Podcasts about berlinale

Show Notes: Tanya Selvaratnam shares her journey from high school to present day. She moved to New York after graduating and worked at Columbia Law School's Center for Chinese Legal Studies. She also assisted Anna Deavere Smith on her show “Twilight: Los Angeles, 1992” about the LA riots. Tanya went back to Harvard for graduate school, studying Chinese language and the history of law. An Adventure in Theatre  After her father passed away, she returned to New York, where she was working on the Beijing Women's Conference. Wandering the streets one day, she came across The Performing Garage with a poster on the wall for a show by the Wooster Group. On a whim, she slipped a note on the door offering to help in any capacity and was taken on as an intern. Before long, she was asked to come to rehearsals, and, despite having no intentions of becoming a performer, this led to her performing with the Wooster Group. She toured all over the world with them and with other companies like the Builders Association. On Becoming a Film Producer Currently, Tanya writes books and makes movies. She also advises various organizations, foundations, and corporations. She recently started advising the Open Future Lab in Vienna, Austria. She has also worked as a producer, which began when she worked at the Ms. Foundation for Women, on what was then called "Take Our Daughters to Work Day" as well as the Gloria awards. She also worked with Jed Weintrob, whom she had met at Harvard when she was in his production of “Dracula.” In the late 90s, Jed asked her to produce a movie he was writing at the time. It went on to premiere at Sundance and then the Berlinale in 2002. This led to more work as a producer, and Tanya is still currently producing.  The Connection between Event Organizer and Film Producer Tanya shares her experiences in organizing events since high school. While at Phillips Academy Andover, she was the head of the South Asian Students Association and served on the divestment committee during apartheid days. She organized events like readings of poetry, essays, and performances to raise awareness about activism and advocacy. After college, she also organized events for the youth tent at the Women's Conference in China, where she performed a piece called "Wet Sari Syndrome," which was a take on Bollywood movies. Tanya learned the craft of producing films directly from her friend and trusted colleague, Jed. She was willing to work hard, focusing on tasks such as finding locations, cleaning up the set, and figuring out what needed to happen to make the film come together. Tanya was able to tap into her resources and connections to make shoots possible and be attentive to Jed's vision. Dealing with Difficult Times The conversation turns to her experience with bullying and harassment, which she has faced in various situations. She deals with this by focusing on her tasks and work. Tanya goes to Portland to write and escape from these situations, as it provides a safe space to escape the pressures of life. She also talks about her two books, The Big Lie: Motherhood, Feminism, and the Reality of the Biological Clock, which grew out of her own struggles with fertility and Assume Nothing: A Story of Intimate Violence. When dealing with fertility issues, Tanya was shocked at the amount of misinformation surrounding fertility awareness. She talks about the problems with sex education in America and how the book changed when she was diagnosed with two types of cancer. In her second book, she shares her experiences of being entrapped in an abusive relationship with former Attorney General Eric Schneiderman. She explains why she was motivated to write the book and why she went into hiding after her story first became public. Working with Cultural Institutions Tanya has also worked on cultural events around the world, such as at the Rubell Museum in Miami, the Women's Conference in China, with Anna Deavere Smith and the Wooster Group. She has collaborated with major institutions and museums, such as the Brooklyn Academy of Music, Barbican in London, and Victoria Theatre in Singapore. She toured to 62 cities all over the world in a space of 12 years. She's also worked with the Sundance Film Festival and the New York Film Festival. She talks about The Federation, an organization that aims to show how art unites people and keeps cultural borders open. She recently worked with Carrie Mae Weems at the Torino book fair in Italy.  Co-directing and Producing a Documentary Short Tanya co-directed and produced a 13-minute documentary short called Love to the Max, which was acquired by the New Yorker magazine and recently nominated for an Emmy Award for Outstanding Documentary Short. The film was inspired by the mother of Max Briggle, who was targeted for loving and supporting her trans kid. Tanya was inspired to make the film after Max Briggle's mother reached out to a women's listserv for help because she'd been approached by child protection services. Tanya has also been working with Catherine Gund for 17 years, producing a film called Paint Me a Road Out of Here, which is about the interconnected journeys of artists Faith Ringgold and Mary Baxter. She is also working on a new book called Love Me and Leave Me, which is about adventures through intimate pleasure and intimacy in many forms. Influential Harvard Professors and Courses Tanya initially thought she would study science at Harvard but found the large classes to be lacking in intimacy. She became interested in Chinese history and legal history, taking classes with visiting scholars and professors like Chang Weijen, William Alford, Professor Kuhn, and Professor Bol; Caroline Reeves, a graduate student, helped her decide what to explore for her thesis. Timestamps: 05:38: Transition to Producing and Social Justice Work  13:22: Challenges and Learning in the Film Industry  20:28: Personal Struggles and Advocacy  34:07: Work with Museums and Cultural Institutions  37:11: Future Projects and Reflections  41:10: Harvard Experiences and Influences  Links: Website: Tanyaturnsup.com LinkedIn: https://www.linkedin.com/in/tanyaauthor/ Featured Non-profit: The featured non-profit of this episode of The 92 Report is recommended by Olu  Ajilore, class of ‘92, who reports: “The featured nonprofit of this episode of The 92 report is the American Foundation for Suicide Prevention, or AFSP. AFSP is a volunteer organization that supports those affected by suicide through research, education and advocacy. I've worked with our local chapter of AFSP raising funds with their annual out of the darkness walks, and I'm proud to serve on the Scientific Council for AFSP. You can learn more about their work@afsp.org.”   To learn more about their work, visit: afsp.org      

Berlinale, Cannes oder auch die Oscars – man kennt sie, man mag sie: Die großen Filmpreise des Jahres bieten eine Menge Stars und die scheinbar wichtigsten Auszeichnungen der Filmwelt. Die Kinotagesstätte, euer Podcast der cineastischen Kuriositäten (und damit meine ich nicht nur die Hosts), kramt in der heutigen Folge drei Filmpreiskonzepte hervor, die vielleicht mehr zu bieten haben als auf dem ersten Blick sichtbar wird. Und weil die Recherche gar nicht mal so erfolgreich war wie gedacht, pitchen wir zum Schluss noch drei Preise die es schon längst hätte geben sollen. // Audioausschnitt aus "Kanye West stürmt die Bühne bei den MTV Video Music Awards" (2009) Timecodes: 00:00:00 Einleitung 00:04:14 Palm Dog Award 00:21:07 Golden Trailer Award 00:36:23 Springfield Film Festival 00:49:37 Wir wünschen uns Filmpreise

In una Berlino ancora ferita dalla guerra, il 6 giugno 1951 si accendono i riflettori sulla prima Berlinale. Un viaggio tra cinema e storia: dalle poltrone del Titania-Palast al misterioso passato del suo direttore, Alfred Bauer. Tra macerie e sogni, nasce uno dei festival cinematografici più importanti al mondo. Un podcast scritto e raccontato da Martina Di Gesu. Fonti - 1st Berlin International Film Festival, Berlinale, https://www.berlinale.de/en/archive/yearbooks/1951.html. - Berliner Filmfestspiele | Wochenschaubericht von der 1. Berlinale im Juni 1951, CHRONOS-MEDIA History, 17 giugno 1951, https://www.youtube.com/watch?v=8bktj0hhwo8. - Berlino anno 1951, Archivio Luce, 22 giugno 1951, https://www.youtube.com/watch?v=84EfJYvEA9E. - Storia, Cinema & Berlinale, 10 marzo 2025, https://www.berlinfilmfestival.it/storia/. - The Alfred Bauer Case, Berlinale, autunno 2022, https://www.berlinale.de/en/archive/alfred-bauer.html.

“Aragoste a Manhattan” – o “La Cocina”, per i puristi – è il nuovo film di Alonso Ruizpalacios, dal 5 giugno al cinema grazie a Teodora Film. Dopo la Berlinale 2024 e l'apertura del FESCAAAL 2025 arriva finalmente anche da noi questa straordinaria opera di denuncia e poesia visiva.Niente food porn: “La Cocina” è un'immersione claustrofobica nel ventre di una cucina a Times Square, dove il cibo è solo un pretesto per raccontare la fragilità dei sogni, l'oppressione del lavoro e l'umanità invisibile che tiene in piedi il sistema.Pedro (Raúl Briones), cuoco messicano senza documenti, è innamorato della cameriera Julia (Rooney Mara), ma il loro amore è fragile quanto il loro status. Quando spariscono dei soldi dalla cassa, la cucina diventa un girone dantesco di tensioni razziali e sociali.Girato in bianco e nero con lampi improvvisi di colore, “La Cocina” è un balletto frenetico di piani sequenza e inquadrature claustrofobiche. La sua bellezza estetica amplifica il valore politico e sociale: un'aspra critica a un capitalismo che dilania e mal digerisce sogni, corpi e passioni, lasciando solo stanchezza e alienazione.Le aragoste diventano quindi simbolo grottesco di un lusso disumanizzante, mentre sullo sfondo si muove una vera e propria sinfonia del caos, orchestrata tra sudore, speranza e silenzi soffocati.

Today on What's My Frame I'm joined by Catriona McKenzie; an award-winning critically acclaimed Indigenous director and writer of both film and television. In this beautiful episode Catriona shares how discovering her roots, honored and inspired her creativity. Catriona has made her mark directing dramatic, action-packed episodes, including ECHO, THE BOYS, RESCUE: HI SURF, PERCY JACKSON and BONDSMAN to name a few. Catriona heralded 2012 independent action-adventure drama film Satellite Boy tells the story of a young Aboriginal boy struggling to maintain the traditions of his heritage in the modern world after a mining company expands into the region. The film won multiple awards as various prestigious festivals including the Berlinale, and was nominated for the Australian Academy of Cinema and Television Award (AACTA) for Best Film. She received a second AACTA nomination for her work on the Australian television series Kiki and Kitty. Raised in Sydney and currently based in Los Angeles, she is a member of both the Directors Guild of America and the Australian Directors Guild and a recipient of the ADG/DGA Finders Series Awards. Dedicated to developing emerging filmmakers, McKenzie has mentored in various film education initiatives including the Sundance Native Lab. As an adoptee and member of the Australian Aboriginal Gunai-Kurnai tribe, she credits her upbringing and wide-ranging life experience with developing a keen eye for people and their stories.Follow Catriona on Instagram @catrionamckenzie*FIRST NATIONS SPOTLIGHT: NEW SOUTH WALES FILMMAKER CATRIONA MCKENZIE*Catriona McKenzie Talks Directing ‘The Boys' & Her Approach to Different Projects--What's My Frame, hosted by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Laura Linda Bradley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join the WMF creative community now!Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? official site⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Danny and Michael Philippou — the breakout directors behind Talk to Me, A24's highest-grossing horror hit — return to the world of supernatural terror with Bring Her Back. In this episode of Talking Strange, host Aaron Sagers talks with the Australian twin filmmakers about their new movie's dark secrets, grief-fueled rituals, and hidden connections to Talk to Me. The Philippous also hint at other stories in this universe, what scares them most, and what they won't reveal (yet). Subscribe for more interviews on horror, folklore, and paranormal pop culture: https://linktr.ee/talkingstrange Available on YouTube, Spotify, Apple, and all major podcast platforms. More about Danny and Michael Philippou: Twin brothers Danny and Michael Philippou are an Australian writer-director duo, known for their online presence in comic horror and action. The Philippou's first feature film Talk To Me debuted internationally at 2023 Sundance Film Festival and acquired by A24 in a bidding war. Soon after, Talk To Me premiered at Berlinale and SXSW. Upon its release during the summer of 2023 the film went on to become A24's highest grossing horror film of all time and the second highest grossing film in A24's history. The film made over $92 million dollars at the worldwide box office. It also gathered critical acclaim and rave reviews (98% on Rotten Tomatoes.) The film's accolades include 11 AACTA Award nominations in 2024, Australia's top film honor. Danny and Michael's passion for storytelling began on YouTube where their videos have been watched over 1.5 billion times with over 6.7 million subscribers. They gained notoriety from their homemade slasher videos, stunts, and comedy sketches. In 2015, RackaRacka's channel was awarded the Streamy's Best International YouTube Channel, landed on Variety's 2016 Fame Changers, and ranked 5th on Financial Review's Cultural Power List. In their home country, RackaRacka won numerous awards at Online Video Awards and the Australian Academy of Cinema and Television Arts Award for Best Web Show. _______________________________________________________________ The Talking Strange Show with Aaron Sagers is a weekly paranormal pop culture show featuring celebrity and author interviews, as well as experts in all things strange and unexplained. Talking Strange is a creation of Aaron Sagers with production help from Michael Ahr. Host Aaron Sagers is a paranormal TV host and journalist who appears as host of 28 Days Haunted on Netflix, and on Paranormal Caught On Camera on Travel Channel, Discovery+, and MAX streaming service. If you like Talking Strange, please subscribe, leave a nice review, and share with your friends. The Talking Strange Paranormal Show is available on Apple Podcasts, Spotify, YouTube, and wherever you check out spooky content. Connect with the show community on Facebook as well. Email us with episode ideas, guest suggestions, and spooky stories: Contact@TalkingStrange.com Follow Host Aaron Sagers: Twitter/X Blue Sky Instagram Facebook TikTok Patreon (For Q&As, livestreams, cocktail classes, and movie watches) Until Next Time: Be Kind. Stay Spooky. Keep It Weird. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ep. 323: Jessica Kiang on Bi Gan's Resurrection and Kelly Reichardt's The Mastermind Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. I'm back at the Cannes Film Festival to talk about the highlights with another all-star cast of guests. This episode I sat down with Jessica Kiang who kindly gives virtuosic readings of two standouts from late in the festival: Resurrection (directed by Bi Gan) and The Mastermind (Kelly Reichardt), plus some thoughts on what films she'd like to see win awards. Kiang is as usual writing reviews for Variety at Cannes; she is also programmer at Belfast Film Festival and a member of the selection committee of the Berlinale. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Indian filmmaker Natesh Hegde discusses his journey in filmmaking, from his early inspirations to the challenges and triumphs of creating his latest film, “Tiger's Pond,” which just world-premiered at the Berlin Film Festival. Past inspo includes Iranian filmmaker Abbas Kiarostami's 1990 film “Close Up”.Natesh shares insights on collaborating with family, including casting his father in the lead, the importance of sound design, and the unique experience of shooting on 16mm film. He emphasizes the courage to create without fear of failure and offers advice to aspiring filmmakers to simply keep making films.What Movies Are You Watching?Like, subscribe and follow us on our socials @pastpresentfeature

Madeleine Sims-Fewer & Dusty Mancinelli are a Toronto-based filmmaking duo who premiered their second feature HONEY BUNCH, an unconventional thriller set in a 70s medical clinic, at the Berlinale earlier this year. They're an exciting, genre-defying voice in contemporary cinema and it was great to get them on the podcast. We spoke about what it's like working as a duo, making the anti-revenge film VIOLATION, accessibility in film, and much more. Show Notes:Madeleine & Dusty's website Slap Happy (2017)Woman in Stall (2018)Chubby (2019)Violation (2020)Honey Bunch (2025)Her Friend Adam (2016)Great dm interview with Alexandra Heller-Nicholas Describe VideoHeavenly Creatures (1994)Don't Look Now (1973)Eternal Sunshine of a Spotless Mind (2004)Possession (1981)Phantom Thread (2017)Babygirl (2024)Brussels International Film FestivalFollow Somebody's Watching here:⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter: @somebodyspod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: @somebodyswatchingpod⁠⁠⁠⁠⁠⁠⁠⁠⁠Email: somebodywatchingpod@gmail.com

In this special Film Ireland podcast, Naemi Victoria talks to Feargal Ward (Tin City) & Sophie Somerville (Fwends), whose films both premiered at Berlinale in 2025.

This episode explores the journey of filmmaker Vibeke Løkkeberg, who spent 52 years creating her film, “The Long Road to the Director's Chair,” which premiered at the Berlin Film Festival. Past cinema discussed includes Italian Neorealism and Andrei Tarkovsky.Vibeke's film highlights the struggles and achievements of women in the film industry, delving into the ongoing fight for equality in filmmaking, the challenges faced by female directors, and the impact of commercialism on artistic expression. The discussion also explores personal resilience, the significance of authenticity in storytelling, and the lessons learned throughout a lifetime of filmmaking.What Movies Are You Watching?Like, subscribe and follow us on our socials @pastpresentfeature

Nach einer Umbauphase öffnet das NS-Dokumentationszentrum in München seine Türen wieder, genau zum 10-jährigen Jubiläum. Niels Beintker hat sich in dem Haus am Königsplatz umgesehen / Geschichten an das Kriegsende: Bayern 2 hat Hörerinnen und Hörer aufgefordert, ihre persönlichen Erinnerungen als Sprachnachricht zu schicken. Mit dabei: Ulrich Wittig aus Obergiesing / "Oslo Dreams", der zweite Teil der Oslo-Trilogie von Daag Johan Haugerud hat auf der Berlinale den Goldenen Bären gewonnen, jetzt ist der Film in den deutschen Kinos zu sehen. Von Lars Meyer / "Max & Joy": Über das wohl berühmteste Musikerpaar aus Deutschland gibt es nun einen Dokumentarfilm, zu sehen ab sofort in der ARD Mediathek. Anja Caspary hat die Doku gesehen.

In this conversation, Yiwen Cao discusses her groundbreaking AI-generated film 'What's Next?', which premiered at the 2025 Berlin Film Festival. Although past films about AI are discussed, including “Her”, “A.I.”, “Ex Machina”, and “The Matrix”, Yiwen's favorite movie is Billy Wilder's 1959 comedy/musical “Some Like It Hot”.She shares insights into the creative process, including making the film over six and a half days on no sleep, the themes of the film, and the role of AI in filmmaking, emphasizing the importance of social commentary in her work.Yiwen reflects on the audience's reception of AI films, addresses the future of AI in the film industry, and offers advice for aspiring filmmakers.What Movies Are You Watching?Like, subscribe and follow us on our socials @pastpresentfeature

Phil Cox discusses the importance and challenges of navigating the film ecosystem and festival landscape, and the innovative storytelling techniques used in his documentary “Khartoum”, which just screened at the Berlin Film Festival following its Sundance premiere. Past filmmakers discussed include the films of Frederick Wiseman and Joshua Oppenheimer.Phil shares insights on collaboration and community among filmmakers, the challenges of activist filmmaking, which aims to resist traditional narratives, and the significance of self-care in the industry. He also addresses cultural sensitivity in storytelling and the intricacies of structuring non-linear narratives, all while reflecting on his journey as a filmmaker and the future of independent filmmaking.What Movies Are You Watching?Like, subscribe and follow us on our socials @pastpresentfeature

As the German Film Festival  rolls out across the country, we meet two directors featured in this year's lineup...Acclaimed director Andres Veiel discusses his documentary Riefenstahl, a captivating insight into the private estate of Leni Riefenstahl and her complex relationship with the Nazi regime.Award-winning director Mehmet Akif Büyükatalay's second feature, Hysteria, comes to Australia directly from the 2025 Berlinale...a suspenseful behind-the-scenes conspiracy thriller about a real-life 1993 arson incident on the set of a film production.Presenter: Jason Di RossoProducer: Sarah CorbettSound engineer: Ross RichardsonExecutive producer: Rhiannon Brown

Nayibe Tavares-Abel shares her journey from a political science background to becoming a documentary filmmaker. She discusses her film “Colossal”, which just premiered at Berlinale. Past films discussed include “Beyond Utopia” by Madeleine Gavin.Nayibe's film intertwines her family history with the political landscape of the Dominican Republic, exploring themes of political violence, activism, and the importance of storytelling. She emphasizes the challenges of documentary filmmaking, the significance of family archives, and the universal themes that can emerge from specific stories. Nayibe also reflects on the evolution of her film, the importance of building relationships in the filmmaking process, and how her filmmaking journey began with her Grandmother's camcorder.What Movies Are You Watching?Like, subscribe and follow us on our socials @pastpresentfeature

Rainer Rother ist Direktor der Deutschen Kinemathek. Seit fast 20 Jahren ist er in Berlin für das Bewahren von Filmen zuständig, er hat zahlreiche Ausstellungen kuratiert und leitet die Retrospektive der Berlinale. Doch im Mai 2025 ist Schluss. Heise, Katrin www.deutschlandfunkkultur.de, Im Gespräch

Caroline Monnet is a multidisciplinary artist of Anishinaabe and French ancestry, based in Montreal. She has carved out her own path as an artist and filmmaker, building a practice rooted in Indigenous knowledge systems and contemporary expression. Her work explores identity, community, and the impact of colonialism—offering any creative entrepreneur or artist a powerful model of what it means to build a practice anchored in intention and vision.Caroline brings a rich, critical perspective to her work. Her art has been exhibited globally—from the Whitney Biennial to the Montreal Museum of Fine Arts and the National Gallery of Canada. Her films have screened at TIFF, Sundance, Berlinale, and beyond. And she's received major accolades, including the Prix Pierre-Ayot, a Sobey Art Award nomination, and a residency with the Cannes Film Festival's Cinefondation.In our conversation, Caroline shares the realities of navigating the art world independently—and speaks candidly about how, as she puts it, “no one tells artists they need to be entrepreneurs too.” Her insights offer powerful takeaways not only for creatives, but for any woman building a business or forging her own path professionally.This conversation airs this week as we get ready to debut our new podcast, Collection'elle, in a few days. This new show aims to encourage women to engage in contemporary art collecting—at a time when women are rising in influence in the art world, yet women artists remain underrepresented in collections. Collection'elle highlights the voices of women artists like Caroline, while also decoding market dynamics through conversations with gallerists, curators, and art-world insiders. Her full interview will continue there, but today, you'll get a first listen to Caroline's story of building a creative practice that's deeply personal, political, and visionary.This season of our podcast is brought to you by TD Canada Women in Enterprise. TD is proud to support women entrepreneurs and help them achieve success and growth through its program of educational workshops, financing and mentorship opportunities! Please find out how you can benefit from their support! Visit: TBIF: thebrandisfemale.com // TD Women in Enterprise: td.com/ca/en/business-banking/small-business/women-in-business // Follow us on Instagram: instagram.com/thebrandisfemale

Dylan Southern talks about his film “The Thing with Feathers,” based on Max Porter's book and starring Benedict Cumberbatch, which delves into themes of loss and family relationships after a mother's passing. The film made its debut at this year's Sundance Film Festival, followed by Berlinale. He also references previous films that inspired him, including Steven Spielberg's “E.T.”Dylan shares his experience of transforming the book into a film, highlighting the need to grasp the emotional heart of the narrative. He discusses the complexities of portraying grief, noting that it is often non-linear and can be both cyclical and unpredictable.He elaborates on the fusion of horror and dark humor to illustrate grief and reflects on how personal experiences shape storytelling, stressing the importance of emotional authenticity in film.What Movies Are You Watching?Like, subscribe and follow us on our socials @pastpresentfeature

Sarah Miro Fischer is the director of “The Good Sister”, which just enjoyed its World premiere in the Panorama section at this year's Berlin Film Festival. Past films discussed include Thomas Vinterburg's “The Hunt”.Sarah discusses her emotional journey of premiering at Berlin, sharing insights into her filmmaking process which includes a fruitful collaboration with co-writer Agnes Maagaard Petersen, and the challenges of addressing sensitive themes, which require trust and open communication. She emphasizes the importance of preparation and adaptability when making a film, how audience engagement is crucial to spark discussion and reflection, and that Filmmaking is a journey that often requires a leap of faith.What Movies Are You Watching?Like, subscribe and follow us on our socials @pastpresentfeature

Segunda parte de nuestra conversación con esta chica trans. Chilena, Simone llegó a España luego del éxito internacional de la película Las Plantas, de Roberto Doveris, ganadora del festival de cine “Berlinale” en su categoría de generación, desde entonces esta actriz, dramaturga y directora combina su trabajo como actriz con la dirección de la Escuela de Artes Laboratorio Escénico. Durante su estancia en España Simone inició el proceso de cambio de sexo y hoy en día vive en el cuerpo y la vida que siempre quizo. Titulada de la universidad de las artes y ciencias sociales, en su natal Chile. A lo largo de su carrera ha podido desarrollarse tanto en teatro, tv y cine, es así como después de 16 años dedicada a las artes escénicas, crea Laboratorio Escénico, un espacio de creación e investigación que ofrece al alumnado una formación integral acompañando así los procesos individuales y grupales. Su último rodaje ha sido la Miss Ccarbón de Agustina Macrí que espera su estreno en salas en este 2025.

Simone es una mujer trans. Originaria de Chile, Simone llegó a España luego del éxito internacional de la película Las Plantas, de Roberto Doveris, ganadora del festival de cine “Berlinale” en su categoría de generación, desde entonces esta actriz, dramaturga y directora combina su trabajo como actriz con la dirección de la Escuela de Artes Laboratorio Escénico. Durante su estancia en España Simone inició el proceso de cambio de sexo y hoy en día vive en el cuerpo y la vida que siempre quizo. Titulada de la universidad de las artes y ciencias sociales, en su natal Chile. A lo largo de su carrera ha podido desarrollarse tanto en teatro, tv y cine, es así como después de 16 años dedicada a las artes escénicas, crea Laboratorio Escénico, un espacio de creación e investigación que ofrece al alumnado una formación integral acompañando así los procesos individuales y grupales. Su último rodaje ha sido la Miss Carbón de Agustina Macrí que espera su estreno en salas en este 2025.

Was bewegt Norwegen im Frühjahr 2025?In dieser Folge sprechen wir über große Themen, die das Land beschäftigen – politisch, kulturell und gesellschaftlich. Der ehemalige Premierminister Jens Stoltenberg ist zurück – als Finanzminister – und bringt neuen Schwung in die Regierung. Gleichzeitig sorgt Jakob Ingebrigtsen, Norwegens bekanntester Läufer, für Schlagzeilen: Im laufenden Prozess sagt er gegen seinen eigenen Vater und früheren Trainer aus.Auch im Schulalltag tut sich was – immer mehr norwegische Schulen führen ein konsequentes Handyverbot ein. Und während sich darüber noch gestritten wird, feiert das norwegische Kino große Erfolge: Der Goldene Bär der Berlinale geht an eine queere Liebesgeschichte aus Norwegen.Und: Norwegen ist in diesem Jahr Gastland der Leipziger Buchmesse – ein Anlass, um über Literatur, Förderung und kulturelle Brücken zu sprechen.Diese Folge gibt es auch als Video: https://www.youtube.com/watch?v=7pR4ZvkTIMQFolgt uns auf Instagram unter nestennorwegischWir freuen uns über Feedback oder Buchungen an: nestennorwegischpodcast@gmail.comDie Musik stammt von Uppbeat (free for Creators!):https://uppbeat.io/t/soundroll/when-my-ukulele-play Hosted on Acast. See acast.com/privacy for more information.

Today on the show we have Oscar® nominated documentarians Betsy West & Julie Cohen.Betsy West (Director/Producer) is an Academy Award®-nominated Emmy winning director/producer of RBG (Magnolia, Participant, CNN Films, 2018), along with Julie Cohen. Most recently, she and Cohen directed My Name is Pauli Murray (Participant/Amazon Studios), which premiered at the Sundance Film Festival in 2021.Betsy was executive producer of the MAKERS PBS/AOL documentary and digital series about the modern women's movement, and the feature documentary The Lavender Scare (PBS, 2019). As an ABC News producer and executive producer of the documentary series Turning Point, she won 21 Emmy awards. Betsy is the Fred W. Friendly Professor Emerita at Columbia Journalism School.Julie Cohen (Director/Producer) is the Academy Award® nominated, Emmy winning director and producer of RBG (Magnolia, Participant, CNN Films, 2018) along with Betsy West.Her film My Name is Pauli Murray, also directed with West, premiered at the 2021 Sundance Film Festival.Previous films she's directed include The Sturgeon Queens (7th Art Releasing; Berlinale, 2015; Best of the Fest, San Francisco Jewish Film Festival), and Ndiphilela Ukucula: I Live to Sing (2014 New York Emmy Award for Best Arts Program).Before she started making documentaries, Julie was a longtime staff producer for NBC News. She's been an enthusiastic amateur cook and baker ever since her parents bought her a Cuisinart for her bat mitzvah in the 1970s.Their current film is called JULIA. The film tells the remarkable story of the groundbreaking cookbook author and television superstar who forever changed the way Americans think about food, about television, and even about women.Using a treasure trove of never-before-seen archival video, personal still photos, first-person narratives, and cutting-edge, mouth-watering food cinematography, the documentary will trace Julia Child's surprising path, from her struggles to create and publish the revolutionary ‘instant' classic Mastering the Art of French Cooking (1961, Knopf Doubleday Publishing Group), to her empowering personal story of a woman in her 50s, finding her calling as an unlikely television sensation.This is the first feature-length documentary solely devoted to Julia Child, and will illuminate her casual upheaval of the male-dominated culinary and television worlds.Almost single-handedly, Julia Child upended the mythology that women could not hold their own at the highest levels of creative gastronomy, and that the only women Americans wanted to see on TV were young, submissive, and conventionally beautiful.JULIA is produced with the full cooperation of Julia Child's friends, family, and the Julia Child Foundation.  It follows the highly-acclaimed documentary, RBG, executive produced by CNN Films, directed and produced by West and Cohen through their company Storyville Films, and edited by Carla Gutierrez, who will also edit JULIA.The film comes out Nov 12 in-theatres NY/LA followed by nationwide expansion.In this episode we not only discuss the making of Julia and RBG but also cover how they approach documentary, the craft of tell stories and much more.Enjoy my conversation with Betsy West & Julie Cohen.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Es ist angerichtet… zum Auftakt unseres Comebacks nach zwei kräfteraubenden Festival-Besuchen in Göteborg und bei der Berlinale. Im ersten von mehreren “Schammenüs”, wie Daniel sie selber nennt, liefern wir nachträglich unsere Kritiken zu einigen Filmen nach, die zwischen Mitte Januar und Ende März in Deutschland erschienen sind, von uns aber bislang noch nicht im Podcast besprochen wurden. In dieser Ausgabe sind das eine Neuverfilmung von Der Graf von Monte Christo, Babygirl sowie das Biopic Maria.

Für ihre Arbeit wurde unser heutiger Gast vielfach ausgezeichnet, hier mal eine Auswahl: Telestar, Grimme-Preis (nicht nur einmal), Goldene Schallplatte, Bayerischer Filmpreis (nicht nur einmal), Goldene Kamera, Preis der dt. Filmkritik, Kunstpreis Berlin und auch den Sonderpreis beim Fernsehfilmpreis. Das ist ja allerhand. Nun ist die 1972 in West-Berlin geborene Nicolette Krebitz allerdings auch breit aufgestellt, als Schauspielerin, Regisseurin, Musikerin, Sprecherin und Drehbuchautorin. Durch Filme wie "Bandits" wurde sie für eine ganze Generation zur Projektionsfläche. Das ist dem Schauspielberuf zueigen, es hat Vor- und Nachteile, aber wie wird man das Bild, das andere von dir haben, bitte wieder los? Indem man sich immer wieder und immer weiter verändert. Das zumindest wäre eine Erklärung dafür, warum sich Nicolette Krebitz nie auszuruhen scheint. Aus dem Tanz ins Schauspiel, aus dem Schauspiel in die Regie, vom Bekannten hin zum Neuen. Vier sogenannte Longplayer hat sie als Regisseurin bislang vorgelegt, aktuell spielt sie neben Lars Eidinger eine Hauptrolle im Eröffnungsfilm der diesjährigen Berlinale unter der Regie von Tom Tykwer. Playlist: Kid Frost - La Raza Fleedwood Mac - Landslide Tylor the Creator - See you again Prince - I wanna be your Lover Jimi Hendrix - Up from the Skies Laurie Anderson & Jean Michel Jarre - Rely on me# Aaliyah - One in a Million Patti Jo - Make me believe in you Carpenters - Close to you Michael Jackson - We're almost there Diese Podcast-Episode steht unter der Creative Commons Lizenz CC BY-NC-ND 4.0.

Yeni köşemiz "Bizden Biri"nin bu bölümünde sanat dünyasının başarılı bir simasını konuk ettik: Meltem Kaptan! Ladies Night ve Quatsch Comedy Club gibi çeşitli komedi formatlarında rol alan Kaptan, çocukluk yıllarından başlayarak "Berlinale" festivalindeki en iyi kadın oyuncu ödülüne kadar uzanan hayat hikayesini sunucumuz Aydın Işık'a anlattı. Renkli ve keyifli bir sohbet dinlemeye hazır mısınız? Von Aydin Isik.

From breaking bones to trudging through snow – it is a Foley artist's role to reproduce the everyday sound effects that are added to film, TV and games. By using a variety of unconventional props and their own bodies, the goal is to create an authentic soundscape that will enhance our auditory experience. If the Foley goes unnoticed then they've done their job well! Datshiane Navanayagam speaks to two award winning Foley artists and asks what it's like to spend so much time, quite literally stepping into someone else's shoes. Caoimhe Doyle has over 25 years' experience creating Foley sound effects and footsteps for film, television and video games. She's been nominated three times for the MPSE Golden Reel Award for her work on Colm Bairéad's An Cailín Ciúin (The Quiet Girl), The Favourite, directed by Yorgos Lanthimos and David Cronenberg's Eastern Promises. In 2011 she won a MPSE Golden Reel Award and was nominated for an Emmy for her work on Game of Thrones: Season 1 and is a current MPSE nominee for work on Rich Peppiatt's Kneecap. Caoimhe collaborates with an all-female team out of The Foley Lab in a quiet part of County Wicklow in Ireland.Marita Sbeih is a Lebanese Foley artist and one of only a handful working in the Middle East. Since 2018, she has been the dedicated Foley Artist at DB Studios in Beirut, which provides audio post-production for films, documentaries, and art productions from around the globe. Pursuing a career as a Foley artist in a country with many unique challenges has been far from easy, but Marita has built an impressive list of credits for Foley and footsteps in some of the Arab world's more distinguished art-house and indie productions, as well as international projects. Most recently, she worked on Hot Milk, a UK film directed by Rebecca Lenkiewicz, which was selected for the official competition at the 75th Berlinale (2025).Produced by Hannah Dean (Image: (L) Caoimhe Doyle courtesy Caoimhe Doyle. (R) Marita Sbeih credit Lama Sawaya.)

V recenzní části se mimo jiné podíváme na sbírku básnivých, abstraktních povídek Václava Maxmiliána Nové byty, nové pokoje, která zavádí do světa vzdorujícího jednoznačnému vymezení, plného tajemství a založeném na jazyce a dialogu. A na řadu přijde i pravidelná soutěž. Moderuje Karolína Koubová.

Ep. 305: K.J. Relth-Miller on Berlinale Classics: Tenderness of the Wolves, Solo Sunny, Spare Parts, Don't Cheat, Darling! Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. This week I welcome back K.J. Relth-Miller, director of film programs at the Academy Museum in Los Angeles, to hear about her latest travels through new restorations and revivals. As we did last year, we explore this year's Berlinale Classics, a section at the Berlin film festival devoted to restorations and revivals. Our focus is “Wild, Weird, Bloody!”—a series devoted to German genre cinema in all its splendor. We discuss films ranging from horror to musical to crime drama, including: Tenderness of the Wolves (directed by Ulli Lommel), Solo Sunny (Konrad Wolf), Spare Parts (Rainer Erler), Don't Cheat, Darling! (Joachim Hasler), and Hat Off When You Kiss (Rolf Losansky). Plus: a new Hitchcock restoration, The Paradine Case. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

On the February edition of the Cinetopia Radio Show & Podcast, the team (Clara, Garry, and Amanda) go to Berlin to cover the 75th Berlinale, reviewing 4 films, Peter Hujar's Day directed by Ira Sachs and starring Ben Whishaw and Rebecca HallBlue Moon, directed by Richard Linklater and Starring Ethan Hawke, Margaret Qualley, Andrew Scott and BobbyCanavaleLesbian Space Princess, an Australian animation by Emma Hough Hobbs, Leela Varghese, and finally Koki Ciao, which won Berlinale Shorts CUPRA Filmmaker Award. Cinetopia contributor Clara Strachan interviews Quentin Miller, the director of Koki Ciao, and Cinetopia's host, Amanda, sat down with Billy Shebar, the director of Monk in Pieces, a documentary about the new york avante-garde artist and composer, Meredith Monk.

Deutschland hat gewählt und die Berlinale ist rum. Wir sprechen über letzteres: Janick, Christian und Lucas sprechen über das Festival, ob die neue Leitung Tricia Tuttle neue Impulse setzen konnte, und was wir so gesehen haben. Es geht unter anderem um: - "Das Licht" von Tom Tykwer - "Mickey 17" von Bong Joon-ho - "The Ice Tower" von Lucile Hadzihalilovic - "What Does that Nature Say to you?" von Hong Sang-soo - "Reflection in a Dead Diamond" von Bruno Forzani & Hélène Cattet - "Palliativstation" von Philipp Döring - "The Ugly Stepsister" von Emilie Blichfeldt - "If I Had Legs I'd Kick You" von Mary Bronstein - "Kontinental '25" von Radu Jude

Co především je ve hře v dnešních předčasných volbách do německého Bundestagu? Jak vážně vyznívají s odstupem několika dnů a krátce před třetím výročím ruské agrese proti Ukrajině ostré výroky Donalda Trumpa na adresu prezidenta Zelenského? A čím zaujal porotu filmového festivalu Berlinale vítězný snímek Sny norského režiséra Daga Johana Haugeruda.

Acaba una edición de la Berlinale marcada por la tensión política, tanto en Alemania como en el mundo por la sombra de las primeras decisiones de Trump. En este episodio repasamos lo más destacado, escuchamos a Eva Libertad, directora de 'Sorda' y también nos vamos de rodaje con Alberto San Juan. Entre los estrenos, analizamos el universo de Nacho Vigalondo en 'Daniela Forever', hablamos de placer y deseo en la madurez con 'Memorias de un cuerpo que arde' y, por supuesto, os recomendamos 'Aún estoy aquí', de Walter Salles. En 30 minutos os ponemos al día del cine y las series.

Die Themen: Neuer Ernährungstrend "Gottesnahrung"; Netflix-Serie über Jerry Springer; Berlinale geht zu Ende; BGH urteilt zu Urheberrecht Birkenstock sind keine Kunst; Dad Rock und Dad Sneaker; Bundestagswahl 2025 und Debüt Roman „Klapper“ von Kurt Prödel Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/ApokalypseundFilterkaffee

Anne Thompson and Ryan Lattanzio discuss who could win big at the 2025 Spirit Awards. Plus Ryan visit to Berlinale, Oscar shorts reviews and the state of the James Bond franchise. Learn more about your ad choices. Visit megaphone.fm/adchoices

Adam und Hanna sind in Berlin wieder im Studio zusammengekommen, um eine (leicht) verspätete Folge vom SJ Weekly abzuliefern. Diesmal beschäftigen uns im News-Bereich die Verlängerung von “The Lord of the Rings: The Rings of Power” und die angeblichen Abrufzahlen, aber auch die Rückkehrtermin von “The Last of Us” und “The Handmaid's Tale”. In einem eigenem Ableger geht es auch für die beliebte Serie “Blue Bloods” weiter. Eine Rückkehr feiern “Der Lehrer” und “Club der roten Bänder” und die Broccolis ziehen sich bei James Bond zurück, während “Cassandra” zumindest international als Hit gilt. Das alles und Hannas Eindrücke von der Berlinale 2025, sowie einige schnelle Reviews zu “Win or Lose”, “Cobra Kai”, “Spuren”, “Zero Day”, “Mo” und “Captain America: Brave New World” haben wir in dieser Folge ebenso zu bieten.Hanna Twitter/ X: https://twitter.com/HannaHuge Bluesky: https://bsky.app/profile/mediawhore.bsky.social Instagram: https://www.instagram.com/mediawhore Adam: Twitter/ X: https://twitter.com/AwesomeArndt Instagram: https://www.instagram.com/awesomearndt/ Youtube: https://www.youtube.com/@AwesomeArndtTimestamps:News0:01:30 The Rings of Power S3 bestätigt - 170 Mio Zuschauer?, WoT S2 0:04:15 ACOTAR, Blue Bloods erhält Spin-off0:08:30 Last of Us S2, Handmaids Tale S60:15:00 Bond ist zurück, Peaky Blinders0:19:00 Cassandra, Der Lehrer und Club der roten Bänder0:23:00 BerlinaleReviews 0:31:00 Cobra Kai, Win or Lose, Prime Target0:36:00 Mo S2, Cap - Brave New World0:40:00 Basketball-Dokus, Spiderman, 0:45:00 Beast Games, 0:48:00 Starts Hosted on Acast. See acast.com/privacy for more information.

Getting blinded by the potential "light," is Jordan revved up like a deuce, another roamer in the night?

Ep. 300: Julia Loktev on My Undesirable Friends: Part I—Last Air in Moscow Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. Last October I interviewed the filmmaker Julia Loktev during the New York Film Festival about her latest work, My Undesirable Friends: Part I—Last Air in Moscow. This week her film has its international premiere at the Berlinale. It's about independent journalists in Russia before and after the start of Putin's full-scale invasion of Ukraine. When I spoke to Loktev last fall, I asked about how skillfully the five-hour-plus movie is put together, and she in turn explained how the situation in Russia grew even worse with the invasion. Since then, Trump's election in the United States and his radical re-shaping of the government have created an additional context for the film, in which Loktev's descriptions of Russia's strategies of suppression and deception start to sound even more like a frightening warning. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

US-Präsident Trump bezeichnet Ukraines Präsident Selenskyj als "Diktator ohne Wahlen", Ein Monat Donald Trump als Präsident: Dekrete über Dekrete, Ein Monat Donald Trump und der Blick der Amerikaner auf ihren Präsidenten, Italienische Stadt Bergamo kämpft um juristische Aufarbeitung des Corona-Ausbruchs mit tausenden Toten vor fünf Jahren, Weitere Meldungen im Überblick, Deutsche Filme im Wettbewerb auf der Berlinale, Das Wetter Hinweis: Die Sendung wurde nachträglich redaktionell bearbeitet.

Ep. 299: Jordan Cronk on Berlinale 2025: What Marielle Knows, new James Benning and Kevin Jerome Everson, Olmo, After Dreaming, Paul Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. Look at me, I'm at the 75th Berlinale! For my latest dispatch, I spoke with a regular of the festival, Jordan Cronk, about titles from a mix of sections. Films discussed include: James Benning's latest, Little Boy, and Kevin Jerome Everson's latest, When the Sun is Eaten (from Forum and Forum Expanded, respectively); Olmo, directed by Fernando Eimbcke, in Panorama; What Marielle Knows, a Competition title directed by Frédéric Hambalek; Paul, from Denis Côté (in Panorama Dokumente); and After Dreaming, directed by Christine Haroutounian (in Forum). Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Jak chce koalice a opozice naložit s prezidentským vetem novely, která upravuje platy politiků a soudců? Jaké bezpečnostní záruky může Evropa poskytnout Ukrajině v případě ukončení války s Ruskem? A jakou Ukrajinu představí v pondělí na festivalu Berlinale film Čas do zásahu? Poslechněte si celou odpolední publicistiku s Věrou Štechrovou.

Jay-Z ve Diddy'e kendisine 13 yaşındayken cinsel istismarda bulundukları gerekçesiyle dava açan kadın davadan çekildi, birçok meslek birliği ve sinemacı tarafından boykot edilen Berlinale tartışmalı başladı.Bu bölüm EY hakkında reklam içermektedir. Uluslararası danışmanlık şirketi EY, yeni küresel stratejisi doğrultusunda tüm paydaşlarıyla birlikte geleceğe yön verme hedefiyle, en büyük etkiyi yaratacak stratejik yatırımlara odaklanıyor. EY'ın yeni stratejisi hakkında daha fazla bilgiye buradan ulaşabilirsiniz. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ep. 298: Jonathan Romney on Mickey 17 and Dreams at Berlin 2025 Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. The Berlinale begins its 75th edition this year, and I've been busily seeing movies and talking to critics here at the festival. To kick things off I'm joined by Jonathan Romney (of Screen Daily and the Observer) to discuss the hotly anticipated Mickey 17 from multiple-Oscar-winner Bong Joon Ho, headlined by Robert Pattinson, and the latest Michel Franco provocation, Dreams, starring Jessica Chastain and Isaac Hernandez. Both were world premieres, with Mickey 17 opening in the U.S. on March 7. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Finiquitada la campaña de premios en España, afrontamos una temporada que empieza en la Berlinale. Aquí se presenta 'Sorda', la ópera prima de Eva Libertad, y os iremos contando lo nuevo que trae el cine de autor. Hasta los Oscar no nos libramos de los premios internacionales, esta semana le toca a los Bafta, los premios del cine británico, donde 'Anora' llega fuerte a estas últimas semanas. Por supuesto, repasamos los estrenos con Capitán América, con Bridget Jones, con un precioso drama italiano y con el debut del nieto de Bergman. Menú completo de cine y series en media hora

Heute mit der Fernsehmoderatorin und Journalistin und Autorin Aline Abboud und folgenden Themen: Dreiste Grußbotschaft nach Fahrerflucht, Timothée Chalamet kommt zur Berlinale, Vom Duell zum Quadrell am Sonntag, wieviel TV-Debatten braucht Deutschland, um eine Wahlentscheidung zu treffen, Alines Buch: "Barfuß in Tetas Garten", eine weitere Bucherwähnung: David Goggings "Can't hurt me", Stefan Raab ist wieder im FreeTV, Neue Gäste alte Witze. Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/ApokalypseundFilterkaffee

Auto fährt in München in Menschengruppe, Entsetzen und harte Forderungen nach mutmaßlichen Anschlag, Prozess um Polizistenmord in Mannheim, Sachsen-Anhalt: Untersuchungsausschuss zu Magdeburg-Anschlag nimmt Arbeit auf, US-Vorstoß zu Ukraine alarmiert europäische NATO-Partner, Ukraine lehnt Friedensabkommen ohne Mitsprache der Ukraine ab, CDU-Politiker Chialo fühlt sich von Scholz' Worten verletzt und herabgewürdigt, Commerzbank streicht fast 4.000 Jobs, Dresden erinnert an Bombardierung vor 80 Jahren, Berlinale 2025 startet, Das Wetter

Mann fährt in München mit Auto in Menschenmenge, Rufe nach Konsequenzen aus mutmaßlichem Anschlag, Die Meinung, ARD-Deutschland Trend: Union festigt Position als stärkste Kraft, Aufschrei in der Ukraine: "Wir werden verraten", Weitere Nachrichten im Überblick, Auftakt der Berlinale, Das Wetter

For Episode 427, while Matt Neglia is away at Sundance, Daniel Howat hosts this week's episode featuring Lauren LaMagna and Will Mavity as they discuss the 2025 Oscar nominations, the fallout of the announcement from last week and what it means for the Best Picture race. They also discuss the SXSW & Berlinale lineups, reveal the winner of last week's poll, asking, "Which Oscar Nomination For The 97th Academy Awards Made You The Happiest?" and ask this week's poll question, "Which Film Do You Think Will Be The Next Best Picture Oscar Winner?" They also answer your fan-submitted questions and give their reactions to the trailers for "Opus," "Drop," and "Hell Of A Summer." Also, please be sure to vote on this year's NBP Film Community Awards Nominations here (voting is open until February 1st). As always, thank you so very much for listening, supporting, and subscribing. Enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices