Podcasts about Women in film

In this inspiring episode of Best in Fest, host Leslie LaPage sits down with one of Hungary's most celebrated directors, Krisztina Goda, whose breakout hit Just Sex and Nothing Else catapulted her to fame. Goda shares her journey from the prestigious National Film and Television School to UCLA, her experience navigating Hungary's male-dominated film industry, and the creative challenges of writing and directing both indie features and commercial work. They discuss the evolving role of women in film, the impact of streaming platforms on foreign-language cinema, and what it takes to stay passionate about storytelling in a shifting global market. Whether you're an aspiring filmmaker or a seasoned storyteller, this episode offers a masterclass in resilience, artistic integrity, and international vision.

On this week's episode, Morgan is joined by returning guest and critic Eoin Daly to discuss Barbara Loden's 1970 film, "Wanda." Eoin and Morgan dive into the film's impact on women in film and in independent film, how Loden's film challenges societal norms, and the subject matter it explores. TRIGGER WARNING: the film does depict domestic violence which is discussed in this episode. If you or someone you know needs resources or assistance, please contact the National Domestic Violence Hotline.You can follow EoinTwitterBlueSkyYou can follow Female Gaze: The Film ClubInstagramBlueSkyWebsite

In this episode, host Candice Bloch interviews William Fay, a seasoned producer and motion picture executive, discussing his extensive career in the film industry. Bill, known for producing and executive producing many notable projects through the years such as Independence Day, The Patriot, 300, The Hangover, The Town, and more, elaborates on the multifaceted role of a producer, his journey into filmmaking, key milestones, and the founding of Legendary Entertainment. He shares insights on balancing creativity with business, the importance of audience engagement, and the evolution of the producer's role over the decades. The discussion also touches on the fun aspects of producing and working with directors, the increased diversity in production teams, and the advancements in visual effects technology. Bill also shares insights on transitioning to new ventures, including his current work in the wine and spirits industry and a theater adaptation of 'Happy, Texas.' You can see a list of Bill's credits here: https://www.imdb.com/name/nm0269621/Learn more about his spirits company here: https://steric.com/---Subscribe to learn more about filmmaking, production, media makers, creator resources, visual storytelling, and every aspect that brings film, television, and video projects from concepts to our screens. Check out the MediaMakerSpotlight.com show page to find even more conversations with industry professionals that inspire, educate, and entertain!We on the Women in Film & Video (WIFV) Podcast Team work hard to make this show a great resource for our listeners, and we thank you for listening!

Hey Team Tolerator! We are officially on our summer break for 2025 and will be returning with new episodes in the fall. This week, we are giving you a sneak peek of our Misogyny Meltdown series! In this excerpt, Julia Washington and Alrinthea Carter joined us to talk about the women in historical film that just deserved better. You can see the video for this interview, as well as the rest of the fun we had, on Patreon!

Marvelously acted, written and director, the film Tár was a critical darling.  But this will not be a film review, but rather an appraisal of how Hollywood handles strong women in leading roles.  We will examine the movie from different perspectives--feminist, cultural, personal-- and give our own take on what this kind of movie says about how strong women are handled in popular entertainment. Sean Marlon Newcombe, Lauren Torres and Kimberly Rockwell host.

This year marked ten years of Bravo's Southern Charm, where we get a glimpse at the lives of southern gentlemen and their ever present Peter Pan Syndrome. Annie Sieg returns as our reality tv historian to break down all the ways the men of Southern Charm reflect the misogyny we experience in our culture. The episode will cover Katherine Dennis, southern culture, Shep finally getting told he gives someone the ick, Craig and Paige's breakup, and all the discourse Bravo fans are having in the comments.Support the Show:Follow us at @menivetoleratedpod on Instagram! https://www.patreon.com/menivetoleratedpod on Patreon for bonus content! We are currently running a free trial on all three tiers!All ways to support the show can be found at https://linktr.ee/menivetoleratedpod. Join the newsletter so you know when all bonus material is out and learn about all our other projects.Find AnnieInstagramTiktok 

حلقة جديدة من البودكاسترز خدناكم جوه كواليس صناعة السينما والدراما مع المنتجة : شاهيناز العقاد. كلام من قلب الصناعة عن: إزاي بيتولد المشروع من فكرة لواقع؟ الصعوبات اللي بتواجه المنتج في السوق المصري والعربي واللحظة اللي بيقرر فيها المنتج يغامر! ليه في مشاريع بتكسب ومشاريع بتفشل وإزاي المنتج يخلق معادلة بين الفن والبيزنس؟ تابعوا الحلقة كاملة واعرفوا أكتر عن عقلية بتبني صناعة! In a new episode of Podcasters, we take you behind the scenes of the film and drama industry with producer Shahinaz Al-Akkad. Talk from the heart of the industry about: How does a project go from idea to reality? The challenges facing producers in the Egyptian and Arab markets, and the moment when they decide to take a risk! Why do some projects win and others fail, and how can a producer create a balance between art and business? Watch the full episode and learn more about the mindset that builds an industry! اسمعوا البودكاسترز على | Listen to El-Podcasters on Spotify - https://anchor.fm/elpodcasters Apple - https://podcasts.apple.com/eg/podcast/el-podcasters/id1633419184 Anghami - https://play.anghami.com/podcast/1029463712 El-Podcasters Social Media | منصات التواصل الإجتماعي للبودكاسترز: Instagram - https://www.instagram.com/elpodcasters Tiktok - https://www.tiktok.com/@elpodcasters Facebook- https://www.facebook.com/elpodcasters Linkedin - https://www.linkedin.com/company/elpodcasters/ X - https://www.twitter.com/elpodcasters Snapchat - https://snapchat.com/t/3Zbo2vzS Bassel Alzaro - https://www.instagram.com/basselalzaro https://www.facebook.com/BasselAlzaroX https://snapchat.com/t/CoWlatfk Karim Rihan - https://www.instagram.com/karimrihann

In this second episode of a special two-part series, host Sandra Abrams chats with Maxine Peake about her portrayal of Anna Politkovskaya, a Russian-American journalist, in the film Words of War. Maxine shares what it was like to play the real life reporter, wife, and mother of two who risked her life to uncover the truth about the Chechen War. Anna was assassinated on October 7, 2006, the same day as Vladimir Putin's birthday. The international cast for this geo-political thriller includes Ciaran Hinds as her editor, Dimtry, Jason Isaacs as her husband, Sasha, Harry Lawtey as her son, Ilya, and Naomi Battrick as her daughter, Vera. Maxine says she loved filming on location in Latvia and shares which scene she and Jason did some improvising. Sean Penn serves as executive producer. The film is now in theaters. Part one of this series (episode 97) features Mark Maxey, President of Rolling Pictures, WIFV board member, and one of the producers of the film. To learn more about Words of War, visit: https://www.rollingpictures.com/You can watch the film's trailer here: https://www.youtube.com/watch?v=pui6KMbHECM#WordsOfWar---Subscribe to learn more about filmmaking, production, media makers, creator resources, visual storytelling, and every aspect that brings film, television, and video projects from concepts to our screens. Check out the MediaMakerSpotlight.com show page to find even more conversations with industry professionals that inspire, educate, and entertain!We on the Women in Film & Video (WIFV) Podcast Team work hard to make this show a great resource for our listeners, and we thank you for listening!

Julia Washington (Prose and Glow) and Natalie are dissecting their complicated feelings on Best Picture winner, Anora. Anora is written and directed by Sean Baker and tells the story of an exotic dancer named Ani who after a whirlwind couple of days finds herself married and then divorced by a Russian wealthy man named Vanya. This episode will cover what fell flat for both women when it came to Ani's character development, the worldbuilding, and whether or not Anora really deserved all the praise it was getting for being a movie about an empowered woman and a statement against how wealthy people in an Oligarch treat the working class. And we will return to our prevalent question of who is actually qualified to write stories about the feminine experience.Support the Show:Follow us at @menivetoleratedpod on Instagram! https://www.patreon.com/menivetoleratedpod on Patreon for bonus content! We are currently running a free trial on all three tiers!All ways to support the show can be found at https://linktr.ee/menivetoleratedpod. Join the newsletter so you know when all bonus material is out and learn about all our other projects.Find Julia:On instagram: @popculturemakesmejealous and @thejuliawashingtonShop Prose and Glow: https://www.juliawashingtonproductions.com/Podcasts: Pop Culture Makes Me Jealous and Jelly Pops Book Club

Legend has it that women have been a pivotal part of the film industry since its conception, even though some corners of the internet get really angry if you say that. But this week on NOBODY KNOWS ANYTHING, our guests Lauren Lapkus, Jackie Tohn, and Michael Urie get to the bottom of the mystery that is women in film (in an episode written and produced by women, as all of our episodes are)! Guests: Actor Michael Urie (“Shrinking,” “Younger,” “Ugly Betty,”); actress and comedian Lauren Lapkus (“Comedy Bang Bang!” “Good Girls,”) and actress Jackie Tohn (“Nobody Wants This,” “GLOW”) NOBODY KNOWS ANYTHING is a production of The Black List, LAist Studios, and The Ankler. Support for this podcast is also brought to you by Gordon and Dona Crawford, who believe that quality journalism makes L.A. a better place to live. Visit www.preppi.com/LAist to receive a FREE Preppi Emergency Kit (with any purchase over $100) and be prepared for the next wildfire, earthquake or emergency! New episodes premiere Tuesdays and you can listen to the show on the radio at LAist 89.3 Saturdays at 7 p.m. and Sundays at 10 p.m.

Legend has it that women have been a pivotal part of the film industry since its conception, even though some corners of the internet get really angry if you say that. But this week on NOBODY KNOWS ANYTHING, our guests Lauren Lapkus, Jackie Tohn, and Michael Urie get to the bottom of the mystery that is women in film (in an episode written and produced by women, as all of our episodes are)! Guests: Actor Michael Urie (“Shrinking,” “Younger,” “Ugly Betty,”); actress and comedian Lauren Lapkus (“Comedy Bang Bang!” “Good Girls,”) and actress Jackie Tohn (“Nobody Wants This,” “GLOW”) NOBODY KNOWS ANYTHING is a production of The Black List, LAist Studios, and The Ankler. Support for this podcast is also brought to you by Gordon and Dona Crawford, who believe that quality journalism makes L.A. a better place to live. Visit www.preppi.com/LAist to receive a FREE Preppi Emergency Kit (with any purchase over $100) and be prepared for the next wildfire, earthquake or emergency! New episodes premiere Tuesdays and you can listen to the show on the radio at LAist 89.3 Saturdays at 7 p.m. and Sundays at 10 p.m.

Legend has it that women have been a pivotal part of the film industry since its conception, even though some corners of the internet get really angry if you say that. But this week on NOBODY KNOWS ANYTHING, our guests Lauren Lapkus, Jackie Tohn, and Michael Urie get to the bottom of the mystery that is women in film (in an episode written and produced by women, as all of our episodes are)! Guests: Actor Michael Urie (“Shrinking,” “Younger,” “Ugly Betty,”); actress and comedian Lauren Lapkus (“Comedy Bang Bang!” “Good Girls,”) and actress Jackie Tohn (“Nobody Wants This,” “GLOW”) NOBODY KNOWS ANYTHING is a production of The Black List, LAist Studios, and The Ankler. Support for this podcast is also brought to you by Gordon and Dona Crawford, who believe that quality journalism makes L.A. a better place to live. Visit www.preppi.com/LAist to receive a FREE Preppi Emergency Kit (with any purchase over $100) and be prepared for the next wildfire, earthquake or emergency! New episodes premiere Tuesdays and you can listen to the show on the radio at LAist 89.3 Saturdays at 7 p.m. and Sundays at 10 p.m.

Legend has it that women have been a pivotal part of the film industry since its conception, even though some corners of the internet get really angry if you say that. But this week on NOBODY KNOWS ANYTHING, our guests Lauren Lapkus, Jackie Tohn, and Michael Urie get to the bottom of the mystery that is women in film (in an episode written and produced by women, as all of our episodes are)! Guests: Actor Michael Urie (“Shrinking,” “Younger,” “Ugly Betty,”); actress and comedian Lauren Lapkus (“Comedy Bang Bang!” “Good Girls,”) and actress Jackie Tohn (“Nobody Wants This,” “GLOW”) NOBODY KNOWS ANYTHING is a production of The Black List, LAist Studios, and The Ankler. Support for this podcast is also brought to you by Gordon and Dona Crawford, who believe that quality journalism makes L.A. a better place to live. Visit www.preppi.com/LAist to receive a FREE Preppi Emergency Kit (with any purchase over $100) and be prepared for the next wildfire, earthquake or emergency! New episodes premiere Tuesdays and you can listen to the show on the radio at LAist 89.3 Saturdays at 7 p.m. and Sundays at 10 p.m.

In this first episode of a special two-part series, host Sandra Abrams chats with Mark Maxey, WIFV board member and producer of a new geo-political thriller, WORDS OF WAR. The film tells the story of Russian-American journalist, Anna Politkovskaya, who was assassinated on October 7, 2006 for uncovering the truth about the Chechen War. The film opens in theaters on May 2, the day before United Nations' World Press Freedom Day. The all-star cast includes Maxine Peake as Anna, Ciaran Hinds as her editor, Dmitry, and Jason Isaacs as her husband, Sasha. Oscar-winner Sean Penn and Congressman Eric Swalwell (D-CA) serve as executive producers. In their conversation, Mark shares why this film is so timely to what is happening today when the world seeks to hold the powerful accountable for crimes against humanity. He also gives insight into how Sean Penn joined the film as executive producer. Part two will feature lead actress, Maxine Peake and will be released on May 11th. To learn more about Words of War, visit: https://www.rollingpictures.com/You can watch the film's trailer here: https://www.youtube.com/watch?v=pui6KMbHECM#WordsOfWar#WorldPressFreedomDay---Subscribe to learn more about filmmaking, production, media makers, creator resources, visual storytelling, and every aspect that brings film, television, and video projects from concepts to our screens. Check out the MediaMakerSpotlight.com show page to find even more conversations with industry professionals that inspire, educate, and entertain!We on the Women in Film & Video (WIFV) Podcast Team work hard to make this show a great resource for our listeners, and we thank you for listening!

Greg Lamberson is a writer/director and producer residing in Buffalo, New York. He is most well known for directing the cult horror flick, Slime City (1988) and its sequel, Slime City Massacre (2010). He's made 10 features in his career so far including the upcoming werewolf movie, Frenzy Moon (2026). Other notable entries in his catolog include Killer Rack (2015), Johnny Gruesome (2018) and the underrated shot-on video classic, Naked Fear (1999). His most recent film, Guns of Eden (2022) premiered at the Buffalo Dreams Fantastic Film Festival in 2022 and was successfully funded by almost 400 backers on Indiegogo. Greg also had the privilege to direct genre icon, Craig Sheffer (Nightbreed, Some Kind of Wonderful) in Widow's Point (2019). Sheffer plays "Thomas Livingston", an author who gets haunted by evil spirits at a lighthouse while doing a publicity stunt for his newest book. Aside from his personal career, Greg is the creator and runner of Amazing Fantasy Fest, a Buffalo film festival that showcases the best independent Horror, Science Fiction, Fantasy, Action, Animation, and Experimental films on the planet. AFF runs from Friday, September 13th-Thursday, September 19th at the Dipson Amherst Theater in Buffalo. Programming includes new films and filmmaker Q&As, plus special programming exclusively for VIP and Full Fantasy Pass Holders. Greg's wife, Tamar and daughter, Kaelin run Valkyrie International Film Festival, which runs from Friday, May 30th - Tuesday, June 3rd. VIFF is an annual gathering that shines a spotlight on films created by women, and to advance the cause of women in film. VIFF is an event where female artists support each other's work.  Greg is also an acclaimed novelist with many published books including Black Creek (2016), Carnage Road (2011) and Cheap Scares! Low Budget Horror Filmmakers Share Their Secrets (2008). Be sure to give the show a 5-star rating wherever you're listening!  #KellensPettyTalkShow  

It's April 20, 2025. Veh is back with her amazing series: Women in Film. Today she focuses on Debbie Reynolds. Check it out!

Ahead of Earth Day, host Candice Bloch interviews Kat Friis, an Emmy award-winning producer and founding member of Green the Bid, a grassroots, non-profit industry organization that aims to shift the media production industry to zero-waste, minimal carbon, sustainable and regenerative practices. The two discuss the importance of sustainability in the production industry, educating and advocating for sustainable practices, and practical steps that producers can take to reduce their carbon footprint. The conversation also touches on common misconceptions about sustainability, the cost-effectiveness of sustainable practices, and the resources available through Green the Bid for those looking to implement eco-friendly practices in their productions.To learn more about Green the Bid, visit: https://www.greenthebid.earth/---Subscribe to learn more about filmmaking, production, media makers, creator resources, visual storytelling, and every aspect that brings film, television, and video projects from concepts to our screens. Check out the MediaMakerSpotlight.com show page to find even more conversations with industry professionals that inspire, educate, and entertain!We on the Women in Film & Video (WIFV) Podcast Team work hard to make this show a great resource for our listeners, and we thank you for listening!

Hablamos en El retiro (Antioquia) con la directora colombiana Ángela Carabalí, a propósito de "Soñé su nombre" película que tiene su estreno mundial en Hot Docs (2025). Una conversación en la que hablamos de viajes con hermanas, de la búsqueda de nuestros seres queridos que se aparecen en sueños, de los retos y aprendizajes que implica hacer documentales, pero sobre todo, de las historias que unen universalmente a cientos de familias víctimas de la desaparición forzada.Este proyecto fue ganador del premio de promoción otorgado por GENTE QUE HACE CINE en el SALÓN DE PRODUCTORES Y PROYECTOS CINEMATOGRÁFICOS SAPCINE 2025Charla maravillosa que puedes también ver en Youtube.Este episodio es posible gracias a: Nuestra productora Gente queLa producción ejecutiva de Lemaitre ConsultoresEl amor y confianza de nuestros amigos en Patreon (Nataly Valdivieso, Hamilton Casas, Juliana Núñez, Diana Piñeres). Apóyanos como ellos desde 1 dólar.Si quieres pautar en nuestros episodios, patrocinar #ElNoti semanal o producir tu pocdast no dudes en escribirnos a info@gentequehacecine.com Nuestra web: https://gentequehacecine.com/ 

This episode's guest is, actor, director, producer, improviser, and all-around wonderful human, Jennifer Clymer.Jen's journey is a rich tapestry of creativity, resilience, and community building. From founding Chicago's Playground Improv Theater to producing and directing both indie darlings and major studio projects (Spider-Man, Charlie's Angels), Jen brings heart and hustle to everything she does.We talk about her early days in Chicago's theater scene, how she pivoted into producing, and the powerful work she does now at the Motion Picture & Television Fund (MPTF)—where she helps care for aging and retired members of the entertainment industry. 

https://www.ziyugao.net/Bio:Ziyu Gao is an award-winning filmmaker, actress, and advocate based in New York City. She is focused on crafting bold, emotionally resonant films that amplify underrepresented voices—particularly women of color.Her journey began in acting before transitioning to directing, where she quickly gained recognition for her directorial work. Ziyu's films have been selected for numerous international festivals, including the Los Angeles Film Awards and the Independent Shorts Awards. She further honed her craft at the USC School of Cinematic Arts.Currently, Ziyu has multiple projects in post-production and pre-production under her production company, Creative Picture Productions, which she launched to tell stories that challenge perspectives and foster connection. As both a filmmaker and performer, she is committed to pushing creative boundaries, whether behind the camera or in front of it.Beyond film, Ziyu has worked as a model and content creator, bringing a unique blend of storytelling and visual artistry to all her creative pursuits. Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

Join us for a wonderful, foundational episode: we're making matriarchy great again! Laura Hirch is a filmmaker, writer, artist and a scholar of matriarchal studies.  Her six-part documentary, From The Goddess, explores the concept of the Great Goddess and how matriarchal societies, centered around Goddess worship, thrived in peaceful coexistence for millennia until the emergence of Patriarchy 6,000 years ago.  We discuss her series and other aspects of matriarchal herstory along with our own matriarchal scholar and inspiration, Vicki Noble. Sean Marlon Newcombe and Dawn "Sam" Alden co-host.Support the MMGA podcast on Patreon here: https://www.patreon.com/34Circe

Mandy Walker AM ASC ACS's stunning cinematography has captivated audiences around the world. From Australia to Elvis, Snow White, and commercials for global brands like Chanel, Nike, Louis Vuitton, and Audi — her work is bold, emotional, and always cinematic. In this episode, Mandy shares how she carved her own path without film school, became a trailblazer for women in film, and developed her approach to storytelling on big-budget productions. She also talks through her work on Snow White — from camera tests to musical sequences, and how she lit the sets of Disney's latest feature. She's an icon — and she's refreshingly honest about the challenges, the wins, and what it takes to keep pushing forward in this industry. This episode is proudly sponsored by Red. For more information on the latest red cameras head to www.red.com. Hosted by Lucas Tomoana Edited by Raphael Segal Produced by Deb Bauer

It's April 4, 2025. Veh is back with the newest episode of her series, Women in Film. Today's focus: the incomparable Elizabeth Taylor.

In this episode of PassionPod, Tosca Musk (CEO and founder of Passionflix) and Ali Whitaker (Head of Marketing and Publicity) update us on the 'Black Dagger Brotherhood,' post-production, highlighting the progress with color timing and poster designs. Special guest Carlos Velasco (1st AD & Producer) shares his experiences managing logistics on set, coordinating scenes and maintaining calm during production. They also discuss the camaraderie among cast and crew, the importance of promoting women in the film industry, and memorable moments from various shoots, including 'Gabriel's Redemption', 'Wallbanger' & the 'Black Dagger Brotherhood'. The episode underscores the collaborative effort behind their projects and their dedication to bringing your favorite beloved book series to life on the screen!Have a question you want answered on a future episode of PassionPod? Please leave us a message today at: (770) 648-3677.

Host Tara Jabbari has a conversation with Catherine Haigh and Hannah Congdon to explore the journey of creating their documentary, Women Behind the Wheel, which focuses on women's empowerment in remote communities. They highlight the importance of research, language, cultural challenges, and community support as they share their experiences connecting with local women, the complexities of gender roles, and the impact of social media in their research. They also address serious issues like bridal kidnapping and the nuances of feminism in different cultural contexts, emphasizing the need for small, incremental changes to foster empowerment and support local initiatives.Learn more about Women Behind the Wheel here: https://catandhan.wixsite.com/womenbehindthewheeland https://www.instagram.com/women.behind.the.wheel/---Subscribe to learn more about filmmaking, production, media makers, creator resources, visual storytelling, and every aspect that brings film, television, and video projects from concepts to our screens. Check out the MediaMakerSpotlight.com show page to find even more conversations with industry professionals that inspire, educate, and entertain!We on the Women in Film & Video (WIFV) Podcast Team work hard to make this show a great resource for our listeners, and we thank you for listening!

To celebrate Women's History Month, we've invited six female guests to discuss their selections of favorite films directed by women and/or that have women featured prominently. Listen as Rachel, Marianne, Jenna, Rosa, Julie and Angie share their thoughts on some of their favorite films!

MediaMaker Spotlight, the official podcast of the DC-based non-profit, Women in Film & Video, features conversations with industry professionals on a range of topics of interest to screen-based media makers. It's a must-listen resource for filmmakers of all interests and experience levels! Through fun and inspiring interviews with award-winning creators, you'll learn all about what goes into bringing projects to life. We shine a light on subjects such as producing, editing, film festivals, costuming, sets, acting, diversity and inclusion on set, filmmaker resources, and so much more. It's a great place to gain knowledge and inspiration, while celebrating visual storytelling!Our interview-style episodes are typically around 30 minutes in length, hosted by our three rotating hosts: Candice, Sandra, and Tara. New episodes drop every other Sunday.Find all episodes, learn more about the show, search topics, and more on our show website: https://mediamakerspotlight.com/---Subscribe to learn more about filmmaking, production, media makers, creator resources, visual storytelling, and every aspect that brings film, television, and video projects from concepts to our screens. Check out the MediaMakerSpotlight.com show page to find even more conversations with industry professionals that inspire, educate, and entertain!We on the Women in Film & Video (WIFV) Podcast Team work hard to make this show a great resource for our listeners, and we thank you for listening!

Nataly Valdivieso llegó a la casa para conversar sobre lo que más ama en la vida: ser asistente de dirección (¡también ama ser script!).La serie Cien años de Soledad, Ruido Capital, Frontera Verde o películas como Matar a Jesús o Los Reyes del Mundo son solo algunos de los proyectos en los que ha trabajado Naty.Un episodio imperdible para quien quiera aprender de las experiencias de set de Nataly, y  que al tiempo quiera escuchar su relato divertido y "parchao".Este episodio cuenta con el patrocinio de:Umaña Abogados, los mejores aliados legales para tu proyecto audiovisualEste episodio es posible gracias a: Nuestra productora Gente queLa producción ejecutiva de Lemaitre ConsultoresEl amor y confianza de nuestros amigos en Patreon (Hamilton Casas, Juliana Núñez, Diana Piñeres). Apóyanos como ellos desde 1 dólar.Si quieres pautar en nuestros episodios, patrocinar #ElNoti semanal o producir tu pocdast no dudes en escribirnos a info@gentequehacecine.com Nuestra web: https://gentequehacecine.com/ 

La giovane italoaustraliana ha girato un documentario su una ristoratrice di Melbourne di origine afgana. Ci ha raccontato come è arrivata al cinema e la genesi del suo primo film da regista.

*This episode is brought to you by Dolly Card, the corporate card for film production that's a great alternative to petty cash. Dolly Card is here to streamline expense management, tax, and accounting. dollycard.com* Beyond stoked for this crucial convo with two producers with films that premiered at SXSW who pivoted from other careers into producing. We had a lot of fun while also contemplating how we can leverage our collective knowledge to solve some of the crises plaguing the producers' plight.  Spoiler alert: We 100% got nachos after. Elle Roth-Brunet, producer of I REALLY LOVE MY HUSBAND, sits at the intersection of innovation, business, and storytelling. She's a content strategist, brand builder, and creative producer who deeply believes in the power of representation and storytelling.  She has dedicated her career to helping 40+ underrepresented voices gain more equity in entertainment through content partnerships with Hello Sunshine, ARRAY, Paul Fieg's Powderkeg, the PGA, Women In Film, and the Black List.  Mark Ankner, producer of SLANTED, which won the grand jury award for Narrative Feature at SXSW, is dedicated to developing and producing creator-driven stories that resonate with culture.  He was instrumental at Endeavor Content, overseeing advisory business, film and television packaging and sales, and creating innovative distribution models for content creators and financiers. Prior to that, Mark was a partner at WME Global, focusing on emerging voices and building companies for established talent. Some notable film projects include the Academy Award-winning CALL ME BY YOUR NAME, FRUITVALE STATION and SORRY TO BOTHER YOU. His first film PONYBOI premiered in the US Dramatic competition at the 2024 Sundance Film Festival. Directed by Esteban Arango, it was noted for its groundbreaking narrative and representation of diverse voices. Currently, Mark leads Mountain Top Pictures, an indie film and TV production company dedicated to championing innovative storytelling and supporting emerging talent in the industry  Tune in  xx  

Rule Breakers tells the remarkable true story of how entrepreneur Roya Mahboob fought for girls' education in Afghanistan and formed the country's first competitive robotics team, the Afghan Dreamers.  On this very special Season 3 premiere of CherryPop, Meg welcomes to the podcast, the film's inspiration and executive producer, Roya Mahboob, and stars Nikohl Boosheri and Amber Afzali. Nikohl and Amber start things off by sharing heartfelt memories from the set and remark on their meaningful experience filming and bringing this story to life. Roya joins in, and together, they discuss filmmaking as a powerful tool for change in continuing the fight for girls' education, and the importance of  representing Afghan women in their entirety on screen. “We don't see courage being in the absence of fear. We see that it's having fear and moving forward anyways.” - Nikohl Boosheri “In Hollywood we don't see Afghanistan represented with the dark and the light. We often focus on the dark and we often see women with faceless identities or not being fully dynamic characters on screen. I felt good knowing that I can make my community proud by engaging in this project; I can make my family proud. And most of all, I could look back on the project and be like, this is something that I think is bigger than me.” - Amber Afzali Rule Breakers is out now in theaters!  CherryPicks is the best place to see what women think about movies, tv, and more. CherryPicks highlights reviews and original stories exclusively from female and non-binary writers. www.TheCherryPicks.com Follow CherryPicks on Instagram and Twitter.  @thecherrypicks Follow your host Meg McCarthy on Instagram  @megjomccarthy Music composed by Honor Nezzo. CherryPop is executive produced by Miranda Bailey and Rebecca Odes, produced and hosted by Meg McCarthy, and edited by In Haus Media  

Incidentally, the theme for Primal Screen this week was volunteer-run organisations that make it possible to watch films on the big screen with an audience, that you otherwise mightn't.The small but mighty teams behind both Melbourne Women in Film Festival (MWFF) and the Melbourne Cinémathèque do extraordinary work to bring unique films to the cinema.Our guest host Cerise Howard speaks with Sian Mitchell, Artistic Director of MWFF, about the festival's mission to champion the work of Australian filmmakers and showcase stories about and by women and gender-diverse folk.Cerise and Eloise Ross, both co-curators of the Melbourne Cinémathèque, also discuss the upcoming season “Out of the Past and Into Flares: Neo-Noir in ‘70s America”, which explores how America's fractured psyche was reflected on screen during this vibrant and chaotic period. If you're wondering what the difference between "noir" and "neo-noir" is, you'd best listen back.MWFF runs 20-24 March.“Out of the Past and Into Flares: Neo-Noir in ‘70s America” runs 26 March-9 April.Thanks to Karl Chapman for working the panel this week.

For this Out Takes, we looked at some of the films on offer in this years Melbourne Women in Film Festival including the opening night film ‘We Were Dangerous', a... LEARN MORE The post Melbourne Women in Film Festival 2025 and ‘Equal The Contest' appeared first on Out Takes.

Dr. Paul Heinzelmann of the documentary feature, Safe Sets, and Becky Morrison of the production company, The Light, sit down with host Candice Bloch to discuss humane production practices. They explore the systemic issues affecting health and safety on set, alarming statistics regarding mental health, and the historical context of production practices. The conversation highlights the importance of creating a supportive environment for crew members and the need for cultural change within the industry. They also discuss the Safe Sets documentary, which aims to raise awareness and advocate for better working conditions in film production.To learn more about Safe Sets: https://wwwsafesetsmovie.org/ And https://linktr.ee/safesetsmovieTo learn more about The Light: https://thelight.nyc---Subscribe to learn more about filmmaking, production, media makers, creator resources, visual storytelling, and every aspect that brings film, television, and video projects from concepts to our screens. Check out the MediaMakerSpotlight.com show page to find even more conversations with industry professionals that inspire, educate, and entertain!We on the Women in Film & Video (WIFV) Podcast Team work hard to make this show a great resource for our listeners, and we thank you for listening!

We love celebrating local films that highlight diversity and representation and ‘My Melbourne' is one worth celebrating. Themed around four pillars – sexuality, gender, disability, and race – the anthology... LEARN MORE The post ‘My Melbourne' and the 2025 Melbourne Women in Film Festival appeared first on Out Takes.

Veh introduces her incredible series, Women in Film. Check it out!

Chris Derosa (Fixing Famous People) is on the podcast answering for himself because he made Natalie upgrade her Netflix account to watch It Ends with Us. It Ends with Us is the 2024 movie starring Blake Lively and Justin Baldoni (or is it Bologna?) that depicts an abusive relationship between a woman named Lily Blossom Bloom and her neurosurgeon husband Ryle. Natalie and Chris will dive into where the film's themes fell short for them, the term after school special may be used as a comparison to what the film actually accomplished. And they will also touch on the ongoing legal drama between Blake Lively and Justin Balogna.Support the Show:Follow us at @menivetoleratedpod on Instagram! https://www.patreon.com/menivetoleratedpod on Patreon for bonus content! We are currently running a free trial on all three tiers!All ways to support the show can be found at https://linktr.ee/menivetoleratedpod. Join the newsletter so you know when all bonus material is out and learn about all our other projects.Find Chris:Instagram: thechrisderosa and fixingfamouspeoplePodcast: Fixing Famous People

Host Sandra Abrams chats with publishing trailblazer Regina Jones and Soraya Sélène, one of the co-directors of the new documentary, “WHO THE HELL IS REGINA JONES?” The film tells the remarkable story of Jones's journey from being a financially struggling young mother of five to witnessing the Watts Rebellion in 1965 to creating and running SOUL newspaper. SOUL became a nationwide publication, scoring scoop after scoop with some of the era's biggest artists, like Aretha Franklin, James Brown, Diana Ross, Gladys Knight, and Stevie Wonder. SOUL was where Black artists could get coverage. After her marriage ended, the newspaper shuttered, and her mother died, Jones explains how as a Black woman she navigated all the trials of life during that tumultuous time. Regina and Soraya also reveal how the film came to life thanks in part to the amazing SOUL archive that Jones's grandson is preserving. To learn more about Who the Hell is Regina Jones, visit https://whoisreginafilm.com/ or follow the film on Instagram and Facebook @whoisreginafilmYou can watch the trailer here: https://www.youtube.com/watch?v=lZRdpxKUxKULearn more about co-director Soraya Selene at www.sorayaselene.com and on Instagram @soraya_seleneLearn more about co-director Billie Miossi at www.billy-miossi.com and on Instagram @billy_miossi---Subscribe to learn more about filmmaking, production, media makers, creator resources, visual storytelling, and every aspect that brings film, television, and video projects from concepts to our screens. Check out the MediaMakerSpotlight.com show page to find even more conversations with industry professionals that inspire, educate, and entertain!We on the Women in Film & Video (WIFV) Podcast Team work hard to make this show a great resource for our listeners, and we thank you for listening!

Alina Hleap es productora de películas como El Rey y La Sargento Matacho, con más de 40 años de carrera en el cine colombiano y latinoamericano, miembro del consejo nacional de cinematografía CNACC y directora de SAPCINE, uno de los procesos de mercado, encuento, colaboración y laboratorio de proyectos cinematográficos más importantes del continente. Poseedora de una energía incansable y de una risa inolvidable. Leyenda del cine caleño.Si quieres saber más de SAPCINE AQUÍ: https://www.sapcine.com/Este episodio cuenta con el patrocinio de:Umaña Abogados, los mejores aliados legales para tu proyecto audiovisualEste episodio es posible gracias a: Nuestra productora Gente queLa producción ejecutiva de Lemaitre ConsultoresEl amor y confianza de nuestros amigos en Patreon (Hamilton Casas, Juliana Núñez, Diana Piñeres). Apóyanos como ellos desde 1 dólar.Si quieres pautar en nuestros episodios, patrocinar #ElNoti semanal o producir tu pocdast no dudes en escribirnos a info@gentequehacecine.com Nuestra web: https://gentequehacecine.com/ 

The Lois Weber Film Festival is a female-forward 501(c)3 dedicated to promoting gender equality in the film industry by celebrating the legacy of silent film pioneer Lois Weber and the history of women in film, past, present, and future. Coming up on it's 3rd year  here in Boston, the festival's creators Gabby Rosson & Katie Killouhry talk about how they met and the back story on Lois, a film pioneer. Lois Weber Film Festival

Rachel Griffiths says she just got through her "peak mid-hell years" and she's here to tell us how. The actor, producer, and director has had many eras - from the "fast start" of Muriel's Wedding to being a Hollywood awards darling, a big-deal US TV star, the director of the Australian classic movie Ride Like A Girl, the co-creator of Total Control and now, the star of the TV show Madam. Through all that, she was also wrestling with the relatable MID dramas - parenting teens and young adults, a diagnosis that made sense of so much, caring for ageing relatives and trying to keep a long-term marriage going. No wonder, as she tells host Holly Wainwright, she and her husband needed a sabbatical. This conversation also veers off into ageing, the Hollywood stars Rachel used to envy but no longer does, how to stay optimistic in a tumultuous world and the relief of finding out she's "ADHD AF". You can follow Rachel Griffiths here. You can watch Madam here: Watch Madam Season 1, Catch Up TV THE END BITS: ENTER SUBSCRIBER GIVEAWAYS: Use code MIDCRUISE for 20% off a yearly subscription. Share your feedback! Send us a voice message or email us at podcast@mamamia.com.au Follow us on Instagram @MidbyMamamia or sign up to the MID newsletter, dropping weekly here. Mamamia's new podcast BIZ is rewriting the rules of work with no generic advice - just real strategies from women who've actually been there. Listen here. CREDITS: Host: Holly Wainwright Executive Producer: Naima Brown Senior Producer: Grace Rouvray Producer: Tahli Blackman Audio Producer: Jacob Round Mamamia acknowledges the Traditional Owners of the Land we have recorded this podcast on, the Gadigal people of the Eora Nation. We pay our respects to their Elders past and present, and extend that respect to all Aboriginal and Torres Strait Islander cultures.See omnystudio.com/listener for privacy information.

In this episode, host Tara Jabari interviews actor Carl Lumbly, known for his roles in Captain America, Alias, Doctor Sleep, and more. They discuss Lumbly's portrayal of Isaiah Bradley in the latest Captain America: Brave New World, a character rooted in historical injustices faced by African Americans, and the thematic elements of love and sacrifice in the Marvel Universe. Lumbly shares insights from his career, including his experiences on Alias and his aspirations to write a one-man show about James Baldwin. The conversation highlights the importance of collaboration and respect in the industry, as well as the anticipation surrounding Lumbly's upcoming projects.Marvel's Captain America: Brave New World opened in theaters on February 14, 2025.---Subscribe to learn more about filmmaking, production, media makers, creator resources, visual storytelling, and every aspect that brings film, television, and video projects from concepts to our screens. Check out the MediaMakerSpotlight.com show page to find even more conversations with industry professionals that inspire, educate, and entertain!We on the Women in Film & Video (WIFV) Podcast Team work hard to make this show a great resource for our listeners, and we thank you for listening!

Youtube Instagram Spotify therecklessofficial.com/BioThe Reckless is excited to share their newest EP, Who Are You, after a string of singlesover the past few years. The titular track “Who Are You” is a powerhouse debut of theirevolved sound and welcomes listeners to a new era of The Reckless.Since its debut, the band has undergone a complete sound evolution. The Recklessbegan during the pandemic as a one-man show by frontman Fritz Fayman. Joined bytalented musicians who shared his vision, Fayman soon welcomed bassist MichaelKennedy, who would become a mainstay member. During this period, the band releasedone EP, The Get in a Fight EP, while trying to strike harmony with fleeting bandmembers. Soon after, they encountered Riku Myllykoski, who joined the group ondrums. Within months, John Kelly joined on guitar to complete the group.“Our sound has become more advanced with our current crew,” shares Fritz Fayman.“Everyone is doing more to the song—it's not just me writing everything. Everyone isdoing their parts, which allows for a blending of our styles. There is a level of humilityamongst all our band members. We're each figuring out what we're good at andcombining influences and sounds to reach our potential and continued potential.”Now, The Reckless weaves the distinct interests and musical backgrounds of the fourmembers to create the robust, authentic, and captivating sound found in their latest EP,Who Are You.The band is committed to releasing new music every 3-4 months to connect with theirgrowing fanbase. “We started making singles for content and creating new music as weworked to nail down our sound as a group,” shares Fayman. “We were practicing for twohours twice a week to make sure we were the best band we could be at live shows.”Their effort has paid off, as demonstrated by captivated audiences during theirpowerhouse performances.Who Are You combines four unique songs into one memorable EP. The titular single,“Who Are You” opens the stage, followed by the rock anthem “Do it for Free,” the pop-punk banger “Home,” the reimagined throwback song “GO ON,” and the thoughtfulfinale “Remember Me.” Each song contributes a new layer of complexity to the group'ssound, which comes together with Fritz's emotive singing from track to track.The headline track, “Who Are You” began as a riff Fritz put together. “I brought it to theband and asked what they thought. The song turned out to be an example of the wholeband working together. Riff, base line, drum bits… we each contributed our part.”“The EP is a great example of how much we've grown,” adds Fayman. “There is such adifference between our first EP and the newer EP that demonstrates our ability toevolve.”“Who Are You” was born from a casual exploratory session, during which Fritz Faymandeveloped a riff in drop d tuning—inspired by some of the more metal bands Fritz hadrecently been listening to—that was heavy yet simple. Playing around, he created arough outline of the song and brought the band in to contribute their thoughts.“It brought out the vibe of a walkout song for a baseball pitcher,” explains Fayman. “It'sabout to go down right now. That excitement from the feeling of watching your favoriteplayer walking out.” The drumbeat was created using rim shots (outer edges of thedrum), followed by a heavy bass sound. Then came the addition of a guitar riff.“As we played more, the song came together. Intro. Verse. Lyrics. We took inspirationfrom a post we made where we got our first kind of hate comment. We laughed becausewe'd made it with that first hate comment.” As Fayman explains, it's not about thepeople writing hateful comments, rather about getting past negativity and writing a greatsong to counter what they were saying.“It's an angry, upbeat, powerful song,” he adds. “It's a great example of everything TheReckless is capable of and does with its wide variety of dynamic shifts, hard-hittingmoments, pauses, and impactful lyrics. I'm really proud of that song.”At the end of the day, The Reckless wants listeners to know that it's worth giving yourpassion a shot—and really trying your best. They're excited to keep entertaining liveaudiences and giving music lovers a chance to unwind and feel free to expressthemselves. Listeners can look forward to more music from The Reckless in the comingmonths.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

Ldmusicglobal@gmail.comInstagramspotifyYoutube FacebookTiktokBioSouth Florida-based singer-songwriter Leah Dibut begins 2025 with a powerful new chapter in her career, releasing her latest single, “Thank You.” Blending her signature mix of pop and R&B with raw emotion and storytelling, Dibut's new track delivers an empowering message of resilience and self-love.“‘Thank You' came from a very personal place,” Leah shared. “I went through a moment in my life where I felt impacted by someone in a way that shook me, and I knew I needed to write this song for myself. That purpose really comes through in the lyrics.”Leah Dibut's voice, known for its velvety tone and soulful delivery, brings a dynamic range of emotions to “Thank You.” Reflecting on the creative process, she said, “One of my favorite elements of the song is how it feels. From the subtle storytelling of the first verse to how the intensity builds as the song progresses, it's an elevation of emotion that I love.”Creating the single wasn't without its challenges. Leah worked closely with a trusted collaborator who understood her vision. “Finding the right words was tough,” she admitted. “You have so many feelings running through you, and it's hard to put them into words. But having someone who's been through similar experiences helped bring everything together.”The music video for “Thank You” is a visual representation of Leah's evolution as an artist. Working with her mother to conceptualize the visuals, Leah embraced a darker, edgier aesthetic. “We wanted to capture something different, something I hadn't done before,” she explained. “It was about bringing out the edginess inside of me, and that's reflected in everything—from the colors to the roaring '20s-inspired hairstyle.”Although Leah is rebranding as an independent artist after signing with Mr305 Records in 2023, her commitment to authenticity remains unwavering. She credits her time with the label for teaching her how to balance artistry with personal life, lessons she now applies to her independent career. “I learned so much during that time—about myself, being in the studio, and balancing being an artist with being a normal person. That was a major highlight in my career.”When asked what she hopes listeners take from the single, Leah emphasized the importance of vulnerability and self-expression. “I want people to know that I'm just as human as they are. I get frustrated, I don't always get along with people, and that's okay. My message is that it's cool to say whatever's on your mind and to feel those emotions—that's what makes us human.”As she continues to evolve as an artist, Leah's focus remains on building a strong connection with her audience. “I want to be their voice,” she said passionately. “Whatever they're going through, I want them to know I'm here for them. I want a strong relationship with my listeners because we're all in this together.”Leah Dibut's “Thank You” is more than just a song—it's a declaration of empowerment and a reminder of the power of resilience. Available now on all major streaming platforms, Thank You marks the beginning of an exciting new chapter in Leah's journey.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

In this special Black History Month episode of Blk on the Scene, hosts DeDe Brown and Jon Gist shine a spotlight on the groundbreaking contributions of Black female filmmakers, producers, writers, and showrunners who have transformed the landscape of film and television. From trailblazing directors to powerhouse storytellers behind the scenes, this episode celebrates the creative visionaries whose work continues to inspire and influence culture worldwide. Featured Black Female Filmmakers: Gina Prince-Bythewood – Love & Basketball, The Woman King Julie Dash – Daughters of the Dust Rent or Purchase  Nia DaCosta – Candyman AV Rockwell – A Thousand and One Rent or Purchase Melina Matsoukas – Queen & Slim Dee Rees – Pariah Rent or Purchase Kasi Lemmons – Eve's Bayou Rent or Purchase, Harriet Regina King – One Night in Miami Stella Meghie – The Weekend Rent or Purchase, The Photograph Tina Gordon – Little Ava DuVernay – Selma, 13th, A Wrinkle in Time Lisa Cortés – Little Richard: I Am Everything Rent or Purchase Dawn Porter – Luther: Never Too Much still in theaters at the time of this recording! Featured Black Female TV Producers/Writers/Showrunners: Ava DuVernay – Queen Sugar Shonda Rhimes – Scandal, Bridgerton Issa Rae – Insecure, Rap Sht* Tasha Smith – P-Valley, Survival of the Thickest, 911, Bel-Air, Mayor of Kingstown Salli Richardson-Whitfield – The Gilded Age Kerry Washington – Insecure, Reasonable Doubt Courtney A. Kemp – Power Raamla Mohamed – Reasonable Doubt Tune in as we discuss how these brilliant creatives have redefined storytelling, brought authentic Black experiences to the forefront, and paved the way for future generations. From iconic films to must-watch TV series, their influence continues to break barriers and set new standards in Hollywood. Learn more about your ad choices. Visit megaphone.fm/adchoices

Marianne R. Klein aka Marika Roth was born in Budapest, Hungary. Following WWII, she lived in Paris, France until she moved to Montreal, Canada. She studied creative writing and psychology at Sir George Williams University in Montreal. Later, she further extended her studies in art and was a student at the School of Fine Arts.During her time spent in Toronto, Canada, she graduated as a fashion model at the Walter Thornton Modeling School and later pursued her career as a fashion model with the Constance Brown Agency in Montreal. Following her move to Los Angeles, California, she continued her writing studies first at Beverly Hills High, then at UCLA, where she studied under Sy Gomberg (a Writer's Guild member). She has been a member of several independent writer's groups in Los Angeles, was a member of Women in Film and studied at the Writer's Boot Camp.Marianne has written poems, children's stories, and screenplays, as well as novels. Her award-winning memoir “All the Pretty Shoes,” published under the name of Marika Roth, has been internationally recognized, nominated for an Audio Book Award, and was chosen as a finalist at the Book of the Year Club. Additionally, she has two published novels, both romantic dramas based on semi-fiction entitled: “A Gambler's Journey” and “Lady Kelton's Secrets.” In addition to the novels, she has written a short story: “Farewell Paris.”

Marianne R. Klein, aka Marika Roth, was born in Budapest, Hungary. She lived in Paris, France after WWII, until she was transferred to Montreal, Canada for adoption. There she studied creative writing as well as psychology at Sir George William University in Montreal. Following her move to Los Angeles, she continued her writing studies first at Beverly Hills High and then at UCLA. Additionally, she completed her writing course at the Writer's Boot Camp and has been a member of several independent writer's group in Los Angeles. She was also a member of Women in Film.   Marianne wrote her memoir, All the Pretty Shoes, as a tribute to her long-time soulmate following his passing, and it became a Finalist at the Book of the Year club. All the Pretty Shoes has also been adapted as a screenplay entitled “Marika's War.”  Marianne's second novel, Gambler's Journey, is a romantic drama, and has been written into several screenplays.  About: All The Pretty Shoes On a snowy winter day in 1945 at age 12, Marika Roth barely escaped her own death only to witness the execution of hundreds of Jews by the side of the Danube. Running, starved and shoeless, through the streets of Budapest, ALL THE PRETTY SHOES is the story she survived to write.Website: https://inklein2productions.com/Amazon: https://www.amazon.com/All-Pretty-Shoes-Marika-Roth/dp/1948018136/   The Douglas Coleman Show VE (Video Edition) offers video promotional packages for authors.Please see our website for complete details. https://www.douglascolemanmusic.com/vepromo/Please help us to continue to bring you quality content by showing your support for our show. https://fundrazr.com/e2CLX2?ref=ab_eCTqb8_ab_31eRtAh53pq31eRtAh53pq

“Fast & Furious” franchise star Jordana Brewster opens up about her new genre-bending date-night slasher “Heart Eyes.” She talks about her own Valentine's Day horror story, and shares sweet memories from her “Fast & Furious” family. She also gets real about navigating love at any age, and how her relationship with her late co-star Paul Walker continues to influence her life today.See omnystudio.com/listener for privacy information.

It's time for another all-hosts special! Hosts Sandra, Tara, and Candice chat all about romantic comedies ahead of Valentine's Day. We discuss some of our favorite films, actors, and tropes within the ubiquitous rom-com genre, while also sharing some fun facts. You'll love hearing the banter about meet-cutes and steamy scenes, and you may even discover some classic movies to cozy up to with a special someone.---Subscribe to learn more about filmmaking, production, media makers, creator resources, visual storytelling, and every aspect that brings film, television, and video projects from concepts to our screens. Check out the MediaMakerSpotlight.com show page to find even more conversations with industry professionals that inspire, educate, and entertain!We on the Women in Film & Video (WIFV) Podcast Team work hard to make this show a great resource for our listeners, and we thank you for listening!

The Royal Ballet School (RBS) has reached a financial settlement with former student Ellen Elphick who said the body-shaming she experienced while at the elite institution has left her with lifelong psychological damage. The London-based school accepts no liability for the former dancer's case and has not issued an apology. Ellen talks to Anita Rani about the experience along with her lawyer, Dino Nocivelli.Female-dominated films are more likely to get more sexist criticism in reviews- that's according to a study of more than 17,000 reviews. Another study looked at how women in finance are portrayed in films and how this impacts real women working in the sector. Anita talks to the film critic, Leila Latif, about women in film.Cardiff University has announced possible cuts to 400 full-time jobs amid a funding shortfall. One of the departments to be potentially impacted is nursing and, whilst the university has said that no "final decisions" have been made and there's "no immediate impact" to those currently studying, concerns have been raised about the future supply of those going into the profession. Anita talks to Helen Whyley, executive director of the Royal College of Nursing Wales.Preet Chandi, better known as Polar Preet, broke world records in 2023 when she made the longest solo and unsupported journey across Antarctica, crossing 922 miles in 70 days. Now Preet is setting her sights on the North Pole, hoping to cross 500 miles of sea ice to reach it in under 70 days. She joins Anita to discuss why she's making the change to the North Pole, how she plans to get there and how she plans on dealing with polar bears.Poet Maria Ferguson has a new collection out. It's called Swell, and it explores the highs and lows of conception, pregnancy and motherhood, including looking at miscarriage. Maria joins Anita to talk about her compositions and why she wanted to write about becoming a mother.Presenter: Anita Rani Producer: Rebecca Myatt