Podcasts about haussmannization

For the 32nd episode of "Reading the Art World," host Megan Fox Kelly speaks with Mary Morton, Curator and Head of the Department of French Paintings, and Kimberly Jones, Curator of 19th Century French Paintings at the National Gallery of Art in Washington, D.C. Together, they discuss their work on the landmark exhibition, “Paris 1874: The Impressionist Moment,” and the accompanying exhibition catalogue.The conversation centers on the daring spirit of the first Impressionist exhibition in 1874, a moment that saw artists defy the prestigious Paris Salon to showcase new ways of capturing modern life. Jones and Morton share insights into the forces behind Impressionism's revolutionary appeal, from the political and social upheavals in France to the transformation of Paris under Haussmannization. They explain how these changes inspired artists to redefine not only the subjects they painted but also how art itself was exhibited and experienced.This exhibition and catalog shine a light on lesser-known figures who were critical to the movement's evolution, challenging visitors to unlearn what they think they know about Impressionism. With its juxtapositions of Salon and Impressionist works, “Paris 1874: The Impressionist Moment” allows audiences to feel the radical nature of these pieces that once shocked critics but are now beloved worldwide.“Paris 1874: The Impressionist Moment”  is on view at the National Gallery of Art in Washington, D.C. through January 19, 2025. Learn more here: https://www.nga.gov/exhibitions/2024/paris-1874-impressionist-moment.htmlABOUT THE CURATORSMary Morton has been curator and head of French paintings at the National Gallery of Art since 2010. She previously served as associate curator of paintings at the J. Paul Getty Museum (2004–2010) and associate curator of European art at the Museum of Fine Arts (MFA), Houston (1998–2004). In 2018, Morton was awarded the Chevalier of the Order of Arts and Letters by France's Ministry of Culture. Morton received her PhD from Brown University (1998), concentrating on 19th- and early 20th-century European painting. She also holds a BA in history from Stanford University (1987).Kimberly A. Jones has been curator of nineteenth-century French paintings at the National Gallery of Art since 2016. A former museum fellow at the Musée national du château de Pau (1990–1991) and the Musée d'Orsay, Paris (1993–1994), she joined the curatorial staff of the National Gallery of Art in 1995 as assistant curator of French paintings. Jones holds a PhD and MA from the University of Maryland with specialization in 19th-century European and American art, as well as a dual degree in art history and studio art from Western Maryland College (now McDaniel College).PURCHASE THE BOOK: https://shop.nga.gov/paris-1874-the-impressionist-moment SUBSCRIBE, FOLLOW AND HEAR INTERVIEWS:For more information, visit meganfoxkelly.com, hear our past interviews, and subscribe at the bottom of our Of Interest page for new posts.Follow us on Instagram: @meganfoxkelly"Reading the Art World" is a live interview and podcast series with leading art world authors hosted by art advisor Megan Fox Kelly. The conversations explore timely subjects in the world of art, design, architecture, artists and the art market, and are an opportunity to engage further with the minds behind these insightful new pub

Episode 109: Bread and Circuits: Illness, Food, and the Course of Empire in Algeria In the midst of ongoing drought, famine, and epidemic disease in the 1860s, a few settlers in Algiers got sick with a mysterious illness. Investigations determined that the culprit was construction debris from the Haussmannization of Paris, shipped across imperial channels and then used as fuel in a few Algiers bakeries. Lead pain become poison in loaves as this material combusted in colonial bread ovens. The modernization of the imperial metropole, that is, turned into toxic debris in the colony. In this podcast, Dr. Brock Cutler takes a look at how this story about poisoned bread can expose the filaments that tied together an imperial space in the western Mediterranean, along the way illuminating the role bread played in performances of modern imperialism. Dr. Brock Cutler is an Associate Professor in the Department of History at Radford University. He is the author of numerous articles and book chapters dealing with ecology and history in North Africa. His forthcoming book, "Crisis Ecologies: Imperialism, Death, and Debris in Algeria," centered around a massive ecological disaster in which 800,000 Algerians died between 1865 and 1872, explores how the new eco-social dynamics in the late nineteenth century cleaved societies from environments and people from society, creating the new insides and outsides of modernity and imperialism. This episode is part of “Health and Humanities in the Maghrib” a lecture series by the American Institute for Maghrib Studies (AIMS), organized by the Centre d'Études Maghrébines à Tunis (CEMAT) and the Centre d'Études Maghrébines en Algérie (CEMA), in close collaboration with the Tangier American Legation Institute for Moroccan Studies (TALIM). It was recorded on the 15th of October 2020 between Oran, Radford (VA), St. Petersburg (FL) and Tunis. Dr. Adam Guerin, Associate Professor in the Department of History at Eckerd College, moderated the lecture and debate. To see related slides visit our web site www.themaghribpodcast.com We thank Dr. Jonathan Glasser, Cultural Anthropologist at the College of William & Mary for his istikhbar in sika on viola for the introduction and conclusion of this podcast.   Realization and editing:  Hayet Lansari, Librarian, Outreach Coordinator, Content Curator (CEMA).

When is the last time you looked at/consulted a paper map? Perhaps you have one hanging on a wall at home or work, framed or not. Or maybe you have some old road maps in a stack somewhere, as I do, sitting untouched since various digital forms have made printed map reading and handling something most of us rarely (if ever) do. Reading Kory E. Olson’s The Cartographic Capital: Mapping Third Republic Paris (Liverpool University Press, 2018) reminded me how much I used to, and still sort of love maps, especially maps of the French capital. Coming at the history of urbanism through the city’s official maps over several decades, the book examines an evolving map discourse and literacy in France that was caught up with the evolution of technologies for producing, printing, and distributing maps; the history of public education; and the massive changes to the city brought about by industrialization, population growth, and new forms of transportation and mobility. Pursuing the period that followed Haussmannization’s massive overhaul of the city, including those plans and changes that continued to be implemented for decades after Haussmann’s own tenure as Prefect of the Seine, The Cartographic Capital situates the urban geography of Paris and the very material of maps of the city at the heart of the story of Republican national consolidation, from the initial stabilization of the Third Republic to the 1930s. A history of depictions of the capital over time, the book also charts (!) a shift in the temporal orientation of maps, from their use as a form of historical documentation, to an emphasis on maps as accurate representations of geographic space in the present, to the emergence of maps intended to plan and shape the future of the city and its environs. Maps were a means by which government at different levels attempted to organize and control urban space. They were also a changing medium that reflected and shaped the geographic imaginations of map makers and map readers over time. The Cartographic Capital will be of tremendous interest to readers captivated by the history of Paris per se, as well as those fascinated by the histories of urbanism and space more broadly. Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and its empire. She is the author of Future Tense: The Culture of Anticipation in France Between the Wars (2009). Her current research focuses on the history of French nuclear weapons and testing since 1945. Her most recent article, '"No Hiroshima in Africa": The Algerian War and the Question of French Nuclear Tests in the Sahara' appeared in the Spring 2019 issue of History of the Present. She lives and reads in Vancouver, Canada and hopes all listeners are keeping healthy and safe at this difficult time in our world. If you have a recent title to suggest for the podcast, please send her an email (panchasi@sfu.ca) Learn more about your ad choices. Visit megaphone.fm/adchoices

When is the last time you looked at/consulted a paper map? Perhaps you have one hanging on a wall at home or work, framed or not. Or maybe you have some old road maps in a stack somewhere, as I do, sitting untouched since various digital forms have made printed map reading and handling something most of us rarely (if ever) do. Reading Kory E. Olson’s The Cartographic Capital: Mapping Third Republic Paris (Liverpool University Press, 2018) reminded me how much I used to, and still sort of love maps, especially maps of the French capital. Coming at the history of urbanism through the city’s official maps over several decades, the book examines an evolving map discourse and literacy in France that was caught up with the evolution of technologies for producing, printing, and distributing maps; the history of public education; and the massive changes to the city brought about by industrialization, population growth, and new forms of transportation and mobility. Pursuing the period that followed Haussmannization’s massive overhaul of the city, including those plans and changes that continued to be implemented for decades after Haussmann’s own tenure as Prefect of the Seine, The Cartographic Capital situates the urban geography of Paris and the very material of maps of the city at the heart of the story of Republican national consolidation, from the initial stabilization of the Third Republic to the 1930s. A history of depictions of the capital over time, the book also charts (!) a shift in the temporal orientation of maps, from their use as a form of historical documentation, to an emphasis on maps as accurate representations of geographic space in the present, to the emergence of maps intended to plan and shape the future of the city and its environs. Maps were a means by which government at different levels attempted to organize and control urban space. They were also a changing medium that reflected and shaped the geographic imaginations of map makers and map readers over time. The Cartographic Capital will be of tremendous interest to readers captivated by the history of Paris per se, as well as those fascinated by the histories of urbanism and space more broadly. Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and its empire. She is the author of Future Tense: The Culture of Anticipation in France Between the Wars (2009). Her current research focuses on the history of French nuclear weapons and testing since 1945. Her most recent article, '"No Hiroshima in Africa": The Algerian War and the Question of French Nuclear Tests in the Sahara' appeared in the Spring 2019 issue of History of the Present. She lives and reads in Vancouver, Canada and hopes all listeners are keeping healthy and safe at this difficult time in our world. If you have a recent title to suggest for the podcast, please send her an email (panchasi@sfu.ca) Learn more about your ad choices. Visit megaphone.fm/adchoices

When is the last time you looked at/consulted a paper map? Perhaps you have one hanging on a wall at home or work, framed or not. Or maybe you have some old road maps in a stack somewhere, as I do, sitting untouched since various digital forms have made printed map reading and handling something most of us rarely (if ever) do. Reading Kory E. Olson’s The Cartographic Capital: Mapping Third Republic Paris (Liverpool University Press, 2018) reminded me how much I used to, and still sort of love maps, especially maps of the French capital. Coming at the history of urbanism through the city’s official maps over several decades, the book examines an evolving map discourse and literacy in France that was caught up with the evolution of technologies for producing, printing, and distributing maps; the history of public education; and the massive changes to the city brought about by industrialization, population growth, and new forms of transportation and mobility. Pursuing the period that followed Haussmannization’s massive overhaul of the city, including those plans and changes that continued to be implemented for decades after Haussmann’s own tenure as Prefect of the Seine, The Cartographic Capital situates the urban geography of Paris and the very material of maps of the city at the heart of the story of Republican national consolidation, from the initial stabilization of the Third Republic to the 1930s. A history of depictions of the capital over time, the book also charts (!) a shift in the temporal orientation of maps, from their use as a form of historical documentation, to an emphasis on maps as accurate representations of geographic space in the present, to the emergence of maps intended to plan and shape the future of the city and its environs. Maps were a means by which government at different levels attempted to organize and control urban space. They were also a changing medium that reflected and shaped the geographic imaginations of map makers and map readers over time. The Cartographic Capital will be of tremendous interest to readers captivated by the history of Paris per se, as well as those fascinated by the histories of urbanism and space more broadly. Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and its empire. She is the author of Future Tense: The Culture of Anticipation in France Between the Wars (2009). Her current research focuses on the history of French nuclear weapons and testing since 1945. Her most recent article, '"No Hiroshima in Africa": The Algerian War and the Question of French Nuclear Tests in the Sahara' appeared in the Spring 2019 issue of History of the Present. She lives and reads in Vancouver, Canada and hopes all listeners are keeping healthy and safe at this difficult time in our world. If you have a recent title to suggest for the podcast, please send her an email (panchasi@sfu.ca) Learn more about your ad choices. Visit megaphone.fm/adchoices

When is the last time you looked at/consulted a paper map? Perhaps you have one hanging on a wall at home or work, framed or not. Or maybe you have some old road maps in a stack somewhere, as I do, sitting untouched since various digital forms have made printed map reading and handling something most of us rarely (if ever) do. Reading Kory E. Olson’s The Cartographic Capital: Mapping Third Republic Paris (Liverpool University Press, 2018) reminded me how much I used to, and still sort of love maps, especially maps of the French capital. Coming at the history of urbanism through the city’s official maps over several decades, the book examines an evolving map discourse and literacy in France that was caught up with the evolution of technologies for producing, printing, and distributing maps; the history of public education; and the massive changes to the city brought about by industrialization, population growth, and new forms of transportation and mobility. Pursuing the period that followed Haussmannization’s massive overhaul of the city, including those plans and changes that continued to be implemented for decades after Haussmann’s own tenure as Prefect of the Seine, The Cartographic Capital situates the urban geography of Paris and the very material of maps of the city at the heart of the story of Republican national consolidation, from the initial stabilization of the Third Republic to the 1930s. A history of depictions of the capital over time, the book also charts (!) a shift in the temporal orientation of maps, from their use as a form of historical documentation, to an emphasis on maps as accurate representations of geographic space in the present, to the emergence of maps intended to plan and shape the future of the city and its environs. Maps were a means by which government at different levels attempted to organize and control urban space. They were also a changing medium that reflected and shaped the geographic imaginations of map makers and map readers over time. The Cartographic Capital will be of tremendous interest to readers captivated by the history of Paris per se, as well as those fascinated by the histories of urbanism and space more broadly. Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and its empire. She is the author of Future Tense: The Culture of Anticipation in France Between the Wars (2009). Her current research focuses on the history of French nuclear weapons and testing since 1945. Her most recent article, '"No Hiroshima in Africa": The Algerian War and the Question of French Nuclear Tests in the Sahara' appeared in the Spring 2019 issue of History of the Present. She lives and reads in Vancouver, Canada and hopes all listeners are keeping healthy and safe at this difficult time in our world. If you have a recent title to suggest for the podcast, please send her an email (panchasi@sfu.ca) Learn more about your ad choices. Visit megaphone.fm/adchoices

When is the last time you looked at/consulted a paper map? Perhaps you have one hanging on a wall at home or work, framed or not. Or maybe you have some old road maps in a stack somewhere, as I do, sitting untouched since various digital forms have made printed map reading and handling something most of us rarely (if ever) do. Reading Kory E. Olson’s The Cartographic Capital: Mapping Third Republic Paris (Liverpool University Press, 2018) reminded me how much I used to, and still sort of love maps, especially maps of the French capital. Coming at the history of urbanism through the city’s official maps over several decades, the book examines an evolving map discourse and literacy in France that was caught up with the evolution of technologies for producing, printing, and distributing maps; the history of public education; and the massive changes to the city brought about by industrialization, population growth, and new forms of transportation and mobility. Pursuing the period that followed Haussmannization’s massive overhaul of the city, including those plans and changes that continued to be implemented for decades after Haussmann’s own tenure as Prefect of the Seine, The Cartographic Capital situates the urban geography of Paris and the very material of maps of the city at the heart of the story of Republican national consolidation, from the initial stabilization of the Third Republic to the 1930s. A history of depictions of the capital over time, the book also charts (!) a shift in the temporal orientation of maps, from their use as a form of historical documentation, to an emphasis on maps as accurate representations of geographic space in the present, to the emergence of maps intended to plan and shape the future of the city and its environs. Maps were a means by which government at different levels attempted to organize and control urban space. They were also a changing medium that reflected and shaped the geographic imaginations of map makers and map readers over time. The Cartographic Capital will be of tremendous interest to readers captivated by the history of Paris per se, as well as those fascinated by the histories of urbanism and space more broadly. Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and its empire. She is the author of Future Tense: The Culture of Anticipation in France Between the Wars (2009). Her current research focuses on the history of French nuclear weapons and testing since 1945. Her most recent article, '"No Hiroshima in Africa": The Algerian War and the Question of French Nuclear Tests in the Sahara' appeared in the Spring 2019 issue of History of the Present. She lives and reads in Vancouver, Canada and hopes all listeners are keeping healthy and safe at this difficult time in our world. If you have a recent title to suggest for the podcast, please send her an email (panchasi@sfu.ca) Learn more about your ad choices. Visit megaphone.fm/adchoices

In his provocative new book, Public City/Public Sex: Homosexuality, Prostitution, and Urban Culture in Nineteenth-Century Paris (Temple University Press, 2019), Dr. Andrew Israel Ross maps out the intersection between histories of sexualities and the urban history of Paris in the 1800s. He examines how the regulation of public sex created new ways of understanding the relationship between individuals and the spaces they inhabited. In this interview, he discusses the policing of prostitution through government-sanctioned brothels, efforts to regulate male same-sex sexual activity at the city's public urinals, Haussmannization and the creation of new sites for public sex, and the emergence of new sexual identities in the Third Republic. Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his provocative new book, Public City/Public Sex: Homosexuality, Prostitution, and Urban Culture in Nineteenth-Century Paris (Temple University Press, 2019), Dr. Andrew Israel Ross maps out the intersection between histories of sexualities and the urban history of Paris in the 1800s. He examines how the regulation of public sex created new ways of understanding the relationship between individuals and the spaces they inhabited. In this interview, he discusses the policing of prostitution through government-sanctioned brothels, efforts to regulate male same-sex sexual activity at the city’s public urinals, Haussmannization and the creation of new sites for public sex, and the emergence of new sexual identities in the Third Republic. Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his provocative new book, Public City/Public Sex: Homosexuality, Prostitution, and Urban Culture in Nineteenth-Century Paris (Temple University Press, 2019), Dr. Andrew Israel Ross maps out the intersection between histories of sexualities and the urban history of Paris in the 1800s. He examines how the regulation of public sex created new ways of understanding the relationship between individuals and the spaces they inhabited. In this interview, he discusses the policing of prostitution through government-sanctioned brothels, efforts to regulate male same-sex sexual activity at the city's public urinals, Haussmannization and the creation of new sites for public sex, and the emergence of new sexual identities in the Third Republic. Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris.

In his provocative new book, Public City/Public Sex: Homosexuality, Prostitution, and Urban Culture in Nineteenth-Century Paris (Temple University Press, 2019), Dr. Andrew Israel Ross maps out the intersection between histories of sexualities and the urban history of Paris in the 1800s. He examines how the regulation of public sex created new ways of understanding the relationship between individuals and the spaces they inhabited. In this interview, he discusses the policing of prostitution through government-sanctioned brothels, efforts to regulate male same-sex sexual activity at the city’s public urinals, Haussmannization and the creation of new sites for public sex, and the emergence of new sexual identities in the Third Republic. Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

In his provocative new book, Public City/Public Sex: Homosexuality, Prostitution, and Urban Culture in Nineteenth-Century Paris (Temple University Press, 2019), Dr. Andrew Israel Ross maps out the intersection between histories of sexualities and the urban history of Paris in the 1800s. He examines how the regulation of public sex created new ways of understanding the relationship between individuals and the spaces they inhabited. In this interview, he discusses the policing of prostitution through government-sanctioned brothels, efforts to regulate male same-sex sexual activity at the city’s public urinals, Haussmannization and the creation of new sites for public sex, and the emergence of new sexual identities in the Third Republic. Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his provocative new book, Public City/Public Sex: Homosexuality, Prostitution, and Urban Culture in Nineteenth-Century Paris (Temple University Press, 2019), Dr. Andrew Israel Ross maps out the intersection between histories of sexualities and the urban history of Paris in the 1800s. He examines how the regulation of public sex created new ways of understanding the relationship between individuals and the spaces they inhabited. In this interview, he discusses the policing of prostitution through government-sanctioned brothels, efforts to regulate male same-sex sexual activity at the city’s public urinals, Haussmannization and the creation of new sites for public sex, and the emergence of new sexual identities in the Third Republic. Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his provocative new book, Public City/Public Sex: Homosexuality, Prostitution, and Urban Culture in Nineteenth-Century Paris (Temple University Press, 2019), Dr. Andrew Israel Ross maps out the intersection between histories of sexualities and the urban history of Paris in the 1800s. He examines how the regulation of public sex created new ways of understanding the relationship between individuals and the spaces they inhabited. In this interview, he discusses the policing of prostitution through government-sanctioned brothels, efforts to regulate male same-sex sexual activity at the city’s public urinals, Haussmannization and the creation of new sites for public sex, and the emergence of new sexual identities in the Third Republic. Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his provocative new book, Public City/Public Sex: Homosexuality, Prostitution, and Urban Culture in Nineteenth-Century Paris (Temple University Press, 2019), Dr. Andrew Israel Ross maps out the intersection between histories of sexualities and the urban history of Paris in the 1800s. He examines how the regulation of public sex created new ways of understanding the relationship between individuals and the spaces they inhabited. In this interview, he discusses the policing of prostitution through government-sanctioned brothels, efforts to regulate male same-sex sexual activity at the city’s public urinals, Haussmannization and the creation of new sites for public sex, and the emergence of new sexual identities in the Third Republic. Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his provocative new book, Public City/Public Sex: Homosexuality, Prostitution, and Urban Culture in Nineteenth-Century Paris (Temple University Press, 2019), Dr. Andrew Israel Ross maps out the intersection between histories of sexualities and the urban history of Paris in the 1800s. He examines how the regulation of public sex created new ways of understanding the relationship between individuals and the spaces they inhabited. In this interview, he discusses the policing of prostitution through government-sanctioned brothels, efforts to regulate male same-sex sexual activity at the city’s public urinals, Haussmannization and the creation of new sites for public sex, and the emergence of new sexual identities in the Third Republic. Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices

What comes to mind when you think of Paris in the nineteenth century? For me, its revolutionary politics, the circulation of increasing numbers of people and goods, a range of spectacular cultural displays and amusements, an emergent urban modernity including a host of negotiations between social classes, public and private, men and women, citizens and the state. And if I had to name one historical figure to stand for the transformation of the nineteenth-century capital? Haussmann. Hands down. Alexia Yates‘s book, Selling Paris: Property and Commercial Culture in the Fin-de-siecle Capital (Harvard UP, 2015), opened my eyes to a whole other world of everyday urbanism and historical actors in the city during the first decades of the Third Republic. Acknowledging the undeniable impact of Haussmann and Haussmannization on the city that Paris became under and after the Second Empire, Selling Paris considers the activities, interests, and effects of a host of other figures who shaped the city's property relations and commercial culture from the early years of the Third Republic to the First World War. In the books chapters, readers will find a social history of the business of French building during this period, from planning and production to use. Focused on the architects, private developers, municipal authorities, speculators, real estate agents, notaries, property owners, and tenants whose interactions and negotiations influenced the form, representation, and experience of Parisian real estate in purposeful ways, the book makes significant contributions to our understanding of the history of the capital and capitalism in France. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. A historian of French culture and politics in the twentieth century, her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of Creatures, a song written by Vancouver artist/musician Casey Wei (performing as hazy). To hear more, please visit https://agonyklub.com/. Learn more about your ad choices. Visit megaphone.fm/adchoices

What comes to mind when you think of Paris in the nineteenth century? For me, its revolutionary politics, the circulation of increasing numbers of people and goods, a range of spectacular cultural displays and amusements, an emergent urban modernity including a host of negotiations between social classes, public and private, men and women, citizens and the state. And if I had to name one historical figure to stand for the transformation of the nineteenth-century capital? Haussmann. Hands down. Alexia Yates‘s book, Selling Paris: Property and Commercial Culture in the Fin-de-siecle Capital (Harvard UP, 2015), opened my eyes to a whole other world of everyday urbanism and historical actors in the city during the first decades of the Third Republic. Acknowledging the undeniable impact of Haussmann and Haussmannization on the city that Paris became under and after the Second Empire, Selling Paris considers the activities, interests, and effects of a host of other figures who shaped the city’s property relations and commercial culture from the early years of the Third Republic to the First World War. In the books chapters, readers will find a social history of the business of French building during this period, from planning and production to use. Focused on the architects, private developers, municipal authorities, speculators, real estate agents, notaries, property owners, and tenants whose interactions and negotiations influenced the form, representation, and experience of Parisian real estate in purposeful ways, the book makes significant contributions to our understanding of the history of the capital and capitalism in France. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. A historian of French culture and politics in the twentieth century, her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of Creatures, a song written by Vancouver artist/musician Casey Wei (performing as hazy). To hear more, please visit https://agonyklub.com/. Learn more about your ad choices. Visit megaphone.fm/adchoices

What comes to mind when you think of Paris in the nineteenth century? For me, its revolutionary politics, the circulation of increasing numbers of people and goods, a range of spectacular cultural displays and amusements, an emergent urban modernity including a host of negotiations between social classes, public and private, men and women, citizens and the state. And if I had to name one historical figure to stand for the transformation of the nineteenth-century capital? Haussmann. Hands down. Alexia Yates‘s book, Selling Paris: Property and Commercial Culture in the Fin-de-siecle Capital (Harvard UP, 2015), opened my eyes to a whole other world of everyday urbanism and historical actors in the city during the first decades of the Third Republic. Acknowledging the undeniable impact of Haussmann and Haussmannization on the city that Paris became under and after the Second Empire, Selling Paris considers the activities, interests, and effects of a host of other figures who shaped the city’s property relations and commercial culture from the early years of the Third Republic to the First World War. In the books chapters, readers will find a social history of the business of French building during this period, from planning and production to use. Focused on the architects, private developers, municipal authorities, speculators, real estate agents, notaries, property owners, and tenants whose interactions and negotiations influenced the form, representation, and experience of Parisian real estate in purposeful ways, the book makes significant contributions to our understanding of the history of the capital and capitalism in France. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. A historian of French culture and politics in the twentieth century, her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of Creatures, a song written by Vancouver artist/musician Casey Wei (performing as hazy). To hear more, please visit https://agonyklub.com/. Learn more about your ad choices. Visit megaphone.fm/adchoices

What comes to mind when you think of Paris in the nineteenth century? For me, its revolutionary politics, the circulation of increasing numbers of people and goods, a range of spectacular cultural displays and amusements, an emergent urban modernity including a host of negotiations between social classes, public and private, men and women, citizens and the state. And if I had to name one historical figure to stand for the transformation of the nineteenth-century capital? Haussmann. Hands down. Alexia Yates‘s book, Selling Paris: Property and Commercial Culture in the Fin-de-siecle Capital (Harvard UP, 2015), opened my eyes to a whole other world of everyday urbanism and historical actors in the city during the first decades of the Third Republic. Acknowledging the undeniable impact of Haussmann and Haussmannization on the city that Paris became under and after the Second Empire, Selling Paris considers the activities, interests, and effects of a host of other figures who shaped the city’s property relations and commercial culture from the early years of the Third Republic to the First World War. In the books chapters, readers will find a social history of the business of French building during this period, from planning and production to use. Focused on the architects, private developers, municipal authorities, speculators, real estate agents, notaries, property owners, and tenants whose interactions and negotiations influenced the form, representation, and experience of Parisian real estate in purposeful ways, the book makes significant contributions to our understanding of the history of the capital and capitalism in France. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. A historian of French culture and politics in the twentieth century, her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of Creatures, a song written by Vancouver artist/musician Casey Wei (performing as hazy). To hear more, please visit https://agonyklub.com/. Learn more about your ad choices. Visit megaphone.fm/adchoices

What comes to mind when you think of Paris in the nineteenth century? For me, its revolutionary politics, the circulation of increasing numbers of people and goods, a range of spectacular cultural displays and amusements, an emergent urban modernity including a host of negotiations between social classes, public and private, men and women, citizens and the state. And if I had to name one historical figure to stand for the transformation of the nineteenth-century capital? Haussmann. Hands down. Alexia Yates‘s book, Selling Paris: Property and Commercial Culture in the Fin-de-siecle Capital (Harvard UP, 2015), opened my eyes to a whole other world of everyday urbanism and historical actors in the city during the first decades of the Third Republic. Acknowledging the undeniable impact of Haussmann and Haussmannization on the city that Paris became under and after the Second Empire, Selling Paris considers the activities, interests, and effects of a host of other figures who shaped the city’s property relations and commercial culture from the early years of the Third Republic to the First World War. In the books chapters, readers will find a social history of the business of French building during this period, from planning and production to use. Focused on the architects, private developers, municipal authorities, speculators, real estate agents, notaries, property owners, and tenants whose interactions and negotiations influenced the form, representation, and experience of Parisian real estate in purposeful ways, the book makes significant contributions to our understanding of the history of the capital and capitalism in France. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. A historian of French culture and politics in the twentieth century, her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of Creatures, a song written by Vancouver artist/musician Casey Wei (performing as hazy). To hear more, please visit https://agonyklub.com/. Learn more about your ad choices. Visit megaphone.fm/adchoices

What comes to mind when you think of Paris in the nineteenth century? For me, its revolutionary politics, the circulation of increasing numbers of people and goods, a range of spectacular cultural displays and amusements, an emergent urban modernity including a host of negotiations between social classes, public and private, men and women, citizens and the state. And if I had to name one historical figure to stand for the transformation of the nineteenth-century capital? Haussmann. Hands down. Alexia Yates‘s book, Selling Paris: Property and Commercial Culture in the Fin-de-siecle Capital (Harvard UP, 2015), opened my eyes to a whole other world of everyday urbanism and historical actors in the city during the first decades of the Third Republic. Acknowledging the undeniable impact of Haussmann and Haussmannization on the city that Paris became under and after the Second Empire, Selling Paris considers the activities, interests, and effects of a host of other figures who shaped the city’s property relations and commercial culture from the early years of the Third Republic to the First World War. In the books chapters, readers will find a social history of the business of French building during this period, from planning and production to use. Focused on the architects, private developers, municipal authorities, speculators, real estate agents, notaries, property owners, and tenants whose interactions and negotiations influenced the form, representation, and experience of Parisian real estate in purposeful ways, the book makes significant contributions to our understanding of the history of the capital and capitalism in France. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. A historian of French culture and politics in the twentieth century, her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of Creatures, a song written by Vancouver artist/musician Casey Wei (performing as hazy). To hear more, please visit https://agonyklub.com/. Learn more about your ad choices. Visit megaphone.fm/adchoices

What comes to mind when you think of Paris in the nineteenth century? For me, its revolutionary politics, the circulation of increasing numbers of people and goods, a range of spectacular cultural displays and amusements, an emergent urban modernity including a host of negotiations between social classes, public and private, men and women, citizens and the state. And if I had to name one historical figure to stand for the transformation of the nineteenth-century capital? Haussmann. Hands down. Alexia Yates‘s book, Selling Paris: Property and Commercial Culture in the Fin-de-siecle Capital (Harvard UP, 2015), opened my eyes to a whole other world of everyday urbanism and historical actors in the city during the first decades of the Third Republic. Acknowledging the undeniable impact of Haussmann and Haussmannization on the city that Paris became under and after the Second Empire, Selling Paris considers the activities, interests, and effects of a host of other figures who shaped the city’s property relations and commercial culture from the early years of the Third Republic to the First World War. In the books chapters, readers will find a social history of the business of French building during this period, from planning and production to use. Focused on the architects, private developers, municipal authorities, speculators, real estate agents, notaries, property owners, and tenants whose interactions and negotiations influenced the form, representation, and experience of Parisian real estate in purposeful ways, the book makes significant contributions to our understanding of the history of the capital and capitalism in France. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. A historian of French culture and politics in the twentieth century, her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of Creatures, a song written by Vancouver artist/musician Casey Wei (performing as hazy). To hear more, please visit https://agonyklub.com/. Learn more about your ad choices. Visit megaphone.fm/adchoices