Podcast appearances and mentions of celine song

In this episode, No Film School founder Ryan Koo sits down with contributor and fellow Austinite Jordan Aldridge to recap the highlights and insights from the 32nd annual Austin Film Festival. Known as "The Writers Festival," AFF has emerged as a critical space for screenwriters, writer-directors, and filmmakers to connect, learn, and showcase their work. Ryan and Jordan discuss how the festival nurtures emerging talent, supports the craft of screenwriting, and uniquely prioritizes writers. They also dig into the implications of Texas's new film incentive, SB 22, and what it means for the future of production in the Lone Star State. In this episode, No Film School's Ryan Koo and Jordan Aldridge discuss... Why the Austin Film Festival is considered the top screenwriting festival The unique setup of AFF with its focus on panels and Q&As over red carpets Highlights from panels with Michael Arndt, Celine Song, Christine Vachon, and Rian Johnson Screenwriter Andrew Kevin Walker's brutally honest take on breaking in The inspiring breakout story of writer Austin Kolodny and Dead Man's Wire The economics of the film industry and why 90–97% of films don't make money True stories as a strong route into the industry for aspiring screenwriters Texas's new $1.5 billion film incentive and how it could change U.S. production hubs Concerns about creative censorship tied to discretionary state grants The continued power of writing on spec, especially in genre like horror and action Memorable Quotes: "The artist is not the beggar for the producer's attention.” "I'm willing to bet the next two years of my life that that's a great ending." "There are a lot of us knocking at the door... We may do it for free for years." "You could get a coursework over a weekend at the Austin Film Festival." Resources: Michael Arndt's Video Lectures Previous AFF Roundtable Episode (with GG Hawkins) Find No Film School everywhere: On the Web: No Film School Facebook: No Film School on Facebook Twitter: No Film School on Twitter YouTube: No Film School on YouTube Instagram: No Film School on Instagram  

Send us a text(Had a great time on my road trip, got back – and I've been sick ever since. This year has been one endless struggle bus ride, and there's room for more, so hop on :)Materialists seems to be a polarizing movie that isn't quite a romcom, isn't quite a straight up romantic drama, while ending happily, making it one of the most interesting hybrid stories I've seen in a while. Dakota Johnson is incredible as Lucy, a smart but cynical matchmaker who treats her clients as commodities – and threatens to do the same with her ex-boyfriend until she realizes his love for her survived their terrible break up, and her honest admission that she's somewhat shallow when it comes to choosing romantic partners. When she finally decides to make a romantic choice that isn't based on statistics, shrewd calculations or dating math but what's in her heart, that's when her life turns around. And that's what makes this movie deeply romantic to me.https://www.confessionsofaclosetromantic.comI change my mind about this trailer – it captures the smart stylish vibe but not nearly all of the ups and downs in mood that make this such a fascinating film.Celine Song talked about her inspiration for writing and directing Materialists in a fascinating interview on BBC World Service.Gold Diggers of 1933 (full movie) is currently on YouTube! Oh and I forgot to mention – it stars a young Ginger Rogers too! The best hour and a half you will spend this week.The trailer for Gentlemen Prefer Blondes doesn't tell you much, but what's clear is this Technicolor 1950s movie about two show-stopping showgirls, one in it for love and the other mostly for the diamonds, is such a treat.How to Marry a Millionaire stars Lauren Bacall, Betty Grable and Marilyn Monroe as a stunning trio of broke but gorgeous roommates who we're supposed to believe have trouble landing super solvent guys who will love and dote on them.I love going down the rabbit hole of the related and gendered variations on the gold digger trope.Support the showIf you enjoyed this episode, please click share in your podcast app and tell your friends! Thanks for listening!

This week on Aaj Kya Dekhna Hai, we dive into Celine Song's Materialists — the film that's had everyone asking, is this 'broke boy' propaganda or just modern romance on steroids?We break down the movie, the ideas behind it, and why it says so much about the way dating culture, money, and desire collide in 2025. From character dynamics to cultural shifts, we're asking the uncomfortable questions:-Is love still about connection, or is it about access?-How do class, ambition, and aesthetics play into modern relationships?-And why do some stories feel like they're speaking directly to our timelines?⸻

Discussing the new Celine Song film Materialists starring Dakota Johnson, Pedro Pascal, and Chris Evans. | Join our Producer Tier to decide our next film discussed. Hosted on Acast. See acast.com/privacy for more information.

We're back again — fresh off our little Not Woody Actually detour — with another thoughtful instillment of Woody Allen Adjacent!   This time, Donald and James turn their attention to Celine Song's The Materialists. Marketed like a conventional romantic comedy, the film instead plays out as a melancholic character study about love, ambition, and the ways relationships risk becoming transactional rather than organic.   It's a distinctly modern take on dating and connection — one that's clearly split audiences, even as the critics seem to adore this one. (Critics vs. audiences… go figure. :P)   We ended up pretty mixed ourselves, but between the strong craft, the solid performances, and the themes at play, The Materialists made for another fascinating Woody Adjacent discussion.!       For full cast details, user reviews, and more background on the film, check out:  

Inspired by Celine Song's release of Materialists, BAOLIT talks sophomore efforts from a handful of directors, and throws in a bit of discussion of James Gunn's Superman

Comincia una nuova stagione. Partiamo parlando di Palestina con Cecilia Dalla Negra; il festival Hey man!; Alice Cucchetti in studio con noi per parlare di cinema e questioni di genere. Con Alice abbiamo parlato di questi titoli: FILM DI VENEZIA The Voice of Hind Rajab di Kaouther Ben Hania (in uscita come La voce di Hind Rajab il 25 settembre), Leone d'argento - Gran premio della giuria A House of Dynamite di Kathryn Bigelow (in uscita il 24 ottobre su Netflix) Silent Friend di Ildykó Enyedi The Testament of Ann Lee di Mona Fastvold À pied d'œuvre di Valérie Donzelli, Leone d'argento per la sceneggiatura Un anno di scuola di Laura Samani Il rapimento di Arabella di Carolina Cavalli GLI ALTRI FILM DI REGISTE ATTESI Wuthering Heights (Cime tempestose) di Emerald Fennell Sense and sensibility (Ragione e sentimento) di Georgia Oakley The Bride! di Maggie Gyllenhaal Hamnet di Chloé Zhao Già in sala Materialists (titolo italiano Material Love) di Celine Song

Carrie Bradshaw's solo lunch, Celine Song's Materialists, and Love Is Blind have Raj questioning everything—dating, matchmakers, and whether love can actually be blind (spoiler: she thinks it can). What's the last thing you did solo?

Happy EICelebrations! This week on the podcast we've got... an analysis of the backlash to Millie Bobby Brown's adoption, our review of Netflix's latest reality TV retrospective and Celine Song's love triangle romcom The Materialists. Thank you so much for listening. Could you please gift us a review on Apple or Spotify and vote for us in the British Podcast Awards

Welcome to Season 7! As we are now a quarter of the way through the 21st century, like Bill Murray in Tootsie, Paul and Corey are asking, “What happened?” This season we are looking at the trends, genres, styles, and more that make up cinema of the past 25 years. This week, Corey chose perhaps the most cleanly divisive film in all of PACCTS, Past Lives (2023). Written and directed by Korean-American playwright Celine Song, the film follows 24 years in the lives of childhood sweethearts Na Young/Nora and Hae Sung as they weave in and out of each others' lives. During that time Nora marries an American writer, Arthur. The film examines the nature of human connection and love, and whether fate or another transcendent force, inyeon, explains why there are certain people whom we just...can't shake. As is sometimes the case, a film resonates with one of our hosts and leaves the other cold. See where you land.

En este episodio hablamos sobre la nueva película de Celine Song, las rom coms, los matrimonios como contratos, entre otras cosas. Sígannos en instagram y letterboxd como @pantallapodcast y en YouTube como La Pantalla Podcast ;)

Drusilla and Josh are joined by the rare guest, Isabel Custodio of Be Kind Rewind! (https://www.youtube.com/@bkrewind) They discuss the master Mario Bava's final film, Shock. From wiki: “Shock (Italian: Schock) is a 1977 Italian supernatural horror film directed by Mario Bava and starring Daria Nicolodi, John Steiner, and David Colin, Jr. Its plot focuses on a woman who moves into the home she shared with her deceased former husband, where she finds herself tormented by supernatural occurrences. It was Bava's last theatrical feature before he died of a heart attack in 1980.”Also discussed: Jess Franco, Two Undercover Angels, Let's Scare Jessica to Death, Poltergeist II, Ruth Gordon, Celine Song, Todd Haynes and Superstar, Who Killed Teddy Bear?, Belladonna of Sadness, Blonde Death,  NEXT WEEK: The Host (2006) Bloodhaus:https://www.bloodhauspod.com/https://www.instagram.com/bloodhauspod/https://letterboxd.com/bloodhaus/Drusilla Adeline:https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/‪@sisterhyde.bsky.social Joshua Conkelhttps://www.joshuaconkel.com/https://bsky.app/profile/joshuaconkel.bsky.socialhttps://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/  

Passend zum heiß erwarteten Romanzen-Neustart WAS IST LIEBE WERT – MATERIALISTS von Celine Song nehmen Lenny & Xenia in diesem Podcast das ganze Genre des Liebesfilms mal genauer unter die Lupe. Welche Romance-Tropes & -Klischees feiern die beiden ab und welche hängen ihnen schon zum Hals raus? Und können die Kapitalismuskritik & das hotte Liebesdreieck aus Pedro Pascal, Dakota Johnson und Chris Evans in MATERIALISTS überzeugen? Im Zuge dessen werfen die beiden auch einen Blick auf die teils absurde Serienadaption der Buchreihe DER SOMMER, ALS ICH SCHÖN WURDE. Außerdem darf sich Jonas für die Starts der Woche dazugesellen und mit den beiden über AFTERBURN, BITTER GOLD & NOBODY 2 quatschen. Viel Spaß bei dieser neuen Podcast-Folge auf CINEMA STRIKES BACK!

Amar es un privilegio ... o tal vez no, conversaremos sobre ese tema mientras revisamos Materialist la nueva película de la directora Celine Song (Past Lives) con Dakota Johnson, Pedro Pascal y Chris Evans.See omnystudio.com/listener for privacy information.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Nuevo podcast premium de LA SEXTA NOMINADA. Tras una semana de vacaciones, volvemos con el análisis de una película esperadísima: 'Materialistas', de Celine Song. ¿Qué nos ha parecido? ¿Es realmente una comedia romántica? ¿Era Dakota Johnson la actriz adecuada? ¿Es una buena elección Celine Song para la secuela de 'La boda de mi mejor amigo'? La Sexta Nominada, con Juan Sanguino y Dani Mantilla. Escucha este episodio completo y accede a todo el contenido exclusivo de La Sexta Nominada . Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/46194

This week we're feeling Dune and My Friends by Fredrik Backman. We then discuss Celine Song's latest film, Materialists.Follow us on Twitter: https://twitter.com/FeelingItPodLeave a review on iTunes: http://apple.co/1PXfRMS Feel free to use the chapter buttons to skip between segments!

Hosted by Andrew Quinn and Darren Mooney, this week with special guests Conor Murphy and Natasha Waugh, The 250 is a weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. This August, we are taking a look at the films on the Irish Leaving Certificate Curriculum. This week, Celine Song's Past Lives. Nora Moon was just twelve years old when her family emigrated from South Korea to Canada. Moving to New York to pursue a career as a writer, Nora tries her best to stay in contact with her childhood friend Hae Sung, who remained in Seoul. Time passes and the pair drift out of contact. Years later, Hae Sung reaches out to let Nora know that he will be visiting New York, causing Nora to confront and re-evaluate many of her life choices. At time of recording, it was not ranked on the list of the best movies of all time on the Internet Movie Database.

We walked home from the Pedro Pascal film of the week. This week, it's Materialists, Celine Song's follow-up to the beautiful Past Lives. Don't forget to ⁠⁠⁠⁠⁠⁠check out our Patreon⁠⁠⁠⁠⁠⁠ for TV reviews and retro movie reviews ⁠⁠⁠⁠⁠⁠Subscribe to us on Youtube⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠Follow us on Bluesky⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠Follow us on Letterboxd⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠Follow us on Instagram⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠Follow us on TikTok Learn more about your ad choices. Visit megaphone.fm/adchoices

La esperada comedia 'hot' de Celine Song con Pedro Pascal y Dakota Johnson, el regreso de los mamporros norteamericanos con 'Nadie 2' y otros estrenos de verano.

This week's episode of the Empire Podcast will haunt your nightmares, but in a good way, as Chris Hewitt returns to the host chair, just in time to tackle, with Beth Webb and Amon Warmann, a Mount Rushmore question about the best Final Girls in horror movies. Their final choices may shock you, but that's nothing compared to the bit where Chris explains Freddy Krueger to Amon, who has never seen a Nightmare On Elm Street movie. Terrifying stuff. Elsewhere in the show, our intrepid trio also discuss the week's movie news (hello, Marty Supreme trailer!), and review Celine Song's Materialists, Nobody 2, and Together, the horror film in which Dave Franco and Alison Brie literally fuse together. Which wasn't weird at all for the real-life married couple, who also guest on this week's episode, talking to Mike Muncer about that very singular experience. [1:03:58 - 1:15:10 approx] And, finally on the guest front, Harry Stainer sits down with Celine Song to talk about her wonderful new movie, and the nature of love. Heavy, man. [29:02 - 44:40 approx] Enjoy, and sorry about the spooky child-like singing.

Today on The Run-Through with Vogue, we bring you an episode from The New Yorker's podcast, Critics at Large.Audiences have been bemoaning the death of the romantic comedy for years, but the genre persists—albeit often in a different form from the screwballs of the nineteen-forties or the “chick flicks” of the eighties and nineties. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss their all-time favorite rom-coms and two new projects marketed as contemporary successors to the greats: Celine Song's “Materialists” and Lena Dunham's “Too Much.” Do these depictions of modern love—or at least the search for it—evoke the same breathless feeling as the classics do? “I wonder if the crisis in rom-coms has to do with a crisis in how adult women want to be or want to see themselves,” Schwartz says. “I think both of these projects are basically trying to speak to the fact that everyone's ideals are in question.”Read, watch, and listen with the critics:“Sex, Love, and the State of the Rom-Com” (The New Yorker)“Materialists” (2025)“Too Much” (2025)“Working Girl” (1988)“You've Got Mail” (1998)“When Harry Met Sally” (1989)“Love & Basketball” (2000)“The Best Man” (1999)“Our Romance with Jane Austen” (The New Yorker)“Girls” (2012-17)“Adam's Rib” (1949)New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts.Learn about your ad choices: dovetail.prx.org/ad-choices Learn about your ad choices: dovetail.prx.org/ad-choices

On Truth & Movies this week, we discuss all things co-dependency cinema with Alison Brie horror flick Together, Celine Song's romantic drama Materialists. Finally for film club we revisit the exquisite doomed romance of Blue Valentine.Joining host Leila Latif are film critics Ellen E. Jones and Guy Lodge.Truth & Movies is the podcast from the film experts at Little White Lies, where along with selected colleagues and friends, they discuss the latest movie releases. Truth & Movies has all your film needs covered, reviewing the latest releases big and small, talking to some of the most exciting filmmakers, keeping you across important industry news, and reassessing great films from days gone by with the Truth & Movies Film Club.Email: truthandmovies@tcolondon.comBlueSky and Instagram: @LWLiesProduced by TCO Hosted on Acast. See acast.com/privacy for more information.

En este episodio hablamos con la directora de lo nuevo de Pedro Pascal y Dakota Johnson, Celine Song, y nos adentramos en lo más personal de David Cronenberg. También repasamos cómo se ha representado África y sus conflictos en la gran pantalla con Néstor López, ganador del Goya a Mejor Cortometraje Documental por 'Semillas de Kivu', y charlamos con Álvaro Fernández Armero sobre su filmografía y el estreno de 'Los Muértimer', su nueva película juvenil. 

El programa se abre con la 42ª edición del Festival Sagunt a Escena, que se celebra hasta el sábado 23 de agosto bajo la dirección de María José Mora. Además de su papel al frente del festival, Mora dirige el área de artes escénicas del Institut Valencià de Cultura y el certamen Dansa València. La actual edición arrancó el pasado 31 de julio con la representación de 'Los dos hidalgos de Verona', puesta en escena por el director Declan Donnellan. Este montaje, estrenado inicialmente en Avilés, ha viajado por distintos escenarios antes de llegar a Sagunto.En el espacio de estrenos de cine, repasamos las novedades de la cartelera junto a Conxita Casanovas. Entre ellas, 'Materialistas', dirigida por Celine Song, y la producción española 'Mr. Nadie'.Posteriormente, nos sumamos a un paseo literario con Jesús Marchamalo, que nos lleva a descubrir rincones y referencias culturales a través de sus recorridos personales y evocadores.El cierre llega con la sección musical de Alberto Vega, que propone una selección variada para acompañar las últimas horas del día, uniendo géneros y estilos en una experiencia sonora que complementa la propuesta cultural del programa.Escuchar audio

Warning: This episode contains strong language.This summer, The New York Times put out a list of the top 100 movies of the past 25 years. It prompted furious debate about what movies stand the test of time, why they matter and what those movies tell us about ourselves.Kyle Buchanan, a pop culture reporter for The Times, discusses how the list came to be, and actors and directors including Celine Song, Molly Ringwald and Ebon Moss-Bachrach speak about their votes.Guest: Kyle Buchanan, who is a pop culture reporter and serves as The Projectionist, the awards season columnist for The New York Times.Background reading: Read the list of the 100 best movies of the 21st century so far.Here's how The Times decided on the list.For more information on today's episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday. Photo: Jake May/The Flint Journal-MLive.com, via Associated Press Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

Vanguardistas have more fun—so if you don't already subscribe to the podcast, join the Vanguard today via Apple Podcasts or extratakes.com for non-fruit-related devices. In return you'll get a whole extra Take 2 alongside Take 1 every week, with bonus reviews, more viewing recommendations from the Good Doctors and whole bonus episodes just for you. And if you're already a Vanguardista, we salute you.  Supersub Sanjeev is back again this week, donning his Take merchandise—and he's not the only special guest we've got for you. Bob Odenkirk—star of ‘Breaking Bad', ‘Better Call Saul', ‘Nobody', and now ‘Nobody 2'--joins us too. It's Mark's turn to do the interview honours this week, and he's pretty chuffed with that—but as it turns out, he's not the only fan in the room... They unpack the film's stonking action seqeunces and talk sequel nerves, father figures and Jackie Chan.   Mark reviews the summer holiday action comedy too, as well as all the biggest movies you can catch on the big screen this week, rain or shine. First up, ‘The Materialists'--whose director Celine Song was our guest last week...and kind of became Sanjeev's new bestie in the process? We get both Mark and Sanj's takes on her New York romcom for our cynical modern dating scene. Plus, a much more grusome take on finding your ‘other half', ‘Together'. Starring real-life married couple Dave Franco and Alison Brie, this co-dependency body horror is a real scrunge-fest. Don't miss Mark's verdict!   And for those still enjoying our run of curry house correspondence, this week's laughter lift is for you. Keep that correspondence coming on all things curry and non-curry related—and make sure to get it in sharpish this week, as we're recording next week's show this Friday!     Timecodes (for Vanguardistas listening ad-free):  The Materialists Review: 09:42  BO10: 23:51  K Pop Demon Hunters review: 21:33  Bob Odenkirk Interview: 33:42  Nobody 2 Review: 45:55  Together Review: 54:49    You can contact the show by emailing correspondence@kermodeandmayo.com or you can find us on social media, @KermodeandMayo  Please take our survey and help shape the future of our show: https://www.kermodeandmayo.com/survey   EXCLUSIVE NordVPN Deal ➼ https://nordvpn.com/take Try it risk-free now with a 30-day money-back guarantee!  A Sony Music Entertainment production.      Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us @sonypodcasts    To advertise on this show contact: podcastadsales@sonymusic.com  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Carlos Marañón y Rafa Panadero hablan esta semana sobre el fenómeno de taquilla 'Weapons', que es el mejor estreno de terror del año en España. También sobre la secuela de 'Nadie' con Bob Odenkirk y la nueva comedia romántica de Celine Song, 'Materialists'.

Our latest guest on Soundtracking is Celine Song, writer and director of romantic comedy, The Materialists. Starring Dakota Johnson, Chris Evans and Pedro Pascal, the film follows the story of a New York City matchmaker torn between her aspiring-actor ex-boyfriend and a charming millionaire. It's scored beautifully by our old friend, Daniel Pemberton.

England goalkeeper and Lionesses legend Hannah Hampton joins Nuala McGovern on Woman's Hour fresh from winning the UEFA European Women's Championship. Born with a serious eye condition, doctors told her she should never play football. She came into the recent Euros with questions over her ability to fill the gloves of recently retired Mary Earps. To add to that, she revealed her grandfather had died just days before the biggest tournament of her life began earlier this summer. Despite this, Hannah had an extraordinary tournament, particularly in those agonising penalty shootouts. She joins Nuala McGovern to chat all about it. In June this year in Pakistan, Bano Bibi, a mother of five, and Ehsanullah Samalani, a father of three, were accused of having an affair and were shot - on the orders of a tribal leader, according to police. The event caused outrage, not just because it was another so-called ‘honour killing', but because the authorities only took action after a video of the shootings went viral, more than six weeks later. Nuala is joined by Azadeh Moshiri, Pakistan Correspondent for BBC News, and Sheema Kermani, a woman's rights activist, dancer and theatre director who has been working with women in rural and marginalised communities for 50 years. Writer and director Celine Song's semi-autobiographical debut Past Lives earned her two Oscar nominations and a host of other accolades when it was released in 2023. She talks to Nuala about her second film, Materialists, a romantic dramedy starring Dakota Johnson, Pedro Pascal and Chris Evans, and how it was inspired by her own time working as a matchmaker for high-net-worth individuals in New York. Construction employs around 1.4 million people in Great Britain, according to the Office for National Statistics, but only around 15% of those people are women. And they don't always have a positive experience, with 30% having reported sexual assault at work and 64% saying men were paid more for the same role. So, as the industry faces a recruitment crisis, how could it evolve to become a safer and fairer place to work and encourage more women into construction? Nuala explores the problems and the opportunities with Faye Allen, author of Building Women, and Dr Carol Massay of Unity for Construction, who've both worked in the industry for more than 30 years. And we remember long-serving Blue Peter editor Biddy Baxter, renowned for turning the children's show into a television institution, who has died at the age of 92.Presented by: Nuala McGovern Produced by: Sarah Jane Griffiths

Noah Hawley talks about creating Alien: Earth which is the first ever TV series based on the blockbuster Alien films created by Ridley Scott. TV and film critic Rhianna Dhillon and poet, critic and editor of The Little Review Tristram Fane Saunders join Tom Sutcliffe to give their thoughts on Alien: Earth. They also review Celine Song's new romantic comedy-drama Materialists starring Dakota Johnson as a New York Matchmaker. Finally, John Burnside was considered one of the finest poets of his generation. After his death last year, The Empire of Forgetting is his last collection of new poems which Tom and guests talk about.

No Cinemático 554, Carlos Merigo e Beatriz Fiorotto conversam sobre “Amores Materialistas", novo filme dirigido por Celine Song.Pauta: 04:52Spoilers: 28:59---15% na Insider com cupom: CINEMATICOhttps://creators.insiderstore.com.br/Cinematico---SIGA @CINEMATICOPODTwitterInstagramCRÉDITOSApresentação: Carlos MerigoPauta e Produção: Bia FiorottoEdição: Gabriel PimentelAtendimento e Comercialização: Camila Mazza e Telma ZennaroTorne-se membro do B9 e ganhe benefícios: Braincast secreto; grupo de assinantes no Telegram; e mais!https://www.youtube.com/channel/UCGNdGepMFVqPNgaCkNBdiLw/join Hosted on Acast. See acast.com/privacy for more information.

Vidas pasadas, la ópera prima de Celine Song, fue aclamada por su retrato realista de las relaciones amorosas. La recientemente estrenada Amores materialistas representa el salto a Hollywood de la directora coreana-canadiense, un salto que ha sido mortal para otros realizadores con ideas propias. ¿Logró Song colar una visión crítica, o fue presa de las exigencias de los grandes presupuestos y los nombres famosos? Amores materialistas puede verse en cines. Vidas pasadas puede verse en plataformas de streaming. Hosted on Acast. See acast.com/privacy for more information.

 Materialists is a romantic comedy from Oscar-nominated writer-director Celine Song starring Dakota Johnson, Chris Evans and Pedro Pascal I talk about the movie on this podcast enjoy! 

Jared and Jordana are back with another movie review episode of The Materialists, directed by Celine Song and starring Dakota Johnson, Chris Evans, and Pedro Pascal. Spoiler alert!! J&J break down the film's portrayal of matchmaking as cold and transactional, and ask whether Song set out to take down the matchmaking industry altogether. From red flag roommate situations to Coke-and-beer drink orders, J&J debate every messy decision and chaotic romance. Is it a rom-com, a satire, or something much darker? Learn more about your ad choices. Visit megaphone.fm/adchoices

Sean and Amanda are joined by The Ringer's Craig Horlbeck to discuss all things 21st-century comedy. Before diving in though, they cover a handful of movie news headlines, including Celine Song being attached to a remake of ‘My Best Friend's Wedding'; rumors that Jeremy Strong, Mikey Madison, and Jeremy Allen White are the top choices for ‘The Social Network Part II'; and Bradley Cooper's film ‘Is This Thing On?' being announced to close the New York Film Festival (1:44). Then, they cover Netflix's ‘Happy Gilmore 2,' starring Adam Sandler, which they all had wildly different reviews of, varying from apocalyptically bad to incredibly fascinating (14:59). Finally, they talk about ‘The Naked Gun,' starring Liam Neeson and Pamela Anderson, and use it as a springboard to have a conversation on why there are so few theatrical comedies being made and whether we'll get more going forward (38:06). Hosts: Sean Fennessey and Amanda Dobbins Guest: Craig Horlbeck Producer: Jack Sanders THIS EPISODE IS SPONSORED BY THE STARBUCKS COFFEE COMPANY. ORDER NOW | STARBUCKS.COM/MENU Learn more about your ad choices. Visit podcastchoices.com/adchoices

Topics covered include: Martini celebrations, hydration regimens, learning the true meaning of the word ‘release,' feeling visible but not seen, the special privacy of making a debut film, bringing your whole humanity to the words on a page, sharing an editor with Terrence Malick, being moved by how little you know, the Mother/Sister/Daughter theory, the subtle differences between Pedro Pascal, Chris Evans and Dakota Johnson, alleviating grief by thinking about The Next Thing, desperately needing sleep, Celine going straight from the Oscars to the first Materialists scout, Eva's intricate process directing a movie they also acted in, sparring of ideas, committing to subjectivity, and having bangs.

In this edition of Study Break, we discuss the mass psychosis of Love Island USA, major couture debuts at Dior and Celine, the sauceless hypergamy parable of Celine Song's Materialists, Cate Blanchett's chilling epilogue cameo in Squid Game, and current Latina affairs from Katseye's “Gabriela” to the Sanchez-Bezos midlife nuptial extravaganza. We also review Addison's stadium debut at Wembley and report on courtroom happenings including Sean “Diddy” Combs and Min Hee-jin. Love Island USA Hearts on Fire Challenge – Teaser on YouTubeCierra Ortega apology video on YouTube @loveislandusastyle on Instagram“Cierra & Vanna & Ethics & Vanity” – The Review of Beauty by Jessica DeFinoBad tattoos on Love Island USA The New York Times on the Sean “Diddy” Combs VerdictTiny Harris reacts to the Diddy verdict on InstagramDior Homme Spring 2026 Menswear (J. W. Anderson debut) – Vogue RunwayCeline Spring 2026 Ready-to-Wear (Michael Rider debut) – Vogue RunwayMarc Jacobs Fall 2025 Ready-to-Wear – Vogue Runway“Materialists Costume Designer Talks About Style Symbolism” – The Zoe ReportCate Blanchett cameo in Squid Game finale on YouTubeKATSEYE (캣츠아이) "Gabriela" Official MV on YouTubeThe Daytona Wind Acting Challenge from RuPaul's Drag Race Season 14 on YouTubeLauren Sanchez and Jeff Bezos Wedding Exclusive – VogueAddison Rae opens for Lana del Rey at Wembley NewJeans / HYBE / ADOR / Min Hee-Jin Megathread on Reddit This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.nymphetalumni.com/subscribe

For The New Yorker's series Takes, Carrie Brownstein—the co-creator of Sleater-Kinney and “Portlandia”—writes about an iconic rock-and-roll image. In the summer of 2003, the musician Chan Marshall, better known as Cat Power, was transitioning from an indie darling to a major rock artist, and the staff writer Hilton Als wrote a Profile of her in The New Yorker. Facing his piece was a full-page portrait of Marshall by the celebrated photographer Richard Avedon that puts her in the lineage of rock rebels of generations past. With a long ash dangling from her cigarette, a Bob Dylan T-shirt, and her jeans half unzipped, Cat Power “maybe doesn't give a shit about being in The New Yorker,” Brownstein thinks, “which I can't say is usually the vibe.” Avedon's image reminds Brownstein “to keep remembering … to keep going back to that place that feels sacred and special and uncynical.” Carrie Brownstein's Take on Richard Avedon's portrait of Cat Power appeared in the April 20, 2025, issue. Plus, audiences have been bemoaning the death of the romantic comedy for years, but the genre persists—albeit often in a different form from the screwballs of the nineteen-forties or the “chick flicks” of the eighties and nineties. On this episode from the Critics at Large podcast, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss their all-time favorite rom-coms and two new projects marketed as contemporary successors to the greats: Celine Song's “Materialists” and Lena Dunham's “Too Much.”

LexG reviews some of the summer's biggest movies, including F1: The Movie, Jurassic World Rebirth, 28 Years Later, and Megan 2.0, as well as Charlize Theron in The Old Guard 2 for streaming, and a couple of smaller picks in Cronenberg's The Shrouds and Celine Song's Materialists.

Celine Song's new MATERIALISTS feints at being a romcom, but it's far too interested in the economic realities and calculated compromise of modern dating for the label to be a comfortable fit; its romantic leanings are more in line with the works of Jane Austen and several cinematic adaptations thereof, as laid out in the “movie syllabus” Song made for her film and which inspired this pairing. But MATERIALISTS is more of a riff on Austen than a flat-out homage, and Song's spin on the material worked better for some than others on this panel. We get into that before bringing Austen back into the picture via Joe Wright's PRIDE & PREJUDICE to see how past speaks to present when it comes to the intersection of wealth and marriage, the art of matchmaking, nature as the realm of romance vs. the cold scrutiny of society, and the centuries-spanning fear of being “left on the shelf” as a single woman. Then in Your Next Picture Show we touch on some of the other films on Song's list and how they might have fit into this pairing as a triple feature.  Please share your thoughts about PRIDE & PREJUDICE, MATERIALISTS, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Next Pairing: Joseph Kosinski's F1 THE MOVIE and Adam McKay's TALLADEGA NIGHTS: THE BALLAD OF RICKY BOBBY Intro: 00:00:00-00:02:43 Materialists discussion: 00:02:43-26:43 Materialists/Pride & Prejudice Connections: 00:26:43-52:41 Your Next Picture Show: 00:52:41-00:57:11 Next episode preview and goodbyes: 00:57:11-end Learn more about your ad choices. Visit megaphone.fm/adchoices

The director Celine Song won over audiences and critics alike with her first feature film, “Past Lives,” the semi-autobiographical tale of a married Korean American woman meeting up with her former childhood sweetheart. Now Song is back with another story about love called “Materialists.” This time the main character is a matchmaker, a job that Song did briefly in her early 20s.On this episode of “Modern Love,” Song reads Louise Rafkin's Modern Love essay “My View From the Margins,” about a relationship columnist who can't figure out love in her own life. And Song tells us how neither falling in love at age 24 nor making a career of writing about love has brought her any closer to understanding it. “It's the one thing that makes me feel like a fool,” Song says.For more Modern Love, search for the show wherever you get your podcasts. New episodes every Wednesday.  Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

Film critic Katie Walsh joins us to take a close look at the various desirable qualities of MATERIALISTS, the sophomore feature from director Celine Song. Then, we talk about movies that didn't quite match what their trailers were selling.What's GoodAlonso - Sick and Dirty by Michael KoreskyKatie - Love Island “I'm a mommy” memeKevin - full-on astrology chartITIDIC48 Films Awarded Tax Credits To Shoot in CaliforniaMegalopolis is Going on a RoadshowRobert Eggers Developing ‘A Christmas Carol' Adaptation at WBStaff PicksAlonso - Sorry, BabyKatie - Christiane FKevin - The Hunt for Red October Follow us on BlueSky, Facebook, Instagram, or LetterboxdWithKevin AveryDrea ClarkAlonso DuraldeProduced by Marissa FlaxbartSr. Producer Laura Swisher

A discourse-heavy episode is knocking at your door. Will you answer? We discuss the online claims that making your own food is “actually more expensive”, some of the odd weather events, Doja Cat, and Celine Song. Plus, a very VERY short rant from Michaela about Love Island. If people have been discoursing it… we discuss it! Learn more about your ad choices. Visit podcastchoices.com/adchoices

It’s time for a very special X-Ray Vision Double Date! Rosie is joined by Joelle, Abu, and Aaron to discuss their reactions to Celine Song’s Materialists. Is it a romantic comedy? Did Dakota and Pedro have chemistry? What the heck was going on with that opening scene??? Our team is very split on this movie, and we find out whether each person is willing to go on a second date with Lucy, John, and Harry. Follow Jason: IG & Bluesky Follow Rosie: IG & Letterboxd Follow X-Ray Vision on Instagram Join the X-Ray Vision DiscordSee omnystudio.com/listener for privacy information.

Adam and Josh review Celine Song's love-and-money triangle MATERIALISTS, the follow-up to her exquisite 2023 debut "Past Lives." Plus, reviews of Mike Flanagan's Stephen King adaptation THE LIFE OF CHUCK and Pixar's ELIO.  This episode is presented by Regal Unlimited⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. (Timecodes will not be precise with ads; chapters may start early.) Intro (00:00:00-00:01:37) Review: “Materialists” (00:01:38-00:36:48) Family / 20th Anniversary Messages (00:36:49-00:42:41) Review (JL): "Elio" (00:42:42-00:45:48) Next Week / Notes (00:45:49-00:52:27) Massacre Theatre (00:52:28-00:59:53) Review: "The Life of Chuck" (00:59:54-01:19:49) Credits / New Releases (01:19:50-01:22:54) Links: Cinema Interruptus: "The Player" https://www.siskelfilmcenter.org/interruptus Celine Song's "Past Lives" https://www.filmspotting.net/episodes-archive/2023/6/23/925-asteroid-city-past-lives Stephen King Reviews https://www.filmspotting.net/episodes-archive/tag/stephen+king Feedback: -Email us at ⁠⁠feedback@filmspotting.net⁠⁠. -⁠⁠Ask Us Anything⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and archive access. ⁠⁠http://filmspottingfamily.com⁠⁠ -T-shirts (and more) on sale at the Filmspotting Shop. ⁠⁠https://filmspotting.net/shop⁠⁠ Follow: ⁠⁠https://www.instagram.com/filmspotting⁠⁠ ⁠⁠https://letterboxd.com/filmspotting⁠⁠ ⁠⁠https://twitter.com/filmspotting⁠⁠ ⁠⁠https://facebook.com/filmspotting⁠⁠ ⁠⁠https://letterboxd.com/larsenonfilm⁠⁠ ⁠⁠https://twitter.com/larsenonfilm⁠⁠ ⁠⁠https://facebook.com/larsenonfilm⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Ira and Louis discuss Celine Song's new romantic film Materialists, the best protest films, rude Emmy rules, new Grammys country music categories, Ryan Tedder's tribute to the U.S. Army, and the passings of Brian Wilson, Sly Stone, and Ananda Lewis. Danielle Deadwyler joins to discuss her new film 40 Acres and the art that inspires her creative process. Plus, an announcement about the future of Keep It. 

The director Celine Song won over audiences and critics alike with her first feature film, “Past Lives,” the semi-autobiographical tale of a married Korean American woman meeting up with her former childhood sweetheart. Now Song is back with another story about love called “The Materialists.” This time the main character is a matchmaker, a job that Song did briefly in her early 20s.Today on the show, Song reads Louise Rafkin's Modern Love essay “My View From the Margins,” about a relationship columnist who can't figure out love in her own life. And Song tells us how neither falling in love at age 24 nor making a career of writing about love has brought her any closer to understanding it. “It's the one thing that makes me feel like a fool,” Song says.Here's how to submit a Modern Love essay to The New York Times.Here's how to submit a Tiny Love Story. Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

Sean and Amanda have an in-depth conversation and unpack their very mixed feelings on a pair of two new releases coming this weekend. They start with Celine Song's ‘Materialists' and celebrate Song's wonderful writing while also exploring their inability to connect to Dakota Johnson's and Pedro Pascal's performances of the material (1:46). Then, they create their list of the top five movie love triangles of all time (45:10). Next, they discuss Mike Flanagan's newest Stephen King adaptation, ‘The Life of Chuck,' and explore why they think it will be such a divisive movie (53:57). Finally, Sean is joined by Flanagan to talk about his relationship to King, why he felt that this was the right time to make a shift away from horror, and how to tightrope walk the thin line between corniness and sincerity (1:21:01). Hosts: Sean Fennessey and Amanda Dobbins Guest: Mike Flanagan Producer: Jack Sanders Learn more about your ad choices. Visit podcastchoices.com/adchoices

Long before Celine Song was nominated for an Academy Award for her directorial debut, Past Lives, she was a struggling playwright in New York City with a side hustle: matchmaking. In this episode, Celine talks about how that experience inspired the plot of her new A24 movie, Materialists, starring Dakota Johnson, Chris Evans, and Pedro Pascal. This podcast was produced by Zoe Azulay.  Death, Sex & Money is now produced by Slate! To support us and our colleagues, please sign up for our membership program, Slate Plus! Members get ad-free podcasts, bonus content on lots of Slate shows, and full access to all the articles on Slate.com. Sign up today at slate.com/dsmplus. And if you're new to the show, welcome. We're so glad you're here. Find us and follow us on Instagram and you can find Anna's newsletter at annasale.substack.com. Our new email address, where you can reach us with voice memos, pep talks, questions, critiques, is deathsexmoney@slate.com. Learn more about your ad choices. Visit megaphone.fm/adchoices