Podcasts about js bach

Johann Sebastian Bach (1685 - 1750) - Pastorella (Pastorale) in fa maggiore, BWV 590 1.      Alla Siciliana 2.      Allemande (2:42)3.      Aria (4:38)4.      Alla Gigue (7:28) Karl Richter, organo

Pour changer du format de podcast habituel et fêter la Nativité (youhouuuu), aujourd'hui on vous propose tout simplement d'écouter 3 lectures : la lecture du récit de la Nativité dans l'évangile de Luc… et deux sublimes poèmes du 4e siècle.Et comme d'habitude, on soupoudre tout ça avec un peu de musique ! Cette fois-ci c'est signé Andrea Bocelli, Frank Sinatra, Boney M, JS Bach et un groupe irlandais bien connu qui s'écrit en une lettre et un chiffre. C'est tout.Et entre guirlandes colorées, bûches au chocolat et cantiques de "Gloria" en latin dans le texte... Toute l'équipe de notre association PRIXM-BERNARDINS vous souhaite un très JOYEUX NOËL !!!Bonne écoute !Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Folge 298: Mit der G-Dur-Messe schließt Bach seine vierteilige Serie der Kyrie-Gloria-Messen ab, Maul & Schrammek sinnieren heute darüber, was eigentlich seine Beweggründe für diese Meisterwerke gewesen sein könnten

Folge 297: Bach war keineswegs ein einsamer lutherischer Messenkomponist, sondern die Mode war weit verbreitet. In der g-Moll-Messe gibt es wiederum vollendete Parodietechnik zu bewundern.

Que signifie « Magnificat », le titre du dernier album de Vald ? À quoi cette expression latine fait-elle référence ? Pourquoi on parle aussi de « cantique de Marie » ? Quel est le lien entre le cantique de Marie et le cantique d'Anne, dans l'Ancien Testament ?Réponse avec une cohorte de compositeurs et musiciens, à commencer par Vald, JS Bach, Vivaldi, Monteverdi et Georges Brassens ! Autant dire que ça va danser sec entre deux interstices d'analyse théologiques !!Bonus : on parlera aussi de Paul Claudel...Si vous le souhaitez, on vous invite à nous faire part de tous vos retours en commentaire de cet épisode, ou bien directement à notre adresse : contact@prixm.orgPRIXM est un média associatif, gratuit, indépendant et sans publicité. Notre association PRIXM-Bernardins repose exclusivement sur les dons de ses abonnés et mécènes. Pour nous soutenir, c'est ici : https://don.fondationnotredame.fr/prixm-bernardins-1-1Pour retrouver tous nos articles et s'abonner à notre pétillante newsletter hebdo, c'est là : https://www.prixm.org/articlesUn immense merci... et bonne écoute !!!Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Folge 296: Die Messe A-Dur nehmen Maul & Schrammek zum Anlass, etwas genauer in die Parodiewerkstatt von Bach zu blicken. Sämtliche Vorlagen sind sehr weitsichtig gewählt und wurden zum Teil kräftig umgearbeitet.

Johann Sebastian Bach hatte ein feines Gespür für die technischen Möglichkeiten und das klangliche Potential der Traversflöte - ein Instrument, das sich mehr und mehr etablierte und das Bach in seiner Leipziger Zeit immer häufiger anstelle der Blockflöte einsetzte. Die h-Moll-Flötensonate BWV 1030 komponierte Bach vermutlich um 1736–1737. Sie ist die längste und komplexeste von Bachs Flötensonaten und gilt als Höhepunkt seiner Auseinandersetzung mit dem Instrument. Anders als die meisten seiner anderen Flötensonaten ist BWV 1030 keine Triosonate mit Generalbass, sondern eine Sonate für zwei gleichberechtigte Partner: Flöte und Cembalo treten in einen engen Dialog, wechseln sich in Themenführung und virtuosen Passagen ab und schaffen so eine dichte musikalische Struktur. In der Diskothek werden sechs unterschiedliche Aufnahmen der Flötensonate BWV 1030 von J.S. Bach verglichen. Gäste von Eva Oertle sind der Flötist Marco Brolli und die Cembalistin Urte Lucht.

Ecrites pour le clavecin mais jouées également au piano, les variations Goldberg de Bach ont fait l'objet de diverses transcriptions, dont une fameuse pour trio à cordes. Celle que nous proposent Thibaut Garcia et Antoine Morinière, pour deux guitares, est inédite et apporte ainsi un autre éclairage à ce vaste cycle. Mais un éclairage qui nous paraît si évident tant ces deux musiciens ont su y apporter une fraicheur et une profondeur absolument saisissantes. Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Johann Sebastian Bach (1685 - 1750) - Sonata n. 1 in si minore per violino e clavicembalo, BWV 10141.      Adagio 2.      Allegro 3:233.      Andante 6:204.      Allegro 9:16 Bojan Čičić, violino Steven Devine, clavicembalo

Pianist Simone Dinnerstein has many loves – her family, her hometown, her musical collaborators, and Johann Sebastian Bach's music, to name just a few. The proud Brooklyn resident founded her musical ensemble and called it BAROKLYN. They named their 2025 debut album Complicité, a term she first heard from her son, who studied the teachings of the French theatre practitioner, Jacques Lecoq. Suzanne spoke with Simone Dinnerstein about Complicité, how the concept relates to the album and her group, and how she feels about being a conductor now.

Pomegranate Health has been streaming since June 2015, so we're going to share a few more classic eps from the last ten years. First up, presenter Mic Cavazzini digs deep to find the origins of the pomegranate, featured not just on this podcast but on the crest of the RACP. The journey starts 500 years ago at an unlikely place, the marriage of Henry VIII and the first of his six wives. You'll find much of the pageantry reproduced at the web page. We then hear from the wonderful staff at Marrabinya, a support service in western NSW that helps connect Aboriginal patients to specialist consultations. As heard in episode 53, and a handful of others, healthy equity for First Nations people is a value embedded in the mission of the RACP. At Pomegranate Health we also try to support physician wellbeing and career development. One podcast towards that end was Episode 55: Starting out in Private Practice. We hear a pep talk from veteran rheumatologist Louis McGuigan about when and how to back yourself in such a business venture. Another episode with a practical theme was number 56 titled “Billing in Byzantium” where we heard how it is that a few billion dollars are inappropriately leaked from Medicare every year. Finally, in a sample from Episode 69. we hear about some of the structural bias in the health system that results in a gendered understanding of drug effects. All of these episodes and more, are now available on YouTube, as well as all the usual podcast browsing apps. Sampled in this retrospective episode: Desley Mason, Possum Swinton and Kym Lees from Ep53: Marrabinya Dr Louis McGuigan from Ep55: Starting out in private practice Margaret Faux PhD from  Ep56: Billing in ByzantiumProfessor Zoe Wainer from Ep69: Gendered Medicine 2- Funding and Research Production CreditsProduced by Mic Cavazzini DPhil. Music licenced from Epidemic Sound includes ‘Fair Game' by Mizlo, ‘Salat Alsabah' by Feras Charestan, ‘Your Wave' by Cospe, ‘Dusty Delta Day' by Lennon Hutton, ‘Corn Candy' by Guustavv and ‘After the Freak Show' by Luella Gren. Music courtesy of FreeMusicArchive includes JS Bach's ‘March Fur Die Arche' performed by The United States Army Old Guard Fife and Drum Corps and ‘Notre Dame' by Jahzarr. Allegri's ‘Miserere' performed by Trinity College under Creative Commons licence from archive.org.  Editorial feedback kindly provided by RACP staff Kathryn Smith, Arnika Martus and Ruby Nelson.  Please visit the Pomegranate Health web page for a transcript and supporting references.Login to MyCPD to record listening and reading as a prefilled learning activity. Subscribe to 

It's Bach Week! Is J.S. Bach considered a "Fifth Evangelist"? Dr. Martin Dicke (former LCMS missionary, Member of Board of Directors for David's Harp, Composer of settings for Hymns of the Reformation from David's Harp) joins Andy and Sarah to talk about how Bach has influenced his life and work, formative experiences as a musician and missionary where Bach played a role in his love of music, where the phrase “the fifth evangelist” began as a description of J.S. Bach, how Bach approached scripture and who influenced his understanding and handling of the Word of God, and how his understanding of scripture is apparent in his compositions. Learn more about David's Harp at davidsharpmusic.org, including the Hymns for the Reformation at davidsharpmusic.org/product/hymns-of-the-reformation-occasional-series. Find all Bach Week episodes at kfuo.org/tag/bach-week. As you grab your morning coffee (and pastry, let's be honest), join hosts Andy Bates and Sarah Gulseth as they bring you stories of the intersection of Lutheran life and a secular world. Catch real-life stories of mercy work of the LCMS and partners, updates from missionaries across the ocean, and practical talk about how to live boldly Lutheran. Have a topic you'd like to hear about on The Coffee Hour? Contact us at: listener@kfuo.org.

Johann Sebastian Bach (1685-1750) - Cantata "Non sa che sia dolore", BWV 2091.       Sinfonia [0:00]2.       Recitativo (Soprano): "Non sa che sia dolore" [6:26]3.       Aria (Soprano): "Parti pur, e con dolore" [7:16]4.       Recitativo (Soprano): "Tuo saver al tempo e l'età contrasta" [15:08]5.       Aria (Soprano): "Ricetti gramezza e pavento" [15:37] The Bach EnsembleJulianne Baird, sopranoJoshua Rifkin, conductor

Emőke Baráth Maarten Enjelides Conductor (of some): György Vashegyi Locations and dates: ? https://parterre.com/2025/07/02/an-old-fashioned-girl/

In this week's episode, Daniel Ketter presents an essential voice analysis arrangement of J. S. Bach's fugue for solo cello. It traces the composer's solution to weaving a four-part fugal texture with nearly no chords or double stops through inventive combinations of a subject and countersubject.This episode was produced by Jason Jedlicka along with Team Lead Leah Frederick. Special thanks to peer reviewers Gilad Rabinovitch, Ed Klorman, and Joe Straus. Additional thanks to Jason Orr, Jessie Black, and Royce Diamond at Phosphor Studios.SMT-Pod's theme music was written by Maria Tartaglia, with closing music by Yike Zhang. For supplementary materials on this episode and more information on our authors and composers, check out our website: https://smt-pod.org/episodes/

Johann Sebastian Bach is one of the great composers of all time. What stands out is not only how great his music is, but how much of it he wrote. On this episode we look at his story as well as his habits, strategies, and tactics to see how he left such a lasting impact. 00:00 The Impact of Bach's Music 01:30 Introduction to Johann Sebastian Bach 03:30 Bach's Universal Appeal and Religious Devotion 07:45 Bach's Early Life and Musical Dynasty 09:30 Bach's Mischievous Youth and Early Career 18:00 Bach's Passion for Music and Conflict with Authority 35:45 Bach's Move and Pursuit of Greatness 41:00 Bach's Idyllic Time in Weimar 49:115 Bach's Final Years in Leipzig 55:20 The Famous Encounter with Frederick the Great 01:09:00 Bach's Death and Enduring Legacy 01:10:00 Key Takeaways from Bach's Life ---- Sponsors: TakeoverPod.Supercast.com - All premium content for just $7/month AustinLab.AI - Provides advanced AI tools for businesses of any size GainsInBulk.com/ben - Use code Ben for 20% off instantized creatine and more Speechify.com/ben - Use code Ben for 15% off Speechify premium Founders Podcast

«Dies Werk machte zu seinerzeit in der musikalischen Welt grosses Aufsehen: Man hatte noch nie so vortreffliche Klavierkompositionen gesehen und gehört. Wer einige Stücke daraus recht gut vortragen lernte, konnte sein Glück in der Welt damit machen.» Das schrieb 1802 der erste Bach-Biograph, Nikolaus Forke, über Bachs ersten Teil der «Clavierübung», also die sechs Partiten Opus 1. Und seither haben unzählige Pianistinnen und Pianisten ihr Glück damit gemacht: Es gibt so viele Einspielungen, dass es schwierig ist, eine Auswahl zu treffen, gerade auch, weil die Wahl des Tasteninstrumentes nicht eindeutig ist. Soll man die Partiten historisch korrekt auf einem Cembalo oder gar Clavichord spielen? Oder auf einem sogenannten Tangentenflügel, einem Modell, das erst nach Bach entstand, so wie der Pianist Martin Helmchen es macht? Oder klingts doch schöner auf dem modernen Flügel? In der Diskothek über die erste der sechs Partiten diskutiert Annelis Berger mit dem Pianisten Francesco Tristano und der Organistin und Cembalistin Els Biesemans darüber. Und vergleichen fünf Aufnahmen miteinander.

durée : 00:18:36 - Disques de légende du jeudi 08 mai 2025 - En 1993 paraissait " l'Intégrale des suites françaises " de JS Bach Keith Jarrett chez ECM, un disque enregistré en 1991 qui livre une facette inattendue du pianiste.

Johann and Phineas Guitar perfomance by Phineas Stolyavitch Drawing by Rupert Peene

Vandaag een aflevering in de serie "In Stukken". Die Kunst der Fuge van Johann Sebastian Bach wordt in stukken geknipt. Aan de hand van de fragmenten in de mooiste opnames wordt het stuk onder de loep genomen. Panelleden: fagottist Alban Wesly en klavecinist Tineke Steenbrink.

Vlad makes an early-morning weekday appearance to tell Marty about celebrating JS Bach's birthday with Early Music Day, Week and Month!

In today's podcast, I focus on  examples of loss of liberty.  The first is JS Bach being imprisoned for having the effrontery of asking his employer to let him go so he could seek a more lucrative employment elsewhere.  It's shocking that one of the world's greatest musicians was considered to be property.  Of course NO ONE should be considered to be property!  A friend of his, a mere horn player, was hung for a similar infraction.120 years later, Chopin spent a honeymoon on the island of Majorca with his new wife, George Sand.  Both of them were combining a honeymoon with holding good on promises to publishers—she on a book in progress and he on a collection of 24 preludes.  They spent several months living in a scary monastery high in the mountains partly because Chopin was suffering from TB, which the locals interpreted as an example of how sin leads to disease, the result being a loss of liberty for Chopin and Sand.The third example of loss of liberty deals with how cacao symbolized power in the four Central American societies—of the Olmecs, the Toltecs, the Mayans and the Aztecs.  Later, when Cortez brought cacao back to Spain, it came to symbolize power there as well with a loss of liberty for the Jewish doctors living in Bayonne, France, where they established cacao as an important local industry.  During the Industrial Revolution, cacao became an important foodstuff for factory workers and in order to provide it, the colonial powers forced West Africans to provide them with inexpensive beans.  The result was the use of child labor, five forms of which are described.I start the podcast with Bach's Prelude number 8 in E-Flat Minor and I finish with Chopin's Prelude #14 in the same key.  Bach's prelude was written in a prison cell.  Chopin's was written in a monastery cell.  Both are examples of a loss of liberty.As always, we are looking to help African cocoa farmers become African chocolate makers.  Join the revolution by donating to the cause!1.   Go to www.projecthopeandfairness.org and click on the Donate button.     -OR- 2.  Send a check to: Donations, PH&F, 1298 Warren Road, Cambria, CA 93428. Write to me at tom@projecthopeandfairness.orgTo learn more, visit www.projecthopeandfairness.org

South African guitar virtuoso Derek Gripper plays music originally meant for the 21 stringed lute-harp, the kora, on his 6-string Segovia-styled guitar and does it so well that the world's leading guitarists and kora players keep wondering how one even does that. His original music is informed by kora masters Toumani Diabaté, Salif Keita, Estonian minimalist composer Arvo Part, Brazilian guitarist Egberto Gismonti and German Baroque innovator, J.S. Bach. Watch out, because he's about to collaborate with the Iraqi-American oud player and composer Rahim Alhaj. (Ed. note: just wait until the 11 or 13-strings of the oud and those maqams make it to the 6-string guitar in Gripper's hands!) For now, Gripper plays another unbelievable arrangement of a Malian kora song, as well as an original song informed by the cascading style of kora music, plus some of the second cello suite by J.S. Bach, in-studio. - Caryn HavlikSupplemental Reading: The Beauty of Everyday Things, In Search of Lost TimeSet list: 1. Alla L'a Ke 2. Moss on the Mountain 3. J.S. Bach: Prelude BWV 1008 (Second Cello Suite) BALLAKÉ SISSOKO AND DEREK GRIPPER by Ballaké Sissoko and Derek Gripper Everyday Things: Bach's Second Cello Suite BWV 1008 by Derek Gripper

WETA resident cello player James Jacobs joins John Banther for a deep dive into the 6 iconic cello suites by JS Bach. With cello in hand, James demonstrates different aspects of the suites and shows us what to listen for, plus we enjoy a full recording performance of one of the suites at the end!Support Classical Breakdown: https://weta.org/donatefmSee omnystudio.com/listener for privacy information.

Jesu Joy.mp3: – Click To Play I first learned this tune from Pete Seeger’s “Goofing Off Suite” in the mid 1950s. Years later when it was time to make up a Rickenbacker introduction for Bob Dylan’s “Mr. Tambourine Man” I used a few notes from this J.S. Bach piece which happen to match part of … Continue reading "Jesu Joy Of Man’s Desiring By J. S. Bach"

durée : 00:10:45 - Le Disque classique du jour du vendredi 15 novembre 2024 - Pour son premier album de violoncelle solo sur la New Series d'ECM, Anja Lechner se consacre à une convergence particulièrement unique de trois compositeurs issus de contextes très différents : JS Bach, Carl Friedrich Abel et Tobias Hume.

durée : 00:10:45 - Le Disque classique du jour du vendredi 15 novembre 2024 - Pour son premier album de violoncelle solo sur la New Series d'ECM, Anja Lechner se consacre à une convergence particulièrement unique de trois compositeurs issus de contextes très différents : JS Bach, Carl Friedrich Abel et Tobias Hume.

durée : 00:12:04 - Le Disque classique du jour du lundi 04 novembre 2024 - Après son album Beethoven acclamé par la critique, Nemanja Radulović revient cet automne avec un formidable album JS Bach.

durée : 00:12:04 - Le Disque classique du jour du lundi 04 novembre 2024 - Après son album Beethoven acclamé par la critique, Nemanja Radulović revient cet automne avec un formidable album JS Bach.

Behind the sublime precision and expressive power of Bach's music lies a mischievous spirit. From puzzle canons (where the performer must solve a riddle to reach the score), melodies that run upside-down and backwards against themselves, hidden symbols, endless loops, to the embedding of numbers and names into the music, this lecture explores Bach's ingenious trickery. Unravelling this thread, enhances an appreciation – and sense of humanity and playfulness – to his transcendent music.This lecture was recorded by Milton Mermikides on 23rd October 2024 at LSO St Lukes, London.Milton Mermikides  is Gresham Professor of Music.He is Associate Professor in Music at the University of Surrey, Professor of Guitar at the Royal College of Music and Deputy Director of the International Guitar Research Centre.The transcript of the lecture is available from the Gresham College website: https://www.gresham.ac.uk/watch-now/bachs-inventionGresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham's mission, please consider making a donation: https://gresham.ac.uk/support/Website:  https://gresham.ac.ukTwitter:  https://twitter.com/greshamcollegeFacebook: https://facebook.com/greshamcollegeInstagram: https://instagram.com/greshamcollegeSupport the show

durée : 00:15:35 - Mass in B Minor : J. S. Bach - La Cetra Basel - La Cetra de Bâle a 25 ans ! Pour fêter cet anniversaire, La Cetra et Arcana publient un enregistrement de « la plus grande œuvre d'art musical de tous les temps », comme elle fut qualifiée au XIXe siècle : la Messe en si mineur de Bach.

durée : 00:15:35 - Mass in B Minor : J. S. Bach - La Cetra Basel - La Cetra de Bâle a 25 ans ! Pour fêter cet anniversaire, La Cetra et Arcana publient un enregistrement de « la plus grande œuvre d'art musical de tous les temps », comme elle fut qualifiée au XIXe siècle : la Messe en si mineur de Bach.

Composer Gerry Murphy on a day in the life of Kapellmeister of Thomaskirche, Leipzig: the industrious Herr Bach.

durée : 00:13:03 - Le Disque classique du jour du lundi 30 septembre 2024 - Flanqué d'un remarquable quintette de solistes, le RIAS Kammerchor nous offre une interprétation flamboyante de ces œuvres phares.

durée : 00:13:03 - Le Disque classique du jour du lundi 30 septembre 2024 - Flanqué d'un remarquable quintette de solistes, le RIAS Kammerchor nous offre une interprétation flamboyante de ces œuvres phares.

Lucy Parham selects her favourite piano version of JS Bach's 6 English Suites BWV.806-811

American classical pianist and educator Christopher O'Riley has spent his career gleefully ignoring musical boundaries and playing whatever turned him on. In addition to playing Beethoven, Busoni, Ravel, Scriabin, and Liszt, he's also arranged music by Nick Drake, Nirvana, Elliot Smith, and Radiohead; he leads masterclasses covering nearly every aspect of piano playing and repertoire from 1600 to 2020. Christopher O'Riley's latest album is of J.S. Bach's Well Tempered Clavier, done in a distinctly personal, even idiosyncratic style. He presents his years-long study of the Preludes & Fugues by Bach and a recent arrangement of a classic popular song, in-studio. Set list: 1. Bach: Prelude & Fugue #1 in C major, BWV 846 2. Bach: Prelude & Fugue #4 in C# minor, BWV 849 3."Over the Rainbow"

Johann Sebastian Bach — whom the Lutheran church commemorates on July 28 — was not a Lutheran lady ... but his two wives sure were!  In this Story Time episode, Sarah introduces us to the two wives of J.S. Bach: Maria Barbara Bach (1684–1720) and Anna Magdalena Bach (1701–1760). Between them, these faithful, capable Lutheran women bore Bach 20 children (ten of whom lived to adulthood; four of whom grew up to be composers like their father) and supported the composer throughout the long and fruitful years of his illustrious musical career.  For further reading:   https://www.grahamsmusic.net/post/bach-s-wives-and-children  https://en.wikipedia.org/wiki/Maria_Barbara_Bach   https://en.wikipedia.org/wiki/Anna_Magdalena_Bach  https://www.bach-cantatas.com/Lib/Bach-Maria-Barbara.htm   https://www.bach-cantatas.com/Lib/Bach-Anna-Magdalena.htm   https://www.classicfm.com/composers/bach/news/magdalena-cello-suites-goldberg-variations/   A helpful guide to Bach's many children:  https://www.classicfm.com/composers/bach/guides/children/  And just for fun (for anyone surprised to find that Barbara is a German name):  Barbaras Rhubarb Bar (feat. Marti Fischer) (youtube.com)  Connect with the Lutheran Ladies on social media in The Lutheran Ladies' Lounge Facebook discussion group (facebook.com/groups/LutheranLadiesLounge) and on Instagram @lutheranladieslounge. Follow Sarah (@hymnnerd), Rachel (@rachbomberger), and Erin (@erinaltered) on Instagram! Sign up for the Lutheran Ladies' Lounge monthly e-newsletter here, and email the Ladies at lutheranladies@kfuo.org.

In How to Become Famous: Lost Einsteins, Forgotten Superstars, and How the Beatles Came to Be, Cass Sunstein reveals why some individuals become celebrities—and others don't.Sunstein has long been at the forefront of behavioral economics. He is the Robert Walmsley University Professor at Harvard Law School and served as the administrator of the White House Office of Information and Regulatory Affairs in the Obama administration. He has authored numerous best sellers, such as Nudge and The World According to Star Wars. In his new book, he explores the roles played by skill, luck, and social processes in the achievement of fame and success—based on recent research on informational cascades, reputation cascades, network effects, and group polarization.Together with Martin Reeves, Chairman of the BCG Henderson Institute, Sunstein discusses how a better understanding of these mechanisms can help businesses make better decisions in marketing, talent management, and innovation - and why the greatest composer of all time may not be J S Bach, but rather Taylor Swift.Key topics discussed: 03:18 | How to prove whether or not fame is driven by merit06:08 | The importance of quality and skill to fame09:33 | Enduring vs. transient fame11:36 | The greatest composers of all time: Bach vs. Taylor Swift14:44 | Social factors driving fame19:54 | The role of group polarization and network effects28:48 | Implications for businesses: Marketing, talent, innovation33:19 | The art of manipulating information cascadesAdditional inspirations from Cass Sunstein:Thinkers & Ideas: Look Again with Cass SunsteinLook Again: The Power of Noticing What Was Always There; with Tali Sharot (Atria/One Signal Publishers, 2024)Nudge; with Richard Thaler (Penguin Books,...

To mark Bach's 339th birthday, historical recordings of the Brandenburg Concerto 3 and the B Minor Prelude and Fugue from the Well Tempered Clavier. 

Wir springen in dieser Folge in die Barockzeit und sprechen über niemand Geringeren als Johann Sebastian Bach. Allerdings werden wir uns weniger mit seinem musikalischen Output, sondern mehr mit seinen Lebensumständen beschäftigen. Wie und wo lebte er, wer bezahlte ihm seine Rechnungen und welchen Einfluss hatte das auf sein Werk? //Erwähnte Folgen GAG364: Mord und Madrigale – Carlo Gesualdo https://gadg.fm/364 //Literatur - "Johann Sebastian Bach" von Martin Geck " - "Johann Sebastian Bach: The Learned Musician" von Christoph Wolff - "BACH: Music in the CASTLE of HEAVEN" von John Eliot Gardiner - Kalendarium des Bach-Archivs Leipzig https://jsbach.de/kalendarium Das gegen Ende erwähnte "Erbarme dich, mein Gott" aus der Matthäuspassion BWV244 gibt's in einer schönen Version mit dem Countertenor Tim Mead auf YouTube anzuhören: https://www.youtube.com/watch?v=Zry9dpM1_n4 Das Folgenbild zeigt einen Ausschnitt des wahrscheinlich einzig echten Porträts Bachs, von Elias Gottlob Haussmann, aus dem Jahr 1746. Das Hörbeispiel der Toccata und Fuge in D-Moll BWV565 wurde von "Cor anglais 16" unter einer Creative Commons Attribution-Share Alike 3.0 Unported Lizenz zur Verfügung gestellt. https://commons.wikimedia.org/wiki/File:BWV-565-intro.ogg //Aus unserer Werbung Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/GeschichtenausderGeschichte //Wir haben auch ein Buch geschrieben: Wer es erwerben will, es ist überall im Handel, aber auch direkt über den Verlag zu erwerben: https://www.piper.de/buecher/geschichten-aus-der-geschichte-isbn-978-3-492-06363-0 Wer Becher, T-Shirts oder Hoodies erwerben will: Die gibt's unter https://geschichte.shop Wer unsere Folgen lieber ohne Werbung anhören will, kann das über eine kleine Unterstützung auf Steady oder ein Abo des GeschichteFM-Plus Kanals auf Apple Podcasts tun. Wir freuen uns, wenn ihr den Podcast bei Apple Podcasts oder wo auch immer dies möglich ist rezensiert oder bewertet. Wir freuen uns auch immer, wenn ihr euren Freundinnen und Freunden, Kolleginnen und Kollegen oder sogar Nachbarinnen und Nachbarn von uns erzählt!