Podcast appearances and mentions of elizabeth diller

Elizabeth Diller is a partner and co-founder of Diller Scofidio + Renfro where she's worked on a range of buildings including New York's The Shed, the Highline, and an expansion of MoMA. Since 1981, the studio's practices has spanned architecture, urban design, installation art, multi-media performance, digital media, and print, all of which is featured in their new monograph Architecture, Not Architecture. In this conversation, Jarrett and Elizabeth talk about the evolution of her practice and approach to architecture, thinking about design both as problem solving and cultural production, and how a generation of paper architects changed the field. Links from this episode can be found at scratchingthesurface.fm/265-elizabeth-diller. 
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Throughout her career, Elizabeth Diller, the award-winning architect, educator, and founding partner of powerhouse firm Diller Scofidio + Renfro, has constantly advocated for a robust take on the profession that can transform cities and lives in a positive way. And with her firm's new massive monograph, she's made the case for the power of art and creativity in the sometimes cold and calculating world of architecture. On this first episode of season 12, Dan speaks with the visionary on her unlikely start in the profession, the romance that would change her life forever, and what cities like New York need in order to harness the power of good design. Hosted on Acast. See acast.com/privacy for more information.

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 Vista della Mostra al MAXXI di Roma Buone nuove Donne in Architettura al MAXXI di Romaa curda di  Pippo Ciorra Elena Motisi, Elena Tinaccisino all 11 Settembre  20225. Elizabeth Diller. Diller+ Scofidio and Renfro partners  Bad Press: Dissident ironing, 19936. Elizabeth DillerDiller Scofidio and Renfro Partners The Shed, New York, 2019 (installazione al MAXXI)4. Lina Malfona, Plastici di case nel Lazio°°°3 Jeanne Gang, Studio Gang, Gilder Center, New York (plastico)3a Jeanne Gang, Studio Gang, Gilder Center, New York (disegno)3b Jeanne Gang, Studio Gang, Gilder Center, New York Interno realizzazione***2 Dorte Mandrup, Icefjord Centre, 20212a Dorte Mandrup, Icefjord Centre, 2021 foto MAxxi***1 Mariam Kamara, atelier masomiNiamey Cultural Centerººº0.Benedetta Tagliabue, EMBT Spanish Pavilion, 2010 - World Expo Shanghai00.Benedetta Tagliabue, EMBT Spanish Pavilion, 2010 - World Expo Shanghai Foto plastico000.Benedetta Tagliabue, EMBT Spanish Pavilion, 2010 - World Expo Shanghai foto PlasticiLEGGI L'ARTICOLO DI SAGGIOLe idee delle donne lasciano il segnofai una cosa di sinistra!COMPRA O ABBONATI A LEFT

Elizabeth Diller explica que los arquitectos debemos defender enérgicamente al espacio público frente a los intereses privados de los clientes

WAF KeynoteElizabeth Diller, Partner, Diller Scofidio + RenfroChair: Jeremy Melvin, Curator, World Architecture FestivalThis episode was recorded at WAF 2019. See acast.com/privacy for privacy and opt-out information.

Cities are becoming increasingly privatized: commercial real estate dominates the streets, carving up open space that once belonged to the public and selling it as a commodity to the highest bidder. Architect Elizabeth Diller explores the causes and effects of this growing threat -- and takes us on tour of her groundbreaking projects aimed at creating landscapes for the public to enjoy, from the High Line in New York City to Zaryadye Park in Moscow.

Cities are becoming increasingly privatized: commercial real estate dominates the streets, carving up open space that once belonged to the public and selling it as a commodity to the highest bidder. Architect Elizabeth Diller explores the causes and effects of this growing threat -- and takes us on tour of her groundbreaking projects aimed at creating landscapes for the public to enjoy, from the High Line in New York City to Zaryadye Park in Moscow.

A look back at the year in design, including discussions with architect Elizabeth Diller, the books of Irma Boom and how design can help tackle homelessness.

When Elizabeth Diller graduated from Cooper Union with a degree in architecture in 1979, she had no intention of necessarily becoming an architect. In fact, the Polish-born, New York–raised Diller chose architectural studies simply to explore her interests in art and physical space. Two years later, in 1981, she co-founded a forward-thinking practice with Ricardo Scofidio, who had been her professor and who she later married. At first, their budding firm fell into an avant-garde category that existed outside corporate or institutional confines of art and architecture—and indeed it often critiqued those worlds. Diller and Scofidio were primarily making edgy, visually impactful installations and theatrical projects, as well as conceiving what might even be called “paper architecture”—dream concepts seemingly unlikely to be realized. Over the past three decades, though, with the introduction of numerous technologies, the latter has become reality and, at the same time, the former has continued apace. The firm, now called Diller Scofidio + Renfro (DS+R)—Charles Renfro became a partner in 2004, Benjamin Gilmartin in 2015—has gone on to become one of the most groundbreaking, ahead-of-the-curve practices in the field. DS+R’s many cultural and civic projects around the world include the elevated High Line park in New York City’s Chelsea neighborhood; the Broad museum in L.A.; The Shed at Hudson Yards, in collaboration with Rockwell Group; an expansion of the Museum of Modern Art, opening this fall; and the Centre for Music, a permanent home to be built for the London Symphony Orchestra. Diller and her firm’s approach, which begins with questions, accounts for much of this success: “What if we made this building out of water?” “How can we create a conversation between digital media and reality?” The results are often radical. Just take the firm’s breakthrough project, the Blur Building, an “architecture of atmosphere” created for the Swiss Expo in 2002 in Lake Neuchâtel, Switzerland. The project was a rebellious, almost anti-architecture statement: the structure disappears. At its heart, the Blur captured the idea of architecture as experience, which is really what the bulk of the firm’s work achieves. DS+R’s buildings typically slow you down; they make you feel something. Today, Diller is among the most revered architects in the world. She has twice been named to the Time 100 list of the world’s most influential people, in 2009 and 2018, and she was the recipient of the first MacArthur Foundation fellowship in architecture in 1999. On this episode of Time Sensitive, Diller shares with Spencer Bailey her roundabout path to becoming an architect, the social and cultural impacts of the High Line and The Shed, and the emotional resonance of designing spaces in her home city.

Carlos Vecchio, the Venezuelan Opposition Leader's US Envoy, joins Christiane Amanpour from Washington D.C. to discuss the rising tensions in Venezuela. Shannon Watts, founder of the campaign group "Moms Demand Actions" and Robert Draper, New York Times Magazine writer, unpack why the NRA's power may be dwindling. Our Hari Sreenivasan talks to Architect Elizabeth Diller about her innovative new project "The Shed."To learn more about how CNN protects listener privacy, visit cnn.com/privacy

“I believe architecture can never really be finished,” says this founding partner of Diller Scofidio + Renfro, designers of the High Line, the Shed, and the well known so much more. But she is not creating monuments to eternity. “I think of buildings that could be repurposed or reimagined – rescripted later.” A conversation at the Center for Architecture, with music from Mamie Minch.

In this latest episode of Archinect Sessions, Ken and Donna share their experiences and thoughts on the 2017 AIA National Conference. We discuss the conversation with Michelle Obama and the keynotes by Francis Kéré (awesome), Michael Murphy (political), and Elizabeth Diller (meh).  We also address the positive changes displayed by the AIA this year, along with signs of complete lack of evolution by the Institute. Ken and Donna also share their excellent run-in and conversation with Phil Freelon and his wife Nnenna. 

It's hard to imagine a New York different from the one we know, but what would the city have been like if the ideas of some of the greatest architectural dreamers had made it beyond the drawing boards and into built form? The new book Never Built New York paints the picture of an alternative New York, with renderings, sketches, models, and stories of proposals for the city that never came to be. Internationally acclaimed architects Daniel Libeskind. Steven Holl, and Elizabeth Diller come together with author Sam Lubell to envision this alternate city. If you’re curious about some of the images discussed in this episode, visit nypl.org/podcast where you can find a link to a video of the discussion.

February 27, 2008 New York architecture firm Diller Scofidio and Renfro’s activities encompass architecture, urban design, and visual and performing arts. Recent projects include the design of the Institute of Contemporary Art, Boston (2006); and Facsimile, a permanent media installation at the new Moscone Convention Center in San Francisco (2004).