Podcast appearances and mentions of celine song

« Venez à ma petite fête, vieux frère ! »Victoire, Pascale, Jeanne et Marianne comparent le roman de Francis Scott Fitzgerald, Gatsby le Magnifique, à son adaptation en film réalisée par Baz Luhrmann avec Leonardo DiCaprio, Carey Mulligan et Tobey Maguire. Le film de Baz Luhrmann est-il fidèle au roman dont il est tiré ? Réponse dans l'épisode !3 min 19 : On commence par parler du roman Gatsby le Magnifique de Francis Scott Fitzgerald, paru en 1925.1 h 01 min 24 : On enchaîne sur l'adaptation en film sortie en 2013 et réalisée par Baz Luhrmann avec Leonardo DiCaprio, Carey Mulligan et Tobey Maguire.2 h 06 min 38 : On termine sur nos recommandations autour de Fitzgerald, des films de Baz Luhrmann, de la littérature américaine et des amours passées.Avez-vous lu ou vu Gatsby le Magnifique ?

This week on Female Gaze: The Film Club, Morgan is joined by writer, film critic, and Executive Editor at Awards Watch, Ryan McQuade! Ryan and Morgan discuss The Wachowskis' 2008 film, "Speed Racer." The pair discuss the film's critique of the film industry, the depictions of identity and family dynamics, and what bold, visionary filmmaking can be.You can follow RyanBlueskyInstagramLetterboxdTwitterYou can read Ryan's interview with filmmaker Celine Song at Awards Watch.You can follow Female Gaze: The Film ClubInstagramBluesky

Who doesn't love rom-coms? Probably the good-looking, wealthy men they've taught women not to pick. Whether it's The Notebook or Celine Song's upcoming A24 film The Materialists, women are often told to go after the down-trotted, underdog man who doesn't have much to give the girl except all of his love and admiration. Meanwhile, there is a charming, sexy, wealthy gentleman who is just as good for her left waiting in the wings. It's perfectly okay for women to choose the richer man, and that doesn't make her a golddigger! We're exploring this topic and more in today's episode. Enjoy!---Stream Hannah's album, PHASES!Watch Emily's Short Film, All We Were!Emily's TikTok Shop---Emily's Captivation: Floyd CollinsHannah's Captivation: eternal sunshine deluxeCaptivation Recommendation: Floyd Collins & The Last Five YearsShop CLEARSTEM and 15% off with the code GALSGUIDE at checkout---Welcome to The Gal's Guide — a weekly dating and lifestyle podcast created to empower radical self-love and bold relationships. Join us, long-distance best friends Hannah Adams and Emily Aleece Burton, for amusing and vulnerable conversations with insightful guests as we cover topics like love and dating to your own self-love, healing, spirituality, and always remembering the importance of gal pals. Want to request a topic or work with us? Send us an email at hello@thegalsguidepod.com or visit us on our website at thegalsguidepod.com---FOLLOW US!Instagram: @thegalsguidepodSecret Facebook Group: The Gal ScoutsEmily: @emilyaleeceHannah: @hannahadamsmillerAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

On our March 2025 edition of "Do We Want This?" Good Pop's monthly Asian American entertainment news roundup, the crew discusses some of the latest announcements of new projects including Celine Song's latest film about a love triangle, a new Crazy Rich Asians show, a Charli XCX led mockumentary, and quite possibly the most unhinged M Night Shyamalan / Nicholas Sparks collab, and more!What's Popping? - The Residence, No Taste Like Home, Industry, Top ChefFollow our hosts:Marvin Yueh - @marvinyuehJess Ju - @jessjutweetsHanh Nguyen - @hanhonymousFollow the show and engage with us at @goodpopclubPart of the Potluck Podcast CollectiveProduced by HappyEcstatic Media

In this episode, Christina is joined by Ryan McQuade of AwardsWatch to break down the latest trailers for some of the year's most anticipated upcoming movies. Some look awesome, some look... questionable — and a few totally surprised us! We talk about Celine Song's Materialists, Paul Thomas Anderson's One Battle After Another, Pixar's Elio, the Minecraft movie, Happy Gilmore 2, F1, Spinal Tap II, Ryan Coogler's Sinners, and more! Learn more about your ad choices. Visit megaphone.fm/adchoices

Corazón Films compartió un nuevo tráiler de Bailarina. Disney y Pixar revelaron un nuevo avance de Elio. A24 lanzó el primer vistazo de Materialists. 

While the 2024 summer movie lineup felt a little flat, a number of franchises — along with a few newcomers — should have film fans heading to theaters this summer. "Superman," "Jurassic Park" and even "The Karate Kid" are in the mix, along with the final (unlikely) installment in the "Mission: Impossible" franchise. Co-hosts Bruce Miller and Terry Lipshetz discuss what is on the way and which films have them most excited. Here is Miller's breakdown of the biggest movies: APRIL A MINECRAFT MOVIE (April 4) – At long last, a movie. Jack Black and Jason Momoa star as Steve and Garrett. THE AMATEUR (April 11) – A decoder (Rami Malek) decides to take matters into his own hands when the CIA won’t investigate a terrorist attack that claimed his wife. Rachel Brosnahan (the star of summer) co-stars. WARFARE (April 11) – Familiar faces turn up as soldiers embedded with an Iraqi family. Ray Mendoza and Alex Garland wrote and directed this “verite” look at war. DROP (April 11) – How’s this for a first date: You get messages during dinner that says you’ve got to do something about the man across the table. Like kill him. Meghann Fahy and Brandon Sklenar star. SNEAKS (April 18) – A designer sneaker (no kidding, a shoe) has to find his sister after she has been stolen by a collector. Bringing a ragtag band of shoes together, he heads to New York to move in for the kill. Yup, it’s animated. SINNERS (April 18) – Just when you thought those Gothic vampires had gone under, Ryan Coogler pops up with drama about twin brothers who return to their home to deal with things that are fang-tastic. THE RITUAL (April 18) – Al Pacino gets involved in an exorcism. (And to think he could have done this back in the 1970s.) PRIDE & PREJUDICE (April 20) – Yup, this has been done before. But it has a blue-chip crowd of actors telling the Jane Austen story. Keira Knightley and Judi Dench star. THE ACCOUNTANT 2 (April 25) Ben Affleck returns as the crime solver. This time, he’s looking for the person who killed an acquaintance. He calls on his brother (Jon Bernthal) to help.  MAY THUNDERBOLTS* (May 2) – With the Avengers out of commission there’s a need for superheroes to do the government’s bidding. Unfortunately, they’re not exactly the cream of the crop, nor are they particularly united. Sebastian Stan, Julia Louis-Dreyfuss and Florence Pugh star. ROMEO & JULIET (May 9) – Rebel Wilson, Jason Isaacs, Dan Fogler and the Ruperts (Graves and Everett) try their hands at a different version of the classic. Like “Moulin Rouge,” it uses modern music.  CLOWN IN A CORNFIELD (May 9) – As much as Frendo might seem like a nice guy, he could be behind a series of teen disappearances. Set in the Midwest, it might be that “Children of the Corn” sequel you were seeking. HURRY UP TOMORROW (May 16) -- Jenna Ortega and Barry Keoghan in this story of a musician who just can’t sleep. LILO & STITCH (May 23) – Disney’s gameplan: If an animated film is successful, turn it into a live-action one. If a live-action one works, try animation. That’s what’s behind this live-action version of the E.T.-like bonding between a Hawaiian girl and an alien. Maia Kealoha plays Lilo. MISSION: IMPOSSIBLE – THE FINAL RECKONING (May 23) – For those of you who forgot, there was a second part to “Dead Reckoning,” the last “Mission: Impossible” film. Here, Tom Cruise gets to go to even more locations to hang from dangerous buildings/mountains/you name it in an effort to fight the Entity. In  case you don’t remember a thing, look at the first film and you’ll be just as confused. KARATE KID: LEGENDS (May 30) – Ralph Macchio gets back to business in this look at a troubled kid and a karate competition.  JUNE FROM THE WORLD OF JOHN WICK: BALLERINA (June 6) – How do you get John Wick back in a film? You back things up and tell a side story. In this case, it’s the training of Eve Macarro (Ana de Armas). Yup, Keanu makes an appearance. THE PHOENICIAN SCHEME (June 6) – Wes Anderson gets Scarlett Johansson, Tom Hanks and Jeffrey Wright back together for a story about a rich man, his daughter and her tutor. THE MATERIALISTS (June 13) – A New York matchmaker has a little fence mending of her own to do. Dakota Johnson, Pedro Pascal and Chris Evans star. Celine Song writes, directs and stars. ELIO (June 13) – In this Pixar film, a kid gets beamed up to Communiverse, an interplanetary organization where he’s expected to deliver.leads the charge  HOW TO TRAIN YOUR DRAGON (June 13) – A live-action version of the popular film is being released just in time for Universal Studios’ newest theme park to open. There, you, too, can ride dragons and discover what matters most.  28 YEARS LATER (June 20) – The world is still in a mess (even after “28 Days Later” and “28 Weeks Later”). A virus has wiped out a lot of the population and, yup, even Oscar winners like Cillian Murphy have to go to work to stop it. F1 (June 25) – Brad Pitt gets his own need for speed in this drama about a Formula One has-been who has to get back on track. From the folks who did “Top Gun: Maverick,” it has all the hallmarks of a summer blockbuster. Load up the popcorn. MEGAN 2.0 (June 27) – Hello dolly. She’s back, this time to prove a new version can have just as many glitches as the original  JULY  JURASSIC WORLD REBIRTH (July 2) -- Before that Jurassic Park unleashed a dinosaur world on the planet, there was a research island where some creatures still roam. If scientists can get a bit of the DNA, they might be able to solve some medical mysteries. Scarlett Johansson and Jonathan Bailey lead the charge (expect a trilogy). SUPERMAN (July 11) – David Corenswet gets to don the tights in this reboot from James Gunn. Nicholas Hoult plays Lex Luthor, Rachel Brosnahan is Lois Lane. The real scene-stealer, though, is Mutt Krypto, a dog that gets to fly through the air with the greatest of ease. I KNOW WHAT YOU DID LAST SUMMER (July 18) – The gang is back in this revisit to the land of the hook-wielding maniac. SMURFS (July 18) – They’re back, but now Papa Smurf is missing and the others have to find him. John Goodman plays the patriarch.  THE FANTASTIC FOUR: FIRST STEPS (July 25) – Try, try again. That’s the case with the Fantastic Four. Now, with new actors in the roles, Marvel is hoping something will stick. Pedro Pascal leads the charge as Mr. Fantastic.  SEPTEMBER SAW XI (Sept. 26) – This is getting to be “Friday the 13th” ridiculous. We’re up to the 11th torture film, now with new methods of madness. About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is now the editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. The show was named Best Podcast in the 2025 Iowa Better Newspaper Contest. Theme music Thunder City by Lunareh, used under license from Soundstripe. YouTube clearance: FV694ULMCJQDG0IY

Chris Feil and Joe Reid return to join Katey for a broad overview of the most exciting films ahead this year, from new work from greats like Paul Thomas Anderson, Celine Song and Yorgos Lanthimos to, yes, Wicked: For Good. They also continue their annual tradition of making irresponsibly early best picture predictions, and share some hopes that Colin Farrell, Paul Mescal, Andrew Scott and even some non-Irish actors will have a huge year ahead of them. Subscribe to the Prestige Junkie newsletter.  Follow Katey on X and Letterboxd.  Follow The Ankler. 

In this episode of Film & Whiskey, Bob and Brad dive into Past Lives (2023), the highly acclaimed debut film by Celine Song. They explore the movie's poignant themes of love, destiny, and cultural identity, and discuss standout performances by Greta Lee and Teo Yoo. With its deeply emotional narrative and striking cinematography, Past Lives has quickly become one of 2023's most talked-about films. Later, the duo transitions to whiskey, reviewing Jack Daniel's 12-Year Tennessee Whiskey. As a premium offering from one of the world's most recognized whiskey brands, this release boasts a rich and nuanced flavor profile that Bob and Brad are eager to dissect. (0:00) Intro (07:57) Brad Explains (10:00) Performances, Themes (38:39) Jack Daniel's 12-Year Whiskey Review (47:27) Two Facts and a Falsehood and Final Analysis (1:05:50) Let's Make it a Double and Final Scores Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email us⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Discord server!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ For more episodes and engaging content, visit Film & Whiskey's website at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.filmwhiskey.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

Sean and Amanda discuss the latest out of the guild award nominations and what it portends for Oscar chances (1:00). They then look ahead to the rest of 2025 and share their 25 collectively most anticipated movies of the year (31:00), including new films from favorites of the show like Paul Thomas Anderson, Wes Anderson, Richard Linklater, Bong Joon-Ho, Steven Soderbergh, and Luca Guadagnino, as well as long awaited follow-ups from exciting young directors like Chloe Zhao, Celine Song, Joseph Kosinski, and more. Hosts: Sean Fennessey and Amanda Dobbins Senior Producer: Bobby Wagner Video Producer: Jack Sanders Learn more about your ad choices. Visit podcastchoices.com/adchoices

paypal.me/LibroTobias Esta semana en nuestra “Sección principal” tengo una petición de nuestro mecenas de Ivoox y donante vía PayPal Víctor Trabadelo que me ha pedido que comente la película de 2023 “Vidas Pasadas” de Celine Song, película autobiográfica de la propia directora. Además en nuestra sección “El callejón oscuro” os traigo al asesino de masas australiano Brenton Tarrant, un fanático de ultra derecha en marzo de 2019 ejecuto a más de 50 persona e hirió a otras tantas en dos mezquitas de Christchurch, Nueva Zelanda. Tiempos: Sección principal: del 00:02:21 al 01:53:26 Sección “El callejón oscuro”: del 01:53:27 al 02:41:33 Presentación, dirección, edición y montaje: Asier Menéndez Marín Diseño logo Podcast: albacanodesigns (Alba Cano) Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Our 200th Episode! 200 episodes of Hot Dates and Hot Takes on some of the weirdest, most beautiful and just plain bad movies. We've covered Oscar Winners and Razzie Winners, blockbusters and indie films, classics and guilty pleasures.   To celebrate this milestone, we've invited Alexandra Kopko from the Film Bros Podcast to discuss our favorite directorial debuts.  Dan and Vicky and Alex offer their top tens and a fun list of alternates.  From the Gerwigs to the Raimis to the Lumets, hear the films that paved the way for some of the greatest careers in film - and some that were one and done!  It's an epic chat, out longest show EVER! Dan and Vicky also discuss their usual recently seen - a bevy of great TV and film offerings.   Our socials:  hotdatepod.com https://thefilmbros.podbean.com FB:  Hot Date Podcast Twitter: @HotDate726 Insta:  hotdatepod

The Third Part in our Identity Crisis Cinema Trilogy We discuss our agreed upon favorite film of 2023 in Celine Song's PAST LIVES with very little in the way of judgement. Possibly because that is befitting of the tone of the film but also because we can't help but gush about this modern classic that sits beside the likes of ALL THE HEAVEN ALLOWS and Edward Norton's KEEPING THE FAITH! Okay maybe the latter is just a guilty pleasure for the author of these show notes. No guilt in reveling in Greta Lee and Teo Yoo's performances though! Enjoy! Catchup on last year's Movie Book Club from Quentin Tarantino's CINEMA SPECULATION! Follow along at our Patreon page as once a month (although sometimes more) we read AND watch films from 1999 for BEST MOVIE YEAR EVER by Brian Raftery! Threads/Twitter/Instagram/Facebook: @trilogyintheory Letterboxd: @projectingfilm & @webistrying Artwork by: @nasketchs Find out more at https://trilogyintheory.pinecast.co This podcast is powered by Pinecast.

Kim Masters and Matt Belloni examine the secret battle for succession among the family of billionaire Rupert Murdoch. They also take a look at a curious Wall Street Journal profile on Disney Parks Chairman Josh D’Amaro.  Plus, we revisit Masters’ conversation with writer Justin Kuritzkes about the rollout of his first screenplay, Challengers, now a full-fledged film directed by Luca Guadagnino. He talks about how the Zendaya-led project was inspired by a US Open match that eventually led to him becoming a tennis obsessive. And he shares how he and his wife Celine Song — who experienced a similar career whirlwind last year with her Oscar-nominated feature Past Lives — manage to keep their work separate from their relationship.

This week Ian picked the 2023 romantic drama film Past Lives. Written and directed by Celine Song in her feature directorial debut, it follows two childhood friends over the course of 24 years while they contemplate the nature of their relationship as they grow apart, living different lives. The film stars Greta Lee, Teo Yoo, and John Magaro and the plot is semi-autobiographical and inspired by real events from Song's life. Come join us!!! Website : http://tortelliniatnoon.com/ Instagram: https://www.instagram.com/tortelliniatnoonpodcast/ Facebook: https://www.facebook.com/TortelliniAtNoon Twitter: https://twitter.com/PastaMoviePod                            

This week we switch it up for you and discuss two of last years Oscar Nominated feature films Past Lives and American Fiction. Written and directed by Celine Song, Past Lives tells the story of Nora (Greta Lee) and Hae Sung (Teo Yoo) who contemplate the experience and nature of their bond when they reunite 24 years after their separation in South Korea when Nora's family immigrated to the US. American Fiction, a satirical comedy-drama based on the novel Erasure by Percival Everett, was written and directed by Cord Jefferson and tells the story of frustrated writer and professor Thelonius "Monk" Ellison (Jeffery Wright) as he navigates the institutional expectations of the publishing and film industry when it comes to 'Black' books and the stereotypes therein. He returns home where he reconnects with family at the same time as a manuscript he jokingly submitted containing all the stereotypes he abhors suddenly gains popularity with publisher to hilarious effect. We discuss each films reflections on language, family, identity, immigration, stereotypes, and the importance of holding space for relationships that represent parts of us we think we've left behind. We also discuss the limitations and stereotypes faced by black creators in the film and media industry.  We hope you enjoy! 08:29 Discussion of 'Past Lives' 19:59 Discussion of 'American Fiction' 28:34 Exploring Identity and Stereotypes 35:12 Challenging Stereotypes and the Power of Storytelling 36:42 Breaking Stereotypes: The Challenges Faced by Creators of Colour 47:03 The Importance of Diverse Storytelling 51:48 The Challenges of Pursuing Creative Ambitions Instagram: @assumeitwillbebrilliantpod  Music: Humblux - S.H.E. Cali Greens - Artillery (Extended Clip) 8, 14, and 18

Full episode on Patreon. • Explore our Patreon at ⁠⁠⁠⁠patreon.com/wheelofgenre⁠⁠⁠⁠ • Email us at genrepodcast@gmail.com

Susanne Scheel is a New York-based casting director with a Bachelor of Science in Film and Television from Boston University. Susanne has won three Casting Society of America Artios Awards for Excellence in Casting and has been nominated for nine more. Susanne has had the honor of collaborating with several visionary creatives including Joel Coen, Ethan Coen, Frances McDormand, Barry Levinson, George Clooney, Kasi Lemmons, Ryan Murphy, Jim Mickle, Cherien Dabis, John Lee Hancock, Peter Chelsom, Celine Song, Dean Craig, Bjorn Runge, Xavier Manrique, Danya Taymor, Patrick Wilson, and Whitney White. She has worked for and with some of the industry's top casting directors including spending the last ten years and counting working with Ellen Chenoweth. As a casting director, Susanne's debut feature film “The Wife”, starred Glenn Close, Jonathan Pryce, Christian Slater, Annie Starke, Max Irons, Harry Lloyd, and Elizabeth McGovern. More recently, Susanne co-cast Celine Song's “Past Lives” with Ellen Chenoweth. “Past Lives” premiered this year at the Sundance Film Festival and also screened at the 73rd Berlin International Film Festival. In this episode, we talk about: • Her first casting internships in Boston and her first assistant role in LA • Vivid memory of working with the Coen brothers and asking her “What do you think?” • Going to LA for periods of time for a project and what coast she prefers • Why there are more female CDs then male CDs • Casting the Oscar-nominated film Past Lives and the challenges COVID and the time difference to Korea posed • How many actors get called in for an average day player role • Tips for actors for auditions Guest: IMDb LinkedIn SAG-AFTRA Foundation panel - Casting Directors for Oscar Best Picture Nominees Barbie, American Fiction, & Past Lives Host: Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠@MentorsontheMic⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠@MichelleSimoneMiller⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠@MentorsontheMic⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠@MichelleSimoneM⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook page:⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.facebook.com/mentorsonthemic⁠⁠⁠⁠⁠⁠⁠⁠⁠ Website:⁠⁠⁠⁠⁠⁠⁠⁠⁠ www.michellesimonemiller.com⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠www.mentorsonthemic.com⁠⁠⁠ Youtube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/user/24mmichelle⁠⁠⁠⁠⁠⁠⁠ If you like this episode, check out ⁠⁠⁠⁠⁠⁠⁠⁠Becoming... Emmy winning Casting Director Julie Schubert "Luke Cage," "Manifest," "House of Cards," "The Departed," "The Devil Wears Prada" --- Support this podcast: https://podcasters.spotify.com/pod/show/michelle-miller4/support

Hot Date has reached another tenth episode and that means a Top Ten extravaganza of movie memories and memorable moments.  This time Dan and Vicky discuss their favorite Moms and Dads from film across the ages.  The mission was accepted differently by your co-hosts so you're getting an eclectic list of perfect and imperfect parents.  Dan, of course, found his choices mostly from the horror genre and included couples while Vicky broke her list into her five favorites of each gender.     This episode is a freewheeling discussion covering everything from Vicky's shopping obsession to your hosts opinions on embattled Kevin Spacey's life and careeer.  There's also some recently seen including Netlfix's Baby Reindeer, Pamela Adlon's Babes, Celine Song's Past Lives, 90's horror gems Mute Witness and Ghost Watch, and the doc Misery Loves Comedy. Check us out on all our socials:  hotdatepod.com FB:  Hot Date Podcast Twitter: @HotDate726 Insta:  hotdatepod

If you listen to this podcast, it's because we have 1000 layers In-Yun. SUPPORT THE SHOW  https://www.patreon.com/user?u=84434074 FOLLOW THE SHOWhttps://www.instagram.com/freshmoviepod/https://twitter.com/freshmoviepodhttps://www.tiktok.com/@fresh.movie.pod?is_from_webapp=1&sender_device=pcFOLLOW CHELSEA https://www.instagram.com/chelseathepope/https://twitter.com/chelseathepopeFOLLOW VICTORIA https://letterboxd.com/vicrohar/  EMAIL THE SHOWabreathoffreshmovie@gmail.com  SHOP THE SHOWhttp://tee.pub/lic/bvHvK3HNFhk  YouTube Channel  

Nice Try 是一个中文闲聊播客，也是一个游戏。几乎每周，四个朋友隔空聊天，分享过去几天中的「Happy Hour」，提出挑战，随时跑题。在各大播客平台搜索 NiCE TRY 即可收听，登陆我们的官方网站 nicetrypod.com，可以找到全部往期节目。 我们的邮箱是nicetryconnect@gmail.com，欢迎写信来。 也欢迎在社交网站上关注或联络我们： 微博 @NiCETRY-想得美 小红书 @nicetrypodcast Instagram @nicetry.nice 商务合作联络微信 hungrybuggg 本期出场：@cbvivi @特梨西 @文森特动物园 @全新成长的烦恼 本期编辑：特特 本期你可能会听到： 听了播客电影巨辩维伦纽瓦那一集， cbvivi 和特特又看了一遍沙丘2 法剧《传奇办公室》——享乐主义谍战剧 震惊！拿破仑电影剧透滑铁卢 Brian Cox 辣评 Joaquin Phoenix 演技 文森特揭秘自己从小就不敢嘲笑别人的真正原因 cbvivi 觉得《小丑2》的预告片很好看 小 E 快乐拼乐高 文森特也看了《可怜的东西》 一气呵成——文森特对好电影的评判标准 A24 Podcast Burning For Something with Celine Song & Sofia Coppola 新的 Popsockets，就在夏天 特特最近很爱看 Tibi 创始人 Amy Smilovic 的社交媒体 用大屏幕看照片，仿佛暂停了时间 Costco 的冷冻毛豆又上架了 上期挑战：用大屏幕看自己的照片 本期挑战：用三个词总结自己的穿衣风格

Kim Masters and Matt Belloni examine the surprising decision made by the New York State Court of Appeals to overturn Harvey Weinstein's 2020 rape conviction.  Plus, Masters speaks to writer Justin Kuritzkes about the rollout of his first effort at writing a movie, Luca Guadagnino's Challengers. He talks about how the Zendaya-led film was inspired by a particular US Open match that turned him into a tennis obsessive. And he shares how he and his wife, Celine Song — known for her Oscar-nominated Past Lives — manage to keep their work separate from their relationship.

To dive further into "Challengers," the much-buzzed-about tennis movie coming out this Friday, Ben chats with the movie's screenwriter Justin Kuritzkes about his inspiration to tell a story about the unique emotional landscape of tennis. We discuss the infamous match that planted the initial seed of desperation, the details tennis heads are appreciating (including the Applebee's near the Cincinnati tournament), introducing the sometimes convoluted structure of tennis to a general audience, the eroticism of tennis, and possible similarities with his wife Celine Song's acclaimed 2023 film "Past Lives." Thanks for listening! 

SIGN UP FOR REGAL UNLIMITED W/ PROMO CODE - REGALNBP24 - https://regmovies.onelink.me/4207629222/q4j9urzs "Challengers" was initially supposed to have its world premiere at the 2023 Venice International Film Festival before it was delayed to the spring of 2024 due to the 2023 Hollywood strikes. Now, Luca Guadagnino's latest is finally coming to theaters this weekend, starring Zendaya, Josh O'Connor, and Mike Faist. Screenwriter Justin Kuritzkes was kind enough to spend some time talking with us about his inspiration for the film, some of the choices he made with the characters and narrative structure, his support for his wife, Celine Song, during her awards season run for "Past Lives," a tease for his next collaboration with Guadgnino on "Queer" starring Daniel Craig and more. Please be sure to check out the film, and be careful as there is one question (there's a warning before it's asked) during the interview, which is a spoiler. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture Learn more about your ad choices. Visit megaphone.fm/adchoices

We migrate to Celine Song’s “Past Lives” and discuss: Cinematography, long takes, composition and blocking; Story & Writing, immigration, notes from the screenplay; and other such stuff and things and stuff. “We become not a melting pot but a beautiful mosaic. Different people, different beliefs, different yearnings, different hopes, different dreams.“ – Jimmy Carter Notes […] The post Ep 272: “Past Lives” appeared first on The Pestle.

2024 Best Picture Nominee (7 of 10 -- see below for more). Henry tackles Celine Song's South Korean drama, Past Lives.2024 Best Picture Nominee Episodes:Daily 47: MaestroDaily 34: Anatomy of a FallDaily 32: American FictionDaily 31: Killers of the Flower MoonEpisode 291: The Zone of InterestEpisode 270: BarbieSubscribe / Buy Bonus Shows / Contact

Matt not letting up on the Best Picture Oscar nominees with Celine Song's directorial debut romance that leaves the lads divided.Released 2023. Directed by Celine Song. Starring Greta Lee, Teo Yoo, and John Magaro."Nora and Hae Sung, two childhood friends, are reunited in New York for one fateful week as they confront notions of destiny, love, and the choices that make a life."Timestamps00:00 - Intro / Initial Review21:37 - Spoiler Territory1:07:41 - Final Scores Anyone?1:14:06 - Next Movie RevealFOLLOW US ON SOCIALSYoutube - @thelitterboxpodInstagram - @thelitterboxpodLetterboxd - thelitterboxpodX (formerly Twitter) - @litterboxpod

It began six years ago, in the before time, with three film nerds who have been friends for four decades. Through the years, whenever we hung out together, we would inevitably end up talking for hours about film. So, we wondered aloud, why not make it official? Thus was born, in the spring of 2018, Vintage Sand, your film history podcast. One pandemic, one insurrection, a few erasures and rewritings of the film business and several hundred loyal listeners later, we thought it might be appropriate to commemorate our 50th episode by inviting friends and recording said episode live at the 14th Street Y in Manhattan. As you will hear, around 30 people came to support us, to hurl the occasional metaphorical tomato, and to remind us why we love doing this so much, as we recorded our roundup of 2023 in film in an episode we call “Of Bombs and Bombshells”. As with the last few years, this one was difficult to read. We applied our usual measure, wondering which of this year's films, beyond “Barbie”, “Oppenheimer” and Scorsese's epic will folks will still be watching 25 or 50 years from now. Hard to say, but at least it was a year where, with the exception of Aster's “Beau Is Afraid”, we were able to avoid a repeat of 2022, where some of our most interesting filmmakers (Russell, Aronofsky, Chazelle, Iñárritu, Luhrmann, Garland, et al.) released films that were not just bad but disastrous on an epic scale. 2023 was marked by labor strife in Hollywood, huge existential questions about the business as it has been run for over a century, and anxiety over the implications of technologies like AI and streaming. But it was also a year that welcomed a solid return to form of Vintage Sand favorites like Todd Haynes and Alexander Payne, gave us Wes Anderson's first Oscar for his reunion with Roald Dahl, and brought forth astonishing new voices in works as varied as Celine Song's “Past Lives”, Cord Jefferson's “American Fiction”, and Emma Seligman's follow-up to “Shiva Baby”, the wonderful “Bottoms”. It also gave us perhaps the most ambitious American film of the century, Ava Duvernay's stunning imagining of Isabel Wilkerson's “Caste”, in her epic “Origin”, an underseen gem that may in time prove to be the year's greatest film. To top that off, there was the gently surprising return to classic form of the Oscars, featuring first wins for the aforementioned Wes, Christopher Nolan, and Robert Downey, Jr. Emma Stone won for her incredibly complex performance in “Poor Things”, but this Oscars may be remembered as the year Lily Gladstone was robbed for a performance that was much less showy than Stone's but in our opinion, much more powerful. And as for the show itself, Ryan Gosling's performance of “I'm Just Ken” may have been the greatest dance number the Oscars has seen in recent memory, though it only served to remind us how intensely the genius and talent behind “Barbie” were ignored by the Academy. Writing in the “New York Times”, Mark Harris, perhaps our favorite working film writer today, posited that film as the central force in American popular culture may be dying out. But like Harris, we don't necessarily mourn the change; after all, the “death of cinema” has been a hot topic of discussion ever since the talkies arrived 95 years ago. In fact, we agree with Harris that 2024 may be another 1970, a year when out of the rubble of the collapse of the familiar emerged a revolution of unprecedented creativity and innovation. We have no idea what the future of film will bring, but whatever it is, we hope to be there to share our thoughts with you, not as frustrated film critics or experts in any way but as passionate film lovers who want to open as many doors as possible to new films and to new lenses through which to view old ones. To Billie Eilish's eternal question, what were we made for? Hopefully another 50 episodes—at least!

Oh hey, honeys! On today's show: well well well, if we weren't Kate Middleton conspiracy theorists last week, we just might be after the developments over the weekend. Also! Our main takeaways from the Oscars, Ariana Grande's new album sparks speculation that she was cheated on, Natalie Portman has quietly divorced Benjamin Millipied, and cue the wedding bells because Rupert Murdoch is ready to start the second half of his life! Again! This week, Annabelle recommended going to see the musical Wicked and listening to Celine Song and Sofia Coppola on The A24 Podcast. Mich recommended Ira von Fürstenberg's obituary in The New York Times. Big thanks to CeraVe for making this episode possible. Shop CeraVe's entire Blemish Control range online or in-store now at Chemist Warehouse, Priceline, Terry White, and Adore Beauty. This episode was audio produced by Annabelle Lee. Want to support our show? Clicking ‘follow' on Apple and Spotify is the best way to do that, and we're super grateful to anyone who leaves a five-star review while they're at it. Also! An old-fashioned 'Tell a Friend In Real Life' is equally appreciated. Want more? We've got more... Subscribe to the Shameless newsletter, Smart Dumb Stuff: http://eepurl.com/iH2sV-/ Aaaand everything else your heart could ever desire is here: https://linktr.ee/shamelesspodcast Thanks for listening! We are very big fans of yours.

[REBROADCAST FROM June 1, 2023] A new film tells the story of two childhood friends from South Korea who reunite for a week in New York City at a turning point in both of their adult lives. Director and writer Celine Song and actor Greta Lee join to discuss "Past Lives." *This episode is guest-hosted by Kousha Navidar

[REBROADCAST FROM June 1, 2023] A new film tells the story of two childhood friends from South Korea who reunite for a week in New York City at a turning point in both of their adult lives. Director and writer Celine Song and actor Greta Lee join to discuss "Past Lives." *This episode is guest-hosted by Kousha Navidar

Past Lives, Celine Song's directorial debut, is a gourmet romantic comedy about two childhood friends who re-enter one another's lives as adults. It is nominated for two Academy Awards: Best Picture and Best Original Screenplay.

In this special conversation recorded live at Asia Society in New York City, Jeff welcomes newly minted Academy Award nominee Celine Song, writer/director of Past Lives. (Spoiler warning!) They discuss the real-life autobiographical moment that inspired her film's bilingual, bi-cultural center; telling a story about the people who hold and know the different parts of ourselves; and how things might have ended up differently for Nora and Hae Sung if they just had better tech and a stronger internet connection. 

The Korean-Canadian filmmaker who is Oscar-nominated for her autobiographical feature directorial debut reflects on her transition from playwright to filmmaker, the biggest challenges that a first-time filmmaker faces and her aspirations for the future. Learn more about your ad choices. Visit megaphone.fm/adchoices

It's Oscar season!   I was so thrilled to see ‘Past Lives', the astounding slow-moving-yet-somehow-fast-paced debut film from Celine Song nominated for Best Picture. Best Picture! On her very first film. Oh, and no biggie, Best Screenplay, too. This following a slew of other noms like 5 Golden Globes, 3 Critics Choice Awards, 3 BAFTAs, and a recent Director's Guild of America win for Outstanding Directorial Achievement for a First-Time Feature Film.   Leslie and I loved ‘Past Lives' so much we went back to theaters to see it again. The film had such unique energy as it told the story of Nora and Hae Sung, two childhood friends in South Korea, who lose touch when Nora's family emigrates, and then seem to be forever-chasing the goodbye they never had.   The film opens with a late-night bar scene of Hae Sung visiting Nora and her husband in New York before scrolling back to tell the unpredictable, jumping-around-the-decades story of how they got there. Every shot was such a sumptuous visual feast — from silhouetted lineups for the Staten Island Ferry to broken-transmission Skype calls to a final waiting-for-an-Uber scene that deserves its own prize. And the writing! Crisp. Punctuating. So much said ... with so little. ‘Past Lives' is a truly magical film that I can't recommend enough. 96% on Rotten Tomatoes also means there's a great chance your movie-going pal will love it, too.   I was thrilled ‘Past Lives' director, writer, and filmmaker wunderkind Celine Song joined me on 3 Books from her New York apartment to talk about the Korean concept of in-yun, why we're drawn to stories, what unique role millennials play as the last pre-Internet-immersive generation, how a cannibalistic orgy makes for great literature, a surprising cure for loneliness, why sensory deprivation increases chemistry, the other job of a director, Celine's 3 most formative books, and much, much more... Let's flip the page into Chapter 133 now...

Oscar nominated writer Celine Song (Past Lives) discusses a few of her favorite films with Josh Olson and Joe Dante. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this bonus episode of The Cinematography Podcast, we interview Shabier Kirchner, the cinematographer of Past Lives. The film is nominated for an Academy Award for Best Picture and Best Original Screenplay. Past Lives, written and directed by Celine Song, is about childhood sweethearts reconnecting as adults after many years. When cinematographer Shabier Kirchner, who is from Antigua, was sent the script, it immediately resonated with him. “Past Lives was not just a standalone amazing script, but I found myself in the material. A lot of what I was going through, being an immigrant to the US, being from the Caribbean, reconnecting with a friend, falling in love, all of that stuff was happening while I was reading the material and it just felt like it was written for me.” Shabier and director Celine Song had an amazing first conversation, and he wasn't aware that she'd never made a film before. Fortunately, they had an extensive amount of time to prep the movie, and they chose to shoot on Kodak 35mm film. The film takes place in New York and Korea, and they knew they had to shoot it out of order, starting with all of the New York scenes which take place later in the story. Shabier and Song also spent time discussing how to use the language of the film to express what the characters were experiencing. Past Lives tells a story about how relationships change over time. Shabier chose to translate this into deliberate pacing with long tracking shots, keeping the lighting natural and simple. In the film, natural elements tell the passage of time as well, through rain, clouds and the changing light. Even the characters Nora and Hae Sung tell a story about time in their movements. “We were speaking about the final scene in the film, and I asked Celine a question of what direction should they walk? In a very Celine fashion, she (said) 'Well, they should walk right to left because that is into the past. And she should drop him off in the past and then walk from left to right back into the future and up the stairs.' That very small and simple moment in our conversation led and informed the entire language of the film in terms of how we move the camera from left to right.” Shabier broke out as a cinematographer a few years ago on director Steve McQueen's five-part anthology series, Small Axe, winning a BAFTA for lighting and photography. The series tells both real and fictional stories about London's West Indian community in the 1970's and 80's. McQueen chose to treat each episode as a series of small films, rather than a TV series. They would discuss and prep one, scout it, shoot it, break for a week, then begin prep for the next episode. Starting with Mangrove, the longest in the series, they shot in order as much as possible, with Lovers Rock next. Shabier says it was a nice release for the crew's pent-up emotions on Mangrove, which dealt with anti-police protests and then the trial of nine Black men accused of starting a riot. They knew they could put joy and energy into Lovers Rock, a much simpler story about a house party, love and music. Shabier thinks McQueen structured the shoots for Small Axe in a way that was very smart, creating a serious mood when they needed to be serious, and lightening the mood as needed. Past Lives is still in some theaters and available on VOD. https://a24films.com/films/past-lives The Small Axe series is on Amazon Prime. Sponsored by Hot Rod Cameras www.hotrodcameras.com The Cinematography Podcast website: www.camnoir.com Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz

Host Jeff Goldsmith interviews Cord Jefferson, Arthur Harari, David Hemingson, Josh Singer, Samy Burch, Alex Mechanik, Celine Song and Tony McNamara about their Oscar nominated screenplays. Download my podcast here Copyright © Unlikely Films, Inc. 2024. All rights reserved. For more great content check out Backstory Magazine @ Backstory.net

Greta Lee and Teo Yoo star in Celine Song's debut feature, which follows deeply connected childhood friends Nora (Lee) and Hae Sung (Yoo) over the course of 24 years and an ocean of separation. It's a gentle, poignant, philosophical, maybe romance, chosen by Yosra for this month's Flicking. But will it have enough wallop for Mickey and not too much of the soppy stuff for Hannah? Find out. 

In part 6 of our Oscars catch-up series, we take a look at Celine Song's beautiful and sad Past Lives. Absolutely one of the best films of last year.  Then: Matt and Scott chat about the trailers that premiered during this year's Super Bowl.  Support us on Patreon Follow us on Twitter: @doofmedia See all of our podcasts, writing, and more at doofmedia.com! Show Notes: 1:47 -  Past Lives 1:04:04 - What did we think about the Super Bowl movie trailers?

Welcome to Multiverse News, Your source for Information about all your favorite fictional universes. The 2024 Super Bowl was the most-watched program in American television history with 123.4 million viewers. The House of Mouse let loose several bits of exciting news after their quarterly earnings call on February 7. Animation fans were surprised with the release of a teaser trailer for Moana 2, which will be in theaters in November. Bob Iger also announced that Zootopia 2 will release in 2025 and Frozen 3 and Toy Story 5 will drop in 2026. Fans of the recent Percy Jackson and the Olympians series officially received the news that season two has been greenlit. Disney is investing $1.5 billion Epic Games - known best for Fortnite. CEO Bob Iger explained that the goal is to create a gaming universe that features beloved characters from Disney's hottest franchises such as Marvel, Star Wars, Pixar, and more. And last - but never least - it was announced that Taylor Swift's concert film The Eras Tour will stream exclusively on Disney+ beginning March 15.Last week we discussed the seemingly-rushed new Jurassic World movie, which had announced that its director would be David Leitch. But talks between Universal and Leith fell through and the director is no longer attached to the project.  In a surprising move, the Academy of Motion Picture Arts and Sciences governing board announced a new category that will first be given away in 2026 - Best Achievement in Casting. It's been nearly 25 years since a new category was announced - the last one being Best Animated Feature Film in 2001. A joint statement from the Academy Casting Director Branch governors expressed appreciation for the acknowledgment and recognition for casting directors. Official rules will be announced in April 2025 and films of that year will be the first ones considered for the award.  Paramount released the first trailer for its limited series and Sonic the Hedgehog spin-off, Knuckles, starring Idris Elba in the lead voice acting role. The six episode show will debut on Paramount+ on April 26. This March, Marvel Comics will release a prelude comic for the X-Men ‘97 animated show. The first issue features a wraparound cover by Russell Dauterman. The limited series will be four issues long. Celine Song is reuniting with A24 for her second feature film following her Best Picture directorial debut Past Lives. The new film, titled Materialists, is described as a romantic comedy with Dakota Johnson, Pedro Pascal, and Chris Evans in early talks to star. Sony is shutting down its Funimation app and moving subscribers over to Crunchyroll, but the move does not include their already purchased content. Seven Star Wars comics will feature variant covers featuring some of the women of the galaxy far, far away for Women's History Month in March. HBO is developing an Aegon's Conquest Game of Thrones series, which will serve as a prequel to House of the Dragon. Mattson Tomlin, who wrote parts of Matt Reeves' The Batman and is co-writing the upcoming sequel, will write the series. Michael Chaves, who has directed previous installments in The Conjuring franchise, including 2021's The Conjuring: The Devil Made Me Do It and The Nun II is in negotiations to direct what is being eyed as the fourth and final outing in the franchise currently under the working titled The Conjuring 4. After being saved from a tax break death at Warner Bros., the John Cena and Lana Condor movie, Coyote Vs Acme is officially being shelved forever. Although Warner Brothers did attempt to shop the film to other studios including Netflix, Amazon, and Paramount, their asking price of between $75 and $80 million for the film was too high to attract a buyer. Wicked author Gregory Maguire will release a new prequel titled Elphie: A Wicked Childhood on October 1. Maguire has written eight Oz-inspired books.

John welcomes Celine Song (Past Lives) to chart her journey from playwright to Oscar-nominated screenwriter. We discuss the intricacies of writing bilingually, the similarities between theater and a writers room, finding the right collaborators and how writing prepared Celine for for the rigors of directing. We also follow up on foreign courts, the Tiffany problem, and answer listener questions on American grad schools and table reads. In our bonus segment for premium members, Celine looks back on her production of The Seagull in The Sims 4 and reflects on the importance of experimenting with form. Links: Celine Song on IMDb and Instagram Past Lives The Seagull on The Sims 4 The Wheel of Time A real bald eagle call vs a red-tailed hawk Deadwood and The American President Shottr Baldur's Gate 3 Get a Scriptnotes T-shirt! Check out the Inneresting Newsletter Gift a Scriptnotes Subscription or treat yourself to a premium subscription! Craig Mazin on Threads and Instagram John August on Threads, Instagram and Twitter John on Mastodon Outro by Nico Mansy (send us yours!) Scriptnotes is produced by Drew Marquardt and edited by Matthew Chilelli. Email us at ask@johnaugust.com You can download the episode here.

"Past Lives" had its world premiere at the 2023 Sundance Film Festival and has had one of the most fascinating trajectories for an awards season contender since then, screening again at the Berlin Film Festival, releasing over the summer, then watching director and writer Celine Song win a ton of prizes for her first film. The warm embrace from critics, audiences, and the industry for the film has led to two Academy Award nominations, including Best Picture and Best Original Screenplay for Song. She was kind enough to spend some time talking with us before her win at the Director's Guild Of America for Best First Feature Film about her awards season journey, crafting the screenplay, what went into that final breathtaking jump cut in the film's climatic scene, and more! Please be sure to check out the film, which is up for your consideration at this year's Academy Awards and is now available to stream on Paramount+ & Showtime from A24. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture Learn more about your ad choices. Visit megaphone.fm/adchoices

Topics covered include: seeing your first movie at the neighborhood theater, the pressures of live performance, the animal that is the audience, parallels between directing and motherhood, abandoning the miracle, autobiographical filmmaking, feeling like broccoli, the Pacific Ocean as the villain in Past Lives, Harry Styles fan-fiction, writing on planes, revisiting The Artist's Way, avoiding the sophomore slump, Francis Ford Coppola's directing advice, a shared love of Barry Lyndon and Miyazaki, taking the audience to Mars, and what genre they would like to explore next (sci-fi, westerns, horror!)

We review Past Lives, a debut film by director Celine Song! Spoiler alert!

Hearing Celine Song discuss her authority as an artist is powerful stuff. Despite no feature film directorial experience, she knew she had the secret key to lead the production of Past Lives, which is now a 2024 Oscar nom: a fierce commitment to her script, the story, and characters. For Celine, all of the power and authority that we bring to our work comes from the simple fact that we are the authors and engineer of that sacred document that drives the whole thing: the script. JOIN OUR PATREON: www.patreon.com/thescreenwritinglife

Actor John Magaro joins Mase & Sue to discuss his role in the Oscar-nominated film, PAST LIVES. They talk about his shared personal connection with director Celine Song, her brave filmmaking debut, rules she laid out on set, the complex relationship between the main characters, the challenges of shooting an indie film, working with minimalist director/screenwriter Kelly Reichardt on FIRST COW, the tricks of cinematographer Chris Blauvelt's trade, what all great auteurs have in common, and the importance of awards shows. Plus, the new season of TRUE DETECTIVE on HBOMax, the powerful series A SMALL LIGHT, a review of MJ THE MUSICAL, a missing down vest caper, being more like Usher in 2024, TM meditation, mantras, sleep and anxiety aids.

This week we are joined by Celine Song who made her feature directorial debut with Past Lives, a film that swept all of us away, and one that we are all championing through the awards season. In our illuminating chat, Celine details many of the lessons learned in her first feature film, and breaks down elements of her story and shot choices. She is an inspiring new talent, and we are so excited to see what she does next. In the meantime, if you haven't seen Past Lives, be sure to catch up on it soon as we will continue the conversation surrounding that film through the Oscars ceremony. Also this week, we return to our Fantasy Movie Draft, revealing last year's winner, and finally drafting our “rosters” for the 2024 release calendar.ReelBlend PremiumSign up for a bi-weekly newsletter from Sean, and ad-free episodes at bit.ly/reelblendpremium.ReelBlend on YouTubeBe sure to subscribe to ReelBlend on YouTube (YouTube.com/ReelBlendPodcast) for full episodes of the show in video form.Follow The ShowReelBlend - @ReelBlendSean - @Sean_OConnellJake - @JakesTakesKevin - @KevinMcCarthyTVGabe - @gabeKovacsTimestamps (approx. only)00:00 - Intro 04:45 - Celine Song Interview | ‘Past Lives'38:08 - 2023 Fantasy Draft Results! 53:51 - 2024 Fantasy Movie Draft1:20:38 - OutroSupport this podcast at — https://redcircle.com/reelblend/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Netflix released its first report revealing viewership patterns. Why does it matter? What does the data reveal — and what happens next? Then, Past Lives writer-director Celine Song and producer Christine Vachon discuss Song's foray into filmmaking, their partnership, and the journey of the awards circuit.

One of the all-time most distinguished producers of independent film — who has somehow never received a best picture Oscar nomination, despite credits including 'Boys Don't Cry,' 'Far from Heaven' and 'Carol' — reflects on meeting Todd Haynes and abandoning early ambitions to become a director, how 'New Queer Cinema' came to be and why she still bets on first-time filmmakers like Celine Song. Learn more about your ad choices. Visit megaphone.fm/adchoices