Podcast appearances and mentions of Ai Weiwei

Welcome to the DMF! I'm Justin Younts, and today I'm thrilled to introduce Christine Lamont, a powerhouse in the film industry. Christine has spent years honing her craft, producing impactful documentaries like 'Ai Weiwei's Turandot' and 'Viva Verde.' In our conversation, we dive deep into her journey, from her childhood in Buffalo, New York, to her experiences working with legendary directors and navigating the complexities of the film world. Christine shares her passion for the arts, the importance of mentorship, and how her love for film has shaped her career. We discuss the challenges and triumphs of producing, the significance of storytelling, and the role of art in fostering social change. Christine's insights are not only inspiring but also a testament to the power of creativity and collaboration in the film industry. Join us as we explore the magic of film and the stories that connect us all. Don't miss this enlightening conversation that will leave you with a renewed appreciation for the arts and the impact they can have on our lives.00:00:00 - Introduction00:00:09 - Guest Introduction00:00:28 - Christine Lamont's Early Life00:01:09 - Interest in Arts00:02:10 - Influence of Art on Film Career00:04:34 - Education and Early Career00:05:30 - Transition to Producing00:05:35 - Experience at Universal, Disney and Orion00:07:06 - Working at Orion Pictures00:08:00 - Experience at Disney and Universal00:11:09 - Working on Iconic Films00:11:41 - Marketing for Silence of the Lambs00:12:01 - Working with Directors and the End of Orion00:16:46 - Creation of Lamont Productions00:17:12 - Producing Plays and Films00:18:36 - Project Viva Verde00:19:25 - Working with Zeffirelli00:21:07 - Impact of Viva Verde00:24:26 - Project Ai Weiwei's Turandot00:29:21 - Ai Weiwei's Turandot and the Pandemic00:30:56 - Reflections on Ai Weiwei's Turandot00:31:59 - Ai Weiwei's Political Activism00:35:50 - Creating the Dusty Awards at SVA00:37:47 - The Importance of Diverse Voices in Film00:40:31 - Teaching and the Value of Fearlessness00:41:53 - The Need for Cultural Awareness and Questioning00:45:45 - Future Projects00:46:07 - Future Projects and Writing Aspirations00:46:49 - The Power of Saying Yes00:47:57 - The Journey of the Everyday Hero00:50:14 - Daily Routines and Work Schedule00:51:31 - Nighttime Routine and Film Watching00:55:00 - Meditation Practices00:58:25 - Physical Fitness Activities00:59:19 - Current Reading01:01:35 - Reading Habits and Impact01:03:57 - Anticipation for Tom Ford's 'Cry to Heaven'01:05:17 - Appreciation for David Lynch and Tom Ford01:06:24 - Listening to Opera and Jazz01:10:05 - The Role and Resilience of a Producer01:11:50 - Current Film Watching01:13:33 - Contact Information01:13:50 - Closing Remarks

I messed up on these episodes .I am putting out this episode without cuts. The AI, I used has been cutting things off. I apologize. Hopefully, someone else will learn from my mistake. Welcome to the DMF! I'm Justin Younts, and in this episode, Christine La Monte shares an extraordinary creative journey that began in Rome in 2012. That pivotal moment marked her introduction to a gifted young filmmaker, Maxime Derevenko, who would later emerge as an influential voice in the worlds of opera and film.Christine reflects on how their collaboration grew through shared curiosity, mentorship, and artistic trust—eventually leading to a powerful opera project rooted in themes of social justice, peace, and human connection. As the world entered the uncertainty of the pandemic, this work took on even greater meaning, becoming a testament to the resilience of artists and the enduring power of creativity.She discusses the profound experience of collaborating with Ai Weiwei and the Rome Opera House, and how that partnership offered a bold, global perspective on art's role in times of crisis. Despite having only eight performances, the opera stood as a beacon of hope and reflection during a moment when art felt more essential than ever.Christine emphasizes the importance of mentorship and nurturing emerging talent, sharing how storytelling through art can elevate consciousness and inspire meaningful dialogue. In this conversation, she invites us to explore a world where every voice matters and creativity becomes a force for change.Join us as we celebrate the power of collaboration, storytelling, and art's ability to guide us toward a brighter future.00:00:00 - Introduction00:00:06 - Beginning of Film Career00:00:25 - Meeting Maxime Derevenko00:01:55 - Working with Ai Weiwei00:04:42 - Impact of COVID-1900:05:31 - Restarting in 202200:06:59 - Reflections on the Film00:07:47 - Film's Oscar Consideration00:08:22 - Role of Activism00:09:19 - Teaching at the School of Visual Arts00:11:01 - Reflections on Film Industry00:12:22 - Looking Back at Career00:13:31 - Passion for Teaching00:14:47 - Importance of Art and Culture00:16:20 - Closing Thoughts00:17:04 - Conclusion

Welcome to the DMF! I'm Justin Younts, and in this episode, Christine La Monte shares an extraordinary creative journey that began in Rome in 2012. That pivotal moment marked her introduction to a gifted young filmmaker, Maxime Derevenko, who would later emerge as an influential voice in the worlds of opera and film.Christine reflects on how their collaboration grew through shared curiosity, mentorship, and artistic trust—eventually leading to a powerful opera project rooted in themes of social justice, peace, and human connection. As the world entered the uncertainty of the pandemic, this work took on even greater meaning, becoming a testament to the resilience of artists and the enduring power of creativity.She discusses the profound experience of collaborating with Ai Weiwei and the Rome Opera House, and how that partnership offered a bold, global perspective on art's role in times of crisis. Despite having only eight performances, the opera stood as a beacon of hope and reflection during a moment when art felt more essential than ever.Christine emphasizes the importance of mentorship and nurturing emerging talent, sharing how storytelling through art can elevate consciousness and inspire meaningful dialogue. In this conversation, she invites us to explore a world where every voice matters and creativity becomes a force for change.Join us as we celebrate the power of collaboration, storytelling, and art's ability to guide us toward a brighter future.00:00:00 - Introduction00:00:06 - Beginning of Film Career00:00:25 - Meeting Maxime Derevenko00:01:55 - Working with Ai Weiwei00:04:42 - Impact of COVID-1900:05:31 - Restarting in 202200:06:59 - Reflections on the Film00:07:47 - Film's Oscar Consideration00:08:22 - Role of Activism00:09:19 - Teaching at the School of Visual Arts00:11:01 - Reflections on Film Industry00:12:22 - Looking Back at Career00:13:31 - Passion for Teaching00:14:47 - Importance of Art and Culture00:16:20 - Closing Thoughts00:17:04 - Conclusion

In this episode of Fog of Truth, Bart, John, and guest Daphne Street, an opera aficionado, discuss the documentary about Ai Weiwei's modern adaptation of Puccini's last opera, 'Turandot.' They explore Weiwei's unique interpretation, which highlights feminism and political discourse, and the challenges faced during production, including COVID-19 disruptions and Weiwei's brief incarceration. The documentary offers detailed insights into the production's visual and symbolic layers, bridging the gap between traditional opera and modern audiences. Daphne highlights Weiwei's calm and solution-oriented approach amidst obstacles, showcasing his confidence and versatility as an artist. 00:00 Introduction and Special Guest 00:37 Overview of the Documentary 01:24 Puccini's Last Opera: Turandot 03:28 I Weiwei's Unique Interpretation 04:52 The Visual Spectacle 10:21 The Impact of COVID-19 11:57 Art and Politics Intertwined 14:09 Final Thoughts and Reflections 18:42 Closing Remarks and Future Episodes  

Subscribe to Throwing Fits on Patreon. Our interview with Daphne Seybold is food for thought. Daphne—the CEO and CMO of Sky High Farm Goods—swung by the studio to give us a lesson on cow birth, how fashion and streetwear can open the aperture of charitable works, farmers are amazing, how much food should cost, embarrassing yourself meeting Rei Kawakubo for the first time, CdG's best sub-lines, career highlights working on the Met Gala and with the artist Ai Weiwei, the best brands don't care about trends, using a creative prism to problem solve, what real community can feel like, infiltration vs. advocation, the temple of Dover Street Market, greenwashing fatigue, fashion failing its own self-imposed sustainability goals, the plague of fast fashion, there's no one size fits all criteria when to comes to selecting collaborators, the NYC to upstate pipeline, traveling globally to see locally, and much more on Daphne Seybold's interview with The Only Podcast That Matters™.

(00:45) Das neue Buch des indisch-britischen Schriftstellers Salman Rushdie wurde heiss erwartet. 2022 ist der Autor Opfer geworden einer Messerattacke, die er nur knapp überlebt hat. Diesen Anschlag hat er vor zwei Jahren in «Knife» verarbeitet. Nun erscheint sein Erzählband «Die elfte Stunde». Weitere Themen: (04:55) «Ai Weiwei's Turandot»: Dokumentarfilm von Maxim Derevianko behandelt erste Operninszenierung des chinesischen Provokationskünstlers. (09:26) Internationale Kurzfilmtage Winterthur suchen neuen Hauptsponsor. (10:21) Deutscher Musikrechtevertreter GEMA gewinnt Prozess gegen KI-Firma «OpenAI». (11:03) Übermutter der Schweizer Nation: Intendant Matthias Bertholet inszeniert mit «Gilberte de Courgenay» erstes Stück am Zürcher Theater Neumarkt. (15:52) Eklat bei Voreröffnung des «Museum of West African Art» in Bénin City.

Filmmakers Christine La Monte & Maxim Derevianko join Andy to talk about their documentary Ai Weiwei's Turandot. 

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On this episode of Center Stage with Mark Gordon, filmmaker Christine La Monte discusses her new documentary Ai Weiwei's Turandot, which follows artist and activist Ai Weiwei as he makes his operatic directorial debut at the Rome Opera House. Known for his fearless art and political engagement, Ai Weiwei reimagines Puccini's classic opera Turandot as a reflection of today's world, where freedom, identity, and resistance collide. La Monte shares insights about working with Ai Weiwei, navigating the impact of the pandemic and the war in Ukraine, and creating a film that explores how art can challenge, provoke, and inspire. 🎧 Center Stage with Mark Gordon is produced in Los Angeles and features conversations with the filmmakers, artists, and storytellers shaping culture today.

“Everything is Art. Everything is Politics.I think art competes with reality. And art will give you the last words.” –Ai WeiweiThe renowned artist and activist Ai Weiwei has used sculpture, photography, documentaries, and large-scale installations to challenge authoritarian power for decades. But his project at the Rome Opera House, directing Puccini's final opera, Turandot, may be his most powerful fusion of art and politics yet. Puccini's original is a fairy tale set in ancient China about a princess whose riddle game costs failed suitors their lives. But Ai Weiwei transformed this story into a stark reflection of the present, weaving in footage of refugee crises, COVID hospitals, and the Ukraine war—a production that became an urgent act of resistance for its Ukrainian conductor and cast. The opera and documentary are a living document of our turbulent times, embodying Ai Weiwei's belief that 'Everything is Art. Everything is Politics.'The new documentary, Ai Weiwei's Turandot, goes behind the curtain to capture the artistic struggle and emotional weight of making this work—a process that began with one vision and was fundamentally changed by a global pandemic and a major war.My guest is the documentary's director, Maxim Derevianko. He grew up in a family with deep ties to the Rome Opera House, and he offers a deeply personal, intimate look at how in Ai Weiwei's words, “art competes with reality, but art will have the last word.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“So when we decided to do a documentary to follow Ai Weiwei, we knew, of course, it wouldn't be just a simple opera, and we knew he would bring his own very special and original vision. Because, of course, he is not an opera director. From his point of view, it's a challenge, but from another perspective, it's probably an enrichment for the opera audience because he doesn't follow the rules of opera. And, of course, once you decide to do a documentary about Ai Weiwei, it's in his DNA to be political. Once I started to follow him, the political issues and topics came into the documentary by themselves.”The renowned artist and activist Ai Weiwei has used sculpture, photography, documentaries, and large-scale installations to challenge authoritarian power for decades. But his project at the Rome Opera House, directing Puccini's final opera, Turandot, may be his most powerful fusion of art and politics yet. Puccini's original is a fairy tale set in ancient China about a princess whose riddle game costs failed suitors their lives. But Ai Weiwei transformed this story into a stark reflection of the present, weaving in footage of refugee crises, COVID hospitals, and the Ukraine war—a production that became an urgent act of resistance for its Ukrainian conductor and cast. The opera and documentary are a living document of our turbulent times, embodying Ai Weiwei's belief that 'Everything is Art. Everything is Politics.'The new documentary, Ai Weiwei's Turandot, goes behind the curtain to capture the artistic struggle and emotional weight of making this work—a process that began with one vision and was fundamentally changed by a global pandemic and a major war.My guest is the documentary's director, Maxim Derevianko. He grew up in a family with deep ties to the Rome Opera House, and he offers a deeply personal, intimate look at how in Ai Weiwei's words, “art competes with reality, but art will have the last word.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“Everything is Art. Everything is Politics.I think art competes with reality. And art will give you the last words.” –Ai WeiweiThe renowned artist and activist Ai Weiwei has used sculpture, photography, documentaries, and large-scale installations to challenge authoritarian power for decades. But his project at the Rome Opera House, directing Puccini's final opera, Turandot, may be his most powerful fusion of art and politics yet. Puccini's original is a fairy tale set in ancient China about a princess whose riddle game costs failed suitors their lives. But Ai Weiwei transformed this story into a stark reflection of the present, weaving in footage of refugee crises, COVID hospitals, and the Ukraine war—a production that became an urgent act of resistance for its Ukrainian conductor and cast. The opera and documentary are a living document of our turbulent times, embodying Ai Weiwei's belief that 'Everything is Art. Everything is Politics.'The new documentary, Ai Weiwei's Turandot, goes behind the curtain to capture the artistic struggle and emotional weight of making this work—a process that began with one vision and was fundamentally changed by a global pandemic and a major war.My guest is the documentary's director, Maxim Derevianko. He grew up in a family with deep ties to the Rome Opera House, and he offers a deeply personal, intimate look at how in Ai Weiwei's words, “art competes with reality, but art will have the last word.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“So when we decided to do a documentary to follow Ai Weiwei, we knew, of course, it wouldn't be just a simple opera, and we knew he would bring his own very special and original vision. Because, of course, he is not an opera director. From his point of view, it's a challenge, but from another perspective, it's probably an enrichment for the opera audience because he doesn't follow the rules of opera. And, of course, once you decide to do a documentary about Ai Weiwei, it's in his DNA to be political. Once I started to follow him, the political issues and topics came into the documentary by themselves.”The renowned artist and activist Ai Weiwei has used sculpture, photography, documentaries, and large-scale installations to challenge authoritarian power for decades. But his project at the Rome Opera House, directing Puccini's final opera, Turandot, may be his most powerful fusion of art and politics yet. Puccini's original is a fairy tale set in ancient China about a princess whose riddle game costs failed suitors their lives. But Ai Weiwei transformed this story into a stark reflection of the present, weaving in footage of refugee crises, COVID hospitals, and the Ukraine war—a production that became an urgent act of resistance for its Ukrainian conductor and cast. The opera and documentary are a living document of our turbulent times, embodying Ai Weiwei's belief that 'Everything is Art. Everything is Politics.'The new documentary, Ai Weiwei's Turandot, goes behind the curtain to capture the artistic struggle and emotional weight of making this work—a process that began with one vision and was fundamentally changed by a global pandemic and a major war.My guest is the documentary's director, Maxim Derevianko. He grew up in a family with deep ties to the Rome Opera House, and he offers a deeply personal, intimate look at how in Ai Weiwei's words, “art competes with reality, but art will have the last word.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“Everything is Art. Everything is Politics.I think art competes with reality. And art will give you the last words.” –Ai WeiweiThe renowned artist and activist Ai Weiwei has used sculpture, photography, documentaries, and large-scale installations to challenge authoritarian power for decades. But his project at the Rome Opera House, directing Puccini's final opera, Turandot, may be his most powerful fusion of art and politics yet. Puccini's original is a fairy tale set in ancient China about a princess whose riddle game costs failed suitors their lives. But Ai Weiwei transformed this story into a stark reflection of the present, weaving in footage of refugee crises, COVID hospitals, and the Ukraine war—a production that became an urgent act of resistance for its Ukrainian conductor and cast. The opera and documentary are a living document of our turbulent times, embodying Ai Weiwei's belief that 'Everything is Art. Everything is Politics.'The new documentary, Ai Weiwei's Turandot, goes behind the curtain to capture the artistic struggle and emotional weight of making this work—a process that began with one vision and was fundamentally changed by a global pandemic and a major war.My guest is the documentary's director, Maxim Derevianko. He grew up in a family with deep ties to the Rome Opera House, and he offers a deeply personal, intimate look at how in Ai Weiwei's words, “art competes with reality, but art will have the last word.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“So when we decided to do a documentary to follow Ai Weiwei, we knew, of course, it wouldn't be just a simple opera, and we knew he would bring his own very special and original vision. Because, of course, he is not an opera director. From his point of view, it's a challenge, but from another perspective, it's probably an enrichment for the opera audience because he doesn't follow the rules of opera. And, of course, once you decide to do a documentary about Ai Weiwei, it's in his DNA to be political. Once I started to follow him, the political issues and topics came into the documentary by themselves.”The renowned artist and activist Ai Weiwei has used sculpture, photography, documentaries, and large-scale installations to challenge authoritarian power for decades. But his project at the Rome Opera House, directing Puccini's final opera, Turandot, may be his most powerful fusion of art and politics yet. Puccini's original is a fairy tale set in ancient China about a princess whose riddle game costs failed suitors their lives. But Ai Weiwei transformed this story into a stark reflection of the present, weaving in footage of refugee crises, COVID hospitals, and the Ukraine war—a production that became an urgent act of resistance for its Ukrainian conductor and cast. The opera and documentary are a living document of our turbulent times, embodying Ai Weiwei's belief that 'Everything is Art. Everything is Politics.'The new documentary, Ai Weiwei's Turandot, goes behind the curtain to capture the artistic struggle and emotional weight of making this work—a process that began with one vision and was fundamentally changed by a global pandemic and a major war.My guest is the documentary's director, Maxim Derevianko. He grew up in a family with deep ties to the Rome Opera House, and he offers a deeply personal, intimate look at how in Ai Weiwei's words, “art competes with reality, but art will have the last word.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“Everything is Art. Everything is Politics.I think art competes with reality. And art will give you the last words.” –Ai WeiweiThe renowned artist and activist Ai Weiwei has used sculpture, photography, documentaries, and large-scale installations to challenge authoritarian power for decades. But his project at the Rome Opera House, directing Puccini's final opera, Turandot, may be his most powerful fusion of art and politics yet. Puccini's original is a fairy tale set in ancient China about a princess whose riddle game costs failed suitors their lives. But Ai Weiwei transformed this story into a stark reflection of the present, weaving in footage of refugee crises, COVID hospitals, and the Ukraine war—a production that became an urgent act of resistance for its Ukrainian conductor and cast. The opera and documentary are a living document of our turbulent times, embodying Ai Weiwei's belief that 'Everything is Art. Everything is Politics.'The new documentary, Ai Weiwei's Turandot, goes behind the curtain to capture the artistic struggle and emotional weight of making this work—a process that began with one vision and was fundamentally changed by a global pandemic and a major war.My guest is the documentary's director, Maxim Derevianko. He grew up in a family with deep ties to the Rome Opera House, and he offers a deeply personal, intimate look at how in Ai Weiwei's words, “art competes with reality, but art will have the last word.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“So when we decided to do a documentary to follow Ai Weiwei, we knew, of course, it wouldn't be just a simple opera, and we knew he would bring his own very special and original vision. Because, of course, he is not an opera director. From his point of view, it's a challenge, but from another perspective, it's probably an enrichment for the opera audience because he doesn't follow the rules of opera. And, of course, once you decide to do a documentary about Ai Weiwei, it's in his DNA to be political. Once I started to follow him, the political issues and topics came into the documentary by themselves.”The renowned artist and activist Ai Weiwei has used sculpture, photography, documentaries, and large-scale installations to challenge authoritarian power for decades. But his project at the Rome Opera House, directing Puccini's final opera, Turandot, may be his most powerful fusion of art and politics yet. Puccini's original is a fairy tale set in ancient China about a princess whose riddle game costs failed suitors their lives. But Ai Weiwei transformed this story into a stark reflection of the present, weaving in footage of refugee crises, COVID hospitals, and the Ukraine war—a production that became an urgent act of resistance for its Ukrainian conductor and cast. The opera and documentary are a living document of our turbulent times, embodying Ai Weiwei's belief that 'Everything is Art. Everything is Politics.'The new documentary, Ai Weiwei's Turandot, goes behind the curtain to capture the artistic struggle and emotional weight of making this work—a process that began with one vision and was fundamentally changed by a global pandemic and a major war.My guest is the documentary's director, Maxim Derevianko. He grew up in a family with deep ties to the Rome Opera House, and he offers a deeply personal, intimate look at how in Ai Weiwei's words, “art competes with reality, but art will have the last word.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“So when we decided to do a documentary to follow Ai Weiwei, we knew, of course, it wouldn't be just a simple opera, and we knew he would bring his own very special and original vision. Because, of course, he is not an opera director. From his point of view, it's a challenge, but from another perspective, it's probably an enrichment for the opera audience because he doesn't follow the rules of opera. And, of course, once you decide to do a documentary about Ai Weiwei, it's in his DNA to be political. Once I started to follow him, the political issues and topics came into the documentary by themselves.”The renowned artist and activist Ai Weiwei has used sculpture, photography, documentaries, and large-scale installations to challenge authoritarian power for decades. But his project at the Rome Opera House, directing Puccini's final opera, Turandot, may be his most powerful fusion of art and politics yet. Puccini's original is a fairy tale set in ancient China about a princess whose riddle game costs failed suitors their lives. But Ai Weiwei transformed this story into a stark reflection of the present, weaving in footage of refugee crises, COVID hospitals, and the Ukraine war—a production that became an urgent act of resistance for its Ukrainian conductor and cast. The opera and documentary are a living document of our turbulent times, embodying Ai Weiwei's belief that 'Everything is Art. Everything is Politics.'The new documentary, Ai Weiwei's Turandot, goes behind the curtain to capture the artistic struggle and emotional weight of making this work—a process that began with one vision and was fundamentally changed by a global pandemic and a major war.My guest is the documentary's director, Maxim Derevianko. He grew up in a family with deep ties to the Rome Opera House, and he offers a deeply personal, intimate look at how in Ai Weiwei's words, “art competes with reality, but art will have the last word.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“Everything is Art. Everything is Politics.I think art competes with reality. And art will give you the last words.” –Ai WeiweiThe renowned artist and activist Ai Weiwei has used sculpture, photography, documentaries, and large-scale installations to challenge authoritarian power for decades. But his project at the Rome Opera House, directing Puccini's final opera, Turandot, may be his most powerful fusion of art and politics yet. Puccini's original is a fairy tale set in ancient China about a princess whose riddle game costs failed suitors their lives. But Ai Weiwei transformed this story into a stark reflection of the present, weaving in footage of refugee crises, COVID hospitals, and the Ukraine war—a production that became an urgent act of resistance for its Ukrainian conductor and cast. The opera and documentary are a living document of our turbulent times, embodying Ai Weiwei's belief that 'Everything is Art. Everything is Politics.'The new documentary, Ai Weiwei's Turandot, goes behind the curtain to capture the artistic struggle and emotional weight of making this work—a process that began with one vision and was fundamentally changed by a global pandemic and a major war.My guest is the documentary's director, Maxim Derevianko. He grew up in a family with deep ties to the Rome Opera House, and he offers a deeply personal, intimate look at how in Ai Weiwei's words, “art competes with reality, but art will have the last word.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“Everything is Art. Everything is Politics.I think art competes with reality. And art will give you the last words.” –Ai WeiweiThe renowned artist and activist Ai Weiwei has used sculpture, photography, documentaries, and large-scale installations to challenge authoritarian power for decades. But his project at the Rome Opera House, directing Puccini's final opera, Turandot, may be his most powerful fusion of art and politics yet. Puccini's original is a fairy tale set in ancient China about a princess whose riddle game costs failed suitors their lives. But Ai Weiwei transformed this story into a stark reflection of the present, weaving in footage of refugee crises, COVID hospitals, and the Ukraine war—a production that became an urgent act of resistance for its Ukrainian conductor and cast. The opera and documentary are a living document of our turbulent times, embodying Ai Weiwei's belief that 'Everything is Art. Everything is Politics.'The new documentary, Ai Weiwei's Turandot, goes behind the curtain to capture the artistic struggle and emotional weight of making this work—a process that began with one vision and was fundamentally changed by a global pandemic and a major war.My guest is the documentary's director, Maxim Derevianko. He grew up in a family with deep ties to the Rome Opera House, and he offers a deeply personal, intimate look at how in Ai Weiwei's words, “art competes with reality, but art will have the last word.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“So when we decided to do a documentary to follow Ai Weiwei, we knew, of course, it wouldn't be just a simple opera, and we knew he would bring his own very special and original vision. Because, of course, he is not an opera director. From his point of view, it's a challenge, but from another perspective, it's probably an enrichment for the opera audience because he doesn't follow the rules of opera. And, of course, once you decide to do a documentary about Ai Weiwei, it's in his DNA to be political. Once I started to follow him, the political issues and topics came into the documentary by themselves.”The renowned artist and activist Ai Weiwei has used sculpture, photography, documentaries, and large-scale installations to challenge authoritarian power for decades. But his project at the Rome Opera House, directing Puccini's final opera, Turandot, may be his most powerful fusion of art and politics yet. Puccini's original is a fairy tale set in ancient China about a princess whose riddle game costs failed suitors their lives. But Ai Weiwei transformed this story into a stark reflection of the present, weaving in footage of refugee crises, COVID hospitals, and the Ukraine war—a production that became an urgent act of resistance for its Ukrainian conductor and cast. The opera and documentary are a living document of our turbulent times, embodying Ai Weiwei's belief that 'Everything is Art. Everything is Politics.'The new documentary, Ai Weiwei's Turandot, goes behind the curtain to capture the artistic struggle and emotional weight of making this work—a process that began with one vision and was fundamentally changed by a global pandemic and a major war.My guest is the documentary's director, Maxim Derevianko. He grew up in a family with deep ties to the Rome Opera House, and he offers a deeply personal, intimate look at how in Ai Weiwei's words, “art competes with reality, but art will have the last word.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“So when we decided to do a documentary to follow Ai Weiwei, we knew, of course, it wouldn't be just a simple opera, and we knew he would bring his own very special and original vision. Because, of course, he is not an opera director. From his point of view, it's a challenge, but from another perspective, it's probably an enrichment for the opera audience because he doesn't follow the rules of opera. And, of course, once you decide to do a documentary about Ai Weiwei, it's in his DNA to be political. Once I started to follow him, the political issues and topics came into the documentary by themselves.”The renowned artist and activist Ai Weiwei has used sculpture, photography, documentaries, and large-scale installations to challenge authoritarian power for decades. But his project at the Rome Opera House, directing Puccini's final opera, Turandot, may be his most powerful fusion of art and politics yet. Puccini's original is a fairy tale set in ancient China about a princess whose riddle game costs failed suitors their lives. But Ai Weiwei transformed this story into a stark reflection of the present, weaving in footage of refugee crises, COVID hospitals, and the Ukraine war—a production that became an urgent act of resistance for its Ukrainian conductor and cast. The opera and documentary are a living document of our turbulent times, embodying Ai Weiwei's belief that 'Everything is Art. Everything is Politics.'The new documentary, Ai Weiwei's Turandot, goes behind the curtain to capture the artistic struggle and emotional weight of making this work—a process that began with one vision and was fundamentally changed by a global pandemic and a major war.My guest is the documentary's director, Maxim Derevianko. He grew up in a family with deep ties to the Rome Opera House, and he offers a deeply personal, intimate look at how in Ai Weiwei's words, “art competes with reality, but art will have the last word.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

A public art initiative marking the 80th anniversary of the U.N. is inviting artists to examine the state of democracy and social justice. The first featured artist is Chinese dissident Ai Weiwei, whose blend of art and activism has long focused on human rights. Jeffrey Brown reports for our series, Art in Action, exploring the intersection of art and democracy as part of our CANVAS coverage. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

A public art initiative marking the 80th anniversary of the U.N. is inviting artists to examine the state of democracy and social justice. The first featured artist is Chinese dissident Ai Weiwei, whose blend of art and activism has long focused on human rights. Jeffrey Brown reports for our series, Art in Action, exploring the intersection of art and democracy as part of our CANVAS coverage. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

2022 gab Ai Weiwei in Rom sein Operndebüt mit Puccinis unvollendeter Oper „Turandot“. Die Vorbereitungen der aufwendigen, gigantischen Produktion dauerten zwei Jahre, da die Proben zwischenzeitlich wegen der Covid-Pandemie unterbrochen werden mussten. Der italienische Filmemacher Maxim Derevianko war mit der Kamera über den langen Zeitraum dabei und hat zahlreiche Mitwirkende sowie die Intendanz des Theaters zu diesem besonderen Projekt befragt. Seine Dokumentation „Ai Weiweis Turandot“ kommt am 16. Oktober in die Kinos. Kirsten Liese hat ihn bereits gesehen.

To celebrate 20 years of Design Matters, Debbie Millman revisits highlights from her conversations with groundbreaking artists Bisa Butler, Deborah Kass, Marilyn Minter, Amy Sherald, and Ai Weiwei. This anniversary collection brings together the voices of five visionaries whose work challenges conventions, sparks dialogue, and redefines the role of art in our culture. Hosted on Acast. See acast.com/privacy for more information.

Hoy, en Gente que trabaja, Cristina Moreno nos trae a Costa-Gavras, Giraldillo de Honor del Festival de Sevilla, la nueva película de Carmen Maura y la interpelación a las guerras de Ai Weiwei.Es miércoles y toca nueva entrega de las Personas Curvas de Víctor Clares. Esta semana hablamos de Jayne County, pionera del punk y del rock transgénero.Nos visita Blanca Lacasa para presentar su primera novela, 'El accidente', en Libros del Asteroide. Con Natalia Sprenger repasa las fases de los accidentes emocionales que todos hemos vivido.¿Qué queda de una relación cuando todo termina? Aloma Rodríguez analiza en su Barra Libre 'Artefactos importantes', una novela-catálogo de Leanne Shapton, rescatada por la editorial Comisura. Escuchar audio

Hoy, en Gente que trabaja, Cristina Moreno nos trae a Costa-Gavras, Giraldillo de Honor del Festival de Sevilla, la nueva película de Carmen Maura y la interpelación a las guerras de Ai Weiwei.Escuchar audio

Ai Weiwei is een Chinees, maar op een AI Weiwei moeten we vooralsnog niet rekenen. In het land van Xi Jingping moeten algoritmes, net als brave burgers, het namelijk niet in hun hoofd halen om zelf te denken. Dat doet de overheid wel voor u. Als ze ooit stuk gaan - en dood gaan we allemaal, niet waar - belandt hun omhulsel toch gewoon op de schroothoop. Met wat geluk valt er nog wat lekkers uit te plukken. Welkom in Computer Club, een podcast door Frederik 'Freddy' De Bosschere & Thomas 'Smollie' Smolders. Met dank aan Sebastiaan Van den Branden & Toon De Pauw voor de technische hulp. Wekelijks bespreken we de actualiteit op vlak van technologie en gaan we op zoek naar interessante feiten en innovaties. Af en toe nodigen we zelfs een gast uit. Er zijn ook jingles. Forum: https://computerclub.forum Word Vriend van de Show: https://vrienden.computerclub.online Nieuwsbrief: https://nieuwsbrief.computerclub.online Merchandise: https://computerclub.shop

Christopher Tsai is a deeply thoughtful growth investor. He became one of the foremost collectors of the works of Ai Weiwei, recognising their implicit value and deeply studying the artist. His concentrated portfolio reflects his attraction to growth stocks with Tesla his largest position. In our conversation, he explains why he believes Tesla has deep moats across multiple verticals; why he thinks many of the growth stocks in his portfolio have optically inflated valuations as they invest now to create future value; why the second largest position in his portfolio is QXO, with his father, also a famous investor, being one of Brad Jacobs' original backers; and what he looks for in managers. I am trying to meet more growth investors to understand their strategy better. Christopher's portfolio is too racy for me, at over a 60x P/E multiple on my estimates when we recorded and probably higher today, but he makes an interesting case for holding long-term compounders.

→ To dig deeper into the episode's references and receive little gems, notes, and musings that didn't make it into the episode, ⁠SIGN UP: https://joanaprneves.substack.com/s/exhibitionistas→ For our third season, we're working with intern production assistants for the first time. Your donations will contribute to pay for their work: ⁠https://exhibitionistaspodcast.com/support-usART TRAVELOGUE is a new format, an audio/video journey with art as a destination. You'll find out about British artist Haroon Mirza's new commissioned piece (a performance and a sound installation) for Focal Point Gallery's exhibition In Other Worlds: Acts of Translation . By travelling with our host, curator Joana P. R. Neves, you hear about the people, the seascapes, the urban areas, histories of Essex's estuary, through the scope of Mirza's translation of electric sounds from an older piece into human voices. This journey will be told in Joana's voice but also through recordings of the artist, and the two curators of the exhibition, Inês Costa and Yates Norton. And finally, you'll arrive on site to experience the performance Adam, Eve, Others and a UFO for Choral Octet.With works from The David and Indrē Roberts Collection by: Horst Ademeit, Michael Armitage, Frank Auerbach, Charles Avery, Jonathan Baldock, Fiona Banner aka The Vanity Press, Neïl Beloufa, David Birkin, Louise Bourgeois, Mark Bradford, Ulla von Brandenburg, Miriam Cahn, George Condo, Martyn Cross, Romany Eveleigh, Simon Fujiwara, Ellen Gallagher, Jim Goldberg, Pierre Huyghe, Anselm Kiefer, Haroon Mirza, Francesca Mollett, Nika Neelova, Antoni Tàpies, Danh Vo, Ai Weiwei.Focal Point Gallery is South Essex's only public contemporary art gallery, open to all. The David and Indrē Roberts Collection features nearly 2,500 works by over 900 artists, dating from the mid-20th century to today. Curated by Inês Costa (Focal Point Gallery) and Yates Norton (The Roberts Institute of Art).Instagram: @focalpointgallery @therobertsinstituteofart @To know more about Haroon Mirza: https://www.lissongallery.com/artists/haroon-mirzahttps://www.youtube.com/@outputs_avKey themes: Sound; light; sound art; translation; performance art; music and sound; the singing voice; translating sound to voice; knowledge; wisdom; contemporary art; new technologies; generative technologies; AI; Essex county, communication; shamanism; non-verba communication; understanding versus experiencing; anticipation and experience; the Genesis and science; theories of creation; language; art languages; orality; the written word; histories; history as myth; faith, myth and science.If you enjoyed the episode, you may enjoy Joana's essays on Substack: ⁠⁠⁠https://joanaprneves.substack.com⁠⁠⁠If you appreciate my work, why not buy me a coffee? It's a nice way to show your appreciation without having to commit to a membership: https://buymeacoffee.com/exhibitionistaFor behind the scenes clips, links to the artists and guests we cover, and visuals of the exhibitions we discuss follow us on Instagram: @exhibitionistas_podcastBluesky: @exhibitionistas.bsky.socialexhibitionistaspod@gmail.com#contemporaryart #immersive #artexhibitions #soundart #haroonmirza #exhibitionistas #exhibitionistaspodcast #joanaprneves #focalpointgallery #soundandlightart #performance #performanceart #choral #choirsinging #voice #translation #ai #aiandart #aiart #experimentalart Chapters00:00 Introducing Art Travelogue: The Journey From London to Southend Starts07:58 Discovering Essex,The Most Misunderstood County in the UK15:26 Mirza's 2013 piece Adam, Eve, Others and a UFO (Installation & Sound)19:22 Electricity, Music, Communication and Shamanism23:08 Communication and Translation Beyond Words30:10 The Difference Between Knowing and Interpreting37:12 The Performance: Canaan, The Choir, The AI, The Shaman 44:57 Myths of Creation: Gender, Language, Knowledge, Power40:52 The Power of Words and Language49:16 Outro

Ai Weiwei joins to discuss his new memoir “1000 Years of Joys and Sorrows,” depicting a century-long epic tale of China told through a story of his family.For a chance to give your own TED Talk, fill out the Idea Search Application: ted.com/ideasearch.Interested in learning more about upcoming TED events? Follow these links:TEDNext: ted.com/futureyouTEDSports: ted.com/sportsTEDAI Vienna: ted.com/ai-viennaTEDAI San Francisco: ted.com/ai-sf Hosted on Acast. See acast.com/privacy for more information.

Producers note: Folks, if you've been following this show for a while now, you know we go hard. All of the time. From last week's event in Washington DC to upcoming events later this year, to the non-stop news appearances (not to mention I make Paul walk around New York filming himself talking into a camera), to the multiple organizations he's helping run (Independent Veterans of America, American Veterans for Ukraine, Operation Liberty), we keep the hammer down.  But like Paul's mentor Les Gelb taught him, if you don't take a break you get stupid, and we don't want to get stupid. So today, we're taking a break. And throwing it back to one of our most popular guests and popular episodes with an American Icon that is in the headlines, and in Trump's crosshairs. So this week we're jumping in the Righteous Media time machine and traveling way way back to Episode 78 from September 24, 2020 with Stephen Colbert. It's a great conversation and one we think you'll enjoy revisiting. From Episode 78: “Fear is the mind killer. If you're laughing you're not afraid.” Wise words in this groundbreaking new episode from a truly iconic guest: Stephen Colbert (@StephenAtHome). [06:14] Stephen joins us from his home–uninterrupted and unedited in this fun, candid and inspiring episode. As we enter the most trying and important fall of our lifetime, Angry Americans is bringing in the big guns to get you through this trying time. And there are few bigger than Stephen Colbert.   President Mayhem is sheer chaos. He's doing anything and everything he can to disrupt our country, our unity and our day. And this conversation is the antidote. Stephen and host Paul Rieckhoff (@PaulRieckhoff) break down the current state of the country and what the future might hold. Stephen beams in from his home office and shares wisdom, jokes and some amazing stories. He talks about his trip to Iraq to visit the troops and why he shaved his head while he was there. His first car story is one of the best we've ever had. His answer to what makes him happy is heartwarming. But also painful. And expensive. This is Stephen Colbert like you've never heard him before. You'll just have to listen.  Because Independent Americans is built on the Righteous Media 5 Is: independence, integrity, information, inspiration and impact. And this episode has it in spades. Independent Americans is your trusted place for independent news, politics, inspiration and hope. It's the truth beyond the headlines–and light to contrast the heat of other politics and news shows. It's built for the 49% of Americans that proudly call themselves independent and we're proud to stand with you.  -Join the movement. Hook into our exclusive Patreon community of Independent Americans. Get extra content, connect with guests, meet other Independent Americans, attend events, get merch discounts, and support this show that speaks truth to power.  -NEW! Watch the video version of the entire podcast here. -Check the hashtag #LookForTheHelpers. And share yours.  -Find us on social media or www.IndependentAmericans.us. And get cool IA and Righteous hats, t-shirts and other merch.  -Check out other Righteous podcasts like The Firefighters Podcast with Rob Serra, Uncle Montel - The OG of Weed and B Dorm.  Independent Americans is powered by veteran-owned and led Righteous Media. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Producers note: Folks, if you've been following this show for a while now, you know we go hard. All of the time. From last week's event in Washington DC to upcoming events later this year, to the non-stop news appearances (not to mention I make Paul walk around New York filming himself talking into a camera), to the multiple organizations he's helping run (Independent Veterans of America, American Veterans for Ukraine, Operation Liberty), we keep the hammer down.  But like Paul's mentor Les Gelb taught him, if you don't take a break you get stupid, and we don't want to get stupid. So today, we're taking a break. And throwing it back to one of our most popular guests and popular episodes with an American Icon that is in the headlines, and in Trump's crosshairs. So this week we're jumping in the Righteous Media time machine and traveling way way back to Episode 78 from September 24, 2020 with Stephen Colbert. It's a great conversation and one we think you'll enjoy revisiting. From Episode 78: “Fear is the mind killer. If you're laughing you're not afraid.” Wise words in this groundbreaking new episode from a truly iconic guest: Stephen Colbert (@StephenAtHome). [06:14] Stephen joins us from his home–uninterrupted and unedited in this fun, candid and inspiring episode. As we enter the most trying and important fall of our lifetime, Angry Americans is bringing in the big guns to get you through this trying time. And there are few bigger than Stephen Colbert.   President Mayhem is sheer chaos. He's doing anything and everything he can to disrupt our country, our unity and our day. And this conversation is the antidote. Stephen and host Paul Rieckhoff (@PaulRieckhoff) break down the current state of the country and what the future might hold. Stephen beams in from his home office and shares wisdom, jokes and some amazing stories. He talks about his trip to Iraq to visit the troops and why he shaved his head while he was there. His first car story is one of the best we've ever had. His answer to what makes him happy is heartwarming. But also painful. And expensive. This is Stephen Colbert like you've never heard him before. You'll just have to listen.  Because Independent Americans is built on the Righteous Media 5 Is: independence, integrity, information, inspiration and impact. And this episode has it in spades. Independent Americans is your trusted place for independent news, politics, inspiration and hope. It's the truth beyond the headlines–and light to contrast the heat of other politics and news shows. It's built for the 49% of Americans that proudly call themselves independent and we're proud to stand with you.  -Join the movement. Hook into our exclusive Patreon community of Independent Americans. Get extra content, connect with guests, meet other Independent Americans, attend events, get merch discounts, and support this show that speaks truth to power.  -NEW! Watch the video version of the entire podcast here. -Check the hashtag #LookForTheHelpers. And share yours.  -Find us on social media or www.IndependentAmericans.us. And get cool IA and Righteous hats, t-shirts and other merch.  -Check out other Righteous podcasts like The Firefighters Podcast with Rob Serra, Uncle Montel - The OG of Weed and B Dorm.  Independent Americans is powered by veteran-owned and led Righteous Media. Learn more about your ad choices. Visit megaphone.fm/adchoices

Max Pearson presents a collection of the week's Witness History episodes including the story behind Mick Jagger and David Bowie's duet for Live Aid in 1985 and the Chinese artist who was jailed for his art inspired by the Sichuan earthquake in 2008. He speaks to music journalist Alice Austin to explore other concerts in world history that have had a political impact. Also, the American politician who first coined the phrase "drill, baby, drill" in 2008, the making of Back To The Future in 1985 and the trophy killing of Cecil the Lion in Zimbabwe in 2015.Contributors: Bernard Doherty - former Live Aid press officer. Alice Austin - music journalist. Ai Weiwei - artist. Prof Andrew Loveridge - zoologist who studied Cecil the lion. Michael Steele - the former Lieutenant Governor of Maryland, who came up with the slogan "Drill, baby, drill!" Bob Gale - the co-writer and producer of the Back to the Future.(Photo: Mick Jagger and David Bowie performing Dancing In The Street. Credit: Brian Cooke / Redferns)

In 2008, an earthquake in China's Sichuan province killed almost 90,000 people. Many were crushed when school buildings collapsed, exposing their poor construction quality. To counter perceived government suppression of information, the artist Ai Weiwei made an artwork from 90 tonnes of steel bars salvaged from the schools' wreckage. In 2011, Ai Weiwei was detained in harsh conditions for 81 days and banned from leaving China. While his official charge was tax evasion, his detention was widely viewed as a response to his activism. But the artwork, Straight, became a global sensation. Ai Weiwei tells the story to Ben Henderson.Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from the death of Adolf Hitler, the first spacewalk and the making of the movie Jaws, to celebrity tortoise Lonesome George, the Kobe earthquake and the invention of superglue. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: Eva Peron – Argentina's Evita; President Ronald Reagan and his famous ‘tear down this wall' speech; Thomas Keneally on why he wrote Schindler's List; and Jacques Derrida, France's ‘rock star' philosopher. You can learn all about fascinating and surprising stories, such as the civil rights swimming protest; the disastrous D-Day rehearsal; and the death of one of the world's oldest languages.(Photo: Ai Weiwei in front of his artwork, Straight. Credit: Leon Neal/AFP via Getty Images)

Following Maggie's recent travels to Bejing China, we discuss THE PEOPLE'S REPUBLIC OF CHINA at large, its scope and influence and uncanny vision of a globalist future + the 1996 Chinese gay romance EAST PALACE WEST PALACE + the troubling art world of boomer activist/reguee life jacket stylist AI WEIWEI. For the high quality version of this episode + a juicy SIRENS bonus show follow ISP on paatreon.com/imsopopular ISP S5.E27

Premiering at HotDocs '25, AI WEIWEI'S TURANDOT follows the legendary artist as he seeks to bring the classic opera into the 21st Century. Directed by Maxim Dereviakno, the film is a testament to the power of art and the way that old content can speak to the modern era. In this 1on1, Derevianko speaks to us about reviving ancient stories and the magic of Ai Weiwei.

If it’s been a while since you’ve been to Seattle Art Museum, you might not want to miss the latest exhibit. SAM has a major retrospective called “Ai, Rebel: The Art and Activism of Ai Weiwei.” SAM’s show is the largest exhibition of Ai Weiwei’s work ever shown in the U.S. We talk with Foong Ping, SAM's Foster Foundation Curator of Chinese Art. Give feedback here on new tolls coming to WA. Watch WA budget discussions here. We can only make Seattle Now because listeners support us. Tap here to make a gift and keep Seattle Now in your feed. Got questions about local news or story ideas to share? We want to hear from you! Email us at seattlenow@kuow.org, leave us a voicemail at (206) 616-6746 or leave us feedback online.See omnystudio.com/listener for privacy information.

Við fáum leikstjórann Egil Heiðar Anton Pálsson í samtal um leikhúsið, í seríuna um framtíð sviðslista. Tilkynnt var um það á dögunum að Egill Heiðar hefði verið ráðinn Borgarleikhússtjóri. Hann tekur við starfinu í lok mánaðar. En hvers vegna gerir hann leikhús? Og hvað þarf að vera til staðar í samfélaginu til að listalífið blómstri? Katrín Helga Ólafsdóttir flytur okkur pistil um myndina Animality eftir listamanninn Ai Wei Wei, sem hún sá á CPH:DOX, alþjóðlegri heimildamyndahátíð í Kaupmannahöfn.

In this week's episode of the ArtTactic Podcast, Adam Green speaks with Mazdak Sanii, CEO of Avant Arte, one of the most fascinating success stories in the art market's print sector over the past several years. What began as an online art community quickly evolved into a powerhouse platform for publishing limited-edition prints by both emerging and established artists. Mazdak shares the story behind Avant Arte's founding and its evolution, explaining how the company has attracted a remarkable roster of collaborating artists, including Ed Ruscha, George Condo, Anish Kapoor, Ai Weiwei, Elizabeth Peyton, and Mickalene Thomas. He also discusses how Avant Arte has successfully differentiated itself in an increasingly saturated market by enhancing the collector experience and building a strong community around the platform. Adam and Mazdak delve into how collector behavior has shifted over the past few years, from the speculative frenzy of flipping to a more thoughtful and measured approach. They also explore key insights from Avant Arte's newly released Collectors Report, offering a glimpse into the most compelling trends shaping the future of the art world.

A low-rider show on the stately grounds of the Philbrook Museum of Art in Tulsa and a cat video festival in Minneapolis that went viral – two examples of the creative mind of Scott Stulen. And as the Seattle Art Museum's new director and CEO, what innovative exhibits are up his sleeve for the Emerald City? Jon and Scott talk about his journey to leadership in the arts; the creative ways he's stretching the definitions of art and what's expected in a museum; the expansive Ai Weiwei exhibit coming to Seattle and more. Join us for Seattle City Makers with Jon Scholes and guest Scott Stulen.

Richard Christiansen believes that the true definition of luxury is having one's senses on full blast—seeing, tasting, smelling, hearing, and touching the world around by engaging in its beauty and bounty to the fullest. This idea is at the heart of his company, the garden-pleasure apothecary Flamingo Estate, which is both a place—a home and garden on a seven-acre property in the hills of Los Angeles—and a brand, which operates a global farming collective and sells wellness, beauty, and “home essentials” products. In just a few years, Flamingo Estate has collaborated with cultural figures such as Julianne Moore, Martha Stewart, and Ai Weiwei, and created some 200 or so products, from C.S.A.-style farm boxes and flower arrangements, to scented candles and a rosé wine, to body washes and chocolates. Capturing the spirit of all this is a new book, Flamingo Estate: The Guide to Becoming Alive, which tells the story of his company's rapid rise and includes interviews with the likes of Jane Fonda, John Legend, and Alice Waters.On the episode, Christiansen talks about his lifelong connection with beekeeping and honey; why more brands should embrace “radical inconsistency” in their products; and how reading a book by Jane Goodall, and later befriending the anthropologist and conservationist, changed the course of his life.Special thanks to our Season 10 presenting sponsor, L'École, School of Jewelry Arts.Show notes:Richard Christiansen[4:24] Flamingo Estate[8:05] Flamingo Estate: The Guide to Becoming Alive[46:21] Jane Goodall[12:48] Alice Waters[15:06] Harvey[35:35] Chandelier Creative[45:51] Benetton[45:51] Colors[50:35] Rumiko Murata[52:35] Owl Bureau[58:28] “The Summer Day”

"Why don't y'all just come to this bathtub?" On this Episode 98 of The DOD45 Show #ArtByTai draws an assortment of things for Remi Rough & Mike Ladd of The Dead Can Rap while they discuss a wide array of topics, from Basquiat to Ai Wei Wei to Patty Island and more. Guest: The Dead Can Rap Social Media Lurk by Sage Francis ( @therealsagefrancis ) Mayo or Miracle Whip question with Mr. Dibbs ( @mrfuckingdibbs ) Guest Song Share by Ceschi Ramos ( @CeschiRamos ) Last Words by Blackliq ( @Blackliq ) ArtByTai.com - DOD45.com - StrangeFamousRecords.com - MrDibbs.com - Speakerface.Store - Abolanorecords.Bandcamp.com Episode recommendations: "Guns Akimbo" - https://www.youtube.com/watch?v=Ukbkpwl7vWw "Black Stacey" by Saul Williams - https://www.youtube.com/watch?v=Q6P8xy5iUGI&list=PL38q49dPd0N7-IoGS8rQOFBFWo__se-ZE "Fade Into You" by The Moth & The Flame - https://www.youtube.com/watch?v=PsRx_XNl7QI "Vanessa" by Midwife - https://www.youtube.com/watch?v=gzMlcbKtgQM - DOD45 Luvs 'song share' playlist: https://open.spotify.com/playlist/4dn8I37ew07y7aCeCs6qAn?si=b856689724da4b7c Instagram links: The Dead Can Rap: https://www.instagram.com/deadcanrap Remi Rough: The Dead Can Rap: https://www.instagram.com/remirough Mike Ladd: https://www.instagram.com/LikeMaddLadd ArtByTai: https://www.instagram.com/artbytai DOD45: https://www.instagram.com/dod45w Links to topics mentioned in the intro, the interview and the outro of this #DOD45 Show: TBA --- Support this podcast: https://podcasters.spotify.com/pod/show/artbytai/support

Yesterday, Missouri executed 55-year-old Marcellus Williams, ignoring calls from prosecutors and the victim's family asking the state to spare his life. We discussed the ethics of the death penalty and how listeners feel about it.GBH executive arts editor Jared Bowen discussed a notorious vandal who smashed an Ai Wei Wei sculpture, plus, "Laughs in Spanish" at the SpeakEasy and "Urinetown" at Lyric Stage.Harvard national security expert Juliette Kayyem discussed our nation's history of political violence and the context of today's violent rhetoric.NBC Boston's Sue O'Connell discussed Biden's final speech to the UN and Ellen DeGeneres' new Netflix special.Then, we talked about chicken tenders and nuggets for six minutes on why Americans hate to love the little chicken snacks.Naturalist Sy Montgomery zoomed in to discuss her recent trip to Ecuador diving with giant manta rays and a Rhode Island community mourning the loss of their 20-year-old library tarantula, Beezus.Then, we asked about your best and worst excuses for getting out of commitments. Sorry, we have worm brain.

What's with the dead bodies? Yes, that's an actual question from the New York fairs. This week on the podcast, I invited the artist William Powhida on to the show ostensibly to discuss what we saw last week. The discussion, though, ended up going far deeper. On the podcast, we talk about: What we want from art in an increasingly tumultuous world What landscapes, florals, and a dead body trend at the fair say about the world. The shifting landscape of art, which includes many new faces and names Plus, we talk about all the work in the shows that sparked thought!   Relevant links: Armory The Armory Show | New York's Art Fair Lydia Pettit at Dinner Gallery Rodrigo Valenzuela at Asya Geisberg Gallery  CHIFFON THOMAS at Michael Kohn Gallery  Derrick Adams and Jeffrey Gibson at Tandem Press Rafael Lozano-Hemmer SPURS Gallery Jeanne Silverthorne at Marc Straus Gallery David Scher and Ward Shelley at Pierogi Gallery  Simonette Quamina at Praxis Art  Manuel López at Charlie James Gallery (cjamesgallery.com) Paige K.B.'s installation Of Course, You Realize, This Means War at Blade Study CURRO (galeriacurro.mx) Alejandro Almanza Pereda at Galeria CURRO David Hammons at Jack Tilton Gallery Tamarind Institute (unm.edu) Eva Koťátková at hunt kastner gallery William Kentridge and Ai Weiwei at Whitechapel Gallery Matt Bollinger Katinka Lampe at Gallerie Ron Mandos  The Library Collective out of Baltimore Caro Jost  Jennifer Bartlett at Locks Gallery Grayson Perry at Paragon (paragonpress.co.uk) Kathris Linkersdorff, Zoe Walk, and Sarah Anne Johnson at Yossi Milo Broadway (broadwaygallery.nyc) Theo Pinto at Nature Morte Whitestone Gallery (whitestone-gallery.com) 1301SW Sim Smith (sim-smith.com) Nicodim Gallery Tschabalala Self at Two Palms Michael Berryhill at DIMIN Emily Weiner at MILES McENERY GALLERY I Gusti Ayu Kadek Murniasih at Gajah Gallery Andy Dixon at The Hole   Spring Break SPRING/BREAK Art Show - About (springbreakartshow.com) Jac Lahav and Michele Maslow's Monster with artists Caitlin McCormack, Taylor Lee Nicholson, and Charles Clary Stuart Lantry, Post It Notes Stina Puotinen, "Two Fishes"  “All's Fair in love and Lore” curated by Harsh Collective, featuring Laura Benson, Lucinda Gold, and Gabriel Kramer Gary Gissler at Anita Rogers Gallery Robert Jamora in “Everything is Fine” Peter Dayton Marianna Peragallo Eric Diehl  54 | Bobby Anspach Studios Foundation  ACE LEHNER (ace-lehner.com)'s The Barbershop: The Art of Queer Failure 

Ai Weiwei joins to discuss his new memoir “1000 Years of Joys and Sorrows,” depicting a century-long epic tale of China told through a story of his family.

Dave is revisiting some of his favorite episodes and interviews for his ‘Best of Dave Chang Show' series. In this episode, Pulitzer Prize-winning art critic, beloved 'Dave Chang Show' guest, and 'Art is Life' author Jerry Saltz returns to survey the state of art and food in 2022, and deliver a bracing dose of motivation to Dave, Chris, and anyone else out there embarking on a potentially terrifying creative endeavor. Also: ancient DNA, private psyches, Chris Ofili, Laurie Anderson, zombie formalism, the end of linear time, dirty shamans, Jasper Johns, caveman cooking, F. Murray Abraham, Ai Weiwei, 'The Raft of the Medusa,' Dolly Parton, fighting your demons, Neal Brennan, Thomas Kinkade, art vs. craftsmanship, Cy Twombly, Jason Polan, and a Coen Brothers debate. Hosts: Dave Chang and Chris Ying Guest: Jerry Saltz Producers: Sasha Ashall, Jordan Bass, and Victoria Valencia Learn more about your ad choices. Visit podcastchoices.com/adchoices