Podcast appearances and mentions of Gustav Mahler

Das neue Album des Jewish Chamber Orchestra Munich führt ins Wien der Jahrhundertwende und zeigt die Musikszene rund um Gustav Mahler als vielschichtiges Beziehungs-Netzwerk. Mit dabei sind Zemlinsky und Korngold, aber auch heute Vergessene wie Josefine Winter und Alfred Grünfeld. Susanne Benda ist mit dem Orchester auf Entdeckungsreise gegangen.

DescriptionMahler's Motto: Go Big or Go Back to Vienna in 60 Seconds. Take a minute to get the scoop!Fun FactMahler's Symphony No. 8 premiered in 1910 with over 1,000 performers on stage. Though “Symphony of a Thousand” wasn't his title, the name stuck. It was one of the largest-scale choral works ever attempted—and still gives orchestra managers mild panic attacks every time it's programmed.__________________________________________________________________About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.__________________________________________________________________You can FOLLOW ME on Instagram.

Spätromantische Klangwelten zwischen Tradition und Moderne – in dieser Folge widmen sich Martin Wandel und sein Gast, der Pianist und Musikwissenschaftler Dr. Roman Salyutov, einem besonderen Kammerkonzertprogramm. Auf dem Notenpult stehen Werke von **Gustav Mahler, Erich Wolfgang Korngold und Alexander Zemlinsky** – drei Komponisten, die tief in der Wiener Musiktradition verwurzelt sind und zugleich in sehr unterschiedliche Richtungen aufgebrochen sind. Was erzählen ihre Werke für Klavier und Streicher über das Lebensgefühl einer untergehenden Epoche? Welche Rolle spielen persönliche Schicksale, politische Umbrüche und ästhetische Ideale in ihrer Musik? Und wie nähert man sich diesen Stücken heute als Interpret? Mit profundem musikalischen und musikhistorischen Wissen gibt Roman Salyutov spannende Einblicke in die Entstehung, Struktur und Wirkung dieser außergewöhnlichen Werke – und verrät, was ihn als Musiker und Forscher besonders daran fasziniert. Eine Folge voller musikalischer Entdeckungen, historischer Zusammenhänge und persönlicher Zugänge zur spätromantischen Kammermusik. Jetzt reinhören!

Piše Marija Švajncer, bereta Igor Velše in Sanja Rejc. Svetlano Slapšak, avtorico knjige z naslovom Kje smo? in podnaslovom Ljubljanski steganogram, je vznemirila legenda, po kateri naj bi Ljubljano, v rimskih časih imenovano Emona, ustanovili Jazon in Argonavti. Na ladji Argo so z zlatim runom bežali od Črnega morja po Donavi, navzgor po Savi in potem Ljubljanici. Druga pripoved pravi, da so Argonavti svojo ladjo ob Ljubljanici razstavili in jo čez slovenski Kras prenesli ali prepeljali do Jadranskega morja. Leta 1955 je slovenski matematik Ivo Lah zgodbo o Argonavtih nadgradil za ponazoritev svoje matematične formule. Do obale vodijo številne poti, zato je upošteval možnost, da je bil vsak del ladje Argo iz varnostnih razlogov prepeljan po drugi poti, kar naj bi zmedlo zasledovalce. Avtorica pojasni, kaj pomeni podnaslov knjige. Steganografija je praksa prikrivanja sporočila znotraj drugega sporočila in fizičnega predmeta; steganogram je njen proizvod. »V računalniških / elektronskih kontekstih je to računalniška datoteka, sporočilo, slika ali video, skrit znotraj druge datoteke, sporočila, slike ali videa … V zadnjih letih se v steganografiji uporablja število Lah, podatki se skrivajo v sliki.« Svetlana Slapšak je iz Lahove enačbe razbrala, da matematik v njej operira z nedeljivimi deli ladje. Njeno pozornost sta torej vzbudila nedeljivo in vizualizacija; prav z vizualizacijo je matematik ustvaril steganogram. V zvezi s tem je miturgija tisto, kar je poljubno in nedeljivo, vizualno in akustično, skratka, zgodba, ki je vselej drugačna. »Moj namen ni bil, da premagam pozabo, marveč da spomin miturgično razširim in obenem odstiram tehnike pozabe. Ključni element je tu nedeljivi del.« Svetlana Slapšak pravi, da je roman napisala kot poskus literarne verbaliziranja Lahove formule. Edini žanr, ki romanu ustreza, je menipska satira. Nastala je v poznem helenističnem obdobju in je nekakšna mešanica eseja, retorične vaje, verzov in zapleta, pravzaprav dekonstrukcija vseh teh žanrov. Ključni element je prenos oziroma potovanje. Argonavti se množijo vse do Lahovega števila, prenašajo sporočila in ostajajo nevidni. Samo poznavalci in poznavalke so tisti, ki jih opazujejo, opisujejo in opevajo. Svetlana Slapšak se prepričljivo uvršča mednje. Kot klasična filologinja, antropologinja, poliglotka, plodovita ustvarjalka, temeljita poznavalka zgodovine, umetnosti in številnih drugih področij razgrne svoje bogato znanje. Izobrazba, omika in razgledanost so zanjo vrednote; vedno znova poudarja, kako veliko veljavo imajo v človekovem življenju. V enem od zadnjih poglavij prikaže svojo življenjsko zgodbo, otroštvo in mladost v družini, ki jo ima danes za socialno okolje nižjega srednjega razreda in precej revno, vendar z zmožnostjo preživetja, izobraženo ter s smislom za humor. Piše o predanosti antični demokraciji in poskusom oživljanja prednosti te družbene ureditve. Doživela je veliko prelomnic. Zaradi kritičnih prizadevanj med študentsko stavko leta 1970 so jo politični nasprotniki napadli in ji prebili arkado. Srbska zgodovina se očitno ponavlja. Svetlana Slapšak je bila zmeraj uporniška in pokončna. Zna pa se tudi pošaliti na svoj račun, saj je kljub poudarjenemu intelektualizmu pogosto počela stvari, ki so jo zgolj zabavale in sproščale – od mode, aerobike in joge pa vse do zbiranja kuhinjskih receptov in domiselnega kuhanja. Avtoričino obsežno literarno-esejistično delo ima umetniško vrednost. Omeniti velja vidike eksofonije, se pravi vstopanja v drugi jezik in opuščanja materinščine – iz srbskega jezika v slovenski. Na koncu knjige sta namreč navedeni lektorica in korektorica, ne pa tudi prevajalka. Knjiga je napisana v slikovitem slogu, bogatem besedišču in jezikovno barvito. Posebnost je pisateljičino vživljanje v posamezne literarne like, tako zgodovinske kot mitične osebnosti, bodisi s pozitivnimi bodisi z negativnimi lastnostmi. Svetlana Slapšak je do njih prizanesljiva, se z njimi pogovarja in skuša razumeti njihova dejanja. Kot da bi bili živi, stopajo pred nas Charles Nodier, hči Vuka Karadžića, Gustav Mahler, Medeja, Prešernova Urška, prijateljice in še marsikdo, osebe, ki so tako ali drugače povezane z Ljubljano. Pisateljica kritično vrednoti zapostavljenost žensk, med vojaki pa jih na začetku omeni kar nekaj, ki so svoje ženske ljubili predano in tudi spoštljivo. Družbena kritika preteklosti in sedanjosti je pronicljiva, argumentirana in poglobljena. V knjigi so natisnjene pesmi v izvirnih jezikih, grškem, nemškem in češkem, ter prevodi, na koncu pa so dodane predstavitve, slikarske upodobitve ter fotografije zgodovinskih in miturgijskih likov. Večina prevodov v romanu je delo Božidarja in Svetlane Slapšak, odlomek iz drame Biljane Jovanović je prevedel Darinko Kores. Antropologinja razkriva etimološko ozadje ter se zaustavlja pri glasbenih in literarnih vrhuncih. Seznaniti se je mogoče tudi s simbolnim in mitološkim pomenom različnih živali – od slona, konja in miši, pa vse do krokodila in vrane. Knjiga Svetlane Slapšak Kje smo? je zakladnica novih in novih informacij, iz nje vejeta tudi posebna toplina in očaranost nad brezmejnimi možnostmi človekovega življenja: »Prenos, zmaga nad prostorom, upanje, da je možno znova sestaviti kose v ladjo, ki nas bo nosila daleč, daleč od smrti in blizu tistih, ki jih imamo radi.«

Je nach Zählung neun oder zehn Sinfonien hat Gustav Mahler geschrieben und ganze 46 Lieder. Kammermusik, Opern, Instrumentalkonzerte hingegen spielten im Leben des Komponisten Mahler so gut wie keine Rolle. Die Lieder nach Texten aus der Sammlung «Des Knaben Wunderhorn» sind mehr als nur Gelegenheitswerke und haben vielfach Eingang in Mahlers Sinfonien gefunden. «Das sind Felsblöcke, aus denen jeder das Seine formen darf», sagte Mahler über die Wunderhorn-Texte. Eigenwillig sind sie denn auch seine Vertonungen. Stark in der Textausdeutung und dies nicht nur in der Singstimme, sondern auch im Orchester. Aufs gute Zusammenspiel also kommt es hier an. Gäste von Benjamin Herzog sind die Sängerin Silke Gäng und der Dirigent Jan Schultsz.

This Day in Legal History: SCOTUS Upholds CFPB Funding StructureOn May 16, 2024, the U.S. Supreme Court delivered a major ruling in Consumer Financial Protection Bureau v. Community Financial Services Association of America, Ltd., upholding the constitutionality of the CFPB's funding structure. In a 7–2 decision, the Court held that the agency's funding—drawn from the Federal Reserve and not subject to annual congressional appropriations—does not violate the Appropriations Clause of the Constitution. Writing for the majority, Chief Justice Roberts emphasized that the Constitution permits flexibility in funding mechanisms so long as they are authorized by law and subject to congressional oversight in some form. The ruling affirmed the CFPB's continued ability to regulate financial institutions and enforce consumer protection laws independent of Congress's annual budget process.The decision marked a significant moment in the Court's treatment of agency independence, particularly at a time of renewed scrutiny of the administrative state. It was widely seen as a victory for supporters of the CFPB, which had faced ongoing legal and political challenges since its creation under the Dodd-Frank Act in the aftermath of the 2008 financial crisis. However, the case also highlighted the growing skepticism among certain justices—and lawmakers—about the breadth of agency power and accountability.Just one year later, the CFPB's future is again uncertain. With a new administration openly hostile to the agency and legislative efforts underway to curtail its authority or restructure its funding, the May 2024 decision is already being treated as legal history. Though the Court upheld the agency's funding, the political battle over the CFPB continues, casting doubt on how long the victory will stand.Intel appeared before the EU General Court to contest a €376 million ($421.4 million) antitrust fine reimposed by the European Commission. The fine stems from the Commission's 2009 decision, which originally imposed a record €1.06 billion penalty for Intel's actions that allegedly excluded rival AMD from the market. Though the General Court overturned the majority of that decision in 2022, it upheld a portion related to so-called “naked restrictions”—payments Intel made to HP, Acer, and Lenovo to delay or halt rival products between 2002 and 2006.Intel's lawyer argued that the violations were narrow and tactical, not part of a broader strategy to shut out competitors from the x86 chip market. He claimed the Commission failed to weigh the limited impact of those actions and imposed a disproportionate and unfair fine. The Commission countered that the fine followed established guidelines and represented only a small fraction of Intel's turnover, asserting that the penalty was appropriate for the seriousness of the conduct.Both sides asked the court to settle the matter by determining the appropriate fine amount. A decision is expected in the coming months.Intel spars with EU regulators over $421.4 million antitrust fine | ReutersA federal appeals court in Washington, D.C., heard arguments in a case that could redefine the U.S. president's authority to remove officials from independent federal agencies. The Trump administration is appealing two lower court decisions that reinstated Democratic officials Cathy Harris to the Merit Systems Protection Board and Gwynne Wilcox to the National Labor Relations Board (NLRB) after President Trump removed them without cause earlier this year. Both boards, which handle labor disputes and federal employee appeals, were left effectively inoperable due to vacancies, with thousands of pending cases.The administration argues that statutory protections limiting removals to “cause” violate the president's constitutional authority to control the executive branch. Trump's legal team claims that these agencies exercise substantial executive power and therefore should not be shielded from presidential oversight. The case may hinge on Humphrey's Executor, a 1935 Supreme Court decision that upheld removal protections for members of independent commissions like the Federal Trade Commission. Conservative judges—including two Trump appointees on the panel—have recently questioned the decision's reach.If the D.C. Circuit sides with Trump, it could pave the way for a broader dismantling of long-standing removal protections across federal agencies. Legal scholars warn that such a move could give the president far-reaching power to reshape regulatory policy by purging officials who don't align with the administration's agenda. The case could ultimately reach the U.S. Supreme Court and lead to a narrowing or overruling of Humphrey's Executor.US court to weigh Trump's powers to fire Democrats from federal agencies | ReutersData obtained through a public records request reveals that recent buyouts at the U.S. Securities and Exchange Commission (SEC) have significantly reduced staffing in key divisions. The legal, investment management, and trading and markets offices experienced workforce cuts ranging from 15% to 19% over just a few weeks. Regional offices in Chicago and Denver also saw nearly 20% reductions. Overall, the SEC's full-time staff has shrunk by 12% since January, with agency chair Paul Atkins recently noting a 15% decrease since October.These losses come amid ongoing hiring freezes and budget restrictions. While Atkins suggested that some roles may be refilled, he did not dismiss the possibility of more cuts. In parallel, more than 20 SEC employees have been reassigned to focus on contract reviews, part of a broader cost-cutting initiative coordinated with the Department of Government Efficiency (DGE), led by Elon Musk. DGE has expanded its presence at SEC headquarters and is reviewing agency operations, particularly IT services, to identify further savings.The SEC declined to comment on the staffing reductions, though a spokesperson confirmed it is working with DGE to improve efficiency. The full implications of these staffing losses for the agency's regulatory functions remain unclear.SEC buyouts hit legal, investment offices hardest, data shows | ReutersMeta Platforms asked a federal judge to dismiss the Federal Trade Commission's antitrust lawsuit, arguing the agency failed to prove that the company holds an illegal monopoly in social media. The case, which centers on Meta's acquisitions of Instagram and WhatsApp, claims these deals were aimed at neutralizing potential rivals and maintaining dominance in the market for apps used to share personal updates. The FTC wants to unwind those acquisitions, made more than a decade ago.Meta contends the FTC's case falls short of demonstrating that WhatsApp and Instagram posed meaningful competitive threats at the time of acquisition. The company pointed to internal evidence suggesting WhatsApp had no ambitions to become a social media platform and that Instagram actually thrived post-acquisition. Meta also argued the FTC has not clearly defined the relevant market, especially given competition from platforms like TikTok, YouTube, Reddit, and X (formerly Twitter), which Meta says all compete for user attention.The company maintains that its products face constant pressure to evolve in response to competitors. If the judge denies Meta's request to end the case now, the trial will continue through June with closing arguments and final briefs expected afterward. A ruling that Meta holds an illegal monopoly would trigger a second trial focused on potential remedies.Meta asks judge to rule that FTC failed to prove its monopoly case | ReutersThis week's closing theme is the second movement of Gustav Mahler's Symphony No. 1, titled “Kräftig bewegt, doch nicht zu schnell. Recht gemächlich”, which translates roughly to “Strongly moving, but not too fast. Quite leisurely.” Composed in the late 1880s and premiered in 1889, Mahler's First Symphony marked his audacious entry into the world of symphonic writing. At once expansive and deeply personal, the work fuses Romantic tradition with the beginnings of Mahler's own, modern voice.The second movement—our focus this week—is a rustic Ländler, an Austrian folk dance form, reimagined with orchestral power and emotional complexity. Mahler, who was born in 1860 in what is now the Czech Republic, grew up surrounded by folk tunes and military marches, and these influences saturate this section of the symphony. It opens with swagger and energy, driven by bold rhythms and a sense of physicality, before softening into a slower trio section that offers brief lyrical repose.Though the movement has a lively surface, its contrasting moods reflect Mahler's signature ability to intertwine the playful and the profound. His orchestration here is vivid but never ornamental—every detail serves a dramatic or emotional purpose. Mahler's symphonies often contemplate mortality, memory, and transcendence, but this movement reminds us that he could also be joyful, ironic, and grounded in the sounds of real life.By the time of his death in 1911, Mahler had transformed the symphony into a vessel for existential expression, bridging the 19th and 20th centuries. This movement from his First hints at all that was to come. As our week closes, we leave you with this music—bold, earthy, and unmistakably Mahler.Without further ado, Gustav Mahler's Symphony No. 1, titled “Kräftig bewegt, doch nicht zu schnell. Recht gemächlich.” This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

Annemieke Bosman in gesprek met schrijfster Judith Fanto. Fanto schreef al twee romans die zich afspelen in Wenen in de tijd van Gustav Mahler. Haar debuutroman Viktor is gebaseerd op de lotgevallen van de Weens-Joodse familie van Fanto en is een hartveroverende, waargebeurde familiegeschiedenis over de betekenis van familiebanden. Haar laatste roman Narcis kwam dit voorjaar uit. Daarin verhuist de tienjarige Manno, na de dood van zijn moeder, van Haarlem naar de door oorlog geteisterde wereldstad Wenen, 1916. De eisen die zijn nieuwe leven aan hem stelt, drijven hem tot wanhoop, tot hij op een zomerkamp vriendschap sluit met vijf leeftijdsgenoten. In de decennia die volgen overleeft hun hechte vriendschap de meest uiteenlopende beproevingen. Maar als Hitler aan de vooravond van de Tweede Wereldoorlog Oostenrijk binnenvalt, wordt het maatschappelijke persoonlijk en moet ieder van de vrienden kleur bekennen. Kun je een ander ooit ten diepste kennen? Vergt werkelijke vriendschap wel absolute openheid? Of is respect voor de geheimen van de ander juist het grondrecht van elke vriend? In dit onvergetelijke verhaal over vriendschap, verraad en vergelding combineert Judith Fanto opnieuw haar wonderschone stijl en historische kennis, die ze combineert met een vlijmscherp psychologisch inzicht.   Opium komt de hele week live uit het Concertgebouw in Amsterdam, vanwege het Mahler Festival 2025.

David Longstreth is here to discuss David Longstreth's Song of the Earth, Performed by Dirty Projectors and s t a r g a z e, life in Los Angeles in a tumultuous ecological era, working with s t a r g a z e and the influence of Gustav Mahler, the revenge of the Earth, orcas, and using gardens as a metaphor, despair and the Beatles, why Phil Elverum from Mount Eerie might be the poet laureate of nature, working with Steve Lacy, loving Stephen Malkmus and Pavement, production ideas, other future plans, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO MONTHLY $6 USD PATREON SUPPORTERS. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!Thanks to the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online. Support vish on Patreon!Related episodes/links:Ep. #951: Mark Ibold, Scott Kannberg, Jeffrey Lewis Clark, Jed I. Rosenberg & Brian Thalken on ‘Louder Than You Think: A Lo-Fi History of Gary Young and Pavement'Ep. #933: Alex Ross Perry, Scott Kannberg, and Robert Greene on ‘Pavements'Ep. #924: Lance Bangs and Bob Nastanovich on ‘Pavements'Ep. #918: Mount EerieEp. #910: The Hard QuartetEp. #481: David BermanEp. #114: Nat Baldwin of Dirty ProjectorsSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

Brecht van Hulten in gesprek met sopraan Francis van Broekhuizen. Opium komt vanaf vandaag de hele week live uit het Concertgebouw in Amsterdam vanwege het Mahler Festival 2025. Vanavond is te gast sopraan Francis van Broekhuizen. Francis is naast fan van Maria Callas ook een liefhebber van het werk van Gustav Mahler. Zij heeft Mahler ook zelf op haar repertoire staan, zoals de Rückert-Lieder en de Kindertotenlieder. Die zingt ze samen met haar vaste pianiste Femke de Graaf. Francis van Broekhuizen is een veelgevraagde zangeres. Ze zong diverse rollen bij Opera Spanga, Opera Zuid, Opera Trionfo en de Nationale Opera. Op TV was ze te zien als deelnemer van De Slimste Mens en De Verraders. In het theater staat Francis van Broekhuizen momenteel met Dominic Seldes in de voorstelling The Francis and Dominic Show.

Met vandaag:  Oud-ministers Pronk en Van Aartsen over de kritische brief over Israël van minister Veldkamp | Sir David Attenborough viert zijn 99ste verjaardag met de nieuwe documentaire Oceans | De oplaaiende strijd tussen India en Pakistan over Kashmir | Wat heeft acteur Gijs Scholten van Aschat met componist Gustav Mahler? | Presentatie: Winfried Baijens

Vanavond met Jeroen: alle ogen op het Vaticaan, maar nog geen witte rook bij het conclaaf. Eveline Rethmeier praat ons bij over dag één van de pausverkiezing. In Amsterdam barst het Mahler Festival los, met toporkesten en tien dagen lang muziek van Gustav Mahler. We bespreken het met Jet Berkhout en Francis van Broekhuizen. Staatssecretaris Jurgen Nobel schuift aan over integratie, afgelopen week was hij in Zweden om inspiratie op te doen. En Roel Maalderink is er, want zondag begint het nieuwe seizoen van Plakshot. 

Why was there a women's orchestra in Auschwitz, and what can that help us understand human resilience? In this deeply moving episode of the show, I speak with Anne Sebba — renowned biographer, historian, and journalist — about one of the Holocaust's most extraordinary and little-known stories: the Women's Orchestra of Auschwitz. Anne's latest book tells the story of how a group of female prisoners were forced to form an orchestra in one of the most brutal Nazi concentration camps. They played not for celebration or escape, but as part of the machinery of terror — and yet, through music, they found a way to survive. As Anne shares, her journey into this story began with a startling personal discovery: her father was present at Bergen-Belsen shortly after its liberation. That visceral connection led her to uncover the story of Alma Rosé, the orchestra's conductor and the niece of Gustav Mahler, who used discipline and musical brilliance to save lives. We talk about the complexities of human behaviour, the ethical dilemmas of survival, and the way music — even when twisted into a tool of torture — remained a powerful expression of the human spirit. We also explore how Anne approached telling this story as someone who is neither a survivor nor the child of survivors. She explains the challenges of working with conflicting testimonies, the emotional toll of researching this subject, and why she took piano lessons while writing the book. Above all, this episode is about the resilience of the women who played in the orchestra, and the importance of telling stories that allow us to see history not just in abstract terms, but through individual lives. 

In mei viert Amsterdam een uniek muziekfestival. Wat past beter bij 750 Jaar Amsterdam dan de uitvoering van heel het werk van Gustav Mahler door de beroemdste orkesten, dirigenten en solisten uit heel de wereld? Mahler, de Weense componist van het 'Fin de Siècle' die Amsterdam als de tweede stad van zijn muziek beschouwde. Jaap Jansen en PG Kroeger praten met Thomas de Jonker, musicoloog van het Concertgebouw, over dit festival, Mahlers muziek, zijn leven in turbulente politieke tijden, in een periode van culturele bloei en over zijn unieke band met Nederland en het Concertgebouw.***Deze aflevering is mede mogelijk gemaakt door het Concertgebouw en met donaties van luisteraars die we hiervoor hartelijk danken. Word ook vriend van de show! Als vriend word je uitgenodigd om op zaterdag 17 mei met Jaap en PG in het Mahler Paviljoen op het Museumplein in Amsterdam te genieten van Mahlers Negende symfonie!Heb je belangstelling om in onze podcast te adverteren of ons te sponsoren? Zend een mailtje naar adverteren@dagennacht.nl en wij zoeken contact.Op sommige podcast-apps kun je niet alles lezen. De complete tekst plus linkjes en een overzicht van al onze eerdere afleveringen vind je hier***Gustav Mahler (1860-1911) was de beroemdste musicus van zijn tijd. Nog voor hij 40 werd, had de stokoude keizer Frans Jozef hem benoemd tot chef van de Hofopera in Wenen. Dát was al zeer politiek, want in Oostenrijk-Hongarije hadden joden maar net volledige burgerrechten, dus deze benoeming op de top van de kunsten was een sensatie. Door die artistieke roem en komeetachtige carrière was Mahler doelwit van heel wat vuige kritieken. De jaren tussen 1890 en 1914 leken wel onbezorgd, feestelijk in cultuur en vele contacten, maar de gouden jaren na het Weens Congres van 1815 waren voorbij. Het Habsburgse Rijk wankelde, oorlogen langs de randen braken uit en donderwolken aan de horizon trokken samen.Mahlers werk klinkt daarom soms bijna profetisch. Zijn Wenen bloeide, maar in de krotten en stegen leefden sloebers als Adolf Hitler en Josip Broz Tito en ondergedoken Russen als Vladimir Lenin, Leon Trotski en Jozef Stalin. De komende eeuw begon in de sloppen van deze stad.Gustav Mahler was inmiddels een wereldburger van de eerste golven van de globalisering. Hij werd chef van de Opera en de New York Philharmonic, dirigeerde van Ljubljana en Boston tot Rotterdam. Stoomschepen, treinen en zelfs de auto voerden hem over heel de wereld. Amsterdam werd zijn 'tweede stad'. In 1903, 1904, 1906 en 1909 kwam hij zijn eigen symfonieën dirigeren. Zo ontstond een unieke, organische relatie met de musici van het Concertgebouw en dirigent Willem Mengelberg. Samen schreven zij muziekgeschiedenis. Het belette de erg veeleisende 'divo' Mahler overigens niet gedurig te klagen over de regen, de kille wind en het lawaai van de havenstad. Na Mahlers dood in 1911 werd Amsterdam het cultureel centrum waar men hem bleef eren en spelen. In 1920 - meteen na de Vrede van Versailles - bracht de stad de kunstenaars van heel de wereld bijeen voor het eerste 'Mahler Feest'. Het vredesappel tijdens dat festival bewees nog eens hoezeer men politiek en menselijk snakte naar verzoening in een vreedzaam Europa. Dat ontstond pas na de jaren waarin Mahler door de Nazi's verboden was en hij in de vergetelheid leek te raken. Maar niet in Amsterdam en evenmin in New York. Dirigenten als Bernard Haitink en Leonard Bernstein zorgden voor een renaissance van Mahlers liederen en symfonieën. De nieuwe welvaart, de technologie van de elpee en de televisie én de filmkunst maakten Mahler een begrip voor velen. Hij werd de componist van een modern, verzoend Europa. In Amsterdam komt nu in 2025 in het festival de wereld bijeen. Hopelijk ook nu voor een moment en appèl tot vrede en verzoening. Toporkesten uit Chicago, Boedapest, Tokyo en Berlijn, jonge maestro's als Klaus Mäkelä en fameuze dirigenten als Kirill Petrenko komen Mahler dirigeren. ***Verder luisterenIn MAHLER! De symfonieën nemen Gijs Groenteman, Thomas Oliemans en Thomas de Jonker de negen voltooide symfonieën van Mahler minutieus onder de loep.387 - Niets is zó politiek als opera - 100 jaar Maria Callas373 - Nederland en België: de scheiding die niemand wilde Hoe een opera België van Nederland afscheurde346 - Alle Menschen werden Brüder!43 - Mozart op het Binnenhof198 - Slovenië met Mahlers Ljubljana305 - Andrea Wulf, Hoe rebelse genieën twee eeuwen later nog ons denken, cultuur en politiek beïnvloeden488 - Het Congres van Wenen (1814-1815) als briljant machtsspel71 - Caroline de Gruyter en Habsburg455 - De bufferstaat als historische - maar ongewenste - oplossing voor Oekraïne (met verwijzingen naar Habsburg)207 - Zomer 2021: Boekentips van PG! oa Händel in London, the making of a genius148 - Stefan Zweig als inspirator van Europa als culturele en politieke gemeenschap en schrijver van opera's38 - Oostenrijk als brug naar Rusland339 – De geopolitiek van de 19e eeuw is terug. De eeuw van Bismarck***Tijdlijn00:00:00 – Deel 100:28:51 – Deel 201:24:07 – Deel 301:57:58 – EindeZie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

Mieczysław Weinberg verliert im Holocaust seine Familie, wird in der Sowjetunion Komponist– aber ohne großen Durchbruch. Erst nach seinem Tod wird seine Musik wiederentdeckt – auch die 3. Sinfonie. Von Christoph Vratz.

David Longstreth on Dirty Projectors, Orchestral Experimentation, and the Radical Psychedelia of FatherhoodDavid Longstreth stands at a fascinating creative crossroads. For twenty years, he's been the driving force behind Dirty Projectors, crafting music that defies easy categorization while earning collaborations with icons like Björk, Rihanna, and Paul McCartney. Now, with his ambitious new orchestral song cycle "Song of the Earth," Longstreth explores our shifting relationship with nature while processing what he calls "the radical psychedelia of fatherhood."Speaking from his California home studio (formerly a kitchen, before that a garage that "bloomed with mold"), Longstreth reveals how this project emerged from conversations with his longtime friend Andre de Ritter, conductor of the Berlin-based ensemble Stargaze. Drawing inspiration from Gustav Mahler's "Das Lied von der Erde," Longstreth initially set out to write nature poems, only to discover his feelings about the natural world had "gotten weird" – reflecting our collective anxiety about climate change.The beauty of Longstreth's approach lies in his embrace of uncertainty. Throughout our conversation, he repeatedly describes putting himself in musical situations "beyond what I'm capable of," allowing the learning curve itself to become part of the creative process. This has been his method since recreating Black Flag's "Damaged" album from memory for Dirty Projectors‘ 2007 "Rise Above" (deliberately avoiding revisiting the original) through to this orchestral collaboration that marries environmental themes with deeply personal transformation.Perhaps most captivating is Longstreth's description of how parenthood has fundamentally altered his perception. Watching his three-year-old daughter experience the world for the first time has made him question everything he knows, creating a profound sense of renewal that directly influences the emotional landscape of "Song of the Earth." Twenty years into his career, Longstreth has found a way to make music that feels simultaneously ambitious and intimate, political and personal – a rare achievement worth celebrating.If you're enjoying Lost and Sound, please do subscribe and leave a rating or review on Apple, Spotify, Amazon, or wherever you listen. It really helps to spread the word and support Lost and Sound.Dirty Projectors on Instagram Dirty Projectors Official StoreFollow me on Instagram at PaulhanfordLost and Sound is sponsored by Audio-TechnicaMy BBC World Service radio documentary “The man who smuggled punk rock across the Berlin Wall” is available now on BBC Sounds. Click here to listen.My book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culturet Capital is out now on Velocity Press. Click here to find out more. Lost and Sound title music by Thomas Giddins

"Song of the Earth" est un album engagé et ambitieux du musicien américain David Longstreth, leader du groupe Dirty Projectors. Né après les incendies dévastateurs de Californie en 2020, le projet prend racine dans un retour à la nature en Alaska, mêlant émotion personnelle et conscience écologique. Il s'inspire fortement de l'œuvre symphonique de Gustav Mahler, Das Lied von der Erde, et fusionne rock indépendant et musique classique, en collaboration avec l'orchestre berlinois Stargaze. Composé de 24 morceaux, symbolisant les 24 heures d'un jour terrestre, l'album explore la beauté du vivant autant que ses menaces. L'un des titres est directement tiré du livre La Terre inhabitable de David Wallace-Wells, amplifiant le message environnemental. Salué par la critique, Song of the Earth a été présenté dans de grandes villes comme Hambourg, Amsterdam, Londres et Los Angeles avant son enregistrement studio. Œuvre sensible et visionnaire, elle touche autant par sa musicalité que par sa portée politique. Les morceaux cités dans cette chronique : - Our Green Garden - At Home -Uninhabitable Earth, Paragraph One Merci pour votre écoute N'hésistez pas à vous abonner également aux podcasts des séquences phares de Matin Première: L'Invité Politique : https://audmns.com/LNCogwPL'édito politique « Les Coulisses du Pouvoir » : https://audmns.com/vXWPcqxL'humour de Matin Première : https://audmns.com/tbdbwoQRetrouvez tous les contenus de la RTBF sur notre plateforme Auvio.be Retrouvez également notre offre info ci-dessous : Le Monde en Direct : https://audmns.com/TkxEWMELes Clés : https://audmns.com/DvbCVrHLe Tournant : https://audmns.com/moqIRoC5 Minutes pour Comprendre : https://audmns.com/dHiHssrEt si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Zu Gast bei Roger Schawinski ist der bekannte Wirtschaftshistoriker Tobias Straumann. In dieser Sendung erfahren Sie, wie Straumann die Situation nach dem von US-Präsident Trump verkündeten Zoll-Schock und dem heftigen Börsencrash einschätzt. Songs: Il boît pour oublier sa vie - Les Négresses Vertes, Bongo Bong - Manu Chao, Symphony No. 1 in D Major_III." - Gustav Mahler, My Favourite Things - John Coltrane, Klaviersonate No.17, Op.31 No.2 "Sturm Sonate" 3., Ludwig van Beethoven

A phone call that changes everything. A seemingly impossible challenge. Hours instead of months to prepare. When mezzo-soprano Deborah Humble received that unexpected call from the Sydney Symphony Orchestra, she faced a career-defining decision: step onto the stage of the Sydney Opera House that very evening to perform Gustav Mahler's Second Symphony—a piece she had never fully sung before—or walk away from the opportunity of a lifetime.What followed was a whirlwind day of frantic preparation, from retrieving a discarded concert dress from a garbage bag in her car trunk to a 45-minute crash course with her vocal coach. With barely enough time to warm up, Deborah found herself standing before a sold-out audience at the Sydney Opera House, performing in a concert that was not only being live-streamed globally but also recorded by Deutsche Grammophon for worldwide release.The stakes couldn't have been higher. The pressure more intense. Yet amid the chaos, Deborah found clarity in a simple thought: "Simone wouldn't have asked you to step up if she didn't think you could do it." With the support of conductor Simone Young and drawing on decades of professional experience, Deborah delivered a performance that earned her a standing ovation and secured her place in Sydney Opera House history.This remarkable story transcends the world of classical music, offering powerful insights about preparation meeting opportunity, managing self-doubt, and having the courage to take calculated risks. As Deborah reflects, "We are capable of doing what we have spent our whole lives working towards." Her experience reminds us that behind every "overnight success" lies years of dedication, discipline, and determination—qualities that prepare us to seize extraordinary moments when they unexpectedly arrive.Ready to be inspired by a tale of remarkable courage under pressure? Listen as Deborah reveals what it truly takes to rise to an impossible occasion when everything is on the line.Find out more about Deborah Humble on her website.Listen to the recording here. Thanks for listening to Digitally Curious. You can buy the book that showcases these episodes at curious.click/orderYour Host is Actionable Futurist® Andrew GrillFor more on Andrew - what he speaks about and recent talks, please visit ActionableFuturist.com Andrew's Social ChannelsAndrew on LinkedIn@AndrewGrill on Twitter @Andrew.Grill on InstagramKeynote speeches hereOrder Digitally Curious

Kate Molleson navigates through the personal and professional struggles of Gustav Mahler Gustav Mahler: brilliant, fiery and tyrannical – leader of some the most prestigious musical institutions of his era – fought battles his whole life. He clashed with his colleagues, scrapped with critics and wrestled endlessly with his own desires and ambitions. This week, Kate Molleson navigates us through his many personal and professional struggles, and follows Mahler to the countryside hideaways where he sought (not always successfully) to escape the drama of his everyday life. Here, among the lakes and mountains, Mahler also found space to compose and he poured the whole world into his music in all its ugliness, mundanity and transcendent beauty.Music Featured:Symphony No 3 (excerpts) Symphony No 1 (excerpts) Symphony No 2 (excerpts) by Bernard Haitink Des Knaben Wunderhorn (Lob des hohen Verstandes) Lieder eines fahrenden Gesellen Symphony No 4 (excerpts) Symphony No 5 (excerpts) Symphony No 6 (excerpts) Symphony No 7 (excerpts) Kindertotenlieder (No 3, Wenn dein Mütterlein) Symphony No 8 "Symphony of a Thousand" (excerpts) Das Lied von der Erde (No 2, Der Einsame in Herbst) Symphony No 9 (excerpts) Das Lied von der Erde (No 4, Von der Schonheit) Symphony No 10 (ed. Deryck Cooke (excerpt)Presented by Kate Molleson Produced by Chris Taylor for BBC Audio Wales and WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Gustav Mahler (1860-1911) https://www.bbc.co.uk/programmes/m00291fhAnd you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Ty Chiko is a baritone, a baker, a visual artist and a social justice advocate. Originally from the Bahamas, he joined Interlochen's faculty last fall as the director of vocal music. Chiko visited IPR's Studio A to perform music of Gustav Mahler and Betty Jackson King.

Entrevista a Francisco José Velasco, director de CLM Sinfónica y Pedro Delegido, miembro de la Junta Directiva sobre el concierto que ofrecerán en el Quijano el viernes 28 de marzo

Peter Bichsel (1935-2025) war ein bedeutender Schweizer Schriftsteller und Journalist, der als eine der wichtigsten Stimmen der modernen deutschsprachigen Literatur gilt. Bichsel wuchs in Olten auf und arbeitete zunächst als Volksschullehrer. Sein literarischer Durchbruch gelang ihm 1964 mit der Kurzgeschichtensammlung «Eigentlich möchte Frau Blum den Milchmann kennenlernen». Bichsel war bekannt für seinen einfachen, aber tiefgründigen Schreibstil und seine humorvollen, oft satirischen Erzählungen. 1970 war der damals 35-jährige Peter Bichsel zu Gast bei Roswitha Schmalenbach und sprach über sein Verhältnis zur Musik, wie er immer mehrere Tage hintereinander dieselbe Schallplatte hörte, wie er das Geigespielen hasste und warum er gehobene Unterhaltungsmusik nicht erträgt. Er erzählte auch, dass er keine Hunde mag, dafür die Musik von Gustav Mahler liebt. Aus Anlass des Todes von Bichsel am 15. März 2025 wiederholen wir die Sendung «Musik für einen Gast» mit ihm, die auf den Tag genau 55 Jahre vor seinem Tod stattgefunden hat. Die Musiktitel: 1. Julius Fučík - Der Einzug der Gladiatoren 2. Anton Webern – 5 Sätze, Op. 5 (Fassung Für Streichorchester): «1. Heftig bewegt» Die Zagreber Solisten / Antonio Janigro, Leitung 3. Walter Carlos - Switchd On Bach: «Prelude And Fugue No. 2 In C Minor» 4. Franz Schubert: Der Tod und das Mädchen: «3. Scherzo» Endres-Quartett 5. Gustav Mahler - Sinfonie Nr. 1 D-Dur. Titan: «2. Kräftig bewegt, doch nicht zu schnell» London Symphony Orchestra / Georg Solti, Leitung 6. Billie Holiday – Strange Fruit

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蹦藝術 EP183 【馬勒交響曲全集系列】：第一號交響曲 第一樂章 用耳朵閱讀古典音樂 - 蹦藝術 | BONART

„Lied der Nacht“ haben Kommentatoren die Siebente Symphonie von Gustav Mahler genannt. Tatsächlich enthält das Werk zwei vom Komponisten selbst sogenannte „Nachtmusiken“, ein irrlichterndes, sinistres Scherzo, aber auch viel Musik von strahlender Helle. Für Musikfreunde ist sie vielleicht die rätselhafteste der bilderreichen Symphonien. Aus Anlass der Übertragung der Aufführung unter Sir Simon Rattle in Ö1 am kommenden Wochenende legt „Presse“-Musikkritiker Wilhelm Sinkovicz seinen erläuternden Podcast über das Werk noch einmal auf.

durée : 00:16:18 - Disques de légende du vendredi 21 février 2025 - De 1988 à 2004, Riccardo Chailly exerce 16 ans d'un glorieux mandat à la tête de l'un des plus grands orchestres du monde : l'Orchestre royal du Concertgebouw d'Amsterdam. A peine arrivé, il grave la 6e symphonie de Gustav Mahler.

This Day in Legal History: Bell and Gray File PatentsOn February 14, 1876, both Alexander Graham Bell and Elisha Gray filed patent applications for the invention of the telephone, setting off one of the most famous legal battles in U.S. history. Bell's lawyer submitted his paperwork to the U.S. Patent Office just hours before Gray's, leading to a dispute over who truly invented the device. Gray's filing was a "caveat," an intention to patent, while Bell's was a full application, giving him a legal advantage. When the patent was granted to Bell on March 7, 1876, Gray challenged it, arguing that Bell had improperly incorporated elements of Gray's liquid transmitter design.The controversy led to numerous lawsuits, with Gray and others accusing Bell of fraud and claiming he had seen Gray's filing before finalizing his own. Despite these challenges, the courts consistently ruled in Bell's favor, affirming his rights to the telephone patent. This legal victory gave Bell's company, later known as AT&T, control over the rapidly growing telephone industry. The case highlighted issues of patent timing, intellectual property rights, and legal strategy in technological innovation.The Bell-Gray dispute remains a landmark moment in patent law, demonstrating how the slightest timing difference can determine the outcome of major technological advancements. It also underscored the competitive nature of the late 19th-century invention boom, where multiple inventors often worked on similar ideas simultaneously.Democratic attorneys general from 16 states issued guidance defending diversity, equity, inclusion, and accessibility (DEI) programs against recent executive orders from former President Trump. Led by Massachusetts AG Andrea Joy Campbell and Illinois AG Kwame Raoul, they argued that DEI initiatives remain legal under existing anti-discrimination laws, including Title VII of the 1964 Civil Rights Act. The Trump administration's orders call for eliminating DEI efforts from federal agencies and scrutinizing private-sector programs, conflating lawful diversity policies with illegal hiring preferences, the AGs said.Major corporations like Google and Amazon have adjusted or rebranded their DEI initiatives in response to legal uncertainty. The guidance clarifies that policies promoting workplace diversity—such as broad recruitment efforts and impact assessments—are legally distinct from unlawful hiring preferences. Courts have long upheld employers' ability to consider the effects of their policies on different groups to prevent discrimination claims.Meanwhile, Republican AGs, including Missouri's Andrew Bailey, are pushing businesses to abandon DEI programs. Bailey recently sued Starbucks, accusing the company of violating civil rights laws through its DEI initiatives. The conflicting state-level actions highlight the growing legal and political battle over corporate diversity policies.Democratic AGs Defend DEI Against ‘Misleading' Trump DirectivesTwo federal judges will decide whether Elon Musk's government cost-cutting team, the Department of Government Efficiency (DOGE), can access sensitive U.S. government systems. Since his appointment by President Trump last month, Musk has led efforts to eliminate wasteful spending, but critics argue his team lacks legal authority to handle Treasury payment systems and sensitive agency data.Judge Jeannette Vargas in Manhattan will consider a request from Democratic attorneys general to extend a temporary block preventing DOGE from accessing Treasury systems that process trillions in payments. The states argue Musk's team could misuse personal data and disrupt funding for health clinics, preschools, and climate programs.In Washington, Judge John Bates will review a separate request from unions seeking to prevent DOGE from accessing records at the Department of Health and Human Services, the Labor Department, and the Consumer Financial Protection Bureau. Bates previously ruled in favor of the Trump administration but will now reconsider after the unions amended their lawsuit.Democratic AGs have also filed a separate lawsuit claiming Musk's appointment is unconstitutional and seeking to block him from making personnel decisions or canceling contracts. While courts have blocked several of Trump's initiatives, his administration has continued firing government workers and cutting foreign aid, mostly targeting programs opposed by conservatives.Musk's DOGE team: Judges to consider barring it from US government systems | ReutersA federal judge has ordered the Trump administration to restore funding for hundreds of foreign aid contractors affected by a 90-day funding freeze. The ruling temporarily blocks the administration from canceling foreign aid contracts and grants that were in place before Trump took office on January 20.  The decision came in response to a lawsuit filed by two health organizations that rely on U.S. funding for overseas programs. The Trump administration had halted all foreign aid payments, claiming the pause was necessary to review program efficiency and alignment with policy priorities. However, Judge Amir Ali ruled that the government had not provided a rational justification for the sweeping suspension, which disrupted agreements with businesses, nonprofits, and organizations worldwide.  Trump has also ordered federal agencies to prepare for major job cuts, leading to layoffs among government workers without full job protections. His administration has already removed or sidelined hundreds of civil servants and top officials, part of a broader effort to reshape the federal workforce and consolidate power among political allies.Judge orders US to restore funds for foreign aid programs | ReutersA federal judge has ordered the release of Supreme Court advocate Tom Goldstein, three days after he was jailed for allegedly violating pretrial release conditions in a tax fraud case. Goldstein, a prominent appellate lawyer and co-founder of SCOTUSblog, was indicted last month on 22 counts of tax evasion related to his high-stakes poker winnings and alleged misuse of law firm funds to cover debts.Chief U.S. Magistrate Judge Timothy Sullivan ruled that there was insufficient evidence to keep Goldstein incarcerated for allegedly concealing cryptocurrency transactions. However, the judge imposed new restrictions, including monitoring his internet use and prohibiting cryptocurrency transfers.Prosecutors claimed Goldstein secretly moved millions in crypto after his initial release, prompting his second arrest. Goldstein argued the transactions occurred in 2023 and that he did not own the accounts in question. While the judge found Goldstein's evidence created enough doubt to justify his release, he also suggested Goldstein may still have access to hidden funds that could enable him to flee. Goldstein has pleaded not guilty, and his legal team maintains the government's case lacks proof.Supreme Court veteran Goldstein wins release again in tax crimes case | ReutersThis week's closing theme is by Gustav Mahler.Gustav Mahler (1860–1911) was a visionary composer and conductor whose symphonies bridged the late Romantic and early modern eras. Known for his deeply personal and expansive works, Mahler infused his music with themes of life, death, and transcendence. His Symphony No. 2, often called the Resurrection Symphony, is one of his most ambitious compositions, blending massive orchestral forces with choral elements to explore the journey from despair to spiritual renewal.The symphony's fifth and final movement, Im Tempo des Scherzo – Aufersteh'n, is a dramatic culmination of the work's themes. It begins in chaos, with the orchestra depicting the terror of the apocalypse, before gradually moving toward light and resolution. The music builds in intensity until the choir enters softly, singing the text of Friedrich Klopstock's Resurrection Ode, which speaks of rising again after death. Mahler expands on these words, adding his own lines about redemption and eternal life.The movement swells to one of the most powerful climaxes in symphonic history, with soaring brass, thunderous percussion, and a triumphant chorus proclaiming victory over death. The final moments are a breathtaking ascent, as the music dissolves into radiant serenity. This movement is more than just a finale; it is an emotional and philosophical journey, offering a sense of transcendence that has resonated with audiences for over a century.Without further ado, Gustav Mahler's Symphony No. 2, the fifth and final movement – Im Tempo des Scherzo.  This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

This Day in Legal History: 11th Amendment RatifiedOn February 7, 1795, the 11th Amendment to the U.S. Constitution was ratified, restricting federal judicial power over lawsuits against states. The amendment was a direct response to the Supreme Court's 1793 decision in Chisholm v. Georgia, which held that a private citizen of one state could sue another state in federal court. This ruling alarmed many states, as it threatened their sovereign immunity and exposed them to lawsuits from individuals. In reaction, Congress swiftly proposed the 11th Amendment, which was ratified by North Carolina on this day, completing the necessary approvals. The amendment states that federal courts cannot hear cases against a state brought by citizens of another state or a foreign country. This reinforced the principle of state sovereignty and limited the reach of the federal judiciary. The amendment effectively overturned Chisholm and set a precedent for later expansions of state immunity. Over time, the Supreme Court interpreted the amendment broadly, extending protections to cases brought by a state's own citizens as well. The 11th Amendment remains a cornerstone of federalism, shaping the balance of power between states and the national government.Federal agencies have pulled out of law school recruiting events following President Donald Trump's executive order freezing hiring across the government. More than a dozen agencies withdrew from NYU's public interest career fair, and others skipped a similar event hosted by Georgetown and George Washington University. The freeze, which affects federal legal jobs and prestigious honors programs at agencies like the DOJ and IRS, has left many law students scrambling for alternatives. While some large law firms are looking to hire displaced junior lawyers, there are limited openings, especially for first- and second-year students whose summer jobs were canceled. Firms like Morgan Lewis, Quinn Emanuel, and Elsberg Baker & Maruri are among those actively considering affected candidates. However, with most Big Law summer associate spots already filled, many students may struggle to secure positions. The freeze, which could last up to 90 days, is part of a broader effort to reduce the federal workforce through attrition and “efficiency” measures.Trump Hiring Freeze Has Agencies Ditching Law School RecruitingFor decades, the Justice Department has prided itself on independence, with attorneys expected to uphold the law "without fear or favor," as former Attorney General Merrick Garland emphasized. This principle, strengthened after Watergate, has long guided DOJ lawyers in their duty to serve the nation rather than any single president. However, Attorney General Pam Bondi's new memo marks a stark departure from that tradition, warning DOJ lawyers against refusing to advance legal arguments they disagree with and referring to them as the president's lawyers. The memo threatens disciplinary action, including termination, for attorneys who decline to sign briefs or appear in court due to personal objections. Critics argue that this undermines legal ethics and pressures attorneys to prioritize loyalty to Trump over their professional responsibilities. Historically, DOJ lawyers who found themselves in ethical conflicts could ask to be reassigned or resign, but Bondi's directive appears designed to force them into compliance or out of the department entirely. The memo is particularly concerning as Trump's DOJ aggressively defends controversial executive actions, making it harder for lawyers to voice concerns about weak or legally questionable cases. Legal experts worry that a mass exodus of experienced attorneys could damage the department's credibility, further eroding trust in the rule of law.Bondi Raises Independence Concerns with Attorney Advocacy MemoThe Trump administration is facing a lawsuit from the American Federation of Government Employees and the American Foreign Service Association over its rapid dismantling of the U.S. Agency for International Development (USAID). The suit, filed in federal court, argues that President Trump's foreign aid freeze and subsequent orders to halt USAID projects were unconstitutional and have caused a global humanitarian crisis. Since Trump's executive order on January 20, USAID staff have been laid off or placed on leave, and key aid programs combating malaria, HIV, and global hunger have been suspended. The shutdown, largely overseen by Elon Musk, has left food aid worth $340 million stranded and led to worsening health crises, according to the lawsuit. Critics argue that since Congress created USAID by statute, Trump lacks the legal authority to dismantle it. The lawsuit seeks an emergency court order to restore funding, reopen offices, and prevent further agency cuts.Trump administration sued by government workers over cuts to USAID | ReutersCompanies are rushing to file merger notifications before a new Federal Trade Commission (FTC) rule takes effect after 5 p.m. on Friday, significantly expanding reporting requirements for deals over $126.4 million. The rule, introduced under President Biden and set to take effect under President Trump, is expected to triple the workload for companies seeking regulatory clearance. Businesses are scrambling to file under the old rules to avoid higher compliance costs and navigate a familiar system rather than being among the first to test the new requirements. While attorneys don't see the rush as an attempt to evade scrutiny, some worry that the surge in filings—combined with Trump's push to shrink the federal workforce—could result in inadequate review of certain deals. The private equity industry has strongly opposed the rule, arguing it places unnecessary burdens on firms, and has filed a lawsuit to block it, though no ruling is expected this week. Some lawmakers are considering legislative action, and attorneys are closely watching for any last-minute delays, though chances of a suspension are diminishing.Companies wary of new US rule scramble to file mergers by Friday, lawyers say | ReutersThis week's closing theme is by Gustav Mahler.Gustav Mahler, one of the most influential late-Romantic composers, was known for his expansive symphonies that bridged the worlds of the 19th and 20th centuries. Born in 1860, Mahler's music often grappled with deep philosophical and existential themes, blending moments of beauty, nostalgia, and turmoil. His Symphony No. 4, completed in 1900, is one of his most accessible works, offering a lighter, more lyrical approach compared to his more intense symphonies. On February 7, 1904, Mahler himself conducted a performance of this symphony in Berlin, reinforcing its place in the concert repertoire.The fourth movement, "Das himmlische Leben" (The Heavenly Life), is the symphony's heart and soul, featuring a soprano voice describing a child's vision of heaven. Unlike the grandeur of Mahler's other finales, this movement is delicate and dreamlike, with folk-like melodies and a sense of innocence. The lyrics, drawn from the Des Knaben Wunderhorn (The Boy's Magic Horn) collection, depict a paradise filled with music, dancing, and endless feasting, all with a touch of Mahler's characteristic irony. The orchestration remains light and transparent, with delicate bells and strings giving the music an ethereal quality.As this week's closing theme, "Das himmlische Leben" serves as a gentle farewell, offering a moment of reflection and tranquility. Its serene and almost childlike optimism provides a perfect contrast to the weightier legal discussions, reminding us that even in complex times, beauty and simplicity endure.Without further ado, Gustav Mahler's Symphony No. 4, the fourth movement, “Das himmlische Leben” – enjoy.  This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

durée : 00:16:10 - Disques de légende du mardi 04 février 2025 - En 1967 sortait chez Emi un disque consacré aux oeuvres vocales de Mahler, chantées par Janet Baker, et sous la direction de Sir John Barbirolli. Parmi elles, ces sublimes Kindertotenlieder.

American conductor Marin Alsop was the first woman to lead major orchestras in the UK, South America and in the United States, becoming principal conductor of the Baltimore Symphony Orchestra in 2007. Nominated for Grammy Awards five times, in 2013 she became the first ever woman to lead the Last Night Of The Proms, and is now regarded as one of the greatest conductors in the world. She talks to John Wilson about her professional musician parents who nurtured her love of music and supported her career choice from the age of 9 when she first revealed she wanted to be a conductor. Marin also talks about Leonard Bernstein, the great American composer and conductor, who inspired her ambitions and later became a mentor to her. She also chooses Carl Jung's work The Archetypes and the Collective Unconscious, and explains how his theories have helped her in leading orchestras around the world.Producer: Edwina PitmanMusic and archive used: Serenade in C major for String Orchestra, Op. 48; Valse, Pyotr Ilyich Tchaikovsky, New York City Ballet Orchestra, 1986 Irish Spring commercial: "Clean as a Whistle" 1980 Leonard Bernstein, Young People's Concerts: "What is Classical Music?", CBS Television, 24 January 1959 Omnibus: Leonard Bernstein's West Side Story, BBC2, 10 May 1985 Archive of Leonard Bernstein and Marin Alsop at the Schleswig-Holstein Musik Festival, 1987 Leonard Bernstein, Young People's Concerts: "What Does Music Mean?", CBS Television, 18 January 1958 Archive of OrchKids concert, Baltimore Symphony Orchestra Woman's Hour, BBC Radio 4, 26 July, 2005 Rhapsody in Blue, George Gershwin, Jean-Yves Thibaudet, Baltimore Symphony Orchestra, Marin Alsop Last Night of the Proms, BBC1, 7 September 2013 Symphony No. 2 in C Minor, "Resurrection", Gustav Mahler, Polish National Radio Symphony Orchestra, Marin Alsop

durée : 00:27:26 - Disques de légende du mercredi 15 janvier 2025 - Troisième volet de notre semaine spéciale consacrée à Pierre Boulez : le dernier volume d'une intégrale des symphonies et lieder de Gustav Mahler enregistré entre 1994 et 2010.

From the critically acclaimed artist, designer, and author of the bestsellers The Principles of Uncertainty, My Favorite Things, and Women Holding Things comes a moving meditation in words and pictures on remorse, joy, ancestry, and memory. REGISTER In Conversation with Alex Conner Maira Kalman's most autobiographical and intimate work to date, Still Life with Remorse is a beautiful, four-color collection combining deeply personal stories and 50 striking full-color paintings in the vein of her and Alex Kalman's acclaimed Women Holding Things. Tracing her family's story from her grandfather's birth in Belarus and emigration to Tel Aviv--where she was born--Maira considers her unique family history, illuminating the complex relationship between recollection, regret, happiness, and heritage. The vibrant original art accompanying these autobiographical pieces are mostly still lifes and interiors which serve as counterpoints to her powerful words. In addition to vignettes exploring her Israeli and Jewish roots, Kalman includes short stories about other great artists, writers, and composers, including Leo Tolstoy, Franz Kafka, Gustav Mahler, and Robert Schumann. Through these narratives, Kalman uses her signature wit and tenderness to reveal how family history plays an influential role in all of our work, lives, and perspectives. A feat of visual storytelling and vulnerability, Still Life with Remorse explores the profound hidden in the quotidian, and illuminates the powerful universal truths in our most personal family stories. Because you love Author Events, please make a donation when you register for this event to ensure that this series continues to inspire Philadelphians. Books will be available for purchase at the library on event night! (recorded 10/29/2024)

durée : 00:20:37 - Disques de légende du mercredi 08 janvier 2025 - Otto Klemperer dirige sur notre disque du jour la Symphonie n°2 en Do mineur de Gustav Mahler, surnommée "Résurrection", à la tête du Philharmonia Orchestra de Londres, un disque paru en 1963.

Why did Vienna produce so many revolutionary Jews?   How Jewish was Freud? Was Herzl always a Zionist? Did the Beis Yakov movement actually start in Vienna rather than Krakow?   Nathan Birnbaum created the term Zionism - why don't we know more about him? What was Gustav Mahler's epitaph on his tombstone?   Chapters 03:12 Jewish Identity vs Jewish Society 06:04 Responses to Antisemitism: A Spectrum of Reactions 09:00 Five Cultural Figures and Their Influence 11:51 Theodor Herzl: From Assimilation to Zionism 20:54 The Collision of Ideas: Herzl and Viennese Jewry 23:50 Herzl's Proposals: Why they happened in Vienna 30:09 Nathan Birnbaum: The Ideologue of Zionism 35:24 Sigmund Freud: A Complex Jewish Identity 39:14 Freud's Psychoanalysis: Does it have religious value? 46:30 Rabbi Moshe David Flesch: A Voice for Jewish Women

News; 21st Antarctica expedition of scientists of Masaryk University gets underway; Czechia secures third straight medal at the World Junior Hockey Championship; Gustav Mahler, the world-renowned composer who drew inspiration from the Bohemian-Moravian Highlands.

In het jaar dat nu voor ons staat zal veel gebeuren. Veel verrassends, veel onbegrijpelijks en veel dat je wel kon zien aankomen of waar we op konden hopen. In Betrouwbare Bronnen bekijken Jaap Jansen en PG Kroeger elk jaar welke vroegere momenten en mensen ons juist in het nieuwe jaar kunnen inspireren; tot nadenken stemmen, verbazen en een spiegel voorhouden.***Deze aflevering is mede mogelijk gemaakt met donaties van luisteraars die we hiervoor hartelijk danken. Word ook vriend van de show!Steun VluchtelingenWerk Nederland. Gebruik hiervoor de link vluchtelingenwerk.nl/betrouwbarebronnen Deze aflevering bevat een advertentie van De Schrijverscentrale. Boek ook een schrijversbezoek!Heb je belangstelling om in onze podcast te adverteren of ons te sponsoren? Zend een mailtje naar adverteren@dagennacht.nl en wij zoeken contact.Op sommige podcast-apps kun je niet alles lezen. De complete tekst plus linkjes en een overzicht van al onze eerdere afleveringen vind je hier***1} AmerikaEen nieuwe president wordt ingezworen en het is een oude, in alle betekenissen van het woord. In de Amerikaanse geschiedenis werd precies 200 jaar geleden een heel ander mens ingehuldigd als president. De zoon van een eerdere president bovendien. John Quincy Adams was een Uomo Universale en bekleedde vele politieke en diplomatiek posten.Hij begon als scholier in Amsterdam en student in Leiden als de secretaris van zijn vader, ambassadeur John Adams. Als tiener was hij dus al op het hoogste niveau actief voor de nieuwe, rebelse republiek van de Britse onderdanen in opstand. In 1825 werd hij hun zesde president.Die republiek viert nu zijn 250ste verjaardag en ook in 2025 gaan we in Betrouwbare Bronnen door met het uitdiepen van dat jubileum. Op 19 april 1775 begon het conflict uit de hand te lopen. Britse troepen vielen de guerilleros aan rond de stad Boston – die van de eerdere Tea Party actie - en liepen een lelijk blauw oog op.In Concord en op Lexington Green werd gevochten en de troepen van George III vluchtten terug naar de stad. “By the rude bridge that arched the flood/Their flag to April's breeze unfurled/Here once the embattled farmers stood/And fired the shot heard round the world.” En de victorieuze rebellen zongen uit volle borst 'Yankee Doodle Dandy'!2] LeidenDe oudste universiteit van Nederland viert op 8 februari haar 450e verjaardag. Deze academie, het Praesidium Libertatis, was een geschenk van Willem van Oranje als dank voor de moed van de burgers tijdens de belegering door de Spaanse troepen.Het werd het trainingscentrum van het calvinisme en van burgerlijke bestuurders die de nieuwe Republiek hun gezicht en hun vernuft schonken. Het werd ook een wereldwijd uniek kenniscentrum van de andere culturen, talen en religies 'van het Boek'. Hoe afbraak daar nu het parool is, is niet minder dan een cultureel schandaal.Leiden trok talent vanuit heel de wereld. Snouck ontving prins Saud uit Mekka. Minister Wim Deetman de sjeik van Qatar. Ehrenfest zijn grote vriend Einstein wiens wasbak bewaard bleef! En de historische vulpen die de natuurkunde en onze blik op het universum fundamenteel veranderde. PG vertelt over zijn leermeester professor Jan Heesterman, wiens diepe kennis en liefde voor India en andere Aziatische culturen nu nog doorleeft.3] AmsterdamDe Leidse academie verbindt zich op een wel heel aparte wijze met de hoofdstad en de klassieke muziek in de persoon van Gustav Mahler. Wie Amsterdam zegt, zegt het Concertgebouw en zegt Mahler. 2025 is er opnieuw een groot festival met al diens werken, uitgevoerd door een reeks toporkesten, dirigenten en solisten.Niets kan beter de 750e verjaardag van deze stad luister bijzetten. Jaap en PG stippen vrouwen en mannen aan die Amsterdam kleur gaven; wereldfaam en politieke en morele kwaliteit. Van Aletta Jacobs tot Johan van Hulst. En laten we blij zijn dat wethouder Joop den Uyl zijn 'grootste verbouwing ooit' toch niet voor elkaar kreeg!4] Thomas MannEen vriend van Einstein en vele andere grote geesten in Leiden en Amsterdam als Sigmund Freud en Richard Strauss wordt dit jaar wereldwijd geëerd. Thomas Mann werd 150 jaar geleden geboren en sprak 75 jaar geleden zijn grote rede 'Meine Zeit' uit. Dat gebeurde in Chicago en waarom dat is, heeft nota bene een verbinding met ons land en oud-premier Ruud Lubbers.5] RuslandRusland staat stil bij de berinnering aan het aantreden van twee grote heersers. En zal sidderen. 31 december 1999 trad Boris Jeltsin af en wees Vladimir Poetin aan als zijn opvolger. We konden toen al vijf jaar weten waar deze KGB-officier politiek stond. Een artikel in een Duitse krant over een documentaire van de WDR-omroep liet daar geen misverstand over bestaan. En een stukje uit die docu hebben we! Je hoort Poetin Duits spreken.(Hier kun je de hele documentaire zien)Ongetwijfeld zal Poetin dit jaar zélf stil staan bij de troonsbestijging van zijn rolmodel uit de Tsarendynastie. Nicolaas I volgde op 1 december 1825 zijn plots gestorven broer Alexander 'Sasha' op. Met hem begonnen decennia van repressie, afsluiting van het Westen en vervolging van 'andersdenkenden'.6] EuropaPolen zit de EU voor en dat is in 2025 van grote symbolische betekenis. Op 27 januari komt de wereld daar bijeen om de bevrijding van het vernietigingskamp Auschwitz in 1945 te gedenken. Actueler dan ooit nu Syrië bevrijd is en de gruwelen daar aan het licht komen.Maar 2025 kent ook reden tot vreugde en trots voor de Polen. Want op 9 december vieren zij hoe in 1990 hun eerste democratisch gekozen president na de 'Mauerfall' aantrad. Dat was toen al een icoon van moedig verzet en onwrikbaar geloof, de vakbondsman Lech Walesa. Zijn campagneslogan zei het al: “Ik wil het niet, maar het moet.”Twee groten van de Europese geschiedenis worden dit jaar geëerd bij hun 100e verjaardag. Margaret Thatcher en Jacques Delors. Tegenpolen, dat zeker, maar mensen met groot respect voor elkaar. "He is the cleverest man in Europe!" Daar kunnen we in onze tijd misschien wel wat van leren dus.En 2025 wordt hopelijk ook politiek hun jaar. Met een nieuwe toenadering binnen de NAVO en met de EU van de Britten en met een even gedurfd als visionair redesign van de EU door Delors' leerlingen Ursula en Mario.7] Geen opera?Toch wel. Want in 1625 werd de alleroudste opera door een vrouw gecomponeerd in Florence opgevoerd. Een verhaal uit een geliefde ridderroman werd met veel spektakel ten tonele gebracht door de Medici-familie ter gelegenheid van de ontvangst van kroonprins Wladyslaw van Polen!Maar vanwege Leiden en Amsterdam luiden we het jaar in met Gustav Mahler. Met zijn meest intieme liefdeslied voor zijn grillige, veeleisende vrouw Alma.Gelukkig Nieuwjaar en alle goeds in 2025!***Verder luisteren392 - 2024: triomf en tragedie in historie en actualiteit138 - In het voetspoor van Amerikaanse Presidenten in Nederland (oa de jonge John Quincy Adams)382 - 250 jaar Verenigde Staten: de Boston Tea Party en de rechtsbescherming van belastingbetalers in Nederland115 - Thomas Paine en De Rechten van de mens - filosoof van de Amerikaanse revolutie262 - Waarom India - ook voor Nederland - steeds belangrijker wordt325 - De mythe van Joop den Uyl; het spookbeeld van Mark Rutte161 - Hans van Mierlo, een politieke popster346 - Alle Menschen werden Brüder!404 - 75 jaar NAVO: in 1949 veranderde de internationale positie van Nederland voorgoed (oa over Thomas Mann)21 - Poetins rolmodel tsaar Nicolaas I19 - Anne Applebaum over Oekraïne, Poetin en Nicolaas I468 – Polen brengt nieuwe dynamiek in Europa105 - 75 jaar bevrijding: Dagelijks leven in Nazi-Duitsland - Viktor Klemperer wist in 1942 al van Auschwitz336 - Timothy Garton Ash: Hoe Europa zichzelf voor de derde keer opnieuw uitvindt (oa over Lech Walesa)124 - 95 jaar Jacques Delors30 - Delors en Thatcher303 - Bijzondere Britse premiers446 - Doe wat Draghi zegt of Europa wacht een langzame doodsstrijd***Tijdlijn00:00:00 – Deel 100:35:55 – Deel 200:58:21 – Deel 301:33:50 – Einde Zie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

We're looking at the life, legacy and music of the composer Gustav Mahler and how he tried to capture the breadth of human experience in his works.

41 Jahre nach seinem ersten Auftritt in «Musik für einen Gast» ist Stephan Braun erneut Gast in dieser Sendung. Aus dem Studenten der Veterinärmedizin ist ein gestandener Tierarzt geworden. Sein Musikgeschmack hingegen gleich dem von 1983 immer noch: Erlesen und anspruchsvoll. Das hat mit Stephan Brauns Sozialisation zu tun. Im Alter von fünf Jahren besucht er zum ersten Mal ein klassisches Konzert und will daraufhin Cellist werden. Rasch lernt er das Instrument und hätte auch das Zeug, Musiker zu werden, entscheidet sich aber dann doch für ein Studium. Nach drei Jahren in der Forschung wird er Tierarzt und übernimmt eine Praxis im Zürcher Oberland. Die Musik begleitet ihn aber weiterhin. Sei es als Hörer von Klassik, Rock und Funk, sei es als Vater dreier Kinder, von denen zwei immer noch Berufsmusiker sind. Die Zeit als Tierarzt ist mittlerweile vorbei. Seit September ist er pensioniert und hat zum ersten Mal im Leben keinen Plan, wie er sagt. Alles ist offen. Ein faszinierendes Lebensgefühl. Gut möglich aber, dass er sich bald wieder für eine neue Aufgabe entscheidet. Falls dem so ist, wird er sie mit genauso viel Leidenschaft anpacken, wie er es immer getan hat in seinem Leben. Die Musiktitel: 1. Marmen Quartet - Brahms, String Quartet in c minor, op. 51 No. 1, II. Romanze. Poco adagio https://www.youtube.com/watch?v=Lcu4PtVxHR0 Aufnahme Radio Lissabon 2. Franz Schubert «Abschied» -(Schwanengesang) arr. Leopold Jansa Ursina Maria Braun, Cello & Florian Birsak, Fortepiano https://www.youtube.com/watch?v=k3GKZhyNueY – CD erscheint im März 2025 (Koproduktion SRF 2 Kultur) 3. Talking Heads – Slippery People ( Live) 4. Yello – Till Tomorrow 5. Stevie Ray Vaughan - Life without you 6. Gustav Mahler, Sinfonie Nr. 3, d-moll: Part 2 – Langsam, Tempo Wiener Philharmoniker / Claudio Abbado, Leitung

ACIM Quote: Our function is to work together, because apart from each other we cannot function at all. (ACIM, T-8.VI.8:4) Today's Guest: Tara Hollander joins Tam and Matt to share her inspiring forgiveness story related to her musical career. In this episode, we explore themes of: Letting go of attachment Overcoming guilt Three Inspiring Classical Music Pieces That Tara Recommends: Appalachian Spring by Aaron Copland Franz Schubert's Piano Sonata in B-flat major Gustav Mahler's Symphony No. 3 in D minor Mentioned On This Podcast: The Fibonacci Sequence https://en.wikipedia.org/wiki/Fibonacci_sequence Announcement: ACIM Audio is now on both Android phones and iPhones. This easy-to-use app brings the profound teachings of A Course in Miracles directly to your mobile device, making it easier to immerse yourself in the Course anytime, anywhere. Android here: ⁠⁠https://play.google.com/store/apps/details?id=org.acim.audio⁠⁠ Iphone (iOS) here: ⁠⁠https://apps.apple.com/us/app/a-course-in-miracles-audio/id6443662668⁠⁠ The ACIM Audio App is the whole Course in the palm of your hands Read-Along Mode: Experience synchronized text and audio for enhanced comprehension and focus. Smart Auto Bookmarks: Seamlessly navigate between the Text and the Workbook without ever losing your place. Curated Prayers: Access nearly 200 different prayers from the Course in the Meditate tab. Stay Connected with Us, Join The Miracle Voices Email List: ⁠⁠⁠⁠⁠⁠⁠⁠https://www.miraclevoices.org/email-signup/⁠⁠⁠⁠⁠⁠⁠⁠ Feel Inspired to Make a Love Offering? Visit: ⁠⁠⁠⁠⁠⁠⁠⁠https://www.miraclevoices.org/donate⁠⁠ ⁠⁠⁠⁠⁠⁠ Think your Forgiveness Story Would Inspire Listeners? Submit your forgiveness story here: ⁠⁠⁠⁠⁠⁠⁠⁠https://www.miraclevoices.org/form⁠⁠

durée : 00:28:35 - Les Midis de Culture - par : Marie Labory - En 2022 au Festival d'Aix-en-Provence, Romeo Castellucci présentait sa version de la "Résurrection" de Gustav Mahler. Deux ans plus tard, la symphonie résonnera de nouveau à la Grande Halle de la Villette, toujours accompagnée de la saisissante mise en espace du metteur en scène italien. - réalisation : Laurence Malonda - invités : Romeo Castellucci Metteur en scène

durée : 00:11:38 - Le Disque classique du jour du mardi 12 novembre 2024 - Chef d'orchestre majeur du 20e siècle, Bruno Walter fut certainement le musicien le plus proche de Gustav Mahler lorsque celui-ci fut en poste à Vienne. Ardent promoteur des répertoires classique et romantique germaniques, Walter fut un compositeur du "dimanche".

durée : 00:11:38 - Le Disque classique du jour du mardi 12 novembre 2024 - Chef d'orchestre majeur du 20e siècle, Bruno Walter fut certainement le musicien le plus proche de Gustav Mahler lorsque celui-ci fut en poste à Vienne. Ardent promoteur des répertoires classique et romantique germaniques, Walter fut un compositeur du "dimanche".

Eine Schöpfungsgeschichte will Mahler erzählen und komponiert 1896 sein längstes Werk überhaupt: die 3. Sinfonie in d-Moll für riesiges Orchester, Altsolo, Frauen- und Kinderchor. In 6 Sätzen mit rund 100 Minuten Spielzeit zieht er alle Register: von der Marschmusik über ein wehmütiges Posthornsolo bis zum Hymnus der göttlichen Liebe. Von Michael Lohse.

DescriptionFrom Crisis to Symphony: How Near-Death Shaped Mahler's Musical Revolution in 60 Seconds. Take a minute to get the scoop!Fun FactGustav Mahler's most famous piece is arguably his Symphony No. 2, known as the "Resurrection Symphony." Composed between 1888 and 1894, it is celebrated for its grand scale, emotional depth, and exploration of life, death, and spiritual rebirth. The symphony is a monumental work, lasting about 80-90 minutes, and features five movements. Its powerful finale includes a chorus and vocal soloists, expressing a vision of resurrection and eternal life. Mahler's orchestration, innovative structure, and blending of song and symphony make this piece a landmark in the Romantic repertoire.__________________________________________________________________About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.__________________________________________________________________You can FOLLOW ME on Instagram.

The Woody Allen movie, "Manhattan," includes a scene where two couples are walking and the one played by Michael Murphy and Diane Keaton unveil their Academy of Overrated.  To this body they assign Gustav Mahler, Isak Dinesen, F. Scott Fitzgerald, Lenny Bruce, Norman Mailer, Mozart, , Vincent Van Gogh, and Ingmar Bergman.  The co-hosts on this recording, Korey Maas (Lutheran), Miles Smith (Anglican), and D. G. Hart (Presbyterian), consider their own list of overrated theologians.  The ones discussed are Karl Barth, the recently deceased Juergen Moltmann, and C. S. Lewis.   The reason behind raising the question is not to belittle any of these theologians' achievements but to consider how it is that a theologian -- when there are so many -- emerges as the "go to" authority for ending a doctrinal debate.  It also relates to confessional Protestant theological traditions in which those students training for a specific communion are going to be much more likely to read theologians in the Lutheran, Reformed, or Anglican traditions -- instead of reading broadly in the theologians who transcend specific Protestant communions.  A final thread of conversation was whether the "big names" of Protestant theology can survive in an age of megachurches and church planting networks.   The sponsor this time is Ethan's Donut Factory in downtown Hillsdale, Michigan. 

All Pink Smoke Podcast episodes are made available one week before their general release to Patreon subscribers. Subscribe to get early access & so much more: www.patreon.com/thepinksmoke 1974 was a landmark year for film, a convergence of exciting international cinema and the original voices of New Hollywood that still resonates 50 years later. In our new series we invite a different guest for each episode to choose a 1974 movie to talk about, ranging from giant blockbusters to minor cult curios and everything else in between. Falling somewhere between his more restrained films about Elgar and Delius and his untamed biopics of Strauss and Liszt, in 1974 Ken Russell released a portrait of Austro-Bohemian Romantic composer Gustav Mahler and his silently suffering spouse Alma. We welcome back Russell's wife and collaborator Lisi Tribble Russell, who shares her insights on this low-key masterpiece and memories of her friendship with its star, the wonderful Georgina Hale. The Pink Smoke site: www.thepinksmoke.com The Pink Smoke on X: twitter.com/thepinksmoke Christopher Funderburg on X: twitter.com/cfunderburg John Cribbs on X: twitter.com/TheLastMachine Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas” Support our Patreon: www.patreon.com/thepinksmoke

Host and producer Aaron Cohen talks about the upcoming Season 4 and shares excerpts.SUPPORT US ON PATREON:https://www.patreon.com/user?u=91819874

I'm Josh Cooperman and this is Convo By Design with a conversation about potential. Potential is defined as having the capacity to become something in the future. Think about that. I'll give you six seconds. Designer Resources Pacific Sales Kitchen and Home. Where excellence meets expertise. Monogram - It's the details that define Monogram ThermaSol - Redefining the modern shower experience. Without steam, it's just a bathroom. Design Hardware - A stunning and vast collection of jewelry for the home!  - Where service meets excellence TimberTech - Real wood beauty without the upkeep Potential, the most optimistic word in the human language next to the word optimism. Potential is only an idea until its activated. Simon Hamui is a Mexico City based design studio founded by Hamui and works in natural materials like wood, stone, upholstery and metal for truly unique spaces. Potential in this instance refers to both the artisan and his team in addition to the materials in which they work. Turning a piece of raw wood into a piece of artisan cabinetry on a yacht, earthen pulled stone into a stunning dining room floor. One of a kind works for one of a kind spaces by a one of a kind artisan and studio. I also asked Simon about his musical tastes, those responses. The top 10 he's loving right now; Gustav Mahler, Paul Simon, Claude Debussey, Melody Gardot, Johann Sebastian Bach, Genesis (early years), Milton Nacimiento, Sergei Profofiev, Pat Metheny and Juan Manuel Serrat. Love these! This is what we're discussing today with Simon Hamui. We'll be right back.

Join all three hosts for an episode on unity. What does it look like to experience unity in our selves, our lives, our families, and the Church? What can generate and sustain unity? How are we tempted to reduce it to a work of our own hands—and what is our calling instead? // We'd love to hear from you! Write to us at pilgrimsoulpodcast@gmail.com or find us on Instagram at @pilgrimsoulpodcast. Our website is www.pilgrimsoulpodcast.com. // Our media recommendation is Gustav Mahler's “Resurrection Symphony” (No. 2) as conducted by Leonard Bernstein: www.youtube.com/watch?v=wgtSa6XYWdE. You can find a helpful program here: www.tinyurl.com/w68zv3en Our monthly challenge is to pray with the canticle of the three young men in the furnace from the Book of Daniel, specifically the section that invokes all creation in a litany of praise to God: www.catholic.org/prayers/prayer.php?p=449 // Other resources we mention: - The Fraternity Exercises of Communion and Liberation, a retreat preached in 2021 by Fr. Mauro-Giuseppe Lepori: www.english.clonline.org/pubblications/other-texts/fraternity-exercises/christ-the-life-of-life - Adrienne Von Speyr's book “Three Women and the Lord” - Hans Urs von Balthasar's book “Engagement with God” - Bishop Erik Varden's book “Chastity” // Our theme music is Nich Lampson's “Dolphin Kicks.”

News; Globsec draws world leaders to Prague; “Invisible stamp” developed by Czech scientists could help identify stolen documents; Gustav Mahler: a world-renowned composer who drew inspiration from the Bohemian-Moravian Highlands