Podcast appearances and mentions of eric satie

Playlist de Philippe Poirier pour webSYNradio avec trois de ses compositions entremêlés des sons de David Garland, Christopher Hobbs, Carlos Gardel, Philip Glass, Elvis Presley, Isidore Isou, Eric Satie, kristin Oppenheim, Sonic Youth, David Toop, Morton Feldman, Brooks Williams, Dariush Dolat-Shahi, Marcel Broodthaers. Les morceaux choisis (pas tous) suivent un certain sentiment de la voix. Celle-ci s'exprime ici parfois de façon affirmée, parfois à peine incarnée, chantant ou parlant, d'un lieu où tous les mots ont été dits. Ces voix évoquent, à leur manière, le fameux texte où Roland Barthes rapporte les propos de Panzera, son maître de chant, faisant la distinction entre l'articulation et la prononciation. Avec l'articulation, dit Barthes, « la langue se met en avant, elle est le fâcheux, le casse-pieds de la musique ; dans l'art de la prononciation au contraire (celui de Panzera), c'est la musique qui vient dans la langue et retrouve ce qu'il y a en elle de musical, d'amoureux.

De la mística medieval a los cabarets parisinos del siglo XX, recorremos la fascinante conexión entre la Orden Rosacruz y la música. Descubrimos el misterioso Templo de la Música de Robert Flood, las sociedades secretas que mezclaban ciencia y esoterismo, y la sorprendente historia de Eric Satie, el excéntrico compositor que pasó de ser el músico oficial de los Rosacruces a fundar su propia iglesia de un solo fiel. Una historia donde se entrelazan el misterio, el humor y las notas musicales. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Gleich drei Jubiläen kann die Granddame der Schweizer Kleinkunst derzeit feiern. Einen grossen Geburtstag, das fünfzigjährige Bühnenjubiläum und den dreissigsten Hochzeitstag. Ein dreifacher Anlass also für einen Auftritt in «Musik für einen Gast». Das Gespräch findet in Dodo Hugs Küche statt, wo sich zwischendurch auch gerne mal die Kaffeemaschine meldet und Geräusche von sich gibt. Aber das stört nicht. Dodo Hug unterbricht nur kurz, wartet ab und setzt nahtlos wieder an. So erzählt sie von ihrer Kindheit und Jugend in vier Kantonen und zwei Sprachregionen, von zwei Welschland-Jahren in Le Locle, die ihr sehr gutgetan haben und von ihren ersten Jahren als Beizen- und Strassenmusikerin in Bern. Dann kommen die Stationen und Höhepunkte ihrer Karriere: Die Begegnungen mit Bruno Spoerri und Hans Peter Treichler, die Jahre mit Christoph Marthaler und dem Ensemble «TaroT», das Engagement in «Peter Brogles Schaubude», die Erfolge mit «Mad Dodo» und natürlich auch die mehr als dreissig Jahre, die sie mittlerweile mit ihrem Ehemann Efisio Contini zusammenarbeitet. Aber ganz egal, wovon sie gerade erzählt, immer ist da diese grosse und für sie so typische Leidenschaft für das Lied, dem sie sich ein Leben lang verschrieben hat. Und dem auch ihre Zukunft gehört. Die Musiktitel: 1. Dodo Hug – Madâme Ds Blues 2. André Bourvil - La tendresse (music Hubert Girod, lyrics Noël Roux) 3. Gabriella Ferri - Sempre – (music Franco Pisano, lyrics Mario Castellacci 4. Dodo Hug & & Solis String Quartet – La statue du bronze (Eric Satie) 5. Rufus Wainwright, Marta Wainwright & Anna McGarrigle - Talk to me of Mendocino – (1998) (music+lyrics Kate McGarrigle)

"Eu desenhei loucamente para que, quando não tivesse mais olhos, pudesse enxergar com as pontas dos dedos." A frase é de Suzanne Valadon, artista pioneira que desafiou convenções em sua vida e obra, e que agora ganha uma grande retrospectiva no Centro Pompidou de Paris. Anticonformista por natureza, Valadon demolia regras – inclusive ao pintar escandalosos nus masculinos, algo impensável para sua época.  Filha de pai desconhecido e criada no ambiente boêmio e popular de Montmartre do início do século 20, Suzanne Valadon começou trabalhando como modelo para grandes nomes da pintura da época, como Toulouse-Lautrec e Renoir. Mas ela não se contentou em ser apenas musa e conquistou seu espaço como artista reconhecida nesse meio eminentemente masculino. Valadon desafiou constantemente as normas sociais e artísticas de sua época. De origem modesta e filha de uma lavadeira, ela lutou para conquistar um lugar para si no mundo da arte, apesar dos preconceitos associados ao fato de ser mulher e às suas origens.Nathalie Ernoult, curadora da exposição no Centro Pompidou de Paris, fala sobre o começo de sua carreira em Montmartre. "Ao chegar em Paris, Suzanne Valadon trabalhou em diversos pequenos empregos para se sustentar e ajudar sua mãe, mas essas ocupações eram mal remuneradas. Foi então que lhe sugeriram se tornar modelo, uma atividade mais bem paga na época. Em Montmartre, onde existia um verdadeiro 'mercado de modelos', ela rapidamente chamou a atenção dos maiores artistas do século 19, como Puvis de Chavannes, Renoir e Toulouse-Lautrec. Para Suzanne, posar como modelo não representava apenas uma imersão no mundo da arte que marcaria profundamente seu destino, mas uma verdadeira oportunidade financeira. Ser modelo para ela significava ganhar mais dinheiro", precisa Ernoult.Autodidata e filha de uma lavadeiraEla se reinventou e forjou sua identidade mudando seu primeiro nome (de Marie-Clémentine para Suzanne). Desde muito jovem, não se conformou com as expectativas tradicionais das mulheres de sua época, como conta Flore Mongin, autora de uma biografia sobre a artista. "Marie-Clémentine Valadon, futura Suzanne Valadon, chegou a Paris aos 5 anos com sua mãe, em um ambiente popular marcado pela miséria. Criada sozinha pela mãe lavadeira, ela cresceu em Montmartre, um bairro vibrante de Paris, que foi um terreno fértil para o seu desenvolvimento. Desde a infância, demonstrou uma personalidade forte e um gosto acentuado pelo desenho, características que se tornariam centrais em sua trajetória artística. Montmartre, com sua efervescência cultural, foi o cenário de sua evolução, moldando a mulher e a artista que ela se tornaria, da infância à adolescência", afirma a escritora.Suas representações das mulheres romperam com os clichês da época, mostrando corpos naturais e não idealizados em poses cotidianas, como detalha a curadora da mostra, que fala sobre uma de suas obras mais transgressoras, a "Odalisca". Suzanne Valadon "revisita e transgride o modelo clássico da odalisca em uma de suas obras-primas. Diferentemente da odalisca tradicional, frequentemente retratada nua e em uma postura sensual, seu modelo aqui está vestido, usando um pijama descontraído, com calças listradas e uma regata", contextualiza."A mulher fuma um cigarro, com livros displicentemente colocados ao seu lado, e sua expressão é séria, distante de qualquer sugestão de sedução. Valadon apresenta aqui a imagem de uma mulher livre e moderna dos anos 20, rompendo completamente com o arquétipo das odaliscas idealizadas. Tendo sido ela mesma modelo e posado para nus reclinados, Valadon conhecia profundamente a forma como os pintores representavam e objetificavam o corpo feminino. Com essa pintura, ela oferece uma visão radicalmente diferente", sublinha a especialista do Pompidou."Você é uma de nós": o apoio de DegasMas é o impressionista Edgar Degas, o artista mais importante do grupo de Montmartre na época, quem vai desempenhar um papel-chave na vida de Suzanne Valadon, como relata a curadora da mostra, Nathalie Ernoult. "Com os recursos que tinha à disposição, Suzanne Valadon desenhava sem cessar, em qualquer lugar que pudesse. Enquanto posava como modelo, observava atentamente os artistas ao seu redor, analisando suas técnicas de pintura e esboço. Dotada de um grande senso de observação e de uma memória visual impressionante, ela aprendeu a desenhar quase instintivamente, de forma autodidata", lembra."Um dia, ela teve a coragem de mostrar seus desenhos a Bartholomé e Toulouse-Lautrec, que imediatamente reconheceram seu talento. Lautrec a incentivou fortemente a apresentar seu trabalho a Edgar Degas, encontro que marcaria uma virada decisiva em sua carreira artística. Degas, que era uma figura central da época, se tornaria mais tarde um de seus maiores apoiadores e mentores", destaca. Foi Edgar Degas quem reconheceu seu talento, comprou seus desenhos e disse: "Você é uma de nós."Entre os amores escandalosos que Suzanne nunca escondeu, figura uma relação relâmpago com Eric Satie, como conta a biógrafa da artista. "Sim, Montmartre era um lugar propício para os amores, e de fato Eric Satie ficou muito apaixonado. Ele foi um amor transitório de Suzanne Valadon e também um amante passageiro, já que a história deles não durou muito tempo. Eram duas personalidades muito fortes que não estavam necessariamente destinadas a se entender", conta Flore Mongin.Apesar do reconhecimento, Valadon enfrentou muitos desafios. Ela foi recusada por não ter um "mestre" reconhecido na Escola de Belas Artes de Paris. E mesmo quando começou a pintar, sua ousadia escandalizava – como no caso de "Adão e Eva", onde retratou seu jovem amante nu a seu lado.Com a exposição no Centro Pompidou de Paris, até o dia 26 de maio de 2025, e os novos livros dedicados a ela, Suzanne Valadon finalmente sai do esquecimento para ocupar o lugar que merece na história da arte.

El Centro Pompidou presenta una vasta exposición sobre el surrealismo, corriente artística nacida en París que se extendió por todo el mundo. En esta edición también se aborda la obra de Luis Buñuel, considerado el primer cineasta surrealista. Y en la crónica musical, compositores que adhirieron al Manifiesto del surrealismo, como Eric Satie o Boris Vian.

Eine Wunschliste voller Klaviermusik hat sie mitgebracht, die russisch-ukrainisch-deutsche Pianistin Olga Scheps. Kein Wunder: Sie stammt aus einer Pianistenfamilie. Die Eltern, die Schwester und Olga - alle sind sie Klavier-Profis. Wie vielseitig ihr Instrument ist, wer und was sie geprägt haben und warum man mit Eric Satie einen Baum umarmen kann, davon erzählt Olga Scheps. Eine Produktion von BR-Klassik aus der Reihe "Meine Musik"

We're surrounded by a lot of noise. Whether it's literal noise such as traffic and people's chatter or metaphorical noise in the form of a neverending supply of media, art and social content, it can be hard to cut through it all.  On this episode of Sunday Sanctuary, join Petra as she explores the impact our noisy world can have on our body and our wairua/spirit. Grace McArthur returns to lead us in another exploration of Brené Brown's book Atlas of the Heart. Jay Ruka (Dean of St Mary's Cathedral in New Plymouth and author of Huia Come Home) also joins Petra to dive into how he has noticed the noisiness of his life change over time. We know that a podcast episode exploring the downsides of noise is ironic, but our hope is that you'll be inspired to look into how you can start to deal with the noise that is everpresent in our world.  Sacred Text: The Peace of Wild Things by Wendell Berry (Text/Video) Featured Music: Under the Water by Hand Habits and Amelia Meath A Quiet Place by Garnett Mimms & The Enchanters Memory as Miniatures by Rachika Nayar (played at the end of Atlast of the Heart) Beginning by The Durutti Column (played at the end of Jay Ruka's interview) Premiere Gymnopedie by Eric Satie (played under the benediction) See omnystudio.com/listener for privacy information.

Komponist und Pianist 1899- 1963 Eric Satie war sein Mentor, er war ein Literat und gehörte der Groupe de Six an. Marcel Düpré, der Orgellehrer meines Grossvaters, war ein Wegbegleiter Poulencs. www.facebook.com/andreabkunzvocal

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Ruido se dice en español, rumore se dirá in italiano, bruit en francés, noise en ingles; en cualquier caso se trata de acepciones del sonido controvertidas. Aunque el ruido ha entrado a formar parte del territorio de la música, en todos los idiomas sigue teniendo una dimensión negativa. Hoy vamos a mostrar diferentes manifestaciones del ruido ya sea a través de sonidos urbanos, de una música tradicional del Perú y de obras de Carles Santos, Laurie Anderson, Leonardo Balada y Eric Satie. Escribirnos con vuestras Historias Sonoras a lacasadesonido@rtve.esEscuchar audio

Que tal como estamos!!!! Da comienzo un nuevo programa de A Lucana, una ventana para dar a conocer toda la información alrededor de la cultura en Aragon. El Clúster Audiovisual de Aragón celebra hoy y mañana sus primeras jornadas sobre la industria audiovisual aragonesa, que tendrán lugar en el Auditorio de Zaragoza. En las sesiones se abordarán las tendencias en innovación, cine, formatos, realidad aumentada, creación sonora, aplicaciones audiovisuales, tecnología, videojuegos y producción virtual. El Clúster Audiovisual de Aragón se constituyó el 28 de febrero del 2022, con el apoyo de 39 empresas fundadoras y de instituciones, como las Universidades de Zaragoza y San Jorge, Itainnova, Zaragoza Film Office o la Cámara de Comercio de Zaragoza. Martín García García en el Ciclo Grandes Solistas Pilar Bayona Dentro del XXVI Ciclo de Grandes Solistas Pilar Bayona, llega a Zaragoza Martín García García, un pianista prodigioso nacido en Gijón, que nos llevará en un viaje musical. Con una carrera llena de éxitos y premios, su virtuosismo en el piano nos dejará sin aliento. La cita el próximo martes 26 septiembre. La consejera de Cultura desea la continuidad del festival Vive Latino en la capital aragonesa Tomasa Hernández, ha elogiado a la organización del festival Vive Latino y ha deseado que se celebren nuevas ediciones en la capital aragonesa, tras el éxito logrado por su segunda edición el primer fin de semana de septiembre. - Lugares en movimiento", de la artista Rosa Muñoz, una exposición de PhotoEspaña en los antiguos Depósitos Pignatelli La artista madrileña Rosa Muñoz expone en los antiguos Depósitos Pignatelli su obra titulada 'Lugares en movimiento', dentro de la programación que PhotoEspaña ha organizado para este 2023 en Zaragoza y que podrá contemplarse hasta el próximo 24 de septiembre. La muestra contiene once fotografías de gran formato y seis proyecciones de vídeo distribuidas por diferentes espacios de la sala de los Depósitos Pignatelli. El Teatro Arbolé de Zaragoza comienza una nueva temporada con actividades y ciclos para todos los públicos de los más variados géneros. Septiembre y octubre se presentan llenos de funciones y sorpresas, entre las que destacan la celebración del X Festival Iberoamericana de Teatro para Niños, el 20º cumpleaños de “Los tres cerditos”, la presentación de un tebeo protagonizado por Pelegrín, que continúa festejando su 40º aniversario, y unas invitadas muy especiales en la Sala durante las Fiestas del Pilar: Divinas, con su cabaret lunático. Del 9 de septiembre al 1 de octubre se celebra el X Festival Iberoamericana de Teatro para Niños con la participación de ocho 8 compañías y 19 representaciones en el Teatro Arbolé, en el Museo Origami del Centro de Historias de Zaragoza y en el Hospital Miguel Servet. AfrobeatProject y Kasba Music presentaron el pasado 8 de septiembre, REPUBLICAFROBEAT vol.6-AFROBEAT IBÉRICO, una nueva compilación realizada por Dj Floro, en la que han pretendido reflejar la escena afrobeat de Galicia, País Vasco, Asturias, Cataluña, Madrid, Aragón, Extremadura, Andalucía y Portugal. REPUBLICAFROBEAT vol.6-AFROBEAT IBÉRICO incluye 17 bandas y 3 djs, y esta disponible en formato digital, vinilo y cd. Un broche de oro para continuar celebrando el 20º aniversario de AfrobeatProject. CALEIDOSCOPIO TEATRO presenta en el Teatro del Mercado de Zaragoza el espectáculo Los Paraguas de Satie, hasta el 24 de septiembre. Los Paraguas de Satie es un espectáculo de fabulación con objetos, máscaras y muñecos, sobre una dramaturgia de Roberto Barra. Una obra para toda la familia, con la que la Compañía CALEIDOSCOPIO TEATRO celebra su 40 Aniversario como Compañía profesional. Siguiendo la música evocadora del compositor francés Eric Satie, Los Paraguas de Satie, es una producción de CALEIDOSCOPIO TEATRO Suscribete a nuestros episodios y no te pierdas ninguno Envíanos tus notas de voz a 654 93 42 41 Autor del programa: Francho Martinez Visita nuestros portales https://podcastaragon.es/ https://musicaypalabras.es/

Kate Molleson explores the spry and subtly surprising music of Germaine Tailleferre Kate Molleson revels in the spry and subtly surprising music of Germaine Tailleferre, with guests Barbara Kelly and Caroline Potter. Germaine Tailleferre first made a splash in the heady atmosphere of 1920s Paris. She was part of a lively, bohemian scene in which poetry and exhibitions went hand in hand with performances of new music. Her career was given a bump start by the eccentric older composer, Eric Satie. He was an influential voice in avant-garde circles, and his support opened a door to wider recognition. Tailleferre became part of a like-minded set of young composers, along with Francis Poulenc, Arthur Honegger, Darius Milhaud, Louis Durey and Georges Auric. Their energy and drive created exciting new outlets for performances of their music. It was a journalist, Henri Collet, who coined their eventual collective name "Les Six". While their artistic paths quickly diversified, the group remained friends for the rest of their lives. Tailleferre was a prolific composer, writing in all the genres from small scale chamber works to large scale works including cantatas, orchestral scores, ballets and operas. After enjoying considerable success, by the 1930s her prominence began to fade. There's some evidence to suggest that her two unhappy marriages, and the deprivations of living in occupied France, followed by a temporary exile in the States during the second world war all had an adverse impact on her career. Despite these setbacks, she continued to compose and would teach music almost to the very end of her life. She died in 1983 at the age of 91. Held back perhaps by her own retiring personality and historical views of a female composer, Tailleferre's music has been overshadowed by some of the other members of "Les Six". This week Kate Molleson brings Germaine Tailleferre's music firmly in to the limelight. She's joined in studio by two other Tailleferre enthusiasts, Barbara Kelly from the University of Leeds, and Caroline Potter, who's currently writing a book about Tailleferre. Music Featured: Deux valses Image for 8 instruments Jeux de plein air Quartet for Strings Romance in A major Le Marchand d'oiseaux Pas trop vite Piano Trio Ballade for piano and orchestra Chansons françaises, No 5 (excerpt) Chansons françaises (Nos 1, 2 & 5) Concerto No 1 for piano and orchestra Violin sonata No 1 (excerpt) Fandango La nouvelle Cythère (excerpts) Harp Concertino Chansons Françaises (Nos 3 & 4) Violin sonata No 1 (1st & 4th mvts) Partita for piano (excerpt) Chansons du folklore Sonata for Harp Concerto two pianos, chorus and orchestra La cantate du narcisse Larghetto Suite burlesque (1, Dolente) Ouverture trans. By John Paynter Il était un Petit Navire (arr for two pianos) Concertino for flute, piano and chamber orchestra (excerpts) Pancarte pour une porte d'entrée (song cycle) Sonate Champêtre for wind and piano Tu mi chamas Presented by Kate Molleson Produced by Johannah Smith for BBC Audio in Wales For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Germaine Tailleferre (1892-1983) https://www.bbc.co.uk/programmes/m001nw40 And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Misia Sert was mecenas, motor en muze van de avant-garde in Parijs. Ze beïnvloedde de kunst, de muziek en de mode van de vroege 20e eeuw. Ze inspireerde schrijvers als Marcel Proust en Jean Cocteau, haar kennis van muziek stuurde de composities van Eric Satie en Igor Stravinsky. Met vrienden als Henri de Toulouse-Lautrec en Coco Chanel trok ze een spoor van vernieling door het nachtleven. Katharina Smets gaat op zoek naar het spectaculaire leven van de bijna vergeten koningin van Parijs.

Veckans morgonandakter tar avstamp i de fem världsreligionerna och har Barmhärtighet som tema. I dag med Pake Hall från Göteborg som talar utifrån sin zenbuddistiska livsåskådning. ”I den buddhistiska traditionen används sällan ordet barmhärtighet, utan istället medkänsla som alltså inte bara är en känsla, utan också intentionen att göra vad man kan för att bespara någon lidande, eller obehag.”Pake Hall är andlig ledare för Svalornas Sangha Peacemakers och undervisar i meditation, mindfulness och yoga vid Ashtanga Yogashala Göteborg.TextGate of Sweet NectarMusikGnossiennes No.2 av Eric Satie med Martin HederosProducent Neta NorrmoSlutmix Frida Claesson Johansson för Sveriges Radio Göteborgliv@sverigesradio.se

Imagine a state apparatus of terror; they monitor citizens, they kidnap people in the middle of the night, they torture people to extract false confessions. Now imagine that same state apparatus of terror is run by a murderous pedophile. That was the Soviet people's reality with appointment of Lavrenti Beria to the dreaded People's Commissariat of Internal Affairs or the NKVD, the Soviet secret police. Please leave us a rating, or a review if you're feeling really generous. Follow Secret Police! Twitter @hush_popo Instagram @secretpolicepodcast Sources Beria - The NKVD & Death of Stalin Documentary. https://www.youtube.com/watch?v=N0bnt7hYmDY&list=PLVtoTh3hF-hwiZixdKcerUzA777jS27Ml&index=3&t=1927s  Lavrenti Beria Biography https://spartacus-educational.com/RUSberia.htm Richard Sorge. https://spartacus-educational.com/GERsorge.htm On Stalin's Secret Service - Richard Sorge - WW2 Biography Special. World War Two. https://www.youtube.com/watch?v=fn9NyRfbSOo&ab_channel=WorldWarTwo  Stalin and Trotsky rivalry https://www.rbth.com/history/333272-how-stalin-and-trotsky-fought Stalin: The Court of the Red Tsar by Simon Sebag Montefiore. Russia: The Wild East by Martin Sixsmith and the BBC.  Flowers in Russia: What You Need to Know by Matt Shannon. 2021. https://expatriant.com/flowers-in-russia/   The Finnish Language. LangFocus. 2016. https://www.youtube.com/watch?v=D-uWYvlyeBc&list=PLVtoTh3hF-hwiZixdKcerUzA777jS27Ml&index=5&t=316s  Winter War - Soviet Finnish 1939-1940 War - FULL 3d DOCUMENTARY. Kings and Generals. 2021. https://www.youtube.com/watch?v=1Uk5bY22RSE&t=2448s  US Census. Quick Facts. https://www.census.gov/quickfacts/fact/table/US/PST045221 The investigation of the dead or lost Finnish stages of Stalin's persecution will continue – SKS also finds out what traces of persecution left on the victims' descendants. Pekka Torvinen. https://www.hs.fi/kulttuuri/art-2000007766248.html China and International Law -- The Boundary Disputes by Byron N. Tzou. 1990. The end of "Millionka": the liquidation of Chinatown in Vladivostok (1936). Russia and the Pacific (in Russian). Vladivostok: Institute of History, Archaeology and Ethnography of the Peoples of the Far East of the Far Eastern Branch of the Russian Academy of Sciences (4): 24–31. A Historical Investigation of the Soviet Union's Handling of the Chinese Issue in the Far East (1937-1938)]. Modern Chinese History Studies (in Simplified Chinese). Beijing: Institute of Modern History, Chinese Academy of Social Sciences (2): 41. Khisamutdinov, Amir Aleksandrovich (2018). "Millionka": a culture that grew up in the backyard. The Origins of Soviet Ethnic Cleansing by Martin Terry. 1998. Journal of Modern History.  L'Affaire Lyushkov: Anatomy of a Defector by Alvin D Coox. 1968. Why didn't the Allies declare war on the USSR when they invaded Poland? Knowledgia. https://www.youtube.com/watch?v=VBd60UsL9u0&ab_channel=Knowledgia The NKVD: from Pen-Pushers to Communist Hit Squads - WW2 Special. World War Two. https://www.youtube.com/watch?v=8HwKl8VUZHA&t=507s&ab_channel=WorldWarTwo  State Committee of Defence Decree. Concerning the security measures in rear areas and communications of the Red Army in East Prussia, Poland, Czechoslovakia, Hungary and Romania. December 1944. https://weaponsandwarfare.com/2015/12/10/soviet-nkvd-iv/  Sonja Schmid. Producing Power: The Pre-Chernobyl History of the Soviet Nuclear Industry. 2015.  The Atomic Bomb, Russia and Spies. https://www.youtube.com/watch?v=_nOrMZCThNg&t=136s&ab_channel=JohnKerruish    Harry S Truman Library Bombing of Hiroshima Newsreel from the AP Music Scorching Action by Jon Presstone Tension in the Dark by Jon Presstone Gnosienne by Eric Satie performed by Neil Cross and Raighes Factory It's Beginning to Look A lot Like Christmas by Perry Como (a parody) Mozart K.488 Piano Concerto #23 in A 2nd mov. Adagio Cinematic Ambient Orchestral Drama Trailer by MEDIA MUSIC GROUP Electra to the Baltic Sea by Giuseppe Rizzo Dramatic Investigation by Jon Presstone Sad Smooth Piano Jazz Background Music by Volodymyr Piddubnyk Eye Of The Storm (Feat. Cicely Parnas) - Instrumental Version Humans Win Kalahari Wind by Humans Win Sneaky Snitch by Kevin MacLeod Giant Wyrm by Kevin MacLeod Selected clips from The Death of Stalin (2017)

These tracks are in no particular order; I enjoy each of them equally! I have also arranged this playlist in a particular way but feel free to listen to it in any order! I picked each track because of their ability to stand alone from the context of an album! Thank y'all for the continued support and I hope you enjoy these first five tracks from the playlist!Levitation - Beach House : I've always thought that this song is a great opener for a record! The constant yet subtle building feeling in this song is something that I really enjoy as well. It provides a feeling of arriving, like you're wandering through a snow covered pine forest and you finally reach clearing.Crack Up (Choral Version) - Fleet foxes : This song is something very special. The recording took place at a live concert in Switzerland and the audio quality, intonation, and the harmonic/timbre combinations are all top notch! Also, the choir sounds like the northern lights. Trois Gymnopédies: Gymnopedie no. 1 - Eric Satie : composed in 1888 for solo piano, this piece really feels like a dark, windy, and snowy night. You might have a fire in the fire place and the hash edibles are melding you with the couch! The world is still; you can sleep now. Clarity - Mac Miller : I am grateful that this song exists. Thank you. A.W.O.L. - Earthgang : this duo is one of my favorite groups from the south. Some of my favorite production and song writing is from their first two records and this one in particular sticks out from their discography! This is the first half of the playlist! Make sure y'all check out the 2nd half next Monday! Today's Session was brought to you by:@whoswho_solventless - Dosalado 90-119u Hash Rosin@magnum_opus_mi - Guava Icee 70-149u Hash Rosin@kylou.glass x @zm_glass - Triple Double Recycler with insane millie tubing!!@toro_glass - 10mm Slurper with @thephilzone_glass Slurper capThank you for listening and please make sure you check out all of our social medias and subscribe to our YouTube and Patreon!https://www.instagram.com/terpenetherapypodcast/https://www.patreon.com/terpenetherapypodcasthttps://www.youtube.com/channel/UCIuE6pg63WB2dwZ--1SgTig/featuredDISCLAIMER: All cannabis on this podcast was purchased legally and all individuals pictured consuming cannabis are over the age of 21. Terpene Therapy does not condone any use of illicit cannabis, especially by any persons under the age of 21.Support the show

Alfred Nobel chockade världen genom att testamentera huvuddelen av sin förmögenhet, som i dagens penningvärde uppgick till 2,2 miljarder kronor, till en fond vars avkastning skulle gå till pris åt dem ”som under det förlupne året hafva gjort menskligheten den största nytta”.Den svenske kungen Oskar II förargades över att Nobels fredspris skulle delas ut av det norska stortinget som arbetade allt mer högljutt för att Norge skulle lämna unionen med Sverige. Andra var kritiska till att pengarna skulle ges till utlänningar. Och en stor del av Nobels släktingar arbetade målmedvetet på att ogiltigförklara testamentet.I den nymixade reprisen av avsnitt 80 av podden Historia Nu samtalar programledare Urban Lindstedt med journalisten och författaren Ingrid Carlberg som är aktuell med boken Nobel – Den gåtfulle Alfred, hans värld och hans pris.Men vem var egentligen Alfred Nobel? Det finns en märklig motsättning inom Alfred Nobels person där han ägnade en stor del av sitt liv att förbättra vapen och militär teknik samtidigt som han instiftade Nobels fredspris och var vän med fredsaktivister.Alfred Nobel var en tillbakadragna uppfinnare som länge närde litterära ambitioner, som blivit oerhört rik på sin uppfinning dynamiten. Alfred hade fått fadern Immanuels kreativitet som uppfinnare, men var bättre på entreprenörskap än fadern och att faktiskt tjäna pengar på sina patent.Han levde relativt enkelt och tillbakadraget, men var oerhört generös mot släkten, vetenskapsmän och ibland äventyrare och rena skojare.Bild: Alfred Nobel av Emil Österman, Public DomainMusik: Gnosienne av Eric Satie, Storyblock Audio Become a member at https://plus.acast.com/s/historianu-med-urban-lindstedt. Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

The early USSR owes many of its achievements to Stalin's secret police, called the People's Commissariat for Internal Affairs, or the NKVD. These guys really took Russian espionage to a new level. Their reach was global in scale; nearly anybody Stalin wanted dead, the NKVD could get it done. They administered the infamous Gulags and repressed their own people. They blurred the lines between internal police and military force by supporting Leftists during the Spanish Civil War and infiltrating the Manhattan Project.   The NKVD was a secret police force dictators dream of: vast, pervasive, feared, deadly, deceptive. They were at Stalin's beck and call.   On this episode, we explore the history and methods of the NKVD under the leadership of Genrikh Yagoda and Nikolai Yezhov. We'll cover the NKVD during WWII under Lavrentri Beria in part 5.   Sources The Russian Secret Police. Ronald Hingley. 1970. Stalin: Paradoxes of Power. Stephen Kotkin. 2014. How did the Soviet Union work? By Viki1999 https://www.youtube.com/watch?v=6emmgC6rsGA&list=PLVtoTh3hF-hzRxUfRlpUs9sapwTPnIg6C&index=2&t=665s Joseph Stalin: The Red Terror https://www.youtube.com/watch?v=KqfcpNrcGb0&t=508s Genrikh Yagoda https://spartacus-educational.com/RUSyagoda.htm Nikolai Yezhov https://spartacus-educational.com/RUSyezhov.htm Cannibal Island https://www.youtube.com/watch?v=CaOwcYLGTMo&list=PLVtoTh3hF-hzRxUfRlpUs9sapwTPnIg6C&index=4&t=108s The Nazino Gulag https://www.youtube.com/watch?v=qkauF4MndOw&t=518s&ab_channel=GoyimDefenceLeague Cannibal Island location http://wikimapia.org/14057879/Nazino-island Gulag: History, Camps, Conditions, Economy, Effect, Facts, Quotes (2003). Interview of Anne Applebaum. https://www.youtube.com/watch?v=aGeHPwgLm6Y&list=PLVtoTh3hF-hzRxUfRlpUs9sapwTPnIg6C&index=5 Gregory Zinoviev https://spartacus-educational.com/RUSzinoviev.htm Nikolay Bukharin https://spartacus-educational.com/RUSbukharin.htm Alexei Rykov https://spartacus-educational.com/RUSrykov.htm Mikhail Tomsky https://spartacus-educational.com/RUStomsky.htm Sergey Kirov https://spartacus-educational.com/RUSkirov.htm   Music Scorching Action by Jon Presstone Tension in the Dark by Jon Presstone Gnosienne by Eric Satie performed by Neil Cross and Raighes Factory Cinematic Ambient Orchestral Drama Trailer by MEDIA MUSIC GROUP Big Epic Drums by Psystein March of the Defenders of Moscow by Alexey Surkov and Boris Mokrousov Scheherazade Op. 35 by Rimsky Korsakov   Special Thanks To: Sergey Vaynshank Kristaps Andrejsons at the Eastern Border Podcast Roberto at the History of Saqartvelo Georgia Podcast   *** Important *** Interview audio was edited for quality and soundbites that fit into the subject matter. I intent to post full interviews as bonus material provided I have permission from the interviewee.   

All of the music was presented to RADIOnuages for promotional purposes by the artists represented here or their representatives. You will hear new age selections and a few classical pieces on this episode. Performances by Bill Evans, piano. The Celtic harp of Judith Pintar. Daniel Pinkham's HUSHED. Jim Chappell, Colin Chin, Mark Isham, Thijs Van Leer, Bob Kindler, Chip Davis, Edward Christmas, Carol Potter, Paul Winter, Peter Kater and R. Carlos Nakai. Compositions by Eric Satie performed by Murray Khouri.

Die Grundstimmung des 20. Jahrhunderts klingt an in Gedichten und Prosa von Rainer Maria Rilke. Er verdankt Paris entscheidende Impulse. Das Hörbuch kombiniert seine Texte mit Kompositionen von Eric Satie. Eine Rezension von Monika Buschey. Von Monika Buschey.

Mike Mills is a filmmaker and the writer/director of C'mon C'mon.---In this episode Mike references Patti Smith, Arthur Rimbaud, Charles Pierre Baudelaire, Eric Satie, Édouard Manet, The Clash, IDLES.---The movie Zak talks about is Me and You and Everyone We Know by Miranda July.---Leave Zak your advice by calling 844-935-BEST---IG: @bestadviceshowhome: bestadvice.show See acast.com/privacy for privacy and opt-out information.

In questo episodio parleremo di abitudini alquanto bizzarre, seppur innocue (più o meno). PS: state attenti ai vostri ombrelli, Eric Satie potrebbe essere nei paraggi. Ascoltaci su: Spotify Apple Podcast Google Podcast Social: Instagram

From 1917 to 1922, the Cheka terrorized the Russian people into dedicating their lives to the Soviet State. Old institutions were destroyed, people were targeted on the basis of their socio-economic status, and farmers were forced into collectives. Those who disobeyed were likely shot, the most unfortunate were subjected to sadistic torture not seen since the time of Ivan the Terrible.  Under the leadership of Vladimir Ilych Lenin, the Bolsheviks seemed at first to bring real, much needed change to Russia. But it didn't take long for Lenin's true intentions to become clear: a dictatorship of the proletariat with himself at the helm.  Lenin was a man with many similarities to those he later deemed political enemies. He was unwavering in his faith in Marxism, but tweaked Marx' original writings into Leninism both in theory and in practice because, when it came to governing, Leninism was only achievable through the Red Terror unleashed by the Cheka. Sources: The Russian Secret Police. Ronald Hingley. 1970. Stalin: Paradoxes of Power. Stephen Kotkin. 2014. The Russian Civil War. Evan Mawdsley. 2005. The Life of Lenin. Louis Fischer. 1964. Vladimir Lenin: The Founder of the Soviet Union. Biographics. https://www.youtube.com/watch?v=wSWT8oPb1mM Holidays in Russia https://russiatrek.org/about-russian-holidays Felix Dzerzhinsky https://alphahistory.com/russianrevolution/felix-dzerzhinsky/ Princess Stories: The Secret of Anastasia https://www.youtube.com/watch?v=2e7t_jUt8sY&list=PLVtoTh3hF-hwvWhPtFZp9XVByI0uRvvLI&index=2 Thanks to @regina_imperatrix for the Anastasia film Music: Scorching Action by Jon Presstone Tension in the Dark by Jon Presstone Gnosienne by Eric Satie performed by Neil Cross and Raighes Factory Mystery Warrior by LIVINGFORCE Cinematic Ambient Orchestral Drama Trailer by MEDIA MUSIC GROUP Final Speech by Humans Win (formerly Lance Conrad) Big Epic Drums by Psystein Ammil by The Tides https://www.youtube.com/watch?v=nlHZd94pdhQ

In a wide-ranging and engaging interview, musician Jarvis Cocker tells Michael Berkeley about the role classical music plays in his life and relationships. Fortunately for the world of music Jarvis Cocker abandoned his early ambition to be an astronaut and instead, at the age of 14, had the idea of forming a band called Pulp during an Economics lesson at school in Sheffield. Some 15 years later, Pulp was one of the most successful bands in the world, with a string of witty, emotionally raw, and musically inventive hits rooted in the details of real life. Since then, he has become a much-loved radio presenter with the long-running "Jarvis Cocker's Sunday Service" on BBC Six Music, and "Wireless Nights" on Radio 4. Amongst numerous other projects he has formed a new band, JARV IS…, and he has just published a memoir of his childhood and the early years of Pulp called Good Pop, Bad Pop. Jarvis describes how, during a long period of convalescence after an accident, he transformed the way he wrote songs, realizing that the details of everyday life around him in Sheffield provided a goldmine of material. He tells Michael how he coped with fame when it eventually arrived in his thirties, and how he has never conquered his stage fright. Jarvis chooses music by Schubert, Max Richter, Rachmaninoff, Eric Satie and Delius, all guaranteed to give him the ‘tingle' factor. He talks about the power of particular vinyl records to bring back memories of his teenage years in Sheffield and of his son as he was growing up in Paris. And he talks movingly about the role Richter's music played in his relationship with his dying father who had been absent for most of Jarvis's life. Producer: Jane Greenwood

Ta audycja zawiera dwugodzinny materiał tzw. luzem, czyli bez miksu djskiego, skupiając się na albumach, wydanych i w formie zapowiedzi takich artystów jak Plastikman, Dominik Eulberg, Eric Satie, Giriu Dvasios, Sven Vath, Prins Thomas, Kuba, Kick Bong, Max Cooper i inni. Pełny spis utworów w aplikacji mobilnej, w komentarzu autora i na FB:

Mike Mills is a filmmaker and the writer/director of C'mon C'mon.---In this episode Mike references Patti Smith, Arthur Rimbaud, Charles Pierre Baudelaire, Eric Satie, Édouard Manet, The Clash, IDLES.---The movie Zak talks about is Me and You and Everyone We Know by Miranda July.---Leave Zak your advice by calling 844-935-BEST---IG: @bestadviceshowhome: bestadvice.show See acast.com/privacy for privacy and opt-out information.

Happy Thursday Friends! We are 2 days away for Christmas. I am looking forward to spending time with family and making more memories. I am excited to introduce you to my next guest. He is a very talented artist, he has paved his own way as a musician and not getting tied up in any specific label as an artist. Please welcome Michael Emenau. From his first professional gig at the age 16 drumming in a country band to performing at with a symphony orchestra at Carnegie Hall four years later, the career of Michael Emenau has been as prolific as it has been varied.  After completing a degree in classical percussion from McGIll University Michael played for multiple orchestras. Feeling confined he switched his focus over to jazz vibraphone, both of these experiences provided the skills to perform a wide range of musical genres, to date he has recorded vibraphone on over 200 albums. In the early 90's he moved to Tokyo and immersed himself into the acid jazz and EDM scene becoming a member of the weekly UFO's (United Future organisation) live/DJ all night music battles at Club Yellow. He went on to record on 5 of UFO's albums including the platinum selling “Red Hot and Blue”.In the late 90's Michael relocated to San Francisco where his musical interests cracked wide open—producing 3 albums with the Middle Eastern electronic group LUMIN; was a founding member of The Jazz Mafia which incorporated live looping and sampling into small and large jazz ensembles; fronting an Afro-Cuban dance band while also releasing solo jazzy downtempo music with Six Degrees Records and Hearts of Space.In 2005 Michael and his family relocated to Paris where he started a multi-year project unearthing, re-arranging, recording and performing the music of Henry Purcell with Cirque du Soleil star vocalist Elise Velle. This project spilled over to writing a musical, Divine Intervention--an interpretation of the demi-god Dionysus and his actual cultural influence on Classical composers and authors culminating in a 2-week run at the Nova Scotia Fringe Festival.Michael, his family and his beagle currently reside in Montreal where he is a world-touring member of the Grammy nominated “Les Triplettes de Bellville” Cine-Concerts series. He co-leads the Canadian Folk Music Awards nominated “ensemble of the year 2020” SUSSEX, which interweaves folk, ragtime, and roots music.Since the onset of Covid Michael has gone back to the studio and released 3 albums of Lofi Hip-Hop instrumental. The first of which is based on the music of Eric Satie and streamed over a half million times on Spotify. This quick success led to Michael signing with Six Degrees Distribution/Universal Records whose team helped to spark his  renewed passion for classical music. To follow, support or learn more head to the links below:http://www.mnomusic.com/https://www.instagram.com/mnomusic/https://twitter.com/mnomusicSupport for Label Free Podcast is brought to you by ​MANSCAPED™​, who is the best in men's below-the-waist grooming.  ​MANSCAPED  offers precision-engineered tools for your family jewels. They obsess over their technology developments to provide you the best tools for your grooming experience. MANSCAPED is trusted by over 2 million men worldwide! We have an exclusive offer for my listeners - 20% off + free shipping with the code: LabelFree20 at   https://www.manscaped.com​ As always thank you for the support, to contact me directly follow the link below: https://www.labelfreepodcast.com​ Stay Healthy, Stay Ready- Deanna Marie Kuempel #ad​​ #sponsor​

Happy Thursday Friends! We are 2 days away for Christmas. I am looking forward to spending time with family and making more memories. I am excited to introduce you to my next guest. He is a very talented artist, he has paved his own way as a musician and not getting tied up in any specific label as an artist. Please welcome Michael Emenau. From his first professional gig at the age 16 drumming in a country band to performing at with a symphony orchestra at Carnegie Hall four years later, the career of Michael Emenau has been as prolific as it has been varied.  After completing a degree in classical percussion from McGIll University Michael played for multiple orchestras. Feeling confined he switched his focus over to jazz vibraphone, both of these experiences provided the skills to perform a wide range of musical genres, to date he has recorded vibraphone on over 200 albums. In the early 90's he moved to Tokyo and immersed himself into the acid jazz and EDM scene becoming a member of the weekly UFO's (United Future organisation) live/DJ all night music battles at Club Yellow. He went on to record on 5 of UFO's albums including the platinum selling “Red Hot and Blue”.In the late 90's Michael relocated to San Francisco where his musical interests cracked wide open—producing 3 albums with the Middle Eastern electronic group LUMIN; was a founding member of The Jazz Mafia which incorporated live looping and sampling into small and large jazz ensembles; fronting an Afro-Cuban dance band while also releasing solo jazzy downtempo music with Six Degrees Records and Hearts of Space.In 2005 Michael and his family relocated to Paris where he started a multi-year project unearthing, re-arranging, recording and performing the music of Henry Purcell with Cirque du Soleil star vocalist Elise Velle. This project spilled over to writing a musical, Divine Intervention--an interpretation of the demi-god Dionysus and his actual cultural influence on Classical composers and authors culminating in a 2-week run at the Nova Scotia Fringe Festival.Michael, his family and his beagle currently reside in Montreal where he is a world-touring member of the Grammy nominated “Les Triplettes de Bellville” Cine-Concerts series. He co-leads the Canadian Folk Music Awards nominated “ensemble of the year 2020” SUSSEX, which interweaves folk, ragtime, and roots music.Since the onset of Covid Michael has gone back to the studio and released 3 albums of Lofi Hip-Hop instrumental. The first of which is based on the music of Eric Satie and streamed over a half million times on Spotify. This quick success led to Michael signing with Six Degrees Distribution/Universal Records whose team helped to spark his  renewed passion for classical music. To follow, support or learn more head to the links below:http://www.mnomusic.com/https://www.instagram.com/mnomusic/https://twitter.com/mnomusicSupport for Label Free Podcast is brought to you by ​MANSCAPED™​, who is the best in men's below-the-waist grooming.  ​MANSCAPED  offers precision-engineered tools for your family jewels. They obsess over their technology developments to provide you the best tools for your grooming experience. MANSCAPED is trusted by over 2 million men worldwide! We have an exclusive offer for my listeners - 20% off + free shipping with the code: LabelFree20 at   https://www.manscaped.com​ As always thank you for the support, to contact me directly follow the link below: https://www.labelfreepodcast.com​ Stay Healthy, Stay Ready- Deanna Marie Kuempel #ad​​ #sponsor​

Ep. 30, con Mario Mora y Ana Laura Iglesias | "El extravagante" Eric Satie se enfrenta en El Duelo de Clásica FM a "La leona del piano", Teresa Carreño. Dos estilos muy diferentes en un mismo momento musical, que baten con sus tres armas: una obra muy conocida, una menos conocida, y su mejor obra. Escúchalo hasta el final, y dinos: ¿quién es tu ganador?

  ★ Support the show by becoming a patron: https://www.patreon.com/atpercussion​​​ ★ Follow us on:  Facebook: https://www.facebook.com/atperc​​​ Instagram: https://www.instagram.com/atpercussion PodBean: https://atpercussion.podbean.com/​​​ Hosts: Ben Charles, Ksenija Komljenović, and Karli Viña Intro music by Reese Maultsby - reesemaultsby.com Watch here  Listen below  0:00 Intro and hello 2:45 Today in history: Eric Satie.  The "G" pieces.  Vexations and mental stamina.    16:40 Some on Minimalism.  Prospective and cumulation.    23:14 Getting yourself back into a performance space since we're likely finally getting to live performing 36:25 End of the Season (the 6 year season).  Favorites and hits?

"Art is the signature of civilizations." -Beverly SillsJoin the movement from the very beginning. If you believe that #thefutureiscreative, support us with a like, a follow, and a share.subscribe: YouTube  / Instagram / TikTok / Facebook / Twitter / Vero / Substack / Patreon It's a great honor to be interviewing Dr. Lynn Garafola today. She is a pioneering dance historian and the author of several books, including "Diaghilev's Ballet Russes" and the forthcoming "Nijinska Choreographer of Ballet's Avant Garde". If you google dance history, she's one of the first people that comes up, so we're very grateful to have the opportunity to discuss a topic with her which happens to be both dear to our hearts and one of her specialties. Dr. Garafola's historical analysis on the Balley Russes has a deep impact on what we do at Oscillations. As with our other interviews, what we're attempting to do today is translate a thoroughgoing expertise into knowledge that contributes to a holistic framework. Danielle and Brendan want to understand the 21st century human experience from the joint lens of cognitive science, art and society. We're looking for broad insights about the role of art in human society, and what the story of the Ballet Russes and its sphere of influence can tell us about human psychology and collaborative settings. What can we learn from a range of radically diverging opinions about art? And what can we learn from the creative works and processes that reflect a collision of renowned minds under unique historical circumstances?Today you'll hear the story of the most impactful performing arts company in the 20th century- a company whose incredible story intersects with an all-star lineup of historical figures in the late 19th and early 20th centuries including: Pablo Picasso, Coco Chanel, Igor Stravinsky, Eric Satie, Francis Poulenc, George Balanchine, Maurice Ravel, Jean Cocteau, Leon Bakst, Oscar Wilde, Mata Hari, Edward Bernays, Gertrude Stein, TS Eliot, Aldous Huxley,  e.e. Cummings, Zelda Fitzgerald, James Joyce, Virginia Woolf., John Maynard Keynes, Ida Rubenstein, Loie Fuller, Isadora Duncan, Johannes Brahms, Lincoln Kerstein, Enrico Cecchetti, and Claude Debussy to name just a few. 

From Erik Satie via Debussy to a famous pavane to Lennon/McCartney to Carlos Santana!

Be transformed by the haunting intensity of Brankovich’s performance in BLACK SWAN OF PIANO. Extending from the melancholic forms of 19th century composer Eric Satie to the dark, moving compositions of the pianist herself, this album invites listeners into the realms of the past, the war-torn images of her homeland, and a look into the immense possibilities for the musical future. Purchase the music (without talk) at: http://www.classicalsavings.com/store/p688/Black_Swan_of_Piano.html Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock #ClassicalMusicDiscoveries #KeepClassicalMusicAlive #LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans #CMDGermanOperaCompanyofBerlin #CMDGrandOperaCompanyofBarcelonaSpain #ClassicalMusicLivesOn #Uber Please consider supporting our show, thank you! http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com

Música pausada para el primer día de un nuevo año. La guitarra de Pat Metheny. El piano de Bruce Hornsby junto a Metheny y el de Carole King celebrando el año entrante y Tori Amos evocando a Eric Satie. La meditación a la brasileña de Lauren Henderson. Michael Franks también de celebración de Año Nuevo. Y Gino Vannelli recordando los días de trotamundos. Y no podía faltar Joni Mitchell dándonos calor desde el frío de enero. DISCO 1 PAT METHENY The Gathering Sky 9’27 DISCO 2 BRUCE HORSNBY Talk Of The Town 5’11 DISCO 3 LAUREN HENDERSON Meditação (Meditation) [feat. Sullivan Fortner, Eric Wheeler & Allan Mednard] 7’11 DISCO 4 GINO VANNELLI Gypsy Days 7’28 DISCO 5 JONI MITCHELL Come In From the Cold 7’31 DISCO 6 MICHAEL FRANKS The Way We Celebrate New Year's 6’24 DISCO 7 TORI AMOS Battle Of Trees 8’46 DISCO 8 CAROLE KING New Year’s Day 8’46 Escuchar audio

İçimizdeki kırpıntılar, piyanonun tuşlarına saklandı. Eric Satie bu saklambaç oyununda kırpıntılarımızı sobeledi. O yüzdendir ki Gnossienneler alır götürür bizi, bazen hüzünle bazen neşeyle. Seslendiren: Berfin KARAKAYA Yazan: İpek ÖZEL   Erişim Kanallarımız https://linktr.ee/MozartCulturesPodcast İnsanlığın Armonisi: Müzik Dünyanın ilk insanından günümüze değin kulakları ve sesleri olan bizler, müziği var ettik. Üstelik bu evrensel dili hepimiz konuşabiliyoruz. Kalplerimize dokunan müzik, bedensel kıpırdanmalarımız oluyor kimi zaman. Bu podcast serimizde trenimiz; cazdan saza, Türk sanat müziğinden Batı müziğine dek vagonlarını uzatıyor. Ölümsüz sanatçıların doğuşlarından ve müziğe dair birçok şeyden söz ediyoruz. Mozartcultures; Türkiye' de tamamı gönüllülerden oluşan ve kâr amacı gütmeyen bir kuruluş olarak,sanatı ve bilimi güneşin doğup battığı tüm topraklara yayabilmek amacıyla çıktığımız bu yolda sizlere çok değerli podcast yayınları dinletmeyi amaçlıyoruz.  

Comienza en LREM subiendo el telón para conocer la situación de las Artes Escénicas en el Principado. Para alimentar la esperanza brindar con un Vino de Cangas, que vive un buen año de producción. Aprovechando que en Gijón se celebra la cita con la lírica POEX20 Jorge Alonso traza semblanza de uno de nuestros poetas más universales, Ángel González. A Miguel Trevín, a caballo entre el campo y la ciudad, le preguntamos por el precio de la vivienda en la comarca de Oscos, que, al parecer, se ha disparado en los últimos tiempos. Una fiesta medieval para toda la familia organizada por Blinca, la música de Eric Satie contada por nuestro profe de acústica Miguel Fernández, el cine que hoy cumple años y las experiencias nocturnas (buenas y malas) de nuestros oyentes completan el menú.

Comienza en LREM subiendo el telón para conocer la situación de las Artes Escénicas en el Principado. Para alimentar la esperanza brindar con un Vino de Cangas, que vive un buen año de producción. Aprovechando que en Gijón se celebra la cita con la lírica POEX20 Jorge Alonso traza semblanza de uno de nuestros poetas más universales, Ángel González. A Miguel Trevín, a caballo entre el campo y la ciudad, le preguntamos por el precio de la vivienda en la comarca de Oscos, que, al parecer, se ha disparado en los últimos tiempos. Una fiesta medieval para toda la familia organizada por Blinca, la música de Eric Satie contada por nuestro profe de acústica Miguel Fernández, el cine que hoy cumple años y las experiencias nocturnas (buenas y malas) de nuestros oyentes completan el menú.

Comienza en LREM subiendo el telón para conocer la situación de las Artes Escénicas en el Principado. Para alimentar la esperanza brindar con un Vino de Cangas, que vive un buen año de producción. Aprovechando que en Gijón se celebra la cita con la lírica POEX20 Jorge Alonso traza semblanza de uno de nuestros poetas más universales, Ángel González. A Miguel Trevín, a caballo entre el campo y la ciudad, le preguntamos por el precio de la vivienda en la comarca de Oscos, que, al parecer, se ha disparado en los últimos tiempos. Una fiesta medieval para toda la familia organizada por Blinca, la música de Eric Satie contada por nuestro profe de acústica Miguel Fernández, el cine que hoy cumple años y las experiencias nocturnas (buenas y malas) de nuestros oyentes completan el menú.

Comienza en LREM subiendo el telón para conocer la situación de las Artes Escénicas en el Principado. Para alimentar la esperanza brindar con un Vino de Cangas, que vive un buen año de producción. Aprovechando que en Gijón se celebra la cita con la lírica POEX20 Jorge Alonso traza semblanza de uno de nuestros poetas más universales, Ángel González. A Miguel Trevín, a caballo entre el campo y la ciudad, le preguntamos por el precio de la vivienda en la comarca de Oscos, que, al parecer, se ha disparado en los últimos tiempos. Una fiesta medieval para toda la familia organizada por Blinca, la música de Eric Satie contada por nuestro profe de acústica Miguel Fernández, el cine que hoy cumple años y las experiencias nocturnas (buenas y malas) de nuestros oyentes completan el menú.

In deze aflevering van de Gave Wijven Podcast vertelt Heidi Olijerhoek, eigenaar en oprichter van Babassu, over haar carrière, activiteiten, nevenactiviteiten, voorkeuren, adviezen en handtas. Ze vertelt over hoe ze in 1998 een klein bedrijf in Leiden opstartte en er vervolgens voor gezorgd heeft dat ze nu 5 vestigingen en een goedlopende webshop heeft, dat het belangrijk is dat je als ondernemer niet te snel moet willen groeien, wat het belang ervan is dat je goed in je vel steekt en waarom het soms fijn is om naar keiharde gitaarmuziek te luisteren. Als tips heeft Heidi voor ons: de boeken van Niccolò Ammaniti, de serie 'Black Mirror', de films 'Jagten', 'Festen' en 'Crouching Tiger, Hidden Dragon', de muziek van Metallica, Jimi Hendrix, Rage Against The Machine, Cat Power, Eric Satie, en 'Psyence Fiction' van Unkle. Je kan Heidi op LinkedIn vinden; de website van Babassu is www.babassu.nl.

Alfred Nobel chockade världen genom att testamentera huvuddelen av sin förmögenhet, som i dagens penningvärde uppgick till 2,2 miljarder kronor, till en fond vars avkastning skulle gå till pris åt dem ”som under det förlupne året hafva gjort menskligheten den största nytta”.Den svenske kungen Oskar II förargades över att Nobels fredspris skulle delas ut av det norska stortinget som arbetade allt mer högljutt för att Norge skulle lämna unionen med Sverige. Andra var kritiska till att pengarna skulle ges till utlänningar. Och en stor del av Nobels släktingar arbetade målmedvetet på att ogiltigförklara testamentet.I avsnitt 80 av podden Historia Nu samtalar programledare Urban Lindstedt med journalisten och författaren Ingrid Carlberg som är aktuell med boken Nobel - Den gåtfulle Alfred, hans värld och hans pris.Men vem var egentligen Alfred Nobel? Det finns en märklig motsättning inom Alfred Nobels person där han ägnade en stor del av sitt liv att förbättra vapen och militär teknik samtidigt som han instiftade Nobels fredspris och var vän med fredsaktivister. Alfred Nobel var en tillbakadragna uppfinnare som länge närde litterära ambitioner, som blivit oerhört rik på sin uppfinning dynamiten. Alfred hade fått fadern Immanuels kreativitet som uppfinnare, men var bättre på entreprenörskap än fadern och att faktiskt tjäna pengar på sina patent.Han levde relativt enkelt och tillbakadraget, men var oerhört generös mot släkten, vetenskapsmän och ibland äventyrare och rena skojare.Bild: Alfred Nobel av Emil Österman, Public DomainMusik: Gnosienne av Eric Satie, Storyblock AudioSee acast.com/privacy for privacy and opt-out information. See acast.com/privacy for privacy and opt-out information.

Homme toimub Lennujaama avatud alal omapärane kontsert, kus Arko Narits esitab Eric Satie teose "Vexations".

Homme toimub Lennujaama avatud alal omapärane kontsert, kus Arko Narits esitab Eric Satie teose "Vexations".

On this episode I discuss The Gifted School by Bruce Holsinger, Lock Every Door by Riley Sager and other great books!Subscribe to Books are my People using RSS, iTunes, or SpotifyBooks Discussed:The Gifted School by Bruce HolsingerI.M.: a Memoir by Isaac MizrahiTo Night Owl From Dogfish by Holly Goldberg Sloan and Meg WolitzerLock Every Door by Riley SagerThe Vexations by Caitlin HorrockOther things mentioned:I will be teaching a Young Adult Novel Intensive Workshop through UCLA Extension's Writers' Program over two weekends in the fall on the UCLA campus. I will be teaching Young Adult Novel I online through UCLA Extension's Writers' Program in the fall. I will be teaching a workshop on revision and Twitter Pitch Parties in the Los Angeles area on October 5th brought to you by the Children's Book Writers of Los Angeles. I am hosting a giveaway of the novel Marilou is Everywhere by Sarah Elaine Smith. You can enter through my instagram account @jennifercaloyeras. The giveaway ends October 1st. And that's it! Find me on Instagram @jennifercaloyerasTwitter @jencaloyeraswww.jennifercaloyeras.comwww.booksaremypeople.com

De belangrijkste wielerronde van het jaar gaat weer van start. Terwijl renners de pedalen draaien, draait Radio Ritmundo mee. Vier jaar oud zag ik de Tour voor het eerst voorbijflitsen op de Van Alkemadelaan in Den Haag. Want de Ronde van 1954 startte in Amsterdam, liep via Scheveningen (zie foto) en finishte in Brasschaat met de legendarische Woutje Wagtmans als winnaar. Daar hoort muziek bij, maar nu eens geen grijsgedraaide Franse hits. In 4 etappes peddelt Stan Rijven tijdens de Tour langs andere toppen uit de Franse populaire muziek. Vandaag de eerste etappe met verdwaalde chansons van Guy Béart en Marie Laforêt, melancholische pop van De Palmas en Francoise Hardy plus een accent grâve op Eric Satie en Serge Gainsbourg.

Ciclos de conferencias: Cuatro ciudades. Episodios de la historia cultural del siglo XX en Occidente (II). París 1918-1945: Picasso, Le Corbusier, Breton. Luis Fernández-Galiano. Tras el Armisticio que puso fin a la Gran Guerra, París se convirtió en la ciudad favorita de la intelligentsia internacional y una indubitada capital de las artes. Desvanecidos los fulgores de la Belle Époque tras el drama bélico, la urbe embellecida por la colosal transformación de Haussmann vivió unos años de feliz explosión creativa, descritos por Ernest Hemingway como una fiesta permanente. Fue el tiempo de Cocteau y su retorno al orden, de Breton y la revolución surrealista, de Diághilev y los Ballets Rusos, de Ravel o Eric Satie, de Modigliani y la variopinta Escuela de París: una etapa presidida por la gigantesca figura de Picasso, que había abandonado ya el cubismo desarrollado junto a Braque, pero que vio florecer sus geometrías analíticas en la obra de un arquitecto que adoptó el nombre Le Corbusier en 1920, construyó villas blancas y abstractas para los mismos americanos que compraban pinturas de Picasso y propuso transformaciones radicales de París. En 1925 su pabellón del Esprit Nouveau se alejó de la estética kitsch del Art déco dominante en la gran exposición de ese nombre, y en la de 1937 su discípulo Sert levantó un pabellón de la España en guerra con el Guernica como icono. Pero la futura conflagración se anunciaba allí en los pabellones enfrentados de Alemania y la URSS, y si nuestro relato ha llevado su término hasta 1945 es solo para recordar la colaboración de Le Corbusier con el régimen de Vichy o los estrenos de Sartre en el París ocupado. Explore en www.march.es/conferencias/anteriores el archivo completo de Conferencias en la Fundación Juan March: casi 3.000 conferencias, disponibles en audio, impartidas desde 1975.

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This question was sent by Anders and he wrote: Hi Vidas and Ausra! I´m following the information you give with great interest. I have been playing the piano for a while but I´m not very good at it, though I really love it and listening to great music, Classic as well as Jazz and Ragtime. In the last period I have started to think much about playing the organ and I've asked the local organist to give me lessons (lessons are free in the Swedish Church) and I hope lessons will start this autumn. I bought an old Electronic organ but am extremely disappointed since the sound is outright awful. It´s not what is called a Church organ, they´re much more expensive. I will throw my Electronic organ and buy some good instrument with a really good sound. The short answer to the questions are: 1.) My Dream is to be able to play "well enough" on the organ some of my favorite music on a good pipe organ. This I wish to do in a Church where I can enjoy the fantastic and mysterious sound of the different voices of the pipes. 2.) What is stopping me is really nothing except: A.) The feeling that I have no time (I do have long working days and other commitments) B.) The feeling that my wife really doesn't enjoy listening to me repeating the difficult parts over and over again. Though she doesn't complain. C.) The lack of a good instrument. And these three things shouldn't stop me. I know and I´m working on it... Now I´ll explain what I mean by playing "well enough": It´s not at all necessary for me to dream of reaching a level of high professionalism, though I fully understand and wish to play with correctness and musicality. For me it´s better to listen to an amateur playing a simple piece very well instead of some half-professional doing a sloppy job on too complicated pieces. I think that for me it will be much more realistic to find, or even better, to be able to arrange the music so it will be simple but still beautiful and retaining the real spirit and essence of the pieces. For that I obviously will have to learn about music theory and learn to play chords and their inversions etc. Maybe not so impossible. For instance i have maybe 5-6 different versions of some piece of music ranging from the very simple to the very difficult. And it´s far from always the fastest version with most notes and difficult fingering that catches the essentials! Thank god for that. I have some rather simple pieces that are really beautiful if you perform them correct and with real spirit. My taste includes classical pieces such as "Poem" by Fibich, pieces by Grieg and Delius and some very nice pieces by Eric Satie. Some jazz pieces I wish to play are maybe not very well known but some are jazz standards. I especially point out some outstanding jazz recordings made by Fats Waller in 1927 on a Church pipe organ (Estey). There has not been any recordings of jazz organ to compare with before or after these few musical pearls, so rich in harmony and feeling. Of course I will never be able to play like Waller did, far from. But maybe be able to play some simplified and still beautiful version in a not too fast tempo. In my opinion speed is not often very important, many pieces win on being played slower but correctly giving time to listen to the music. As a rounding off I wish to say that I fully appreciate and try to apply the principles of slow playing in practice, repeating until I play without faults and learning a piece step by step. Actually I was smiling with remembrance when I read through your "Organ practice is a privilege". The reason is that I already knew about the principles since my last wife was a really good piano teacher (from St Petersburg). And she applied these rules. Before she died 6 years ago I was lucky to learn the importance of these rules, though I was never a very good pupil. And it was maybe not so easy to have the wife as a teacher (she was really serious). Best of Wishes, Anders from Sweden

Les Heures séculaires, Les Sélène : Olivier Brandicourt et Laura Lagillardaie, d'après Eric Satie. Jardin du musée Vouland.

Ioanna and Zara chat about performance anxiety and the interesting life of Eric Satie.

07.06.1920: Paris erlebt das Festival Eric Satie

En film, der er optaget efter partituret. En musik, der har plads til oprigtighed og inderlighed En opera til Folket, som Folket ikke vil have. Et pladekøb, der begynder som et mysterie og viser sig at være en kærlighedshistorie. Endda en kompliceret én af slagsen. Denne LYDKUNST-podcast handler om to kunstnere, der har været gift med hinanden, arbejdet tæt sammen, men som også har haft to fuldstændig forskellige kunstkarrierere. Henning og Ursula Reuter Christiansen mødte hinanden til en performance i Düsseldorf arrangeret af den tyske Fluxus-kunstner Joseph Beuys i 1966. I 1968 bliver de gift og året efter får de deres første barn. Op gennem 70’erne skaber de flere kollektive kunstprojekter, både sammen og hver for sig, og i samarbejder med andre eksperimenterende kunstnergrupperinger, som f.eks. ABCinema og Eks-skolen. De to kunstnere er igen aktuelle: På Museet for Samtidskunst i Roskilde viser de lige nu udstillingen “Christiansen i Høj Sø - Nyromantik i Henning Christiansens kunst i 1970’erne”, som sætter fokus på en overset periode i kunstneren og komponisten Henning Christiansens arbejde. En periode som starter med kompositionerne “Satie i Høj Sø”, inspireret af den franske komponist Eric Satie, og slutter med kompositionerne til filmatiseringen af Hans Scherfigs roman “Den Otteøjede Skorpion”, som blev et kæmpe flop og en mindre medieskandale. På Statens Museum for Kunst kan man lige nu opleve en udstillingen omkring filmen “Skarpretteren”, som anses for at være et af de vigtigste værker i dansk feministisk kunst. Filmen viser Reuter Christiansen i en serie tableauer: som Moderen, der leger med sit barn, som den opofrende kvinde, der ammer en udmattet soldat, og slutter med at Kvinden lader sig halshugge af Skarpretteren. Den ene kvinde må dø for at den anden kan eksistere. I denne podcast møder du kurator Magnus Kaslov, som står bag udstillingen på Museet for Samtidskunst. Og så møder du Ursula Reuter Christiansen som fortæller om deres tætte samarbejde, men også om den daglige kamp, det har været at holde fast i sig selv og sit kunstneriske virke, når hun samtidig skulle tage sig af børn, gård og husholdning. Lyt med og få svaret på, hvordan det kan være at Henning Christiansen, som er kendt for sin rolle i fluxusbevægelsen og for sine stramme, minimalistiske værker, pludselig sætter sig ved klaveret og komponerer skønne valse, operette og - i tonesproget - langt mere traditionel musik. Fakta: Ursula Reuter Christiansen (f. 1943 i Trier, Tyskland) blev uddannet i 1969 fra Akademie der Künste i Düsseldorf, hvorfra blev kåret som mesterelev. Reuter Christiansen har været professor ved kunstakademiet i Hamburg fra 1992-97 og professor i malerkunst ved Det Kongelige Danske Kunstakademi i København fra 1997- 2006, som den 2. kvinde. Hum har udstillet på Charlottenborg (2016), MOCA, Los Angeles (2007-08), Kunsthallen Brandts Klædefabrik (2000) m.fl. Derudover repræsenterede hun og Henning Christiansen Danmark på Venedig Biennalen i 2001, hvor elementer fra Skarpretteren, var en del af udstillingen. Henning Christiansen (1932-2008) var komponist og billedkunstner. Christiansen havde studeret til klarinettist på Det Kongelige Danske Musikkonservatorium i starten af 1950’erne og vendte i 1961 tilbage for at studere videre til komponist. I 1985 blev han professor ved Hochschule für Bildende Künste i Hamburg, og han skabte en stor mængde visuelle værker, performances og installationer. Denne podcast er blevet til med støtte fra Statens Kunstfond og Dansk Komponistforening/KODA's kulturelle midler. I LYDKUNST-redaktionen sidder Anne Neimann Clement og Rosa Marie Frang. Denne podcast bruger klip fra følgende af Henning Christiansens kompositioner; "7 sange til Anna (Brøndum Ancher) op. 89" (1974), "Det er forår op. 56" (1970), "Satie i høj sø. op. 52" (1969), "Den otteøjede skorpion" (1979) og fra filmen "Skarpretteren" (1969).

Troubadours & Raconteurs, Elephants & Bison oh my... We have for your listening pleasure Episode 257 of "Troubadours and Raconteurs with E.W. Conundrum Demure" - Small Batch Radio crafted In North Eastern Pennsylvania... Heard All Over The World. Episode 257 features a conversation with Regular Contributor, Environmental Law Attorney Michael Harris. Michael and I discuss Animal Rights, Autonomy, African Elephants, Mass Extinction, the Department of the Interior' s kinky Zinke & his Freakin Flag, Bison in Yellowstone & Fearful Cattle Ranchers ... Episode 257's sixty minutes includes an E.W. Essay titled "Melody." Our Associate Producer Dr. Michael Pavese shares a passage from Bangladeshi writer Rabindranath Tagore's "The Gardner" and a poem titled "Recovery." We have poem called "This Day." Our music this go round is provided by these wonderful artists: Django Reinhardt, Stephan Grapelli, the Talking Heads, Eric Satie, Ronan O'Hara, James Maddock, William Tyler, Janko Nilovic, Branford Marsalis and Terrence Blanchard. Commercial Free, Community Radio at its Finest. Share this episode with whomever you choose. Tell your Friends and Neighbors... Become a friend via facebook - Freespeakandsome Withewconundrum. Follow us on Twitter @FreespeakWit.

Matthew Sweet and Neil Brand look back on the Golden Age of the cinema in the first of two programmes charting scores in which composers rethought the nature of film music. In today's programme music by Camille Saint-Saëns; Eric Satie; Max Steiner; Kerry Mills and Hugh Martin; Dmitri Tiomkin; Leith Stevens; Bernard Herrmann and Ennio Morricone.

- direkte fra Snitteskolen på Oremandsgård Gods ved Præstø med pianisten Alexandre Tharaud og Elias Kvartetten. Musik af Eric Satie og César Franck samt arrangementer af skotske folkesange. Vært: Mathias Hammer.

Today in 1882, Eric Satie was expelled from the Paris Conservatory.  Why did this happen and what did he accomplish as a result? Find out these answers--as well as what else happened to him on this day in 1908--on today's "A Classical Day in the Life."

Jean Cocteau was a true Jacques-of-all-trades. Throughout his life and career he garnered both critical and popular acclaim as a filmmaker, playwright, designer, author, and poet. His inner circle of friends and collaborators included Pablo Picasso, Igor Stravinsky, Coco Chanel, Eric Satie, and Marlene Dietrich. Cocteau penned Les Enfants Terribles (1929) during a week of... Read More

Ich weiß, ich weiß, über Musik zu reden ist wie über Architektur zu tanzen – Sebi aka Sebé und ich tun's trotzdem und stellen uns in dieser Episode der Herausforderung, dem rätselhaften Phänomen der Organisation von Schallereignissen mittels gesprochener Worte näher auf den Grund zu gehen. Er schenkt mir neben vielen Details über seine eigene Musikerwerdung eine gedankenprovozierende Idee über das Stück "Vexations" von Eric Satie, sowie die Erlaubnis, diese Folge mit seinem neusten Werk "A Place" beenden zu dürfen.

All the life in a few seconds. This is love, this is death, this is the emotion of music.

Programme de Rubén Marino TOLOSA pour webSYNradio : LUX RESONARE. Avec les sons de : Chris Hinze, Invisible, Rahim Alhaj, Buddhist Monks of Drepung, Pablo Marquez, Eric Satie, Anna Raimondo, Carlos Negro Aguirre, Janina Angel Bath, David Lebon, Renata Roman, Soda Stereo, Michael Hoenig, Hermeto Pascoal, David Rothenberg, Antonio Zepeda, Fer Isella , Carlé Cost, Zahra Mani, Irina Mikhailova, Sally McIntyre, Gustavo Cerati, Daniel Melero, Peter Michael Hamel, Valentina Villarroel Ambiado

Programme de Adam Nankervis pour webSYNradio : another vacant space avec des sons de Prokofiev, Vladimir Maiakovsky, Dmitri Shostocovich, David Medalla, Fred Astaire and Ginger Rogers, Herbert Huncke, Kurt Schwitters, COIL, EE Cummings, Moondog, Eric Satie, Tobacco, William Blake, Justice, Ghedalia Tazartes, Constantin Kavafy, Lan Hungh, Valerie Vivancos.

Areti interviews Bob with some great questions. Bob answers in his direct and simple usual fashion. This interview is bound to resonate with anyone who is already opening up to the message. There are download-able meetings on Bob’s Website. Music by Annour Brahem and one piece by Eric Satie. This podcast is FREE. For those […]