Podcasts about carcanet

Send us a textAw! You're squishably cute!  Yes you, dear listener. In this episode we meet Isabel Galleymore and hear from her highly original collection Baby Schema, published by Carcanet. Tempted into a big-eyed world of Disneyfied cuteness you'll find things getting increasingly weird as Isabel examines its distorting relationship with nature, business, human relationships… and more. Plus Robin reports back to us from The Foyle Young Poets of the Year awards and reads the poem Loud by Indy Moon. Peter makes some excuse to read the timeless To Autumn, by John Keats.  Then, accompanied by a wailful choir of small gnats, your podcast pals are borne aloft… Till next time… Adieu!Support the showPlanet Poetry is a labour of love, paid for out of our own pockets.If you enjoy the podcast, please show your support and Buy us a Coffee!

Why does 'mean' have so many meanings? Why do poets take metaphor so seriously? Why do objects like pink ghetto blasters make poems live? And why are the filaments of our eyes in the edges of the snow? To answer these surreal, and not so surreal questions - Ian McMillan is joined by Alistair McGowan, Caroline Bird, and Toria Garbutt, and presents an 'eartoon' - a cartoon for the ear, from Richard Poynton (otherwise known as Stagedoor Johnny).Alistair McGowan is an impressionist, actor, writer, pianist, and now - poet. He joins Ian McMillan in a pun-off - the first time such an event has ever been staged on national radio (probably). Alistair's collection of poems is called 'Not what we were expecting' (Flapjack Press).Toria Garbutt is a spoken word artist, poet and educator from Knottingley. She shares tender, funny poems from 'The Universe and Me' (Wrecking Ball Press) many of which take us into her relationship with her sister when they were young, and reveal how much poetry there is in the objects of childhood. Caroline Bird's new poetry collection is called 'Ambush at Still Lake' (Carcanet). She reads poems of motherhood which are like 'upside down jokes' and take 'toddler logic' (like the idea that imaginary carrots have completely run out) to surreal and sinister conclusions. Caroline also presents us with our neon line, a stand-out line from a classic poem, and explores why it works so well. It's this mystery poem which proposes that there are 'filaments of our eyes' in the 'edges of the snow'.Richard Poynton is a writer and performer (also known as Stagedoor Johnny). He stars in his own invention, a backstory for the origin of the English language, which explains why it has so many words with multiple meanings. In this week's Eartoon Richard introduces us to a 'mean' lasagne. (you won't want to meet it down a dark alley).

Send us a Text Message.Silent faces and displaced lives.  Seni Seneviratne gives voice to overshadowed Black children, exotic pages and servants in the portraits of nobility and the mercantile class in 18th Century paintings. Other of her poised and beautiful poems, from The Go-Away Bird from Peepal Tree Press, are infused with bird imagery, and the migrations of travellers going deeper into themselves. Meanwhile Robin jumps into the world of online poetry magazines, looking at the long-running Ink Sweat & Tears, and one of the newer mags Propel Magazine. And Peter is intrigued by Victoria Kennefick's latest collection Egg/Shell from Carcanet - a passionate book in two halves, exploring early motherhood and miscarriage, and the impact of a spouse's gender transition and the dissolution of a marriage. Photo of Seni Seneviratne by Sam Hardwick at Ledbury PoetrySupport the Show.Planet Poetry is a labour of love, paid for out of our own pockets.If you enjoy the podcast, please show your support and Buy us a Coffee!

Eavan Boland is the latest subject of the Nothing But The Poem podcast. With our regular podcast host Sam Tongue on paternity leave this edition has Bloodaxe poet Aoife Lyall taking an immersive look into two of Eavan Boland's poems, which were discussed at the online monthly meet-up of the Nothing But The Poem group. Eavan Boland is one of the central figures of modern Irish poetry, a poet who, according to her publishers Carcanet, "came to be known for her exquisite ability to weave myth, history, and the life of an ordinary woman into mesmerising poetry." Elaine Feinstein, writing in the Poetry Review, said: "Boland is one of the finest and boldest poets of the last half-century." Iain Crichton Smith wrote: "She has the equipment of the true poet, that is to say an image-making faculty, a true devoted eye and an ear for rhythm." The two poems discussed in this podcast are The Poets from New Territory (Allen Figgis, 1967) and Moths from In A Time Of Violence (Carcanet, 1994).

On this mornings's show we talk to Victoria Kennefrick about her new collection Egg/Shell, just published by Carcanet, a double album, as she describes it, which explores early motherhood and miscarriage, and the impact of a spouse's gender transition and the dissolution of a marriage. The book is a follow-up to her widely acclaimed first collection  Eat or We Both Starve. Hers had been described as one of the boldest poetic voices to emerge in recent years and Egg/Shell is The Poetry Book Society Spring Choice 2024.‘It is hard to hurt and then explain the hurt away / so as not to hurt anyone. But have you seen / my life?' (‘Child of Lir')Today also sees the return of the Toaster Challenge, where our guest talks for the length of time it takes to cook up a nicely done slice of toast about a book that has resonated with them. Victoria's choice is Falling Awake by Alice Oswald. Intro/outro music: Colm Mac Con Iomaire, ‘Thou Shalt Not Carry' from The Hare's Corner, 2008, with thanks to Colm for permission to use it. Incidental music Wanderlust by Scott Buckley | https://soundcloud.com/scottbuckleyMusic promoted by https://www.free-stock-music.comArtwork by Freya SirrTo subscribe to Books for Breakfast go to your podcast provider of choice (Apple Podcasts, Spotify, Google etc) and search for the podcast then hit subscribe or follow, or simply click the appropriate button above. Support the show

Go on. Press the button. Paul Stephenson guides us through a choice of his varied, formally diverse and moving elegies in his Carcanet collection Hard Drive -- written in the years following his partner's sudden death -- and find a curiously life-affirming  exploration of grief and its aftermath.  Robin and Peter also make their way across Europe (simultaneously in both the 21st and the 19th Centuries) in the company of Janet Sutherland whose The Messenger House  (Shearsman Books) is a highly-ambitious  weaving of history, poetry and travelogue. At the border, we flag down Charlotte Gann to examine her  Cargo  -- a characteristically brilliant new pamphlet by  published by Mariscat Press.  And, tugging at the long roots of prosimetra, we find Boethius, Dante, David Jones and a 12th Century bloke called Hugh of Bologna.Support the showPlanet Poetry is a labour of love, paid for out of our own pockets.If you enjoy the podcast, please show your support and Buy us a Coffee!

"Wounds, whilst they open us to the world...they can be points of infection."  Welcome to 2024 and a new episode of the Rippling Pages. Rachel Mann is a poet, scholar, novelist and Anglican priest. She is Rachel Mann is here to talk about her new collection, Eleanor Among the Saints (Carcanet), which takes inspiration from the life of Eleanor 'John' Rykener. A trans woman, seamstress, embroider, and sex worker who lived in medieval England. More info about the book here This is Rachel's second collection after Kingdom of Love (also Carcanet - and which I reviewed here!) The book is a Poetry Book Society recommendation and you kind find tickets to her launch here. Tickets to the Carcanet launch of the book here: https://www.carcanet.co.uk/cgi-bin/events?showpage=913 This show comes with a content warning - we do talk about some sensitive topics, such as domestic violence, so please do take care of yourself when listening. Rippling Points 5.05 - Poetry and embroidery 8.03 - What Eleanor's story,  and Rachel's poetry, tells us about embodiedness 11.45 - Society and Eleanor's story 14.54 - How details about Eleanor's life helped in writing the collection. 18.30 - 'Violence' in craft and the writing process. 21.45 - How themes of violence and the body converge in Rachel's poems. 28.20 - 'Fear' of working with heavy and sensitive topics Reference Points Gilles Deleuze Umberto Eco

Here's how the Carcanet Press website describes him: Michael Schmidt FRSL, poet, scholar, critic and translator, was born in Mexico in 1947; he studied at Harvard and at Wadham College, Oxford, before settling in England. Among his many publications are several collections of poems and a novel, The Colonist (1981), about a boy's childhood in Mexico. He is general editor of PN Review and founder as well as managing director of Carcanet Press." Michael has been applying his judgement publishing poetry and fiction for more than fifty years “discovering” and rediscovering, along the way, many of the greatest writers of our age. We met at the Carcanet offices in Manchester to talk about, among others things, what he does; Germans in Mexico; the love of poetry; The Harvard Advocate; magazines as good tools for book editors; the importance of the past; the difference between editing books and magazines; poets John Ashbery and Edgell Rickword; writers starting on the left; generous patrons: Baron Robert Gavron; prosody; syllabics; leaving room for the reader; overproduction being a straight path to bankruptcy; an education at Oxford; Milton; the Understanding Poetry anthology; writing letters; the centrality of politics; notions of balance and continuity; principles of permanence and change; the difference between taste and judgement; catalysts; the Yiddish saying: “One word is not enough, two is too many.” Changing literary culture; Wallace Stevens; enhancing, extending and revitalizing the language…all this in tandem with a chorus of Manchester trams piping in, in the background, throughout the conversation.

The story of the 16th-century Portuguese traveller, writer, soldier, envoy, and so much more, takes us to Malaysia, to the city of Malacca (Melaka), and to diplomatic missions among nearby rulers. If you like what you hear and want to chip in to support the podcast, my Patreon is here. I'm on Twitter @circus_human, Instagram @humancircuspod, and I have some things on Redbubble. Sources: The Travels of Mendes Pinto, edited and translated by Rebecca D. Catz. University of Chicago Press, 1989. The Commentaries of the Great Afonso Dalboquerque, Second Viceroy of India, translated by Walter de Gray Birch. Hakluyt, 1875. Boxer, C.R. The Portuguese Seaborne Empire 1415-1825. Carcanet, 1991. Diffie, Bailey Wallys. Foundations of the Portuguese Empire, 1415-1580. University of Minnesota Press, 1977. Newitt, Malyn. A History of Portuguese Overseas Expansion 1400–1668. Routledge, 2004. Paine, Lincoln. The Sea and Civilization: A Maritime History of the World. Knopf Doubleday, 2015. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Hush your vuvuzela! Barnsley's own Ian McMillan lobs the keeper and helps Planet Poetry's fourth season start with a belting win.  He treats us to selections from To Fold The Evening Star, New and Selected Poems from Carcanet as well as his smith|doorstop pamphlet, Yes But What Is This? What Exactly? Plus your podcast pals Robin Houghton and Peter Kenny strap on their boots and shin pads, and discuss everything from Spitfires to a Welsh shrine-like display for R. S. Thomas, they dip  into books by Denise Levertov, Glynn Maxwell and Han Kang,  sprinkle a few Neanderthals, a Stanza Anthology and Robin's great plunger into the mix, and... Yep! Planet Poetry is back. Photo of Ian McMillan by Adrian MealingBooks mentioned by Robin & Peter:The Man Who Went into the West,  The Life of RS Thomas by Byron Rogers (Aurum 2006)The Big Calls, Glyn Maxwell (Live Canon, 2023) The White Book, by Han Kang (Portobello Books 2018) and The Naked Neanderthal by Ludovic Slimak (Penguin 2023).Support the showPlanet Poetry is a labour of love, paid for out of our own pockets.If you enjoy the podcast, please show your support and Buy us a Coffee!

Tracy Chevalier discusses a historic Vermeer exhibition at Amsterdam's Rijksmuseum, the largest collection of his paintings ever assembled including Girl with a Pearl Earring, which was celebrated by Chevalier's 1999 novel of the same name. Bristol Old Vic is collaborating with four universities in the West Country for a major study into audience reactions in the theatre. Do reactions in the auditorium differ from those watching it online? Melanie Abbott investigates, talking to Iain Gilchrist from University of Bristol, Mike Richardson from University of Bath, Charlotte Geeves from Bristol Old Vic, actor Sophie Steer and Emma Keith, Director of Digital Media at the National Theatre. The finely wrought rhyming and metrical poetry of A. E. Stallings has won her prizes in the US, but until now she has not been published in the UK. Manchester-based publisher Carcanet is putting this right with This Afterlife, her Selected Poems. A. E. Stallings talks about living in Greece, drawing on classical mythology, making art out of the minutiae of life, and the joy of rhythm and rhyme. Jonathan Howard of The King's Singers tells us about the recent cancellation of a concert they were due to perform at Pensacola Christian College in Florida, over what the group says were "concerns related to the sexuality of members." Presenter: Tom Sutcliffe Producer: Paul Waters (Photo: Photo Rijksmuseum)

Hop aboard! And join your Planet Poetry pals as we bravely embark on a new year. Strap in beside a child of six -- flying away from her family, culture and language -- to arrive, wordlessly, in a new country and a new life.  Mimi Khalvati shares poems from her exquisite Carcanet collection Afterwardness and relives the journey that utterly changed the course of her life.Robin and Peter also discuss the T.S.Eliot Prize winner  Sonnets for Albert by Anthony Joseph,  published by Bloomsbury Poetry  and rediscover the magnificent faber collection Elegies by Douglas Dunn.  Finally, your hosts summon all their courage to share their fragile writerly hopes  for the new year. Happy New Year!Support the show

Helen Mort's latest collection, The Illustrated Woman, has just been shortlisted for the Forward Prize, the latest accolade in what has been an incredibly productive year: 2022 has also seen the publication of her memoir of walking and motherhood, A Line above the Sky, and a collaborative lyric essay (with Kate Fletcher), Outfitting, exploring fashion and wild ecology.Caroline Bird's latest book is Rookie, a long-awaited selection gathering material from her seven Carcanet collections – including The Air Year, which won the Forward Prize in 2020. She is also a playwright, and was an official poet for the London Olympics in 2012.Mort and Bird discuss and read from their work.Find upcoming events at the Bookshop here: https://lrb.me/upcomingevents Hosted on Acast. See acast.com/privacy for more information.

Women. Poetry. Translation. A Conversation with Eiléan Ní Chuilleanáin and Martina Evans.  To mark International Translation Day, hear readings and a discussion on Irish poetry and translation. This event was a part of the "Women and Literature" series by the Embassy of Ireland in Latvia, in partnership with Literature Ireland and the National Library of Latvia, where the event took place. This panel discussion included special guests from Ireland and Latvia, as well as a spotlight on Latvian poet Astrīde Ivaska's time in Ireland. Our guests:Eiléan Ní Chuilleanáin Born 1942 in Cork, Fellow emeritus of Trinity College, Dublin. Ireland Professor of Poetry 2016-19. She has published academic work on the Renaissance and on translation, as well as eleven collections of poetry. Her Collected Poems appeared in 2020 and was awarded the Pigott Prize. She has published translations of poetry from several languages, most recently Dánta Antonella Anedda, translated from Italian into Irish, published by Cois Life in 2019. Lucina Schynning in Silence of the Nicht (poems translated into Chinese) appeared from Sichuan Ethnic Publishing Company, Chengdu, in 2020. With Macdara Woods, Leland Bardwell and Pearse Hutchinson she founded the literary magazine Cyphers and remains its principal editor.Martina EvansMartina Evans grew up in County Cork and trained in Dublin as a radiographer before moving to London in 1988. She is the author of twelve books of poetry and prose. Now We Can Talk Openly About Men (Carcanet 2018) was shortlisted for the 2019 Irish Times Poetry Now Award, the Pigott Poetry Prize and the Roehampton Poetry Prize and was an Observer, TLS and Irish Times Book of the Year in 2018. American Mules, (Carcanet 2021) won the Pigott Poetry Prize in 2022. She is a Royal Literary Fund Advisory Fellow and an Irish Times poetry critic.The conversation was moderated by Dr. philol. Zita Kārkla, a post doc at the Institute of Literature, Folklore and Art of University of Latvia. This podcast episode has been released jointly by the National Library of Latvia and Literature Ireland; Literature Ireland's episode is introduced by the Director of Literature Ireland, Sinéad Mac Aodha.Literature Ireland promotes Irish literary authors and their work worldwide and is funded by Culture Ireland and the Arts Council. To learn more about what we do, visit Literature Ireland's website. For any queries email info@literatureireland.com. The intro/outro music in this series is used with permission from David Hilowitz. Intro sound editing by Ciarán McCann.

‘I write because I must,' says Vahni Capildeo, winner of the 2016 Forward Prize for Best Collection for Measures of Expatriation (published by Carcanet). ‘I think poetry,' she says, ‘is a natural expression of humanity that has not been brutalized – which is able to take time and concentrate.' In this podcast, Capildeo discusses the impact studying Old Norse at university had on her poetry, how women's voices are silenced, and why she objects to the word ‘migrant'.

Our latest podcast departs from our usual interview format. It's a recording of a reading held in the Scottish Poetry Library in March. The poets featured are Nina Bogin, Eoghan Walls and Beverley Bie Brahic. Nina Bogin (pictured) was born in New York City and received a B.A. degree from New York University. She has lived in France since 1976. She taught English and literature at the University of Technology of Belfort-Montbéliard in France, until her retirement in 2017. Graywolf Press published her first book of poems, In the North, in 1989. Two books of poems followed, The Winter Orchards in 2001 and The Lost Hare in 2012, both published by Anvil Press. Her latest collection, Thousandfold, is published by Carcanet. Eoghan Walls was born in Derry in Northern Ireland. He attended Atlantic College on the coast of South Wales and has lived and taught in Germany, Rwanda, Scotland and presently, northern England. He won an Eric Gregory Award in 2006. His first collection of poems, The Salt Harvest, was published by Seren in 2011 and was shortlisted for the Strong Award for Best First Collection. He teaches creative writing at Lancaster University. His latest collection is Pigeon Songs, which is published by Seren. Beverley Bie Brahic is a poet and translator. A Canadian, she lives in Paris and the San Francisco Bay Area. Her second poetry collection, White Sheets, was a finalist for the 2012 Forward Prize. Brahic's translations include Guillaume Apollinaire's The Little Auto, winner of the 2013 Scott Moncrieff Prize; and books by Jacques Derrida and Julia Kristeva. Her latest collection is The Hotel Eden, which is published by Carcanet.

A year into the Covid-19 era, the publisher Shearsman Books is putting out a new title, Poetry and Covid 19 – An Anthology of Contemporary International and Collaborative Poetry. It's edited by Anthony Caleshu and Rory Waterman, the idea being to pair 19 UK-based poets with poets from around the world to work on poems together. As the blurb puts it: ‘The poems herein are as personal as they are communal, and as local as they are international. Between them, the writers reside in all of the world's permanently populated continents, recognising that the pandemic has truly hit us everywhere.' We have not one but two podcasts based on the book coming up, this month's and we'll put out another next month. The contributors to this podcast are Rory Waterman, who'll chair proceedings, a poet from Nottingham who has three collections published by Carcanet. Linda Stern Zisquit is an American-born Israeli poet and translator. And finally Declan Ryan, who was born in County Mayo, and who has lived mainly in London. His first pamphlet was published in the Faber New Poets series.

"Song is very powerful...it's not a truth teller, it's a state-changer." Richard Price joins today's show to discuss his collection of 'Three Inuit Stories Retold.' Published by Carcanet, the book was a Scotsman Book of the Year in 2021, and Richard joined me to discuss the challenges of retelling these tales. You can buy the book here: https://www.carcanet.co.uk/cgi-bin/indexer?product=9781800171176 Enjoyed this episode - why not send a small donation to support with the running costs! Thank you! - https://ko-fi.com/liambishop   Rippling Points Don't read it on Wikipedia: shedding light on expectations of roles Travelling by song: the powerful nature of song. Reference Points Ron King, artist Small World by Richard Price (2012: Carcanet) Quentin Tarantino

Strap in! We're going boldly into interplanetary space -- and returning to see our own planet through alien eyes.  J.O. Morgan tells us about his lates poetry collection The Martian's Regress from Cape Poetry -- an epic, gripping sequence about a martian and his pale companion investigating a dead and sterile earth. Next... Time travel. We'll whisk you back to those passionate Victorians, with Robin sampling the obsessive melancholy of Alfred, Lord Tennyson's long poem In Memoriam A.H.H.  And Peter continues his quest into American poetry, and finds huge amounts to admire in the poem 'Prayer' from Jorie Graham's vibrant collection Never published by Carcanet in 2002.

The Playcast is back!We return with the first episode of the season brining you an interview with Caroline Bird. Caroline is the writer of Red Ellen which arrives at Nottingham Playhouse on Weds 13th April. Get your tickets hereBioCaroline won The Forward Prize for best poetry collection in 2020. She was shortlisted for the Costa Prize 2020, the TS Eliot Prize 2017, the Ted Hughes Award 2017, and the Dylan Thomas Prize twice in 2008 and 2010. She was a finalist for the Susan Smith Blackburn Prize 2014. She has also won an Eric Gregory Award (2002) and the Foyle Young Poet of the Year award two years running (1999, 2000), and was a winner of the Poetry London Competition in 2007, the Peterloo Poetry Competition in 2004, 2003 and 2002. Caroline was on the shortlist for Shell Woman Of The Future Awards 2011.Caroline has had six collections of poetry published by Carcanet. Her first collection Looking Through Letterboxes (published in 2002 when she was only 15) is a topical, zesty and formally delightful collection of poems built on the traditions of fairy tale, fantasy and romance. Her second collection, Trouble Came to the Turnip, was published in September 2006 to critical acclaim. Watering Can, her third collection published in November 2009 celebrates life as an early twenty-something with comedy, wordplay and bright self-deprecation. Her fourth collection, The Hat-Stand Union, was described by Simon Armitage as ‘spring-loaded, funny, sad and deadly.' Her fifth collection, In These Days of Prohibition (published July 2017) was shortlisted for the 2017 TS Eliot Prize and the 2017 Ted Hughes Award. Her sixth collection, The Air Year was published in February 2020, and was book of the month in The Telegraph, book of the year in the Guardian, shortlisted for the Costa Prize, and winner of the Forward Prize.Bird's poems have been published in several anthologies and journals including Poetry Magazine, PN Review, Poetry Review and The North magazine. Several of her poems and a commissioned short story, Sucking Eggs, have been broadcast on BBC Radio 4 and BBC Radio 3. She was one of the five official poets at London Olympics 2012. Her poem, The Fun Palace, which celebrates the life and work of Joan Littlewood, is now erected on the Olympic Site outside the main stadium.In recent years, Caroline has given poetry performances at Aldeburgh Festival, Latitude Festival, the Manchester Literature Festival, the Wellcome Collection, the Royal Festival Hall, the Wordsworth Trust, Cheltenham Festival, and Ledbury Festival, amongst others.Caroline Bird began writing plays as a teenager when she was the youngest ever member of the Royal Court Young Writer's Programme, tutored by Simon Stephens. In 2011 Caroline was invited to take part in Sixty Six Books by the Bush Theatre. She wrote a piece inspired by Leviticus, directed by Peter Gill. In February 2012, her Beano-inspired musical, The Trial of Dennis the Menace was performed in the Purcell Room at the Southbank Centre.Caroline's new version of The Trojan Women premiered at the Gate Theatre at the end of 2012 to wide critical acclaim. Caroline's plSupport the show (https://nottinghamplayhouse.co.uk/support-us/donate/curtain-up-appeal/)

Then what angelic vision is this? It's Sasha Dugdale sharing poetry from her award-garlanded Carcanet collection Joy  including an excerpt from the title poem in the voice of William Blake's wife Catherine. And in her latest work Deformations Sasha tackles, among other things, the conflicted legacy of Eric Gill. Plus Robin pines for more work by Sam Willetts, reflecting on his collection New Light for the Old Dark while Peter manages a complete U-turn about Mary Oliver and we dip back into Twitter for another thorny issue.

Welcome home! Now slip off your raincoat and settle down in the flickering firelight.  Listening to Janet Sutherland will suggest summer snakes hissing in the hay, as you explore the rural upbringing that has shaped the quietly-magnificent world of her four Shearsman Books collections: Burning the Heartwood, Hangman's Acre, Bone Monkey and Home Farm. Meanwhile, your pals Robin and Peter begin 2022 eyeing a patriarchal statue in a beautiful poem by  Eavan Boland from her New Collected Poems from Carcanet . And devouring  C+nto and othered poems by Joelle Taylor to find it an elegiac, barnstorming celebration - and a just winner of the T.S. Eliot prize too. 

We see you. Covered in tinsel and cavorting with Dancer, Prancer, Vixen and the rest of those red nosed reindeers.  Luckily here is a treat you can open immediately!  Our interview with two inspiring poet publishers - Sharon Black of Pindrop Press, and Di Slaney of Candlestick Press - who share the proximity of goats but have distinct approaches to publishing. Plus Di Slaney treats us to a poem from Herd Queen (Valley Press) and Sharon Black shares a poem from her perfectly-formed pamphlet  Rib  (published by Wayleave Press).   Over a mince pie, Peter and Robin chat about the early life of one-time poet laureate John Masefield and his children's Christmas classic The Box of Delights - while Robin is so uplifted by Sasha Dugdale's new Carcanet collection Deformations she's invited her on the podcast for next year. Happy holidays everyone :-)

Fabulous stories, overheard conversation and a panoply of characters? It's the sound of Planet Poetry basking in the glowing Technicolor of Martina Evans's funny, moving and brilliantly inventive new collection American Mules (Carcanet). Meanwhile a  croaky-with-Covid Robin props herself up on one elbow to re-read a favourite collection by Kei Miller. As Cop26 is in the news, Peter considers eco-poetry in the light of work by novelist Richard Powers and philosopher Timothy Morton's 'All Art is Ecological'. But wait... Where's that self-promotional trumpet? The new website at planetpoetrypodcast.com is finally UP! (And if you could tell absolutely everyone about it, that really would be awfully decent of you.)  

When our Young Person's Mentor Greg spoke to BBC Radio 5 Live on 30 September about Shared Reading, many listeners wrote in to say it was the most inspiring thing they'd ever heard on the radio. We caught up with Greg for an extended conversation about his role at The Reader and to hear more about how Shared Reading fits into this and into Greg's own story so far. We'll also hear from another Reader staff member, Sue, who reads a poem by Wordsworth and talks about the powerful and unexpected sense of calm that this old poem can create in her groups.    The Reader on BBC Radio 5 Live    BBC Radio 5 Live Word Matters project    Young Person's Mentoring Scheme at The Reader    ‘Love After Love' by Derek Walcott from The Poetry of Derek Walcott 1948-2013 published by Faber & Faber. We have applied for permission of the publishers FSG to read this poem here.    ‘Composed upon Westminster Bridge, September 3, 1802' by William Wordsworth    ‘Spiderweb' by Kay Ryan Kay Ryan's poem 'Spiderweb' is from her collection Odd Blocks: New & Selected Poems published by Carcanet. We are grateful for the kind permission of the publishers to read it here. 

Ian McMillan is joined by an audience at the Belgrade Theatre as he explores Coventry's green places and the river that ghosts through the city with poets David Morley, John Bernard, Sujana Crawford and Olga Dermott-Bond. He is also joined by musicians from the City of Coventry Brass Band. Poet David Morley unpacks the meaning of the River Sherbourne, which flows through and under Coventry. David is Professor of Creative Writing at the University of Warwick and his latest collection is 'Fury' (Carcanet). He is also a freshwater ecologist and brings an ecologist's attention and ear for language to his Sherbourne poem. John Bernard also explores the River Sherbourne with a poem called 'Revered River'. John is a spoken word artist and rapper – and a finalist on Radio 1 Extra and Asian Network's ‘Words First' programme. He explores the idea that he has become 'acquainted' with the river. Sujana Crawford reads a poem called 'Marshland Whispers' - inspired by Brandon Marsh, a nature reserve and former quarry. She was commissioned to write the poem as part of Contains Strong Language's 'Green City' project. Sujana's work has featured in many anthologies; her plays have been staged at venues including the Birmingham Rep, and the Belgrade Theatre. Poet Olga Dermott-Bond has been spending time with the City of Coventry Brass Band learning about their history, and experiencing rehearsals. She performs two poems with Stephen McDonald and Christopher Moore from the City of Coventry Brass Band - inspired by listening to the band warm up and by their performance of the hymn 'Nicaea'. Olga is a former Warwick Poet Laureate, and was one of the winners of the 2018 BBC Proms poetry competition. 'Apple, fallen' is her debut poetry pamphlet.

On today's podcast I am speaking with the award winning author, James Harpur about his new collection of poetry called The Examined Life.In this episode James reads from his poetry book some of the poems which detail what life was like for him at boarding school in the 1970s.---James Harpur is an award winning poet who has had six poetry collections published by Carcanet and Anvil Press. He is also a member of Aosdana, the Irish academy of arts.The awards he has won include: the Vincent Buckley Prize, a Patrick and Katherine Kavanagh Fellowship, and the UK National Poetry Competition.His work has appeared in the national press, including The Irish Times, The Spectator, The Guardian, The Financial Times, and The Independent.His books include The White Silhouette (2018), an Irish Times Book of the Year, Angels and Harvesters (2012), which was a PBS Recommendation and shortlisted for the 2013 Irish Times Award; and The Dark Age (2007) which won the Michael Hartnett Poetry Prize. ---Here are some of the topics and poems that James talks about:1 Introduction. 00.0How James came to write his book as an account of his ‘tribe'. 2Why boarding school? 7.45Why did James's parents send him to one? Poem: ‘Separation'3. Homesickness. 15.30First few weeks at school and the change from family life. Poem: ‘The Payphone Trap'4 Family Situation. 24.25James's parents splitting up at the start of his school career.Poem: ‘Telemachus'5 Boarding School challenges. 35.00James as an introvert in relentless public space; dormitories; prefects, etc.Poems: ‘Middle Dormitory: Passover' & ‘Senior Dormitory: Faust'6. Positive aspects of school. 47.30Camaraderie, influence of good masters …Poem: ‘Senior Dormitory: Monday Morning'7 Under Pressure. 57.15Different types of pressure, e.g exams. James's ‘breakdown' … Poem: ‘The Active Voice'8. Boarding School in the 1970s. 1.07.30Early 1970s still in the hippie era, but also industrial strife and the Troubles – what was that like?PP: ‘Uniform'9. The Feminine Principle. 1.16.01 School was almost entirely an all-boys' school with an absence of the feminine.PP: ‘Sex Education: ‘Terra Incognita' In order to purchase James' book: :https://tworiverspress.com/shop/the-examined-life/Reviews for book:The Examined Life‘Insanely courageous.' The Spectator'Beautifully crafted and searingly honest.' Dublin Review of Books‘Haunted and haunting …' The Irish Times

Today former RTE producer and writer Julian Vignoles, know for his biographies of Rory Gallagher and David Thomson of Woodbrook fame, reviews Sinéad O'Connor's memoir Rememberings, described as 'inspiring, liberating, hilarious and fascinating'  by theIrish Times and  'beautifully observed ... lyrical, funny and anguished' by the Guardian.Our Toaster Challenge guest is Victoria Kennefick whose debut collection Eat Or We Both Starve, was published recently by Carcanet.  Her collection draws readers into seemingly recognisable set-pieces - the family home, the shared meal, the rituals of historical occasions, desire - but gives them new shapes and uses them to explore what it is to live with the past  and not to be consumed by it.Intro/outro music: Colm Mac Con Iomaire, ‘Thou Shalt Not Carry' from The Hare's Corner, 2008, with thanks to Colm for permission to use it.Artwork by Freya SirrTo subscribe to Books for Breakfast go to your podcast provider of choice (Apple Podcasts, Spotify, Google etc) and search for the podcast then hit subscribe or follow, or simply click the appropriate button above. Support the show (https://www.buymeacoffee.com/books4breakfast)

Where did Dublin's uber-toffs live in the eighteenth century? Melanie Hayes drops in to talk about The Best Address in Town, Henrietta Street, Dublin and Its First Residents, 1720-1780, published by Four Courts Press. Our Toaster Challenge guest is Moya Cannon, whose Collected Poems was recently published by Carcanet, featuring more than three decades of fine work. Moya's Toaster Challenge choice is the classic The Living Mountain by Nan Shepherd. Bring them with you on your morning walk!Intro/outro music: Colm Mac Con Iomaire, ‘Thou Shalt Not Carry’ from The Hare’s Corner, 2008, with thanks to Colm for permission to use it.Link music: Green Fields ©Scott Holmes Music https://www.scottholmesmusic.comArtwork by Freya SirrTo subscribe to Books for Breakfast go to your podcast provider of choice (Apple Podcasts, Spotify, Google etc) and search for the podcast then hit subscribe or follow, or simply click the appropriate button above. Support the show (https://www.buymeacoffee.com/books4breakfast)

Victoria Kennefick reads her poem Hunger Strikes Victoria Kennefick in this episode of Words Lightly Spoken, a podcast of poetry from Ireland. The poem is from her collection Eat Or We Both Starve, published by Carcanet Press. The Words Lightly Spoken podcast is funded by the Arts Council of Ireland and is a Rockfinch production.

At the beginning of the week we were waking up to snow and each nights the temperatures have been slipping below zero. However, the days are filled with sunshine and warmth, and a vibrancy fills the word. Spring has arrived.  A few years ago, I discovered something wonderful that the isophenes of Spring tell us about the the progress of the season.   We also join the poet, writer, and naturalist, Edward Thomas, at the end of his 1913 bicycle ride in Pursuit of Spring and finds, high on the Quantocks Hills, the grave of Winter.   Journal entry:“15th April, Thursday.Today was one of those perfect Spring days. The air still had that edge of ice to it, But the day was filled with a thick, syrupy, warmth      that was heavy with blossom and insects. And there was that light that you seem to get only in April;      the flooded, chalky, palettes you find      in the paintings of Krøyer and the other Scandinavian artists.  The day, and the season, is as fresh and as sweet as Spearmint Chewing Gum.                                                           Episode InformationIn this episode refer to and read a short passage from Edward Thomas’ (1914) In Pursuit of Spring. A free (open access) copy can be found on the Project Guttenberg site which incidentally features a rather lovely picture of two narrowboats on the Paddington canal as a frontispiece -  Edward Thomas: In Pursuit of Spring.For those interested in Edward Thomas’ wife, Helen, you can read her two lyrical and poignant autobiographies, As it Was and World without End in the collected edition, Under Storm’s Wing (2012) published by Carcanet. I also read a very short extract from Miles Hadfield (1950) An English Almanac published by JM Dent and Sons.For progress on the ducks and swans – see the Nighttime on Still Waters Facebook, Instagram and Twitter accounts.  General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on:Facebook at https://www.facebook.com/noswpodInstagram: https://www.instagram.com/nighttimeonstillwaters/Twitter: https://twitter.com/NoswPodI would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com

Moya Cannon reads her poem Hands in this episode of Words Lightly Spoken, a podcast of poetry from Ireland, from her Collected Poems, published by Carcanet. The Words Lightly Spoken podcast is funded by the Arts Council of Ireland and is a Rockfinch production.

A year into the Covid-19 era, the publisher Shearsman Books is putting out a new title, Poetry and Covid 19 – An Anthology of Contemporary International and Collaborative Poetry. It's edited by Anthony Caleshu and Rory Waterman, the idea being to pair 19 UK-based poets with poets from around the world to work on poems together. As the blurb puts it: 'The poems herein are as personal as they are communal, and as local as they are international. Between them, the writers reside in all of the world’s permanently populated continents, recognising that the pandemic has truly hit us everywhere.' We have not one but two podcasts based on the book coming up, this month's and we'll put out another next month. The contributors to this podcast are Rory Waterman, who'll chair proceedings, a poet from Nottingham who has three collections published by Carcanet. Linda Stern Zisquit is an American-born Israeli poet and translator. And finally Declan Ryan, who was born in County Mayo, and who has lived mainly in London. His first pamphlet was published in the Faber New Poets series.

Ian McMillan and his guests explore the ‘language' of light this Christmas. He's joined by Baroness Floella Benjamin, who tells the story of leaving Trinidadian sunshine for the very different light in the south of England; one of our best-loved lexicographers, Susie Dent lets us into the vocabulary of light; poetry legend John Cooper Clarke talks about the leading lights of his childhood, and the glow of an extraordinary cocktail cabinet; and Ian rejoices in the glow of the screens that have connected us this year, with a celebration of the poet Edwin Morgan's ‘The Computer's First Christmas Card', made into sound art by the musician Scanner. The poet Caroline Bergvall performs work that celebrates Morgan's centenary year; she also discusses the impact of Norwegian twilight on her work. Throughout the show, the socially distanced Knott Singers celebrate the starlight to be found in carols and introduce our guests with shining harmonies. Edwin Morgan was the first Scots National Makar. He published 25 collections and was a prolific translator. His 'Centenary Selected Poems' has just been published by Carcanet, (ed. Hamish Whyte). For more information on the events marking his centenary visit edwinmorgantrust.com Part of Radio 3's Light in the Darkness season, illuminating winter. Baroness Floella Benjamin is a national icon – she delighted generations of children in her role as presenter of 'Playschool' and other programmes. She is also an actress and a singer, has performed with orchestras across the country, and has long been a champion for children and for diversity. The story of her own journey from Trinidad to England, which she made as a child, inspired her book ‘Coming to England' – and it has now been turned into a children's picture book with illustrations by Diane Ewen. Baroness Benjamin shares her love of the Caribbean sun she was brought up with, her joy in snow-light, and in the visits her family would make to see the Christmas lights in London. Scanner ( AKA Robin Rimbaud ) is a composer and sound artist whose work has always broken new ground since the release of his first albums in the 1990s, which often show a fascination with spaces and with technology. He has collaborated with leading musical lights e.g. Michael Nyman and Laurie Anderson - and has worked on installations, has scored ballets, films and has been commissioned to create sound art for the Tate Modern. He is often to be found in photos illuminated by the glow of his laptop screens ( see here): http://scannerdot.com/robin-rimbaud-scanner-biography/ For The Verb Scanner celebrates the blue light emanating from computers, which has been so important to so many social lives this year - and has made us two versions of Edwin Morgan's ‘The Computer's First Christmas Card' – one of which can be heard in the broadcast programme, the other on the podcast. John Cooper Clarke is a poetry legend and has been an important part of the performance scene since the 1970s. His album ‘Snap Crackle and Bop' was a massive hit with tracks like ‘Beasley St' and ‘Evidently Chickentown'. But his latest work is his autobiography ‘I Wanna Be Yours' - and is the perfect book for The Verb's programme on light – detailing, with John's characteristic humour and sharp eye for detail, the bright lights of Salford when he was growing up, the light of the cinema screens that were so important to him – and the memorable lit cocktail cabinet that features in a chapter called ‘Maldano's Late Night Final' a drink billed as offering a ‘glow in every glass'. http://johncooperclarke.com/ Caroline Bergvall is an award-winning poet, writer, sound artist and performer. She is half-French, Half-Norwegian and explains to The Verb how northern light and long twilights have inspired and informed her work. She has been organising special collaborative streamed writing events at night during this year called ‘Night & Refuge'. For the Xmas Verb she delights in the language and poetry of light that was so important to Edwin Morgan's oeuvre – and performs a poem inspired by his poetry that was commissioned for his centenary year. https://carolinebergvall.com/ https://edwinmorgantrust.com/2020/06/29/the-concrete-world-of-edwin-morgan/ Susie Dent offers The Verb a glittering array of light sensitive words and sayings. She explains the etymology of 'silver screen', 'apricity', and tells us why Dr Johnson, the father of the dictionary, thought that to pursue perfection as a lexicographer was to 'chase the sun'. Susie is one of our best-loved lexicographers showing her passion for language and dictionaries as an expert member of team on the game-show 'Countdown' and she has just published 'Word Perfect: etymological entertainment for every day of the year'.

'Girl And Hare' by Sasha Dugdale read by Neil Bickerton. 'Girl And Hare' appears in the collection, 'Deformations' published by Carcanet in 2020. A transcript can be found at https://books.google.co.uk/books?id=XIXxDwAAQBAJ&pg=PT6&lpg=PT6&dq=%22Girl+and+Hare%22+Sasha+Dugdale&source=bl&ots=W-b827Y0Le&sig=ACfU3U2Rl7R5H1g1AK5lKrsWpMesWgtH7g&hl=en&sa=X&ved=2ahUKEwjJi6jqrvXsAhVLwlkKHcDACaQQ6AEwEXoECAcQAg#v=onepage&q=%22Girl%20and%20Hare%22%20Sasha%20Dugdale&f=false More from Neil Bickerton can be found at http://neilbickerton.com/

His stinging critique of European colonial racism and hypocrisy Discours sur le Colonialisme was first published in 1950. How does it resonate today? A founder of the Négritude movement, Aimé Césaire (26 June 1913 – 17 April 2008) also wrote poetry and a biography of Haitian revolutionary leader Toussaint Louverture. To discuss the influence of Césaire's writing, Rana Mitter is joined by Sudhir Hazareesingh, who has just published his own biography of Toussaint; New Generation Thinker Alexandra Reza, from the University of Oxford; and Jason Allen-Paisant who lectures in Caribbean Poetry and Decolonial Thought at the University of Leeds. Black Spartacus: The Epic Life Of Toussaint Louverture by Sudhir Hazareesingh is out now and will be read as a Book of the Week on BBC Radio 4 from 16 November. Dr Sudhir Hazareesingh, who teaches the University of Oxford, has also written How the French Think. You can hear him in this Free Thinking episode https://www.bbc.co.uk/programmes/b060zryk Alexandra Reza teaches post-colonial literature at the University of Oxford and is a New Generation Thinker - a scheme run by BBC Radio 3 and the Arts and Humanities Research Council that selects ten academics each year to turn their research into radio. Writing by Jason Allen-Paisant has been published in Granta, PN Review, Callaloo, and Carcanet’s New Poetries Series VIII, among other places This episode is linked to BBC Radio 3's residency at London's Southbank Centre and the BBC Culture in Quarantine initiative https://www.bbc.co.uk/arts You can find other episodes devoted to influential books, plays, films, and art in a Free Thinking playlist called Landmarks of Culture, which includes the writing of Wole Soyinka, Audre Lorde, Susan Sontag, and Rachael Carson. You can find it on the Free Thinking programme website and all are available to download as Arts & Ideas podcasts. https://www.bbc.co.uk/programmes/b0144txn Producer: Emma Wallace

We were joined by Toby Litt, Helen Charman, Lisa Kelly and Mary Jean Chan, four of the poets featured in Carcanet’s New Poetries VII. From the first anthology, published in 1994, through to this seventh volume, the series showcases the work of some of the most engaging and inventive new poets writing in English from around the world. The New Poetries anthologies have never sought to identify a school, much less a generation: the poets included employ a wide range of styles, forms and approaches, and new need not be taken to imply young. See acast.com/privacy for privacy and opt-out information.

In this month's episode we speak to Gabriel Josipovici. Gabriel's first novel was published in 1968 and his writing career spans over twenty works of fiction, numerous works of criticism and non-fiction, and regular articles in the TLS. Continuing our current coronavirus set-up, Gabriel joined us remotely from Sussex and our discussion covered how his writing has developed over six decades, the perils of writing an unexpectedly backlash-provoking book on Modernism, the creative possibilities revealed by examining painters & composers and much more. The 'acceptably long' novel we briefly discussed was George Perec’s ‘Life: A User’s Manual’ The vast majority of Gabriel's work is published by Carcanet: https://www.carcanet.co.uk/cgi-bin/indexer?owner_id=368 Gabriel's website is here: http://www.gabrieljosipovici.org/ Find us on Twitter: @UnsoundMethods (https://twitter.com/UnsoundMethods) - @JaimieBatchan (https://twitter.com/JaimieBatchan) - @LochlanBloom (https://twitter.com/LochlanBloom) Jaimie's Instagram is: @jaimie_batchan (https://www.instagram.com/jaimie_batchan/) Thanks for listening, please like, subscribe and rate Unsound Methods wherever you get your podcasts. Our website is: https://unsoundmethods.co.uk/ We are teaming up with the Institute of English Studies at the School of Advanced Study, University of London. With the current uncertainty in the world, why not check out their Literature in Lockdown page? : https://www.ies.sas.ac.uk/about-us/ies-virtual-community/literature-lockdown

In this episode, Forward Prize-winning poet Vahni Capildeo talks with us about the poem that has been a friend to them – 'Spring and Fall' by Gerard Manley Hopkins. Vahni joined The Poetry Exchange online, from their family home in Trinidad, as part of City of Literature - a week of conversations, reflections and connections presented by the National Centre for Writing and Norfolk & Norwich Festival. ​ www.nnfestival.org.uk www.nationalcentreforwriting.org.uk Vahni Capildeo is a Trinidadian Scottish writer inspired by other voices, ranging from live Caribbean connexions and an Indian diaspora background to the landscapes where Capildeo travels and lives. Their poetry includes Measures of Expatriation, awarded the Forward Prize for Best Collection in 2016, and Venus as a Bear, published in 2018. You can discover more about and purchase Vahni Capildeo's work at the Carcanet website (Vahni's publisher): https://www.carcanet.co.uk/cgi-bin/indexer?owner_id=1167 Michael Shaeffer reads the gift reading of Spring and Fall. You will also hear Fiona mention some new publications by members of our creative team: Andrea Witzke Slot's 'The Ministry of Flowers' is published by Valley Press: https://www.valleypressuk.com/book-info.php?book_id=146 Victoria Field's 'A Speech of Birds' is published by Francis Boutle: https://francisboutle.co.uk/products/a-speech-of-birds/ Sarah Salway's 'Let's Dance' is published by Coast to Coast, Spring 2021 and 'Not Sorry', a collection of flash fiction, is published by Valley Press Spring/Summer 2021. www.sarahsalway.co.uk ********* Spring and Fall by Gerard Manley Hopkins to a young child Márgarét, áre you gríeving Over Goldengrove unleaving? Leáves like the things of man, you With your fresh thoughts care for, can you? Ah! ás the heart grows older It will come to such sights colder By and by, nor spare a sigh Though worlds of wanwood leafmeal lie; And yet you wíll weep and know why. Now no matter, child, the name: Sórrow's spríngs áre the same. Nor mouth had, no nor mind, expressed What heart heard of, ghost guessed: It ís the blight man was born for, It is Margaret you mourn for.

The world of publishing has changed a great deal since you first founded Carcanet in 1969 with Peter Jones, Gareth Reeves, working from a farmhouse kitchen table. What is the magic ingredient meaning you have been able to adapt and evolve? Publishing poetry is a tricky business. Your list comprises collections by established English language poets, new editions of work by deceased writers, and newcomers on the scene. Tell us about five of your lead titles in translation, and what makes each one so special. Since making a living from writing – let alone poetry – is hard these days, do many of your poets run creative writing courses? Can you recommend a couple to our listeners?   Hear Michael Schmidt, publisher & co-founder of Carcanet Press, answer these questions and give unexpected insights as he talks about his love of literature and publishing poetry in translation.  Presented by Georgia de Chamberet | Produced by Rupert Such 

Writing on Lorna Goodison’s poetry, Derek Walcott asks ‘What is the rare quality that has gone out of poetry that these marvellous poems restore? Joy.’ Goodison has served as the Poet Laureate of Jamaica and published twelve volumes of poetry; her Collected Poems came out from Carcanet in 2017. In 2019, she won the Queen’s Gold Medal for Poetry.Linton Kwesi Johnson is one of the only three poets to be published as a Penguin Modern Classic while still alive; his collections include Inglan is a Bitch, Tings an’ Times, and Mi Revalueshanary Fren.Johnson and Goodison were in conversation. See acast.com/privacy for privacy and opt-out information.

'It's not like waiting for post' by Marina Tsvetaeva translated by Elaine Feinstein and read by Isabella Widger. 'It's not like waiting for post' is dated 1923. This translation appears in 'Bride of Ice: New Selected Poems' published by Carcanet in 2008. A transcript can be found at https://books.google.co.uk/books?id=RK9uBgAAQBAJ&pg=PT90&dq=%27It%27s+not+like+waiting+for+post%27+by+Marina+Tsvetaeva&hl=en&sa=X&ved=0ahUKEwjqytKDz93pAhVtSBUIHbO9CMYQ6AEIKDAA#v=onepage&q='It's%20not%20like%20waiting%20for%20post'%20by%20Marina%20Tsvetaeva&f=false More from Isabella Widger can be found at www.isabellawidger.com

Gareth Reeves’ third collection, To Hell With Paradise: New and Selected Poems, has just been published by Carcanet. In this reading from the collection, Gareth adopts a range of intriguing perspectives and voices, including that of a cash machine looking at a man trying to withdraw his money, and Dimitri Shostakovich thinking about bird droppings. Gareth Reeves’s collection is published by and copyright of Carcanet. Find out more at READ: Research English At Durham.

After the dust up with that ship of freelancers and that Gentryman from the Union, Commandant Carcanet was happy to turn his attention to more important matters. The expeditionaries from Charon would be returning soon, and the data they had transmitted ahead needed assessment.All the combat data from each anchor in the lance was in the process of being poured over by Jovian intelligence, but Carcanet had managed to save the very best for himself. The new anchor. The experimental one. He’d even studied Xade’s ridiculous notes so he could better understand the new telemetry from the strange devices they had used to perfect the new anchor’s systems.In motion the machine was pristine. Quick and graceful like some great, ancient predator. Truly something that would strike fear into the hearts of the enemies of House Kennet. Something about the way it moved even made him afraid.No, not afraid. Uneasy.He watched it dance through a hail of incoming fire from the Freeholders in some futile effort to halt its progress. Of course they were ineffectual.And then, a burst of concentrated fire from an autocannon! The offending anchor was...familiar. He’d seen it on that freelancer ship, he realized! A two-bit mercenary had single handedly bested the Commonwealth’s newest experiment.The oversights were obvious. Glaringly so. And upon their return, Commandant Carcanet knew exactly who was to blame. And who would take the punishment for their failures.*In today’s episode, in the aftermath of the Jovian attack, the Freelancers plot their next course of action. How will they prepare themselves for this leg of their increasingly perilous journey? We'll heal ourselves up, put our digital noses where they shouldn’t be, and chart a new, more covert course.This week on Play By Podcast: Territory Nouveau 09: Good FriendsPlay By Podcast is Michael Collins (@arealwriter), Leon Barnes (@SlapKatZ), Liam Higgins(@liamhiggins97), and Max Coe (@_NotMyDivision_)Cover Art by Ariel Corrales (@arielcorrales_)Music by Cody Ojea (@CodyOjea)

Martina Evans continues her obsession with shoes in her poem You Can’t Go Out Like That, in this episode of Words Lightly Spoken, a podcast of poetry from Ireland. Martina’s work is published by Carcanet.

A must for those who submit poetry and fiction to presses and magazines - the Verb takes a deep dive into the language of the poetry publishing world. It's a vibrant landscape, with publishers like Carcanet celebrating 50 years in business, and a whole host of smaller presses and magazine publishers thriving both online and in print. Many of the people behind the scenes are poets and writers themselves, including our guests. They explore the 'poetry' words that inexplicably appear in submissions, the balance between writing and editing, and how to write book blurbs without using the word 'exciting'. Ian is joined by Michael Schmidt, Peter Sansom, Malachi McIntosh, and Nell Nelson. Presenter: Ian McMillan Producer: Faith Lawrence

Robert Graves (1895-1985) I've been wondering which of Graves' vast output I should read after ‘Flying Crooked' and the problem was solved when this one was requested. ‘In Broken Images' juxtaposes two ways of thinking and celebrates the value of starting any thought process from a position of honest confusion or ignorance, and working towards a better understanding of the issue without falling into the trap of thinking the process is from doubt to certainty. Rather it's from honest doubt to informed honest doubt. There are too many hes and not enough Is in the world at present. And the education system has a tendency to reward the hes. The Irony of this poem is that Graves went on to become the most didactic of English critics. However, Graves the younger man wrote marvelous books of idiosyncratic criticism. He later disowned them. But his essay on what is bad poetry, which begins ‘Poetic Unreason' , is a mini masterpiece of the art of taking doubt seriously and following it to its logical conclusions. And then, having arrived a conclusion, having to start again. This is taken from Carcanet's ‘The complete poems in one volume' edited by Beryl Graves and Dunstan Ward. There's a fine shorter selected (Faber 2013) edited by Michael Longley . Poetic Unreason is only avilable on the second hand book market.

'Pond' by Harry Gilonis read by Astra Papachristodoulou. 'Pond' by Harry Gilonis appears in the collection 'Rough Breathing' published by Carcanet in 2018. A transcript can be found at https://www.theguardian.com/books/booksblog/2018/may/14/poem-of-the-week-a-small-alba-by-harry-gilonis More from Astra Papachristodoulou can be found at https://www.astranaut.co.uk

Our latest podcast departs from our usual interview format. It's a recording of a reading held in the Scottish Poetry Library in March. The poets featured are Nina Bogin, Eoghan Walls and Beverley Bie Brahic. Nina Bogin (pictured) was born in New York City and grew up on the north shore of Long Island. She attended Kirkland College and received a B.A. degree from New York University. She has lived in France since 1976. She taught English and literature at the University of Technology of Belfort-Montbéliard inFrance, until her retirement in 2017. She was a recipient of a National Endowment for the Arts Grant in 1989 and Graywolf Press published her first book of poems, In the North, that same year. Two books of poems followed, The Winter Orchards in 2001 and The Lost Hare in 2012, both published by Anvil Press. Her latest collection, Thousandfold, is published by Carcanet. Eoghan Walls was born in Derry in Northern Ireland. He attended Atlantic College on the coast of South Wales and has lived and taught in Germany, Rwanda, Scotland and presently, northern England. He won an Eric Gregory Award in 2006, an Irish Art's Council Bursary in 2009, and his work has been published widely in journals and anthologies throughout the UK and Ireland. His first collection of poems, The Salt Harvest, was published by Seren in 2011 and was shortlisted for the Strong Award for Best First Collection. He teaches creative writing at Lancaster University. His latest collection is Pigeon Songs, which is published by Seren. Beverley Bie Brahic is a poet and translator. A Canadian, she lives in Paris and the San Francisco Bay Area. Her second poetry collection, White Sheets, was a finalist for the 2012 Forward Prize. Brahic’s translations include Guillaume Apollinaire's The Little Auto, winner of the 2013 Scott Moncrieff Prize; and books by Jacques Derrida and Julia Kristeva.

As literary publisher Carcanet Press celebrates 50 years in business, we talk to its founder and managing director Michael Schmidt. Michael looks back on the ups and downs of the last half-century—from publishing Nobel Prize winners to coming close to going out of business—and discusses big changes in the market over that time.

Blackwell's were delighted to be joined by Carcanet poets on the 7th of February for a wonderful evening of poetry and discussion with three of Carcanet's most prominent poets, Beverley Bie Brahic, Alison Brackenbury and Nina Bogin. Beverley Bie Brahic is a poet, translator and occasional critic. Her collection White Sheets was a finalist for the 2012 Forward Prize; Hunting the Boar (2016) was a Poetry Book Society Recommendation, and her translation, Guillaume Apollinaire, The Little Auto, won the 2013 Scott Moncrieff Prize. Other translations include Francis Ponge, Unfinished Ode to Mud, a 2009 Popescu Prize finalist, and books by Hélène Cixous, Yves Bonnefoy, Jacques Derrida and Julia Kristeva. Brahic was born in Saskatoon, Canada, grew up in Vancouver, and now lives in Paris and the San Francisco Bay Area. Alison Brackenbury was born in Lincolnshire in 1953 and studied at Oxford. She now lives in Gloucestershire, where she works, as a director and manual worker, in the family metal finishing business. Her Carcanet collections include Dreams of Power (1981), Breaking Ground (1984), Christmas Roses (1988), Selected Poems (1991), 1829 (1995), After Beethoven (2000) and Bricks and Ballads (2004). Her poems have been included on BBC Radio 3 and 4, and 1829 was produced by Julian May for Radio 3. Her work recently won a Cholmondeley Award. Nina Bogin, poet and translator, was born in New York City and has lived in France since 1976. Her previous collections are In the North, The Winter Orchards and The Lost Hare. In addition to numerous translations in the domain of art history, her translation of The Illiterate by Agota Kristof was published in 2013. The evening will be chaired by Bernard O’Donoghue, Emeritus Fellow of Wadham College, where he taught Medieval English and Modern Irish Poetry. He has published six collections of poetry, including Gunpowder, winner of the 1995 Whitbread Prize for Poetry, and Farmers Cross (2011) which was shortlisted for the T. S. Eliot prize as well as a verse translation of Sir Gawain and the Green Knight (2006). Music: Borrtex - Children's Joy.

This week The Verb is looking at modern retelling and remixing of ancient stories. Jenny Lewis discusses her book 'Gilgamesh Retold' (Carcanet), Fiona Benson explains why Zeus is at the heart of her new collection 'Vertigo & Ghost' (Cape), there's new poetry from Richard Scott and Jack Bernhardt is off to Sherwood Forest, Hollywood style. Presenter: Ian McMillan Producer: Faith Lawrence

'The Occupant' by Jane Draycott read by Neil Bickerton. 'The Occupant' was published by Carcanet in 2016 in the collection 'The Occupant'. A transcript can be found at https://books.google.co.uk/books/about/The_Occupant.html?id=PmNhDgAAQBAJ&printsec=frontcover&source=kp_read_button&redir_esc=y#v=onepage&q&f=false . This recording was made for Good Press for an exhibition in February 2018. More from Neil Bickerton can be found at http://neilbickerton.com

Martina Evans joins Declan Meade in the studio to read Sinéad Morrissey's story, 'The Day I Brought Water'. Martina Evans is an Irish poet, novelist and teacher. She grew up in County Cork in a country pub, shop and petrol station and is the youngest of ten children. She is the author of eleven books of prose and poetry. Her latest poetry collection, 'Now We Can Talk Openly About Men', was published by Carcanet in May 2018. Sinéad Morrissey is a Northern Irish poet. In January 2014 she won the T. S. Eliot Prize for her fifth collection Parallax and in 2017 she won the Forward Prize for Poetry for her sixth collection On Balance. 'The Day I Brought Water' was first published in the Stinging Fly in Summer 2003. It also appears in our recent anthology, 'Stinging Fly Stories'.

Í þættinum er að þessu sinni leikin brot úr upptöku frá Bókmenntagöngu Borgarbókasafnsins 5. júlí 2018 sem Ana Stanicevic leiddi á slóðir skáldsögunnar Mánasteinn eftir Sjón. Í þættinum heyrast lesin eru brot úr sögunni og listrænn bakgrunnur hennar, saga og heimspeki gaumgæfð. Þá er í þættinum rætt við Valgerði Þóroddsdóttur ljóðskáld og útgefanda um fyrstu bókina eftir íslenskan höfund sem út kemur í Bretlandi undir merkjum forlagsins partusar og Carcanet. Þetta er ljóðabókin Witress in fall, úrval ljóða eftir Kristínú Ómarsdóttur. Útgáfunni var fagnað í Iðnó þar sem hópur íslenskra skálda flutti sitt eftirlætisljóð eftir Kristínu auk þess sem Valgerður las nokkur ljóð úr þýðingu sinni. í þættinum heyrist Kristín Eiríksdóttir ljóðið Eftirrétt úr ljóðabókinni Lokaðu augunum og hugsaðu um mig. Kristín Ómarsdóttir las ljóðið Lofgjörð úr ljóðabókinni Sjáðu fegurð þina.

Í þættinum er að þessu sinni leikin brot úr upptöku frá Bókmenntagöngu Borgarbókasafnsins 5. júlí 2018 sem Ana Stanicevic leiddi á slóðir skáldsögunnar Mánasteinn eftir Sjón. Í þættinum heyrast lesin eru brot úr sögunni og listrænn bakgrunnur hennar, saga og heimspeki gaumgæfð. Þá er í þættinum rætt við Valgerði Þóroddsdóttur ljóðskáld og útgefanda um fyrstu bókina eftir íslenskan höfund sem út kemur í Bretlandi undir merkjum forlagsins partusar og Carcanet. Þetta er ljóðabókin Witress in fall, úrval ljóða eftir Kristínú Ómarsdóttur. Útgáfunni var fagnað í Iðnó þar sem hópur íslenskra skálda flutti sitt eftirlætisljóð eftir Kristínu auk þess sem Valgerður las nokkur ljóð úr þýðingu sinni. í þættinum heyrist Kristín Eiríksdóttir ljóðið Eftirrétt úr ljóðabókinni Lokaðu augunum og hugsaðu um mig. Kristín Ómarsdóttir las ljóðið Lofgjörð úr ljóðabókinni Sjáðu fegurð þina.

Rory Waterman is the author of Tonight the Summer's Over and Sarajevo Roses, both published by Carcanet. Rory was born in Belfast in 1981 before moving at an early age to Lincolnshire. Today, he's senior lecturer in English at Nottingham Trent University and co-edits the poetry pamphlet series New Walk Editions. In our latest podcast, Rory Waterman discusses writing poems about Trump and Brexit, growing up the child of divorce, and running a poetry magazine.

Trio by Edwin Morgan. Read by Dr Melanie Ramdarshan Bold, Senior Lecturer, Department of Information Studies, UCL. Trio was originally published by Carcanet: http://www.carcanet.co.uk/cgi-bin/indexer?owner_id=507 All rights reserved. You can listen to other episodes of Season’s Readings, and more, on the UCL Soundcloud channel: soundcloud.com/uclsound To learn more about UCL, our degree courses and research, visit: www.ucl.ac.uk

Matthew Sweet discusses the Vietnam War with the film maker Ken Burns who has spent the last decade making a monumental documentary about America's ill fated war in South East Asia. The award winninng poet, Sasha Dugdale, reads from her latest collection, Joy; and Kate Flint traces the history of flash photography from its origins in the nineteenth century to Weegee and Gordon Parks in the twentieth and Hiroshi Sugimoto and Martin Parr todayThe Vietnam War - a film by Ken Burns and Lynn Novick is released by PBS as a 10 disc DVD set.Joy by Sasha Dugdale is published by Carcanet .Flash! Photography, writing and Surprising Illumination by Kate Flint, Provost Professor of Art History and English at the University of Southern California is out now. Producer: Zahid Warley .

Lessons from the School of Night "I generally find that language will just open up again every time you hit a wall" — Eric Langley Sean Robinson met with Eric Langley at the Topping bookshop, before Eric's appearance at the School of Night, where he read from his first book of poetry, Raking Light. They discussed Eric's childhood holidays with J.H. Prynne, the influence of the Elizabethans on his work, and the role of the words themselves in the process of composition. Eric also read his poem 'Puncture' for us (at 26m50s). Eric Langley's first poetry collection, Raking Light, was published by Carcanet earlier this year. His work has previously appeared in New Poetries VI, Blackbox Manifold, and PN Review. Eric works in the English department at UCL, where he teaches both Renaissance and contemporary literature, and he has published scholarship on Shakespeare in a variety of contexts, particularly in relation to developments in medical and scientific thought of the period: his first academic monograph is Narcissism and Suicide in Shakespeare and His Contemporaries (OUP, 2009), and he is in the final stages of a second book to be called Ill Communications: Shakespeare' Contagious Sympathies. He was born in the Midlands, went to university in Leeds, lived in St Andrews, and has now settled in London. Sean Robinson is studying for an MFA in poetry writing at St. Andrews under Don Paterson. An erstwhile policy wonk, he graduated in 2013 from Oxford with a bachelors in Philosophy, Politics and Economics and worked for some time with the Civil Service, until deciding to chuck it all in to do something useful, and write poems. He is from London. Lessons from the School of Night are an irregular series of video or audio interviews and tips from poets and writers who visit St Andrews. The School of Night – inspired by the group which included Christopher Marlowe and Sir Walter Raleigh – is Topping & Company Booksellers' Year-Round Poetry Festival in St Andrews. Curated with the help of Don Paterson and playing host to poets as varied as Paul Muldoon and Lorraine Mariner, Simon Armitage and Annie Freud, it is anchored to a regular fixture on the last Tuesday of the month. The School of Night offers the chance to explore and discuss the work of some of the best poets on the contemporary scene. For more details on these and other events, please visit the Topping & Company website. Music: Luvva by Heman Sheman. Image: Johnny Adolphson

The prize-wining American poet Jane Yeh, author of Marabou and The Ninjas (both Carcanet) talks to Sarah Howe, co-editor of the winter issue of The Poetry Review. They discuss Yeh's use of dramatic monologue and the often fantastical personas she adopts (ninjas, rabbits, androids) to hilarious effect. “I think of Oscar Wilde's phrase, ‘the truth of masks' – how when you wear a mask it reveals your identity in a way,” Yeh explains. They also discuss contemporary art, installations and film and influences such as Amy Woolard, Stephen Burt, Lucie Brock-Broido and the work of fellow-writers Safiya Sinclair, Ocean Vuong and Timothy Donnelly. Yeh reads her poems ‘Rabbit Empire' and ‘A Short History of Patience', first published in The Poetry Review. To connect with more poetry, visit poetrysociety.org.uk

‘I write because I must,’ says Vahni Capildeo, winner of the 2016 Forward Prize for Best Collection for Measures of Expatriation (published by Carcanet). ‘I think poetry,’ she says, ‘is a natural expression of humanity that has not been brutalized – which is able to take time and concentrate.’ In this podcast, Capildeo discusses the impact studying Old Norse at university had on her poetry, how women's voices are silenced, and why she objects to the word 'migrant'.

Anne Stokes reads ‘Earth' from her Popescu Prize shortlisted translation of Sarah Kirsch's collection Ice Roses: Selected Poems, published by Carcanet. The Popescu European Poetry Translation Prize has been awarded biennially by The Poetry Society for a volume of poetry translated from a European language into English. The judges this year are Olivia McCannon and Clare Pollard. The prize is supported in 2015 by the British Council. For more information on the 2015 Popescu Prize and selected poems please visit our website: http://poetrysociety.org.uk/competitions/popescu-prize/2015-2/

Over the past two decades Carcanet’s New Poetries anthologies have been discovering the best new poets in English, and have provided readers with their first taste of authors such as Sophie Hannah, Patrick McGuinness, David Morley and Sinéad Morrissey. To celebrate the publication of New Poetries VI we hosted an evening of readings by some of the featured poets; Jee Leong Koh, Rebecca Watts, Joey Connolly, Vahni Capildeo and (our very own) John Clegg. See acast.com/privacy for privacy and opt-out information.

SUJATA BHATT Sujata Bhatt’s Collected Poems (Carcanet, 2013) was a Poetry Book Society Special Commendation. Her new collection, Poppies in Translation, will be published in March 2015, also by Carcanet.

We talk with two poet editors on this episode: Michael Schmidt, founder, editor and director of Carcanet Books and editor of the PN Review, and Peter Rose, editor of the Australian Book Review. Both read us a selection of their poems and discuss their approach to editing and to writing. Presented by Ryan Van Winkle @rvwable and produced by Colin Fraser @kailworm of Culture Laser Productions http://www.culturelaser.com @culturelaser. Photo: Ben Schmidt

Since their last appearance at the LRB Bookshop, the poets of New Poetries V have been busy: five debut collections (and one forthcoming), prestigious awards, general excitement. Reunited at last, Tara Bergin, OIi Hazzard, Helen Tookey, Rory Waterman, Julith Jedamus and Lucy Tunstall read from their new volumes, in an evening that marked out the territory for the next generation of British poetry. See acast.com/privacy for privacy and opt-out information.

In this longer-than-usual podcast SPL Programme Manager Jennifer Williams talks to Kay Ryan (http://www.carcanet.co.uk/cgi-bin/indexer?owner_id=975), American poet and educator and 16th United States Poet Laureate. Kay was a 2011 MacArthur Fellow, won the Pulitzer Prize for Poetry and received the National Humanities Medal from President Barack Obama, among many other awards and accolades. She was in Edinburgh to read at the Edinburgh International Book Festival as part of a tour (http://carcanetblog.blogspot.co.uk/2013/08/kay-ryan-goes-transatlantic.html) including Snape Maltings Concert Hall in Aldeburgh and Dromineer Literature Festival. Before Jennifer and Kay headed out to conquer Arthur’s Seat and to sample Kay’s very first can of Irn-Bru, they read and discussed a number of poems from Kay’s Selected and New Poems Odd Blocks (http://www.carcanet.co.uk/cgi-bin/indexer?product=9781847771308) published by Carcanet in the UK. They also talked about such varied topics as Buddhism, cycling across America, ‘cool’ poetry, the ticklish delights of rhyme and much more. We hope you enjoy! Music by James Iremonger www.jamesiremonger.co.uk.

The Written World is the Scottish Poetry Library's London 2012 project. To mark the Olympics, we launched a scheme to find a poem for each of the 204 countries taking part, which were then broadcast on BBC Radio. With the project over now, we take the chance to look back on The Written World with its project manager Sarah Stewart. We also talk to Richard Price, whose poem 'Hedge Sparrows' was chosen to represent Team GB, and William Letford, who the SPL asked to write a poem marking the end of the tournament. A trio of poets is rounded out by Mariama Khan, a poet representing Gambia at Poetry Parnassus, another international event linked to the Olympics. Photo of Richard Price performing at the Written World closing party courtesy of Chris Scott. Music by William Campbell.

We've been at the Edinburgh International Book Festival this past week, and caught up with two very different poets who have been involved with the events strand the SPL has curated together with Don Paterson. The first is Lorraine Mariner, who we caught up with after her event in the Spiegeltent. The second is award winning poet Kathleen Jamie, who reads some of her remarkable new work. We also mark the passing of Scotland's Makar, Edwin Morgan, and his former editor at Carcanet, SPL director Robyn Marsack, shares a few words about Eddie. Edwin Morgan was the top trend on Twitter last Thursday - something we think he'd have been very chuffed by. Presented by Ryan Van Winkle. Produced by Colin Fraser. Music by Ewen Maclean. Twitter: @anonpoetry & @byleaveswelive. Email: splpodcast@gmail.com

Kei Miller reads from his astonishing new collection of poems A Light Song of Light, and from his latest novel, The Last Warner Woman. Kei is a Jamaican poet and novelist who combines a velveteen voice with a playful imagination. His first collection was There is an Anger that Moves and he is editor of New Caribbean Poetry (both Carcanet, 2007).

To celebrate the publication of Carcanet's new anthology of the New York School poets, editor Mark Ford, poets Lee Harwood and Sarah Maguire, and translator Piotr Sommer read selections from the new collection. See acast.com/privacy for privacy and opt-out information.

In this episode, the poet, editor and translator Chris Beckett talks to Niall Munro about his latest book, "Tenderfoot". Chris discusses growing up in Ethiopia and questions of privilege, perceptions of Ethiopia and a responsibility he feels to write about the place and its people. Chris also talks about how he portrays his nascent sexuality and how he reflects on Ethopia then and now after numerous trips back to the country in recent years. Chris has published two collections with Carcanet, “Ethiopia Boy” in 2013, a sequence of praise poems about his childhood crush Abebe, and “Tenderfoot” in July this year. He co-translated and edited the first ever anthology of Ethiopian Amharic poetry, “Songs We Learn from Trees”, also out from Carcanet earlier this year. Chris's partner is Japanese painter and sculptor, Isao Miura. Together they published a book of drawings and poems in 2014, “Sketches from the Poem Road", after Matsuo Basho's Narrow Road to the Deep North” which was shortlisted for the Ted Hughes Award and led to a wonderful exhibition of sculpture, paintings and paper installation at the Glass Tank at Oxford Brookes University in 2016. You can find the poems that Chris discusses on the Poetry Centre's Podcast page, where there is also more information about Chris and his work.