Podcasts about Lido

A daily update on what's happening in the Rocket Pool community on Discord, Twitter, Reddit, and the DAO forum. #RocketPool #rpl #Ethereum #eth #crypto #cryptocurrency #staking #news Podcast RSS: https://anchor.fm/s/cd29a3d8/podcast/rss Anchor.fm: https://anchor.fm/rocket-fuel Spotify: https://open.spotify.com/show/0Mvta9d2MsKq2u62w8RSoo Apple Podcasts: https://podcasts.apple.com/us/podcast/rocket-fuel/id1655014529 0:00 - Welcome Rocket Pool newsClosing the new minipool queue before Saturn 1 https://discord.com/channels/405159462932971535/1410639978836398151/1410639982372061224 rETH in DeFi https://x.com/StakeRocketPool/status/1961121996667777167 Rocket Pool is whale proof https://twitter.com/Rocket_Pool/status/1959827572986195984 pDAO treasury report https://dao.rocketpool.net/t/pdao-2025-07-31-2025-08-28-treasury-report/3748 Reward night RPL rate locked https://discord.com/channels/405159462932971535/405163713063288832/1410299991276261537 New low ratio https://discord.com/channels/405159462932971535/405163713063288832/1410172494454849566 https://discord.com/channels/405159462932971535/405163713063288832/1410302579409162331 Staking news Lido automating DAO https://x.com/hey_tars/status/1960739772898664528?s=46 https://discord.com/channels/405159462932971535/405163713063288832/1410309409959182336 Staking Nerd Talk episodehttps://x.com/remy_roy/status/1963273281403854913 Ethereum news New ETH dev Reddit AMA https://www.reddit.com/r/ethereum/s/mVMbSzHGvy Ethereum upgrade timeline update https://x.com/nixorokish/status/1960889073813610697 EF selling https://x.com/ethereumfndn/status/1962969315717570910 UX update https://x.com/barnabemonnot/status/1961371058012922041? ERC-8004 update https://x.com/marco_derossi/status/1961121596757692619 Etherealize's next chapter https://x.com/Etherealize_io/status/1963231321561399488 Ethereum r1 launch fails https://x.com/ethereumR1/status/1961133946411864323 xStocks coming on Ethereum https://x.com/xstocksfi/status/1962875479578259853? BMNR options coming https://x.com/cryptogucci/status/1960704857754755403 https://x.com/bitmnr/status/1962887335156351115? ETH DAT FUD https://x.com/coindesk/status/1960445742469775755? https://x.com/AdrianoFeria/status/1960711620734152993 https://x.com/deitaone/status/1963626264314429501?s=46 ETF full steam ahead https://x.com/farsideuk/status/1960549925336252530?s=46 https://x.com/NateGeraci/status/1960693716386988444 https://x.com/nategeraci/status/1961452103500521872? https://x.com/Matt_Hougan/status/1961043190921970161 https://x.com/jseyff/status/1961171325374095552 ETH the Wall Street token https://x.com/scottmelker/status/1960820718427627822 https://x.com/iamDCinvestor/status/1960964924605391176 In other news NASDAQ on the blockchain https://x.com/watcherguru/status/1965024039438897401?s=46 https://x.com/zoomerfied/status/1965023447567700463 https://www.reuters.com/business/finance/nasdaq-makes-push-launch-trading-tokenized-securities-2025-09-08/ Bitcoin to fail? https://x.com/LukeDashjr/status/1960454577431461916 Raffle https://discord.com/channels/405159462932971535/1008896635734069349/1411965522613899377

Hur påverkas våra tankar av platsen de uppstår på? Madeleine Hessérus söker platsens ande. Lyssna på alla avsnitt i Sveriges Radio Play. ESSÄ: Detta är en text där skribenten reflekterar över ett ämne eller ett verk. Åsikter som uttrycks är skribentens egna. Tid har förflutit på platsen där jag bor. Det blir tydligt när jag ser mig omkring. Den uråldriga brunnens ruttna träöverbyggnad utgör numera en fara för nattliga vandrare, vilka riskerar att vid ett felsteg hamna i samma förtvivlade situation som en protagonist i någon av Haruki Murakamis romaner. Tujorna, som när de planterades knappt var manshöga, har växt sig över taksprånget på ladan och ekarna, askarna, lönnarna – alla är nu nästan dubbelt så höga.Det förvånar mig, just detta att jag och min man bott här så länge, att vi gått omkring här så länge, i mer än tjugo år, men i förhållande till husets egen ålder är de två decennierna försumbara.När vi flyttade hit, till en övergiven gård på gränsen mellan Närkeslättens ödslighet och Bergslagens slutenhet, föll den ena grindstolpen ihop när flyttbilen körde in på gården. Ett tecken naturligtvis. På att här skulle krävas hårt arbete eller överseende eller humor – hur man än valde att se det, var man från och med nu i gårdens våld eller kanske, under dess beskydd.Den första natten i huset tillbringade jag ensam med min hund i det enda rum som gick att få varmt, det var sent i november, och hunden och jag vaknade samtidigt av ett krafsande ljud vid tröskeln ut mot hallen. När jag vände blicken mot dörren, såg jag hur en mus satt på bakbenen på tröskeln, som om den behövde sträcka på sig i hela sin längd för att kunna ta in synen av mig och hunden: Vad vill det här säga? Vilka är de här inkräktarna och vad gör de här i mitt hus?Den sönderfallande grindstolpen och musen på tröskeln är de starkaste ögonblicksbilderna från min allra första tid på den här platsen, alldagliga händelser, men deras reflekterande kvalitet – kontrasten mellan det objektiva skeendet och den subjektiva upplevelsen – säger kanske något om vad det innebär att försöka erövra en plats, och bli en del av den.Här i huset har jag skrivit böcker, berättelser, texter. Många av texterna och de tusentals orden och meningarna har jag vid det här laget glömt vad de handlat om, men jag minns när och var de kommit till. Den här platsen har blivit förknippad med själva berättandet, så att platsen inte längre bara är en särskild fysisk plats, utan numera också en berättelsens plats.Ibland använder man begreppet ”platsens ande”, genius loci på latin, när man vill beskriva en särskild plats starka påverkan på människans sinne eller känsloliv, och hur den påverkan i sin tur har sin grund i platsens metafysiska minne av sin historia. Kanske har platsen där jag bor, dess så att säga samlade hågkomster, i hög grad påverkat mig och i förlängningen också mitt skrivande. Men hur egentligen?När vi flyttade till den här gamla gården fanns inget dricksvatten i huset, ingen fungerande värme, tak läckte, mössen bodde i väggarna. Det var ett hus och en gård som människorna övergivit och lämnat åt sitt förfall. Men det var också en plats som bar spår av en annan tid.Skriver man om annat och på ett annorlunda sätt i ett lantligt gammalt hus än i ett modernt hus inne i en stad? Vad har platsen för betydelse? Det är förstås svårt att sätta fingret på. Men ibland när jag går genom rummen i huset, där så mycket är förankrat i historia, eller när jag utför sysslor i trädgården under de höga träden, kan jag tänka att alla de uttryck för liv som varit så fundamentalt annorlunda mitt egets, ofrånkomligt blandat sig in i det jag har skrivit; att de diffunderat in i berättelserna lite i taget, på samma sätt som molekylerna i luften vi andas rör sig och blandar sig med varandra.Jag tror att litteratur mår bra av perspektivförskjutningar. Att bo på en plats där de gamla knotiga träden fått stå kvar och där husets möbler och föremål bär spår av tidigare människors begrepp om tillvaron, kan kanske göra att man ser på samtiden och sig själv med annan blick än om man lever mitt bland nuets snabbt förbiilande ting och föreställningar, där det förgångna ofta är bortmotat.När jag sitter och skriver i mitt arbetsrum tittar jag ibland upp från datorskärmen och låter blicken glida över bokhyllan framför mig. Många av titlarna och namnen på böckernas ryggar vittnar om liv som levts före mitt och på helt andra platser, och många av dem enbart i författarnas föreställningsvärld. En plats kan otvivelaktigt påverka en människas sinne, och den kan ibland också bli till ord och placeras på tryckta boksidor, som Thomas Manns febriga Venedig, Mircea Cărtărescus magnetiserade Bukarest, Emily Brontës stormpiskade hedar, Franz Kafkas labyrintiska bo. Och platserna utgör inte bara bakgrund till levnadsöden utan skapar också ödena, plågsamt eller glädjefyllt, men alltid obevekligt – obevekligt eftersom litteraturen är tvingande i sig; Spöket Cathy kommer att för alltid hemsöka Wuthering Heights, Aschenbach sitta i sin vilstol på Lido mellan havet och badhytterna, Kafkas varelse kommer att för all framtid irra runt i sitt förvirrande bo, och platserna är avgörande för berättelsernas utveckling och berättelsernas karaktärer är så beroende av platserna att de beblandat sig med varandra.Jag ser mig också omkring på alla de oordnade ting förutom böckerna som omger mig i mitt arbetsrum – somliga pyttesmå och anspråkslösa som pennstumpar, andra större och mer betydelsebärande, en marionettdocka inköpt för länge sedan i en tobaksdoftande källare i Prag, en ask med fotografier på okända döda släktingar, ett golvur som slår varje heltimme med fel antal slag – en mängd föremål, där många av dem inte tjänar något bestämt syfte annat än som nötta artefakter som verkar upprätthålla en egensinnig distans till omvärlden, till det samtida eller enbart nyttoinriktade. Men det är detta förflutna, dess materiella tyngd, som ifrågasätter min varseblivning så att jag måste rynka pannan och tänka efter: Har jag verkligen rätt i det jag tror och tänker?Det är kanske så den här platsen påverkar mig och också smittar av sig på mitt skrivande: Jag får hjälp att betrakta världen ur en annan synvinkel och logik än min egen. När jag nu ser tillbaka på de böcker och berättelser jag skrivit medan jag bott här verkar de ha det gemensamt att de alla försökt gestalta just platsens betydelse, hur en plats påverkar människan, hur den formar och skapar henne, hur hon brottas med den och vad platsen tvingar henne till.Karen Blixen skrev om sitt Afrika i boken Den afrikanska farmen: ”Jag kan en sång om Afrika /.../ Kan Afrika också en sång om mig? /.../ Spejar örnarna på Ngong efter mig?”Blixens tanke går naturligtvis att se som uttryck för kolonial självöverskattning, men man kan också tolka den som uttryck för verklig beblandelse, en diffusion, där jaget och platsen är oskiljaktigt samverkande. För Blixen skedde denna beblandelse i Kenya (ett oblitt öde skulle ju senare föra henne tillbaka till Danmark, en plats hon befarade skulle ”tillintetgöra” henne, som hon skriver i ett brev). Ibland tänker jag: det ska bli skönt att resa härifrån. Vid sådana tillfällen reser jag till en mindre stad här i närheten eller till en större stad längre bort. Jag längtar efter något flyktigt, till nuet, till att lämna beständighet och historia. Men jag återvänder, som Kafkas varelse till sitt bo, av envishet eller helt enkelt för att jag erinrar mig den där musen på tröskeln för över tjugo år sedan, och den förvåning vi bägge två upplevde vid det plötsliga mötet. Vem vet, kanske bevarar den här platsens ande, dess genius loci, det ögonblicket och den förvåningen. Madeleine Hessérus, författareLitteratur:Thomas Mann, Döden i Venedig (på svenska på Bonniers, första utgåva 1952)Mircea Cărtărescu, Solenoid (på svenska på Albert Bonniers Förlag 2019)Emily Brontë, Wuthering Heights (1847), på svenska Svindlande höjder, senast utgiven på Modernista, 2014Franz Kafka, Boet (oavslutad novell publicerad första gången postumt 1931, på svenska på Polyfem 1995)Karen Blixen, Den afrikanska farmen, på svenska på Bonniers 1955Människor som oavsiktligt hamnar i en brunn eller i ett underjordiskt rum återkommer som idé i flera romaner av Haruki Murakami, t ex i Fågeln som vrider upp världen (Norstedts 2007) och Mordet på kommendören (Norstedts 2019)

La evolución de la economía española y gallega presenta un panorama de contrastes. A nivel nacional, la inflación se sitúa en el 2,7% con previsión de cerrar el año en el 2,4%, aunque las diferencias entre comunidades son notables: Extremadura lidera la subida con un 3,1% mientras Canarias y Murcia apenas registran un 1,7%. En el caso de la cesta de la compra, frutas frescas (+21,7%), huevos (+15,3%) y café (+13,9%) encabezan las subidas, frente a la fuerte caída del aceite de oliva (-46%). En el contexto europeo, España destaca con un crecimiento del 2,5%, muy por encima del débil 1,1% de la media de la UE y en contraste con la recesión prolongada de Alemania. Francia, aunque crece un 1,1%, preocupa por su elevada deuda (113% del PIB) y su déficit del 5,4%, que ya ha motivado un procedimiento de Bruselas. En Galicia, el crecimiento acompaña la tendencia española, con un impulso clave de la industria (+4,1%), el textil (+23,1% en exportaciones) y la automoción (+19%). La construcción (+3%) y el dinamismo exportador consolidan la fortaleza del tejido productivo, si bien el peso de empresas tractoras como Inditex y Stellantis es determinante. El mercado laboral es otro de los pilares de este momento económico. En España, se prevé la creación de hasta 430.000 empleos, aunque el ritmo será más moderado. Galicia brilla con cifras récord: más de 1,1 millones de afiliados a la Seguridad Social y un paro en mínimos desde 1996, con previsiones de reducirse al 8,7% en 2025. Sin embargo, la demografía introduce matices: hay casi un jubilado por cada trabajador cotizante. El mercado de la vivienda en Galicia también da señales de tensión. En ciudades como A Coruña y Vigo, los precios suben con fuerza y podrían crecer un 7,3% en 2025, niveles que no se registraban desde hace dos décadas. Ferrol, por su parte, suma dinamismo con el desarrollo de la ría, los astilleros y el puerto exterior.

In this episode, we're talking about how to be ready at home, on the road, and even when you're traveling. It's not just about gear—it's about communication, planning, and peace of mind. Stay tuned, because by the end of this episode, you'll have practical tips to stay safe, stay connected, and stay prepared, no matter what life throws your way.”           Affiliate Links   Dakota Lithium – LiPo batteries – 11 yr warranty. Dakota Lithium use Coupon Code: thehamradioguy   Hamstuffonline.com   ABR industries – Coax https://abrind.com/?sld=save10hamradioguy   County Comms - Every day carry items https://countycomm.com/THEHAMRADIO   https://hamradioprep.com/ Use code HAMRADIOGUY   Alpha Antenna.    https://www.alphaantenna.com/W0MET?aff=24   Bridgecom Systems https://www-affiliate-bridgecomsystems.goaffpro.com/    https://portal.referralcandy.com/FKVKH75/share_redirect?type=referral_link_email_click&location=reminder_email&message_id=1231229231   Big Poppa Smokers.  http://shrsl.com/4u7s0. FREEAFFBPS  Use code for Free shipping   Lido mounts https://www.lidoradio.com/pages/brands?sca_ref=8185043.zmqlAAzYNB you can also click on any link and use Coupon Code: HamRadioGuy   Spec 5 Meshtashtic https://specfive.com?sca_ref=8242389.ii7FfHThhfLNxdCl   SOCIAL MEDIA   https://twitter.com/TheHamRadioGuy    https://www.patreon.com/TheHamRadioGuy   Email: W0MET@thehamradioguy.com   Sign up for the newsletter

Wir sind wieder zurück aus der kurzen Sommerpause! Und in der heutigen Episode entführt uns Kenan nach Venedig und berichtet von den großen filmischen Highlights am Lido. Was sind die großen Highlights, nach denen man Ausschau halten sollte? Welche Stars sind ihm über den Weg gelaufen? Und was hat am meisten enttäuscht? Darüber hinaus vollenden sie die zweite Hälfte der zweiten Staffel von Wednesday und besprechen die Zukunft der Serie. Es geht in voller Fahrt in den Spätsommer mit einer weiteren Folge von Bleibende Schäden!

ANSA - di Francesca Pierleoni.Tanti appelli contro la guerra. L'Italia con Rosi, Porcaroli e Covi

Questa edizione della Mostra del Cinema di Venezia è stata davvero ricca di sorprese. In quest'ultimo frammento registrato al Lido vi raccontiamo di quattro film che sono stati capaci di conquistarci in modo inaspettato.

This week, Film Comment is reporting from the picturesque shores of the Lido, where the Venice Film Festival takes place each year. This year's edition features new films by many major auteurs, including Noah Baumbach, Luca Guadagnino, Yorgos Lanthimos, Laura Poitras, and more. For our sixth episode from the city of canals, Film Comment Editor Devika Girish invited critics Guy Lodge and and Öykü Sofuoğlu to discuss some recent festival premieres, including Pietro Marcello's Duse (2:45), Ross McElwee's Remake (12:39), Kaouther Ben Hania's The Voice of Hind Rajab (21:42), and Kathryn Bigelow's A House of Dynamite (41:32). Stay tuned for more Venice coverage, providing everything you need to know about the 2025 edition.

ANSA - di Francesca Pierleoni.Maresco in concorso e docu su De Gregori, D'Angelo e Pelù.

Qual è il rapporto con il cinema di un campione di sci? Betty Senatore si trova alla Mostra internazionale d'arte cinematografica della Biennale di Venezia, ospite della Blue Lounge in collaborazione con MYmovies, ed è qui che ha incontrato Kristian Ghedina. L'allenatore ed ex atleta si trova al Lido per la presentazione del documentario “Kristian Ghedina: Storie di sci”. Ma, una volta tornato a casa, quale film guarderà la sera sul divano? In questa puntata, il suo consiglio cinematografico.See omnystudio.com/listener for privacy information.

This week, Film Comment is reporting from the picturesque shores of the Lido, where the Venice Film Festival takes place each year. This year's edition features new films by many major auteurs, including Noah Baumbach, Luca Guadagnino, Yorgos Lanthimos, Laura Poitras, and more. For our fifth episode from the city of canals, Film Comment Editor Devika Girish invited critics Savina Petkova and Jordan Mintzer to discuss Benny Safdie's The Smashing Machine (3:00), Lucrecia Martel's Nuestra Tierra (Landmarks) (18:26), and Olivier Assayas's The Wizard of Kremlin (31:49). Stay tuned for more Venice coverage, providing everything you need to know about the 2025 edition.

Canadian rock and pop legend Bryan Adams on his new studio album – Roll With The Punches. He talks to Kirsty Wark about the inspiration for his lyrics, creating music with old gear, AI, and – surprisingly – duetting with Luciano Pavarotti.Folk singer Emily Portman was left in disbelief this summer when an AI-generated album was released under her name without her permission. Dr Hayleigh Bosser and Emily discuss artificial intelligence and the rights of musicians. With the Venice Film Festival in full flow, journalist Hannah Strong gives a glimpse behind the scenes at some of the hits – and the political undercurrents – on the Lido this year. And Damian Barr shares the true story behind his latest novel The Two Roberts, an exploration of the lives of Ayrshire artists and lovers Robert Colquhoun and Robert MacBryde.Presenter: Kirsty Wark Producer: Caitlin Sneddon

Di Costanzo, un film sulla colpa che si può sanare.

Presentato fuori concorso all'81esima Mostra internazionale d'arte cinematografica di Venezia, questo film autobiografico racconta il rapporto tra il grande regista Luigi Comencini e la terzogenita Francesca, che scrive e dirige la pellicola. I due intraprendono insieme un viaggio per far sì che la figlia esca dai suoi problemi di tossicodipendenza, rifugiandosi a Parigi e prendendosi “il tempo che ci vuole”. Nei panni del protagonista c'è Fabrizio Gifuni, in questi giorni al Lido per presentare “Portobello” di Bellocchio, serie in cui interpreta Enzo Tortora.See omnystudio.com/listener for privacy information.

If you're planning the perfect Sand Valley golf trip, this podcast has you covered. We talk through all the courses, food, and lodging with a full itinerary to make the most of your trip. In this episode of The Golf Podcast, we take you inside our bucket-list trip to Sand Valley Golf Resort and break down the perfect golf itinerary for anyone planning to go. We played every course on property—Sand Valley, Mammoth Dunes, Sedge Valley, the Lido, and the Sandbox—and share what makes each one special. From short courses with legendary architecture to wide fairways built for scoring, we detail exactly how to structure your rounds to get the most out of your trip. But it's not just about golf. We also dive into the food, lodging, and off-course experiences that make Sand Valley such a complete destination. From Craig's Porch and its famous dollar tacos to Bill's Barbecue and the Gallery's surprisingly excellent pizza, we cover all the must-eats. You'll also hear about lodging options from the Mammoth Suite above the clubhouse to the secluded cottages by the new Commons course. Whether you're a group of buddies, a bachelor party, or just chasing your golf bucket list, this episode lays out the step-by-step playbook for doing Sand Valley right. If you're planning your first trip—or already booking a return—you won't want to miss this guide.   Listen to This Week's Show Download on iTunes here Listen on Spotify here Thanks to this Week's Sponsors Titleist is committed to ensuring that every golf ball delivers superior quality and consistency.  From ball to ball, dozen to dozen we should expect our golf ball to perform exactly the same way, shot after shot. That's why Titleist owns the design, the technology and the manufacturing to make sure consistency spot on every time. They even conduct all the testing and quality checks to make sure nothing slips through the cracks.  Titleist is the #1 ball for every player and the #1 ball in golf.  Choose the best for your game and find out more at Titleist.com. Trust your golf game to FootJoy, the number one Shoe in Golf. Shop now at FootJoy.com. Thanks for tuning to The Golf Podcast! Cover Image via X

This week Film Comment is reporting from the picturesque shores of the Lido, where the Venice Film Festival takes place each year. This year's edition features new films by many major auteurs, including Noah Baumbach, Luca Guadagnino, Yorgos Lanthimos, Laura Poitras, and more. For our fourth episode from the city of canals, Film Comment Editor Devika Girish invited critics Bilge Ebiri and Jonathan Romney to talk about some recent premieres, including Jim Jarmusch's Father Mother Brother Sister, Kent Jones's Late Fame, Mark Jenkin's Rose of Nevada, and Gianfranco Rosi's Below the Clouds. Stay tuned for more Venice coverage, providing everything you need to know about the 2025 edition.

ANSA - di Francesca Pierleoni.È il giorno di Valeria Bruni Tedeschi ma anche di Hind Rajab.

Amber Webber is known for the bands Lightning Dust and Black Mountain. She briefly had a project called Kodiak Deathbeds and has been a guest singer on many other projects. She started in the band Dream On Dreary. This conversation was recorded on August 13th 2025. Venues visited: Pat's Pub was the site of the first Black Mountain show around 2004. Shindig, the CiTR battle of the bands, took place at Pat's for several years in the mid-late 2010s. The downstairs bar in the Patricia Hotel has had music shows for over a hundred years. It was once a renowned jazz venue, and in the early 2000s hosted local bands for many years. The space was originally called the Patricia Café and opened in 1914. The Hawks Street House was a women's collective house and a community space at the corner of Hawks and Georgia. Hoko's/Lanalou's Other venues discussed: The Chapel, The Interurban Gallery, The Lido, Richard's on Richards, the Brickyard, the Commodore, the Marine Club. Bands mentioned: The Cave Singers, Better Friends than Lovers, Rae Spoon, Ladyhawk, Animal Collective, Mecca Normal, Jerk with a Bomb, Megamall, Magnolia Electric Company, Murder City Devils. This episode features the following music: Black Mountain: Druganaut from Black Mountain (Scratch Records, 2004/Jagjaguwar 2005). Kodiak Deathbeds: Borderlines from Kodiak Deathbeds (2015). Lightning Dust: Diamond from Fantasy (2013 Jagjaguwar).  

Kean Gilbert, Head of Institutional Relations at the Lido Ecosystem Foundation, joined me to discuss the latest on Lido's liquid staking solutions for Ethereum and how institutions are adopting them.Topics: - Institutions getting yield from Ethereum Staking - Ethereum Treasury Companies - SEC's new guidance on Liquid Staking - Staking security and custody - Staking in Ethereum ETFs - Future of Staking Show Sponsor -

ANSA - di Francesco Gallo.In concorso al Lido il classico di Camus con Voisin e Marder.

Każdy festiwal ma swoich ulubieńców: związane z wydarzeniem nazwiska, których pojawienie zawsze jest wyczekiwane i fetowane. Dla Wenecji takim faworytem jest bez wątpienia Luca Guadagnino, Włoch, który od lat premierowo pokazuje na Lido swoje filmy: „Jestem miłością” (2009), „Nienasyceni” (2015), „Suspiria” (2018), „Do ostatniej kości” (2022) czy „Queer” (2024). Wyjątkami były „Tamte dni, tamte noce”, który debiutował na amerykańskim Sundance, i „Challengers” – pierwotnie co prawda przewidziany dla Wenecji, ale z opóźnioną przez strajk hollywoodzkich aktorów premierą. Teraz przyszła pora na „Po polowaniu” – najnowszy obraz włoskiego filmowca-intelektualisty, w którym główne role grają Julia Roberts, Andrew Garfield, Michael Stuhlbarg i Ayo Edebiri. Autorka: Anna Tatarska Artykuł przeczytasz pod linkiem: https://www.vogue.pl/a/po-polowaniu-luca-guadagnino-recenzja

Acompanhe hoje todas as informações do futebol amador; Marcelo Benevenuto deixa o Criciúma e retorna ao Fortaleza; Donnarumma é anunciado no Manchester City e manda recado aos torcedores.

Presentato in anteprima alla Mostra del cinema di Venezia del 2024, questo film di Pablo Larraín ripercorre l'ultimo periodo di vita della cantante lirica Maria Callas, interpretata da Angelina Jolie. Nel cast, anche Pierfrancesco Favino, Alba Rohrwacher e Valeria Golino, in questi giorni presenti al Lido per l'82esima edizione della kermesse.See omnystudio.com/listener for privacy information.

This week and next, Film Comment is reporting from the picturesque shores of the Lido, where the Venice Film Festival takes place each year. This year's edition features new films by many major auteurs, including Noah Baumbach, Luca Guadagnino, Yorgos Lanthimos, Laura Poitras, and more. For our second episode from the city of canals, Film Comment Editor Devika Girish invited critics Joseph Fahim and Öykü Sofuoğlu to talk about some recent premieres, including Guillermo Del Toro's Frankenstein, Jihan K's My Father and Qaddafi, and Shahad Ameen's Hijra; the group also discussed the rise of the Saudi film industry and its role in contemporary Arab cinema. Stay tuned for more Venice coverage, providing everything you need to know about the 2025 edition.

Nicholas Bell from IONCINEMA joins me to run down the films we've watched so far at the 82nd Venice Film Festival. We talk La Grazia, Frankenstein, After the Hunt, Bugonia, No Other Choice and The Smashing Machine. We probably talk about even more in this bumper Lido fuelled edition. Learn more about your ad choices. Visit megaphone.fm/adchoices

Wellinski, Patrick www.deutschlandfunkkultur.de, Studio 9

ANSA - di Francesca Pierleoni.In gara The smashing machine e The testament of Ann Lee.

Gaza City è stata dichiarata «zona di combattimento». Israele rallenta o interrompe gli aiuti al nord e spinge nuove evacuazioni verso sud. La Croce Rossa avverte che un'evacuazione di massa «non può avvenire in modo sicuro e dignitoso». I fatti delle ultime ore: raid e un panificio colpito ad al-Nasr, undici civili uccisi. Dall'alba 44 morti, 66 nelle 24 ore secondo le autorità sanitarie locali. Colpire i forni quando manca il pane è più di un segnale militare: è una scelta politica sulla vita dei civili. L'Europa parla ma resta ferma. «Gaza ha bisogno di meno guerra, non di più», dice Kaja Kallas. Ma non è una guerra quella in cui un esercito trucida civili, donne e bambini, gente in fila per la farina e il pane. Gaza ha bisogno di meno vigliaccheria europea. Solo quello. Fuori dai palazzi la realtà spinge: in cinquemila al Lido di Venezia e, da Genova, la Global Sumud Flottilla prepara oltre 300 tonnellate di aiuti. La società civile misura il vuoto della politica. Intanto Washington restringe il perimetro diplomatico: visti revocati ad Abu Mazen e a funzionari palestinesi a ridosso dell'Assemblea generale. L'Onu chiede chiarimenti. Se “sicurezza” significa bombardare quartieri, ridurre gli aiuti e mettere in strada un milione di persone senza rifugio, allora stiamo descrivendo altro. Lo sanno le agenzie umanitarie, lo vedono le piazze europee. L'unica scelta seria è cessate il fuoco, pieno accesso umanitario, sanzioni efficaci contro chi sabota il diritto internazionale. Chiamare le cose col loro nome non è radicalismo: è la minima igiene della verità. Ora. La storia condannerà chi ha parlato senza agire. #LaSveglia per La NotiziaDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/la-sveglia-di-giulio-cavalli--3269492/support.

ANSA - di Francesco Gallo.Assayas: 'Il Mago del Cremlino racconta la politica tossica di oggi'

This week and next, Film Comment is reporting from the picturesque shores of the Lido, where the Venice Film Festival takes place each year. This year's edition features new films by many major auteurs, including Noah Baumbach, Luca Guadagnino, Yorgos Lanthimos, Laura Poitras, and more. For our second episode from the city of canals, Film Comment Editor Devika Girish invited critics Tim Grierson and Katie McCabe to talk about recent festival premieres, including Guadagnino's After the Hunt, Park Chan-wook's No Other Choice, László Nemes's Orphan, and Poitras and  Mark Obenhaus's Cover-Up. Stay tuned for more Venice coverage, providing everything you need to know about the 2025 edition.

Welcome to Caching in the NorthWest! This is THE podcast from the birthplace of geocaching, right here in the great Pacific NorthWest.  It's Thursday at 7PM Pacific and we are going to talk about geocaches and geocachers from here and around the globe. So while you're searching for the buffet on the Lido deck, we'll be Caching in the NorthWest. We want you to call in your Geocache Log of the Week! Send an email to feedback@CachingNW.com, call into 253-693-TFTC. Call us with your feedback at (253) 693-TFTC Or visit the website at https://CachingNW.com

Leweke, Anke www.deutschlandfunkkultur.de, Studio 9

This week and next, Film Comment is reporting from the picturesque shores of the Lido, where the Venice Film Festival takes place each year, and this year's edition features new films by many major auteurs, including Noah Baumbach, Luca Guadagnino, Yorgos Lanthimos, Laura Poitras, and more. For our first episode from the city of canals, Film Comment Editor Devika Girish invited FC contributors and Venice veterans Jonathan Romney and Jordan Cronk to talk about what sets this festival apart from other major international film showcases. Next, the group turned to some of the most highly anticipated premieres of the first few days, including Paolo Sorrentino's La grazia (8:28), Noah Baumbach's Jay Kelly (16:21), Yorgos Lanthimos's Bugonia (26:50), Claire Simon's Writing Life: Annie Ernaux Through The Eyes Of High School Students (36:40), and Mike Figgis's Megadoc (47:03). Stay tuned for more Venice coverage, providing everything you need to know about the 2025 edition.

ANSA - di Francesco Gallo.Al Lido in concorso il film tratto dal romanzo di Franck Courtes.

ANSA - di Francesca Pierleoni.Prima star Emma Stone, Clooney ha la sinusite. L'orfano di Nemes.

Suchsland, Rüdiger www.deutschlandfunk.de, Kultur heute

ANSA - di Francesca Pierleoni.Sorrentino protagonista, Leone d'oro alla carriera ad Herzog.

ANSA - di Francesca Pierleoni.5 italiani in gara, tra glamour e proteste per Gaza.

I spoke with Venice Immersive curators Liz Rosenthal & Michel Reilhac about sneak peak of their 2025 selection, which is their largest selection yet. See more context in the rough transcript below. Here's an Venice Immersive Program Cheat Sheet by Voices of VR podcast (PDF), which has an overview of the four categories of immersive experiences ordered by longest booking times to shortest (amount of time required for scheduling purposes) as well as the actual runtime, the number of people who can see it per slot, and then the number of people who can see it per day. This should hopefully help for your scheduling process. I typically book experiences to roughly corresponding to hours. The Biennale scheduling website will open up on Thursday, August 21st, and it will not let you double book yourself. So I personally find it easier to book the longer experiences first, and then fill out my schedule with shorter experiences, and then experiences that generally have higher capacity. Note that Ancestors (capacity of 48 people), and L'Ombre (capacity of 50 people), and each of the VRChat sessions only have one booking time per day, and so these are also worth prioritizing if you want to see them and they should have lots of capacity throughout the week. The One the Other Earth may be one of the more logistically difficult experiences to see as you'll need to make a trek up to the main Venice island. I'd recommend trying to keep your schedule clear for at least an hour before and afterwards. Here's a Venice Immersive Schedule Helper that I put together to help navigate the schedule. Here's a placeholder for my other coverage of Venice Immersive 2025 to be updated after the festival. Venice Airport to Lido Island The best way to get to Lido from the Venice airport is either via the Red or Blue Line of the Alilaguna Public Transport water taxi, which you can get tickets either after you come out of customs or you can go to the water taxi dock at the Venice airport, and there's a booth there.  Picking up badge at Palazzo del Casinò I usually pick up my badge at the bottom of the Palazzo del Casinò, which is at Lungomare Guglielmo Marconi, 1861, 30126 Lido VE, Italy Venezia 2000 to the VR Island (Lazzaretto Vecchio) The best way to get to the VR Island of Lazzaretto Vecchio from the docks is the bus. The buses leave every 15-20 minutes, and it's a 3 minute ride, and another 5 minute walk to the island. Here is a link to the bus route and the addresses. I believe it is either the A, N, or C or CE routes. I believe the bus stop names are S.Maria Elisabetta and then I get off at the Gallo Sant'Antonio stop. The address of the VR island is Isola del Lazzaretto Vecchio, Lazzaretto Vecchio, 30100 Venezia VE, Italy There is a water taxi that you can find the pick-up spot by looking at the google map and get directions there. It takes 1 minute of a ride, but there is only one taxi that can be a 10-15 minute wait depending on how busy it is. Also be sure to check out XR Must's interview with Liz and Michel, which I found a lot of helpful info in. Some of the artist statement videos are starting to get posted onto the BiennaleChannel YouTube page. Here's a list Best of Experiences and Best of Worlds from VRChat that are already available if you'd like to get a head start on this year's program. Already Released - BEST OF EXPERIENCES The Midnight Walk Ghost Town One True Path, Part 1 Wall Town Wonders D-Day: The Camera Soldier - Apple Vision Pro Submerged - Apple Vision Pro Adventure: Ice Dive - Apple Vision Pro Already Released - BEST OF WORLDS - VRChat links included vent. by Premium² What is Virtual Art – Volume 1 by Jessien FLASHING WARNING by xlxxl Flat Earth by Niko Lang Neuron by Juice… Powdergame by Pema Malling [NOT REPLAYABLE YET] FZMZ Pointzero by ReeeznD [VR_SMEJ] よるとうげ -Yorutouge- by mikkabouzu / Kikuo [VR_SMEJ]

What if preventing Legionella outbreaks wasn't about adding more chemicals, but removing what the bacteria needs to survive? In this episode of Scaling UP! H2O, host Trace Blackmore talks with Dr. David Krause, Certified Industrial Hygienist, toxicologist, and founder of HC3, about his groundbreaking approach — LIDO (Legionella Inhibition by Deoxygenation). Legionella on the Rise  Dr. Krause has investigated high-profile Legionella outbreaks and seen firsthand how current prevention strategies often fall short. Despite ASHRAE 188 standards, CMS requirements, and increasing water management plan adoption, Legionella cases continue to climb — often due to infrastructure issues, insufficient monitoring, and a lack of evidence-based guidance.  Inside an Outbreak Investigation  From the first call at 4:30 on a Friday to the coordination between local health departments, state agencies, and the CDC, Krause explains the rigorous (and sometimes chaotic) process of pinpointing outbreak sources. He also reveals why public communication can make or break an outbreak response.  Introducing LIDO Technology  Rather than relying solely on chemical disinfection, LIDO uses gas transfer membrane contactors to remove dissolved oxygen from hot water systems. Legionella can't thrive below 0.3 ppm DO — meaning systems treated with LIDO create an inhospitable environment for growth. Krause shares lab results, pilot project findings, and how this approach could extend system life while reducing corrosion and byproducts. The Bigger Picture  This episode goes beyond technology — it's about rethinking water management, building better outbreak communication, and challenging industry norms. Whether you're a facility manager, water treater, or public health professional, Krause's insights will shift the way you think about Legionella control.   Prevention starts with awareness — and action. Dr. Krause's work shows there's more than one path to safer water systems, and innovation comes from asking better questions.  Listen now to discover how Legionella investigations unfold and how LIDO technology could reshape prevention. Download the free discussion guide located at Connect with the Guest section, and start the conversation with your team.  Stay engaged, keep learning, and continue scaling up your knowledge!    Timestamps   02:24 - Trace Blackmore shares an Introduction to Legionella Awareness Month and the value of ANSI/ASHRAE 188, ASSE 12080 certification  08:17 - Water You Know with James McDonald  11:52 - Interview with Dr. David Krause and his background in public health, toxicology, and Legionella Investigations   16:36 - Why cases are rising despite standards, plans, and certifications  21:39 - The significance of Legionella pneumophila serogroup 1 vs. other species  26:38 - Media influence on outbreak perception and the need for accurate communication  31:15 - Business risks of not having a water management plan  41:48 - How LIDO works: removing dissolved oxygen to prevent Legionella growth  48:41 - Current pilot projects and operational considerations    Quotes  “Legionella is an obligate aerobe – without dissolved oxygen, it simply can't grow.” “An ounce of prevention is worth ten pounds of cure when it comes to water management plans.” “Once an outbreak starts, testing becomes your life.” “We have so much information on waterborne pathogens – the challenge is making a habit of learning the next thing.”   Connect with Dr. David Krause Phone: 850-766-1938   Email: dkrause@HC3FL.com   Website: http://www.hc3fl.com/   LinkedIn: https://www.linkedin.com/in/drdavidkrause/     Guest Resources Mentioned   AIHA – Recognition, Evaluation, and Control of Legionella in Building Water Systems (2nd Edition, 2022)   ACGIH – Bioaerosols: Assessment and Control (Red Book, Updated Edition)   IDSA's 'Increasing Incidence of Legionellosis in the United States, 1990–2005: Changing Epidemiologic Trends'   Legionella and the Role of Dissolved Oxygen in Its Growth and Inhibition: A Review by J. David Krause   Journal of Occupational and Environmental Hygiene Controlling Legionella pneumophila growth in hot water systems by reducing dissolved oxygen levels by J. David Krause   CSTE – National Legionellosis Case Definitions (2020)  LIDO: A Revolutionary Approach to Legionella Management    Scaling UP! H2O Resources Mentioned  AWT (Association of Water Technologies)  Scaling UP! H2O Academy video courses  Submit a Show Idea  Scaling UP! H2O's Legionella Resources Library   ASHRAE Standard 188 (Legionellosis: Risk Management for Building Water Systems)  ASHRAE-188-2021-Summary-Technical-Bulletin_01.pdf    Water You Know with James Question: Despite all the training, engineering controls, policies, regulations, laws, and direction, at the end of the day, who is most responsible for your personal safety?    2025 Events for Water Professionals  Check out our Scaling UP! H2O Events Calendar where we've listed every event Water Treaters should be aware of by clicking HERE.     

Multi-hyphenate Artist with a capital "A" Lido Pimienta returns to SHEROES this week to talk with Carmel Holt about her latest album, La Belleza - an emotionally resonant and triumphant orchestral album that sees Lido going wide with her sonic palette while she continues to build the canon of music rooted in her Afro-Indigenous Caribbean background.

Na década de 1960, Stanley Milgram conduziu um estudo psicológico notório sobre obediência à autoridade - visto, atualmente, como um experimento repleto de problemas éticos. Como foi esse experimento? Ele continua válido hoje?Confira o papo entre o leigo curioso, Ken Fujioka, e o cientista PhD, Altay de Souza.>> OUÇA (58min 55s)*Naruhodo! é o podcast pra quem tem fome de aprender. Ciência, senso comum, curiosidades, desafios e muito mais. Com o leigo curioso, Ken Fujioka, e o cientista PhD, Altay de Souza.Edição: Reginaldo Cursino.http://naruhodo.b9.com.br*APOIO: INSIDERIlustríssima ouvinte, ilustríssimo ouvinte do Naruhodo, neste momento INSIDER, vou dar uma opinião polêmica.Preparado? Então, toma essa: calças jeans são desconfortáveis.Eu usei calças jeans por anos a fio. Mesmo sentindo desconforto. Aquele tecido grosso, pouco maleável e que retém muito calor.Porque eu sempre achei calça social muito coxinha - não combinava comigo.Mas os meus problemas acabaram. Eu conheci a Calça FutureForm da INSIDER.Ela é o meio-termo perfeito: visual elegante, conforto real, com bolso funcional e tecido que não precisa passar. Tem conforto de moletom e cara de calça de sair. Vai do trabalho ao rolê sem trocar de roupa.É ou não é a calça ideal?Então fica aqui meu convite: experimente INSIDER e aproveite o desconto de 15% para ouvintes do NARUHODO.Para isso, o jeito mais fácil é usar o endereço: creators.insiderstore.com.br/NARUHODO - o cupom NARUHODO será aplicado automaticamente no carrinho.INSIDER: inteligência em cada escolha. #InsiderStore*REFERÊNCIASObedience to Autority - Milgramhttps://www.psicopolis.com/psicopedia/boxpdf/milgram2.pdfThe Perils of Obediencehttps://bxscience.edu/ourpages/auto/2013/2/7/66623602/Milgram-Obedience.pdfRevisitando Milgram:https://content.myconnectsuite.com/api/documents/ea54446ef72741eeba17f1d994f16829.pdfBehaviorism's Impact on Advertising: Then and Nowhttps://digitalcommons.unl.edu/cgi/viewcontent.cgi?article=1042&context=journalismdiss#:~:text=In%201913%2C%20John%20B.,(Buckley%2C%201982%2C%20p.John B. Watson at J. Walter Thompson: The Legitimation of "Science" in Advertising https://www.jstor.org/stable/4188763Stanley Milgram papershttps://archives.yale.edu/repositories/12/resources/4865An Experimental Study of the Small World Problem https://www.jstor.org/stable/2786545?origin=crossrefA banalidade do mal entre o direito e a internet: o discurso de ódio a partir de uma releitura arendtiana nas redes de relacionamento socialhttps://repositorio.ufmg.br/handle/1843/47862Eichmann in Jerusalem: A Report on the Banality of Evilhttps://archive.org/details/arendt-hannah-eichmann-in-jerusalemZona de Interessehttps://www.adorocinema.com/filmes/filme-266159/Naruhodo #137 - O experimento da prisão de Stanford é uma fraude?https://www.youtube.com/watch?v=pyTbX9jmMWMNaruhodo #242 - O experimento do Parque dos Ratos ainda é válido?https://www.youtube.com/watch?v=rBI0twj0wD4Naruhodo #272 - Quais são os grandes desafios da psicologia no Brasil?https://www.youtube.com/watch?v=Kxt23k6HCa0Naruhodo #304 - Como saber se uma pesquisa científica foi feita de forma ética?https://www.youtube.com/watch?v=Q-qrIWD_x2UNaruhodo #387 - Somos bons (ou maus) por natureza? - Parte 1 de 2https://www.youtube.com/watch?v=Fx37e0PUgY4Naruhodo #388 - Somos bons (ou maus) por natureza? - Parte 2 de 2https://www.youtube.com/watch?v=xwAEaMyfm0Q*APOIE O NARUHODO!O Altay e eu temos duas mensagens pra você.A primeira é: muito, muito obrigado pela sua audiência. Sem ela, o Naruhodo sequer teria sentido de existir. Você nos ajuda demais não só quando ouve, mas também quando espalha episódios para familiares, amigos - e, por que não?, inimigos.A segunda mensagem é: existe uma outra forma de apoiar o Naruhodo, a ciência e o pensamento científico - apoiando financeiramente o nosso projeto de podcast semanal independente, que só descansa no recesso do fim de ano.Manter o Naruhodo tem custos e despesas: servidores, domínio, pesquisa, produção, edição, atendimento, tempo... Enfim, muitas coisas para cobrir - e, algumas delas, em dólar.A gente sabe que nem todo mundo pode apoiar financeiramente. E tá tudo bem. Tente mandar um episódio para alguém que você conhece e acha que vai gostar.A gente sabe que alguns podem, mas não mensalmente. E tá tudo bem também. Você pode apoiar quando puder e cancelar quando quiser. O apoio mínimo é de 15 reais e pode ser feito pela plataforma ORELO ou pela plataforma APOIA-SE. Para quem está fora do Brasil, temos até a plataforma PATREON.É isso, gente. Estamos enfrentando um momento importante e você pode ajudar a combater o negacionismo e manter a chama da ciência acesa. Então, fica aqui o nosso convite: apóie o Naruhodo como puder.bit.ly/naruhodo-no-orelo

Linea plans to enable native yield using Lido V3. The Eigen Foundation proposes Programmatic Incentives v2. And BitMine amasses 833k ETH in its treasury. Read more: https://ethdaily.io/754 Disclaimer: Content is for informational purposes only, not endorsement or investment advice. The accuracy of information is not guaranteed.

Send us a textI found these poignant movies on a search for something else, and couldn't take my eyes off either one — they are stunners. Lyrical direction and pacing, spare soundtracks and understated, nuanced performances float gentle light layers of meaning into every scene in each of these stories. They're soulful, profound at times, revealing the struggles and authentic moments of connection in these women's lives.https://www.confessionsofaclosetromantic.comPamela Anderson is a revelation as The Last Showgirl.The Lido de Paris that Shelly mentions as the inspiration for Le Razzle Dazzle revue.The modern showgirl wasn't born in Las Vegas, but she was perfected there. As usual, the dated trailer is trash, so here's one of my favorite scenes from Things You Can Tell Just by Looking at Her.Director Rodrigo García has quite the interesting lineage and résumé.Support the showIf you enjoyed this episode, please click share in your podcast app and tell your friends! Thanks for listening!

OP Labs releases the OP Kona rollup node.  ChainLink introduces State Pricing. Lido discloses a CSM vulnerability. And Privacy Pools supports wstETH. Read more: https://ethdaily.io/753 Disclaimer: Content is for informational purposes only, not endorsement or investment advice. The accuracy of information is not guaranteed.

Nuno Light em Manchester a chatear as pessoas.

Please Follow us on: ⁠⁠⁠Instagram⁠⁠⁠ ⁠⁠⁠Facebook  Kimberly and Tommaso share their adventures on the island of Ischia, from a comical car rental experience to a serene beach day. They address weather concerns for travelers and offer tips for visiting historical sites. Weather Concerns and Travel Advice: Kimberly and Tommaso respond to a review criticizing their warnings about extreme weather in Europe. They cite publications like Euro News, The Guardian, and the BBC who also address the issue and give advice as well. They stress the importance of sharing this information since it is affecting tourism to Italy and all of Europe. The Moke Adventure: Tommaso recounts a funny car rental experience involving an old moke with no seat belts, functioning windshield wipers or directionals. The drive to Castello Aragonese was challenging, with difficult roads and a tricky clutch. Kimberly and Tommaso always drive throughout Italy, but this particular day just wasn't enjoyable. Castello Aragonese and Travel Tips: Kimberly shares a travel tip regarding printed brochures at historical sites for accurate information. The history of Castello Aragonese is explored, noting its construction in 474 B.C. and subsequent rulers. By the 16th century, the island was home to nearly 1,900 families, nuns, and priests. The well-organized visit includes various structures and spaces, all of them impressive. Beach Day: Due to the challenging drive, they canceled the next day's rental and opted for a beach day at Lido di Moronti. Beach Day at Lido di Maronti: They took a water taxi to the beach and were happily surprised at the reasonably priced beach clubs. The day included reading, swimming, and a flavorful lunch with fresh ingredients. Despite some crabby water taxi drivers, the beach day was a highlight of the trip. Future Plans: The next episode will cover their amazing time in Capri, including a boat tour around the island.

The 2017 NEJM study, ALPS, compared amiodarone, lidocaine, and placebo for refractory shockable rhythms in adults with out of hospital cardiac arrest. They found no significant difference in survival to hospital discharge or functional survival between any of the arms. If that study has left you confused, you're not alone. And you're in luck. Tanner Smida joins us again to discuss his latest paper using something called target trial emulation to assess the difference in ROSC and survival to discharge between amiodarone and lidocaine. This is a great discussion of his paper, the methodology, and how we can put his results into the context of ALPS.Citations:1.Smida T, Crowe R, Price BS, Scheidler J, Martin PS, Shukis M, Bardes J: A retrospective ‘target trial emulation' comparing amiodarone and lidocaine for adult out-of-hospital cardiac arrest resuscitation. Resuscitation. 2025;March;208:110515.2. Kudenchuk PJ, Brown SP, Daya M, Rea T, Nichol G, Morrison LJ, Leroux B, Vaillancourt C, Wittwer L, Callaway CW, et al.: Amiodarone, Lidocaine, or Placebo in Out-of-Hospital Cardiac Arrest. N Engl J Med. 2016;May 5;374(18):1711–22.3.Hernán MA, Robins JM: Using Big Data to Emulate a Target Trial When a Randomized Trial Is Not Available: Table 1. Am J Epidemiol. 2016;April 15;183(8):758–64.