Podcasts about Arri

Né en 2017, mort en 2024 ? Des premiers espoirs de changement démocratique à la dissolution, le macronisme touche peut-être aujourd'hui à sa fin. À travers 4 moments fondateurs des années de présidence d'Emmanuel Macron, La Loupe retrace l'histoire inédite de son mouvement politique. Un récit accompagné des analyses de Laureline Dupont, directrice adjointe de L'Express, et Eric Mandonnet, rédacteur en chef du service Politique. Retrouvez tous les détails de l'épisode ici et inscrivez-vous à notre newsletter. L'équipe : Écriture et présentation : Charlotte Baris Réalisation : Jules Krot Crédits : Public Sénat, BFMTV, INA, AFP, France Culture, France 2, LCI, Euronews, France Info, Elysée, Radio J Musique et habillage : Emmanuel Herschon / Studio Torrent Logo : Jérémy Cambour Pour nous écrire : laloupe@lexpress.fr Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

With a PetaPixel Membership, not only can you support original PetaPixel reporting and in-depth reviews, but you can also remove ads from the website and gain access to some seriously great perks, too. Members get $15 off the Moment Store, 25% off the PetaPixel Merch Store, 5% off certified pre-owned gear from KEH, and now can download full-resolution RAW files and JPEGs from the latest cameras and lenses. Join today! It costs just $3 per month or $30 per year. This week on the PetaPixel Podcast, the team is joined by Michael Specht and Isaac Reynolds, Pixel team Product Managers at Google who answer some tough questions about the new Google Pixel 10 smartphones and the philosophy behind the design decisions.Check out PetaPixel Merch: store.petapixel.com/ We use Riverside to record The PetaPixel Podcast in our online recording studio.We hope you enjoy the podcast and we look forward to hearing what you think. If you like what you hear, please support us by subscribing, liking, commenting, and reviewing! Every week, the trio go over comments on YouTube and here on PetaPixel, but if you'd like to send a message for them to hear, you can do so through SpeakPipe.In This Episode00:00 - Intro12:30 - Abode is dead16:18 - Kodak says it has no plans to go out of business despite "substantial doubt" it can pay it debts.20:11- Yashica is trying again with a City 30021:42 - Arri is considering selling26:19 - Antigravity from Insta360 is an immersive drone with a unique controller29:58 - Canon got its camera placed in one of the world's most popular anime34:12 - Sigma announced two new lenses: a 12mm f/1.4 and a 200mm f/237:56 - Fujifilm will raise its prices again because of increased tariffs1:14:10 - What have you been up to?1:17:08 - Tech Support

A 10h, ce jeudi 21 août 2025, les GG : Barbara Lefebvre, professeure d'histoire-géographie, Emmanuel de Villiers, chef d'entreprise, et Bruno Poncet, cheminot, débattent du sujet du jour : "80 km/h, 51 départements font marche arrière ?"

We've upgraded our wireless lavs to the Rode Wireless Pro and go into depth about the features and timecode options based on our experience using them. Also, ARRI not only released an upgrade to the Alexa 35, but also might be exploring the idea of selling the company? Interesting… If you enjoy the show and want to contribute to our hosting costs, we'd welcome your support on Patreon. You can check it out here: https://www.patreon.com/cameragearpodcast Want to send us a question or comment, or just learn more about the show? Check out our website at https://cameragearpodcast.com, or email us directly at cameragearpodcast@gmail.com. Notes: OWC 512GB Atlas Pro CFExpress 4.0 Type B Card [B&H] ProGrade Digital CFExpress Type B USB 4.0 Single Slot Card Reader [B&H] Rode Wireless Pro [B&H] $55,000 Arri Alexa 35 Xtreme Brings Wild Speed to Cinematic Filmmaking [PetaPixel] ARRI Reportedly Exploring Sale: What This Could Mean for Filmmakers [Y.M. Cinema]

ARRI still leads the pack when it comes to dynamic range in cameras — a fact confirmed once again by our CineD Lab Tests. That's why it's big news in the cine tech community when ARRI releases an upgrade to their flagship Alexa 35: the new Alexa 35 Xtreme. In this week's episode, we dive into all the key updates: what exactly is new, how the ARRI Core Codec is evolving, and what that means for filmmakers in practice. There's a lot to explore with this powerful new camera — so hit play and stay ahead of the curve in the world of cine tech. Chapters & Articles Mentioned in This Episode:  (00:00) – Introduction (00:49) - ARRI ALEXA 35 Xtreme Unveiled – Up to 660fps and New ARRICORE Codec https://www.cined.com/arri-alexa-35-xtreme-unveiled-up-to-660fps-and-new-arricore-codec/ (35:06) - Poll: Camera Accessories – Which Brand is Your Favorite? https://www.cined.com/poll-camera-accessories-which-brand-is-your-favorite/ (39:41) - SWISS RIG srRAW 1.2 for iPhone Announced – CinemaDNG Internal Recording, More Resolutions, Tools and Supported iPhones https://www.cined.com/swiss-rig-srraw-1-2-for-iphone-announced-cinemadng-internal-recording-more-resolutions-tools-and-supported-iphones/ (46:22) - Strada Direct Camera-to-Editor File Transfer Tested – Eliminating Cloud Dependency for Remote Post-Production https://www.cined.com/strada-direct-camera-to-editor-file-transfer-tested-eliminating-cloud-dependency-for-remote-post-production/ (55:36) - NANLITE wand Introduced – A Lightweight, Versatile Lighting Solution for Creators https://www.cined.com/nanlite-wand-introduced-a-lightweight-versatile-lighting-solution-for-creators/ (59:04) - Tilta Full Camera Cage for DJI Osmo 360 Introduced https://www.cined.com/tilta-full-camera-cage-for-dji-osmo-360-introduced/ (01:01:25) - Tilta Wants You to Rig Your Mavic 4 Pro Drone as a Handheld Camera (Yes, Really) https://www.cined.com/tilta-wants-you-to-rig-your-mavic-4-pro-drone-as-a-handheld-camera-yes-really/ (01:03:16) - Sony RX1R III vs. the World – How Does It Stack Up? https://www.cined.com/sony-rx1r-iii-vs-the-world-how-it-compare/ (01:07:01) - Quick and Useful Tips on Working with a Green Screen – VFX Basics from Digby Hogan https://www.cined.com/quick-and-useful-tips-on-working-with-a-green-screen-vfx-basics-from-digby-hogan/   We hope you enjoyed this episode! You have feedback, comments, or suggestions? Write us at podcast@cined.com   

In part 1 of 2 "ARRI" episodes, we have Product Manager Chase Hagen on to talk about the camera side of things at ARRI (and a whole lot more)!Enjoy!► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠F&R Online ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support F&R⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Produced by Kenny McMillan► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

In the second part of our 2 "ARRI" episodes, we have Lens Specialist Art Adams on to talk about the lenses ARRI offers, but also about his work as a cameraman and cinematographer himself, sharing knowledge he's picked up over the years as he does so well as my colleague and fellow contributor at ProVideoCoalition.com!Enjoy!► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠F&R Online ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support F&R⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Produced by Kenny McMillan► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

This week's episode brings some surprising news from a few major players in the camera world. First off: We unfortunately didn't receive the information about the ALEXA 35 Xtreme in time for recording of this podcast. If you want to learn about ARRI's new high-speed beast, check out our detailed article or tune in to next week's episode where we will dive into all the capabilities of their new cameras, and what it means for this industry. But what we are covering this week: Insta360 is branching out into the drone market with a new release under its Antigravity brand, while DJI is doing the opposite—launching its very first 360° camera. Naturally, we dive into these big shifts and what they could mean for the future of both companies. We also take a closer look at some of the latest reviews, including the BLAZAR Mantis and the lightning-fast new card reader from Angelbird. On top of that, Sony has quietly dropped a new camera that's sparked some discussion—and of course, there are some fresh updates in our AI corner that you won't want to miss. So as always, hit that play button and enjoy your weekly dose of cine tech news and insights.   Chapters & Articles Mentioned in This Episode:  (00:00) – Introduction   05:08 - Antigravity from Insta360 Takes Aim at DJI with Sub-249g 8K 360-Degree Drone https://www.cined.com/antigravity-from-insta360-takes-aim-at-dji-with-sub-249g-8k-360-degree-drone/   (15:27) - DJI Osmo 360 Link coming soon    (24:28) - Sony FX2 Camera and BLAZAR Mantis 1.33x 35mm Anamorphic Lens Goes Daruma Dolls https://www.cined.com/sony-fx2-camera-and-blazar-mantis-1-33x-35mm-anamorphic-lens-goes-daruma-dolls/   (30:54) - Angbelbird Performance Reader CFexpress B Review   (38:45) - Poll: What's Your Preferred Camera Brand in 2025 – and Will You Switch? https://www.cined.com/poll-whats-your-preferred-camera-brand-in-2025-and-will-you-switch/   (46:38) - Sony PXW-Z300 Announced – 1/2-Inch 4K 3-CMOS Camcorder with 17x Zoom, AI Features, and World-First Content Authentication https://www.cined.com/sony-pxw-z300-announced-1-2-inch-4k-3-cmos-camcorder-with-17x-zoom-ai-features-and-world-first-content-authentication/   (52:49) - Atomos Ninja TX Monitor-Recorder Introduced – Built-in C2C Connection, Brighter Display and More https://www.cined.com/atomos-ninja-tx-monitor-recorder-introduced-built-in-c2c-connection-brighter-display-and-more/    (59:06) - Roll Cam: How to Insult Every Camera Operator on Earth with One Tripod Having a Midlife Crisis on Kickstarter https://www.cined.com/roll-cam-how-to-insult-every-camera-operator-on-earth-with-one-tripod-having-a-midlife-crisis-on-kickstarter/   (01:03:11) - Runway Aleph: AI Edits Real Footage with Camera Angles, Object Removal, and Relighting https://www.cined.com/runway-aleph-ai-edits-real-footage-with-camera-angles-object-removal-and-relighting/ (01:07:41) - Netflix Used AI to Generate VFX Footage for “First Time” https://www.cined.com/netflix-used-ai-to-generate-vfx-footage-for-first-time/   (01:09:45) - Godox KNOWLED AM1600R Mat Light Introduced – Two Sizes, Inflatable, Full Color https://www.cined.com/godox-knowled-am1600r-mat-light-introduced-two-sizes-inflatable-full-color/   (01:11:41) - ASUS ProArt PA27JCV 5K Display – A Closer Look https://www.cined.com/asus-proart-pa27jcv-5k-display-a-closer-look/ We hope you enjoyed this episode! You have feedback, comments, or suggestions? Write us at podcast@cined.com   

L'émission 28 minutes du 31/07/2025 Écologie : face à une société civile en éveil, le grand retour en arrière politique ?Sale temps pour le climat. En France, les reculs sur les sujets environnementaux s'enchaînent : reprise du chantier de l'A69, réintroduction de pesticides et facilitation des élevages de masse avec la loi Duplomb, interdiction des ZFE… Sous la pression de la droite et de l'extrême droite, les préoccupations écologiques semblent désuètes au sein du monde politique. Mais les citoyens continuent de prendre ce sujet au sérieux, comme l'a récemment montré la très populaire pétition contre la loi Duplomb, qui a récolté plus de 2 millions de signatures. L'écologie politique est-elle inaudible ? Les citoyens sont-ils devenus le dernier rempart pour défendre l'environnement ?On en débat avec Marie Chureau, activiste pour l'écologie et la justice sociale, Géraud Guibert, président honoraire de la fabrique écologique et Ivan Couronne, rédacteur en chef “Avenir de la planète” pour l'AFP.28 minutes est le magazine d'actualité d'ARTE, présenté par Élisabeth Quin du lundi au jeudi à 20h05. Renaud Dély est aux commandes de l'émission le vendredi et le samedi. Ce podcast est coproduit par KM et ARTE Radio. Enregistrement 31 juillet 2025 Présentation Jean-Mathieu Pernin Production KM, ARTE Radio

No te pierdas de todo lo que ofrece la vida por miedo. Arriésgate.

Los tres misisipis son obligados a disculparse públicamente durante 30 días consecutivos por el peor de los delitos: arriesgarse a tener la bondad.

Invité : - Karl Olive, député Ensemble pour la République des Yvelines Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Avec : François Veillerette, porte-parole de l'association Génération futures. - Chaque matin, Matthieu Belliard reçoit un invité au cœur de l'actualité.

In deze laatste aflevering voor de zomerstop van Brood en Spelen praat Amber Roner op het kantoor van GRAP met Arriën Molema, voorzitter van BAM! Popauteurs, Chris Moorman van de Popronde en Lotte de Waal, programmeur van Cpunt en mede-initiatiefnemer van Slachthuis Backstage.Arriën is deze weken volop in het nieuws geweest vanwege de rechtszaak die door drie muzikanten is aangespannen tegen Universal Music over de verdeling van streaminginkomsten. Wat is de eis en welke consequenties gaat de uitspraak van de rechter hebben voor labels en muzikanten? Chris komt net van de pré party van de Popronde, het eerste grote samenkomen met de deelnemers van Popronde 2025. Wat hebben ze geleerd? En hoe zet je jezelf in deze fase op de kaart om zoveel mogelijk geboekt te worden tijdens de Popronde? Met Lotte gaat het over Slachthuis Backstage, een nieuw talentontwikkelingsprogramma. Voor wie is het bedoeld? En wat houdt het precies in? De inschrijvingen zijn geopend!Verder praten de gasten over onderwerpen die na de zomer vaak terug gaan komen. Fair Pay, ouderschap bij muzikanten, sociale veiligheid en mentale gezondheid. Muziek is er van Jacob Alon, Plonki en Queralt Lahoz.Links uit de uitzending:www.grap.nethttps://www.bampopauteurs.nlhttps://popronde.nlhttps://www.cpunt.nlhttps://www.slachthuisbackstage.nl Voor meer info over Brood en Spelen volg je ons online: Spotify (met de gedraaide tracks uit de uitzending): https://open.spotify.com/playlist/0M7pWD7Tfmx4xgkVJVAAhc?si=XHjpEQo1T96J48ng-NPvkwFacebook:https://www.facebook.com/BroodenspelenpodcastInstagram:https://www.instagram.com/broodenspelenpodcast Hosted on Acast. See acast.com/privacy for more information.

Qui est donc ce roi mérovingien qui, d'après la chanson populaire, avait mis sa culotte à l'envers ? Dagobert Ier est né autour de l'an 600. Arrière-arrière-petit-fils de Clovis, il a régné sur le royaume des Francs de 629 à sa mort, dix ans plus tard. Dans cet épisode, je vous raconte la véritable origine de la comptine. Bonne écoute (et abonnez-vous) !

The Cinematography Podcast Episode 317: Mihai Mălaimare Jr. For cinematographer Mihai Mălaimare Jr., ASC, his work with director Francis Ford Coppola from Youth Without Youth to Megalopolis has been a journey of constant education and evolution. Coppola, known for embracing new technology and a dynamic, on-set creative process, frequently pivots to explore fresh ideas in the moment. Megalopolis is Mihai's fifth collaboration with Coppola. Their partnership began when Coppola came to Romania to shoot Youth Without Youth and scout some locations for Megalopolis. Mihai recalls first encountering Coppola's “crazy ideas.” “I was like, yeah, that's crazy, but I'm 29, fresh out of film school and I'm working with Francis, so I better do it. And then you realize how much better the scene gets.” This relationship fostered a unique trust. “Little by little, we got in this interesting dynamic where I'm craving those moments. And I know it can be a really stressful situation when you prep, all of a sudden you change it 180 degrees. But I know that somehow we'll be able to find a solution and it will be better than anything we planned. And it's interesting- every single time, the scene got better.” Coppola had been developing his ideas for Megalopolis for decades, and shot test footage in 2001 with director/cinematographer Ron Fricke. He sought an ethereal, "poetic reality" with no specific timeframe, a concept Mihai initially found challenging to prepare for. However, the early footage provided crucial visual cues, and some of it was later integrated into the film. Coppola also collaborated with visual concept designer Dean Sherriff, who created a set of art keyframes for specific scenes, which guided Mihai's framing, shots, colors, and lighting. A gold and sepia color scheme added to the film's ethereal look. “It's such an amazing process of discovery with Francis,” says Mihai. “We did some storyboards, but very few. We never really shot listed. We were talking about things in general, but the idea is that when you go on set, and you have the actors, and you have sets and costumes and everything, you want to let yourself be inspired by the actors and the blocking more than just your plans and ideas.” While major scenes in Megalopolis were filmed on an LED volume stage, the movie creatively blends VFX, practical effects, and in-camera techniques. For a beautiful dreamlike driving sequence, Mihai used poor man's process for the car interiors, combining it with moving set pieces, miniature cars, and live actors dressed as statues. Coppola's long-standing admiration for the minimalist style of filmmaker Yasujirō Ozu influenced a preference for static camera work, with minimal dolly shots, tilts, or pans. "It's all about the frozen frame," Mihai explains. "It's a certain aesthetic that I like, because it's closer to still photography. There are things that are happening that you don't think of. First, you have to make sure that the composition is really spot on. And also, it's again the idea of contrast. When you do move the camera, that better be for a good reason.” Find Mihai Mălaimare Jr. Instagram:@malaimarejr_cinematography @malaimarejr_photography Hear our previous interviews with Mihai Mălaimare Jr.: https://www.camnoir.com/ep53/ https://www.camnoir.com/ep148/ Megalopolis will be on tour in select theaters starting July 20 with Francis Ford Coppola doing a Q&A after.  Sponsored by Hot Rod Cameras: https://hotrodcameras.com/ Sponsored by ARRI: https://www.arri.com/en The Cinematography Podcast website: www.camnoir.com YouTube: @TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Blue Sky: @thecinepod.bsky.social

durée : 00:03:45 - Le monde à 18h50 - par : Franck MATHEVON - Au Portugal, jamais un mois de juin n'avait été aussi chaud. Record historique de température également en Angleterre. Pourtant, partout en Europe, les réglementations qui protègent le climat sont en recul. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Ecoutez L'édito d'Etienne Gernelle du 30 juin 2025.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Tous les dimanches à 6h42 dans Europe 1 Matin Week-end, Philippe Legrand reçoit une personnalité pour un entretien autour d'une date et d'une histoire.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Quels sont les défis qui attendent Luca de Meo chez Kering après presque 5 ans chez Renault. Celui, notamment de relancer Gucci. Dans « La Story », le podcast d'actualité des « Echos », Pierrick Fay et ses invités analysent les atouts pour le monde luxe de celui qui a fait toute sa carrière dans l'automobile.Retrouvez l'essentiel de l'actualité économique grâce à notre offre d'abonnement Access : abonnement.lesechos.fr/lastory« La Story » est un podcast des « Echos » présenté par Pierrick Fay. Cet épisode a été enregistré en juin 2025. Rédaction en chef : Clémence Lemaistre. Invités : Phillippe Bertrand (journaliste en charge du secteur du luxe aux « Echos ») et Lionel Steinmann (journaliste en charge de l'automobile aux « Echos »). Réalisation : Willy Ganne. Chargée de production et d'édition : Michèle Warnet. Musique : Théo Boulenger. Identité graphique : Upian. Photo : GONZALO FUENTES/POOL/AFP. Sons : BFM Business, Ludwig Van Beethoven : Symphony No. 5, Op. 67, Eurosport, « OSS 117 : Le Caire, nid d'espions » (2006), Renault, L'Equipe, Betclic, Pokémon France, Panda Beats, L'Oréal, Meltingcurlz, « 60 secondes chrono » (2000), LMtv Sarthe. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Au cœur de la nuit, les auditeurs se livrent en toute liberté aux oreilles attentives et bienveillantes d'Olivier Delacroix. Pas de jugements ni de tabous, une conversation franche, mais aussi des réponses aux questions que les auditeurs se posent. Un moment d'échange et de partage propice à la confidence pour repartir le cœur plus léger.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

In this episode, we continue our conversation with Janine McGuire and Arri Lawton Simon about their new musical, The Bubble. Adapted from the groundbreaking film by Eytan Fox and Gal Uchovsky, the musical follows Noam, an Israeli soldier and musician, and Ashraf, a closeted Palestinian, who meet at a border checkpoint and fall in love during the Second Intifada. Supported by their chosen family, the pair construct a utopian “bubble” in Tel Aviv, and risk their lives to be together when the bubble bursts. This explosive new musical pulses with energy, urgency, and unyielding hope for peace, capturing the struggle and resilience of love in a divided world. This episode features the songs “Love, Love Tel Aviv” performed by Omer Shaish, Joél Pérez, Krystina Alabado, John Charles McLaughlin, and Kayley Ann Collins,  “Le'Olam (Until Forever)” performed by Omer Shaish and the Green Room 42 Ensemble, and also “Yalla Yalla” performed by Sahar Milani. Connect with Janine McGuire and Arri Lawton Simon: Website: https://www.mcguireandsimon.com/ Instagrams:@janinemcguire and @arrilawtonsimon  Connect with New York Theatre Barn: Twitter: @nytheatrebarn Instagram: @newyorktheatrebarn  Facebook.com/nytheatrebarn nytheatrebarn.org  Pauls's personal instagram: @paulsmacs Teresa's personal instagram: @terijoyeaux Learn more about your ad choices. Visit megaphone.fm/adchoices

¡Envíanos tus comentarios por aquí!En este episodio conversamos con el cinefotógrafo Antonio Riestra AEC ACK AMC ASC, cuya experiencia abarca una sólida trayectoria internacional. A lo largo de la charla, Riestra comparte  su visión sobre el oficio cinematográfico, abordando temas clave que forman parte del día a día detrás de cámara.Desde su perspectiva, el trabajo de la dirección de fotografía no solo implica un dominio técnico, sino también una profunda conciencia narrativa y colaborativa. Riestra habla sobre la importancia de la pre producción como etapa clave para construir un lenguaje visual sólido, y cómo el diálogo con dirección es fundamental para traducir ideas en emociones visuales.Otro de los temas centrales de la conversación es la necesidad de negociar con producción cuando es necesario defender lo que la imagen requiere. Para él, el cinefotógrafo también debe ser un mediador capaz de encontrar puntos medios sin comprometer la integridad visual del proyecto.Además, reflexiona sobre el valor de conocer y distinguir las herramientas de trabajo. No se trata solo de saber operar una cámara, sino de entender cómo y por qué se elige una óptica, una textura, una fuente de luz. Cada decisión es narrativa, cada herramienta tiene una voz.Este episodio es una mirada a la carrera que ha construido su carrera sobre la base de la colaboración. Una conversación que no solo ofrece aprendizajes técnicos, sino también una mirada sensible y comprometida con el cine como lenguaje colectivo.Gracias a nuestros patrocinadores: Arri, EFD Estudios, Cinesonica, Sony Latinoamérica, BandPro y AngenieuxCrew/colaboradoresAlfredo Altamirano, Isabel Adulfo, Andrés Saldaña, Adrian de León,  Milton Barrera, Ricardo Gómez. Cristian Ivan Silva.Gracias a nuestros patrocinadores :ARRIEFD STUDIOSBAND PRO - ANGENIEUX AMERICASSONYCINESONICACinefotolatino es contenido on demand producido por CINESONICARealización e idea original : Alfredo AltamiranoProducido por Andres Saldaña y Alfredo AltamiranoProducción en línea y Sonido : Isabel AdulfoCámara, Edición y Post producción : Adrian de León y Ricardo GómezPágina web y Redes Sociales : Milton Barrera Redacción de textos de Redes y páSupport the show

This episode features a conversation with Janine McGuire and Arri Lawton Simon about their musical: The Bubble. Adapted from the groundbreaking film by Eytan Fox and Gal Uchovsky, the musical follows Noam, an Israeli soldier and musician, and Ashraf, a closeted Palestinian, who meet at a border checkpoint and fall in love during the Second Intifada. Supported by their chosen family, the pair construct a utopian “bubble” in Tel Aviv, and risk their lives to be together when the bubble bursts. This explosive new musical pulses with energy, urgency, and unyielding hope for peace, capturing the struggle and resilience of love in a divided world. This episode features demo recordings of the songs “I Used To Hear Music” performed by Omer Shaish and “I Could Get Used To This” performed by Joél Pérez. Connect with Janine McGuire and Arri Lawton Simon: Website: https://www.mcguireandsimon.com/ Instagrams:@janinemcguire @mcguireandsimon and @arrilawtonsimon Connect with New York Theatre Barn: Twitter: @nytheatrebarn Instagram: @newyorktheatrebarn  Facebook.com/nytheatrebarn nytheatrebarn.org  Pauls's personal instagram: @paulsmacs Teresa's personal instagram: @terijoyeaux Learn more about your ad choices. Visit megaphone.fm/adchoices

130 ans après sa condamnation, l'Assemblée nationale fait acte de réparation et élève Alfred Dreyfus au grade de "Général de brigade". Ecoutez le sentiment de Michel Dreyfus, son arrière-petit-fils. Ecoutez L'invité d'Amandine Bégot du 03 juin 2025.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Qui est donc ce roi mérovingien qui, d'après la chanson populaire, avait mis sa culotte à l'envers ? Dagobert Ier est né autour de l'an 600. Arrière-arrière-petit-fils de Clovis, il a régné sur le royaume des Francs de 629 à sa mort, dix ans plus tard. Dans cet épisode, je vous raconte la véritable origine de la comptine. Bonne écoute (et abonnez-vous) !

Tous les soirs, à 19 heures, retrouvez les dernières informations de la rédaction.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

durée : 00:05:57 - Le Journal de l'éco - par : Anne-Laure Chouin - Stellantis, Ubisoft, Amazon… Plusieurs grands groupes revoient à la baisse leur politique de télétravail. Une tendance qui marque un virage après des années d'essor du travail à distance. Pourquoi et avec quelles conséquences ? Analyse.

Ce lundi 27 mai, la guerre commerciale lancée par Donald Trump et ses volte-face à répétition ont été abordés par François Ecalle, fondateur de FipEco.fr, Olivier Babeau, président de l'Institut Sapiens, et Stéphanie Villers, économiste et conseillère économique chez PwC France, dans l'émission Les Experts, présentée par Laure Closier sur BFM Business. Retrouvez l'émission du lundi au vendredi et réécoutez la en podcast.

Tous les vendredis, samedis et dimanches soirs, Pascale de la Tour du Pin reçoit deux invités pour des débats d'actualité. Avis tranchés et arguments incisifs sont au programme.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Aujourd'hui, Flora Ghebali, Jérôme Marty et Emmanuel de Villiers débattent de l'actualité autour d'Alain Marschall et Olivier Truchot.

Tous les vendredis, samedis et dimanches soirs, Pascale de la Tour du Pin reçoit deux invités pour des débats d'actualité. Avis tranchés et arguments incisifs sont au programme.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

durée : 00:03:28 - Le Billet de Daniel Morin - par : Daniel Morin - Une voiture qui peut rouler à 275 km/h en marche arrière ? Mais j'achète !

durée : 00:03:28 - Le Billet de Daniel Morin - par : Daniel Morin - Une voiture qui peut rouler à 275 km/h en marche arrière ? Mais j'achète !

Aujourd'hui, dans "Punchline", Laurence Ferrari et ses invités débattent de l'absence de Volodymyr Zelensky et Vladimir Poutine aux négociations à Istanbul vis-à-vis du conflit russo-ukrainien.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Aujourd'hui, dans "Punchline", Laurence Ferrari et ses invités débattent de l'absence de Volodymyr Zelensky et Vladimir Poutine aux négociations à Istanbul vis-à-vis du conflit russo-ukrainien.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Aujourd'hui, Barbara Lefebvre, Bruno Poncet et Jean-Loup Bonnamy débattent de l'actualité autour d'Alain Marschall et Olivier Truchot.

Aujourd'hui, Barbara Lefebvre, Flora Ghebali et Jérôme Marty débattent de l'actualité autour d'Alain Marschall et Olivier Truchot.

durée : 02:29:54 - Les Matins - par : Jean Leymarie, Isabelle de Gaulmyn - [] - réalisation : Félicie Faugère - invités : Freddy Bouchet Physicien, directeur de recherche au CNRS et professeur attaché à l'ENS Paris; Michel Chambon théologien et anthropologue, chercheur à l'Université nationale de Singapour; Benjamin Stora Historien français

Send us a textEn este episodio de Aweik Podcast en colaboración con Coffee IN the HAUS, compartimos una conversación profunda con Gustavo Manrique, presidente de Sambito, sobre sostenibilidad, propósito y el poder de creer en una causa. Hablamos de su camino en este mundo, los desafíos que ha enfrentado, cómo ve el futuro del planeta, el papel fundamental que tienen los jóvenes en esta transformación y mucho más. Un encuentro lleno de aprendizajes, convicción y una mirada honesta sobre lo que realmente significa dejar una huella.Este episodio fue producido por Inhaus Media. Queremos profundizar este tema contigo, escríbenos a aweikpodcast@revistainhaus.com

Ce lundi 14 avril, François Sorel a reçu Frédéric Simottel, journaliste BFM Business, Nicolas Guyon, animateur du podcast "Comptoir IA", et Michel Levy Provençal, prospectiviste, fondateur de TEDxParis et de l'agence Brightness. Ils se sont penchés sur les conséquences pour Apple d'une taxation de la tech par les États-Unis, les éventuelles raisons à la conception de nouvelles versions du casque Vision Pro, l'annonce d'une préparation de lunettes connectées par ByteDance, et l'intégration expérimentale de ChatGPT dans le moteur de recherche de Netflix, dans l'émission Tech & Co, la quotidienne, sur BFM Business. Retrouvez l'émission du lundi au jeudi et réécoutez la en podcast.

Les footballeurs parlent aux footballeurs ! « Rothen s'enflamme », le rendez-vous des passionnés du ballon rond revient pour une deuxième saison !

Aujourd'hui, Élina Dumont, Étienne Liebig et Emmanuel de Villiers débattent de l'actualité autour d'Alain Marschall et Olivier Truchot.

Cette semaine Didier est accompagné par Marc-André afin de discuter des actualités dans la NFL. Ils dressent également un portrait des meilleurs espoirs chez les quarts-arrières en vue du repêchage avant de répondre à vous questions et de jaser Fantasy Football.  (00:00:00) Intro (00:00:56) Actualités NFL (00:23:55) Repêchage NFL : Les meilleurs espoirs quarts-arrières (00:54:56) NFL Fantasy - Gagnants & Perdants chez les quarts-arrières (01:10:09) La minute des Fans - Alouettes, liste de négociation LCF & la UFL

For director Rory Karpf, a core philosophy is that things are going to change- a lesson learned from years of documentary filmmaking. This flexibility proved invaluable when crafting his indie feature, Grace Point. Adapted from a larger, more ambitious script, Grace Point tells the story of a young man on his way to a remote drug rehab. His journey takes a dark and unexpected turn when he finds himself in a strange town being chased by the locals and his own personal demons. The genesis of Grace Point began with a documentary shoot in a very specific location. Rory and cinematographer Al Francesco were working on recreations in Laurinburg, North Carolina. Al suggested that Rory reimagine the script as a smaller, more intimate indie film, using the town's natural settings. They were able to find every location they needed in Laurinburg and the surrounding area. The rapid 19 day production schedule with 10-hour workdays required working around outdoor shoots and unpredictable Southern weather. With many locations donated, Rory and Al knew they couldn't waste time with reshoots or lose any days to the weather. They dedicated two weeks to detailed location and technical scouting, meticulously planning shots and coverage. Al found the time to be flexible and see compositions when they naturally occurred, like taking advantage of a beautiful foggy morning during the shoot. Rory and Al's background in documentary filmmaking proved to be a significant asset. "One thing I learned with documentaries are things are gonna change," Rory states. "With narrative scripted filmmaking, it could be the actor isn't getting the scene right for whatever reason. We're gonna try something a little bit different, and be open to that working." Al's documentary instincts led him to adopt a "keep the camera rolling" approach, even after "cut" was called, capturing authentic reactions. He also streamlined the process by lighting entire scenes and shooting multiple angles without resetting, and even capturing close-ups and inserts during rehearsals. The collaboration between Rory and Al began at NFL Films, where they honed their skills on sports documentaries featuring prominent figures like Peyton Manning (The Book of Manning) and Snoop Dogg (Coach Snoop). These “follow docs” often involved recreations, which served as mini-movies, providing valuable experience for their transition to narrative filmmaking. Their established network of crew members, producers, and access to affordable gear proved crucial. "It's not a negative for us to have a small crew and make the most of it- that's normally what we do," Al notes. For Rory, the most vital aspect of filmmaking is fostering a positive and enjoyable atmosphere. "Working with Al, he makes the stuff look great, but he also understands how it incorporates in the story," he says. This blend of technical expertise and storytelling acumen is what brought Grace Point to life, proving that even with limited resources, passion and ingenuity can create compelling cinema. You can purchase Grace Point on Apple TV and Amazon Prime. Find Rory Karpf: https://www.gracepointfilm.com/ Find Al Francesco: https://www.albefilms.net/ Instagram: @gracepointfilm Sponsored by Hot Rod Cameras: https://hotrodcameras.com/ Sponsored by ARRI: https://www.arri.com/en The Cinematography Podcast website: www.camnoir.com YouTube: @TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Blue Sky: @thecinepod.bsky.social

Arriésgate para ganar y también arriésgate para perder. Recuerda que en esta vida, los opuestos conviven juntos. Los opuestos habitan en la misma moneda.Tú decides qué lado se manifiesta.No lo decide el azar y no lo deciden terceras personas... ¡Lo decides tú! Hosted on Acast. See acast.com/privacy for more information.

La Commission européenne adoucit un peu les règles sur les ventes de voitures neuves. Beaucoup de constructeurs risquaient de payer de lourdes amendes si leurs véhicules émettaient trop de CO2.

Emilia Pérez is about a Mexican cartel leader, Manitas Del Monte (Karla Sofía Gascón) who hires a lawyer (Zoe Saldaña) to help him disappear, undergo gender affirming surgery, and transition into a woman. But even as Emilia Pérez, she is unable to fully leave her dark criminal past behind. Director Jacques Audiard saw the film as a unique blend of gritty drama like Amores Perros and an opera. He approached cinematographer Paul Guilhaume, AFC to collaborate on his vision. With a combination of operatic grandeur, gritty realism, and dynamic camerawork, Paul Guilhaume has been nominated for an Academy Award for his visually stunning cinematography in Emilia Pérez. Paul was impressed with the story arc when he received the script for the movie. “There is something a bit like a classic drama or a very classic structure of a play,” he explains. “The actions of the past come back, and the darkness comes back in the film at the end.” This dramatic structure, combined with the operatic elements, presented a unique challenge. Audiard initially conceived Emilia Pérez as a five-act musical stage play before deciding to film it. The theatrical influence is apparent in the film's structure and visual approach. The drama unfolds during the musical numbers, revealing information about the story. All of the musical numbers were written into the script and became a thread interwoven throughout the film. Paul used a variety of styles to shoot each music scene. He chose classic shot-reverse-shot for intimate moments, to stylized, modern music video techniques and grand, classic musical visuals for moments of heightened movement and energy. Months of preparation and rehearsal allowed the actors to meticulously block and choreograph the dance scenes in tandem with the Steadicam, resulting in seamless integration of movement and camera. In Emilia Pérez, the camera is always in motion, matching the pacing of the music. “Jacques has an aesthetic of movement, the camera is almost never still,” says Paul. “There's something in motion in each and every frame that's not photographic composition, but cinematographic composition. Your eye is always in motion, taking you from one shot to the next.” The film's visual tone shifts as Emilia's past catches up with her. Paul responded to the shift with higher contrast, theatrical lighting, bringing up the darks with black walls and using an infrared camera. Despite the film's ambitious scope, it began as a small, independent production with a limited budget before being picked up by Netflix. This constraint led to the decision to shoot digitally with a Sony Venice, a choice that ultimately saved time and money. Paul and Audiard focused on crafting memorable moments, striving to create one key image per scene to build a lasting "visual memory" for the audience. Emilia Pérez is on Netflix. Find Paul Guilhaume: Instagram: @paul_guilhaume Sponsored by Hot Rod Cameras: https://hotrodcameras.com/ Sponsored by ARRI: https://www.arri.com/en The Cinematography Podcast website: www.camnoir.com YouTube: @TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Blue Sky: @thecinepod.bsky.social

Nosferatu is a gothic tale of obsession, about a young woman, Ellen, who faces a terrifying supernatural entity after her husband travels to Transylvania to conduct business with the enigmatic Count Orlok. As Orlok arrives in her town, he brings a plague of death and terror, forcing Ellen to confront the monstrous vampire and the darkness within herself. Cinematographer Jarin Blaschke wanted to create a visually distinct and unsettling experience for Nosferatu, drawing inspiration from F.W. Murnau's 1922 classic, while developing his own unique look. Both he and director Robert Eggers chose a more romantic approach to the film, with a palette of blue and black. Shooting on film with candlelight and moonlight added to the haunting atmosphere. Jarin tested several lenses and the film scanning process to get the grain and color just right. He wanted Nosferatu to feel very composed and controlled. “If it feels claustrophobic, we lean into that,” he says. “How you pan, when you pan, what's the feeling of it, and how you guide the camera operator to execute that pan, all contributes to the overall feeling.” Jared has collaborated with Eggers on all of his films, beginning with the short film, The Tell Tale Heart, The Witch, The Lighthouse and The Northman. The two share a love of fairy tales and the golden age of illustration. As with most of their films, the two had several months to prep for Nosferatu. They talked through the scenes and shotlisted the movie, while Jarin drew small storyboard thumbnails as a draft for the storyboard artist. “I love the luxury of a long prep time,” says Jarin. “The ideas that you come up with over the course of four months, as opposed to four minutes, are much, much better, you know? Like if I'm just reacting to stuff in the moment, I'm going to go for the easiest thing. But if I have time to come up with an idea and think about how to surprise people, that's a lot more fun.” This meticulous approach extends to post-production, where Jarin even directed the lighting for visual effects. "I enjoy being an obsessive perfectionist," he admits. You can see Nosferatu in theaters and on VOD January 21. Find Jarin Blaschke: https://www.luxartists.net/artists/jarin-blaschke Flickr: https://www.flickr.com/photos/18192666@N00/ Sponsored by Hot Rod Cameras: https://hotrodcameras.com/ Sponsored by ARRI: https://www.arri.com/en The Cinematography Podcast website: www.camnoir.com YouTube: @TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Blue Sky: @thecinepod.bsky.social