Podcasts about paul getty museum

Misha Glenny and guests discuss the countless venues across the Roman Empire which for over five hundred years drew the biggest crowds both in the Republic and under the Emperors. The shows there delighted the masses who knew, no matter how low their place in society, they were much better off than the gladiators about to fight or the beasts to be slaughtered. Some of the Roman elites were disgusted, seeing this popular entertainment as morally corrupting and un-Roman. Moral degradation was a less immediate concern though than the overspill of violence. There was a constant threat of gladiators being used as a private army and while those of the elite wealthy enough to stage the shows hoped to win great prestige, they risked disappointing a crowd which could quickly become a mob and turn on them.With Kathleen Coleman James Loeb Professor of the Classics at Harvard UniversityJohn Pearce Reader in Archaeology at King's College LondonAndMatthew Nicholls Fellow and Senior Tutor at St John's College, OxfordProducer: Simon TillotsonReading list:C. A. Barton, The Sorrows of the Ancient Romans: The Gladiator and the Monster (Princeton University Press, 1993)Roger Dunkle, Gladiators: Violence and Spectacle in Ancient Rome (Pearson, 2008)Garrett G. Fagan, The Lure of the Arena: Social Psychology and the Crowd at the Roman Games (Cambridge University Press, 2011)A. Futrell, Blood in the Arena: The Spectacle of Roman Power (University of Texas Press, 1997)A. Futrell, The Roman Games: A Sourcebook (Blackwell Publishing, 2006)Keith Hopkins and Mary Beard, The Colosseum (Profile, 2005)Luciana Jacobelli, Gladiators at Pompeii (The J. Paul Getty Museum, 2003)Eckart Köhne and Cornelia Ewigleben (eds.), Gladiators and Caesars: The Power of Spectacle in Ancient Rome (University of California Press, 2000)Donald Kyle, Spectacles of Death in Ancient Rome (Routledge, 1998)F. Meijer, The Gladiators: History's Most Deadly Sport (Souvenir, 2004)Jerry Toner, The Day Commodus killed a Rhino: Understanding the Roman Games (Johns Hopkins University Press, 2014)K. Welch, The Roman Amphitheatre from its Origins to the Colosseum (Cambridge University Press, 2007)T. Wiedemann, Emperors and Gladiators (Routledge, 1992)In Our Time is a BBC Studios Production

Misha Glenny and guests discuss the countless venues across the Roman Empire which for over five hundred years drew the biggest crowds both in the Republic and under the Emperors. The shows there delighted the masses who knew, no matter how low their place in society, they were much better off than the gladiators about to fight or the beasts to be slaughtered. Some of the Roman elites were disgusted, seeing this popular entertainment as morally corrupting and un-Roman. Moral degradation was a less immediate concern though than the overspill of violence. There was a constant threat of gladiators being used as a private army and while those of the elite wealthy enough to stage the shows hoped to win great prestige, they risked disappointing a crowd which could quickly become a mob and turn on them.With Kathleen Coleman James Loeb Professor of the Classics at Harvard UniversityJohn Pearce Reader in Archaeology at King's College LondonAndMatthew Nicholls Fellow and Senior Tutor at St John's College, OxfordProducer: Simon TillotsonReading list:C. A. Barton, The Sorrows of the Ancient Romans: The Gladiator and the Monster (Princeton University Press, 1993)Roger Dunkle, Gladiators: Violence and Spectacle in Ancient Rome (Pearson, 2008)Garrett G. Fagan, The Lure of the Arena: Social Psychology and the Crowd at the Roman Games (Cambridge University Press, 2011)A. Futrell, Blood in the Arena: The Spectacle of Roman Power (University of Texas Press, 1997)A. Futrell, The Roman Games: A Sourcebook (Blackwell Publishing, 2006)Keith Hopkins and Mary Beard, The Colosseum (Profile, 2005)Luciana Jacobelli, Gladiators at Pompeii (The J. Paul Getty Museum, 2003)Eckart Köhne and Cornelia Ewigleben (eds.), Gladiators and Caesars: The Power of Spectacle in Ancient Rome (University of California Press, 2000)Donald Kyle, Spectacles of Death in Ancient Rome (Routledge, 1998)F. Meijer, The Gladiators: History's Most Deadly Sport (Souvenir, 2004)Jerry Toner, The Day Commodus killed a Rhino: Understanding the Roman Games (Johns Hopkins University Press, 2014)K. Welch, The Roman Amphitheatre from its Origins to the Colosseum (Cambridge University Press, 2007)T. Wiedemann, Emperors and Gladiators (Routledge, 1992)In Our Time is a BBC Studios Production

Un hélicoptère sur un toit, une file de personnes qui attendent de monter. À Saïgon, en avril 1975, cette image raconte la fin d'une guerre de vingt ans. La chute du Vietnam du Sud pour les uns, la libération pour les autres. Mais ce cliché dit aussi l'abandon, la panique contenue, et les lendemains d'un conflit qui marque durablement les corps et les mémoires. Avec Laurence Monnais, historienne, professeure à l'Université de Lausanne et à l'Institut des Humanités en Médecine du CHUV, spécialiste de l'histoire de la médecine en Asie du Sud-Est. Note : L'image célèbre de l'évacuation par hélicoptère sur le toit d'un immeuble à Saïgon, prise par le photographe Hubert van Es en avril 1975, est soumise à des droits d'auteur. Elle ne peut être reproduite ici, mais peut être consultée sur le site de J. Paul Getty Museum : https://www.getty.edu/art/collection/object/1096F7?utm_source

Episode No. 744 features artist Blas Isasi and curators Larissa Grollemond and Elizabeth Morrison, and artist Harmonia Rosales. Tomorrow, February 6, the Saint Louis Art Museum opens "Currents 125: Blas Isasi." The exhibition presents sculptures informed by ancient Andean cosmology and the Peruvian desert landscape, as well as the violent collision between Indigenous Andeans and colonizing Europeans. The exhibition was curated by Simon Kelly, and is on view through August 9. SLAM's exhibition brochure is available here. Isasi is a Peruvian sculptor who lives in the United States. He has previously shown in Prospect 6 in New Orleans (parts of that exhibition traveled to the MCA Denver), at SHED Projects, Cleveland, and at The Front, New Orleans. Grollemond and Morrison are the curators of "Beginnings: The Story of Creation in the Middle Ages" at the J. Paul Getty Museum, Los Angeles. The exhibition, which is on view through April 19, looks at how creation stories have been advanced in manuscript painting. The exhibition also includes works by Harmonia Rosales, whose work often engages Christian creation stories, how they were presented in the middle ages, and how they might be offered today. Rosales, whose work centers Black women in reconsiderations of Western art, has been included in group shows at Wadsworth Atheneum, Hartford, Art + Practice, Los Angeles, the Museum of the African Diaspora, San Francisco, and the Brooklyn Museum. Instagram: Blas Isasi, Larissa Grollemond, Harmonia Rosales, Tyler Green. Air date: February 5, 2026.

In this episode of PhotoWork with Sasha Wolf, Alejandro Cartagena returns to discuss his mid-career solo exhibition Ground Rules at San Francisco Museum of Modern Art, along with the accompanying book published by Aperture. Alejandro and Sasha dig into how both the exhibition and the book came together, from concept to execution. He also reflects on the lasting impact of his seminal project Carpoolers, and how it shaped his thinking around photography, technology, and intent. The conversation expands to the broader cultural stakes of the medium, including Alejandro's recent investigations into AI-generated imagery. https://alejandrocartagena.com https://www.sfmoma.org/exhibition/alejandro-cartagena-ground-rules/ https://aperture.org/books/alejandro-cartagena-ground-rules/ Alejandro Cartagena, Mexican (b. 1977, Santo Domingo, Dominican Republic) lives and works in Monterrey, Mexico. His projects employ landscape and portraiture as a means to examine social, urban, and environmental issues. Cartagena's work has been exhibited internationally in more than 50 group and individual exhibitions in spaces including the Fondation Cartier pour l'art contemporain in Paris and the CCCB in Barcelona, and his work is in the collections of several museums including the San Francisco MOMA, The J. Paul Getty Museum, The Museum of Contemporary Photography in Chicago, The MFAH in Houston, the Portland Museum of Art, The West Collection, the Coppel collection, the FEMSA Collection, Museum of Fine Arts in Houston, the George Eastman House and the Santa Barbara Museum of Art and among others. Alejandro is a self publisher and co-editor and has created several award wining titles including Insurrection Nation, Studio Cartagena 2021, Santa Barbara Save US, Skinnerboox, 2020, A Small Guide to Homeownership, The Velvet Cell 2020, We Love Our Employees, Gato Negro 2019, Santa Barbara Shame on US, Skinnerboox, 2017, A Guide to Infrastructure and Corruption, The velvet Cell, 2017, Rivers of Power, Newwer, 2016, Santa Barbara return Jobs to US, Skinnerboox, 2016, Headshots, Self-published, 2015, Before the War, Self-published, 2015, Carpoolers, Self-published with support of FONCA Grant, 2014, Suburbia Mexicana, Daylight/ Photolucida 2010. Some of his books are in the Yale University Library, the Tate Britain, and the 10×10 Photobooks/MFH Houston book collections among others. Cartagena has received several awards including the international Photolucida Critical Mass Book Award, the Street Photography Award in London Photo Festival, the Lente Latino Award in Chile, the Premio IILA-FotoGrafia Award in Rome and the Salon de la Fotografia of Fototeca de Nuevo Leon in Mexico among others. He has been named an International Discoveries of the FotoFest festival, a FOAM magazine TALENT and an Emerging photographer of PDN magazine. He has also been a finalist for the Aperture Portfolio Award and has been nominated for the Santa Fe Photography Prize, the Prix Pictet Prize, the Photoespaña Descubrimientos Award and the FOAM Paul Huff Award. His work has been published internationally in magazines and newspapers such as Newsweek, Nowness, Domus, the Financial Times, The New York Times, Le Monde, Stern, PDN, The New Yorker, and Wallpaper, among others.

Episode No. 739 is a holiday clips episode featuring artist Dara Birnbaum. Birnbaum, a pioneering titan of video art, passed away this year at 78. "Her work is now displayed in museum collections around the world as the example of feminist video art," wrote curator and critic Karen Archey in an Artforum obituary. Birnbaum's work often included pointedly feminist critiques of mass media, including of entertainment and journalism. Retrospectives of her work include "The Dark Matter of Media Light" at SMAK, the Stedelijk Museum voor Actuele Kunst in Ghent, Belgium, and at the Serralves Foundation in Porto, Portugal, and "Dara Birnbaum Retrospective exhibition" at the Kunsthalle Wien in Austria and at the Norrtalje Konsthall in Sweden. Several of the Birnbaums discussed on this program are available online, including: Technology/Transformation: Wonder Woman (1978-79); Kiss The Girls: Make Them Cry (1979) (clip); Canon: Taking to the Street (1990) (clip); and Walkthrough of Psalm 29(30) (2016) at Marian Goodman Gallery, Paris. This program was recorded in 2017 when Dara Birnbaum's Local TV News Analysis (1980), which Birnbaum made with Dan Graham, was included in "Breaking News: Turning the Lens on Mass Media," at the J. Paul Getty Museum. The exhibition examined how artists have used newspapers, magazines and televised news programs to consider media, news and the messages included therein. The exhibition was curated by Arpad Kovacs. Air date: January 1, 2026.

Fr. Eric Nicolai preached this meditation at Lyncroft Centre in Toronto, on January 2, 2026.Acts of the Apostles repeatedly describes the Apostles speaking with parrhesia—freedom, frankness, fearless speech (Acts 2:29; 4:13, 29, 31). They had received the spirit of adoption. Of divine filiation.Paul still throbs with this parrhesia, the thrill that he witnessed in the apostles. “You did not receive a spirit of slavery to fall back into fear, but you have received the Spirit of adoption, by whom we cry, ‘Abba! Father!' (Rom 8:15). How can this fearless sense of conviction imbue us as sons and daughters of God in 2026?Music: Angelic Choir Library with license, Vienna Philharmonic Orchestra.Thumbnail: Apostles at Pentecost 1030-1040, Ottonian parchment, Regensburg The J. Paul Getty Museum

Brendan Fernandes, born in Nairobi, Kenya 1979. Currently based in Chicago, his practice addresses issues of race, queer culture, migration, protest, andother forms of collective movement. Constantly seeking to create new spaces and forms of agency, Fernandes'work often takes on hybrid forms: part ballet, part queer dance party, part political protest always rooted in collaboration and fostering solidarity. Fernandes is a graduate of the Whitney Independent Study Program (2007) and has been the recipient of numerous awards, including a Robert Rauschenberg Residency Fellowship (2014), a Smithsonian Artist Research Fellowship (2020), an Artadia Award(2019), a Louis Comfort Tiffany Foundation Grant (2019), and most recently, the PlatformAward (2024). In 2024, he was also honored with the Creative Voice Award by Arts Alliance Illinois. His work has been presented at prestigious venues such as the 2019 Whitney Biennial at the Whitney Museum of American Art, New York; the Museum ofContemporary Art Chicago, Chicago; the Solomon R. Guggenheim Museum, New York, the Museum of Modern Art, New York; the J. Paul Getty Museum, Los Angeles; theNational Gallery of Canada,Ottawa; and the Musée d'art contemporain de Montréal, MAC;among many others. Fernandes is an Associate Professor in the Department of Art,Theory, and Practice at Northwestern University. He is represented by Monique MelocheGallery in Chicago and Susan Inglett Gallery in New York. Recent and upcoming projectsinclude performances and solo presentations at the Pulitzer Arts Foundation, St. Louis,MO; the Museum of Contemporary Art Denver, Denver, CO; the Fabric Workshop andMuseum, Philadelphia, PA; and Prospect.6, New Orleans, LA. In spring 2026, a major newcommission and solo exhibition will debut at the Driehaus Museum in Chicago.  

Un hélicoptère sur un toit, une file de personnes qui attendent de monter. À Saïgon, en avril 1975, cette image raconte la fin d'une guerre de vingt ans. La chute du Vietnam du Sud pour les uns, la libération pour les autres. Mais ce cliché dit aussi l'abandon, la panique contenue, et les lendemains d'un conflit qui marque durablement les corps et les mémoires. Avec Laurence Monnais, historienne, professeure à l'Université de Lausanne et à l'Institut des Humanités en Médecine du CHUV, spécialiste de l'histoire de la médecine en Asie du Sud-Est. Note : L'image célèbre de l'évacuation par hélicoptère sur le toit d'un immeuble à Saïgon, prise par le photographe Hubert van Es en avril 1975, est soumise à des droits d'auteur. Elle ne peut être reproduite ici, mais peut être consultée sur le site de J. Paul Getty Museum : https://www.getty.edu/art/collection/object/1096F7?utm_source

Episode No. 717 features artist Erin Shirreff, curator Davide Gasparotto, and conservator Ulrich Birkmaier. The Milwaukee Art Museum is presenting "Erin Shirreff: Permanent Drafts" through September 1. Across 40 recent collages, photographs, sculptures, and videos, the exhibition reveals Shirreff's interest in the space between images and the objects they picture. The exhibition was curated by Kristen Gaylord. Among the museums that have presented solo exhibitions of Shirreff's work are SITE Santa Fe, the Clark Art Institute, Williamstown, Mass., SFMOMA, and the Institute of Contemporary Art, Boston. "Artemisia's Strong Women: Rescuing a Masterpiece" is at the J. Paul Getty Museum, Los Angeles through September 14. The exhibition reveals conservation work done on Gentileschi's ~1635-37 Hercules and Omphale, a significant painting damaged in a massive explosion in Beirut in 2020. Birkmaier led the conservation of the work, which Gasparotto joined to four other Gentileschis in this exhibition, which particularly highlights Gentileschi's focus on strong women from the classical and Biblical traditions. Instagram: Davide Gasparotto, Tyler Green. Air date: July 31, 2025.

Jenny, Solange and Liz share their thoughts on finding clients, while some of our listeners in private practice reveal what really works for them. Also tune in for a book review from Phedra! 00:53 Let's get into it! 05:05 Bragging about yourself can be hard 06:28 Listener contributions 08:07 Business cards, fairs and open studios 18:36 Should we tell people where we are? 21:27 Listener contributions 23:03 Social media 33:25 Websites and price transparency 42:59 Old-fashioned advertising 47:05 Listener contributions 54:51 Review: Ancient Glass in the J. Paul Getty Museum Show Notes: - Ancient Glass in the J. Paul Getty Museum: https://shop.getty.edu/products/ancient-glass-in-the-j-paul-getty-museum-978-1606069196 and https://www.getty.edu/publications/ancient-glass/ Previous business and freelancing episodes: - S16E06 Early Career Freelancing: https://thecword.show/2025/05/29/s16e06-early-career-freelancing/ - S13E05 Being in Business: https://thecword.show/2023/05/17/s13e05-being-in-business/ - S11E04 Building a Business: https://thecword.show/2022/05/04/s11e04-building-a-business/ - S02E03 Freelancing: https://thecword.show/2017/09/22/s02e03-freelancing/ Support us on Patreon! http://www.patreon.com/thecword Hosted by Liz Hébert, Solange Masher, and Jenny Mathiasson. Intro and outro music by DDmyzik, used under a Creative Commons Attribution license. Made available under a Creative Commons Attribution-NonCommercial 4.0 International license. A Wooden Dice production, 2025.

Alejandro Cartagena | Ground Rules Photographer, publisher, and curator Alejandro Cartagena joined me at the 2025 Chico Review. We talk about the many different ways in which Alejandro practices photography and how much he has embraced being and editor and curator for others. Alejandro also discusses his upcoming retrospective, Ground Rules, at SFMOMA, curated by Shana Lopes along with the accompanying book published by Aperture. The show opens in September and the book is scheduled for November. https://alejandrocartagena.com — https://www.instagram.com/alexcartagenamex/ This podcast is sponsored by the Charcoal Book Club Begin Building your dream photobook library today at https://charcoalbookclub.com Alejandro Cartagena, Mexican (b. 1977, Santo Domingo, Dominican Republic) lives and works in Monterrey, Mexico. His projects employ landscape and portraiture as a means to examine social, urban, and environmental issues. Cartagena's work has been exhibited internationally in more than 50 group and individual exhibitions in spaces including the Fondation Cartier pour l'art contemporain in Paris and the CCCB in Barcelona, and his work is in the collections of several museums including the San Francisco MOMA, The J. Paul Getty Museum, The Museum of Contemporary Photography in Chicago, The MFAH in Houston, the Portland Museum of Art, The West Collection, the Coppel collection, the FEMSA Collection, Museum of Fine Arts in Houston, the George Eastman House and the Santa Barbara Museum of Art and among others. Cartagena has received several awards including the international Photolucida Critical Mass Book Award, the Street Photography Award in London Photo Festival, the Lente Latino Award in Chile, the Premio IILA-FotoGrafia Award in Rome and the Salon de la Fotografia of Fototeca de Nuevo Leon in Mexico among others. He has been named an International Discoveries of the FotoFest festival, a FOAM magazine TALENT and an Emerging photographer of PDN magazine. He has also been a finalist for the Aperture Portfolio Award and has been nominated for the Santa Fe Photography Prize, the Prix Pictet Prize, the Photoespaña Descubrimientos Award and the FOAM Paul Huff Award. His work has been published internationally in magazines and newspapers such as Newsweek, Nowness, Domus, the Financial Times, The New York Times, Le Monde, Stern, PDN, The New Yorker, and Wallpaper among others.

Episode No. 702 is a holiday weekend clips episode featuring artist María Magdalena Campos-Pons. The J. Paul Getty Museum, Los Angeles is presenting "María Magdalena Campos-Pons: Behold" through May 4. It is the first multimedia survey of Campos-Pons' work in 17 years. The exhibition spotlights Campos-Pons' photography, installation, and performance-based practices, which typically address global histories of enslavement, indentured labor, motherhood, and migration — and how their impacts continue into the present. It was curated by Carmen Hermo and Mazie Harris with Jenée-Daria Strand. It is accompanied by a catalogue published by the Getty and the Brooklyn Museum. Amazon and Bookshop offer it for $33-42. This program was taped on the occasion of the exhibition's presentation at the Nasher Museum of Art at Duke University in 2024. For images, please see Episode No. 656.

Join "Dance Talk” ® with Joanne Carey  and special guests: Duke Dang, Executive Director of Works & Process and Alison Manning, Co-Executive Director of Harkness Dance Center.In this episode of "Dance Talk” ®, host Joanne Carey chats with Duke Dang, and Alison Manning, about their organizations upcoming collaboration: the Uptown Rhythm Dance Festival. The festival is a collaborative project aimed at celebrating various forms of rhythm dance. Alison and Duke discuss the festival's programming, community engagement, and the importance of inclusivity and accessibility in dance. The dialogue highlights the festival's diverse lineup of artists, workshops, and the significance of dance in fostering community connections. Get your tickets, you won't want to miss this festival!Alison Manning is the former Executive Director and Co-Producer of The Yard on Martha's Vineyard, from 2008-2020. She is founding Co-Artistic Director and Choreographer of DanceTheYard, The Yard's year-round professional dance company, with choreographic partner and company Co-Artistic Director Jesse Keller Jason. Alison is a passionate Horton teacher and an avid tap and rhythm dancer and advocate. She discovered her love for the Horton technique as a scholarship student at Jacob's Pillow, working with the great Milton Myers, and has continued studying with mentors Mr. Myers, Kristina Berger, Karen Gayle and other lauded Horton Teachers through the years. She taught the technique on Faculty at The Yard each summer, and as a guest teaching artist at NYU Steinhardt School, Wesleyan Univeristy, Peridance Capezio Center, and STEPS on Broadway. In addition to teaching, Alison dances and performs with The Bang Group and has worked for The Peggy Spina Tap Company, Xodus Dance Collective, Kinodance company among others. She is the current President of the Marymount Manhattan College Dance Advisory Board as well as a member of the Adjunct Faculty. She graduated Magna Cum Laude from said institution with a BFA in Modern Dance and a Minor in Art History. Alison lives in New York City with her wife and four children and is honored to be shepherding the Harkness School of Dance during this exciting time at The 92nd Street Y, New York.https://www.92ny.org/Duke Dang is the executive director of Works & Process, a performing arts organization that champions and resources artists and their creative process from studio-to-stage by partnering with over a dozen residency centers across Massachusetts, New Jersey, and New York to provide fully-funded residencies and presents iteratively at the Guggenheim Museum, Lincoln Center, The New York Public Library for the Performing Arts, and SummerStage.  Works & Process was honored with a 2021 Dance Magazine Award and nominated in 2021 and 2022 for the APAP William Dawson Award for Programmatic Excellence and Sustained Achievement. Born at a UN refugee camp in the Philippines to Vietnamese parents seeking political asylum, Duke immigrated to California growing up with the assistance of Section 8 housing vouchers, food stamps, and attending Head Start. Prior to Works & Process, Duke worked at the J. Paul Getty Museum, Smithsonian American Art Museum, Glimmerglass Festival, and Sydney Theatre Company. He earned in BA in Art History from Boston University and MA in Performing Arts Administration from New York University.To Find out about Works & Process ⁠https://www.worksandprocess.org/ To get your tickets to Uptown Dance Festivalhttps://www.92ny.org/event/uptown-rhythm-dance-festival“Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. ⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠https://dancetalkwithjoannecarey.com/...⁠ ⁠Follow Joanne on Instagram @westfieldschoolofdanceTune in. Follow. Like us. And Share.Please leave a review!“Dance Talk” ® with Joanne Carey"Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

Episode No. 701 of The Modern Art Notes Podcast features curator Scott Allan, and curators Will Hansen and River Ian Kerstetter. With Gloria Groom and Paul Perrin, Allan is the co-curator of "Gustave Caillebotte: Painting Men" at the J. Paul Getty Museum, Los Angeles. The exhibition, which is on view through May 25, looks at how Caillebotte's interest in male subjects significantly distinguishes him from his impressionist colleagues. A fine exhibition catalogue was published by the Getty. Amazon and Bookshop offer it for about $50-58. Hansen and Kerstetter are the curators of "Native Pop!" at the Newberry Library, Chicago. "Native Pop" examines how Indigenous people, and art by and of them, are central to the story of our popular culture. The exhibition is on view through July 19. Instagram: Scott Allan, Tyler Green.

Episode No. 694 features artists Tacita Dean and Ilana Harris-Babou. The Menil Collection, Houston is presenting "Tacita Dean: Blind Folly," the first major museum survey of Dean's work in the United States. The exhibition examines a range of Dean's production, with a special emphasis on her drawing practice. "Blind Folly" includes new works informed by Dean's time in Houston, including her residency at (and in!) the Menil's Cy Twombly Gallery. It is on view through April 19. The Menil, MACK, and Dean have produced several books related to the Menil exhibition: Why Cy, an artist's book of images Dean produced during her residency in the Twombly Gallery. Within it is a small booklet of notes and drawings that Dean conceived during the same residency. Tacita Dean: Blind Folly, a book by exhibition curator Michelle White that addresses Dean's practice and oeuvre in a strikingly legible, almost narrative way. Why Cy is available from Amazon for about $95; White's Blind Folly is available from Amazon for about $28 - or just $10 on Kindle. Dean is one of Britain's most celebrated artists. She has been the subject of solo exhibitions at museums such as the Bourse de Commerce, Pinault Collection, Paris, the J. Paul Getty Museum, Los Angeles, and the Kunstmuseum Basel. In 2011 Dean's work FILM was shown in the Tate Modern's Turbine Hall. Harris-Babou's 2018 Reparation Hardware is included within "Project a Black Planet: The Art and Culture of Panafrica" at the Art Institute of Chicago. The exhibition, which was curated by Antawan I. Byrd, Elvira Dyangani Ose, Adom Getachew, and Matthew S. Witkovsky, survey's Pan-Africanism's cultural manifestations across 350 objects made over the last 100 or so years. It is on view through March 30. Reparation Hardware, which was made for DIS.ART, is streamed below. Harris-Babou has been included in group shows at the Wellcome Collection, London, Apex Art, New York, and at The Aldrich Contemporary Art Museum, Ridgefield, Conn. Her work is in the collections of museums such as the Whitney Museum of American Art, New York.

Episode No. 692 features curators Alison Hokanson and Joanna Sheers Seidenstein, and Danielle Canter.  Hokanson and Seidenstein are the co-curators of "Caspar David Friedrich: The Soul of Nature," which opens at the Metropolitan Museum of Art this weekend and is on view through May 11. It is the first retrospective of the German Romantic artist's work in the United States. Friedrich was a leader in German Romanticism, which offered new understandings of the relationship between humans and the natural world. Last year was the 250th anniversary of Friedrich's birth. The Met has published an excellent catalogue of the exhibition. Amazon and Bookshop offer it for $45-50.  Canter is the curator of "A Brush with Nature: Romantic Landscape Drawings," which opens at the J. Paul Getty Museum on Feb. 18. The exhibition features dozens of drawings in which artists such as J.M.W. Turner, Théodore Géricault, and Friedrich respond to the natural world around them. "A Brush with Nature" will be on view through May 25.  Instagram: Alison Hokanson, Joanna Sheers Seidenstein, Tyler Green.

"Dance Talk” ® with Joanne Carey and special guest Duke DangIn this episode of "Dance Talk” ® , host Joanne Carey speaks with Duke Dang, the executive director of Works & Process. They explore Duke's journey from a refugee camp to becoming a prominent figure in arts administration, emphasizing the importance of the creative process in the performing arts. Duke shares insights on how arts can impact personal growth, the significance of internships, and the mission of Works and Process in supporting artists. The conversation highlights the need for community engagement and the transformative power of dance. In this conversation, Joanne Carey and Duke explore the profound emotional impact of dance, the importance of feeling and embodying movement, and the celebration of street dance traditions. They discuss the significance of intergenerational connections in dance, innovative collaborations, and the upcoming festivals and events that highlight these themes. The conversation emphasizes the iterative nature of live performance and the communal aspect of dance, inviting audiences to engage and participate. Duke Dang is the executive director of Works & Process, a performing arts organization that champions and resources artists and their creative process from studio-to-stage by partnering with over a dozen residency centers across Massachusetts, New Jersey, and New York to provide fully-funded residencies and presents iteratively at the Guggenheim Museum, Lincoln Center, The New York Public Library for the Performing Arts, and SummerStage.  Under Duke's leadership, Works & Process pioneered the bubble residency model in summer 2020, which was captured in the NY-Emmy nominated docuseries Isolation to Creation, and broadcast on PBS and ALL ARTS. Works & Process was honored with a 2021 Dance Magazine Award and nominated in 2021 and 2022 for the APAP William Dawson Award for Programmatic Excellence and Sustained Achievement. Multiple Works & Process commissions including LaTasha Barnes' The Jazz Continuum, Les Ballet Afrik – New York Is Burning by Omari Wiles, and More Forever by Caleb Teicher and Conrad Tao have been honored with Bessie Awards. Born at a UN refugee camp in the Philippines to Vietnamese parents seeking political asylum, Duke immigrated to California growing up with the assistance of Section 8 housing vouchers, food stamps, and attending Head Start. Prior to Works & Process, where he started as a paid college intern, Duke worked at the J. Paul Getty Museum, Smithsonian American Art Museum, Glimmerglass Festival, and Sydney Theatre Company. In 2012, with his husband, he helped founded the Hudson Valley Dance Festival with Dancers Responding to AIDS which has raised over $1.3 million. He earned in BA in Art History from Boston University and MA in Performing Arts Administration from New York University. To Find out about Works & Process https://www.worksandprocess.org/ Upcoming Festival Jan 9-13 “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts.  ⁠⁠⁠⁠ ⁠⁠⁠⁠https://dancetalkwithjoannecarey.com/⁠⁠⁠⁠ Follow Joanne on Instagram @westfieldschoolofdance Tune in. Follow. Like us. And Share.   Please leave us review about our podcast!   “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

Larisa Grollemond, Associate Curator in the Manuscripts Department at the J. Paul Getty Museum in Los Angeles, is back to talk about medieval astrology! We chat about her new museum exhibit, Rising Signs: The Medieval Science of Astrology.

How do you find joy photographing your own holidays when your job is as a family photographer? How can you distinguish photographing in your regular life as fun, creative fuel vs obligation or "work?" (even if you love your work!)  I hear a lot of guilt from photographers around not making photos at home “enough.” So in this episode, I want to dispel that and bring back the fun, ease the guilt, and just give a friendly reminder about the big picture.    Get ready for 5 tips for photographing and honoring your holidays with intention and joy.      // Timestamps //   00:00:22: Recognizing the blur of personal photography and photography 'work' 00:01:01: Addressing guilt with not doing "enough" 00:03:12: Reevaluating what makes a photo "worthy" 00:04:00: Disrupting visual influences 00:05:47: Tip 1 - Distinguish personal photography from work 00:06:42: Tip 2 - Name what matters 00:08:09: Tip 3 - Play with different gear 00:12:15: Tip 4 - Try a timed approach 00:13:53: Tip 5 - Be a memory-keeper with other mediums     // Links mentioned //  episode 12 with Rachel Larson Weaver epsidoe 8: Resetting inspiration in your personal life Photography and Play - Erin C. Garcia // photographs drawn from the collection of the J. Paul Getty Museum, https://a.co/d/dBbD8tM  Jessica Todd Harper's Here: https://a.co/d/eareauL Sierra Madre Photography - website | instagram    Free resources to connect and learn with me: https://www.leahoconnell.com/learn  

In this episode of PhotoWork with Sasha Wolf, Sasha engages in an honest and deeply personal conversation with photographer Christian Patterson. They delve into the creation of "Redheaded Peckerwood" (MACK) and his latest book, "Gong Co." (TBW Books & Éditions Images Vevey). Christian offers a thorough description of his intricate process and motivations for these long-term projects, providing nearly step-by-step insights. He also reflects on his years working with William Eggleston and the nuanced ways in which that experience did, and did not,  influence his artistic direction. http://www.christianpatterson.com  |||   https://www.instagram.com/christian.patterson/ CHRISTIAN PATTERSON was born in Fond du Lac, Wisconsin and lives in New York, New York. His visually layered work has been described as novelistic, subjective documentary of the historical past, and often deals with themes of the archive, authorship, memory, place and time. Photographs are the heart of his multidisciplinary work, which includes drawings, paintings, objects, video and sound. Patterson is the author of four books, including Sound Affects (2008), Redheaded Peckerwood (2011, Recontres d'Arles Author Book Award), Bottom of the Lake (2015,Shortlist, Aperture-Paris Photo Book of the Year), and the forthcoming Gong Co. (2024). He is a Guggenheim Fellow (2013), winner of the Grand Prix Images Vevey (2015), a New York Public Library Picture Collection Artist Fellow (2022) and James Castle House Resident (2023). His work is in the collections of the National Gallery of Art, Los Angeles County Museum of Art (LACMA), J. Paul Getty Museum, Milwaukee Art Museum, Nelson-Atkins Museum of Art and Ogden Museum of Southern Art, and his books are in many institutional artist book collections. He has lectured, mentored and taught widely. He is represented by Rose Gallery, Santa Monica, USA and Robert Morat Galerie, Berlin, Germany. This podcast is sponsored by picturehouse + thesmalldarkroom. https://phtsdr.com

For the 32nd episode of "Reading the Art World," host Megan Fox Kelly speaks with Mary Morton, Curator and Head of the Department of French Paintings, and Kimberly Jones, Curator of 19th Century French Paintings at the National Gallery of Art in Washington, D.C. Together, they discuss their work on the landmark exhibition, “Paris 1874: The Impressionist Moment,” and the accompanying exhibition catalogue.The conversation centers on the daring spirit of the first Impressionist exhibition in 1874, a moment that saw artists defy the prestigious Paris Salon to showcase new ways of capturing modern life. Jones and Morton share insights into the forces behind Impressionism's revolutionary appeal, from the political and social upheavals in France to the transformation of Paris under Haussmannization. They explain how these changes inspired artists to redefine not only the subjects they painted but also how art itself was exhibited and experienced.This exhibition and catalog shine a light on lesser-known figures who were critical to the movement's evolution, challenging visitors to unlearn what they think they know about Impressionism. With its juxtapositions of Salon and Impressionist works, “Paris 1874: The Impressionist Moment” allows audiences to feel the radical nature of these pieces that once shocked critics but are now beloved worldwide.“Paris 1874: The Impressionist Moment”  is on view at the National Gallery of Art in Washington, D.C. through January 19, 2025. Learn more here: https://www.nga.gov/exhibitions/2024/paris-1874-impressionist-moment.htmlABOUT THE CURATORSMary Morton has been curator and head of French paintings at the National Gallery of Art since 2010. She previously served as associate curator of paintings at the J. Paul Getty Museum (2004–2010) and associate curator of European art at the Museum of Fine Arts (MFA), Houston (1998–2004). In 2018, Morton was awarded the Chevalier of the Order of Arts and Letters by France's Ministry of Culture. Morton received her PhD from Brown University (1998), concentrating on 19th- and early 20th-century European painting. She also holds a BA in history from Stanford University (1987).Kimberly A. Jones has been curator of nineteenth-century French paintings at the National Gallery of Art since 2016. A former museum fellow at the Musée national du château de Pau (1990–1991) and the Musée d'Orsay, Paris (1993–1994), she joined the curatorial staff of the National Gallery of Art in 1995 as assistant curator of French paintings. Jones holds a PhD and MA from the University of Maryland with specialization in 19th-century European and American art, as well as a dual degree in art history and studio art from Western Maryland College (now McDaniel College).PURCHASE THE BOOK: https://shop.nga.gov/paris-1874-the-impressionist-moment SUBSCRIBE, FOLLOW AND HEAR INTERVIEWS:For more information, visit meganfoxkelly.com, hear our past interviews, and subscribe at the bottom of our Of Interest page for new posts.Follow us on Instagram: @meganfoxkelly"Reading the Art World" is a live interview and podcast series with leading art world authors hosted by art advisor Megan Fox Kelly. The conversations explore timely subjects in the world of art, design, architecture, artists and the art market, and are an opportunity to engage further with the minds behind these insightful new pub

Episode No. 675 is a holiday weekend clips episode featuring artist Ken Gonzales-Day.  The Yale Center for British Art is presenting "Ken Gonzales-Day: Composition in Black and Brown" a two-part public art project informed by Gonzales-Day's investigation of YCBA's collections. Both works, a billboard along Interstate 95 in West Haven, Conn., and a site-specific vinyl work on the museum, feature Gonzales-Day's interrogations of historical constructions of race and the limits of representation. The billboard is on view into October 2024; the work at YCBA is on view until December 2024.  Gonzales-Day's work considers the historical construction of race and the limits of representational systems, such as photographs of lynchings and museum displays. His book “Lynching in the West: 1850-1935” expanded our understanding of racialized violence in the United States through the discovery of photographs of lynchings of Latinos, Native Americans, Asians and African-Americans in California. His work has been the subject of solo or two-person exhibitions at museums such as the Smithsonian's National Portrait Gallery and the Palais de Tokyo in Paris. This episode was taped in 2021 on the occasion of Gonzales-Day's inclusion in at the J. Paul Getty Museum, Los Angeles. For images, see Episode No. 498. 

Episode No. 674 features curators Kristen Collins and Nancy K. Turner, and curator Thea Liberty Nichols. Collins and Turner are the curators of "Lumen: The Art and Science of Light" at the J. Paul Getty Museum, Los Angeles. "Lumen" explores how scientific understandings of light shaped the visual culture of the Middle Ages. It includes over 100 works, including celestial globes, golden altars, and illuminated manuscripts from the Christian and Islamic worlds. It's on view through December 8, 2024. "Lumen" is part of PST ART : Art & Science Collide, a regional cultural celebration taking place across over 70 Southland exhibition and performance spaces. It is accompanied by an excellent catalogue published by the Getty. Amazon and Bookshop offer it for $60-70. With Mark Pascale, Thea Liberty Nichols is the co-curator of "Christina Ramberg: A Retrospective," which opens at the Hammer Museum on October 12 and which runs through January 5, 2025. Ramberg was a painter who developed an intense visual vocabulary derived from often fetishized objects such as corsets, hands, high-heeled shoes and hair, building from them into arresting compositions. Late in her life -- Ramberg died in 1995 at the age of 49 -- she also made an extraordinary series of quilts. The exhibition was a significant critical hit at the Art Institute of Chicago, where it was on view over the summer. The wonderful catalogue was published by the Art Institute of Chicago, which originated the show. Amazon and Bookshop offer it for about $45.

Episode No. 673 of The Modern Art Notes Podcast features artist Matthew Brandt.  Brandt is included in "Second Nature: Photography in the Age of the Anthropocene" at the Nasher Museum of Art at Duke University. The exhibition shows how 45 photo-based artists from around the world have examined the Anthropocene. "Second Nature" was curated by Jessica May and Marshall N. Price and is on view through January 5, 2025. An excellent catalogue was published by Rizzoli Electa. Amazon and Bookshop offer it for about $49-60.  Brandt's works often join physical elements from the subjects he photographs to investigations of the land and our impacts on it. He's received solo shows at museums such as the Newark Museum, and he's been included in major group shows at museums such as the J. Paul Getty Museum, Los Angeles, the Metropolitan Museum of Art, New York, and more. His work is in nearly all major institutional US photography collections.  Brandt's website includes extensive galleries of the series of work discussed on the program, including:  Lakes and Reservoirs; Carbon; Trees (including George Bush Park 1, 2009-11); Taste Tests (featuring Yosemite); Eagles; Woodblocks; Waterfalls; and 1864. Instagram: Matthew Brandt, Tyler Green.

In today's we explore the myths, magic, and misinformation about the so-called Lion's Gate. This cosmic portal is said to occur on August 8th each year, but what is it really referring to? Join us to unravel this phenomenon and find enchantment without needing to invent a “Galactic New Year” out of thin air. Themes in this episode include:* Origins of the Lion's Gate Myth * Flooding of the Nile* Dog Star Sirius* Cosmic Technologies of Timekeeping* Manifestation Practices* Self-study in Relationship with Cycles* Longing for Authenticity* Fixed Fire Season of Leo* And more…Top searches for the Lion's Gate craze as of this recording …Shownotes: Register for Birth Chart Basics Free Class with Bronwyn Simonshttps://astrologygoddess.mykajabi.com/natalchartForecasts in your inbox from Bronwyn here:https://astrologygoddess.mykajabi.com/Image from Sirius and the Flooding of the Nile: this week on the Storyteller's Night Skyhttps://www.interlochenpublicradio.org/news/2019-08-26/sirius-and-the-flooding-of-the-nile-this-week-on-the-storytellers-night-skyMore on the Constellation: Sirius and Orion's Belt Constellation from EarthSky: https://earthsky.org/constellations/canis-major-the-greater-dog-sirius/Article by Celeste Mott The Lion's Gate Portal: Tracing the Origins of a New Age Myth “Prior to the late 90's, nobody appears to have heard of the Lion's Gate (besides as one of the seven gates into Old Jerusalem). A search of peer-reviewed articles returns no results with that search term, indicating a lack of academic or folkloric interest in the subject. Searching by date, there are only three results for "lion's gate portal" between 1980 and 1999. Between 1999 and 2010, we have four pages of Google results. Today, Google returns over 87,000 results for the term.” Source reference https://www.celestemott.com/blog/2021/8/7/the-lions-gate-portal-tracing-the-origins-of-a-new-age-mythArticle in Women's Health Mag UK with numerous false and unfounded claims: Lion's Gate Portal 2024: How to quantum leap your manifestation powers during this cosmic vortex“On the 8th of August, we celebrate a cosmic alignment between Sirius, the Sun, the Earth and the ‘galactic centre', which is the central point of the Milky Way. This date is known as Galactic New Year and is thought to be the day when Light Codes are strongest.”https://www.womenshealthmag.com/uk/health/a61710431/lions-gate-portal-2024/Learn more about Islamic roots and Astrology from Historian Ali A. Olomi Patreon: https://www.patreon.com/headonhistory/postsPodcast: Head On History CurrentlyNerdy.comhttps://www.instagram.com/aaolomiLeo constellation and astrological sign image from Britannica:https://www.britannica.com/science/constellationLeo (lion), watercolor and ink on paper, from a manuscript created in Ulm or Augsburg, Germany, c. 1464; in the J. Paul Getty Museum, Los Angeles.and Leo the Lion, with the constellation Leo Minor, as it appears in Urania's Mirror, a set of cards by Sidney Hall depicting the constellations that was published in 1825. Image via U.S. Library of Congresshttps://earthsky.org/constellations/leo-heres-your-constellation/Thanks for listening! Have a question or comment? Head over to Substack to share on the post for this episode.Love this podcast? I bet you would love to subscribe and write a review - it's such a great way to support this work! Get full access to Between the Moon at themoonismycalendar.substack.com/subscribe

Episode No. 654 features curator Karen Hellman and artist Myra Greene. With Carolyn Peter, Hellman is the curator of "Nineteenth-Century Photography Now" at the J. Paul Getty Museum, Los Angeles. The exhibition examines how many of the conventions and processes established in photography's early years remain of interest to artists working today. Historical artists within the exhibition include Anna Atkins, Gustave Le Gray, Nadar, Julia Margaret Cameron, Roger Fenton, and Carleton Watkins. The exhibition is on view through July 7. Claire L'Heureux and Antares Wells assisted the co-curators. Greene is among the 21 contemporary artists on view. Her work uses photography and textiles to explore representations of the body and race. Core to her practice is an understanding that color is materially and culturally dependent on context, and historically has been. She has had solo exhibitions at museums such as the Museum of Contemporary Art Georgia, Atlanta, the Kentucky Museum of Art and Craft, Louisville, and has been included in group exhibitions at the Spelman College Museum of Fine Art, Atlanta, the Block Museum of Art, Northwestern University, the Rose Art Museum, Brandeis University, the National Gallery of Art, Washington, and more. Ten artists in the exhibition previously have been guests on The Modern Art Notes Podcast: Andrea Chung; Liz Deschenes; Ken Gonzales-Day; An-My Lê; Lisa Oppenheim; Wendy Red Star; Mark Ruwedel; Paul Mpagi Sepuya (second visit); Stephanie Syjuco (second visit); and Carrie Mae Weems. Instagram: Myra Greene, Tyler Green.

Episode No. 652 features curators Denise Murrell and Larisa Grollemond. Murrell is the curator of "The Harlem Renaissance and Transatlantic Modernism" at the Metropolitan Museum of Art, New York. The exhibition, which is on view through July 28, explores the ways in which Black artists portrayed everyday life and impacted art on both sides of the Atlantic Ocean. An outstanding exhibition catalogue was published by the Met. Amazon and Bookshop offer it for $50-60. Grollemond curated "Blood: Medieval/Modern," which is at the J. Paul Getty Museum, Los Angeles through May 19. The exhibition looks at how and why blood has been represented in medieval manuscripts and in some contemporary art too. Instagram: Denise Murrell, Larisa Grollemond, Tyler Green.

Episode No. 650 features curator Anne-Lise Desmas and author Jim Moske. With Emerson Bowyer, Desmas is the co-curator of "Camille Claudel," a retrospective of the French modernist sculptor's career, at the J. Paul Getty Museum, Los Angeles. Until now, Claudel's work has often been under-considered as scholars have focused on her professional and personal relationship with Auguste Rodin; "Claudel" foregrounds the artist's work through a presentation of about 60 sculptures. The exhibition is on view through July 21. Getty Publications has published a excellent catalogue. Amazon and Bookshop offer it for about $65-75. Moske is the author of "Deaths of Artists." The book uses two fragile scrapbooks in the archives of the Metropolitan Museum of Art, New York both to look at how newspapers in the early twentieth century covered the deaths of artists, and to jump off from that often sensational coverage to learn more about how artists were considered and remembered. The Met has recently digitized the scrapbooks that instigated Moske's examination. Amazon and Bookshop offer the book for about $37. Instagram: Jim Moske, Tyler Green.

Elizabeth Heyert , photo credit Nina Subin Elizabeth Heyert is an American photographer known for her experimental portrait projects. Formerly a world-renowned architectural photographer, Heyert established her reputation in the art world with her groundbreaking series THE SLEEPERS, THE TRAVELERS, THE NARCISSISTS, and THE BOUND. Heyert's photographs are in the permanent collections of the Metropolitan Museum of Art, the San Francisco Museum of Modern Art, the J. Paul Getty Museum, and numerous private collections. THE BOUND, Heyert's limited edition artist's book of photogravures, was acquired by the Beinecke Library of Rare Books and Manuscripts at Yale University. Photographs from her latest series, METAMORPHOSIS, were featured in Personal Structures at the 2022 Venice Biennale. A book of those photos will be published in 2023. A short list of her other photography books includes THE TRAVELERS (Scalo), the award-winning book from her series of post-mortem photographs; THE OUTSIDER (Damiani) a conceptual portrait project shot in China; THE SLEEPERS (Sei Swann); THE NARCISSISTS (Silvana); METROPOLITAN PLACES (Viking Studio), a classic anthology of 20th century design which she wrote and photographed; and THE GLASS-HOUSE YEARS (Allanheld & Schram), a history of 19th century portrait photography. Heyert graduated from the Royal College of Art, London. A native New Yorker, she lives in Greenwich Village, and has a studio in the Chelsea arts district. Elizabeth Heyert, Man Flying Over a City Cyanotype, 39 x 28.3”, edition of 3 Elizabeth Heyert, Man at the Bottom of an Ocean #1 Cyanotype, 39 x 28.3” edition of 3 Elizabeth Heyert, Bound #11 Gelatin silver print, 60 x 47.25”, edition of 5

Mitch Epstein helped pioneer fine-art color photography in the 1970s. His photographs are in numerous major museum collections, including New York's Museum of Modern Art, Metropolitan Museum of Art, and Whitney Museum of American Art; The J. Paul Getty Museum in Los Angeles; the San Francisco Museum of Modern Art; and the Tate Modern in London.In October 2024, Gallerie d'Italia in Turin, Italy will present a major multi-media exhibition of Mitch's project, Old Growth; and in September 2024, Old Growth will be shown in NYC at Yancey Richardson Gallery. Mitch's Indian photographs and films (Salaam Bombay! and India Cabaret) were exhibited in 2022 at Les Rencontres d'Arles festival in France. Mitch has had numerous other major solo exhibitions in the USA and worldwide.Mitch's seventeen books, all published by Steidl Verlag, include Recreation (2022); Property Rights (2021); In India (2021); Rocks and Clouds (2017); New York Arbor (2013); Berlin (Steidl/The American Academy in Berlin 2011); American Power (2009); and Family Business (2003), which was winner of the 2004 Kraszna-Krausz Photography Book Award.In 2020, Mitch was inducted into the National Academy of Design. In 2011, he won the Prix Pictet for American Power. Among his other awards are the Berlin Prize in Arts and Letters from the American Academy in Berlin (2008), and a Guggenheim Fellowship (2003).Mitch has worked as a director, cinematographer, and production designer on several films, including Dad, Mississippi Masala, and Salaam Bombay!. He lives with his family in New York City. In episode 225, Mitch discusses, among other things:New YorkJohn Szarkowski at MOMAEditingIndiaGarry Winogrand and his influenceGoing to LA in ‘74Working on the films of his then wife Mira NairTrial and errorFamily BusinessAmerican PowerOld Growth Referenced:John SzarkowskiEugene AtgetDiane ArbusWilliam EgglestonTodd PapageorgeRaghubir SinghJonas MekasHollis FramptonWebsite | Instagram“Through disorientation, through not knowing, through being uncomfortable, things happen. And I think some of the most important periods for me in my life as an artist have been those periods where I have ultimately not known what I was doing or where I was going next. Now I'm a little bit better at just listening to the signals that come along, even though they may not give me the full-fledged answer they'll just point in a direction. And I'm a little bit more patient with the process.” Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.

As Jesus begins teaching his disciples directly about his crucifixion, St. Peter rebukes Jesus for thinking that the Messiah must suffer. However, Jesus turns the tables on St. Peter and points out to him and all that we all must suffer and die in light of his own death and resurrection. Through this, we come to know more deeply the love of Christ for us.Image: The Crucifixion, unknown artist, public domain, from the J. Paul Getty Museum. Image location: https://www.getty.edu/art/collection/object/107TX5#full-artwork-details

Today I'm talking to Andrew Westover, Eleanor McDonald Storza Director of Education at the High Museum of Art in Atlanta, about how values-engaged teaching can transform gallery experiences and foster deep connections. Andrew Westover leads the learning team at the High Museum of Art in Atlanta, focusing on connecting people with art and ideas to inspire civic life. In this role, Andrew develops initiatives, partnerships, and diverse programming to engage Atlanta's communities. Andrew previously served as the Keith Haring Director of Education at the New Museum in New York, shaping the vision for the education department. Their diverse experience includes roles at the J. Paul Getty Museum, the National Museum of Wildlife Art, the Smithsonian's Hirshhorn Museum, and the Phoenix Art Museum. In this chat we're exploring:what values-engaged teaching is in a gallery setting and how it can be applied. the importance of self-knowledge and understanding your own values as essential foundations for effective teaching in a gallery setting. the 5 values that underpin the work of High Museum of Art's education department and how their work is rooted in listening, engaging in dialogue, building consensus, and designing spaces for various communities. how four key words—experiences, identities, affinities, and beliefs—serve as a bridge in connecting the museum's collections and exhibitions with its visitors. the importance of genuine connection in the museum, and how connection is essential for experiences to be meaningful and not merely a superficial interaction. practical strategies and examples of how to navigate conflict during gallery discussions, including a detailed example of addressing emotional responses. Andrew concludes by sharing tips for listeners looking to adopt similar strategies for values-engaged teaching in their practice or organisation. There is so much in this conversation - you might want to have a pen and paper handy! LinksAndrew Westover - High Museum of ArtHigh Museum of Art's Educational Values and MethodologiesMuseum Magazine article: Transcending DogmaEdmonia Lewis's sculpture Columbus: Columbus - High Museum of ArtTeaching in the Art Museum by Elliott Kai-Kee and Rika BurnhamForum for Leadership in Art Museum Education (professional network for heads of education at art museums): Forum for Leadership in Art Museum Education - My FLAME (gatherlearning.com)High Museum of Art LinkedIn and InstagramAndrew Westover LinkedIn and Instagram

Episode No. 632 of The Modern Art Notes Podcast features curators Philip Brookman and Julian Brooks. Brookman is the curator of "Dorothea Lange: Seeing People," at the National Gallery of Art, Washington. The exhibition presents Lange's decades-long portraiture practice in over 100 photographs, pictures that range from the Great Depression through the 1960s. "Seeing People" is on view through March 31, 2024. The exhibition catalogue was published by the NGA in association with Yale University Press. Amazon and Bookshop offer it for $43-51. With Edina Adam, Brooks is the co-curator of "William Blake: Visionary," at the J. Paul Getty Museum, Los Angeles. Blake was a printmaker and painter who built an unconventional, fantastical, often narrative world view that he presented across both poetry and art. The presentation includes a colored copy of Blake's illuminated book America a Prophecy, a mindfully careful telling of the story of the American Revolution. "Blake" is at the Getty through January 14, 2024. The Getty-published exhibition catalogue is available from Bookshop and Amazon for $29-33.

Episode No. 628 features artist Lyle Ashton Harris and curator Scott Allan.  The Nasher Museum of Art at Duke University is presenting "Lyle Ashton Harris: Our first and last love," a survey of Harris' career featuring photographs, collage, archival material, and more. It's on view through January 7. 2024. Harris' work engages transatlantic social and political dialogues even has he foregrounds personal struggles, sorrows, and self-illuminations. The exhibition was co-curated by Caitlin Julia Rubin and Lauren Haynes. A catalogue is forthcoming.  Harris' work is also included in "Going Dark: The Contemporary Figure at the Edge of Visibility," at the Solomon R. Guggenheim Museum in New York. The exhibition, which was curated by Ashley James with Faith Hunter, presents works of art that feature partially obscured or hidden figures, works that conceal the body to explore a key tension in contemporary society: the desire to be seen, and the desire to be hidden from sight. It's on view through April 7, 2004. A catalogue was published by the museum. Amazon and Indiebound offer it for about $60-65.   With Nii Obodai, Harris is the co-editor of the latest issue of Aperture magazine, which considers the Ghanaian capital of Accra as a site of dynamic photographic voices and histories that connect visual culture in West Africa to the world. It's available from Aperture for $25. Allan curated "Reckoning with Millet's Man with a Hoe," at the J. Paul Getty Museum, Los Angeles. The exhibition is an intensive look at arguably the most historically significant painting in the JPGM's collection of nineteenth-century European art. Man with a Hoe debuted in Paris in 1863, where it was attacked for its depiction and glorification of peasant labor. The exhibition is on view through December 10. The Getty-published catalogue is available from Amazon and Indiebound for about $27-30. Instagram: Lyle Ashton Harris, Scott Allan, Tyler Green. 

Join hosts J.D. Barker, Christine Daigle, and Kevin Tumlinson as they discuss the week's publishing topics, including an update on Simon & Schuster's new owners. Then, stick around as Christine chats with brother and sister writing duo Boyd and Beth Morrison! Boyd Morrison is a #1 NY Times bestselling author, actor, engineer, and Jeopardy! Champion. Beth Morrison is Senior Curator of Manuscripts at the J. Paul Getty Museum. Their new novel, The Last True Templar, is a follow-up to their first collaboration, The Lawless Land, and is the second book in their "Tales From The Lawless Land" series. It is available now wherever books are sold. Check It Out! The Last True Templar - https://bookshop.org/p/books/the-last-true-templar-volume-2-boyd-morrison/19781594 "The End of an Era: The Wall Street Journal's Bestseller Lists Discontinued" (via NY Weekly) - https://nyweekly.com/news/the-end-of-an-era-the-wall-street-journals-bestseller-lists-discontinued/ "Spotify Launches 200,000-Plus Audiobooks for Premium Subscribers in the U.S." (via Variety) - https://variety.com/2023/digital/news/spotify-premium-audiobooks-subscribers-us-1235784076/ "SAG-AFTRA Reveals Details of Strike-Ending Deal With Hollywood Studios" (via Rolling Stone)- https://www.rollingstone.com/tv-movies/tv-movie-news/sag-aftra-board-approves-deal-with-hollywood-studios-end-strike-1234875654/ Show Links: Writers, Ink on YouTube! - ⁠⁠⁠https://www.youtube.com/@jdbarker_author/podcasts⁠⁠⁠ J.D. Barker - ⁠⁠⁠https://jdbarker.com/⁠⁠⁠ Christine Daigle - ⁠⁠⁠https://www.christinedaiglebooks.com/⁠⁠⁠ JP Rindfleisch IX - ⁠⁠⁠https://www.jprindfleischix.com/⁠⁠⁠ Kevin Tumlinson - ⁠⁠⁠https://www.kevintumlinson.com/⁠ Patrick O'Donnell - ⁠⁠⁠https://www.copsandwriters.com/⁠⁠ Boyd Morrison - https://boydmorrison.com/ Other Links Best of BookTok - ⁠⁠⁠https://bestofbooktok.com/⁠⁠⁠ Booktrib - ⁠⁠https://booktrib.com/author/writers-ink/⁠⁠ Music by Nicorus - ⁠⁠⁠https://cctrax.com/nicorus/dust-to-dust-ep⁠⁠⁠ Voice Over by Rick Ganley - ⁠⁠⁠http://www.nhpr.com⁠⁠⁠ and recorded at Mill Pond Studio - ⁠⁠⁠http://www.millpondstudio.com⁠⁠⁠ Show notes & audio production by Geoff Emberlyn - ⁠https://twitter.com/horrorstoic⁠⁠⁠ Website Design by Word & Pixel - ⁠⁠⁠http://wordandpixel.com/⁠⁠⁠ Contact - ⁠⁠⁠https://writersinkpodcast.com/contact/⁠⁠⁠ *NOTE: Some of the links are affiliate links. --- Support this podcast: https://podcasters.spotify.com/pod/show/writersink/support

Christine Kuan is the President and Creative Director of Creative Capital. Before joining Creative Capital, Christine Kuan was CEO and Director of Sotheby's Institute of Art, where she oversaw the Master's Degree programs in Art Business, Contemporary Art, and Fine & Decorative Art & Design, as well as the Online, Summer, and Pre-College programs. In this role, she established new programs and partnerships with Tsinghua University in Beijing, Ewha University in Seoul, Centro University in Mexico City, and ESCP Business School in Paris. Kuan also launched a new scholarship program in partnership with Spelman College at the Atlanta University Center Consortium (AUCC). Prior to Sotheby's Institute, she was the Chief Curator and Director of Strategic Partnerships at Artsy, where she oversaw museum and institutional partnerships, digital collection strategy, open access policy, educational initiatives, and launched their auctions business, including benefit auctions such as Whitney Art Party, Brooklyn Museum Artists Ball, ICI Benefit, Public Art Fund Benefit, Sotheby's x Planned Parenthood. Notably, Kuan established more than 500 museum and institutional partnerships worldwide, including Musée du Louvre, Musée Picasso, Musée d'Orsay, SFMOMA, J. Paul Getty Museum, Smithsonian Cooper-Hewitt Museum, Diebenkorn Foundation, Rauschenberg Foundation, Frankenthaler Foundation, Fondation Cartier, and more. Prior to Artsy, Kuan was Chief Curatorial Officer and Vice President of External Affairs at Artstor, a nonprofit image library founded by The Andrew W. Mellon Foundation, where she led digital collections acquisitions and the funding for the digitization of archives and collections. She has also served as Editor-in-Chief of Oxford Art Online/Grove Art Online at Oxford University Press, where she significantly expanded scholarly information on women artists and Asian contemporary artists working with guest editors Whitney Chadwick and Melissa Chiu, commissioning biographies on Faith Ringgold, Judy Chicago, Ai Weiwei, Cai Guo-Qiang, and others. Kuan has also worked at The Metropolitan Museum of Art in the Department of Asian Art and the General Counsel's Office, and she has taught English Literature and Writing at the University of Iowa, Peking University, Rutgers University, and guest lectured at Stanford University's pilot program of Arts Leadership. She has been interviewed by The New York Times, Wall Street Journal, Refinery29, Vogue, New York, China Global Television Network (CGTN), and other outlets. Kuan's publications include: Creative Legacies: Artists' Estates and Foundations (eds. Kathy Battista and Bryan Faller); Rights and Reproductions: The Handbook for Cultural Institutions (ed. Anne Young), Digital Heritage and Culture: Strategy and Implementation (eds. Herminia Din and Steven Wu), Guest Critic May 2022 for The Brooklyn Rail, and Best Practices Guide for Artist Demographic Data Coordination (Association of Art Museum Curators Foundation). She has lectured and published extensively on digital strategy, museum policy, and new technologies for the art world. Kuan holds an MFA in Creative Writing Poetry from the University of Iowa Writers' Workshop, and a BA in Art History and English Literature from Rutgers University. Creative Capital: https://creative-capital.org/ theartcareer.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Christine Kuan:⁠ ⁠⁠@kuannyc Follow us: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theartcareer⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Podcast host: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@emilymcelwreath_art⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Editing: ⁠⁠⁠⁠⁠⁠⁠⁠⁠@benjamin.galloway⁠⁠ The Art Career is supported by ⁠The New York Studio School⁠

Bryan Ford is joined by professor of culinary history, Maite Gomez-Rejón. Maite is the founder of ArtBites and she has dedicated her career to exploring the nexus of art and culinary history through lectures, cooking classes, and tastings in museums and universities across the country, including the Metropolitan Museum of Art, the Los Angeles County Museum of Art, and the J. Paul Getty Museum. She co-curated the exhibits Maize: Past, Present, and Future and The Legacy of Cacao at LA Plaza Cocina in Los Angeles and is co-host of the podcast Hungry for History. Bryan brings Maite back to childhood birthday celebrations with a very special crust-cut-off sandwich, Lonches de Piñata. Watch Bryan make his version and Subscribe: Youtube Recipe from today's episode can be found at Shondaland.com Join The Flaky Biscuit Community: Discord   Maite Gomez-Rejón IG: @artbites_maite Bryan Ford IG: @artisanbryan Check out Flavors From Afar at flavorsfromafar.co, and No Us Without You LA at nouswithoutyou.la.See omnystudio.com/listener for privacy information.

Rodney Smith was a photographic visionary, with an allegiance to the image above all else. Long acclaimed for his iconic black-and-white pictures—not to forget his later jewel-like color scenes—Smith captured enchanted worlds full of subtle magic and lighthearted humor. Using only analog film and the aesthetics of natural light, his dream-like photographs are matched in quality by the craft and physical beauty of his prints. Smith died in 2016, yet the enduring precision, elegance, and whimsy of his world view is nowhere more evident than in our conversation with Leslie Smolan, his widow and executive director of his estate; and his long-time assistant, master printer Terence Falk. Listen in as Smolan discusses key aspects of Smith's career development and describes her recent collaboration with the J. Paul Getty Museum on the book, Rodney Smith: A Leap of Faith. And Falk provides firsthand anecdotes about the unique experience of working on a Rodney Smith shoot—an experience that led one powerful New York executive to call his secretary from a midtown pay phone and exclaim, “I feel like I'm in Ferris Bueller's Day Off!” As New York Fashion Week ushers in the fall season, we're looking back on the career of one of the most distinctive photographers to infuse business and fashion with a timeless sense of style and grace. Guests: Leslie Smolan and Terence Falk For more information on our guests and their gear they use, see: The Estate of Rodney Smith Website: rodneysmith.com/ The Estate of Rodney Smith Facebook: www.facebook.com/rodneysmithphotography/ The Estate of Rodney Smith Instagram: www.instagram.com/_rodneysmith/ The Estate of Rodney Smith Pinterest: www.pinterest.com/rodneysmithpics/ Rodney Smith Lecture at the B&H Event Space: www.bhphotovideo.com/explora/photog…mith-1970-2016 Conversation about Rodney Smith at FIT Amphitheater: www.fitnyc.edu/museum/events/index.php Rodney Smith Exhibition at Staley Wise Gallery in New York: www.staleywise.com/exhibitions/rodney-smith2 Rodney Smith: A Remembrance with Dr Rebecca Senf: santafeworkshops.com/creativity-con…-rebecca-senf/ Rodney Smith: A Leap of Faith book: shop.getty.edu/products/rodney-s…th-978-1606068465

Episode No. 613 features author Prudence Peiffer and museum director Timothy Potts. Peiffer is the author of "The Slip: The New York City Street That Changed American Art Forever." The book, out this week from Harper, is a group biography of seven artists -- Robert Indiana, Ellsworth Kelly, Agnes Martin, James Rosenquist, Delphine Seyrig, Lenore Tawney, and Jack Youngerman -- who worked on Coenties Slip in the 1950s and '60s. Coenties Slip was a street that overlooked the East River in lower Manhattan. Peiffer's book argues for not only the importance of the artists themselves, but for where and how they worked as being important to the development of post-war art in New York. Peiffer is director of content at the Museum of Modern Art, New York.  Amazon and Bookshop offer "The Slip" for $22-36. Potts discusses the J. Paul Getty Museum's co-acquisition (with the National Portrait Gallery, London) of Joshua Reynolds' Portrait of Mai (ca. 1776). The painting, among Reynolds' finest works, is on view at the National Portrait Gallery. The first presentation at the Getty will be in 2026.

Episode No. 612 features curators Susan Davidson and Stephanie Schrader. Davidson is the curator of "Robert Motherwell: Pure Painting," which is at the Modern Art Museum of Fort Worth through September 3. The exhibition is the first Motherwell paintings retrospective in a quarter-century. Motherwell was a New York-based painter prominent in the development of abstract expressionism. The exhibition catalogue was published by Hatje Cantz Verlag. Amazon and Bookshop offer it for about $55. From Fort Worth, "Motherwell" will travel to the Bank Austria Kunstforum in Vienna. Along with Freyda Spira and Thomas Lederballe, Schrader is a co-curator of "Beyond the Light: Identity and Place in 19th-Century Danish Art," which is at the J. Paul Getty Museum, Los Angeles, through August 20. The exception looks at the development of Danish art across both paintings and drawings, and shows how artists helped develop the nation's cultural identity. The excellent catalogue was published by the Metropolitan Museum of Art, New York, which originated the show. Amazon and Bookshop offer it for about $45.

What are “streakers, strollers and studiers”? How can we plan better projects using the “attract, reveal, reward” system? What's a “wunderkammer”? What can we expect in the upcoming “Exhibition and Experience Design Handbook”? Professor, designer, and museum director Tim McNeil (UC Davis) joins host Jonathan Alger (C&G Partners) to preview his upcoming book, “Exhibition and Experience Design Handbook”. The eBook is available this month (April), and the hardback version is coming in May — and available for pre-order NOW. It's not every day that a new book on exhibition and experience projects comes out. We'll be among the first to get a sneak peek. (And a quick education in exhibition and experience design along the way.) Subscribe and listen anywhere you get your podcasts. Or start here: https://makingthemuseum.transistor.fm/11Sneak Peek Chapters in the Show: Chapter 1. Streakers, Strollers, Studiers Chapter 2. Once Upon a Timeline Chapter 5. Wow Moments Chapter 8. Trapped in Glass Boxes Chapter 10. Smoke and Mirrors Guest Bio:Tim McNeil is a professor of design and director of the Design Museum at the University of California, Davis. He has spent 30 years as a practicing exhibition designer working for major museums, researching exhibition design history and methods, and teaching the next generations of exhibition design thinkers and practitioners. Tim contributed to building the J. Paul Getty Museum at the Getty Center and Getty Villa, and the Jan Shrem and Maria Manetti Shrem Museum of Art. His work has been recognized for design excellence by the Society for Experiential Graphic Design and the American Alliance of Museums. How to Listen: Subscribe and listen anywhere you get your podcasts. Or start here: https://makingthemuseum.transistor.fm/11 See you there! Warmly,Jonathan - - - - - - - - - - - - - About:Making the Museum is hosted (podcast) and written (newsletter) by Jonathan Alger. This podcast is a project of C&G Partners | Design for Culture. Learn about the firm's creative work at: https://www.cgpartnersllc.comShow Links: AVAILABLE FOR PRE-ORDER: The Exhibition and Experience Design Handbook https://rowman.com/ISBN/9781538157985/The-Exhibition-and-Experience-Design-Handbook Tim's Practicehttp://munizmcneil.com/Tim's Research http://www.tim-mcneil.comTim's Teaching https://storiedspaces.faculty.ucdavis.edu/ Contacting Tim tjmcneil@ucdavis.eduhttps://www.linkedin.com/in/tim-mcneil-1396636/ - - - - - - - - - - - - - Show Contact: https://www.makingthemuseum.com/contacthttps://www.linkedin.com/in/jonathanalgeralger@cgpartnersllc.comhttps://www.cgpartnersllc.com - - - - - - - - - - - - - Newsletter:Like the episode? Subscribe to the newsletter! Making the Museum is also a very short daily newsletter on exhibition planning for museum leaders, exhibition teams and visitor experience professionals. Learn more, read past editions, and subscribe here: https://www.makingthemuseum.com - - - - - - - - - - - - -

We meet living legend DUANE MICHALS (b. 1932, McKeesport, PA) one of the GREATEST photographic innovators of the last century, widely known for his work with series, multiple exposures, and text. For more than 60 years he has pushed photography and art to new dimensions. Without doubt, so many contemporary artists have been inspired by, and have directly referenced, the groundbreaking work of Duane Michals - he has truly shifted the way we think about art forever!!! Duane Michals is an artist who has been much imitated, highly influential and endlessly re-inventive. He celebrated his 91st birthday the week before this episode was recorded, so a big HAPPY BIRTHDAY to Duane!!!Michals first made significant, creative strides in the field of photography during the 1960s. In an era heavily influenced by photojournalism, Michals manipulated the medium to communicate narratives. The sequences, for which he is widely known, appropriate cinema's frame-by-frame format. Michals has also incorporated text as a key component in his works. Rather than serving a didactic or explanatory function, his handwritten text adds another dimension to the images' meaning and gives voice to Michals' singular musings, which are poetic, tragic, and humorous, often all at once.Over the past five decades, Michals' work has been exhibited in the United States and abroad. The Museum of Modern Art, New York, hosted Michals' first solo exhibition (1970). In 2019, The Morgan Library and Museum in New York exhibited a career retrospective of Michals' work The Illusions of the Photographer: Duane Michals at the Morgan. More recently, he had one-person shows at the Odakyu Museum, Tokyo (1999), and at the International Center of Photography, New York (2005). In 2008, Michals celebrated his 50th anniversary as a photographer with a retrospective exhibition at the Thessaloniki Museum of Photography, Greece, and the Scavi Scaligeri in Verona, Italy.Michals's work belongs to numerous permanent collections in the U.S. and abroad, including the Israel Museum, Jerusalem; the J. Paul Getty Museum, Los Angeles; the Metropolitan Museum of Art, New York; the Moderna Museet, Stockholm; the Museum of Modern Art, New York; the National Museum of Modern Art, Kyoto; and the Philadelphia Museum of Art. Michals's archive is housed at the Carnegie Museum of Art, Pittsburgh.Michals received a BA from the University of Denver in 1953 and worked as a graphic designer until his involvement with photography deepened in the late 1950s. He currently lives and works in New York City, USA.Follow @TheDuaneMichals on Instagram.Views more than 50 recent short films at Duane's Vimeo channel: https://vimeo.com/duanemichalsLearn more at DC Gallery: https://www.dcmooregallery.com/artists/duane-michals Hosted on Acast. See acast.com/privacy for more information.

In a world finding its way out of years of a pandemic way of life and restrictions, Aaron Paley's long career in championing cultural connections may be a winning path. Aaron's incessant creative programming in the public spaces of Los Angeles is grounded in his impressive credentials. He received a Masters in Business (MBA) in non-profit Arts Management from UCLA and an undergraduate degree from UC Berkeley in Architecture at the College of Environmental Design. To some, Aaron Paley with Katie Bergin, in founding the Community Arts Resources(CARS) organization 34 years ago, accomplished the impossible in a City like Los Angeles, California. They found a way to link culture, the arts, civic institutions and public spaces, bringing diverse peoples together in a sprawling metropolitan environment. Drawing upon models from around the world, here are only a few of the highlights of how Aaron's championing of cultural and arts connections have enriched Los Angeles and inspired other cities: - At the J. Paul Getty Museum and Center's 25th Anniversary, produced ten free weekend festivals in ten different neighborhoods- Co-created, produced and implemented CicLAvia, a car free, open for pedestrians and bicyclists where Los Angeles residents can walk, bike and socialize inspired by Ciclovia, the weekly street closure developed in Bogota, Columbia - The Los Angeles Philharmonic launched its 100 year celebration with a free day long open streets festival and live music event from downtown to the Hollywood Bowl. As a native of an often disconnected City like Los Angeles accustomed to being separated in cars, Aaron attributes his vision of the power of culture and art for creating connections to having been brought up in a Jewish Yiddish-speaking environment. It inspired him to look at the great diversity of his City which was the essence of its civic history. He and Katie Bergin started this idea of cultural programming in 1989 with Community Arts Resources, or CARS, and then created a program called Yiddishkayt in 1994, to focus on the Jewish Yiddish culture and language. They went on to tap into the great art and cultural menu of neighborhoods that sweep through all corners of Los Angeles. Listen to Aaron's exciting ideas for all that awaits the City in the coming years.

This abundantly illustrated book is an illuminating exploration of the impact of medieval imagery on three hundred years of visual culture. From the soaring castles of Sleeping Beauty to the bloody battles of Game of Thrones, from Middle-earth in The Lord of the Rings to mythical beasts in Dungeons & Dragons, and from Medieval Times to the Renaissance Faire, the Middle Ages have inspired artists, playwrights, filmmakers, gamers, and writers for centuries. Indeed, no other historical era has captured the imaginations of so many creators. The Fantasy of the Middle Ages: An Epic Journey Through Imaginary Medieval Worlds (J. Paul Getty Museum, 2022) aims to uncover the many reasons why the Middle Ages have proven so applicable to a variety of modern moments from the eighteenth through the twenty-first century. These “medieval” worlds are often the perfect ground for exploring contemporary cultural concerns and anxieties, saying much more about the time and place in which they were created than they do about the actual conditions of the medieval period. With over 140 color illustrations, from sources ranging from thirteenth-century illuminated manuscripts to contemporary films and video games, and a preface by Game of Thrones costume designer Michele Clapton, The Fantasy of the Middle Ages will surprise and delight both enthusiasts and scholars. This title is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from June 21 to September 11, 2022. Larisa Grollemond is the assistant curator of manuscripts at the J. Paul Getty Museum. She received her Ph.D. in art history from the University of Pennsylvania and was a contributing editor for Book of Beasts: The Bestiary in the Medieval World (Getty Publications, 2019). Bryan C. Keene (he/él/they/elle) is assistant professor of art history at Riverside City College and a former associate curator of manuscripts at the J. Paul Getty Museum. He specializes in codex cultures of the global Middle Ages and fantasy medievalisms. He holds a Ph.D. from the Courtauld Institute of Art, at the University of London. Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master's in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this episode, we are joined by Emily Golding, Executive Director of Amplifier, a nonprofit design lab that builds art and media experiments to amplify the most important movements of our times. Together, we explore the Gratitude Blooming theme of Choice, represented by the spring rose. Emily shares her journey of embodying choice, teaching the joy of choice, and leaning into how ideas incubate in young people.  She also discusses the concept of time dignity and how it impacts our well-being with a focus on the importance of setting boundaries and saying "no" in order to create space for our "yes." Emily shares her personal story with balancing work and motherhood, and the importance of taking time for ourselves to nurture our well-being. She also explores the challenges faced by the younger generation, including eco-anxiety and the pressure to constantly be "doing," and offers insights into how we can create a more fulfilling and purposeful life. Read more about Emily and her work here:As an Irish/Latina native of the eastside of Los Angeles, Emily is keenly interested in how the stories we tell shape our collective identity. In her 10+ years in the social impact space, she has collaborated with philanthropists, artists, activists, technologists, journalists, and scholars to launch large-scale media, art, theatre, dance, and film projects that expand our notion of public life. To date, Emily has secured over 17 million in funding from over 100 grantors spanning from the Knight Foundation, the Hewlett Foundation, the Kresge Foundation, the National Endowment for the Humanities, the U.S. Department of State, and global brands like Johnson & Johnson, The North Face, and Louis Vuitton for projects across the United States and Latin America. Program partners have included the U.N., the J. Paul Getty Museum, the Guggenheim Museum, Facebook, and ViacomCBS.Emily is the Executive Director of Amplifier, a design lab that amplifies the most important social movements of our times. Prior to Amplifier, Emily spent seven years running the national grantwriting and comms firm Girasol Consulting, and served as a writing professor at Occidental College. She has served as a panelist for the National Endowment for the Arts' Folk and Traditional Arts grants program and spoken about narrative shift and culture change work at Johns Hopkins University, George Washington University, and on ABC and FOX news. Her writings on politics and culture have been published by Zocalo Public Square and by Harvard University and New York University journals. Emily holds a master's degree in Journalism from Georgetown University and an undergraduate degree in Modern Literature from UC Santa Cruz. In her free time, she enjoys hiking, creative writing, vegan nachos, and adventures in revolutionary motherhood!Check out Amplifier's social media toolkit for the Well + Being campaign!We are co-creating the world we want to live in, and we want to hear from you! Share your feedback with this survey (only takes 30 seconds to complete.)If you enjoyed this episode, please take a moment to leave us a 5-star rating and review. Your feedback is valuable to us and helps us grow.You can also share your thoughts and comments by emailing us at hello@gratitudeblooming.com. We love hearing from our listeners.And don't forget to check out our shop at www.gratitudeblooming.com to help us sustain this podcast (our labor of love). Thank you for your continued support. We appreciate you!

Today's guest is  Ariana Makau of Nzilani Glass. She is the 2nd person in the world – and the first woman – to receive a Master's Degree in Stained Glass Conservation from the Royal College of Art in London. Equally comfortable on a job site, at a board meeting or in a museum, Makau has over 25 years of experience with art and architectural preservation.  She is a Board Member and Health and Safety Chair of the SGAA and is a Fellow of AIC. Before Nzilani, she worked at the J. Paul Getty Museum in LA, London's V&A Museum, and the NY  Metropolitan Museum of Art.  Approachable and non-judgmental, Ariana enjoys sharing her professional experience in classroom and public talks.  I could have spoken to Ariana for 2 more hrs and still only scratched the surface of her extensive experience and knowledge of glass conservation and preservation. Asbestos testing /Respirator fit tests-Ariana recommends you do a local search with the key words "asbestos material testing company" and "respirator fit tests".  In some cases, people might be able to get the latter sourced through a museum.  Local paint companies sometimes teach one day lead certification classes as well."Nzilani is hoping to roll out hosting contracted respirator fit and BLL testing next year as a service to local artists. I encourage individual artists to network and do the same in their areas. Joining together can reduce costs, build community and empower folks to be accountable to their own health and well-being."-Ariana Makaucascademetals.com Ted Sawyer- Bullseye lead scientistbullseyeprojects.comTyvek Suitpksafety.comHope Crewsavingplaces.org/hope-crewConservation Schools:Buffalo State University Art Conservation DepartmentWinterthur UD Program in Art ConservationNYU ConservationUCLA/Getty Interdepartmental Program James Turrelljamesturrell.comLiza Enebeis @bookslovelizaEmily AtefwikipediaCyril Atef@cyrilatefOctavia E. ButlerwikipediaGlass artists:Harry ClarkwikipediaThe Stained Glass Association of America The Professional Trade Association for Architectural Art GlassPaul Wissmach Glass Co. Your Source of Colored Sheet GlassCanfield Technologies Canfield sets the standard for the Stained Glass industry. Support the show

Episode No. 579 features artist Uta Barth. The J. Paul Getty Museum in Los Angeles is presenting "Uta Barth: Peripheral Vision," a retrospective of Barth's work. For over forty years Barth has made work about the act of looking, perception, movement and the passage of time. The exhibition debuts Barth's newest work: a project commissioned in celebration of the Getty Center's twentieth anniversary. The exhibition was curated by Arpad Kovacs, and is on view through February 19, 2023. A catalogue is forthcoming in 2023. A previous mid-career survey, "Uta Barth: I Between Places" was organized by the Henry Art Gallery at the University of Washington in 2000. Barth's work is in nearly every major museum collection in North America.

Art has long been a lever for working class solidarity and social justice. It's also a collaborative form of labor that props up some workers and devalues others. This week, we're taking a long, hard look at two works of art: Rodrigo Valenzuela: New Works for a Post Worker's World, an exhibition on view at BRIC House through December 23rd, and 7 MINUTES, a play produced by Waterwell that premiered at HERE Arts Center last spring. • Brooklyn, USA is produced by Emily Boghossian, Shirin Barghi, Charlie Hoxie, Khyriel Palmer, and Mayumi Sato. If you have something to say and want us to share it on the show, here's how you can send us a message: https://bit.ly/2Z3pfaW• Thank you to Justin Bryant, Elizabeth Ferrer, Marc Enette, Waterwell, Lee Sunday Evans, Arian Moayed, Andrew Tilson, and Matthew Munroe aka Superlative Sain. • LINKSBorn in 1982, Santiago, Chile; based in Los Angeles, CA Rodrigo Valenzuela has presented solo exhibitions at the New Museum and Asya Geisberg Gallery, both NY; Light Work, Syracuse, NY; University of South Florida, Tampa, FL; Santa Cruz Museum of Art and History, CA; Orange County Museum of Art, Santa Ana, CA; Museum of Art and History, Lancaster, CA; Luis de Jesus, Los Angeles, CA; Jordan Schnitzer Museum of Art, Eugene, OR; and the Portland Art Museum and UPFOR, both Portland, OR. He has participated in group exhibitions at The Kitchen, The Drawing Center, Wave Hill, and CUE Art Foundation, all NY; Museum of Contemporary Art North Miami, FL; Bemis Center for Contemporary Arts, Omaha, NE; Frye Art Museum, Seattle, WA; and The Museum of Fine Arts, Houston, TX, among others. He has also exhibited his work in solo shows internationally at Arróniz Arte Contemporáneo, Mexico City; Peana Projects, Monterrey, NL, Mexico; Galería Patricia Ready and Museo de Arte Contemporàneo, Universidad de Chile, Santiago, Chile; and Galerie Lisa Kandlhofer, Vienna, Austria. Valenzuela has participated in residencies at Dora Maar, Fountainhead, Light Work, MacDowell, Glassell School of Art, Bemis Center for Contemporary Arts, Kala Art Institute, Vermont Studio Center, Center for Photography at Woodstock, and the Skowhegan School of Painting and Sculpture. He is the recipient of the 2021 John Simon Guggenheim Memorial Foundation Fellowship in Photography, the Smithsonian Artist Research Fellowship, and the Joan Mitchell Fellowship. His work is included in numerous public and private collections, including those of the Whitney Museum of American Art, J. Paul Getty Museum, Los Angeles County Museum of Art, The Museum of Fine Arts, Houston, The Nelson-Atkins Museum of Art, Frye Art Museum, Tacoma Art Museum, and The Center for Photography at Woodstock. He is an Associate Professor and Head of the Photography Department at UCLA. Valenzuela received his BFA in Art History and Photography from the University of Chile, his BA in Philosophy from Evergreen State College, and his MFA in Photo/Media from the University of Washington.Ebony Marshall-Oliver is an actress, singer, and storyteller. She began singing in church as a little girl. After being cast in her first musical- Bubbling Brown Sugar- in her mid twenties, she decided that acting would be her career. She enrolled in the Integrated Program at AMDA NY. Her first professional job after graduating was Seussical the Musical with TheatreWorksUSA. With this role, she became a member of Actors Equity Association. Broadway credits include Ain't No Mo' and Chicken and Biscuits. Off Broadway theaters she's worked at are Waterwell, Clubbed Thumb, The Public Theater, to name a few. She can be seen on season 2 of The Ms. Pat Show (BET+) and season 3 of Evil (Paramount+).Mei Ann Teo (they/she) is a queer immigrant from Singapore making theatre & film at the intersection of artistic/civic/contemplative practice. Their critically-acclaimed work has been seen at The Bushwick Starr, Waterwell, The Shed, Shakespeare's Globe, Woolly Mammoth, Theaterworks Hartford, Belgium's Festival de Liege, the Edinburgh Fringe, Beijing Int'l Festival, among others. Awards include LPTW Josephine Abady award and the inaugural Lily Fan Director Lilly Awards. They are an Associate Artistic Director and Director of New Work at Oregon Shakespeare Festival.Sarah Hughes has played many roles in her short time in the labor movement, including steward, officer, organizer, and workshop facilitator. She has worked for the National Education Association (NEA), the Professional Staff Congress at the City University of New York (AFT), and university labor studies programs, including CUNY's NY Union Semester. She has also taught a variety of workshops to city workers, electricians, women workers, and others. She holds a masters in labor studies from UMass Amherst. Prior to joining the Labor Notes staff in 2021, Sarah had been a long time fan, subscriber, volunteer trainer and donor. She attended her first Labor Notes conference in 2008, and is excited for many more. She lives in Flatbush with her labor lawyer husband and their toddler, who also loves picket lines. Waterwell is a group of artists, educators and producers dedicated to telling engrossing stories in unexpected ways that deliberately wrestle with complex civic questions. Founded by Andrew Tilson, the Workers Unite Film Festival, now in its 11th season, is a celebration of Global Labor Solidarity.  The Festival aims to showcase student and professional films from the United States and around the world which publicize and highlight the struggles, successes and daily lives of all workers in their efforts to unite and organize for better living conditions and social justice.Superlative, meaning the best of, and Sain meaning to bless, is a multi-talented creative, born in the UK (United Kingdom, England) and raised in Hollis Queens, New York. Born Matthew Munroe, Sain always connected with music by singing with his mother, a vocalist in a church choir who grew up singing. As a child, art was always a passion of Sain's life. Art was always a staple in his life, from drawing full-length comic books to designing logos. Picking up the art of rapping in his early college years, Sain continued with his love of the arts and always wanted to bring his friends with Him wherever he went. Co-creating the creative collective group OGWN with long-time friend Diverze Koncept, he began expanding his ever-growing catalog simply because he loved making music. While pursuing music, he also manages his visual company MMunroeMedia, directing, filming, and editing music videos for other artists, capturing the moment and enhancing the vision with graphics and photography. Superlative Sain takes the term "Artist" to an entirely new level by designing his merch/clothing line, "Be|SUPERLATIVE," Check out this talented artist and be a part of his Rise.• MUSIC and CLIPSThis episode featured clips from “Why Work?” (1996) by Bill Moyers.• TRANSCRIPT: ~coming soon~• Follow us on Twitter and Instagram @BRICTV Visit us online at bricartsmedia.org/Brooklyn-USA

England, 1351. In the aftermath of the Pestilence, Gerard Fox - a young knight robbed of his ancestral home, his family name tarnished - sets forth to petition the one man who can restore his lands and reputation. Fox's road entangles him with an enigmatic woman, a priceless relic, and a dark family secret. In today's Gone Medieval, Matt Lewis meets #1 New York Times bestselling thriller writer Boyd Morrison who has teamed up with his sister Beth Morrison - senior curator of manuscripts at the J. Paul Getty Museum - to find out about their first historical fiction novel together, a fast-paced adventure titled The Lawless Land.The Senior Producer on this episode was Elena Guthrie. It was edited and produced by Rob Weinberg. For more Gone Medieval content, subscribe to our Medieval Mondays newsletter here.If you'd like to learn even more, we have hundreds of history documentaries, ad free podcasts and audiobooks at History Hit - subscribe today! To download, go to Android or Apple store. Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.