Podcast appearances and mentions of Gustav Mahler

durée : 01:28:58 - Relax ! du vendredi 21 novembre 2025 - par : Lionel Esparza - Au menu, ce vendredi, les grands disques du mois d'octobre : le Trio Busch dans Beethoven - tout simplement génial, des sonates de Bach par le violoniste Ilya Gringolts et le claveciniste Francesco Corti, Gustav Mahler par Paavo Järvi, et le tout premier disque de la pianiste Anna Geniushene. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:28:58 - Relax ! du vendredi 21 novembre 2025 - par : Lionel Esparza - Au menu, ce vendredi, les grands disques du mois d'octobre : le Trio Busch dans Beethoven - tout simplement génial, des sonates de Bach par le violoniste Ilya Gringolts et le claveciniste Francesco Corti, Gustav Mahler par Paavo Järvi, et le tout premier disque de la pianiste Anna Geniushene. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

In the 1960s, Leonard Bernstein famously helped to popularize the music of a then relatively obscure composer, Gustav Mahler. His work, as well as the work of other conductors, made Mahler into a classical-music household name. Mahler's symphonies are played every year all over the world, and he is firmly ensconced in the so-called canon of standard orchestral repertoire. Would it surprise you to know that Franck's D Minor Symphony once had the same reputation? It was played almost every year by most major orchestras, it was recorded by all the great conductors, and it was a fixture of the canon just like a Brahms symphony. Nowadays you would be lucky if, outside of France and Belgium, you hear Franck's Symphony once every five years, if that. The truth is that, other than a short golden period for this symphony, it has either been controversial (around the time it was premiered) or ignored (nowadays), which is a real shame, since it is a glorious piece that I would argue is drastically underrated in our modern world. The symphony was radically innovative for its time, which probably explains some of the more virulent criticism it received, but even though those innovations now sound completely normal to our ears, they are still at the heart of what makes this symphony so profoundly satisfying to listen to. Ahead of my performances of the symphony in Lille this December, I wanted to dive in and explore this unfairly ignored masterpiece. In about 40 minutes of music in three grand movements, Franck pours his soul into this work. That phrase sounds a bit cliché, I know, but I really mean it; there is an earnestness about this music that I find deeply moving, and it is something we will explore together today. We will talk about Franck's late entry into the world of composition, his reputation as an organist, and the challenges he faced in finding acceptance as a composer. Along the way, we will discuss this gorgeous piece in all of its passion and intensity. Join us!

Was sind die größten Hits der klassischen Chormusik? Sie haben abgestimmt - nun stehen die Ergebnisse fest: von Bachs "Weihnachtsoratorium" bis Mendelssohn Bartholdys "Lobgesang". Hier können Sie Ihre Top Ten anhören.

Piše Andrej Lutman, bere Igor Velše. Po pesniški zbirki z naslovom Pesmi je ime svetloba in proznem prvencu Krojenje tišine se ustvarjalka Danica Ozvaldič ob svoji sedemdesetletnici predstavlja z romanom Brez obraza, od katerega bralstvo komajda lahko odvrne pozornost. Poglavja uvajajo navedki, modrosti, reki, pregovori, ki so tudi naslovi posameznih poglavij. Za vsebinsko plat zgodbe je najpovednejši naslednji: Kdor ne tvega, nima možnosti za zmago. Roman je avtorica spremne besede Melita Forstnerič Hajnšek označila za žanrski, tudi avtobiografski, pa kriminalni in celo družinski. V pesmi, ki uvaja pripoved, pisateljica namigne, da je implicitnost pisanja določena z mladostjo, ki jo predstavlja osrednji lik – umrli Marko Magdič. A osnovni lik ni samo umrli, pač pa naj bi bil tudi umorjen. In ne le to. Za skupino, v katero je mlade ljudi novačil izmuzljivi lik z enim od imen Gustav Mahler, se je dogajalo nekaj, kar je ena od najspornejših sestavin svetovnega spleta. To je ustvarjanje posnetkov, ki prikazujejo ne le robove človekove izrojenosti, pač pa takšne dejavnosti s svojo tržno naravnanostjo omamljajo vse, ki jim tehnične zmožnosti omogočajo ogledovanje posnetkov. Seveda se zatika pri novačenju ljudi, ki bi 'statirali', predvsem tistih za enkratno uporabo in zlorabo. A tudi take se najde, vsaj tako ugotavlja specializirana kriminalistična skupina, ko povezuje sproti pridobljena dejstva, podatke, namige in predvsem zgodbe, s katerimi izpolni poklicne in pravne pogoje, da sme razširiti svojo osnovno dejavnost v zasebnost. V tej skupini je izpostavljen še ženski lik – mlada kriminalistka, ki s svojo predanostjo in naivnostjo omogoči rešitev primera. Lila Kory je pravzaprav drugi lik, ki sestavlja dokaj zapletene naracije, s katerimi pisateljica nadvse spretno omreži. Mlada kriminalistka je ves čas pri stvari, tako zelo, da jo edini negativec spravi tudi v zasebnejši odnos, od katerega naj bi imel koristi in zaslombo pri svojem zavržnem početju. Prvi lik, umorjenec, ki pa se mu pridružujejo še naslednja trupla, in drugi lik, kriminalistka, sestavljata par, ki določa sublimno strukturo romana. Ta je določena z načini umiranja vseh odsotnih, ki sledijo prvemu truplu. Serijalnost zločina je tudi serijalnost pisave. Pravzaprav so vsi zapleti, razpleti in namigi že preigrani, če ne v knjižnih oblikah, pa v filmskih upodobitvah, a pomembno pri tem je, da pisateljica z pravšnjo mero že znanega tako spretno koketira, da že znano vnaša na dovolj zapleten način, ki omogoča vsestranski pogled v stanje sodobne družbe. Že izpostavljenim oznakam je treba dodati še oznako socialno kritična zvrst književnosti. Serijalnost tako tovrstnega žanra kot tudi načinov izpovedovanja je v obratnem sorazmerju z zločinskostjo, predvsem pa s pogumom, da umetniško ukvarjanje s takšno tematiko ne bi bilo spregledano ali morda omalovaževano. V tem pogledu je roman Brez obraza tehten poduk vsem, ki menijo, da naj bi tehničnost sodobnih pridobitev pripomogla k zakrivanju razčlovečenosti. Za nameček pa še izrek iz knjige, ki morda obeta pisateljičine naslednje podvige: »Uspeh ni nikoli dokončen.«

In deze week bij Kalm met Klassiek is de inspiratiebron Sint-Maarten, het lichtjesfeest! Morgen kleuren lampionnetjes de straten, en ook hier in de podcast worden deze donkere dagen wat opgelicht. Het eerste muzikale licht van de week is 'Urlicht', dat zich toepasselijk laat vertalen naar "Oerlicht" of, jawel, "Eerste licht". Het is het vierde deel uit 'Symfonie nr. 2' van Gustav Mahler, een deel voor vrouwenstem en orkest. Wil je meer Kalm met Klassiek? Ga naar npoklassiek.nl/kalmmetklassiek (https://www.npoklassiek.nl/thema/kalm-met-klassiek). Alle muziek uit de podcast vind je terug in de bijbehorende speellijst (https://open.spotify.com/playlist/6YgSfm1Sux7CroiJvzeUdx?si=be36463468d84e37). 

Sorozatunk legújabb epizódjában ezúttal Hózsa Zsófia mesél Richard Wagner, Maurice Ravel és Gustav Mahler műveiről, azok szerkezetéről és keletkezésük izgalmas körülményeiről.Adásunk ezúttal Anna Vinnitskaya és a Bécsi Szimfonikusok hangversenyéhez kapcsolódik.Hallgassátok szeretettel!

This week, Stauney and Sadie delve into the life of Alma Mahler—composer, muse, and one of the most controversial women of early 20th-century Vienna. We explore how her relationships with towering figures like Gustav Mahler, Oskar Kokoschka, Walter Gropius, and Franz Werfel intertwined art, love, and obsession in ways that shaped her creative identity and public legacy. Beyond her reputation as a muse to geniuses, Alma's own musical compositions reveal a woman striving to define herself within the confines of a male-dominated world. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mahler beschreef zijn symfonie zelf als 'de wereld samengevat in één symfonie'. En hij heeft niet overdreven, deze symfonie in 5 delen is een emotionele rollercoaster. Een XL-aflevering vanop Iedereen Klassiek, vol waanzinnige muziek en over hoe Mahler dan wel een geweldige componist was, maar als echtgenoot tegelijk super romantisch en toxisch was. Clara spoilt tussendoor filmplots en Sander wil op huwelijksreis naar VRT.

Simon Gaudenz, Basler Dirigent und Chef der Jenaer Philharmoniker, hat vor Jahren ein Langzeitprojekt angestossen: Mahler-Kommentare. Kurze musikalische Kommentare des Komponisten Andrea Lorenzo Scartazzini zu den Sinfonien von Gustav Mahler. Als Kontrastmittel sozusagen. Im Sommer ist dieser Mahler-Scartazzini-Zyklus fertig geworden - zehn kurze Stücken, die je auf eine der zehn Sinfonien Mahlers bezogen sind. Ein Gespräch mit Gaudenz und Scartazzini. 3:40 - Auftakt 1: Heute vor 200 Jahren ist der Walzerkaiser Johann Strauss geboren. Dazu eine Neueinspielung der Band «German Brass». 5:35 - Auftakt 2: Johann Strauss war 1872 auch in den USA. Ein neues Buch erzählt davon. Von Bernhard Ecker und Peter Hosek, erschienen im Molden Verlag. (Elisabeth Baureithel) 12:45 - Neuerscheinungen: - «American Dream». Mit Ludmila Berlinskaya, Arthur Ancelle und dem Orchestre Victor Hugo; Laurent Comte (Alpha Classics) - «Lise Cristiani». Mit Sol Gabetta, Cello (Sony) (Elisabeth von Kalnein) 37:40 - Gespräch Mit Simon Gaudenz und Andrea Lorenzo Scartazzini (Gabrielle Weber) 54:45 - Swiss Corner Die Akkordeonistin Lea Gasser mit ihrer Band auf Tour.

Movie reviews #547 more 70's films we chuckin in the (Done) pile.1 (Heartbreak Kid 1972) Elaine May directs this strong movie, I just wouldn't, call it a comedy. We can all see in Jeannie Berlin's acting, that it is not funny how she is treated by said Heartbreak Kid.2 (The mad adventures of Rabbi Jacob 1973) This was a fake out for me, as it is not a movie about a Rabbi gettin into adventures, but instead it's about this goofy French guy, whom if memory serves, is a jerk. This one's zany and there's a vat of gum!3 (The Apprenticeship of Duddy Kravitz 1974). Richard Dreyfuss, French Actress Michelle Lancot, Randy Quaid, and the rad Bowling coach from the 1979 hit movie Dreamer star in this movie where ya wish old Duddy would seriously get his head out of his ass.4 (Mahler 1974) Jesus stars in this weird Ken Russell film about…………….Gustav Mahler. He looks back on his life while on a train.5 (Wrong Move 1975) I guess this Wim Wenders did a lot for German Cinema, good, but for me the Wrong Move is not watching (The Lost Honor of Katharina Blum) another German film that came out the same year.6 (Nickelodeon 1976) Here we have Ryan O'Neal, Burt Reynolds,Tatum O'Neal, and the Boss of Mr. French in this film about how 2 bumbling guys accidentally become some of the first American filmmakers ever. This is a Peter Bogdanovich film.7 (Lovey a circle of friends part II 1978) Jane Alexander and Timothy Hutton's Dad in Taps star in this important sequel to an important movie about how we deal with children with disabilities, not perfect, but at the time vital to show the world a better way than the medieval torture that came before. Medieval torture may not even be strong enough to describe the horrible ways people were treated in those institutions.Thanks for listening friends, let the people know there's been a 70's film podcast out there pluggin away for……about 7 years?

"Kein Werk ist ihm so unmittelbar aus dem Herzen geflossen. Die Sechste ist sein allerpersönlichstes Werk und ein prophetisches obendrein", sagte Alma Mahler über Gustav Mahlers 6. Symphonie. BR-KLASSIK stellt das Werk im Gespräch mit Simon Rattle vor.

durée : 00:15:31 - Le Disque classique du jour du lundi 29 septembre 2025 - Avec une grande profondeur émotionnelle, la mezzo-soprano Anna Lucia Richter interprète Des Knaben Wunderhorn Lieder et les Kindertotenlieder de Gustav Mahler - deux cycles qui éclairent le destin humain. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:15:31 - Le Disque classique du jour du lundi 29 septembre 2025 - Avec une grande profondeur émotionnelle, la mezzo-soprano Anna Lucia Richter interprète Des Knaben Wunderhorn Lieder et les Kindertotenlieder de Gustav Mahler - deux cycles qui éclairent le destin humain. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Die Oper Graz feierte zur Eröffnung der neuen Spielzeit 75 Jahre Grazer Philharmoniker. Vassilis Christopoulos, seit 2013 Chefdirigent, hat für den Termin ein Programm mit Musik von Richard Strauss, Gustav Mahler und Ludwig van Beethoven zusammengestellt. Nach welchen Gesichtspunkten? Seine erste Opernproduktion in dieser Saison ist Verdis Rigoletto Mitte November. Später folgen unter seiner Leitung Alban Bergs Wozzeck und der Rosenkavalier von Richard Strauss. Auf dieses Werk freut sich auch die Solobratschistin Elke Chibidziura sehr. Marion Eigl hat die beiden an ihrem "Arbeitsplatz" in der Oper Graz zum Gespräch getroffen.

Mieczysław Weinberg verliert im Holocaust seine Familie, wird Komponist in der Sowjetunion – aber ohne großen Durchbruch. Erst nach seinem Tod wird seine Musik wieder entdeckt – auch die 3. Sinfonie. Von Christoph Vratz.

SynopsisIn all, Polish composer Krzysztof Penderecki completed eight symphonies, and in 2013, to celebrate his 80th birthday, there appeared a box set of recordings billed as his “complete symphonies,” all conducted by their composer. But while that “complete” set included Symphonies Nos. 1-5 and 7&8, it was missing No. 6. The reason? Although Penderecki had begun work on his sixth symphony years earlier, it remained unfinished when the set was issued.Fast forward to today's date in 2017 for the out-of-sequence premiere of Penderecki's Symphony No. 6, given in China by the Guangzhou Symphony Orchestra. The venue was apt, since the symphony was subtitled Chinese Poems, and included settings for baritone and orchestra of eight ancient Chinese poems — with a Chinese instrument, the erhu, providing solo interludes.Curiously, Penderecki chose to set German translations of the Chinese poems, translations published back in 1907 in the same collection Gustav Mahler had sourced for his unnumbered song-symphony Das Lied von der Erde, the Song of the Earth. And it's probably no coincidence that Penderecki's Symphony No. 6 sounds very much like he was trying to channel both the spirit and sound world of Mahler's early 20th century song-symphony into own his 21st-century one.Music Played in Today's ProgramKrzysztof Penderecki (1933-2020): Symphony No. 6 (Chinese Poems); Stephan Genz, baritone; Polish Chamber Philharmonic Orchestra Sopot; Wojciech Rajski, conductor; Accord ACD-270

Een Betrouwbare Bronnen-aflevering opgenomen in het Concertgebouw in Amsterdam, samen met het Arethusa Quartet. Een experiment: hoe kun je de identiteit van Betrouwbare Bronnen op een ongebruikelijke, eigenzinnige wijze vertolken? In veel afleveringen van deze podcast klinkt steeds weer door hoe politiek, kunst, tradities, inspiratie, muziek en de macht van heersers toen en nu met elkaar verbonden zijn. En soms grootse, maar vaak fatale prestaties opleveren. In een live-uitvoering vertellen we met de musici van het Arethusa Quartet het verhaal van de grote componist Dmitri Sjostakovitsj (1906 - 1975) in dit herdenkingsjaar. In zijn leven en werk werden zijn strijkkwartetten het ‘intiem, geheim dagboek’, vertelt Daniel Rowland, eerste violist van 'Arethusa'. Zijn muzikaal genie, zijn inspiratie, angsten, wanhoop, liefde, verzet en triomfgevoelens kon hij daarin voluit laten klinken. Jaap Jansen en PG Kroeger verkennen hoe leven, politiek, muziek en noodlot bij Sjostakovitsj samen kwamen. De alles overheersende figuur daarbij - voor de componist ten goede en ten kwade - was Jozef Stalin, de meedogenloze tiran, maar ook kenner en liefhebber van de klassieke muziek waarin Sjostakovitsj zo uitblonk. *** Deze aflevering is mede mogelijk gemaakt door Het Concertgebouw en met donaties van luisteraars die we hiervoor hartelijk danken. Word ook vriend van de show! In het Concertgebouw zijn de komende maanden meerdere Sjostakovitsj-uitvoeringen. Heb je belangstelling om in onze podcast te adverteren of ons te sponsoren? Zend een mailtje naar adverteren@dagennacht.nl en wij zoeken contact. *** Sjostakovitsj begon als jonge ster in een periode dat jeugdig experiment bon ton was in Rusland. Elke grote revolutie had immers zijn Beethoven nodig, dus ook deze rode. In elk repertoire schitterde hij. Zijn filmmuziek sleepte heel de Sovjet-Unie mee, zijn optimistische koren en ballades waren uitermate populair. Tegelijkertijd zag Lenin al hoe machtig film als propagandamiddel kon zijn. Politiek, heerschappij en muziek raakten meteen verstrikt. Stalin werd in 1928 alleenheerser en protegeerde de jonge musicus. Meer en meer werd Sjostakovitsj helder hoezeer privilege en gunsten van de tiran ook een gifpil waren. Het was een vloek. Een kooi met gouden tralies. In 1936 begonnen Stalins moorddadige zuiveringen. Sjostakovitsj werd symbool van die repressie toen zijn bejubelde opera 'Lady Macbeth van Mtsensk' in partijkrant de Pravda veroordeeld werd en hij voor zijn leven vreesde. Daniel Rowland vertelt aangrijpend welke doodsangsten beroemde kunstenaars in deze jaren dag en nacht beleefden. Maar toen Adolf Hitler in juni 1941 Operatie Barbarossa begon had Stalin zijn kunstenaars weer hard nodig. Zij moesten het volk bemoedigen en de grootse cultuur van Rusland naar het westen doen schitteren. Sjostakovitsj deed zijn patriottische plicht. Na de overwinning op Nazi-Duitsland was de stank voor dank van de tiran ongekend. Golven van repressie, hongersnood en een nieuwe zuivering maakten Sjostakovitsj wanhopig. Een nieuwe cultuurcampagne van de paranoïde heerser bracht hem aan de afgrond van leven en dood. Het Arethusa Quartet vertolkt de muziek waarin hij zijn wanhoop en levensmoed durfde te uiten. Stalins dood in 1953 betekende een soort dooi, maar de componist bleef doodsbenauwd en tegelijk moedig voor anderen die vervolgd werden. Nu moest hij de triomfen laten klinken van de Sovjet-Unie als wereldmacht in wording – nu met de Spoetnik-satelliet! Zijn leven kreeg een late zonnegloed door de liefde van en voor zijn Irina. Daniel Rowland vertelt over zijn bijzondere contact met haar en hoe zij het muzikale motto 'pom - pom - pom' voor hem ontraadselde. in 1974 schreef Dmitri Sjostakovitsj zijn laatste strijkkwartet in het besef dat zijn leven voorbij was. Het was zijn eigen requiem voor een bestaan waarin schoonheid, gruwelen en hoop zijn levenslot waren. Het Arethusa Quartet speelt in deze aflevering delen uit strijkkwartetten (bij de tijdstippen moet je 1 à 2 minuten optellen als er advertenties in de aflevering zitten) 00:03:23 – Het openingsdeel van het 8e Strijkkwartet, door Sjostakovitsj 'mijn grafsteen' genoemd. 00:37:11 - Het openingsdeel van het 2e Strijkkwartet uit Sjostakovitsj' jonge jaren als lefgozer van de moderne muziek. 00:59:43 - Het Scherzo uit het 3e Strijkkwartet vol van doodsangsten. 01:18:40 - Het Adagio uit het 4e strijkkwartet dat hij opdroeg aan zijn joodse vrienden en slachtoffers van geweld en vervolging. 01:36:52 – Het voorlaatste deel uit het 8e Strijkkwartet, dat hij de afgrond van zijn leven noemde. 01:59:24 -Het Scherzo uit het 9e Strijkkwartet waarin Sjostakovitsj' muzikale virtuositeit zijn late liefde voor Irina tot uiting bracht. 02:08:14 -Het slot van het 15e Strijkkwartet: “Mijn requiem.” *** Verder lezen Solomon Volkov – De kunstenaar en de tsaar, sovjetcultuur in de jaren ’30 en ’40 (Arbeiderspers, 2003) Solomon Volkov – Getuigenis. Herinneringen van Dmitri Sjostakovitjs (Arbeiderspers, 1979) Simon Sebag Montefiore – Stalin: het hof van de rode tsaar (Spectrum, 2004) Lenin – Over de volksopvoeding (Progres, 1976) Julian Barnes – Het tumult van de tijd (roman) (Atlas Contact, 2016) *** Verder kijken Nationale Opera - Lady Macbeth van Mtsensk olv Mariss Jansons, met oa Eva-Maria Westbroek *** Verder luisteren Stalin en Rusland 354 - Eenzaamheid, machtsstrijd en repressie in het Russische rijk van Poetin, Stalin en tsaar Nicolaas II https://art19.com/shows/betrouwbare-bronnen/episodes/411a9106-9da2-40f5-9f06-9f19aff37246 395 - Winterboeken, met Stephen Kotkins monumentale Stalin-biografie https://art19.com/shows/betrouwbare-bronnen/episodes/8451693e-9bbe-4b87-906b-4a494edfca2e 394 – Honderd jaar na zijn dood: de schrijnende actualiteit van Lenin https://art19.com/shows/betrouwbare-bronnen/episodes/27f967ab-d2e5-496f-83bd-d5d3c1e26413 257 - Het machtige Rusland als mythe: hoe 'speciale militaire operaties' een fiasco werden https://art19.com/shows/betrouwbare-bronnen/episodes/c9bf723e-2e02-4471-99c6-c5410883ce27 258 - De kille vriendschap tussen Rusland en China https://art19.com/shows/betrouwbare-bronnen/episodes/ad5bd584-a93d-4a0a-9d1d-4d1eb6ca3819 58 - 70 jaar China, de Volksrepubliek van Mao, Deng en Xi https://art19.com/shows/betrouwbare-bronnen/episodes/16914bf4-3e63-42a8-a1ff-b561d1c31216 453 – 75 jaar Volksrepubliek China. Stalin wantrouwt Mao. https://art19.com/shows/betrouwbare-bronnen/episodes/2268a339-e0ca-4d2a-85bd-2ec5c4b6a1ca 163 - De ondergang van de Sovjet-Unie: hoe een wereldmacht verdampte https://art19.com/shows/betrouwbare-bronnen/episodes/0b674b5e-f7aa-4606-8b1e-b3340c796f25 Muziek en historie 346 - Alle Menschen werden Brüder! https://art19.com/shows/betrouwbare-bronnen/episodes/1c369825-dd76-463a-abd9-8d522f58e759 498 - Gustav Mahler en zijn tweede stad Amsterdam https://art19.com/shows/betrouwbare-bronnen/episodes/e7f7fa4f-c2db-484b-b3a3-c4a751034c23 373 - Nederland en België: de scheiding die niemand wilde - Hoe een opera België van Nederland afscheurde https://art19.com/shows/betrouwbare-bronnen/episodes/0eb00268-9b56-427c-8687-505a0f69f401 387 - Niets is zó politiek als opera - 100 jaar Maria Callas https://art19.com/shows/betrouwbare-bronnen/episodes/cdff059b-3e0c-4a27-b04e-e1093b8250b2 305 - Andrea Wulf, Hoe rebelse genieën twee eeuwen later nog ons denken, cultuur en politiek beïnvloeden https://art19.com/shows/betrouwbare-bronnen/episodes/9679f995-4a1c-4988-b385-73a882528902 43 - Mozart op het Binnenhof https://art19.com/shows/betrouwbare-bronnen/episodes/2f944a46-f9bf-46cc-bba8-9f0edabde41c 360 - Mar-a-Lago, de plek waar het al 100 jaar gebeurt https://art19.com/shows/betrouwbare-bronnen/episodes/d3a58eb1-086c-4fb6-8688-6d87a37d3925 *** Tijdlijn 00:00:00 – Deel 1 01:12:17 – Deel 2 01:36:29 – Deel 3 02:14:27 – Einde See omnystudio.com/listener for privacy information.

Ging heut Morgen übers Feld? Die 1. Sinfonie von Gustav Mahler. Arnold Schönberg liebte sie: «Eigentlich ist schon alles da, was ihn charakterisieren wird. Hier schon klingt seine Lebensmelodie an, die er zur höchsten Entfaltung bringt. Die Hingabe an die Natur und die Todesgedanken.» Und dazu auch noch das spätromantische Pathos, die volkstümlichen Melodien, die ironische Verfremdung, die Collagentechnik, die Überblendungen von Derbheit und Süsse. Die Harfenistin Sarah O'Brien und der Musikkritiker Jörn Florian Fuchs diskutieren fünf neuere Einspielungen dieser Sinfonie, die bei der Uraufführung durchfiel, dann ein Programm verpasst bekam - das dann Mahler aber wieder (inklusive eines der fünf Sätze) entfernte.

This Day in Legal History: Lord Haw-Haw SentencedOn September 19, 1945, William Joyce—infamously known as “Lord Haw-Haw”—was sentenced to death by a British court for high treason. Joyce had gained notoriety during World War II for broadcasting Nazi propaganda over German radio to British audiences, aiming to demoralize Allied troops and civilians. Born in Brooklyn, New York, and raised in the UK and Ireland, Joyce later became a naturalized German citizen and an enthusiastic supporter of Hitler. His broadcasts, delivered in a nasal, sneering voice, opened with the phrase “Germany calling,” and earned him the derisive nickname "Lord Haw-Haw" from British listeners.After the war, Joyce was captured by British forces in Germany and brought back to the UK to stand trial. Despite his German citizenship, the court ruled that he had committed treason because he had held a British passport when he began working for the Nazis. His legal defense argued that he owed no allegiance to Britain at the time of the broadcasts, but the court held that possession of the passport created a duty of allegiance. The case raised significant questions about the limits of national loyalty and the reach of British treason laws.On January 6, 1946, Joyce was executed by hanging at Wandsworth Prison, becoming one of the last people to be executed for treason in the UK. The trial and execution were controversial, with some legal scholars and public commentators questioning the soundness of the court's interpretation of allegiance. Nevertheless, the sentence was seen by many at the time as a necessary response to one of the most prominent domestic collaborators of the war.The National Institute for Occupational Safety and Health (NIOSH), long considered a cost-effective and critical pillar of U.S. workplace safety, has been effectively dismantled under the Trump administration's 2025 restructuring efforts. The agency, a division of the CDC responsible for certifying N95 masks, studying firefighter deaths, and leading occupational health research, saw roughly 90% of its 1,000 staff receive layoff notices on April 1. This move paralyzed core programs, from black lung screenings to PPE certifications, halting NIOSH's role as both a public safeguard and a quiet corporate consultant. The sudden cuts sparked chaos: lab animals were euthanized, crucial research was frozen, and businesses warned of safety gaps and market instability.Many affected workers have since resigned or are stuck on administrative leave, while others remain in limbo as lawsuits challenge the legality of the terminations. Despite statements from HHS Secretary Robert F. Kennedy Jr. claiming essential functions remain intact, internal confusion and partial walk-backs—like budget proposals still seeking to slash 80% of NIOSH funding—suggest deeper dismantling intentions. Business leaders, labor unions, and safety advocates have united in rare bipartisan pushback, warning of long-term risks to both worker health and industrial standards.The agency's downfall is part of a broader campaign to weaken the federal workforce, spearheaded by Project 2025 architects and executed with sweeping firings, anti-DEI mandates, and deep budget cuts across agencies. Former government scientists describe the collapse of safety infrastructure as a slow, invisible crisis—where the full damage may not emerge for years. With morale shattered and talent fleeing, the future of U.S. workplace safety research is in jeopardy.Trump Team Derailed Corporate America's Most Valuable ConsultantTwo major elements of President Donald Trump's economic agenda—his global tariffs and his attempt to remove Federal Reserve Governor Lisa Cook—are now in the hands of the U.S. Supreme Court, raising pivotal questions about the scope of presidential power. The court has agreed to hear a challenge to Trump's use of the International Emergency Economic Powers Act (IEEPA) to impose sweeping tariffs, a law traditionally used to sanction hostile foreign actors, not manage trade. Arguments are set for November 5. Separately, Trump is seeking to fire Cook, claiming misconduct; however, critics argue this is a pretext for targeting her policy views and that doing so violates the 1913 law establishing the Fed's independence.Legal scholars warn that siding with Trump in either case could dramatically expand executive authority. Trump has already tested legal boundaries across immigration, diversity, and civil service policy. While lower courts have often blocked his initiatives, the Supreme Court—now with a 6-3 conservative majority including three Trump appointees—has frequently sided with him. The Cook case raises unprecedented constitutional questions, as no president has ever removed a Fed governor.Meanwhile, Trump's tariff actions have destabilized global trade relations and spurred economic uncertainty, though his allies argue they are central to his economic strategy. A decision favoring Trump in both cases could weaken institutional checks on executive power and erode the principle of independent monetary policy.Key parts of Trump's economic agenda now in Supreme Court's hands | ReutersIn Washington, D.C., immigrant neighborhoods like Mount Pleasant, Petworth, and Columbia Heights are pushing back against a surge in Immigration and Customs Enforcement (ICE) arrests under President Donald Trump's intensified immigration enforcement campaign. Local residents have begun organizing in real-time—using chat groups and in-person protests—to disrupt ICE detentions, including a recent case where bystanders successfully pressured officers to release a Guatemalan man. These actions reflect growing distrust and fear within largely Latino communities, where residents report increased racial profiling and aggressive policing.The Trump administration's recent declaration of a “crime emergency” in D.C., coupled with the federalization of local police and a heightened ICE presence, has heightened tensions, especially in areas with deep immigrant roots. Community members and advocacy groups say people are being targeted based on appearance or location, not criminal history. Businesses that once bustled with immigrant patrons are seeing sharp declines in foot traffic, as many residents now avoid public spaces out of fear.Federal officials defend the enforcement as targeting serious offenders, but critics point out that many arrests involve individuals without criminal records. A Supreme Court ruling this month has further enabled ICE to continue race- or location-based arrests. Meanwhile, residents like Yessica Gonzalez and Nelvin Rodriguez say the climate of fear is unlike anything they've previously experienced. The increased enforcement has not only disrupted lives but also strained local economies and community trust.Washington's immigrant neighborhoods push back against ICE arrests | ReutersThe U.S. Senate has confirmed John Squires, a veteran intellectual property attorney and former Goldman Sachs executive, as the new head of the U.S. Patent and Trademark Office (USPTO) under President Donald Trump. Squires takes over at a critical time, as the agency grapples with global competition from China and emerging legal challenges surrounding artificial intelligence in the patent process. His appointment follows a broad push by Senate Republicans to confirm a slate of Trump nominees despite Democratic opposition.Squires brings a deep background in both corporate and legal arenas, having worked on IP and tech issues at firms like Honeywell and most recently at Dilworth Paxson, where he focused on AI, blockchain, and cybersecurity. He has also taught at the University of Pennsylvania. His predecessor, Kathi Vidal, led the USPTO during the Biden administration and returned to private practice following Trump's 2024 election victory.The USPTO plays a vital role in the American innovation ecosystem, handling patent and trademark applications and advising the government on intellectual property policy. The agency's Patent Trial and Appeal Board frequently mediates high-stakes disputes over patent validity, especially in the tech sector. Squires steps into the role amid heightened political scrutiny, including a controversial Commerce Department order to review patents held by Harvard University as part of a broader White House campaign linked to campus antisemitism concerns.US Senate confirms Trump's pick to run US Patent and Trademark Office | ReutersThis week's closing theme is by Gustav Mahler.This week's closing theme comes from one of the most enigmatic works in the orchestral repertoire: Mahler's Symphony No. 7, specifically its haunting first movement, Langsam – Allegro risoluto, ma non troppo. Composed between 1904 and 1905 and premiered on September 19, 1908, this symphony marks a fascinating midpoint in Mahler's artistic evolution—bridging the lush Romanticism of his earlier works with the more fractured, modernist terrain of his later symphonies.The first movement opens with a dark, slow introduction featuring the eerie voice of the tenor horn, an instrument rarely heard in symphonic writing. Its strange, searching call sets a tone of unease, as if the music is emerging from shadow. What follows is a restless march full of contrasts—grim fanfares, lyrical episodes, and bursts of uneasy energy—all presented with Mahler's characteristic sense of orchestral color and irony.Unlike the more spiritual or pastoral moods of Mahler's other symphonies, the Seventh is often described as "problematic," even "nightmarish"—a label Mahler himself rejected. He referred to the symphony as a progression “from night into day,” and this opening movement represents the beginning of that journey: turbulent, disoriented, and shot through with moments of beauty and menace.Mahler's orchestration here is dense and highly detailed, often requiring massive forces and unconventional instruments. Yet beneath its complexity lies a deep emotional current—one that shifts rapidly from the grotesque to the sublime. The movement ends not with resolution but with a kind of defiant uncertainty, a theme Mahler would continue to explore in his final works.As our closing theme this week, Langsam – Allegro reminds us that the path through darkness is rarely straightforward—and that art, like life, often resists tidy interpretation.Without further ado, Gustav Mahler's Langsam – Allegro risoluto, ma non troppo– enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

durée : 00:17:45 - Disques de légende du jeudi 18 septembre 2025 - Dans cet enregistrement de 1964, le plus célèbre baryton du XXe siècle s'illustre dans quelques lieder de Gustav Mahler. Franc succès pour cette magnifique réussite musicale, qui a notamment reçu le Grand prix des discophiles l'année suivante. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:17:45 - Disques de légende du jeudi 18 septembre 2025 - Dans cet enregistrement de 1964, le plus célèbre baryton du XXe siècle s'illustre dans quelques lieder de Gustav Mahler. Franc succès pour cette magnifique réussite musicale, qui a notamment reçu le Grand prix des discophiles l'année suivante. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Sasha Cooke is the 2x Grammy winning mezzo-soprano superstar opera singer. She's been called a “luminous standout” by The NY Times. She's had performances with the Metropolitan Opera, the San Francisco Opera and others, and with over 90 symphony orchestras worldwide, frequently singing the works of Gustav Mahler. She is also the co-director of the vocal program at the Music Academy of the West. And she's related to "Bungalow Bill" of Beatles fame!My featured song is my reimagined version of The Who's “I Can't Explain” from the album Trippin by my band Project Grand Slam. Spotify link.------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH SASHA:www.sashacooke.com—----------------------------------------ROBERT'S NEWEST SINGLE:“SUNDAY SLIDE” is Robert's newest single. It's been called “A fun, upbeat, you-gotta-move song”. Featuring 3 World Class guest artists: Laurence Juber on guitar (Wings with Paul McCartney), Paul Hanson on bassoon (Bela Fleck), and Eamon McLoughlin on violin (Grand Ole Opry band).CLICK HERE FOR ALL LINKSCLICK HERE FOR THE OFFICIAL VIDEO—-------------------------------------------ROBERT'S NEWEST ALBUM:“WHAT'S UP!” is Robert's new compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

durée : 01:28:29 - Une heure et plus, un compositeur : Gustav Mahler - par : Aurélie Moreau - Gustav Mahler (1860-1911), né à Kaliště en Bohême, fut à la fois compositeur et chef d'orchestre. Directeur de l'Opéra de Vienne puis du Metropolitan Opera de New York, il est l'auteur de dix symphonies et de nombreux lieder, dans lesquels il élabora un langage musical d'une ampleur monumentale. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Tick-borne diseases on the rise, Cosmas anniversary highlights lack of modern-day chroniclers, Gustav Mahler and the Bohemian-Moravian Highlands

Tick-borne diseases on the rise, Cosmas anniversary highlights lack of modern-day chroniclers, Gustav Mahler and the Bohemian-Moravian Highlands

In dieser Folge tauchen wir ein in die klangvolle Welt der Volksmusik, Poesie und Predigt. Monika präsentiert das humorvolle Lied „Antonius zur Predigt“ aus der Sammlung *Des Knaben Wunderhorn*, vertont im Stil des Orff'schen Schulwerks. Sie schlägt dabei Brücken zwischen Carl Orff, Gustav Mahler und der Volksmusikkultur rund um den Ammersee. Ein besonderes Highlight: Einblicke in das entstehende Carl-Orff-Museum und das einzigartige Festivalformat „Kapellenweg“, bei dem Musik Kapellen lebendig macht. Gesungen wird hier nicht nur zur Freude – sondern als echte Verkündigung. Begleitet Monika und das Duo „AmmerseeAmseln“ auf einem poetisch-musikalischen Weg voller Geschichte, Klang und Seele.

Himmelhoch jauchzend, zu Tode betrübt! Gustav Mahlers Erste Sinfonie ist ein Wechselbad der Gefühle: voller Kontraste zwischen Traum und Wirklichkeit, Natur und Kunst. Julius Heile über die Sinfonie Nr. 1 in D-Dur in der kurzen Werkeinführung für unterwegs. Jetzt zum Nachschauen: Aufnahme vom 6. September 2025 aus der Elbphilharmonie mit Mahlers erster Sinfonie, gespielt vom NDR Elbphilharmonie Orchester unter Alan Gilbert. Opening Night 2025: Alan Gilbert & Kirill Gerstein | ndr.de Schon gewusst? Zahlreiche Konzerte der NDR Ensembles finden Sie auf YouTube im Channel "ARD Klassik" oder in der ARD Mediathek. https://www.youtube.com/@ARDKlassik https://www.ardmediathek.de/kultur_klassik Abonnieren Sie "Klassik to Go" und finden Sie weitere spannende Angebote des NDR in der ARD Audiothek! https://www.ardaudiothek.de/sendung/klassik-to-go/10778959/

No quería acabar este mes de agosto sin un programa, auque fuese de los cortitos. El pasado 26 de julio en Tanglewood fue el estreno mundial de la última pieza escrita por John Williams titulada "Piano Concerto". Fue interpretada por Emanuel Ax y además junto la Boston Symphony Orchestra además se interpretó la Sinfonía Nº1 de Gustav Mahler conducida por Andris Nelsons. Espero que disfrutes del concierto... Telegram: https://t.me/+RouezCycwBk1NGU0 X: @AcomodadorEl

Vandaag - 31 augustus - is het de geboortedag van Alma Mahler, vooral bekend als de vrouw van Gustav Mahler. We weten van alles over haar beroemde relaties, maar wie waren eigenlijk de andere componerende vrouwen van haar generatie? Zo komen we langs de Chileense Carmela Mackenna, de Duitse Johanna Senfter en de Poolse Wanda Landowska: allemaal bouwjaar 1879.  En stiekem viert Anne-Maartje ook haar broertjes verjaardag door zijn lievelingsmuziek te draaien én muziek van musicerende en componerende broers. Hoera! gedraaid in de uitzending: Anoniem - All through the Night (DeJongDeJongPlus) Alma Mahler - Licht in der Nacht (piano & zang) Carmela Mackenna - concierto para Piano y Orquesta de Cámara Johanna Senfter - Sonata for Viola and Piano No.2 in F Major Jean Philippe Rameau - Suite in E mineur Gigue en Rondeau Wanda Landowska - Suit d'Automne Bert van den Brink - Leaving Anoniem / Euwe de Jong - Rosa das Rosas e Fror das Froras Alma Mahler - Licht in der Nacht (orkest) The Happenings - See you in September Louis van Dijk / Toots Thielemans - Maybe September

Alexander Briger, directeur artistique et chef d'orchestre de l'Australian World Orchestra nous parle des prochains concerts de Gustav Mahler, les Symphonies n°4 et 5, au Hamer Hall de Melbourne et à l'Opéra House de Sydney.

Die Rückkehr der Sommerfrische – Der Begriff „Sommerfrische“ war lange in Vergessenheit geraten. Man verbindet ihn mit Müßiggang, Etikette und reichen Stadtbewohnern aus einer früheren Zeit. Auf Social Media ist das Wort jetzt wieder im Trend.

Gustavo Dudamel is a Venezuelan conductor, violinist and composer. He is known for bringing humour and joy to the podium. He is currently director of the Los Angeles Philharmonic and the Simon Bolivar Symphony Orchestra and in 2026 will take up the post of music director of the New York Philharmonic, following in the footsteps of Gustav Mahler and Leonard Bernstein. Gustavo was born in Barquisimeto, Venezuela in 1981, the son of a trombonist who played in a salsa band, and his mother who was a singing teacher. Growing up in a musical household, young Gustavo used to gather his toys together and put them on the floor in the shape of an orchestra, put a record on and conduct.His parents enrolled five year old Gustavo in the El Sistema music programme and he learned the violin. After showing a flair for conducting he eventually became the conductor of the Venezuelan National Youth Orchestra. After winning the Gustav Mahler Conducting Competition in Germany in 2004, his talent was spotted on a global stage. He was appointed the director of the Los Angeles Philharmonic in 2008. Presenter Lauren Laverne Producer Sarah Taylor

(00:47) Das Lucerne Festival startet unter dem diesjährigen Motto «Open End». Dieses gilt auch für das Eröffnungskonzert: Das Lucerne Festival Orchestra spielt die 10. Sinfonie von Gustav Mahler, die der Komponist selbst nie vollenden konnte. Weitere Themen: (05:42) Schwimmende SUV im Zürichsee: Eröffnung am Zürcher Theater Spektakel. (09:55) Starker Eingriff in die Freiheit US-amerikanischer Museen: US-Regierung will acht Museen der Smithsonian Institution kontrollieren. (15:56) Hunderttausende Kinder in Japan verlieren jährlich Kontakt zu Eltern: Spielfilm «Une part manquante» thematisiert strenge japanische Sorgerechtsgesetze. (20:00) Vier Jahre nach Machtübernahme der Taliban in Afghanistan: Buch «Wege durch finstere Zeiten» gibt Geflüchteten eine Stimme.

(00:38) Richard Wagners komische Oper «Die Meistersinger von Nürnberg» hat am Freitag die Bayreuther Festspiele eröffnet. Weitere Themen: (04:57) Kombination aus Musikstück von Gustav Mahler und Theaterstück von Arnold Schönberg: Premiere an Salzburger Festspielen mit «One Morning Turns Into an Eternity». (09:00) Britische Jazzsängerin Cleo Laine verstorben. (09:36) Zum 150. Geburtstag von Carl Gustav Jung: Landesmuseum Zürich bereitet Ausstellung vor zum Schweizer Psychiater. (14:06) Was sagt eine Neurowissenschaftlerin zum Thema Radikalisierung? Leor Zmigrods Antworten im Buch «Das ideologische Gehirn. Wie politische Überzeugungen wirklich entstehen».

Arnold Schönbergs Oper "Erwartung" und Gustav Mahlers "Lied von der Erde" verschmelzen zu einem intensiven Abend. Regisseur Peter Sellers inszeniert ein politisches Drama, das die Wiener Philharmoniker unter Esa-Pekka Salonen sinnlich und fesselnd gestalten.

Für die einen heißt es über den Sommer ab ans Meer, bei Gustav Mahler hingegen ruft der Berg.

On the July 7 edition of Music History Today, Live Earth happens, the King of Pop gets a public goodbye, and terror takes away a calypso artist. Also, lots of big birthdays today including Ringo Starr and Gustav Mahler.For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytodayResources for mental health issues - https://en.wikipedia.org/wiki/List_of_suicide_crisis_lineshttps://findahelpline.comResources for substance abuse issues - https://988lifeline.orghttps://www.samhsa.gov/find-help/helplines/national-helpline

durée : 00:25:45 - Musicopolis - par : Anne-Charlotte Rémond - Suite et fin de ce conte musical inspiré par les symphonies du compositeur Gustav Mahler. Portée par la voix de la Montagne, Hannelore, espère retrouver ses frères. Elle est confiante. Malgré son inquiétude, elle est certaine de bientôt les revoir... - réalisé par : Philippe Petit Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:25:39 - Musicopolis - par : Anne-Charlotte Rémond - Dans ce conte musical, Anne-Charlotte Rémond s'est laissée inspirer par les symphonies du compositeur Gustav Mahler. Suivons Hannelore et ses frères pour un périple dans la montagne à la recherche d'un nid, celui de Wunderflug, un oiseau gigantesque qui parcourt des espaces immenses... - réalisé par : Philippe Petit Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

DescriptionMahler's Motto: Go Big or Go Back to Vienna in 60 Seconds. Take a minute to get the scoop!Fun FactMahler's Symphony No. 8 premiered in 1910 with over 1,000 performers on stage. Though “Symphony of a Thousand” wasn't his title, the name stuck. It was one of the largest-scale choral works ever attempted—and still gives orchestra managers mild panic attacks every time it's programmed.__________________________________________________________________About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.__________________________________________________________________You can FOLLOW ME on Instagram.

This Day in Legal History: SCOTUS Upholds CFPB Funding StructureOn May 16, 2024, the U.S. Supreme Court delivered a major ruling in Consumer Financial Protection Bureau v. Community Financial Services Association of America, Ltd., upholding the constitutionality of the CFPB's funding structure. In a 7–2 decision, the Court held that the agency's funding—drawn from the Federal Reserve and not subject to annual congressional appropriations—does not violate the Appropriations Clause of the Constitution. Writing for the majority, Chief Justice Roberts emphasized that the Constitution permits flexibility in funding mechanisms so long as they are authorized by law and subject to congressional oversight in some form. The ruling affirmed the CFPB's continued ability to regulate financial institutions and enforce consumer protection laws independent of Congress's annual budget process.The decision marked a significant moment in the Court's treatment of agency independence, particularly at a time of renewed scrutiny of the administrative state. It was widely seen as a victory for supporters of the CFPB, which had faced ongoing legal and political challenges since its creation under the Dodd-Frank Act in the aftermath of the 2008 financial crisis. However, the case also highlighted the growing skepticism among certain justices—and lawmakers—about the breadth of agency power and accountability.Just one year later, the CFPB's future is again uncertain. With a new administration openly hostile to the agency and legislative efforts underway to curtail its authority or restructure its funding, the May 2024 decision is already being treated as legal history. Though the Court upheld the agency's funding, the political battle over the CFPB continues, casting doubt on how long the victory will stand.Intel appeared before the EU General Court to contest a €376 million ($421.4 million) antitrust fine reimposed by the European Commission. The fine stems from the Commission's 2009 decision, which originally imposed a record €1.06 billion penalty for Intel's actions that allegedly excluded rival AMD from the market. Though the General Court overturned the majority of that decision in 2022, it upheld a portion related to so-called “naked restrictions”—payments Intel made to HP, Acer, and Lenovo to delay or halt rival products between 2002 and 2006.Intel's lawyer argued that the violations were narrow and tactical, not part of a broader strategy to shut out competitors from the x86 chip market. He claimed the Commission failed to weigh the limited impact of those actions and imposed a disproportionate and unfair fine. The Commission countered that the fine followed established guidelines and represented only a small fraction of Intel's turnover, asserting that the penalty was appropriate for the seriousness of the conduct.Both sides asked the court to settle the matter by determining the appropriate fine amount. A decision is expected in the coming months.Intel spars with EU regulators over $421.4 million antitrust fine | ReutersA federal appeals court in Washington, D.C., heard arguments in a case that could redefine the U.S. president's authority to remove officials from independent federal agencies. The Trump administration is appealing two lower court decisions that reinstated Democratic officials Cathy Harris to the Merit Systems Protection Board and Gwynne Wilcox to the National Labor Relations Board (NLRB) after President Trump removed them without cause earlier this year. Both boards, which handle labor disputes and federal employee appeals, were left effectively inoperable due to vacancies, with thousands of pending cases.The administration argues that statutory protections limiting removals to “cause” violate the president's constitutional authority to control the executive branch. Trump's legal team claims that these agencies exercise substantial executive power and therefore should not be shielded from presidential oversight. The case may hinge on Humphrey's Executor, a 1935 Supreme Court decision that upheld removal protections for members of independent commissions like the Federal Trade Commission. Conservative judges—including two Trump appointees on the panel—have recently questioned the decision's reach.If the D.C. Circuit sides with Trump, it could pave the way for a broader dismantling of long-standing removal protections across federal agencies. Legal scholars warn that such a move could give the president far-reaching power to reshape regulatory policy by purging officials who don't align with the administration's agenda. The case could ultimately reach the U.S. Supreme Court and lead to a narrowing or overruling of Humphrey's Executor.US court to weigh Trump's powers to fire Democrats from federal agencies | ReutersData obtained through a public records request reveals that recent buyouts at the U.S. Securities and Exchange Commission (SEC) have significantly reduced staffing in key divisions. The legal, investment management, and trading and markets offices experienced workforce cuts ranging from 15% to 19% over just a few weeks. Regional offices in Chicago and Denver also saw nearly 20% reductions. Overall, the SEC's full-time staff has shrunk by 12% since January, with agency chair Paul Atkins recently noting a 15% decrease since October.These losses come amid ongoing hiring freezes and budget restrictions. While Atkins suggested that some roles may be refilled, he did not dismiss the possibility of more cuts. In parallel, more than 20 SEC employees have been reassigned to focus on contract reviews, part of a broader cost-cutting initiative coordinated with the Department of Government Efficiency (DGE), led by Elon Musk. DGE has expanded its presence at SEC headquarters and is reviewing agency operations, particularly IT services, to identify further savings.The SEC declined to comment on the staffing reductions, though a spokesperson confirmed it is working with DGE to improve efficiency. The full implications of these staffing losses for the agency's regulatory functions remain unclear.SEC buyouts hit legal, investment offices hardest, data shows | ReutersMeta Platforms asked a federal judge to dismiss the Federal Trade Commission's antitrust lawsuit, arguing the agency failed to prove that the company holds an illegal monopoly in social media. The case, which centers on Meta's acquisitions of Instagram and WhatsApp, claims these deals were aimed at neutralizing potential rivals and maintaining dominance in the market for apps used to share personal updates. The FTC wants to unwind those acquisitions, made more than a decade ago.Meta contends the FTC's case falls short of demonstrating that WhatsApp and Instagram posed meaningful competitive threats at the time of acquisition. The company pointed to internal evidence suggesting WhatsApp had no ambitions to become a social media platform and that Instagram actually thrived post-acquisition. Meta also argued the FTC has not clearly defined the relevant market, especially given competition from platforms like TikTok, YouTube, Reddit, and X (formerly Twitter), which Meta says all compete for user attention.The company maintains that its products face constant pressure to evolve in response to competitors. If the judge denies Meta's request to end the case now, the trial will continue through June with closing arguments and final briefs expected afterward. A ruling that Meta holds an illegal monopoly would trigger a second trial focused on potential remedies.Meta asks judge to rule that FTC failed to prove its monopoly case | ReutersThis week's closing theme is the second movement of Gustav Mahler's Symphony No. 1, titled “Kräftig bewegt, doch nicht zu schnell. Recht gemächlich”, which translates roughly to “Strongly moving, but not too fast. Quite leisurely.” Composed in the late 1880s and premiered in 1889, Mahler's First Symphony marked his audacious entry into the world of symphonic writing. At once expansive and deeply personal, the work fuses Romantic tradition with the beginnings of Mahler's own, modern voice.The second movement—our focus this week—is a rustic Ländler, an Austrian folk dance form, reimagined with orchestral power and emotional complexity. Mahler, who was born in 1860 in what is now the Czech Republic, grew up surrounded by folk tunes and military marches, and these influences saturate this section of the symphony. It opens with swagger and energy, driven by bold rhythms and a sense of physicality, before softening into a slower trio section that offers brief lyrical repose.Though the movement has a lively surface, its contrasting moods reflect Mahler's signature ability to intertwine the playful and the profound. His orchestration here is vivid but never ornamental—every detail serves a dramatic or emotional purpose. Mahler's symphonies often contemplate mortality, memory, and transcendence, but this movement reminds us that he could also be joyful, ironic, and grounded in the sounds of real life.By the time of his death in 1911, Mahler had transformed the symphony into a vessel for existential expression, bridging the 19th and 20th centuries. This movement from his First hints at all that was to come. As our week closes, we leave you with this music—bold, earthy, and unmistakably Mahler.Without further ado, Gustav Mahler's Symphony No. 1, titled “Kräftig bewegt, doch nicht zu schnell. Recht gemächlich.” This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

David Longstreth is here to discuss David Longstreth's Song of the Earth, Performed by Dirty Projectors and s t a r g a z e, life in Los Angeles in a tumultuous ecological era, working with s t a r g a z e and the influence of Gustav Mahler, the revenge of the Earth, orcas, and using gardens as a metaphor, despair and the Beatles, why Phil Elverum from Mount Eerie might be the poet laureate of nature, working with Steve Lacy, loving Stephen Malkmus and Pavement, production ideas, other future plans, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO MONTHLY $6 USD PATREON SUPPORTERS. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!Thanks to the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online. Support vish on Patreon!Related episodes/links:Ep. #951: Mark Ibold, Scott Kannberg, Jeffrey Lewis Clark, Jed I. Rosenberg & Brian Thalken on ‘Louder Than You Think: A Lo-Fi History of Gary Young and Pavement'Ep. #933: Alex Ross Perry, Scott Kannberg, and Robert Greene on ‘Pavements'Ep. #924: Lance Bangs and Bob Nastanovich on ‘Pavements'Ep. #918: Mount EerieEp. #910: The Hard QuartetEp. #481: David BermanEp. #114: Nat Baldwin of Dirty ProjectorsSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

Met vandaag:  Oud-ministers Pronk en Van Aartsen over de kritische brief over Israël van minister Veldkamp | Sir David Attenborough viert zijn 99ste verjaardag met de nieuwe documentaire Oceans | De oplaaiende strijd tussen India en Pakistan over Kashmir | Wat heeft acteur Gijs Scholten van Aschat met componist Gustav Mahler? | Presentatie: Winfried Baijens

Why was there a women's orchestra in Auschwitz, and what can that help us understand human resilience? In this deeply moving episode of the show, I speak with Anne Sebba — renowned biographer, historian, and journalist — about one of the Holocaust's most extraordinary and little-known stories: the Women's Orchestra of Auschwitz. Anne's latest book tells the story of how a group of female prisoners were forced to form an orchestra in one of the most brutal Nazi concentration camps. They played not for celebration or escape, but as part of the machinery of terror — and yet, through music, they found a way to survive. As Anne shares, her journey into this story began with a startling personal discovery: her father was present at Bergen-Belsen shortly after its liberation. That visceral connection led her to uncover the story of Alma Rosé, the orchestra's conductor and the niece of Gustav Mahler, who used discipline and musical brilliance to save lives. We talk about the complexities of human behaviour, the ethical dilemmas of survival, and the way music — even when twisted into a tool of torture — remained a powerful expression of the human spirit. We also explore how Anne approached telling this story as someone who is neither a survivor nor the child of survivors. She explains the challenges of working with conflicting testimonies, the emotional toll of researching this subject, and why she took piano lessons while writing the book. Above all, this episode is about the resilience of the women who played in the orchestra, and the importance of telling stories that allow us to see history not just in abstract terms, but through individual lives. 

Mieczysław Weinberg verliert im Holocaust seine Familie, wird in der Sowjetunion Komponist– aber ohne großen Durchbruch. Erst nach seinem Tod wird seine Musik wiederentdeckt – auch die 3. Sinfonie. Von Christoph Vratz.

David Longstreth on Dirty Projectors, Orchestral Experimentation, and the Radical Psychedelia of FatherhoodDavid Longstreth stands at a fascinating creative crossroads. For twenty years, he's been the driving force behind Dirty Projectors, crafting music that defies easy categorization while earning collaborations with icons like Björk, Rihanna, and Paul McCartney. Now, with his ambitious new orchestral song cycle "Song of the Earth," Longstreth explores our shifting relationship with nature while processing what he calls "the radical psychedelia of fatherhood."Speaking from his California home studio (formerly a kitchen, before that a garage that "bloomed with mold"), Longstreth reveals how this project emerged from conversations with his longtime friend Andre de Ritter, conductor of the Berlin-based ensemble Stargaze. Drawing inspiration from Gustav Mahler's "Das Lied von der Erde," Longstreth initially set out to write nature poems, only to discover his feelings about the natural world had "gotten weird" – reflecting our collective anxiety about climate change.The beauty of Longstreth's approach lies in his embrace of uncertainty. Throughout our conversation, he repeatedly describes putting himself in musical situations "beyond what I'm capable of," allowing the learning curve itself to become part of the creative process. This has been his method since recreating Black Flag's "Damaged" album from memory for Dirty Projectors‘ 2007 "Rise Above" (deliberately avoiding revisiting the original) through to this orchestral collaboration that marries environmental themes with deeply personal transformation.Perhaps most captivating is Longstreth's description of how parenthood has fundamentally altered his perception. Watching his three-year-old daughter experience the world for the first time has made him question everything he knows, creating a profound sense of renewal that directly influences the emotional landscape of "Song of the Earth." Twenty years into his career, Longstreth has found a way to make music that feels simultaneously ambitious and intimate, political and personal – a rare achievement worth celebrating.If you're enjoying Lost and Sound, please do subscribe and leave a rating or review on Apple, Spotify, Amazon, or wherever you listen. It really helps to spread the word and support Lost and Sound.Dirty Projectors on Instagram Dirty Projectors Official StoreFollow me on Instagram at PaulhanfordLost and Sound is sponsored by Audio-TechnicaMy BBC World Service radio documentary “The man who smuggled punk rock across the Berlin Wall” is available now on BBC Sounds. Click here to listen.My book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culturet Capital is out now on Velocity Press. Click here to find out more. Lost and Sound title music by Thomas Giddins

A phone call that changes everything. A seemingly impossible challenge. Hours instead of months to prepare. When mezzo-soprano Deborah Humble received that unexpected call from the Sydney Symphony Orchestra, she faced a career-defining decision: step onto the stage of the Sydney Opera House that very evening to perform Gustav Mahler's Second Symphony—a piece she had never fully sung before—or walk away from the opportunity of a lifetime.What followed was a whirlwind day of frantic preparation, from retrieving a discarded concert dress from a garbage bag in her car trunk to a 45-minute crash course with her vocal coach. With barely enough time to warm up, Deborah found herself standing before a sold-out audience at the Sydney Opera House, performing in a concert that was not only being live-streamed globally but also recorded by Deutsche Grammophon for worldwide release.The stakes couldn't have been higher. The pressure more intense. Yet amid the chaos, Deborah found clarity in a simple thought: "Simone wouldn't have asked you to step up if she didn't think you could do it." With the support of conductor Simone Young and drawing on decades of professional experience, Deborah delivered a performance that earned her a standing ovation and secured her place in Sydney Opera House history.This remarkable story transcends the world of classical music, offering powerful insights about preparation meeting opportunity, managing self-doubt, and having the courage to take calculated risks. As Deborah reflects, "We are capable of doing what we have spent our whole lives working towards." Her experience reminds us that behind every "overnight success" lies years of dedication, discipline, and determination—qualities that prepare us to seize extraordinary moments when they unexpectedly arrive.Ready to be inspired by a tale of remarkable courage under pressure? Listen as Deborah reveals what it truly takes to rise to an impossible occasion when everything is on the line.Find out more about Deborah Humble on her website.Listen to the recording here. Thanks for listening to Digitally Curious. You can buy the book that showcases these episodes at curious.click/orderYour Host is Actionable Futurist® Andrew GrillFor more on Andrew - what he speaks about and recent talks, please visit ActionableFuturist.com Andrew's Social ChannelsAndrew on LinkedIn@AndrewGrill on Twitter @Andrew.Grill on InstagramKeynote speeches hereOrder Digitally Curious

Kate Molleson navigates through the personal and professional struggles of Gustav Mahler Gustav Mahler: brilliant, fiery and tyrannical – leader of some the most prestigious musical institutions of his era – fought battles his whole life. He clashed with his colleagues, scrapped with critics and wrestled endlessly with his own desires and ambitions. This week, Kate Molleson navigates us through his many personal and professional struggles, and follows Mahler to the countryside hideaways where he sought (not always successfully) to escape the drama of his everyday life. Here, among the lakes and mountains, Mahler also found space to compose and he poured the whole world into his music in all its ugliness, mundanity and transcendent beauty.Music Featured:Symphony No 3 (excerpts) Symphony No 1 (excerpts) Symphony No 2 (excerpts) by Bernard Haitink Des Knaben Wunderhorn (Lob des hohen Verstandes) Lieder eines fahrenden Gesellen Symphony No 4 (excerpts) Symphony No 5 (excerpts) Symphony No 6 (excerpts) Symphony No 7 (excerpts) Kindertotenlieder (No 3, Wenn dein Mütterlein) Symphony No 8 "Symphony of a Thousand" (excerpts) Das Lied von der Erde (No 2, Der Einsame in Herbst) Symphony No 9 (excerpts) Das Lied von der Erde (No 4, Von der Schonheit) Symphony No 10 (ed. Deryck Cooke (excerpt)Presented by Kate Molleson Produced by Chris Taylor for BBC Audio Wales and WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Gustav Mahler (1860-1911) https://www.bbc.co.uk/programmes/m00291fhAnd you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

ACIM Quote: Our function is to work together, because apart from each other we cannot function at all. (ACIM, T-8.VI.8:4) Today's Guest: Tara Hollander joins Tam and Matt to share her inspiring forgiveness story related to her musical career. In this episode, we explore themes of: Letting go of attachment Overcoming guilt Three Inspiring Classical Music Pieces That Tara Recommends: Appalachian Spring by Aaron Copland Franz Schubert's Piano Sonata in B-flat major Gustav Mahler's Symphony No. 3 in D minor Mentioned On This Podcast: The Fibonacci Sequence https://en.wikipedia.org/wiki/Fibonacci_sequence Announcement: ACIM Audio is now on both Android phones and iPhones. This easy-to-use app brings the profound teachings of A Course in Miracles directly to your mobile device, making it easier to immerse yourself in the Course anytime, anywhere. Android here: ⁠⁠https://play.google.com/store/apps/details?id=org.acim.audio⁠⁠ Iphone (iOS) here: ⁠⁠https://apps.apple.com/us/app/a-course-in-miracles-audio/id6443662668⁠⁠ The ACIM Audio App is the whole Course in the palm of your hands Read-Along Mode: Experience synchronized text and audio for enhanced comprehension and focus. Smart Auto Bookmarks: Seamlessly navigate between the Text and the Workbook without ever losing your place. Curated Prayers: Access nearly 200 different prayers from the Course in the Meditate tab. Stay Connected with Us, Join The Miracle Voices Email List: ⁠⁠⁠⁠⁠⁠⁠⁠https://www.miraclevoices.org/email-signup/⁠⁠⁠⁠⁠⁠⁠⁠ Feel Inspired to Make a Love Offering? Visit: ⁠⁠⁠⁠⁠⁠⁠⁠https://www.miraclevoices.org/donate⁠⁠ ⁠⁠⁠⁠⁠⁠ Think your Forgiveness Story Would Inspire Listeners? Submit your forgiveness story here: ⁠⁠⁠⁠⁠⁠⁠⁠https://www.miraclevoices.org/form⁠⁠