Podcast appearances and mentions of Ai Weiwei

Ffilm 10 munud a 41 eiliad o hyd a wnaed gan Helen Sear RA yn 2012 yw Chameleon. Mae'r ffilm fud hon yn dechrau yn nhywyllwch y nos ac yn raddol mae blodyn haul euraidd agored, ychydig cyn hadu, yn ymddangos. Y tu allan i'r llun, defnyddir yr unig ffynhonnell golau, un tortsh â ffocws addasadwy, i oleuo'r petalau sy'n siglo yn ysgafn yn awel y nos. Mae ffocws y tortsh yn cael ei addasu'n raddol i ddwysáu'r paladr golau ar ganol y blodyn. Mae'r blodyn haul yn dechrau ymdebygu i lygad symudol amwys sy'n syllu, fel cameleon sy'n gallu symud ei ddwy lygad ym mhob cyfeiriad ac yn annibynnol ar ei gilydd. Yna mae'n encilio i'r tywyllwch wrth i ffocws y tortsh gael ei ailosod. Meddai Helen Sear, yr artist: “Mae blodau haul bob amser wedi bod yn eiconig iawn yn hanes celf, gan gynnwys, yn amlwg, van Gogh, Ai Weiwei, Rose Finn-Kelcey, Man Ray a llawer o artistiaid eraill. Ac roeddwn am roi cynnig ar greu darn o waith a fyddai'n ychwanegu dimensiwn arall at y blodyn haul, sydd eisoes wedi'i ddarlunio'n aml. “Mae gennyf ddiddordeb mawr yn natur fandyllog anifeiliaid, llysiau a mwynau a sut gall y pethau hyn gyfuno â'i gilydd weithiau. Er fy mod yn edrych ar y blodyn haul yn ei gyflwr agored, ychydig cyn iddo hadu, roeddwn yn meddwl bod golwg debyg iawn arno i lygad a oedd yn edrych yn uniongyrchol ataf. Felly, roeddwn yn ceisio meddwl sut gallwn gyfleu'r teimlad hwn, lle gallai'r blodyn mewn rhyw ffordd ddod yn fyw, neu fod rhywle rhwng planhigyn neu anifail neu fod mytholegol, sydd wir yn edrych yn syth tuag at y gwyliwr ac yn edrych yn syth ym myw ei lygad.” Mae gwaith Helen Sear yn canolbwyntio ar gydfodolaeth pobl, anifeiliaid ac amgylcheddau naturiol ac mae wedi'i wreiddio yn ei diddordeb mewn realaeth hud, swrrealaeth a chelf gysyniadol. Astudiodd Gelfyddyd Gain ym Mhrifysgol Reading ac Ysgol Slade yng Ngholeg Prifysgol Llundain a daeth ei gwaith i'r amlwg tua diwedd y 1980au, pan fu'n defnyddio gosodweithiau cyfryngau cymysg, perfformiado a fideos yn bennaf. Mae ffotograffiaeth yn parhau i fod wrth wraidd ei gwaith, sydd yn aml yn herio goruchafiaeth y llygad a'r safbwynt sefydlog sy'n gysylltiedig â lens y camera, ac yn archwilio potensial y gwaith celf i ddeffro ac ennyn teimladau. Sear oedd y fenyw gyntaf i gynrychioli Cymru yn Biennale Fenis, pan gafodd y digwyddiad ei gynnal am y 56ed tro yn 2015, gan gyflwyno cyfres o ddarnau newydd o'r enw …the rest is smoke. Fe'i hetholwyd yn aelod o Academi Frenhinol y Celfyddydau yn 2024.

Chameleon is a film by Helen Sear, made in 2012, duration 10 minutes and 41 seconds. This silent film begins in complete darkness in the dead of night, and gradually, a golden sunflower in full bloom, just before going to seed, emerges. Out of frame, the only light source, a single torch with adjustable focus, is used to slowly illuminate the petals that gently sway in the night's breeze. The torch's focus is gradually modified to intensify the light beam onto the centre of the flower. The sunflower begins to take on the impression of an ambiguous moving, staring eye, similar to that of a chameleon that can move in all directions and each eye independently. It then recedes back into the darkness as the torch's focus is reset. Artist, Helen Sear, said: “Sunflowers have always been very iconic in the history of art, including, obviously, Van Gogh, Ai Weiwei, Rose Finn-Kelcey, Man Ray, and many others. And I wanted to try and make a piece of work, which added another dimension to the already much depicted sunflower. “I'm very interested in the kind of porousness between animal, vegetable and mineral, and how sometimes, these things merge together. And while I was looking at the sunflower in its state of full bloom, and just before it was going to seed, I thought it looked very much like an eye that was looking directly at myself. So I wondered how I might be able to capture this feeling, where the flower could in some way become alive or somewhere between a plant or an animal or a mythical being, that is actually looking straight back at the viewer, in a way, looking at them straight in the eye.” Helen Sear's practice focuses on the co-existence of human, animal, and natural environments and is rooted in an interest in Magic Realism, Surrealism and Conceptual Art. She studied Fine Art at Reading University and University College London, Slade School, her practice coming to prominence in the late 1980s, when she worked primarily with mixed-media installation, performance and video. Photography remains a central subject and medium in her work, which often challenges the dominance of the eye and the fixed-point perspective associated with the camera lens, and explores the potential of the artwork to activate and elicit feeling. Sear was the first woman to represent Wales with a solo exhibition at the 56th Venice Biennale 2015, presenting a suite of new works…the rest is smoke. She was elected a Royal Academician in 2024.

Matthew Perry's assistant, Kenneth Iwamasa, will be the fifth and final person sentenced for playing a role in the actor's 2023 ketamine death. Carter Evans reports. An infrared camera on Brian and Lynette Hooker's sailboat may contain key evidence in the Michigan woman's disappearance in the Bahamas. Cristian Benavides reports. Dr. Céline Gounder joins "CBS Mornings" to break down the American Cancer Society's updated guidelines for colorectal cancer screenings. Doctors have recently been warned not to prescribe research-grade peptides, which are unregulated and sold online. Dr. Céline Gounder has more. Harvard economics professor Roland Fryer joins "CBS Mornings" to discuss what might be behind the world feeling lonelier. Roger Bennett, the founder and CEO of the Men in Blazers Media Network, sits down with "CBS Mornings" to break down the U.S. men's national team World Cup roster, which was announced on Tuesday. Contemporary artist and activist Ai Weiwei sits down with "CBS Mornings" to discuss his new book, "Ai Weiwei on Censorship," and the dangers of authoritarianism.

Robert meets legendary photographer ANTON CORBIJN to discuss his major retrospective opening this weekend in Berlin at Fotografiska museum.The story of Anton Corbijn begins in the quiet corners of a small Dutch island, where he grew up as the son of a vicar. For a young Corbijn, music was an escape, a passion that consumed him. His camera soon became both a tool and a companion, a way to channel his fascination with music and, perhaps more importantly, a means to navigate his own shyness.When Corbijn moved to London in 1979, the city was electric with the energy of bands like The Clash, The Jam, and Joy Division. Within ten days of arriving in England, he managed to photograph Joy Division claiming he was on assignment for a major Dutch magazine, even though he hadn't been officially commissioned.Now, having celebrated his 70th birthday last year, Corbijn looks back on over five decades of work that spans photography, music videos, and film. Corbijn, Anton celebrates his 50-year career and revisits his extensive body of work. Here, you will encounter nearly 150 pieces: iconic portraits of legends like Depeche Mode, Tom Waits, U2, the Rolling Stones, Martin Scorsese, and Marlene Dumas, as well as German icons Nina Hagen, Herbert Grönemeyer, Einstürzende Neubauten and Wim Wenders. His signature black-and-white grainy aesthetic became a defining visual language in his work.A polymath in photography, music videos, feature films, graphic design, and commercials, Dutchman Anton Corbijn is perhaps best known for immortalizing some of the greatest artists of our time. His iconic portraits of musicians, directors, and artists, such as Joy Division, Depeche Mode, Tom Waits, U2, the Rolling Stones, Martin Scorsese, Clint Eastwood, Gerhard Richter, Ai Weiwei, Marlene Dumas among others, are praised for the way they capture the soul and charisma of his subjects.Effortlessly moving in the early 80s from photography into music videos, Corbijn has since made over 80 promos for people like U2, Johnny Cash, Arcade Fire, Depeche Mode, Nirvana, Metallica, Nick Cave, Coldplay, and The Killers. He is the Artistic Director behind the visual output of Depeche Mode. For U2 he has done the principal promotion and sleeve photography for four decades.In 2006 Corbijn started working on his first feature film Control about the life, and death, of Ian Curtis, Joy Division's lead singer. The film won many awards worldwide, including 5 BIFAs and the Camera d'Or Special Mention at Cannes Film Festival 2007. Corbijn has since made The American starring George Clooney (2010), A Most Wanted Man, based on the novel by John Le Carré and featuring the late Philip Seymour Hoffman (2014), and Life, about James Dean and photographer Dennis Stock, which stars Robert Pattinson and Dane DeHaan (2015).In 2023, Corbijn released his first feature documentary Squaring The Circle about the iconic album art design studio Hipgnosis. In 2025, he directed his fifth feature film titled Switzerland starring Helen Mirren.Follow: @AntonCorbijn4RealVisit the exhibition: @Fotografiska.Berlin Hosted on Acast. See acast.com/privacy for more information.

Chinesische Kunst ist mehr als Porzellan und Kalligraphie. Sie ist seit Jahrtausenden eng mit Politik, Macht und nationaler Identität verwoben. Klaus und Julia sprechen in dieser Folge über die Wurzeln der chinesischen Kunst von den Ritualbronzen der Shang-Zeit bis zur Porzellanhauptstadt Jingdezhen, über die feinen Grenzen zwischen Kopie und Fälschung und über ein Kapitel, das bis heute tief in der Psyche des chinesischen Volks verankert ist: den systematischen Kunstraub im 19. und frühen 20. Jahrhundert. Die Plünderung des Alten Sommerpalasts, die geraubten Schätze von Dunhuang und die Kunstschätze, die während des Boxeraufstands versteigert wurden, prägen Chinas heutige Rückführungsdiplomatie. In China hat sich heute ein lebendiger Kunstmarkt mit unzähligen Museen entwickelt. China nutzt die Kunst, um seine Soft Power zu stärken. Zum Gesamtbild gehört aber auch der Umgang des Staates mit kritischen Künstlern wie Ai Weiwei.

“Pessimism is not fatalism. Fatalism is the belief that things will always necessarily be worse. Pessimism is the belief that things will probably get worse. Within that ‘probably,' it opens up space for action.” — Gal Beckerman In the first months of Trump II, Gal Beckerman watched American society do something that shocked him: comply. In one pathetic example after another, prominent law firms, universities, and senior federal employees buckled to every Trumpian whim. America appeared unable to resist authoritarianism. There were no dissidents. Thus How to Be a Dissident. Beckerman's new manual of resistance is inspired by history's more insistent dissenters — from Mandelstam and Solzhenitsyn to Navalny, Ai Weiwei, Thoreau, Havel, the Mothers of the Plaza de Mayo, and demonstrators on the streets of Minneapolis. The quiet manifesto focuses on what Beckerman considers the ten most essential qualities of how to be a dissident: Be alone. Be pessimistic. Be funny. Be reckless. Be watchful. Pessimism, above all. Not fatalism — the belief that things will always necessarily be worse — but the belief that things will probably get worse. Optimism, in Beckerman's mind, undermines urgency and thus enables passivity. Pessimism forces resistance. It's the first lesson in how to be a dissident. Five Takeaways •       Moral Nausea: Beckerman's term for the feeling most of us recognise but most of us suppress: seeing something wrong — a neighbour treated badly, a homeless person in a terrible situation, a dead child in a newspaper — and knowing ourselves somehow implicated. Most of us swallow it back down. We don't do anything. We try not to think about it. The dissident is the person who doesn't. What separates them, Hannah Arendt argued after studying Germans who resisted the Nazis, is a single question: can I live with myself? If the answer is no — if living with myself would mean living with a murderer — the dissident acts. That question, and the refusal to avoid it, is what makes a dissident a dissident. •       The Pre-Political: Havel's definition of where dissidence begins: not in ideology or revolution, but in the defence of whatever allows a human life to feel normal. For Havel, it started with a rock band — the Plastic People of the Universe, arrested for playing unauthorised concerts in communist Czechoslovakia. They weren't political. They sang about drinking beer. But they were gathering people together outside state sanction, and that was enough. For Iranian dissidents: being able to drive unaccompanied, or not cover one's hair. For the Tiananmen tank man: getting home to make dinner. The dissident defends those pre-political conditions — the normal life — when the state moves to violate them. •       Mandelstam's Answer: Osip Mandelstam composed a poem mocking Stalin in the early 1930s — at the height of Stalin's repressive era — and never wrote it down. He repeated it to his wife, Nadezhda, night after night in bed until she had memorised it. When it reached the secret police, he was arrested and brought to the Lubyanka. The interrogator asked: why did you do this? He could have denied it. Blamed his wife. Said it was a game of telephone. Instead he said: I wrote it because I hate fascism. It's as simple as that. Beckerman opens the book with this moment because it captures the dissident at their most elemental — a man who, when asked the Arendt question, answered honestly. •       Navalny Goes Back: After being poisoned by Putin and spending months recovering in Germany, Navalny returned to Russia, knowing almost certainly that in the best case he would be in prison for a very long time, and that Putin would most likely find another way to kill him. Which he did. Why go back? Navalny's answer, in his memoir: he had made a promise to the Russian people. How could he stand on the sidelines while asking others to sacrifice so much? The scene Beckerman describes from the prison: Navalny finds a moment away from the cameras, pulls his wife Yulia aside, and tells her he's accepted that he's probably not getting out alive. She says: I know. I've thought the same thing, and I've accepted it. He kisses her. He needs to know she isn't engaging in magical thinking. Optimism, in this context, would not have helped him. •       Be Pessimistic: Beckerman's most counterintuitive prescription, and his favourite. The assumption is that anyone engaged in quixotic world-changing behaviour must be an optimist. Beckerman argues the opposite. Pessimism — not fatalism — is healthier. The distinction matters: fatalism says things will always necessarily be worse. Pessimism says things will probably be worse. The “probably” leaves room for action. If you assume someone else will solve climate change, or that authoritarianism will inevitably collapse, you wait. The pessimist acts now, with what time they have, because they know things probably won't work out otherwise. It is, Beckerman suggests, akin to accepting death: the ultimate pessimistic reality we all face, which is also the only thing that makes each day matter. About the Guest Gal Beckerman is a staff writer at The Atlantic and the author of How to Be a Dissident (Crown, April 21, 2026), The Quiet Before: On the Unexpected Origins of Radical Ideas, and When They Come for Us, We'll Be Gone: The Epic Struggle to Save Soviet Jewry (Sami Rohr Prize winner). He has a PhD from Columbia University and lives in Brooklyn. References: •       How to Be a Dissident by Gal Beckerman (Crown, April 21, 2026). •       Nadezhda Mandelstam, Hope Against Hope — the memoir Beckerman calls one of his favourite books. •       Alexei Navalny, Patriot — the memoir Beckerman draws on for the prison scene with Yulia. •       Episode 2869: Jacob Mchangama on The Future of Free Speech — the companion episode on the crisis of free speech that contextualises this one. About Keen On America Nobody asks more awkward questions than the Anglo-American writer and filmmaker Andrew Keen. In Keen On America, Andrew brings his pointed Transatlantic wit to making sense of the United States — hosting daily interviews about the history and future of this now venerable Republic. With nearly 2,900 episodes since the show launched on TechCrunch in 2010, Keen On America is the most prolific intellectual interview show in the history of podcasting. WebsiteSubstackYouTube

Nobody is asking you to make your art. Jeff Musser thinks that's exactly why you have to make it anyway.Jeff is a Northern California figurative painter who builds images from collage, family photographs, sketches, and historical source material. We talk about painting as a primal need to make marks, why the studio can feel like a scratch-off ticket you keep buying with your time, and how the best ideas often arrive only after you start. Along the way we bounce off quotes from artists like Jenny Saville, Julian Schnabel, Kerry James Marshall, Ai Weiwei, Lisa Yuskavage, Gerhard Richter, and Chuck Close to get specific about process, risk, and the messy realities of creative work.Then the conversation turns toward meaning. Jeff shares how his work takes on the history and construct of race, especially the invention and evolution of whiteness, and how that construct shows up in family history and private thought. He also reflects on living in China as a visible outsider, experiencing attention and privilege that made power dynamics impossible to ignore. We talk about art as a form of self-repair, and why serious subject matter still needs play to stay alive.If you've been waiting for permission, this is your reminder to build momentum and make the work. Subscribe, share this with an artist friend, and leave a review.Find Jeff Musser on Instagram: @jeffmusserart and online at jeffmusser.comSend us a message - we would love to hear from you! Make sure to follow us on Instagram here:@justmakeartpodcast   @tynathanclark   @nathanterborgWatch the Video Episode on Youtube or Spotify,https://www.youtube.com/@JustMakeArtPodcast

No To Kings, Yes To Hearts, Cats, & Opera Carla Imperial of Northampton Resists & Katherine Haycox with Sunrise: Taking it to the Streets - No Kings Day March 28 Dr Amir Mohani & Dr Sunny Shukla of Cooley Dikinson Hospital: Talking Heart Health - Every Month is Heart Month Dakin Humane Society Executive Director Meg Talbert: What's Shakin at Dakin Animal Shelter - Dogs cats mice & rats Cool Films with Larry Hott w/ Christine La Monte - Ai Weiwei's Turandot: Opera Karma

Why was Ai Weiwei kidnapped and held prisoner by the Chinese government? How did the 2008 Sichuan earthquake radicalise him into taking aim at the authorities through art? What's behind Ai Weiwei's belief that there is a serious censorship issue in the West?  Rory and Alastair are joined by Artist and Activist, Ai Weiwei, to answer all this and more.  Search IG.com to find out more and/or Look for IG in your app store. Join The Rest Is Politics Plus: Start your free trial at therestispolitics.com to unlock exclusive bonus content – including Rory and Alastair's miniseries – plus ad-free listening, early access to episodes and live show tickets, an exclusive members' newsletter, discounted book prices, and a private chatroom on Discord. Social Producer: Celine Charles Video Editor: Josh Smith + Bruno Di Castri Producer: Alice Horrell Senior Producer: Nicole Maslen Head of Politics: Tom Whiter Exec Producers: Tony Pastor + Jack Davenport Advertise with us: Partnerships@goalhanger.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Christine La Monte discusses her career and her latest work producing a pair of opera-themed documentaries, the uplifting Viva Verdi! (2025) and the stunning Ai Weiwei's Turandot (2025). La Monte talks about the importance of opera in the modern world and the Oscar-nominated song "Sweet Dreams of Joy."For more information visit: https://www.lamonteproductions.com/Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Christine La Monte discusses her career and her latest work producing a pair of opera-themed documentaries, the uplifting Viva Verdi! (2025) and the stunning Ai Weiwei's Turandot (2025). La Monte talks about the importance of opera in the modern world and the Oscar-nominated song "Sweet Dreams of Joy."For more information visit: https://www.lamonteproductions.com/Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Maintenant Vous Savez, c'est aussi ⁠Maintenant Vous Savez - Santé⁠ et ⁠Maintenant Vous Savez - Culture⁠. Les Lego sont un grand souvenir d'enfance pour beaucoup d'entre nous ! Devenue une marque iconique de la pop culture, elle influence de nombreux artistes. C'est le cas de Ai Weiwei, figure de la scène artistique indépendante chinoise, connu pour son art engagé et son activisme. Touchant à toutes les formes d'art, il a créé en 2023 sa plus grande oeuvre d'art en Lego : composée de 650 000 pièces de 22 couleurs différentes, d'une longueur de 15 mètres, l'oeuvre intitulée “Water Lilies #1” est inspirée des “Nymphéas” de Claude Monet. Quelle est cette œuvre de Monet ? Comment Ai Weiwei a-t-il adapté l'œuvre originale ? Et il y a d'autres œuvres célèbres adaptées en Lego ? Ecoutez la suite dans cet épisode de "Maintenant vous savez - Culture". Un podcast Bababam Originals, écrit et réalisé par Béatrice Jumel . Première diffusion : juillet 2023 A écouter aussi : ⁠Qui sont ces acteurs qui détestent leur rôle culte au cinéma ?⁠ ⁠Quels sont les 3 conseils pour lire plus souvent ?⁠ ⁠Qui est "Le Penseur" de Rodin ?⁠ Retrouvez tous les épisodes de ⁠"Maintenant vous savez - Culture"⁠. Suivez Bababam sur ⁠Instagram⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send a textToday I'm replaying an episode from earlier this winter, my interview with Christine La Monte, producer of two recent documentaries, Ai Weiwei's Turandot and the Oscar shortlisted Viva Verdi!. Viva Verdi! is nominated for Best Original Song at the 98th Academy Awards and the film is available to stream on jolt.film today!Books mentioned in this episode include:The Paper Palace by Miranda Cowley HellerCry to Heaven by Anne RiceTomorrow, and Tomorrow, and Tomorrow by Gabrielle ZevinThe Crying Heart Tattoo by David Lozell MartinThe Samurai's Garden by Gail TsukiyamaThe Goldfinch by Donna TarttLet's Call the Whole Thing Off directed by Elizabeth GuestFilms and TV shows mentioned in this episode include:Ai Weiwei's Turandot directed by Maxim DereviankoViva Verdi! directed by Yvo nne RussoLa Traviata directed by Franco ZeffirelliChildren of the River directed by Federico Rodelli (forthcoming)The Godfather directed by Francis Ford CoppolaBlack Orpheus directed by Marcel CamusOnce Upon a Time in America directed by Sergio LeoneDances With Wolves directed by Kevin CostnerHoliday directed by George CukorThe Night Manager (series)Something's Gotta Give directed by Nancy MeyersThe Girl with the Dragon Tattoo (series)Other things mentioned in this episode:“Sweet Dreams of Joy“ by Nicholas PikeFollow Viva Verdi! on Instagram @vivaverdithefilm and check out the websites for both films at aiweiweisturandotfilm.com and vivaverdithefilm.com. And don't forget to check out Viva Verdi! on jolt.film ahead of the 98th Academy Awards.Support the show

Over the past three years, the Israeli genocide of the Palestinian people has become a flash point for freedom of speech in the West. Expressing solidarity with Palestinians has given Western governments an excuse to crack down on dissenters. There has been intimidation and job insecurity at one end of the scale, through to brutal […]

A lawyer, artist and curator discuss different examples of censorship and self censorship in Radio 4's weekly discussion of ideas to kick off the week. Tom Sutcliffe's guests are: Ai Weiwei: a major name in contemporary art and for decades a leading voice for freedom of expression in his native China – and the wider world. In 2011 he was detained for eighty-one days in a secret location, unable to communicate with the outside world. His new book, On Censorship moves from authoritarian regimes to the pervasive influence of corporate power, social media and dominant interest groups in democracies. Baroness Helena Kennedy has written the introduction to collected writings of Anna Politkovskaya, the Russian journalist who was murdered outside her home in Moscow twenty years ago. With continued attacks in Russia on press freedom, the way she spoke truth to power remains inspirational for Baroness Kennedy. The figure of the Samurai is often associated with ideas about discipline, sacrifice and war but a new exhibition at the British Museum (on until May 4th) looks at the way this warrior class became consumers and patrons of culture. Rosina Buckland has co-curated the show. Producer: Ruth Watts

Ukrainian President Volodymyr Zelensky has said that US-mediated talks planned to take place in Abu Dhabi on Sunday may be delayed. In his Sunday. Zelensky said Kyiv was prepared to work on peace plans and that Kyiv was preparing for them to take place next week. His remarks came as Ukraine faced rolling power cuts amid freezing temperatures. Also on the programme: the renowned Chinese dissident artist Ai Weiwei tells us about his first return to China in ten years; and new evidence about the world's earliest pandemic, the Plague of Justinian.PICTURE: President Volodymyr Zelenskiy in Kyiv, Ukraine January 16, 2026 CREDIT:REUTERS/Thomas Peter/File Photo

Send us a textIn today's episode, I interview Christine La Monte, producer of two recent documentaries, Ai Weiwei's Turandot and the Oscar shortlisted Viva Verdi!.Listen to hear about Christine's experience growing up listening to opera, what it was like working with a world renowned artist like Ai Weiwei, and the joy of finding new young filmmakers and helping them express their voice through film.Books mentioned in this episode include:The Paper Palace by Miranda Cowley HellerCry to Heaven by Anne RiceTomorrow, and Tomorrow, and Tomorrow by Gabrielle ZevinThe Crying Heart Tattoo by David Lozell MartinThe Samurai's Garden by Gail TsukiyamaThe Goldfinch by Donna TarttLet's Call the Whole Thing Off directed by Elizabeth GuestFilms and TV shows mentioned in this episode include:Ai Weiwei's Turandot directed by Maxim DereviankoViva Verdi! directed by Yvo nne RussoLa Traviata directed by Franco ZeffirelliChildren of the River directed by Federico Rodelli (forthcoming)The Godfather directed by Francis Ford CoppolaBlack Orpheus directed by Marcel CamusOnce Upon a Time in America directed by Sergio LeoneDances With Wolves directed by Kevin CostnerHoliday directed by George CukorThe Night Manager (series)Something's Gotta Give directed by Nancy MeyersThe Girl with the Dragon Tattoo (series)Other things mentioned in this episode:"Sweet Dreams of Joy" by Nicholas PikeFollow Viva Verdi! on Instagram @vivaverdithefilm and check out the websites for both films at aiweiweisturandotfilm.com and vivaverdithefilm.com.Support the show

Welcome to the DMF! I'm Justin Younts, and today I'm thrilled to introduce Christine Lamont, a powerhouse in the film industry. Christine has spent years honing her craft, producing impactful documentaries like 'Ai Weiwei's Turandot' and 'Viva Verde.' In our conversation, we dive deep into her journey, from her childhood in Buffalo, New York, to her experiences working with legendary directors and navigating the complexities of the film world. Christine shares her passion for the arts, the importance of mentorship, and how her love for film has shaped her career. We discuss the challenges and triumphs of producing, the significance of storytelling, and the role of art in fostering social change. Christine's insights are not only inspiring but also a testament to the power of creativity and collaboration in the film industry. Join us as we explore the magic of film and the stories that connect us all. Don't miss this enlightening conversation that will leave you with a renewed appreciation for the arts and the impact they can have on our lives.00:00:00 - Introduction00:00:09 - Guest Introduction00:00:28 - Christine Lamont's Early Life00:01:09 - Interest in Arts00:02:10 - Influence of Art on Film Career00:04:34 - Education and Early Career00:05:30 - Transition to Producing00:05:35 - Experience at Universal, Disney and Orion00:07:06 - Working at Orion Pictures00:08:00 - Experience at Disney and Universal00:11:09 - Working on Iconic Films00:11:41 - Marketing for Silence of the Lambs00:12:01 - Working with Directors and the End of Orion00:16:46 - Creation of Lamont Productions00:17:12 - Producing Plays and Films00:18:36 - Project Viva Verde00:19:25 - Working with Zeffirelli00:21:07 - Impact of Viva Verde00:24:26 - Project Ai Weiwei's Turandot00:29:21 - Ai Weiwei's Turandot and the Pandemic00:30:56 - Reflections on Ai Weiwei's Turandot00:31:59 - Ai Weiwei's Political Activism00:35:50 - Creating the Dusty Awards at SVA00:37:47 - The Importance of Diverse Voices in Film00:40:31 - Teaching and the Value of Fearlessness00:41:53 - The Need for Cultural Awareness and Questioning00:45:45 - Future Projects00:46:07 - Future Projects and Writing Aspirations00:46:49 - The Power of Saying Yes00:47:57 - The Journey of the Everyday Hero00:50:14 - Daily Routines and Work Schedule00:51:31 - Nighttime Routine and Film Watching00:55:00 - Meditation Practices00:58:25 - Physical Fitness Activities00:59:19 - Current Reading01:01:35 - Reading Habits and Impact01:03:57 - Anticipation for Tom Ford's 'Cry to Heaven'01:05:17 - Appreciation for David Lynch and Tom Ford01:06:24 - Listening to Opera and Jazz01:10:05 - The Role and Resilience of a Producer01:11:50 - Current Film Watching01:13:33 - Contact Information01:13:50 - Closing Remarks

I messed up on these episodes .I am putting out this episode without cuts. The AI, I used has been cutting things off. I apologize. Hopefully, someone else will learn from my mistake. Welcome to the DMF! I'm Justin Younts, and in this episode, Christine La Monte shares an extraordinary creative journey that began in Rome in 2012. That pivotal moment marked her introduction to a gifted young filmmaker, Maxime Derevenko, who would later emerge as an influential voice in the worlds of opera and film.Christine reflects on how their collaboration grew through shared curiosity, mentorship, and artistic trust—eventually leading to a powerful opera project rooted in themes of social justice, peace, and human connection. As the world entered the uncertainty of the pandemic, this work took on even greater meaning, becoming a testament to the resilience of artists and the enduring power of creativity.She discusses the profound experience of collaborating with Ai Weiwei and the Rome Opera House, and how that partnership offered a bold, global perspective on art's role in times of crisis. Despite having only eight performances, the opera stood as a beacon of hope and reflection during a moment when art felt more essential than ever.Christine emphasizes the importance of mentorship and nurturing emerging talent, sharing how storytelling through art can elevate consciousness and inspire meaningful dialogue. In this conversation, she invites us to explore a world where every voice matters and creativity becomes a force for change.Join us as we celebrate the power of collaboration, storytelling, and art's ability to guide us toward a brighter future.00:00:00 - Introduction00:00:06 - Beginning of Film Career00:00:25 - Meeting Maxime Derevenko00:01:55 - Working with Ai Weiwei00:04:42 - Impact of COVID-1900:05:31 - Restarting in 202200:06:59 - Reflections on the Film00:07:47 - Film's Oscar Consideration00:08:22 - Role of Activism00:09:19 - Teaching at the School of Visual Arts00:11:01 - Reflections on Film Industry00:12:22 - Looking Back at Career00:13:31 - Passion for Teaching00:14:47 - Importance of Art and Culture00:16:20 - Closing Thoughts00:17:04 - Conclusion

Welcome to the DMF! I'm Justin Younts, and in this episode, Christine La Monte shares an extraordinary creative journey that began in Rome in 2012. That pivotal moment marked her introduction to a gifted young filmmaker, Maxime Derevenko, who would later emerge as an influential voice in the worlds of opera and film.Christine reflects on how their collaboration grew through shared curiosity, mentorship, and artistic trust—eventually leading to a powerful opera project rooted in themes of social justice, peace, and human connection. As the world entered the uncertainty of the pandemic, this work took on even greater meaning, becoming a testament to the resilience of artists and the enduring power of creativity.She discusses the profound experience of collaborating with Ai Weiwei and the Rome Opera House, and how that partnership offered a bold, global perspective on art's role in times of crisis. Despite having only eight performances, the opera stood as a beacon of hope and reflection during a moment when art felt more essential than ever.Christine emphasizes the importance of mentorship and nurturing emerging talent, sharing how storytelling through art can elevate consciousness and inspire meaningful dialogue. In this conversation, she invites us to explore a world where every voice matters and creativity becomes a force for change.Join us as we celebrate the power of collaboration, storytelling, and art's ability to guide us toward a brighter future.00:00:00 - Introduction00:00:06 - Beginning of Film Career00:00:25 - Meeting Maxime Derevenko00:01:55 - Working with Ai Weiwei00:04:42 - Impact of COVID-1900:05:31 - Restarting in 202200:06:59 - Reflections on the Film00:07:47 - Film's Oscar Consideration00:08:22 - Role of Activism00:09:19 - Teaching at the School of Visual Arts00:11:01 - Reflections on Film Industry00:12:22 - Looking Back at Career00:13:31 - Passion for Teaching00:14:47 - Importance of Art and Culture00:16:20 - Closing Thoughts00:17:04 - Conclusion

In this episode of Fog of Truth, Bart, John, and guest Daphne Street, an opera aficionado, discuss the documentary about Ai Weiwei's modern adaptation of Puccini's last opera, 'Turandot.' They explore Weiwei's unique interpretation, which highlights feminism and political discourse, and the challenges faced during production, including COVID-19 disruptions and Weiwei's brief incarceration. The documentary offers detailed insights into the production's visual and symbolic layers, bridging the gap between traditional opera and modern audiences. Daphne highlights Weiwei's calm and solution-oriented approach amidst obstacles, showcasing his confidence and versatility as an artist. 00:00 Introduction and Special Guest 00:37 Overview of the Documentary 01:24 Puccini's Last Opera: Turandot 03:28 I Weiwei's Unique Interpretation 04:52 The Visual Spectacle 10:21 The Impact of COVID-19 11:57 Art and Politics Intertwined 14:09 Final Thoughts and Reflections 18:42 Closing Remarks and Future Episodes  

Subscribe to Throwing Fits on Patreon. Our interview with Daphne Seybold is food for thought. Daphne—the CEO and CMO of Sky High Farm Goods—swung by the studio to give us a lesson on cow birth, how fashion and streetwear can open the aperture of charitable works, farmers are amazing, how much food should cost, embarrassing yourself meeting Rei Kawakubo for the first time, CdG's best sub-lines, career highlights working on the Met Gala and with the artist Ai Weiwei, the best brands don't care about trends, using a creative prism to problem solve, what real community can feel like, infiltration vs. advocation, the temple of Dover Street Market, greenwashing fatigue, fashion failing its own self-imposed sustainability goals, the plague of fast fashion, there's no one size fits all criteria when to comes to selecting collaborators, the NYC to upstate pipeline, traveling globally to see locally, and much more on Daphne Seybold's interview with The Only Podcast That Matters™.

(00:45) Das neue Buch des indisch-britischen Schriftstellers Salman Rushdie wurde heiss erwartet. 2022 ist der Autor Opfer geworden einer Messerattacke, die er nur knapp überlebt hat. Diesen Anschlag hat er vor zwei Jahren in «Knife» verarbeitet. Nun erscheint sein Erzählband «Die elfte Stunde». Weitere Themen: (04:55) «Ai Weiwei's Turandot»: Dokumentarfilm von Maxim Derevianko behandelt erste Operninszenierung des chinesischen Provokationskünstlers. (09:26) Internationale Kurzfilmtage Winterthur suchen neuen Hauptsponsor. (10:21) Deutscher Musikrechtevertreter GEMA gewinnt Prozess gegen KI-Firma «OpenAI». (11:03) Übermutter der Schweizer Nation: Intendant Matthias Bertholet inszeniert mit «Gilberte de Courgenay» erstes Stück am Zürcher Theater Neumarkt. (15:52) Eklat bei Voreröffnung des «Museum of West African Art» in Bénin City.

Filmmakers Christine La Monte & Maxim Derevianko join Andy to talk about their documentary Ai Weiwei's Turandot. 

On this episode of Center Stage with Mark Gordon, filmmaker Christine La Monte discusses her new documentary Ai Weiwei's Turandot, which follows artist and activist Ai Weiwei as he makes his operatic directorial debut at the Rome Opera House. Known for his fearless art and political engagement, Ai Weiwei reimagines Puccini's classic opera Turandot as a reflection of today's world, where freedom, identity, and resistance collide. La Monte shares insights about working with Ai Weiwei, navigating the impact of the pandemic and the war in Ukraine, and creating a film that explores how art can challenge, provoke, and inspire. 🎧 Center Stage with Mark Gordon is produced in Los Angeles and features conversations with the filmmakers, artists, and storytellers shaping culture today.

“So when we decided to do a documentary to follow Ai Weiwei, we knew, of course, it wouldn't be just a simple opera, and we knew he would bring his own very special and original vision. Because, of course, he is not an opera director. From his point of view, it's a challenge, but from another perspective, it's probably an enrichment for the opera audience because he doesn't follow the rules of opera. And, of course, once you decide to do a documentary about Ai Weiwei, it's in his DNA to be political. Once I started to follow him, the political issues and topics came into the documentary by themselves.”The renowned artist and activist Ai Weiwei has used sculpture, photography, documentaries, and large-scale installations to challenge authoritarian power for decades. But his project at the Rome Opera House, directing Puccini's final opera, Turandot, may be his most powerful fusion of art and politics yet. Puccini's original is a fairy tale set in ancient China about a princess whose riddle game costs failed suitors their lives. But Ai Weiwei transformed this story into a stark reflection of the present, weaving in footage of refugee crises, COVID hospitals, and the Ukraine war—a production that became an urgent act of resistance for its Ukrainian conductor and cast. The opera and documentary are a living document of our turbulent times, embodying Ai Weiwei's belief that 'Everything is Art. Everything is Politics.'The new documentary, Ai Weiwei's Turandot, goes behind the curtain to capture the artistic struggle and emotional weight of making this work—a process that began with one vision and was fundamentally changed by a global pandemic and a major war.My guest is the documentary's director, Maxim Derevianko. He grew up in a family with deep ties to the Rome Opera House, and he offers a deeply personal, intimate look at how in Ai Weiwei's words, “art competes with reality, but art will have the last word.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“Everything is Art. Everything is Politics.I think art competes with reality. And art will give you the last words.” –Ai WeiweiThe renowned artist and activist Ai Weiwei has used sculpture, photography, documentaries, and large-scale installations to challenge authoritarian power for decades. But his project at the Rome Opera House, directing Puccini's final opera, Turandot, may be his most powerful fusion of art and politics yet. Puccini's original is a fairy tale set in ancient China about a princess whose riddle game costs failed suitors their lives. But Ai Weiwei transformed this story into a stark reflection of the present, weaving in footage of refugee crises, COVID hospitals, and the Ukraine war—a production that became an urgent act of resistance for its Ukrainian conductor and cast. The opera and documentary are a living document of our turbulent times, embodying Ai Weiwei's belief that 'Everything is Art. Everything is Politics.'The new documentary, Ai Weiwei's Turandot, goes behind the curtain to capture the artistic struggle and emotional weight of making this work—a process that began with one vision and was fundamentally changed by a global pandemic and a major war.My guest is the documentary's director, Maxim Derevianko. He grew up in a family with deep ties to the Rome Opera House, and he offers a deeply personal, intimate look at how in Ai Weiwei's words, “art competes with reality, but art will have the last word.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“So when we decided to do a documentary to follow Ai Weiwei, we knew, of course, it wouldn't be just a simple opera, and we knew he would bring his own very special and original vision. Because, of course, he is not an opera director. From his point of view, it's a challenge, but from another perspective, it's probably an enrichment for the opera audience because he doesn't follow the rules of opera. And, of course, once you decide to do a documentary about Ai Weiwei, it's in his DNA to be political. Once I started to follow him, the political issues and topics came into the documentary by themselves.”The renowned artist and activist Ai Weiwei has used sculpture, photography, documentaries, and large-scale installations to challenge authoritarian power for decades. But his project at the Rome Opera House, directing Puccini's final opera, Turandot, may be his most powerful fusion of art and politics yet. Puccini's original is a fairy tale set in ancient China about a princess whose riddle game costs failed suitors their lives. But Ai Weiwei transformed this story into a stark reflection of the present, weaving in footage of refugee crises, COVID hospitals, and the Ukraine war—a production that became an urgent act of resistance for its Ukrainian conductor and cast. The opera and documentary are a living document of our turbulent times, embodying Ai Weiwei's belief that 'Everything is Art. Everything is Politics.'The new documentary, Ai Weiwei's Turandot, goes behind the curtain to capture the artistic struggle and emotional weight of making this work—a process that began with one vision and was fundamentally changed by a global pandemic and a major war.My guest is the documentary's director, Maxim Derevianko. He grew up in a family with deep ties to the Rome Opera House, and he offers a deeply personal, intimate look at how in Ai Weiwei's words, “art competes with reality, but art will have the last word.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“Everything is Art. Everything is Politics.I think art competes with reality. And art will give you the last words.” –Ai WeiweiThe renowned artist and activist Ai Weiwei has used sculpture, photography, documentaries, and large-scale installations to challenge authoritarian power for decades. But his project at the Rome Opera House, directing Puccini's final opera, Turandot, may be his most powerful fusion of art and politics yet. Puccini's original is a fairy tale set in ancient China about a princess whose riddle game costs failed suitors their lives. But Ai Weiwei transformed this story into a stark reflection of the present, weaving in footage of refugee crises, COVID hospitals, and the Ukraine war—a production that became an urgent act of resistance for its Ukrainian conductor and cast. The opera and documentary are a living document of our turbulent times, embodying Ai Weiwei's belief that 'Everything is Art. Everything is Politics.'The new documentary, Ai Weiwei's Turandot, goes behind the curtain to capture the artistic struggle and emotional weight of making this work—a process that began with one vision and was fundamentally changed by a global pandemic and a major war.My guest is the documentary's director, Maxim Derevianko. He grew up in a family with deep ties to the Rome Opera House, and he offers a deeply personal, intimate look at how in Ai Weiwei's words, “art competes with reality, but art will have the last word.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“Everything is Art. Everything is Politics.I think art competes with reality. And art will give you the last words.” –Ai WeiweiThe renowned artist and activist Ai Weiwei has used sculpture, photography, documentaries, and large-scale installations to challenge authoritarian power for decades. But his project at the Rome Opera House, directing Puccini's final opera, Turandot, may be his most powerful fusion of art and politics yet. Puccini's original is a fairy tale set in ancient China about a princess whose riddle game costs failed suitors their lives. But Ai Weiwei transformed this story into a stark reflection of the present, weaving in footage of refugee crises, COVID hospitals, and the Ukraine war—a production that became an urgent act of resistance for its Ukrainian conductor and cast. The opera and documentary are a living document of our turbulent times, embodying Ai Weiwei's belief that 'Everything is Art. Everything is Politics.'The new documentary, Ai Weiwei's Turandot, goes behind the curtain to capture the artistic struggle and emotional weight of making this work—a process that began with one vision and was fundamentally changed by a global pandemic and a major war.My guest is the documentary's director, Maxim Derevianko. He grew up in a family with deep ties to the Rome Opera House, and he offers a deeply personal, intimate look at how in Ai Weiwei's words, “art competes with reality, but art will have the last word.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“So when we decided to do a documentary to follow Ai Weiwei, we knew, of course, it wouldn't be just a simple opera, and we knew he would bring his own very special and original vision. Because, of course, he is not an opera director. From his point of view, it's a challenge, but from another perspective, it's probably an enrichment for the opera audience because he doesn't follow the rules of opera. And, of course, once you decide to do a documentary about Ai Weiwei, it's in his DNA to be political. Once I started to follow him, the political issues and topics came into the documentary by themselves.”The renowned artist and activist Ai Weiwei has used sculpture, photography, documentaries, and large-scale installations to challenge authoritarian power for decades. But his project at the Rome Opera House, directing Puccini's final opera, Turandot, may be his most powerful fusion of art and politics yet. Puccini's original is a fairy tale set in ancient China about a princess whose riddle game costs failed suitors their lives. But Ai Weiwei transformed this story into a stark reflection of the present, weaving in footage of refugee crises, COVID hospitals, and the Ukraine war—a production that became an urgent act of resistance for its Ukrainian conductor and cast. The opera and documentary are a living document of our turbulent times, embodying Ai Weiwei's belief that 'Everything is Art. Everything is Politics.'The new documentary, Ai Weiwei's Turandot, goes behind the curtain to capture the artistic struggle and emotional weight of making this work—a process that began with one vision and was fundamentally changed by a global pandemic and a major war.My guest is the documentary's director, Maxim Derevianko. He grew up in a family with deep ties to the Rome Opera House, and he offers a deeply personal, intimate look at how in Ai Weiwei's words, “art competes with reality, but art will have the last word.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“Everything is Art. Everything is Politics.I think art competes with reality. And art will give you the last words.” –Ai WeiweiThe renowned artist and activist Ai Weiwei has used sculpture, photography, documentaries, and large-scale installations to challenge authoritarian power for decades. But his project at the Rome Opera House, directing Puccini's final opera, Turandot, may be his most powerful fusion of art and politics yet. Puccini's original is a fairy tale set in ancient China about a princess whose riddle game costs failed suitors their lives. But Ai Weiwei transformed this story into a stark reflection of the present, weaving in footage of refugee crises, COVID hospitals, and the Ukraine war—a production that became an urgent act of resistance for its Ukrainian conductor and cast. The opera and documentary are a living document of our turbulent times, embodying Ai Weiwei's belief that 'Everything is Art. Everything is Politics.'The new documentary, Ai Weiwei's Turandot, goes behind the curtain to capture the artistic struggle and emotional weight of making this work—a process that began with one vision and was fundamentally changed by a global pandemic and a major war.My guest is the documentary's director, Maxim Derevianko. He grew up in a family with deep ties to the Rome Opera House, and he offers a deeply personal, intimate look at how in Ai Weiwei's words, “art competes with reality, but art will have the last word.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“So when we decided to do a documentary to follow Ai Weiwei, we knew, of course, it wouldn't be just a simple opera, and we knew he would bring his own very special and original vision. Because, of course, he is not an opera director. From his point of view, it's a challenge, but from another perspective, it's probably an enrichment for the opera audience because he doesn't follow the rules of opera. And, of course, once you decide to do a documentary about Ai Weiwei, it's in his DNA to be political. Once I started to follow him, the political issues and topics came into the documentary by themselves.”The renowned artist and activist Ai Weiwei has used sculpture, photography, documentaries, and large-scale installations to challenge authoritarian power for decades. But his project at the Rome Opera House, directing Puccini's final opera, Turandot, may be his most powerful fusion of art and politics yet. Puccini's original is a fairy tale set in ancient China about a princess whose riddle game costs failed suitors their lives. But Ai Weiwei transformed this story into a stark reflection of the present, weaving in footage of refugee crises, COVID hospitals, and the Ukraine war—a production that became an urgent act of resistance for its Ukrainian conductor and cast. The opera and documentary are a living document of our turbulent times, embodying Ai Weiwei's belief that 'Everything is Art. Everything is Politics.'The new documentary, Ai Weiwei's Turandot, goes behind the curtain to capture the artistic struggle and emotional weight of making this work—a process that began with one vision and was fundamentally changed by a global pandemic and a major war.My guest is the documentary's director, Maxim Derevianko. He grew up in a family with deep ties to the Rome Opera House, and he offers a deeply personal, intimate look at how in Ai Weiwei's words, “art competes with reality, but art will have the last word.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“Everything is Art. Everything is Politics.I think art competes with reality. And art will give you the last words.” –Ai WeiweiThe renowned artist and activist Ai Weiwei has used sculpture, photography, documentaries, and large-scale installations to challenge authoritarian power for decades. But his project at the Rome Opera House, directing Puccini's final opera, Turandot, may be his most powerful fusion of art and politics yet. Puccini's original is a fairy tale set in ancient China about a princess whose riddle game costs failed suitors their lives. But Ai Weiwei transformed this story into a stark reflection of the present, weaving in footage of refugee crises, COVID hospitals, and the Ukraine war—a production that became an urgent act of resistance for its Ukrainian conductor and cast. The opera and documentary are a living document of our turbulent times, embodying Ai Weiwei's belief that 'Everything is Art. Everything is Politics.'The new documentary, Ai Weiwei's Turandot, goes behind the curtain to capture the artistic struggle and emotional weight of making this work—a process that began with one vision and was fundamentally changed by a global pandemic and a major war.My guest is the documentary's director, Maxim Derevianko. He grew up in a family with deep ties to the Rome Opera House, and he offers a deeply personal, intimate look at how in Ai Weiwei's words, “art competes with reality, but art will have the last word.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“So when we decided to do a documentary to follow Ai Weiwei, we knew, of course, it wouldn't be just a simple opera, and we knew he would bring his own very special and original vision. Because, of course, he is not an opera director. From his point of view, it's a challenge, but from another perspective, it's probably an enrichment for the opera audience because he doesn't follow the rules of opera. And, of course, once you decide to do a documentary about Ai Weiwei, it's in his DNA to be political. Once I started to follow him, the political issues and topics came into the documentary by themselves.”The renowned artist and activist Ai Weiwei has used sculpture, photography, documentaries, and large-scale installations to challenge authoritarian power for decades. But his project at the Rome Opera House, directing Puccini's final opera, Turandot, may be his most powerful fusion of art and politics yet. Puccini's original is a fairy tale set in ancient China about a princess whose riddle game costs failed suitors their lives. But Ai Weiwei transformed this story into a stark reflection of the present, weaving in footage of refugee crises, COVID hospitals, and the Ukraine war—a production that became an urgent act of resistance for its Ukrainian conductor and cast. The opera and documentary are a living document of our turbulent times, embodying Ai Weiwei's belief that 'Everything is Art. Everything is Politics.'The new documentary, Ai Weiwei's Turandot, goes behind the curtain to capture the artistic struggle and emotional weight of making this work—a process that began with one vision and was fundamentally changed by a global pandemic and a major war.My guest is the documentary's director, Maxim Derevianko. He grew up in a family with deep ties to the Rome Opera House, and he offers a deeply personal, intimate look at how in Ai Weiwei's words, “art competes with reality, but art will have the last word.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“So when we decided to do a documentary to follow Ai Weiwei, we knew, of course, it wouldn't be just a simple opera, and we knew he would bring his own very special and original vision. Because, of course, he is not an opera director. From his point of view, it's a challenge, but from another perspective, it's probably an enrichment for the opera audience because he doesn't follow the rules of opera. And, of course, once you decide to do a documentary about Ai Weiwei, it's in his DNA to be political. Once I started to follow him, the political issues and topics came into the documentary by themselves.”The renowned artist and activist Ai Weiwei has used sculpture, photography, documentaries, and large-scale installations to challenge authoritarian power for decades. But his project at the Rome Opera House, directing Puccini's final opera, Turandot, may be his most powerful fusion of art and politics yet. Puccini's original is a fairy tale set in ancient China about a princess whose riddle game costs failed suitors their lives. But Ai Weiwei transformed this story into a stark reflection of the present, weaving in footage of refugee crises, COVID hospitals, and the Ukraine war—a production that became an urgent act of resistance for its Ukrainian conductor and cast. The opera and documentary are a living document of our turbulent times, embodying Ai Weiwei's belief that 'Everything is Art. Everything is Politics.'The new documentary, Ai Weiwei's Turandot, goes behind the curtain to capture the artistic struggle and emotional weight of making this work—a process that began with one vision and was fundamentally changed by a global pandemic and a major war.My guest is the documentary's director, Maxim Derevianko. He grew up in a family with deep ties to the Rome Opera House, and he offers a deeply personal, intimate look at how in Ai Weiwei's words, “art competes with reality, but art will have the last word.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“Everything is Art. Everything is Politics.I think art competes with reality. And art will give you the last words.” –Ai WeiweiThe renowned artist and activist Ai Weiwei has used sculpture, photography, documentaries, and large-scale installations to challenge authoritarian power for decades. But his project at the Rome Opera House, directing Puccini's final opera, Turandot, may be his most powerful fusion of art and politics yet. Puccini's original is a fairy tale set in ancient China about a princess whose riddle game costs failed suitors their lives. But Ai Weiwei transformed this story into a stark reflection of the present, weaving in footage of refugee crises, COVID hospitals, and the Ukraine war—a production that became an urgent act of resistance for its Ukrainian conductor and cast. The opera and documentary are a living document of our turbulent times, embodying Ai Weiwei's belief that 'Everything is Art. Everything is Politics.'The new documentary, Ai Weiwei's Turandot, goes behind the curtain to capture the artistic struggle and emotional weight of making this work—a process that began with one vision and was fundamentally changed by a global pandemic and a major war.My guest is the documentary's director, Maxim Derevianko. He grew up in a family with deep ties to the Rome Opera House, and he offers a deeply personal, intimate look at how in Ai Weiwei's words, “art competes with reality, but art will have the last word.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“So when we decided to do a documentary to follow Ai Weiwei, we knew, of course, it wouldn't be just a simple opera, and we knew he would bring his own very special and original vision. Because, of course, he is not an opera director. From his point of view, it's a challenge, but from another perspective, it's probably an enrichment for the opera audience because he doesn't follow the rules of opera. And, of course, once you decide to do a documentary about Ai Weiwei, it's in his DNA to be political. Once I started to follow him, the political issues and topics came into the documentary by themselves.”The renowned artist and activist Ai Weiwei has used sculpture, photography, documentaries, and large-scale installations to challenge authoritarian power for decades. But his project at the Rome Opera House, directing Puccini's final opera, Turandot, may be his most powerful fusion of art and politics yet. Puccini's original is a fairy tale set in ancient China about a princess whose riddle game costs failed suitors their lives. But Ai Weiwei transformed this story into a stark reflection of the present, weaving in footage of refugee crises, COVID hospitals, and the Ukraine war—a production that became an urgent act of resistance for its Ukrainian conductor and cast. The opera and documentary are a living document of our turbulent times, embodying Ai Weiwei's belief that 'Everything is Art. Everything is Politics.'The new documentary, Ai Weiwei's Turandot, goes behind the curtain to capture the artistic struggle and emotional weight of making this work—a process that began with one vision and was fundamentally changed by a global pandemic and a major war.My guest is the documentary's director, Maxim Derevianko. He grew up in a family with deep ties to the Rome Opera House, and he offers a deeply personal, intimate look at how in Ai Weiwei's words, “art competes with reality, but art will have the last word.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

A public art initiative marking the 80th anniversary of the U.N. is inviting artists to examine the state of democracy and social justice. The first featured artist is Chinese dissident Ai Weiwei, whose blend of art and activism has long focused on human rights. Jeffrey Brown reports for our series, Art in Action, exploring the intersection of art and democracy as part of our CANVAS coverage. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

To celebrate 20 years of Design Matters, Debbie Millman revisits highlights from her conversations with groundbreaking artists Bisa Butler, Deborah Kass, Marilyn Minter, Amy Sherald, and Ai Weiwei. This anniversary collection brings together the voices of five visionaries whose work challenges conventions, sparks dialogue, and redefines the role of art in our culture. Hosted on Acast. See acast.com/privacy for more information.

Christopher Tsai is a deeply thoughtful growth investor. He became one of the foremost collectors of the works of Ai Weiwei, recognising their implicit value and deeply studying the artist. His concentrated portfolio reflects his attraction to growth stocks with Tesla his largest position. In our conversation, he explains why he believes Tesla has deep moats across multiple verticals; why he thinks many of the growth stocks in his portfolio have optically inflated valuations as they invest now to create future value; why the second largest position in his portfolio is QXO, with his father, also a famous investor, being one of Brad Jacobs' original backers; and what he looks for in managers. I am trying to meet more growth investors to understand their strategy better. Christopher's portfolio is too racy for me, at over a 60x P/E multiple on my estimates when we recorded and probably higher today, but he makes an interesting case for holding long-term compounders.

Ai Weiwei joins to discuss his new memoir “1000 Years of Joys and Sorrows,” depicting a century-long epic tale of China told through a story of his family.For a chance to give your own TED Talk, fill out the Idea Search Application: ted.com/ideasearch.Interested in learning more about upcoming TED events? Follow these links:TEDNext: ted.com/futureyouTEDSports: ted.com/sportsTEDAI Vienna: ted.com/ai-viennaTEDAI San Francisco: ted.com/ai-sf Hosted on Acast. See acast.com/privacy for more information.

Producers note: Folks, if you've been following this show for a while now, you know we go hard. All of the time. From last week's event in Washington DC to upcoming events later this year, to the non-stop news appearances (not to mention I make Paul walk around New York filming himself talking into a camera), to the multiple organizations he's helping run (Independent Veterans of America, American Veterans for Ukraine, Operation Liberty), we keep the hammer down.  But like Paul's mentor Les Gelb taught him, if you don't take a break you get stupid, and we don't want to get stupid. So today, we're taking a break. And throwing it back to one of our most popular guests and popular episodes with an American Icon that is in the headlines, and in Trump's crosshairs. So this week we're jumping in the Righteous Media time machine and traveling way way back to Episode 78 from September 24, 2020 with Stephen Colbert. It's a great conversation and one we think you'll enjoy revisiting. From Episode 78: “Fear is the mind killer. If you're laughing you're not afraid.” Wise words in this groundbreaking new episode from a truly iconic guest: Stephen Colbert (@StephenAtHome). [06:14] Stephen joins us from his home–uninterrupted and unedited in this fun, candid and inspiring episode. As we enter the most trying and important fall of our lifetime, Angry Americans is bringing in the big guns to get you through this trying time. And there are few bigger than Stephen Colbert.   President Mayhem is sheer chaos. He's doing anything and everything he can to disrupt our country, our unity and our day. And this conversation is the antidote. Stephen and host Paul Rieckhoff (@PaulRieckhoff) break down the current state of the country and what the future might hold. Stephen beams in from his home office and shares wisdom, jokes and some amazing stories. He talks about his trip to Iraq to visit the troops and why he shaved his head while he was there. His first car story is one of the best we've ever had. His answer to what makes him happy is heartwarming. But also painful. And expensive. This is Stephen Colbert like you've never heard him before. You'll just have to listen.  Because Independent Americans is built on the Righteous Media 5 Is: independence, integrity, information, inspiration and impact. And this episode has it in spades. Independent Americans is your trusted place for independent news, politics, inspiration and hope. It's the truth beyond the headlines–and light to contrast the heat of other politics and news shows. It's built for the 49% of Americans that proudly call themselves independent and we're proud to stand with you.  -Join the movement. Hook into our exclusive Patreon community of Independent Americans. Get extra content, connect with guests, meet other Independent Americans, attend events, get merch discounts, and support this show that speaks truth to power.  -NEW! Watch the video version of the entire podcast here. -Check the hashtag #LookForTheHelpers. And share yours.  -Find us on social media or www.IndependentAmericans.us. And get cool IA and Righteous hats, t-shirts and other merch.  -Check out other Righteous podcasts like The Firefighters Podcast with Rob Serra, Uncle Montel - The OG of Weed and B Dorm.  Independent Americans is powered by veteran-owned and led Righteous Media. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Producers note: Folks, if you've been following this show for a while now, you know we go hard. All of the time. From last week's event in Washington DC to upcoming events later this year, to the non-stop news appearances (not to mention I make Paul walk around New York filming himself talking into a camera), to the multiple organizations he's helping run (Independent Veterans of America, American Veterans for Ukraine, Operation Liberty), we keep the hammer down.  But like Paul's mentor Les Gelb taught him, if you don't take a break you get stupid, and we don't want to get stupid. So today, we're taking a break. And throwing it back to one of our most popular guests and popular episodes with an American Icon that is in the headlines, and in Trump's crosshairs. So this week we're jumping in the Righteous Media time machine and traveling way way back to Episode 78 from September 24, 2020 with Stephen Colbert. It's a great conversation and one we think you'll enjoy revisiting. From Episode 78: “Fear is the mind killer. If you're laughing you're not afraid.” Wise words in this groundbreaking new episode from a truly iconic guest: Stephen Colbert (@StephenAtHome). [06:14] Stephen joins us from his home–uninterrupted and unedited in this fun, candid and inspiring episode. As we enter the most trying and important fall of our lifetime, Angry Americans is bringing in the big guns to get you through this trying time. And there are few bigger than Stephen Colbert.   President Mayhem is sheer chaos. He's doing anything and everything he can to disrupt our country, our unity and our day. And this conversation is the antidote. Stephen and host Paul Rieckhoff (@PaulRieckhoff) break down the current state of the country and what the future might hold. Stephen beams in from his home office and shares wisdom, jokes and some amazing stories. He talks about his trip to Iraq to visit the troops and why he shaved his head while he was there. His first car story is one of the best we've ever had. His answer to what makes him happy is heartwarming. But also painful. And expensive. This is Stephen Colbert like you've never heard him before. You'll just have to listen.  Because Independent Americans is built on the Righteous Media 5 Is: independence, integrity, information, inspiration and impact. And this episode has it in spades. Independent Americans is your trusted place for independent news, politics, inspiration and hope. It's the truth beyond the headlines–and light to contrast the heat of other politics and news shows. It's built for the 49% of Americans that proudly call themselves independent and we're proud to stand with you.  -Join the movement. Hook into our exclusive Patreon community of Independent Americans. Get extra content, connect with guests, meet other Independent Americans, attend events, get merch discounts, and support this show that speaks truth to power.  -NEW! Watch the video version of the entire podcast here. -Check the hashtag #LookForTheHelpers. And share yours.  -Find us on social media or www.IndependentAmericans.us. And get cool IA and Righteous hats, t-shirts and other merch.  -Check out other Righteous podcasts like The Firefighters Podcast with Rob Serra, Uncle Montel - The OG of Weed and B Dorm.  Independent Americans is powered by veteran-owned and led Righteous Media. Learn more about your ad choices. Visit megaphone.fm/adchoices

Max Pearson presents a collection of the week's Witness History episodes including the story behind Mick Jagger and David Bowie's duet for Live Aid in 1985 and the Chinese artist who was jailed for his art inspired by the Sichuan earthquake in 2008. He speaks to music journalist Alice Austin to explore other concerts in world history that have had a political impact. Also, the American politician who first coined the phrase "drill, baby, drill" in 2008, the making of Back To The Future in 1985 and the trophy killing of Cecil the Lion in Zimbabwe in 2015.Contributors: Bernard Doherty - former Live Aid press officer. Alice Austin - music journalist. Ai Weiwei - artist. Prof Andrew Loveridge - zoologist who studied Cecil the lion. Michael Steele - the former Lieutenant Governor of Maryland, who came up with the slogan "Drill, baby, drill!" Bob Gale - the co-writer and producer of the Back to the Future.(Photo: Mick Jagger and David Bowie performing Dancing In The Street. Credit: Brian Cooke / Redferns)

In 2008, an earthquake in China's Sichuan province killed almost 90,000 people. Many were crushed when school buildings collapsed, exposing their poor construction quality. To counter perceived government suppression of information, the artist Ai Weiwei made an artwork from 90 tonnes of steel bars salvaged from the schools' wreckage. In 2011, Ai Weiwei was detained in harsh conditions for 81 days and banned from leaving China. While his official charge was tax evasion, his detention was widely viewed as a response to his activism. But the artwork, Straight, became a global sensation. Ai Weiwei tells the story to Ben Henderson.Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from the death of Adolf Hitler, the first spacewalk and the making of the movie Jaws, to celebrity tortoise Lonesome George, the Kobe earthquake and the invention of superglue. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: Eva Peron – Argentina's Evita; President Ronald Reagan and his famous ‘tear down this wall' speech; Thomas Keneally on why he wrote Schindler's List; and Jacques Derrida, France's ‘rock star' philosopher. You can learn all about fascinating and surprising stories, such as the civil rights swimming protest; the disastrous D-Day rehearsal; and the death of one of the world's oldest languages.(Photo: Ai Weiwei in front of his artwork, Straight. Credit: Leon Neal/AFP via Getty Images)

Following Maggie's recent travels to Bejing China, we discuss THE PEOPLE'S REPUBLIC OF CHINA at large, its scope and influence and uncanny vision of a globalist future + the 1996 Chinese gay romance EAST PALACE WEST PALACE + the troubling art world of boomer activist/reguee life jacket stylist AI WEIWEI. For the high quality version of this episode + a juicy SIRENS bonus show follow ISP on paatreon.com/imsopopular ISP S5.E27

If it’s been a while since you’ve been to Seattle Art Museum, you might not want to miss the latest exhibit. SAM has a major retrospective called “Ai, Rebel: The Art and Activism of Ai Weiwei.” SAM’s show is the largest exhibition of Ai Weiwei’s work ever shown in the U.S. We talk with Foong Ping, SAM's Foster Foundation Curator of Chinese Art. Give feedback here on new tolls coming to WA. Watch WA budget discussions here. We can only make Seattle Now because listeners support us. Tap here to make a gift and keep Seattle Now in your feed. Got questions about local news or story ideas to share? We want to hear from you! Email us at seattlenow@kuow.org, leave us a voicemail at (206) 616-6746 or leave us feedback online.See omnystudio.com/listener for privacy information.