrogation scenes to emphasize the character's increasing pressure and tension. For more emotional scenes, he lit De Niro from the left to convey a more nuanced and serious tone. Framing each shot was important to the story as well. John always shot De Niro's character, George Mullen, around high doorways and down long hallways, making him seem trapped and under increasing pressure. A key element of the show's look is John's use of single-source lighting, keeping things simple and uncomplicated as much as possible. But he encountered a challenge with the Zero Day Commission offices, whose walls consisted of several layers of glass. John collaborated closely with the set builders to plan his shots and manage the numerous reflections in the office sets. To prevent unwanted double reflections, they created custom black panels to black out panes of glass behind the camera. The lights were cued to dim as actors walked through a shot, controlling reflections. John's passion for cinematography began at an early age, inspired by his father, Jack Conroy, who was also a cinematographer. At just 12, John began loading 16mm film for his father on documentaries and commercials. He then worked as a focus puller until he decided to move into cinematography after working on The DaVinci Code. He and his father were able to work together on the TV series Broadchurch, with Jack shooting second unit. John's current work can be seen on Wednesday Season 2, the upcoming Dune: Prophecy Season 2, and the upcoming Fallout Season 2. Find John Conroy: Instagram: @jccine See Zero Day on Netflix. Sponsored by Hot Rod Cameras: https://hotrodcameras.com/ Sponsored by ARRI: https://www.arri.com/en The Cinematography Podcast website: www.camnoir.com YouTube: @TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Blue Sky: @thecinepod.bsky.social
Ecoutez RTL Soir avec Anne-Sophie Lapix du 11 septembre 2025.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
Nous sommes en 1552, située dans le Sussex de l'Ouest, en Angleterre. Cette année-là, le roi Édouard VI fonde l'école du Christ's Hospital. Un établissement public qui décide de faire porter une tenue commune aux orphelins et aux enfants défavorisés dont l'institution à la charge. Cette initiative vise, en réalité, à émanciper les enfants, par la scolarisation, en leur offrant des conditions égalitaires, y compris un uniforme simple, composé d'un long manteau, d'un short bleu, de chaussettes jaunes et d'un foulard blanc. Loin des codes vestimentaires élitistes des toges académiques, cet habit symbolise l'humilité et le respect du savoir, marquant l'inscription des enfants dans l'instruction au-delà de leur condition sociale. L'uniforme comme instrument de justice et de progrès est une idée qui sera défendue, deux siècles plus tard, par les gauches radicales. Son histoire est faite de flux et de reflux. Tombé en disgrâce après les guerres mondiales en Europe, il s'est généralisé ailleurs dans le monde, en Afrique, en Asie, en Amérique latine. Dans nos régions, son usage est, depuis quelques années, à nouveau, au centre des débats. Ses défenseurs y voient une réponse au désir d'ordre et de repères institutionnels face à l'affaiblissement des institutions et à la montée des affirmations identitaires. Ses pourfendeurs le perçoivent comme un vestige archaïque. Alors pour tenter de comprendre les uns et les autres, revenons aux origines de l'uniforme scolaire et à l'évolution de son usage. Avec nous : Jean-Claude Kaufmann, spécialiste de la vie quotidienne et pionnier de la microsociologie. « L'uniforme scolaire – Archaïsme ou modernité ? » ; Armand Colin. Sujets traités : L'uniforme, école, Édouard VI , institutions , évolution Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
Quand on fait un vœu devant notre gâteau d'anniversaire, en attendant les résultats du loto ou en ouvrant le mail faisant suite à notre dernier entretien d'embauche, il est coutume de croiser les doigts pour que la chance soit de notre côté et que nos envies se réalisent. Des origines lointaines D'ailleurs, parfois, on ne le fait même plus et on se contente de dire : “Je croise les doigts pour toi !” à nos amis. Mais cette vieille tradition à des origines plus lointaines que l'on ne pourrait le croire. En effet, le verbe “croiser” en lui-même vient du mot “croix” et signifiait à la base, “disposer deux choses en forme de croix”. Au Moyen-Age, on “croise” les doigts pour éloigner le Diable et émuler la fameuse formule “Vade Retro Satanas” ou “Arrière, Satan !”, prononcée lors d'un exorcisme par un prêtre, croix à la main. Croisait-on les doigts avant le Moyen-Age ? Et y a-t-il uniquement un rapport avec la religion ? Écoutez la suite de cet épisode de "Maintenant vous savez". Un podcast Bababam Originals, écrit et réalisé par Maële Diallo. À écouter aussi : Pourquoi le dragon est-il présent dans tant de cultures ? Qu'est-ce que la malédiction du pharaon ? Comment Jennifer Lopez a-t-elle participé à l'invention de Google Images ? Première diffusion : 17 novembre 2023 Retrouvez tous les épisodes de "Maintenant vous savez". Suivez Bababam sur Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices
With a PetaPixel Membership, not only can you support original PetaPixel reporting and in-depth reviews, but you can also remove ads from the website and gain access to some seriously great perks, too. Members get $15 off the Moment Store, 25% off the PetaPixel Merch Store, 5% off certified pre-owned gear from KEH, and now can download full-resolution RAW files and JPEGs from the latest cameras and lenses. Join today! It costs just $3 per month or $30 per year. This week on the PetaPixel podcast, the team discusses the Hasselblad X2D II 100C and the Ricoh GR IV. Two very different cameras, but both have their merits. But while the Hasselblad actually came down in price compared to its predecessor, the opposite is true of the GR IV. So, was it worth it?Check out PetaPixel Merch: store.petapixel.com/ We use Riverside to record The PetaPixel Podcast in our online recording studio.We hope you enjoy the podcast and we look forward to hearing what you think. If you like what you hear, please support us by subscribing, liking, commenting, and reviewing! Every week, the trio go over comments on YouTube and here on PetaPixel, but if you'd like to send a message for them to hear, you can do so through SpeakPipe.In This Episode00:00 - Intro12:30 - Abode is dead16:18 - Kodak says it has no plans to go out of business despite "substantial doubt" it can pay it debts.20:11- Yashica is trying again with a City 30021:42 - Arri is considering selling26:19 - Antigravity from Insta360 is an immersive drone with a unique controller29:58 - Canon got its camera placed in one of the world's most popular anime34:12 - Sigma announced two new lenses: a 12mm f/1.4 and a 200mm f/237:56 - Fujifilm will raise its prices again because of increased tariffs1:14:10 - What have you been up to?1:17:08 - Tech Support
Né en 2017, mort en 2024 ? Des premiers espoirs de changement démocratique à la dissolution, le macronisme touche peut-être aujourd'hui à sa fin. À travers 4 moments fondateurs des années de présidence d'Emmanuel Macron, La Loupe retrace l'histoire inédite de son mouvement politique. Un récit accompagné des analyses de Laureline Dupont, directrice adjointe de L'Express, et Eric Mandonnet, rédacteur en chef du service Politique. Retrouvez tous les détails de l'épisode ici et inscrivez-vous à notre newsletter. L'équipe : Écriture et présentation : Charlotte Baris Réalisation : Jules Krot Crédits : Public Sénat, BFMTV, INA, AFP, France Culture, France 2, LCI, Euronews, France Info, Elysée, Radio J Musique et habillage : Emmanuel Herschon / Studio Torrent Logo : Jérémy Cambour Pour nous écrire : laloupe@lexpress.fr Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
Fermeture de l’autoroute 40 : le MTQ savait depuis juin dernier qu’il y avait un trou. Cellulaires à l’école : les profs aussi doivent montrer l’exemple ! Rapport dévastateur de la VG : les rues de Montréal sont mal entretenues. SA AQclic : retour sur les déclarations d’hier et sur le potentiel témoignage de François Legault. Lil Nas X fait face à la justice pour s’être promené nu! Tour des résultats des premiers matchs du US Open. Tout savoir en quelques minutes avec Audrey Gagnon, Isabelle Perron et Mario Dumont. Regardez aussi cette discussion en vidéo via https://www.qub.ca/videos ou en vous abonnant à QUB télé : https://www.tvaplus.ca/qub ou sur la chaîne YouTube QUB https://www.youtube.com/@qub_radioPour de l'information concernant l'utilisation de vos données personnelles - https://omnystudio.com/policies/listener/fr
With a PetaPixel Membership, not only can you support original PetaPixel reporting and in-depth reviews, but you can also remove ads from the website and gain access to some seriously great perks, too. Members get $15 off the Moment Store, 25% off the PetaPixel Merch Store, 5% off certified pre-owned gear from KEH, and now can download full-resolution RAW files and JPEGs from the latest cameras and lenses. Join today! It costs just $3 per month or $30 per year. This week on the PetaPixel Podcast, the team is joined by Michael Specht and Isaac Reynolds, Pixel team Product Managers at Google who answer some tough questions about the new Google Pixel 10 smartphones and the philosophy behind the design decisions.Check out PetaPixel Merch: store.petapixel.com/ We use Riverside to record The PetaPixel Podcast in our online recording studio.We hope you enjoy the podcast and we look forward to hearing what you think. If you like what you hear, please support us by subscribing, liking, commenting, and reviewing! Every week, the trio go over comments on YouTube and here on PetaPixel, but if you'd like to send a message for them to hear, you can do so through SpeakPipe.In This Episode00:00 - Intro12:30 - Abode is dead16:18 - Kodak says it has no plans to go out of business despite "substantial doubt" it can pay it debts.20:11- Yashica is trying again with a City 30021:42 - Arri is considering selling26:19 - Antigravity from Insta360 is an immersive drone with a unique controller29:58 - Canon got its camera placed in one of the world's most popular anime34:12 - Sigma announced two new lenses: a 12mm f/1.4 and a 200mm f/237:56 - Fujifilm will raise its prices again because of increased tariffs1:14:10 - What have you been up to?1:17:08 - Tech Support
A 10h, ce jeudi 21 août 2025, les GG : Barbara Lefebvre, professeure d'histoire-géographie, Emmanuel de Villiers, chef d'entreprise, et Bruno Poncet, cheminot, débattent du sujet du jour : "80 km/h, 51 départements font marche arrière ?"
Deze hele week hoor je in de Nacht van BNNVARA Digitale Dwarsdenkers. Want in een wereld waar we steeds meer digitaliseren, is het tijd om even stil te staan om polshoogte te nemen. Deze week verdiepen we ons in de digitale dwarsdenkers op verschillende gebieden: van natuur tot journalistiek en filosofie tot muziek. Presentator Bemshi de Visser ontvangt muzikant, songwriter en belangenbehartiger voor artiesten: Arriën Molema. Arriën heeft een succesvolle carrière als gitarist van Room Eleven achter de rug, met uitverkochte (internationale) tours, gouden en platinum platen en diverse awards. Zijn focus ligt tegenwoordig, naast componeren, ook bij belangenbehartiging voor artiesten en songwriters.
We've upgraded our wireless lavs to the Rode Wireless Pro and go into depth about the features and timecode options based on our experience using them. Also, ARRI not only released an upgrade to the Alexa 35, but also might be exploring the idea of selling the company? Interesting… If you enjoy the show and want to contribute to our hosting costs, we'd welcome your support on Patreon. You can check it out here: https://www.patreon.com/cameragearpodcast Want to send us a question or comment, or just learn more about the show? Check out our website at https://cameragearpodcast.com, or email us directly at cameragearpodcast@gmail.com. Notes: OWC 512GB Atlas Pro CFExpress 4.0 Type B Card [B&H] ProGrade Digital CFExpress Type B USB 4.0 Single Slot Card Reader [B&H] Rode Wireless Pro [B&H] $55,000 Arri Alexa 35 Xtreme Brings Wild Speed to Cinematic Filmmaking [PetaPixel] ARRI Reportedly Exploring Sale: What This Could Mean for Filmmakers [Y.M. Cinema]
This episode starts with some fresh Monitor updates from ASUS and followed from the potential upcoming ban for DJI drones in the US as well as some troubling news from Kodak, alongside ARRI's rumored plans to sell their business. We also discuss our new poll, in which we ask whether you think this year has more or less job opportunities than before. Enjoy the conversation and join in! Chapters & Articles Mentioned in This Episode: (00:00) – Introduction (01:35) - ASUS ProArt PA32UCDM Monitor Review and Lab Test – Remarkable, Color-Accurate OLED Monitor for a Decent Price https://www.cined.com/asus-proart-pa32ucdm-monitor-review-amp-lab-test-a-remarkable-colour-accurate-oled-monitor-for-a-decent-price/ (13:35) - ASUS ProArt Display PA16USV Introduced – A Compact 4K Monitor Tailored for On-Set Professionals https://www.cined.com/asus-proart-display-pa16usv-introduced-a-compact-4k-monitor-tailored-for-on-set-professionals/ (17:32) - US DJI Drone Ban Looms, What Filmmakers Need to Know – A Deep Dive https://www.cined.com/us-dji-drone-ban-looms-what-filmmakers-need-to-know-a-deep-dive/ (28:36) - Kodak Faces the Fade-Out – Is This the Final Call? And ARRI is rumored to think about a sale - what does that mean? https://www.cined.com/kodak-faces-the-fade-out-is-this-the-final-call/ (41:34) - Poll: Are Film & TV Industry Job Opportunities Shrinking in 2025? https://www.cined.com/poll-are-film-tv-industry-job-opportunities-shrinking-in-2025/ (46:34) - CineD Best-of-Show Award at IBC 2025 – Submissions Now Open for Manufacturers https://www.cined.com/cined-best-of-show-award-at-ibc-2025-submissions-now-open-for-manufacturers/ (48:34) - DaVinci Resolve 20.1 Studio Update Adds Apple Vision Pro Workflow Support to macOS Version https://www.cined.com/davinci-resolve-20-1-studio-update-adds-apple-vision-pro-workflow-support-to-macos-version/ (52:18) - Prism Lens FX Launches New Phantom and Spectre Handheld Filters for In-Camera Effects https://www.cined.com/prism-lens-fx-launches-new-phantom-and-spectre-handheld-filters-for-in-camera-effects/ (54:57) - Tamron 18-300mm F/3.5-6.3 Coming to Nikon Z and Canon RF Mounts https://www.cined.com/tamron-18-300mm-f-3-5-6-3-coming-to-nikon-z-and-canon-rf-mounts/ (58:32) - Pelican TRVL Suitcases Review – Perfect for Traveling Filmmakers https://www.cined.com/pelican-trvl-suitcases-review-perfect-for-traveling-filmmakers/ (01:04:28) - LumaFusion 5.3 Opens Doors to Third-Party Plugins with New Architecture and CoreMelt Partnership https://www.cined.com/lumafusion-5-3-opens-doors-to-third-party-plugins-with-new-architecture-and-coremelt-partnership/ We hope you enjoyed this episode! You have feedback, comments, or suggestions? Write us at podcast@cined.com
ARRI still leads the pack when it comes to dynamic range in cameras — a fact confirmed once again by our CineD Lab Tests. That's why it's big news in the cine tech community when ARRI releases an upgrade to their flagship Alexa 35: the new Alexa 35 Xtreme. In this week's episode, we dive into all the key updates: what exactly is new, how the ARRI Core Codec is evolving, and what that means for filmmakers in practice. There's a lot to explore with this powerful new camera — so hit play and stay ahead of the curve in the world of cine tech. Chapters & Articles Mentioned in This Episode: (00:00) – Introduction (00:49) - ARRI ALEXA 35 Xtreme Unveiled – Up to 660fps and New ARRICORE Codec https://www.cined.com/arri-alexa-35-xtreme-unveiled-up-to-660fps-and-new-arricore-codec/ (35:06) - Poll: Camera Accessories – Which Brand is Your Favorite? https://www.cined.com/poll-camera-accessories-which-brand-is-your-favorite/ (39:41) - SWISS RIG srRAW 1.2 for iPhone Announced – CinemaDNG Internal Recording, More Resolutions, Tools and Supported iPhones https://www.cined.com/swiss-rig-srraw-1-2-for-iphone-announced-cinemadng-internal-recording-more-resolutions-tools-and-supported-iphones/ (46:22) - Strada Direct Camera-to-Editor File Transfer Tested – Eliminating Cloud Dependency for Remote Post-Production https://www.cined.com/strada-direct-camera-to-editor-file-transfer-tested-eliminating-cloud-dependency-for-remote-post-production/ (55:36) - NANLITE wand Introduced – A Lightweight, Versatile Lighting Solution for Creators https://www.cined.com/nanlite-wand-introduced-a-lightweight-versatile-lighting-solution-for-creators/ (59:04) - Tilta Full Camera Cage for DJI Osmo 360 Introduced https://www.cined.com/tilta-full-camera-cage-for-dji-osmo-360-introduced/ (01:01:25) - Tilta Wants You to Rig Your Mavic 4 Pro Drone as a Handheld Camera (Yes, Really) https://www.cined.com/tilta-wants-you-to-rig-your-mavic-4-pro-drone-as-a-handheld-camera-yes-really/ (01:03:16) - Sony RX1R III vs. the World – How Does It Stack Up? https://www.cined.com/sony-rx1r-iii-vs-the-world-how-it-compare/ (01:07:01) - Quick and Useful Tips on Working with a Green Screen – VFX Basics from Digby Hogan https://www.cined.com/quick-and-useful-tips-on-working-with-a-green-screen-vfx-basics-from-digby-hogan/ We hope you enjoyed this episode! You have feedback, comments, or suggestions? Write us at podcast@cined.com
In part 1 of 2 "ARRI" episodes, we have Product Manager Chase Hagen on to talk about the camera side of things at ARRI (and a whole lot more)!Enjoy!► F&R Online ► Support F&R► Watch on YouTube Produced by Kenny McMillan► Website ► Instagram
In the second part of our 2 "ARRI" episodes, we have Lens Specialist Art Adams on to talk about the lenses ARRI offers, but also about his work as a cameraman and cinematographer himself, sharing knowledge he's picked up over the years as he does so well as my colleague and fellow contributor at ProVideoCoalition.com!Enjoy!► F&R Online ► Support F&R► Watch on YouTube Produced by Kenny McMillan► Website ► Instagram
This week's episode brings some surprising news from a few major players in the camera world. First off: We unfortunately didn't receive the information about the ALEXA 35 Xtreme in time for recording of this podcast. If you want to learn about ARRI's new high-speed beast, check out our detailed article or tune in to next week's episode where we will dive into all the capabilities of their new cameras, and what it means for this industry. But what we are covering this week: Insta360 is branching out into the drone market with a new release under its Antigravity brand, while DJI is doing the opposite—launching its very first 360° camera. Naturally, we dive into these big shifts and what they could mean for the future of both companies. We also take a closer look at some of the latest reviews, including the BLAZAR Mantis and the lightning-fast new card reader from Angelbird. On top of that, Sony has quietly dropped a new camera that's sparked some discussion—and of course, there are some fresh updates in our AI corner that you won't want to miss. So as always, hit that play button and enjoy your weekly dose of cine tech news and insights. Chapters & Articles Mentioned in This Episode: (00:00) – Introduction 05:08 - Antigravity from Insta360 Takes Aim at DJI with Sub-249g 8K 360-Degree Drone https://www.cined.com/antigravity-from-insta360-takes-aim-at-dji-with-sub-249g-8k-360-degree-drone/ (15:27) - DJI Osmo 360 Link coming soon (24:28) - Sony FX2 Camera and BLAZAR Mantis 1.33x 35mm Anamorphic Lens Goes Daruma Dolls https://www.cined.com/sony-fx2-camera-and-blazar-mantis-1-33x-35mm-anamorphic-lens-goes-daruma-dolls/ (30:54) - Angbelbird Performance Reader CFexpress B Review (38:45) - Poll: What's Your Preferred Camera Brand in 2025 – and Will You Switch? https://www.cined.com/poll-whats-your-preferred-camera-brand-in-2025-and-will-you-switch/ (46:38) - Sony PXW-Z300 Announced – 1/2-Inch 4K 3-CMOS Camcorder with 17x Zoom, AI Features, and World-First Content Authentication https://www.cined.com/sony-pxw-z300-announced-1-2-inch-4k-3-cmos-camcorder-with-17x-zoom-ai-features-and-world-first-content-authentication/ (52:49) - Atomos Ninja TX Monitor-Recorder Introduced – Built-in C2C Connection, Brighter Display and More https://www.cined.com/atomos-ninja-tx-monitor-recorder-introduced-built-in-c2c-connection-brighter-display-and-more/ (59:06) - Roll Cam: How to Insult Every Camera Operator on Earth with One Tripod Having a Midlife Crisis on Kickstarter https://www.cined.com/roll-cam-how-to-insult-every-camera-operator-on-earth-with-one-tripod-having-a-midlife-crisis-on-kickstarter/ (01:03:11) - Runway Aleph: AI Edits Real Footage with Camera Angles, Object Removal, and Relighting https://www.cined.com/runway-aleph-ai-edits-real-footage-with-camera-angles-object-removal-and-relighting/ (01:07:41) - Netflix Used AI to Generate VFX Footage for “First Time” https://www.cined.com/netflix-used-ai-to-generate-vfx-footage-for-first-time/ (01:09:45) - Godox KNOWLED AM1600R Mat Light Introduced – Two Sizes, Inflatable, Full Color https://www.cined.com/godox-knowled-am1600r-mat-light-introduced-two-sizes-inflatable-full-color/ (01:11:41) - ASUS ProArt PA27JCV 5K Display – A Closer Look https://www.cined.com/asus-proart-pa27jcv-5k-display-a-closer-look/ We hope you enjoyed this episode! You have feedback, comments, or suggestions? Write us at podcast@cined.com
L'émission 28 minutes du 31/07/2025 Écologie : face à une société civile en éveil, le grand retour en arrière politique ?Sale temps pour le climat. En France, les reculs sur les sujets environnementaux s'enchaînent : reprise du chantier de l'A69, réintroduction de pesticides et facilitation des élevages de masse avec la loi Duplomb, interdiction des ZFE… Sous la pression de la droite et de l'extrême droite, les préoccupations écologiques semblent désuètes au sein du monde politique. Mais les citoyens continuent de prendre ce sujet au sérieux, comme l'a récemment montré la très populaire pétition contre la loi Duplomb, qui a récolté plus de 2 millions de signatures. L'écologie politique est-elle inaudible ? Les citoyens sont-ils devenus le dernier rempart pour défendre l'environnement ?On en débat avec Marie Chureau, activiste pour l'écologie et la justice sociale, Géraud Guibert, président honoraire de la fabrique écologique et Ivan Couronne, rédacteur en chef “Avenir de la planète” pour l'AFP.28 minutes est le magazine d'actualité d'ARTE, présenté par Élisabeth Quin du lundi au jeudi à 20h05. Renaud Dély est aux commandes de l'émission le vendredi et le samedi. Ce podcast est coproduit par KM et ARTE Radio. Enregistrement 31 juillet 2025 Présentation Jean-Mathieu Pernin Production KM, ARTE Radio
Los tres misisipis son obligados a disculparse públicamente durante 30 días consecutivos por el peor de los delitos: arriesgarse a tener la bondad.
Invité : - Karl Olive, député Ensemble pour la République des Yvelines Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
Avec : François Veillerette, porte-parole de l'association Génération futures. - Chaque matin, Matthieu Belliard reçoit un invité au cœur de l'actualité.
The Cinematography Podcast Episode 317: Mihai Mălaimare Jr. For cinematographer Mihai Mălaimare Jr., ASC, his work with director Francis Ford Coppola from Youth Without Youth to Megalopolis has been a journey of constant education and evolution. Coppola, known for embracing new technology and a dynamic, on-set creative process, frequently pivots to explore fresh ideas in the moment. Megalopolis is Mihai's fifth collaboration with Coppola. Their partnership began when Coppola came to Romania to shoot Youth Without Youth and scout some locations for Megalopolis. Mihai recalls first encountering Coppola's “crazy ideas.” “I was like, yeah, that's crazy, but I'm 29, fresh out of film school and I'm working with Francis, so I better do it. And then you realize how much better the scene gets.” This relationship fostered a unique trust. “Little by little, we got in this interesting dynamic where I'm craving those moments. And I know it can be a really stressful situation when you prep, all of a sudden you change it 180 degrees. But I know that somehow we'll be able to find a solution and it will be better than anything we planned. And it's interesting- every single time, the scene got better.” Coppola had been developing his ideas for Megalopolis for decades, and shot test footage in 2001 with director/cinematographer Ron Fricke. He sought an ethereal, "poetic reality" with no specific timeframe, a concept Mihai initially found challenging to prepare for. However, the early footage provided crucial visual cues, and some of it was later integrated into the film. Coppola also collaborated with visual concept designer Dean Sherriff, who created a set of art keyframes for specific scenes, which guided Mihai's framing, shots, colors, and lighting. A gold and sepia color scheme added to the film's ethereal look. “It's such an amazing process of discovery with Francis,” says Mihai. “We did some storyboards, but very few. We never really shot listed. We were talking about things in general, but the idea is that when you go on set, and you have the actors, and you have sets and costumes and everything, you want to let yourself be inspired by the actors and the blocking more than just your plans and ideas.” While major scenes in Megalopolis were filmed on an LED volume stage, the movie creatively blends VFX, practical effects, and in-camera techniques. For a beautiful dreamlike driving sequence, Mihai used poor man's process for the car interiors, combining it with moving set pieces, miniature cars, and live actors dressed as statues. Coppola's long-standing admiration for the minimalist style of filmmaker Yasujirō Ozu influenced a preference for static camera work, with minimal dolly shots, tilts, or pans. "It's all about the frozen frame," Mihai explains. "It's a certain aesthetic that I like, because it's closer to still photography. There are things that are happening that you don't think of. First, you have to make sure that the composition is really spot on. And also, it's again the idea of contrast. When you do move the camera, that better be for a good reason.” Find Mihai Mălaimare Jr. Instagram:@malaimarejr_cinematography @malaimarejr_photography Hear our previous interviews with Mihai Mălaimare Jr.: https://www.camnoir.com/ep53/ https://www.camnoir.com/ep148/ Megalopolis will be on tour in select theaters starting July 20 with Francis Ford Coppola doing a Q&A after. Sponsored by Hot Rod Cameras: https://hotrodcameras.com/ Sponsored by ARRI: https://www.arri.com/en The Cinematography Podcast website: www.camnoir.com YouTube: @TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Blue Sky: @thecinepod.bsky.social
durée : 00:03:45 - Le monde à 18h50 - par : Franck MATHEVON - Au Portugal, jamais un mois de juin n'avait été aussi chaud. Record historique de température également en Angleterre. Pourtant, partout en Europe, les réglementations qui protègent le climat sont en recul. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
Ecoutez L'édito d'Etienne Gernelle du 30 juin 2025.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
Tous les dimanches à 6h42 dans Europe 1 Matin Week-end, Philippe Legrand reçoit une personnalité pour un entretien autour d'une date et d'une histoire.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
Quels sont les défis qui attendent Luca de Meo chez Kering après presque 5 ans chez Renault. Celui, notamment de relancer Gucci. Dans « La Story », le podcast d'actualité des « Echos », Pierrick Fay et ses invités analysent les atouts pour le monde luxe de celui qui a fait toute sa carrière dans l'automobile.Retrouvez l'essentiel de l'actualité économique grâce à notre offre d'abonnement Access : abonnement.lesechos.fr/lastory« La Story » est un podcast des « Echos » présenté par Pierrick Fay. Cet épisode a été enregistré en juin 2025. Rédaction en chef : Clémence Lemaistre. Invités : Phillippe Bertrand (journaliste en charge du secteur du luxe aux « Echos ») et Lionel Steinmann (journaliste en charge de l'automobile aux « Echos »). Réalisation : Willy Ganne. Chargée de production et d'édition : Michèle Warnet. Musique : Théo Boulenger. Identité graphique : Upian. Photo : GONZALO FUENTES/POOL/AFP. Sons : BFM Business, Ludwig Van Beethoven : Symphony No. 5, Op. 67, Eurosport, « OSS 117 : Le Caire, nid d'espions » (2006), Renault, L'Equipe, Betclic, Pokémon France, Panda Beats, L'Oréal, Meltingcurlz, « 60 secondes chrono » (2000), LMtv Sarthe. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
Au cœur de la nuit, les auditeurs se livrent en toute liberté aux oreilles attentives et bienveillantes d'Olivier Delacroix. Pas de jugements ni de tabous, une conversation franche, mais aussi des réponses aux questions que les auditeurs se posent. Un moment d'échange et de partage propice à la confidence pour repartir le cœur plus léger.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
In this episode, we continue our conversation with Janine McGuire and Arri Lawton Simon about their new musical, The Bubble. Adapted from the groundbreaking film by Eytan Fox and Gal Uchovsky, the musical follows Noam, an Israeli soldier and musician, and Ashraf, a closeted Palestinian, who meet at a border checkpoint and fall in love during the Second Intifada. Supported by their chosen family, the pair construct a utopian “bubble” in Tel Aviv, and risk their lives to be together when the bubble bursts. This explosive new musical pulses with energy, urgency, and unyielding hope for peace, capturing the struggle and resilience of love in a divided world. This episode features the songs “Love, Love Tel Aviv” performed by Omer Shaish, Joél Pérez, Krystina Alabado, John Charles McLaughlin, and Kayley Ann Collins, “Le'Olam (Until Forever)” performed by Omer Shaish and the Green Room 42 Ensemble, and also “Yalla Yalla” performed by Sahar Milani. Connect with Janine McGuire and Arri Lawton Simon: Website: https://www.mcguireandsimon.com/ Instagrams:@janinemcguire and @arrilawtonsimon Connect with New York Theatre Barn: Twitter: @nytheatrebarn Instagram: @newyorktheatrebarn Facebook.com/nytheatrebarn nytheatrebarn.org Pauls's personal instagram: @paulsmacs Teresa's personal instagram: @terijoyeaux Learn more about your ad choices. Visit megaphone.fm/adchoices
¡Envíanos tus comentarios por aquí!En este episodio conversamos con el cinefotógrafo Antonio Riestra AEC ACK AMC ASC, cuya experiencia abarca una sólida trayectoria internacional. A lo largo de la charla, Riestra comparte su visión sobre el oficio cinematográfico, abordando temas clave que forman parte del día a día detrás de cámara.Desde su perspectiva, el trabajo de la dirección de fotografía no solo implica un dominio técnico, sino también una profunda conciencia narrativa y colaborativa. Riestra habla sobre la importancia de la pre producción como etapa clave para construir un lenguaje visual sólido, y cómo el diálogo con dirección es fundamental para traducir ideas en emociones visuales.Otro de los temas centrales de la conversación es la necesidad de negociar con producción cuando es necesario defender lo que la imagen requiere. Para él, el cinefotógrafo también debe ser un mediador capaz de encontrar puntos medios sin comprometer la integridad visual del proyecto.Además, reflexiona sobre el valor de conocer y distinguir las herramientas de trabajo. No se trata solo de saber operar una cámara, sino de entender cómo y por qué se elige una óptica, una textura, una fuente de luz. Cada decisión es narrativa, cada herramienta tiene una voz.Este episodio es una mirada a la carrera que ha construido su carrera sobre la base de la colaboración. Una conversación que no solo ofrece aprendizajes técnicos, sino también una mirada sensible y comprometida con el cine como lenguaje colectivo.Gracias a nuestros patrocinadores: Arri, EFD Estudios, Cinesonica, Sony Latinoamérica, BandPro y AngenieuxCrew/colaboradoresAlfredo Altamirano, Isabel Adulfo, Andrés Saldaña, Adrian de León, Milton Barrera, Ricardo Gómez. Cristian Ivan Silva.Gracias a nuestros patrocinadores :ARRIEFD STUDIOSBAND PRO - ANGENIEUX AMERICASSONYCINESONICACinefotolatino es contenido on demand producido por CINESONICARealización e idea original : Alfredo AltamiranoProducido por Andres Saldaña y Alfredo AltamiranoProducción en línea y Sonido : Isabel AdulfoCámara, Edición y Post producción : Adrian de León y Ricardo GómezPágina web y Redes Sociales : Milton Barrera Redacción de textos de Redes y páSupport the show
This episode features a conversation with Janine McGuire and Arri Lawton Simon about their musical: The Bubble. Adapted from the groundbreaking film by Eytan Fox and Gal Uchovsky, the musical follows Noam, an Israeli soldier and musician, and Ashraf, a closeted Palestinian, who meet at a border checkpoint and fall in love during the Second Intifada. Supported by their chosen family, the pair construct a utopian “bubble” in Tel Aviv, and risk their lives to be together when the bubble bursts. This explosive new musical pulses with energy, urgency, and unyielding hope for peace, capturing the struggle and resilience of love in a divided world. This episode features demo recordings of the songs “I Used To Hear Music” performed by Omer Shaish and “I Could Get Used To This” performed by Joél Pérez. Connect with Janine McGuire and Arri Lawton Simon: Website: https://www.mcguireandsimon.com/ Instagrams:@janinemcguire @mcguireandsimon and @arrilawtonsimon Connect with New York Theatre Barn: Twitter: @nytheatrebarn Instagram: @newyorktheatrebarn Facebook.com/nytheatrebarn nytheatrebarn.org Pauls's personal instagram: @paulsmacs Teresa's personal instagram: @terijoyeaux Learn more about your ad choices. Visit megaphone.fm/adchoices
130 ans après sa condamnation, l'Assemblée nationale fait acte de réparation et élève Alfred Dreyfus au grade de "Général de brigade". Ecoutez le sentiment de Michel Dreyfus, son arrière-petit-fils. Ecoutez L'invité d'Amandine Bégot du 03 juin 2025.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
Qui est donc ce roi mérovingien qui, d'après la chanson populaire, avait mis sa culotte à l'envers ? Dagobert Ier est né autour de l'an 600. Arrière-arrière-petit-fils de Clovis, il a régné sur le royaume des Francs de 629 à sa mort, dix ans plus tard. Dans cet épisode, je vous raconte la véritable origine de la comptine. Bonne écoute (et abonnez-vous) !
durée : 00:05:57 - Le Journal de l'éco - par : Anne-Laure Chouin - Stellantis, Ubisoft, Amazon… Plusieurs grands groupes revoient à la baisse leur politique de télétravail. Une tendance qui marque un virage après des années d'essor du travail à distance. Pourquoi et avec quelles conséquences ? Analyse.
Ce lundi 27 mai, la guerre commerciale lancée par Donald Trump et ses volte-face à répétition ont été abordés par François Ecalle, fondateur de FipEco.fr, Olivier Babeau, président de l'Institut Sapiens, et Stéphanie Villers, économiste et conseillère économique chez PwC France, dans l'émission Les Experts, présentée par Laure Closier sur BFM Business. Retrouvez l'émission du lundi au vendredi et réécoutez la en podcast.
Tous les vendredis, samedis et dimanches soirs, Pascale de la Tour du Pin reçoit deux invités pour des débats d'actualité. Avis tranchés et arguments incisifs sont au programme.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
Aujourd'hui, Flora Ghebali, Jérôme Marty et Emmanuel de Villiers débattent de l'actualité autour d'Alain Marschall et Olivier Truchot.
durée : 00:03:28 - Le Billet de Daniel Morin - par : Daniel Morin - Une voiture qui peut rouler à 275 km/h en marche arrière ? Mais j'achète !
Aujourd'hui, dans "Punchline", Laurence Ferrari et ses invités débattent de l'absence de Volodymyr Zelensky et Vladimir Poutine aux négociations à Istanbul vis-à-vis du conflit russo-ukrainien.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
Aujourd'hui, dans "Punchline", Laurence Ferrari et ses invités débattent de l'absence de Volodymyr Zelensky et Vladimir Poutine aux négociations à Istanbul vis-à-vis du conflit russo-ukrainien.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
Aujourd'hui, Barbara Lefebvre, Bruno Poncet et Jean-Loup Bonnamy débattent de l'actualité autour d'Alain Marschall et Olivier Truchot.
Aujourd'hui, Barbara Lefebvre, Flora Ghebali et Jérôme Marty débattent de l'actualité autour d'Alain Marschall et Olivier Truchot.
durée : 02:29:54 - Les Matins - par : Jean Leymarie, Isabelle de Gaulmyn - [] - réalisation : Félicie Faugère - invités : Freddy Bouchet Physicien, directeur de recherche au CNRS et professeur attaché à l'ENS Paris; Michel Chambon théologien et anthropologue, chercheur à l'Université nationale de Singapour; Benjamin Stora Historien français
Send us a textEn este episodio de Aweik Podcast en colaboración con Coffee IN the HAUS, compartimos una conversación profunda con Gustavo Manrique, presidente de Sambito, sobre sostenibilidad, propósito y el poder de creer en una causa. Hablamos de su camino en este mundo, los desafíos que ha enfrentado, cómo ve el futuro del planeta, el papel fundamental que tienen los jóvenes en esta transformación y mucho más. Un encuentro lleno de aprendizajes, convicción y una mirada honesta sobre lo que realmente significa dejar una huella.Este episodio fue producido por Inhaus Media. Queremos profundizar este tema contigo, escríbenos a aweikpodcast@revistainhaus.com
For director Rory Karpf, a core philosophy is that things are going to change- a lesson learned from years of documentary filmmaking. This flexibility proved invaluable when crafting his indie feature, Grace Point. Adapted from a larger, more ambitious script, Grace Point tells the story of a young man on his way to a remote drug rehab. His journey takes a dark and unexpected turn when he finds himself in a strange town being chased by the locals and his own personal demons. The genesis of Grace Point began with a documentary shoot in a very specific location. Rory and cinematographer Al Francesco were working on recreations in Laurinburg, North Carolina. Al suggested that Rory reimagine the script as a smaller, more intimate indie film, using the town's natural settings. They were able to find every location they needed in Laurinburg and the surrounding area. The rapid 19 day production schedule with 10-hour workdays required working around outdoor shoots and unpredictable Southern weather. With many locations donated, Rory and Al knew they couldn't waste time with reshoots or lose any days to the weather. They dedicated two weeks to detailed location and technical scouting, meticulously planning shots and coverage. Al found the time to be flexible and see compositions when they naturally occurred, like taking advantage of a beautiful foggy morning during the shoot. Rory and Al's background in documentary filmmaking proved to be a significant asset. "One thing I learned with documentaries are things are gonna change," Rory states. "With narrative scripted filmmaking, it could be the actor isn't getting the scene right for whatever reason. We're gonna try something a little bit different, and be open to that working." Al's documentary instincts led him to adopt a "keep the camera rolling" approach, even after "cut" was called, capturing authentic reactions. He also streamlined the process by lighting entire scenes and shooting multiple angles without resetting, and even capturing close-ups and inserts during rehearsals. The collaboration between Rory and Al began at NFL Films, where they honed their skills on sports documentaries featuring prominent figures like Peyton Manning (The Book of Manning) and Snoop Dogg (Coach Snoop). These “follow docs” often involved recreations, which served as mini-movies, providing valuable experience for their transition to narrative filmmaking. Their established network of crew members, producers, and access to affordable gear proved crucial. "It's not a negative for us to have a small crew and make the most of it- that's normally what we do," Al notes. For Rory, the most vital aspect of filmmaking is fostering a positive and enjoyable atmosphere. "Working with Al, he makes the stuff look great, but he also understands how it incorporates in the story," he says. This blend of technical expertise and storytelling acumen is what brought Grace Point to life, proving that even with limited resources, passion and ingenuity can create compelling cinema. You can purchase Grace Point on Apple TV and Amazon Prime. Find Rory Karpf: https://www.gracepointfilm.com/ Find Al Francesco: https://www.albefilms.net/ Instagram: @gracepointfilm Sponsored by Hot Rod Cameras: https://hotrodcameras.com/ Sponsored by ARRI: https://www.arri.com/en The Cinematography Podcast website: www.camnoir.com YouTube: @TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Blue Sky: @thecinepod.bsky.social
Arriésgate para ganar y también arriésgate para perder. Recuerda que en esta vida, los opuestos conviven juntos. Los opuestos habitan en la misma moneda.Tú decides qué lado se manifiesta.No lo decide el azar y no lo deciden terceras personas... ¡Lo decides tú! Hosted on Acast. See acast.com/privacy for more information.