Podcasts about impressionist

Bertha Palmer wore a lot of labels; Chicago socialite, patron of the arts, real-estate magnate, and all-around Gilded Age powerhouse. Her leadership at the Women's Building of the 1893 World's Columbian Exposition drew praise from all over the world. (and criticism, too!) We'll also tell you about her influence on Impressionist art in America, and her surprising third act as a Sarasota land developer. Learn more about your ad choices. Visit megaphone.fm/adchoices

One of the most respected and versatile performers in comedy history, Phil Hartman is often remembered by his peers as "the glue" who held the Saturday Night Live cast together during a pivotal era.

My guest today, Christine Pedi is known as the “Lady of 1000 Voices." She discovered her talent for multiple personalities through her long association with the legendary Off-Broadway revue, Forbidden Broadway, performing in companies all over the world, including New York, London, Japan, Singapore, and more. Among the dozens of personalities Christine is known to impersonate are: Liza Minelli, Rosie Perez, Ethel Merman, Angela Lansbury, Bernadette Peters, Julie Andrews, Katherine Hepburn and many, many others.She's received a Drama Desk nomination, as well as an L.A. Ovation & NAACP Award for her work.On Broadway, Christine debuted in Little Me with Martin Short and Faith Prince, directed by a favorite StoryBeat guest, Rob Marshall. Other Broadway appearances include several peculiar offstage callers in Eric Bogosian's Talk Radio, starring Liev Schreiber, and a turn as Mama Morton in the long-running hit, Chicago.She brought her collection of divas to Off-Broadway's Newsical the Musical, and starred in Spamilton: An American Parody, which she also co-produced.And many of you will know Christine from her long-running daily SiriusXM Radio show Broadway Breakfast on the On Broadway channel playing music of the stage & screen and interviewing Show Biz legends Mon-Fri, 9am-3pm. On Saturdays she and Seth Rudetsky co-host Dueling Divas.  And fans of Howard Stern can hear her provide the occasional celebrity voice on his SiriusXM morning show.Other Off-Broadway performances include: the title role in Miss Abigail's Guide to Dating Mating and Marriage, A Broadway Diva Christmas, Jerry's Girls, and My Favorite Year.Christine's performed her cabaret show, Great Dames, at many major New York venues, winning both the New York Bistro & Nitelife Awards. Her holiday show, There's No Bizness Like Snow Bizness, has been an annual New York staple since 2008. She's even performed for President & Mrs. Clinton, playing a singing Hillary!On TV, you may recognize Christine on The Sopranos as Mrs. Bobby Baccala (4 scenes, 5 lines...dead). But she recently escaped the clutches of Dr. Death on NBC.Be sure to check out Christine's popular, hilarious videos on YouTube, especially her “Shit Liza Says” videos. It's brilliant, laugh-out-loud stuff.Last but not least, and closest to my heart, Christine can be found singing on the well-regarded 1994 double-CD Complete Work recording of Jekyll & Hyde, the Musical, featuring Anthony Warlow, Linda Eder and Carolee Carmello.

  Last year I wrote a piece on artistic taste, which got many good responses from (eg) Ozy, Frank Lantz, and Sympathetic Opposition. I tastelessly forgot to respond to them until now, but I appreciate how they forced me to refine my thinking. In particular, they helped me realize that "taste" and "good art" are hard to talk about, because the discussions conflate many different things: 1: Sensory Delight. Ode To Joy makes the listener feel joyful. Michelangelo's David fills the viewer with awe at the human figure. The great cathedrals are impressive buildings, in a way that hits you like a punch to the gut. These judgments are preconscious, widespread, and don't necessarily require artistic sophistication. 2: Novelty and Innovation: Someone gets credit for doing art in a way that has never been done before. The early Impressionists invented a new way of looking at the world and explored all of its little corners. A modern Impressionist painter may be able to match their technical skill, but not their novelty; therefore, the modern would be a mere curiosity while the originals were great artists. For a modern person to be a great artist, they would have to explore entirely new media - hence the surprising and transgressive nature of modern art. 3: Paying Attention / Pattern Language: Tasteful people, viewing art over the generations and paying deep attention to it, have developed a sense of balance, composition, contrast, and what should and shouldn't be done. We can debate how predetermined the exact grammar of this language was a priori, but for better or worse people are sensitized to it and will judge works with it in mind. A good work of art should either conform to this language, or defy it deliberately and thoughtfully (that is, in a way that transcends it rather than ignores it). Along with these three big ones, here are smaller ones that might or might not be combinations or subvarieties of these: 4: Context And Discussion: Some great art raises questions, and subsequent great art proposes answers, or variations on the questions, or further elucidates the subject. The great artists of any given time are in conversation with their peers and the great artists of all past ages; new art can be judged on whether it shows awareness of, and contributes to, this conversation. Other forms of context are more personal - is a book about human evil more aesthetic if its author survived the Holocaust? 5: Literal Ability To Understand A Work: You can't fully appreciate Animal Farm unless you know the history of Soviet communism and recognize the book as an allegory for that history. If someone who knew nothing about this liked it as a cute story about talking animals, their appreciation would be different from (inferior to?) that of more knowledgeable people. 6: Changing Fashions: In 1940, Beaux-Arts and Frank Lloyd Wright were the heights of American architecture. By 1950, nobody who was anybody was doing Beaux-Arts or Prairie; it was all International Style. One could very charitably attribute this to the novelty-seeking drive above; but it's implausible that Prairie style architecture was novel and beloved in 1940, a few houses completely exhausted its potential, but the explosion of International Style buildings didn't restore the balance such that the low-hanging-fruit level level was lower in Prairie style again. More likely this was just a fashion effect where Prairie style was cool in 1940, then uncool in 1950. 7: Political And Ideological Point-Making: Great art may convey some truth about the world. This could be a purely aesthetic truth. But in the case of Uncle Tom's Cabin, the truth was "slavery is bad". Other truths are conveyed symbolically (for example, cathedrals being shaped like crosses) or through design choices (for example, the austerity of Bauhaus architecture making it more suitable for socialist housing). 8: Ability To Profoundly Affect Or Transform You: Maybe this one is emergent from some combination of sensory delight, novelty and point-making. But some people say they come away from art transformed, in a way which is neither just sensory delight nor just political ideology. Philosophers have argued for millennia about exactly what way this is, but hopefully we've all had this experience and can accept an extensional definition. These people enumerated these things to defend taste. I will instead take the bold stand that conflating many different things is bad: it frees people from thinking too hard about any particular one of them, or the ways they interact. Here are my arguments for deliberately ignoring about half of these. https://www.astralcodexten.com/p/contra-everyone-on-taste

Tracy and Jimmy Spruill are competitive barbecue cooks from Bulverde, Texas who compete as Kickin' Ash BBQ.  They are becoming well known for attention to detail and their passion for creating great Texas barbecue.  How did this husband and wife team meet and become a winning competition barbecue team?   That's just one of the many questions we explore as we hear from two people who are doing what they love together.  Joining us as guest co-host is Doug Scheiding, another Bulverde, Texas pitmaster who once again adds his own special insights and questions. Robby Zucker is a very talented individual and Leonard's childhood friend.  Robby is radio personality and a passionate sports fan and co-hosted the sports and pop culture radio show, Romeo and Zuck with Ralph Romeo. His many talents include being a great impressionist with over 150 voices to his credit.  Join us as Robby and Leonard take a stroll down memory lane.  Robby shares his extreme sports passion throughout the discussion and entertains with many of his exceptional voices. We recommend you go to Rogue Cookers website, https://roguecookers.com/ for award-winning rubs, Chef Ray Sheehan's website, https://www.raysheehan.com/ for award-winning saucess, rubs, and cookbooks, Baseball BBQ, https://baseballbbq.com for special grilling tools and accessories, Magnechef https://magnechef.com/ for excellent and unique barbecue gloves, Cutting Edge Firewood High Quality Kiln Dried Firewood - Cutting Edge Firewood in Atlanta for high quality firewood and cooking wood, Mantis BBQ, https://mantisbbq.com/ to purchase their outstanding sauces with a portion of the proceeds being donated to the Kidney Project, and for exceptional sauces, Elda's Kitchen https://eldaskitchen.com/ To team up against prostate cancer go to https://fansforthecure.org/ for Fans for the Cure, and to subscribe to Bill Chuck's newsletter, Billy-Ball go to  https://billchuck.substack.com/    We conclude the show with the song, Baseball Always Brings You Home from the musician, Dave Dresser and the poet, Shel Krakofsky. We truly appreciate our listeners and hope that all of you are staying safe. If you would like to contact the show, we would love to hear from you. Call the show:  (516) 855-8214 Email:  baseballandbbq@gmail.com Twitter:  @baseballandbbq Instagram:  baseballandbarbecue YouTube:  baseball and bbq Website:  https//baseballandbbq.weebly.com Facebook:  baseball and bbq       Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

What if your favorite sports broadcaster, late-night host, and even a former president all showed up for a speed round—on the same podcast? In this episode of Thrive LouD, master impressionist and comedian Josh Rosen joins Lou Diamond for an energetic and hilarious conversation that blurs the line between sports, pop culture, and satire. Josh Rosen reveals how his observational skills sparked his passion for impressions, talks about his social media creative process, and even drops spot-on renditions of Marv Albert, Skip Bayless, Stephen A. Smith, Woody Allen, Larry David, and Donald Trump—sometimes back-to-back! Plus, hear about his favorite influences, meeting the personalities he impersonates, the behind-the-scenes of social media content, and what's next for his comedic career.Whether you're a sports fanatic, comedy lover, or just need a good laugh, this episode is sure to entertain and surprise.Timestamped Overview00:00 Episode intro & Josh Rosen joins the show01:16 Josh Rosen on discovering comedy and impressions02:17 Influences from childhood: sports broadcasters and routines03:27 Becoming self-aware as an impressionist04:18 The intersection of sports, pop culture, and virality06:13 Impressionist idols and SNL influences08:05 Comedy material: building funny AND accurate impressions09:37 Social media and content creation behind-the-scenes11:05 Live impressions: Marv Albert, Skip Bayless, Stephen A. Smith, Woody Allen, Larry David, Donald Trump14:47 The Speakeasy Pub Crawl speed round18:17 Favorite impressions & meeting Nick Wright19:42 New voices and impressions in progress20:26 Where to find Josh Rosen & closing thoughts

Send us Fan MailJoin director and former child actor Moosie Drier, and author Jonathan Rosen, as they chat with legendary impressionist, Rich Little!Rich discusses his Vegas show at the Laugh Factory at the Horseshoe Casino, participating in the Dean Martin Roasts, his appearances with Johnny Carson, & much more!Support the show

Send us Fan MailJoin director and former child actor Moosie Drier, and author Jonathan Rosen, as they chat with legendary impressionist, Rich Little!Rich discusses his Vegas show at the Laugh Factory at the Horseshoe Casino, participating in the Dean Martin Roasts, his appearances with Johnny Carson, & much more!Support the show

Joey Mulinaro, famous Steelers Fan, joins the show to talk about his career, shows, and routines. The guys discuss the similarities between a standup act and being an athlete. The routines are the same: nerves, and more. How hard is it to be a comedian in the 'Cancel Culture' world?

In a recent issue of the LRB, Tom Crewe asked if the Impressionist painter Gustave Caillebotte's fixation with male figures and the male gaze is evidence not just of a homosocial milieu, but of homosexual desire. Meanwhile, in the same issue of the paper, James Butler reviewed Forbidden Desire in Early Modern Europe: Male-Male Sexual Relations 1400-1750 by the historian Noel Malcolm, who excavates archival evidence of sexual relationships and interactions between men in northern and southern Europe while cautioning against applying modern ideas of queerness to historical figures. Tom and James join Malin to discuss the interplay between their pieces, and to reflect on the ways that modern interpreters attempt to read the history of homosexuality in sometimes patchy archives, as well as on gay art in the past and the present. Read more in the LRB: Tom Crewe: Men Watching Men https://lrb.me/lrbpod04142601 James Butler: Cultures of Homosexuality https://lrb.me/lrbpod04142602 Alice Hunt: Out of Rehab https://lrb.me/lrbpod04142603 Also from the LRB Subscribe to the LRB: ⁠⁠https://lrb.me/subslrbpod Close Readings podcast: ⁠https://lrb.me/crlrbpod⁠ LRB Audiobooks: ⁠https://lrb.me/audiobookslrbpod⁠ Bags, binders and more at the LRB Store: ⁠https://lrb.me/storelrbpod⁠ Get in touch: podcasts@lrb.co.uk

On this week's episode of the ArtTactic Podcast, host Adam Green speaks with Valentina Castellani, adjunct professor at NYU Steinhardt and author of Trading Beauty: Art Market Histories from the Altar to the Gallery, Castellani challenges the long-held idea that art and money exist in separate worlds, tracing how commerce has shaped the production and circulation of art from the Middle Ages to the present day. The conversation explores influential figures such as the pioneering Impressionist dealer Paul Durand-Ruel and the legendary partnership of Leo Castelli and Ileana Sonnabend, while also examining Castellani's own experience working at Gagosian and organizing major historical exhibitions typically associated with museums. Together they discuss how the roles of galleries, museums, artists, and dealers have evolved over time and what the changing dynamics of representation, social media, and artist autonomy may mean for the future of the art market.

This week's episode takes us to Paris in La Belle Époque. There, among all the splendour and sophistication, we watch the great Impressionist, Pierre-Auguste Renoir, painting one of his great portraits. But there is more to this history than first meets the eye. As our guest Catherine Ostler explains, the year 1881 was a critical one in Jewish history. By that point in time Jewish communities were thriving in Paris, where they sought to consolidate their position in society. But a dramatic event in Russia was poised to change everything. The scenes, characters and storylines in this episode of Travels Through Time all feature in Catherine Ostler's book, The Renoir Girls: A Hidden History of Art, War and Betrayal.  Show Notes Scene One: 19 January 1881. The wedding of Leopold de Rothschild and Marie Perugia in London. Scene Two: January–March 1881. Renoir paints Alice and Elisabeth at the Cahen d'Anvers family house in Paris. Scene Three: 13 March 1881. Tsar Alexander II is assassinated in St Petersburg. Memento: Renoir's Pink and Blue painting. People/Social Presenter: Peter Moore  Guest: Catherine Ostler Producers: Maria Nolan Theme music: Firelight by Minka

Could one of Renoir's most iconic paintings conceal one of the most astonishing true stories of scandal and tragedy in Golden Age Paris? In 1881, Pierre-Auguste Renoir painted two young sisters from a Jewish banking dynasty at their home in Paris's grand 8th arrondissement. Pink and Blue, a portrait of Elisabeth and Alice Cahen d'Anvers, is one of Renoir's most celebrated works. But behind the evoked glamour of the Belle Époque, a darker story was unfurling. In this episode, journalist and author James McAuley speaks with writer Catherine Ostler about how Renoir's Impressionist masterpiece hides both a family secret and the tensions of an era poised for rupture. Drawing from her new book The Renoir Girls, Ostler's new archival research unveils an intimate story of family betrayal which came to embody both the glamour and the vulnerability of Jewish life in Europe, as rising antisemitism and political upheaval reshaped the continent. Catherine Ostler is a writer and historian. She is the author of The Renoir Girls: A Hidden History of Art, War & Betrayal. James McAuley is a journalist and author of The House of Fragile Things, and a Global Opinions contributing columnist for The Washington Post. If you'd like to become a Member and get access to all our full conversations, plus all of our Members-only content, just visit intelligencesquared.com/membership to find out more. For £4.99 per month you'll also receive: - Full-length and ad-free Intelligence Squared episodes, wherever you get your podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series - 15% discount on livestreams and in-person tickets for all Intelligence Squared events  ...  Or Subscribe on Apple for £4.99: - Full-length and ad-free Intelligence Squared podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series … Already a subscriber? Thank you for supporting our mission to foster honest debate and compelling conversations! Visit intelligencesquared.com to explore all your benefits including ad-free podcasts, exclusive bonus content and early access. … Subscribe to our newsletter here to hear about our latest events, discounts and much more. https://www.intelligencesquared.com/newsletter-signup/ Learn more about your ad choices. Visit podcastchoices.com/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

Fluent Fiction - French: From Doubt to Inspiration: Julien's Artistic Awakening in Paris Find the full episode transcript, vocabulary words, and more:fluentfiction.com/fr/episode/2026-04-05-07-38-20-fr Story Transcript:Fr: Le soleil chaud de printemps baignait les rues de Paris d'une douce lumière.En: The warm spring sun bathed the streets of Paris in a gentle light.Fr: Julien, un jeune homme rêveur, se tenait devant l'entrée imposante du musée d'Orsay.En: Julien, a young dreamer, stood before the imposing entrance of the musée d'Orsay.Fr: C'était un jour parfait pour admirer les trésors de l'art impressionniste, espérant trouver l'inspiration qu'il cherchait désespérément pour ses propres peintures.En: It was a perfect day to admire the treasures of Impressionist art, hoping to find the inspiration he desperately sought for his own paintings.Fr: En entrant dans le musée, Julien fut accueilli par l'atmosphère sereine des salles immenses.En: Upon entering the museum, Julien was greeted by the serene atmosphere of the vast rooms.Fr: La lumière naturelle pénétrait à travers les grandes fenêtres, illuminant avec douceur les chefs-d'œuvre qui tapissaient les murs.En: Natural light streamed through the large windows, softly illuminating the masterpieces that adorned the walls.Fr: Ici, tout semblait en paix, même les pas des visiteurs étaient feutrés, comme s'ils respectaient le silence des lieux.En: Here, everything seemed at peace; even the footsteps of visitors were muted, as if they respected the silence of the place.Fr: Julien se promenait lentement, renvoyant parfois un regard en arrière, comme pour vérifier que le monde extérieur, bruyant et pressé, restait bien à distance.En: Julien wandered slowly, occasionally glancing back, as if to ensure that the noisy, hurried outside world remained at a distance.Fr: Il s'arrêta longuement devant Les Nymphéas de Monet.En: He lingered for a long time in front of Les Nymphéas by Monet.Fr: Les couleurs vives, l'harmonie des tons, captivaient son regard.En: The vivid colors, the harmony of tones, captivated his gaze.Fr: Pourtant, une ombre de doute planait sur son esprit.En: Yet, a shadow of doubt loomed over his mind.Fr: Comment pourrait-il, un simple débutant, espérer un jour produire une œuvre d'une telle beauté?En: How could he, a mere beginner, ever hope to produce a work of such beauty?Fr: Il continua sa visite, son enthousiasme initial faiblissant peu à peu, submergé par un sentiment d'inadéquation.En: He continued his visit, his initial enthusiasm gradually fading, overwhelmed by a sense of inadequacy.Fr: Chaque tableau semblait murmurer à Julien son incapacité.En: Each painting seemed to whisper to Julien his incapacity.Fr: Sa peur de ne jamais être à la hauteur des maîtres devenait plus oppressante à chaque pas.En: His fear of never measuring up to the masters grew more oppressive with each step.Fr: Puis, alors qu'il quitte presque la salle, une chose merveilleuse se produit.En: Then, as he was almost leaving the room, something wonderful happened.Fr: Julien s'arrêta de nouveau devant une autre peinture de Monet.En: Julien stopped again in front of another painting by Monet.Fr: Un rayon de soleil, traversant la pièce, éclaire soudain le tableau d'une clarté éblouissante.En: A ray of sunlight, crossing the room, suddenly illuminated the canvas with dazzling clarity.Fr: Le jeu de lumière et de couleur semblait magique.En: The interplay of light and color seemed magical.Fr: En cet instant, Julien sentit quelque chose se débloquer en lui.En: In that moment, Julien felt something unlock within him.Fr: Il réalisa alors que l'art n'était pas uniquement une question de perfection ou de technique, mais d'émotion et d'expression personnelle.En: He realized that art was not solely about perfection or technique, but about emotion and personal expression.Fr: Les imperfections qu'il redoutait tant faisaient partie de son identité artistique unique.En: The imperfections he so dreaded were part of his unique artistic identity.Fr: Cette découverte lui apporta paix et confiance.En: This discovery brought him peace and confidence.Fr: Avec cette nouvelle compréhension, Julien quitta le musée, le cœur léger, prêt à embrasser son cheminement créatif.En: With this new understanding, Julien left the museum, his heart light, ready to embrace his creative journey.Fr: Il était résolu à peindre non pour rivaliser avec les maîtres, mais pour exprimer sa propre vision du monde.En: He was determined to paint not to compete with the masters, but to express his own vision of the world.Fr: C'était le début d'un nouvel et merveilleux chapitre de sa vie artistique.En: It was the beginning of a new and wonderful chapter in his artistic life. Vocabulary Words:the dreamer: le rêveurthe treasure: le trésorthe inspiration: l'inspirationthe masterpiece: le chef-d'œuvrethe harmony: l'harmoniethe tone: le tonthe doubt: le doutethe beginner: le débutantthe inadequacy: l'inadéquationthe fear: la peurthe master: le maîtrethe step: le pasthe ray: le rayonthe clarity: la clartéthe interplay: le jeuthe emotion: l'émotionthe perfection: la perfectionthe expression: l'expressionthe imperfection: l'imperfectionthe journey: le cheminementthe chapter: le chapitrethe room: la sallethe silence: le silencethe canvas: la toilethe technique: la techniquethe peace: la paixthe light: la lumièrethe painting: le tableauthe identity: l'identitéthe vision: la vision

In this episode, the rejection of Western Aesthetic Canon in Pablo Picasso's painting Les Demoiselles de Avignon is detailed and explained. We look into Pablo Picassos history and life, attempting to understand him as both a man and a painter. Then we attempt to understand his painting and the places from where he draws his inspiration for this Post-Impressionist style. This includes both non-Western culture and other artists of the time who also seemed to be adopting a post-Impressionist style. Finally, we give our own opinions on the piece. Join us in understanding from where post-Impressionism and Early-Cubism stem and in understanding this abstract and 'ugly' painting.

Fluent Fiction - French: Souvenirs of the Louvre: A Student's Artistic Epiphany Find the full episode transcript, vocabulary words, and more:fluentfiction.com/fr/episode/2026-03-28-22-34-01-fr Story Transcript:Fr: Sous la lumière douce du printemps, le Musée du Louvre était un spectacle magnifique avec sa célèbre pyramide de verre scintillant sous le soleil.En: Under the gentle spring light, the Musée du Louvre was a magnificent sight with its famous glass pyramid glittering under the sun.Fr: Étienne, un étudiant en art, marchait en compagnie de Juliette, une voyageuse passionnée par les artefacts.En: Étienne, an art student, was walking with Juliette, a traveler passionate about artifacts.Fr: Ils se dirigeaient vers la boutique de souvenirs du musée, un petit coin chaleureux débordant de trésors artistiques.En: They were heading towards the museum's souvenir shop, a cozy little corner brimming with artistic treasures.Fr: Étienne était fasciné par les tableaux impressionnistes.En: Étienne was fascinated by Impressionist paintings.Fr: Il avait passé des heures devant les œuvres de Monet et avait noté chaque coup de pinceau dans son carnet.En: He had spent hours in front of Monet's works and had noted every brushstroke in his notebook.Fr: Maintenant, il voulait un souvenir qui reflétait cette expérience unique.En: Now, he wanted a souvenir that reflected this unique experience.Fr: Juliette, de son côté, aimait collectionner des objets qui racontaient des histoires de leurs lieux d'origine.En: Juliette, on the other hand, loved collecting objects that told stories of their places of origin.Fr: La boutique était animée.En: The shop was lively.Fr: Des touristes parlaient vivement, feuilletant des livres d'art ou choisissant des cartes postales.En: Tourists chatted eagerly, leafing through art books or choosing postcards.Fr: Étienne regarda autour de lui, ses yeux s'arrêtant d'abord sur une petite reproduction d'un tableau de Monet.En: Étienne looked around, his eyes first landing on a small reproduction of a Monet painting.Fr: C'était captivant, bien sûr, mais aussi cher pour le budget modeste d'un étudiant.En: It was captivating, of course, but also expensive for a student's modest budget.Fr: Ensuite, il avisa un livre sur l'histoire du Louvre.En: Next, he noticed a book about the history of the Louvre.Fr: C'était fascinant.En: It was fascinating.Fr: Le livre promettait de raconter les secrets des grands maîtres et des reliques anciennes exposées dans le musée.En: The book promised to reveal the secrets of the great masters and ancient relics displayed in the museum.Fr: Mais là, à l'entrée de la boutique, Étienne s'immobilisa pris dans une tempête intérieure.En: But there, at the entrance of the shop, Étienne froze caught in an inner storm.Fr: "L'art ou son histoire?"En: "Art or its history?"Fr: pensa-t-il, les deux options lui semblant également attirantes.En: he thought, both options seeming equally appealing to him.Fr: Il tenait les deux objets en main, incapable de choisir.En: He held both items in hand, unable to choose.Fr: Juliette remarqua son hésitation et s'approcha doucement.En: Juliette noticed his hesitation and gently approached.Fr: "Étienne," dit-elle, souriante, "nous avons eu une journée merveilleuse.En: "Étienne," she said, smiling, "we've had a wonderful day.Fr: Pourquoi ne pas immortaliser ce souvenir autrement ?"En: Why not immortalize this memory in another way?"Fr: Elle montra son carnet à dessin, un simple carnet encore vierge qui lui rappelait les pages qu'il avait noircies de croquis.En: She showed her sketchbook, a simple blank notebook that reminded him of the pages he had filled with sketches.Fr: Étienne réalisa alors qu'il n'avait pas besoin d'un objet coûteux pour se souvenir de ce jour.En: Étienne realized then that he didn't need an expensive item to remember this day.Fr: Les souvenirs étaient gravés dans son esprit, plus précieux que n'importe quel achat.En: The memories were etched in his mind, more precious than any purchase.Fr: Prenant inspiration, il ouvrit son propre carnet et commença à esquisser, capturant l'essence du Louvre avec chaque trait de crayon.En: Taking inspiration, he opened his own notebook and began to sketch, capturing the essence of the Louvre with each pencil stroke.Fr: En sortant de la boutique, il sourit à Juliette.En: As they left the shop, he smiled at Juliette.Fr: Non seulement il sauvegardait son argent durement gagné, mais il emportait aussi avec lui un souvenir précieux et personnel.En: Not only was he saving his hard-earned money, but he was also taking with him a precious and personal memory.Fr: Une esquisse qui racontait son expérience, dessinée de sa propre main.En: A sketch that told his experience, drawn by his own hand.Fr: Pour Étienne, cette leçon était aussi précieuse que l'art du Louvre lui-même.En: For Étienne, this lesson was as valuable as the art of the Louvre itself. Vocabulary Words:the spring light: la lumière du printempsmagnificent: magnifiquethe glass pyramid: la pyramide de verrethe traveler: la voyageusepassionate: passionnéethe artifacts: les artefactscozy: chaleureuxbrimming: débordantthe treasures: les trésorsfascinated: fascinéthe impressionist paintings: les tableaux impressionnistesthe brushstroke: le coup de pinceauthe modest budget: le budget modestethe reproduction: la reproductioncaptivating: captivantthe secrets: les secretsthe great masters: les grands maîtresthe ancient relics: les reliques anciennescaught: pristhe hesitation: l'hésitationto immortalize: immortaliserthe memory: le souvenirthe sketchbook: le carnet à dessinthe blank notebook: le carnet encore viergeetched: gravésto sketch: esquisserthe essence: l'essencethe pencil stroke: le trait de crayonto save: sauvegarderthe experience: l'expérience

This week on Albany Comedy Corner Ted the Impressionist tell us about the Gonzo Gala Everyone's favorite comedy music improv show!! March 27th, 7:30pm at Mt.Ida Preservation Hall. with Interviewers: Craig Neslor and Juan Panteleon

In this episode of Brave New Bookshelf, hosts Steph Pajonas and Danica Favorite are joined by Tanya Hales, a classically trained illustrator and the visionary founder of the AI Art for Authors Facebook group. Tanya shares her fascinating journey of integrating generative AI into her professional workflow, illustrating how tools like Midjourney and ChatGPT can act as a powerful "art assistant" for world-building, "photo bashing" book covers, and managing complex creative projects like her Animal Magica series. The discussion explores the emotional landscape of being an artist in the age of AI, drawing thought-provoking parallels between today's technological shifts and the historical backlash faced by the Impressionist movement. From using AI to support neurodivergent brainstorming to leveraging it for successful Kickstarter campaigns, Tanya offers an inspiring look at how human taste and technology combine to create the new avant-garde of storytelling. Visit our website https://bravenewbookshelf.com to view the full episode notes, links and apps mentioned in the episode, and the full transcript.

On today's episode, an episode from our friends at Sotheby's exploring the question: How do objects achieve iconic status? Taking inspiration from the book Icons: 100 Extraordinary Objects from Sotheby's History, published by Phaidon, the discussion explores how a work of art can transform beyond its material form to become a universal cultural image – instantly recognisable, endlessly reproduced, and symbolically charged. Joining the discussion are artist Sir Grayson Perry; Xa Sturgis, Director of the Ashmolean Museum; and Helena Newman, Chairman of Sotheby's Europe and Chairman of Impressionist & Modern Art Worldwide. This podcast was recorded at Sotheby's London in February 2026.  And, to step further into the world of Sotheby's, you can visit any of our galleries around the world; they're open to the public. For more information, visit Sothebys.com.  Learn more about your ad choices. Visit podcastchoices.com/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

Rupert Degas is a professional actor, voice artist and impressionist who has appeared in thousands of film, television, stage, animation and advertising roles. Without realising it, you have already heard his voice in a film, animation, tv show or video game. He is a vocal chameleon. In this interview he makes the argument for the 'court jester' - the only one permitted to tell the king that he is wearing no clothes. Rupert believes in the role of comedy in a healthy society, and that accents and impersonations of different races is not 'racist', but a celebration of the diversity of humanity.https://rupertdegas.comhttps://www.instagram.com/rupert_degashttps://www.youtube.com/user/rupertqsound

I'm back at Olde Mother Brewing with founder Keith Marcoux to celebrate their 10th anniversary, even if we are technically a couple of months late. Keith was my very first guest on this podcast, and he's been on pretty much every year since, so it's only right that I share some big news with him.In this episode, I officially announce that Uncapped will end next year; I've decided to stop at the 10-year mark this coming October.But don't worry, we didn't get too sappy. We spent plenty of time covering:The "Dummy Tax": The expensive lessons learned over a decade of entrepreneurship.New Ventures: Keith's plans for Charlie Wells Distilling Company, a new distillery and restaurant coming to New Market (featuring sandwiches named after his kids).Throwback Stories: That time they hid the register cash in the microwave because they didn't have a safe.Truck Talk: A very long, unplanned tangent about Keith's love for old trucks versus Chris's new Bronco and the joys of going to the dump. We also discuss the new look for core beers like Hank and Impressionist and reflect on how much the industry, and our lives, have changed since we started.Cheers to 10 years, and let's make this final year count!

In this wide-ranging and entertaining conversation, host Tom Alvarez reconnects with acclaimed performer and impressionist Christina Bianco, joining from London to reflect on her international career, viral success, and life abroad.Christina shares how a post-COVID pivot led her from New York to London, where she's found creative freedom, steady work, and a lifestyle that blends city energy with village calm. She breaks down the differences between Broadway and the West End, explaining why the UK has become a hotspot for developing new musical theater—and why many American creatives are taking their work overseas.The conversation dives deep into Christina's rise as the “queen of musical impressions,” tracing her journey from Forbidden Broadway to viral YouTube fame, major symphony collaborations, and international television appearances. She discusses her creative process for impressions, emphasizing that mimicry must come from a place of love, not parody—and shares memorable reactions from stars like Kristin Chenoweth, Bernadette Peters, and Kathy Griffin.Listeners are treated to a live a cappella impression medley, showcasing Christina's uncanny ability to channel legends like Judy Garland, Barbra Streisand, Liza Minnelli, Bernadette Peters, and more.Christina also opens up about:· Life in London vs. New York· Her husband Bill's career as a veterinary physiotherapist· The cultural differences between American and British audiences· Her upcoming role as June Carter Cash in The Ballad of Johnny & June, directed by Des McAnuff· Mentoring young performers and staying connected through social mediaWarm, funny, and insightful, this episode is a masterclass in adaptability, artistry, and building a global career while staying grounded.Perfect for fans of theater, Broadway, West End, vocal performance, and behind-the-scenes artist stories.Follow host Tom Alvarez on Facebook, Instagram, Twitter, and TikTok. Watch Tom every other Thursday on Lifestyle Live on WISH-TV, and listen every week on the All- Indiana Podcast Network.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this Jack Westin MCAT Podcast episode, Molly is joined by Usher (one of our Jack Westin CARS instructors) for a CARS Reading Skills Workshop using the Jack Westin Daily Passage: “Paul Cezanne”.Together, we go sentence-by-sentence and paragraph-by-paragraph to show you how to:✅ Track contrast words like “yet” (and why the MCAT loves them)✅ Spot the most repeated idea to lock in the main idea✅ Recognize when the passage keeps returning to the same theme✅ Map the passage so questions feel easier and faster✅ Avoid outside knowledge traps (even if you know the topic)✅ Improve elimination by repeating your core ideas before reading answer choicesKey theme in this passage: Cezanne's work feels fresh by blending Impressionist techniques with older “old master” methods (new + old = the MCAT's favorite kind of tension).Want to follow along?

Change is the only constant, yet our first reaction to it is often fear. Whether it is a shift in the economy, a change in our health, or the rise of new technology like AI, the "unknown" triggers our defenses. In this episode, we explore the choice between Fear and Acceptance. We look at historical figures like Dorothy Vaughan (who embraced the first computers) and the Impressionist painters (who embraced the camera) to see how successful people don't fight the future—they evolve with it. Learn how to treat the changes in our world not as threats, but as a "gym" where we practice expanding our hearts, quieting our egos, and moving from anxiety to curiosity. New Episode of the Happiness Podcast with Dr. Robert Puff, Ph.D.

You've heard of dying on stage. It's when a comedian doesn't do so well. You've also heard of dying off the stage. Usually it's when an actor or musician parties a bit too hard. Today we focus on the latter, because Josh has never bombed once. No, we can't prove it. But we can let his impressions speak for themselves - literally.On the show:TomKathrynAndyKristyn BurttJosh RosenTopics:Steven Seagal's bad SNL episodeSNL deaths Timothy BusfieldComedyImpressionsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Stepping inside an Impressionist painting? Yes, please.Week 41 of Ted Gioia's Immersive Humanities Course made me realize something startling: these books weren't picked for my enjoyment--and yet I loved them anyway. This week's readings, Henry James's The Spoils of Poynton and the “Overture” to Marcel Proust's Remembrance of Things Past, carry us right into the early twentieth century.I approached James with dread, expecting a slow narrative, but instead I found a moody, infinitely readable novel built around obsession, property, and desire. With a small cast and dialogue-driven scenes, it feels almost theatrical, no surprise since James briefly wrote plays. But it's also chilling in its fixation on “stuff” and ownership. This one was a winner.Proust, meanwhile, surprised me with prose that felt dreamlike, luminous, and unexpectedly funny. I had expected dense, boring, and pointless--Proust was none of those. The famous madeleine scene becomes a meditation on memory that expands from a sensation as small as a crumb into an entire world.Though radically different on the surface, James and Proust share a similar impressionistic quality, finding vast meaning in subtle gestures. A brilliant pairing--and a week I adored, even if Ted doesn't care.The Housekeeping:LINKTed Gioia/The Honest Broker's 12-Month Immersive Humanities Course (paywalled!)My Amazon Book List (NOT an affiliate link)CONNECTThe complete list of Crack the Book Episodes: https://cheryldrury.substack.com/p/crack-the-book-start-here?r=u3t2rTo read more of my writing, visit my Substack - https://www.cheryldrury.substack.com.Follow me on Instagram - https://www.instagram.com/cldrury/LISTENSpotify - https://open.spotify.com/show/5GpySInw1e8IqNQvXow7Lv?si=9ebd5508daa245bdApple Podcasts - https://podcasts.apple.com/us/podcast/crack-the-book/id1749793321Captivate - https://crackthebook.captivate.fm

This week on Toon'd In!, Jim Cummings welcomes the iconic, hilarious, and endlessly versatile Frank Caliendo! Best known for his jaw-dropping impressions and pitch-perfect comedic timing, Frank has become a household name by turning voices into unforgettable moments — and that's only scratching the surface.In this energetic and wide-ranging episode, Frank takes us behind the mic to share his journey from stand-up comedy stages to becoming one of the most celebrated impressionists of our time. He opens up about discovering his vocal talents, sharpening his ear for nuance, and the discipline it takes to make every impression feel authentic, spontaneous, and alive.Jim and Frank trade stories about performance, voice control, and the fine line between comedy and character. From sports legends and movie icons to the craft of transforming your voice on the fly, this conversation is packed with laughs, insight, and a deep appreciation for the art of vocal performance.

Fluent Fiction - Mandarin Chinese: When Snowflakes Guided Two Hearts: A New Year's Encounter Find the full episode transcript, vocabulary words, and more:fluentfiction.com/zh/episode/2026-01-10-23-34-02-zh Story Transcript:Zh: 大年初一，北京的国立艺术博物馆张灯结彩，红灯笼如火般点亮了寒冷的冬日。En: On the first day of the Lunar New Year, Beijing's National Art Museum was decked out in festive decorations, with red lanterns illuminating the cold winter day like flames.Zh: 人潮涌动，大家都在寻找一份文化的慰藉和新年的美好祝愿。En: Crowds moved about, everyone seeking a touch of cultural solace and the bright hopes of the new year.Zh: 李伟裹紧大衣，他的目光穿过人群，直奔印象派展厅。En: Li Wei tightened his coat, his gaze cutting through the crowd as he headed directly to the Impressionist exhibit.Zh: 他喜欢那里的安静，仿佛每幅画作都在低声诉说过去的故事。En: He loved the quiet there, as if each painting softly told stories of the past.Zh: 突然，窗外的天空开始飘起了雪花，北风夹杂着细雨，迫使进入博物馆的人群密集了许多。En: Suddenly, snowflakes began to fall from the sky outside, mingling with a northern wind and light rain, causing the crowd inside the museum to grow thicker.Zh: 在人群之中，他的目光意外地与一个微笑的女孩相遇，她是韩梅，一位充满活力的本地艺术家。En: Among the crowd, his gaze unexpectedly met that of a smiling girl, Han Mei, a vibrant local artist.Zh: 韩梅正在寻找一个能激发她灵感的视角。En: Han Mei was in search of a perspective that could inspire her.Zh: 她习惯性地将灵感捕捉在随身的素描本中。En: She habitually captured her inspirations in a sketchbook she carried everywhere.Zh: 注意到李伟的沉默，她亲切地问：“你也喜欢这里的画吗？En: Noticing Li Wei's silence, she kindly asked, "Do you like the paintings here too?"Zh: ”李伟心头一颤，有些踌躇，他一向不善于与陌生人交流，但眼前的韩梅似乎充满了好奇与好意。En: Li Wei's heart skipped a beat, hesitating a little.Zh: “嗯，我喜欢印象派。En: He was not good at talking with strangers, but the curious and friendly Han Mei seemed inviting.Zh: 寻找内心的宁静和灵感。En: "Yes, I like Impressionism.Zh: ”韩梅欣然点头，拿出几幅自己的速写。En: It helps me find inner peace and inspiration."Zh: “我的目标是用画笔记录这一刻。En: Han Mei nodded with pleasure, taking out a few of her sketches.Zh: 或许，我们可以讨论一下？En: "My goal is to capture this moment with my brush.Zh: ”她的目光中带着期待。En: Perhaps, we can discuss it together?"Zh: 这时，李伟的朋友肖明大声道，“嘿，李伟，你终于找到聊得来的人了！En: Her eyes held a look of anticipation.Zh: ”他笑着拍拍李伟的肩膀，似乎成了不经意间撮合两人的媒人。En: Just then, Li Wei's friend Xiao Ming called out loudly, "Hey, Li Wei, you finally found someone you can talk to!"Zh: 馆内嘈杂的人声渐渐远去，他们站在一幅白雪覆盖的风景画前，画面中那静谧的景象如同一个小世界，让他们心声相通。En: He laughed and patted Li Wei's shoulder, seemingly an inadvertent matchmaker bringing the two together.Zh: “这幅画让我想起小时候在乡下过年的时候。En: As the noisy chatter in the museum gradually faded away, they stood before a snow-covered landscape painting.Zh: ”李伟轻声说道。En: The serene scene within seemed like a small world, allowing their hearts to connect.Zh: 韩梅点点头，分享自己的故事：“我也是。En: "This painting reminds me of the New Years I spent in the countryside as a child," Li Wei said softly.Zh: 小时候，每到春节，我们会堆雪人，在雪地里尽情玩耍。En: Han Mei nodded in agreement, sharing her own story: "Me too.Zh: ”这样一个简单的时刻，拉近了他们的距离。En: When I was a child, every Spring Festival, we would build snowmen and play in the snow to our heart's content."Zh: 尽管博物馆内人声鼎沸，他们的心却似乎达成了一种静默的和谐。En: This simple moment brought them closer together.Zh: 傍晚，天色渐暗，李伟和韩梅走出博物馆。En: Despite the museum's clamor, their hearts seemed to have reached a silent harmony.Zh: 在逐渐稀少的人群中，他们略显笨拙地交换了电话号码，约好下次一起参观艺术展。En: As evening approached and the sky darkened, Li Wei and Han Mei left the museum.Zh: “谢谢你让我认识了一个新朋友。En: Amidst the thinning crowd, they somewhat awkwardly exchanged phone numbers and agreed to attend another art exhibition together next time.Zh: ”李伟微笑着说，克服了他的羞涩。En: "Thank you for introducing me to a new friend," Li Wei said with a smile, having overcome his shyness.Zh: 他感觉自己变得更开放了，不再局限于独自欣赏艺术。En: He felt more open, no longer confined to appreciating art alone.Zh: 韩梅也收获满满，她从李伟的视角中得到了新的灵感。En: Han Mei also left enriched, drawing new inspiration from Li Wei's perspective.Zh: “不客气，我也很期待我们的下次交流。En: "You're welcome, I'm also very much looking forward to our next exchange."Zh: ”她的声音如同冬日的暖阳。En: Her voice was like the warm sun in winter.Zh: 在北京的大街小巷中，他们并肩而行，仿佛未来的故事才刚刚开始。En: Together they walked through the streets and alleys of Beijing, as if the story of their future had just begun.Zh: 新年的雪花静静地落下，描绘出一幅新的画卷。En: New Year's snowflakes fell quietly, painting a new picture. Vocabulary Words:festive: 张灯结彩decked out: 布置illuminating: 点亮solace: 慰藉tightened: 裹紧gaze: 目光Impressionist: 印象派exhibit: 展厅snowflakes: 雪花mingling: 夹杂perspective: 视角habitually: 习惯性地sketchbook: 素描本inner peace: 内心的宁静hesitating: 踌躇inadvertent: 不经意matchmaker: 媒人chatter: 嘈杂的人声serene: 静谧closeness: 拉近clamor: 人声鼎沸harmony: 和谐thinning: 稀少awkwardly: 略显笨拙exchanged: 交换overcome: 克服shyness: 羞涩enriched: 收获满满anticipation: 期待future: 未来

Daily Dad Jokes (03 Jan 2026) Christmas Joke Button - 101 eye rolling dad jokes for the festive season! Amazon. The perfect gift for Kris Kringle, Secret Santa and of course for dad! Click here here to view! The official Daily Dad Jokes Podcast electronic button now available on Amazon. The perfect gift for dad! Click here here to view! Email Newsletter: Looking for more dad joke humor to share? Then subscribe to our new weekly email newsletter. It's our weekly round-up of the best dad jokes, memes, and humor for you to enjoy. Spread the laughs, and groans, and sign up today! Click here to subscribe! Listen to the Daily Dad Jokes podcast here: https://dailydadjokespodcast.com/ or search "Daily Dad Jokes" in your podcast app. Jokes sourced and curated from reddit.com/r/dadjokes. Joke credits: Masselein, monotremai, NabrenX, CatsCreepMeowt, Baab_Kaare, StockInitial4460, gartexg, BeeinB278, rigamarolexq, GiborDesign, genxfrom66, AnimatorNr1, Society_Academic, , ZoubiDoubi, huntewiden, Bill-Ding2112, vozroz415, vozroz415 Subscribe to this podcast via: iHeartMedia Spotify iTunes Google Podcasts YouTube Channel Social media: Instagram Facebook Twitter TikTok Discord Interested in advertising or sponsoring our show? Contact us at mediasales@klassicstudios.com Produced by Klassic Studios using AutoGen Podcast technology (http://klassicstudios.com/autogen-podcasts/) Learn more about your ad choices. Visit megaphone.fm/adchoices

Daily Dad Jokes (03 Jan 2026) Christmas Joke Button - 101 eye rolling dad jokes for the festive season! Amazon. The perfect gift for Kris Kringle, Secret Santa and of course for dad! Click here here to view! The official Daily Dad Jokes Podcast electronic button now available on Amazon. The perfect gift for dad! Click here here to view! Email Newsletter: Looking for more dad joke humor to share? Then subscribe to our new weekly email newsletter. It's our weekly round-up of the best dad jokes, memes, and humor for you to enjoy. Spread the laughs, and groans, and sign up today! Click here to subscribe! Listen to the Daily Dad Jokes podcast here: https://dailydadjokespodcast.com/ or search "Daily Dad Jokes" in your podcast app. Jokes sourced and curated from reddit.com/r/dadjokes. Joke credits: Masselein, monotremai, NabrenX, CatsCreepMeowt, Baab_Kaare, StockInitial4460, gartexg, BeeinB278, rigamarolexq, GiborDesign, genxfrom66, AnimatorNr1, Society_Academic, , ZoubiDoubi, huntewiden, Bill-Ding2112, vozroz415, vozroz415 Subscribe to this podcast via: iHeartMedia Spotify iTunes Google Podcasts YouTube Channel Social media: Instagram Facebook Twitter TikTok Discord Interested in advertising or sponsoring our show? Contact us at mediasales@klassicstudios.com Produced by Klassic Studios using AutoGen Podcast technology (http://klassicstudios.com/autogen-podcasts/) Learn more about your ad choices. Visit megaphone.fm/adchoices

My returning guest is a master impressionist and an actor who is currently appearing in the hit series "Landman." We discuss his role on Landman, how he feels about different types of roles, how he balances drama and comedy, and much more.

Send us a textDiscover a rare comedic gem from the vault! Before Kevin Pollak became the acclaimed actor we know from "The Marvelous Mrs. Maisel" and countless Hollywood films, he was honing his craft as a brilliant stand-up comedian and impressionist at Laughs Unlimited comedy club.This nostalgic episode features Pollak at the height of his stand-up powers, showcasing the incredible impression skills that would later help launch his acting career. His routine begins with sharp observations about Arnold Schwarzenegger's movie success, questioning why the Academy consistently overlooks him with the hilarious punchline, "Do these people need a verb?" But the true highlight comes when Kevin launches into an elaborate Star Trek parody that demonstrates his remarkable versatility as a performer.Pollak's impression of William Shatner as Captain Kirk is nothing short of masterful, perfectly capturing the actor's distinctive dramatic pauses and theatrical delivery. The routine evolves into a tour de force as Kevin portrays multiple celebrity personalities aboard the Enterprise, each with their own distinct voice and mannerisms. His ability to seamlessly transition between these characters reveals the impressive range that would eventually make him such a sought-after character actor in film and television.For fans of comedy history, this episode offers a fascinating glimpse at the early career of an artist who would go on to achieve tremendous success in Hollywood. Subscribe now to hear more vintage comedy sets from performers who shaped the landscape of American entertainment, and visit our website at www.standupyourhostandemcee.com to explore our full archive of comedy treasures!Support the show www.StandupComedyPodcastNetwork.com Website....check it out, podcast, jokes, blogs, and More!"NEW" Video Podcast: Tag Team Talent Podcast on Spotify & YouTube Podcast Quality List: https://www.millionpodcasts.com/heritage-podcasts/ Please Write a Review: in-depth walk-through for leaving a review.Interested in Standup Comedy? Check out my books on Amazon..."20 Questions Answered about Being a Standup Comic""Be a Standup Comic...or just look like one"

Sabbath Perez is a wonderful jazz vocalist and composer. She grew up in Cologne, Germany, the daughter of Gabriel Perez, award winning Argentinian composer and saxophonist. Her songs combine Argentine rhythms, Impressionist harmonies and improvisational jazz. She made her first recording at age 12. She has performed with the WDR Big Band, the Frankfurt Radio Big Band, the Cologne Contemporary Jazz Orchestra, and the EOS Chamber Orchestra. She has shared the stage with artists like Billy Childs. Her latest album is called “Searching For Beauty”.My featured song is “The Gift”, my recent single which transformed my jazz ballad into a Big Band Samba. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH SABETH:www.sabethperez.com—----------------------------------------ROBERT'S LATEST RELEASE:“MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars.CLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—---------------------------------------ROBERT'S RECENT SINGLE“MI CACHIMBER” is Robert's recent single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

JULIE MANET, THE VALUE OF TRANSIENCE, AND THE AVANT-GARDE Colleague Sebastian Smee. Berthe Morisot's legacy was carried on by her daughter, Julie Manet, to whom Berthe wrote a tender deathbed letter expressing that Julie had provided her solely with happiness. Morisot's work exemplifies the concept of "transience value"—the idea, later articulated by Freud, that the fleeting nature of beauty makes it more precious. Her paintings of adolescents and domestic scenes celebrated the present moment precisely because it was always changing. While the next generation of the avant-garde, such as Van Gogh and Munch, reacted against Impressionism's lack of structure, they built directly upon its liberation of color. Although these newer artists sought more permanence, the Impressionist dedication to capturing fugitive effects proved to have lasting power, validating Morisot's vision of finding profound truth in the ephemeral. NUMBER 8 1925

MANET'S FINAL YEARS AND THE POSTHUMOUS HONOR OF MORISOT Colleague Sebastian Smee. Following the war, Manet painted a series of intimate portraits of Berthe Morisot, capturing her erotic restlessness and "black" mourning attire. Since they could not marry, Manet seemingly facilitated her marriage to his brother, Eugène, who became a supportive husband and advocate for her art. While Morisot struggled with melancholy, she defied Édouard's advice to stick to the Salon, instead exhibiting in almost all the independent Impressionist shows. After Édouard died a painful death from syphilis, and Berthe later passed away, her colleagues Renoir, Monet, and Degasorganized a posthumous exhibition in her honor. The depth of their respect was revealed in a passionate argument between Degas and the others over how best to hang her work to ensure the public understood her brilliance. NUMBER 7

POLITICS, WAR, AND THE REPUBLICAN SPIRIT OF THE IMPRESSIONISTS Colleague Sebastian Smee. Édouard Manet was a passionate Republican who loathed the authoritarian rule of Napoleon III, a sentiment rooted in his witnessing the 1848 uprising and his travels to Rio where he saw the horrors of slavery. His political activism influenced the Impressionist circle, who were all Republicans. Manet frequented cafés to discuss politics with figures like Léon Gambetta, a moderate Republican leader navigating the tensions between monarchists and radicals. The group's optimism was tested by the Franco-Prussian War of 1870; following the Emperor's defeat at Sedan, a Republic was declared, but Paris was soon besieged by Prussian troops. The war touched the artists directly: the painter Bazille died in combat, and Alfred Sisley painted landscapes on the banks of the Seine that had recently been bloody battlefields, creating art that contemporaries recognized as scenes of trauma. NUMBER 3

Jan Ravens is one of the UK's most celebrated  impressionists and comedians. She first discovered comedy at Cambridge University's Footlights society, where she made history as the first female president. Now she is best known for her work on the hit BBC show Dead Ringers, where her impressions of figures like Theresa May, Liz Truss, Margaret Thatcher and others have become iconic.In this episode of Ways to Change the World, Krishnan Guru-Murthy speaks to Jan about the meaning of satire and the importance of a good laugh.

On today's Extra, Comedian Impressionist Frank Caliendo Learn more about your ad choices. Visit podcastchoices.com/adchoices

Paris 1874: The Artistic Revolt Against the Salon and the Birth of Impressionism. Sebastian Smee discusses how on April 15, 1874, an exhibition opened marking the birth of Impressionism. The group, including Monet, Pissarro, Renoir, Sisley, Cézanne, Degas, and Berthe Morisot, set up the show deliberately outside the established Salon. The Impressionists were frustrated by repeated Salon rejections and were in revolt; they wanted to paint contemporary life and fresh landscapes, rejecting the hierarchy and "made-up landscapes." The name Impressionism originated as an insult from a critic, inspired by Monet's painting, Impression, Sunrise. Critics found the paintings unstructured and lacking deep meaning. A crucial figure absent from the exhibition was Édouard Manet, considered the "father of Impressionism," who still believed success required Salon acceptance and saw the Impressionist show as a small, isolated "silo."

The Wedding, Manet's Decline, and the Posthumous Fight Over Morisot's Legacy. Sebastian Smee discusses how in the aftermath of the "terrible year," Édouard Manet painted Berthe Morisot several times in a series Smee considers one of the greatest records of intimacy in art history. Manet resolved the situation by setting Berthe up with his brother, Eugène Manet, who proved to be a good husband who supported Berthe's dedication to painting. Despite Édouard advising against it, Berthe joined the first Impressionist exhibition, demonstrating her "incredible audacity and independence." The sad aspect was Édouard Manet's decline: he suffered from syphilis and died in agony after a leg amputation. Following Berthe Morisot's death (she contracted an illness while tending to her sick daughter, Julie), Renoir, Degas, and Monet came together to stage a posthumous exhibition to honor her. The process was volatile because each painter felt a fierce, private relationship with her work. In the 20th century, Morisot was often overlooked by male critics who dismissed her domestic subject matter, though her peers viewed her art as innovative and brilliant.

Episode 176 October 28, 2025 On the Needles 3:54 ALL KNITTING LINKS GO TO RAVELRY UNLESS OTHERWISE NOTED.  Please visit our Instagram page @craftcookreadrepeat for non-Rav photos and info   Succulents 2025 Blanket CAL by Mallory Krall, Hue Loco DK in Hoya   SSAL Delectable Collectible Socks by Stephen West, Dark Omen Yarns Sock in Electric Minis (navy, royal, light blue with speckles, cream with speckles, cream)- DONE!! 2nd sock for PSP   Pop Rock Pullover by Tanis Lavallee, La Bien Aimée singles and Mohair Silk in AVFKW A Day by the Bay   Spooky Season socks: Cuff Club Vol. 2 by Summer Lee, Vanilla is the New Black by Anneh Fletcher, Gauge Dyeworks 4 ply sock in Pumpkin Stripe Latte– DONE!!   3D printed spinning wheel–source TBA       On the Easel 14:08/16:06 Courtney Cerruti's new CB class–Find your Creative Rhythm: 15 Ways to Spark & Sustain Creativity 2026 Calendar–coming soon (!!!) Gouachevemeber 2025   Uh Italy? Borghese Gallery Museo Nazionale Romano   Smithsonian–Little Beasts exhibit (currently closed due to govt shut down) MFAHouston–Impressionist & post-Impressionist wing, plus excellent Islamic & Judaic art collections   On the Table 30:13 Uh Italy? Pasticceria Regoli    Cooking and Eating in Lazio:  https://www.cooking-vacations.com/ https://www.nenaborgocastello.com/   Naples Food Tour: https://www.eatingeurope.com/naples/   Cranberry & White Chocolate Biscotti   On the Nightstand 44:40 We are now a Bookshop.org affiliate!  You can visit our shop to find books we've talked about or click on the links below.  The books are supplied by local independent bookstores and a percentage goes to us at no cost to you! Four Seasons in Rome by Anthony Doerr If an Egyptian Cannot Speak English by Noor Naga Murder at the Black Cat Cafe by Seishi Yokomizo, trans by Bryan Karetnyk  The Lost Masterpiece by B. A. Shapiro The Impossible Fortune by Richard Osman Automatic Noodle by Annalee Newitz Five Broken Blades by Mai Corland Liar's Knot by M. A. Carrick (audio) Katabasis by R. F. Kuang   Yours for the Taking by Gabrielle Korn City of Night Birds by Juhea Kim

Ray and Dave explore the mind of paleo artist Doug Henderson exploring his techniques, inspirations, and the breathtaking body of work that re-imagines ancient worlds.

Matt Friend (Grace Period, The Simpsons, Family Guy) is a stand-up comedian, impressionist, and actor. Matt joins the Armchair Expert to discuss exploring whether he's enough beyond his voice in a new stand-up hour, his sister's characterization of him as a glorified parrot, and roasting Trump to his face at the White House Correspondents Dinner. Matt and Dax discuss whether there might be a neurodivergence component to his impression skills, doing celebrities to themselves on the Golden Globes red carpet, and humoring the team by welcoming a few yet-to-be friends of the pod. Matt explains where he believes his compulsion towards mimicry comes from, being one of the first people in the world to be completely cured of food allergies, and the last time he cried.Follow Armchair Expert on the Wondery App or wherever you get your podcasts. Watch new content on YouTube or listen to Armchair Expert early and ad-free by joining Wondery+ in the Wondery App, Apple Podcasts, or Spotify. Start your free trial by visiting wondery.com/links/armchair-expert-with-dax-shepard/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On today's episode, an episode from our friends at Sotheby's exploring the remarkable collecting journey of Pauline Karpidas, one of the most influential art patrons of the past fifty years. Ahead of Sotheby's landmark sale of her extraordinary Surrealist collection this September, collector Tiquio Acentio, curator Jasper Sharp, and Sotheby's Worldwide Chairman of Impressionist and Modern Art Helena Newman will join broadcaster and art historian Kate Bryan to reflect on Karpidas' unique eye, her friendships with artists, and the broader role of women as cultural custodians. From Peggy Guggenheim to Dominique de Menil and beyond, women collectors have long shaped the direction of modern and contemporary art. What drives them? How do personal connections influence collecting? And how does a home become a curated world? With insights into the upcoming auction and the stories behind the works, this talk will offer a portrait of a life in art – and celebrate those who collect with connoisseurship, curiosity and conviction. This podcast was recorded at Sotheby's London in September 2025.  And, to step further into the world of Sotheby's, you can visit any of our galleries around the world; they're open to the public. For more information, visit sothebys.com.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

End your summer with the most fun you’ll have on a podcast! Impressionist and comedian Matt Friend joins Katie for a star-studded tour of celebrity voices from Hollywood to the White House, from Barack Obama to Timothee Chalamet to Jennifer Coolidge. There’s even some singing! And, yes, he does his Trump impression–which is so good it might make you squirm. In between it all Matt shares what it’s been like to break out online during the pandemic, and end up taking the stage at the White House Correspondents’ Dinner. It’s a trip!See omnystudio.com/listener for privacy information.

Suzanne Valadon was born on the wrong side of the tracks, and the wrong side of the blanket, but grew up to be one of the It Girls of the Impressionist era. She traveled a unique journey to stardom by parlaying her career as an artist's model into an artistic career of her own. This episode brought to you in part by: Honeylove Blueland OSEA Hungryroot Learn more about your ad choices. Visit podcastchoices.com/adchoices

BURNING CITIES CONTINUED, THEN AND NOW.  5/8: Paris in Ruins: Love, War, and the Birth of Impressionism by  Sebastian Smee  (Author) 1870 PARIS https://www.amazon.com/Paris-Ruins-Love-Birth-Impressionism/dp/1324006951/ref=sr_1_1?dib=eyJ2IjoiMSJ9.0LrrcogTAXmGjiJTXHGqcmh6tG316iU_qBRT5krAjbY8X2w9audnxQy7kzk7OLkh_2lSbQ2ybUZGAqxzqsV7SIXXh__kEnq4cHn6QdDz3Vu5xuCtROqvHYC4bnq-Wd16OQ0xBFKI0YF5Q12M2HxhsXNW0KzxEvl3JkXmjEm-lB835FTP4AOXbZmDkXRwFFwP8JAim1mTpk-tRD1mx2eyRyT4izNxH2zOMi6vWoub4fk.sBKL5PJ8cK_YQQ9SXWo2jUROfRmEzorpra10Qr1m--0&dib_tag=se&qid=1739487181&refinements=p_27%3ASebastian+Smee&s=books&sr=1-1 From the summer of 1870 to the spring of 1871, famously dubbed the “Terrible Year” by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans―then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris. As renowned art critic Sebastian Smee shows, it was against the backdrop of these tumultuous times that the Impressionist movement was born―in response to violence, civil war, and political intrigue. In stirring and exceptionally vivid prose, Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir and Frédéric Bazille, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience―reflected in Impressionism's emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things―became the movement's great contribution to the history of art. At the heart of it all is a love story; that of Manet, by all accounts the father of Impressionism, and Morisot, the only woman to play a central role in the movement from the start. Smee poignantly depicts their complex relationship, their tangled effect on each other, and their great legacy, while bringing overdue attention to the woman at the heart of Impressionism

BURNING CITIES CONTINUED, THEN AND NOW.  2/8: Paris in Ruins: Love, War, and the Birth of Impressionism by  Sebastian Smee  (Author) 1870 Bucharest  https://www.amazon.com/Paris-Ruins-Love-Birth-Impressionism/dp/1324006951/ref=sr_1_1?dib=eyJ2IjoiMSJ9.0LrrcogTAXmGjiJTXHGqcmh6tG316iU_qBRT5krAjbY8X2w9audnxQy7kzk7OLkh_2lSbQ2ybUZGAqxzqsV7SIXXh__kEnq4cHn6QdDz3Vu5xuCtROqvHYC4bnq-Wd16OQ0xBFKI0YF5Q12M2HxhsXNW0KzxEvl3JkXmjEm-lB835FTP4AOXbZmDkXRwFFwP8JAim1mTpk-tRD1mx2eyRyT4izNxH2zOMi6vWoub4fk.sBKL5PJ8cK_YQQ9SXWo2jUROfRmEzorpra10Qr1m--0&dib_tag=se&qid=1739487181&refinements=p_27%3ASebastian+Smee&s=books&sr=1-1 From the summer of 1870 to the spring of 1871, famously dubbed the “Terrible Year” by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans―then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris. As renowned art critic Sebastian Smee shows, it was against the backdrop of these tumultuous times that the Impressionist movement was born―in response to violence, civil war, and political intrigue. In stirring and exceptionally vivid prose, Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir and Frédéric Bazille, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience―reflected in Impressionism's emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things―became the movement's great contribution to the history of art. At the heart of it all is a love story; that of Manet, by all accounts the father of Impressionism, and Morisot, the only woman to play a central role in the movement from the start. Smee poignantly depicts their complex relationship, their tangled effect on each other, and their great legacy, while bringing overdue attention to the woman at the heart of Impressionism

BURNING CITIES CONTINUED, THEN AND NOW.  8/8: Paris in Ruins: Love, War, and the Birth of Impressionism by  Sebastian Smee  (Author) 1870 PARIS CLAUDE MONET 1840-1926 https://www.amazon.com/Paris-Ruins-Love-Birth-Impressionism/dp/1324006951/ref=sr_1_1?dib=eyJ2IjoiMSJ9.0LrrcogTAXmGjiJTXHGqcmh6tG316iU_qBRT5krAjbY8X2w9audnxQy7kzk7OLkh_2lSbQ2ybUZGAqxzqsV7SIXXh__kEnq4cHn6QdDz3Vu5xuCtROqvHYC4bnq-Wd16OQ0xBFKI0YF5Q12M2HxhsXNW0KzxEvl3JkXmjEm-lB835FTP4AOXbZmDkXRwFFwP8JAim1mTpk-tRD1mx2eyRyT4izNxH2zOMi6vWoub4fk.sBKL5PJ8cK_YQQ9SXWo2jUROfRmEzorpra10Qr1m--0&dib_tag=se&qid=1739487181&refinements=p_27%3ASebastian+Smee&s=books&sr=1-1 From the summer of 1870 to the spring of 1871, famously dubbed the “Terrible Year” by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans―then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris. As renowned art critic Sebastian Smee shows, it was against the backdrop of these tumultuous times that the Impressionist movement was born―in response to violence, civil war, and political intrigue. In stirring and exceptionally vivid prose, Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir and Frédéric Bazille, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience―reflected in Impressionism's emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things―became the movement's great contribution to the history of art. At the heart of it all is a love story; that of Manet, by all accounts the father of Impressionism, and Morisot, the only woman to play a central role in the movement from the start. Smee poignantly depicts their complex relationship, their tangled effect on each other, and their great legacy, while bringing overdue attention to the woman at the heart of Impressionism

“Comedy, I compare it chefs, you are going to make what you are going to make and people who are gonna like it, will like it. Can't worry about it, as long as you know you are a good chef.” Godfrey- Comedian  On this powerful and laugh-filled episode of The Pivot Podcast, Ryan Clark, Fred Taylor and Channing Crowder sit down with the one and only Godfrey—comedian, actor, and unapologetic truth-teller. Known for his razor-sharp wit and fearless commentary, Godfrey dives into everything from the evolution of comedy and cancel culture to growing up Nigerian in America and making it in the entertainment industry. Godfrey has been a trailblazer in stand-up for over two decades with his voice becoming a vital force both in comedy and culture. Proud of his Nigerian roots, Godfrey shares stories around his upbringing, importance of education and his family values that helped steer him down an unlikely path of finding success on the stage. In a raw, hilarious, and eye-opening conversation, Godfrey shares personal stories of his journey, reflects on the importance of staying authentic in today's world, and shares insight into creating viral impressions that have taken social media by storm. Nothing's off-limits as Godfrey breaks it down with Ryan, Channing, and Fred—bringing laughs, dropping gems, and reminding us why real talk still matters. This episode is a deep dive into the mind of a comic who's not just funny, but fearless. Tap in to laugh, learn, and understand why Godfrey doesn't just tell jokes—he tells his truth. Learn more about your ad choices. Visit megaphone.fm/adchoices