Podcasts about js bach

Globally renowned for his interpretation of baroque, classical and modern repertoire, counter-tenor Reginald Mobley is best known for his performances of JS Bach and Purcell. He's sung with the Monteverdi Choir, the English Baroque Soloists, the Philharmonia Baroque Orchestra and Early Music Vancouver, among many others, as well as at the coronation of King Charles III. He's also an advocate for diversity in music and its programming, and has become the first ever Programming Consultant for the Handel and Haydn Society in his home town of Boston. He's come to Australia for a national tour with Bach Akadamie Australia.Reggie reflects on the significance of J.S. Bach in his musical journey. He shares insights into his early years, the influences that shaped his distinctive vocal career, and his passion for bringing Baroque music to life. The conversation also touches on diversity in classical music, his collaborations with leading ensembles, and his passion for blending musical traditions. With a mix of humour and thoughtful reflection, Reggie offers a fascinating look into his artistry.Reginald Mobley performs with Bach Akadamie Australia for The Countertenor – Bach's Holy Spirit at venues around Australia until April 25. 

Johann Sebastian Bach (1685-1750) - Cantata BWV 147 “Herz und Mund und Tat und Leben” Part I1.       Chorus: Herz und Mund und Tat und Leben2.       Recitative (tenor): Gebenedeiter Mund!3.       Aria (alto, oboe d'amore): Schäme dich, o Seele nicht4.       Recitative (bass): Verstockung kann Gewaltige verblenden5.       Aria (soprano, violin): Bereite dir, Jesu, noch itzo die Bahn6.       Chorale: Wohl mir, daß ich Jesum habe Part II7.       Aria (tenor): Hilf, Jesu, hilf, daß ich auch dich bekenne8.       Recitative (alto): Der höchsten Allmacht Wunderhand9.       Aria (bass, trumpet, oboes): Ich will von Jesu Wundern singen10.   Chorale: Jesus bleibet meine FreudeChristine Schäfer, sopranoBernarda Fink, mezzo-sopranoIan Bostridge, tenorChristopher Maltman, baritone Arnold Schoenberg ChoirConcentus Musicus Wien Nikolaus Harnoncourt, conductor

Johann Sebastian Bach (1685-1750) – Concerto Brandeburghese n. 5, BWV 10501.       AllegroDavid Nadien, violinJulius Baker, fluteLeonard Bernstein, pianoforteNew York Philharmonic ***************Johann Sebastian Bach (1685-1750) - Concerto n. 1 In re minore per pianoforte e orchestra1.       Allegro 2.       Adagio 3.       AllegroGlenn Gould, pianoforteLeonard Bernstein, conductorColumbia Symphony Orchestra

Vlad makes an early-morning weekday appearance to tell Marty about celebrating JS Bach's birthday with Early Music Day, Week and Month!

In today's podcast, I focus on  examples of loss of liberty.  The first is JS Bach being imprisoned for having the effrontery of asking his employer to let him go so he could seek a more lucrative employment elsewhere.  It's shocking that one of the world's greatest musicians was considered to be property.  Of course NO ONE should be considered to be property!  A friend of his, a mere horn player, was hung for a similar infraction.120 years later, Chopin spent a honeymoon on the island of Majorca with his new wife, George Sand.  Both of them were combining a honeymoon with holding good on promises to publishers—she on a book in progress and he on a collection of 24 preludes.  They spent several months living in a scary monastery high in the mountains partly because Chopin was suffering from TB, which the locals interpreted as an example of how sin leads to disease, the result being a loss of liberty for Chopin and Sand.The third example of loss of liberty deals with how cacao symbolized power in the four Central American societies—of the Olmecs, the Toltecs, the Mayans and the Aztecs.  Later, when Cortez brought cacao back to Spain, it came to symbolize power there as well with a loss of liberty for the Jewish doctors living in Bayonne, France, where they established cacao as an important local industry.  During the Industrial Revolution, cacao became an important foodstuff for factory workers and in order to provide it, the colonial powers forced West Africans to provide them with inexpensive beans.  The result was the use of child labor, five forms of which are described.I start the podcast with Bach's Prelude number 8 in E-Flat Minor and I finish with Chopin's Prelude #14 in the same key.  Bach's prelude was written in a prison cell.  Chopin's was written in a monastery cell.  Both are examples of a loss of liberty.As always, we are looking to help African cocoa farmers become African chocolate makers.  Join the revolution by donating to the cause!1.   Go to www.projecthopeandfairness.org and click on the Donate button.     -OR- 2.  Send a check to: Donations, PH&F, 1298 Warren Road, Cambria, CA 93428. Write to me at tom@projecthopeandfairness.orgTo learn more, visit www.projecthopeandfairness.org

J. S. Bach (1685-1750) – Concerto per clavicembalo in re maggiore, BWV 1054 1.       Allegro 2.       Adagio e piano sempre (07:42)3.       Allegro (14:30)The English Concert Trevor Pinnock, conductor e cembalo ********** J. S. Bach (1685-1750) - Concerto per violino n.1 in la minore, BWV 1041 1.       Allegro (17:07)2.       Andante (21:07)3.       Allegro assai (28:03) Hilary Hahn, violino Deutsche Kammerphilharmonie BremenOmer Meir Wellber, conductor

South African guitar virtuoso Derek Gripper plays music originally meant for the 21 stringed lute-harp, the kora, on his 6-string Segovia-styled guitar and does it so well that the world's leading guitarists and kora players keep wondering how one even does that. His original music is informed by kora masters Toumani Diabaté, Salif Keita, Estonian minimalist composer Arvo Part, Brazilian guitarist Egberto Gismonti and German Baroque innovator, J.S. Bach. Watch out, because he's about to collaborate with the Iraqi-American oud player and composer Rahim Alhaj. (Ed. note: just wait until the 11 or 13-strings of the oud and those maqams make it to the 6-string guitar in Gripper's hands!) For now, Gripper plays another unbelievable arrangement of a Malian kora song, as well as an original song informed by the cascading style of kora music, plus some of the second cello suite by J.S. Bach, in-studio. - Caryn HavlikSupplemental Reading: The Beauty of Everyday Things, In Search of Lost TimeSet list: 1. Alla L'a Ke 2. Moss on the Mountain 3. J.S. Bach: Prelude BWV 1008 (Second Cello Suite) BALLAKÉ SISSOKO AND DEREK GRIPPER by Ballaké Sissoko and Derek Gripper Everyday Things: Bach's Second Cello Suite BWV 1008 by Derek Gripper

La violinista, música y miembro del grupo Ibil Bedi, Areta Senosian, nos ha hecho otra propuesta musical triple para mostrarnos la música que le gusta escuchar....

J. S. Bach (1685-1750) - Christmas Cantatas Dazu ist erschienen der Sohn Gottes (Per questo è venuto al mondo il figlio di Dio) BWV 40 Dazu ist erschienen der Sohn Gottes Coro in fa maggiore per coro e tutti gli strumenti Riutilizzato nel Cum Sancto Spiritu della Messa BWV 233Das Wort ward Fleisch und wohnt in der Welt Recitativo in fa maggiore/si bemolle maggiore per tenore e continuoDie Sünd macht Leid Corale in sol minore per coro, 2 oboi, corno, archi e continuoHöllische Schlange, wird dir nicht bange? Aria in re maggioreper basso, 2 oboi, archi e continuoDie Schlange, so im Paradies Recitativo in si bemolle maggiore per contralto, archi e continuoSchuttle deinen Kopf und sprich Corale in re minore per coro, 2 oboi, corno, archi e continuoChristenkinder, freuet euch! Aria in fa maggiore per tenore, 2 oboi, 2 corni e continuoJesu, nimm dich deiner Glieder ferner in Genaden an Corale in fa minore per coro, 2 oboi, corno, archi e continuo*********Unser Mund sei voll Lachens (La nostra bocca sia tutta un sorriso) BWV 110 [14:40]Unser Mund sei voll Lachens Coro in re maggiore per coro, 2 flauti traverse, 3 oboi, fagotto, 3 trombe, timpani, archi e continuo Utilizza l'ouverture della quarta suire per orchestra, BWV 1069Ihr Gedanken und ihr Sinnen Aria in si minore per tenore, 2 flauti tenori e continuoDir, Herr, ist Niemand gleich! Recitativo in fa diesis minore/la maggiore per basso, archi e continuoAch Herr! was ist ein Menschenkind Aria in fa diesis minore per contralto, oboe d'amore e continuoEhre sei Gott in der Höhe Duetto in la maggiore per soprano, tenore e continuo Arrangiamento del “Virga Jesse floruit” del Magnificat, BWV 243aWacht auf, ihr Adern und ihr Glieder Aria in re maggiore per basso, tromba, 2 oboi, oboe da caccia, archi e continuoAlleluja! gelobet sei Gott! Corale in si minore per coro, tromba, 2 flauti traverse, 2 oboi, oboe da caccia, archi e continuo Sopranos: Katharine Fuge, Joanne LunnCounter-tenors: Robin Tyson, William TowersTenor: James GilchristBass: Peter HarveyMonteverdi ChoirEnglish Baroque SoloistsJohn Eliot Gardiner, conductor

Johann Sebastian Bach (1685-1750) - Magnificat in re maggiore, BWV 2431.            Magnificat Anima Mea (Coro)2.            Et Exultavit (Aria)3.            Quia Respexit (Aria)4.            Omnes Generationes (Coro)5.            Quia Fecit Mihi Magna (Aria)6.            Et Misericordia (Duetto)7.            Fecit Potentiam (Coro)8.            Deposuit (Aria)9.            Esurientes (Aria)10.          Suscepit Israel (Terzetto)11.          Sicut Locutus (Coro)12.          Gloria Patri (Coro) Christine Schäfer, sopranoAnna Korondi, sopranoBernarda Fink, mezzo-sopranoIan Bostridge, tenoreChristopher Maltman, baritono Concentus Musicus ViennaArnold Schoenberg ChoirNikolaus Harnoncourt, conductor

WETA resident cello player James Jacobs joins John Banther for a deep dive into the 6 iconic cello suites by JS Bach. With cello in hand, James demonstrates different aspects of the suites and shows us what to listen for, plus we enjoy a full recording performance of one of the suites at the end!Support Classical Breakdown: https://weta.org/donatefmSee omnystudio.com/listener for privacy information.

Johann Sebastian Bach (1685 - 1750)Concerto Brandeburghese n. 1 in Fa maggiore BWV 1046AllegroAdagio (re minore)Allegro Utilizza il Coro n. 1 della Cantata BWV 207Menuetto - Trio I - Polacca - Trio II Utilizza il Ritornello n. 7 della Cantata BWV 207***********************20'24”Concerto brandeburghese n. 2 in fa maggiore, BWV 1047...Andante (re minore)Allegro assai*******************31'49”Concerto brandeburghese n. 3 in sol maggiore, BWV 1048Allegro Riutilizzato nella Sinfonia della Cantata BWV 174AdagioAllegro Utilizza la Pastorale BWV 590Munchener Bach OrchesterKarl Richter, direttorePierre Thibaud, tromba

Jesu Joy.mp3: – Click To Play I first learned this tune from Pete Seeger’s “Goofing Off Suite” in the mid 1950s. Years later when it was time to make up a Rickenbacker introduction for Bob Dylan’s “Mr. Tambourine Man” I used a few notes from this J.S. Bach piece which happen to match part of … Continue reading "Jesu Joy Of Man’s Desiring By J. S. Bach"

Pastor Dr. Nico Verhoef Lehrserie

durée : 00:10:45 - Le Disque classique du jour du vendredi 15 novembre 2024 - Pour son premier album de violoncelle solo sur la New Series d'ECM, Anja Lechner se consacre à une convergence particulièrement unique de trois compositeurs issus de contextes très différents : JS Bach, Carl Friedrich Abel et Tobias Hume.

durée : 00:10:45 - Le Disque classique du jour du vendredi 15 novembre 2024 - Pour son premier album de violoncelle solo sur la New Series d'ECM, Anja Lechner se consacre à une convergence particulièrement unique de trois compositeurs issus de contextes très différents : JS Bach, Carl Friedrich Abel et Tobias Hume.

durée : 00:12:04 - Le Disque classique du jour du lundi 04 novembre 2024 - Après son album Beethoven acclamé par la critique, Nemanja Radulović revient cet automne avec un formidable album JS Bach.

durée : 00:12:04 - Le Disque classique du jour du lundi 04 novembre 2024 - Après son album Beethoven acclamé par la critique, Nemanja Radulović revient cet automne avec un formidable album JS Bach.

Behind the sublime precision and expressive power of Bach's music lies a mischievous spirit. From puzzle canons (where the performer must solve a riddle to reach the score), melodies that run upside-down and backwards against themselves, hidden symbols, endless loops, to the embedding of numbers and names into the music, this lecture explores Bach's ingenious trickery. Unravelling this thread, enhances an appreciation – and sense of humanity and playfulness – to his transcendent music.This lecture was recorded by Milton Mermikides on 23rd October 2024 at LSO St Lukes, London.Milton Mermikides  is Gresham Professor of Music.He is Associate Professor in Music at the University of Surrey, Professor of Guitar at the Royal College of Music and Deputy Director of the International Guitar Research Centre.The transcript of the lecture is available from the Gresham College website: https://www.gresham.ac.uk/watch-now/bachs-inventionGresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham's mission, please consider making a donation: https://gresham.ac.uk/support/Website:  https://gresham.ac.ukTwitter:  https://twitter.com/greshamcollegeFacebook: https://facebook.com/greshamcollegeInstagram: https://instagram.com/greshamcollegeSupport the show

durée : 00:15:35 - Mass in B Minor : J. S. Bach - La Cetra Basel - La Cetra de Bâle a 25 ans ! Pour fêter cet anniversaire, La Cetra et Arcana publient un enregistrement de « la plus grande œuvre d'art musical de tous les temps », comme elle fut qualifiée au XIXe siècle : la Messe en si mineur de Bach.

durée : 00:15:35 - Mass in B Minor : J. S. Bach - La Cetra Basel - La Cetra de Bâle a 25 ans ! Pour fêter cet anniversaire, La Cetra et Arcana publient un enregistrement de « la plus grande œuvre d'art musical de tous les temps », comme elle fut qualifiée au XIXe siècle : la Messe en si mineur de Bach.

Composer Gerry Murphy on a day in the life of Kapellmeister of Thomaskirche, Leipzig: the industrious Herr Bach.

durée : 00:13:03 - Le Disque classique du jour du lundi 30 septembre 2024 - Flanqué d'un remarquable quintette de solistes, le RIAS Kammerchor nous offre une interprétation flamboyante de ces œuvres phares.

durée : 00:13:03 - Le Disque classique du jour du lundi 30 septembre 2024 - Flanqué d'un remarquable quintette de solistes, le RIAS Kammerchor nous offre une interprétation flamboyante de ces œuvres phares.

Lucy Parham selects her favourite piano version of JS Bach's 6 English Suites BWV.806-811

American classical pianist and educator Christopher O'Riley has spent his career gleefully ignoring musical boundaries and playing whatever turned him on. In addition to playing Beethoven, Busoni, Ravel, Scriabin, and Liszt, he's also arranged music by Nick Drake, Nirvana, Elliot Smith, and Radiohead; he leads masterclasses covering nearly every aspect of piano playing and repertoire from 1600 to 2020. Christopher O'Riley's latest album is of J.S. Bach's Well Tempered Clavier, done in a distinctly personal, even idiosyncratic style. He presents his years-long study of the Preludes & Fugues by Bach and a recent arrangement of a classic popular song, in-studio. Set list: 1. Bach: Prelude & Fugue #1 in C major, BWV 846 2. Bach: Prelude & Fugue #4 in C# minor, BWV 849 3."Over the Rainbow"

Regarder Final cut de Myriam Saduis, c'est rouvrir les tiroirs de la grande Histoire et se retrouver dans les p'tits papiers de son récit familial. C'est voir un protectorat français entrer dans la chambre intérieure d'une histoire singulière entre une Italienne et un Tunisien. En recueillir les fragments – racisme, traumatisme, effacement, folie – comme si la main d'un scénario qui nous dépasse écrivait notre vie, à notre place. Jusqu'à l'intervention de notre invitée comédienne, metteuse en scène et autrice qui signe le bien nommé Final cut, programmé encore récemment au Festival d'Avignon, d'où cette rediffusion. Prix Maeterlinck de la critique 2019, du meilleur spectacle et de la meilleure actrice, Final cut qui pioche dans la boite à outils de la psychanalyse et du théâtre est une merveilleuse alchimie entre réalisme et art. À l'image de cette citation prisée par Myriam : « La vie imite l'art, bien plus que l'art n'imite la vie »…Les choix musicaux de Myriam SaduisNick Drake Day is doneHiba Tawaji Les moulins de mon coeurJohannes-Passion, BWV 245, JS Bach version – La Petite Bande, dirigée par Sigiswald Kuijken

Alle lieben Johann Sebastian Bach. Warum nur?

Johann Sebastian Bach — whom the Lutheran church commemorates on July 28 — was not a Lutheran lady ... but his two wives sure were!  In this Story Time episode, Sarah introduces us to the two wives of J.S. Bach: Maria Barbara Bach (1684–1720) and Anna Magdalena Bach (1701–1760). Between them, these faithful, capable Lutheran women bore Bach 20 children (ten of whom lived to adulthood; four of whom grew up to be composers like their father) and supported the composer throughout the long and fruitful years of his illustrious musical career.  For further reading:   https://www.grahamsmusic.net/post/bach-s-wives-and-children  https://en.wikipedia.org/wiki/Maria_Barbara_Bach   https://en.wikipedia.org/wiki/Anna_Magdalena_Bach  https://www.bach-cantatas.com/Lib/Bach-Maria-Barbara.htm   https://www.bach-cantatas.com/Lib/Bach-Anna-Magdalena.htm   https://www.classicfm.com/composers/bach/news/magdalena-cello-suites-goldberg-variations/   A helpful guide to Bach's many children:  https://www.classicfm.com/composers/bach/guides/children/  And just for fun (for anyone surprised to find that Barbara is a German name):  Barbaras Rhubarb Bar (feat. Marti Fischer) (youtube.com)  Connect with the Lutheran Ladies on social media in The Lutheran Ladies' Lounge Facebook discussion group (facebook.com/groups/LutheranLadiesLounge) and on Instagram @lutheranladieslounge. Follow Sarah (@hymnnerd), Rachel (@rachbomberger), and Erin (@erinaltered) on Instagram! Sign up for the Lutheran Ladies' Lounge monthly e-newsletter here, and email the Ladies at lutheranladies@kfuo.org.

In How to Become Famous: Lost Einsteins, Forgotten Superstars, and How the Beatles Came to Be, Cass Sunstein reveals why some individuals become celebrities—and others don't.Sunstein has long been at the forefront of behavioral economics. He is the Robert Walmsley University Professor at Harvard Law School and served as the administrator of the White House Office of Information and Regulatory Affairs in the Obama administration. He has authored numerous best sellers, such as Nudge and The World According to Star Wars. In his new book, he explores the roles played by skill, luck, and social processes in the achievement of fame and success—based on recent research on informational cascades, reputation cascades, network effects, and group polarization.Together with Martin Reeves, Chairman of the BCG Henderson Institute, Sunstein discusses how a better understanding of these mechanisms can help businesses make better decisions in marketing, talent management, and innovation - and why the greatest composer of all time may not be J S Bach, but rather Taylor Swift.Key topics discussed: 03:18 | How to prove whether or not fame is driven by merit06:08 | The importance of quality and skill to fame09:33 | Enduring vs. transient fame11:36 | The greatest composers of all time: Bach vs. Taylor Swift14:44 | Social factors driving fame19:54 | The role of group polarization and network effects28:48 | Implications for businesses: Marketing, talent, innovation33:19 | The art of manipulating information cascadesAdditional inspirations from Cass Sunstein:Thinkers & Ideas: Look Again with Cass SunsteinLook Again: The Power of Noticing What Was Always There; with Tali Sharot (Atria/One Signal Publishers, 2024)Nudge; with Richard Thaler (Penguin Books,...

Conductor, organist, harpsichordist and lovely man Ton Koopman riffs on the joys of JS Bach at BachFest in Leipzig.

Joanna MacGregor's ultimate recording of JS Bach's Keyboard Partitas BWV 825-830

This is a special re-release with cellist Rachel Mercer,  with added music from some of her recordings. This was orginally recorded and released in Season 2 of this podcast in 2022, and now in Season 4 2024, Rachel and I are including some tracks from some of her albums in the podcast version of this episode. See more below for some of the many topics covered! The original video is on YouTube with the transcript, everything linked here: ⁠ https://www.leahroseman.com/episodes/e9-s2-rachel-mercer⁠ We discussed the arc of her career so far as a chamber musician, soloist, and Principal Cellist of my orchestra, the National Arts Centre Orchestra of Canada. One of the musical selections added to this podcast is from the album “Our Strength, Our Song" with Rachel's sister, the wonderful violinist Akemi Mercer-Niewöhner. We also talked about and many other chamber music collaborations and unique projects, as well as her way of approaching music. You'll also hear some of Rachel's memories of the late Yehonatan Berick who was an amazing violinist and pedagogue and was Rachel's life partner. As well,  Rachel very generously made a special recording of the prelude from JS Bach's fifth solo suite for this episode in 2022,  and her heartfelt introduction to the power of this music is right after our conversation, so please keep listening till the end. Rachel Mercer's website: http://www.rachelmercercellist.com/ Support link to buy this independent podcaster a coffee: https://ko-fi.com/leahroseman Thanks! Complete Catalog of Episodes: https://www.leahroseman.com/about Newsletter sign-up: https://mailchi.mp/ebed4a237788/podcast-newsletter Linktree: https://linktr.ee/leahroseman --- Send in a voice message: https://podcasters.spotify.com/pod/show/leah-roseman/message

Im Jahr 1717 tritt Johann Sebastian Bach als "hochfürstlich Anhalt-Köthenischer Kappelmeister" in die Dienste des Fürsten Leopold. Dort komponiert er die "Brandenburgischen Konzerte". Julia Smilga hat mit der Flötistin Cordula Breuer des Ensembles Concerto Köln über das Vierte Konzert gesprochen.

Send us a Text Message.In today's episode, Bryan talks about J.S. Bach's St. Matthew PassionIf you want to support the show you can sign up to our patreonhttps://www.patreon.com/PrinciplesofMusicPodcastYou'll get Episodes in Video FormEarly Episode AccessExclusive Transcriptions and Other Bonus ContentAccess to Patron only Live Events

Die sechs Solosuiten gelten als Anfang und Ende aller Cello-Musik, seitdem Pablo Casals sie "entdeckt" hat. Manchen gelten sie gar als Bibel des Instruments. BR-KLASSIK hat mit Alban Gerhardt über die sechste Solo-Suite von Bach gesprochen.

To mark Bach's 339th birthday, historical recordings of the Brandenburg Concerto 3 and the B Minor Prelude and Fugue from the Well Tempered Clavier. 

durée : 00:17:03 - Le Disque classique du jour du vendredi 22 mars 2024 - Dans cette nouvelle série d'enregistrements, Paul Agnew et Les Arts Florissants nous invitent à suivre l'itinéraire créateur de Jean-Sébastien Bach au gré des époques et des villes où il résida. Pour cette première étape, direction l'Allemagne du Nord

Wir springen in dieser Folge in die Barockzeit und sprechen über niemand Geringeren als Johann Sebastian Bach. Allerdings werden wir uns weniger mit seinem musikalischen Output, sondern mehr mit seinen Lebensumständen beschäftigen. Wie und wo lebte er, wer bezahlte ihm seine Rechnungen und welchen Einfluss hatte das auf sein Werk? //Erwähnte Folgen GAG364: Mord und Madrigale – Carlo Gesualdo https://gadg.fm/364 //Literatur - "Johann Sebastian Bach" von Martin Geck " - "Johann Sebastian Bach: The Learned Musician" von Christoph Wolff - "BACH: Music in the CASTLE of HEAVEN" von John Eliot Gardiner - Kalendarium des Bach-Archivs Leipzig https://jsbach.de/kalendarium Das gegen Ende erwähnte "Erbarme dich, mein Gott" aus der Matthäuspassion BWV244 gibt's in einer schönen Version mit dem Countertenor Tim Mead auf YouTube anzuhören: https://www.youtube.com/watch?v=Zry9dpM1_n4 Das Folgenbild zeigt einen Ausschnitt des wahrscheinlich einzig echten Porträts Bachs, von Elias Gottlob Haussmann, aus dem Jahr 1746. Das Hörbeispiel der Toccata und Fuge in D-Moll BWV565 wurde von "Cor anglais 16" unter einer Creative Commons Attribution-Share Alike 3.0 Unported Lizenz zur Verfügung gestellt. https://commons.wikimedia.org/wiki/File:BWV-565-intro.ogg //Aus unserer Werbung Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/GeschichtenausderGeschichte //Wir haben auch ein Buch geschrieben: Wer es erwerben will, es ist überall im Handel, aber auch direkt über den Verlag zu erwerben: https://www.piper.de/buecher/geschichten-aus-der-geschichte-isbn-978-3-492-06363-0 Wer Becher, T-Shirts oder Hoodies erwerben will: Die gibt's unter https://geschichte.shop Wer unsere Folgen lieber ohne Werbung anhören will, kann das über eine kleine Unterstützung auf Steady oder ein Abo des GeschichteFM-Plus Kanals auf Apple Podcasts tun. Wir freuen uns, wenn ihr den Podcast bei Apple Podcasts oder wo auch immer dies möglich ist rezensiert oder bewertet. Wir freuen uns auch immer, wenn ihr euren Freundinnen und Freunden, Kolleginnen und Kollegen oder sogar Nachbarinnen und Nachbarn von uns erzählt!

A memorable collection, a composer whose primacy spans the ages, a great performer. We find ourselves in front of Johann Sebastian Bach's (1685-1750) six Suites for solo cello, performed by Antonio Meneses. In J. S. BACH: THE CELLO SUITES he turns to this precious legacy, which he masters like few others. Around the world, he presents it to audiences. In the past, he has recorded it. Now, a new perspective on these eternally meaningful works leads him to rediscover them. Tracks1. Cello Suite No. 1 in G Major, BWV 1007: I. Prélude – (2:30)         2. Cello Suite No. 1 in G Major, BWV 1007: II. Allemande – (4:13)           3. Cello Suite No. 1 in G Major, BWV 1007: III. Courante – (2:52)          4. Cello Suite No. 1 in G Major, BWV 1007: IV. Sarabande – (2:48)         5. Cello Suite No. 1 in G Major, BWV 1007: V. Menuets I & II – (3:33)       6. Cello Suite No. 1 in G Major, BWV 1007: VI. Gigue – (1:52)               7. Cello Suite No. 2 in D Minor, BWV 1008: I. Prélude – (3:54)         8. Cello Suite No. 2 in D Minor, BWV 1008: II. Allemande – (3:33)           9. Cello Suite No. 2 in D Minor, BWV 1008: III. Courante – (2:12)           10. Cello Suite No. 2 in D Minor, BWV 1008: IV. Sarabande – (4:26)           11. Cello Suite No. 2 in D Minor, BWV 1008: V. Menuets I & II – (3:21)    12. Cello Suite No. 2 in D Minor, BWV 1008: VI. Gigue – (2:42)              13. Cello Suite No. 3 in C Major, BWV 1009: I. Prélude – (3:14)          14. Cello Suite No. 3 in C Major, BWV 1009: II. Allemande – (3:54)           15. Cello Suite No. 3 in C Major, BWV 1009: III. Courante – (3:19)           16. Cello Suite No. 3 in C Major, BWV 1009: IV. Sarabande – (3:52)           17. Cello Suite No. 3 in C Major, BWV 1009: V. Bourrées I & II – (3:40)     18. Cello Suite No. 3 in C Major, BWV 1009: VI. Gigue – (3:19)               19. Cello Suite No. 4 in E-Flat Major, BWV 1010: I. Prélude – (4:02)         20. Cello Suite No. 4 in E-Flat Major, BWV 1010: II. Allemande – (4:05)      21. Cello Suite No. 4 in E-Flat Major, BWV 1010: III. Courante – (3:45)      22. Cello Suite No. 4 in E-Flat Major, BWV 1010: IV. Sarabande – (4:01)      23. Cello Suite No. 4 in E-Flat Major, BWV 1010: V. Bourrées I & II – (5:04) 24. Cello Suite No. 4 in E-Flat Major, BWV 1010: VI. Gigue – (2:49)    And others …This album is broadcast with the permission of Bárbara Leu from Azul Music.         

Rudy talks about the great contributions of composer JS Bach, plus he talks about the situation in Israel, the case against Trump in Colorado Learn more about your ad choices. Visit megaphone.fm/adchoices

The Middle Ages saw an explosion of literature, art, and thought around the personhood of Jesus. What can we learn from these centuries-old understandings of the central figure of the Bible?This season of Undeceptions is sponsored by Zondervan Academic. Get discounts on MasterLectures video courses and exclusive samples of their books at zondervanacademic.com/undeceptionsVisit undeceptions.com for more content, including the full show notes for this episode.Follow the show on Facebook, Twitter and InstagramEmail the show with your comments/feedback: admin@undeceptions.comUndeceptions is the flagship podcast of Undeceptions.com: Letting the truth out.Theme music: JS Bach's Cello Suites, Prelude, performed by the Undeceptions Band. Hosted by John DicksonProduced by Kaley Payne Directed by Mark Hadley Audio Editing by Richard HamwiSocial Media by Sophie HawkshawAdministration by Lyndie LevistonWriter and researcher: Alasdair BellingOnline Librarian: Siobhan McGuinnessCopyright Undeceptions Ltd 2023

The Puritans: Everything wrong with a Christian society, or much misunderstood forefathers of innovation and social justice?This season of Undeceptions is sponsored by Zondervan Academic. Get discounts on MasterLectures video courses and exclusive samples of their books at zondervanacademic.com/undeceptionsVisit undeceptions.com for more content, including the full show notes for this episode.Follow the show on Facebook, Twitter and InstagramEmail the show with your comments/feedback: admin@undeceptions.comUndeceptions is the flagship podcast of Undeceptions.com: Letting the truth out.Theme music: JS Bach's Cello Suites, Prelude, performed by the Undeceptions Band. Hosted by John DicksonProduced by Kaley Payne Directed by Mark Hadley Audio Editing by Richard HamwiSocial Media by Sophie HawkshawAdministration by Lyndie LevistonWriter and researcher: Alasdair BellingOnline Librarian: Siobhan McGuinnessCopyright Undeceptions Ltd 2023