Podcasts about fibich

Esta semana o maestro João Maurício Galindo respondeu perguntas dos ouvintes da Rádio Cultura FM sobre quem foi o compositor checo Zdeněk Fibich, explicou o que é uma "Fuga", contou também o que é uma "Rapsódia", apresentou também alguns saxofonistas para se ter como referencia e por fim, falou um pouco sobre a afinação e aquecimento dos violinistas antes do início de um concerto. Descubra as respostas no resumo do "Pergunte ao maestro" desta semana. O programa ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pergunte ao Maestro⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, vai ao de segunda a sexta-feira, às 10h e às 15h da tarde pela ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Rádio Cultura FM⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ de São Paulo, 103,3.

In deze aflevering van Kalm met Klassiek vraagt Ab je eerst bewust en met intentie de aflevering in te gaan. Echt even aankomen in dít moment; dat is belangrijk. Vandaag is het de laatste officiële dag van de Poëzieweek, en om daar bij stil te staan klinkt er een werk voor orkest dat in het Tsjechisch is getiteld: 'Gedicht'. De componist Zdenĕk Fibich schreef dit muzikale gedicht. Heerlijke klanken om bij weg te dromen... Wil je meer Kalm met Klassiek? Ga naar npoklassiek.nl/kalmmetklassiek (https://www.npoklassiek.nl/kalmmetklassiek). Alle muziek uit de podcast vind je terug in de bijbehorende speellijst (https://open.spotify.com/playlist/6YgSfm1Sux7CroiJvzeUdx?si=f0f254ee8f4048e7).

Check out the first episode of Season 2 when Nate Fibich shares his story of catching 2 monster walleye out of the same ice hole 45 minutes apart 2 days before the actual tournament.  Nate has been fishing this tournament with his dad , brother and other friends and family since he was a little boy.

‘Aantekeningen over Anežka Schulzová' 376 pianominiaturen schreef de Tsjechische componist Zdeněk Fibich. Beter gezegd: 376 in klank weergegeven foto's van zijn geliefde Anežka Schulzová.  Zdeněk Fibich Moods, Impressions and Reminiscenes, op.41, nr.1, 3, 5, 6 & 8 Marian Lapsansky, piano  (album: Fibich; Moods vol.1)

Interview Stamm-Fibich zum Petitionsbericht

Interview Stamm-Fibich zum Petitionsbericht

Yule 2022 – III12th-20th CenturiesWe hear traditional works and works by Magister Leoninus, Jean Titelouze, Pavel Vejvanovský, Heinrich Biber, Francesco Nicola Fago, Georg Philipp Telemann, Felix Mendelssohn, Zdeněk Fibich, Einojuhani Rautavaara, Adolphe Adam, and Per-Erik Moraeus.147 Minutes – Week of 2022 December 12

Das berauschende Thema seiner "Moldau" konnte Smetana selbst nie hören, denn da war er schon taub. In musikalischen Bildern beschreibt der Komponist den Lauf von Tschechiens längstem Fluss und schafft es damit in seiner Heimat zum Nationalhelden. (Autor: Philipp Quiring und Michael Lohse) Von Philipp Quiring.

Das berauschende Thema seiner "Moldau" konnte Smetana selbst nie hören, denn da war er schon taub. In musikalischen Bildern beschreibt der Komponist den Lauf von Tschechiens längstem Fluss.und schafft es damit in seiner Heimat zum Nationalhelden. (Autor: Philipp Quiring und Michael Lohse) Von Philipp Quiring.

Das berauschende Thema seiner "Moldau" konnte Smetana selbst nie hören, denn da war er schon taub. In musikalischen Bildern beschreibt der Komponist den Lauf von Tschechiens längstem Fluss.und schafft es damit in seiner Heimat zum Nationalhelden. (Autor: Philipp Quiring und Michael Lohse) Von Philipp Quiring.

Im Interview - Martina Stamm-Fibich

Im Interview - Martina Stamm-Fibich

Jen ten, kdo se Šumavou prochází pomalu, zjistí, že to není pouze národní park, ale také obrovská bytost s řadou zajímavých povah a nectností. To říká Ondřej Fibich, spisovatel a básník, autor knihy Cesty k Šumavě.

Zdenek Fibich - The Bride of Messina: Funeral March Janacek Philharmonic Orchestra Marek Stilec, conductor More info about today's track: Naxos 8.574120 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording AmazonArkivMusic

Do jeho příbuzenstva patřil básník Vítězslav Nezval, rodiče se znali také s Jakubem Demlem. Mužským vzorem spisovatele, básníka, šumavského regionalisty a disidenta Ondřeje Fibicha je ale spisovatel Karel Klostermann, jehož dílo dlouhodobě vydává. S Janem Anderlem ve Vizitce mluvil i o nové autorské knize Cesty k Šumavě anebo o snaze vystopovat, kde se rodí i zdánlivě nepochopitelná rozhodnutí.

Do jeho příbuzenstva patřil básník Vítězslav Nezval, rodiče se znali také s Jakubem Demlem. Mužským vzorem spisovatele, básníka, šumavského regionalisty a disidenta Ondřeje Fibicha je ale spisovatel Karel Klostermann, jehož dílo dlouhodobě vydává. S Janem Anderlem ve Vizitce mluvil i o nové autorské knize Cesty k Šumavě anebo o snaze vystopovat, kde se rodí i zdánlivě nepochopitelná rozhodnutí.

Nejnovější kniha Ondřeje Fibicha se jmenuje Cesty k Šumavě. Je prý podobná divoké jízdě, při níž se potkáte se šumavskými světci, proroky, čarodějkami i zapomenutými příběhy.

27. ledna 1954 se narodil český básník Ondřej Fibich, vydavatel samizdatu a autor řady nejen básnických sbírek. Podcast "Báseň na každý den" poslouchejte na Anchor, Spotify, Apple Podcasts, Google Podcasts a na dalších platformách. --- Send in a voice message: https://anchor.fm/basennakazdyden/message

Stuudios on muusikateadlane Tiia Järg.

Stuudios on muusikateadlane Tiia Järg.

durée : 02:59:31 - Été Classique Matin du vendredi 09 août 2019 - par : Julien Hanck - Ce matin, le mythe de la Mitteleuropa est exploré en musique depuis les bords de la Moldau jusqu'aux jardin de Brno : Dvořák, Zelenka, Janáček, Fibich... - réalisé par : Patrick Lérisset

durée : 01:59:01 - Été Classique Après-midi du dimanche 28 juillet 2019 - par : Gabrielle Oliveira-Guyon - Juste du plaisir, de la musique à écouter pieds nus dans l’herbe ou allongé dans un hamac ! - réalisé par : Sophie Pichon

Poem by Fibich performed by Alistair and Narcissus by Joyce Grenfell and Norman Wisdom.

Photographer, publisher and film director Rankin joins Rev. Richard Coles and Aasmah Mir. He talks about swapping accountancy for photography, his career which includes photographing the Queen in 5 minutes, and the impact of having a child. Celebrating Record Store Day – we have Ashli Todd - owner of world’s oldest record store, Spillers in Cardiff. Journalist Babita Sharma recalls her experiences growing up in a corner shop. Alistair McGowan shares his Inheritance Tracks: Poem by Fibich performed by Alistair McGowan and Narcissus by Joyce Grenfell and Norman Wisdom. Writer and presenter Danny Wallace discusses family life, why he’s proud of ‘Join Me’ and random acts of kindness. Producer: Claire Bartleet Editor: Beverley Purcell

This question was sent by Anders and he wrote: Hi Vidas and Ausra! I´m following the information you give with great interest. I have been playing the piano for a while but I´m not very good at it, though I really love it and listening to great music, Classic as well as Jazz and Ragtime. In the last period I have started to think much about playing the organ and I've asked the local organist to give me lessons (lessons are free in the Swedish Church) and I hope lessons will start this autumn. I bought an old Electronic organ but am extremely disappointed since the sound is outright awful. It´s not what is called a Church organ, they´re much more expensive. I will throw my Electronic organ and buy some good instrument with a really good sound. The short answer to the questions are: 1.) My Dream is to be able to play "well enough" on the organ some of my favorite music on a good pipe organ. This I wish to do in a Church where I can enjoy the fantastic and mysterious sound of the different voices of the pipes. 2.) What is stopping me is really nothing except: A.) The feeling that I have no time (I do have long working days and other commitments) B.) The feeling that my wife really doesn't enjoy listening to me repeating the difficult parts over and over again. Though she doesn't complain. C.) The lack of a good instrument. And these three things shouldn't stop me. I know and I´m working on it... Now I´ll explain what I mean by playing "well enough": It´s not at all necessary for me to dream of reaching a level of high professionalism, though I fully understand and wish to play with correctness and musicality. For me it´s better to listen to an amateur playing a simple piece very well instead of some half-professional doing a sloppy job on too complicated pieces. I think that for me it will be much more realistic to find, or even better, to be able to arrange the music so it will be simple but still beautiful and retaining the real spirit and essence of the pieces. For that I obviously will have to learn about music theory and learn to play chords and their inversions etc. Maybe not so impossible. For instance i have maybe 5-6 different versions of some piece of music ranging from the very simple to the very difficult. And it´s far from always the fastest version with most notes and difficult fingering that catches the essentials! Thank god for that. I have some rather simple pieces that are really beautiful if you perform them correct and with real spirit. My taste includes classical pieces such as "Poem" by Fibich, pieces by Grieg and Delius and some very nice pieces by Eric Satie. Some jazz pieces I wish to play are maybe not very well known but some are jazz standards. I especially point out some outstanding jazz recordings made by Fats Waller in 1927 on a Church pipe organ (Estey). There has not been any recordings of jazz organ to compare with before or after these few musical pearls, so rich in harmony and feeling. Of course I will never be able to play like Waller did, far from. But maybe be able to play some simplified and still beautiful version in a not too fast tempo. In my opinion speed is not often very important, many pieces win on being played slower but correctly giving time to listen to the music. As a rounding off I wish to say that I fully appreciate and try to apply the principles of slow playing in practice, repeating until I play without faults and learning a piece step by step. Actually I was smiling with remembrance when I read through your "Organ practice is a privilege". The reason is that I already knew about the principles since my last wife was a really good piano teacher (from St Petersburg). And she applied these rules. Before she died 6 years ago I was lucky to learn the importance of these rules, though I was never a very good pupil. And it was maybe not so easy to have the wife as a teacher (she was really serious). Best of Wishes, Anders from Sweden

Fibich, G (Tel Aviv) Wednesday 15 December 2010, 10:00-11:00

Vioxx litigation is always upredictable. A $26 million jury verdict against Merck was overturned in Texas. Separately, an appeals court in New Jersey sharply reduced a verdict in another Vioxx case. Law.com bloggers and co-hosts, J. Craig Williams and Bob Ambrogi welcome Attorney Tommy Fibich, partner in the firm of Fibich, Hampton & Leebron, LLP out of Houston, Texas and Brenda Sapino Jeffreys, reporter from Texas Lawyer, to explore the reversal of these verdicts. Join us to hear a plaintiff attorney and news reporter’s perspective and see what the future holds for the verdicts of those affected by Vioxx.