Podcasts about kurosawa

What would you do if a rogue star was about to collide with Earth? Oh, and also there's a giant walrus for some reason! We're tackling Ishirō Honda's lesser-seen high concept sci-fi film about the far future of 1980 and a kind world overcoming borders and politics to literally move the planet. But can a disaster movie work without any interpersonal or human conflict? We talk about the strange dullness of this film, random amnesia, Honda's commitment to authentic science, and of course the top-notch Tsubaraya effects.Check out Glitterjaw's new variety feed, Glitterjaw Presents!Part of⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠The Glitterjaw Queer Podcast Collective⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Cover Art Gallery⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠skreeonkpodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Theme song:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠"BIO WARS - Synth Cover" by Kweer Kaiju⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Glitterjaw Presents trailer song: “Happiest Days” by Three Chain Links. Sourced from RoyaltyFreePlanet and used under CC BY 3.0 / Shortened from originalSources include: Ishiro Honda: A Life in Film, from Godzilla to Kurosawa by Steve Ryfle and Ed GodziszewskiWikizilla

Adam and Josh continue Filmspotting’s Dissident Cinema Marathon with Akira Kurosawa’s 1946 drama No Regrets for Our Youth. Released in the immediate aftermath of WWII, the film stands out as a blatantly political entry in Kurosawa's catalog — and notably, his only film featuring a sole female protagonist.See omnystudio.com/listener for privacy information.

¿Qué tan confiable es nuestra memoria? ¿Recordamos lo que ocurrió o reconstruimos constantemente nuestras propias historias?En este episodio de Tan Gente, Daniel Haering conversa con Arnoldo Gálvez sobre la memoria individual y colectiva, la identidad, el olvido, la literatura, la neurociencia y los relatos que construimos para darle sentido a nuestras vidas. La conversación recorre desde Borges y Kurosawa hasta la memoria histórica, los traumas familiares y las preguntas más profundas sobre quiénes somos.

When you're up for a bad time, Kiyoshi Kurosawa always comes through. We discuss the "tortured detective pursues a serial killer and finds an existential crisis" tale that is Kurosawa's 1997 masterpiece Cure.

KEXP presents Go Kurosawa performing live in the KEXP studio. Recorded April 6, 2026. autowalk moon, please sada no umi Go Kurosawa - Vocal, Cornet, PercussionBen Hackette - Vocal, Wind Instruments, KeysTaro Yamazaki - BassRoss McReynolds - Drums, PercussionRich Ruth - Guitar Host: Cheryl WatersAudio & Mixing Engineer: Julian MartlewMastering Engineer: Matt Ogaz https://www.gokurosawa.comhttp://kexp.org Join this channel to get access to perks:https://www.youtube.com/channel/UC3I2GFN_F8WudD_2jUZbojA/join Photo by Carlos CruzSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

En este nuevo Par-Impar la conversación se centra en El Tren del Infierno, un thriller de 1985 con guion del mismísimo Akira Kurosawa. En esta nueva entrega del podcast de cine de esRadio, Par-Impar, Juanma y Dani comentan la película de Andrei Konchalovski El tren del infierno, un thriller norteamericano sobre dos presos que se fugan de un penal de Alaska y acaban donde no deberían: siendo los únicos pasajeros a bordo de un tren descontrolado que amenaza con descarrilar a cada momento.

EPISODE #482-- We go back to Hong Kong with the classic horror/kung fu/folk tale mash-up A CHINESE GHOST STORY (1987), directed by Ching Siu-tung. It's a banger. Great film. Good episode. Listen to it! We also chat about John Frankenheimer's GRAN PRIX (1966), Kurosawa's SCANDAL (1950) and THE IDIOT (1951), as well as Carol Reed's NIGHT TRAIN TO MUNICH (1940) and Howard Hughes' HELL'S ANGELS (1930). Lots of good stuff, folks. LINKS-- Join the cause at Patreon.com/Quality. Follow the us on on Bluesky at kislingconnection and cruzflores, on Instagram @kislingwhatsit, and on Tiktok @kislingkino. You can watch Cruz and show favorite Alexis Simpson on You Tube in THEY LIVE TOGETHER. Thanks to our artists Julius Tanag  and Sef Joosten. The theme music is "Eine Kleine Sheissemusik" by Drew Alexander. Also, I've got a newsletter on Substack, so maybe go check that one out, too. Listen to DRACULA: A RADIO PLAY on Apple Podcasts, at dracularadio.podbean.com, and at the Long Beach Playhouse at https://lbplayhouse.org/show/dracula And, as always, Support your local unions! UAW, SAG-AFTRA, and WGA strong and please leave us a review on iTunes or whatever podcatcher you listened to us on!

In the birth month of Satyajit Ray, we are dropping a very special episode.Where did Ray's unforgettable characters emerge from?Was he fundamentally an Indian filmmaker—or deeply, profoundly a filmmaker of Bengal and Kolkata?How did one artist move so effortlessly between stories of women, loneliness, urban anxieties, politics, childhood, fantasy, detective fiction, and even horror?What shaped Ray's gaze? Where did his extraordinary empathy, observation, and range of storytelling come from?In this expansive episode of The Artists Podcast, we explore the inner world of Ray with film scholar Ranjani Mazumdar—one of India's most respected voices on cinema, urban modernity, and visual culture.From Charulata and Mahanagar to Devi, Nayak, Akira Kurosawa, and Ritwik Ghatak—this is a journey into Ray's cinema, thinking, and world.03:15 Environmental & spatial aesthetics in Ray's cinema04:40 Habits that made Ray deeply cinematic07:16 Kolkata filmmaker or Indian filmmaker?08:15 Devi, Nayak, Charulata 12:00 Cinema & architecture — Charulata and Mahanagar 15:00 Creating psychological states21:00 Ray's ability to understand women & inner life28:00 Kurosawa & Ray29:00 Ray & Ghatak 38:00 Rejecting the popular — B&W to colour39:00 Three Ray films for Gen Z

En esta primera parte dedicada a la relación entre cómic y cine, Alberto Azcueta nos guía por una fascinante selección de novelas gráficas y biografías ilustradas sobre los grandes nombres del séptimo arte. Desde pioneras como Alice Guy hasta leyendas como Charles Chaplin, Fritz Lang, Bela Lugosi, Orson Welles, Akira Kurosawa o Fellini, descubrimos cómo el cómic se convierte en una herramienta única para narrar la historia del cine y sus sombras. También hablamos de expresionismo alemán, Hollywood clásico, true crime, Pasolini, Metrópolis y obras imprescindibles como Filmish, el ensayo gráfico que analiza el lenguaje cinematográfico. ️ Una conversación imprescindible para amantes del cine, el cómic y la cultura visual. ☕ Hazte socio/a de El Café de la Lluvia y forma parte de nuestra comunidad: https://elcafedelalluvia.com/hazte-socio-a-de-el-cafe-de-la-lluvia/ Escúchanos y léenos en nuestra web: https://elcafedelalluvia.com/ ▶️ Suscríbete a nuestro canal de YouTube: https://www.youtube.com/c/ElCafédelaLluvia Recibe nuestros contenidos en tu correo: https://elcafedelalluvia.com/suscripcion-newsletter/ Síguenos en redes sociales: Twitter: https://twitter.com/cafelluvia Instagram: https://www.instagram.com/elcafedelalluvia/ Facebook: https://www.facebook.com/Cafedelalluvia Tu apoyo nos ayuda a seguir dando voz a la cultura, la literatura y el pensamiento crítico. Gracias por acompañarnos ☕✨

The Allied occupation changed Japan's social norms in a variety of ways. When the occupation ended, some of those changes would remain while others would fall by the wayside. In the midst of rebuilding, economic chaos, and privation, the Japanese film industry entered its golden age.Support the show My latest novel, "Califia's Crusade," is now available at Amazon, Barnes & Noble, Kobo, Apple Books, Bookshop.org, and many other online platforms! 

Chaos in Tokyo when two Gargantuas battle for the soul of a nation. Or at least dibs on dessert. Because that's right - the BAD Gargantua EATS people and the GOOD Gargantua tries to stop him. And guess what else? They're BROTHERS! AND they're technically mutated bits of Frankenstein DNA! AND... AND... you'll just have to see for yourself in this kaiju flick featuring the combined powers of Honda, Tsuburaya, and Ifukube. BUT IS IT WORTH THE OVERUSE OF ALL-CAPS?! That's the battle right there. Plus, Russ Tamblyn vs. Nick Adams, the International vs. the U.S. dub, Gargantuas vs. Frankensteins, Peter Lorre, the Answering Machine Zone, Bugs Bunny, and much more in this gargantuan episode!Thank you all for listening. Follow us on patreon.com/campkaiju, leave a rating and review, follow on Instagram, send an email at campkaiju@gmail.com, or enter the ANSWERING MACHINE ZONE at ⁠⁠⁠(612) 470-2612⁠⁠⁠.We'll see you next time for The War of the Worlds (1953)TRAILERS AND CLIPS The War of the Gargantuas (1966); Invasion of Astro-Monster (1965); Gidorah, the Three-Headed Monster (1964); Frankenstein Conquers the World (1965); Hair-Raising Hare (1946); Yog, a.k.a. Space Amoeba (1970)SHOUT OUTS & SPONSORSSubstack ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Film Criticism by Matthew Cole Levine⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Plays by Vincent S. Hannam⁠⁠⁠⁠⁠⁠⁠Zack Linder & the Zack Pack ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ishiro Honda: A Life in Film from Godzilla to Kurosawa by Steve Ryfle and Ed GodziszewskiMothra Day & FestivalGFest 2026Camp Kaiju: Monster Movie Podcast. The War of the Gargantuas (1966) Movie Review. Hosted by Vincent Hannam, Matthew Cole Levine © 2026 Vincent S. Hannam, All Rights Reserved.

We're filling in the movie we missed with a diamond-stealing space jellyfish! We venture back to the 60s for one of Honda's sci-fi flicks, couched between better-remembered movies with Mothra and Ghidorah, and plagued with limitations on its otherwise inventive special effects. We talk about how this movie went from from global alien invasion epic to gangster/diamond heist romp, Robert Dunham as delightfully roguish super spy diamond insurance man Mark Jackson, and much more.Take our Glitterjaw Listener Survey!Cover Art by: ⁠Doug!Part of⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠The Glitterjaw Queer Podcast Collective⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Cover Art Gallery⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠skreeonkpodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Theme song:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠"BIO WARS - Synth Cover" by Kweer Kaiju⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sources include: Ishiro Honda: A Life in Film, from Godzilla to Kurosawa by Steve Ryfle and Ed GodziszewskiThe Toho Studios Story: A History and Complete Filmography by Stuart Galbraith IVWikizilla

Erik Childress and Peter Sobczynski were off last week at the Chicago Critics Film Festival but return to catch you up on the world of physical media. There are serial killers played by Matt Dillon and another stopped by Charles Bronson. Criterion puts out more Kurosawa and there's a documentary on George Stevens as well. A Disney animated film from the ‘50s gets the upgrade as does a sci-fi film from the era. A comedy classic and one of the great baseball films celebrate their 15th anniversaries. The pair look back at the lasting power of David Fincher's adaptation of male insecurity and culminate with one of the great action films of the 1980s and the TV series it spawned in its wake.1:36 - Criterion (Stray Dog (4K))5:04 - Warner Archive (George Stevens: A Filmmaker's Journey)7:41 - Universal (It Came from Outer Space (4K), Bridesmaids (4K))19:04 - Cult Epics (Girls 4K)22:51 - Disney (Alice In Wonderland (1951) (4K), Fight Club (4K Steelbook))37:44 - Sony (Moneyball (4K))46:48 - Kino (Bend of the River, 10 to Midnight (4K), A Kiss Before Dying (1991), Charli XCX: Alone Together)1:12:03 - Arrow (Blue Thunder (4K))1:26:35 - New TV on Blu-Ray) (Blue Thunder (The Complete Series), IT: Welcome to Derry (The Complete First Season), Gilmore Girls: The Complete Series)1:28:04 - New Theatrical Titles On Blu-ray (Wuthering Heights (2026) 4K, GOAT (4K), Dracula, Obex, Solo Mio, Mistress Dispeller, I Can Only Imagine 2, Youngblood (2025), Twinless)1:29:49 - New Blu-ray AnnouncementsCLICK ON THE FILMS TO RENT OR PURCHASE AND HELP OUT THE MOVIE MADNESS PODCAST OR BUY FROM MOVIEZYNGBe sure to check outErik's Weekly Box Office Column – At Rotten TomatoesCritics' Classics Series – At Elk Grove Cinema in Elk Grove Village, ILChicago Screening Schedule - All the films coming to theaters and streamingPhysical Media Schedule - Click & Buy upcoming titles for your library.(Direct purchases help the Movie Madness podcast with a few pennies.)Erik's Linktree - Where you can follow Erik and his work anywhere and everywhere.The Movie Madness Podcast has been recognized by Million Podcasts as one of the Top 100 Best Movie Review Podcasts as well as in the Top 60 Film Festival Podcasts and Top 100 Cinephile Podcasts. MillionPodcasts is an intelligently curated, all-in-one podcast database for discovering and contacting podcast hosts and producers in your niche perfect for PR pitches and collaborations.USE COUPON “MOVIEMADNESS” TO GET 10% OFF ALL DUBBY PRODUCTSSIGN UP FOR AUDIBLE This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit erikthemovieman.substack.com

This week was Brian's birthday — and it turns out he shares it with Star Wars Day. That's all the excuse needed to bring Plugged In's Adam Holtz into the conversation for a deep dive on George Lucas's galaxy far, far away. How did a $10 million film with an uncertain release become a cultural watershed that changed cinema forever? What did Lucas actually borrow from — Joseph Campbell, Kurosawa, Flash Gordon, Eastern religion, the Bible — and what does that mean for Christians trying to engage it thoughtfully? Adam breaks down the Force as a theological concept, why the original trilogy still holds up for family viewing, and what went so wrong with the sequel trilogy that Disney may be looking to erase it from canon entirely. A fun, fast conversation perfect for any Star Wars fan trying to think Christianly about one of the most enduring stories in pop culture. Find more of Adam's work at pluggedin.com.See omnystudio.com/listener for privacy information.

We close House of Kurosawa with Kagemusha (1980), where a thief becomes body double for a dying warlord and learns pretending to be powerful is harder than having it. Made with support from George Lucas and Francis Ford Coppola, Kurosawa crafted a meditation on identity and performance. The color is stunning, the battle sequences are chaos, and the film asks whether anyone can tell the difference between a real leader and a convincing fake. It's slow, beautiful, and punishing cinema about impostors and power.

Dana and Tom with guest, Myke Emal (Host and Creator of the Cinemusts podcast), discuss Yojimbo (1961) for its 65th anniversary: written and directed by Akira Kurosawa with Ryūzō Kikushima and Hideo Oguni, cinematography by Kazuo Miyagawa, music by Masaru Sato, editing by Akira Kurosawa, starring Toshiro Mifune, Eijirō Tōno, Tatsuya Nakadai, and Daisuke Katō.Plot Summary: In a small, lawless town divided by two rival gangs, Toshiro Mifune plays a wandering ronin who sees an opportunity. Pretending to work for both sides, he tricks each gang into fighting the other, hoping to wipe them out and bring peace to the town. As his plan unfolds, the violence grows, and innocent people are caught in the middle.The ronin must rely on his intelligence and sword skills to survive as both gangs begin to suspect his true intentions. In the end, he faces the consequences of his dangerous game while trying to restore some sense of justice.Guest:Myke EmalHost and Creator of the Cinemusts podcast@cinemusts on Twitter, Letterboxd, Facebook, and IGPreviously on Anatomy of a Murder (1959), Sabotage (1936)Chapters:00:00 Introduction, Cast, and Background for Yojimbo05:59 Welcome Back, Myke Emal!06:46 Getting Into Yojimbo10:48 Is the Divided Town Symbolic of Anything?12:55 Endorsement of Violence?18:05 Dana's War Stories19:48 Plot Summary for Yojimbo20:37 What is Yojimbo About?21:39 Did You Know?27:35 First Break28:18 What's Happening with Myke Emal?29:49 Best Performance(s)42:17 Best Scene(s)48:51 Second Break52:18 In Memoriam55:36 Best/Funniest Lines57:57 The Stanley Rubric - Legacy01:04:56 The Stanley Rubric - Impact/Significance01:09:16 The Stanley Rubric - Novelty01:16:13 The Stanley Rubric - Classicness01:22:36 The Stanley Rubric - Rewatchability01:26:39 The Stanley Rubric - Audience Score and Final Total01:29:54 Remaining Questions for Yojimbo01:37:29 Thank You to Myke and Final Thoughts01:42:56 CreditsYou can also find this episode in full video on YouTube.You can now follow us on Instagram, Twitter, Bluesky, Threads, YouTube, or TikTok (@gmoatpodcast).For more on the episode, go to: https://www.ronnyduncanstudios.com/post/yojimbo-1961-ft-myke-emalFor the entire rankings list so far, go to: https://www.ronnyduncanstudios.com/post/greatest-movie-of-all-time-listKeywords:Yojimbo, Kurosawa, Samurai Films, Cinematography, Film Influence, Western Adaptations, Film Analysis, film legacy, cinema influence, Japanese cinema, film analysis, rewatchability, film impact, classic films, film discussionRonny Duncan Studios

New Episode — Full WatchTwo masters. Two radically different ways of seeing cinema.In this episode of The Artists Podcast, we explore the worlds of Akira Kurosawa and Yasujirō Ozu with renowned film scholar David Desser—a leading voice in Japanese cinema studies.How do artists form a way of seeing the world?And what shapes their stories, styles, and cinematic language?From cultural influences and philosophy to audience, failure, and ambition—this conversation looks at what made Kurosawa and Ozu two of the most influential filmmakers in history.

[Note: Episode recorded in 2024] Tokyo, 1952.Seven years after World War II, Japan's public sector is in shambles: inadequate funding, multi-layered corruption, and bureaucratic apathy have left the people desperate for systemic change. Amidst this turmoil is one man, Watanabe, who has been a civil servant for close to thirty years, busying himself thoughtlessly and monotonously to the point of dehumanisation. However, unbeknownst to anyone, there is something special about him: in less than a year, Watanabe will be dead.Work. Service. Meaning. What is it all for? Are work and labour the same thing? How have we historically envisioned the importance of work as a social and cultural phenomenon? Under the umbrella of state-capitalism, how do workers become Subjects; what are the tensions between community-oriented and nationalist work; fundamentally, by what processes and associations do we ascribe "value" to certain individual and social projects?Ikiru, Akira Kurosawa's daring and dioramic critique of the relationship between individual and community, community and nation, and nation and morality is oft-considered one of the greatest films of all time. Its relevance cannot be understated in a time of growing communal tensions, increased global shifts towards the far-right and jingoism and, of course, the further fragmentation of work and labour.This latest episode is in two parts: the first, on Ikiru, and the second, on a surprisingly similar film by Wim Wenders: Perfect Days. We had a fantastic time thinking through both stories' impact, and hope you gain as much from our discussion as we did from the films! As always, we would love to hear your thoughts, so please don't hesistate to reach out to us on Instagram, e-mail, or using a voice note on Spotify!References:1) Ikiru screenplay and Donald Richie2) The Farewell (Chinese film), directed by Lulu Wang3) Louis Althusser - Ideology and Ideological State Apparatus4) Shin Godzilla, directed by Hideaki Anno5) Living, directed by Oliver Hermanus6) A Christmas Carol by Charles Dickens7) Off/Screen article: A Study of Kurosawa's IkiruNote: At one point, Shrish refers to Donald Richie as Donald Richardson; we just wanted to apologize for that oversight!

How do artists form a way of seeing the world?And what shapes the cinema of masters? Dropping Soon!!If you enjoy the episode, do leave us a rating on Apple or Spotify—it helps us bring you more such conversations

This week, we discuss Kurosawa's "Yojimbo," a film that blends Western grit with Japanese flair, redefining genre boundaries with sharp humor and raw action. This episode explores the film's Western influences, Kurosawa's skillful use of visuals, and Toshiro Mifune's magnetic presence. Discover how clever audio and visual signals guide viewers through suspenseful twists, while we discuss the film's lasting impact on cinema.

This week on ClapperCast, Hillary White joins Carson Timar to finally discuss the work of Akira Kurosawa on the podcast with a review for Sanjuro! Subscribe on Patreon for Bonus Episodes & Early Access: https://www.patreon.com/clappercastpodEmail us at ClapperCast@gmail.com- Social Media Links -Twitter: https://twitter.com/ClapperPodcastLetterboxd: https://letterboxd.com/clappercast/Carson Timar: https://bsky.app/profile/carsontimar.bsky.socialHillary White: https://letterboxd.com/degelle/Create Your Podcast on Zencastr Today: https://zencastr.com/?via=clappercastThanks for Watching!

Turkey's Nuri Bilge Ceylan is our greatest living filmmaker, and 2011's "Once Upon A Time In Anatolia" is still his greatest film. Set deep in the heart of an ancient land, the film probes both myth and psychology in seamless fashion. In ArtiFact no. 69, filmmaker Alex Sheremet and critic Keith Jackewicz analyze the film in-depth. You can watch this discussion on YouTube: https://www.youtube.com/watch?v=jMYGO5OLlZw Subscribe to Patreon and get the full show ad-free: https://www.patreon.com/c/automachination Read Dan Schneider's essay on "Once Upon A Time In Anatolia": https://www.automachination.com/masterpiece-nuri-bilge-ceylan-anatolia/ Bonus show topics: Ceylan's influences; favorite vs. best films; extracting artistic influence from less-than-great films; Alex's digital detox; Keith's frustration with a VERY foxlike dog; Alex's doglike cat; the ignorance of the Trump administration; Alex bullies Max "Shit Tank" Abrahms on Twitter; America was sold moronic propaganda about Iran; Persia as the fulcrum of the world; after crying wolf for decades, ACTUAL anti-Semitism is now coming to America; destroying the neoliberal dream; dissecting Professor Jiang Xueqin; is China "innately" anti-war; oppression in Xinjian vs. America's targeting of nonwhites; why is America so brutal in its punishments; Alex's VIRAL post attracts Japanese nationalist weirdos; Japan's Unit 731 vs. Germany's Josef Mengele; assessing the 2028 election contenders; and much more... Subscribe to the ArtiFact podcast on Spotify: https://spoti.fi/3xw2M4D Apple Podcasts: https://apple.co/3wLpqEV Amazon Music: https://amzn.to/2SVJIxB Podbean: https://bit.ly/3yzLuUo iHeartRadio: https://ihr.fm/3AK942L Learn about our debut film, "From There To There: Bruce Ario, the Minneapolis Poet": https://www.automachination.com/cityboy-bruce-ario-great-american-novel/ Read more from the automachination universe: https://automachination.com Read Alex Sheremet's (archived) essays: https://alexsheremet.com Follow us on Twitter: https://twitter.com/automachination Timestamps: 0:00 -- why Nuri Bilge Ceylan is the greatest living filmmaker; the one question Keith didn't get to ask Ceylan; the John Cassavetes connection; why "Once Upon A Time In Anatolia" is difficult to discuss 6:20 -- Once Upon A Time In Anatolia vs. Once Upon A Time In The West; how the film plays with myth without touching mythology; the symbolism of time 16:15 -- landscape as psychology; viewer empathy for the film's "killers"; Ceylan's unique use of humor; Arab: slur or diminutive? 27:56 -- the poetic use of past tense dictation of present tense events; odd details during the autopsy scene 32:16 -- the trope of "gorgeous women"; Nuri Bilge Ceylan's use of masculinity; women are kept at a distance; how a stray comment becomes central to the film 38:50 -- cinematic contrasts; village teenager with a lamp vs. Michelangelo's "Creation of Adam"; Ceylan's idea that "everything must be earned these days"; psychological profiles 49:15 -- is light vs. dark a cinematic cliche; can we say definitively what happened (or didn't happen) with the murder; "Once Upon A Time In Anatolia" is the better version of Kurosawa's "Rashomon"; the lack of clarity is the point 59:55 -- Alex: as a viewer, I avoided creating "the" definitive narrative in my mind; the great symbolism of the squirt of blood at the autopsy 1:09:10 -- one of the few films worth the Blu-Ray release; the anti-symbol of the rolling apples; "Once Upon A Time In Anatolia" is 99/100; Nuri Bilge Ceylan has the GREATEST list of "best films ever"; Steve McQueen gave up his chance at being the world's greatest filmmaker 1:17:15 -- dream-like sequences in the film; did Kenan "see" his friend's asphyxiation; the dog at the film's start vs. the dog at the end; the more ethereal elements that go into great filmmaking Tags: #film #turkey #türkiye

RSS/iTunes/Spotify Check out the Serpent’s Path archive right here. After starting his V-Cinema adventure with MEN OF RAGE and YAKUZA TAXI (both covered on our last episode) Kiyoshi Kurosawa began his most ambitious project yet: a series of SIX films featuring two bumbling, but loveable, gangsters played by Shô Aikawa and Kôyô Maeda who continually find themselves in unlikely, comical scenarios (with – naturally – bursts of sex and violence). Kurosawa would shoot two of the films at a time, and on this episode of Serpent’s Path we’re checking out the first two entries. In 1995’s Suit Yourself or Shoot Yourself: The Heist our pair end up falling for the same woman, only to be forced to help her raise money for a sick relative once she gets involved with (wait for it!) the yakuza. Then, in Suit Yourself or Shoot Yourself: The Escape (also from 1995) the two are hired by a Yakuza boss to spy on his daughter and her boyfriend, only for them to get wrapped up in a tale of love, betrayal and AUSTRALIA. All that and plenty of context, so ENJOY! Our major sources for this episode are: This Tom Mes interview with Kurosawa from Midnight Eye: http://www.midnighteye.com/interviews/kiyoshi-kurosawa-3/#:~:text=It%20was%20based%20on%20a,I%20actually%20made%20this%20film. A French interview with Kurosawa covering his early career http://eigagogo.free.fr/en/interview-kiyoshi-kurosawa.php The post Episode 323 – Serpent's Path: The Films of Kiyoshi Kurosawa – Suit Yourself or Shoot Yourself: The Heist (1995) & Suit Yourself or Shoot Yourself: The Escape (1995) first appeared on Cinema Smorgasbord.

This episode dives into the 4K resurgence of East Asian cinema, spanning Hong Kong action, Japanese classics, J-horror, Godzilla and modern Korean favourites. From John Woo and Kurosawa to Jackie Chan, Oldboy and Parasite, it is a broad celebration of essential films and standout disc releases.

In this episode, we explore Dreams, the deeply personal, visually poetic anthology film by legendary Japanese director Akira Kurosawa. Unlike his samurai epics and crime dramas, this film abandons conventional narrative to guide us through eight dreamlike vignettes inspired by Kurosawa's own recurring dreams.We unpack how Dreams serves as a cinematic memoir—reflecting Kurosawa's childhood memories, spiritual beliefs, fears about nuclear catastrophe, reverence for nature, and anxieties about humanity's future. From the haunting beauty of “Sunshine Through the Rain” to the apocalyptic dread of “Mount Fuji in Red,” each segment becomes a meditation on life, death, art, and the fragile relationship between humans and the natural world.We'll also discuss the film's extraordinary visual language, its collaboration with artists and filmmakers like Martin Scorsese (who appears as Vincent van Gogh), and how this late-career work reveals Kurosawa at his most vulnerable and philosophical._____________________________________________________________Feel free to email at silverscreenvideopodcast@gmail.com with any comments or thoughts. Also be sure to follow us on Instagram @silverscreenvideopodcast, Twitter @SilverVideo, and TikTok silver.screen.vid. Intro Music by:⁠⁠https://soundcloud.com/ajax-blak⁠

This episode tracks into the film's storytelling, pacing, and visual style, revealing its impact on George Lucas and the potential for Mifune in the Star Wars universe. Discover Kurosawa's balance of humor and heroism, and how his use of widescreen format creates emotional depth. Perfect for film lovers and Star Wars fans, this episode connects Eastern cinema with Western storytelling, offering fresh insights into a timeless classic.

This week, we're pulling one from the vault. Jeff and Brad discuss one of the greatest and most influential filmmakers of all time, Akira Kurosawa. Join us as we dive into an incredible adaptation of William Shakespeare's Macbeth with Kurosawa's 1957 classic, Throne of Blood!Check out our NEW YouTube Channel and subscribe now! Our new series Previously On... is exclusively available over on YouTube to cover your favorite TV shows, and ours!Would you like to hear the show early and ad-free? Head over to our Patreon and get started with a FREE 7-day trial. We've got plenty of exclusive content and episodes that you'll only find there! You can also sign up as a free member! Connect with us on social media and our website

Seven Samurai by Akira Kurosawa is a classic film that has shaped cinema worldwide. This episode explores its themes of responsibility and heroism, along with its groundbreaking storytelling and cinematography. We discuss why the film remains relevant today and how it continues to inspire. Whether you're a film enthusiast or just curious, you'll gain fresh insights into this influential work.

This episode kicks off our Kurosawa retrospective with Rashomon, examining its innovative storytelling through multiple perspectives and its impact on cinema. We explore the film's themes of truth and perception, and its influence on directors like Lucas and Spielberg. Perfect for film enthusiasts and students.

Four more movies. Four very different experiences.In Episode 2 of Last Four, Mike Field breaks down the latest four films he watched. What worked, what didn't, and who each movie might be for. No rankings. No hot takes for the sake of hot takes. Just honest reactions from a lifelong movie lover. This week's lineup ranges from intimate family drama to mockumentary comedy, surreal conspiracy thriller, and a bold Spike Lee reinterpretation of a Kurosawa classic.

Writer and critic Robert Rubsam returns to the show to discuss Kiyoshi Kurosawa's enigmatic, unclassifiable thriller Charisma, the story of a failed hotage negotiator torn between factions of scientists, government agents, and madmen all fighting to decide the fate of a very unique tree in a mysterious, nameless forest. It's as strange as it sounds! We discuss Kiyoshi Kurosawa's vision of nature as a dialectical force where harmony and disorder coexist. Then we debate the film's titular tree, Chrisma. Is it malevolent, toxic, or a neutral force weaponized by humankind? Finally, we trace Kurosawa's lineage through filmmakers like David Cronenberg and the great journeyman Richard Fleischer, and how their influence, filtered through his austere style, produces a deeper sense of distance and unease. Follow Robert Rubsam on Twitter.Read Rob on spiritual cinema (The Testament of Ann Lee, Sirāt, & Revelations of Divine Love) at The Baffler.Get access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish. 

This week’s Top 5 explores cinema’s most unreliable narrators, characters who bend, twist, or completely invent the truth. Adam and Josh pair the list with a fresh look at Kurosawa’s RASHOMON, the film that set the template for them all – and a potential 2026 Pantheon inductee. This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off. (Timecodes/chapters may not be precise with ads.) Intro (00:00:00-00:03:18) Top 5 Unreliable Narrators (00:03:19-01:05:17) Filmspotting Family (01:05:18-01:11:08) Next Week, Notes, Poll (01:11:09-01:18:16) Pantheon Project: Rashomon (01:18:17-01:56:39) Credits / New Releases (01:56:40-01:59:51) Feedback: -Email us at feedback@filmspotting.net⁠⁠ -⁠⁠⁠⁠Ask Us Anything⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and archive access.https://filmspottingfamily.com -T-shirts and more available at the Filmspotting Shop.https://www.filmspotting.net/shop⁠⁠⁠ Follow: https://youtube.com/filmspotting https://instagram.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠https://letterboxd.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://facebook.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://twitter.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://instagram.com/larsenonfilm⁠ https://letterboxd.com/larsenonfilm⁠⁠⁠ https://facebook.com/larsenonfilm ⁠⁠https://bsky.app/profile/larsenonfilm.bsky.social⁠⁠See omnystudio.com/listener for privacy information.

In this episode of Missing Frames, John Mills returns to tackle one of Akira Kurosawa's most acclaimed films: HIGH AND LOW. Along the way, Shawn and John discuss the film's remarkable cinematography, its influence on filmmakers from David Fincher to Michael Mann, and why Kurosawa's storytelling still feels strikingly modern more than sixty years later. They also reflect on Kurosawa's legacy in global cinema, how his work shaped everything from the American Western to Star Wars, and why High and Low deserves to be considered one of the greatest crime films ever made. HOSTSShawn EastridgeJohn Mills

fWotD Episode 3222: High and Low (1963 film) Welcome to featured Wiki of the Day, your daily dose of knowledge from Wikipedia's finest articles.The featured article for Sunday, 1 March 2026, is High and Low (1963 film).High and Low (Japanese: 天国と地獄, Hepburn: Tengoku to Jigoku; lit. 'Heaven and Hell') is a 1963 Japanese police procedural film directed by Akira Kurosawa. It was written by Kurosawa, Hideo Oguni, Eijirō Hisaita, and Ryūzō Kikushima as a loose adaptation of the 1959 novel King's Ransom by Evan Hunter. Starring Toshirō Mifune, Tatsuya Nakadai, Kyōko Kagawa and Tatsuya Mihashi, it tells the story of Japanese businessman Kingo Gondō (Mifune) struggling for control of the major shoe company at which he is a board member. He plans a leveraged buyout of the company with his life savings, when a kidnapper mistakenly abducts his chauffeur's son to ransom him for ¥30 million. The film is viewed as influential on police procedural cinema, and has been remade multiple times internationally.The film was produced by Toho, who bought the rights to Hunter's novel in 1961 for $5,000. Working on a production budget of ¥230 million, filming on High and Low began on 2 September 1962, taking place on location at Yokohama and on set at Toho Studios. Only one attempt could be made to film the ransom exchange. The shoot required multiple cameramen, leading to all other film productions being shut down for the day. Filming ended on 30 January 1963. Kurosawa worked with Masaru Satō to score the film in their eighth collaboration together; the film's soundtrack contains a variety of influences, including mambo, classical, and modern popular music. Post-production took just under a month and, after test screenings in mid-February 1963, the film received a wide distribution.High and Low was released in Japan on 1 March 1963 and became the highest-grossing film at the Japanese box office for that year. The film received generally positive reviews both domestically and abroad. In September 1963, the film was entered into the Official Selection for the Venice Film Festival. The limited American release of the film in late November coincided with the assassination of President John F. Kennedy, an event that led to a depression in initial box office takings. High and Low was nominated for Best Foreign Film at the Golden Globe Awards for 1964. Critical opinion of the film has remained high, with analyses of the film focusing on Kurosawa's humanism in tackling the issue of a growing class divide, the growth of an international consumer culture, and the film's use of structure to interrogate morality and social division.This recording reflects the Wikipedia text as of 00:04 UTC on Sunday, 1 March 2026.For the full current version of the article, see High and Low (1963 film) on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Bluesky at @wikioftheday.com.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Brian.

Emerald Fennell follows up her earlier provocations with one aimed at lovers of literature, "WUTHERING HEIGHTS." Marya E. Gates ("Cinema Her Way") joins Adam and Josh to unpack it all. Then, a Pantheon Project review of John Ford’s Best Picture-winning HOW GREEN WAS MY VALLEY, and listeners advocate for the best '90s movie soundtrack. This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. (Timecodes/chapters may not be precise with ads.)Intro (00:00:00-00:02:12)Wuthering Heights with Marya E. Gates (00:02:13-00:48:41)Filmspotting Family (00:48:42-00:52:32)Robert Duvall, Frederick Wiseman (00:52:33-01:01:56)Next Week, Notes (01:01:57-01:05:16)Polls (01:05:17-01:19:39)How Green Was My Valley (01:19:40-01:52:17)Credits / New Releases (01:52:18-01:55:51) Notes/Links: -Filmspotting Pantheonhttps://www.filmspotting.net/pantheon Feedback: -Email us at feedback@filmspotting.net⁠⁠ -⁠⁠⁠⁠Ask Us Anything⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and archive access.https://filmspottingfamily.com -T-shirts and more available at the Filmspotting Shop.https://www.filmspotting.net/shop⁠⁠⁠ Follow: https://youtube.com/filmspotting https://instagram.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠https://letterboxd.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://facebook.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://twitter.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://instagram.com/larsenonfilm⁠ https://letterboxd.com/larsenonfilm⁠⁠⁠ https://facebook.com/larsenonfilm ⁠⁠https://bsky.app/profile/larsenonfilm.bsky.social⁠⁠See omnystudio.com/listener for privacy information.

Volvemos con una fosa de emergencia para abordar uno de los eventos más esperados del universo Star Wars reciente: el primer gran tráiler de The Mandalorian and Grogu, la película que lleva el llamado “Mando-verso” a la gran pantalla. Nos reunimos con la calma que exige el Beskar y la pasión que merece la saga para analizar, debatir y conectar lo que hemos visto con el conjunto del canon galáctico. Un análisis que va más allá del hype. Durante el programa no nos limitamos a reaccionar plano a plano ni a dejarnos arrastrar por la emoción del momento. Vamos más lejos. El equipo examina el tráiler desde distintas perspectivas: la escala cinematográfica frente al lenguaje televisivo de la serie, la evolución visual del universo mandaloriano, el uso del montaje como declaración de intenciones narrativa y la construcción del villano a través de su iconografía. También abordamos las conexiones orgánicas con Rebels, la Nueva República y el remanente imperial, así como la presencia y función real de Grogu como personaje activo dentro de esta nueva etapa. El resultado no es una simple reacción: es una lectura crítica, comparativa y conectada con el universo Star Wars en su conjunto. El Mando-verso da el salto al cine. La pregunta central del programa es clara: ¿se siente realmente como evento cinematográfico? Analizamos el aumento de escala en escenarios y criaturas, el diseño del antagonista y su estética de inspiración samurái, la presencia de Zeb y sus implicaciones para el universo construido por Filoni, el uso del bestiario clásico como puente con la trilogía original y la construcción emocional de Din y Grogu en este nuevo contexto. Sin spoilers. Sin destripar posibles giros. Pero con criterio. Grogu ya no es símbolo: es protagonista. Uno de los grandes ejes del debate gira en torno a una cuestión clave: ¿estamos ante el momento en que Grogu deja de ser icono cultural para convertirse en agente narrativo decisivo? Estudiamos su posicionamiento dentro del tráiler, el peso dramático que tiene en la estructura del montaje, su posible rol dentro de la Nueva República y si esta película puede marcar el inicio de una nueva etapa galáctica con él como pieza central. La sombra del Imperio sigue presente. Aunque la historia se sitúa tras la caída imperial, la amenaza no ha desaparecido. El debate aborda el papel del remanente, la figura del nuevo señor de la guerra, la estética que remite al cine de Kurosawa y el delicado equilibrio entre nostalgia y expansión real del universo. A los mandos de esta nave mandaloriana: Josemi, la Voz del Rancor. Desde Series y Comics: Kiko Cerro. En la redacción de 3DJuegos: Chema Mansilla. Para el Show de los Teleñecos: Rocío Matesanz. Con su armadura de Beskar desde la capital: Benjamín Bruña. Editado y montado a contrarreloj por Paco Villa. Un podcast hecho por fans para fans.  No dejéis de soñar con galaxias lejanas y que la Fuerza os acompañe siempre. ¡Dale, Pacoto! Comunidad Únete al canal de WhatsApp de La Fosa del Rancor para seguir todas nuestras novedades. En LaTostadora.com puedes llevarte nuestro merchandising oficial. Síguenos en redes:  Twitter: @lafosadelrancor  Facebook: Fosa del Rancor  Instagram: @lafosadelrancor  YouTube: La Fosa del Rancor TV www.lafosadelrancor.com

We are back for our FIFTH SEASON!!! Can you believe that we've been at this for five years now??? I know we can't, but we have 58 episodes where we've paired pot with 117 movies as evidence here. Our earliest film was Georges Méliès' "The Infernal Caudron" from 1903, and our most recent is "Hanky Panky" from 2023. That's getting up on three years old now? Does that count as vintage in tubi years? But enough of our unexpected achievements. We've got our 59th episode right here, and with Valentine's Day just around the corner, we're exploring human sexuality with a pair of films that Philena describes as "more gross than romantic." Everything about BOB & CAROL & TED & ALICE (1969) screams the 60s, from Robert Culp in love beads right down to a Burt Bacharach song closing it out, but our crew found it's definitely worth a look as so many people are trying out polyamory with the same level of awkward as our film's titular couple. Plus Robert Culp and Natalie Wood smoke weed like pros Definitely stay tuned for Philena's title for a queer remake that she should really get crackin' on writing! The film also stars Ryan Cannon and Elliot Gould. How is it that Gould is making his Old Movies for Young Stoners debut just now??? BOB & CAROL & TED & ALICE is streaming on the Criterion and Roku Channels. Since we featured one of Mexico's most spectacularly-bad films in our last episode with the baffling SANTA CLAUS (1959), Bob felt it was time we explored the Golden Age of Mexican Cinema (1930-1960) with VICTIMS OF SIN (1951), a prime example of the Rumberas genre, a unique combination of musical, noir and intense melodrama. In fact, the emotions may have burned a bit too hot for some of our hosts. Ninón Sevilla is a dancer at the Club Changoo in Mexico City whose life goes to hell after she rescues a baby from a trash can. Directed by the great Emilio Fernández who was the John Huston or Kurosawa of Mexico's Golden Age, but is best known to gringos for playing the Mexican warlord Mapache in Sam Peckinpah's THE WILD BUNCH (1969). Legend also has it that Fernández was the sculptor's model for the Oscar statuette when he was chilling with Dolores del Río in Hollywood after he was a part of a failed rebellion in Mexico and had to flee to the United States for a while. The contrast of light and shadows of Gabriel Figueroa's cinematography are the equal of anything seen in the best American noirs. VICTIMS OF SIN is now streaming on Criterion Channel. Cory, Bob and Greg begin the show by talking about the pending closures of The Bottom of the Hill and Thee Parkside, two San Francisco punk clubs that they have all played and see a lot of shows at. The conversation brings up the Canadian rock god Thor, which is always welcome. Bottom of the Hill closes at the end of 2026, so please check out a show or ten there while you still can. https://www.bottomofthehill.com/calendar.html And Philena was not one of the influencers invited to screenings of the "Wuthering Heights," which really seems like an oversight by the Warner Bros publicity team if you ask us. Hey movie PR people, contact us at oldmoviesforyoungstoners@gmail.com and invite Philena to your premieres! She's got the power! Join us in March for our CHILDHOOD TRAUMA episode with THE 5,000 FINGERS OF DR. T (1953) and THE BOY WITH GREEN HAIR (1948). Subscribe on your preferred podcast app so you don't miss it. Theme song: Chaki the Funk Wizard, used with permission. "Cha Cha Fontanez" by Jimmy Fontanez and "Scale the Wall" by Everet Almond courtesy of YouTube Audio Library. Trailer and archival audio courtesy of Archive.org. Web: www.oldmoviesforyoungstoners.com Instagram/Facebook (Meta): oldmoviesforyoungstoners Bluesky: @oldmoviesystoners.bsky.social Contact: oldmoviesforyoungstoners@gmail.com

We're back with a light and fun episode about cancer, bureaucracy, and the desperate search for meaning. I'm pretty sure we're gonna find it at the bottom of this next bottle of whisky, stomach pains be damned.

durée : 00:53:20 - Certains l'aiment Fip - À l'occasion de la sortie du film de Chloé Zhao, "Hamnet", nous piochons dans les B.O inspirées par l'œuvre du dramaturge :"Roméo + Juliette" de Luhrmann, "Ran" de Kurosawa, "West Side Story" de Robbins, ou encore "Othello", "My own private Idaho" et "Looking for Richard". Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Drew and Travis roll out the barrel for A Fistful of Dollars, the 1964 film that popularized the spaghetti western movement. It's also an unofficial remake of Akira Kurosawa's Yojimbo, which resulted in a lawsuit from Kurosawa and Toho Films! This is our first entry in Remake Roulette: a month of remakes! TIMESTAMPS 00:00:00 - Intro 00:01:19 - A Fistful of Dollars 00:54:26 - The Shelf 01:05:44 - Calls to Action 01:06:54 - Currently Consuming 01:18:56 - End SHOW LINKS High Plains Drifter Django (1966) Alien Degli Abissi a.k.a. Alien from the Deep GenreVision on Letterboxd Drew Dietsch on Letterboxd Travis Newton on Letterboxd GenreVision on Bluesky Drew Dietsch on Bluesky

RSS/iTunes/Spotify Check out the Serpent’s Path archive right here. Kiyoshi Kurosawa is coming off a rough patch after controversies around SWEET HOME in 1989 and the financial failure of THE GUARD FROM UNDERGROUND in 1992, but after retreating into television work he’s about to be given a new lifeline in the 90s: V-CINEMA! This straight-to-VHS trend focusing on genre fare ended up being a training ground for a number of favorite directors and Kurosawa dives right in, first with the extremely silly (but quite fun) crime-comedy YAKUZA TAXI, and continuing with the cycling drama (adapted from a Yasuhito Yamamoto manga) MEN OF RAGE. On this episode of SERPENT’S PATH we look at everything Kurosawa was up to, how he ended up on these two films, and detail some of our own frustrations watching them. ENJOY!The post Episode 310 – Serpent's Path: The Films of Kiyoshi Kurosawa – Men of Rage (1994) & Yakuza Taxi (1994) first appeared on Cinema Smorgasbord.

The master is here folks and this time he wields the themes and some of the particulars of WILLIAM SHAKESPEARE'S great work KING LEAR in service of a hypnotic nightmare about the horrors of war. It whips! We talk about that, about Kurosawa as a supremely 'Cinematic' figure trying on a 'Theatatrical' think in this movie, Lear as an eternal political fable, some of the hot shit sequences in here, and other stuff.  this is a weird way to deal with this bit theres a lot of interesting academic writing about RAN out there, in shakespeare journals and filmic ones. peek around if you wanna learn something.  Check out the show on Letterboxd if you're into that thing. Matt is also on there. We also got a Bluesky going. Matt's rec is in theaters. Corbin's rec is mega off the done. We dont know what the next episode is, for reasons that would take too long to explin here. Thanks!  

At long last, the conclusion to Max and Jeff's discussion of Kurosawa's noir masterpiece, High and Low. It's the end of an era, marking the beginning of the final chapter—the final screening, if you will—of Measuring Flicks. Tune in to find out more. It's gonna be good.Patreon.com/QuillAndFilm

Akira Kurosawa's Ran  Happy New Year WatchThis Fans. Depending on Your Perspective, 2025 was a horrible year or the beginning of a grand awakening, returning America to its rightful place as Leader and Benefactor of the Unwashed Ignorant Masses. There are many ideas of what 2026 can and will be. We here at WatchThis W/RickRamos believe that Akira Kurosawa's 1985 masterpiece, Ran, is a film that offers powerful warnings on the dangers of conflict, paranoia, greed, but most importantly, pride. Adapted from Japanese history and Shakespeare's King Lear, Kurosawa explores the fragilty of government . . .  royalty . . . leadership, as pride disintegrates the perspective of leadership. One of the greatest films in the History of Cinema, Mr. Chavez & I are thrilled to be opening 2026 with Akira Kurosawa's Late Period Masterpiece. Take a listen and let us know what you think. As always, we can be reached at gondoramos@yahoo.com - Our Continued Thanks.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

We sit down with legendary artist Geof Darrow to discuss the new Dark Horse collection, The Shaolin Cowboy: Beginning of the End Results--21 Years of Blood, Sweat, and Chainsaws HC, celebrating over two decades of his hyper-detailed, Eisner Award-winning series about an unnamed former Shaolin monk wandering with his talking mule. Geof shares how the series was inspired by Kung Fu, Kurosawa's Yojimbo, and Zatoichi, his collaboration with Frank Miller who advised against putting "cowboy" in the title (which he ignored), his Matrix storyboard work with the Wachowskis who wrote the opening dialogue for the original Burlyman run, and his approach to creating densely detailed pages filled with absurd violence like battling a giant shark using two chainsaws tied to a stick. We get into his "I thought it would be funny" creative philosophy and celebrate what 21 years of this gonzo series means in one definitive collection. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

We sit down with legendary artist Geof Darrow to discuss the new Dark Horse collection, The Shaolin Cowboy: Beginning of the End Results--21 Years of Blood, Sweat, and Chainsaws HC, celebrating over two decades of his hyper-detailed, Eisner Award-winning series about an unnamed former Shaolin monk wandering with his talking mule. Geof shares how the series was inspired by Kung Fu, Kurosawa's Yojimbo, and Zatoichi, his collaboration with Frank Miller who advised against putting "cowboy" in the title (which he ignored), his Matrix storyboard work with the Wachowskis who wrote the opening dialogue for the original Burlyman run, and his approach to creating densely detailed pages filled with absurd violence like battling a giant shark using two chainsaws tied to a stick. We get into his "I thought it would be funny" creative philosophy and celebrate what 21 years of this gonzo series means in one definitive collection.Support the show___________________Check out video versions of this and other episodes on YouTube: youtube.com/dollarbinbandits!If you like this podcast, please rate, review, and subscribe on Apple Podcasts or wherever you found this episode. And if you really like this podcast, become a member of the Dollar Bin Boosters on Patreon: patreon.com/DollarBinBoosters.You can follow us @dollarbinbandits on Facebook, Instagram, and Bluesky, or @DBBandits on X. You can email us at dollarbinbandits@gmail.com.___________________Dollar Bin Bandits is the official podcast of TwoMorrows Publishing. Check out their fine publications at twomorrows.com. ___________________ Thank you to Sam Fonseca for our theme music, Sean McMillan for our graphics, and Pat McGrath for our logo.

Welcome to December 2025 and an episode from 2021. This episode is packed with stories about breaking (tamishawara). Remember that back in 2021, when this was recorded Sensei Landyn was a kid. In the years between then and now Sensei Landyn has done many breaks including the required one with the nunchaku mention in this episode. We also mention quite a few episodes, including one on Kimi (focus). Here's the link:https://www.buzzsprout.com/477379/episodes/8501411After this episode originally aired we did discuss Master Kelljchian's saying "If you tell me you're stupid, I'll tell you you're stupid." Here ya go:https://www.buzzsprout.com/477379/episodes/9274638And finally, we mention Sensei Baier in this episode. He has been on the show a couple of times to talk about Kurosawa movies. Here's one:https://www.buzzsprout.com/477379/episodes/14477612Thanks for listening and if you have a minute and an extra couple of pennies, click the link below to support the show. We appreciate the support. Support the showThanks so much for listening and sharing the podcast with friends. Reach us all over the web. Facebook and twitter are simply wildcatdojo. However, insta is wildcatdojo conversations. (There's a story there.)On YouTube (where we are now airing some of our older episodes - complete with a slideshow that I tweak constantly) https://www.youtube.com/@wildcatdojo9869/podcastsAnd for our webpage, where you can also find all the episodes and see some info about the dojo: http://wildcatdojo.com/025-6/podcast.html . And of course, we love it when you support our sponsor Honor Athletics. Here is their link:https://honor-athletics.com/Thank you for listening.

Bomani Jones is joined by Howard Bryant to break down Paul Thomas Anderson's ‘One Battle After Another,' starring Leonardo DiCaprio, Sean Penn, Benicio del Toro, Regina Hall & Teyana Taylor. They explore themes of capitalism, character representation, and the role of music in film, while discussing many critiques of the film being litigated on social media. Later, they discuss Spike Lee's 'Highest 2 Lowest' starring Denzel Washington. They discuss how it compares to Kurosawa's 'High and Low" and what the movie does and does not say about Black Capitalism. 2:00 - Breaking down "One Battle After Another" 31:50 - Highest 2 Lowest: The High and The Low Learn more about your ad choices. Visit megaphone.fm/adchoices

Sean and Amanda start the show by reacting to a handful of recent movie trailers, including Emerald Fennell's ‘Wuthering Heights'—starring Margot Robbie and Jacob Elordi—and Nia DaCosta's ‘28 Years Later: The Bone Temple' (3:33). Then, they unpack Spike Lee's newest film ‘Highest 2 Lowest,' starring Denzel Washington and A$AP Rocky. They explore its very high highs and occasional low lows, Washington's fascinating performance style, and what makes this film so different compared to the rest of Lee's filmography (17:09). Next, they cover Darren Aronofsky's ‘Caught Stealing,' starring Austin Butler and Zoë Kravitz; they both found it quite disappointing, to the point that they even discussed whether or not Austin Butler is a “leading man” (39:54). Finally, Sean is joined by the legendary filmmaker Spike Lee to talk about his new movie. Lee reflects on the first time he visited Akira Kurosawa's work and touches on what Kurosawa means to both himself and cinema at large, talks through Denzel Washington's brilliant improvisations in this film and explains why he is—in Lee's opinion—the greatest actor of all time, and explores what is missing from Hollywood and the filmmaking industry right now (1:07:01). Hosts: Sean Fennessey and Amanda Dobbins Guest: Spike Lee Producer: Jack Sanders This episode is sponsored by State Farm®️. A State Farm agent can help you choose the coverage you need. Like a good neighbor, State Farm is there.®️ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Spike Lee's new film, Highest 2 Lowest, centers on a music mogul (Denzel Washington) who faces a moral dilemma when kidnappers mistakenly hold his friend's son ransom instead of his own: Will he risk it all to save a child who isn't his? The Oscar-winning filmmaker spoke with Tonya Mosley about his decades-long partnership with Denzel, an upcoming docuseries about Hurricane Katrina, and Do The Right Thing, 35+ years later.  Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy