Podcasts about impressionist

Change is the only constant, yet our first reaction to it is often fear. Whether it is a shift in the economy, a change in our health, or the rise of new technology like AI, the "unknown" triggers our defenses. In this episode, we explore the choice between Fear and Acceptance. We look at historical figures like Dorothy Vaughan (who embraced the first computers) and the Impressionist painters (who embraced the camera) to see how successful people don't fight the future—they evolve with it. Learn how to treat the changes in our world not as threats, but as a "gym" where we practice expanding our hearts, quieting our egos, and moving from anxiety to curiosity. New Episode of the Happiness Podcast with Dr. Robert Puff, Ph.D.

You've heard of dying on stage. It's when a comedian doesn't do so well. You've also heard of dying off the stage. Usually it's when an actor or musician parties a bit too hard. Today we focus on the latter, because Josh has never bombed once. No, we can't prove it. But we can let his impressions speak for themselves - literally.On the show:TomKathrynAndyKristyn BurttJosh RosenTopics:Steven Seagal's bad SNL episodeSNL deaths Timothy BusfieldComedyImpressionsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Stepping inside an Impressionist painting? Yes, please.Week 41 of Ted Gioia's Immersive Humanities Course made me realize something startling: these books weren't picked for my enjoyment--and yet I loved them anyway. This week's readings, Henry James's The Spoils of Poynton and the “Overture” to Marcel Proust's Remembrance of Things Past, carry us right into the early twentieth century.I approached James with dread, expecting a slow narrative, but instead I found a moody, infinitely readable novel built around obsession, property, and desire. With a small cast and dialogue-driven scenes, it feels almost theatrical, no surprise since James briefly wrote plays. But it's also chilling in its fixation on “stuff” and ownership. This one was a winner.Proust, meanwhile, surprised me with prose that felt dreamlike, luminous, and unexpectedly funny. I had expected dense, boring, and pointless--Proust was none of those. The famous madeleine scene becomes a meditation on memory that expands from a sensation as small as a crumb into an entire world.Though radically different on the surface, James and Proust share a similar impressionistic quality, finding vast meaning in subtle gestures. A brilliant pairing--and a week I adored, even if Ted doesn't care.The Housekeeping:LINKTed Gioia/The Honest Broker's 12-Month Immersive Humanities Course (paywalled!)My Amazon Book List (NOT an affiliate link)CONNECTThe complete list of Crack the Book Episodes: https://cheryldrury.substack.com/p/crack-the-book-start-here?r=u3t2rTo read more of my writing, visit my Substack - https://www.cheryldrury.substack.com.Follow me on Instagram - https://www.instagram.com/cldrury/LISTENSpotify - https://open.spotify.com/show/5GpySInw1e8IqNQvXow7Lv?si=9ebd5508daa245bdApple Podcasts - https://podcasts.apple.com/us/podcast/crack-the-book/id1749793321Captivate - https://crackthebook.captivate.fm

This week on Toon'd In!, Jim Cummings welcomes the iconic, hilarious, and endlessly versatile Frank Caliendo! Best known for his jaw-dropping impressions and pitch-perfect comedic timing, Frank has become a household name by turning voices into unforgettable moments — and that's only scratching the surface.In this energetic and wide-ranging episode, Frank takes us behind the mic to share his journey from stand-up comedy stages to becoming one of the most celebrated impressionists of our time. He opens up about discovering his vocal talents, sharpening his ear for nuance, and the discipline it takes to make every impression feel authentic, spontaneous, and alive.Jim and Frank trade stories about performance, voice control, and the fine line between comedy and character. From sports legends and movie icons to the craft of transforming your voice on the fly, this conversation is packed with laughs, insight, and a deep appreciation for the art of vocal performance.

Fluent Fiction - Mandarin Chinese: When Snowflakes Guided Two Hearts: A New Year's Encounter Find the full episode transcript, vocabulary words, and more:fluentfiction.com/zh/episode/2026-01-10-23-34-02-zh Story Transcript:Zh: 大年初一，北京的国立艺术博物馆张灯结彩，红灯笼如火般点亮了寒冷的冬日。En: On the first day of the Lunar New Year, Beijing's National Art Museum was decked out in festive decorations, with red lanterns illuminating the cold winter day like flames.Zh: 人潮涌动，大家都在寻找一份文化的慰藉和新年的美好祝愿。En: Crowds moved about, everyone seeking a touch of cultural solace and the bright hopes of the new year.Zh: 李伟裹紧大衣，他的目光穿过人群，直奔印象派展厅。En: Li Wei tightened his coat, his gaze cutting through the crowd as he headed directly to the Impressionist exhibit.Zh: 他喜欢那里的安静，仿佛每幅画作都在低声诉说过去的故事。En: He loved the quiet there, as if each painting softly told stories of the past.Zh: 突然，窗外的天空开始飘起了雪花，北风夹杂着细雨，迫使进入博物馆的人群密集了许多。En: Suddenly, snowflakes began to fall from the sky outside, mingling with a northern wind and light rain, causing the crowd inside the museum to grow thicker.Zh: 在人群之中，他的目光意外地与一个微笑的女孩相遇，她是韩梅，一位充满活力的本地艺术家。En: Among the crowd, his gaze unexpectedly met that of a smiling girl, Han Mei, a vibrant local artist.Zh: 韩梅正在寻找一个能激发她灵感的视角。En: Han Mei was in search of a perspective that could inspire her.Zh: 她习惯性地将灵感捕捉在随身的素描本中。En: She habitually captured her inspirations in a sketchbook she carried everywhere.Zh: 注意到李伟的沉默，她亲切地问：“你也喜欢这里的画吗？En: Noticing Li Wei's silence, she kindly asked, "Do you like the paintings here too?"Zh: ”李伟心头一颤，有些踌躇，他一向不善于与陌生人交流，但眼前的韩梅似乎充满了好奇与好意。En: Li Wei's heart skipped a beat, hesitating a little.Zh: “嗯，我喜欢印象派。En: He was not good at talking with strangers, but the curious and friendly Han Mei seemed inviting.Zh: 寻找内心的宁静和灵感。En: "Yes, I like Impressionism.Zh: ”韩梅欣然点头，拿出几幅自己的速写。En: It helps me find inner peace and inspiration."Zh: “我的目标是用画笔记录这一刻。En: Han Mei nodded with pleasure, taking out a few of her sketches.Zh: 或许，我们可以讨论一下？En: "My goal is to capture this moment with my brush.Zh: ”她的目光中带着期待。En: Perhaps, we can discuss it together?"Zh: 这时，李伟的朋友肖明大声道，“嘿，李伟，你终于找到聊得来的人了！En: Her eyes held a look of anticipation.Zh: ”他笑着拍拍李伟的肩膀，似乎成了不经意间撮合两人的媒人。En: Just then, Li Wei's friend Xiao Ming called out loudly, "Hey, Li Wei, you finally found someone you can talk to!"Zh: 馆内嘈杂的人声渐渐远去，他们站在一幅白雪覆盖的风景画前，画面中那静谧的景象如同一个小世界，让他们心声相通。En: He laughed and patted Li Wei's shoulder, seemingly an inadvertent matchmaker bringing the two together.Zh: “这幅画让我想起小时候在乡下过年的时候。En: As the noisy chatter in the museum gradually faded away, they stood before a snow-covered landscape painting.Zh: ”李伟轻声说道。En: The serene scene within seemed like a small world, allowing their hearts to connect.Zh: 韩梅点点头，分享自己的故事：“我也是。En: "This painting reminds me of the New Years I spent in the countryside as a child," Li Wei said softly.Zh: 小时候，每到春节，我们会堆雪人，在雪地里尽情玩耍。En: Han Mei nodded in agreement, sharing her own story: "Me too.Zh: ”这样一个简单的时刻，拉近了他们的距离。En: When I was a child, every Spring Festival, we would build snowmen and play in the snow to our heart's content."Zh: 尽管博物馆内人声鼎沸，他们的心却似乎达成了一种静默的和谐。En: This simple moment brought them closer together.Zh: 傍晚，天色渐暗，李伟和韩梅走出博物馆。En: Despite the museum's clamor, their hearts seemed to have reached a silent harmony.Zh: 在逐渐稀少的人群中，他们略显笨拙地交换了电话号码，约好下次一起参观艺术展。En: As evening approached and the sky darkened, Li Wei and Han Mei left the museum.Zh: “谢谢你让我认识了一个新朋友。En: Amidst the thinning crowd, they somewhat awkwardly exchanged phone numbers and agreed to attend another art exhibition together next time.Zh: ”李伟微笑着说，克服了他的羞涩。En: "Thank you for introducing me to a new friend," Li Wei said with a smile, having overcome his shyness.Zh: 他感觉自己变得更开放了，不再局限于独自欣赏艺术。En: He felt more open, no longer confined to appreciating art alone.Zh: 韩梅也收获满满，她从李伟的视角中得到了新的灵感。En: Han Mei also left enriched, drawing new inspiration from Li Wei's perspective.Zh: “不客气，我也很期待我们的下次交流。En: "You're welcome, I'm also very much looking forward to our next exchange."Zh: ”她的声音如同冬日的暖阳。En: Her voice was like the warm sun in winter.Zh: 在北京的大街小巷中，他们并肩而行，仿佛未来的故事才刚刚开始。En: Together they walked through the streets and alleys of Beijing, as if the story of their future had just begun.Zh: 新年的雪花静静地落下，描绘出一幅新的画卷。En: New Year's snowflakes fell quietly, painting a new picture. Vocabulary Words:festive: 张灯结彩decked out: 布置illuminating: 点亮solace: 慰藉tightened: 裹紧gaze: 目光Impressionist: 印象派exhibit: 展厅snowflakes: 雪花mingling: 夹杂perspective: 视角habitually: 习惯性地sketchbook: 素描本inner peace: 内心的宁静hesitating: 踌躇inadvertent: 不经意matchmaker: 媒人chatter: 嘈杂的人声serene: 静谧closeness: 拉近clamor: 人声鼎沸harmony: 和谐thinning: 稀少awkwardly: 略显笨拙exchanged: 交换overcome: 克服shyness: 羞涩enriched: 收获满满anticipation: 期待future: 未来

My returning guest is a master impressionist and an actor who is currently appearing in the hit series "Landman." We discuss his role on Landman, how he feels about different types of roles, how he balances drama and comedy, and much more.

Send us a textDiscover a rare comedic gem from the vault! Before Kevin Pollak became the acclaimed actor we know from "The Marvelous Mrs. Maisel" and countless Hollywood films, he was honing his craft as a brilliant stand-up comedian and impressionist at Laughs Unlimited comedy club.This nostalgic episode features Pollak at the height of his stand-up powers, showcasing the incredible impression skills that would later help launch his acting career. His routine begins with sharp observations about Arnold Schwarzenegger's movie success, questioning why the Academy consistently overlooks him with the hilarious punchline, "Do these people need a verb?" But the true highlight comes when Kevin launches into an elaborate Star Trek parody that demonstrates his remarkable versatility as a performer.Pollak's impression of William Shatner as Captain Kirk is nothing short of masterful, perfectly capturing the actor's distinctive dramatic pauses and theatrical delivery. The routine evolves into a tour de force as Kevin portrays multiple celebrity personalities aboard the Enterprise, each with their own distinct voice and mannerisms. His ability to seamlessly transition between these characters reveals the impressive range that would eventually make him such a sought-after character actor in film and television.For fans of comedy history, this episode offers a fascinating glimpse at the early career of an artist who would go on to achieve tremendous success in Hollywood. Subscribe now to hear more vintage comedy sets from performers who shaped the landscape of American entertainment, and visit our website at www.standupyourhostandemcee.com to explore our full archive of comedy treasures!Support the show www.StandupComedyPodcastNetwork.com Website....check it out, podcast, jokes, blogs, and More!"NEW" Video Podcast: Tag Team Talent Podcast on Spotify & YouTube Podcast Quality List: https://www.millionpodcasts.com/heritage-podcasts/ Please Write a Review: in-depth walk-through for leaving a review.Interested in Standup Comedy? Check out my books on Amazon..."20 Questions Answered about Being a Standup Comic""Be a Standup Comic...or just look like one"

Sabbath Perez is a wonderful jazz vocalist and composer. She grew up in Cologne, Germany, the daughter of Gabriel Perez, award winning Argentinian composer and saxophonist. Her songs combine Argentine rhythms, Impressionist harmonies and improvisational jazz. She made her first recording at age 12. She has performed with the WDR Big Band, the Frankfurt Radio Big Band, the Cologne Contemporary Jazz Orchestra, and the EOS Chamber Orchestra. She has shared the stage with artists like Billy Childs. Her latest album is called “Searching For Beauty”.My featured song is “The Gift”, my recent single which transformed my jazz ballad into a Big Band Samba. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH SABETH:www.sabethperez.com—----------------------------------------ROBERT'S LATEST RELEASE:“MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars.CLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—---------------------------------------ROBERT'S RECENT SINGLE“MI CACHIMBER” is Robert's recent single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

JULIE MANET, THE VALUE OF TRANSIENCE, AND THE AVANT-GARDE Colleague Sebastian Smee. Berthe Morisot's legacy was carried on by her daughter, Julie Manet, to whom Berthe wrote a tender deathbed letter expressing that Julie had provided her solely with happiness. Morisot's work exemplifies the concept of "transience value"—the idea, later articulated by Freud, that the fleeting nature of beauty makes it more precious. Her paintings of adolescents and domestic scenes celebrated the present moment precisely because it was always changing. While the next generation of the avant-garde, such as Van Gogh and Munch, reacted against Impressionism's lack of structure, they built directly upon its liberation of color. Although these newer artists sought more permanence, the Impressionist dedication to capturing fugitive effects proved to have lasting power, validating Morisot's vision of finding profound truth in the ephemeral. NUMBER 8 1925

MANET'S FINAL YEARS AND THE POSTHUMOUS HONOR OF MORISOT Colleague Sebastian Smee. Following the war, Manet painted a series of intimate portraits of Berthe Morisot, capturing her erotic restlessness and "black" mourning attire. Since they could not marry, Manet seemingly facilitated her marriage to his brother, Eugène, who became a supportive husband and advocate for her art. While Morisot struggled with melancholy, she defied Édouard's advice to stick to the Salon, instead exhibiting in almost all the independent Impressionist shows. After Édouard died a painful death from syphilis, and Berthe later passed away, her colleagues Renoir, Monet, and Degasorganized a posthumous exhibition in her honor. The depth of their respect was revealed in a passionate argument between Degas and the others over how best to hang her work to ensure the public understood her brilliance. NUMBER 7

POLITICS, WAR, AND THE REPUBLICAN SPIRIT OF THE IMPRESSIONISTS Colleague Sebastian Smee. Édouard Manet was a passionate Republican who loathed the authoritarian rule of Napoleon III, a sentiment rooted in his witnessing the 1848 uprising and his travels to Rio where he saw the horrors of slavery. His political activism influenced the Impressionist circle, who were all Republicans. Manet frequented cafés to discuss politics with figures like Léon Gambetta, a moderate Republican leader navigating the tensions between monarchists and radicals. The group's optimism was tested by the Franco-Prussian War of 1870; following the Emperor's defeat at Sedan, a Republic was declared, but Paris was soon besieged by Prussian troops. The war touched the artists directly: the painter Bazille died in combat, and Alfred Sisley painted landscapes on the banks of the Seine that had recently been bloody battlefields, creating art that contemporaries recognized as scenes of trauma. NUMBER 3

Impressionist, pianist, poet and star of The Big Impression Alistair McGowan takes us behind the scenes of his career. Along the way he does impressions of Louis Theroux, Harry Kane, Raymond Blanc, David Hockney, Alan Bennett, Alfred Hitchcock, Frank Skinner, Richard Madeley, Alan Shearer, Jo Brand, Dara Ó Briain, Monty Don, Gareth Southgate, Ronnie Corbett, Sven-Göran Eriksson, John Bishop, David Beckham, Ian McKellen, Martin O'Neill, Alan Hansen, Philip Mould, John Major, John Smith, Paddy Ashdown, Gordon Brown, John Parrot and Mikel Arteta.

Jan Ravens is one of the UK's most celebrated  impressionists and comedians. She first discovered comedy at Cambridge University's Footlights society, where she made history as the first female president. Now she is best known for her work on the hit BBC show Dead Ringers, where her impressions of figures like Theresa May, Liz Truss, Margaret Thatcher and others have become iconic.In this episode of Ways to Change the World, Krishnan Guru-Murthy speaks to Jan about the meaning of satire and the importance of a good laugh.

For this week's Ask Me Anything, Impressionist Al Foran joins Andrea to answer any of your questions around comedy and impressions!

On today's Extra, Comedian Impressionist Frank Caliendo Learn more about your ad choices. Visit podcastchoices.com/adchoices

Paris 1874: The Artistic Revolt Against the Salon and the Birth of Impressionism. Sebastian Smee discusses how on April 15, 1874, an exhibition opened marking the birth of Impressionism. The group, including Monet, Pissarro, Renoir, Sisley, Cézanne, Degas, and Berthe Morisot, set up the show deliberately outside the established Salon. The Impressionists were frustrated by repeated Salon rejections and were in revolt; they wanted to paint contemporary life and fresh landscapes, rejecting the hierarchy and "made-up landscapes." The name Impressionism originated as an insult from a critic, inspired by Monet's painting, Impression, Sunrise. Critics found the paintings unstructured and lacking deep meaning. A crucial figure absent from the exhibition was Édouard Manet, considered the "father of Impressionism," who still believed success required Salon acceptance and saw the Impressionist show as a small, isolated "silo."

The Wedding, Manet's Decline, and the Posthumous Fight Over Morisot's Legacy. Sebastian Smee discusses how in the aftermath of the "terrible year," Édouard Manet painted Berthe Morisot several times in a series Smee considers one of the greatest records of intimacy in art history. Manet resolved the situation by setting Berthe up with his brother, Eugène Manet, who proved to be a good husband who supported Berthe's dedication to painting. Despite Édouard advising against it, Berthe joined the first Impressionist exhibition, demonstrating her "incredible audacity and independence." The sad aspect was Édouard Manet's decline: he suffered from syphilis and died in agony after a leg amputation. Following Berthe Morisot's death (she contracted an illness while tending to her sick daughter, Julie), Renoir, Degas, and Monet came together to stage a posthumous exhibition to honor her. The process was volatile because each painter felt a fierce, private relationship with her work. In the 20th century, Morisot was often overlooked by male critics who dismissed her domestic subject matter, though her peers viewed her art as innovative and brilliant.

Episode 176 October 28, 2025 On the Needles 3:54 ALL KNITTING LINKS GO TO RAVELRY UNLESS OTHERWISE NOTED.  Please visit our Instagram page @craftcookreadrepeat for non-Rav photos and info   Succulents 2025 Blanket CAL by Mallory Krall, Hue Loco DK in Hoya   SSAL Delectable Collectible Socks by Stephen West, Dark Omen Yarns Sock in Electric Minis (navy, royal, light blue with speckles, cream with speckles, cream)- DONE!! 2nd sock for PSP   Pop Rock Pullover by Tanis Lavallee, La Bien Aimée singles and Mohair Silk in AVFKW A Day by the Bay   Spooky Season socks: Cuff Club Vol. 2 by Summer Lee, Vanilla is the New Black by Anneh Fletcher, Gauge Dyeworks 4 ply sock in Pumpkin Stripe Latte– DONE!!   3D printed spinning wheel–source TBA       On the Easel 14:08/16:06 Courtney Cerruti's new CB class–Find your Creative Rhythm: 15 Ways to Spark & Sustain Creativity 2026 Calendar–coming soon (!!!) Gouachevemeber 2025   Uh Italy? Borghese Gallery Museo Nazionale Romano   Smithsonian–Little Beasts exhibit (currently closed due to govt shut down) MFAHouston–Impressionist & post-Impressionist wing, plus excellent Islamic & Judaic art collections   On the Table 30:13 Uh Italy? Pasticceria Regoli    Cooking and Eating in Lazio:  https://www.cooking-vacations.com/ https://www.nenaborgocastello.com/   Naples Food Tour: https://www.eatingeurope.com/naples/   Cranberry & White Chocolate Biscotti   On the Nightstand 44:40 We are now a Bookshop.org affiliate!  You can visit our shop to find books we've talked about or click on the links below.  The books are supplied by local independent bookstores and a percentage goes to us at no cost to you! Four Seasons in Rome by Anthony Doerr If an Egyptian Cannot Speak English by Noor Naga Murder at the Black Cat Cafe by Seishi Yokomizo, trans by Bryan Karetnyk  The Lost Masterpiece by B. A. Shapiro The Impossible Fortune by Richard Osman Automatic Noodle by Annalee Newitz Five Broken Blades by Mai Corland Liar's Knot by M. A. Carrick (audio) Katabasis by R. F. Kuang   Yours for the Taking by Gabrielle Korn City of Night Birds by Juhea Kim

Ray and Dave explore the mind of paleo artist Doug Henderson exploring his techniques, inspirations, and the breathtaking body of work that re-imagines ancient worlds.

Using artworks by Berthe Morisot, Édouard Manet, Claude Monet, Pierre-Auguste Renoir, and others, The Art of Parisian Chic: Modern Women and Modern Artists in Impressionist Paris (Bloomsbury, 2025) by Dr. Justine De Young explores how women and artists in Impressionist Paris (1855-1885) crafted their public images to exploit and resist stereotypes.French societal expectations and beauty ideals shaped how women were seen and how they chose to present themselves in public – whether on the street, in a photograph, or in a portrait on the walls of the annual Paris Salon. On Paris's broad new boulevards and in its public parks and theaters, women dressed to impress anonymous strangers as well as their friends. They even circulated aspirational photographs of themselves. Looking at a rich array of visual sources – from portraits to modern-life paintings, and from photographs to fashion plates – Dr. De Young reveals how women were seen, how they aspired to be seen, and how they navigated public life in Second Empire and Belle Époque Paris.This book considers how fashionable feminine “types” made famous in books, caricatures, and paintings created a visual lexicon and stylistic guide for women. Men and women alike relied on these types – cocotte (mistress), jeune veuve (young widow), amazone (independent equestrienne), demoiselle de magasin (shopgirl), and Parisienne (chic Parisian woman) – to judge the class, character, morality, and worth of strangers. With a rich set of illustrations from the Impressionist canon and beyond, The Art of Parisian Chic shows how modern women used fashion and these stereotypes to construct and reinvent their identities. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Using artworks by Berthe Morisot, Édouard Manet, Claude Monet, Pierre-Auguste Renoir, and others, The Art of Parisian Chic: Modern Women and Modern Artists in Impressionist Paris (Bloomsbury, 2025) by Dr. Justine De Young explores how women and artists in Impressionist Paris (1855-1885) crafted their public images to exploit and resist stereotypes.French societal expectations and beauty ideals shaped how women were seen and how they chose to present themselves in public – whether on the street, in a photograph, or in a portrait on the walls of the annual Paris Salon. On Paris's broad new boulevards and in its public parks and theaters, women dressed to impress anonymous strangers as well as their friends. They even circulated aspirational photographs of themselves. Looking at a rich array of visual sources – from portraits to modern-life paintings, and from photographs to fashion plates – Dr. De Young reveals how women were seen, how they aspired to be seen, and how they navigated public life in Second Empire and Belle Époque Paris.This book considers how fashionable feminine “types” made famous in books, caricatures, and paintings created a visual lexicon and stylistic guide for women. Men and women alike relied on these types – cocotte (mistress), jeune veuve (young widow), amazone (independent equestrienne), demoiselle de magasin (shopgirl), and Parisienne (chic Parisian woman) – to judge the class, character, morality, and worth of strangers. With a rich set of illustrations from the Impressionist canon and beyond, The Art of Parisian Chic shows how modern women used fashion and these stereotypes to construct and reinvent their identities. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Using artworks by Berthe Morisot, Édouard Manet, Claude Monet, Pierre-Auguste Renoir, and others, The Art of Parisian Chic: Modern Women and Modern Artists in Impressionist Paris (Bloomsbury, 2025) by Dr. Justine De Young explores how women and artists in Impressionist Paris (1855-1885) crafted their public images to exploit and resist stereotypes.French societal expectations and beauty ideals shaped how women were seen and how they chose to present themselves in public – whether on the street, in a photograph, or in a portrait on the walls of the annual Paris Salon. On Paris's broad new boulevards and in its public parks and theaters, women dressed to impress anonymous strangers as well as their friends. They even circulated aspirational photographs of themselves. Looking at a rich array of visual sources – from portraits to modern-life paintings, and from photographs to fashion plates – Dr. De Young reveals how women were seen, how they aspired to be seen, and how they navigated public life in Second Empire and Belle Époque Paris.This book considers how fashionable feminine “types” made famous in books, caricatures, and paintings created a visual lexicon and stylistic guide for women. Men and women alike relied on these types – cocotte (mistress), jeune veuve (young widow), amazone (independent equestrienne), demoiselle de magasin (shopgirl), and Parisienne (chic Parisian woman) – to judge the class, character, morality, and worth of strangers. With a rich set of illustrations from the Impressionist canon and beyond, The Art of Parisian Chic shows how modern women used fashion and these stereotypes to construct and reinvent their identities. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Using artworks by Berthe Morisot, Édouard Manet, Claude Monet, Pierre-Auguste Renoir, and others, The Art of Parisian Chic: Modern Women and Modern Artists in Impressionist Paris (Bloomsbury, 2025) by Dr. Justine De Young explores how women and artists in Impressionist Paris (1855-1885) crafted their public images to exploit and resist stereotypes.French societal expectations and beauty ideals shaped how women were seen and how they chose to present themselves in public – whether on the street, in a photograph, or in a portrait on the walls of the annual Paris Salon. On Paris's broad new boulevards and in its public parks and theaters, women dressed to impress anonymous strangers as well as their friends. They even circulated aspirational photographs of themselves. Looking at a rich array of visual sources – from portraits to modern-life paintings, and from photographs to fashion plates – Dr. De Young reveals how women were seen, how they aspired to be seen, and how they navigated public life in Second Empire and Belle Époque Paris.This book considers how fashionable feminine “types” made famous in books, caricatures, and paintings created a visual lexicon and stylistic guide for women. Men and women alike relied on these types – cocotte (mistress), jeune veuve (young widow), amazone (independent equestrienne), demoiselle de magasin (shopgirl), and Parisienne (chic Parisian woman) – to judge the class, character, morality, and worth of strangers. With a rich set of illustrations from the Impressionist canon and beyond, The Art of Parisian Chic shows how modern women used fashion and these stereotypes to construct and reinvent their identities. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Using artworks by Berthe Morisot, Édouard Manet, Claude Monet, Pierre-Auguste Renoir, and others, The Art of Parisian Chic: Modern Women and Modern Artists in Impressionist Paris (Bloomsbury, 2025) by Dr. Justine De Young explores how women and artists in Impressionist Paris (1855-1885) crafted their public images to exploit and resist stereotypes.French societal expectations and beauty ideals shaped how women were seen and how they chose to present themselves in public – whether on the street, in a photograph, or in a portrait on the walls of the annual Paris Salon. On Paris's broad new boulevards and in its public parks and theaters, women dressed to impress anonymous strangers as well as their friends. They even circulated aspirational photographs of themselves. Looking at a rich array of visual sources – from portraits to modern-life paintings, and from photographs to fashion plates – Dr. De Young reveals how women were seen, how they aspired to be seen, and how they navigated public life in Second Empire and Belle Époque Paris.This book considers how fashionable feminine “types” made famous in books, caricatures, and paintings created a visual lexicon and stylistic guide for women. Men and women alike relied on these types – cocotte (mistress), jeune veuve (young widow), amazone (independent equestrienne), demoiselle de magasin (shopgirl), and Parisienne (chic Parisian woman) – to judge the class, character, morality, and worth of strangers. With a rich set of illustrations from the Impressionist canon and beyond, The Art of Parisian Chic shows how modern women used fashion and these stereotypes to construct and reinvent their identities. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Using artworks by Berthe Morisot, Édouard Manet, Claude Monet, Pierre-Auguste Renoir, and others, The Art of Parisian Chic: Modern Women and Modern Artists in Impressionist Paris (Bloomsbury, 2025) by Dr. Justine De Young explores how women and artists in Impressionist Paris (1855-1885) crafted their public images to exploit and resist stereotypes.French societal expectations and beauty ideals shaped how women were seen and how they chose to present themselves in public – whether on the street, in a photograph, or in a portrait on the walls of the annual Paris Salon. On Paris's broad new boulevards and in its public parks and theaters, women dressed to impress anonymous strangers as well as their friends. They even circulated aspirational photographs of themselves. Looking at a rich array of visual sources – from portraits to modern-life paintings, and from photographs to fashion plates – Dr. De Young reveals how women were seen, how they aspired to be seen, and how they navigated public life in Second Empire and Belle Époque Paris.This book considers how fashionable feminine “types” made famous in books, caricatures, and paintings created a visual lexicon and stylistic guide for women. Men and women alike relied on these types – cocotte (mistress), jeune veuve (young widow), amazone (independent equestrienne), demoiselle de magasin (shopgirl), and Parisienne (chic Parisian woman) – to judge the class, character, morality, and worth of strangers. With a rich set of illustrations from the Impressionist canon and beyond, The Art of Parisian Chic shows how modern women used fashion and these stereotypes to construct and reinvent their identities. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Using artworks by Berthe Morisot, Édouard Manet, Claude Monet, Pierre-Auguste Renoir, and others, The Art of Parisian Chic: Modern Women and Modern Artists in Impressionist Paris (Bloomsbury, 2025) by Dr. Justine De Young explores how women and artists in Impressionist Paris (1855-1885) crafted their public images to exploit and resist stereotypes.French societal expectations and beauty ideals shaped how women were seen and how they chose to present themselves in public – whether on the street, in a photograph, or in a portrait on the walls of the annual Paris Salon. On Paris's broad new boulevards and in its public parks and theaters, women dressed to impress anonymous strangers as well as their friends. They even circulated aspirational photographs of themselves. Looking at a rich array of visual sources – from portraits to modern-life paintings, and from photographs to fashion plates – Dr. De Young reveals how women were seen, how they aspired to be seen, and how they navigated public life in Second Empire and Belle Époque Paris.This book considers how fashionable feminine “types” made famous in books, caricatures, and paintings created a visual lexicon and stylistic guide for women. Men and women alike relied on these types – cocotte (mistress), jeune veuve (young widow), amazone (independent equestrienne), demoiselle de magasin (shopgirl), and Parisienne (chic Parisian woman) – to judge the class, character, morality, and worth of strangers. With a rich set of illustrations from the Impressionist canon and beyond, The Art of Parisian Chic shows how modern women used fashion and these stereotypes to construct and reinvent their identities. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Matt Friend (Grace Period, The Simpsons, Family Guy) is a stand-up comedian, impressionist, and actor. Matt joins the Armchair Expert to discuss exploring whether he's enough beyond his voice in a new stand-up hour, his sister's characterization of him as a glorified parrot, and roasting Trump to his face at the White House Correspondents Dinner. Matt and Dax discuss whether there might be a neurodivergence component to his impression skills, doing celebrities to themselves on the Golden Globes red carpet, and humoring the team by welcoming a few yet-to-be friends of the pod. Matt explains where he believes his compulsion towards mimicry comes from, being one of the first people in the world to be completely cured of food allergies, and the last time he cried.Follow Armchair Expert on the Wondery App or wherever you get your podcasts. Watch new content on YouTube or listen to Armchair Expert early and ad-free by joining Wondery+ in the Wondery App, Apple Podcasts, or Spotify. Start your free trial by visiting wondery.com/links/armchair-expert-with-dax-shepard/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

September 19, 2025 ~ Bob Anderson, Singer, Actor and the #1 Impressionist in the World previews his performance at Andiamo Celebrity Showroom next Friday. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

On today's episode, an episode from our friends at Sotheby's exploring the remarkable collecting journey of Pauline Karpidas, one of the most influential art patrons of the past fifty years. Ahead of Sotheby's landmark sale of her extraordinary Surrealist collection this September, collector Tiquio Acentio, curator Jasper Sharp, and Sotheby's Worldwide Chairman of Impressionist and Modern Art Helena Newman will join broadcaster and art historian Kate Bryan to reflect on Karpidas' unique eye, her friendships with artists, and the broader role of women as cultural custodians. From Peggy Guggenheim to Dominique de Menil and beyond, women collectors have long shaped the direction of modern and contemporary art. What drives them? How do personal connections influence collecting? And how does a home become a curated world? With insights into the upcoming auction and the stories behind the works, this talk will offer a portrait of a life in art – and celebrate those who collect with connoisseurship, curiosity and conviction. This podcast was recorded at Sotheby's London in September 2025.  And, to step further into the world of Sotheby's, you can visit any of our galleries around the world; they're open to the public. For more information, visit sothebys.com.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

End your summer with the most fun you’ll have on a podcast! Impressionist and comedian Matt Friend joins Katie for a star-studded tour of celebrity voices from Hollywood to the White House, from Barack Obama to Timothee Chalamet to Jennifer Coolidge. There’s even some singing! And, yes, he does his Trump impression–which is so good it might make you squirm. In between it all Matt shares what it’s been like to break out online during the pandemic, and end up taking the stage at the White House Correspondents’ Dinner. It’s a trip!See omnystudio.com/listener for privacy information.

Impressionist and comedian Al Foran joined us this week and we can't believe it's taken us 233 episodes to get him on the podcast.Al told us about how his love of film set him on his current path, how even at school he was encouraged to do impressions and how it led to him having his first gig at just 18! Since then he's gone on to do massive shows and has met incredible people through them - Even if he bottled doing a Roy Keane impression in front of him. Al was a guest at our first ever live show, where he attempted to impersonate us on stage. We think he redeemed himself this week. This episode was sponsored by Rightstyle Furniture - RIGHT PRICE, RIGHT STYLE, RIGHT NOW. Visit rightstyle.ie

An interview podcast giving the inside scoop of what happens in comedy scenes across the globe and dedicated to speaking to the mavericks in the comedy world. In this episode we speak to Britains got talent finalist, comedian and impressionist, Danny Posthill.Here is an overview of what we discussed: [[00:54]] Is he Maccam, Geordie, Sandancer or Monkey [[02:14]][[15:48]] What is standup in all honesty [[19:34]][[26:33]] Why I don't care what other acts think and my process for developing impressions 30:18]][[30:18]] Why I do BJJ [[47:09]][[49:49]] How to avoid a lot of problems in comedy [[56:14]][[58:11]] Stupid requests for comedians [[01:00:15]][[01:03:00]] Signs they are dodgy promoter [[01:06:00]]If you would like to know more on Danny, you can reach him on his Instagram at danny_posthill, Tiktok at @dannyimpressions and you can buy his book through this link here:https://shorturl.at/cDa7i.You can follow this podcast on Youtube at https://bit.ly/41LWDAq, Spotify at https://spoti.fi/3oLrmyU,Apple podcasts at https://apple.co/3LEkr3E and you can support the pod on:https://www.patreon.com/thecomediansparadise. #standupcomedypodcast #interviewingcomedians #standupcomedian #interviewingcomedians #impressionist #celebrityimpressions #britainsgottalent #bgt

Suzanne Valadon was born on the wrong side of the tracks, and the wrong side of the blanket, but grew up to be one of the It Girls of the Impressionist era. She traveled a unique journey to stardom by parlaying her career as an artist's model into an artistic career of her own. This episode brought to you in part by: Honeylove Blueland OSEA Hungryroot Learn more about your ad choices. Visit podcastchoices.com/adchoices

Long before Dead Ringers or Spitting Image, Jon Culshaw was a schoolboy with a knack for mimicry and a fierce determination to escape into voices- finding freedom, fun, and a future through the radio dial.In this episode of Full Disclosure, James O'Brien sits down with Jon to explore how a shy kid from Lancashire became one of the UK's best-loved impressionists. They trace his early love of radio, his first gigs as a hospital DJ, and the key moments that transformed a quiet obsession into a celebrated career.Jon reflects on the emotional intelligence behind impersonation, how he's always felt a sense of companionship in voices, and what he learned by studying the characters he came to embody- from Boris Johnson to David BowieEndearing, reflective and full of rich storytelling, it's a portrait of an artist who built a career out of listening- and reveals how sometimes, speaking in other people's voices can lead you closer to your own.Find out more about Dead Ringers 25th Anniversary tour here

BURNING CITIES CONTINUED, THEN AND NOW.  4/8: Paris in Ruins: Love, War, and the Birth of Impressionism by  Sebastian Smee  (Author) 1870 PARIS PRUSSIAN BOMBARDMENT   https://www.amazon.com/Paris-Ruins-Love-Birth-Impressionism/dp/1324006951/ref=sr_1_1?dib=eyJ2IjoiMSJ9.0LrrcogTAXmGjiJTXHGqcmh6tG316iU_qBRT5krAjbY8X2w9audnxQy7kzk7OLkh_2lSbQ2ybUZGAqxzqsV7SIXXh__kEnq4cHn6QdDz3Vu5xuCtROqvHYC4bnq-Wd16OQ0xBFKI0YF5Q12M2HxhsXNW0KzxEvl3JkXmjEm-lB835FTP4AOXbZmDkXRwFFwP8JAim1mTpk-tRD1mx2eyRyT4izNxH2zOMi6vWoub4fk.sBKL5PJ8cK_YQQ9SXWo2jUROfRmEzorpra10Qr1m--0&dib_tag=se&qid=1739487181&refinements=p_27%3ASebastian+Smee&s=books&sr=1-1 From the summer of 1870 to the spring of 1871, famously dubbed the “Terrible Year” by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans―then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris. As renowned art critic Sebastian Smee shows, it was against the backdrop of these tumultuous times that the Impressionist movement was born―in response to violence, civil war, and political intrigue. In stirring and exceptionally vivid prose, Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir and Frédéric Bazille, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience―reflected in Impressionism's emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things―became the movement's great contribution to the history of art. At the heart of it all is a love story; that of Manet, by all accounts the father of Impressionism, and Morisot, the only woman to play a central role in the movement from the start. Smee poignantly depicts their complex relationship, their tangled effect on each other, and their great legacy, while bringing overdue attention to the woman at the heart of Impressionism

BURNING CITIES CONTINUED, THEN AND NOW.  7/8: Paris in Ruins: Love, War, and the Birth of Impressionism by  Sebastian Smee  (Author) 1871 PARIS https://www.amazon.com/Paris-Ruins-Love-Birth-Impressionism/dp/1324006951/ref=sr_1_1?dib=eyJ2IjoiMSJ9.0LrrcogTAXmGjiJTXHGqcmh6tG316iU_qBRT5krAjbY8X2w9audnxQy7kzk7OLkh_2lSbQ2ybUZGAqxzqsV7SIXXh__kEnq4cHn6QdDz3Vu5xuCtROqvHYC4bnq-Wd16OQ0xBFKI0YF5Q12M2HxhsXNW0KzxEvl3JkXmjEm-lB835FTP4AOXbZmDkXRwFFwP8JAim1mTpk-tRD1mx2eyRyT4izNxH2zOMi6vWoub4fk.sBKL5PJ8cK_YQQ9SXWo2jUROfRmEzorpra10Qr1m--0&dib_tag=se&qid=1739487181&refinements=p_27%3ASebastian+Smee&s=books&sr=1-1 From the summer of 1870 to the spring of 1871, famously dubbed the “Terrible Year” by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans―then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris. As renowned art critic Sebastian Smee shows, it was against the backdrop of these tumultuous times that the Impressionist movement was born―in response to violence, civil war, and political intrigue. In stirring and exceptionally vivid prose, Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir and Frédéric Bazille, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience―reflected in Impressionism's emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things―became the movement's great contribution to the history of art. At the heart of it all is a love story; that of Manet, by all accounts the father of Impressionism, and Morisot, the only woman to play a central role in the movement from the start. Smee poignantly depicts their complex relationship, their tangled effect on each other, and their great legacy, while bringing overdue attention to the woman at the heart of Impressionism

BURNING CITIES CONTINUED, THEN AND NOW.  8/8: Paris in Ruins: Love, War, and the Birth of Impressionism by  Sebastian Smee  (Author) 1870 PARIS CLAUDE MONET 1840-1926 https://www.amazon.com/Paris-Ruins-Love-Birth-Impressionism/dp/1324006951/ref=sr_1_1?dib=eyJ2IjoiMSJ9.0LrrcogTAXmGjiJTXHGqcmh6tG316iU_qBRT5krAjbY8X2w9audnxQy7kzk7OLkh_2lSbQ2ybUZGAqxzqsV7SIXXh__kEnq4cHn6QdDz3Vu5xuCtROqvHYC4bnq-Wd16OQ0xBFKI0YF5Q12M2HxhsXNW0KzxEvl3JkXmjEm-lB835FTP4AOXbZmDkXRwFFwP8JAim1mTpk-tRD1mx2eyRyT4izNxH2zOMi6vWoub4fk.sBKL5PJ8cK_YQQ9SXWo2jUROfRmEzorpra10Qr1m--0&dib_tag=se&qid=1739487181&refinements=p_27%3ASebastian+Smee&s=books&sr=1-1 From the summer of 1870 to the spring of 1871, famously dubbed the “Terrible Year” by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans―then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris. As renowned art critic Sebastian Smee shows, it was against the backdrop of these tumultuous times that the Impressionist movement was born―in response to violence, civil war, and political intrigue. In stirring and exceptionally vivid prose, Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir and Frédéric Bazille, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience―reflected in Impressionism's emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things―became the movement's great contribution to the history of art. At the heart of it all is a love story; that of Manet, by all accounts the father of Impressionism, and Morisot, the only woman to play a central role in the movement from the start. Smee poignantly depicts their complex relationship, their tangled effect on each other, and their great legacy, while bringing overdue attention to the woman at the heart of Impressionism

BURNING CITIES CONTINUED, THEN AND NOW.  6/8: Paris in Ruins: Love, War, and the Birth of Impressionism by  Sebastian Smee  (Author) 1870 PARIS COMMUNE https://www.amazon.com/Paris-Ruins-Love-Birth-Impressionism/dp/1324006951/ref=sr_1_1?dib=eyJ2IjoiMSJ9.0LrrcogTAXmGjiJTXHGqcmh6tG316iU_qBRT5krAjbY8X2w9audnxQy7kzk7OLkh_2lSbQ2ybUZGAqxzqsV7SIXXh__kEnq4cHn6QdDz3Vu5xuCtROqvHYC4bnq-Wd16OQ0xBFKI0YF5Q12M2HxhsXNW0KzxEvl3JkXmjEm-lB835FTP4AOXbZmDkXRwFFwP8JAim1mTpk-tRD1mx2eyRyT4izNxH2zOMi6vWoub4fk.sBKL5PJ8cK_YQQ9SXWo2jUROfRmEzorpra10Qr1m--0&dib_tag=se&qid=1739487181&refinements=p_27%3ASebastian+Smee&s=books&sr=1-1 From the summer of 1870 to the spring of 1871, famously dubbed the “Terrible Year” by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans―then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris. As renowned art critic Sebastian Smee shows, it was against the backdrop of these tumultuous times that the Impressionist movement was born―in response to violence, civil war, and political intrigue. In stirring and exceptionally vivid prose, Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir and Frédéric Bazille, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience―reflected in Impressionism's emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things―became the movement's great contribution to the history of art. At the heart of it all is a love story; that of Manet, by all accounts the father of Impressionism, and Morisot, the only woman to play a central role in the movement from the start. Smee poignantly depicts their complex relationship, their tangled effect on each other, and their great legacy, while bringing overdue attention to the woman at the heart of Impressionism

BURNING CITIES CONTINUED, THEN AND NOW.  5/8: Paris in Ruins: Love, War, and the Birth of Impressionism by  Sebastian Smee  (Author) 1870 PARIS https://www.amazon.com/Paris-Ruins-Love-Birth-Impressionism/dp/1324006951/ref=sr_1_1?dib=eyJ2IjoiMSJ9.0LrrcogTAXmGjiJTXHGqcmh6tG316iU_qBRT5krAjbY8X2w9audnxQy7kzk7OLkh_2lSbQ2ybUZGAqxzqsV7SIXXh__kEnq4cHn6QdDz3Vu5xuCtROqvHYC4bnq-Wd16OQ0xBFKI0YF5Q12M2HxhsXNW0KzxEvl3JkXmjEm-lB835FTP4AOXbZmDkXRwFFwP8JAim1mTpk-tRD1mx2eyRyT4izNxH2zOMi6vWoub4fk.sBKL5PJ8cK_YQQ9SXWo2jUROfRmEzorpra10Qr1m--0&dib_tag=se&qid=1739487181&refinements=p_27%3ASebastian+Smee&s=books&sr=1-1 From the summer of 1870 to the spring of 1871, famously dubbed the “Terrible Year” by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans―then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris. As renowned art critic Sebastian Smee shows, it was against the backdrop of these tumultuous times that the Impressionist movement was born―in response to violence, civil war, and political intrigue. In stirring and exceptionally vivid prose, Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir and Frédéric Bazille, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience―reflected in Impressionism's emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things―became the movement's great contribution to the history of art. At the heart of it all is a love story; that of Manet, by all accounts the father of Impressionism, and Morisot, the only woman to play a central role in the movement from the start. Smee poignantly depicts their complex relationship, their tangled effect on each other, and their great legacy, while bringing overdue attention to the woman at the heart of Impressionism

PREVIEW: Author Sebastian Smee, "Paris in Ruins," introduces the admired Impressionist Berthe Morisot, and her part in the success of the French school during the War of 1870 and the Paris Commune. More. 1870 PARIS.

BURNING CITIES CONTINUED, THEN AND NOW.  3/8: Paris in Ruins: Love, War, and the Birth of Impressionism by  Sebastian Smee  (Author) 1870 SCHWEINFURT https://www.amazon.com/Paris-Ruins-Love-Birth-Impressionism/dp/1324006951/ref=sr_1_1?dib=eyJ2IjoiMSJ9.0LrrcogTAXmGjiJTXHGqcmh6tG316iU_qBRT5krAjbY8X2w9audnxQy7kzk7OLkh_2lSbQ2ybUZGAqxzqsV7SIXXh__kEnq4cHn6QdDz3Vu5xuCtROqvHYC4bnq-Wd16OQ0xBFKI0YF5Q12M2HxhsXNW0KzxEvl3JkXmjEm-lB835FTP4AOXbZmDkXRwFFwP8JAim1mTpk-tRD1mx2eyRyT4izNxH2zOMi6vWoub4fk.sBKL5PJ8cK_YQQ9SXWo2jUROfRmEzorpra10Qr1m--0&dib_tag=se&qid=1739487181&refinements=p_27%3ASebastian+Smee&s=books&sr=1-1 From the summer of 1870 to the spring of 1871, famously dubbed the “Terrible Year” by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans―then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris. As renowned art critic Sebastian Smee shows, it was against the backdrop of these tumultuous times that the Impressionist movement was born―in response to violence, civil war, and political intrigue. In stirring and exceptionally vivid prose, Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir and Frédéric Bazille, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience―reflected in Impressionism's emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things―became the movement's great contribution to the history of art. At the heart of it all is a love story; that of Manet, by all accounts the father of Impressionism, and Morisot, the only woman to play a central role in the movement from the start. Smee poignantly depicts their complex relationship, their tangled effect on each other, and their great legacy, while bringing overdue attention to the woman at the heart of Impressionism

BURNING CITIES CONTINUED, THEN AND NOW.  2/8: Paris in Ruins: Love, War, and the Birth of Impressionism by  Sebastian Smee  (Author) 1870 Bucharest  https://www.amazon.com/Paris-Ruins-Love-Birth-Impressionism/dp/1324006951/ref=sr_1_1?dib=eyJ2IjoiMSJ9.0LrrcogTAXmGjiJTXHGqcmh6tG316iU_qBRT5krAjbY8X2w9audnxQy7kzk7OLkh_2lSbQ2ybUZGAqxzqsV7SIXXh__kEnq4cHn6QdDz3Vu5xuCtROqvHYC4bnq-Wd16OQ0xBFKI0YF5Q12M2HxhsXNW0KzxEvl3JkXmjEm-lB835FTP4AOXbZmDkXRwFFwP8JAim1mTpk-tRD1mx2eyRyT4izNxH2zOMi6vWoub4fk.sBKL5PJ8cK_YQQ9SXWo2jUROfRmEzorpra10Qr1m--0&dib_tag=se&qid=1739487181&refinements=p_27%3ASebastian+Smee&s=books&sr=1-1 From the summer of 1870 to the spring of 1871, famously dubbed the “Terrible Year” by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans―then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris. As renowned art critic Sebastian Smee shows, it was against the backdrop of these tumultuous times that the Impressionist movement was born―in response to violence, civil war, and political intrigue. In stirring and exceptionally vivid prose, Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir and Frédéric Bazille, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience―reflected in Impressionism's emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things―became the movement's great contribution to the history of art. At the heart of it all is a love story; that of Manet, by all accounts the father of Impressionism, and Morisot, the only woman to play a central role in the movement from the start. Smee poignantly depicts their complex relationship, their tangled effect on each other, and their great legacy, while bringing overdue attention to the woman at the heart of Impressionism

BURNING CITIES CONTINUED, THEN AND NOW.  1/8: Paris in Ruins: Love, War, and the Birth of Impressionism by  Sebastian Smee  (Author) 1871 PARIS   https://www.amazon.com/Paris-Ruins-Love-Birth-Impressionism/dp/1324006951/ref=sr_1_1?dib=eyJ2IjoiMSJ9.0LrrcogTAXmGjiJTXHGqcmh6tG316iU_qBRT5krAjbY8X2w9audnxQy7kzk7OLkh_2lSbQ2ybUZGAqxzqsV7SIXXh__kEnq4cHn6QdDz3Vu5xuCtROqvHYC4bnq-Wd16OQ0xBFKI0YF5Q12M2HxhsXNW0KzxEvl3JkXmjEm-lB835FTP4AOXbZmDkXRwFFwP8JAim1mTpk-tRD1mx2eyRyT4izNxH2zOMi6vWoub4fk.sBKL5PJ8cK_YQQ9SXWo2jUROfRmEzorpra10Qr1m--0&dib_tag=se&qid=1739487181&refinements=p_27%3ASebastian+Smee&s=books&sr=1-1 From the summer of 1870 to the spring of 1871, famously dubbed the “Terrible Year” by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans―then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris. As renowned art critic Sebastian Smee shows, it was against the backdrop of these tumultuous times that the Impressionist movement was born―in response to violence, civil war, and political intrigue. In stirring and exceptionally vivid prose, Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir and Frédéric Bazille, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience―reflected in Impressionism's emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things―became the movement's great contribution to the history of art. At the heart of it all is a love story; that of Manet, by all accounts the father of Impressionism, and Morisot, the only woman to play a central role in the movement from the start. Smee poignantly depicts their complex relationship, their tangled effect on each other, and their great legacy, while bringing overdue attention to the woman at the heart of Impressionism

“Comedy, I compare it chefs, you are going to make what you are going to make and people who are gonna like it, will like it. Can't worry about it, as long as you know you are a good chef.” Godfrey- Comedian  On this powerful and laugh-filled episode of The Pivot Podcast, Ryan Clark, Fred Taylor and Channing Crowder sit down with the one and only Godfrey—comedian, actor, and unapologetic truth-teller. Known for his razor-sharp wit and fearless commentary, Godfrey dives into everything from the evolution of comedy and cancel culture to growing up Nigerian in America and making it in the entertainment industry. Godfrey has been a trailblazer in stand-up for over two decades with his voice becoming a vital force both in comedy and culture. Proud of his Nigerian roots, Godfrey shares stories around his upbringing, importance of education and his family values that helped steer him down an unlikely path of finding success on the stage. In a raw, hilarious, and eye-opening conversation, Godfrey shares personal stories of his journey, reflects on the importance of staying authentic in today's world, and shares insight into creating viral impressions that have taken social media by storm. Nothing's off-limits as Godfrey breaks it down with Ryan, Channing, and Fred—bringing laughs, dropping gems, and reminding us why real talk still matters. This episode is a deep dive into the mind of a comic who's not just funny, but fearless. Tap in to laugh, learn, and understand why Godfrey doesn't just tell jokes—he tells his truth. Learn more about your ad choices. Visit megaphone.fm/adchoices

B.A. Shapiro's The Lost Masterpiece can be preordered on Amazon HERE.Berthe Morisot was a female Impressionist painter active in Paris during the second half of the 19th century. She exhibited her work alongside famed Impressionist artists Monet, Degas, and Renoir, among others, and was the only woman to be included in the first major show of Impressionist art in 1874. Despite the many limitations she faced as a female artist of her time, Morisot established herself as an integral member of the Impressionist group. She also modeled for a number of paintings by Manet, and though she was married to his brother, many believe that Manet and Morisot were engaged in a long-run secret affair.B.A. Shapiro is a New York Times best selling author. In 2013, she was awarded the New England Book Award for Fiction for her novel, The Art Forger. Over her impressive career as an author, she has written both novels and screenplays, as well as a non-fiction self help book. Be sure to follow ArtMuse on Instagram & TikTok. Donate to ArtMuse HERE.ArtMuse is produced by Kula Production Company.Today's episode was written by host Grace Anna.There are accompanying images, resources and suggestions for further reading on the ArtMuse website and Instagram.

On today's Extra, More with Comedian Impressionist Frank Caliendo Learn more about your ad choices. Visit podcastchoices.com/adchoices

On today's Extra, Comedian Impressionist Frank Caliendo Learn more about your ad choices. Visit podcastchoices.com/adchoices

Why is 2025 being called Cézanne Year in France? In this episode of the Join Us in France Travel Podcast, titled Celebrating Cézanne in 2025: A Journey Through His Art and Legacy, host Annie Sargent is joined by art historian and tour guide Elyse Rivin to explore the life, work, and influence of Paul Cézanne. Get the podcast ad-free Cézanne was born and died in Aix-en-Provence, and his art is deeply connected to the region. In 2025, the city will host a major exhibit at the Musée Granet, featuring over 50 works by the painter. Even more exciting, Cézanne's long-closed family estate, Jas de Bouffan, is reopening as a cultural center. This makes 2025 the perfect time for art lovers to plan a visit to Provence. Annie and Elyse dig into Cézanne's personal life, his close friendship with Émile Zola, and his unique artistic vision. He wasn't quite an Impressionist, and he wasn't fully modernist either—he created something in between. They also talk about his obsessions with still life painting, especially apples, and his many views of Mont Sainte-Victoire. This episode is a great listen if you're planning a trip to the South of France, are curious about art history, or want to understand why Cézanne matters so much. Subscribe to the Join Us in France Travel Podcast for more cultural deep dives, destination guides, and practical travel tips. New episodes every week. Perfect for fans of Provence, French art, museums, and Cézanne's legacy. Whether you're visiting Aix-en-Provence or just love learning about France, this episode will give you a fresh perspective on a painter who changed the art world forever. More episodes about French culture

7/8: Paris in Ruins: Love, War, and the Birth of Impressionism Hardcover – September 10, 2024 by  Sebastian Smee  (Author) 1871 PARIS https://www.amazon.com/Paris-Ruins-Love-Birth-Impressionism/dp/1324006951/ref=sr_1_1?dib=eyJ2IjoiMSJ9.0LrrcogTAXmGjiJTXHGqcmh6tG316iU_qBRT5krAjbY8X2w9audnxQy7kzk7OLkh_2lSbQ2ybUZGAqxzqsV7SIXXh__kEnq4cHn6QdDz3Vu5xuCtROqvHYC4bnq-Wd16OQ0xBFKI0YF5Q12M2HxhsXNW0KzxEvl3JkXmjEm-lB835FTP4AOXbZmDkXRwFFwP8JAim1mTpk-tRD1mx2eyRyT4izNxH2zOMi6vWoub4fk.sBKL5PJ8cK_YQQ9SXWo2jUROfRmEzorpra10Qr1m--0&dib_tag=se&qid=1739487181&refinements=p_27%3ASebastian+Smee&s=books&sr=1-1 From the summer of 1870 to the spring of 1871, famously dubbed the “Terrible Year” by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans―then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris. As renowned art critic Sebastian Smee shows, it was against the backdrop of these tumultuous times that the Impressionist movement was born―in response to violence, civil war, and political intrigue. In stirring and exceptionally vivid prose, Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir and Frédéric Bazille, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience―reflected in Impressionism's emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things―became the movement's great contribution to the history of art. At the heart of it all is a love story; that of Manet, by all accounts the father of Impressionism, and Morisot, the only woman to play a central role in the movement from the start. Smee poignantly depicts their complex relationship, their tangled effect on each other, and their great legacy, while bringing overdue attention to the woman at the heart of Impressionism

Helen McNicoll was a Canadian painter who had a significant influence on the rise of Impressionism in that country. McNicoll, who lost her hearing in childhood, was quite successful as an artist, though her career and life were short. Research: Anderson, Jocelyn. “William Brymner: Life & Work.” Art Canada Institute. https://www.aci-iac.ca/art-books/william-brymner/biography/ Atanassova, Katerina. “Helen McNicoll: In Search of Light.” National Gallery of Canada. 5/4/2023. https://www.gallery.ca/magazine/your-collection/helen-mcnicoll-in-search-of-light Babbs, Verity. “Painting Bought for $2,700 Revealed to Be $390,000 Masterpiece.” Artnet. 10/23/2024. https://news.artnet.com/art-world/fake-or-fortune-helen-mcnicoll-painting-2557012 Burton, Samantha. “Helen McNicoll: Life and Work.” Art Canada Institute. https://www.aci-iac.ca/art-books/helen-mcnicoll/biography/ Canadian Women Artists History Initiative. “MCNICOLL, Helen Galloway.” https://cwahi.concordia.ca/sources/artists/displayArtist.php?ID_artist=105 Goodman, Rachel. “Renowned Canadian artist’s painting that was lost for over 100 years discovered by U.K. artist.” Now Toronto. 10/6/2024. https://nowtoronto.com/news/renowned-canadian-artists-painting-that-was-lost-for-over-100-years-discovered-by-u-k-artist/ “Death Cuts Short Promising Career.” The Gazette (Montreal, Quebec, Canada). Mon, Jun 28, 1915. Page 5 Haworth, Lorna Helen. “A History of McKay School for the Deaf.” Master’s Thesis. McGill University. 1960. Huneault, Kristina. “Impressions of difference: the painted canvases of Helen McNicoll.” Art History. April 2004. Luckyj, Natalie. “Helen McNicoll : a Canadian Impressionist.” Art Gallery of Ontario. 1999. Luckyj, Natalie. “McNICOLL, HELEN GALLOWAY,” in Dictionary of Canadian Biography, vol. 14, University of Toronto/Université Laval, 2003–, accessed January 14, 2025, https://www.biographi.ca/en/bio/mcnicoll_helen_galloway_14E.html. Musee National des Beaux Arts du Quebec. “Musee National des Beaux Arts du Quebec.” https://www.mnbaq.org/en/exhibition/helen-mcnicoll-1306 Musée national des beaux-arts du Québec. “Helen McNicoll. An impressionist Journey A celebration of light!.” Canadian Newswire. 6/19/2024. https://www.newswire.ca/news-releases/helen-mcnicoll-an-impressionist-journey-a-celebration-of-light--811205352.html Nash, Julie. “Defining Moments: Mary Cassatt and Helen McNicoll in 1913.” At Herstory. 8/8/2023. https://artherstory.net/defining-moments-mary-cassatt-and-helen-mcnicoll-in-1913/ Prakash, A.K. "Independent Spirit: Early Canadian Women Artists." Queen's Quarterly, vol. 116, no. 3, fall 2009, pp. 354+. Gale General OneFile, link.gale.com/apps/doc/A211717399/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=f5c4f4e2. Accessed 13 Jan. 2025. Widd, Thomas. “History of the Protestant Institution for Deaf-Mutes, Montreal, Canada.” American Annals of the Deaf and Dumb. Vol. 22, No. 4. October 1877. https://www.jstor.org/stable/44401559 See omnystudio.com/listener for privacy information.