Podcasts about carolina hellsg

Die vierzehnjährige Claire verbringt die Ferien mit ihrer Mutter und ihrer älteren Schwester in einem spanischen Ferienresort. Zwischen Animateuren und Sonnenbaden am Strand lernt sie den Strandverkäufer Amram kennen, der aus dem Senegal stammt. Dies ist der Beginn einer komplizierten Beziehung zwischen Freundschaft und Abhängigkeit.

NHE host Scott Murphy talks to director Carolina Hellsgård all about her latest feature, the fable-like zombie film “Endzeit (Ever After),” which is based on the graphic novel of the same name and provides a very different take on the over-saturated zombie sub-genre. In the interview, you will hear what drew Carolina to the project, […]

In dieser Folge des Indiefilmtalkpodcasts reden wir mit Regisseurin Carolina Helsgård und Regisseur und Revolver Redakteur Franz Müller über die Produktion und die Förderung von Carolinas neuen Film "Endzeit". Außerdem sprechen wir, neben kleinen Ausflügen zu Themen wie der Beliebtheit von dystopischen Filmen und der Arbeit an einer Buchverfilmung, über die Schwierigkeit Filme mit hohem visuellen Fokus in Deutschland umzusetzen und werfen einen Blick auf den Förderweg für Carolinas Film. Host: Yugen Yah und Susanne Braun

ENDZEIT – EVER AFTER, is a post-apocalyptic feminist gothic fairy tale that takes place two years after zombies have overrun Earth. Two young women, Vivi (Gro Swantje Kohlhof) and Eva (Maja Lehrer), develop an unlikely friendship in order to survive. They are stranded in the no-man’s land of the Black Forest where they have to rely on each other and on nature, while in search of a more humane world. But their survival has also unleashed demons from their past that they must confront. In the end, love arises not only for each other, but also for the fantastic natural world surrounding them. According to the director Carolina Hellsgård: “ENDZEIT – EVER AFTER reflects upon our future existence, how we choose to live, and what our options will be in a world where nature strikes back. The aesthetics are inspired by the quirky and refreshing style of Olivia Vieweg’s graphic novel, which the script is based on.” About the filmmaker: Carolina Hellsgård is a writer-director, born in Sweden and based in Berlin. She studied experimental media design at the Berlin University of Arts and film directing and screenwriting at Cal Arts in Los Angeles. Her critically acclaimed debut feature film WANJA premiered at the Berlinale 2015 and was nominated for Berlinale Best First Feature Award. It won Best Screenplay (Valletta Film Festival) and Best Feature Film Debut at the Biberacher Filmfestspiele. She is currently in post-production for the feature film project SUNBURNED. For news and updates go to: endzeiteverafter.com For more on upcoming screenings go to: endzeiteverafter.com

Carolina Hellsgård's arresting second feature brings a vibrant new perspective to the zombie movie. This female-focused vision of the apocalypse is provocative and poetic. The post Carolina Hellsgård – Endzeit-Ever After #SydFilmFest appeared first on Fred Film Radio.

Carolina Hellsgård's arresting second feature brings a vibrant new perspective to the zombie movie. This female-focused vision of the apocalypse is provocative and poetic. The post Carolina Hellsgård – Endzeit-Ever After #SydFilmFest appeared first on Fred Film Radio.

Carolina Hellsgård's arresting second feature brings a vibrant new perspective to the zombie movie. This female-focused vision of the apocalypse is provocative and poetic. The post Carolina Hellsgård – Endzeit-Ever After #SydFilmFest appeared first on Fred Film Radio.

Carolina Hellsgård's arresting second feature brings a vibrant new perspective to the zombie movie. This female-focused vision of the apocalypse is provocative and poetic. The post Carolina Hellsgård – Endzeit-Ever After #SydFilmFest appeared first on Fred Film Radio.

Carolina Hellsgård's arresting second feature brings a vibrant new perspective to the zombie movie. This female-focused vision of the apocalypse is provocative and poetic. The post Carolina Hellsgård – Endzeit-Ever After #SydFilmFest appeared first on Fred Film Radio.

Carolina Hellsgård's arresting second feature brings a vibrant new perspective to the zombie movie. This female-focused vision of the apocalypse is provocative and poetic. The post Carolina Hellsgård – Endzeit-Ever After #SydFilmFest appeared first on Fred Film Radio.

Heute reden wir mit Carolina Hellsgård, Tini Tüllmann, Olivia Vieweg, Tanja Bubbel über die Arbeit als Frau im Film, ob es Genres gibt die eher von Frauen oder Männern bedient werden, was sich in unserem System ändern soll und darüber welche Geschichten, Figuren und Perspektiven sie sich in der Zukunft aus Deutschland von Frauen und Männern wünschen. Moderatorin dieses Genrenale Genrepanels ist Toby Anne Chlosta.

Carolina Hellsgård and Face2Face host David Peck talk about her gorgeous new film Endzeit (Ever After), faith in humanity, collective guilt, environmentalism and why having a positive view of the apocalypse is important. Trailer Synopsis Two years after the zombies have overrun earth, the German towns Weimar and Jena are possibly the last holdouts of human civilization. Endzeit follows two very different young women, VIVI (22) and EVA (26), who are involuntarily forced to join forces. While fighting against the undead, they develop a strong friendship, and must also confront the demons of their past. Vivi is desperately trying to find out what happened to her little sister, whereas Eva dreams about starting anew, far away from her role as the expert zombie-killer and Weimar they have left behind. Their adventurous journey takes place in a lush and beautiful apocalypse; now that the humans have gone, nature is taking over. But nature knows no boundaries and soon the two young women have to deal with a new and fantastic reality. In the end, their relationship survives it all. Biography Carolina Hellsgård is a writer-director, born in Sweden and based in Berlin.She studied experimental media design at the Berlin University of Arts and film directing and screenwriting at Cal Arts in Los Angeles.Her critically acclaimed debut feature film WANJA premiered at the Berlinale 2015 and was nominated for Berlinale Best First Feature Award. It won Best Screenplay and Best Feature Film Debut at the Biberacher Filmfestspiele. It was theatrically released in Germany in the summer of 2016.Hellsgård's award winning films have screened in numerous international film festivals including Montreal WFF, Mostra Sao Paulo, Gothenburg IFF, Clermont-Ferrand, Filmes de Femmes and the Oberhausen Short Film Festival.She has been a recipient of the Dorothea Erxleben Fellowship and a guest lecturer at the Braunschweig University of Art (HBK).In 2017 she was a Villa Aurora Fellow in Los Angeles. Image Copyright: Carolina Hellsgård. Used with permission. For more information about David Peck’s podcasting, writing and public speaking please visit his site here. With thanks to producer Josh Snethlage and Mixed Media Sound. See acast.com/privacy for privacy and opt-out information.

In a Very Special Episode, Emily and Danita report live from TIFF 2018, chatting with Carolina Hellsgård, the director of female zombie flick 'Endzeit' (or 'Ever After')! Listen up for discussions about blueberries, butterflies and being inspired by Lynne Ramsay. Produced by Emily Gagne and Danita Steinberg. Edited by Perry Jackson. Theme music by Emily Milling.

In a Very Special Episode, Emily and Danita report live from TIFF 2018, chatting with Carolina Hellsgård, the director of female zombie flick 'Endzeit' (or 'Ever After')! Listen up for discussions about blueberries, butterflies and being inspired by Lynne Ramsay. Produced by Emily Gagne and Danita Steinberg. Edited by Perry Jackson. Theme music by Emily Milling.

A type of cinema that doesn't manipulate a viewer's emotions or experience. The post Carolina Hellsgård – Wanja #CFF60 appeared first on Fred Film Radio.

A type of cinema that doesn't manipulate a viewer's emotions or experience. The post Carolina Hellsgård – Wanja #CFF60 appeared first on Fred Film Radio.

A type of cinema that doesn't manipulate a viewer's emotions or experience. The post Carolina Hellsgård – Wanja #CFF60 appeared first on Fred Film Radio.

A type of cinema that doesn't manipulate a viewer's emotions or experience. The post Carolina Hellsgård – Wanja #CFF60 appeared first on Fred Film Radio.

A type of cinema that doesn't manipulate a viewer's emotions or experience. The post Carolina Hellsgård – Wanja #CFF60 appeared first on Fred Film Radio.

A type of cinema that doesn't manipulate a viewer's emotions or experience. The post Carolina Hellsgård – Wanja #CFF60 appeared first on Fred Film Radio.

Politik möter glamour när Berlins filmfestival samlar regissörer från hela världen. Kino är på plats och gör ett helt program från den 62:a upplagan av Berlinalen. Bland annat träffar vi den legendariska brittiska skådespelaren Charlotte Rampling, ser finsk science fiction om nazister på månen i filmen Iron Sky och träffar Alicia Vikander som spelar en otrogen dansk drottning i det historiska dramat En kunglig affär. En av de skandaler som kungahusen i Skandinavien nästan levt längst med är den om hur den danska drottningen Caroline Mathilde handlöst föll ner i passionsträsket med sin mans livläkare på 1700-talet. Historien har blivit film i regi av Nikolaj Arcel. Mads Mikkelsen spelar livläkaren och Alicia Vikander spelar Drottningen Caroline Mathildeen roll som krävde att Alicia skulle lära sig danska. Och det visade sig vara lite svårare än hon först trodde. Barnfilmen Isdraken, regisserad av Martin Högdahl, tävlar i Berlin. Roger Wilson var med när filmen hade premiär förra helgen och i Berlin är man noga med att publiken består av barn och tonåringar, en åldersgrupp som inte håller tillbaka några reaktioner. Något som gjorde visningen till en mycket speciell upplevelse. Det som också var lite speciellt med visningen var att filmen direktdubbades till tyska. Axel Peterséns film Avalon har gjort en framgångsrik festivalturné via Toronto och Göteborg och nu är det alltså dags Berlin. Med på plats var också delar av teamet, som skådespelarna Johannes Brost och Leonore Ekstrand, som även är Axels faster. Kino gav Axel en bandspelare, och lät honom spela in en dagbok med sina intryck från Berlins filmfestival. Och det visade sig i ganska stor utsträckning handla om praktiska saker. En av festivalens allra största snackisar, det är trots allt Iron Sky, den finska science fictionfilmen om nazister från månens baksida. I filmen åker nazisterna till månen, när man inser att man håller på att förlora Andra världskriget. På månen bygger man sedan en bas och konstruerar krigsrymdskeppet Götterdämmerung, för att försöka inta jorden från rymden. Några av de svenska filmare som kvalificerat sig för Berlins filmfestival kanske också är morgondagens stora svenska regissörer. Kino har träffat fyra av de kortfilmsmakare som medverkar på festivalen. I sektionen Generation Kplus deltar Ina Holmqvist och Emelie Wallgren med dokumentären The Quiet One om sexåriga Maryam som kommer till Sverige från Iran. Hon får börja från noll - utan språk och utan vänner i sin nya klass. Filmen är Ina Holmqvists och Emelie Wallgrens examensfilm från Dramatiska institutet men de väckte stor uppmärksamhet redan med sin förra film gjord under skoltiden, kortdokumentären "Så nära". Unga huvudpersoner är det även i Carolina Hellsgårds kortfilm Hjälten som handlar om två vänner i stallmiljö och Fanni Metelius skildring av tonårsliv i Banga inte, Roger Wilson har träffat dem. Programledare: Roger Wilson Producent: Lisa Bergström