Podcast appearances and mentions of Daniel Libeskind

In this new episode of Reflections from The Three Bells, Adrian Ellis, shares insights on capital project planning and the value of defining purpose and impact before building and design.External references: Manal Ataya: https://www.linkedin.com/in/mataya-uae/ Sharjah Museums Authority: https://www.sharjahmuseums.ae/ The International Museum Leadership Congress (IMCC): https://www.museum.construction/The Bilbao effect: how Frank Gehry's Guggenheim started a global craze: https://www.theguardian.com/artanddesign/2017/oct/01/bilbao-effect-frank-gehry-guggenheim-global-craze Daniel Libeskind: https://libeskind.com/ Zaha Hadid: https://www.zaha-hadid.com/ Tadao Ando: https://www.tadao-ando.com/youth_2025/ Rem Koolhaas / OMA: https://www.oma.com/About the contributor:Adrian Ellis is the founder of AEA Consulting (1990) and the Global Cultural Districts Network (2013). He has worked in senior management and as a board member in both museums and the performing arts and as a strategy consultant to leading clients in the cultural, public, and business sectors around the world. + 

#23: How do the best residential architecture firms win work? Alex Gore of F9 Productions has figured it out. In this episode, he breaks down the real strategies behind standing out in architecture – and reveals how his team landed a dream high-end residential project in Boulder, Colorado.PS - If you're a growth-minded firm owner or leader, apply to join us inside The Studio - https://growthitect.com/studioHere's what you'll learn in the episode: → What never fails to make architects instantly more attractive to potential clients?→ Why showing your true value is more powerful than any portfolio piece→ When does taking a big risk pay off in architecture, and how do you know?→ The secret behind how F9 Productions structures proposals for an easy “Yes”→ The truth about pricing architectural services→ How to streamline your client acquisition process (without losing your mind)→ What happens when you remove friction from your onboarding? More than you'd think→ Why “substance over style” might be the design principle your firm is missing(03:55) Behind the scenes of a standout project(08:40) How to attract the right clients and filter the rest(11:46) What makes a world-class architect?(15:08) A simple way to show your design process visually(16:17) Why presenting proposals live builds instant trust(19:41) How to make your client experience smoother and faster(24:36) The secret to reassuring clients and building confidence(28:28) Why handling objections in real-time changes everything(29:51) The best way to prove you can actually deliver(33:59) Substance over style: how it really plays out in projects(37:51) How to win big-budget projects without selling your soul(39:55) How to charge more by offering something no one else doesGROWTHITECT RESOURCES→ Apply to join The Studio - https://growthitect.com/studio → Join thousands of architects on the free Growthitect newsletter - https://growthitect.com/join STAY CONNECTED→ Follow on LinkedIn→ Follow on Instagram→ Subscribe on YouTube→ Follow on TwitterABOUT OUR GUESTAlex Gore is Partner at F9 Productions where they've also created a course for architects. He grew up drawing wars of ants vs. bees, playing backyard baseball, visiting architectural sites, and being obsessed with Frank Lloyd Wright. After graduating from high school, he joined the National Guard as a heavy equipment operator. While enrolled in the Guard, he also attended North Dakota State University to start his formal training in Architecture. He graduated from NDSU with a Master's Degree in Architecture and a Master's Degree in Construction Management.Upon graduating, Alex worked under the world-famous architect, Daniel Libeskind. From there, he teamed up with his best friend from college, Lance, and together they created F9 Productions, Inc.

Since launching the podcast ten years ago in 2015, hosts George Smart and Tom Guild have had fascinating conversations with over 700 guests, including architects, owners, media, critics, authors, actors, and jazz performers.  USModernist Radio is one of America's top-rated architecture and jazz podcasts, ranked in the past as #1 by Atomic Ranch and #2 by Dwell.  The 400th episode features interviews with actress and Modernist preservationist Kelly Lynch and architecture critic Kate Wagner; the return of comedian Frank King; and special musical guest, Heather Rigdon. It will also include highlights from past episodes, including interviews with Bjarke Ingels; the last living Frank Lloyd Wright client, Roland Reisley; Moshe Safdie, Eric Lloyd Wright, Suzanne Somers, Youtube star Stewart Hicks, Hugh Kaptur; author Chris Rawlins; Daniel Libeskind; Harriet Pattison on Lou Kahn; Harry Bates; Myron Goldfinger; Raleigh's Brian Shawcroft and Lewis Clarke; Mary Schindler; and Modernism opponents David Brussat, Professor J. S. Curl, and classical scholar Catesby Leigh.

Adam, Martin www.deutschlandfunkkultur.de, Fazit

Adam, Martin www.deutschlandfunk.de, Kultur heute

Daniel Libeskind is one of the world's leading architects. Amongst his many projects, he devised the masterplan for the redevelopment of Ground Zero in New York and designed the Jewish Museum in Berlin. He tells Samira Ahmed about the Albert Einstein House in Jerusalem, a new building which will house Einstein's work and belongings, from his favourite novels, his letters as a peace campaigner, to his papers laying out his famous theory of relativity. He also talks Samira through the many other global projects he is working on, including a museum of anthropology in Iquique, Chile.

Host: Daniel Libeskind, architekt Pořadem provázel Daniel Stach https://www.ceskatelevize.cz/porady/10441294653-hyde-park-civilizace/224411058090511/

Daniel Libeskind, the architect best known for the Jewish Museum in Berlin and the World Trade Centre masterplan in New York, talks about designing a building to house Einstein's archive in Jerusalem. As Germany celebrates the 250th birthday of the painter Caspar David Friedrich with three major exhibitions, art historians Louisa Buck and Waldemar Januszczak discuss the significance of the Romantic artist famous for his paintings of people in evocative landscapes.And the musician and composer Karl Jenkins joins Samira to talk about celebrating his 80th birthday with a concert tour.Presenter: Samira Ahmed Producer: Olivia Skinner

An international figure in architecture and urban design, the architect Daniel Libeskind is renowned for his ability to evoke cultural memory and is informed by a deep commitment to music, philosophy, and literature. Mr. Libeskind aims to create architecture that is resonant, original, and sustainable. Born in Lód'z, Poland, in 1946, Mr. Libeskind immigrated to the United States as a teenager and with his family, settled in the Bronx. After studying music in New York and Israel on an American-Israel Cultural Foundation Scholarship, he developed into a musical virtuoso, before eventually leaving music to study architecture. He received his professional degree in architecture from the Cooper Union for the Advancement of Science and Art in 1970 and a postgraduate degree in the history and theory of architecture from the School of Comparative Studies at Essex University in England in 1972. Daniel Libeskind established his architectural studio in Berlin, Germany, in 1989 after winning the competition to build the Jewish Museum in Berlin. In February 2003, Studio Libeskind moved its headquarters from Berlin to New York City when Daniel Libeskind was selected as the master planner for the World Trade Center redevelopment. Daniel Libeskind's practice is involved in designing and realizing a diverse array of urban, cultural and commercial projects internationally. The Studio has completed buildings that range from museums and concert halls to convention centers, university buildings, hotels, shopping centers and residential towers. As Principal Design Architect for Studio Libeskind, Mr. Libeskind speaks widely on the art of architecture in universities and professional summits. His architecture and ideas have been the subject of many articles and exhibitions, influencing the field of architecture and the development of cities and culture. His new book Edge of Order, detailing his creative process, was published in 2018. Mr. Libeskind lives in New York City with his wife and business partner, Nina Libeskind. The Studio Libeskind office headquarters are in New York City. On this episode, Mr. Libeskind reveals his one way ticket destination to the Garden of Eden before there was a Tree of Knowledge and before Adam gave the apple to Eve. He shares why, what he would do there, whom he would take there, whom he would take with him, and what if anything he would want to build in this perfect state of nature. In the conversation, Mr. Libeskind also reflects on the role of an architect and the social responsibility he has. Plus, he showcases some of his completed work including his affordable housing projects in NYC, Maggie's Center at the Royal Free Hospital in London, and the Dresden Museum of Military History. He also shares projects now underway (he's working in 14 different countries at the moment!) such as the Einstein House at Hebrew University in Jerusalem, the Tree of Life Synagogue in Pittsburgh, a museum in the Atacama Desert in Chile and more. Additionally, we covered what he thinks about each time he walks through Ground Zero (for which he created the master plan). And as a one-time virtuoso, Mr. Libeskind highlights what role music has played in his life and how music and architecture both rely on precision. 

Maggie's centres have provided cancer care in uplifting, design-led architectural environments for the past 28 years. We visit the newest site designed by architect Daniel Libeskind. Plus: a new title from the Royal Institute of British Architects profiles practising women architects. Tom Ravenscroft and Monika Parrinder, the book's co-authors, join Nic Monisse in the studio. See omnystudio.com/listener for privacy information.

A Dutch Jewish community leader, Allon Kijl, describes the hostility in the Netherlands against the Jews and Israel after Oct. 7th. Mentioned in this podcast is the interview of Daniel Libeskind -- see https://b.link/Ep107NeverAgainIsNowPodcast

This month, we mark the five-year anniversary of the Pittsburgh Synagogue Shooting at the Tree of Life. On October 27, 2018, 11 worshipers were murdered for solely being Jewish, in the deadliest antisemitic attack in U.S. history. As the first installment in a four-part series, we take you inside the Tree of Life building before it is demolished in the coming months to make way for a new complex dedicated to Jewish life and combating antisemitism. Hear from Carole Zawatsky, the CEO behind the reimagined Tree of Life, and Eric Lidji, director of the Rauh Jewish Archive, as they explain their mission: to preserve artifacts and memories so that the story is preserved forever. Carole shares her commitment to honoring the victims, and Eric discusses the challenges of documenting an ongoing tragedy. Together, they emphasize the power of bearing witness to history and the healing strength of remembrance. *The views and opinions expressed by guests do not necessarily reflect the views or position of AJC.  Episode Lineup:  (0:40) Eric Lidji, Carole Zawatsky Show Notes: Music credits: Relent by Kevin MacLeod (incompetech.com),  Licensed under Creative Commons: By Attribution 3.0 Virtual Violin Virtuoso by techtheist is licensed under a Attribution 4.0 International License Fire Tree (Violin Version) by Axletree is licensed under a Attribution 4.0 International License. Al Kol Eleh (backing track), with Yisrael Lutnick Follow People of the Pod on your favorite podcast app, and learn more at AJC.org/PeopleofthePod You can reach us at: peopleofthepod@ajc.org If you've enjoyed this episode, please be sure to tell your friends, tag us on social media with #PeopleofthePod, and hop onto Apple Podcasts to rate us and write a review, to help more listeners find us. Transcript of Conversation with Eric Lidji and Carole Zawatsky: Eric Lidji: Pittsburgh definitely is not forgetting. It's ever present here. There are people who are healing and doing so in ways that, at least from the outside, are remarkable and very inspiring. And there are people who I'm sure have not fully reckoned with it yet. Carole Zawatsky: It's all too easy to walk away from what's ugly. And we have to remember. We can't walk away. Manya Brachear Pashman: Five years have gone by since the horrific Shabbat morning at Pittsburgh's Tree of Life Synagogue, when eleven congregants were gunned down during prayer – volunteers, scholars, neighbors, doing what they always did: joining their Jewish community at shul.  This is the first installment of a series of episodes throughout the month of October devoted to remembering and honoring the lives lost that day and reflecting on how the deadliest antisemitic attack in American history changed those families, changed us, and changed our country.  Today, we take you to the Tree of Life building that stands on the corner of Shady and Wilkins Avenues in Pittsburgh's Squirrel Hill neighborhood to hear from two people in charge of preserving the artifacts and memories of the vibrant Jewish life that unfolded inside those walls until October 27, 2018. In early September, our producer Atara Lakritz and I visited the Tree of Life synagogue in Pittsburgh's Squirrel Hill neighborhood. Squirrel Hill, where Jews have settled since the 1920s, is quite literally Mister Rogers' neighborhood. We were there to interview those touched by the events of October 27. But it didn't take us long to figure out that everyone there had been affected in some way.  All along Murray Avenue, in 61C Cafe, at Pinsker's Judaica Shoppe, at the Giant Eagle supermarket, when we told people why we were there, they all had a story, an acquaintance, a connection.  Later, walking through the glass doors of the synagogue felt like we were stepping through a portal, traveling back five years, when life stopped, and the reality of the hatred and terror that unfolded there began to haunt every step.  Atara and I were invited to accompany a final group tour of the building before it closed in order for preparations to begin for the building's demolition. The tour was painful, but we felt it necessary to share with our listeners.  As we left the lobby, we were told to take the stairs to the left. The stairs to the right were off limits. Someone had been shot there.  We were led to a small, dark storage room where chairs had been stacked for guests. A handful of people had hidden there as the shooter continued his rampage, but one man walked out too soon, thinking it was safe. When first responders later came to get the others, they had to step over his body.  In the kitchen, there were still marks on the wall where the bullets ricocheted when he shot two women hiding underneath a metal cabinet. The calendar on the wall there was still turned to October 2018 with a list of activities that were happening that week posted alongside it.  And in the Pervin Chapel where seven people died, pews punctured with bullet holes and carpet squares stained with blood were no longer there. No ark either.  But remarkably, the stained glass windows remained with images and symbols of Jewish contributions to America, the land to which the ancestors of so many worshipers once inside that synagogue had fled to and found safety. Those windows will be carefully removed by the son of the man who first installed them 70 years ago. And they will return, when the reimagined Tree of Life rises again.   Carole Zawatsky: The tragedy is a Pittsburgh experience. But it's also every Jew's experience. It shattered for so many of us our sense of security in America. This is our safe haven. This is where we came to. Manya Brachear Pashman: Carole Zawatsky is the inaugural CEO of the reimagined Tree of Life. Since November 2022, she has overseen the development of a new complex on the hallowed ground: an education center dedicated to ending antisemitism, including a new home for the Holocaust Center of Pittsburgh; a memorial to the lives lost that Shabbat morning; a dedicated synagogue space where the Tree of Life congregation can return. Carole Zawatsky: What can we build to enrich Jewish life, to remember this tragedy, and to show the world that we as Jews should not be known only by our killers and our haters, we should be known by our joy, our celebrations, our rituals, our resilience. Manya Brachear Pashman: The founding director of the Maltz Museum in northeast Ohio, Carole has spent the last 30 years developing programs and education around the Holocaust and genocide, and overseeing projects that explore Jewish heritage from a national perspective and through a local lens. She led our tour. On October 27, 2018, the congregations of Tree of Life, New Light, and Dor Hadash, which all met in separate areas of the large, multi-story building, had just ushered in the new Hebrew year of 5779. Young students at the Hebrew school had written their own personal Ten Commandments that the teachers had hung on the walls of an upstairs classroom. Carole Zawatsky: Don't egg your neighbor's house, respect your parent. Every one of them said: Thou shalt not murder. Thou shalt not kill. And those 10 commandments that they wrote in their little student handwriting were thumbtacked up on the wall in the very classroom where the gunman was apprehended. Manya Brachear Pashman: Before the rebuilding of Tree of Life begins, Carole's no. 1 priority has been preserving the artifacts and remnants that bear witness to what happened. Artifacts include the ark, damaged by bullets, the Torah scrolls, which were remarkably unscathed but for the handles. The list of whose Yahrzeits fell on that day, still on the podium; and, of course, the children's artwork and the wall behind it. Carole Zawatsky: In the work happening here, and in my role as the CEO, I constantly ask: ‘Am I doing it right? Am I doing enough?' And preserving the evidentiary material was incredibly important to me, that we have the physical evidence to bear witness. And as that drywall in the classroom in which the gunman, the murderer, was apprehended, was coming down, I found myself asking: ‘Have I saved enough? Will this story be preserved forever? Have we done everything we can?' Manya Brachear Pashman: Helping Carole with this Herculean effort, is Eric Lidji, the director of the Rauh Jewish Archive at the Senator John Heinz History Center, an affiliate of the Smithsonian Museum, in downtown Pittsburgh. Eric has been collecting documentation and evidence for the archive since October 28, 2018.  Painted stones left in memory of the victims, hand-made signs, pamphlets, and prayers from vigils, sermons from interfaith services. But also a pair of tennis shoes, a guitar, a framed leaf from the Raoul Wallenberg Tree planted in Israel, a cross affixed with Stars of David -- all individual expressions of a community-wide anguish. Eric Lidji: Even before I entered the building, we knew that there were going to be pieces of the building that had historic value. Since late 2018, I've been in the building numerous times, dozens of times, doing work there. And it sort of culminated in this opportunity in early June, where we were allowed to go in and identify pieces of the building that became historic that day, and figure out how to get them out. Manya Brachear Pashman: This is no simple job for anyone involved, no less for Eric, who is accustomed to handling archival materials from generations past, not the present. Eric Lidji: It's hard for me to disentangle the work of pulling these things out of the building with the knowledge that these families that I've come to know and love, that this is sort of directly related to their loved ones passing. Pittsburgh definitely is not forgetting, it's ever present here. There are people who are healing and doing so in ways that, at least from the outside, are remarkable and very inspiring. And there are people who, I'm sure, have not fully reckoned with it yet.  The stories that we're used to telling at the archive, they move much slower. You know, when you get records from 75 or 100 years ago, that's in motion too, but it's moving very slowly. And you can kind of sit there and watch it, and understand it. And get some sense of what it might mean. But when you're living through something, it's changing constantly, all around you. And it's responding to things in the world. And it's responding to people's internal resilience and their ability to grow. When I look out at the community, I see a lot of different stories. People are in a lot of different places. And it's going to be different on a month like this, where we're saying Yizkor. And it's going to be different in the early stages of the trial versus the late stages of the trial. It's assimilated into our lives now, it's a part of our lives. Manya Brachear Pashman: In 2019, Eric and journalist Beth Kissileff assembled an anthology of raw reflections by local writers about the Tree of Life massacre. It included only one essay by someone inside the building that day: Beth's husband, Rabbi Jonathan Perlman of New Light. Eric also contributed his own essay. He wrote: “I have no special insight into why this attack happened, or why it happened here. I don't know what would have prevented it from happening here or what would prevent it from happening again somewhere else. I don't understand the depth of my sorrow or the vast sorrow of others. I asked him if four years later he would still write those words. Eric Lidji: I feel the same way. You know, there's a second half to that paragraph, which is that, I do have the materials and I can describe those. The premise of an archive is that at some point, we'll all be gone. And when we're all gone, our things are what speak for us. And at the moment, there's a lot of witnesses here, emotional witnesses, I mean, who can testify to what this means.  But there's going to come a time where they won't be there. And our job, I say our, I mean everybody's, our job in the present is to document our experience. So that when we're not here anymore, people in the future have the opportunity to have access to the intensity of the feelings that we had. That ultimately is how you prevent complacency. And so I don't claim any, I don't understand anything in the present. But I do understand the records. And I hope that we're being a good steward and custodian of them so that in the future, people have the opportunity to have access to real human feeling and so that they can really understand what this experience was like for people who were alive today. Manya Brachear Pashman: The Rauh Jewish Archive has collected and preserved thousands of artifacts and documents, but no physical or intellectual access has been granted yet. Cautious care has been taken to make sure families and survivors are ready and know what's involved in making the materials available to the public. Once that happens, a trove of electronic materials will be uploaded to the newly launched October 27 Archive, which will become the public face of the collection. The electronic catalog will help individuals, schools, and institutions such as Tree of Life to tell the story they're trying to tell.  Carole Zawatsky: We're the only generation to bear witness to this. The next generation will not bear witness. Their children will not bear witness. We have a moral obligation to ensure that these lives are remembered and memorialized, and that we as Jews and as citizens of this earth remember what hate looks like and work toward a better world. It's all too easy to walk away from what's ugly. And we have to remember. We can't walk away. Manya Brachear Pashman: The Tree of Life building is now a shell of what it once was. The stained glass windows will soon be removed for safekeeping until the new building is ready to welcome them back. As the demolition crews arrive to remove what's left, Carole's focus has shifted. Carole Zawatsky: Our focus now is truly on working with our architect, working with the exhibition designer, and forming a new institution. This is an incredibly special moment for us, as we come together and continue to crystallize our mission, our vision, and form this new institution that will be a significant part of the Pittsburgh community, along with the national community. Manya Brachear Pashman: The architect for the project, Daniel Libeskind, a son of Holocaust survivors who is renowned for his redesign of the new World Trade Center site, has described the spiritual center of the Tree of Life as a Path of Light, which connects and organizes the public, educational, and celebratory spaces. Carole Zawatsky: We can never as Jews allow ourselves to be defined by our killers. And I'm delighted to be working with Daniel as our architect and his concept of bringing light into the darkness. Vayehi or, let there be light. We have to bring light back to the corner of Shady and Wilkins. And side by side with tragedy, as we have done throughout all of Jewish history, is also celebration. To have baby namings and B'nai Mitzvot. Celebrate Shabbat and celebrate holidays side by side. That this is the most Jewish thing we can do. When the temples were destroyed in Jerusalem, what did we do? We recreate. And that is the strength and resilience of the Jewish people. Manya Brachear Pashman: Carole also continues to build a multifaith donor base, comprised of foundations and individuals from Pittsburgh and across the country, to raise the $75 million needed to make the reimagination a reality, ideally by 2025. The reasons why donors give vary, but in most cases they're deeply personal. Carole Zawatsky: The events of 10/27 are personal for everyone. For those people who tell us: I heard the gunshots from my kitchen. I was with my children. From people across the country who experienced a sense of loss of safety. To non-Jews who say: I have to have something to tell my children why some people don't like their friends. What did I do? How did I help be a part of the solution? Manya Brachear Pashman: For generations, the Jewish people have confronted antisemitism in its many forms. But through it all, the Jewish calendar continues to guide the community through celebrations of life and beauty and wonder. Carole describes it as the bitter and the sweet.  Carole Zawatsky: I've had on occasion, a Rabbi, a funder: ‘How are you doing? How do you get through this?' And for me, there's often a soundtrack in my head. And one of my favorite Hebrew songs is “Al Kol Eleh,” and through the bitter and the sweet. To me, it is the definition of Judaism. And it's the definition of what we're doing. Manya Brachear Pashman: Do you mind sharing a bit of that song with us now?  Carole Zawatsky:  Al hadvash ve'al ha'okets Al hamar vehamatok Al biteynu hatinoket shmor eyli hatov Al kol eleh, al kol eleh. Manya Brachear Pashman: This podcast is dedicated to the 11 lives lost on October 27, 2018: Joyce Fienberg,  Richard Gottfried,  Rose Mallinger,  Jerry Rabinowitz,  Cecil Rosenthal,  David Rosenthal,  Bernice Simon,  Sylvan Simon,  Daniel Stein,  Melvin Wax,  Irving Younger.    May their memories be for a blessing.

Polish-American architect, artist, professor and set designer Daniel Libeskind shares his deep and inspiring philosophy of monuments in public spaces including the Dutch Holocaust Memorial of Names in Amsterdam. 

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Nach jahrelangen Planungen ist eine neue Kulturhalle am New Yorker World Trade Center eröffnet worden. Sie ist Teil des Masterplans, den Architekt Daniel Libeskind nach den Terroranschlägen vom 11. September entworfen hatte. Autorin: Antje Passenheim Von Antje (ARD New York) Passenheim.

The prizewinning architect has designed some of the world's most dramatic, daring, and memorable buildings. Inspired by optimism, wonder, music, and light they challenge their visitors to experience them as a story.

Alan and Executive Producer Graham Chedd chat about and play excerpts from Alan's conversations with some of the guests in the new season, beginning next week. Guests include architect Daniel Libeskind; bioarchaeologist Brenna Hassett; and a return visit from congressman Michael Turner.

"The Aesthetic Imperative" Peter Sloterdijk, (2014) Polity Press, Cambridge UKPart 4: City and ArchitectureChapter 11: For a Participatory Architecture, Notes on the Art of Daniel Libeskind with reference to Merleau-Ponty and Paul Válery

Fotograaf Stephan Vanfleteren trok naar de mijnstreek in Limburg en legde er de laatste mijnwerkers vast in indringende portretten. De beelden zijn samen met getuigenissen te zien in de compressorenzaal van de Luchtfabriek in Heusden-Zolder. Michel Draguet vertelt hoe Picasso zijn hele leven slingerde tussen abstracte en figuratieve kunst. Koen Van Synghel neemt de plannen van Daniel Libeskind voor de Boerentoren in Antwerpen onder de loep.

Compacters, en este episodio os contamos cuáles son nuestros museos favoritos de Berlín de entre todos los que hemos visitado: destacamos la maravillosa colección de la Gemäldegalerie, aplaudimos las lecturas críticas de muchas piezas del Bode Museum elaboradas por María López-Fanjul y os invitamos a dedicarle un día al Museo Judío de Berlín, diseñado por Daniel Libeskind. Con el permiso del busto de Nefertiti (stendhalazo).

Una breve biografia dell'architetto polacco, naturalizzato statunitense Daniel Libeskind autore di vari musei ebraici per il mondo ma il più conosciuto è sicuramente il museo ebraico di Berlino. Oltre a tantissime altre architetture tra cui in Italia il CityLife di Milano.

Corrente architettonica che è caratterizzata da forme che rompono le tradizione di una architettura razionalista. L'inizio si può considerare nel 1988 con la mosta “Deconstructivist Architecture” a New York quando furono esposti progetti di Frank O. Gehry, Daniel Libeskind, Rem Koolhaas, Peter Eisenman, Zaha Hadid, Bernard Tschumi e del gruppo Coop Himmelb(l)au.

Alex Gore, Co-Founder of F9 Productions and Inside the Firm Podcast, joins the show as part of a podcast swap to talk about his life as a serial entrepreneur from his beginnings drawing spaceship fuel tanks, to studying only the courses he was interested in at North Dakota State, to landing a job with Daniel Libeskind, to obtaining a Masters in Construction Management, to founding F9 Productions in one room with a folding lawn chair around 9 basic principles set upon “multiple legs” of different revenue streams. Check out Alex and his business partner, Lance Cayko's podcast Inside the Firm, where they dive into the nitty-gritty details of how to start, run, and grow a small business. This episode is sponsored by Modern In Denver.

How do the cities we make in turn make us? Recorded live from the major retrospective exhibition ‘Light Lines: The Architectual Photographs of Helene Binet' at the Royal Academy of Arts, one of Europe's oldest established art institutions at the heart of London, this episode explores urban architecture through the lens of photography, cartography, and real-estate investing. Featuring Swiss-French photographer Helene Binet herself, one of the leading architectural photographers in the world most known for her work with architects Daniel Libeskind, Peter Zumthor and Zaha Hadid; James Cheshire, Professor of Geographic Information and Cartography at University College London, co-author of the books London: The Information Capital, Where the Animals Go and Atlas of the Invisible; and Zsolt Kohalmi, Global Head of Real Estate and Co-CEO of Pictet Alternative Advisors, who has invested an excess of USD20 billion into all real estate asset classes in more than 20 European countries.

Summary: We talk with David Champion — CEO and Founder of Maya Health — about the discovery of intentional psychedelics, beating nicotine with one session, and what it's like to lead a successful decriminalization campaign. Highlights:   — NUGGET AND A NOODLE: More lawsuits for access to Psychedelics; a world with legal moderate use of any drug (0:44)—  David's role in the decriminalize Denver movement (2.41) — David's introduction to intentional psychedelics (10.33)— Challenges during psychedelic use (17.33)— A fond mystical psychedelic encounter (24.33) — How David overcame smoking addiction in one session (25.22)— Debating legalization or decriminalization of psilocybin (30.39)— What excites David about Maya's future plans (36.36) — SOUL SEARCH: Relive the life of any historical figure... who do you choose? (37.43)David Champion:He is the CEO of Maya, a real world evidence platform designed to power the ecosystem of researchers, legislators, life sciences, and insurance payors at the frontier of mental healthcare.He also directs Unlimited Sciences, a psychedelic research nonprofit combining academia with data science to understand how psychedelic healing is being conducted in the underground and surface best practices to inform psychedelic research at large. In 2019 he served as a campaign-lead in the Denver Psilocybin Initiative, helping Denver become the first US city to reform psilocybin policy.Prior, he was Co-founder & CPO at Baker Technologies, which he exited after achieving a valuation of $250MM. Leading a team of up to 100, he helped scale at 14% month-over-month to a 50% market share of SMBs in the early cannabis sector. He graduated summa cum laude in Architecture from Cambridge University and built a nonprofit to help Kenyan children access schooling. Brought up in Papua New Guinea, Portugal and Scotland, he began his career in New York with Daniel Libeskind, working on the Ground Zero masterplan. He has a decade of experience designing consumer software and his interests are behavioral data, digital art, user experience design, playing piano, and mindfulness. Find David here:email - david@mayahealth.comhttps://www.dschampion.com/https://www.mayahealth.com/team-members/david-champion

Die Ausstellung „Träume von Freiheit. Romantik in Russland und Deutschland“ ist ein Gemeinschaftsprojekt des Albertinums der Staatlichen Kunstsammlungen Dresden mit der Staatlichen Tretjakow-Galerie Moskau. Thema der Ausstellung ist die Krise des Subjekts im frühen 19. Jahrhundert, das geprägt ist u.a. durch freiheitliche Ideen in der amerikanischen Unabhängigkeitserklärung, der Französischen Revolution und dem Dekabristen-Aufstand in Russland. Die Ausstellung, die ihre erste Station in Moskau hatte, zeigt über 140 Gemälde der Romantik rund um die Werke der herausragenden romantischen Künstler Caspar David Friedrich, Carl Gustav Carus, Alexej Wenezianow und Alexander Iwanow. Hans-Georg Moek spricht im Podcast mit einem der Macher der Ausstellung, dem Kurator Dr. Holger Birkholz, über Romantik, die Gestaltung der Ausstellung durch den renommierten Architekten Daniel Libeskind und die Kooperation mit der Staatlichen Tretjakow-Galerie Moskau in Zeiten von Corona.

Daniel Libeskind nasce a Lodz, in Polonia, nel 1943. Di origini ebraiche e figlio di sopravvissuti all'Olocausto, è considerato uno dei più importanti esponenti contemporanei dell'architettura decostruttivista. A lui si devono il fortunato Museo Ebraico di Berlino e numerosissimi altri musei tematici. Tra le altre opere celebri, il progetto del One World Trade Center e City Life a Milano.

Mischa Kuball, Gregor Lersch und Peter Weibel im Gespräch [05.11.2021] »Resonanz wird zum Gegenpol der Entfremdung in der Welt« – Mit seiner Licht- und Klanginstallation »res·o·nant« lud der Konzeptkünstlers Mischa Kuball Künstler:innen, Denker:innen und Schriftsteller:innen zur Interpretation ein. Das Buch »res·o·nant« kommentiert das gleichnamige Projekt des Konzeptkünstlers Mischa Kuball im Jüdischen Museum Berlin. Von November 2017 bis August 2019 bespielte Kuball unterirdisch gelegene Teile des von Daniel Libeskind entworfenen Baus mit einer ortsspezifischen Licht- und Klanginstallation. 18 Autor:innen und Künstler:innen beschallen, beleuchten, reflektieren und projizieren in diesem Buch den von Kuball geschaffenen Resonanzraum in- und außerhalb des Museums. Im Anschluss an die Buchvorstellung kommen Mischa Kuball, Gregor Lersch und Peter Weibel ins Gespräch und gewähren weitere Einblicke in »res·o·nant« und die Bedeutung von Resonanz. Um einen musikalischen Beitrag erweitert »Kreidler« das Programm mit einer Live-Performance ihres 2019 erschienenen Albums »Flood«.

For the second night of the Relevant Tones Tenth Anniversary Festival we were honored to welcome architect Daniel Libeskind and Open House New York's Dorothy Dunn to the stage. We screened a special preview of several videos from Access Contemporary Music's upcoming Songs About Buildings and Moods video series exploring the intersection between music and architecture and had a fabulous discussion.

Can you believe it? Me neither. I spoke with Daniel Libeskind - Polish-American architect, artist and set designer. He is known for his ability to evoke cultural memories in buildings. Following the 20th anniversary of 9/11 attacks in New York City and a recently unveiled Dutch Holocaust Memorial of Names in Amsterdam, we focus on perception of time in architecture. Why is memory important? How does architecture function as a medium for remembrance? What are the architectural tools and how to use them? How to materialise sadness? How to make the absence visible? And how to keep the optimism? Lots of crucial and meaningful thoughts and a very broad, eye-opening conversation. Daniel Libeskind says that architecture is a storytelling profession and that a building always tells you a story. Well, I hope this episode will help you to hear at least one more story that our cities tell. Klaudia Lachcik

You might remember the fanfare back in the fall of 2017, when Canada's Holocaust memorial opened in Ottawa, just west of Parliament Hill. Until then, Canada was the only Allied country without a national monument to victims of the Holocaust. The government paid $4 million for the Daniel Libeskind–designed project, while Canada's Jewish community raised the other $4.5 million. Later that year, a Hanukkah celebration was held at the newly minted site. But after that, only one other event was staged, in April 2019 to remember the Warsaw Ghetto uprising. The monument has since been somewhat forgotten. And while the pandemic can be partly blamed for that, it doesn't tell the whole story. That longstanding vacancy ended on Sept. 14, 2021, when two men organized a memorial for the victims of the Babi Yar massacre, which happened 80 years ago this week. During the two-day slaughter, Nazi soldiers shot and murdered more than 33,000 Jews in a ravine near Kiev, Ukraine, marking the first and largest mass murder of Jews in the the Holocaust. We're joined today by the two men who organized the event, Joel Diener and Lawrence Greenspon, who explain why they did it and how they hope their event will serve as a wake-up call for the Jewish community to take advantage of the Ottawa monument more often. What we talked about: Learn more about Canada's National Holocaust Monument at ncc-ccn.gc.ca Learn about the Babi Yar massacre at yadvashem.org Read an essay by Laura Grosman about spearheading Canada's Holocaust memorial at thecjn.ca Credits The CJN Daily is written and hosted by Ellin Bessner (@ebessner on Twitter). Victoria Redden is the producer. Michael Fraiman is the executive producer. Our theme music is by Dov Beck-Levine. Our title sponsor is Metropia. We're a member of The CJN Podcast Network; find more great Jewish podcasts at thecjn.ca.

Cover Art: Memory Foundations by Daniel Libeskind

Cover Art: Memory Foundations by Daniel Libeskind

How do you rebuild a city within a city after the devastation of the worst terror attacks on American soil? Architect Daniel Libeskind won a star-studded international competition to lead the design process for the world's most emotionally charged site. He talks about what inspired him as a young immigrant to the United States, the enormous challenges he faced, the magnificent place he created, and how it can help shape the future of cities in a post-pandemic world.

Polish-American architect Daniel Libeskind, who designed the original Ground Zero master plan at the World Trade Center site, talks with us about his personal experience of the 9/11 attacks; how architecture can serve as an instrument for healing; and why the Tree of Life Synagogue he's redesigning in Pittsburgh, to memorialize victims of the 2018 mass shooting there, represents a global vision for the future.

Joe Connolly and Neil A. Carousso talk to architect Daniel Libeskind, the master planner of the World Trade Center revitalization project following 9/11, on this week's Small Business Spotlight video at WCBS880.com/Spotlight. See omnystudio.com/listener for privacy information.

Joe Connolly and Neil A. Carousso talk to architect Daniel Libeskind, the master planner of the World Trade Center revitalization project, on this week's Small Business Spotlight video at WCBS880.com/Spotlight. See omnystudio.com/listener for privacy information.

See our conversation with world-famous architect Daniel Libeskind who was the master planner of the World Trade Center revitalization after 9/11 at WCBS880.com/Spotlight. See omnystudio.com/listener for privacy information.

Su talento afloró en la música, más tarde en la arquitectura. El Museo Judío de Berlín, su primer gran proyecto, lo catapultó a la fama. Daniel Libeskind construye para el futuro y también para el recuerdo, con diseños que no dejan indiferente.

Here in this video I talk to Jamie Smiley an architect, about his early beginning in Montreal, Canada; getting into architecture school; his journey towards succeeding in architecture; his building design experience in South side of London; critical theory in architecture; how beauty gets impacted by economics of a building (costs); the importance of maintenance. And then we segway into SHARE SCREEN presentation mode at about 40minutes, where we critique and appreciate architecture by Robert Venturri, Wolf D. Prix, the horrible triangle building in Ljubljana, Vlado Milunić, Herzog & de meuron, Daniel Libeskind, Terry Farell, Stefano Boeri, Gianandrea Barreca, Giovanni La Varra, Peter Eisenmann, Vienna Secession building in Ljubljana, Zaha Hadid, Jože Plečnik, & a Der Scutt designed building. We discuss how and why things are made and wonder about some of the building on our list in this entertaining exchange. Jaime's website & work: https://www.assemblydesigngroup.com/

Facing a post-pandemic reality, cities must change to survive. In this episode, Dan speaks with legendary architect Daniel Libeskind. The designer of the master plan for the World Trade Center recounts his experiences as a young architect, describes his upcoming Holocaust memorial in Amsterdam, explains his distaste for communism, and predicts how cities can adapt and thrive in the 21st century. See acast.com/privacy for privacy and opt-out information.

In this episode we have with us Architect & Professor Newton D'Souza who is presently an Associate Professor for the Department of Interior Architecture, at Florida International University in Miami. He's been part of our industry for more than 20 years & written numerous research papers, special issue journals and books which have been published widely on various platforms. He's also given various lectures across Universities, and has won various awards for his excellence in the academic side of Architecture. His most notable book is called "The Multi-Skilled Designer" which talks about the unique cognitive thought process of top architectural designers like Zaha Hadid, Daniel Libeskind, Peter Zumthor, and so on. He shares with us his journey into Architecture, his transition of pursuing his BArch in Bangalore to then pursuing his PhD in the states. We then talk about Design, the definition of "Design", cognitive design, decoding the thought process of an architect, how technology influences the world and a whole lot more. For episode shownotes and excerpts, head to archgyan.com/57 (https://archgyan.com/podcast/journey-towards-a-multi-skilled-designer-more-with-newton-dsouza-ag-57/) For the video version, head to our YouTube Channel (https://youtu.be/ga_nXISVaxE) . This podcast is sponsored by Archgyan Courses, head to thesketchuptutorials.com (https://www.thesketchuptutorials.com/) to check out some of our new courses on Sketchup & Vray.

Thank you for listening. We both hope that you enjoyed this episode of Coffee Sketch Podcast. Our Theme music is provided by my brother who goes by @c_0ldfashioned on Instagram and Twitter. Our podcast is hosted at coffeesketchpodcast.com find more show notes and information from this episode. And finally, if you liked this episode please rate us on iTunes and share us with your friends! Thank you!Sketch 3: https://www.instagram.com/p/CFF8Iy3ldgu/Sketch 4: https://www.instagram.com/p/CFDfsnmldLv/

David Champion is the CEO of Maya PBC and Co-Founder & Director of Unlimited Sciences, which is a psychedelic research nonprofit that uses the thoughtful and anonymous collection of data to understand how psychedelic therapy can be offered with harm-free, positive outcomes at scale. Prior to this venture, David was the Co-Founder & CPO at Baker Technologies, the leading (and first of its kind) CRM for the cannabis industry. After successfully exiting the company with a valuation of $250MM, he served as a campaign lead in the Denver Psilocybin Initiative, which helped Denver become the first U.S. city to reform the psilocybin policy by decriminalizing the substance.  David graduated summa cum laude in Architecture from Cambridge University and built a nonprofit to help Kenyan children access adequate schooling. Brought up in Papau New Guinea, Portugal and Scotland, he took his wealth of world experience and began his career in New York with Daniel Libeskind, working on the Ground Zero masterplan. David has a decade of experience designing consumer software and cultivating a wide variety of interest in behavioral data, digital art, user experience design, and mindfulness. Now, if you're wondering if there's anything this man hasn't done, just wait to hear how Unlimited Sciences is pairing up with John Hopkins to change the way we approach mental wellness.    We also talk about: How David's formative experiences with psychedelics influenced his interest in the space now. The work of The Zendo Project, a subsidiary of MAPS that works to reduce the number of psychiatric hospitalizations and arrests by creating an environment where volunteers can work alongside one another to improve harm reduction and “sitting” skills during psychedelic experiences. The problematic, binary philosophy presented in the US, where plant medicines are seen as strictly medicinal or strictly recreational. David's involvement in decriminalizing psilocybin in Denver, Colorado. The importance (and enough-ness) of pushing just the first domino down to spark an entire movement. The collaborative efforts among the country's change-makers to bring safe and sustainable entheogen use to the masses. Seeing psychedelic-assisted therapy as a cause, rather than an industry. Cannabis as a product-centric industry, and psychedelics as a service-oriented marketplace. The creation of a longitudinal, observational research study specifically designed to investigate entheogens in a naturalistic setting. The importance of set, setting, onboarding, and integration for safe and meaningful “trips.” How to amplify the neurogenesis component of psilocybin for long-term benefits.   We're on the cusp of discovering how psychedelics can help heal humanity — and we need your help! Every dollar donated to Unlimited Sciences helps fund the groundbreaking research and storytelling they do every single day. Donate now!   Learn more about any of Cured's all-natural  products at https://www.curednutrition.com and save 15% with checkout code "COLLECTIVE". What does true health mean to you? Connect with us on Instagram @curednutrition and share your journey on our most recent post! For any questions regarding Cured Nutrition products or our movement please email us directly at support@curednutrition.com  

 "I think that's the beauty of music, there's eternity in it. And I think that's true also of architecture even in ruined architecture, you can see an [eternal] sense of a spirit.” Architect Daniel Libeskind talks about listening to the Toccata and Fugue in D Minor by J. S. Bach, and how music, like architecture, creates a shared space — rooted in memory but looking ahead to eternity — that connects us all. Daniel Libeskind is an Polish-American architect best known for designing the Jewish Museum Berlin and his master plan for the World Trade Center site in Lower Manhattan. 
Did you like the track Daniel chose? Listen to the music in full: Toccata and Fugue in D minor by J.S. Bach (arranged for orchestra by Leopold Stokowski)

https://entrearchitect.com/wp-content/uploads/2017/10/EntreArchitectLive101117preview.jpeg ()EntreArchitect Live with Alex Gore of F9 Productions This week, Mark held his first live interview using Facebook live. Alex Gore from http://www.f9productions.com (F9 Productions) discussed his work with Daniel Libeskind, his firm in Longmont, Colorado, his podcast, http://Insidethefirmpodcast.com (Inside The Firm), sharing the behind-the-scenes with his partner, Lance Cayko, and his book http://amzn.to/2gRcHMY (The Creativity Code). This week on EntreArchitect Podcast, EntreArchitect Live with Alex Gore of http://www.f9productions.com (F9 Productions). Background Alex Gore grew up drawing wars of ants verses bees, playing backyard baseball, and being obsessed with Frank Lloyd Wright. After high school, he joined the national guard as a heavy equipment operator. There, he attended North Dakota State University and received a masters in architecture and construction management. He then worked under the world-famous architect Daniel Libeskind, teamed up with his best friend from college Lance Cayko to start F9 Productions. He’s the cohost of http://www.insidethefirmpodcast.com (Inside the Firm Podcast) and the author of http://amzn.to/2gRcHMY (The Creativity Code). How did you get to work for Daniel Libeskind? Going into Denver, Alex lined up several different interviews when he had a trip planned to be in town. He was back and forth with Libeskind, and was offered an internship first. Though he turned that down, he eventually was offered a full-time position. Did you carry any thoughts over from Libeskind to F9 Productions? Daniel Libeskind always did crazy fun projects, so Alex and Lance have tried to keep doing one fun project a year. They http://www.atlastinyhouse.com (built a tiny house) that was sustainable and cooler looking than traditional tiny houses. The goal was to make a commitment to do something cool every year. What are your thoughts on interning for a star firm? All of us interns worked a ton and were paid an hourly rate. At F9 Productions, interns are paid. When you’re sacrificing your time and energy in a studio culture environment, you have a lot to learn by doing that if that’s what you want to do. For F9 Productions, interns are just colleagues and designers who they work side by side with. How did F9 Productions start? When Alex got laid off by Libeskind, he called Lance and they made some plans. Eventually, Lance got laid off as well and Alex decided to move to Colorado and figure out how to work together. They worked as a tw0-man shop for a few years until they had consistent business in 2013-2014. Now, they have about ten people and even that feels stretched at times. The structure is a two-headed beast. They each have people who mainly work for one of them or the other, and in times of big projects they can pull from the other’s side. Depending on the project, they tend to hand off projects that are a better fit for the other person’s skills. Where did the name for F9 Productions come from? In college, Alex and Lance didn’t know if they really liked each other. When they finally realized each other had some useful skills, they worked closely together. They were on their computers all the time, and F9 was the key to render. They would tease their classmates who wanted to go home at the end of the day by saying, “Go ahead! Just hit F9 and the computer will do the work while you get some rest.” It’s progressed that their different companies now are set up following suit: F10, F11, F12 and F14. Are you going to sell your development units individually? We couldn’t separate the parcels, so they’ll be condos with an HOA. We’ll sell 6 on one side as units, and there’s still talk of renting the two on the other side. Do you think every architect should do development? Alex thinks the majority of...

An international figure in architecture Daniel Libeskind is renowned for his ability to evoke cultural memory in buildings.Born in Poland in 1946, Libeskind emigrated to the United States as a teenager and performed as a musical virtuoso, before eventually leaving music to study architecture. He began his career as an architectural theorist and professor, holding positions at various institutions around the world. In 1989, he won the international competition to build the Jewish Museum in Berlin. A series of influential museum commissions followed, including Imperial War Museum North, Manchester; Denver Art Museum; Contemporary Jewish Museum, San Francisco; Royal Ontario Museum; and the Military History Museum, Dresden. In 2003, Studio Libeskind won another historic competition-to create a master plan for the rebuilding of the World Trade Center in Lower Manhattan.In this extended interview, Daniel Libeskind gives John Wilson insights into his design process and the sometimes surprising artistic inspirations behind his buildings.Presenter: John Wilson Producer: Edwina PItman

This episode features guest Daniel Libeskind, the architect famous for master planning the new World Trade Center site in New York City, designing the Jewish Museum in Berlin, and many more projects. Hosts Jeremiah Budin and Asad Syrkett talk to him about how he became an architect, his design philosophy, and his take on some of the controversies that have adhered themselves to his work. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The use of the term "Architect" has garnered a lot of attention lately. Some say it's misused, others say Architects are too protective of the term and should focus on issues that matter. We've put together a panel for today's discussion including Stephen Hopkins, a recovering Architect, Brandon Kent, a designer in San Francisco, Evan Troxel, host of Archispeak Podcast, and our own Eric Corey Freed. We discuss Stephen and Brandon's article called "Daniel Libeskind is No Architect." We also discuss the legalities of practicing architecture and the perception of the word Architect in global marketplace. The post Episode 9: So You Wanna Call Yourself an Architect? [Podcast] appeared first on Architect Exam Prep.

Sue Lawley's castaway this week is the architect Daniel Libeskind. Daniel Libeskind's parents were Polish Jews. Daniel himself was a prodigiously talented musician, but the family couldn't afford the attention a piano would draw to them and so he learned the accordion. In Israel he won a prestigious music scholarship - Daniel Barenboim and Itzhak Perlmen were other recipients - and the family moved to New York. In his teens Libeskind dropped music suddenly and completely and turned to architecture: In 1989 he won the commission to build a Jewish Museum in Berlin and it opened in 2001 amid much controversy. Closer to home he has designed and built the Imperial War Museum North at Trafford, Manchester - its design based on a shattered globe to reflect the themes of conflict. One of his most controversial designs in this country is the proposed V&A extension known as The Spiral. It has been variously described as 'a public lavatory', 'a pile of boxes' and 'quartz crystals'. His most recent commission and his biggest project to date is the complex to be built at the site of the destroyed twin towers in New York. [Taken from the original programme material for this archive edition of Desert Island Discs]Favourite track: Aria from Goldberg Variations by Johann Sebastian Bach Book: The Prisons (Le Carceri): The Complete First and Second States by Giovanni Battista Piranesi Luxury: Pencil and paper