Podcasts about schrodinger

Why is the past different from the future? Neil deGrasse Tyson and comedian Chuck Nice explore the universe's deepest questions like why is there anything, how we know we are in the real present, if there could be a unified theory of physics and more with theoretical physicist Sean Carroll. Originally aired August 29, 2023. NOTE: StarTalk+ Patrons can listen to this entire episode commercial-free here:  https://startalkmedia.com/show/physics-philosophy-with-sean-carroll/ Subscribe to SiriusXM Podcasts+ to listen to new episodes of StarTalk Radio ad-free and a whole week early.Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This ol’ internetty thing has been positively *alive* with Doctor Who rumours over last few weeks. What’s happening with this year’s Christmas edition of our beloved show?! After Ncuti Gatwa’s fleeting incarnation morphed into Billie Piper at the end of The Reality War last year, the BBC shared their post-Disney+ masterplan for Christmas 2026 and beyond. Journey back to October last year to hear our coverage of that news. However, silence has since fallen. Russell T Davies didn’t even mention the special in his recent interview with James O’Brien when discussing his future, and event went as far as to say, he’s “not filming again until next year”! But did he actually mean Doctor Who? IT’S ALL SO CONFUSING! So, Christmas Special, or no Christmas Special?! Join Ashley, Phil and Ian as they try to make sense of it all! Enjoy the show.

Episode Notes: This week on Cat Games Zahra and Catoline are joined by Martin to celebrate the launch of local game 'Schrodinger's Cat Burglar' from Abandoned Sheep. Plus some #gamingnews and upcoming events... But mostly it's about the cat. Timestamps and Links: 00:00 - Welcome to Zed Games 01:01 - Interview w/ Martin from Abandoned Sheep 15:45 - #GamingNews 21:44 - Schrodinger's Cat Burglar from Abandoned Sheep 29:09 - Upcoming Events Upcoming Events Indie Dev Night @Lost Souls Karaoke Thursday 6-9pm; 4th June, 15th Oct, 12th Nov. The Frosty Games Festival - Sun, June 7 8am Queensland Games Festival @Brisbane Powerhouse - Fri-Sat, 26-27 June Radiothon Event: 13th Aug Indie Dev Night 'Dungeon Pizza' by Growing Games - A cooking game with a fantasy twist! Knead the dough, spread the sauce, and prepare… the rat chunks?! Open your own pizzeria deep inside a dungeon, serving weary adventurers who come to rest and refuel between their quests and bounties. 'Aqueducks' by Corkscrew Games (boardgame) - It is the crux of the Roman Eggpublic, and the Pondifex has tasked the players with establishing a new city to lead the ducks of Rome into a new age. 'Lone Pine' by Bang Bang Bang Interactive - A single-player, 2D adventure set in the fictional Lone Pine National Park. You play as Izzie, who has come to Lone Pine to try to photograph some of its mysterious, undiscovered 'cryptids'. 'Oath for Glory' by Sleep Deprived Studios - Play as a lowly knight competing in a tournament. A skill-based boss rush game built around directional combat. 'Deathbed' by Devil Juice (card game) - The Old King is on his deathbed. Each day, each kingdom sends a representative to perform a eulogy. Through strategic timing and political manipulation your kingdom could hold the most influence when The King finally passes! 'Descend' by Fizzy Games - Slay hordes of enemies to gain procedural skills, augments and loot to shape your build and fight deeper. Descend is set apart with a unique skill system, run-altering persistent upgrades, and an evolving quest system that influences gameplay. 'On The Hearth' by Earl Grimm Games - A narratively driven mystery game, blending magic and community as tools of deduction. Decode your mentor's grimoire, master your craft, and solve a myriad of mysteries as you lead your loveable, rag-tag village against the rising tensions of an inbound crusade. Produced and recorded by Zahra at 4zzz in Fortitude Valley, Meanjin/Brisbane Australia on Turrabul and Jaggera Country. Audio and Cover Image edited by Tobi for podcast distribution for Creative Broadcasters Limited.

Brandon is on grether's pastilles and alka seltzer AND chamomile teaDodging the largest hail in the worldShout out to Adam the emu: https://www.ky3.com/2026/04/29/dickerson-park-zoo-closed-after-hailstorm-kills-emu-damages-facilities/Small rant time- Sasquatch videos galoreSasquatch and portal…Schrodinger's SasquatchAlleged structural engineerMike Landis: https://www.youtube.com/watch?v=vBEohb9LLQsSurprise top 5 list Punk Rock hailing from Minneapolis MN The Von Tramps: https://thevontramps.bandcamp.com/Soviettes: https://thesoviettes.bandcamp.com/The Replacements: https://en.wikipedia.org/wiki/The_Replacements_(band)Hüsker Dü: https://en.wikipedia.org/wiki/H%C3%BCsker_D%C3%BCDillinger Four: https://dillingerfour.bandcamp.com/6th grade quote of the week“Holy moly buddy get over yourself”Brandon's HaikuFrozen missiles streakTowards unsuspecting targetsDecimating allCheck out our other episodes: ohbrotherpodcast.comFollow us on InstagramCheck us out on Youtube

Liz and Sarah are wrapping their heads around the fact that in New Hollywood previously declared dead projects may come back to life unexpectedly. That's great — but it can make it hard to gain momentum on new things. In Take Two, Liz and Sarah share all the many things listeners Don't Feel Bad About Anymore. Then they give a Hit to all the people who have been showing up to the Killer Bee Zoom Work Hour every Friday at 10:30am PT. Liz gives herself a Bomb for her messy office, and Sarah gives herself a Bomb for her out of control nightstand. This week's Hollywood Hack is good for your gut and your wallet: the Bruusta kombucha maker. Finally, Sarah recommends the audio book Great Big Beautiful Life by Emily Henry. Get in touch on Instagram: @Sfain & @LizCraft Get in touch on Threads: @Sfain & @LizCraft Visit our website: https://happierinhollywood.com Sign up for Liz & Sarah's free weekly Substack newsletter at https://happierinhollywoodpod.substack.com and Sarah's Chickening Out Substack at https://happierinhollywood.substack.com. They'll come right to your inbox! Join our Facebook group: https://www.facebook.com/HappierinHollywood/ Happier in Hollywood is part of ‘The Onward Project,' a family of podcasts brought together by Gretchen Rubin—all about how to make your life better. Check out the other Onward Project podcasts—Happier with Gretchen Rubin, andSide Hustle School . If you liked this episode, 'S please subscribe, leave a review, and tell your friends! LINKS: Bruusta: https://bruusta.com Great Big Beautiful Life by Emily Henry: https://amzn.to/4cQD54Q

We go back in time in Quantum Break! Developer: Remedy Entertainment | Publisher: Microsoft Studios | Initial Release: 5 April 2016 PLAYERS: Jacob McCourt (Bluesky) Travis Colenutt (Bluesky) Alex Martin SHOW NOTES: 0:00 - Intro 1:10 - Housekeeping 1:45 - Fast Pitch 3:10 - How Do You Play It 2026 - Buyer Beware! 11:40 - How Quantum Break Came To Be 14:00 - Exposure to Remedy's Games 19:10 - Setting Up The Game 28:00 - Television Show? 31:20 - Emails and Narrative Design 34:30 - Gameplay Breakdown 43:10 - Spoiler Wall Warning 43:40 - Junction Points 44:30 - Hardline vs. PR 55:30 - Sofia Amaral vs Martin Hatch 57:00 - Control vs Surrender 1:07:15 - Schrodinger's Beth Wilder 1:10:00 - Bruce Livingstone 1:12:25 - Beth Wilder's Journal 1:19:45 - Remedyverse Implications 1:26:00 - Fighting Paul 1:30:45 - The CW Vibes 1:33:50 - Reviews 1:35:15 - Final Thoughts BLUESKY: leftbehindgameclub.bsky.social DISCORD: The Left Behind Game Club is a monthly game club podcast that focuses on positivity and community. To talk to members of the community, join our Discord server!

A Serious Man is a Serious Film, and we have a Seriously Long discussion. We talk about: Unbeatable, Nice House On The Lake, Wound Man, Luke's Nerfed, Lord Of The Rings, Cozy Games, Video Game Rentals, AI Bros, Werner Herzog, Noah Hackley, Michael Stuhlbarg, A Bribe, Antenna, Schrodinger's Racist, Cosmic Car Crash, The Goy's Teeth, Seriously Fucked, Begging The Rabbi, Dreams, High At Temple, Marshak Is Cool, God's Finger, Coen Rankings, Extra Work, Petty Physics,

In breaking news, Trump's DOJ may have folded again and has announced that it will be “closing” the already court-terminated criminal investigation into the Fed and its Chair Jay Powell, but it may not be closing it after all. Which begs the question: Will this too smart by half announcement of a criminal case that is both closed and not closed (a la Schrodinger's famous cat), satisfy the requirement of Republican Senator Tom Tillis, who will block the confirmation of the next Fed Chair unless the criminal case is ended once and for all? Boxie: For a limited time, get 30% off your order when you head to https://Boxiecat.com/legalaf and use code LEGALAF Subscribe:  @LegalAFMTN  Visit https://meidasplus.com for more! Remember to subscribe to ALL the MeidasTouch Network Podcasts: MeidasTouch: https://www.meidastouch.com/tag/meidastouch-podcast Legal AF: https://www.meidastouch.com/tag/legal-af MissTrial: https://meidasnews.com/tag/miss-trial The PoliticsGirl Podcast: https://www.meidastouch.com/tag/the-politicsgirl-podcast Cult Conversations: The Influence Continuum with Dr. Steve Hassan: https://www.meidastouch.com/tag/the-influence-continuum-with-dr-steven-hassan The Weekend Show: https://www.meidastouch.com/tag/the-weekend-show The Ken Harbaugh Show: https://meidasnews.com/tag/the-ken-harbaugh-show Majority 54: https://www.meidastouch.com/tag/majority-54 On Democracy with FP Wellman: https://www.meidastouch.com/tag/on-democracy-with-fpwellman Uncovered: https://www.meidastouch.com/tag/maga-uncovered Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us Fan MailAaron flies solo in this Ones Ready Members episode, torching the nonsense and telling it like it is. From the chaos of the new Zulu Course to the never-ending drama of “reform” that forgets reality, he pulls zero punches. He dives into the Schrodinger's Pipeline paradox, salutes a Chief of Staff who finally gets morale right, and skewers the brass who can't keep their rank or zipper under control. Then he flips it, getting real about Veterans Day—no virtue signals, just gratitude, honesty, and perspective from a dude who's lived it. If you're tired of the sanitized version of the military, this one hits different.⏱️ Timestamps: 00:00 – Ones Ready Members drop: no ads, no fluff. 01:15 – Zulu Course: bold vision or hot mess? 03:40 – Quitting, standards, and the Schrodinger's Pipeline paradox. 06:05 – The “students forget everything” myth. 08:30 – How to fix training without whining. 09:45 – Veterans Day: pride without the cringe. 12:45 – “You were worth it”—the real message behind service. 13:00 – The new Chief of Staff actually doing something right. 16:15 – Morale shirts, call signs, and small wins that matter. 17:35 – Generals behaving badly (again). 19:45 – Closing thoughts and Operator Training Summit plug.

For this weeks Stabled Up episode, Sky co-founder Rune Christensen breaks down recent DeFi exploits, Sky's risk model, the future of yieldcoins, onchain lending, and why the next era of DeFi scale will be centered around risk management.Rune Christensen is the co-founder of Sky, formerly MakerDAO, the issuer of USDS.The Rollup is where the leaders of digital assets and finance converge. Live from the financial capital of the world.Timestamps:00:00 Intro01:10 Exploit Initial Reactions03:38 Fear Worse Than Hack05:42 Schrodinger's Collateral Explained08:03 USDS Yield Spike09:00 Sky Product Stack11:44 Flight to Quality16:07 Spark Subsidized Liquidity18:26 Sky's Collateral Philosophy25:00 Skylink Explained27:12 In-house Bridge Standard29:06 Fed Rates & DeFi33:44 Why Security Enables Scale38:00 Isolated vs. Pooled Lending42:07 DeFi Is Not OverWebsite: https://therollup.co/Spotify: https://open.spotify.com/show/1P6ZeYd...Podcast: https://therollup.co/category/podcastFollow us on X: https://www.x.com/therollupcoFollow Rob on X: https://x.com/robbieklagesFollow Andy on X: https://x.com/andyyyJoin our TG group: https://t.me/+TsM1CRpWFgk1NGZhThe Rollup Disclosures: https://goodidea.ventures

Eric welcomes Eliot back from his sojourn in Spain to break down the latest jackassery from the administration. They discuss the current state of the Iran war, including the somehow simultaneously open and closed Strait of Hormuz, the ongoing negotiations, and how China factors into the conflict. Turning to Europe, they assess Viktor Orban's electoral defeat in Hungary and the blow it strikes against Trump, Vance, MAGA, and the European right writ large. The conversation also covers the U.S.'s diminishing support for Ukraine and the battlefield situation amidst Russia's spring offensive. They wrap up with thoughts about the broader European reaction to Trump's continued threat to withdraw from NATO and Trump's architectural plans for the nation's capital.Shield of the Republic is a Bulwark podcast co-sponsored by the Miller Center of Public Affairs at the University of Virginia.

Justin and William witness more fraud in California, Calivicular already falling apart, and Luke Skywalker's sexuality. Justin also reviews Outcome.

James 1:2-8 The post Alive. Dead: Schrodinger’s Faith appeared first on Faith Church.

Joe talks about the Left's inability to understand strategy, what's going on with the Haitians, Schrodinger's Swalwell, who the Left won't welcome with open arms, and what awaits the turncoatsSee omnystudio.com/listener for privacy information.

The Undetermined Beaver sounds like a mystery novel. Humans Holler Patreon: https://patreon.com/humanshollerJane's Stuffs: https://linktr.ee/janeiac Jane's Patreon: https://www.patreon.com/c/StonedMonkeyRadio/posts Alice's Twitch: https://www.twitch.tv/icecreamwitch_Alice's Bluesky: https://bsky.app/profile/icecreamwitch.bsky.socialStories UsedJanehttps://www.goodnewsnetwork.org/kazakhstan-plants-37000-seedlings-to-prepare-for-imminent-return-of-tigers/https://www.goodnewsnetwork.org/rural-town-enthusiastically-switches-to-restorative-justice-and-recidivism-almost-vanishes/Alicehttps://www.upi.com/Odd_News/2026/03/02/determined-beaver-Redmond-Washington/1371772475773/ https://www.upi.com/Odd_News/2026/03/03/Medina-County-Ohio-Internet-outage-squirrel/6141772543216/ Laurenhttps://www.upi.com/Odd_News/2026/03/06/raccoon-burglar-Cincinnati/1661772822936/ 1:39https://www.upi.com/Odd_News/2026/03/05/italy-wolf-bridge-rescue-Verona-Italy/2001772726964/ (inflatable wolf)

Livestreaming as always Friday at 2pm UK time (9am Eastern)! In this week's show we discuss the latest D&D Greyhawk book revelations, and look at a couple of 'lost' Gygax dungeons which are currently crowdfunding. Note that from May we will be moving the livestream to Mondays at 8pm UK time (3pm Eastern), starting on May 4th! Melf's Guide to Greyhawk is called ‘The Shield Lands' as actor Vince Vaughn gifts cover art to Luke Gygax Greyhawk book is NOT 'Shield Lands' but 'Borderlands of Iuz' according to team member There are TWO 'lost' Gygax castles crowdfunding right now There's a 4-part Ravenloft comic book series coming 1979 AD&D coloring album art sells for $57,500 VHS: Very Horror Stories - Rule of Three Mega Dungeon Month

unprinted multiple exposures. PLAYLIST: Artist Song Release Released Label Kurt Gottschalk & Tamara Yadao rahrahree! – Schrodinger’s Assassin The Cat That Wouldn’t Die 2026 C.I.A. Records The Fall Rebellious Jukebox Live at the Witch Trials 1978 Cherry Red Records Ken … Continue reading →

Episode: 1547 Mystery at the threshhold of the Twentieth Century.  Today, let's reclaim mystery.

Our cover is blown. Our secret funders unmasked. Code Red: Abort! Abort! This is not a drill.Supplementary Material 47: The DTG Conspiracy UNMASKED, Quantum Idiots, and Triggernometry Prophecies00:00 Glowing Introduction03:14 The Secret Conspiracy at the Heart of the Podcast08:17 The Israel Connection19:09 Cenk Uygur's Pickleball Conspiracy23:25 Comment Section Conspiracies30:20 Pizzagate Conspiracies Revisited37:55 The Value of debating with ChadBigCum42:26 AI discourse reflections43:43 Ben Burgis's hyperbolic reaction to AI use44:53 The AI revolution and its potential impacts47:53 Social and Economic Disruption and Job Replacement51:33 The Dangers of Slopified Work and AI economies55:47 Statistical Analysis Software and the value of Friction57:36 The Perils of AI Usage outside of your Skillset58:59 The Solution is within yourself!01:04:22 The Hundred Schools of AI discourse01:05:58 Double Slit and Quantum Physics Insights from Warren Smith01:12:39 Schrodinger's poor, misinterpreted cat01:13:48 The Wonderful Benjamin Boyce01:14:41 Quantum Woo and Arrogant Sensemakers01:18:29 Young Matt and Aged Chris01:20:13 The Triggernometry Prophecy01:23:54 Quid Pro Quo in the Discourse Circuit01:28:25 The Anti-Institutional Horseshoe Theory of MEHDI HASAN01:37:18 So Long and Thanks for All the Fish!The full episode is available to Patreon subscribers (1 hour, 40 minutes).Join us at: https://www.patreon.com/DecodingTheGurusLinksReddit post unmasking our Israeli backersMother Jones article on whether 'pizza' is a codeword in the Epstein files (Spoiler: No it is not)Mickey's Opinion Piece in The Canadian Jewish News about "quiet anti-semitism"Ben Burgis is suggesting a journalist should be fired for using AICenk Uygur's Pickleball ConspiracyVigeland & Citarella on Epstein: The One Conspiracy to Rule Them All (YouTube)Benjamin Boyce and Warren Smith discuss Quantum PhysicsTriggernometry: Mehdi Hasan Debate on the Iran War, Immigration and the Israel LobbyCreator of Horseshoe Theory Dies aged 100

I discuss the thing that tilts me the most, before playing Sinestra Rogue on the ladder! You can find the deck import code below the following contact links.  You can follow me @blisterguy on Twitch, Bluesky, and Youtube. Join our Discord community here or at discord.me/blisterguy. You can support this podcast and my other Hearthstone work at Patreon here. # 2x (0) Preparation # 1x (0) Shadow of Demise # 2x (1) Agent of the Old Ones # 2x (1) Glacial Shard # 2x (2) Flashback # 2x (2) Foxy Fraud # 2x (2) Rite of Twilight # 2x (3) Maniacal Follower # 1x (4) Elise the Navigator # 2x (4) Fast Forward # 1x (4) Garona Halforcen # 1x (2) The Kingslayers # 1x (3) King Llane # 1x (4) Nightmare Lord Xavius # 1x (6) Opu the Unseen # 1x (6) Sinestra # 1x (6) Ultraxion # 1x (7) Naralex, Herald of the Flights # 1x (8) Shaladrassil # 2x (9) Twilight Mistress # 1x (10) Deathwing, Worldbreaker #  AAECAfahBwyhgQeSgwfDgweCmAfspQeGqAeHqAeIqAfQvweK1Aeb1AeI2QcJ958E054GjK0H2a8HtrIHtMEHwMEHncUH1cUHAAA=

After a rough showing with Double Exposure, Life is Strange is back to it's old self with Life Is Strange Reunion. It turns out bringing Max and Chloe back together was just the thing to remind us how great Life is Strange can really be.Support us on Patreon:   / workforcegaming  Code Provided By Publisher

¿Cómo han evolucionado las sectas masculinistas tipo LLados? ¿Qué huella dejan las teorías misóginas de entrenadores de la masculinidad basada en dinero, yates y mujeres? ¿Qué queda de este pensamiento detrás del meme del “bro” y cómo se conecta con la ola neoconservadora que se hace fuerte en redes y en la mente de muchos varones jóvenes? Lo hablamos con el actor y humorista David Pareja, que acaba de publicar “El discípulo. Cómo ser un hombre de verdad”, y contamos el negocio detrás de estos clubes con Rocío Vidal, La gata de Schrodinger, divulgadora científica experta en desenmascar fraudes y pseudociencias. Y hablamos de nuevas masculinidades y modas entre los hombres con la periodista Marita Alonso, autora de “La venus del smartphone”. Y una nueva sección de AL PIL PIL para seguir desmontando a estos "bros" con humor. Más información aquí: https://www.eldiario.es/132_c7db76 Haz posible Carne Cruda: http://bit.ly/ProduceCC

It's the last episode of the season and the thing Luke has been waiting for happens. LMAO. We talk about: ICE Iris, RE9, Stardew Valley, Of The Devil, Deadlock, Luke Is A Netrunner Bastard, Myst, Pyst, Dumb Action, Ashley STEALS Luke's Post, The Hobbit, Pokopia, Molly's Mystery Movie, Hari Kiri, Can't Be Cute, Cut Away Action, Stamp Stuck, Writing In 2016, Schrodinger's Do Something, DHS, Hillary Cut, Better Or Worse Than Season One, Luke's Advice, Tar,

What Happened? Crimson Desert is hit with an AI scandal. Llogan & Shane are going to PAX East 2026. Be sure to check out GeekscapeTV on YouTube for coverage. Grievance of the week: Videography Accessory Creep. Josh loses all his graduate work due to an iPadOS update. Thanks Tim Apple! The Street Fighter VI Incest situation is crazy. Emile learns who Jon's brother is. PS1 Billiards isn't that bad, but it doesn't make you good at pool. Adventures in ARC Raiders. Josh gets the Highguard Platinum. Retro Achievements added Wii support. ⁠⁠⁠⁠⁠⁠⁠Check Us Out On Instagram!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Logo by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@byllogan⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@mmry.crd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Toovin⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Theme Song by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Toovin Learn more about your ad choices. Visit megaphone.fm/adchoices

Tim and Mary unpack some last days realities that sound more and more surreal. Take for instance the merry-go-round that is the Middle East, at least when it comes to Iran and current headlines. Now that Iran has played their turn and installed a familial leader (which the 1970s Ayatollah KHO-meini decried before his death), Trump is certainly having to deal with a chess move he hates. After all, why would he go through all this trouble only to have to go in circles and start again with another hardliner? It will be interesting to see Trump’s next move. Meanwhile, no one has seen or heard from the heir apparent yet, so is he dead, alive, or just MIA? Reminds one of Schrodinger’s poor old kitty, an analogy afforded us by none other than Jeff Childers of his Coffee and Covid blog. We also look at Israel, Monsanto, and some terror-related news that proves this is, and has always been, a wider war, a charge which legacy media has reserved for later, but it’s too late for that analogy. Ask Israel about this.

On this episode of National Disability Radio, we sit down with award-winning recording artist, advocate, and author Lachi for a powerful conversation about disability pride, music, and unmasking. Lachi shares her journey, from navigating the music industry as a blind artist, to founding RAMPD, a coalition amplifying disability culture across the industry. We talk about what it means to say “I identify as blind,” move beyond the medical and social models of disability into a cultural model rooted in identity and joy, and remind listeners that no one can defeat someone who hasn't given up. From glam canes to Grammy stages, this episode is about claiming space, rejecting internalized ableism, and turning perceived flaws into flexes. Transcript: Alden Blevins: It’s Lachi? I feel very- Lachi: Lachi like Versace. Alden Blevins: Lachi like… Oh, I love that. Michelle Bishop: That is the best way to explain it. Lachi: I mean, but you know what I’m saying? Come on. Alden Blevins: Well, we’re really excited about having you today because we’re all music lovers in this group here. Michelle Bishop: Yes. Alden Blevins: We talk about music all the time. Michelle Bishop: So much. Lachi: Good, good, good, good, good, good, good. I’m in the right place. Michelle Bishop: Hi everyone. Welcome back to National Disability Radio, the official podcast of the National Disability Rights Network. I am Michelle Bishop, 1/3 of your podcast hosting team. Stephanie Flynt McEben: And I’m Stephanie Flynt McEben, public policy analyst here at NDRN. Alden Blevins: I am Alden. I am a communication specialist at NDRN and I am so excited today, like I mentioned, we’re all lovers of music, so we got a guest that I’m really excited about. Lachi is an award-winning recording artist and a recording Academy Grammy’s national trustee. She’s also a disability advocate who’s been breaking barriers in the music industry and beyond. She’s the founder of RAMPD, which by the way, is such a fun play name. I really love that. And the author of the upcoming book, I Identify as Blind. So without further ado, Michelle, you’ve got some questions to kick us off, I think. Michelle Bishop: Yes. We’re so excited to have you with us. As Alden said, we are. We’re huge music lovers. I’m pretty sure we spend most of our meetings where we allegedly plan this podcast just talking about music. So you’re absolutely in the right place today, but to get us started, I mean, you’ve been open about the fact, and I’m just really interested in this as a disability rights podcast. You’ve been really open about the fact that it took you some time to really embrace your identity as a blind and disabled woman, especially in the industry that you’re in that often really rewards conformity. Can you tell us a little bit more about that journey for you, both as an artist and as someone navigating just the world with a disability? Lachi: Okay. Yeah, for sure. Hey, everybody. Lachi here, Lachi like Versace. I am a Black woman with cornrows, chilling here in New York in my studio. I also identify as blind, I identify as neurodivergent, and I identify as an Aries. So do with that what you will. Michelle Bishop: All the important points right there. Lachi: All the important points like name, age, sign. Thank you. Okay. Yeah, but I’m really glad to be here. And thank you for that question, and thank you for having me. So music has always been a very integral part of my life of growing up. Where other babies would kick in the womb, when she was pregnant with me, I was playing the piano in the womb. I don’t know how she got a piano in there, but she’s not a liar, so I’m going to take her word for it. When I was super-duper young, I didn’t really have a lot of friends, especially because of the fact that I had differences and this and that. And so I would take to music to, I guess, understand the world better and have the world understand me better. I just knew how to express myself through song and it just said the things I needed to say. It was the prayer I needed. And because of music, I started to find confidence in how to speak and how to behave and how to act. And as I got older, when I was growing up, disability was not necessarily a thing people talked about a lot in schools and teachers didn’t know what to do. My parents didn’t really know what to do. And so I would always just turn to music. It’s actually right now I’m working on a children’s album because I think that kids need to hear music that has to do with disability and neurodivergence, as well as their parents as they grow up. When I got into college, I started wanting to do music, but I studied business and finance because when I told my parents I wanted to do music, they were like, “That’s not how you spell doctor.” because they are Nigerian immigrants and everybody else in my family went to either med school and blah, blah, blah. And I was like, “No, I want to do music.” But I did get a day job after school, after college, and didn’t love it because this girl is not going to exist behind a desk. So I ended up going to South by Southwest and I got signed actually from playing the guitar at a hole in the wall spot that nobody was at, except for this A&R apparently. So we got signed to an imprint under EMI, which was a major label back then, and we started touring and music then became my life. Now today, why wouldn’t I pay my respects back to music? I mean, it’s because of music that I was able to really lean into who I am, my disability, my confidence, et cetera. So because of that, because of how much music has given to me in my life, I’m here using music to give back to other people with disabilities. Now, your question was essentially, how do you sit here and try to bring about change for disability in an industry that is not only about conformity, but also about like, “Hey, pick me to exploit.” is essentially what the music industry is. You’re raising your hand to be exploited and that’s what kind of authenticity is that? But at the end of the day, music is some of the truest forms of storytelling. And I think to myself, just the way that hip hop has amplified Black culture and the way that country music has amplified rural culture and the way that different global musics have represented different global cultures. I want to use music to amplify disability culture. I want to use music to amplify disability stories and feelings that are difficult to put words to, that are words of the soul, which is essentially what music is. And so I started going to studios and realizing things weren’t as accessible as they should be. I started speaking with organizations and realizing things weren’t as inclusive as they should be. And the response I kept getting was like, “Oh, well, there’s nobody with a disability in the music industry, so why would we make these measures?” And so I have made it my life’s goal through RAMPD, which by the way, the best thing we ever accomplished was our acronym, not us working with the Grammys to get sign language on the red carpet, not us getting these partnerships with title, Live Nation, Spotify. I mean, we’ve done so much, not just for artists, but also for professionals. And we’ve started to realize something really interesting with the work we’ve done with RAMPD. We are getting people joining our membership who are director level folks, who are label owners, who are like the big wigs that write the checks, and they’re like, “I’m neurodivergent. I’m actually hard of hearing. I have a TBI.” And so when I originally set out, they said, “We don’t do disability inclusion because nobody’s disabled.” That was three years ago. Now I’m like, not only are there neurodivergent and disabled music professionals out here, but we all are. So really to conclude, it’s just that everyone is navigating trying to make it out in this world, but everyone’s masking. Everyone feels that they have to change some part of themselves to be as close as they can to what success looks like, be as close as they can to what “beauty” looks like, what winning looks like. But really all it is internalized ableism. And I say, as soon as we drop that internalized ableism and we really start to sit in who we truly are and we start to recognize our perceived flaws as flexes, that’s when we truly start to win. And so that’s what we’re finding out with RAMPD, that people are like, “You know what? I’m tired of navigating this difficult industry with the added layer of having to mask.” And so that’s why I do what I do. Michelle Bishop: Yes. And honestly, as ridiculous as it sounds that they say to you, “Oh, there aren’t any people with disabilities.” When I tell you, we see that in everything that we do. I do voting work at NDRN and we’ll have elections officials tell us, “This polling place isn’t accessible, but there aren’t any people with disabilities that vote here.” And it’s like, “What? You realize we’re everywhere and we do all sorts of things.” Maybe the reason they think there’s no people with disabilities here is because they’re stuck outside and they can’t get in because you didn’t make it accessible, just a thought. But I mean, it sounds like coming up against all that is really, correct me if I’m wrong, helped you to develop that identity and that disability pride in the industry. When did you first say, “I identify as blind.” and what did that mean for you? Lachi: Well, so when I first came into really doing the disability thing, really leaning in, I wanted to find out more influencers or thought leaders and such with disabilities. I didn’t really know that many people. This is pre COVID, 2018, 2019, that kind of thing. And so I came across an influencer, her name is Molly Burke, and we’re great friends now, but I didn’t know her back then. I had just seen her tagline and it had said, “I’m Molly Burke and I’m a YouTuber who happens to be blind.” And for some reason I was like, “I don’t know if I love the happens to be blind thing.” I was like, “Well, I’m proud of being blind. Blindness is part of my identity. I don’t just happen to be a woman. I don’t just happen to be a Nigerian. I don’t just happen to be all of the things I am.” And so I would go to… I was touring… We’re always touring and every time I tour and do a show, I do a comedic open where I just introduce myself, I do a quick self-description, et cetera. And in my self-description, I would say, and I don’t just happen to be blind. My blindness is part of my identity, has given me all of the opportunities I have, and it’s really made me a deeper blah, blah, blah. It was just too long. So I had punched it up to be, “My name is Lachi like Versace. She, her, I’m a Black woman with cornrows and I identify as blind.” And the interesting thing about that is people took onto it. They were like, “Oh, that’s cool, nice and punchy.” But whenever I would say it in front of a large crowd or like I’ve said it on interviews or during commercials, I would get this weird, I don’t know, pushback of like, you can’t identify as blind. Blindness is an identity. It’s a medical condition. Or they’ll be like, “Do you read braille or not?” Or they’ll be like, “We don’t want people to think trans blindness is a thing where you just have a blind identity.” And then you can be like, “Well, I’m blind today, so that’s my identity.” And I thought that was really fun. I was like, “Look, everybody’s upset. They’re talking about blindness though.” So I really leaned all the way into it. And I have to say, I am super proud of my disability identity. Was it music that brought me there? I think in a sense and in a way, like today I have a few songs, you guys are music lovers, I have a few songs out that really talk about my disability pride. I think that a lot of the times as we navigate the world, masking our disability, masking our chronic condition, our difference or whatever, we end up overcompensating. We end up building up this really, really thick problem solving muscle or this really, really thick how to get around things muscle and we overcompensate. When we’re finally accommodated, when we finally get to a place where we’re accommodated or we have the tools we need, we’re coming in like bulk as hell. We’re coming in with problem solving muscles. We’re coming in with all of these things that we had to build up because of navigating the world differently, because of every day working through this very difficult maze that is living a life unaccommodated, then when we finally are accommodated, then we are killing it and crushing it. And how could you not be proud of that? How can that not give you a sense of pride? So the songs that I would love for you guys to check out that are mine is I have a song called Life on Hard, which has gone viral several times on Instagram. I’m known as an Instagram rapper, which is like, what? Hello, I do disability advocacy. Look at that stuff. But anyway, so I have a song called Life on Hard, which is essentially about just winning the game of life, playing it on the hardest setting out here while people are still trying to consult the manual. I have another song called Professional, which is oftentimes when I walk on the stage, people see the cane and they’re like, “Aw, she’s going to do a song for us. Is this from Make a Wish Foundation?” And then I bust out these raps or I hop on the piano and I go ape on this piano and then they’re like, “Oh, snap. What? Okay.” And I’m like, “Bro, I’m a professional artist. I’m not object for pity to make you feel good because you felt weird on a Monday and you didn’t feel like getting up for work, but it’s like, she could do it. So can I.” I’m like, “No, I can do it. You most likely probably just can’t.” So that’s what that song’s about. And then there’s The Bag, and The Bag is just essentially like, I’ve been told no so much like, “No, you can’t. No, you’re not good enough. No, we don’t want you.” And I’m like, “You know what? Yes, I am good enough and I deserve everything. So I’m going to throw everything I deserve in the bag, which is everything.” I don’t know. I would not be the person I am if I didn’t love all parts of myself. And that includes my disabilities, that includes my neurodivergences and all of the other wacky, weird body jazz that I bring with me everywhere I go. Michelle Bishop: Lachi, can we maybe, do you and I just FaceTime each other every morning and hype each other up? Stephanie Flynt McEben: I was literally about to say the same thing. I would like in on a true call. Michelle Bishop: I don’t know if you know. Actually, I want to say quickly, I know some of those songs actually from social media, but they’re real. They’re so real. So people haven’t heard music, go check it out. I don’t know if you know one of our co-hosts, Stephanie is blind. You’re speaking directly to her soul right now. Stephanie Flynt McEben: I literally just texted them in our podcast group text and I was like, she’s totally speaking to my soul RN, but of course I don’t want to interrupt anything. Michelle Bishop: No, I know you’re dying to talk to her about the book, Stephanie, and take it away. Stephanie Flynt McEben: Yeah, no, absolutely, for sure. And as somebody who is blind and who also identifies as a blind person and definitely does not identify with the medical model of disability, clearly gotten to more of a social model. But yeah, in terms of going through that journey of accepting all of who you are and everything about yourself, for me, I mean, it took a minute, especially when you’re talking about your experiences as a child and I totally feel that. I was that girl playing the harmonica on the jungle gym by herself. Anyway, this is about you. This is not about me, but I’m just saying that I totally relate to you on a spiritual level. And given that, I would love to know, were there any particular moments when it came to writing the book that were particularly hard or healing? Because I mean, I think that we all know that it’s not always a linear journey. Some days are going to be harder than others. And so would love to get your perspective on that. And I think that our listeners would be interested. Lachi: Yeah, absolutely. The journey for me has been one of constantly unwrapping this amazing gift. I always try to use that as the visual, if you will, of you have this big present and you get to unwrap it and then you just keep getting something cooler inside and then you get to unwrap that and you get something cooler inside and you just keep unwrapping this beautiful gift that is yourself. But you don’t realize that when you first get the box, the amazing stuff that’s going on inside, and it takes time to get to it. So a lot of times growing up, I would kick myself in the butt of, I wish I had come to this when I was so much younger. I wish there were people out there when I was younger, role models that I could look up to when I was eight years old and pointing on the TV and saying like, “Okay, well, I mean, I understand that Ray Charles existed, but that’s not going to…” Stephanie Flynt McEben: Stevie Wonder is here, Ray Charles is here, but we need more of us. Hello. Lachi: We need more of us. Hello. Exactly. And so this time and place where I am right now is where I needed to be for this to work. So I can’t really kick myself in the butt of like, “I wish I had this. I wish I knew this so much earlier. I would’ve been so much further.” That kind of thing. You have to be where you got to be where you need to be. Even right now, this conversation we’re having right now is going to have been necessary for the next thing that is happening in our lives. And just the other day, I was hanging out with Queen Herby, who’s been one of my favorite more modern rappers. I just did a thing with Apl.de.ap. I have done some stuff with Black Caviar. Folks that I’ve looked up to, I’m having the opportunity to Snoop Dogg. I’m having the opportunity to work with these days because of the fact that I am here at the right time now. So when I was writing my book, we were peeling back all the layers. I’m a generally very positive and energetic, social butterfly type of person today. But it’s interesting, I wasn’t always this person and I had to unpack all the layers to get there. One of the biggest things that happens to me, so I’ve always been low vision. So I was born with relatively low vision and it stayed the same throughout my teens and early 20s. But one day I woke up and my sight was just gone. Boom. So the interesting thing is anybody listening would be like, “Oh my God, if I woke up and my sight was gone, I would just die or I would not know what to do. My life would be over.” Stephanie Flynt McEben: Yep. Heard that a million times. Yes. Lachi: But for me, it was weird because I was already low vision, so I was going from level one to the underwater level or whatever. So it wasn’t like that life changing of a thing. I was already using screen readers or Zoom text. I was already doing stuff of that nature. So I wake up blind and I’m just like, “Okay, I guess this is it. This is the day that they told me was coming.” What had ended up happening was my corneas had erupted. And so I went to the doctor and he was like, “You’re going to become completely blind. You’re going to go from this much worse vision than you’ve had to complete blindness over the course of time.” So here you go, here’s a coupon. Bye.” or whatever. So I’m like, all right. So I had decided at that moment that I wanted to start a bucket list. So I was like, okay, what are all the things I’ve always wanted to do before completely going completely blind? So I was like, let me go skydiving, let me go spolunking, let me go meet with people, meet with celebrities and just do all of the things I’ve always wanted to do before I lose my vision. So I went out and I did it. This is still me doing it. This is still me doing it. And so I say that because to people who say if I ever went blind, I would just die. Well, when I went blind, it made me want to live. And that’s what opened me up into being this person that I am today. Stephanie Flynt McEben: That is amazing. I genuinely love that. Lachi: We talk about charity model and propping disabled folks up as tools of pity. We talk about medical model, which is really just waiting around for cure, making the cure the hero. We talk about social model, which is a really good place to live in the sense of things are impairing if they’re not accessible. Society is impairing if it’s not inclusive. But honestly, if I have all of the things, like if I have all my tools, if I have all that I need and if folks are inclusive, then I’m still blind, but I’m not impaired. But I like to go a little step further into what is the cultural model. And so the cultural model is it’s not just a discussion of what society should and shouldn’t do. It’s actually a celebration of what you gain as a person who identifies with their disability or their neurodivergence, the things they need to overcompensate because they’re navigating the world a little differently, leaning into that. So let’s say for instance, deaf culture, sign language, and the fact that folks can have complete discussions outside of what we’re talking about, there is so much deaf pride out in these streets, that is a celebration of culture that comes out of disability. And for me, let’s say for instance, I have ADHD and it powers my one million and counting ideas. I have diagnosed OCD, which helps me carry out all those one million and counting ideas. I have diagnosed general anxiety disorder, which gives me my empathy and my excitement. And then I am blind, which when I have the tools I need, it gives me drive. It keeps me determined, it keeps me focused, and it gives me my dope ass glam canes. There was a girl and her mom, and she came up to me after a show and she was like, “Oh my God, your music was great.” I was like, thank you. She’s like, “Mommy, can I get one of those canes?” And then her mom was like, “Ugh, well, you have to be blind.” And I’m like, “Yeah, girl, you better want to be me.” Stephanie Flynt McEben: Yeah. We drive sticks. Anyway, sorry. Lachi: Yes. You know what? I speak softly and I carry a big old stick. Thank you. Stephanie Flynt McEben: Yes. Amen to that. Exactly. As somebody who considers themself a lifelong disability advocate, I never really thought about it in the sense of going beyond the social into the cultural. So thank you so, so much. We all learn something new every single day on this podcast, but I’d love to know a little bit more about, obviously you were very, very, very good at talking through these experiences in such a way that they are very relatable and easy to understand and that thing. So I’d love to pick your brain about the intended audience of your book. Who did you write it for? Other blind folks? Did you write it for, was it written for multiple audiences? Lachi: Yeah, honestly, I wrote it for the person who is masking. I wrote it for anyone who is tired of… Listen, let me put it like this. Let’s face it, disability is boring, a lot of the time it’s sad and it’s compliancy. We have to go the extra mile to make it fun because the actual truth of it is that the only reason it’s boring, sad, and compliancy is because society has kept it that way through its collective internalized ableism. And so my book is actually a humor book. It’s a pop culture book. It’s a comedy book. In fact, when we were talking to the publisher, it’s like, we should be putting this up against other comedic books, not necessarily disability books because it’s a book. I got so many jokes. I have dad jokes, they’re corny jokes, I have rap bars. I rap in a lot of the book just because I was like, “Hey, this rhymes.” I’m going to say it like a rap. We’re doing the audiobook right now, so I actually get to wrap it, which is really fun. Stephanie Flynt McEben: Oh, that is so cool. Oh my gosh. Lachi: Which is really, really fun. But really, honestly, what the book is what everything I do is it is using joy, soul, pop culture, jokes, humor, fashion, and just a really good time to celebrate disability, as well as community. So what you’ll find in this book is my story through my story, through historical deep dives, through interviews with some really, really cool popular figures and a really big deep dose of disability joy. And so a lot of folks who have disabilities, they will read this book and they’ll be energized. It’ll be like, “This is really great. I’m glad that I finally get to read a book that talks about disability in a positive way.” For blind specific folks, they might relate to a few of my stories because I talk about the day I woke up blind, I talk about when I went skydiving blind, I talk about just some of my interesting blind moments. But then I also talk about how I would go to red carpets and not know how to talk to anybody. So I’m in this amazing room with all these celebrities I can’t see and I’m just sitting on the wall. So I talk about some of the hard times too as well. But at the end of the day, really what the book is is an invitation in for somebody who feels a little different, a little awkward, has to mask, and just needed that invite in to talk about disability in a fun, joyful, celebratory way, to recognize that yes, that thing in you that’s different, that thing in you that society has told you you should view as a weakness and hide, you should be proud of. And I say this to people all the time. I say it in the industry, I say it to all my friends, I say it to anyone who will listen. I say it to my local barista and they come back and they say things like, “Oh my God, I’m so glad you said it that way. It turns out I have a titanium hip and I’ve never told anybody about that.” And that’s the vibe. The vibe is someone who was like, “I really needed this to be said to me this way, and now I am able to step all the way into my disability identity.” Alden Blevins: I love, especially what you said about joy. I feel like for me as an autistic person, my experience in the arts is that it is really a space where people who maybe don’t belong in other spaces or don’t feel like they belong in other spaces or are made to feel like they don’t belong in other spaces. I think that a lot of them really do find a safe space in music, in the arts, in theater. And I just wanted to ask, why do you think the music space is such a special one for you and why do you think it’s a place where other people with disabilities seem to flock together as well? Lachi: I mean, you hit the nail on the head. Counterculture, I mean, music often rewards counterculture. And then it eventually becomes mainstream and then we got to rebel against that. So music is a place where your soul can speak. And I think a lot of the times with disabilities, especially autism for me, I’m ADHD, OCD, a different neurodivergence situation, but a lot of the issue is communication. We don’t know how to say exactly what we need or whoever we’re talking to just doesn’t know how to hear what we’re saying. And so I think that what music does is it allows a soul to speak to a soul. A lot of the times music does this thing where you’ll be listening to a song and you’ll just be like, “That, that right there. That’s what I it me. That’s the thing I’m feeling.” type deal. Music has the ability to do that. And so for me, right now, this children’s album that I’m working on, the kids’ album, which is an album that is essentially R&B, pop, electronic, sort of the genres that I dance in for kids centered on disability and neurodivergence. Because what I want to do is be able to say, “Hey, I want you to point at that and say, that’s me.” And I think the easiest and quickest way to point at something and say, “That’s me also.” has been music. And so it’s why it’s been my strongest medium. Again, it’s not my only medium. I’m talking to folks through the book, I’m talking to folks through fashion, et cetera, et cetera. But again, music has been just the quickest, easiest point A to point B conversation easer, if you will, about disability. Another thing I also love to use is humor and comedy. So I make jokes all the time. They’re all bad. They’re all very not good jokes. I need to probably get a joke writer, but the fact that I’m having such a good time telling the jokes, I think I think is all that really matters. So I think both music and humor are just really, really great spaces for two people to get to relate to something that may be difficult to talk about. Stephanie Flynt McEben: Yo, if you need a joke writer, I’m your girl. I actually do a joke every single episode of this podcast. Michelle Bishop: Her jokes are not better than yours, Lachi. Don’t hire her. Stephanie Flynt McEben: My jokes are pretty bad. They’re worse than dad’s jokes. They’re like granddad jokes. Alden Blevins: Yeah. Stephanie is the queen of the jokes on our podcast. She always brings one through. Didn’t know that you were working on a children’s music album, and I think that’s really interesting. I actually used to be a teacher, so children’s music is something that’s near and dear to my heart. So I just wanted to ask, what would you want to tell to younger people with disabilities, younger disabled creatives about claiming space and being able to tell their own stories? Lachi: Well, one thing that I heard from someone else, I don’t remember who it was. I think it was- Michelle Bishop: Jordan? Lachi: Yes, Jordan. He’s the one that said this. Michelle Bishop: I love him. Lachi: Yeah, he’s so funny. I met him at a… What did I meet him at? The Webby Awards or something. But anyway, no one can ever defeat someone who hasn’t given up. And for some reason that hit me, and I don’t even think he was trying to say it that deep. He was just saying a joke or something. But I took that and it was like, no one can ever defeat someone who hasn’t given up. So at the end of the day, you are really the only one who can end whatever you’re trying to get. Because as long as you are still going for it, it is still still there. It’s like a Schrodinger’s cat. It’s like as long as you’re still running for it, that opportunity is still there for you to have. The opportunity is never lost as long as you’re still going for it. And people can tell you, people can take your shoulders and tell you to go right. People can take your shoulders and tell you to go left. But until you take your own shoulders and go in the direction that your heart, your soul, your passion, your fire, desires, that is when you truly begin to live. And so I say personally, lean into that. I hear from a lot of younger, especially creators with disabilities. I mentor a lot of folks, tons and tons of folks. It’s one of the things I love to do the most. But what I love to tell folks is you are going to be the best you. And that you is going to include all of the different parts of who you are, but it is especially going to include you leaning in to the things that make you different and unique as unique selling points. Earlier I talked about how people try so hard to be the “definition of beauty”, definition of success, definition of whatever. Everyone’s trying to be this reference man. Everyone’s trying to be as close as they can to the reference man. And if I’m as close as I can to the reference man, then I’ll be successful or then I’ll get this job or then I’ll get this gig. But the truth of the matter is when we look at all of the people that are doing all of the big things, they’re “eccentric”. They’re “weird”. They did some big different idea that no one was thinking about and everybody fell into their trend. The further away you are from the reference man, that is when you start to win. That is when you’ll start to see success. That is when you’ll start to feel much better about yourself. That is when you can wake up in the morning, look in the mirror and say, “I am fine.” When you are able to accept all of those different freckles of yourself that are as far away from the reference man as possible, because guess what? There is room outside of the barrel for everyone to win if they are all being their unique self and running their unique purpose. That’s what I would tell to young disabled creators. Michelle Bishop: That’s amazing. Almost feel like we should stop there, but I have so many follow-up questions. Lachi: Listen, I’m here to drop as many mics as they will let me keep breaking. Michelle Bishop: I was wondering how you see the conversation around disability and inclusion and evolving these days. And a lot of our listeners are people with disabilities or people who have other even multiple intersecting identities in which they experience barriers as well. What does allyship look like to you? Lachi: This is one of my favorite questions. So yes, we have folks with disabilities and we have folks who want to work with people with disabilities, want to help a friend with a disability, want to make sure they don’t say the wrong thing to a person with a disability, neurodivergence, chronic condition, mental health condition. That’s not an ally. Wanting to help a person with a disability is not an ally. To me, wanting to support someone with a disability, that’s an ally in the very basic definition of allyship. Here’s what I think an ally is. To answer the question, I got to do two things. One, talk about the disability umbrella. So the disability umbrella encompasses so many forms of disability. It is neurodivergence, which is ADHD, dyslexia, OCD. It is mental health conditions like anxiety, depression, bipolar. It is someone who learns a little differently. It is someone who has explosive situations like anger management. It is someone who has substance abuse disorder, maybe somebody who drinks too much or uses different substances. It is chronic back pain. You know what I’m saying? It is asthma. It is EDS. It’s POTS. It is long COVID. It is different complications that you gain after pregnancy. It is different complications that you gain as you age. It is different complications you gain through menopause. It is temporary. It is breaking your arm and wearing a cast. It is seasonal depression. There is nobody on this earth that is not within the disability umbrella. And I don’t mean that you’re going to grow into it. I don’t mean in the future. I mean right now. Whether you identify as a person with a disability or not, you have disability identity because you have experience in your body disability. And when you figure that out, then you’re an ally. Allyship is seeing yourself through the other person because you can’t look through someone else’s eyes unless you can see yourself in them. And you can’t see yourself in disability until you recognize the disability identity within yourself. All of a sudden, and I say this and people are like, “What? I say this, but I’ve seen this. I’ve seen it happen. I’ve seen people who did not associate themselves with any form of disability or anything and they’re just like, Oh, them. Oh, I’ll help them. We have a conversation and then we have a follow-up conversation and then we’re drinking and then all of a sudden they’re telling me all their disabilities and then they’re walking a little different when they encounter disability. It’s no longer a them thing. And so that’s what an ally is. People with disabilities are also allies. I am an ally to the deaf community because I recognize though I’m not deaf, I see the having to navigate the world differently in you of myself. So that’s how I define an ally. An ally is someone who understands their own disability identity and can see it in others. Michelle Bishop: Don’t mind me over here just taking notes. Stephanie Flynt McEben: Literally. Oh my gosh. Lachi, thank you so, so, so much for being with us and taking time. I know that your website, lachimusic.com is one of the places where folks can stay up to date on all of the latest and greatest things that you’re up to. Is there anything else in particular you would like to plug for our listeners? Lachi: Like you said, LACHI, L-A-C-H-I M-U-S-I-C. I’m on the internets everywhere. Instagram, Spotify, check out the old music. If you’re a creator, a music creator or professional with a disability, check us out at RAMPD, R-A-M-P-D.org. Or if you want to donate or if you want to partner with us over at RAMPD, please do. If you are a cane user, whether you’re a blind cane user or you use Mobility Cane, check out glamcanes.com, get your canes bejeweled. I Identify as Blind, our book is out on Penguin Random House, imprint called Tiny Reparations by Phoebe Robinson, who is also a comedian. So we’re out here all writing very funny books. So please check it out. And lastly, listen, try to find moments in your day of disability joy. And when you find that moment, take a picture of it or write it down so that you can go back to it and live for those moments. So thank you guys so much for having me on this podcast. It’s really been a blast getting to talk at you about all things I identify as blind. Alden Blevins: I love it. I was over here taking notes too because I just found so much of myself in what you were saying and so many things were poignant and empowering. I, as an autistic person, try to be an ally to other parts of the disability community myself. And that’s something where I’m always trying to put myself in the shoes of another person and what they might experience. So I think that’s really powerful. We were so grateful to be able to connect and learn more about you, Lachi. Lachi: Yes, yes, yes. So honored to be here, guys. Michelle Bishop: Before you head out, Lachi, do you want to hear one of Stephanie’s grandpa jokes? Lachi: I was going to say, I was like, “Let’s hear one of these granddad jokes.” Let me see. Stephanie Flynt McEben: Okay. This might be- Michelle Bishop: Okay, do it. Stephanie Flynt McEben: … a granddad joke. Okay. Where do spiders like to get their information? Lachi: The web? Michelle Bishop: That would be something to do with web. Stephanie Flynt McEben: But what kind of web? Lachi: Wow. Really? You are fired from being my comedy writer. You are fired to be my comedy writer. I was rooting for you too. I was like, let’s just… Please. Stephanie Flynt McEben: I wouldn’t even get to the punchline yet. Michelle Bishop: Worldwide web? Stephanie Flynt McEben: It is the worldwide web. Michelle Bishop: Oh. Stephanie Flynt McEben: It’s fine. It’s fine. My wife warned me not to tell that joke this month and I didn’t lose it. Michelle Bishop: Oh my gosh. I’m so glad you stuck around for that part. Lachi: As I live and breathe. Thank you guys so, so much. This has been so much fun and I will see who else I can tell that joke to. And go ahead and just to help you out, Stephanie, I’ll go ahead and embarrass myself by telling that joke to others. Stephanie Flynt McEben: Not my best work, but that is allyship. Yes. Michelle Bishop: Oh my gosh, Lachi, thank you so much. And everyone, please lachimusic.com. Check it out. Listen to the music, read the book. Alden Blevins: Speaking of the worldwide web, this has been National Disability Radio. We celebrate stories, leadership, and talent of people with disabilities. If you enjoyed this episode, be sure to subscribe, share, and continue the conversation with us on that worldwide web at ndrn.org or anywhere you get your favorite podcasts. Thanks for listening and until next time. Stephanie Flynt McEben: Bye.

On this episode of National Disability Radio, we sit down with award-winning recording artist, advocate, and author Lachi for a powerful conversation about disability pride, music, and unmasking. Lachi shares her journey, from navigating the music industry as a blind artist, to founding RAMPD, a coalition amplifying disability culture across the industry. We talk about what it means to say “I identify as blind,” move beyond the medical and social models of disability into a cultural model rooted in identity and joy, and remind listeners that no one can defeat someone who hasn't given up. From glam canes to Grammy stages, this episode is about claiming space, rejecting internalized ableism, and turning perceived flaws into flexes. Transcript: Alden Blevins: It’s Lachi? I feel very- Lachi: Lachi like Versace. Alden Blevins: Lachi like… Oh, I love that. Michelle Bishop: That is the best way to explain it. Lachi: I mean, but you know what I’m saying? Come on. Alden Blevins: Well, we’re really excited about having you today because we’re all music lovers in this group here. Michelle Bishop: Yes. Alden Blevins: We talk about music all the time. Michelle Bishop: So much. Lachi: Good, good, good, good, good, good, good. I’m in the right place. Michelle Bishop: Hi everyone. Welcome back to National Disability Radio, the official podcast of the National Disability Rights Network. I am Michelle Bishop, 1/3 of your podcast hosting team. Stephanie Flynt McEben: And I’m Stephanie Flynt McEben, public policy analyst here at NDRN. Alden Blevins: I am Alden. I am a communication specialist at NDRN and I am so excited today, like I mentioned, we’re all lovers of music, so we got a guest that I’m really excited about. Lachi is an award-winning recording artist and a recording Academy Grammy’s national trustee. She’s also a disability advocate who’s been breaking barriers in the music industry and beyond. She’s the founder of RAMPD, which by the way, is such a fun play name. I really love that. And the author of the upcoming book, I Identify as Blind. So without further ado, Michelle, you’ve got some questions to kick us off, I think. Michelle Bishop: Yes. We’re so excited to have you with us. As Alden said, we are. We’re huge music lovers. I’m pretty sure we spend most of our meetings where we allegedly plan this podcast just talking about music. So you’re absolutely in the right place today, but to get us started, I mean, you’ve been open about the fact, and I’m just really interested in this as a disability rights podcast. You’ve been really open about the fact that it took you some time to really embrace your identity as a blind and disabled woman, especially in the industry that you’re in that often really rewards conformity. Can you tell us a little bit more about that journey for you, both as an artist and as someone navigating just the world with a disability? Lachi: Okay. Yeah, for sure. Hey, everybody. Lachi here, Lachi like Versace. I am a Black woman with cornrows, chilling here in New York in my studio. I also identify as blind, I identify as neurodivergent, and I identify as an Aries. So do with that what you will. Michelle Bishop: All the important points right there. Lachi: All the important points like name, age, sign. Thank you. Okay. Yeah, but I’m really glad to be here. And thank you for that question, and thank you for having me. So music has always been a very integral part of my life of growing up. Where other babies would kick in the womb, when she was pregnant with me, I was playing the piano in the womb. I don’t know how she got a piano in there, but she’s not a liar, so I’m going to take her word for it. When I was super-duper young, I didn’t really have a lot of friends, especially because of the fact that I had differences and this and that. And so I would take to music to, I guess, understand the world better and have the world understand me better. I just knew how to express myself through song and it just said the things I needed to say. It was the prayer I needed. And because of music, I started to find confidence in how to speak and how to behave and how to act. And as I got older, when I was growing up, disability was not necessarily a thing people talked about a lot in schools and teachers didn’t know what to do. My parents didn’t really know what to do. And so I would always just turn to music. It’s actually right now I’m working on a children’s album because I think that kids need to hear music that has to do with disability and neurodivergence, as well as their parents as they grow up. When I got into college, I started wanting to do music, but I studied business and finance because when I told my parents I wanted to do music, they were like, “That’s not how you spell doctor.” because they are Nigerian immigrants and everybody else in my family went to either med school and blah, blah, blah. And I was like, “No, I want to do music.” But I did get a day job after school, after college, and didn’t love it because this girl is not going to exist behind a desk. So I ended up going to South by Southwest and I got signed actually from playing the guitar at a hole in the wall spot that nobody was at, except for this A&R apparently. So we got signed to an imprint under EMI, which was a major label back then, and we started touring and music then became my life. Now today, why wouldn’t I pay my respects back to music? I mean, it’s because of music that I was able to really lean into who I am, my disability, my confidence, et cetera. So because of that, because of how much music has given to me in my life, I’m here using music to give back to other people with disabilities. Now, your question was essentially, how do you sit here and try to bring about change for disability in an industry that is not only about conformity, but also about like, “Hey, pick me to exploit.” is essentially what the music industry is. You’re raising your hand to be exploited and that’s what kind of authenticity is that? But at the end of the day, music is some of the truest forms of storytelling. And I think to myself, just the way that hip hop has amplified Black culture and the way that country music has amplified rural culture and the way that different global musics have represented different global cultures. I want to use music to amplify disability culture. I want to use music to amplify disability stories and feelings that are difficult to put words to, that are words of the soul, which is essentially what music is. And so I started going to studios and realizing things weren’t as accessible as they should be. I started speaking with organizations and realizing things weren’t as inclusive as they should be. And the response I kept getting was like, “Oh, well, there’s nobody with a disability in the music industry, so why would we make these measures?” And so I have made it my life’s goal through RAMPD, which by the way, the best thing we ever accomplished was our acronym, not us working with the Grammys to get sign language on the red carpet, not us getting these partnerships with title, Live Nation, Spotify. I mean, we’ve done so much, not just for artists, but also for professionals. And we’ve started to realize something really interesting with the work we’ve done with RAMPD. We are getting people joining our membership who are director level folks, who are label owners, who are like the big wigs that write the checks, and they’re like, “I’m neurodivergent. I’m actually hard of hearing. I have a TBI.” And so when I originally set out, they said, “We don’t do disability inclusion because nobody’s disabled.” That was three years ago. Now I’m like, not only are there neurodivergent and disabled music professionals out here, but we all are. So really to conclude, it’s just that everyone is navigating trying to make it out in this world, but everyone’s masking. Everyone feels that they have to change some part of themselves to be as close as they can to what success looks like, be as close as they can to what “beauty” looks like, what winning looks like. But really all it is internalized ableism. And I say, as soon as we drop that internalized ableism and we really start to sit in who we truly are and we start to recognize our perceived flaws as flexes, that’s when we truly start to win. And so that’s what we’re finding out with RAMPD, that people are like, “You know what? I’m tired of navigating this difficult industry with the added layer of having to mask.” And so that’s why I do what I do. Michelle Bishop: Yes. And honestly, as ridiculous as it sounds that they say to you, “Oh, there aren’t any people with disabilities.” When I tell you, we see that in everything that we do. I do voting work at NDRN and we’ll have elections officials tell us, “This polling place isn’t accessible, but there aren’t any people with disabilities that vote here.” And it’s like, “What? You realize we’re everywhere and we do all sorts of things.” Maybe the reason they think there’s no people with disabilities here is because they’re stuck outside and they can’t get in because you didn’t make it accessible, just a thought. But I mean, it sounds like coming up against all that is really, correct me if I’m wrong, helped you to develop that identity and that disability pride in the industry. When did you first say, “I identify as blind.” and what did that mean for you? Lachi: Well, so when I first came into really doing the disability thing, really leaning in, I wanted to find out more influencers or thought leaders and such with disabilities. I didn’t really know that many people. This is pre COVID, 2018, 2019, that kind of thing. And so I came across an influencer, her name is Molly Burke, and we’re great friends now, but I didn’t know her back then. I had just seen her tagline and it had said, “I’m Molly Burke and I’m a YouTuber who happens to be blind.” And for some reason I was like, “I don’t know if I love the happens to be blind thing.” I was like, “Well, I’m proud of being blind. Blindness is part of my identity. I don’t just happen to be a woman. I don’t just happen to be a Nigerian. I don’t just happen to be all of the things I am.” And so I would go to… I was touring… We’re always touring and every time I tour and do a show, I do a comedic open where I just introduce myself, I do a quick self-description, et cetera. And in my self-description, I would say, and I don’t just happen to be blind. My blindness is part of my identity, has given me all of the opportunities I have, and it’s really made me a deeper blah, blah, blah. It was just too long. So I had punched it up to be, “My name is Lachi like Versace. She, her, I’m a Black woman with cornrows and I identify as blind.” And the interesting thing about that is people took onto it. They were like, “Oh, that’s cool, nice and punchy.” But whenever I would say it in front of a large crowd or like I’ve said it on interviews or during commercials, I would get this weird, I don’t know, pushback of like, you can’t identify as blind. Blindness is an identity. It’s a medical condition. Or they’ll be like, “Do you read braille or not?” Or they’ll be like, “We don’t want people to think trans blindness is a thing where you just have a blind identity.” And then you can be like, “Well, I’m blind today, so that’s my identity.” And I thought that was really fun. I was like, “Look, everybody’s upset. They’re talking about blindness though.” So I really leaned all the way into it. And I have to say, I am super proud of my disability identity. Was it music that brought me there? I think in a sense and in a way, like today I have a few songs, you guys are music lovers, I have a few songs out that really talk about my disability pride. I think that a lot of the times as we navigate the world, masking our disability, masking our chronic condition, our difference or whatever, we end up overcompensating. We end up building up this really, really thick problem solving muscle or this really, really thick how to get around things muscle and we overcompensate. When we’re finally accommodated, when we finally get to a place where we’re accommodated or we have the tools we need, we’re coming in like bulk as hell. We’re coming in with problem solving muscles. We’re coming in with all of these things that we had to build up because of navigating the world differently, because of every day working through this very difficult maze that is living a life unaccommodated, then when we finally are accommodated, then we are killing it and crushing it. And how could you not be proud of that? How can that not give you a sense of pride? So the songs that I would love for you guys to check out that are mine is I have a song called Life on Hard, which has gone viral several times on Instagram. I’m known as an Instagram rapper, which is like, what? Hello, I do disability advocacy. Look at that stuff. But anyway, so I have a song called Life on Hard, which is essentially about just winning the game of life, playing it on the hardest setting out here while people are still trying to consult the manual. I have another song called Professional, which is oftentimes when I walk on the stage, people see the cane and they’re like, “Aw, she’s going to do a song for us. Is this from Make a Wish Foundation?” And then I bust out these raps or I hop on the piano and I go ape on this piano and then they’re like, “Oh, snap. What? Okay.” And I’m like, “Bro, I’m a professional artist. I’m not object for pity to make you feel good because you felt weird on a Monday and you didn’t feel like getting up for work, but it’s like, she could do it. So can I.” I’m like, “No, I can do it. You most likely probably just can’t.” So that’s what that song’s about. And then there’s The Bag, and The Bag is just essentially like, I’ve been told no so much like, “No, you can’t. No, you’re not good enough. No, we don’t want you.” And I’m like, “You know what? Yes, I am good enough and I deserve everything. So I’m going to throw everything I deserve in the bag, which is everything.” I don’t know. I would not be the person I am if I didn’t love all parts of myself. And that includes my disabilities, that includes my neurodivergences and all of the other wacky, weird body jazz that I bring with me everywhere I go. Michelle Bishop: Lachi, can we maybe, do you and I just FaceTime each other every morning and hype each other up? Stephanie Flynt McEben: I was literally about to say the same thing. I would like in on a true call. Michelle Bishop: I don’t know if you know. Actually, I want to say quickly, I know some of those songs actually from social media, but they’re real. They’re so real. So people haven’t heard music, go check it out. I don’t know if you know one of our co-hosts, Stephanie is blind. You’re speaking directly to her soul right now. Stephanie Flynt McEben: I literally just texted them in our podcast group text and I was like, she’s totally speaking to my soul RN, but of course I don’t want to interrupt anything. Michelle Bishop: No, I know you’re dying to talk to her about the book, Stephanie, and take it away. Stephanie Flynt McEben: Yeah, no, absolutely, for sure. And as somebody who is blind and who also identifies as a blind person and definitely does not identify with the medical model of disability, clearly gotten to more of a social model. But yeah, in terms of going through that journey of accepting all of who you are and everything about yourself, for me, I mean, it took a minute, especially when you’re talking about your experiences as a child and I totally feel that. I was that girl playing the harmonica on the jungle gym by herself. Anyway, this is about you. This is not about me, but I’m just saying that I totally relate to you on a spiritual level. And given that, I would love to know, were there any particular moments when it came to writing the book that were particularly hard or healing? Because I mean, I think that we all know that it’s not always a linear journey. Some days are going to be harder than others. And so would love to get your perspective on that. And I think that our listeners would be interested. Lachi: Yeah, absolutely. The journey for me has been one of constantly unwrapping this amazing gift. I always try to use that as the visual, if you will, of you have this big present and you get to unwrap it and then you just keep getting something cooler inside and then you get to unwrap that and you get something cooler inside and you just keep unwrapping this beautiful gift that is yourself. But you don’t realize that when you first get the box, the amazing stuff that’s going on inside, and it takes time to get to it. So a lot of times growing up, I would kick myself in the butt of, I wish I had come to this when I was so much younger. I wish there were people out there when I was younger, role models that I could look up to when I was eight years old and pointing on the TV and saying like, “Okay, well, I mean, I understand that Ray Charles existed, but that’s not going to…” Stephanie Flynt McEben: Stevie Wonder is here, Ray Charles is here, but we need more of us. Hello. Lachi: We need more of us. Hello. Exactly. And so this time and place where I am right now is where I needed to be for this to work. So I can’t really kick myself in the butt of like, “I wish I had this. I wish I knew this so much earlier. I would’ve been so much further.” That kind of thing. You have to be where you got to be where you need to be. Even right now, this conversation we’re having right now is going to have been necessary for the next thing that is happening in our lives. And just the other day, I was hanging out with Queen Herby, who’s been one of my favorite more modern rappers. I just did a thing with Apl.de.ap. I have done some stuff with Black Caviar. Folks that I’ve looked up to, I’m having the opportunity to Snoop Dogg. I’m having the opportunity to work with these days because of the fact that I am here at the right time now. So when I was writing my book, we were peeling back all the layers. I’m a generally very positive and energetic, social butterfly type of person today. But it’s interesting, I wasn’t always this person and I had to unpack all the layers to get there. One of the biggest things that happens to me, so I’ve always been low vision. So I was born with relatively low vision and it stayed the same throughout my teens and early 20s. But one day I woke up and my sight was just gone. Boom. So the interesting thing is anybody listening would be like, “Oh my God, if I woke up and my sight was gone, I would just die or I would not know what to do. My life would be over.” Stephanie Flynt McEben: Yep. Heard that a million times. Yes. Lachi: But for me, it was weird because I was already low vision, so I was going from level one to the underwater level or whatever. So it wasn’t like that life changing of a thing. I was already using screen readers or Zoom text. I was already doing stuff of that nature. So I wake up blind and I’m just like, “Okay, I guess this is it. This is the day that they told me was coming.” What had ended up happening was my corneas had erupted. And so I went to the doctor and he was like, “You’re going to become completely blind. You’re going to go from this much worse vision than you’ve had to complete blindness over the course of time.” So here you go, here’s a coupon. Bye.” or whatever. So I’m like, all right. So I had decided at that moment that I wanted to start a bucket list. So I was like, okay, what are all the things I’ve always wanted to do before completely going completely blind? So I was like, let me go skydiving, let me go spolunking, let me go meet with people, meet with celebrities and just do all of the things I’ve always wanted to do before I lose my vision. So I went out and I did it. This is still me doing it. This is still me doing it. And so I say that because to people who say if I ever went blind, I would just die. Well, when I went blind, it made me want to live. And that’s what opened me up into being this person that I am today. Stephanie Flynt McEben: That is amazing. I genuinely love that. Lachi: We talk about charity model and propping disabled folks up as tools of pity. We talk about medical model, which is really just waiting around for cure, making the cure the hero. We talk about social model, which is a really good place to live in the sense of things are impairing if they’re not accessible. Society is impairing if it’s not inclusive. But honestly, if I have all of the things, like if I have all my tools, if I have all that I need and if folks are inclusive, then I’m still blind, but I’m not impaired. But I like to go a little step further into what is the cultural model. And so the cultural model is it’s not just a discussion of what society should and shouldn’t do. It’s actually a celebration of what you gain as a person who identifies with their disability or their neurodivergence, the things they need to overcompensate because they’re navigating the world a little differently, leaning into that. So let’s say for instance, deaf culture, sign language, and the fact that folks can have complete discussions outside of what we’re talking about, there is so much deaf pride out in these streets, that is a celebration of culture that comes out of disability. And for me, let’s say for instance, I have ADHD and it powers my one million and counting ideas. I have diagnosed OCD, which helps me carry out all those one million and counting ideas. I have diagnosed general anxiety disorder, which gives me my empathy and my excitement. And then I am blind, which when I have the tools I need, it gives me drive. It keeps me determined, it keeps me focused, and it gives me my dope ass glam canes. There was a girl and her mom, and she came up to me after a show and she was like, “Oh my God, your music was great.” I was like, thank you. She’s like, “Mommy, can I get one of those canes?” And then her mom was like, “Ugh, well, you have to be blind.” And I’m like, “Yeah, girl, you better want to be me.” Stephanie Flynt McEben: Yeah. We drive sticks. Anyway, sorry. Lachi: Yes. You know what? I speak softly and I carry a big old stick. Thank you. Stephanie Flynt McEben: Yes. Amen to that. Exactly. As somebody who considers themself a lifelong disability advocate, I never really thought about it in the sense of going beyond the social into the cultural. So thank you so, so much. We all learn something new every single day on this podcast, but I’d love to know a little bit more about, obviously you were very, very, very good at talking through these experiences in such a way that they are very relatable and easy to understand and that thing. So I’d love to pick your brain about the intended audience of your book. Who did you write it for? Other blind folks? Did you write it for, was it written for multiple audiences? Lachi: Yeah, honestly, I wrote it for the person who is masking. I wrote it for anyone who is tired of… Listen, let me put it like this. Let’s face it, disability is boring, a lot of the time it’s sad and it’s compliancy. We have to go the extra mile to make it fun because the actual truth of it is that the only reason it’s boring, sad, and compliancy is because society has kept it that way through its collective internalized ableism. And so my book is actually a humor book. It’s a pop culture book. It’s a comedy book. In fact, when we were talking to the publisher, it’s like, we should be putting this up against other comedic books, not necessarily disability books because it’s a book. I got so many jokes. I have dad jokes, they’re corny jokes, I have rap bars. I rap in a lot of the book just because I was like, “Hey, this rhymes.” I’m going to say it like a rap. We’re doing the audiobook right now, so I actually get to wrap it, which is really fun. Stephanie Flynt McEben: Oh, that is so cool. Oh my gosh. Lachi: Which is really, really fun. But really, honestly, what the book is what everything I do is it is using joy, soul, pop culture, jokes, humor, fashion, and just a really good time to celebrate disability, as well as community. So what you’ll find in this book is my story through my story, through historical deep dives, through interviews with some really, really cool popular figures and a really big deep dose of disability joy. And so a lot of folks who have disabilities, they will read this book and they’ll be energized. It’ll be like, “This is really great. I’m glad that I finally get to read a book that talks about disability in a positive way.” For blind specific folks, they might relate to a few of my stories because I talk about the day I woke up blind, I talk about when I went skydiving blind, I talk about just some of my interesting blind moments. But then I also talk about how I would go to red carpets and not know how to talk to anybody. So I’m in this amazing room with all these celebrities I can’t see and I’m just sitting on the wall. So I talk about some of the hard times too as well. But at the end of the day, really what the book is is an invitation in for somebody who feels a little different, a little awkward, has to mask, and just needed that invite in to talk about disability in a fun, joyful, celebratory way, to recognize that yes, that thing in you that’s different, that thing in you that society has told you you should view as a weakness and hide, you should be proud of. And I say this to people all the time. I say it in the industry, I say it to all my friends, I say it to anyone who will listen. I say it to my local barista and they come back and they say things like, “Oh my God, I’m so glad you said it that way. It turns out I have a titanium hip and I’ve never told anybody about that.” And that’s the vibe. The vibe is someone who was like, “I really needed this to be said to me this way, and now I am able to step all the way into my disability identity.” Alden Blevins: I love, especially what you said about joy. I feel like for me as an autistic person, my experience in the arts is that it is really a space where people who maybe don’t belong in other spaces or don’t feel like they belong in other spaces or are made to feel like they don’t belong in other spaces. I think that a lot of them really do find a safe space in music, in the arts, in theater. And I just wanted to ask, why do you think the music space is such a special one for you and why do you think it’s a place where other people with disabilities seem to flock together as well? Lachi: I mean, you hit the nail on the head. Counterculture, I mean, music often rewards counterculture. And then it eventually becomes mainstream and then we got to rebel against that. So music is a place where your soul can speak. And I think a lot of the times with disabilities, especially autism for me, I’m ADHD, OCD, a different neurodivergence situation, but a lot of the issue is communication. We don’t know how to say exactly what we need or whoever we’re talking to just doesn’t know how to hear what we’re saying. And so I think that what music does is it allows a soul to speak to a soul. A lot of the times music does this thing where you’ll be listening to a song and you’ll just be like, “That, that right there. That’s what I it me. That’s the thing I’m feeling.” type deal. Music has the ability to do that. And so for me, right now, this children’s album that I’m working on, the kids’ album, which is an album that is essentially R&B, pop, electronic, sort of the genres that I dance in for kids centered on disability and neurodivergence. Because what I want to do is be able to say, “Hey, I want you to point at that and say, that’s me.” And I think the easiest and quickest way to point at something and say, “That’s me also.” has been music. And so it’s why it’s been my strongest medium. Again, it’s not my only medium. I’m talking to folks through the book, I’m talking to folks through fashion, et cetera, et cetera. But again, music has been just the quickest, easiest point A to point B conversation easer, if you will, about disability. Another thing I also love to use is humor and comedy. So I make jokes all the time. They’re all bad. They’re all very not good jokes. I need to probably get a joke writer, but the fact that I’m having such a good time telling the jokes, I think I think is all that really matters. So I think both music and humor are just really, really great spaces for two people to get to relate to something that may be difficult to talk about. Stephanie Flynt McEben: Yo, if you need a joke writer, I’m your girl. I actually do a joke every single episode of this podcast. Michelle Bishop: Her jokes are not better than yours, Lachi. Don’t hire her. Stephanie Flynt McEben: My jokes are pretty bad. They’re worse than dad’s jokes. They’re like granddad jokes. Alden Blevins: Yeah. Stephanie is the queen of the jokes on our podcast. She always brings one through. Didn’t know that you were working on a children’s music album, and I think that’s really interesting. I actually used to be a teacher, so children’s music is something that’s near and dear to my heart. So I just wanted to ask, what would you want to tell to younger people with disabilities, younger disabled creatives about claiming space and being able to tell their own stories? Lachi: Well, one thing that I heard from someone else, I don’t remember who it was. I think it was- Michelle Bishop: Jordan? Lachi: Yes, Jordan. He’s the one that said this. Michelle Bishop: I love him. Lachi: Yeah, he’s so funny. I met him at a… What did I meet him at? The Webby Awards or something. But anyway, no one can ever defeat someone who hasn’t given up. And for some reason that hit me, and I don’t even think he was trying to say it that deep. He was just saying a joke or something. But I took that and it was like, no one can ever defeat someone who hasn’t given up. So at the end of the day, you are really the only one who can end whatever you’re trying to get. Because as long as you are still going for it, it is still still there. It’s like a Schrodinger’s cat. It’s like as long as you’re still running for it, that opportunity is still there for you to have. The opportunity is never lost as long as you’re still going for it. And people can tell you, people can take your shoulders and tell you to go right. People can take your shoulders and tell you to go left. But until you take your own shoulders and go in the direction that your heart, your soul, your passion, your fire, desires, that is when you truly begin to live. And so I say personally, lean into that. I hear from a lot of younger, especially creators with disabilities. I mentor a lot of folks, tons and tons of folks. It’s one of the things I love to do the most. But what I love to tell folks is you are going to be the best you. And that you is going to include all of the different parts of who you are, but it is especially going to include you leaning in to the things that make you different and unique as unique selling points. Earlier I talked about how people try so hard to be the “definition of beauty”, definition of success, definition of whatever. Everyone’s trying to be this reference man. Everyone’s trying to be as close as they can to the reference man. And if I’m as close as I can to the reference man, then I’ll be successful or then I’ll get this job or then I’ll get this gig. But the truth of the matter is when we look at all of the people that are doing all of the big things, they’re “eccentric”. They’re “weird”. They did some big different idea that no one was thinking about and everybody fell into their trend. The further away you are from the reference man, that is when you start to win. That is when you’ll start to see success. That is when you’ll start to feel much better about yourself. That is when you can wake up in the morning, look in the mirror and say, “I am fine.” When you are able to accept all of those different freckles of yourself that are as far away from the reference man as possible, because guess what? There is room outside of the barrel for everyone to win if they are all being their unique self and running their unique purpose. That’s what I would tell to young disabled creators. Michelle Bishop: That’s amazing. Almost feel like we should stop there, but I have so many follow-up questions. Lachi: Listen, I’m here to drop as many mics as they will let me keep breaking. Michelle Bishop: I was wondering how you see the conversation around disability and inclusion and evolving these days. And a lot of our listeners are people with disabilities or people who have other even multiple intersecting identities in which they experience barriers as well. What does allyship look like to you? Lachi: This is one of my favorite questions. So yes, we have folks with disabilities and we have folks who want to work with people with disabilities, want to help a friend with a disability, want to make sure they don’t say the wrong thing to a person with a disability, neurodivergence, chronic condition, mental health condition. That’s not an ally. Wanting to help a person with a disability is not an ally. To me, wanting to support someone with a disability, that’s an ally in the very basic definition of allyship. Here’s what I think an ally is. To answer the question, I got to do two things. One, talk about the disability umbrella. So the disability umbrella encompasses so many forms of disability. It is neurodivergence, which is ADHD, dyslexia, OCD. It is mental health conditions like anxiety, depression, bipolar. It is someone who learns a little differently. It is someone who has explosive situations like anger management. It is someone who has substance abuse disorder, maybe somebody who drinks too much or uses different substances. It is chronic back pain. You know what I’m saying? It is asthma. It is EDS. It’s POTS. It is long COVID. It is different complications that you gain after pregnancy. It is different complications that you gain as you age. It is different complications you gain through menopause. It is temporary. It is breaking your arm and wearing a cast. It is seasonal depression. There is nobody on this earth that is not within the disability umbrella. And I don’t mean that you’re going to grow into it. I don’t mean in the future. I mean right now. Whether you identify as a person with a disability or not, you have disability identity because you have experience in your body disability. And when you figure that out, then you’re an ally. Allyship is seeing yourself through the other person because you can’t look through someone else’s eyes unless you can see yourself in them. And you can’t see yourself in disability until you recognize the disability identity within yourself. All of a sudden, and I say this and people are like, “What? I say this, but I’ve seen this. I’ve seen it happen. I’ve seen people who did not associate themselves with any form of disability or anything and they’re just like, Oh, them. Oh, I’ll help them. We have a conversation and then we have a follow-up conversation and then we’re drinking and then all of a sudden they’re telling me all their disabilities and then they’re walking a little different when they encounter disability. It’s no longer a them thing. And so that’s what an ally is. People with disabilities are also allies. I am an ally to the deaf community because I recognize though I’m not deaf, I see the having to navigate the world differently in you of myself. So that’s how I define an ally. An ally is someone who understands their own disability identity and can see it in others. Michelle Bishop: Don’t mind me over here just taking notes. Stephanie Flynt McEben: Literally. Oh my gosh. Lachi, thank you so, so, so much for being with us and taking time. I know that your website, lachimusic.com is one of the places where folks can stay up to date on all of the latest and greatest things that you’re up to. Is there anything else in particular you would like to plug for our listeners? Lachi: Like you said, LACHI, L-A-C-H-I M-U-S-I-C. I’m on the internets everywhere. Instagram, Spotify, check out the old music. If you’re a creator, a music creator or professional with a disability, check us out at RAMPD, R-A-M-P-D.org. Or if you want to donate or if you want to partner with us over at RAMPD, please do. If you are a cane user, whether you’re a blind cane user or you use Mobility Cane, check out glamcanes.com, get your canes bejeweled. I Identify as Blind, our book is out on Penguin Random House, imprint called Tiny Reparations by Phoebe Robinson, who is also a comedian. So we’re out here all writing very funny books. So please check it out. And lastly, listen, try to find moments in your day of disability joy. And when you find that moment, take a picture of it or write it down so that you can go back to it and live for those moments. So thank you guys so much for having me on this podcast. It’s really been a blast getting to talk at you about all things I identify as blind. Alden Blevins: I love it. I was over here taking notes too because I just found so much of myself in what you were saying and so many things were poignant and empowering. I, as an autistic person, try to be an ally to other parts of the disability community myself. And that’s something where I’m always trying to put myself in the shoes of another person and what they might experience. So I think that’s really powerful. We were so grateful to be able to connect and learn more about you, Lachi. Lachi: Yes, yes, yes. So honored to be here, guys. Michelle Bishop: Before you head out, Lachi, do you want to hear one of Stephanie’s grandpa jokes? Lachi: I was going to say, I was like, “Let’s hear one of these granddad jokes.” Let me see. Stephanie Flynt McEben: Okay. This might be- Michelle Bishop: Okay, do it. Stephanie Flynt McEben: … a granddad joke. Okay. Where do spiders like to get their information? Lachi: The web? Michelle Bishop: That would be something to do with web. Stephanie Flynt McEben: But what kind of web? Lachi: Wow. Really? You are fired from being my comedy writer. You are fired to be my comedy writer. I was rooting for you too. I was like, let’s just… Please. Stephanie Flynt McEben: I wouldn’t even get to the punchline yet. Michelle Bishop: Worldwide web? Stephanie Flynt McEben: It is the worldwide web. Michelle Bishop: Oh. Stephanie Flynt McEben: It’s fine. It’s fine. My wife warned me not to tell that joke this month and I didn’t lose it. Michelle Bishop: Oh my gosh. I’m so glad you stuck around for that part. Lachi: As I live and breathe. Thank you guys so, so much. This has been so much fun and I will see who else I can tell that joke to. And go ahead and just to help you out, Stephanie, I’ll go ahead and embarrass myself by telling that joke to others. Stephanie Flynt McEben: Not my best work, but that is allyship. Yes. Michelle Bishop: Oh my gosh, Lachi, thank you so much. And everyone, please lachimusic.com. Check it out. Listen to the music, read the book. Alden Blevins: Speaking of the worldwide web, this has been National Disability Radio. We celebrate stories, leadership, and talent of people with disabilities. If you enjoyed this episode, be sure to subscribe, share, and continue the conversation with us on that worldwide web at ndrn.org or anywhere you get your favorite podcasts. Thanks for listening and until next time. Stephanie Flynt McEben: Bye.

You may be shocked to hear that Green Day have a lot of songs. Some may say, in fact, that they have too MANY songs, because there does come a point where they all just blend into on another. In this episode we explore this phenomenon, and it is exclusively (in our view) an issue that plagues the latter half of their career. We cover everything from American Idiot to Saviors, and whilst not all of these albums are afflicted in such a way, it definitely seems to become more prevalent as we more closer to the present era. We also ask a crucial question - is Green Day punk? The answer is probably not quite what you expect, but we do debate the finer points. Suggesting that perhaps they could be Schrodinger's punx... All this leads us to trying to answer the real question - is Insomniac Green Day's unsung classic? Let's find out. Highlights: 00:00 Intro 01:53 Car Album Debate 05:07 Legacy Act Question 09:31 Setting Up American Idiot 10:24 American Idiot Phenomenon 14:22 Stadium Band Status 23:08 Broadway And 21st Century 31:15 Uno, Dos, Tre And Rehab 35:38 Revolution Radio To Father Of All 37:38 Father of All Reappraisal 39:03 Critics vs Short Runtime 39:49 Side Projects and Salty Pretzel 43:18 2020 Output and Pandemic Era 44:18 Saviors and Derivative Sounds 48:42 Compression and Phone Listening 52:49 Is Green Day Punk? 01:00:28 Defining Punk and Yardsticks 01:19:59 Insomniac Context and Backlash 01:21:21 Critics and Rawness 01:22:22 Sales and Fan Backlash 01:24:01 Honest Bridge Album 01:26:28 Opening Tracks and Tone 01:30:29 Singles and Track Picks 01:32:56 Production and Gear Talk 01:39:54 Songwriting and Label Control 01:53:48 Closing Tracks and Verdict 01:59:22 Wrap Up and Goodbyes Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

A detailed look into the physics and mathematics of quantum electrodynamics, the theory of how light and matter interact. We discuss the generalisation of the Schrodinger equation to the Klein-Gordon and Dirac equations, and howw these describe the propogation of light and fermions respectively. We then consider the process of computing transition probabilities between quantum states, including the S matrix and perturbation theory, and Wick's theorem. Recommended pre-listening is Episode 85: Introduction to Quantum Field Theory. If you enjoyed the podcast please consider supporting the show by making a PayPal donation or becoming a Patreon supporter. https://www.patreon.com/jamesfodor https://www.paypal.me/ScienceofEverything

text us if...Anthony David Vernon is an adjunct professor of philosophy at St. Thomas University Miami Gardens and Miami-Dade College.Also in this episode: Chancla power, "default man", & Schrodinger's dresshttps://anthonydavidvernonphilosopher.blogspot.com/please visit https://www.patreon.com/Sasspod/redeem/1785B to get a free 3 month membership!publishing regular weekly episodes every other week through the holidays until end of January Support the showTake our listener survey The views expressed by our guests may not reflect the views of Sass n Sips.Check out Spreadshop!http://arthemisclothing.ca - Use SASSPOD for 15% off https://www.muzmm.com- Code SASSPOD for 20% offhttps://www.podpage.com/?via=sasspod to create your own webpagehttps://www.buzzsprout.com/?referrer_id=682706 to start your own podhttps://www.lyft.com/i/LISA594490?utm_medium=p2pi_iacc For a LyftGet in touch:(732) 595-2922sass.n.sips@gmail.com / sassnsips.comIG @sassnsipsFB @Sass N SipsYouTube @Sass N SipsPodchaser podchaser.com/sassnsipsClips used in this podcast were used in accordance with the US Copyrights act FAIR USE Exemption for criticism and commentary....

Editor's note: CuspAI raised a $100m Series A in September and is rumored to have reached a unicorn valuation. They have all-star advisors from Geoff Hinton to Yann Lecun and team of deep domain experts to tackle this next frontier in AI applications.In this episode, Max Welling traces the thread connecting quantum gravity, equivariant neural networks, diffusion models, and climate-focused materials discovery (yes, there is one!!!).We begin with a provocative framing: experiments as computation. Welling describes the idea of a “physics processing unit”—a world in which digital models and physical experiments work together, with nature itself acting as a kind of processor. It's a grounded but ambitious vision of AI for science: not replacing chemists, but accelerating them.Along the way, we discuss:* Why symmetry and equivariance matter in deep learning* The tradeoff between scale and inductive bias* The deep mathematical links between diffusion models and stochastic thermodynamics* Why materials—not software—may be the real bottleneck for AI and the energy transition* What it actually takes to build an AI-driven materials platformMax reflects on moving from curiosity-driven theoretical physics (including work with Gerard ‘t Hooft) toward impact-driven research in climate and energy. The result is a conversation about convergence: physics and machine learning, digital models and laboratory experiments, long-term ambition and incremental progress.Full Video EpisodeTimestamps* 00:00:00 – The Physics Processing Unit (PPU): Nature as the Ultimate Computer* Max introduces the idea of a Physics Processing Unit — using real-world experiments as computation.* 00:00:44 – From Quantum Gravity to AI for Materials* Brandon frames Max's career arc: VAE pioneer → equivariant GNNs → materials startup founder.* 00:01:34 – Curiosity vs Impact: How His Motivation Evolved* Max explains the shift from pure theoretical curiosity to climate-driven impact.* 00:02:43 – Why CaspAI Exists: Technology as Climate Strategy* Politics struggles; technology scales. Why materials innovation became the focus.* 00:03:39 – The Thread: Physics → Symmetry → Machine Learning* How gauge symmetry, group theory, and relativity informed equivariant neural networks.* 00:06:52 – AI for Science Is Exploding (Not Emerging)* The funding surge and why AI-for-Science feels like a new industrial era.* 00:07:53 – Why Now? The Two Catalysts Behind AI for Science* Protein folding, ML force fields, and the tipping point moment.* 00:10:12 – How Engineers Can Enter AI for Science* Practical pathways: curriculum, workshops, cross-disciplinary training.* 00:11:28 – Why Materials Matter More Than Software* The argument that everything—LLMs included—rests on materials innovation.* 00:13:02 – Materials as a Search Engine* The vision: automated exploration of chemical space like querying Google.* 01:14:48 – Inside CuspAI: The Platform Architecture* Generative models + multi-scale digital twin + experiment loop.* 00:21:17 – Automating Chemistry: Human-in-the-Loop First* Start manual → modular tools → agents → increasing autonomy.* 00:25:04 – Moonshots vs Incremental Wins* Balancing lighthouse materials with paid partnerships.* 00:26:22 – Why Breakthroughs Will Still Require Humans* Automation is vertical-specific and iterative.* 00:29:01 – What Is Equivariance (In Plain English)?* Symmetry in neural networks explained with the bottle example.* 00:30:01 – Why Not Just Use Data Augmentation?* The optimization trade-off between inductive bias and data scale.* 00:31:55 – Generative AI Meets Stochastic Thermodynamics* His upcoming book and the unification of diffusion models and physics.* 00:33:44 – When the Book Drops (ICLR?)TranscriptMax: I want to think of it as what I would call a physics processing unit, like a PPU, right? Which is you have digital processing units and then you have physics processing units. So it's basically nature doing computations for you. It's the fastest computer known, as possible even. It's a bit hard to program because you have to do all these experiments. Those are quite bulky, it's like a very large thing you have to do. But in a way it is a computation and that's the way I want to see it. You can do computations in a data center and then you can ask nature to do some computations. Your interface with nature is a bit more complicated. But then these things will have to seamlessly work together to get to a new material that you're interested in.[01:00:44:14 - 01:01:34:08]Brandon: Yeah, it's a pleasure to have Max Woehling as a guest today. Max has done so much over his career that I've been so excited about. If you're in the deep learning community, you probably know Max for his work on variational autocoders, which has literally stood the test of prime or officially stood the test of prime. If you are a scientist, you probably know him for his like, binary work on graph neural networks on equivariance. And if you're a material science, you probably know him about his new startup, CASPAI. Max has a long history doing lots of cool problems. You started in quantum gravity, which is I think very different than all of these other things you worked on. The first question for AI engineers and for scientists, what is the thread in how you think about problems? What is the thread in the type of things which excite you? And how do you decide what is the next big thing you want to work on?[01:01:34:08 - 01:02:41:13]Max: So it has actually evolved a lot. In my young days, let's breathe, I would just follow what I would find super interesting. I have kind of this sensor. I think many people have, but maybe not really sort of use very much, which is like, you get this feeling about getting very excited about some problem. Like it could be, what's inside of a black hole or what's at the boundary of the universe or what are quantum mechanics actually all about. And so I follow that basically throughout my career. But I have to say that as you get older, this changes a little bit in the sense that there's a new dimension coming to it and there's this impact. Going in two-dimensional quantum gravity, you pretty much guaranteed there's going to be no impact on what you do relative, maybe a few papers, but not in this world, this energy scale. As I get closer to retirement, which is fortunately still 10 years away or so, I do want to kind of make a positive impact in the world. And I got pretty worried about climate change.[01:02:43:15 - 01:03:19:11]Max: I think politics seems to have a hard time solving it, especially these days. And so I thought better work on it from the technology side. And that's why we started CaspAI. But there's also a lot of really interesting science problems in material science. And so it's kind of combining both the impact you can make with it as well as the interesting science. So it's sort of these two dimensions, like working on things which you feel there's like, well, there's something very deep going on here. And on the other hand, trying to build tools that can actually make a real impact in the world.[01:03:19:11 - 01:03:39:23]RJ: So the thread that when I look back, look at the different things that you worked out, some of them seem pretty connected, like the physics to equivariance and, yeah, and, uh, gravitational networks, maybe. And that seems to be somewhat related to Casp. Do you have a thread through there?[01:03:39:23 - 01:06:52:16]Max: Yeah. So physics is the thread. So having done, you know, spent a lot of time in theoretical physics, I think there is first very fundamental and exciting questions, like things that haven't actually been figured out in quantum gravity. So that is really the frontier. There's also a lot of mathematical tools that you can use, right? In, for instance, in particle physics, but also in general relativity, sort of symmetry space to play an enormously important role. And this goes all the way to gauge symmetries as well. And so applying these kinds of symmetries to, uh, machine learning was actually, you know, I thought of it as a very deep and interesting mathematical problem. I did this with Taco Cohen and Taco was the main driver behind this, went all the way from just simple, like rotational symmetries all the way to gauge symmetries on spheres and stuff like that. So, and, uh, Maurice Weiler, who's also here, um, when he was a PhD student, he was a very good student with me, you know, he wrote an entire book, which I can really recommend about the role of symmetries in AI and machine learning. So I find this a very deep and interesting problem. So more recently, so I've taken a sort of different path, which is the relationship between diffusion models and that field called stochastic thermodynamics. This is basically the thermodynamics, which is a theory of equilibrium. So but then formulated for out of equilibrium systems. And it turns out that the mathematics that we use for diffusion models, but even for reinforcement learning for Schrodinger bridges for MCMC sampling has the same mathematics as this theoretical, this physical theory of non-equilibrium systems. And that got me very excited. And actually, uh, when I taught a course in, um, Mauschenberg, uh, it is South Africa, close to Cape Town at the African Institute for Mathematical Sciences Ames. And I turned that into a book site. Two years later, the book was finished. I've sent it to the publisher. And this is about the deep relationship between free energy, diffusion models, basically generative AI and stochastic thermodynamics. So it's always some kind of, I don't know, I find physics very deep. I also think a lot about quantum mechanics and it's, it's, it's a completely weird theory that actually nobody really understands. And there's a very interesting story, which is maybe good to tell to connect sort of my PZ back to where I'm now. So I did my PZ with a Nobel Laureate, Gerard the toft. He says the most brilliant man I've ever met. He was never wrong about anything as long as I've seen him. And now he says quantum mechanics is wrong and he has a new theory of quantum mechanics. Nobody understands what he's saying, even though what he's writing down is not mathematically very complex, but he's trying to address this understandability, let's say of quantum mechanics head on. And I find it very courageous and I'm completely fascinated by it. So I'm also trying to think about, okay, can I actually understand quantum mechanics in a more mundane way? So that, you know, without all the weird multiverses and collapses and stuff like that. So the physics is always been the threat and I'm trying to apply the physics to the machine learning to build better algorithms.[01:06:52:16 - 01:07:05:15]Brandon: You are still very involved in understanding and understanding physics and the worlds. Yeah. And just like applications to machine learning or introducing no formalisms. That's really cool.[01:07:05:15 - 01:07:18:02]Max: Yes, I would say I'm not contributing much to physics, but I'm contributing to the interface between physics and science. And that's called AI for science or science or AI is kind of a super, it's actually a new discipline that's emerging.[01:07:18:02 - 01:07:18:19]Speaker 5: Yeah.[01:07:18:19 - 01:07:45:14]Max: And it's not just emerging, it's exploding, I would say. That's the better term because I know you go from investments into like in the hundreds of millions now in the billions. So there's now actually a startup by Jeff Bezos that is at 6.2 billion sheep round. Right. Insane. I guess it's the largest startup ever, I think. And that's in this field, AI for science. It tells you something that we are creating a new bubble here.[01:07:46:15 - 01:07:53:28]Brandon: So why do you think it is? What has changed that has motivated people to start working on AI for science type problems?[01:07:53:28 - 01:08:49:17]Max: So there's two reasons actually. One is that people have been applying sort of the new tools from AI to the sciences, which is quite natural. And there's of course, I think there's two big examples, protein folding is a big one. And the other one is machine learning forest fields or something called machine learning inter-atomic potentials. Both of them have been actually very successful. Both also had something to do with symmetries, which is a little cool. And sort of people in the AI sciences saw an opportunity to apply the tools that they had developed beyond advertised placement, right, or multimedia applications into something that could actually make a very positive impact in society like health, drug development, materials for the energy transition, carbon capture. These are all really cool, impactful applications.[01:08:50:19 - 01:09:42:14]Max: Despite that, the science and the kind of the is also very interesting. I would say the fact that these sort of these two fields are coming together and that we're now at the point that we can actually model these things effectively and move the needle on some of these sort of science sort of methodologies is also a very unique moment, I would say. People recognize that, okay, now we're at the cusp of something new, where it results whether the company is called after. We're at the cusp of something new. And of course that always creates a lot of energy. It's like, okay, there's something, it's like sort of virgin field. It's like nobody's green field. Nobody's been there. I can rush in and I can sort of start harvesting there, right? And I think that's also what's causing a lot of sort of enthusiasm in the fields.[01:09:42:14 - 01:10:12:18]RJ: If you're an AI engineer, basically if the people that listen to this podcast will be in the field, then you maybe don't have a strong science background. How does, but are excited. Most I would say most AI practitioners, BM engineers or scientists would consider themselves scientists and they have some background, a little bit of physics, a little bit of industry college, maybe even graduate school that have been working or are starting out. How does somebody who is not a scientist on a day-to-day basis, how do they get involved?[01:10:12:18 - 01:10:14:28]Max: Well, they can read my book once it's out.[01:10:16:07 - 01:11:05:24]Max: This is basically saying that there is more, we should create curricula that are on this interface. So I'm not sure there is, also we already have some universities actual courses you can take, maybe online courses you can take. These workshops where we are now are actually very good as well. And we should probably have more tutorials before the workshop starts. Actually we've, I've kind of proposed this at some point. It's like maybe first have an hour of a tutorial so that people can get new into the field. There's a lot out there. Most of it is of course inaccessible, but I would say we will create much more books and other contents that is more accessible, including this podcast I would say. So I think it will come. And these days you can watch videos and things. There's a huge amount of content you can go and see.[01:11:05:24 - 01:11:28:28]Brandon: So maybe a follow-up to that. How do people learn and get involved? But why should they get involved? I mean, we have a lot of people who are of our audience will be interested in AI engineering, but they may be looking for bigger impacts in the world. What opportunities does AI for science provide them to make an impact to change the world? That working in this the world of pure bits would not.[01:11:28:28 - 01:11:40:06]Max: So my view is that underlying almost everything is immaterial. So we are focusing a lot on LLMs now, which is kind of the software layer.[01:11:41:06 - 01:11:56:05]Max: I would say if you think very hard, underlying everything is immaterial. So underlying an LLM is a GPU, and underlying a GPU is a wafer on which we will have to deposit materials. Do we want to wait a little bit?[01:12:02:25 - 01:12:11:06]Max: Underlying everything is immaterial. So I was saying, you know, there's the LLM underlying the LLM is a GPU on which it runs. In order to make that GPU,[01:12:12:08 - 01:12:43:20]Max: you have to put materials down on a wafer and sort of shine on it with sort of EUV light in order to etch kind of the structures in. But that's now an actual material problem, because more or less we've reached the limits of scaling things down. And now we are trying to improve further by new materials. So that's a fundamental materials problem. We need to get through the energy transition fast if we don't want to kind of mess up this world. And so there is, for instance, batteries. That's a complete materials problem. There's fuel cells.[01:12:44:23 - 01:13:01:16]Max: There is solar panels. So that they can now make solar panels with new perovskite layers on top of the silicon layers that can capture, you know, theoretically up to 50% of the light, where now we're at, I don't know, maybe 22 or something. So these are huge changes all by material innovation.[01:13:02:21 - 01:13:47:15]Max: And yeah, I think wherever you go, you know, I can probably dig deep enough and then tell you, well, actually, the very foundation of what you're doing is a material problem. And so I think it's just very nice to work on this very, very foundation. And also because I think this is maybe also something that's happening now is we can start to search through this material space. This has never been the case, right? It's like scientists, the normal way of working is you read papers and then you come up with no hypothesis. You do an experiment and you learn, et cetera. So that's a very slow process. Now we can treat this as a search engine. Like we search the internet, we now search the space of all possible molecules, not just the ones that people have made or that they're in the universe, but all of them.[01:13:48:21 - 01:14:42:01]Max: And we can make this kind of fully automated. That's the hope, right? We can just type, it becomes a tool where you type what you want and something starts spinning and some experiments get going. And then, you know, outcome list of materials and then you look at it and say, maybe not. And then you refine your query a little bit. And you kind of do research with this search engine where a huge amount of computation and experimentation is happening, you know, somewhere far away in some lab or some data center or something like this. I find this a very, very promising view of how we can sort of build a much better sort of materials layer underneath almost everything. And also more sustainable materials. Our plastics are polluting the planet. If you come up with a plastic that kind of destroys itself, you know, after, I don't a few weeks, right? And actually becomes a fertilizer. These are things that are not impossible at all. These things can be done, right? And we should do it.[01:14:42:01 - 01:14:47:23]RJ: Can you tell us a little bit just generally about CUSBI and then I have a ton of questions.[01:14:47:23 - 01:14:48:15]Speaker 5: Yeah.[01:14:48:15 - 01:17:49:10]Max: So CUSBI started about 20 months ago and it was because I was worried about I'm still worried about climate change. And so I realized that in order to get, you know, to stay within two degrees, let's say, we would not only have to reduce our emissions to zero by 2050, but then, you know, another half century or even a century of removing carbon dioxide from the atmosphere, not by reducing your emissions, but actually removing it at a rate that's about half the rate that we now emit it. And that is a unsolved problem. But if we don't solve it, two degrees is not going to happen, right? It's going to be much more. And I don't think people quite understand how bad that can be, like four degrees, like very bad. So this technology needs to be developed. And so this was my and my co-founder, Chet Edwards, motivation to start this startup. And also because, you know, we saw the technology was ready, which is also very good. So if you're, you know, the time is right to do it. And yeah, so we now in the meanwhile, we've grown to about 40 people. We've kind of collected 130 million investment into the company, which is for a European company is quite a lot. I would say it's interesting that right after that, you know, other startups got even more. So that's kind of tells you how fast this is growing. But yeah, we are we are now at the we've built the platform, of course, but it's for a series of material classes and it needs to be constantly expanded to new material classes. And it can be more automated because, you know, we know putting LLMs in as the whole thing gets more and more automated. And now we're moving to sort of high throughput experimentation. So connecting the actual platform, which is computational, to the experiments so that you can get also get fast feedback from experiments. And I kind of think of experiments as something you do at the end, although that's what we've been doing so far. I want to think of it as what I would call a sort of a physics processing unit, like a PPU, right, which is you have digital processing units and then you have physics processing units. So it's basically nature doing computations for you. It's the fastest computer known as possible, even. It's a bit hard to program because you have to do all these experiments. Those are quite, quite bulky. It's like a very large thing you have to do. But in a way, it is a computation. And that's the way I want to see it. So I want to you can do computations in a data center and then you can ask nature to do some computations. Your interface with nature is a bit more complicated. But then these things will have to seamlessly work together to get to a new material that you're interested in. And that's the vision we have. We don't say super intelligence because I don't quite know what it means and I don't want to oversell it. But I do want to automate this process and give a very powerful tool in the hands of the chemists and the material scientists.[01:17:49:10 - 01:18:01:02]Brandon: That actually brings up a question I wanted to ask you. First of all, can you talk about your platform to like whatever degree, like explain kind of how it works and like what you your thought processes was in developing it?[01:18:01:02 - 01:20:47:22]Max: Yeah, I think it's been surprisingly, it's not rocket science, I would say. It's not rocket science in the sense of the design and basically the design that, you know, I wrote down at the very beginning. It's still more or less the design, although you add things like I wasn't thinking very much about multi-scale models and as the common are rated that actually multi-scale is very important. And the beginning, I wasn't thinking very much about self-driving labs. But now I think, you know, we are now at the stage we should be adding that. And so there is sort of bits and details that we're adding. But more or less, it's what you see in the slide decks here as well, which is there is a generative component that you have to train to generate candidates. And then there is a digital twin, multi-scale, multi-fidelity digital twin, which you walk through the steps of the ladder, you know, they do the cheap things first, you weed out everything that's obviously unuseful, and then you go to more and more expensive things later. And so you narrow things down to a small number. Those go into an experiment, you know, do the experiment, get feedback, etc. Now, things that also have been more recently added is sort of more agentic sort of parts. You know, we have agents that search the literature and come up with, you know, actually the chemical literature and come up with, you know, chemical suggestions for doing experiments. We have agents which sort of autonomously orchestrate all of the computations and the experiments that need to be done. You know, they're in various stages of maturity and they can be continuously improved, I would say. And so that's basically I don't think that part. There's rocket science, but, you know, the design of that thing is not like surprising. What is it's surprising hard to actually build it. Right. So that's that's the thing that is where the moat is in the data that you can get your hands on and the and actually building the platform. And I would say there's two people in particular I want to call out, which is Felix Hunker, who is actually, you know, building the scientific part of the platform and Sandra de Maria, who is building the sort of the skate that is kind of this the MLOps part of the platform. Yeah. And so and recently we also added sort of Aaron Walsh to our team, who is a very accomplished scientist from Imperial College. We're very happy about that. He's going to be a chief science officer. And we also have a partnerships team that sort of seeks out all the customers because I think this is one thing I find very important. In print, it's so complex to do to actually bring a material to the real world that you must do this, you know, in collaboration with sort of the domain experts, which are the companies typically. So we always we only start to invest in the direction if we find a good industrial partner to go on that journey with us.[01:20:47:22 - 01:20:55:12]Brandon: Makes a lot of sense. Over the evolution of the platform, did you find that you that human intervention, human,[01:20:56:18 - 01:21:17:01]Brandon: I guess you could start out with a pure, you could imagine two directions when you start up making everything purely automatic, automated, agentic, so on. And then later on, you like find that you need to have more human input and feedback different steps. Or maybe did you start out with having human feedback? You have lots of steps and then like kind of, yeah, figure out ways to remove, you know,[01:21:17:01 - 01:22:39:18]Max: that is the second one. So you build tools for you. So it's much more modular than you think. But it's like, we need these tools for this application. We need these tools. So you build all these tools, and then you go through a workflow actually in the beginning just manually. So you put them in a first this tool, then run this to them or this with sithery. So you put them in a workflow and then you figure out, oh, actually, you know, this this porous material that we are trying to make actually collapses if you shake it a bit. Okay, then you add a new tool that says test for stability. Right. Yeah. And so there's more and more tools. And then you build the agent, which could be a Bayesian optimizer, or it could be an actual other them, you know, maybe trained to be a good chemist that will then start to use all these tools in the right way in the right order. Yeah. Right. But in the beginning, it's like you as a chemist are putting the workflow together. And then you think about, okay, how am I going to automate this? Right. For one very easy question you can ask yourself is, you know, every time somebody who is not a super expert in DFT, yeah, and he wants to do a calculation has to go to somebody who knows DFT. And so could you start to automate that away, which is like, okay, make it so user friendly, so that you actually do the right DFT for the right problem and for the right length of time, and you can actually assess whether it's a good outcome, etc. So you start to automate smaller small pieces and bigger pieces, etc. And in the end, the whole thing is automated.[01:22:39:18 - 01:22:53:25]Brandon: So your philosophy is you want to provide a set of specific tools that make it so that the scientists making decisions are better informed and less so trying to create an automated process.[01:22:53:25 - 01:23:22:01]Max: I think it's this is sort of the same where you're saying because, yes, we want to automate, yeah, but we don't see something very soon where the chemists and the domain expert is out of the loop. Yeah, but it but it's a retreat, right? It's like, okay, so first, you need an expert to tell you precisely how to set the parameters of the DFT calculation. Okay, maybe we can take that out. We can maybe automate that, right? And so increasingly, more of these things are going to be removed.[01:23:22:01 - 01:23:22:19]Speaker 5: Yeah.[01:23:22:19 - 01:24:33:25]Max: In the end, the vision is it will be a search engine where you where somebody, a chemist will type things and we'll get candidates, but the chemist will still decide what is a good material and what is not a good material out of that list, right? And so the vision of a completely dark lab, where you can close the door and you just say, just, you know, find something interesting and then it will it will just figure out what's interesting and we'll figure out, you know, it's like, oh, I found this new material to blah, blah, blah, blah, right? That's not the vision I have. He's not for, you know, a long time. So for me, it's really empowering the domain experts that are sitting in the companies and in universities to be much faster in developing their materials. And I should say, it's also good to be a little humble at times, because it is very complicated, you know, to bring it to make it and to bring it into the real world. And there are people that are doing this for the entire lives. Yeah. Right. And it's like, I wonder if they scratch their head and say, well, you know, how are you going to completely automate that away, like in the next five years? I don't think that's going to happen at all.[01:24:35:01 - 01:24:39:24]Max: Yeah. So to me, it's an increasingly powerful tool in the hands of the chemists.[01:24:39:24 - 01:25:04:02]RJ: I have a question. You've talked before about getting people interested based on having, you know, sort of a big breakthrough in materials, incremental change. I'm curious what you think about the platform you have now in are sort of stepping towards and how are you chasing the big change or is this like incremental or is there they're not mutually exclusive, obviously, but what do you think about that?[01:25:04:02 - 01:26:04:27]Max: We follow a mixed strategy. So we are definitely going after a big material. Again, we do this with a partner. I'm not going to disclose precisely what it is, but we have our own kind of long term goal. You could call it lighthouse or, you know, sort of moonshot or whatever, but it is going to be a really impactful material that we want to develop as a proof point that it can be done and that it will make it into the into the real world and that AI was essential in actually making it happen. At the same time, we also are quite happy to work with companies that have more modest goals. Like I would say one is a very deep partnership where you go on a journey with a company and that's a long term commitment together. And the other one is like somebody says, I knew I need a force field. Can you help me train this force field and then maybe analyze this particular problem for me? And I'll pay you a bunch of money for that. And then maybe after that we'll see. And that's fine too. Right. But we prefer, you know, the deep partnerships where we can really change something for the good.[01:26:04:27 - 01:26:22:02]RJ: Yeah. And do you feel like from a platform standpoint you're ready for that or what are the things that and again, not asking you to disclose proprietary secret sauce, but what are the things generally speaking that need to happen from where we are to where to get those big breakthroughs?[01:26:22:02 - 01:28:40:01]Max: What I find interesting about this field is that every time you build something, it's actually immediately useful. Right. And so unlike quantum computing, which or nuclear fusion, so you work for 20, 30, 40 years and nothing, nothing, nothing, nothing. And then it has to happen. Right. And when it happens, it's huge. So it's quite different here because every time you introduce, so you go to a customer and you say, so what do you need? Right. So we work, let's say, on a problem like a water filtration. We want to remove PFAS from water. Right. So we do this with a company, Camira. So they are a deep partner for us. Right. So we on a journey together. I think that the breakthrough will happen with a lot of human in the loop because there is the chemists who have a whole lot more knowledge of their field and it's us who will help them with training, having a new message. And in that kind of interface, these interactions, something beautiful will happen and that will have to happen first before this field will really take off, I think. And so in the sense that it's not a bubble, let's put it that way. So that's people see that as actual real what's happening. So in the beginning, it will be very, you know, with a lot of humans in the loop, I would say, and I would I would hope we will have this new sort of breakthrough material before, you know, everything is completely automated because that will take a while. And also it is very vertical specific. So it's like completely automating something for problem A, you know, you can probably achieve it, but then you'll sort of have to start over again for problem B because, you know, your experimental setup looks very different in the machines that you characterize your materials look very different. Even the models in your platform will have to be retrained and fine tuned to the new class. So every time, you know, you have a lot of learnings to transfer, but also, you know, the problems are actually different. And so, yes, I would want that breakthrough material before it's completely automated, which I think is kind of a long term vision. And I would say every time you move to something new, you'll have to start retraining and humans will have to come in again and say, okay, so what does this problem look like? And now sort of, you know, point the the machine again, you know, in the new direction and then and then use it again.[01:28:40:01 - 01:28:47:17]RJ: For the non-scientists among us, me included a bit of a scientist. There's a lot of terminology. You mentioned DFT,[01:28:49:00 - 01:29:01:11]RJ: you equivariance we've talked about. Can you sort of explain in engineering terms or the level of sophistication and engineering? Well, how what is equivariance?[01:29:01:11 - 01:29:55:01]Max: So equivariance is the infusion of symmetry in neural networks. So if I build a neural network, let's say that needs to recognize this bottle, right, and then I rotate the bottle, it will then actually have to completely start again because it has no idea that the rotated bottle. Well, actually, the input that represents a rotated bottle is actually rotated bottle. It just doesn't understand that. Right. If you build equivariance in basically once you've trained it in one orientation, it will understand it in any other orientation. So that means you need a lot less data to train these models. And these are constraints on the weights of the model. So so basically you have to constrain the way such data to understand it. And you can build it in, you can hard code it in. And yeah, this the symmetry groups can be, you know, translations, rotations, but also permutations. I can graph neural network, their permutations and then physics, of course, as many more of these groups.[01:29:55:01 - 01:30:01:08]RJ: To pray devil's advocate, why not just use data augmentation by your bottle is in all the different orientations?[01:30:01:08 - 01:30:58:23]Max: As an option, it's just not exact. It's like, why would you go through the work of doing all that? Where you would really need an infinite number of augmentations to get it completely right. Where you can also hard code it in. Now, I have to say sometimes actually data augmentation works even better than hard coding the equivariance in. And this is something to do with the fact that if you constrain the optimization, the weights before the optimization starts, the optimization surface or objective becomes more complicated. And so it's harder to find good minima. So there is also a complicated interplay, I think, between the optimization process and these constraints you put in your network. And so, yeah, you'll hear kind of contradicting claims in this field. Like some people and for certain applications, it works just better than not doing it. And sometimes you hear other people, if you have a lot of data and you can do data augmentation, then actually it's easier to optimize them and it actually works better than putting the equivariance in.[01:30:58:23 - 01:31:07:16]Brandon: Do you think there's kind of a bitter lesson for mathematically founded models and strategies for doing deep learning?[01:31:07:16 - 01:31:46:06]Max: Yeah, ultimately it's a trade-off between data and inductive bias. So if your inductive bias is not perfectly correct, you have to be careful because you put a ceiling to what you can do. But if you know the symmetry is there, it's hard to imagine there isn't a way to actually leverage it. But yeah, so there is a bitter lesson. And one of the bitter lessons is you should always make sure your architecture is scale, unless you have a tiny data set, in which case it doesn't matter. But if you, you know, the same bitter lessons or lessons that you can draw in LLM space are eventually going to be true in this space as well, I think.[01:31:47:10 - 01:31:55:01]RJ: Can you talk a little bit about your upcoming book and tell the listeners, like, what's exciting about it? Yeah, I should read it.[01:31:55:01 - 01:33:42:20]Max: So this book is about, it's called Generative AI and Stochastic Thermodynamics. It basically lays bare the fact that the mathematics that goes into both generative AI, which is the technology to generate images and videos, and this field of non-equilibrium statistical mechanics, which are systems of molecules that are just moving around and relaxing to the ground state, or that you can control to have certain, you know, be in a certain state, the mathematics of these two is actually identical. And so that's fascinating. And in fact, what's interesting is that Jeff Hinton and Radford Neal already wrote down the variational free energy for machine learning a long time ago. And there's also Carl Friston's work on free energy principle and active entrance. But now we've related it to this very new field in physics, which is called stochastic thermodynamics or non-equilibrium thermodynamics, which has its own very interesting theorems, like fluctuation theorems, which we don't typically talk about, but we can learn a lot from. And I think it's just it can sort of now start to cross fertilize. When we see that these things are actually the same, we can, like we did for symmetries, we can now look at this new theory that's out there, developed by these very smart physicists, and say, okay, what can we take from here that will make our algorithms better? At the same time, we can use our models to now help the scientists do better science. And so it becomes a beautiful cross-fertilization between these two fields. The book is rather technical, I would say. And it takes all sorts of things that have been done as stochastic thermodynamics, and all sorts of models that have been done in the machine learning literature, and it basically equates them to each other. And I think hopefully that sense of unification will be revealing to people.[01:33:42:20 - 01:33:44:05]RJ: Wait, and when is it out?[01:33:44:05 - 01:33:56:09]Max: Well, it depends on the publisher now. But I hope in April, I'm going to give a keynote at ICLR. And it would be very nice if they have this book in my hand. But you know, it's hard to control these kind of timelines.[01:33:56:09 - 01:33:58:19]RJ: Yeah, I'm looking forward to it. Great.[01:33:58:19 - 01:33:59:25]Max: Thank you very much. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.latent.space/subscribe

Do mércores 11 ao venres 13 de febreiro de 2026 terá lugar a segunda edición do festival “Coruña Comunica Ciencia”. Polo coruñés Teatro Colón desfilarán divulgadores como Eduardo Sáenz de Cabezón, Eva Cabanelas, Rocio Vidal (La Gata de Schrodinger), Patricia Barciela, Dosi Veiga, o cirurxián Diego González Rivas... Tamén se representará o espectáculo “Elemental”, haberá unha charla-concerto de música e matemáticas con Laura Farré, musica e IA con Sofía Oriana e gravación con público de Efervesciencia. Conversamos co organizador do festival, David Basllesteros de Ceo Aberto, que ofrece aos oíntes 100 entradas de balde. Para conseguir un código de desconto tes que escoitar a entrevista a Ballesteros ou tamén o podes atopar na nosa canle de Telegram, https://t.me/efervescentes https://coruñacomunicaciencia.es/

This week the Buddies discuss what they think they're experts in (but really aren't), good band names, the idea of personhood and bad art being key, modern haircutting experiences, the right number of donuts for a meal, and if we believe in ghosts. Share with a friend! Contact Us: Facebook Instagram Youtube Email Recommendations: Staring at the Sun (album by Hotel Fiction), the concept of what it means to be a person (philosophical topic), The Alloy of Law (book by Brandon Sanderson)

Send us a textOn this week's episode of Grease the Wheels, we go over some of the highlights and lowlights of automotive management. One of the main things that we have noticed is that in the rise of the corporate owned, multi-location dealership group era, there are a lot less nepo-hires in management. It still happens, especially at smaller family owned dealerships, but on a whole the quality of management in the automotive space has actually gotten significantly better in the last 20+ years! There are still ineffective, and poorly trained management in this space, but many of them are a lot easier to get rid of when they aren't going to show up at family parties. We go over some of the hallmarks of what makes managers successful in this space full of good examples, ideas, tips, and tricks. Bottom line, good management can make a good shop great, and bad management can make a bad shop infinitely worse.   Also Uncle Jimmy knows that he cannot govern the ungovernable! This Episode of Grease the Wheels is brought to you in partnership with Surfwrench Digital! For more on Video MPI Training Visit https://www.surfwrench.com/video-mpi-training-landing/ to learn more. Video MPI Training built in the shop, by your Uncle Jimmy. Use code “GTW” for 50% off your training access!  

A version of this essay was published by firstpost.com at https://www.firstpost.com/opinion/india-us-trade-deal-trump-skepticism-13977047.htmlI am beginning to feel quite like ‘The Boy Who Cried Wolf', who was destined to be ignored. Or maybe I am the boy who cried ‘The Emperor Has No Clothes'. For, I was skeptical last week about the India-EU FTA, which I called a triumph of hope over experience. Now I am equally skeptical about the so-called India-US trade ‘deal', which in fact is not a deal at all, but a sort-of statement of direction about the way to an actual deal.I expressed my caution on a Malayalam TV program where the host was a retired Ambassador. He was less skeptical than me, but he understood where I was coming from: after all, a diplomat's job is to put the best spin on the news (good or bad) from his country's perspective. And I spent much of my professional career in marketing: I can tell spin when I see it. Reason No. 1: Trump is famous for exaggeration and U-turns.The very first reason for the scepticism about the Indo-US lovefest is that it was announced by President Trump, who, in the past six months, has, in his whimsical way, executed any number of U-turns, as well as Z-turns, and various other pretzel-logic twists, so much so that anything he says, and its opposite, can be equally true, in a quantum Schrodinger's Cat sort of way. It is prudent not to take him at face value when he swears eternal allegiance to India. Again.Quoth he: “It was an Honor to speak with Prime Minister Modi, of India, this morning. He is one of my greatest friends, and a Powerful and Respected Leader of his Country. We spoke about many things, including Trade, and ending the War with Russia and Ukraine. He agreed to stop buying Russian Oil, and to buy much more from the United States and, potentially, Venezuela. This will help END THE WAR in Ukraine, which is taking place right now, with thousands of people dying each and every week! Out of friendship and respect for Prime Minister Modi and, as per his request, effective immediately, we agreed to a Trade Deal between the United States and India, whereby the United States will charge a reduced Reciprocal Tariff, lowering it from 25% to 18%. They will likewise move forward to reduce their Tariffs and Non Tariff Barriers against the United States, to ZERO. The Prime Minister also committed to “BUY AMERICAN,” at a much higher level, in addition to over $500 BILLION DOLLARS of U.S. Energy, Technology, Agricultural, Coal, and many other products. Our amazing relationship with India will be even stronger going forward. Prime Minister Modi and I are two people that GET THINGS DONE, something that cannot be said for most. Thank you for your attention to this matter!”Okay. Very interesting. There has been no Indian readout corroborating a number of these claims, especially on agriculture, which I imagine is a redline, a no-go, for India.Besides, these are supposed to be ‘reciprocal' tariffs. If Indian tariffs go to zero on US products, why is the US imposing 18% on Indian products?Reason No. 2: Desperation of ‘jilted lovers'The ‘shotgun wedding' vibe was present in the India-EU FTA as well: a sort of desperation. There is not much choice: you simply have to do this. I am not the only one saying this. Here is a tweet from a senior EU leader, former PM of Sweden and co-chair of the EU Council for foreign relations. Of course you could say that he would say this, wouldn't he? But it happens to be true. The number of suitors is declining rapidly, so you compromise. But that is not a recipe for the longevity of the relationship, nor for faithfulness. You can expect er… adultery (early and often). The roving eye roveth.Reason No. 3: Agriculture and dairy red-linesWe really don't know much about the fine print. I am aware that sales and marketing people tend to promise anything (even things they are completely aware are impossible) just to get the sale. Thus, when India diversifies away from the US market, and its Q3 numbers are not badly affected by the Trump tariffs, it is incumbent upon Trump and Navarro, Bessent, Lutnick et al to reverse their previous abuse, and be all milk and honey.The problem here, as always, is the agriculture and dairy product front. It is an absolute red line for India: no government can afford to piss off its farmers, nor to open up the country, home of much of the world's genetic diversity, to Genetically Modified Organisms (GMO) including Terminator Seeds (that would forever put farmers at the mercy of Cargill and friends).Not only that, non-veg milk (that is, milk from cows that have been fed, among other things, ground-up animal bodies) is abhorrent to a large number of Indians. Not to mention the risk of things like Creuzfeldt-Jakob Disease or mad-cow disease (transmitted via feed that includes the ground-up brains of diseased cattle: see also the fatal brain disease Kuru, transmitted between cannibals in Papua New Guinea).The US rather urgently needs to get rid of its soybean and corn mountains and milk lakes (in contrast with the EU's butter mountain and wine lakes) and in both, exporters salivate at the prospect of the proverbial billion-customer market. (The Chinese expertly used this rather illusory meme to attract foreign makers of consumer goods. That didn't end well).In the case of India, there is no demand for soybeans, and the one place where I can see demand for corn is in ethanol, especially for blending into petrol. That would be a win-win, because it would reduce the need for India to grow highly thirsty sugarcane, thus drawing down the already alarmingly depleted water-table.Reason No. 4: Russian oil and energy in generalThe unseemly pressure over Russian oil raises hackles on the Indian side. After all, this is not the only time India has been pushed to the wall by American sanctions: there was the post-'Buddha is smiling' period, and the prevention of the sale of ex-Soviet cryogenic rocket technology, as immortalized in Nambi Narayanan's story in “Rocketry: The Nambi Effect”. Earlier, there was the embargo on supercomputers.In each of these cases, India rode out the sanctions and denials. But the question arises: why should India not use Russian oil if it makes commercial sense to India? Just because there is a conflict between Russia and Ukraine? That is really not India's problem: India does not have a dog in that fight.Now there is the allegedly impending US attack on Iran. India has been denied Iranian oil for some time, and now under US pressure, it is being forced to ramp down its involvement in Chabahar Port in Iran that India built, and views as a gateway to Central Asia. Notably, China continues to import Iranian crude. Is India getting some relief there?It is not realistic to imagine that large amounts of Venezuelan crude will now flow to India if it abjures the Russian stuff. For one, even though Reliance's Jamnagar refiner can process the heavy, sour Venezuelan oil, it is said that Venezuela will take some time and a lot of money to ramp up its output because of years of neglect, lack of naphtha to dilute and pump out the crude, and so on.Reason No. 5: Non-tariff barriers and subsidies.The US claims that India will drop all its non-tariff barriers, but what is the guarantee that the US will not raise an impenetrable wall on their side? It is a simple matter to impose difficult-to-comply-with rules that basically say “Your products are not welcome”. These may include environmental, carbon tax, quality, and various other demands.For example, there is the Merchant Marine Act of 1920 that insists that only American owned/built/crewed ships can transport goods between US ports. Then there are Buy American Act procurement restrictions that handicap foreign-origin products. Furthermore, quality standards e.g. on hormone-treated meat products, and on certification that seafood is tuna-safe have been used to keep out imported products.The US Farm Bill provides gigantic subsidies for five major crops – corn, soy, wheat, rice and cotton – amounting to $9.3 billion in 2024. Reports suggest that crop insurance and new benefits from the ‘bridge payments' announced in 2025 may add another $10 billion+ to this sum. That is an enormous subsidy, pricing competitors out of the market.Reason No. 6: Loss of trustFinally, there is a sixth and critical reason: the loss of trust. For the longest time, India had convinced itself that it was an essential strategic partner to the US, if for nothing else to contain China. But that illusion is now gone, quite possibly because the US has decided to create a G2 condominium with China and retreat into Fortress America. The US administration now considers India, at best, a transactional vassal, and at worst, a potential rival to apply the Thucydides Trap to: and what better than to do war by economic means? India has to adjust.On the other hand, there are indeed positives. In the interest of fairness, here are the immediate views of Citibank and Bank of America, who both considered it a net positive for India.If you accept the tariff reductions by the US at face value, then India at 18% is doing marginally better than several other nations, including Vietnam, Thailand and Bangladesh. Ironically, Trump's recent best-friend-forever Pakistan is hit with 19%. There was a video circulating showing Raghuram Rajan, the economist who wants to be to Rahul Gandhi who Manmohan Singh was to his mother, gloating earlier that India was suffering from 50% tariffs compared to Pakistan's 19%.That brings up one more observation: the Opposition in India is screaming bloody murder about this supposed India-US ‘deal' not because they claim India is getting a bad deal, but apparently because they think India is getting a good deal. They should see Trump's latest triumph.Opposition, fear not: Trump is making even more entertaining claims about his ‘deal' with Xi. The sum and substance: “Please buy my soybeans”. This, despite the fact that China is the biggest buyer of oil from both Russia (48% of exports) and Iran (80%). Clearly, there is a lot of marketing going on, and it's too early to tell what the reality is. The devil is in the details.1750 words, 5 Feb 2026 This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit rajeevsrinivasan.substack.com/subscribe

In this episode Chris delivers Opinion Scholarship on the great quantum physicist--Erwin Schrodinger--through the ideas expressed in his 1956 book Mind and Matter. Things get unexpectedly mystical almost immediately as Schodinger discusses the implications of the "observer effect" and the Copenhagen interpretation of Quantum Mechanics. It only gets better from here as Schodinger explores the role of consciousness in physics, the unity of 'mind' and the qualities of mind that are equally qualities of God.  Enjoy ;)

After reflecting on our last bracket where we went through @VHSDates and played matchmaker, our resident bracketologist Drinks w/ Ron came up with the perfect solution for the problem of what to do this month. So: because this wondrous and beautiful account of newly unearthed video personal ads turned out to be a brilliant improv troupe, we decided to discuss hoaxes. And not just any hoaxes, but ones that got us good. Everything from Andy Kaufman to the Blair Witch Project. All that, and more!And if you enjoy what we are doing here at the Pit and would like to support us further, please check us out our patreon, where we have exclusive extended episodes! Today, we discuss Schrodinger's Cat AND we break Google's AI.Twin Peaks Tuesdays!EtsyLinktreeYoutubeAralessThe Half-Assed Podcast Networksong at end of episode: Old Man - AralessInstagram:@ruining_your.childhood@feral_williams@aralessbmn@blackmagicnoize206@strangeloopanimation

It's been a week of romance in AEW. Yeah, we know, we weren't really expecting it from a show called Maximum Carnage either. (00:00:00) Ins and outs at AEW: The Rascalz, Hechicero, Persephone, and Mascara Dorada in, Will Hobbs out (00:14:12) Mercedes Moné is a crashout icon (00:16:37) Who's been sending Mina Shirakawa flowers? (00:23:11) Can we have a big meaty feud between Kris Statlander and Thekla please? And should we be overthinking the Cosmic Babes of Wrath's black gear? (00:33:42) Darby Allin is a fake and a fraud until he fights Marina Shafir (00:39:09) Marked safe from FTR vs Young Bucks... for now (00:42:03) Schrodinger's Bandido and a gold star for Maxwell (00:50:05) A Hangman-Kenny sandwich with a Swerve filling (01:05:30) JetSpeed Hangballs (01:12:19) The things that made us happy this week Follow us on Bluesky: wafflybollox.bsky.social Email us: wafflybollox@gmail.com Buy things: ko-fi.com/wrassletrash/shop Learn more about your ad choices. Visit podcastchoices.com/adchoices

Are we in a 'plastic moment,' an inflection point where the future of the Middle East can finally be reshaped? Veteran peace negotiator Dr. Tal Becker joins the podcast to analyze the shifting tides of regional diplomacy. Reflecting on his recent discussions in Abu Dhabi, Becker describes the Abraham Accords as an emerging "Judeo-Muslim civilization" where the focus isn't on "who the land belongs to," but the realization that "we all belong to the land."  Beyond geopolitics, Becker addresses the trauma of rising Western antisemitism—which he likens to a "zombie apocalypse"—and calls for a resurgence of liberal nationalism. This episode is a masterclass in navigating a zero-sum world to build a future of prosperity, courage, and shared belonging. Key Resources: The Abraham Accords, Explained AJC CEO Ted Deutch Op-Ed: 5 Years On, the Abraham Accords Are the Middle East's Best Hope AJC's Center for a New Middle East Listen – AJC Podcasts: Architects of Peace The Forgotten Exodus People of the Pod Follow People of the Pod on your favorite podcast app, and learn more at AJC.org/PeopleofthePod You can reach us at: peopleofthepod@ajc.org If you've appreciated this episode, please be sure to tell your friends, and rate and review us on Apple Podcasts or Spotify. Transcript of the Interview: Manya Brachear Pashman:   As the international community looks to phase two of the cease fire between Israel and the Hamas terror group in Gaza, the American Jewish Committee office in Abu Dhabi invited Dr Tal Becker to participate in discussions about what's next for the region. Dr Becker is one of Israel's leading experts on international humanitarian law and a veteran peace negotiator with Palestinians, Lebanese and Syrians. He is currently vice president of the Shalom Hartman Institute, and he joins us now right after the conference in Abu Dhabi to share some of the insights he contributed there.  Tal, welcome to People of the Pod. Tal Becker:   Thank you very much, Manya. Manya Brachear Pashman:   So Tal, you have just returned from a conference in Abu Dhabi where you really took a deep dive, kind of exploring the nature of Arab-Israeli relations, as we are now entering the second phase of the ceasefire between Israel and Gaza.  So I'm just curious, you've been steeped in this for so long, for decades, do you sense, or did you sense a significant shift in the region when it comes to Arab-Israeli relations and the future? Tal Becker:   So I think Manya, we're at a very kind of interesting moment, and it's hard to say exactly which direction it's going, because, on the one hand, we have had very significant military successes. I think a lot of the spoilers in the region have been significantly set back, though they're still there, but Israel really has had to focus on the military side of things a lot. And it, I think, has strained to some extent, the view of what's possible because we're being so focused on the military side.  And I think it is a moment for imagining what's possible. And how do we pivot out of the tragedy and suffering of this war, make the most of the military successes we've had, and really begin to imagine what this region could look like if we're going to continue to succeed in pushing back the spoilers in this way.  Israel is a regional power, and I think it for all our vulnerability that requires, to some extent, for Israel to really articulate a vision that it has for the region. And it's going to take a little bit of time, I think, for everybody to really internalize what's just happened over these last two years and what it means for the potential for good and how we navigate that. So I really think it's kind of like what they call a plastic moment right now. Manya Brachear Pashman:   A plastic moment, can you define that, what do you mean by plastic? Tal Becker:   So what I mean by a plastic moment, meaning it's that moment. It's an inflection point right where, where things could go in one direction or another, and you have to be smart enough to take advantage of the fluidity of the moment, to really emphasize how do we maximize prosperity, stability, coexistence? How do we take away not just the capabilities of the enemies of peace, but also the appeal of their agenda, the language that they use, the way they try to present Muslim Jewish relations, as if they're a kind of zero sum game. So how do we operate both on the economic side, on the security side, but also on the imagining what's possible side, on the peace side. As difficult as that is, and I don't want to suggest that, you know, there aren't serious obstacles, there are, but there's also really serious opportunities. Manya Brachear Pashman:   So what did you sense when you were there, in terms of the perception of Israel? I mean, were people optimistic, for lack of a better term? Tal Becker:   So first of all, it was, you know, a great opportunity to be there. And having been involved, personally, very intensively in the Abraham Accords, I always feel a bit emotional whenever I'm in the Emirates in particular, and Morocco and Bahrain and so on. And to be honest, I kind of feel at home there. And so that's a lovely thing.  I think, on the one hand, I would say there's a there's a relief that hopefully, please God, the war in Gaza is is behind us, that we're now looking at how to really kind of move into the phase of the disarmament of Hamas and the removal of Hamas from governance, you know, working with the Trump team and the Trump plan. And I think they have a bunch of questions. The Emiratis in particular, are strategic thinkers. They really want to be partners in advancing prosperity and stability across the region in pushing back extremism across the region, and I think they're eager to see in Israel a partner for that effort. And I think it puts also a responsibility on both of us to understand the concerns we each have. I mean, it takes some time to really internalize what it is for a country to face a seven-front war with organizations that call for its annihilation, and all the pressure and anxiety that that produces for a people, frankly, that hasn't had the easiest history in terms of the agenda of people hating the Jewish people and persecuting them. So I think that takes a bit of appreciation.  I think we also, in the return, need to appreciate the concerns of our regional partners in terms of making sure that the region is stable, in terms of giving an opportunity for, you know, one way I sometimes word it is that, we need to prepare for the worst case scenario. We need to prevent it from being a self fulfilling prophecy.  Which really requires you to kind of develop a policy that nevertheless gives an opportunity for things to get better, not just plan for things to get worse. And I think our partners in the Gulf in particular really want to hear from us, what we can do to make things better, even while we're planning and maybe even a bit cynical that things might be very difficult. Manya Brachear Pashman:   So you mentioned the Abraham Accords, and I'm curious if you feel that Israel, I know Israel has felt isolated, at times, very isolated, and perhaps abandoned, is even the correct word.  Do you feel that is the case as we enter the second phase of the ceasefire? Do you feel that is less so the case, and do you feel that that might be less so the case because of the Abraham Accords existence? Tal Becker:   Well, so let's first talk about the Abraham Accords and their significance.So I think a lot of people present the Abraham accords as kind of an agreement that is about shared interests and shared challenges and so on, and that's definitely true. But they are, in my view, at least aspirationally, something much bigger than that. First of all, they are almost the articulation of what I call a Judeo Muslim civilization, the view that Jews and Muslims, or that all different peoples of the Middle East belong to this place and have a responsibility for shaping its future. The way I describe the Abraham Accords is that they're a group of countries who basically have said that the argument about who the land belongs to is not as important as the understanding that we all belong to the land. And as a result of that, this is kind of a partnership against the forces of extremism and chaos, and really offering a version of Israeli Jewish identity and of Muslim Arab identity that is in competition with the Iranian-Hezbollah-Hamas narrative that kind of condemns us to this zero sum conflict.  So the first thing to say is that I think the Abraham Accords have such tremendous potential for reimagining the relationship between Muslims and Jews, for reimagining the future of the region, and for really making sure that the enemies of peace no longer shape our agenda, even if they're still there. So in that sense, the opening that the Abraham Accords offers is an opening to kind of reimagine the region as a whole. And I think that's really important. And I think we have now an opportunity to deepen the Accords, potentially to expand them to other countries, and in doing so, to kind of set back the forces of extremism in the region. In a strange way, I would say Manya that Israel is more challenged right now in the west than we are in the Middle East. Because in the West, you see, I mean, there's backlash, and it's a complicated picture, but you can see a kind of increasing voices that challenge Israel's legitimacy, that are really questioning our story. And you see that both on the extreme left and extreme right in different countries across the West, in different degrees. In the Middle East, paradoxically, you have at least a partnership around accepting one another within the region that seems to me to be very promising.  And in part, I have to say it's really important to understand, for all the tragedy and difficulty of this war, Israel demonstrated an unbelievable resilience, unbelievable strength in dealing with its its adversaries, an unbelievable capacity, despite this seven front challenge, and I think that itself, in a region that's a very difficult region, is attractive. I think we do have a responsibility and an interest in imagining how we can begin to heal, if that's a word we can use the Israeli Palestinian relationship, at least move in a better direction. Use the Trump plan to do that, because that, I think, will also help our relationship in the region as a whole, without making one dependent on the other. Manya Brachear Pashman:   So I want to follow up with what you just said, that Israel faces perhaps many more challenges in the west than in the region. What about the Jewish people, would you apply that same statement to the Jewish people? Tal Becker:   Well, I think, you know, we've seen, we've seen the rise of antisemitism. And in my view, one way to think about October 7 is that October 7 marks the end of the post-Holocaust era. So there were a few decades there where, even if antisemitism existed, there were many circles in which it was socially unacceptable to give it voice. And something has shattered in the West in particular that it seems to be more socially acceptable to express antisemitism or antisemitic-adjacent type views, and that, I think has has really shocked and shaken many Jews across the western world.  I guess the thing I would say about that is, you know, some of the Jews I come across in the West were under, in my view, a bit of an illusion, that antisemitism had somehow been cured. You feel this sometimes in North America, and that essentially, we had reached a stage in Jewish history where antisemitism was broadly a thing of the past and was on the margins, and then the ferocity with which it came back on October 8 was like a trauma. And one of the definitions of trauma is that trauma is a severe challenge to the way you understand the world and your place in it.  And so if you had this understanding of your reality that antisemitism was essentially a thing of the past in North America in particular. And then all of a sudden it came back. You can see that traumatic experience. And what I want to argue or suggest is that the problem isn't that we had the solution and lost it. I think the problem was we had an illusion that there was a solution in the first place. Unfortunately, I think the Jewish people's history tells the story that antisemitism is kind of like the zombie apocalypse. It never exactly disappears. You can sometimes marginalize it more or marginalize it less. And we're now entering an era which I think Jews are familiar with, which is an era that it is becoming more socially acceptable to be antisemitic. And that to some extent, Jewish communal life feels more conditional and Jewish identity, and while being accepted in the societies in which you live also feels more conditional.  And while that is a familiar pattern, we are probably the generation of Jews with more resources, more influence, more power, more capacity than probably at any other time in Jewish history. And so it would be a mistake, I think, to think of us as kind of going back to some previous era. Yes, there are these challenges, but there are also a whole set of tools. We didn't have the F35 during the Spanish Inquisition.  So I think that despite all these challenges, it's also a great moment of opportunity for really building Jewish communities that are resilient, that have strong Jewish identity, that are that have a depth of Jewish literacy, and trying to inoculate as much as possible the societies in which we live and the communities in which we live from that phenomenon of antisemitism perhaps better than we had had done in previous iterations of this.  Manya Brachear Pashman:   I also want to go back and explore another term that you've used a couple of times, and that is enemies of peace. And I'm curious how you define the enemies of peace. Who are you talking about? And I'm asking you to kind of take a step back and really broaden that definition as much as possible. Tal Becker:   I mean, it goes back to that idea that I mentioned about the Abraham Accords, which is an understanding that there are different peoples in the Middle East that call it home, and each of those peoples deserves a place where they can nurture their identity and cultivate it and have their legitimacy respected, and in that sense, those who are engaged in a kind of zero sum competition, that feel that their exist, existence depends on the obliteration of the other. I see those as enemies of peace.  Now, I believe that both Jews and Palestinians, for example, have a right to self determination. I think that both belong in the sense that both deserve the capacity to cultivate their own identity. But the right to self determination, for example, the Palestinian right to self determination doesn't include the right to deny the Jewish right to self determination. It doesn't include the right to erase Jewish history.  In the same way that we as Jews need to come to terms with the fact that the Palestinian people feel a real connection to this place. Now, it's very difficult, given how radicalized Palestinian society is, and we have to be very realistic about the threats we face, because for as long as the dominant narrative in Palestinian society is a rejection of Jewish belongingness and self determination, we have a very difficult challenge ahead of us. But I essentially, broadly speaking, would say, the enemies of peace are those who want to lock us into a zero sum contest. Where essentially, they view the welfare of the other as a threat to themselves. Y You know, we have no conflict with Lebanon. We have no conflict with the people of Iran, for example. We have a conflict, in fact, a zero sum conflict with an Iranian regime that wants to annihilate Israel. And I often point to this kind of discrepancy that Iran would like to destroy Israel, and Israel has the audacity to want not to be destroyed by Iran. That is not an equivalent moral playing field. And so I view the Iranian regime with that kind of agenda, as an enemy of peace. And I think Israel has an obligation to also articulate what its aspirations are in those regards, even if it's a long time horizon to realize those aspirations, because the enemies are out there, and they do need to be confronted effectively and pretty relentlessly. Manya Brachear Pashman:   For our series on the Abraham Accords, Architects of Peace, I spoke with Dr Ali Al Nuami, and we talked about the need for the narrative to change, and the narrative on both sides right, the narrative change about kind of what you refer to as a zero sum game, and for the narrative, especially out of Israel, about the Palestinians to change. And I'm curious if you've given that any thought about changing, or just Israel's ability or obligation to send a message about the need for the Palestinians indeed to achieve self determination and thrive. Tal Becker:   Well, I think first, it's important to articulate how difficult that is, simply because, I mean, Israel has faced now two years of war, and the sense that I think many Israelis felt was that Palestinian society at large was not opposed to what happened on October 7, and the dominant narratives in Palestinian society, whether viewing Israel as some kind of a front to Islam, or viewing Israel as a kind of colonial enterprise to then be like in the business of suggesting a positive vision in the face of that is very difficult, and we do tend Manya, in these situations, when we say the narrative has to change, we then say, on the other side, they have to change the narrative, rather than directing that to ourselves. So I think, you know, there is an obligation for everyone to think about how best to articulate their vision.  It's a huge, I think, obligation on the Palestinian leadership, and it's a very one they've proved incapable of doing until now, which is genuinely come to terms with the Jewish people's belongingness to this part of the world and to their right to self determination. It's a core aspect of the difficulty in addressing this conflict. And having said all that, I think we as Israeli Jews also have an obligation to offer that positive vision. In my mind, there is nothing wrong with articulating an aspiration you're not sure you can realize, or you don't even know how to realize. But simply to signal that is the direction that I'm going in, you know?  I mean Prime Minister Netanyahu, for example, talks about that he wants the Palestinian people to have all the power to govern themselves and none of the power to threaten Israel. Which is a way of saying that the Palestinian people should have that capacity of self determination that gives them the potential for peace, prosperity, dignity, and security, But not if the purpose of that is to essentially be more focused on destroying Israel than it is on building up Palestinian identity. Now that I think, can be articulated in positive terms, without denying Israel's connection to the land, without denying the Jewish people's story, but recognizing the other. And yes, I think despite all the difficulties, victory in war is also about what you want to build, not just what you want to destroy. And in that sense, our ability to kind of frame what we're doing in positive terms, in other words, not just how we want to take away the capacities of the extremists, but what we want to build, if we had partners for that, actually helps create that momentum. So I would just say to Dr Ali's point that, I think that's a shared burden on all of us, and the more people that can use that language, it can actually, I think, help to create the spaces where things that feel not possible begin to maybe become possible. Manya Brachear Pashman:   Which in many ways Trump's 20 point plan does that. It doesn't just only talk about disarming Hamas. It talks about rebuilding Gaza. Are there other ways in which Israel can assure the success of the Palestinian people and push forwards. Can you envision other ways? Tal Becker:   Well, I mean, I'm sure there's lots that people can do, but there is a burden on the Palestinian people themselves, and I do find that a lot of this discourse kind of takes agency away from the Palestinian people and their leadership. In a way, there's a kind of honesty to the Trump plan and the Security Council resolution that was adopted endorsing the plan that has been missing for quite a while. The Trump plan, interestingly, says three things.  It says, on this issue of a kind of vision or pathway. It says, first of all, it basically says there is no Palestinian state today, which must have come as a bit of a shock for those countries recognizing a Palestinian state. But I think that is a common understanding. It's a little bit of an illusion to imagine that state.  The second thing is how critical it is for there to be PA reform, genuine reform so that there is a responsible function in Palestinian governing authority that can actually be focused on the welfare of its people and govern well.  And the third is that then creates a potential pathway for increasing Palestinian self-determination and moving potentially towards Palestinian statehood, I think, provided that that entity is not going to be used as a kind of terror state or a failed state. But that, I think, is a kind of honest way of framing the issue. But we don't get around Manya the need for responsibility, for agency. So yes, Israel has responsibility. Yes, the countries of the region have responsibilities.  But ultimately, the core constituency that needs to demonstrate that it is shifting its mindset and more focused on building itself up, rather than telling a story about how it is seeking to deny Jewish self determination, is the Palestinian leadership. And I do think that what's happening in Gaza at least gives the potential for that.  You have the potential for an alternative Palestinian governance to emerge. You have the potential for Hamas to be set back in a way that it no longer has a governing role or a shape in shaping the agenda. And I think if we can make Gaza gradually a success story, you know, this is a bit too optimistic for an Israeli to say, but maybe, maybe we can begin to create a momentum that can redefine the Israeli Palestinian relationship. Manya Brachear Pashman:   So I asked what can Israel do to move forward to assure the Palestinians that they are behind their success and thriving? What can Israel do to make sure that it's respected, that is not facing the challenges from the West, from that region. What can Israel do? What is Israel's obligation, or is that an unfair question, to ensure its success and its moving forward? Tal Becker:   I think it's a really difficult question, because the criticism that Israel has gotten throughout this war and the threats to its legitimacy in the way that they've erupted, I think, is a really complicated phenomena that has many moving parts. So some part of it, I think, rightly, is about Israeli policy and Israeli language and the way it has framed what it has been doing, and really the unbelievable moral dilemmas that the war in Gaza posed, and how Israel conducted itself in the way of those dilemmas. And people can have different views about that.  I think there's a misunderstanding, very significantly, of the nature of the battlefield and how impossible Hamas in its deliberate kind of weaponization of the civilian population, made that. So there's one component that has to do with Israel. There's another component that we can't ignore, that has to do with antisemitism. And that, I think, for that group right who almost define themselves through their hostility towards the Jewish people and towards the very idea of Jewish self determination, it's hard to think anything that Israel says or does that actually matters, right? These were the people who were criticizing Israel even before it responded.  And so in that sense, I think putting too much on Israel is a problem. Maybe I'll just focus on the area that I think is most interesting here, and that is, in my view, a lot of the argument about Israel in the West, we'll take the US, for example, is actually not an argument about Israel, but more an argument about the US that is channeled through Israel. In other words, a lot of people seem to be having their argument about America's story of itself channeled through their argument about Israel. And what they're actually arguing about is their vision of America.  And you can see different versions of this. There's a story of America as perhaps a kind of white Christian country that was exploited by immigrants and is exploited by other countries in the world, and that narrative kind of tends pushes you in a direction of having a certain view, in my view, mistaken, in any event, about Israel. That is more to do about your story of America than it has anything to do with what Israel is doing or saying. And then you hear this very loudly, and I'm not suggesting these are exactly even.  But on the more radical kind of progressive left, you have a story of America as essentially a country that never came over the legacy of slavery, a country that has to kind of apologize for its power, that it sees itself as a colonial entity that can't be redeemed. And when you're kind of locked in that version of America, which I kind of think is a kind of self hating story of America. Then that then projects the way you view Israel more than anything Israel says or does. So this has a lot to do with America's, and this is true of other countries in the West, that internal struggle and then the way different actors, especially in the social media age, need to position themselves on the Israel issue, to identify which tribe they belong to in this other battle.  So in my view, people who care about the US-Israel relationship, for example, would be wise to invest in this, in the battle over America's story of itself, and in that sense, it's less about Israeli public diplomacy and less about Israeli policy. It's much more about the glasses people wear when they look at Israel. And how do you influence those glasses? Manya Brachear Pashman:   I could sit here and talk to you all day, this is really fascinating and thought provoking. I do want to ask two more questions, though, and one is, I've been harping on what can Israel do? What are Israel's obligations?  But let me back up a step. What about the Arab states? What are the other neighbors in the region obligated to do to assure the Palestinians that they're going to succeed and thrive? Tal Becker:   Yeah, I mean, it's a really important question and, and I think that for many, many years, we suffered from, I would say, a basic lack of courage from Arab states. I'm generalizing, but I hope that others would advance their interests for them. And in some sense, I think the Abraham Accords really flipped that, because Abraham Accords was the Arab states having the courage and the voice to say, we need to redefine our relationship with with Israel, and in that way, create conditions, potentially for Palestinians to do, to do the same.  I would say that there are a whole set right, and, not my position to kind of be the lecturer, and each country is different in their own dynamics. I think the first from an Israeli perspective, of course, is to really push back against this attempt to delegitimize the Jewish people's belonging in the Middle East, and not to allow this kind of narrative where the only authentic way to be a Palestinian or a Muslim is to reject the idea that other peoples live in the region and have a story that connects them to it, and Israel is here to stay, and it can be a partner. You can have disagreements with it. But the idea that it's some kind of illegitimate entity, I think, needs to be taken out of the lexicon fundamentally. I think a second area is in really this expectation of Palestinian especially in the Israeli Palestinian context, of being partners in holding the Palestinians accountable not to have the kind of the soft bigotry of low expectations, and to really recognize Palestinian agency, Palestinian responsibility and also Palestinian rights, yes, but not in this kind of comic strip, victim villain narrative, where Israel has all the responsibilities and the Palestinians have all the rights. My colleague, Einat Wilf, for example, talks about Schrodinger's Palestine. You know, Schrodinger's Cat, right? So Schrodinger's Palestine is that the Palestinians are recognized for rights, but they're not recognized for responsibilities. And Israel has rights and responsibilities. And finally, I would say in terms of the the taking seriously the spoilers in the region, and working with Israel and with our partners to make sure that the spoilers in the region don't dictate the agenda and don't have the capacity to do so, not just hoping that that, you know, Israel and the US will take care of that, but really working with us. And I think a few countries are really stepping up in that regard. They have their own constraints, and we need to be respectful of that, and I understand that.  But I think that, you know, this is a strategic partnership. I sometimes joke that with the Emirates, it's a Jewish and a Muslim state, but it's a Catholic marriage. We've kind of decided to bind together in this kind of strategic partnership that has withstood these last two years, because we want to share a vision of the Middle East that is to the benefit of all peoples, and that means doing kind of three things at once. Meaning confronting the spoilers on the one hand, investing in regional integration on the other, and seeing how we can improve Israeli Palestinian relations at the same time. So working in parallel on all three issues and helping each other in the process and each other thrive. I mean, there's a whole bunch of stuff beyond the conflict. There's, you know, AI and fighting desertification and irrigation and defense tech and intelligence, and a whole host of areas where we can cooperate and empower each other and be genuine partners and strengthen our own societies and the welfare of our own peoples through that partnership for ourselves, for each other and for the region. So there's a lot to do. Manya Brachear Pashman:   And my last question – I've asked, what do the Arab states need to do? What does Israel need to do? What do Jewish advocates around the world need to do?  Tal Becker:   So I think the most important thing at this moment for me, Manya, is courage. There is a danger, because of the rise in antisemitism and the kind of hostility that one sees, that Jews in particular will become more silent. And they'll kind of hide a little bit in the hope that this will somehow pass them. And I think what our history has taught us, is generally, these are phenomena that if you don't stand up against them early, they become extremely powerful down the line, and you can't, and it becomes very, very costly to confront them.  So it takes courage, but I would say that communities can show more courage than individuals can, and in that sense, I think, you know, insisting on the rights of Jews within the societies in which they live, fighting for those kind of societies, that all peoples can prosper in. Being strong advocates for a kind of society in which Jews are able to thrive and be resilient and prosper, as well as others as well. I think is very important.  Just in a nutshell, I will say that it seems to me that in much of the world, what we're seeing is liberalism being kind of hijacked by a radical version of progressivism, and nationalism being hijacked by a version of ultra-nationalism. And for Jews and for most people, the best place to be is in liberal nationalism. Liberal nationalism offers you respect for collective identity on the one hand, but also respect for individual autonomy on the other right. That's the beautiful blend of liberal nationalism in that way, at least aspirationally, Israel, being a Jewish and democratic state, is really about, on the one hand, being part of a story bigger than yourself, but on the other hand, living a society that sees individual rights and individual agency and autonomy. And that blend is critical for human thriving and for meaning, and it's been critical for Jews as well. And so particularly across the diaspora, really fighting for liberal national identity, which is being assaulted from the extremes on both sides, seems to me to be an urgent mission. And it's urgent not just for Jews to be able not to kind of live conditionally and under fear and intimidation within the societies they live, but as we've seen throughout history, it's pretty critical for the thriving of that society itself.  At the end of the day, the societies that get cannibalized by extremes end up being societies that rot from within. And so I would say Jews need to be advocates for their own rights. Double down on Jewish identity, on resilience and on literacy, on Jewish literacy. At the same time as fighting for the kind of society in which the extremes don't shape the agenda. That would be my wish. Manya Brachear Pashman:   Making liberal nationalism an urgent mission for all societies, in other words, being a force for good. Tal Becker:   Yes, of course. Manya Brachear Pashman:   Our universal mission. Thank you so much. Thank you so much for sharing all of these thoughts with us and safe travels as you take off for the next destination. Tal Becker:   Thank you very much, Manya. I appreciate it. Manya Brachear Pashman:   As we approach the end of the year, and what a year it's been, take some time to catch up on episodes you might have missed along the way, rewind and listen to some of my more memorable interviews, such as my conversation with former Israeli hostage Shoshan Haran, abducted with her daughter, son in law and grandchildren during the Hamas terror attack on October 7, 2023. Meet doctors or hen and Ernest Frankel, two MIT professors who amid anti Israel academic boycotts, are trying to salvage the valuable research gains through collaboration with Israeli scholars. And enjoy my frank conversation with Jonah Platt, best known for playing Fiyero in Broadway's wicked who now hosts his own hit podcast Being Jewish with Jonah Platt. Hard to believe all of this and more has unfolded in 2025 alone. May 2026 be peaceful and prosperous for us all.  

Joe talks about fair weather Conservatives, what was going on in Obama's DEA, Schrodinger's narco terrorist, and what our favorite Michigan representative is up toSee omnystudio.com/listener for privacy information.

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Schrodinger's blowjob and the curious case of the Epstein files flip flop.Bannon's Epstein ties and the gayest thing in the world.Ratcheting up the crank.The only winning move against the machine is to not play.J.D. Vance's rise to power helped by an actual gay vampire.Sumo's neighborhood witch.Sumo's fight with Tani, when given opportunities people don't say no to the system. Self-righteousness is your sin.A Lutheran goblin man and the It.Sumo tries to make the show not X-rated.Mother HateGodward and a real Jew join the podcast.Becoming a Jew, Sedevacantism, the fault of logic, voluntary rape.The Red Pill, what is it?Pre-marital sex, sexual ethics and throwing dildos around the street.A litany of degeneracy.How to talk to your kids about things, don't force anyone to take the red pill. Living your time in the cave.Can there be a solution?A bit of ending Flat Earth talk.Support the showMore Linkswww.MAPSOC.orgFollow Sumo on TwitterAlternate Current RadioSupport the Show!Subscribe to the Podcast on GumroadSubscribe to the Podcast on PatreonSubscribe to the Podcast on BuzzsproutBuy Us a Tibetan Herbal TeaSumo's SubstacksHoly is He Who WrestlesModern Pulp

This is only a preview of the delights contained herein.  Phil McDuff is back for some Labour Catharsis and (mostly) coherent yelling as we efficientise the cast, look back on the Schrodinger's Coup, and the New Statesman does some Noticing. . How on earth are we ruled by people this mediocre? Subscribe for two whole bonus episodes a month: https://www.patreon.com/praxiscast  Watch streams: https://www.twitch.tv/praxiscast Buy shirts: https://praxiscast.teemill.com/ Follow Phil: https://bsky.app/profile/mcduff.bsky.social Cast: David - https://bsky.app/profile/sanitarynaptime.bsky.social Rob - https://bsky.app/profile/trufflehog.bsky.social  

Qasem Waleed is a 28-year-old physicist who has lived in Gaza his whole life. In 2024, he joined a chorus of Palestinians sharing videos and pictures and writing about the chaos and violence they were living through, as Israel's military bombardment devastated their lives. But Qasem was trying to describe his reality through the lens of the most notoriously confusing and inscrutable field of science ever, quantum mechanics. We talked to him, from a cafe near the Al-Mawasi section of Gaza, to find out why. And over the course of several conversations, he told us how this reality-breaking corner of science has helped him survive. And how such unspeakable violence actually let him understand, in a visceral way, quantum mechanics' most counter-intuitive ideas. Special thanks to Katya Rogers, Karim Kattan, Allan Adams, Sarah Qari, Soren Wheeler, and Pat WaltersEPISODE CREDITS: Reported by - Lulu MillerProduced by - Jessica Yungwith mixing help from - Jeremy BloomFact-checking by - Emily Kreigerand Edited by  - Alex NeasonEPISODE CITATIONS:Videos - A Brief History of Quantum Mechanics with Sean Carroll, The Royal Institution (https://www.youtube.com/watch?v=5hVmeOCJjOU)Introduction to Superposition, with MIT's Allan Adams (https://www.youtube.com/watch?v=lZ3bPUKo5zc)The Quantum Wavefunction, Explained (https://www.youtube.com/watch?v=sOI4DlWQ_1w)Articles - Read a selection of Qasem's published essays about his life in Gaza and the quantum world: I am stuck in a box like Schrodinger's in Gaza (https://zpr.io/ALDVi9E5bRt8) Israel has turned Gaza's summer into a weapon (https://zpr.io/YS4WK4hVQC5T)The Physics of Death in Gaza (https://zpr.io/hxsgxicVqPAd) Signup for our newsletter!! It includes short essays, recommendations, and details about other ways to interact with the show. Sign up (https://radiolab.org/newsletter)!Radiolab is supported by listeners like you. Support Radiolab by becoming a member of The Lab (https://members.radiolab.org/) today.Follow our show on Instagram, Twitter and Facebook @radiolab, and share your thoughts with us by emailing radiolab@wnyc.org.Leadership support for Radiolab's science programming is provided by the Simons Foundation and the John Templeton Foundation. Foundational support for Radiolab was provided by the Alfred P. Sloan Foundation.

This conversation delves into the life and legacy of Francis Crick, co-discoverer of the DNA structure. Dr. Matthew Cobb, the guest, explores Crick's multifaceted personality, his poetic inspirations, collaborative nature, and his later pursuits in consciousness. The discussion also touches on the controversies surrounding his work, particularly regarding the contributions of Rosalind Franklin, and reflects on Crick's complex character, blending modern scientific thought with outdated socio-political ideas.Takeaways Crick's story is often simplified to his DNA discovery. He had a deep appreciation for poetry and its connection to science. Collaboration was a key aspect of Crick's success. His early life was marked by average academic performance. Crick's transition to biology was driven by a desire to understand life. The discovery of DNA was a complex, collaborative effort. Controversies exist regarding the ethics of scientific discovery. Crick's later work focused on the nature of consciousness. He had a unique blend of intuition and logical thinking. Crick's outdated socio-political views contrast with his scientific modernity.Chapters 00:00 The Legacy of Francis Crick 01:13 Introduction to Matthew Cobb and His Book 03:43 The Influence of Francis Crick 06:19 Crick's Unique Approach to Science 07:19 Crick's Early Life and Self-Perception 10:04 The Impact of Naval Service on Crick 12:34 Crick's Transition to Biology 15:06 The Role of Schrodinger's Work 17:26 The Dynamic Between Watson and Crick 20:13 The Discovery of the Double Helix 23:02 The Controversy of Rosalind Franklin's Contribution 28:23 The Diplomatic Row and Pauling's Mistake 29:38 The Discovery of DNA's Structure 34:31 Crick and Brenner's Collaboration 38:41 Crick's Exploration of Consciousness 43:03 Crick's Complex LegacyFollow Matthew on Twitter, and find his new book here.Subscribe to Breaking Math wherever you get your podcasts.Follow Breaking Math on Twitter, Instagram, LinkedIn, Website, YouTube, TikTokFollow Autumn on Twitter, BlueSky, and InstagramBecome a guest hereemail: breakingmathpodcast@gmail.com

Welcome back to another episode of the Online Warriors Podcast! Happy Halloween! This week were going to revisit Schrodinger's Cat Burglar! We'll get an inside look at the development of Schrödinger's Cat Burglar.   Schrödinger's Cat Burglar - Tell us a about yourself - I understand you're an animator turned game designer, so kind of walk us through your personal journey a little bit? (0:54) - When developing the game, did you start with the story and character animations, or did you jump right into the programming and let the game sort of build itself? (3:57) - Do you have any personal attachment to cats or animals in general that might have influenced the creation of Mittens? (5:23) - The game clearly suggest heavy use of quantum physics. Beyond the classic Schrodinger's cat example, did you find yourself really studying this topic to deepen your own understanding and then use that learning to create new challenges/ abilities? (6:18) - The demo gives players a taste of what's to come. What are you most excited about for players to experience in the full version of the game? (8:52) - Are there any other animals in the game like rats since they are common test subjects? Does lazy Susan have abilities for example? (10:31) - You started this project as a solo developer, but your team has grown over time. What were some pros and cons to working alone versus having a small team behind your work? (12:01) - So, you described some moments during the development process when you had to step back and rethink a design choice or direction. How did you approach making those tough decisions? (15:20) - *Schrödinger's Cat Burglar* allows for both couch and remote co-op. How did you approach designing the gameplay with multiplayer in mind, and what sort of challenges did that present? (18:11) - How did you approach designing the various puzzles in the game? What was the process of making them challenging but fair? (19:59) - For others interested in making their own game, any words of wisdom? (21:52) - Any last words he wants the listeners to know - when we might be able to expect a release date? (23:34)   Special shoutout to our Patreon Producers: Steven Keller and Loyd Weldy!   We'd like to thank each and every one of you for listening in every week. If you'd like to support the show, you can drop us a review on your favorite podcast platform or, if you're feeling extra generous, drop us a subscribe over at Patreon.com/OnlineWarriorsPodcast. We have three tiers of subscriptions, each of which gives you some awesome bonus content! As always, we appreciate you tuning in, and look forward to seeing you next week! Stay safe and healthy everyone! Find us all over the web: Online Warriors Website: https://www.onlinewarriorspodcast.com Online Warriors Twitter: https://twitter.com/onlinewarriors1 Illeagle's Twitter: https://twitter.com/OWIlleagle86 Nerdbomber's Twitter: https://twitter.com/OWNerdbomber Techtic's Twitter: https://twitter.com/OWTechtic Facebook: https://www.facebook.com/onlinewarriorspodcast Instagram: https://www.instagram.com/onlinewarriorspodcast/ YouTube: https://www.youtube.com/channel/UCwOwzY6aBcTFucWEeFEtwIg Merch Store: https://onlinewarriorspodcast-shop.fourthwall.com/

What happens when you fall into a black hole? Neil deGrasse Tyson and Chuck Nice give us the step-by-step on spaghettification, explain Schrodinger's cat, and explore quantum tunnelling… Or do they? NOTE: StarTalk+ Patrons can listen to this entire episode commercial-free here: https://startalkmedia.com/show/things-you-thought-you-knew-quantum-cat/Thanks to our Patrons Peter Nguyen, Noah Narh, Oliver Anderson, Oleksandr, TULAKAR JHA, Marziee, Carmen, Erica Trebesch, Joan Cotkin, Steve, Kevin, renee porter, Knatrueall Phliights, Jacque Walker, ThatOofcaGuy, Ian Ulsh, Robert Vest, Oslo Johnson, Colin T, Patricia Brennan, Mac Lamken, Josh, Derek Holiday, ShieldsGaming18, Adam Gotch, Mike Starnes, Ryan, AnJ, William Rosati, Chris Ose, Becker the Brewer, Jennings.Bass, LAZU, Alissa Wilson, Logical Haus, Dave Blair, Brad, Kaleo Hubert, soogun shongwe, Caleb Pelletier, Toby Murray, McGrumps the Curmudgeon, Joshua, Knutte Söderberg, Albert Dávid, Jim Prescott, John Wooters, Chris Raines, neoghaleon, Roy Roddey, PJ, TC, Micheal Bartmess, Arwa, Hasemano, Brian Thompson, Stetson, Goerc Goerc, Dennis Shields, Spike, Ian Hebert, Kasheia Williams, Tess, Aren Moy, Robert, LittleBoBliue, Paul, Rick Hanes, Donivan Porterfield, Tony Smith, Penny B, Brett R, Nicholas Falvey, and Stymie Sulik for supporting us this week. Subscribe to SiriusXM Podcasts+ to listen to new episodes of StarTalk Radio ad-free and a whole week early.Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Stephanie discusses the news that the Justice Department and the FBI found no evidence that Jeffrey Epstein had a "client list" or that he blackmailed prominent associates. The findings contradict past statements from Attorney General Pam Bondi about an alleged list of Epstein clients. She also talks about TACO Trump this time sending tariff letters to 7 countries and again extending the deadline. The duties threatened in the letters effectively match the 1st reciprocal tariffs Trump imposed on the countries back in April. Guests - Charlie Pierce and Brian Karem.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.