Podcast appearances and mentions of barbara sjoholm

How did so many Indigenous Sámi artifacts end up in private collections and museums outside of Sápmi? And why were collectors only interested in certain types of objects? American non-fiction writer, journalist, editor, and translator Barbara Sjoholm discusses the history of ethnographic collections and the future of cultural repatriation in her latest book, From Lapland to Sápmi: Collecting and Returning Sámi Craft and Culture. *** This episode was written, edited, and produced by Colin Gioia Connors. Special thanks to Amy Swanson King. *** Transcript available at https://scandinavian.washington.edu/crossing-north-28-repatriation-air *** Find Barbara Sjoholm's books published by the University of Minnesota Press and the University of Wisconsin Press: From Lapland to Sápmi: Collecting and returning Sámi Craft and Culture (2023); By the Fire: Sami Folktales and Legends (2019); Black Fox: A Life of Emilie Demant Hatt, Artist and Ethnographer (2017); With the Lapps in the High Mountains: A Woman Among the Sami, 1907-1908 (2013). *** Theme music used with permission by Kristján Hrannar Pálsson: open.spotify.com/album/1dDmFxNvfYVnQwq7up7rxS *** Crossing North is a production of the Department of Scandinavian Studies and the Baltic Studies Program at the University of Washington in Seattle. scandinavian.washington.edu/crossing-north-podcast *** Support Crossing North: Donate to the "Friends of Scandinavian Languages and Literature Fund" scandinavian.washington.edu/support-us

Material objects—things made, used, and treasured—tell the story of a people and place. So it is for the Indigenous Sámi living in Norway, Sweden, Finland, and Russia, whose story unfolds across borders and centuries, in museums and private collections. As described in From Lapland to Sápmi: Collecting and Returning Sámi Craft and Culture (University of Minnesota, 2023) by Barbara Sjoholm, the objects created by the Sámi for daily and ceremonial use were purchased and taken by Scandinavians and foreign travelers in Lapland from the seventeenth century to the present, and the collections described in From Lapland to Sápmi map a complex history that is gradually shifting to a renaissance of Sámi culture and craft, along with the return of many historical objects to Sápmi, the Sámi homeland. The Sámi objects first collected in Lapland by non-Indigenous people were drums and other sacred artifacts, but later came to include handmade knives, decorated spoons, clothing, and other domestic items owned by Sámi reindeer herders and fishers, as well as artisanal crafts created for sale. Sjoholm describes how these objects made their way via clergy, merchants, and early scientists into curiosity cabinets and eventually to museums in Copenhagen, Stockholm, Oslo, and abroad. Musicians, writers, and tourists also collected Sámi culture for research and enjoyment. Sjoholm follows these objects and collections from the Age of Enlightenment through the twentieth century, when artisanship took on new forms in commerce and museology and the Sámi began to organize politically and culturally. Today, several collections of Sámi objects are in the process of repatriation, while a new generation of artists, activists, and artisans finds inspiration in traditional heritage and languages. Deftly written and amply illustrated, with contextual notes on language and Nordic history, From Lapland to Sápmi brings to light the history of collecting, displaying, and returning Sámi material culture, as well as the story of Sámi creativity and individual and collective agency. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Material objects—things made, used, and treasured—tell the story of a people and place. So it is for the Indigenous Sámi living in Norway, Sweden, Finland, and Russia, whose story unfolds across borders and centuries, in museums and private collections. As described in From Lapland to Sápmi: Collecting and Returning Sámi Craft and Culture (University of Minnesota, 2023) by Barbara Sjoholm, the objects created by the Sámi for daily and ceremonial use were purchased and taken by Scandinavians and foreign travelers in Lapland from the seventeenth century to the present, and the collections described in From Lapland to Sápmi map a complex history that is gradually shifting to a renaissance of Sámi culture and craft, along with the return of many historical objects to Sápmi, the Sámi homeland. The Sámi objects first collected in Lapland by non-Indigenous people were drums and other sacred artifacts, but later came to include handmade knives, decorated spoons, clothing, and other domestic items owned by Sámi reindeer herders and fishers, as well as artisanal crafts created for sale. Sjoholm describes how these objects made their way via clergy, merchants, and early scientists into curiosity cabinets and eventually to museums in Copenhagen, Stockholm, Oslo, and abroad. Musicians, writers, and tourists also collected Sámi culture for research and enjoyment. Sjoholm follows these objects and collections from the Age of Enlightenment through the twentieth century, when artisanship took on new forms in commerce and museology and the Sámi began to organize politically and culturally. Today, several collections of Sámi objects are in the process of repatriation, while a new generation of artists, activists, and artisans finds inspiration in traditional heritage and languages. Deftly written and amply illustrated, with contextual notes on language and Nordic history, From Lapland to Sápmi brings to light the history of collecting, displaying, and returning Sámi material culture, as well as the story of Sámi creativity and individual and collective agency. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Material objects—things made, used, and treasured—tell the story of a people and place. So it is for the Indigenous Sámi living in Norway, Sweden, Finland, and Russia, whose story unfolds across borders and centuries, in museums and private collections. As described in From Lapland to Sápmi: Collecting and Returning Sámi Craft and Culture (University of Minnesota, 2023) by Barbara Sjoholm, the objects created by the Sámi for daily and ceremonial use were purchased and taken by Scandinavians and foreign travelers in Lapland from the seventeenth century to the present, and the collections described in From Lapland to Sápmi map a complex history that is gradually shifting to a renaissance of Sámi culture and craft, along with the return of many historical objects to Sápmi, the Sámi homeland. The Sámi objects first collected in Lapland by non-Indigenous people were drums and other sacred artifacts, but later came to include handmade knives, decorated spoons, clothing, and other domestic items owned by Sámi reindeer herders and fishers, as well as artisanal crafts created for sale. Sjoholm describes how these objects made their way via clergy, merchants, and early scientists into curiosity cabinets and eventually to museums in Copenhagen, Stockholm, Oslo, and abroad. Musicians, writers, and tourists also collected Sámi culture for research and enjoyment. Sjoholm follows these objects and collections from the Age of Enlightenment through the twentieth century, when artisanship took on new forms in commerce and museology and the Sámi began to organize politically and culturally. Today, several collections of Sámi objects are in the process of repatriation, while a new generation of artists, activists, and artisans finds inspiration in traditional heritage and languages. Deftly written and amply illustrated, with contextual notes on language and Nordic history, From Lapland to Sápmi brings to light the history of collecting, displaying, and returning Sámi material culture, as well as the story of Sámi creativity and individual and collective agency. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Material objects—things made, used, and treasured—tell the story of a people and place. So it is for the Indigenous Sámi living in Norway, Sweden, Finland, and Russia, whose story unfolds across borders and centuries, in museums and private collections. As described in From Lapland to Sápmi: Collecting and Returning Sámi Craft and Culture (University of Minnesota, 2023) by Barbara Sjoholm, the objects created by the Sámi for daily and ceremonial use were purchased and taken by Scandinavians and foreign travelers in Lapland from the seventeenth century to the present, and the collections described in From Lapland to Sápmi map a complex history that is gradually shifting to a renaissance of Sámi culture and craft, along with the return of many historical objects to Sápmi, the Sámi homeland. The Sámi objects first collected in Lapland by non-Indigenous people were drums and other sacred artifacts, but later came to include handmade knives, decorated spoons, clothing, and other domestic items owned by Sámi reindeer herders and fishers, as well as artisanal crafts created for sale. Sjoholm describes how these objects made their way via clergy, merchants, and early scientists into curiosity cabinets and eventually to museums in Copenhagen, Stockholm, Oslo, and abroad. Musicians, writers, and tourists also collected Sámi culture for research and enjoyment. Sjoholm follows these objects and collections from the Age of Enlightenment through the twentieth century, when artisanship took on new forms in commerce and museology and the Sámi began to organize politically and culturally. Today, several collections of Sámi objects are in the process of repatriation, while a new generation of artists, activists, and artisans finds inspiration in traditional heritage and languages. Deftly written and amply illustrated, with contextual notes on language and Nordic history, From Lapland to Sápmi brings to light the history of collecting, displaying, and returning Sámi material culture, as well as the story of Sámi creativity and individual and collective agency. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Material objects—things made, used, and treasured—tell the story of a people and place. So it is for the Indigenous Sámi living in Norway, Sweden, Finland, and Russia, whose story unfolds across borders and centuries, in museums and private collections. As described in From Lapland to Sápmi: Collecting and Returning Sámi Craft and Culture (University of Minnesota, 2023) by Barbara Sjoholm, the objects created by the Sámi for daily and ceremonial use were purchased and taken by Scandinavians and foreign travelers in Lapland from the seventeenth century to the present, and the collections described in From Lapland to Sápmi map a complex history that is gradually shifting to a renaissance of Sámi culture and craft, along with the return of many historical objects to Sápmi, the Sámi homeland. The Sámi objects first collected in Lapland by non-Indigenous people were drums and other sacred artifacts, but later came to include handmade knives, decorated spoons, clothing, and other domestic items owned by Sámi reindeer herders and fishers, as well as artisanal crafts created for sale. Sjoholm describes how these objects made their way via clergy, merchants, and early scientists into curiosity cabinets and eventually to museums in Copenhagen, Stockholm, Oslo, and abroad. Musicians, writers, and tourists also collected Sámi culture for research and enjoyment. Sjoholm follows these objects and collections from the Age of Enlightenment through the twentieth century, when artisanship took on new forms in commerce and museology and the Sámi began to organize politically and culturally. Today, several collections of Sámi objects are in the process of repatriation, while a new generation of artists, activists, and artisans finds inspiration in traditional heritage and languages. Deftly written and amply illustrated, with contextual notes on language and Nordic history, From Lapland to Sápmi brings to light the history of collecting, displaying, and returning Sámi material culture, as well as the story of Sámi creativity and individual and collective agency. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, host June Thomas talks to Barbara Wilson, author of multiple mystery novels and co-founder of the feminist publishing house Seal Press, which launched in 1976. In the interview, Barbara starts by discussing her mystery novels and her decision to revive the character Cassandra Reilly. Then she talks about her experience co-founding Seal Press and the challenges that she and her colleagues faced as indie publishers.  After the interview, June and co-hose Isaac Butler chat about the use of formulas in fiction. In the exclusive Slate Plus segment, Barbara explains why she changed her name to Barbara Sjoholm and started publishing certain books under that name.  Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675. Podcast production by Cameron Drews.  If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get benefits like zero ads on any Slate podcast, bonus episodes of shows like Slow Burn and Big Mood, Little Mood—and you'll be supporting the work we do here on Working. Sign up now at slate.com/workingplus. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, host June Thomas talks to Barbara Wilson, author of multiple mystery novels and co-founder of the feminist publishing house Seal Press, which launched in 1976. In the interview, Barbara starts by discussing her mystery novels and her decision to revive the character Cassandra Reilly. Then she talks about her experience co-founding Seal Press and the challenges that she and her colleagues faced as indie publishers.  After the interview, June and co-hose Isaac Butler chat about the use of formulas in fiction. In the exclusive Slate Plus segment, Barbara explains why she changed her name to Barbara Sjoholm and started publishing certain books under that name.  Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675. Podcast production by Cameron Drews.  If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get benefits like zero ads on any Slate podcast, bonus episodes of shows like Slow Burn and Big Mood, Little Mood—and you'll be supporting the work we do here on Working. Sign up now at slate.com/workingplus. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, host June Thomas talks to Barbara Wilson, author of multiple mystery novels and co-founder of the feminist publishing house Seal Press, which launched in 1976. In the interview, Barbara starts by discussing her mystery novels and her decision to revive the character Cassandra Reilly. Then she talks about her experience co-founding Seal Press and the challenges that she and her colleagues faced as indie publishers.  After the interview, June and co-hose Isaac Butler chat about the use of formulas in fiction. In the exclusive Slate Plus segment, Barbara explains why she changed her name to Barbara Sjoholm and started publishing certain books under that name.  Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675. Podcast production by Cameron Drews.  If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get benefits like zero ads on any Slate podcast, bonus episodes of shows like Slow Burn and Big Mood, Little Mood—and you'll be supporting the work we do here on Working. Sign up now at slate.com/workingplus. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Sami, formerly called Lapps, live in the far north of Norway, Sweden, and Finland in a land where the sun never sets.  Storytelling has a strong tradition among the Sami, with tales that are a little different from other Nordic folktales.  Join us as we read story translations from the first collectors, J. A. Friis and J. K. Qvigstad, and from ethnographer Emilie Demant Hatt.  We read from the 2019 translation of Demant Hatt's  "By the Fire: Sami Folktales and Legends" (translated by Barbara Sjoholm).  We also hear Nick Ericson of The Six Feet Back Band playing "The Dwight Lamb Polka" on his button accordion. Join us for the unusual stories about reindeer, sheep, Stallo the troll, and a shaman!

Wayne Goodman in conversation with Barbara Sjoholm, journalist, translator, travel writer, who publishes mysteries and lesbian fiction under the name Barbara Wilson

In one of history’s largest migrations, hundreds of thousands of Norwegians immigrated to North American during the 1800s and early 1900s. In addition to letters sent home, Norwegian-Americans often included photographs showcasing their new American lives. In her book, Pictures of Longing: Photography and the Norwegian-American Migration (University of Minnesota Press, 2018), Dr. Sigrid Lien keenly evaluates the photographs Norwegian immigrants sent home—including one of her own grandfather. Throughout the book, Lien delves into the lives of everyday people seeking a new and prosperous life in America. Using talented writing and skillful research Sigrid Lien brings the past to life without overlooking the important historical context in which the Norwegian-American migration took place. A new edition translated by Barbara Sjoholm, Pictures of Longing is an endlessly fascinating account of real people who, through photographs, sought to share their experience during a time of hope and change. Sigrid Lien is professor of art history and photography studies at the University of Bergen, Norway, and a leading authority on Norwegian photography. She has published extensively on modern and contemporary visual culture and is the author of the first extensive history of photography in Norway. Colin Mustful has an M.A. in history from Minnesota State University, Mankato, and is currently a candidate for an M.F.A. in Creative Writing from Augsburg University. You can learn more about his work at his website: www.colinmustful.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

In one of history’s largest migrations, hundreds of thousands of Norwegians immigrated to North American during the 1800s and early 1900s. In addition to letters sent home, Norwegian-Americans often included photographs showcasing their new American lives. In her book, Pictures of Longing: Photography and the Norwegian-American Migration (University of Minnesota Press, 2018), Dr. Sigrid Lien keenly evaluates the photographs Norwegian immigrants sent home—including one of her own grandfather. Throughout the book, Lien delves into the lives of everyday people seeking a new and prosperous life in America. Using talented writing and skillful research Sigrid Lien brings the past to life without overlooking the important historical context in which the Norwegian-American migration took place. A new edition translated by Barbara Sjoholm, Pictures of Longing is an endlessly fascinating account of real people who, through photographs, sought to share their experience during a time of hope and change. Sigrid Lien is professor of art history and photography studies at the University of Bergen, Norway, and a leading authority on Norwegian photography. She has published extensively on modern and contemporary visual culture and is the author of the first extensive history of photography in Norway. Colin Mustful has an M.A. in history from Minnesota State University, Mankato, and is currently a candidate for an M.F.A. in Creative Writing from Augsburg University. You can learn more about his work at his website: www.colinmustful.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

In one of history’s largest migrations, hundreds of thousands of Norwegians immigrated to North American during the 1800s and early 1900s. In addition to letters sent home, Norwegian-Americans often included photographs showcasing their new American lives. In her book, Pictures of Longing: Photography and the Norwegian-American Migration (University of Minnesota Press, 2018), Dr. Sigrid Lien keenly evaluates the photographs Norwegian immigrants sent home—including one of her own grandfather. Throughout the book, Lien delves into the lives of everyday people seeking a new and prosperous life in America. Using talented writing and skillful research Sigrid Lien brings the past to life without overlooking the important historical context in which the Norwegian-American migration took place. A new edition translated by Barbara Sjoholm, Pictures of Longing is an endlessly fascinating account of real people who, through photographs, sought to share their experience during a time of hope and change. Sigrid Lien is professor of art history and photography studies at the University of Bergen, Norway, and a leading authority on Norwegian photography. She has published extensively on modern and contemporary visual culture and is the author of the first extensive history of photography in Norway. Colin Mustful has an M.A. in history from Minnesota State University, Mankato, and is currently a candidate for an M.F.A. in Creative Writing from Augsburg University. You can learn more about his work at his website: www.colinmustful.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

In one of history’s largest migrations, hundreds of thousands of Norwegians immigrated to North American during the 1800s and early 1900s. In addition to letters sent home, Norwegian-Americans often included photographs showcasing their new American lives. In her book, Pictures of Longing: Photography and the Norwegian-American Migration (University of Minnesota Press, 2018), Dr. Sigrid Lien keenly evaluates the photographs Norwegian immigrants sent home—including one of her own grandfather. Throughout the book, Lien delves into the lives of everyday people seeking a new and prosperous life in America. Using talented writing and skillful research Sigrid Lien brings the past to life without overlooking the important historical context in which the Norwegian-American migration took place. A new edition translated by Barbara Sjoholm, Pictures of Longing is an endlessly fascinating account of real people who, through photographs, sought to share their experience during a time of hope and change. Sigrid Lien is professor of art history and photography studies at the University of Bergen, Norway, and a leading authority on Norwegian photography. She has published extensively on modern and contemporary visual culture and is the author of the first extensive history of photography in Norway. Colin Mustful has an M.A. in history from Minnesota State University, Mankato, and is currently a candidate for an M.F.A. in Creative Writing from Augsburg University. You can learn more about his work at his website: www.colinmustful.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

In one of history’s largest migrations, hundreds of thousands of Norwegians immigrated to North American during the 1800s and early 1900s. In addition to letters sent home, Norwegian-Americans often included photographs showcasing their new American lives. In her book, Pictures of Longing: Photography and the Norwegian-American Migration (University of Minnesota Press, 2018), Dr. Sigrid Lien keenly evaluates the photographs Norwegian immigrants sent home—including one of her own grandfather. Throughout the book, Lien delves into the lives of everyday people seeking a new and prosperous life in America. Using talented writing and skillful research Sigrid Lien brings the past to life without overlooking the important historical context in which the Norwegian-American migration took place. A new edition translated by Barbara Sjoholm, Pictures of Longing is an endlessly fascinating account of real people who, through photographs, sought to share their experience during a time of hope and change. Sigrid Lien is professor of art history and photography studies at the University of Bergen, Norway, and a leading authority on Norwegian photography. She has published extensively on modern and contemporary visual culture and is the author of the first extensive history of photography in Norway. Colin Mustful has an M.A. in history from Minnesota State University, Mankato, and is currently a candidate for an M.F.A. in Creative Writing from Augsburg University. You can learn more about his work at his website: www.colinmustful.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

In one of history’s largest migrations, hundreds of thousands of Norwegians immigrated to North American during the 1800s and early 1900s. In addition to letters sent home, Norwegian-Americans often included photographs showcasing their new American lives. In her book, Pictures of Longing: Photography and the Norwegian-American Migration (University of Minnesota Press, 2018), Dr. Sigrid Lien keenly evaluates the photographs Norwegian immigrants sent home—including one of her own grandfather. Throughout the book, Lien delves into the lives of everyday people seeking a new and prosperous life in America. Using talented writing and skillful research Sigrid Lien brings the past to life without overlooking the important historical context in which the Norwegian-American migration took place. A new edition translated by Barbara Sjoholm, Pictures of Longing is an endlessly fascinating account of real people who, through photographs, sought to share their experience during a time of hope and change. Sigrid Lien is professor of art history and photography studies at the University of Bergen, Norway, and a leading authority on Norwegian photography. She has published extensively on modern and contemporary visual culture and is the author of the first extensive history of photography in Norway. Colin Mustful has an M.A. in history from Minnesota State University, Mankato, and is currently a candidate for an M.F.A. in Creative Writing from Augsburg University. You can learn more about his work at his website: www.colinmustful.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Backstage Knitting PodcastEpisode 25- Just Keep TinkingShow Notes can be found at www.backstageknitting.com•Shout out to: Sue from Canada, Briana from Massachusetts, and Jennifer from Seattle, Washington. •On the Needles: oAnna is working on her Sockhead Hat variation based on the pattern by Kelly McClure in “Hells Bells” by Magpie Fibers and an Entrelac blanket in Noro of Anna’s own creation. •http://www.ravelry.com/patterns/library/sockhead-slouch-hat•http://www.magpiefibers.com/productsdk/hell-bells•https://knittingfever.com/brand/norooBethany is seaming up her Baby wrap Sweater by Churchmouse Yarns in the “UW” colorway by Fancy Image Yarn, knitting up a vanilla sock in Plymouth Yarn Happy Feet in the “Blueberry” colorway, she is also working on the Laboe top by Cory Ellen in the “Platinum” and “Bad Juju” colorway from Amanda’s Art Yarn. •http://www.ravelry.com/patterns/library/baby-wrap-sweater•http://www.fancyimageyarn.com/store/p190/UW_-_Fingering_Wt._Merino.html•https://www.plymouthyarn.com/yarn/happy-feet-100-item-2555•http://www.ravelry.com/patterns/library/laboe•http://www.amandasartyarn.com•Off The Needles:oBethany finished a Sock head hat by Kelly McClure (see link in Anna’s section of On the Needles) in Madeline Tosh (Not Malabrigo as previously stated) •https://madelinetosh.com/rainbow/ Pretty sure it is the “Soot” colorway. •In Time Out:oBethany has had to tink back the K2P2 ribbing on her Laboe top several times this week. •Sew A Needle Pulling Thread:oAnna has been working on a Greek goddess dress for a photo shoot, the blue gingham shirt dress (which is now in sewing time out), and a couple commissioned dresses are in the works. •Spinning:oBethany is having a blast spinning for Tour de Fleece. She is spinning some BFL from Allyn Knit and Spin in pinks, purples, and reds. •Knetflix and Knit:oAnna watched Gladiator for Greek photo shoot inspiration. She is also reading “The Pirate Queen; in search of Grace O’Malley” by Barbara Sjoholm.•https://www.amazon.com/Pirate-Queen-Search-OMalley-Legendary-ebook/dp/B00THMCF3M/ref=sr_1_1?ie=UTF8&qid=1499984545&sr=8-1&keywords=the+pirate+queen+in+search+of+grace+omalleyoBethany watched How I Met Your Mother, the Season 9 finale of RuPaul’s Drag Race, Star Trek: TNG, 13 Going On 30, and Jenny’s Wedding. She also restarted the first “Outlander” book. •https://www.amazon.com/Outlander-Novel-Book-1-ebook/dp/B000FC2L1O/ref=sr_1_1?ie=UTF8&qid=1499984665&sr=8-1&keywords=outlander•http://www.frockflicks.com •Healing Hands:oAnna is almost finished with Term 2 and is heading into finals next week. •In Rehearsal:oBethany closed “A Servant of Two Masters” last weekend and is opening “Frankenstein” on August 4 with New Muses Theater Co. •http://www.newmuses.com•Events:oOur Reduce Reuse Recycle Along is on now through Labor Day! •Join our Ravelry group and post in the thread about what you are doing to reduce you environmental impact. •#RRRalongoBethany will be attending Stitch N Pitch at Safeco Field Thursday July 20, 2017oBethany will also be attending Leah Justine’s Debut Album Release party at Steel Creek in Tacoma on Saturday July 22, 2017.•https://www.leahjustine.com •Discussion:oBethany and Anna discuss how we budget for fiber events and how we value the tools of our craft such as pay for patterns and beautiful indie dyed yarns, etc. •https://vickiehowell.com/craftish/•Show Notes can be found at www.backstageknitting.com •Find us, friend us, like us on Facebook, Twitter, Instagram and Periscope•Join our FANTASTIC Ravelry group!

Backstage Knitting PodcastEpisode 25- Just Keep TinkingShow Notes can be found at www.backstageknitting.com•Shout out to: Sue from Canada, Briana from Massachusetts, and Jennifer from Seattle, Washington. •On the Needles: oAnna is working on her Sockhead Hat variation based on the pattern by Kelly McClure in “Hells Bells” by Magpie Fibers and an Entrelac blanket in Noro of Anna’s own creation. •http://www.ravelry.com/patterns/library/sockhead-slouch-hat•http://www.magpiefibers.com/productsdk/hell-bells•https://knittingfever.com/brand/norooBethany is seaming up her Baby wrap Sweater by Churchmouse Yarns in the “UW” colorway by Fancy Image Yarn, knitting up a vanilla sock in Plymouth Yarn Happy Feet in the “Blueberry” colorway, she is also working on the Laboe top by Cory Ellen in the “Platinum” and “Bad Juju” colorway from Amanda’s Art Yarn. •http://www.ravelry.com/patterns/library/baby-wrap-sweater•http://www.fancyimageyarn.com/store/p190/UW_-_Fingering_Wt._Merino.html•https://www.plymouthyarn.com/yarn/happy-feet-100-item-2555•http://www.ravelry.com/patterns/library/laboe•http://www.amandasartyarn.com•Off The Needles:oBethany finished a Sock head hat by Kelly McClure (see link in Anna’s section of On the Needles) in Madeline Tosh (Not Malabrigo as previously stated) •https://madelinetosh.com/rainbow/ Pretty sure it is the “Soot” colorway. •In Time Out:oBethany has had to tink back the K2P2 ribbing on her Laboe top several times this week. •Sew A Needle Pulling Thread:oAnna has been working on a Greek goddess dress for a photo shoot, the blue gingham shirt dress (which is now in sewing time out), and a couple commissioned dresses are in the works. •Spinning:oBethany is having a blast spinning for Tour de Fleece. She is spinning some BFL from Allyn Knit and Spin in pinks, purples, and reds. •Knetflix and Knit:oAnna watched Gladiator for Greek photo shoot inspiration. She is also reading “The Pirate Queen; in search of Grace O’Malley” by Barbara Sjoholm.•https://www.amazon.com/Pirate-Queen-Search-OMalley-Legendary-ebook/dp/B00THMCF3M/ref=sr_1_1?ie=UTF8&qid=1499984545&sr=8-1&keywords=the+pirate+queen+in+search+of+grace+omalleyoBethany watched How I Met Your Mother, the Season 9 finale of RuPaul’s Drag Race, Star Trek: TNG, 13 Going On 30, and Jenny’s Wedding. She also restarted the first “Outlander” book. •https://www.amazon.com/Outlander-Novel-Book-1-ebook/dp/B000FC2L1O/ref=sr_1_1?ie=UTF8&qid=1499984665&sr=8-1&keywords=outlander•http://www.frockflicks.com •Healing Hands:oAnna is almost finished with Term 2 and is heading into finals next week. •In Rehearsal:oBethany closed “A Servant of Two Masters” last weekend and is opening “Frankenstein” on August 4 with New Muses Theater Co. •http://www.newmuses.com•Events:oOur Reduce Reuse Recycle Along is on now through Labor Day! •Join our Ravelry group and post in the thread about what you are doing to reduce you environmental impact. •#RRRalongoBethany will be attending Stitch N Pitch at Safeco Field Thursday July 20, 2017oBethany will also be attending Leah Justine’s Debut Album Release party at Steel Creek in Tacoma on Saturday July 22, 2017.•https://www.leahjustine.com •Discussion:oBethany and Anna discuss how we budget for fiber events and how we value the tools of our craft such as pay for patterns and beautiful indie dyed yarns, etc. •https://vickiehowell.com/craftish/•Show Notes can be found at www.backstageknitting.com •Find us, friend us, like us on Facebook, Twitter, Instagram and Periscope•Join our FANTASTIC Ravelry group!