Podcasts about berlinale

Ep. 323: Jessica Kiang on Bi Gan's Resurrection and Kelly Reichardt's The Mastermind Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. I'm back at the Cannes Film Festival to talk about the highlights with another all-star cast of guests. This episode I sat down with Jessica Kiang who kindly gives virtuosic readings of two standouts from late in the festival: Resurrection (directed by Bi Gan) and The Mastermind (Kelly Reichardt), plus some thoughts on what films she'd like to see win awards. Kiang is as usual writing reviews for Variety at Cannes; she is also programmer at Belfast Film Festival and a member of the selection committee of the Berlinale. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Indian filmmaker Natesh Hegde discusses his journey in filmmaking, from his early inspirations to the challenges and triumphs of creating his latest film, “Tiger's Pond,” which just world-premiered at the Berlin Film Festival. Past inspo includes Iranian filmmaker Abbas Kiarostami's 1990 film “Close Up”.Natesh shares insights on collaborating with family, including casting his father in the lead, the importance of sound design, and the unique experience of shooting on 16mm film. He emphasizes the courage to create without fear of failure and offers advice to aspiring filmmakers to simply keep making films.What Movies Are You Watching?Like, subscribe and follow us on our socials @pastpresentfeature

Madeleine Sims-Fewer & Dusty Mancinelli are a Toronto-based filmmaking duo who premiered their second feature HONEY BUNCH, an unconventional thriller set in a 70s medical clinic, at the Berlinale earlier this year. They're an exciting, genre-defying voice in contemporary cinema and it was great to get them on the podcast. We spoke about what it's like working as a duo, making the anti-revenge film VIOLATION, accessibility in film, and much more. Show Notes:Madeleine & Dusty's website Slap Happy (2017)Woman in Stall (2018)Chubby (2019)Violation (2020)Honey Bunch (2025)Her Friend Adam (2016)Great dm interview with Alexandra Heller-Nicholas Describe VideoHeavenly Creatures (1994)Don't Look Now (1973)Eternal Sunshine of a Spotless Mind (2004)Possession (1981)Phantom Thread (2017)Babygirl (2024)Brussels International Film FestivalFollow Somebody's Watching here:⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter: @somebodyspod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: @somebodyswatchingpod⁠⁠⁠⁠⁠⁠⁠⁠⁠Email: somebodywatchingpod@gmail.com

In this special Film Ireland podcast, Naemi Victoria talks to Feargal Ward (Tin City) & Sophie Somerville (Fwends), whose films both premiered at Berlinale in 2025.

This episode explores the journey of filmmaker Vibeke Løkkeberg, who spent 52 years creating her film, “The Long Road to the Director's Chair,” which premiered at the Berlin Film Festival. Past cinema discussed includes Italian Neorealism and Andrei Tarkovsky.Vibeke's film highlights the struggles and achievements of women in the film industry, delving into the ongoing fight for equality in filmmaking, the challenges faced by female directors, and the impact of commercialism on artistic expression. The discussion also explores personal resilience, the significance of authenticity in storytelling, and the lessons learned throughout a lifetime of filmmaking.What Movies Are You Watching?Like, subscribe and follow us on our socials @pastpresentfeature

Nach einer Umbauphase öffnet das NS-Dokumentationszentrum in München seine Türen wieder, genau zum 10-jährigen Jubiläum. Niels Beintker hat sich in dem Haus am Königsplatz umgesehen / Geschichten an das Kriegsende: Bayern 2 hat Hörerinnen und Hörer aufgefordert, ihre persönlichen Erinnerungen als Sprachnachricht zu schicken. Mit dabei: Ulrich Wittig aus Obergiesing / "Oslo Dreams", der zweite Teil der Oslo-Trilogie von Daag Johan Haugerud hat auf der Berlinale den Goldenen Bären gewonnen, jetzt ist der Film in den deutschen Kinos zu sehen. Von Lars Meyer / "Max & Joy": Über das wohl berühmteste Musikerpaar aus Deutschland gibt es nun einen Dokumentarfilm, zu sehen ab sofort in der ARD Mediathek. Anja Caspary hat die Doku gesehen.

In this conversation, Yiwen Cao discusses her groundbreaking AI-generated film 'What's Next?', which premiered at the 2025 Berlin Film Festival. Although past films about AI are discussed, including “Her”, “A.I.”, “Ex Machina”, and “The Matrix”, Yiwen's favorite movie is Billy Wilder's 1959 comedy/musical “Some Like It Hot”.She shares insights into the creative process, including making the film over six and a half days on no sleep, the themes of the film, and the role of AI in filmmaking, emphasizing the importance of social commentary in her work.Yiwen reflects on the audience's reception of AI films, addresses the future of AI in the film industry, and offers advice for aspiring filmmakers.What Movies Are You Watching?Like, subscribe and follow us on our socials @pastpresentfeature

Phil Cox discusses the importance and challenges of navigating the film ecosystem and festival landscape, and the innovative storytelling techniques used in his documentary “Khartoum”, which just screened at the Berlin Film Festival following its Sundance premiere. Past filmmakers discussed include the films of Frederick Wiseman and Joshua Oppenheimer.Phil shares insights on collaboration and community among filmmakers, the challenges of activist filmmaking, which aims to resist traditional narratives, and the significance of self-care in the industry. He also addresses cultural sensitivity in storytelling and the intricacies of structuring non-linear narratives, all while reflecting on his journey as a filmmaker and the future of independent filmmaking.What Movies Are You Watching?Like, subscribe and follow us on our socials @pastpresentfeature

Hélène Cattet, Bruno Forzani et Yannick Renier sont aussi nos invités pour la film "Reflet dans un diamant mort". Le film était en Compétition officielle à la Berlinale en février dernier et est un hommage au film d'espionnage à la James Bond. John D, un septuagénaire vivant dans un hôtel de luxe sur la Côte d'Azur, est intrigué par sa voisine de chambre qui lui rappelle les heures les plus folles de la Riviera durant les années 60. À cette époque, il était espion dans un monde en pleine expansion et plein de promesses. Un jour, cette voisine disparaît mystérieusement… et replonge John face à ses démons : ses adversaires d'antan sont-ils de retour pour semer le chaos dans son monde idyllique ? Merci pour votre écoute Entrez sans Frapper c'est également en direct tous les jours de la semaine de 16h à 17h30 sur www.rtbf.be/lapremiere Retrouvez l'ensemble des épisodes et les émission en version intégrale (avec la musique donc) de Entrez sans Frapper sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/8521 Abonnez-vous également à la partie "Bagarre dans la discothèque" en suivant ce lien: https://audmns.com/HSfAmLDEt si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Vous pourriez également apprécier ces autres podcasts issus de notre large catalogue: Le voyage du Stradivarius Feuermann : https://audmns.com/rxPHqEENoir Jaune Rouge - Belgian Crime Story : https://feeds.audiomeans.fr/feed/6e3f3e0e-6d9e-4da7-99d5-f8c0833912c5.xmlLes Petits Papiers : https://audmns.com/tHQpfAm Des rencontres inspirantes avec des artistes de tous horizons. Galaxie BD: https://audmns.com/nyJXESu Notre podcast hebdomadaire autour du 9ème art.Nom: Van Hamme, Profession: Scénariste : https://audmns.com/ZAoAJZF Notre série à propos du créateur de XII et Thorgal. Franquin par Franquin : https://audmns.com/NjMxxMg Ecoutez la voix du créateur de Gaston (et de tant d'autres...) Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

As the German Film Festival  rolls out across the country, we meet two directors featured in this year's lineup...Acclaimed director Andres Veiel discusses his documentary Riefenstahl, a captivating insight into the private estate of Leni Riefenstahl and her complex relationship with the Nazi regime.Award-winning director Mehmet Akif Büyükatalay's second feature, Hysteria, comes to Australia directly from the 2025 Berlinale...a suspenseful behind-the-scenes conspiracy thriller about a real-life 1993 arson incident on the set of a film production.Presenter: Jason Di RossoProducer: Sarah CorbettSound engineer: Ross RichardsonExecutive producer: Rhiannon Brown

Nayibe Tavares-Abel shares her journey from a political science background to becoming a documentary filmmaker. She discusses her film “Colossal”, which just premiered at Berlinale. Past films discussed include “Beyond Utopia” by Madeleine Gavin.Nayibe's film intertwines her family history with the political landscape of the Dominican Republic, exploring themes of political violence, activism, and the importance of storytelling. She emphasizes the challenges of documentary filmmaking, the significance of family archives, and the universal themes that can emerge from specific stories. Nayibe also reflects on the evolution of her film, the importance of building relationships in the filmmaking process, and how her filmmaking journey began with her Grandmother's camcorder.What Movies Are You Watching?Like, subscribe and follow us on our socials @pastpresentfeature

Rainer Rother ist Direktor der Deutschen Kinemathek. Seit fast 20 Jahren ist er in Berlin für das Bewahren von Filmen zuständig, er hat zahlreiche Ausstellungen kuratiert und leitet die Retrospektive der Berlinale. Doch im Mai 2025 ist Schluss. Heise, Katrin www.deutschlandfunkkultur.de, Im Gespräch

Caroline Monnet is a multidisciplinary artist of Anishinaabe and French ancestry, based in Montreal. She has carved out her own path as an artist and filmmaker, building a practice rooted in Indigenous knowledge systems and contemporary expression. Her work explores identity, community, and the impact of colonialism—offering any creative entrepreneur or artist a powerful model of what it means to build a practice anchored in intention and vision.Caroline brings a rich, critical perspective to her work. Her art has been exhibited globally—from the Whitney Biennial to the Montreal Museum of Fine Arts and the National Gallery of Canada. Her films have screened at TIFF, Sundance, Berlinale, and beyond. And she's received major accolades, including the Prix Pierre-Ayot, a Sobey Art Award nomination, and a residency with the Cannes Film Festival's Cinefondation.In our conversation, Caroline shares the realities of navigating the art world independently—and speaks candidly about how, as she puts it, “no one tells artists they need to be entrepreneurs too.” Her insights offer powerful takeaways not only for creatives, but for any woman building a business or forging her own path professionally.This conversation airs this week as we get ready to debut our new podcast, Collection'elle, in a few days. This new show aims to encourage women to engage in contemporary art collecting—at a time when women are rising in influence in the art world, yet women artists remain underrepresented in collections. Collection'elle highlights the voices of women artists like Caroline, while also decoding market dynamics through conversations with gallerists, curators, and art-world insiders. Her full interview will continue there, but today, you'll get a first listen to Caroline's story of building a creative practice that's deeply personal, political, and visionary.This season of our podcast is brought to you by TD Canada Women in Enterprise. TD is proud to support women entrepreneurs and help them achieve success and growth through its program of educational workshops, financing and mentorship opportunities! Please find out how you can benefit from their support! Visit: TBIF: thebrandisfemale.com // TD Women in Enterprise: td.com/ca/en/business-banking/small-business/women-in-business // Follow us on Instagram: instagram.com/thebrandisfemale

Dylan Southern talks about his film “The Thing with Feathers,” based on Max Porter's book and starring Benedict Cumberbatch, which delves into themes of loss and family relationships after a mother's passing. The film made its debut at this year's Sundance Film Festival, followed by Berlinale. He also references previous films that inspired him, including Steven Spielberg's “E.T.”Dylan shares his experience of transforming the book into a film, highlighting the need to grasp the emotional heart of the narrative. He discusses the complexities of portraying grief, noting that it is often non-linear and can be both cyclical and unpredictable.He elaborates on the fusion of horror and dark humor to illustrate grief and reflects on how personal experiences shape storytelling, stressing the importance of emotional authenticity in film.What Movies Are You Watching?Like, subscribe and follow us on our socials @pastpresentfeature

Sarah Miro Fischer is the director of “The Good Sister”, which just enjoyed its World premiere in the Panorama section at this year's Berlin Film Festival. Past films discussed include Thomas Vinterburg's “The Hunt”.Sarah discusses her emotional journey of premiering at Berlin, sharing insights into her filmmaking process which includes a fruitful collaboration with co-writer Agnes Maagaard Petersen, and the challenges of addressing sensitive themes, which require trust and open communication. She emphasizes the importance of preparation and adaptability when making a film, how audience engagement is crucial to spark discussion and reflection, and that Filmmaking is a journey that often requires a leap of faith.What Movies Are You Watching?Like, subscribe and follow us on our socials @pastpresentfeature

Segunda parte de nuestra conversación con esta chica trans. Chilena, Simone llegó a España luego del éxito internacional de la película Las Plantas, de Roberto Doveris, ganadora del festival de cine “Berlinale” en su categoría de generación, desde entonces esta actriz, dramaturga y directora combina su trabajo como actriz con la dirección de la Escuela de Artes Laboratorio Escénico. Durante su estancia en España Simone inició el proceso de cambio de sexo y hoy en día vive en el cuerpo y la vida que siempre quizo. Titulada de la universidad de las artes y ciencias sociales, en su natal Chile. A lo largo de su carrera ha podido desarrollarse tanto en teatro, tv y cine, es así como después de 16 años dedicada a las artes escénicas, crea Laboratorio Escénico, un espacio de creación e investigación que ofrece al alumnado una formación integral acompañando así los procesos individuales y grupales. Su último rodaje ha sido la Miss Ccarbón de Agustina Macrí que espera su estreno en salas en este 2025.

Simone es una mujer trans. Originaria de Chile, Simone llegó a España luego del éxito internacional de la película Las Plantas, de Roberto Doveris, ganadora del festival de cine “Berlinale” en su categoría de generación, desde entonces esta actriz, dramaturga y directora combina su trabajo como actriz con la dirección de la Escuela de Artes Laboratorio Escénico. Durante su estancia en España Simone inició el proceso de cambio de sexo y hoy en día vive en el cuerpo y la vida que siempre quizo. Titulada de la universidad de las artes y ciencias sociales, en su natal Chile. A lo largo de su carrera ha podido desarrollarse tanto en teatro, tv y cine, es así como después de 16 años dedicada a las artes escénicas, crea Laboratorio Escénico, un espacio de creación e investigación que ofrece al alumnado una formación integral acompañando así los procesos individuales y grupales. Su último rodaje ha sido la Miss Carbón de Agustina Macrí que espera su estreno en salas en este 2025.

Was bewegt Norwegen im Frühjahr 2025?In dieser Folge sprechen wir über große Themen, die das Land beschäftigen – politisch, kulturell und gesellschaftlich. Der ehemalige Premierminister Jens Stoltenberg ist zurück – als Finanzminister – und bringt neuen Schwung in die Regierung. Gleichzeitig sorgt Jakob Ingebrigtsen, Norwegens bekanntester Läufer, für Schlagzeilen: Im laufenden Prozess sagt er gegen seinen eigenen Vater und früheren Trainer aus.Auch im Schulalltag tut sich was – immer mehr norwegische Schulen führen ein konsequentes Handyverbot ein. Und während sich darüber noch gestritten wird, feiert das norwegische Kino große Erfolge: Der Goldene Bär der Berlinale geht an eine queere Liebesgeschichte aus Norwegen.Und: Norwegen ist in diesem Jahr Gastland der Leipziger Buchmesse – ein Anlass, um über Literatur, Förderung und kulturelle Brücken zu sprechen.Diese Folge gibt es auch als Video: https://www.youtube.com/watch?v=7pR4ZvkTIMQFolgt uns auf Instagram unter nestennorwegischWir freuen uns über Feedback oder Buchungen an: nestennorwegischpodcast@gmail.comDie Musik stammt von Uppbeat (free for Creators!):https://uppbeat.io/t/soundroll/when-my-ukulele-play Hosted on Acast. See acast.com/privacy for more information.

Today on the show we have Oscar® nominated documentarians Betsy West & Julie Cohen.Betsy West (Director/Producer) is an Academy Award®-nominated Emmy winning director/producer of RBG (Magnolia, Participant, CNN Films, 2018), along with Julie Cohen. Most recently, she and Cohen directed My Name is Pauli Murray (Participant/Amazon Studios), which premiered at the Sundance Film Festival in 2021.Betsy was executive producer of the MAKERS PBS/AOL documentary and digital series about the modern women's movement, and the feature documentary The Lavender Scare (PBS, 2019). As an ABC News producer and executive producer of the documentary series Turning Point, she won 21 Emmy awards. Betsy is the Fred W. Friendly Professor Emerita at Columbia Journalism School.Julie Cohen (Director/Producer) is the Academy Award® nominated, Emmy winning director and producer of RBG (Magnolia, Participant, CNN Films, 2018) along with Betsy West.Her film My Name is Pauli Murray, also directed with West, premiered at the 2021 Sundance Film Festival.Previous films she's directed include The Sturgeon Queens (7th Art Releasing; Berlinale, 2015; Best of the Fest, San Francisco Jewish Film Festival), and Ndiphilela Ukucula: I Live to Sing (2014 New York Emmy Award for Best Arts Program).Before she started making documentaries, Julie was a longtime staff producer for NBC News. She's been an enthusiastic amateur cook and baker ever since her parents bought her a Cuisinart for her bat mitzvah in the 1970s.Their current film is called JULIA. The film tells the remarkable story of the groundbreaking cookbook author and television superstar who forever changed the way Americans think about food, about television, and even about women.Using a treasure trove of never-before-seen archival video, personal still photos, first-person narratives, and cutting-edge, mouth-watering food cinematography, the documentary will trace Julia Child's surprising path, from her struggles to create and publish the revolutionary ‘instant' classic Mastering the Art of French Cooking (1961, Knopf Doubleday Publishing Group), to her empowering personal story of a woman in her 50s, finding her calling as an unlikely television sensation.This is the first feature-length documentary solely devoted to Julia Child, and will illuminate her casual upheaval of the male-dominated culinary and television worlds.Almost single-handedly, Julia Child upended the mythology that women could not hold their own at the highest levels of creative gastronomy, and that the only women Americans wanted to see on TV were young, submissive, and conventionally beautiful.JULIA is produced with the full cooperation of Julia Child's friends, family, and the Julia Child Foundation.  It follows the highly-acclaimed documentary, RBG, executive produced by CNN Films, directed and produced by West and Cohen through their company Storyville Films, and edited by Carla Gutierrez, who will also edit JULIA.The film comes out Nov 12 in-theatres NY/LA followed by nationwide expansion.In this episode we not only discuss the making of Julia and RBG but also cover how they approach documentary, the craft of tell stories and much more.Enjoy my conversation with Betsy West & Julie Cohen.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Es ist angerichtet… zum Auftakt unseres Comebacks nach zwei kräfteraubenden Festival-Besuchen in Göteborg und bei der Berlinale. Im ersten von mehreren “Schammenüs”, wie Daniel sie selber nennt, liefern wir nachträglich unsere Kritiken zu einigen Filmen nach, die zwischen Mitte Januar und Ende März in Deutschland erschienen sind, von uns aber bislang noch nicht im Podcast besprochen wurden. In dieser Ausgabe sind das eine Neuverfilmung von Der Graf von Monte Christo, Babygirl sowie das Biopic Maria.

Für ihre Arbeit wurde unser heutiger Gast vielfach ausgezeichnet, hier mal eine Auswahl: Telestar, Grimme-Preis (nicht nur einmal), Goldene Schallplatte, Bayerischer Filmpreis (nicht nur einmal), Goldene Kamera, Preis der dt. Filmkritik, Kunstpreis Berlin und auch den Sonderpreis beim Fernsehfilmpreis. Das ist ja allerhand. Nun ist die 1972 in West-Berlin geborene Nicolette Krebitz allerdings auch breit aufgestellt, als Schauspielerin, Regisseurin, Musikerin, Sprecherin und Drehbuchautorin. Durch Filme wie "Bandits" wurde sie für eine ganze Generation zur Projektionsfläche. Das ist dem Schauspielberuf zueigen, es hat Vor- und Nachteile, aber wie wird man das Bild, das andere von dir haben, bitte wieder los? Indem man sich immer wieder und immer weiter verändert. Das zumindest wäre eine Erklärung dafür, warum sich Nicolette Krebitz nie auszuruhen scheint. Aus dem Tanz ins Schauspiel, aus dem Schauspiel in die Regie, vom Bekannten hin zum Neuen. Vier sogenannte Longplayer hat sie als Regisseurin bislang vorgelegt, aktuell spielt sie neben Lars Eidinger eine Hauptrolle im Eröffnungsfilm der diesjährigen Berlinale unter der Regie von Tom Tykwer. Playlist: Kid Frost - La Raza Fleedwood Mac - Landslide Tylor the Creator - See you again Prince - I wanna be your Lover Jimi Hendrix - Up from the Skies Laurie Anderson & Jean Michel Jarre - Rely on me# Aaliyah - One in a Million Patti Jo - Make me believe in you Carpenters - Close to you Michael Jackson - We're almost there Diese Podcast-Episode steht unter der Creative Commons Lizenz CC BY-NC-ND 4.0.

Yeni köşemiz "Bizden Biri"nin bu bölümünde sanat dünyasının başarılı bir simasını konuk ettik: Meltem Kaptan! Ladies Night ve Quatsch Comedy Club gibi çeşitli komedi formatlarında rol alan Kaptan, çocukluk yıllarından başlayarak "Berlinale" festivalindeki en iyi kadın oyuncu ödülüne kadar uzanan hayat hikayesini sunucumuz Aydın Işık'a anlattı. Renkli ve keyifli bir sohbet dinlemeye hazır mısınız? Von Aydin Isik.

In this episode of Future of Film Podcast, we're joined by Fiona Gillies and Mahesh Ramachandra, co-founders of SMASH — the innovative platform that's transforming how creators connect with industry decision-makers. SMASH is rethinking the pitching process from the ground up—offering creators a structured, accessible space to build and share their projects, while helping commissioners and buyers discover the stories they're truly looking for. In this conversation, Fiona and Mahesh share the origin story of Smash, explore how AI and smart data are shaping the future of development, and offer practical advice for filmmakers looking to sharpen their pitches and navigate the industry with confidence. We also discuss the art (and pain) of writing a great logline, how to stand out in a crowded marketplace, and why the future of pitching is all about transparency, connection, and creator empowerment. This episode was recorded as part of Future of Film Africa 2024 in partnership with Sèmè City of the Republic of Benin. About Fiona Gillies - Indie Producer & SMASH co-founder Fiona has produced award winning features and shorts.  The Beat Beneath my Feet was in competition in the Berlinale, and her debut feature City Slacker was nominated for a BIFA. She began her career with director Roger Michell at the RSC and has worked extensively both in front and behind the camera.  She co-founded SMASH, the Rights and IP Marketplace, with fellow producer Christine Hartland and digital pioneer Mahesh Ramachandra to encourage new, diverse talent to engage with decision makers. About Mahesh Ramachandra – Co-founder / CPO Mahesh is a digital product expert with 25 years of experience building and operating B2B SaaS and B2C entertainment services around the world. He focuses on early-stage products and companies, specialising in product conceptualisation, building teams, lean development, finding product-market fit, and scaling to success. Mahesh recently led the pre-school mobile app studio at eOne (Hasbro) and was previously Chief Product Officer at KidsKnowBest, Azoomee and Hopster, the award-winning SVOD service for kids. Prior to that, he developed and operated live interactive television programmes globally for almost 10 years, following stints in edtech and running his own interactive media studio. Mahesh is a regular speaker at industry conferences such as Kidscreen and the Edinburgh Television Festival and has been a judge for the Interactive Emmy Awards. He is a mentor with the BYP (Black Young Professionals) Network and is a team advisor with Antler Incubator. Mahesh has an MA in Design for Interactive Media from Middlesex University. My SMASH Media won a Gold Award for Tech Innovation at Cannes NEXT, the Innovation section of the 2023 Cannes Film Festival. Check out SMASH at www.mysmash.media

From breaking bones to trudging through snow – it is a Foley artist's role to reproduce the everyday sound effects that are added to film, TV and games. By using a variety of unconventional props and their own bodies, the goal is to create an authentic soundscape that will enhance our auditory experience. If the Foley goes unnoticed then they've done their job well! Datshiane Navanayagam speaks to two award winning Foley artists and asks what it's like to spend so much time, quite literally stepping into someone else's shoes. Caoimhe Doyle has over 25 years' experience creating Foley sound effects and footsteps for film, television and video games. She's been nominated three times for the MPSE Golden Reel Award for her work on Colm Bairéad's An Cailín Ciúin (The Quiet Girl), The Favourite, directed by Yorgos Lanthimos and David Cronenberg's Eastern Promises. In 2011 she won a MPSE Golden Reel Award and was nominated for an Emmy for her work on Game of Thrones: Season 1 and is a current MPSE nominee for work on Rich Peppiatt's Kneecap. Caoimhe collaborates with an all-female team out of The Foley Lab in a quiet part of County Wicklow in Ireland.Marita Sbeih is a Lebanese Foley artist and one of only a handful working in the Middle East. Since 2018, she has been the dedicated Foley Artist at DB Studios in Beirut, which provides audio post-production for films, documentaries, and art productions from around the globe. Pursuing a career as a Foley artist in a country with many unique challenges has been far from easy, but Marita has built an impressive list of credits for Foley and footsteps in some of the Arab world's more distinguished art-house and indie productions, as well as international projects. Most recently, she worked on Hot Milk, a UK film directed by Rebecca Lenkiewicz, which was selected for the official competition at the 75th Berlinale (2025).Produced by Hannah Dean (Image: (L) Caoimhe Doyle courtesy Caoimhe Doyle. (R) Marita Sbeih credit Lama Sawaya.)

V recenzní části se mimo jiné podíváme na sbírku básnivých, abstraktních povídek Václava Maxmiliána Nové byty, nové pokoje, která zavádí do světa vzdorujícího jednoznačnému vymezení, plného tajemství a založeném na jazyce a dialogu. A na řadu přijde i pravidelná soutěž. Moderuje Karolína Koubová.

Ep. 305: K.J. Relth-Miller on Berlinale Classics: Tenderness of the Wolves, Solo Sunny, Spare Parts, Don't Cheat, Darling! Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. This week I welcome back K.J. Relth-Miller, director of film programs at the Academy Museum in Los Angeles, to hear about her latest travels through new restorations and revivals. As we did last year, we explore this year's Berlinale Classics, a section at the Berlin film festival devoted to restorations and revivals. Our focus is “Wild, Weird, Bloody!”—a series devoted to German genre cinema in all its splendor. We discuss films ranging from horror to musical to crime drama, including: Tenderness of the Wolves (directed by Ulli Lommel), Solo Sunny (Konrad Wolf), Spare Parts (Rainer Erler), Don't Cheat, Darling! (Joachim Hasler), and Hat Off When You Kiss (Rolf Losansky). Plus: a new Hitchcock restoration, The Paradine Case. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

On the February edition of the Cinetopia Radio Show & Podcast, the team (Clara, Garry, and Amanda) go to Berlin to cover the 75th Berlinale, reviewing 4 films, Peter Hujar's Day directed by Ira Sachs and starring Ben Whishaw and Rebecca HallBlue Moon, directed by Richard Linklater and Starring Ethan Hawke, Margaret Qualley, Andrew Scott and BobbyCanavaleLesbian Space Princess, an Australian animation by Emma Hough Hobbs, Leela Varghese, and finally Koki Ciao, which won Berlinale Shorts CUPRA Filmmaker Award. Cinetopia contributor Clara Strachan interviews Quentin Miller, the director of Koki Ciao, and Cinetopia's host, Amanda, sat down with Billy Shebar, the director of Monk in Pieces, a documentary about the new york avante-garde artist and composer, Meredith Monk.

Der unsympathischste Podcast Deutschlands ist zurück, um euch die wichtigsten Film- und Serienstarts der Woche zu präsentieren. Mit im Gepäck: ein Biopic über Bob Dylan, neue Staffeln von „Reacher“ und „White Lotus“, der Eröffnungsfilm der Berlinale und ein brillantes Knastdrama.00:00 Start08:30 Like A Complete Unknown20:47 Sing Sing33:58 Reacher41:26 The White Lotus48:13 Zero Day50:43 Das Licht58:42 HeldinAlle Werbepartner und weiterführende Infos findest du hier: https://linktr.ee/zweiwiepechundschwafel Hosted on Acast. See acast.com/privacy for more information.

Deutschland hat gewählt und die Berlinale ist rum. Wir sprechen über letzteres: Janick, Christian und Lucas sprechen über das Festival, ob die neue Leitung Tricia Tuttle neue Impulse setzen konnte, und was wir so gesehen haben. Es geht unter anderem um: - "Das Licht" von Tom Tykwer - "Mickey 17" von Bong Joon-ho - "The Ice Tower" von Lucile Hadzihalilovic - "What Does that Nature Say to you?" von Hong Sang-soo - "Reflection in a Dead Diamond" von Bruno Forzani & Hélène Cattet - "Palliativstation" von Philipp Döring - "The Ugly Stepsister" von Emilie Blichfeldt - "If I Had Legs I'd Kick You" von Mary Bronstein - "Kontinental '25" von Radu Jude

Co především je ve hře v dnešních předčasných volbách do německého Bundestagu? Jak vážně vyznívají s odstupem několika dnů a krátce před třetím výročím ruské agrese proti Ukrajině ostré výroky Donalda Trumpa na adresu prezidenta Zelenského? A čím zaujal porotu filmového festivalu Berlinale vítězný snímek Sny norského režiséra Daga Johana Haugeruda.

Acaba una edición de la Berlinale marcada por la tensión política, tanto en Alemania como en el mundo por la sombra de las primeras decisiones de Trump. En este episodio repasamos lo más destacado, escuchamos a Eva Libertad, directora de 'Sorda' y también nos vamos de rodaje con Alberto San Juan. Entre los estrenos, analizamos el universo de Nacho Vigalondo en 'Daniela Forever', hablamos de placer y deseo en la madurez con 'Memorias de un cuerpo que arde' y, por supuesto, os recomendamos 'Aún estoy aquí', de Walter Salles. En 30 minutos os ponemos al día del cine y las series.

Die Themen: Neuer Ernährungstrend "Gottesnahrung"; Netflix-Serie über Jerry Springer; Berlinale geht zu Ende; BGH urteilt zu Urheberrecht Birkenstock sind keine Kunst; Dad Rock und Dad Sneaker; Bundestagswahl 2025 und Debüt Roman „Klapper“ von Kurt Prödel Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/ApokalypseundFilterkaffee

Anne Thompson and Ryan Lattanzio discuss who could win big at the 2025 Spirit Awards. Plus Ryan visit to Berlinale, Oscar shorts reviews and the state of the James Bond franchise. Learn more about your ad choices. Visit megaphone.fm/adchoices

Adam und Hanna sind in Berlin wieder im Studio zusammengekommen, um eine (leicht) verspätete Folge vom SJ Weekly abzuliefern. Diesmal beschäftigen uns im News-Bereich die Verlängerung von “The Lord of the Rings: The Rings of Power” und die angeblichen Abrufzahlen, aber auch die Rückkehrtermin von “The Last of Us” und “The Handmaid's Tale”. In einem eigenem Ableger geht es auch für die beliebte Serie “Blue Bloods” weiter. Eine Rückkehr feiern “Der Lehrer” und “Club der roten Bänder” und die Broccolis ziehen sich bei James Bond zurück, während “Cassandra” zumindest international als Hit gilt. Das alles und Hannas Eindrücke von der Berlinale 2025, sowie einige schnelle Reviews zu “Win or Lose”, “Cobra Kai”, “Spuren”, “Zero Day”, “Mo” und “Captain America: Brave New World” haben wir in dieser Folge ebenso zu bieten.Hanna Twitter/ X: https://twitter.com/HannaHuge Bluesky: https://bsky.app/profile/mediawhore.bsky.social Instagram: https://www.instagram.com/mediawhore Adam: Twitter/ X: https://twitter.com/AwesomeArndt Instagram: https://www.instagram.com/awesomearndt/ Youtube: https://www.youtube.com/@AwesomeArndtTimestamps:News0:01:30 The Rings of Power S3 bestätigt - 170 Mio Zuschauer?, WoT S2 0:04:15 ACOTAR, Blue Bloods erhält Spin-off0:08:30 Last of Us S2, Handmaids Tale S60:15:00 Bond ist zurück, Peaky Blinders0:19:00 Cassandra, Der Lehrer und Club der roten Bänder0:23:00 BerlinaleReviews 0:31:00 Cobra Kai, Win or Lose, Prime Target0:36:00 Mo S2, Cap - Brave New World0:40:00 Basketball-Dokus, Spiderman, 0:45:00 Beast Games, 0:48:00 Starts Hosted on Acast. See acast.com/privacy for more information.

Getting blinded by the potential "light," is Jordan revved up like a deuce, another roamer in the night?

Um ein Praktikum zu bekommen, rief Jan-Ole Gerster vierzig Mal bei einer Produktionsfirma an - es klappte. Mit seinem Debüt "Oh Boy" gelang ihm ein Überraschungserfolg. Nun ist der Regisseur mit dem Urlaubs-Thriller "Islands" auf der Berlinale. Bürger, Britta www.deutschlandfunkkultur.de, Im Gespräch

Ep. 300: Julia Loktev on My Undesirable Friends: Part I—Last Air in Moscow Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. Last October I interviewed the filmmaker Julia Loktev during the New York Film Festival about her latest work, My Undesirable Friends: Part I—Last Air in Moscow. This week her film has its international premiere at the Berlinale. It's about independent journalists in Russia before and after the start of Putin's full-scale invasion of Ukraine. When I spoke to Loktev last fall, I asked about how skillfully the five-hour-plus movie is put together, and she in turn explained how the situation in Russia grew even worse with the invasion. Since then, Trump's election in the United States and his radical re-shaping of the government have created an additional context for the film, in which Loktev's descriptions of Russia's strategies of suppression and deception start to sound even more like a frightening warning. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

US-Präsident Trump bezeichnet Ukraines Präsident Selenskyj als "Diktator ohne Wahlen", Ein Monat Donald Trump als Präsident: Dekrete über Dekrete, Ein Monat Donald Trump und der Blick der Amerikaner auf ihren Präsidenten, Italienische Stadt Bergamo kämpft um juristische Aufarbeitung des Corona-Ausbruchs mit tausenden Toten vor fünf Jahren, Weitere Meldungen im Überblick, Deutsche Filme im Wettbewerb auf der Berlinale, Das Wetter Hinweis: Die Sendung wurde nachträglich redaktionell bearbeitet.

Als junge Frau machte sie in Honduras Theater mit Straßenkindern. Gerechtigkeit ist ein wichtiges Thema für Schauspielerin Valérie Pachner. Auf der Berlinale ist sie im Film Delicious zu sehen, in dem es auch um soziale Unterschiede geht. Wiese, Tim www.deutschlandfunkkultur.de, Im Gespräch

Ep. 299: Jordan Cronk on Berlinale 2025: What Marielle Knows, new James Benning and Kevin Jerome Everson, Olmo, After Dreaming, Paul Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. Look at me, I'm at the 75th Berlinale! For my latest dispatch, I spoke with a regular of the festival, Jordan Cronk, about titles from a mix of sections. Films discussed include: James Benning's latest, Little Boy, and Kevin Jerome Everson's latest, When the Sun is Eaten (from Forum and Forum Expanded, respectively); Olmo, directed by Fernando Eimbcke, in Panorama; What Marielle Knows, a Competition title directed by Frédéric Hambalek; Paul, from Denis Côté (in Panorama Dokumente); and After Dreaming, directed by Christine Haroutounian (in Forum). Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Jak chce koalice a opozice naložit s prezidentským vetem novely, která upravuje platy politiků a soudců? Jaké bezpečnostní záruky může Evropa poskytnout Ukrajině v případě ukončení války s Ruskem? A jakou Ukrajinu představí v pondělí na festivalu Berlinale film Čas do zásahu? Poslechněte si celou odpolední publicistiku s Věrou Štechrovou.

Jay-Z ve Diddy'e kendisine 13 yaşındayken cinsel istismarda bulundukları gerekçesiyle dava açan kadın davadan çekildi, birçok meslek birliği ve sinemacı tarafından boykot edilen Berlinale tartışmalı başladı.Bu bölüm EY hakkında reklam içermektedir. Uluslararası danışmanlık şirketi EY, yeni küresel stratejisi doğrultusunda tüm paydaşlarıyla birlikte geleceğe yön verme hedefiyle, en büyük etkiyi yaratacak stratejik yatırımlara odaklanıyor. EY'ın yeni stratejisi hakkında daha fazla bilgiye buradan ulaşabilirsiniz. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ep. 298: Jonathan Romney on Mickey 17 and Dreams at Berlin 2025 Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. The Berlinale begins its 75th edition this year, and I've been busily seeing movies and talking to critics here at the festival. To kick things off I'm joined by Jonathan Romney (of Screen Daily and the Observer) to discuss the hotly anticipated Mickey 17 from multiple-Oscar-winner Bong Joon Ho, headlined by Robert Pattinson, and the latest Michel Franco provocation, Dreams, starring Jessica Chastain and Isaac Hernandez. Both were world premieres, with Mickey 17 opening in the U.S. on March 7. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Finiquitada la campaña de premios en España, afrontamos una temporada que empieza en la Berlinale. Aquí se presenta 'Sorda', la ópera prima de Eva Libertad, y os iremos contando lo nuevo que trae el cine de autor. Hasta los Oscar no nos libramos de los premios internacionales, esta semana le toca a los Bafta, los premios del cine británico, donde 'Anora' llega fuerte a estas últimas semanas. Por supuesto, repasamos los estrenos con Capitán América, con Bridget Jones, con un precioso drama italiano y con el debut del nieto de Bergman. Menú completo de cine y series en media hora

Heute mit der Fernsehmoderatorin und Journalistin und Autorin Aline Abboud und folgenden Themen: Dreiste Grußbotschaft nach Fahrerflucht, Timothée Chalamet kommt zur Berlinale, Vom Duell zum Quadrell am Sonntag, wieviel TV-Debatten braucht Deutschland, um eine Wahlentscheidung zu treffen, Alines Buch: "Barfuß in Tetas Garten", eine weitere Bucherwähnung: David Goggings "Can't hurt me", Stefan Raab ist wieder im FreeTV, Neue Gäste alte Witze. Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/ApokalypseundFilterkaffee

Die Themen: Mutmaßlicher Anschlag in München; Krieg in der Ukraine und Sicherheitskonferenz; Neue Suche nach einer Regierung in Wien; Anschlag auf Flüchtlingswohnheim in Senftenberg verhindert; Eröffnung der 75. Berlinale; Olaf Scholz und Joe Chialo; Lehrerin benimmt sich wie eine Katze. Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/ApokalypseundFilterkaffee

Auto fährt in München in Menschengruppe, Entsetzen und harte Forderungen nach mutmaßlichen Anschlag, Prozess um Polizistenmord in Mannheim, Sachsen-Anhalt: Untersuchungsausschuss zu Magdeburg-Anschlag nimmt Arbeit auf, US-Vorstoß zu Ukraine alarmiert europäische NATO-Partner, Ukraine lehnt Friedensabkommen ohne Mitsprache der Ukraine ab, CDU-Politiker Chialo fühlt sich von Scholz' Worten verletzt und herabgewürdigt, Commerzbank streicht fast 4.000 Jobs, Dresden erinnert an Bombardierung vor 80 Jahren, Berlinale 2025 startet, Das Wetter

Mann fährt in München mit Auto in Menschenmenge, Rufe nach Konsequenzen aus mutmaßlichem Anschlag, Die Meinung, ARD-Deutschland Trend: Union festigt Position als stärkste Kraft, Aufschrei in der Ukraine: "Wir werden verraten", Weitere Nachrichten im Überblick, Auftakt der Berlinale, Das Wetter

A regular news roundup, followed by a selection of stories from the past week. Today, a breast cancer survivor on World Cancer Day, the safety of protesters at recent demonstrations, Slovakia in the Berlinale film festival, and climate anxiety effecting mental wellbeing

For Episode 427, while Matt Neglia is away at Sundance, Daniel Howat hosts this week's episode featuring Lauren LaMagna and Will Mavity as they discuss the 2025 Oscar nominations, the fallout of the announcement from last week and what it means for the Best Picture race. They also discuss the SXSW & Berlinale lineups, reveal the winner of last week's poll, asking, "Which Oscar Nomination For The 97th Academy Awards Made You The Happiest?" and ask this week's poll question, "Which Film Do You Think Will Be The Next Best Picture Oscar Winner?" They also answer your fan-submitted questions and give their reactions to the trailers for "Opus," "Drop," and "Hell Of A Summer." Also, please be sure to vote on this year's NBP Film Community Awards Nominations here (voting is open until February 1st). As always, thank you so very much for listening, supporting, and subscribing. Enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices