Radio Film School

What is it like working with your spouse? Why is it important to create art that is unique to you? What is the future of Radio Film School? Tune in to find out."If we make what we know to be true for ourselves, that edge gives it an individuality that can't be found anywhere else." ~ Kelly Clark, ArtistIt has been quite a while since we've had a new episode of the show. A lot has been going on with me. New job (blog editor for Frame.io), moving out of my house, and becoming a nomad. But for this season finale, we have something that'll make you laugh and cry. And isn't that what makes a Radio Film School episode special?Video Mentioned in This EpisodeThe profile film for Kelly Clark.Music in this EpisodeMusic was curated from FreeMusicArchive.org . In order of appearance, the music in this episode was:Laserdisc by Chris Zabriskie (CC BY)Little Lily Swing by Tri-Tachyon (CC BY)Daylight PON II by Kai-Engel (CC BY)Endless Story about Sun and Moon by Kai-Engel (CC BY-SA-NC)Getting Paid Part II by Alec's Band (CC BY)Click here to learn about Creative Commons licenses and meanings.Save Big on Your Next GigIf you have a film or photo shoot here in the U.S., look no further than Lens Pro To Go for all your rental needs. Get premium service and support from people who are themselves working filmmakers and photographers. Podcast listeners get a 10% discount when you use the offer code "radio."

A blast from the past. One of my personal faves. Insightful. Inspiring. Potent. Definitely worth listening to again. And if it's your first time, enjoy.This week on the show we delve into one of the most important topics we’ll discuss all season. It’s at the core of what we do as filmmakers. Telling stories. Chris Huntley from The Write Bros. talks about the narrative story development theory Dramatica and the connection story has to psychology. We’ll hear from Patrick Moreau of Muse Storytelling and Stillmotion on how they find and tell the kind of stories that have won them five Emmys. We’ll hear from Dan Duncan of Remedy Films on the lengths he goes to tell authentic stories. And we hear from a filmmaker we last heard from way back in the first main episode — Alex Vo from the San Francisco Bay Area shares how he finds real life “Hero’s Journey” stories.Music in this EpisodeExcept where noted, music in this episode was curated from FreeMusicArchive.org. In order of appearance: Batched in the Light by Kevin MacLeod. CC BY Rewound by Chris Zabriske. CC BY In Time by Stellardrone. CC BY I am a Man Who Will Fight for Your Honor by Chris Zabriske. CC BYPlease Listen Carefully by Jahzzar. CC BY-SAHouse of Latin by Mark Stone. Courtesy of Song Freedom. All rights reserved. She Does Her Best (feat. Small Colin) by Six Umbrellas. CC BY-SA Laserdisc by Chris Zabriskie. CC BYI am Running with Temporary Success from a Montrous Vacuum in Pursuit by Chris Zabriskie. CC BY

This May marks the 15th anniversary of my video business and this summer marks the 25th anniversary of going to film school. Wow!This past weekend was Memorial Day so I had just enough time to put together a flashback to some past episode segments. In this 15th/25th anniversary special, I replay the story of my first time on a film set (from RFS004 "Your First Time") and the start and evolution of my video business (from FJ24 "Making a Difference with Your Art"). As usual, stick around after the credits for a fun discussion with friend of the show JD Cochran and I reminiscing on making my first narrative, scripted short film.Music in this EpisodeMusic was curated from FreeMusicArchive.org:Shower Scene (Instrumental Version)by Josh Woodward (CC BY)Preachin' Dem Blues by The Good Lawdz (CC BY-SA)Air Hockey Saloon by Chris Zabriskie (CC BY) Ground Cayenne by The Good Lawdz (CC BY-SA)My Girl by The Temptations Courtesy of Song Freedom. All rights reserved. What Does Anybody Know About Anything by Chris Zabriskie (CC BY) Daylight (PON II) by Kai Engel (CC BY)Click here to learn about Creative Commons licenses and meanings.Save Big On Your Next GigIf you have a film or photo shoot here in the U.S., look no further than Lens Pro To Go for all your rental needs. Get premium service and support from people who are themselves working filmmakers and photographers. Podcast listeners get a 10% discount when you use the offer code "radio."

A popular reward level for crowdfunded films is a credit in the movie. Apparently, this is a bigger deal than I originally thought. Today we find out why.In this episode of our "Making a Documentary" mini-series of Radio Film School, friend of the show Yolanda T. Cochran (with her husband JD offering his usual comic relief) gives us some detailed information on film and television credits. If you have thought about giving away a movie credit on your crowdfunded film for anything less than at LEAST $100 (or more), you need to listen to this episode. Or, if you're curious about union regulations regarding credits, or just the logistics that go into making credits, then stick around. It's actually pretty fascinating.The Role of "Producer"Ever wonder what all those different "producers" you see in movie credits actually do? The second half of this episode is a replay of a "Short Ends" segment from last year wherein Yolanda tells us. Get the 411 on executive producers, co-producers, producers, line producers, etc.Music in this EpisodeMusic was curated from Kevin MacLeod's Incompetch.com and FreeMusicArchive.org. In order of appearance, the music in this episode was:Please Listen Carefully by Jahzzar (CC BY-SA)Boulevard St. Germain by Jahzzar (CC BY-SA)Fire Ahead by Jahzzar (CC BY-SA)Click here to learn about Creative Commons licenses and meanings.Save Big on Your Next GigIf you have a film or photo shoot here in the U.S., look no further than Lens Pro To Go for all your rental needs. Get premium service and support from people who are themselves working filmmakers and photographers. Podcast listeners get a 10% discount when you use the offer code "radio."

Today we explore why the Marvel Cinematic Universe has been able to out-pace the DC Extended Universe in box office and critical acclaim, and what lessons we creators can learn from it.Throughout history, there have been some pretty epic rivalries. Mac vs. PC. Canon vs. Nikon. Marvel vs. DC. There's a lot of discussion and analysis on the internet about this latest topic, specifically the MCU vs. the DCEU. And on this episode of the show, we hear from some experts who help us contribute to that debate. In the end, you'll hear a perspective about how to look at it that I almost guarantee you've never considered.This week we hear from:Robert Meyer Burnett: A 25+ year veteran of Hollywood, Rob is a director, editor, frequent co-host on Collider Heroes, and self-proclaimed comic book geek.Edu Black: production coordinator on "The Simpsons," one of my co-hosts on the "Wrestling with Westworld" podcast, and huge comic fan.Jevon Phillips: online producer and writer for the L.A. Times Calendar section writing about entertainment.Brett Culp: director of the documentary “Legends of the Knight“, a feature-length documentary about the legend and story of Batman inspiring people living with debilitating or even life-threatening illnesses. Through the success of that film, Brett has since founded “The Rising Heroes Project,” a non-profit that creates uplifting films to support charitable organizations and inspire communities. They are currently touring with their follow-up to “Legends” with “Look to the Sky.”Music in this EpisodeMusic was curated from Kevin MacLeod's Incompetch.com and FreeMusicArchive.org. In order of appearance, the music in this episode was:Bernard FINALby Ian Alex Mac (CC BY) Marhababy Ian Alex Mac (CC BY)Perspectivesby Kevin MacLeod (CC BY)Hero Downby Kevin MacLeod (CC BY)Click here to learn about Creative Commons licenses and meanings.Save Big on Your Next GigIf you have a film or photo shoot here in the U.S., look no further than Lens Pro To Go for all your rental needs. Get premium service and support from people who are themselves working filmmakers and photographers. Podcast listeners get a 10% discount when you use the offer code "radio."

How long will change take? Should we all just settle in and "wait for a new generation"?Rahm Emmanuel, former White House Chief of Staff, Mayor of Chicago and brother of Ari Emmanual of WME was once quoted in the New York Times saying, "We can't kick the can down the road because we've run out of road." In today's episode, miniseries co-producer and a recurring guest on the show, Yolanda T. Cochran takes the reigns again to ponder what we should realistically expect by way of change in gender parity and politics.Fellow podcaster, Julie Harris Walker (of "the other 50%" - a Herstory of Hollywood and Herstory of Tech) joins us in the early days of her podcast to share thoughts on: what she's learned from talking to women executives in the business, where the women's movement may have had some shortcomings, and what the outlook of change is looking like.Likewise, Courtney Daniels, actress, producer and founder of Busted Buggy Entertainment gives some input on whether a "united front" from women is either viable or effective for women in high places in the biz.And finally, an excerpt from Ryan Murphy's acceptance speech for The Hollywood Reporter's inaugural Equity in Entertainment award makes a case for the argument that patience may not be a virtue.About the Mini-seriesBreaking the Glass is a Radio Film School podcast mini-series and short film docu-series addressing the issues of gender inequality in film and television. You can catch all the podcast and video episodes at daredreamer.fm/breakingtheglass.Support Our Sponsors and You Support the ShowSong Freedom: when you need high-quality music for your productions, including mainstream music as well as “oldies but goodies”. Sign up for a new account at songfreedom.com/radio and get a free standard gold level license worth $30.VideoBlocks: a subscription-based stock media company that gives you unlimited access to premium stock footage everyone can afford. Unlimited daily downloads from a library of 115,000+ HD video clips, After Effects templates, motion backgrounds, and cinemagraphs. Click here for a 7-day free trial allowing you to download up to 140 pieces of content. You can also sign up for their annual plan which is $99 for unlimited access to their library.MusicMusic in this episode was curated from FreeMusicArchive.org. Songs in order of appearance were:Little Wooden Churchby The Trumpeteers (CC BY)Night on the Docksby Kevin MacLeod (CC BY)Explodeby Kellee Maize (CC BY)Pigalleby Jahzzar (CC BY-SA)Julyby Kai Engel (CC BY)Sunsetby Kai Engel (CC BY)Takeoverby Kellee Maize (CC BY)

The #1 question I've had about the ridiculous Pepsi ad from a month ago is "How?" How did so many smart people in a room get this so wrong? I think today's episode of Radio Film School has some potential answers.I wanted to talk to some professionals who could give us informed and experienced insight into this debacle and PR mess. So I got on the line with Blake Howard, Creative Director of Matchsic, a brand consulting and design firm who has done work for companies like Coke and other national brands; and Chris Chan, the resident visual anthropologist at the viral video factory and social experiment production company Cut. They provide some new perspective on a topic that admittedly has been discussed ad nauseam. But I'm confident you'll dig this one!Music in this EpisodeMusic was curated from Kevin MacLeod's Incompetch.com and FreeMusicArchive.org. In order of appearance, the music in this episode was:“Overcast” by Kevin MacLeod (CC BY)“Lucid Streaming” by Graham Bole (CC BY)“Kool Kats” by Kevin MacLeod (CC BY)“Daybreak” by Kevin MacLeod (CC BY)“Lobby Time” by Kevin MacLeod (CC BY)Click here to learn about Creative Commons licenses and meanings.SAVE BIG ON YOUR NEXT GIGIf you have a film or photo shoot here in the U.S., look no further than Lens Pro To Go for all your rental needs. Get premium service and support from people who are themselves working filmmakers and photographers. Podcast listeners get a 10% discount when you use the offer code "radio."

It's NAB this week, and we have a new technology and filmmaking episode you must hear before you spend a dime!Because the nature of this show involves taking bits and pieces of longer episodes, I have a veritable vault full of as yet unmined content from fantastic interviews. In honor of it being NAB this week (that annual mecca to Las Vegas for media professionals all over the world), we have as yet unaired excerpts from interviews I conducted last season.Peabody award-winning filmmaker and documentarian Elaine McMillion Sheldon, who won that acclaimed award for her interactive documentary experience "Hollow", chimes in on how the architectural design concept of "form following function" should be applied to storytelling and technology. Also, Seattle Film Institute executive director David Shulman uses makes an appearance with an example of how a master's approach to filmmaking can be applied to our use of the latest and greatest. And it all starts with a simple (or not so simple) question asked by my 12-year-old aspiring filmmaking son.Music in this EpisodeMusic was curated from FreeMusicArchive.org. In order of appearance, the music in this episode was: Gettin' Paid, Pt. IIby Alec's Band (cc by)Remember Trees?by Chris Zabriskie (cc by)Here's the Thingby Lee Rosevere (cc by)Stories About the World That Once Wasby Chris Zabriskie (cc by)Denouementby Kai Engel (cc by)I Believe in Youby Lee Rosevere (cc by)All Your Faustian Bargains (Extended Mix)by Steve CombsClick here to learn about Creative Commons licenses and meanings.SAVE BIG ON YOUR NEXT GIGIf you have a film or photo shoot here in the U.S., look no further than Lens Pro To Go for all your rental needs. Get premium service and support from people who are themselves working filmmakers and photographers. Podcast listeners get a 10% discount when you use the offer code "radio.

In this bonus episode of our "Making a Documentary" miniseries, I read feedback on our Kickstarter video from Amina Moreau of the Emmy award-winning studio Stillmotion, as well as from Patrick Moreau of Muse Storytelling. Show regulars JD and Yolanda Cochran chime in with their 2 cents as well. If you haven't listened to episode 4 of the miniseries, you may want to go listen to that first.Click here to see the current version of the crowdfunding video.Visit the Videos section of the Invisible Illness Film website to see the other short video vignettes JD references ("There Must Be a Reason" and "What It Means to Thrive").Music in this episode was "And So Then" by Lee Rosevere (CC BY).

Feedback, in all of its forms, is essential for any artist to grow in his or her craft.This week we have part 4 of our “Making a Documentary” miniseries, wherein we document the making of my first low-budget feature-length documentary "Invisible Illness." During this series, it's my goal to share not only what I've learned, but what other documentary filmmakers have learned.On this episode, we have the second part of my interview with Vincent Vittorio, CEO and founder of Life is My Movie. Vincent gives some specific feedback on our crowdfunding video and our plans for the film in general. He also poses a question about the format of the film that has a profound impact on the direction we take it. Show regular JD Cochran throws in his two cents as well. Here's the current version of our crowdfunding video.Music in this EpisodeMusic was curated from FreeMusicArchive.org. In order of appearance, the music in this episode was:Monkeys Spinning Monkeysby Kevin MacLeod (CC BY)And So Thenby Lee Rosevere (CC BY)In A Momentby Lee Rosevere (CC BY)The Secret to Growing Upby Lee Rosevere (CC BY)Making A Changeby Lee Rosevere (CC BY)Click here to learn about Creative Commons licenses and meanings.

This was one of my favorite episodes from season 1. Interviews with...Dan Riordan and Dana Saint of Gnarly BayCanadian filmmaker Bren Foster of "While I'm Here: The Legacy Project"Brandon McCormick of Whitestone Motion PicturesOriginal air date October 2015. See music credits and original show notes on the blog.

A veteran documentary filmmaker reaches out to lend us a helping hand in the making of our first feature documentary.This week we have part 3 of our “Making a Documentary” miniseries, wherein we document the making of my first low-budget feature-length documentary "Invisible Illness." During this series, it's my goal to share not only what I've learned, but what other documentary filmmakers have learned.On this episode we have CEO and founder of Life is My Movie, Vincent Vittorio. Vincent has produced over a dozen feature length documentaries and has just finished a successful Kickstarter for another. Like me, he's drawn to topics that tackle important causes and social justice. This week we tackle the difference between journalism and documentary filmmaking; making ethical choices; and making creative choices in the doc filmmaking process.We also recently launched the Kickstarter for our feature doc.CHECK OUT OUR KICKSTARTER. We'll be covering what we learned on the podcast.Music in this EpisodeMusic was curated from FreeMusicArchive.org. In order of appearance, the music in this episode was:Please Listen Carefully by Jahzzar (CC BY-SA)Direct to Video Chris Zabriskie (CC BY)Divider by Chris Zabriskie (CC BY)Click here to learn about Creative Commons licenses and meanings.

"For sale. Baby shoes. Never worn." These are the words from Ernest Hemingway's famous 6-word short story. And they're the impetus for today's guest-produced and highly anticipated episode."We only give each other the top layers, the top; we dont give each other what lies beneath." ~ Kassim Harris, Director of It Eats You UpRobert Hardy is a filmmaker and writer who used to write for the popular filmmaking website No Film School. Robert has since left the behemoth site to start his own filmmaker resource for inspiration, Filmmakers Process. I love what Robert is doing with his site. It's very much in line with the spirit and goals of Radio Film School--helping filmmakers become better artists by connecting with what it means to be an artist. As I read the articles on his site, I knew I wanted him to adapt one as a segment for the podcast. That's what you're going to hear on today's episode.Robert connects with director, cinematographer, colorist and 16mm film fanatic Kassim Norris. His award-winning short film "It Eats You Up" is an excellent example of what Robert calls Iceberg Storytelling. You will be immensely inspired.Music in this EpisodeMusic was curated from FreeMusicArchive.org and Art-List.io (where noted). In order of appearance, the music in this episode was:Please Listen Carefully by Jahzzar (CC BY-SA)Universe is Calling by Lee Rosevere (CC BY)Behind the Clouds by Fog courtesy of Art-List.io (all rights reserved)Division by Ocean courtesy of Art-List.io (all rights reserved)Born Twice by Mark Tracy courtesy of Art-List.io (all rights reserved) Fire Ahead by Jahzzar (CC BY-SA)Click here to learn about Creative Commons licenses and meanings.SAVE BIG ON YOUR NEXT GIGIf you have a film or photo shoot here in the U.S., look no further than Lens Pro To Go for all your rental needs. Get premium service and support from people who are themselves working filmmakers and photographers. Podcast listeners get a 10% discount when you use the offer code "radio."Kassim's film "It Eats You Up".

Is the EEOC's investigation into Hollywood's hiring practices of women valid? Are women really not treated equitably in Hollywood. According to Scott Baio, the answer is a resounding "No!"From teen heart-throb to conservative political activist, Scott Baio has some provocative political ideologies that is fair to say isn't the common mindset in what has traditionally been a very liberally-minded, Democrat-populated town. From speaking at the Republic National Convention to appearing on the conservative Fox News program The Five to decry the government's investigation into hiring practices, Mr. Baio is unafraid and unashamed to make his thoughts and politics known. Good for him! I mean that. I totally disagree with his opinion on the matter, but I do commend his fortitude to speak up for what he believes in a town where he has to know it will be met with criticism.Well, it was the appearance on the aforementioned Fox News program that prompted today's episode of our miniseries "Breaking the Glass." I had miniseries co-producer and recurring guest on the show, Yolanda Cochran, listen to the entire segment. We then hopped on Skype to have a conversation about it. She gives some valuable insight into the business from the perspective of a person who has worked in the business for over 20 years (more than half of that time in some kind of producing role).In the last part of the show today, guest podcast producer Stefanie Malone (Emmy award-winning documentary producer and Executive Director of the National Film Festival for Talented Youth) arranges a conversation with director Jen McGowan. Jen's first feature film, "Kelly and Cal", starred Juliet Lewis and won the Gamechanger Director Award at the 2014 SXSW Film Festival. Jen is also the creator of Filmpowered.com, a site for connecting with and hiring female filmmakers. Jen gives a look at the situation from the point of view of a person currently in the system trying to get the next job, just like every other hard-working director, man or woman. Her thoughts about why we should have diversity in hiring practices are inspiring.About the Mini-seriesBreaking the Glass is a Radio Film School podcast mini-series and short film docu-series addressing the issues of gender inequality in film and television. You can catch all the podcast and video episodes at daredreamer.fm/breakingtheglass.Support Our Sponsors and You Support the ShowSong Freedom: when you need high-quality music for your productions, including mainstream music as well as "oldies but goodies". Sign up for a new account at songfreedom.com/radio and get a free standard gold level license worth $30.VideoBlocks: a subscription-based stock media company that gives you unlimited access to premium stock footage everyone can afford. Unlimited daily downloads from a library of 115,000+ HD video clips, After Effects templates, motion backgrounds, and cinemagraphs. Click here for a 7-day free trial allowing you to download up to 140 pieces of content. You can also sign up for their annual plan which is $99 for unlimited access to their library.MusicMusic in this episode was curated from FreeMusicArchive.org. Songs in order of appearance were:Mothership by Kellee Maize (CC BY)Explode by Kellee Maize (CC BY)It Looks Like The Future, But It Feels Like The Past by Doctor Turtle (CC BY)Takeover by Kellee Maize (CC BY)

Is a white director the best person to tell what is traditionally a black story? Is that a question that's even fair to ask?"I was terrified. I'll be totally honest with you. But that's why I knew I needed to make it. I just gotta be bold. 'Cuz why do the safe thing." ~ Spencer Gillis, Director of "Sweep"Spencer Gillis is an A-camera operator for the hit Netflix series "Orange is the New Black." But his passion is telling stories--stories that drum up tough conversations. Last summer I interviewed him about his Vimeo Staff Pick, Short of the Week winner "Sweep." Today's episode is part of my conversation with Spencer where we discuss the key story points of the film, and what they say about today's society.Music in this EpisodeMusic was curated from FreeMusicArchive.org. In order of appearance, the music in this episode was: Fire Ahead by Jahzzar (CC BY-SA)Referent Power by Cullah (CC BY-SA)My Dignity by Cullah (CC BY-SA)"This is What I Smoke To" by Mo Green. Courtesy of 235 Films. All rights served.Click here to learn about Creative Commons licenses and meanings.Spencer's Film "Sweep".

If you're about to start a crowdfunding campaign or are even thinking about one, this is a must-listen episode?This week we have part 2 of our “Making a Documentary” miniseries, wherein we document the making of my low-budget feature-length documentary "Invisible Illness." During this series, it's my goal to share not only what I've learned, but what other documentary filmmakers have learned.On this episode, documentary filmmaker Brett Culp is back on the show to talk about the successes and failures he's had with his three crowdfunding film campaigns over the past five years. Brett had a successful IndigGoGo campaign and then later a successful Kickstarter campaign to create is first feature length documentary "Legends of the Knight." He's now in the middle of his second feature length doc and third crowdfunding campaign, this time on IndieGoGo's Generosit.com platform. Among many things, he gives some great insight on when you'd want to use IndieGoGo vs Kickstarter (his answer may surprise if you think you know. It's not just about ow much money you get to keep). And he talks about why he's using Generority.org and for whom that platform is ideal.Stream Brett's film "Legends of the Knight" on NetflixThe IndieGoGo pitch video for "Legends"Brett's Kickstarter page for "Legends"Learn more about his current film at SupermanIsReal.comTo learn more about the documentary my wife and I are creating, visit InvisibleIllnessFilm.com.Music in this EpisodeMusic was curated from FreeMusicArchive.org. In order of appearance, the music in this episode was: Fire Ahead by Jahzzar (CC BY-SA)Out of the Skies, Under the Earthby Chris Zabriskie (CC BY)Click here to learn about Creative Commons licenses and meanings.

A blast back to the past with a replay with one of my favorite episodes from season 1. In honor of "Black History Month," I present to you again, "Do I Sound Black." Here was the original episode description...I have a confession to make. I’m black. Yes, I know. You probably had no idea, right? If all you’ve heard was my voice, I’m almost certain you didn’t know. I just don’t have that rugged, deep, recognizable “African American” signature to my voice. I’m not talking about grammar usage or cultural vernacular. I’m talking about my actual tone and vocal quality. Beyond that, I also just don’t like my voice. It’s totally ironic that I even have a podcast.What is an artist to do when they feel like they severely lack the inherent skill or talent necessary for their craft? That’s what we’re exploring in today’s “Short Ends” episode with good advice and an hilarious anecdote from friend of the show, spoken word artist Marshall Davis Jones. He recounts the story of how he came to have that rugged, rich texture to his voice (it wasn’t always so). His lesson is a great one for any filmmaker looking to excel at their craft.This episode is sponsored by Song Freedom. Be sure to listen to the episode to get a special discount code granting you one free song credit.

Have you ever been afraid to do something you knew was the right thing to do?Today is the inaugural episode of the “Making a Documentary” mini-series, wherein we document, well, the making of a documentary. Specifically, my first feature-length documentary. Except, I’m not the director. My wife Tasra is (pronounced TOZ-ra).On this episode, Tasra shares the deeply personal story that motivated her to take up the mantle of “filmmaker” and create “Invisible Illness”, a documentary about what it’s like living with an illness (or illnesses) where you look fine on the outside, but inside you’re suffering. She shares why she felt this story had to be told, why it has to be told as a film, and why she is reluctantly considering herself a filmmaker.To learn more about the documentary visit InvisibleIllnessFilm.com. Music in this EpisodeMusic was curated from FreeMusicArchive.org. In order of appearance, the music in this episode was: Fire Ahead by Jahzzar (CC BY-SA)No Homeby Cullah (CC BY-SA)The Secret to Growing Upby Lee Rosevere (CC BY)I Am a Man Who Will Fight for Your Honorby Chris Zabriskie (CC BY)Going Homeby Lee Rosevere (CC BY)Laserdiscby Chris Zabriskie (CC BY)Click here to learn about Creative Commons licenses and meanings.

In this our first episode of 2017, we look back at four of the most important lessons learned on the show last year. Plus, a look at a new mini-series on the making of my first feature-length documentary.Happy New Year boys and girls out there in podcast land! I'm excited to be back behind the microphone and bring you weekly and/or biweekly stories about filmmaking, creative arts, and pursuing your passion. To kick us off, we're going to look back at some of my favorite episodes last season. You'll hear clips from:Quentin Tarantino Pt. 1 - The AuteurQuentin Tarantino Pt. 2 - The ProvocateurSeason 1 FinaleGet 'er Done - A Mixed in America UpdateRFS003 - S.O.S. AtlantisThe Making of a Feature DocumentaryThis year I embark upon one of my greatest challenges as a filmmaker. The making of my first feature length documentary. My wife is actually the director as this is a passion topic of hers. My greatest fears are not the challenges of the filmmaking. Nope. My biggest fear has to do with how this collaboration will affect MY MARRIAGE! It's sure to make for some great podcast fodder. Be sure to subscribe to the show so as not to miss one juicy episode.To learn more about the documentary visit tasra.me/invisible. Here's the trailer.Music in this EpisodeMusic was curated from FreeMusicArchive.org. In order of appearance, the music in this episode was:Fire Aheadby Jahzzar (CC BY-SA)Boulevard St Germainby Jahzzar (CC BY-SA)And So Thenby Lee Rosevere (CC BY)Auld Lang Syneby Princes Band (Public Domain)Click here to learn about Creative Commons licenses and meanings.Videos MentionedHere's that hilarious trailer spoof.Reach OutIf you have a question about the movie business you'd like answered, or if you just want to drop us a line to say "Hi", email us at radiofilmschool@daredreamer.fm. Better yet, use the "Send Voicemail" button at the bottom of our website to leave a voicemail message. Follow Ron on Twitter @DareDreamerRon, or follow the show @RadioFilmSchool. Join the discussion at facebook.com/radiofilmschool.

In keeping with our Star Wars theme this week, today we discuss their strong female characters and how well the series passes the Bechdel Test.The latest two entries into the Star Wars universe have had strong female leads at the center. Show regulars JD and Yolanda T. Cochran join me today in this special episode to discuss that role that strong women have played in the various franchise installments.We also get into how many of the films pass the Bechdel Test. The test sets up three simple parameters for a movie: 1) you have two or more female characters, 2) they talk to one another, and 3) they talk about something other than a man. Is the test a valid one for determining a film's gender diversity? About the Mini-seriesBreaking the Glass is a Radio Film School podcast mini-series and short film docu-series addressing the issues of gender inequality in film and television. You can catch all the podcast and video episodes at daredreamer.fm/breakingtheglass.Support Our Sponsors and You Support the ShowSong Freedom: when you need high-quality music for your productions, including mainstream music as well as "oldies but goodies". Sign up for a new account at songfreedom.com/radio and get a free standard gold level license worth $30.VideoBlocks: a subscription-based stock media company that gives you unlimited access to premium stock footage everyone can afford. Unlimited daily downloads from a library of 115,000+ HD video clips, After Effects templates, motion backgrounds, and cinemagraphs. Click here for a 7-day free trial allowing you to download up to 140 pieces of content. You can also sign up for their annual plan which is $99 for unlimited access to their library.MusicMusic in this episode was actually curated from Kevin MacLeod's Incompetech.com. "Rynos Theme" (CC BY).

Today we look at three specific lessons filmmakers can learn from the missteps of the prequels and the re-mastered original trilogy. [Rebroadcast]In honor of the release of "Rogue One", we're re-broadcasting the Star Wars special we first ran last December before the release of "The Force Awakens." In this episode, we look at the making of the Prequels and the remastered Trilogy. I know the issues that Star Wars fans have had with these films have been discussed ad nauseam. But in this special, I look at three aspects of these films from which filmmakers can glean valuable insight into the making of their own films. We hear from Write Bros. partner and Dramatica co-creator Chris Huntley; Loyd Calomay of Red 5 Studios; film genre journalist and founder of Etheria Film Night Heidi Honeycut; and frequent show guest JD Cochran. Music in this EpisodeMusic from today’s episode is courtesy of Song Freedom and also curated from FreeMusicArchive.org. Click here to see the Song Freedom mixtape with all the songs. Here’s a list of songs used from Song Freedom:“Interstellar”“Main Title”“Helga Stella”“Can Can”Scott Joplin’s “Original Rags” was used from FreeMusicArchive.org. Public Domain.VideosHere’s the “Jive Walkin'” video I reference in the funny deleted “scene” at the end of the credits.

We follow up our conversation about "YouTube Journalism" with a look at the responsibility of the documentary filmmaker to capture and convey truth. From Nanook to Nuptials.Robert Flaherty's 1922 docu-drama "Nanook of the North" is widely regarded as the first commercially successful feature length documentary. But even as early as then, controversy surrounded the documentary filmmaking art form as it was revealed that many of the scenes from Nanook were staged, and even the main characters name was not his real name.Do true documentaries have to be strictly photojournalistic style, hands-off productions that just capture moments and interviews? Is it okay for a documentary filmmaker to use creative editing to re-arrange and juxtapose imagery and audio to better fit his or her narrative, even if such juxtaposition implies something that never really happened? Is a wedding film that has posed shots and scripted voice over any less "real" than a straight-forward document of the day? These are the questions we explore in this episode of Radio Film School: Short Ends.Music in this EpisodeMusic from today’s episode was curated from FreeMusicArchive.org. In order of appearance they were: Back To Buxtonby Alec's Band (CC BY)Mario Bava Sleeps In a Little Later Than He Expected Toby Chris Zabriskie (CC BY)Readers! Do You Read?by Chris Zabriskie (CC BY)Remember Trees?by Chris Zabriskie (CC BY)Canon in D Minorby Kevin Macleod (CC By)There's Probably No Timeby Chris Zabriskie (CC BY)Out of the Skies, Under the Earthby Chris Zabriskie (CC BY)Click here to learn about Creative Commons licenses and meanings.Videos ReferencedFox News Clip about Katie Couric's Deceptive Editing"Bowling for Columbine" Clip About Charlton Heston (Hardy Law comparison of movie clip to actual speeches)Errol Morris on Non-fiction FilmmakingErrol Morris on Recovering RealityErrol Morris on Truth, Art and PhotographyDenis Reggie and Joe Buissink Q&A

Today we have a provocative issue about the power of media to shape public opinion and perception. But how do we discern what's true?The ability to carry a high-definition video camera in your pocket has literally changed the face of an industry. Now any John or Jane Doe with an iPhone can be a DIY Anderson Cooper. Well, a conversation I had with world-renown wedding filmmaker Ray Roman about the controversy over police shootings led me down a path to explore this topic further. Today on the show you'll hear part of my conversation with Ray that prompted this exploration. We also hear from show regulars JD and Yolanda Cochran on the topic, as well as Legends of the Knight director and founder of the Rising Heroe's Project, Brett Culp. (With Legends of the Knight, Brettt raised over $100,000 for charities. He's hoping to do better than that with the next movie, but needs help raising the last set of funds. Click here to learn more.) Music in this EpisodeMusic from today’s episode was curated from FreeMusicArchive.org:The Crazies Are Out Tonight by Dylan Palme(CC BY-SA)Grave Robbers From Outer Space by Dylan Palme(CC BY-SA)Higekitekina (悲劇的な) by Fabian Measures(CC BY)Bliss (Peaceful Dales) by Fabian Measures(CC BY-SA)Subtle Library by Fabian Measures(CC BY-SA)8bit Five (ft. J6) by Cullah(CC BY-SA)Click here to learn about Creative Commons licenses and meanings.Films ReferencedThe Shining "Romantic Comedy" Trailer"Mrs. Doubtfire" as a Psychological Horror Flick

This Thanksgiving Day special brings back one of my favorite episodes from last year, plus an all-new interview with Whitestone Motions Pictures producer and film composer Nick Kirk.Last year during Thanksgiving, we had a special about the dark origin of the Tin-Man from the Wizard of Oz and the lessons filmmakers and other artists can learn from that story. The basis for that episode was Whitestone Motion Pictures director Brandon McCormick talking about the making of their film "Heartless," their version of the aforementioned Tin-Man origin story. This Thanksgiving we bring that episode back, plus a brand new interview with Whitestone's film composer Nick Kirk. This whole episode is chock full of artistic inspiration.Music in this EpisodeMusic from today’s episode was curated from the Song Freedom. Click here to see the Song Freedom mixtape for this episode (All rights reserved). The Song Freedom songs were Le Jazz – Hot A and Le Jazz – Hot B.Songs used during the interview with Nick (from "That's Magic", courtesy of Whitestone Motion Pictures, all rights reserved):Second’s GlanceThere’s No Such Thing as MagicThe rest of the songs were from the “Heartless” soundtrack, courtesy of Whitestone Motion Pictures (all rights reserved). Music and Lyrics by Nick Kirk and The Brothers Bright. Songs used (in order of appearance):The Tinner (during the history of “Wizard of Oz”)Our Story Begins with LoveThe Wicked Witch of the EastThe Cursed AxeFrozenYours Alone (credits)The Tin Man (during bonus excerpt at end)Click here to learn about Creative Commons licenses and meanings.Films ReferencedThe Creative ProcessHeartless: The Story of the Tin-ManHeartless: Behind the ScenesMaking the Tin-Man: Sound and Music

Last month I had a great conversation with 30+ year editing and producing veteran Chris Fenwick about what it takes to make it in this business. He used the analogy of "standing on a chair" to make a point. In the context of that conversation was his commentary about a female assistant editor in Hollywood who as featured in the second installment of our Breaking the Glass docu-film series. The editor, Christine Haslett, shared frustrations about not advancing as far as she would've liked in her field. JD heard Chris' commentary on her situation and felt in the context of Christine, the "stand on a chair" analogy was not only way off the mark, but he felt it also sabotaged the very message "Breaking the Glass" series is trying to convey. As he put it, "He wanted to knock the guy over who was standing in the chair" (albeit, the way he described it was a tad more, um, colorful. :)This is an episode that will make you laugh and/or get pissed (I'm sure you'll get mad at somebody in this episode). But most of all, I hope it makes you think.Here's the first episode of FCPX Grill after its 14-month hiatus.About the Mini-seriesBreaking the Glass is a Radio Film School podcast mini-series and short film docu-series addressing the issues of gender inequality in film and television. You can catch all the podcast and video episodes at daredreamer.fm/breakingtheglass.VideosHere's the BTG film episode referenced in this episode.Here's Dane Sanders' keynote address at Engage15 that is referenced (the inspiration for Chris' "Stand on a Chair" metaphor).When you visit or support our sponsors you support the show.Song Freedom: when you need high-quality music for your productions, including mainstream music as well as "oldies but goodies". Sign up for a new account at songfreedom.com/radio and get a free standard gold level license worth $30.VideoBlocks: a subscription-based stock media company that gives you unlimited access to premium stock footage everyone can afford. Unlimited daily downloads from a library of 115,000+ HD video clips, After Effects templates, motion backgrounds, and cinemagraphs. Click here for a 7-day free trial allowing you to download up to 140 pieces of content. You can also sign up for their annual plan which is $99 for unlimited access to their library.We also want to give special thanks to these companies who are helping to spread the word to achieve gender equality in the biz:MusicMusic in this episode was curated from FreeMusicArchive.org. Songs in order of appearance were:Discovery by Zachary Nelson (courtesy of Song Freedom, all rights reserved).Let's Start at the Beginningby Lee Rosevere (cc by)Night Movesby Cosmic Analog Ensemble (cc by)Astronauts On Earthby Cosmic Analog Ensemble (cc by)Montmartre by Jahzzar (CC BY-SA)Direct to Video by Chris Zabriskie (CC BY)Preachin' Dem Bluesby The Good Lawdz (cc by-sa)Musical Mathematicsby Lee Rosevere (cc by)Click here to learn about Creative Commons licenses and meanings.

I've had a heavy heart as of late during this U.S. Presidential election. I wanted to take some time to share my plea to the leaders in the creative arts community.Last week we had a special post-election "Breaking the Glass" bonus produced and largely recorded by breaking the glass co-producer Yolanda T. Cochran. The episode was bittersweet in that it was written and recorded before the election results, so there was a certain sense of hopefulness in Yolanda’s voice that we were on the verge of having our first woman president. So I recorded an epilogue to her episode to provide context. I also used that epilogue to address what I’ve seen going on in the photography and filmmaking communities. That part of the epilogue is what you’re about to hear.So, if you listened to that entire "Breaking the Glass" episode, you don’t need to listen to this. But I wanted to share my thoughts and feelings with this industry that has meant so much to me for so long.I think this message is self-explanatory. If it resonates with you, please share it.Music in this EpisodeMusic was curated from FreeMusicArchive.org. In order of appearance, the music in this episode was:That Kid In the Fourth Grade Who Really Liked the Denver Broncos by Chris Zabriskie (CC BY)I Can’t Imagine Where I’d Be Without You by Chris Zabriskie (CC BY)Click here to learn about Creative Commons licenses and meanings.

Radio Film School show regular and Breaking the Glass co-producer Yolanda T. Cochran has a special episode created for you today. It's a message of what it means to be a woman pursuing power and influence in today's culture. It's centered around the events of the 2016 presidential election, but it holds value and meaning for women (and men frankly) in the film and television business, and in all walks of life.Then afterward, I give my own post-election commentary and epilogue specifically aimed at my friends and colleagues in the creative arts industry. About the Mini-seriesBreaking the Glass is a Radio Film School podcast mini-series and short film docu-series addressing the issues of gender inequality in film and television. You can catch all the podcast and video episodes at daredreamer.fm/breakingtheglass.VideosWe All Belong HereChisolm '72: Unbought and UnbossedOther ResourcesAmerica Loves Women Like Hillary Clinton...As Long as They're Not Asking for a Promotion (Quartz Article)MusicMusic in this episode was curated from FreeMusicArchive.org. Songs in order of appearance were:It's Always Too Late to Star Over by Chris Zabriskie Montmarte by Jahzzar (CC BY-SA)Another Version of You by Chris Zabriskie (CC BY)I Am the Man Who Will Fight for Your Honor (CC BY)Rewound by Chris Zabriskie (CC BY)That Kid In the Fourth Grade Who Really Liked the Denver Broncos by Chris Zabriskie (CC BY)I Can't Imagine Where I'd Be Without You by Chris Zabriskie (CC BY)Click here to learn about Creative Commons licenses and meanings.

An excerpt from our new podcast about HBO's "Westworld" and a discussion about Spike Lee's "Do the Right Thing" set the stage for an insightful discussion about how an audience responds to your film.A few weeks ago JD, Yolanda and I apparently felt like we didn't have enough time arguing and debating with each other on "Radio Film School", so we decided to take our passionate debates to a new "frontier"—HBO's "Westworld." Our new podcast "Wrestling with Westworld" is a weekly fun, funny, and engaging discussion about the new hit show. On the very first episode, we had a great conversation about audience reception and a filmmaker's ability to effectively and accurately convey their message to the audience. I felt it would be very informative to share with my RFS audience.As a follow up to the "Westworld" convo, I share a discussion that JD and I originally had last year about "Do the Right Thing". In it we address Spike Lee's comments that he believes the Danny Aiello character, Sal, is a racist, whereas both JD and I don't necessarily think he is. As the writer/director, did Spike do a good job of communicating to the audience that Sal is indeed a racist? That's what we explore. Special "guest star" appearance by filmmaker Ryan Booth. Music in this EpisodeMusic was curated from FreeMusicArchive.org. In order of appearance, the music in this episode was:Fire Aheadby Jahzzar (CC B-SA)Black Lungby Broke for Free (CC BY)Night Owl by Brokefor Free (CC BY)Old Western Firefightby Cullah (CC BY-SA)Western Firefight 2by Cullah (CC BY-SA)Click here to learn about Creative Commons licenses and meanings.Reach OutIf you have a question about the movie business you'd like answered, or if you just want to drop us a line to say "Hi", email us at radiofilmschool@daredreamer.fm. Better yet, use the "Send Voicemail" button at the bottom of our website to leave a voicemail message. Follow Ron on Twitter @DareDreamerFM, or follow the show @RadioFilmSchool. Join the discussion at facebook.com/radiofilmschool.

This week we have a re-run of our Twilight Zone specail from last Thanksgiving. Definitely worth a listen if you've never heard it before. Worth listening to again if you HAVE. You can read the original blog here.

On last week's season 2 premiere of Radio Film School, 30+ year editing and producing veteran Chris Fenwick provided some great perspective. But during my conversation with him, we talked about a number of things. One of them was his comment made about the second installment of our "Breaking the Glass" docu-film series wherein animation editor Christine Haslett shared frustrations about not advancing as far as she would've liked in her field. Chris' commentary on her situation is the impetus for today's discussion.After the credits, there's a fun preview of our brand new podcast about HBO's hit new series "Westworld." I like to refer to it as "The Westworld podcast Samuel L. Jackson would love!" You can subscribe to the new show in iTunes. Find it online at daredreamer.fm/westworldpod.About the Mini-seriesBreaking the Glass is a Radio Film School podcast mini-series and short film docu-series addressing the issues of gender inequality in film and television. You can catch all the podcast and video episodes at daredreamer.fm/breakingtheglass.VideosHere's the BTG film episode referenced in this episodeHere's Dane Sanders' keynote address at Engage15 that is referencedSponsorsWhen you visit or support our sponsors you support the show.Song Freedom: when you need high-quality music for your productions, including mainstream music as well as "oldies but goodies". Sign up for a new account at songfreedom.com/radio and get a free standard gold level license worth $30.VideoBlocks: a subscription-based stock media company that gives you unlimited access to premium stock footage everyone can afford. Unlimited daily downloads from a library of 115,000+ HD video clips, After Effects templates, motion backgrounds, and cinemagraphs. Click here for a 7-day free trial allowing you to download up to 140 pieces of content. You can also sign up for their annual plan which is $99 for unlimited access to their library.We also want to give special thanks Wipster for helping to spread the word to achieve gender equality in the biz.MusicMusic in this episode was curated from FreeMusicArchive.org. Songs in order of appearance were:Gettin' Paid, Pt. IIby Alec's Band (CC BY)The Journeyby Marcos H. Bolanos (CC BY-SA)Out of the Skies, Under the Earthby Chris Zabriskie (CC BY)The InsiderTheme by The Insider (CC BY-SA)Click here to learn about Creative Commons licenses and meanings.

Today we have the season 2 premiere of Radio Film School and we look at four essential characteristics to have fulfilling longevity in any artistic endeavor.Season 1 of the show explored the theme of "finding your voice and developing a signature style." In season 2, the central theme will be "pursuing your passion" To kick the season off, we're going to look at 4 characteristics that are essential for filmmakers (or any artist) to go the distance. And in the process of looking at those characteristics, boy, do we have a show for you. Everything that makes a Radio Film School episode special—funny anecdotes, silly stories, sound design, a great soundtrack, pop culture movie references, and engaging, enlighting, and insightful interviews with amazing and eloquent filmmakers and artists.Be sure to listen past the credits to get a sneak peek at season 2 and some of the cool projects we have lined up. Sign up for our email list to get access to the special resources mentioned in the episode.Who You HeardIn this episode, we hear from:Talicia Raggs, producers/writer on CW's The OriginalsYolanda T. Cochran, former EVP of Physical Production at Alcon EntertainmentChris Fenwick, veteran editor and producerJeff Cannata, co-host of the SlashfilmcastCosmos Kiindarius, award-winning directorJenna Edwards, film and media producer dedicated to helping filmmakers tell their storiesRana Campbell, host of the Dreams in Drive podcast (you can catch my episode of her show here.)Courtney Daniels of Busted Buggy EntertainmentPatrick Moreau, managing partner of Muse Storytelling and The Better Human ProjectAmina Moreau, managing partner of StillmotionTell Us Your StoryWe want to hear the story of your first movie memory. Email us at radiofilmschool@daredreamer.fm. Better yet, use the "Send Voicemail" button at the bottom of our website to leave a voicemail message. Follow Ron on Twitter @DareDreamerFM, or follow the show @RadioFilmSchool. Join the discussion at facebook.com/radiofilmschool.Music in this EpisodeMusic was curated from FreeMusicArchive.org. In order of appearance, the music in this episode:Fire Aheadby Jahzzar (cc by-sa)Boulevard St Germainby Jahzzar (cc by-sa)Young Adult Frictionby Alec's Band by Alec’s Band (cc by)Release (Instrumental)by Josh Woodward (cc by)Voyage I - Waterfallby The Kyoto Connection (cc by-sa)Warm of Mechanical Heartby Kai Engel (cc by)Walking Barefoot on Grass (Bonus) by Kai Engel(cc by)Show Me (Instrumental)by Josh Woodward (cc by)What Does Anybody Know About Anythingby Chris Zabriskie (cc by)Words Fall Apart (Instrumental)by Josh Woodward (cc by)lost love lettersby Fog Lake (cc by)The Summer Is Goneby Mike B. Fort (cc by)Click here to learn about Creative Commons licenses and meanings.

Perhaps one of the reasons the gender inequality issue in the entertainment business is so pervasive is how we men interact with one another.Sexual harassment is no joking matter, and the topic has become a focus in the entertainment biz with the recent resignation of Fox News president Roger Ailes after allegations by popular Fox anchors like Megyn Kelly and Gretchen Carlson of sexual harassment and inappropriate conduct . In today's episode, miniseries co-producer Yolanda T. Cochran is back with her business partner Christina Kremer to discuss an issue related to this topic that may literally frighten you.We also get some funny yet pointed perspective from my friend and Being Boss podcast co-host Kathleen Shannon of Braid Creative.About the Mini-seriesBreaking the Glass is a Radio Film School podcast mini-series and short film docu-series addressing the issues of gender inequality in film and television. You can catch all the podcast and video episodes at daredreamer.fm/breakingtheglass.The Docu-Series is Now LiveThe first installment of the short film docu-seires is now live. Check it out!SponsorsWhen you visit or support our sponsors you support the show.Song Freedom: when you need high-quality music for your productions, including mainstream music as well as "oldies but goodies". Sign up for a new account at songfreedom.com/radio and get a free standard gold level license worth $30.VideoBlocks: a subscription-based stock media company that gives you unlimited access to premium stock footage everyone can afford. Unlimited daily downloads from a library of 115,000+ HD video clips, After Effects templates, motion backgrounds, and cinemagraphs. Click here for a 7-day free trial allowing you to download up to 140 pieces of content. You can also sign up for their annual plan which is $99 for unlimited access to their library.We also want to give special thanks to these companies who are helping to spread the word to achieve gender equality in the biz:MusicMusic in this episode was curated from FreeMusicArchive.org. Songs in order of appearance were:TRAVEL LIGHTby Jason Shaw (CC BY)Seven Notes in Black 3 - Albionby Ian Alex Mac (CC BY)NICE AND EASYby Jason Shaw (CC BY)Insomnia (Instrumental)by Josh Woodward (CC BY)I Got One Thing by Cullah (CC BY-SA)Referent Powerby Cullah (CC BY-SA)Click here to learn about Creative Commons licenses and meanings.Videos MentionedThat Apple Recruitment VideoThe Fortune Magazine Video Report

This week we have a teeny peek at what's ahead in season 2 of Radio Film School, then revisit one of my favorite episodes from season 1.As we count down to the official premiere of season 2 of Radio Film School on Tuesday, October 11, I want to take take a stroll down memory lane and revisit our podcast collaboration with the Circa podcast -- "A Brief History of Cinema." But before that, there's a brief rundown of what you can expect in the upcoming season: new segments, new producers, new theme, and of course, our ongoing miniseries about gender, race, and making it in the biz, "Breaking the Glass."About the RewindToday’s rewind delves into the rich beginnings of cinema (starting with Thomas Edison and the Lumiere Bros) then takes us through the advent of television, and finally ends up at the smart phone. Zac’s storytelling style is immersive and engaging. You’ll immediately know why I chose Circa as a collaboration partner on this episode.After the credits there is one of the funniest bonus segments we’ve had. So be sure to stick around for that too. Music in this EpisodePlease Listen Carefully by Jahzzar (CC BY-SA)Yes Ma'am by Cullah (CC BY-SA) Brooks by Kai Engel (CC BY) Pigalle by Jahzzar (CC BY-SA) Sunset by Kai Engel (CC BY)Alfama by Jahzzar (CC BY-SA)Porch Blues by Kevin MacLeod (CC BY)Click here to learn about Creative Commons licenses and meanings.

One of the goals that Yolanda and I have for this special series is finding concrete solutions to the whole gender inequality issue in the entertainment business. One solution that is often bandied about (and in fact was an impetus for this mini-series) is for women to adopt more of the headstrong, confident, dare I say, "aggressive" tendencies of their male counterparts. But in this special bonus episode, Yolanda shares a heartfelt and personal sentiment that makes her want to call bullsh*t on that notion. It's a short episode, so I really encourage you to take the ten minutes or so and hear what she has to say. We'd love to hear YOUR story as it relates to what Yolanda shares. Feel free to do so anonymously if you so desire. You can email us your story to radiofilmschool@daredreamer.fm. Or, if you're so inclined, send a voice memo to that email address, or leave a voicemail at the bottom of any page on daredreamer.fm. Your story just might be what some woman out there needs to hear right now to change their whole life.About the Mini-seriesBreaking the Glass is a Radio Film School podcast mini-series and short film docu-series addressing the issues of gender inequality in film and television. Learn more and see the trailer at daredreamer.fm/breaking-the-glass.SponsorsWhen you visit or support our sponsors you support the show.Song Freedom: when you need high-quality music for your productions, including mainstream music as well as "oldies but goodies". Sign up for a new account at songfreedom.com/radio and get a free standard gold level license worth $30.VideoBlocks: a subscription-based stock media company that gives you unlimited access to premium stock footage everyone can afford. Unlimited daily downloads from a library of 115,000+ HD video clips, After Effects templates, motion backgrounds, and cinemagraphs. Click here for a 7-day free trial allowing you to download up to 140 pieces of content. You can also sign up for their annual plan which is $99 for unlimited access to their library.We also want to give special thanks to Wipster for helping to spread the word to achieve gender equality in the biz:MusicMusic in this episode was curated from FreeMusicArchive.org. Songs in order of appearance were:Another Version of You by Chris Zabriskie (CC BY)Undercover Vampire Policemanby Chris Zabriskie (CC BY)Click here to learn about Creative Commons licenses and meanings.

A lack of or poor communication is often at the heart of conflict. Today we explore how this has a profound effect on gender inequality in business.If you ever need a great movie or television scene to creatively illustrate a life lesson, you need look no further than Star Trek. You read that right. Star Trek. Everything you ever need to know about life, love, friendship, family, politics, whatever, can be learned from the annals of the various starships Enterprise and their respective ongoing missions. And today, I use an episode from Star Trek TNG as a metaphor for this issue of communication between men and women and the role it plays in gender inequality.Radio Film School regular and Breaking the Glass co-producer Yolanda Cochran takes the helm of the discussion and as a segment producer engages in a conversation with her business partner Christina Kremer. A conversation that will give you an important perspective. About the Mini-seriesBreaking the Glass is a Radio Film School podcast mini-series and short film docu-series addressing the issues of gender inequality in film and television. Learn more and see the trailer at daredreamer.fm/breaking-the-glass.Be Notified When Film Series StartsThe film series portion of Breaking the Glass will begin next week. Subscribe to our email list to be notified of when it drops!Only a Few Days LeftWe want to include your talent in the short film docu-series. Each winning entry will get almost $1,000 in prizes from LensProToGo, Song Freedom, Muse Storytelling, and Shane's Inner Circle. Click here to learn more.SponsorsWhen you visit or support our sponsors you support the show.Song Freedom: when you need high-quality music for your productions, including mainstream music as well as "oldies but goodies". Sign up for a new account at songfreedom.com/radio and get a free standard gold level license worth $30.VideoBlocks: a subscription-based stock media company that gives you unlimited access to premium stock footage everyone can afford. Unlimited daily downloads from a library of 115,000+ HD video clips, After Effects templates, motion backgrounds, and cinemagraphs. Click here for a 7-day free trial allowing you to download up to 140 pieces of content. You can also sign up for their annual plan which is $99 for unlimited access to their library.We also want to give special thanks to Wipster for helping to spread the word to achieve gender equality in the biz.MusicMusic in this episode was curated from FreeMusicArchive.org. Songs in order of appearance were:God Be With You Till We Meet Againby Chris Zabriskie (CC BY)Village Dreamingby Visager (CC BY)But Enough About Me, Bill Paxtonby Chris Zabriskie (CC BY)I Want to Fall in Love on Snapchatby Chris Zabriskie (CC BY)Outro - Totally Here and Nowby Kyoto Connection (CC BY-SA)Undercover Vampire Policemanby Chris Zabriskie (CC BY)Click here to learn about Creative Commons licenses and meanings.

Today I have my full, uncut interview with video essayist extraordinaire and multiple Vimeo Staff pick "winner," Adam Westbrook.The video essay has become one of the most popular forms of edutainment in recent years. Video series like Tony Zhou's "Every Frame a Painting" or Evan Puschak's "Nerdwriter" rack up hundreds of thousands, even millions of views every week. Well, there's a relatively new kid on the block who for the past two years has been making his mark in the video essay world.Adam Westbrook of Delve.tv only has 8 video essays under his belt, and in just two years, he's generated over a million views, 6 of his 8 videos have garnered the highly coveted Vimeo Staff Pick. I was fortuitous enough to catch Adam on his crest of fame (i.e. as of this writing, he's not too busy or "famous" to do podcast interviews ;) ). In this episode of Radio Film School: RAW, Adam and I discuss:How he got into video essays and his laborious processHis life as a freelancerHis views on success and pursuing your passionHitchcockAnd more.I promise you'll be inspired and encouraged by what Adam has to say. Special thanks to our show's co-producer Chris Huslage who hosted and lead-produced this episode.Music in this EpisodeMusic was curated from FreeMusicArchive.org. In order of appearance, the music in this episode was:Gettin' Paid Part II by Alec's Band (CC BY)Hachiko by the Kyoto Connection (CC BY-SA)Spliff and Wesson by Airglow (CC BY)Click here to learn about Creative Commons licenses and meanings.Adam's WorkSee samples of Adam's work on the blog post for this episode.Reach OutIf you have a question about the movie business you'd like answered, or if you just want to drop us a line to say "Hi", email us at radiofilmschool@daredreamer.fm. Better yet, use the "Send Voicemail" button at the bottom of our website to leave a voicemail message. Follow Ron on Twitter @DareDreamerFM, or follow the show @RadioFilmSchool. Join the discussion at facebook.com/radiofilmschool.

Today on our biweekly miniseries addressing gender inequality in the business, we discuss perhaps the most pervasive and insidious issue holding women back.Earlier in season 1 of the podcast, during our first "Women in Film" series, we had an episode that set the show on a path to have what would becomeEarlier in season 1 of the podcast, during our first "Women in Film" series, we had an episode that set the show on a path to have what would become Breaking the Glass. In that episode, there was one particular topic discussed that affects women from as high up as the ivory towers of studio executive offices, to the trenches of post production houses: self-confidence and the "imposter syndrome." In this episode we'll hear from:Elaine McMillion Sheldon, director of Hollow and co-host of the She Does Podcast.Julie Harris Walker, host and producer of the podcast "The Other Fifty Percent: A Herstory of Hollywood"Breaking the Glass panel participant Nichelle Protho, VP of Sander-Moses and COO of Slam DigitalShow regular Yolanda Cochran (Producer) and Christina Kremer (post-production supervisor)Amina Moreau, executive creative director of StillmotionKathleen Shannon, owner of Braid Creative and co-host of the Being Boss podcastAbout the Mini-seriesBreaking the Glass is a Radio Film School podcast mini-series and short film docu-series addressing the issues of gender inequality in film and television. Learn more and see the trailer at daredreamer.fm/breaking-the-glass.Podcasts & Videos MentionedSheryl Sandberg on the TED Radio HourTHR Roundtable with Studio ExecutivesThe Frame Interview with Natalie PortmanDeadline Extended for Female Filmmaker Video Vignette ChallengeWe want to include your talent in the short film docu-series. Each winning entries will get almost $1,000 in prizes from LensProToGo, Song Freedom, Muse Storytelling, and Shane's Inner Circle. Click here to learn more.SponsorsWhen you visit or support our sponsors you support the show.Song Freedom: when you need high-quality music for your productions, including mainstream music as well as "oldies but goodies". Sign up for a new account at songfreedom.com/radio and get a free standard gold level license worth $30.VideoBlocks: a subscription-based stock media company that gives you unlimited access to premium stock footage everyone can afford. Unlimited daily downloads from a library of 115,000+ HD video clips, After Effects templates, motion backgrounds, and cinemagraphs. Click here for a 7-day free trial allowing you to download up to 140 pieces of content. You can also sign up for their annual plan which is $99 for unlimited access to their library.We also want to give special thanks to these companies who are helping to spread the word to achieve gender equality in the biz:WipsterMusicMusic in this episode was curated from FreeMusicArchive.org. Songs in order of appearance were: There's a Special Place for Some People by Chris Zabriskie (CC BY) It's Always Too Late to Start Over by Chris Zabriskie (CC BY) Divider by Chris Zabriskie (CC BY) Please Listen Carefully by Jahzzar (CC BY-SA) Phase IV by lo-fi is sci-fi (CC BY) They're Coming by Elysian Bailey (CC BY) Casa Bossa Nova by Kevin Macleod at Incompetech.com (CC BY)Click here to learn about Creative Commons licenses and meanings.

Today I bring you a special announcement about the history, and more importantly, the future of the show.September 1, 2016, marks the 1-year anniversary of Radio Film School's official premiere. It's been quite a year. Since launching, we've been #1 in our podcast category on iTunes, have been on iTunes New and Noteworthy (we still frequently make it into the top 50), named by No Film School as "the filmmaker's podcast we've all been waiting for", and this summer, Cinema5D named us one of the top 5 filmmaking podcasts to binge listen during the summer. As we approach the beginning of season 2, I want to share some thoughts I have about what we've been able to accomplish, where we're going, and other important changes you'll want to know about if you're a fan. In This EpisodeWe hear from...Dave Shulman (executive director of the Seattle Film Institute) from the “A Brief History of Cinema” episodeAlex Ferrari (host of Indie Film Hustle podcast) from the “Tarantino the Provocateur”Alex Vo (SF Bay Area filmmaker) from “Of Fathers and Filmmaking”Video essayist Adam Westbrook of Delve.tvZac Lovelace (Circa Podcast) from“A Brief History of Cinema”Patrick Moreau, head of Muse StorytellingAmina Moreau, executive creative director of StillmotionMusic in this EpisodeMusic was curated from FreeMusicArchive.org. In order of appearance, the music in this episode was:Sunset by Kai Engel (CC BY)Beyond Something Beautiful by Scott Holmes (CC BY)Cylinder Six by Chris Zabriskie (CC BY)Man with a Golden Soul by MC Cullah (CC BY-SA)God's Will by lo-fi is sci-fi (CC BY)Hanami by Fabian Measures (CC BY)The Sun Is Scheduled to Come Out Tomorrow by Chris Zabriskie (CC BY)Yes Ma’am by Cullah (CC BY-SA) Back To Buxton by Alec's Band (CC BY)Click here to learn about Creative Commons licenses and meanings.Legally License Music for Your ProductionIf you need to legally license music for your productions, from every genre (including mainstream music) look no further than Song Freedom. Click here to unlock a one-time Standard Gold Level license worth $30.Reach OutIf you have a question about the movie business you'd like answered, or if you just want to drop us a line to say "Hi", email us at radiofilmschool@daredreamer.fm. Better yet, use the "Send Voicemail" button at the bottom of our website to leave a voicemail message. Follow Ron on Twitter @DareDreamerFM, or follow the show @RadioFilmSchool. Join the discussion at facebook.com/radiofilmschool.

Filmmaking is one of the most powerful mediums there is to affect change and make a difference in the world.This week we have a special episode wherein I share personal filmmaking experiences that have made a difference in people's lives. I encourage you to use your craft to do the same. Videos Mentioned in This EpisodeVisit the blog post for this episode to watch the videos mentioned. In Pursuit of DreamsThe Creative ProcessBreatheLegally License Music for Your ProductionIf you need to legally license music for your productions, from every genre (including mainstream music) look no further than Song Freedom. Click here to unlock a one-time Standard Gold Level license worth $30.Share Your Story with UsFor season 2 of the show, we're looking for filmmakers with stories about overcoming great challenges to complete their projects. Whether or not you succeeded or failed, if you think there's a juicy and educational story with sharing, we want to know about it. The first six people we pick will each get a free music license from show sponsor Song Freedom. Just email radiofilmschool@daredreamer.fm and put "My Story" in the subject line.Reach OutIf you have a question about the movie business you'd like answered, or if you just want to drop us a line to say "Hi", email us at radiofilmschool@daredreamer.fm. Better yet, use the "Send Voicemail" button at the bottom of our website to leave a voicemail message. Follow Ron on Twitter @DareDreamerFM, or follow the show @RadioFilmSchool. Join the discussion at facebook.com/radiofilmschool.Music in this EpisodeMusic was curated from FreeMusicArchive.org. In order of appearance, the music in this episode:When You Leaveby Sergey Cheremisinov (CC BY)Ground Cayenneby The Good Lawdz (CC BY-SA) My Girlby The Temptations Courtesy of Song Freedom. All rights reserved.What Does Anybody Know About Anythingby Chris Zabriskie (CC BY)Daylight (PON II)by Kai Engel (CC BY)Thanks For Coming (Instrumental)by Josh Woodward (CC BY)I Don't See the Branches, I See the Leavesby Chris Zabriskie (CC BY)Homeless Californiaby Monplaisir (Public Domain)Click here to learn about Creative Commons licenses and meanings.

A key ingredient to solving the issue of gender inequality in this, or any industry, is for those in the positions of power to listen empathetically. But that's not always the case.Before any kind of real change can occur, the side of the "table" that has the power and influence, has to be able to really hear and listen to what the demarginalized side is saying. But societal norms and prejudices often tend to get in the way. And when it comes to issues of gender inequality, the natural tendencies of us men can also get in the way. Specifically, our penchant to not always be great listeners. Today on the show we hear fromBefore any kind of real change can occur, the side of the "table" that has the power and influence, has to be able to really hear and listen to what the demarginalized side is saying. But societal norms and prejudices often tend to get in the way. And when it comes to issues of gender inequality, the natural tendencies of us men can also get in the way. Specifically, our penchant to not always be great listeners. Today on the show we hear from address that issue. We'll hear from:Salima Koroma, director of the hip-hop documentary "Bad Rap".Julie Harris Walker, host and producer of the podcast "The Other Fifty Percent: A Herstory of Hollywood".Breaking the Glass panel participants Dayna North (writer and co-executive producer of HBO's Insecure).And we revisit part of my discussion with show regular Yolanda Cochran from the infamous "think like a man" episode.About the Mini-seriesBreaking the Glass is a Radio Film School podcast mini-series and short film docu-series addressing the issues of gender inequality in film and television. Learn more and see the trailer at daredreamer.fm/breaking-the-glass.Deadline Extended for Female Filmmaker Video Vignette ChallengeWe want to include your talent in the short film docu-series. Each winning entries will get almost $1,000 in prizes from LensProToGo, Song Freedom, Muse Storytelling, and Shane's Inner Circle. Click here to learn more.SponsorsWhen you visit or support our sponsors you support the show.Song Freedom: when you need high-quality music for your productions, including mainstream music as well as "oldies but goodies". Sign up for a new account at songfreedom.com/radio and get a free standard gold level license worth $30.VideoBlocks: a subscription-based stock media company that gives you unlimited access to premium stock footage everyone can afford. Unlimited daily downloads from a library of 115,000+ HD video clips, After Effects templates, motion backgrounds, and cinemagraphs. Click here for a 7-day free trial allowing you to download up to 140 pieces of content. You can also sign up for their annual plan which is $99 for unlimited access to their library.Videos MentionedVisit the blog post for this episode to see the videos mentioned:It's Not About the NailThe White Privilege Facebook video postMusicMusic in this episode was curated from FreeMusicArchive.org. Songs in order of appearance were:As I Figureby Kevin MacLeod (CC BY)Words Fall Apart (Instrumental)by Josh Woodward (CC BY)Where it goesby Jahzzar (CC BY-SA)Chunk of Lawnby Jahzzar (CC BY-SA)Click here to learn about Creative Commons licenses and meanings.

We continue our discussion about fair use, particularly as it relates to documentaries. You will be surprised by what you learn in this episode.Show regular Yolanda Cochran (who also is a co-producer for the "Breaking the Glass" short film docu-series), showed a lawyer friend our trailer for the series to get his take on our use of movie and television clips. His answer prompted me to do investigative reporting on the topic of fair use. My search leads me to Pat Aufderheide, a research fellow and founder for the Center for Media and Social Impact at American University in Washington, D.C. She and legal scholar Peter Jaszi lead the charge to create the Documentary Filmmakers' Statement of Best Practices in Fair Use, a simple to read, yet comprehensive report that sets standards for documentary filmmakers to follow in order to stay within the law when employing copyrighted material under Fair Use. In this episode we discussWhat part of copyright law does fair use fall underWhat are the four common situations in which a documentary filmmaker might utilize fair useThe surprising origins of the Best Practices documentSurprising examples of when even music might be deemed fair useVideos Mentioned in This EpisodeBreaking the Glass TrailerMixed in AmericaBush and Blair "Endless Love" VideoCalling All Female FilmmakersThere's still a chance for all you female filmmakers out there to submit your vignettes to be included in the "Breaking the Glass" docu-series. Deadline has been extended to September 18. Winning entries will get almost $1,000 in prizes from LensProToGo, Song Freedom, Muse Storytelling, and Shane’s Inner Circle. Click here to learn more.Legally License Music for Your ProductionIf you need to legally license music for your productions, from every genre (including mainstream music) look no further than Song Freedom. Click here to unlock a one-time Standard Gold Level license worth $30.Share Your Story with UsFor season 2 of the show, we're looking for filmmakers with stories about overcoming great challenges to complete their projects. Whether or not you succeeded or failed, if you think there's a juicy and educational story with sharing, we want to know about it. The first six people we pick will each get a free music license from show sponsor Song Freedom. Just email radiofilmschool@daredreamer.fm and put "My Story" in the subject line.Reach OutIf you have a question about the movie business you'd like answered, or if you just want to drop us a line to say "Hi", email us at radiofilmschool@daredreamer.fm. Better yet, use the "Send Voicemail" button at the bottom of our website to leave a voicemail message. Follow Ron on Twitter @DareDreamerFM, or follow the show @RadioFilmSchool. Join the discussion at facebook.com/radiofilmschool.Music in this EpisodeMusic was curated from FreeMusicArchive.org. In order of appearance, the music in this episode:Fastest Man on Earthby Jahzzar (CC BY-SA)Readers! Do You Read?by Chris Zabriskie (CC BY)Candlepowerby Chris Zabriskie (CC BY)Click here to learn about Creative Commons licenses and meanings.

If you thought you knew all there was to know about fair use and copyrights in filmmaking, you don't know jack! Part 1 of a series on copyrights, fair use, and filmmaking. Save yourself a potential lawsuit and listen.For the past ten years or so, I've written and blogged about the film, video and photography industries. During that time, I've addressed the issue of copyright usage and fair use in filmmaking. But even I was surprised (shocked even) to learn what I learned when talking with this week's guest, Salima Koroma. Salima is an African-American woman who runs the K-pop website The OneShots and is the director of the documentary "Bad Rap." In the process of speaking with her attorneys regarding the rights she needed to clear for her doc, she had an eye-opening experience that shared with us. We covered topics like:The real reason logos are grayed or blurred out on television showsWhy a random shot of Time Square might be a copyright clearance nightmareWhy clearing music has gotten exponentially harder over the yearsAnd more.Calling All Female FilmmakersWe want to include your talent in the short film docu-series. Each winning entries will get almost $1,000 in prizes from LensProToGo, Song Freedom, Muse Storytelling, and Shane’s Inner Circle. Click here to learn more.Legally License Music for Your ProductionIf you need to legally license music for your productions, from every genre (including mainstream music) look no further than Song Freedom. Click here to unlock a one-time Standard Gold Level license worth $30.Check These Videos Out [youtube=https://www.youtube.com/watch?v=VGvmRT7uJsI&w=750&h=422&rel=0] [youtube=https://www.youtube.com/watch?v=rJ5Ro1TgaJI&w=750&h=422&rel=0]Share Your Story with UsFor season 2 of the show, we're looking for filmmakers with stories about overcoming great challenges to complete their projects. Whether or not you succeeded or failed, if you think there's a juicy and educational story with sharing, we want to know about it. The first six people we pick will each get a free music license from show sponsor Song Freedom. Just email radiofilmschool@daredreamer.fm and put "My Story" in the subject line.Reach OutIf you have a question about the movie business you'd like answered, or if you just want to drop us a line to say "Hi", email us at radiofilmschool@daredreamer.fm. Better yet, use the "Send Voicemail" button at the bottom of our website to leave a voicemail message. Follow Ron on Twitter @DareDreamerFM, or follow the show @RadioFilmSchool. Join the discussion at facebook.com/radiofilmschool.Music in this EpisodeMusic was curated from FreeMusicArchive.org. In order of appearance, the music in this episode:Mario Bava Sleeps In a Little Later Than He ExpectedTo by Chris Zabriskie (CC BY)Is That You or Are You You?by Chris Zabriskie (CC BY)Air Hockey Saloonby Chris Zabriskie (CC BY)Click here to learn about Creative Commons licenses and meanings.

Today is the first official episode of the Radio Film School mini-series, and Ron addresses the elephant in the room.It's great that Ron wants this podcast series to make a difference in the industry; but is he really the best person for the job? He has a discussion with JD and Yolanda that you might not expect. We also here from 1st AC Austin Lewis giving his input on what men can do to help bridge the gap of gender inequality in the business. And Stefanie Malone, Executive Director of the National Film Festival for Talented Youth (NFFTY) comes on board as a new podcast producer. She provides an eye-opening insight about Affirmative Action you might not have ever heard.About the ShowBreaking the Glass is a Radio Film School podcast mini-series and short film docu-series addressing the issues of gender inequality in film and television. Learn more and see the trailer at daredreamer.fm/breaking-the-glass.Calling All Female FilmmakersWe want to include your talent in the short film docu-series. Each winning entries will get almost $1,000 in prizes from LensProToGo, Song Freedom, Muse Storytelling, and Shane's Inner Circle. Click here to learn more.SponsorsWhen you visit or support our sponsors you support the show.Song Freedom: when you need high-quality music for your productions, including mainstream music as well as "oldies but goodies". Sign up for a new account at songfreedom.com/radio and get a free standard gold level license worth $30.VideoBlocks: a subscription-based stock media company that gives you unlimited access to premium stock footage everyone can afford. Unlimited daily downloads from a library of 115,000+ HD video clips, After Effects templates, motion backgrounds, and cinemagraphs. Click here for a 7-day free trial allowing you to download up to 140 pieces of content. You can also sign up for their annual plan which is $99 for unlimited access to their library.

A new Radio Film School podcast mini-series that takes the first season's "Women in Film" series to a "whole 'nuther level!"What began as a simple suggestion by show regular Yolanda T. Cochran, grew to become both a podcast and a short film documentary series starring an impressive line-up of women in the film and television industry.This preview will sample what you will hear and see.Go to daredreamer.fm/breaking-the-glass to watch the film series trailer and learn about the female filmmaker video vignette submission guidelines and challenge.SPONSORSWhen you visit or support our sponsors you support the show.Song Freedom: when you need high-quality music for your productions, including mainstream music as well as "oldies but goodies". Sign up for a new account at songfreedom.com/radio and get a free standard gold level license worth $30.VideoBlocks: a subscription-based stock media company that gives you unlimited access to premium stock footage everyone can afford. Unlimited daily downloads from a library of 115,000+ HD video clips, After Effects templates, motion backgrounds and cinemagraphs. Click here for a 7-day free trial allowing you to download up to 140 pieces of content. You can also sign up for their annual plan which is $99 for unlimited access to their library.MusicMusic in this episode was curated from FreeMusicArchive.org. Songs in order of appearance were:Out of the Skies, Under the Earthby Chris Zabriskie (CC BY)Comfort to Youby Cullah (CC BY-SA) Aislingby Cullah (CC BY-SA)Insomnia (Instrumental)by Josh Woodward (CC BY)Yes Ma’amby Cullah (CC BY-SA)Brooksby Kai Engel (CC BY)

Star Trek fan films have been around over four decades. They've come in all shapes, sizes, and varying levels of quality. In all that time, the copyright owners of Star Trek have remained quiet. So why has one fan film elicited a lawsuit that has the fan community in an uproar?Fan films for genre properties are extremely popular. You can probably find fan films for every sci-fi, superhero, or fantasy-based intellectual property from games to films to TV shows. And one of the most popular sci-fi franchises of all time, Star Trek, has one of the highest numbers of fan films on the internet. One of the most popular was a 21-minute short released in 2014 called "Prelude to Axanar." It has won over 45 film festivals and racked up almost 2.5 million views as of this podcast. So popular was this short, that the filmmakers raised a record-setting $1.2 million dollars from two crowdfunding campaigns to make a feature film version.Then in December of 2015, the filmmakers behind Axanar were hit with a full-blown lawsuit from CBS and Paramount, something they've never done in the 40+ years that fan films have been around. Why now has the "sleeping giant" awakened?Today on the show we talk to Robert Meyer Burnett, the director of the film (which has not yet begun production due to the suit). He talks about it origins and insight into their side of this argument.We also hear from Richard "RB" Botter, CEO and founder of Stage32, whose connections to the Hollywood machine give him an insightful POV. Show regulars JD and Yolanda Cochran chime in as well. And show co-producer Chris Huslage is back to give us some history about fan films.Support Axanar ProductionsHop on over to AxanarProductions.com if you would like to support this film and the team behind it.Share Your Story with UsFor season 2 of the show, we're looking for filmmakers with stories about overcoming great challenges to complete their projects. Whether or not you succeeded or failed, if you think there's a juicy and educational story with sharing, we want to know about it. The first six people we pick will each get a free music license from show sponsor Song Freedom. Just email radiofilmschool@daredreamer.fm and put "My Story" in the subject line.Music in this EpisodeMusic was curated from FreeMusicArchive.org. In order of appearance, the music in this episode:Windy Bluffsby Visager (CC BY)Airshipby Visager (CC BY)Stellarby Mindseye (CC BY) Ho Heyby the Lumineers. Courtesy of Song Freedom. All rights reserved.Cylinder Eightby Chris Zabriskie (CC BY)Village Dreamingby Visager (CC BY)The Last Slice of Pecan Pieby Josh Woodward (CC BY)Bathed in the Light by Kevin MacLeod (CC BY)The Final Roadby Visager (CC BY)Age of Feminineby Kellee Maize (CC BY)Click here to learn about Creative Commons licenses and meanings.Legally License Music for Your ProductionIf you need to legally license music for your productions, from every genre (including mainstream music) look no further than Song Freedom. Click here to unlock a one-time Standard Gold Level license worth $30.Check These Videos OutVisit the blog page to see these videos:Joseph Kahn's Power/RangersPrelude to AxanarReason.tv Spot About Axanar CaseJJ Abrams Lawsuit AnnouncementReach OutIf you have a question about the movie business you'd like answered, or if you just want to drop us a line to say "Hi", email us at radiofilmschool@daredreamer.fm. Better yet, use the "Send Voicemail" button at the bottom of our website to leave a voicemail message. Follow Ron on Twitter @DareDreamerFM, or follow the show @RadioFilmSchool. Join the discussion at facebook.com/radiofilmschool.

Today we introduce an official new segment on Radio Film School..."RAW": Radio Film School interviews uncut, unfiltered and unbelievable. Today we have my uncut interview with Philip Bloom.There's a reason I like to call this show the "This American Life" for filmmakers. Our main episodes are craftily edited audio documentaries where I pull soundbites from disparate interviews to fit any particular episode. But many of my raw interviews with guests are so chock full of wonderful insights, seems like a shame not to share the whole thing. Sometimes I'll post them as exclusive bonuses for Premium Members. But many will be shared for the whole world to hear. And that's what we're doing today as we launch an official new segment of the show wherein I share full, uncut guest interviews.Today we have world renowned DP and director Philip Bloom, and we cover a gamut of topics like:His take on the "style" questionHow he got his startWhy he calls himself a “filmmaker”Why he does his reviews the way he doesHow he deals with online criticismThe biggest misconception people have about himAnd the proverbial "much, much, more!"Excerpts of this interview were used in RFS episodes "What the Hell Are You", "Plan E from Outerspace" and this week's "One Man Bands."Music in this EpisodeMusic was curated from FreeMusicArchive.org. In order of appearance, the music in this episode:Boulevard St. Germain by Jahzzar (CC BY-SA)Gettin' Paid Part II by Alec's Band (CC BY)Click here to learn about Creative Commons licenses and meanings.Legally License Music for Your ProductionIf you need to legally license music for your productions, from every genre (including mainstream music) look no further than Song Freedom. Click here to unlock a one-time Standard Gold Level license worth $30.Check These Videos OutVisit the blog post to see Phil's Blackmagic Design 4K Ursa review and his NAB2016 post mortem Vlog.Reach OutIf you have a question about the movie business you'd like answered, or if you just want to drop us a line to say "Hi", email us at radiofilmschool@daredreamer.fm. Better yet, use the "Send Voicemail" button at the bottom of our website to leave a voicemail message. Follow Ron on Twitter @DareDreamerFM, or follow the show @RadioFilmSchool. Join the discussion at facebook.com/radiofilmschool.

Filmmaking is a collaborative artform. Yet, tens of thousands of filmmakers all over the world shoot projects each week with no dedicated DP, no sound guy, and no assistants. It's just them, a camera, some lenses, lights, and mics. They are one-man/one-woman bands.This week on the show we hear from a small group of filmmakers who are making waves in the industry despite shooting much, if not most of their work alone -- and in two of the cases, with small, prosumer cameras.There's multi-Vimeo Staff Pick recipient Brandon Li, who's travel docs often feel like narrative shorts.Salvatore "Sal" D'Alia is a New York filmmaker (by way of Italy) who's the brainchild and filmmaker behind Adorama TV's "Through the Lens" Series.And internationally renown director and DP Philip Bloom is back to offer his two cents on what to call yourself if you wear many hats.Share Your Story with UsFor season 2 of the show, we're looking for filmmakers with stories about overcoming great challenges to complete their projects. Whether or not you succeeded or failed, if you think there's a juicy and educational story with sharing, we want to know about it. The first six people we pick will each get a free music license from show sponsor Song Freedom. Just email radiofilmschool@daredreamer.fm and put "My Story" in the subject line.Music in this EpisodeMusic was curated from FreeMusicArchive.org. In order of appearance, the music in this episode:Let’s Goby Allegra courtesy of Song Freedom. All rights reserved.Canon in D Majorby Kevin MacLeod (CC BY)Chosenby Stephane TV (CC BY-SA)On Axisby Pipe Choir (CC BY) Candle Lightby Dream City Orchestra courtesy of Song Freedom. All rights reserved.The World Keeps Changingby Nattbussen (CC BY-SA)To the Rhythm of the Funkby Cullah (CC BY-SA)No More Solosby Kelly Latimore (CC BY)Click here to learn about Creative Commons licenses and meanings.Legally License Music for Your ProductionIf you need to legally license music for your productions, from every genre (including mainstream music) look no further than Song Freedom. Click here to unlock a one-time Standard Gold Level license worth $30.Check These Videos OutBrandon Li's "Hong Kong Strong"Brandon Li's "Nomads of Mongolia"Through the Lens PromoReach OutIf you have a question about the movie business you'd like answered, or if you just want to drop us a line to say "Hi", email us at radiofilmschool@daredreamer.fm. Better yet, use the "Send Voicemail" button at the bottom of our website to leave a voicemail message. Follow Ron on Twitter @DareDreamerFM, or follow the show @RadioFilmSchool. Join the discussion at facebook.com/radiofilmschool.

In this week's episode of Radio Film School, we explore valuable filmmaking lessons learned the hard way.Have you ever had a vision for a film that you were so adamant about achieving, with an Ahab-like stubbornness you made creative decisions that you regretted later? Perhaps it's just me. Five+ years ago when I recorded the interview of my daughter Imahni for "Mixed in America," I purposefully only recorded the audio. It was a creative decision akin to the conquistadors burning their ships (i.e. there was no going back. I would be forced to produce creative b-roll for the film.) Today we explore the ramifications of that decision and how I overcame them. Show regulars JD & Yolanda Cochran return as they give me critical feedback on the rough draft, as well as give their input on the decision I made.Music in this EpisodeMusic was curated from FreeMusicArchive.org. In order of appearance, the music in this episode:Bonfire Musicby David Mumford (CC BY)Night Without Sleep(Instrumental) by David Mumford (CC BY)Shelby Bluesby David Mumford (CC BY)Twinkle, Twinkleby David Mumford (CC BY)When You Leave by Sergey Cheremisinov (CC BY)Be Back Soonby David Mumford (CC BY)Click here to learn about Creative Commons licenses and meanings.Legally License Music for Your ProductionIf you need to legally license music for your productions, from every genre (including mainstream music) look no further than Song Freedom. Click here to unlock a one-time Standard Gold Level license worth $30.Videos MentionedCheck out "We Got That B-roll" and have a laugh!Sarah Polley's "The Stories We Tell" TrailerReach OutIf you have a question about the movie business you'd like answered, or if you just want to drop us a line to say "Hi", email us at radiofilmschool@daredreamer.fm. Better yet, use the "Send Voicemail" button at the bottom of our website to leave a voicemail message. Follow Ron on Twitter @DareDreamerFM, or follow the show @RadioFilmSchool. Join the discussion at facebook.com/radiofilmschool.

After 5-1/2 years, Mixed in America: Little Mixed Sunshine if FINALLY finished. Here's part 1 of a 2-part finale of the mini-series where we've followed the film's progress.Throughout this first season of Radio Film School, we've followed the progress of my short film documentary "Little Mixed Sunshine," the first installment of my "Mixed in America" short film documentary series which tells the stories of biracial people in America. So much has gone into the making of this film that I want to discuss. If you've been listening to the show and the mini-series "Shooting Sunshine," you've heard a lot of the creative challenges I've faced. These are all important lessons from which any filmmaker can glean valuable insight. And in part 2 of this mini-series finale we'll get into the details of the final creative decisions I made and how I arrived at them. That will be next week.This week I want to tackle a more complex topic—that is the roles that race and culture have played in my life, and how a filmmaker's personal background can have such a profound effect on his or her work. Show regulars JD & Yolanda Cochran return as they give me critical feedback on the rough draft of the film I shared with them back in March.And as is often the case on this show, we start with a couple of funny, yet poignant stories to set the stage.Reach OutIf you have a question about the movie business you'd like answered, or if you just want to drop us a line to say "Hi", email us at radiofilmschool@daredreamer.fm. Better yet, use the "Send Voicemail" button at the bottom of our website to leave a voicemail message. Follow Ron on Twitter @DareDreamerFM, or follow the show @RadioFilmSchool. Join the discussion at facebook.com/radiofilmschool.Music in this EpisodeMusic was curated from FreeMusicArchive.org. In order of appearance, the music in this episode:A Thousand Years (Instrumental) by Christina Perri courtesy of Song Freedom (All rights reserved)Fogby Sergey Chermisinov (CC BY)virgo indigoby Fog Lake (CC BY)Tennesee Hayrideby Jason Sha (CC BY)Back to the Woodsby Jason Shaw (CC BY)Acoustic Bluesby Jason Shaw (CC BY)Remembering Past Everything by Pipe Choir (CC BY-)Undercover Vampire Policemanby Chris Zabriskie (CC BY)A Thousand Years (with Vocals) by Christina Perri courtesy of Song Freedom (All rights reserved)Click here to learn about Creative Commons licenses and meanings.Legally License Music for Your ProductionIf you need to legally license music for your productions, from every genre (including mainstream music) look no further than Song Freedom. Click here to unlock a one-time Standard Gold Level license worth $30.

For the past 10 months, we've explored a theme that is pertinent to all artists. Let's sum this season up and get the definitive answer to this crucial question.If you're any kind of artist, but especially if you're one trying to earn a living at your craft, it's vital to both your creative fulfillment as well as your professional longevity, to find "your voice" and develop a signature style. On September 1 of last year, Radio Film School launched with a mission to get to the bottom of this answer. After almost 90 interviews, we have determined what I can safely proclaim is a definitive strategy.In our season 1 finale, we'll revisit old interviews, introduce new ones, and summarize what essentially amounts to a 4-stop process; and we do it in a way that is classic Radio Film School--from stories to movie clips to an eclectic score, you'll be inspired after hearing this episode.Be sure to listen past the credits to get a sneak peek at season 2 and the collaboration we're doing with Stillmotion and Muse Storytelling to document the making of their The Remarkable Ones series. It's very cool! Sign up for our email list to be notified when we start. Also, email subscribers will get access and see my short film, "Mixed in America: Little Mixed Sunshine."Who You HeardIn this episode, we hear from:Zaki Lisha of De Anza College's Film & TV ProgramAdam Forgione of Pennylane ProductionsElaine McMillion Sheldon, Peabody Award-winning filmmaker behind the interactive documentary "Hollow"Dustin Blake of Indy Productions (see his "tatted-up" wedding video below)Ryan Koral of Tell Agency and Studio SherpasBrett Culp, director of “Legends of the Knight"Video Essayist extraordinaire Adam Westbrook of delve.tvKathleen Shannon of the Being Boss podcast as a guest on CreativeLive's Power. Profit. Pursuit. Podcast (ep. #37)Sasha Perl-Raver, movie and TV critic, actress, writer and co-host on Collider TV TalkWho You Heard in the Audio MontagesIn the opening montage of soundbites, here's who you heard:Commercial photographer and author Doug MenuezPhilip Bloom (internationally renown DP)Ray Roman of Ray Roman FilmsTravel filmmaker Brandon LiSal D'Alia, the filmmaker behind Adorama's TTL Film SeriesCut.com CEO and Creative Director, Mike GastonPatrick Moreau, co-founder of Still Motion and Muse StorytellingKevin Shahinian of Pacific PicturesAlex Ferrari, host of Indie Film HustleIn the Radio Film School Preview you heard:Kevin ShahinianRyan Booth of Serial Box TVJeff Cannata of the Slashfilmcast and We Have ConcernsBrett Culp In the credits montage you heard:Brett CulpPatrick MoreauSasha Perl-RaverReach OutIf you have a question about the movie business you'd like answered, or if you just want to drop us a line to say "Hi", email us at radiofilmschool@daredreamer.fm. Better yet, use the "Send Voicemail" button at the bottom of our website to leave a voicemail message. Follow Ron on Twitter @DareDreamerFM, or follow the show @RadioFilmSchool. Join the discussion at facebook.com/radiofilmschool.Music in this EpisodeMusic was curated from FreeMusicArchive.org. In order of appearance, the music in this episode:Reflectionsby Scott Holmes (CC BY)Fire Aheadby Jahzzar (CC BY)Prelude No. 4by Chris Zabriskie (CC BY)Cylinder 6by Chris Zabriskie (CC BY)A Man with a Golden Soulby MC Cullah (CC BY-SA)Please Listen Carefully by Jahzzar (CC BY-SA)Wonder Cycleby Chris Zabriskie (CC BY)Main Stemby U.S. Army Blues (Public Domain)Simple Hop by Broke for Free (CC BY)Green Fieldsby Scott Holmes (CC BY)Fall and Riseby Scott Holmes (CC BY)God’s Willby lo-fi is sci-fi (CC BY)Back to Buxtonby Alec’s Band (CC BY)Click here to learn about Creative Commons licenses and meanings.VideosCreative Mornings Doc - The trailer and full Creative Mornings documentary I created.Dustin Blake's Vegas Wedding - may contain adult content.The Podcasts Which Have Influenced Radio Film School the Most99% InvisibleThis American LifeTED Radio HourStartUp PodcastRadioLab

Practical lessons on finding the time to pursue passion projects which might not yet pay the bills. Plus, a literal "road to Damascus" experience.We're told time and again that personal projects are a key strategy for creatives to both find personal fulfillment, as well as market their business. But the realities of life are such that, it's often easier said than done. In today's episode, we explore this theme vis-a-vis my "Mixed in America" short film documentary project. In this episode we'll hear from the boys at Gnarly Bay as well as Patrick Moreau of Stillmotion and Muse Storytelling.Reach OutIf you have a question about the movie business you'd like answered, or if you just want to drop us a line to say "Hi", email us at radiofilmschool@daredreamer.fm. Better yet, use the "Send Voicemail" button at the bottom of our website to leave a voicemail message. Follow Ron on Twitter @DareDreamerFM, or follow the show @RadioFilmSchool. Join the discussion at facebook.com/radiofilmschool.Music in this EpisodeMusic was curated from FreeMusicArchive.org. In order of appearance, the music in this episode: Bethanyby Ian Alex Mac (CC BY)Trainby Sergey Cherimisinov (CC BY)Remembering Past Everything by Pipe Choir (CC BY)Satie’s Gym Shoesby MonkSeven (CC0)Going Homeby Lee Rosevere (CC BY-SA)Click here to learn about Creative Commons licenses and meanings.VideosVisit the blog post for this episode to see the video mentioned:Study.com Momentum LessonOprah’s Super Soul Sunday with Steven Pressfield on ResistanceOprah/Pressfield Clip on Finding Your Calling