Podcast appearances and mentions of Lynne Ramsay

Tras 8 años de ausencia, la directora escocesa Lynne Ramsay regresa con su característico estilo frenético y punk con Mátate, amor (Die My Love, 2025), una intensa exploración sensorial de la psique de una madre primeriza cuyo comportamiento errático pone en jaque la relación con su ingenuo, descuidado y ausente marido. Hosted on Acast. See acast.com/privacy for more information.

In DIE MY LOVE, new mother Grace (a virtuosic Jennifer Lawrence) is stuck at home while her disinterested husband Jackson (Robert Pattinson) is at work. With only her baby, a barking dog, and her own thoughts to keep her company, she begins to unravel. Visionary writer-director Lynne Ramsay talks to guest host Simran Hans about her feral, frightening, and funny portrait of a woman on the brink.DIE MY LOVE is now playing in theaters in the US, Canada, the UK, Ireland, Latin America, Australia, Germany, and Spain. To stream some of the films we've covered on the podcast, check out the collection Featured on the MUBI Podcast. Availability of films varies depending on your country.MUBI is a global streaming service, production company and film distributor dedicated to elevating great cinema. MUBI makes, acquires, curates, and champions extraordinary films, connecting them to audiences all over the world. A place to discover ambitious new films and singular voices, from iconic directors to emerging auteurs. Each carefully chosen by MUBI's curators.

Jennifer Lawrence gives a career-best performance as a new mother struggling with depression and a rocky relationship in Die My Love, directed by Lynne Ramsay, whose remarkable instinct for tone and atmosphere shouldn't be taken for granted. It's a character study whose artistry is all in the filmmaking and performances, which bring out great richness of feeling in material that, on the page, might seem to lack complexity. One could suggest that those who've experienced similar struggles to the film's characters hold the key to unlocking its depths, but that's a temptation to avoid - one of the film's achievements is the ease with which it gets you to feel what its characters are feeling. See it at the cinema, where you'll be able to properly submit yourself to it. Recorded on 9th November 2025.

La película de la directora Lynne Ramsay, basada en la novela de Ariana Harwicz establece un diálogo entre dos creadoras que trabajan con total libertad y a las que no les gusta que los demás les digan cómo hacer las cosas.El texto de Fernanda Solórzano sobre Tenemos que hablar de Kevin, de Lynne Ramsay, puede leerse aquí. Cine aparte puede verse en video en YouTube. Hosted on Acast. See acast.com/privacy for more information.

Listen, we know it has been a couple weeks but we're back with a vengeance. Hope you're ready for not one but TWO featured reviews, and these are big ones. First up is the latest film from Yorgos Lanthimos aka YorGOAT, “Bugonia”. Following that is another banger, as Lynne Ramsay is back with her first feature film in eight years, “Die My Love” starring Jennifer Lawrence and Robert Pattinson. Two lengthy reviews, and a big ol' pile of crap in the what we've been watching section that you don't want to miss. Cheers! 0:00 – Introductions 13:52 – “Bugonia” Spoiler-Free Review 42:05 - “Bugonia” Review Continued (Spoilers!) 1:13:01 - “Die My Love” Spoiler-Free Review 1:51:29 - What We've Been Watching Original Music provided by Kurt Moren https://ofsilent.life/

Jennifer Lawrence es una de las estrellas de su generación y una actriz prácticamente infalible como demuestra en “Die, my love”, todo un reto en un torbellino emocional y torturado que le ha brindado la directora Lynne Ramsay. Mary Carmen Rodríguez (también editora del podcast) nos proyecta sus cinco secuencias. Alexandre Desplat suena en La Música Clásica De Nuestro Tiempo de Iker González Urresti por su portentoso trabajo para “Frankenstein” y recordamos a la actriz Diane Ladd, todo un ejemplo de clase, integridad y verdad. En Leer cine, la biblioteca sonora de Carlos López-Tapia, “La desconocida” de J.D. Barker y James Patterson, las apuestas de Colgados de la plataforma y la crítica de las favoritas “Un fantasma en la batalla” y “Una batalla tras otra". ¡Muchas gracias por escucharnos!

Min 5: AHORA ME VES 3 (3 estrellas) La saga de los ilusionistas vuelve con Now You See Me: Now You Don't (2025), la tercera entrega de la franquicia que inauguró Now You See Me. Después de una década, los legendarios “Cuatro Jinetes†– Jesse Eisenberg (como J. Daniel Atlas), Woody Harrelson, Dave Franco e Isla Fisher – retoman la alfombra mágica, pero esta vez acompañados de una nueva generación de prestidigitadores: Justice Smith, Dominic Sessa y Ariana Greenblatt.La trama gira en torno a un peligroso objetivo: el diamante conocido como “The Heart†, perteneciente a la poderosa empresaria del sector diamantífero Rosamund Pike (Veronika Vanderberg) Min 11: TODOS LOS LADOS DE LA CAMA (1 estrella) Veintitrés años después del fenómeno que supuso "El otro lado de la cama" y dos décadas después de su secuela, llega Todos los lados de la cama, una continuación que recupera a sus míticos personajes para enfrentarlos al espejo del tiempo. Javier (Ernesto Alterio) y Carlota (Pilar Castro) reaparecen convertidos en padres de dos veinteañeros que, para su desconcierto, han decidido casarse por la vía más tradicional: compromiso firme, exclusividad y una boda clásica. Lo que en su generación era sinónimo de rebeldía —romper las normas— ahora se invierte, y los jóvenes adoptan los códigos que sus padres rechazaban mientras ellos intentan procesar que el mundo ya no se mueve a su ritmo. Min 19: DIE, MY LOVE (3 estrellas) La película arranca cuando Grace (Jennifer Lawrence), joven escritora, se traslada junto a su pareja Jackson (Robert Pattinson) desde Nueva York a una aislada casa heredada en Montana, con la esperanza de iniciar una vida tranquila lejos del bullicio urbano. Dirigida por Lynne Ramsay, Die My Love se sumerge desde el primer instante en la intimidad emocional de su protagonista, mostrando cómo, poco después del nacimiento de su hijo, la situación que parecía idílica comienza a resquebrajarse. Min 26: LA LARGA MARCHA (4,5 estrellas) La película arranca en un futuro distópico donde Estados Unidos vive bajo un régimen totalitario. Dirigida por Francis Lawrence y encabezada por Cooper Hoffman en el papel de Raymond “Ray†Garraty, La larga marcha adapta la emblemática novela The Long Walk de Stephen King (publicada originalmente bajo el seudónimo Richard Bachman). La historia plantea una competición anual tan cruel como televisada: cien adolescentes son obligados a caminar sin detenerse jamás, bajo la amenaza de recibir advertencias letales si disminuyen el ritmo. A la tercera, la ejecución es inmediata. Solo uno puede sobrevivir y reclamar el premio que promete cambiarlo todo. Min 30: LOS COLORES DEL TIEMPO (4 estrellas) La película arranca cuando un grupo de primos se reúne en 2025 en París tras recibir la noticia de que han heredado una casa abandonada en Normandía. Dirigida por Cédric Klapisch, la historia arranca con el descubrimiento de secretos familiares y raíces profundas que se remontan al siglo XIX, cuando una de las protagonistas dejó Normandía para instalarse en un París en plena revolución industrial y cultural. Min 33: GAUA (3 estrellas) La película arranca en las montañas del País Vasco en el siglo XVII, cuando una mujer llamada Kattalin huye de su marido y abandona el caserío en plena noche. Dirigida por Paul Urkijo Alijo y protagonizada por Yune Nogueiras, Gaua (que significa “La noche†en euskera) se sumerge en el terreno de la mitología vasca, la persecución de brujas y la superstición rural. Al adentrarse en el bosque bajo la oscuridad, Kattalin se topa con tres mujeres que lavan la ropa junto al río, comparten historias ancestrales y acaban arrastrándola a formar parte de esas leyendas en las que hasta entonces sólo había sido espectadora. Min 36: LA PELÍCULA DE TU VIDA: FERNANDO ARAMBURU Aunque el aclamado literato que escribió "Patria" nos reconoció no ser un gran consumidor de cine y de series ¿te imaginas que una de las película de Felllini que vio con placer consciente en su casa de Alemania le ha servido a Fernando Aramburu de base e inspiración para la novela que tiene previsto publicar en 2026? El autor de "Años lentos" o "Vetas profundas" nos vuelve a sorprender, esta vez, desvelándonos qué gran película del cineasta italiano es la que considera la película de su vida. Min 42: EL CINE QUE NOS VIENE Alberto Luchini y Raquel Hernández nos avanzan algunos de los títulos destacados que más les motivan de cara a la próxima semana: desde la española" Ciudad sin sueño" a dos títulos que prometen sensaciones fuertes: Running Man o la segunda parte del musical Wicked. Min 44: BSO FRANKENSTEIN 2025: EL MEJOR DESPLAT (4,5 estrellas) La banda sonora de Alexandre Desplat para el Frankenstein de Guillermo del Toro nace ya con vocación de clásico: es el encuentro entre un director que ha convertido el monstruo en poesía y un compositor que hace de la melancolía un lenguaje propio. Desde el tema principal, Desplat traza una identidad musical que no se limita al terror gótico, sino que se adentra en la tragedia íntima de la criatura. Cuerdas dolientes, vientos susurrados y un piano que aparece como una voz que duda construyen un motivo central que parece oscilar entre dos pulsos: el del monstruo que busca pertenencia y el del padre que juega a ser Dios.

For their fourth film together, Yorgos Lanthimos and Emma Stone get weird and go bald in BUGONIA with Jesse Plemons as Stone's conspiracy-obsessed kidnapper. Adam and Josh discuss, along with reviews of Lynne Ramsay's DIE MY LOVE starring Jennifer Lawrence, Kelly Reichardt's THE MASTERMIND with Josh O'Connor, and film-of-the-year candidate IT WAS JUST AN ACCIDENT, the latest from Jafar Panahi.  This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. (Timecodes and chapter starts may not be precise with ads.) Intro (00:00:00-00:02:36) Bugonia (00:02:37-00:30:40) Die My Love (00:30:41-00:48:44) Filmspotting Family (00:48:45-00:51:48) The Mastermind (00:51:49-01:14:08) Mastermind Prize (01:14:09-01:17:49) It Was Just an Accident (01:17:50-01:34:18) Next Week / Notes (01:34:19-01:45:55) Polls (01:45:56-01:56:08) Credits / New Releases (01:56:09-02:00:04) Links: -Poll: Actor/Director Duos Since 2000 https://poll.fm/16260111 -Siskel & Ebert at 50: Lone Star with Adam and Michael https://luma.com/pwlqid75 -Fear Not! (50% Off + Free Shipping; code CONFSHIP, select Media Mail) https://wipfandstock.com/9781666738520/fear-not/ -London Meetup w/Josh on Dec. 11 https://forms.gle/rUcgUKicTddzwFBs5 RSVP:  Feedback: -Email us at ⁠⁠⁠feedback@filmspotting.net⁠⁠⁠. -⁠⁠⁠Ask Us Anything⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and archive access. ⁠⁠⁠http://filmspottingfamily.com⁠⁠⁠ -T-shirts and more available at the Filmspotting Shop. ⁠⁠https://www.filmspotting.net/shop⁠⁠ Follow: ⁠⁠⁠https://www.instagram.com/filmspotting⁠⁠⁠ ⁠⁠⁠https://letterboxd.com/filmspotting⁠⁠⁠ ⁠⁠⁠https://facebook.com/filmspotting⁠⁠⁠ ⁠⁠⁠https://twitter.com/filmspotting⁠⁠⁠ ⁠⁠https://letterboxd.com/larsenonfilm⁠⁠  https://www.instagram.com/larsenonfilm  ⁠https://bsky.app/profile/larsenonfilm.bsky.social⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Stephen King es posiblemente el escritor más adaptado al cine. Ahora llega una nueva película sobre 'La larga marcha', la historia de esa macabra caminata en un EEUU distópico y totalitario. Es el gran estreno de la semana con permiso de Jennifer Lawrence. La actriz protagoniza 'Die my love', el salvaje thriller de Lynne Ramsay sobre la depresión posparto. Además charlamos con Harris Dickinson por su debut como director en 'Urchin' y repasamos los estrenos en español. Vuelve 'Todos los lados de la cama', hay mitología vasca en 'Gaua' y a Prime Video llega 'Belén', de Dolores Fonzi. En televisión comentamos los últimos estrenos, sí también la de Kim Kardashian, pero tenemos otras recomendaciones.

Jennifer Lawrence's breakthrough role in the 2010 drama Winter's Bone secured her first Academy Award nomination when she was just 20, and she won the Best Actress category two years later for Silver Linings Playbook. Since then, she has become one of the most prolific, critically acclaimed and highest paid actors in Hollywood as the star of The Hunger Games series and three X-Men movies. Other leading roles include American Hustle, Joy and, most recently, the psychological drama Die My Love.Jennifer talks to John Wilson about her childhood on her parents' farm in Kentucky. After being scouted by a modelling agency, she left school as a teenager and moved to New York to start working as a model and actor. She recalls how the film Taxi Driver, starring a young Jodie Foster, made a big impression on her as an aspiring actress and how Jodie Foster later became a role model when she directed Jennifer on the set of The Beaver. She also counts Gena Rowlands' performance in A Woman Under The Influence, written and directed by John Cassavetes, as an important inspiration, as well as working with directors David O Russell and Lynne Ramsay. Producer: Edwina PitmanArchive and film clips used:Uncle Buck, John Hughes, 1989 No Hard Feelings, Gene Stupnitsky, 2023 Taxi Driver, Martin Scorsese, 1976 Winter's Bone, Debra Granik, 2010 The Hunger Games, Gary Ross, 2012 American Hustle, David O Russell, 2013 Veep, Armando Iannucci, 2012 A Woman Under The Influence, John Cassavetes, 1974 Die My Love, Lynne Ramsay, 2025

Ein freistehendes Bürohaus in München wird zu einem Ort für Künstlerinnen. Die Vereinigung GEDOK hat die Räume bekommen und bietet sie Frauen als Ateliers an. Die Schriftstellerin Katja Lange-Müller wird mit dem Thomas-Mann-Preis ausgezeichnet und der Thriller "Die, My Love" von Lynne Ramsay startet in den Kinos.

THIS IS A PREVIEW PODCAST. NOT THE FULL REVIEW. Please check out the full podcast review on our Patreon Page by subscribing over at - https://www.patreon.com/NextBestPicture For this week's second podcast review, Ema Sasic, Dan Bayer, and Nadia Dalimonte join me to review and discuss the latest film from Lynne Ramsay, "Die My Love," starring Jennifer Lawrence, Robert Pattinson, Sissy Spacek, LaKeith Stanfield & Nick Nolte. The film follows Grace (Lawrence), a young mother who develops postpartum depression and, alongside her partner, Jackson (Pattinson), enters into psychosis. It had its world premiere in competition at the 2025 Cannes Film Festival, where it received generally positive reviews with many citing Lawrence's work as a career-best, highlighting her chemistry with Pattinson and Ramsay's hypnotic direction. What did we think of it? Please tune in as we discuss Ramsay's directorial choices, interpretations of Grace's descent into depression, the performances, the haunting ending, its awards season chances, and more in our SPOILER-FILLED review. Thank you for listening, and enjoy!  Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode, JD and Brendan discuss Lynne Ramsay's incredible new film DIE MY LOVE, starring a never-been-better Jennifer Lawrence!   Visit https://insessionfilm.com for merch and more!   Thanks for listening and be sure to subscribe! Become an ISF VIP today to get exclusive bonus content!   Follow us on X/Twitter! @InSessionFilm | @RealJDDuran | @BrendanJCassidy

It is all about melodrama this week. First we discuss Lynne Ramsay's spectacular new movie, Die My Love, starring Jennifer Lawrence and Robert Pattinson. Then we have a highlight from our guest appearance on The Ministry of Film podcast, where we talk about Brief Encounter, ahead of its re-release as part of the BFI's season "Too Much: Melodrama on Film". ReferencesListen to The Ministry of Film Disney's CEO Bob Iger on stepping down Lynne Ramsay on Die My Love BFI's Melodrama seasonManchester's Cultplex cinema-----------If you love what we do, please like, subscribe and leave a review!Edited and produced by Lily Austin and James BrailsfordOriginal music by James BrailsfordInstagram TikTokLetterboxdEmail us

Die My Love is a 2025 American black comedy-drama[under discussion] film directed by Lynne Ramsay, and written by Ramsay, Enda Walsh and Alice Birch, based on the 2012 novel Die, My Love by Ariana Harwicz. It follows Grace (Jennifer Lawrence), a young mother who develops postpartum depression and, alongside her partner, Jackson (Robert Pattinson), enters into psychosis. The supporting cast includes LaKeith Stanfield, Nick Nolte and Sissy Spacek.The film had its world premiere at the main competition of the 2025 Cannes Film Festival on May 17 2025, where it was nominated for the Palme d'Or and received generally positive reviews. It was theatrically released in the United States by Mubi on November 7. Hosted on Acast. See acast.com/privacy for more information.

Our latest guests on Soundtracking is Lynne Ramsay and music supervisor Raife Burchell who join us to discuss their collaboration on Lynne's latest film, Die My Love.  Starring Jennifer Lawrence, Robert Pattinson, Sissy Spacek and Nick Nolte, it tells the story of a writer and mother who slps into psychosis following the birth of her child after she and her husband move from New York to Vermont. Lynne herself contributed music to the film, alongside Raife and George Vjestica, and we're hugely grateful to Raife for providing it to us.

Kelsi and Trey dive into Yorgos Lanthimos's Bugonia—starring Jesse Plemons and Emma Stone—before switching gears to Lynne Ramsay's brutal new film Die My Love with Jennifer Lawrence and Robert Pattinson. We talk apocalyptic thrillers, strange sincerity, art-house madness, and why both films feel like we're staring into the end of the world. For more on Lanthimos and Pattinson check out our free episodes on Poor Things, The Batman, and more on our Patreon for free members below!Bugonia (17:40)Die My Love (01:34:35)⁠The Extra Credits YouTube Channel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Become a member of The Extra Credits+ on Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd: ⁠The Extra Credits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: The Extra Credits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Reddit: r/TheExtraCredits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠@theextracredits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter: ⁠@theextracredits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Send requests, questions, and thoughts to our email: extracreditspod@gmail.com

This week, Hanna chats to director Lynne Ramsay about DIE MY LOVE (08:57), her claustrophobic new portrait of a woman on a downward spiral, while we review the film alongside PREDATOR: BADLANDS (52:12), the first in the franchise where the Predator is the hero. Plus, in our HOT TAKE (01:12:36), is Guillermo del Toro's Frankenstein the best adaptation of Mary Shelley's classic? We weigh in. If you would like to donate directly towards humanitarian aid in Gaza please visit: MAPPre-Order Clarisse's Wes Anderson book ⁠here⁠Tweet us @FadetoBlackPod on Twitter or DM @FadeToBlackPodcast on Instagram, Blue Sky and Reddit: https://www.reddit.com/r/fadetoblackpodcast/Don't forget to subscribe, rate and review the podcast - it makes a difference! AMON: ⁠@Amonwarmann ⁠CLARISSE:  ⁠@clarisseloughrey⁠HANNA: ⁠@hannainesflint⁠Music by ⁠The Last Skeptik⁠

Sean and Amanda are joined by Rob Mahoney to cover a pair of new releases, but before diving in, they react to two new movie trailers for ‘Michael' and ‘The Testament of Ann Lee' and the news that a ‘Miss Piggy' movie from Cole Escola, Jennifer Lawrence, and Emma Stone is in development (0:53). Then, they unpack Guillermo del Toro's ‘Frankenstein,' starring Oscar Isaac and Jacob Elordi. They talk through the divisive reception to the film thus far, explain why the second half of the film is much stronger than the first, and hypothesize what its awards chances are (9:26). Finally, they cover Lynne Ramsay's new psychological thriller, ‘Die My Love,' starring Jennifer Lawrence and Robert Pattinson, which they all thoroughly enjoyed and view as Lawrence's best performance of her career (57:53). Hosts: Sean Fennessey and Amanda Dobbins Guest: Rob Mahoney Producer: Jack Sanders Learn more about your ad choices. Visit podcastchoices.com/adchoices

Blimey, this week's episode of the Empire Podcast is star-studded, and then some. First, Chris Hewitt chats with Die, My Love star, Jennifer Lawrence, and director Lynne Ramsay, about unpredictability on set and receiving an email from Martin Scorsese; then, he has a crash course in Yautja from Predator: Badlands stars Dimitrius Schuster-Koloamatangi and Elle Fanning; and then Alex Godfrey pops up to have a lovely natter with the stars of new drama, Anemone, Sean Bean and Daniel Day-Lewis, returning to acting after a long hiatus. Then, Chris is joined in the podbooth by Alex, James Dyer and, dialling in (hence the odd glitch here and there), Helen O'Hara to discuss just how much they want to see a Steven Soderbergh-directed Star Wars movie, which Ghostface they could take in a fight, the week's movie news (including resurrections for The Mummy, Gremlins, and Miss Piggy), and their thoughts on Predator: Badlands, The Choral, Anemone, and Die, My Love. Enjoy!

Blimey, this week's episode of the Empire Podcast is star-studded, and then some. First, Chris Hewitt chats with Die, My Love star, Jennifer Lawrence, and director Lynne Ramsay, about unpredictability on set and receiving an email from Martin Scorsese; then, he has a crash course in Yautja from Predator: Badlands stars Dimitrius Schuster-Koloamatangi and Elle Fanning; and then Alex Godfrey pops up to have a lovely natter with the stars of new drama, Anemone, Sean Bean and Daniel Day-Lewis, returning to acting after a long hiatus. Then, Chris is joined in the podbooth by Alex, James Dyer and, dialling in (hence the odd glitch here and there), Helen O'Hara to discuss just how much they want to see a Steven Soderbergh-directed Star Wars movie, which Ghostface they could take in a fight, the week's movie news (including resurrections for The Mummy, Gremlins, and Miss Piggy), and their thoughts on Predator: Badlands, The Choral, Anemone, and Die, My Love. Enjoy!

An auteur themed week with four distinct visionaries left to their own devices, but is that always a good thing? We're watching Dan Trachtenberg shape several franchises with Predator: Badlands. Guillermo del Toro's 30 year in the making Frankenstein comes to life. Vince Gilligan is back in action with Pluribus. Lynne Ramsay teams up with Jennifer Lawrence and Robert Pattinson for Die My Love. Find us at:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ www.werewatchingwhat.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/werewatchingwhat⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠youtube.com/thedhk⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/thedhk⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠facebook.com/thedhkmovies⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠tiktok.com/werewatchingwhat⁠⁠⁠⁠⁠⁠⁠

Dave and Megan are a duo again this week, and they get down to it on PREDATOR: BADLANDS (3:29), the latest, and, in their estimation, largely successful attempt to prolong the life of the PREDATOR franchise. P:B is kind of silly and even cute in places, but the dynamic duo are largely here for it. (Megan is super here for it!) Then they get into DIE, MY LOVE (28:34), director and co-writer Lynne Ramsay's latest. Featuring strong performances from Jennifer Lawrence and Robert Pattinson, Megan and Dave dive deep to dissect just what's going on in this movie. And they also try to figure out just what's going on in this movie, in which Lawrence plays a young mother seemingly falling apart at the seams - but there's a lot of imagery in here that's dreamlike, and...eh, you tell us: What happened? (Dave here: Pretty sure Megan followed this picture better than I did.) Over on Patreon, we talk about Clint Eastwood's 1973 revenge western HIGH PLAINS DRIFTER.

On Truth & Movies this week, we discuss Train Dreams, directed by Clint Bentley and starring Joel Edgerton, who joined us to talk about the role. We also review Die My Love, directed by Lynne Ramsay. Finally, for Film Club, we revisit John Cassavetes' A Woman Under The Influence.Joining host Leila Latif are Laura Venning and Fatima Sherriff.Email: truthandmovies@tcolondon.comBlueSky and Instagram: @LWLiesProduced by TCO Hosted on Acast. See acast.com/privacy for more information.

Hope Hopkinson talks to director Lynne Ramsay about her new film, Die My Love, in cinemas now.  Grace (Jennifer Lawrence) and her partner Jackson (Robert Pattinson) have recently moved into an old house deep in the country, welcoming a baby soon after.  However, with Jackson frequently – and suspiciously – absent, and the pressures of domestic life starting to weigh on her, Grace begins to unravel, leaving a path of destruction in her wake.  From renowned filmmaker Lynne Ramsay, Die My Love is a visceral and uncompromising portrait of a woman engulfed by love and madness.  Subscribe on Apple Podcasts. Follow us on Spotify. Find us on Twitter, Facebook and Instagram with @picturehouses. Find our latest cinema listings at picturehouses.com.  Produced by Stripped Media. Thank you for listening. If you enjoy the show, please subscribe, rate, review and share with your friends. Vive le Cinema.

This is one mother of a Movie Squad episode. Tristan Fidler and Simon Miraudo once again join Brekky host Pam Boland to tell her about what's playing in cinemas (this week, it's films with a maternal edge). But first, Pam shares her thoughts on the Marlon Williams documentary Two Worlds – Ngā Ao E Rua. Then, Tristan reviews Die My Love, an explosive drama about postpartum depression that sees Jennifer Lawrence and Robert Pattinson team up with director Lynne Ramsay. Simon follows that up with a review of the dread-inducing Dragonfly, part of the 2025 British Film Festival, which stars Brenda Blethyn as an elderly woman being cared for by her odd duck of a neighbour, played by Andrea Riseborough. Stay tuned for Tristan's pod-exclusive review of the extremely stressful comedic drama If I Had Legs I'd Kick You, starring Rose Byrne as a mother on the brink and Conan O'Brien as her uncaring therapist. It opens in Australian cinemas next week. Be sure to tune in to RTRFM every Friday at 7:30am to hear Movie Squad live on Breakfast with Pam! And find out more about Tristan's Trash Classics screenings at Luna Cinemas on the last Friday of every month here. Movie Squad is sponsored by Luna Palace Cinemas, WA's premiere independent cinemas, bringing the best film content and cinematic events to Perth.

After reading Ariana Harwicz's novel “Die, My Love” in his book club, Martin Scorsese sent a copy to Jennifer Lawrence, telling her he imagined her as the main character. Now, the Oscar-winning actor stars alongside Robert Pattinson in a new film adaptation of the novel, directed by Lynne Ramsay. The story follows a young mother struggling with her mental health after the birth of her first child. As a new mother herself, Jennifer decided this was the right project for her to jump back into acting following a break from Hollywood. She joins Tom Power to tell us how she mentally prepared for this harrowing role, how she doesn't let her teen fame past define her, and why she stepped away from the spotlight after she started feeling more like a celebrity than an actor.

Some exciting news — The Take is now on Patreon: www.patreon.com/kermodeandmayo. Become a Vanguardista or an Ultra Vanguardista to get video episodes of Take Two every week, plus member‑only chat rooms, polls and submissions to influence the show, behind‑the‑scenes photos and videos, the monthly Redactor's Roundup newsletter, and access to a new fortnightly LIVE show — a raucous, unfiltered lunchtime special with the Good Doctors, new features, and live chat so you can heckle, vote, and have your questions read out in real time. It's a pretty special week for guests over here in Take town. We're welcoming debut filmmaker Ronan Day-Lewis, and his dad who's come with him and is apparently quite famous or something? Yes, that's Sir Daniel Day-Lewis, star and co-writer of ‘Anemone'—the father-son co-created drama that has brought him out of retirement. Day-Lewis stars as reclusive and damaged former soldier Ray, who reconnects with his brother Jem (Sean Bean) after years in the wilderness. The pair unpack the film with Simon—including how a 16th Century manuscript partially inspired it, their family history in Ireland, and what it was like to write and shoot an intense father-son story as a real life father-son team. Mark reviews it too, along with three more big movies you can head down to the cinema to watch this weekend—code compliantly, obvs. First up, ‘Predator: Badlands'—the latest instalment in this very loooong running sci-fi action franchise which the classic villain turns hero and the hunter turns hunted. In calmer territory, we've got ‘The Choral' too—a cosy drama about a Yorkshire village choir during WWI, led by controversial new conductor Dr. Henry Guthrie (Ralph Fiennes). And finally, the new and long-awaited Lynne Ramsay film ‘Die My Love'—a dark family drama starring Jennifer Lawrence and Robert Pattinson. Reckon Mark's going to be excited about this one... All the usual email excellence, bantz, rantz, and everything you've come to expect from a top Take too. AND Don't miss our upcoming LIVE Christmas Extravaganza at London's Prince Edward Theatre on 7th December. Tickets here: fane.co.uk/kermode-mayo Timecodes (for Vanguardistas listening ad-free) Predator: Badlands Review: 11:33 BO10: 19:21 Daniel Day-Lewis & Ronan Day-Lewis Interview: 29:13 Anemone Review: 30:30 Laughter Lift: 57:21 The Choral Review: 1:02:41 Die My Love Review: 1:12:44 You can contact the show by emailing correspondence@kermodeandmayo.com or you can find us on social media, @KermodeandMayo Please take our survey and help shape the future of our show: https://www.kermodeandmayo.com/survey EXCLUSIVE NordVPN Deal ➼ https://nordvpn.com/take Try it risk-free now with a 30-day money-back guarantee! A Sony Music Entertainment production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us @sonypodcasts To advertise on this show contact: podcastadsales@sonymusic.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Film Die My Love s Jennifer Lawrence a Robertem Pattinsonem jde do českých kin. Britská režisérka Lynne Ramsay svoji novinku natočila jako psychothriller kombinovaný s černou komedií. „Celkově film není úplně líbivou podívanou. Ta je ale zároveň odlehčovaná nebo minimálně zpestřovaná velmi černým a velmi pronikavým humorem,“ popisuje filmový kritik Pavel Sladký. „Z hlediska psychologické studie půjde u jednu z nejpronikavějších rolí Jennifer Lawrence,“ míní.

It's a fresh new config this week, as Peter and Anahit review a trio of new films – the feral, intense Die My Love; the melancholic, Malick-esque Train Dreams; and Alpha, which is also out soon :| We're a lean, mean reviewin' machine, so strap in for talk about The National, us being infatuated with and scared of Jennifer Lawrence, Peter getting Gene Wilder and Billy Wilder mixed up, and lots of chat about a film we didn't much care for. CHAPTERS: What We've Been Watching (1:30) Train Dreams review (8:25) Alpha review (15:00) Die My Love review (27:55) If you like The Cineskinny, tell your pals! Leave us a five-star review! Share the episode on socials! Follow us on Instagram @thecineskinny, email us at cineskinny@theskinny.co.uk Music: Too Cool by Kevin MacLeod  (https://incompetech.filmmusic.io/song/4534-too-cool) License: https://filmmusic.io/standard-license

"Die My Love" is the latest film from acclaimed filmmaker Lynne Ramsay, written by Ramsay, Enda Walsh, and Alice Birch, based on the 2012 novel "Die, My Love" by Ariana Harwicz. It follows Grace (Jennifer Lawrence), a young mother who develops postpartum depression and, alongside her partner Jackson (Robert Pattinson), enters psychosis. The film had its world premiere at the main competition of the 2025 Cannes Film Festival, where it was nominated for the Palme d'Or and received positive reviews for Lawrence's performance and Lynne's filmmaking. Ramsay and Lawrence were both kind enough to spend a few minutes speaking with us about their work and experiences making the film, which you can listen to below. Please be sure to check out the film, which will be released in theaters on November 7th by MUBI. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

The award-winning Scottish writer Alan Warner's new and specially commissioned story sees an antiques expert off the telly – Harry Swithenback – arrive in at this unnamed harbour town for what he hopes is a few days of rest and relaxation, however, the townspeople have other ideas. Stuart McQuarrie reads.Alan Warner, who as was born in Oban on the west coast of Scotland in 1964, is the author of several novels including: Morvern Callar (1995), which won the Somerset Maugham Prize and was adapted for the cinema by director Lynne Ramsay in 2002. It is published as a Vintage Classic. He also wrote These Demented Lands (1997), which won the Encore Award and The Sopranos/Our Ladies, (1998), which won the Saltire Book of the Year Award. His novel The Stars in the Bright Sky from 2010 was longlisted for the Man Booker Prize.Stuart McQuarrie is a television, film and theatre actor who has appeared in shows such as Taggart, Rab C Nesbitt, London's Burning and Silent Witness. In film, he's also had notable roles in 28 Days Later, Terminator: Dark Fate and White Bird.The producer is Dominic Howell.

In this 100th episode, we welcome two-time Oscar nominated cinematographer Seamus McGarvey, ASC, BSC. Seamus has shot films including High Fidelity, The Hours, Atonement, The Soloist, We Need to Talk About Kevin, The Avengers, Anna Karenina, Fifty Shades of Grey, Nocturnal Animals, The Accountant, The Greatest Showman, and Die My Love. In our chat, Seamus shares his origin story, about his longtime collaboration with Lynne Ramsay, insights into shooting on 35mm, and about the making of Die My Love. He also offers recommendations for the next generation of creators.“The Making Of” is presented by AJA:UDC-4K: More than just an average 12G-SDI and HDMI up/down/cross converterAJA's newest Mini-Converter boasts powerful 12G-SDI and HDMI 2.0 I/O, 4K/UltraHD/2K/HD scaling, frame sync, frame rate conversion, and more. Unlocking an expansive range of conversion possibilities, UDC-4K enables teams to get disparate sources into a common format and timing reference. Explore how UDC-4K solves some of the most common production and post challenges.TMO Presents…The Making Of “Halloween”: An Exclusive Evening with Dean Cundey, ASC, CSCWednesday, Oct. 29 | Los Angeles Join us in-person for a conversation with legendary cinematographer Dean Cundey, ASC, CSC as he discusses his work on the landmark horror film!ZEISS Cinema Showroom | 5:00 - 8:00pm PDTFree tickets available hereNext-Gen DIY Storage, UnleashedThe OWC Express 1M2 80G delivers over 6000 MB/s real-world performance using the latest USB4 v2 (80 Gb/s) interface, with Thunderbolt 5 compatibility for next-gen workflows. Choose a ready-to-run or DIY enclosure—upgradeable to 8 TB using NVMe M.2 SSDs. Its passive heatsink design ensures silent, consistent speeds, all in a bus-powered, palm-sized form factor. Explore hereIntroducing Ninja TX:Introducing Ninja TX, the all-new addition to the Ninja family. It's equipped with 12G-SDI and HDMI, so now you can monitor & record from any pro camera to ultra-fast CFexpress media or external USB-C storage. You also get built in Wi-Fi for C2C workflows and AirGluTM timecode for multicam projects, all in a lightweight, compact 5-inch form factor. Atomos Ninja TX is available for pre-order for only $999 at Videoguys.com. Learn more hereVimeo NYC Event:Thursday, Oct. 23 | Florence Gould TheaterA night of inspiring Vimeo Staff Picks + live filmmaker commentary!6:30pm Doors7:30 - 9pm Films + commentary 9:00 - 11pm Reception - free drinks + bites!Free Passes herePost|Production World NY 2025:We're proud to support Post|Production World NY 2025, October 22–23 at NAB Show New York. Join editors, filmmakers, and creators for two days of expert-led sessions in color grading, cinematography, workflows, and creative AI. Save 15% with code FMCP15. Get your pass herePodcast Rewind:Oct 2025 - Ep. 99…Advertise in “The Making Of” and reach 250K filmmakers, TV production pros, and content creators each week. For more info, email mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe

21 Besprechungen in nicht mal eineinhalb Stunden - ja sind wir denn hier beim Film-Speeddating? Nö, es steht nur die wieder die inzwischen dritte Programmkinovorschau der Kinotagesstätte an. Ecce, Marius und Christian stellen vor, was sie zuletzt auf Festivals gesehen und demnächst das Licht der (kleineren) Kinoleinwände erblicken wird. Darunter der neue Film von Chloé Zhao, Yorgos Lanthimos, Lynne Ramsay und Kelly Reichardt. Viel Spaß beim Reinhören! Timecodes: 00:00:00 Intro 00:07:43 After the Hunt 00:15:22 The Mastermind 00:17:40 Ping Pong Paradise 00:18:26 Frankenstein 00:20:10 Das Verschwinden des Josef Mengele 00:28:45 Bugonia 00:33:42 How to Make a Killing 00:36:35 The Change 00:40:41 Die, My Love 00:44:29 Mit Liebe und Chansons 00:45:46 Sentimental Value 00:49:34 Eternity 00:52:44 Sorry, Baby 00:53:05 Der Fremde 00:54:43 Hamnet 00:58:01 Ein einfacher Unfall 01:02:13 Lesbian Space Princess 01:08:26 Silent Friend 01.10:32 Alpha 01:17:08 Arco 01:19:19 No Other Choice 01:22:35 Kinokassen-Wette

Estas son las noticias del cine, series y cultura pop que no te puedes perder.

30 years after Mel Gibson's Braveheart cloaked Hollywood in fake tartan, Ellen E Jones and Mark Kermode take the high roads and the low roads to look for the real Scotland on screen.Ellen talks with Tayside journalist Kayleigh Donaldson about the trouble with Braveheart, why veteran Scottish director Bill Forsyth's hyper local comedy dramas Local Hero, Gregory's Girl, and That Sinking Feeling have such international appeal, and why movies such as Ben Sharrock's Limbo tell a different kind of story about Scotland.Comedian and writer Frankie Boyle tells Ellen why Gregory's Girl is one of Scotland's most beloved films, why Lynne Ramsay's New York City based thriller You Were Never Really Here starring Joaquin Phoenix as a violent mercenary feels so Scottish, and his reservations about Danny Boyle's Trainspotting.Mark reconnects with legendary Scottish actor and star of Succession Brian Cox who has returned to Scotland to make his directorial debut Glenrothan. They discuss Brigadoon, Braveheart (which starred Brian Cox), cultural neglect, and the Powell & Pressburger classic movie set on the Isle of Mull, I Know Where I'm Going.Producer: Freya Hellier A Prospect Street production for BBC Radio 4

In front of an audience in the Campari Lounge at the Cannes Film Festival, the legendary Oscar winner reflects on her journey from small-town Texas to Hollywood; her iconic New Hollywood performances in 'Badlands,' 'Carrie,' 'Three Women' and 'Coal Miner's Daughter'; and playing Jennifer Lawrence's mother-in-law in Lynne Ramsay's new film about a woman experiencing severe post-partum depression. Learn more about your ad choices. Visit megaphone.fm/adchoices

Cannes 2025 has arrived—and you can count on our on-the-Croisette crew of Film Comment contributors to cut through the noise with thoughtful dispatches, interviews, and Podcasts. This year's festival is packed with exciting premieres, including new films from Richard Linklater, Lynne Ramsay, Spike Lee, Bi Gan, Julia Ducournau, Wes Anderson, and many more. For our fifth episode from the French Riviera, Film Comment Editor Devika Girish is joined by critics Abby Sun, Beatrice Loayza, and Giovanni Marchini Camia to discuss some late-festival premieres, including Joachim Trier's Sentimental Value, Carla Simón's Romería, Oliver Hermanus's The History of Sound and Nadav Lapid's Yes. Subscribe today to The Film Comment Letter for a steady stream of Cannes coverage, providing everything you need to know about the 2025 edition.

Cannes 2025 is in full swing—and you can count on our on-the-Croisette crew of Film Comment contributors to cut through the noise with thoughtful dispatches, interviews, and Podcasts. This year's festival is packed with exciting premieres, including new films from Richard Linklater, Lynne Ramsay, Spike Lee, Bi Gan, Julia Ducournau, Wes Anderson, and many more. For our seventh episode from the film world's grandest event, Film Comment Editor Devika Girish is joined by critics Kong Rithdee (back by popular demand!) and Inney Prakash to debate two recent premieres from legendary auteurs: Jafar Panahi's It Was Just an Accident (2:33) and Lav Diaz's Magellan (14:12). Next, the group discusses one of the highlights of this year's Cannes Classics section, T'ang Shu Shuen's 1968 film The Arch (23:14), before turning to Ratchapoom Boonbunchachoke's A Useful Ghost (29:09), which just won the Grand Prize at Cannes Critics' Week. Subscribe today to The Film Comment Letter for a steady stream of Cannes coverage, providing everything you need to know about the 2025 edition. Note: Around 18:00, we experienced some equipment problems that resulted in slight glitches on the audio track. We apologize for the inconvenience.

Ep. 319: Eric Hynes on Die My Love, The Love That Remains, The Chronology of Water, Imago Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. I'm back at the Cannes Film Festival to talk about the highlights with another all-star cast of guests. This episode we sat down again with intrepid regular Eric Hynes of the Jacob Burns Film Center to catch up with a few richly realized movies: Die My Love (directed by Lynne Ramsay, starring Jennifer Lawrence, Robert Pattinson, Sissy Spacek), The Love That Remains (Hlynur Palmason), The Chronology of Water (Kristen Stewart), and the documentary Imago (Déni Oumar Pitsaev). After we recorded, Imago won the Jury Prize in its section, Critics' Week. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Cannes 2025 has arrived—and you can count on our on-the-Croisette crew of Film Comment contributors to cut through the noise with thoughtful dispatches, interviews, and Podcasts. This year's festival is packed with exciting premieres, including new films from Richard Linklater, Lynne Ramsay, Spike Lee, Bi Gan, Julia Ducournau, Wes Anderson, and many more. For our sixth episode from the French Riviera, Film Comment Editor Devika Girish is joined by critics and FC stalwarts Miriam Bale, Robert Daniels, and Jessica Kiang to discuss their recent viewing at the fest, including Spike Lee's Highest 2 Lowest, Julia Ducournau's Alpha (23:09), Akinola Davies Jr.'s My Father's Shadow, and Hlynur Pálmason's The Love That Remains (49:25). Subscribe today to The Film Comment Letter for a steady stream of Cannes coverage, providing everything you need to know about the 2025 edition.

Cannes 2025 has arrived—and you can count on our on-the-Croisette crew of Film Comment contributors to cut through the noise with thoughtful dispatches, interviews, and Podcasts. This year's festival is packed with exciting premieres, including new films from Richard Linklater, Lynne Ramsay, Spike Lee, Bi Gan, Julia Ducournau, Wes Anderson, and many more. For our fifth episode from the French Riviera, Film Comment Editor Devika Girish is joined by critic Kong Rithdee and scholar Neta Alexander to discuss some of the most highly anticipated premieres to screen to date, including Christian Petzold's Mirrors No. 3 (2:30), Sebastián Lelio's The Wave (16:50), and Kleber Mendonça Filho's The Secret Agent (27:14). Subscribe today to The Film Comment Letter for a steady stream of Cannes coverage, providing everything you need to know about the 2025 edition.

Cannes 2025 has arrived—and you can count on our on-the-Croisette crew of Film Comment contributors to cut through the noise with thoughtful dispatches, interviews, and Podcasts. This year's festival is packed with exciting premieres, including new films from Richard Linklater, Lynne Ramsay, Kleber Mendonça Filho, Spike Lee, Bi Gan, Julia Ducournau, Wes Anderson, and many more. For our fourth episode from the sunny shores of southern France, Film Comment contributor Mark Asch and critics Kong Rithdee, and Isabel Stevens join Editor Devika Girish to discuss some of the festival's buzziest titles, including Kristen Stewart's The Chronology of Water (3:35), Lynne Ramsey's Die My Love (12:00), Richard Linklater's Nouvelle Vague (29:22), and Harris Dickinson's Urchin (40:35). Subscribe today to The Film Comment Letter for a steady stream of Cannes coverage, providing everything you need to know about the 2025 edition.

Cannes 2025 has arrived—and you can count on our on-the-Croisette crew of Film Comment contributors to cut through the noise with thoughtful dispatches, interviews, and Podcasts. This year's festival is packed with exciting premieres, including new films from Richard Linklater, Lynne Ramsay, Kleber Mendonça Filho, Spike Lee, Bi Gan, Julia Ducournau, Wes Anderson, and many more. For our third episode from the sunny shores of southern France, Film Comment contributors Mark Asch and Beatrice Loayza join Editor Devika Girish to unpack two of the most go-for-broke selections to screen so far—Oliver Laxe's Sirât (2:25) and Ari Aster's Eddington (21:20)—before turning to the more modest charms of Hafsia Herzi's The Little Sister (41:20). Subscribe today to The Film Comment Letter for a steady stream of Cannes coverage, providing everything you need to know about the 2025 edition.

Cannes 2025 has arrived—and you can count on our on-the-Croisette crew of Film Comment contributors to cut through the noise with thoughtful dispatches, interviews, and Podcasts. This year's festival is packed with exciting premieres, including new films from Richard Linklater, Lynne Ramsay, Kleber Mendonça Filho, Spike Lee, Bi Gan, Julia Ducournau, Wes Anderson, and many more. For our second Podcast from the French Riviera, Isabel Stevens and Thomas Flew from Sight and Sound sit down with Film Comment Editor Devika Girish to discuss Mission: Impossible – The Final Reckoning, the purported final installment of the long-running action series. To set things up, Isabel talks about her recent career-spanning interview with Tom Cruise, the cover story of the latest issue of Sight and Sound, before the group leans into the high-octane pyrotechnics of the film. Next, they turn to two other hotly anticipated premieres: Two Prosecutors (19:55), from Ukrainian auteur Sergei Loznitsa, and Left-Handed Girl (32:20), directed by longtime Sean Baker–collaborator Shih-Ching Tsou. Subscribe today to the Film Comment Letter for a steady stream of Cannes coverage, providing everything you need to know about the 2025 edition.

Cannes 2025 has at last arrived—and while news of standing ovations and walkouts, throwaway raves and pans, spit takes and hot takes flood your feed, you can count on our on-the-Croisette crew of Film Comment contributors to cut through the noise with thoughtful dispatches, interviews, and Podcasts. This year's festival is packed with exciting premieres, including new films from Richard Linklater, Lynne Ramsay, Kleber Mendonça Filho, Spike Lee, Bi Gan, Julia Ducournau, Wes Anderson, and many more. To kick off our patented daily Cannes Podcasts, Film Comment Editor Devika Girish gathered FC Podcast veterans Jonathan Romney and Guy Lodge to discuss the first day's offerings. Jonathan begins by describing the Opening Night selection, Amélie Bonnin's Leave One Day (7:00), before the group debates other early festival premieres like Robin Campillo's Enzo (11:20) and Mascha Schilinski's Sound of Falling (22:17).

Qatar plans to give President Trump a plane to use as Air Force One, which even some supporters say crosses a line. But the appearance of corruption doesn’t stop there. The Trump administration gave refugee status to white South Africans, despite no evidence they face more danger than Black South Africans.  “Uptown Girl” Christie Brinkley is out with a new biography about becoming the biggest model of the 1980s. The Cannes Film Festival kicks off today. There’s a new “Mission: Impossible” and films from Spike Lee, Ari Aster, and Lynne Ramsay.

The 2025 Cannes Film Festival kicks off today...and the question on everyone's mind is: what will be the great movies? Mostly, people look to the Cannes Competition (the films that compete for the Palme d'Or) to find the best films. But it's a lesser-known fact that many amazing films screen in the festival's sidebars. And many of the best films in cinema history have screened in the festival's sidebars. In fact, Chantal Akerman's Jeanne Dielman, which was named the greatest film of all time in the 2022 Sight & Sound poll did not screen in competition! It screened in the Directors' Fortnight. So on today's episode, Alex peels back the curtain on how all the different parts of the Cannes Film Festival work together. And she talks about the amazing films you've heard of (and some you probably haven't) that have screened outside the festival's competition. And she talks about some of the films she's excited for this year. Finally, Alex talks about some of the films she's excited for in this year's competition, and how they were already making fantastic films years ago that were hiding out in the festival's sidebars. *** Become a Seventh Row Insider to stay updated on the best films at Cannes this year and in past years that you might not otherwise stumble upon *** Interested in picking up Seventh Row's ebooks on Lynne Ramsay, Joachim Trier, Joanna Hogg, Debra Granik, or Céline Sciamma? They're available exclusively on Seventh Row. Peruse the collection here: http://seventh-row.com/ebooks Listen to the Women at Cannes Podcast Season Listen to the Women at Cannes episode on Kelly Reichardt For detailed show notes, visit https://seventh-row.com/2025/05/13/ep-171-navigating-cannes-beyond-the-competition/