Podcast appearances and mentions of Johann S Bach

In dieser Folge von Shift Happens sprechen Miriam und Léa über das aufstrebende Robotik-Start-Up Figure AI, das an humanoiden Robotern arbeitet, um die Menschheit eines Tages von gefährlicher und schwerer körperlicher Arbeit zu befreien. Dabei fragen sie sich, warum die Roboter der Zukunft ausgerechnet immer in Menschengestalt daherkommen müssen. Außerdem sprechen die beiden über das Konzept Heimat, wie es der Film „Past Lives” von Celine Song verhandelt: als Schnittstelle der eigenen Identität zwischen bedeutungsvollen Orten, geliebten Menschen und persönlicher Geschichte. Und schließlich überrascht uns Léa mit einer aktuellen Studie, für die Hunderte von Kompositionen Johann Sebastian Bachs in mathematische Netze umgewandelt wurden – mit einem Ergebnis, das Miriam als passionierte Bach-Hörerin weniger überrascht.

Though we know him for his works, Jesus knew the importance of rest. He was more than willing to teach this to his disciples when they returned from mission, but the needs of the people continued to rise. In today's episode, Rev. Emily Penfield teaches us to take a break when we need it in order to sustain us in life. Scripture: Mark 6:30-34, 53-56 Worship Leader/Sermon: Rev. Emily Freeman Penfield Organist/Pianist: Andy Plummer Choir: Lisa Russell Lowe, Tommy Russell, Jr., Deborah Russell, Clara Russell, Kenny Williamson Keith, Tina Hendrickson, John Somerset, Jan Somerset, Jay Somerset, Terry Hall   Songs: "Prelude in F Minor" (1740) by Johann S. Bach "God is Here" (1978) by Fred Pratt Green "Christ, Be Our Light" (1994) by Bernadette Farrell "Savior, Like a Shepherd Lead Us" (1936) by Dorothy A. Thrupp   CCLI 20178353 To donate to Woodlawn UMC, visit https://www.woodlawnbham.com/giving or use Venmo @woodlawnumc

Dus Artgs musicals fan viadi tras la producziun da chant e musica fatga da RTR l'onn passà. L'emprim Artg musical porta chant e musica che RTR ha registrà l'onn passà e quai malgrà in temp tut auter che ideal per questa cultura. Nus udin: * Alexi e Marcus cun titels dal nov disc cumpact L'alva * Johann S. Bach a Sent – in insatg dal concert d'Alena Cherny e l'orchester Le Phéni * il Chor da giuvenils grischun cun trais novas registraziuns * Flurina e Janic Sarott e dus titels da lur novissem disc cumpact Patria * insatgs da la producziun Hoppelihop – chanzuns per uffants interpretadas dad ina gruppa dal Chor d'affons Sumvitg cun Flavia Walder * Domenic Janett, il clarinettist sco chantadur dal Ferm tabac – impressiuns dal concert cun Ruedi Lutz a Sent * E dus titels dal concert da kontra.cant ed Ils Grischuns a Savognin La 2. part da quest Artg musical suonda ils 10 da schaner 2021 a las 14:00.

1 Es sungen drei Engel ( trad / arr. B Wesseltoft) 5:092 Bridge Over Troubled Water (Paul Simon) 8:323 Koral (Johann S. Bach / arr. Bugge Wesseltoft) 6:264 Angel (Jimi Hendrix) 5:275 Reflecting (Bugge Wesseltoft) 1:556 Morning Has Broken ( Cat Stevens) 5:207 Salme (Christoph Ernst Friedrich Weyse / Bugge Wesseltoft) 4:508 Blowing In The Wind (Bob Dylan) 5:599 Angie (Mick Jagger & Keith Richards) 3:3810 Locked Out Of Heaven (Bruno Mars, Philip Lawrence & Ari Levine) 4:1311 Let It Be (Lennon, McCartney) 4:46Bugge Wesseltoft / pianoRecorded at LofotKatedralen, Lofoten, Norway,Recording date: February 24 – 26, 2017Cover art by Amy Simon, 2014, by permission of the artist///////////////////////////////////CORTINA FINALSomewhere in BetweenNew Conception Of Jazz Bugge WesseltoftJazzland Recordings | 1997

Enjoy a fascinating visit with one of America's most sought-after organ performers, Dr. Isabele Demers. With both a Masters and Doctorate from the famed Julliard School, and a student of Paul Jacobs, Isabelle has performed concerts around the world, at one National Convention of Organists after the other. This Canadian-born superstar came to the organ as a way to pay for her piano lessons!! Hear about her start into music and her journey into being a master teacher and concert artist in her own right. It is a wonderful visit with one of America's great artists.MUSIC: Prelude and Fugue BWV 532 Johann S. Bach Isabele Demers, OrganistMUSIC: Hallelujah, Gott zu loben Max Reger Isabele Demers, OrganistMUSIC: Romeo and Juliet Organ Suite: No. 5, Balcony Scene Isabele Demers, OrganistMUSIC: Symphony No. 1 (IV. Toccata) Rachel Laurin Isabele Demers, OrganistOriginal Air date January 27, 2018

MUSIC: O Come, O Come Emmanuel Chant. arr. Andrew Carter Choir of St. Paul, London, John Scott, conductor CD: "Advent at St. Paul's"MUSIC: E'en so, Lord Jesus, quickly come Paul Manz Choir of National Cathedral James Litton, conductor CD: "Sing in Exultation"MUSIC: Matin Responsory (I Look from afar) Giovanni Palestrina The Choir of Kings College Philip Ledger, conductor CD: "Best Beloved Christmas Carols"MUSIC: Sleepers Awake (Cantata No. 140) Johann S. Bach Organist David L. Ball from a live performance at St. Thomas Church, New York.MUSIC: Lo, He comes with Clouds decending arr. John Rutter Cambride Singers, City of London Sinfonia, John Rutter conducting. CD: "Sing, Ye Heavens"MUSIC: Toccata on Veni Emmanuel Andrew Carter Organist John Scott CD: "Advent at St. Paul's"MUSIC: On Jordan's Bank Hymn setting "Winchester New" the Choir of Kings College Sir David Willcocks, conductor CD: Christmas-time CarolsMUSIC: On Jordan's Bank Ambrosian Chant Cathedral Singers, Richard Proulx, Conductor CD: More Sublime ChantMUSIC: Rejoice in the Lord alway annon. The Choir of Westminster Abby CD: "Slendour and Tranquility"MUSIC: A Great and Mighty Wonder (Lo, How A Rose) Michael Praetorius arr. James Whitbourn the Choir of Kings College Sir David Willcocks, conductor CD: "Essential Carols"MUSIC: Magnificat (I. Magnificat anima mea) John Rutter Cambride Singers, City of London Sinfonia, John Rutter conducting CD: "Magnificat, The Falcon"

Do up-and-coming filmmakers of today really need to study the masters of yesterday? Also, we begin our "Women in Film" series.About five years ago I wrote a blog post posing the question, "Should young filmmakers of today study the masters?" It generated a lot of great debate and conversation. That question has always sat with me, particularly now in an age where YouTube celebrities gain millions of views with little to no formal filmmaking education (let alone film history). So, what value, if any, is there to know the work of master filmmakers like Kurosawa, Hitchcock, Ford, Ophuls or Chaplain? This week we hear from six filmmakers and one master photographer on the topic.Women in FilmToday we also formally begin our "Women in Film" series as we hear an excerpt from a 4-person panel I conducted on the topic. Is that fact that I even have to make a special "series" a problem in itself?Support our SponsorWe have some more great use of Song Freedom songs. Click here and use offer code radio for a one-time Standard Gold Level license valued at $30.Who You HeardFeatured in today's episode:David Shulman, Executive Director of the Seattle Film InstituteKevin Shahinian of Pacific PicturesStefanie Malone, Executive Director of NFFTYNancy Chang, Executive Directory of Reel GrrrlsRyan Davis, co-founder of Smarthouse CreativeScilla Andreen, CEO of IndieFlixJoe Buissink, celebrity photographerNathan Corona of Dustbrand FilmsAdam Forgione, Pennylane ProductionsZach Lipovsky, ShotListerSam Mestman, CEO of http://wemakemovies.orgWe Make MoviesMusic in this EpisodeMusic from today's episode was curated from the Free Music Archive and Song Freedom. Click here to see the Song Freedom mixtape for this episode (All rights reserved). In order of appearance:Brandenburg Concerto by Johann S. Bach"Ho Hey" and "Stubborn Love" by the LumineersFree Music Archive Songs used:"Please Listen Carefully" by Jahzzar. CC-BY-SA."CGI Snake", "The Life and Death of a Certain K Zabriskie Patriarch", and "Oxygen Garden," by Chris Zabriskie. CC-BY."Man with a Golden Soul" by Cullah. CC-BY-SA. "Out of the Skies, Under the Earth" and "Wonder Cycle" by Chris Zabriskie. CC-BY.

This podcast covers the life and works of JS Bach during his time in Leipzig.

This podcast covers the life and music of Johann S. Bach through his time in Cöthen.

Some composer’s names might be hard to pronounce, but they sure sound better than they would in English. Giuseppe Verdi’s name, for example, would be Joe Green; Gustav Mahler would be Gus Painter; and Johann S. Bach would be John S. Brook. And in this same alternate universe, Czech composer Bedrich Smetana’s name is Fred Sour Cream! In Fred’s honor, here is an excerpt from his famous “Moldau,” a piece inspired by the Czech river running through hundreds of miles of dairyland. YouTube recommendation: http://www.YouTube.com/watch?v=kdtLuyWuPDs