Podcast appearances and mentions of Keith Richards

David Porter, a pivotal figure in soul music, was the first staff writer Stax Records, where he co-wrote iconic hits like "Soul Man," "Hold On I'm Comin'," "I Thank You," "When Something is Wrong with my Baby," and "Wrap it Up," many alongside Isaac Hayes. His songs, which have appeared on national charts over 200 times and amassed lifetime unit sales exceeding 450 million, are enshrined in the Grammy Hall of Fame and have influenced soul, R&B, and hip-hop, with over 450 samples in tracks like Mariah Carey's "Dreamlover," Will Smith's "Gettin' Jiggy Wit It," Wu-Tang Clan's "C.R.E.A.M.," and The Notorious B.I.G.'s "Who Shot Ya." Inducted into the Songwriters Hall of Fame in 2005 with Hayes,Porter was featured in HBO's 2023 Stax Records special and founded The ConsortiumMT, cementing his legacy as a genre-defining songwriter.Mr. Porter's memoir has been praised by luminaries like Bruce Springsteen ("essential reading for those who were touched by the magic and majesty of soul music"), Questlove ("he's the architect of the Memphis sound"), Keith Richards ("there ain't no soul music without David Porter.a great read") and Stevie Wonder (who just attended his LA book celebration). Rolling Stone> recently called him "one of the most important American popular songwriters" and Billboard added he's "penned and produced some of the most quintessential songs in music history".In the book, his profound stories range include firsthand tales of segregated Memphis during the height of the Civil Rights Movement, to helping Otis Redding write "Sitting On The Dock Of The Bay" just days before his tragic passing and many more. He defined an era of soul music working with luminaries like Otis, Booker T. Jones, Isaac Hayes, Carla Thomas and Sam & Dave writing credits). Then his songs did it all over again in the 1990s - when they were sampled by the likes of Notorious B.I.G., Wu-Tang Clan, Mariah Carey, Snoop Dogg, De La Soul and Jay-ZBecome a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

You know it's going to be a wild ride when a Beer Thursday round starts with Elvis, detours through Snape, and somehow ends up with Keith Richards outliving the planet. Today we're talking about celebrity deaths that hit us right in the feels. Some shocked us. Some shaped us. Some made us stop and say, “Wait… he was HOW old?” Grab a drink and a tissue, preferably in that order.In this round, we talk about:Elvis, Tom Petty, Prince, and Stevie Ray VaughanAlan Rickman, Chadwick Boseman, and Chris CornellWhy shocking deaths hit harderThe celebrities we'll need a day off for somedayRound 317~~~~~~~Join the Beer Thursday Patreon! This round hit different — and so does the Beer Thursday inner circle. The next 17 Patrons who join at the $10 level get access to the exclusive Beer Thursday Facebook group, where the conversation keeps going long after the round ends. Come hang with us!~~~~~~~Jay's Beertography Between the heartfelt moments, Jay is still out here making drinks look like they belong in a museum. Follow the visual magic over at @BeerThursdayShow on Instagram. ~~~~~~~Subscribe, Rate & Review! If Beer Thursday is part of your week, do us a solid — subscribe wherever you listen and drop us a 5-star review. It keeps us in the feed and out of the algorithmic abyss.~~~~~~~Here's what our house elf, Artie (not Archie), says about this round: This round dives into the celebrity deaths that hit Shayne and Jay the hardest. They talk about Elvis Presley, Alan Rickman, Tom Petty, Prince, Stevie Ray Vaughan, Chadwick Boseman, Carrie Fisher, and Chris Cornell. They share personal stories, surprising moments, and why some losses feel like losing a friend.The conversation mixes humor with heart. They talk about shock, legacy, and the weird way celebrity deaths can shape memories. It's a thoughtful and funny look at the famous people who meant something to us. If you're searching for episodes about celebrity deaths, emotional celebrity moments, or the impact of famous losses, this round has it all.~~~~~~~AI Disclosure: I don't really have a house elf. Artie is AI. Get it? Artie‑ficial Intelligence!

Keith Richards has survived drug busts, near‑fatal accidents, legal chaos, and decades of rock 'n' roll excess. In Part Two of "The Times and Crimes of Keith Richards", the story continues after his infamous 1977 Toronto heroin arrest, exploring the myths, scandals, and near‑death moments that shaped his legend. From dark controversies and wild rumours to brain surgery and a "Coconut Tree", this is how Keith Richards became rock's most indestructible outlaw. Learn more about your ad choices. Visit megaphone.fm/adchoices

It just doesn't get better than this. I knew, and have known since I was 10, that Peter Noone is easy on the eyes and the ears. Meeting him recently after his show at The Canyon Club in LA, I also knew he was funny, crazy talented, nice to a fault, and charismatic as hell. What I didn't know was that Mr. Herman's Hermits, a name chosen for hysterical reasons (he ‘spains), would regale us with story after story, many previously untold (I listened to a load of his interviews today), before tonight, one more precious than the next, each told with wild enthusiasm and almost reckless, but not quite, abandon. We laughed like hell for the entire hour and forty minutes. Reading the comments on Facebook, which we couldn't see during the broadcast, so did the Live audience. There were a few technical glitches before, during, and it turns out, after, but so what! This show is a gem, a diamond in its glory, nothing rough about it… Well, the tech stuff, but who cares? It's like having the best slice of pizza and quibbling over a little dripped cheese. Peter, with his 60 million records sold, 7 gold albums, and 14 gold records, has met and has known everybody who's anybody, and I do mean everybody, and he shares juicy tales from the front, back, and side about so many of them. Friends with the Beatles, Peter's remembrances of John and Paul are priceless. Likewise, Elvis, Bowie, Mick Jagger, Eric Burdon, Leslie Gore, Graham Nash & The Hollies, The Cavern, meeting his wife at a Hendrix Concert and marrying her on his 21st birthday because… well, I let him tell you, his family foibles, the drinking, more drinking, getting sober, advice on drugging from Keith Richards, hysterical, and the creme de la creme with Richard McArthur Park Harris, worth the price of admission. There was some singing here and there, including a bissel, There's a Kind of Hush. Speaking of bissel, Peter's got more Yiddish than I do. The story of his nuptials with his French, Jewish bride in a Roman Catholic church is pure Peter. From the man who gave us, I'm Into Something Good, Mrs. Brown, You've Got A Lovely Daughter, I'm Henry VIII, I Am, Can't You Hear My Heartbeat, Listen People, No Milk Today, we got a treasure trove of bliss. It just doesn't get better than this! Peter Noone Live on Game Changers With Vicki Abelson **Wed, June 3rd, 7 pm PT, 10 pm ET**

In this monthly conversation series Grant Scott speaks with editor, writer and curator of photography Bill Shapiro. In an informal conversation each month Grant and Bill comment on the photographic environment as they see it. This month Bill and Grant take on the process and the reality of selling photographic prints. Bill Shapiro Bill Shapiro served as the Editor-in-Chief of LIFE, the legendary photo magazine; LIFE's relaunch in 2004 was the largest in Time Inc. history. Later, he was the founding Editor-in-Chief of LIFE.com, which won the 2011 National Magazine Award for digital photography. Shapiro is the author of several books, among them Gus & Me, a children's book he co-wrote with Rolling Stones guitarist Keith Richards and, What We Keep, which looks at the objects in our life that hold the most emotional significance. A fine-art photography curator for New York galleries and a consultant to photographers, Shapiro is also a Contributing Editor to the Leica Conversations series. He has written about photography for the New York Times Magazine, Vanity Fair, the Atlantic, Vogue, and Esquire, among others. Every Friday — more or less — he posts about under-the-radar photographers on his Instagram feed, where he's @billshapiro. Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8 magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. ©Grant Scott 2026

En este episodio nos sumergimos a los pies de los músicos para descubrir el fascinante mundo de los pedales de efectos. Estos pequeños aparatos no solo nutren el sonido, sino que en muchas ocasiones lo vuelven completamente irreconocible, convirtiéndose en auténticas herramientas compositivas. Para abrir este laboratorio sonoro, nos acompañan Vicent y Jota, miembros de la banda Dramatics, quienes nos guían en un viaje técnico e histórico a través de los sonidos que definieron la identidad musical de la última gran década del rock. ¿Qué vas a encontrar en este episodio? Deconstrucción sónica en directo: Analizamos la anatomía de un temazo de los Smashing Pumpkins. Escuchamos el paso de una guitarra completamente limpia a la suma del efecto psicodélico del Phaser y la demoledora distorsión del legendario Big Muff Pi, el pedal que esculpió el "muro de sonido" del disco Siamese Dream de Billy Corgan. Breve historia del ruido: Viajamos a los años 60 para descubrir cómo un amplificador averiado en una sesión de música country dio origen al Fuzz, y cómo Keith Richards lo inmortalizó en el riff de "Satisfaction". La trinidad de la distorsión: Te explicamos de forma clara y sencilla las diferencias entre los tres escalones del sonido saturado: Overdrive, Distorsión y Fuzz. Pioneros de la experimentación: Desde los trucos con cintas magnetofónicas en Abbey Road por parte de los Beatles hasta la evolución de los amplificadores forzados al límite por los guitarristas de blues y country. Un programa indispensable tanto para músicos como para melómanos curiosos que quieran entender los secretos culinarios, las especias y la magia detrás de las canciones que nos volaron la cabeza en los noventa. + info - https://linktr.ee/b90podcast Espacio patrocinado por: Dani Go - Fran Cordero Cañas - Jose Manuel Valera - Barullo - Unai Elordui - JulMorGon - David Salamanca Sanz - Jaime Marchica Band - Sr.Jota - Theinvisibleband - jorge - Llorx Miller - Yago Llopis - boldano - estebansantosjuanesbosch - Vicent Martin - Matias Ruiz Molina - Próxima Estación Okinawa - Rosa Rivas - jvcliment - Jaume Solivelles - Javier Alcalde - jmgomez - Ana Isabel Miguélez Domínguez - Iñigo Albizu - Rachael - Naïa - Jaime Cruz Flórez - DOMINGO SANTABÁRBARA - faeminoandtired - Javi Portas - Belén Vaca - Ana FM - tueresgeorge - Eduardo Mayordomo Muñoz - Barrax de Pump - pdr_rmn - fernando - QUIROGEA Integrative Osteopath - J. Gutiérrez - Gabriel Vicente - Carlos Conseglieri - Miguel - Isabel Luengo - Franc Puerto - screaming - HugoBR - angelmedano - Vicente DC - Alvaro Gomez Marin - Alvaro Perez - Sergio Serrano - Isranet - Paco Gandia - ok_pablopg - Crisele - Wasabi Segovia - Dani RM - Fernando Masero - María Garrido - RafaGP - Macu Chaleka - laura - davidgonsan - Juan Carlos Mazas - Bassman Mugre - SrLara - carmenlimbostar - Piri - Miguel Ángel Tinte - Jon Perez Nubla - Nuria Sonabé - Pere Pasqual - Juanmi - blinddogs - JM MORENTE - Rubio Carbón - LaRubiaProducciones - cesmunsal - Marcos - jocio - Norberto Blanquer Solar - Tolo Sent - Carmen Ventura - Jordi y varias personas anónimas. ✌️

HBO Maxshow Euphoria has wrapped up and no one seems suprised that it's not coming back for another season. Keith Richards becomes a Great Grandad and Lisa questions how far parents should go when naming a child? See omnystudio.com/listener for privacy information.

In 1965, Mick Jagger, the lead singer of The Rolling Stones, and the lead guitarist, Keith Richards, wrote one of their most popular hit songs; “Can't Get No Satisfaction.” This 1965 classic perfectly captures that restless, unfulfilled endless chase for satisfaction that nothing in the world can truly provide. Many of you feel like you have tried everything, and yet you aren't satisfied. Something deep inside still feels empty, restless, and lonely. Billy Graham stood before brilliant students at Harvard when one asked, “Tell me plainly, how can I know God?” The answer hasn't changed in 2,000 years. Today we'll walk through the four simple yet powerful steps from God's Word that will answer plainly, how you can know God.1 - God's Purpose2 - Our Problem3 - God's Remedy4 - Our ResponseKey Scriptures used in today's teaching: Romans 5:6-11Other Scriptures referenced: Romans 15:13; John 10:10; Isaiah 59:2; Romans 6:23; 2 Peter 3:9; 1 Timothy 2:5-6; 1 Peter 2:24-25; John 1:12-13; Romans 10:13If you prayed with Tiff, click here https://lostlamb.org/ and let him know!  Be sure to check out the playlist “New Beginnings” - https://www.youtube.com/playlist?list=PLsX8E19Azl58_FjxELPxjnsL8CAtmama4Thank you for listening, and subscribe for new content each week. 
Connect with Tiff Shuttlesworth:Facebook: https://www.facebook.com/LostLambAssociation/ Instagram: https://www.instagram.com/tiffshuttlesworth/ X/Twitter: https://twitter.com/tiffshuttleswor Learn more about my ministry: https://lostlamb.org/ Learn more about my ministry in Canada: https://www.lostlamb.ca

Static-X cancel the remainder of their 2026 tour due to serious undisclosed medical issues within the band, Anthrax will release ‘Cursum Perficio' on September 18th, their 12th studio album and first new release in over 10 years, Gene Simmons announces the Rock Legends Expo in Las Vegas featuring Stewart Copeland, Geezer Butler & more special guests, Jack Osbourne confirms that a script has been completed for a Sharon & Ozzy biopic with a possible release date in 2028, and even though The Rolling Stones new album Foreign Tongues is coming out July 10th, Keith Richards confirms that there will be no touring action from the band this year … PLUS ‘This Week in Rock & Roll History Trivia', Rock Birthdays, ‘The Best & Worst Rock Album Artwork of the Week' & much more!All of our links are up at www.rocknewsweekly.com every Monday, where you can check out the full episode on 8 different platforms (including Amazon Audible & Apple/Google Podcasts)Watch us LIVE, chat with us & more…Every Sunday around 2pm PST @ https://www.twitch.tv/rocknewsweeklyWatch all of our videos, interviews & subscribe at Youtube.com/@rocknewsweeklyFollow us online:Instagram.com/rocknewsweeklyFacebook.com/rocknewsweeklyTwitter.com/rocknewsweeklyTikTok.com/@rocknewsweekly#StaticX #Anthrax #CursumPerficio #RockLegendsExpo #TheRollingStones#Rock #News #RockNews #RockNewsWeekly #RockNewsWeeklyPodcast #Podcast #Podcasts #Metal #HeavyMetal #Alt #Alternative #ClassicRock #70s #80s #90s #Indie #Trivia #RockTrivia #RockBirthdays #NewMusic #NewMusicReleases 

Keith Richards' reputation for excess is legendary, but it has nearly ended his career many times. In part 1 of "The Life and Crimes of Keith Richards", we follow his journey from a blues‑obsessed kid in England to a founding member of the Rolling Stones, charting early fights, drug use, tabloid scandals, and repeated arrests that somehow never stuck. We dig into the infamous Redlands drug raid, exile-era chaos in France, narrow escapes in the U.S., and personal tragedy in the mid‑1970s. It ends with the moment that finally seemed unavoidable: Keith's 1977 Toronto heroin bust, where prison time looked certain...and the legend was truly put to the test. Learn more about your ad choices. Visit megaphone.fm/adchoices

To mark 2015's 50th anniversary of the classic adventure series “Lost in Space,” Gilbert and Frank dial up Will Robinson himself, actor, musician and voice artist Bill Mumy, who shares childhood memories of working with icons Irwin Allen, Brigitte Bardot and Walt Disney and explains why he turned down the role of Eddie on "The Munsters." Also, Bill runs afoul of Alfred Hitchcock, stars in three unforgettable “Twilight Zone” episodes and records the novelty song “Fish Heads.” PLUS: “The Great Vegetable Rebellion”! Billy meets Keith Richards! Zorro meets Eva Peron! And Gilbert tangles with the Man of Steel! Learn more about your ad choices. Visit megaphone.fm/adchoices

In this Music Matters episode host Darrell Craig Harris speaks with The Claudettes prolific bandleader, composer, and producer Johnny Iguana from his home in Chicago. Johnny has toured and recorded with a long list of legends in the blues and rock world including members of The Rolling Stones!  The Claudettes: Six albums into their lauded career, the Claudettes (of Chicago) continue to put a fascinating new spin on American roots music. Blues and R&B are laced with punk spirit and film-noir moods to create the band's singular "garage cabaret" sound. The Claudettes have earned worldwide acclaim with their recordings and concerts that are equal parts heart, musicianship and theatrical flair. Force-of-nature vocalist Rachel Williams (who dominates the stage like a glam-rock rebirth of Annie Lennox) and renowned pianist/songwriter Johnny Iguana join the positively heroic rhythm section of Zach Verdoorn (bass, guitar, vocals) and Michael Caskey (drums). Outside the Claudettes, Iguana has toured with Junior Wells and Otis Rush, played on many Grammy-nominated albums and recorded with Buddy Guy, Junior Wells, Derek Trucks, Mick Jagger, Keith Richards, Johnny Winter and more. Johnny is also composer of the score for the Emmy-winning smash FX/Hulu series "The Bear" and has released two solo albums on the eminent Chicago blues/jazz label Delmark Records. website www.TheClaudettes.com www.Instagram.com/the_claudettes  About Music Matters with Darrell Craig Harris The Music Matters Podcast is hosted by Darrell Craig Harris, a globally published music journalist, professional musician, and Sports Illustrated photographer. Music Matters is now available on Spotify, iTunes, Podbean, and more. Each week, Darrell interviews renowned artists, musicians, music journalists, and insiders from the music industry. Currently, over 1,000,000 global downloads in 40 countries. Visit us at: www.MusicMattersPodcast.com Follow us on Twitter: www.Twitter.com/musicmattersdh For inquiries, contact: musicmatterspodcastshow@gmail.com Support our mission via PayPal: www.paypal.me/payDarrell  voice over intro by Nigel J. Farmer                  

Acclaimed music biographer Bob Spitz — author of definitive biographies of The Beatles and Led Zeppelin and now The Rolling Stones: The Biography, his five-year deep dive into the world's greatest rock and roll band — joins the Chuck Toddcast for a deeply enjoyable conversation about why the Stones have endured for over six decades and what their longevity says about the state of music itself. Spitz argues that the Stones gave us the foundation of the rock and roll sound and that, in many ways, there is no rock and roll today — modern musicians are producers more than performers, and now in their 80s the Stones are essentially one of the last bands keeping the form alive. He explains why their decision to flirt with politics in the 60s and then back off actually helped them endure, traces their close friendship with The Beatles , and describes Mick and Keith's strange but enduring marriage as the central engine of the band — held together by their shared love of playing live. The conversation digs into the surprising musical and cultural backstory of how the Stones became the Stones — including the fascinating history of how white British kids embraced the blues more than American kids did. Spitz pays beautiful tribute to drummer Charlie Watts as the heart and soul of the group — a jazz lover who only played rock because it paid the bills and who, along with Ian Stewart, kept the band in line for decades — and discusses the profound effect of losing him on the band's chemistry. He explains why the Stones keep playing well into their 80s, why great guitarists are now a rare commodity with no real innovators emerging, and why Mick has stayed in such great shape. Spitz offers his verdict on the Stones' place in music history — they've come to understand themselves as the greatest rock band, and he agrees — and reveals what's next for him: a book about John Lennon's second act. He closes with a fascinating thought experiment posed by Chuck: if Mick Jagger had been killed and John Lennon had lived, would the trajectories of the two bands have completely switched? Try ShipStation free for 60 days with full access to all features, No credit card needed! Go to https://ShipStation.com and use code TODDCAST for 60 days for free! Thank you Wildgrain for sponsoring. Visit http://wildgrain.com/TODDCAST and use the code "TODDCAST" at checkout to receive $30 off your first box PLUS free Croissants for life! Link in bio or go to https://getsoul.com & enter code TODDCAST for 30% off your first order. Timeline: (Timestamps may vary based on advertisements) 00:00 Bob Spitz (Rolling Stones Biographer) joins the Chuck ToddCast 02:00 How long have you been thinking about writing this biography? 03:15 Keith Richards biography was a phenomenal book, but only Keith’s view 04:30 The Stones longevity as a group makes them more compelling 06:00 The Stones gave us the foundation of the rock and roll sound 07:15 There is no rock and roll today, musicians are producers now 09:15 In their 80’s, the Stones are still keeping rock and roll alive 10:30 The Stones flirted with being political, then backed off 11:15 Their lack of taking a stand actually helped them endure 12:45 The Stones became great friends with the Beatles 14:00 Mick Jagger & Paul McCartney explored joint business ventures 15:30 Without Paul or Mick, both bands may not have been financially viable 16:15 Mick & Keith seemed like a strange marriage, but they made it work 18:15 The music kept the band together, they love to play and perform 19:30 You have to see the Stones in concert to truly appreciate them 20:45 They’ve had countless “Farewell Tours” and always come back 22:00 Mick has kept in great shape, his father was a fitness celebrity 23:30 Fans pitted the Beatles vs. The Stones, but the bands never did 25:30 How did white British kids embrace the blues more than American kids? 26:15 American GI’s left their blues records behind in the UK 27:45 Chuck Berry was a massive influence on the Stones becoming rock 28:30 Charlie Watts was the heart and soul of the band 30:00 Charlie loved jazz, only played rock because it paid the bills 31:30 Charlie and Ian Stewart kept the band in line 32:45 The effect of losing Charlie Watts on the Stones 34:45 They keep playing because it sustains them as humans, not for the money 36:15 Does it bother Keith that everyone sits down when Jagger isn’t performing? 37:30 Great guitarists are a rare commodity these days, no innovators 38:30 Modern music doesn’t emphasize live instrumental performance 40:45 What is the Stones' place in the music universe? 41:15 They’ve come to understand themselves as the greatest rock band 42:15 Secret to the Stones longevity? 44:00 The Stones wouldn’t participate in an extended “Dead & Company” style 44:45 Mick is about to have great grandkids, and has a 30 year old girlfriend 45:15 Next project is a book about John Lennon’s second act 46:30 Beatles had an aversion to talking to the press 47:30 If Jagger had been killed & Lennon lived, would the bands switch trajectories?See omnystudio.com/listener for privacy information.

Chuck Todd delivers an analysis of the Virginia Supreme Court's decision tossing out the Democratic redistricting map — arguing Democrats pissed away enormous political capital for absolutely nothing and that the reaction on the left has been wildly out of proportion, treating the ruling like an election loss when it was actually a predictable consequence of trying to fight fire with fire. He notes that Democrats passed the Virginia map without ever bothering to figure out how the courts would rule, and that both Obama and Governor Spanberger spent serious political capital pushing a referendum that was always legally vulnerable. He pushes back hard on left-wing commentary framing the ruling as partisan: the Virginia Supreme Court isn't full of partisans — they're technocrats, and Democrats just spent years arguing for norms and process and then ignored norms and process. His central argument is that Democrats will never win a race to the bottom with Trump's GOP, that the "fight fire with fire" mentality is a huge strategic mistake, and that Democrats can absolutely win in newly created swing districts with the right candidates if they go back to persuading voters and building coalitions rather than treating voters as the problem. He argues that Democrats are still likely to win both the House and Senate in the midterms — proof that Trump has done nothing to improve the GOP's image and that the path back to a winning Democratic coalition is still wide open if the party chooses to take it. Then, acclaimed music biographer Bob Spitz — author of definitive biographies of The Beatles and Led Zeppelin and now The Rolling Stones: The Biography, his five-year deep dive into the world's greatest rock and roll band — joins the Chuck Toddcast for a deeply enjoyable conversation about why the Stones have endured for over six decades and what their longevity says about the state of music itself. Spitz argues that the Stones gave us the foundation of the rock and roll sound and that, in many ways, there is no rock and roll today — modern musicians are producers more than performers, and now in their 80s the Stones are essentially one of the last bands keeping the form alive. He explains why their decision to flirt with politics in the 60s and then back off actually helped them endure, traces their close friendship with The Beatles , and describes Mick and Keith's strange but enduring marriage as the central engine of the band — held together by their shared love of playing live. The conversation digs into the surprising musical and cultural backstory of how the Stones became the Stones — including the fascinating history of how white British kids embraced the blues more than American kids did. Spitz pays beautiful tribute to drummer Charlie Watts as the heart and soul of the group — a jazz lover who only played rock because it paid the bills and who, along with Ian Stewart, kept the band in line for decades — and discusses the profound effect of losing him on the band's chemistry. He explains why the Stones keep playing well into their 80s, why great guitarists are now a rare commodity with no real innovators emerging, and why Mick has stayed in such great shape. Spitz offers his verdict on the Stones' place in music history — they've come to understand themselves as the greatest rock band, and he agrees — and reveals what's next for him: a book about John Lennon's second act. He closes with a fascinating thought experiment posed by Chuck: if Mick Jagger had been killed and John Lennon had lived, would the trajectories of the two bands have completely switched? Finally, Chuck hops into the ToddCast Time Machine to revisit the Supreme Court’s Brown vs. Board of Education decision and explains that the courts have been forced to rule on major structural changes to American society when congress refuses to legislate. He also answers listeners’ questions in the “Ask Chuck” segment. Try ShipStation free for 60 days with full access to all features, No credit card needed! Go to https://ShipStation.com and use code TODDCAST for 60 days for free! Thank you Wildgrain for sponsoring. Visit http://wildgrain.com/TODDCAST and use the code "TODDCAST" at checkout to receive $30 off your first box PLUS free Croissants for life! Link in bio or go to https://getsoul.com & enter code TODDCAST for 30% off your first order. Timeline: (Timestamps may vary based on advertisements) 00:00 Chuck Todd’s introduction 01:45 Democrats pissed away political capital in VA, then map was tossed 05:30 Reaction on the left to Virginia ruling has been like an election loss 07:00 It’s understandable that Democrats wanted to fight fire with fire 07:45 Democrats passed VA map without knowing how the courts would rule 08:30 Obama and Spanberger wasted political capital for nothing 09:45 Dems have argued for norms + process that court said they didn’t follow 10:30 Electing the judiciary is terrible for the rule of law 11:15 The VA Supreme Court aren’t partisans, they’re technocrats 12:30 Left wing commentary assumes it was a partisan decision… it wasn’t 14:00 Dem leadership in VA misled the party & the public on referendum 15:45 We still don’t know what the maps will look like in the south after redistricting 16:30 GOP has the redistricting advantage now, but courts may intervene 17:30 VA court may give courage to other courts to stop the gerrymandering 18:45 Democrats will never win a race to the bottom with Trump’s GOP 20:15 Democrats can win in newly created swing districts with right candidates 22:00 The “fight fire with fire” mentality is a huge mistake by the Dems 23:00 Democracy is eroded when both parties play scorched earth politics 24:15 Dems should be trying to persuade and coalition build 26:00 Republicans treat voters as the problem, Dems shouldn’t do the same 27:15 Dems want to be held to a higher standard, but don’t like it when they are 28:30 Dems did real damage to their credibility with Virginia redistricting 30:00 Trump has done nothing to improve the GOP’s image, Dems can still win 31:45 Democrats know what they’re against, but not what they’re for 33:30 Spanberger was put in an impossible position by her party 35:00 Spanberger knew that swing voters didn’t like the redistricting chaos 36:15 Dems practiced politics of addition under Obama, now in survival mode 37:45 Voters viewed the Democratic party as more principled, VA jeopardizes that 38:30 Dems still more likely to win both house and senate despite the ruling 46:00 Bob Spitz (Rolling Stones Biographer) joins the Chuck ToddCast 48:00 How long have you been thinking about writing this biography? 49:15 Keith Richards biography was a phenomenal book, but only Keith’s view 50:30 The Stones longevity as a group makes them more compelling 52:00 The Stones gave us the foundation of the rock and roll sound 53:15 There is no rock and roll today, musicians are producers now 55:15 In their 80’s, the Stones are still keeping rock and roll alive 56:30 The Stones flirted with being political, then backed off 57:15 Their lack of taking a stand actually helped them endure 58:45 The Stones became great friends with the Beatles 1:00:00 Mick Jagger & Paul McCartney explored joint business ventures 1:01:30 Without Paul or Mick, both bands may not have been financially viable 1:02:15 Mick & Keith seemed like a strange marriage, but they made it work 1:04:15 The music kept the band together, they love to play and perform 1:05:30 You have to see the Stones in concert to truly appreciate them 1:06:45 They’ve had countless “Farewell Tours” and always come back 1:08:00 Mick has kept in great shape, his father was a fitness celebrity 1:09:30 Fans pitted the Beatles vs. The Stones, but the bands never did 1:11:30 How did white British kids embrace the blues more than American kids? 1:12:15 American GI’s left their blues records behind in the UK 1:13:45 Chuck Berry was a massive influence on the Stones becoming rock 1:14:30 Charlie Watts was the heart and soul of the band 1:16:00 Charlie loved jazz, only played rock because it paid the bills 1:17:30 Charlie and Ian Stewart kept the band in line 1:18:45 The effect of losing Charlie Watts on the Stones 1:20:45 They keep playing because it sustains them as humans, not for the money 1:22:15 Does it bother Keith that everyone sits down when Jagger isn’t performing? 1:23:30 Great guitarists are a rare commodity these days, no innovators 1:24:30 Modern music doesn’t emphasize live instrumental performance 1:26:45 What is the Stones' place in the music universe? 1:27:15 They’ve come to understand themselves as the greatest rock band 1:28:15 Secret to the Stones longevity? 1:30:00 The Stones wouldn’t participate in an extended “Dead & Company” style 1:30:45 Mick is about to have great grandkids, and has a 30 year old girlfriend 1:31:15 Next project is a book about John Lennon’s second act 1:32:30 Beatles had an aversion to talking to the press 1:33:30 If Jagger had been killed & Lennon lived, would the bands switch trajectories? 1:38:15 ToddCast Time Machine - May 17th, 1954 1:39:00 Brown vs. Board was the court pushing back against a legal fiction 1:39:30 Plessy vs. Ferguson was the foundation for segregation 1:40:15 Segregation had to end via the courts, congress refused to end it 1:41:30 Southern Democrats held enormous power in the 50s 1:42:00 The system challenged by Brown had too much power in congress 1:42:45 The NAACP was chipping away at segregation one case at a time 1:43:30 The court needed a unanimous decision for Brown to have legitimacy 1:44:30 The US was championing freedom abroad while segregated at home 1:45:00 Without the cold war, we don’t desegregate or pass the Voting Rights Act 1:45:30 Court rules 9-0 on Brown, didn’t end segregation but delegitimized it 1:46:30 Southern politicians organized massive resistance 1:47:00 Federal troops sent into Little Rock to escort black students into school 1:47:45 Brown changed how Americans thought about the power of the court 1:48:30 Courts became more like political actors in decades after Brown 1:49:45 The ruling in Brown was definitive, its implementation was not 1:50:30 Ask Chuck 1:50:45 How much could voter suppression affect juiced Democratic turnout? 1:57:00 What if Trump never becomes a lame duck president? 2:01:30 Is gerrymandering creating better chances for moderates? 2:08:00 What are the most realistic options for scaling back entitlements? 2:13:15 Predictions for the political futures of Nikki Haley & Ron DeSantis? 2:19:15 Is there a scenario for a bipartisan impeachment to avoid bad pardons? 2:24:00 Greg Olsen was commencement speaker at Chuck’s daughters graduation 2:25:30 Thoughts on the NBA playoffs & NCAA tournament expansionSee omnystudio.com/listener for privacy information.

No podcast ‘Notícia No Seu Tempo’, confira em áudio as principais notícias da edição impressa do jornal ‘O Estado de S.Paulo’ desta quinta-feira (07/05/2026): Em 2025, o Tribunal de Justiça de São Paulo (TJ-SP) gastou, com benefícios a servidores e magistrados, R$ 4,1 bilhões (79%) de um fundo destinado ao “aperfeiçoamento” da Justiça, informa Juliano Galisi. Embora o Fundo Especial de Despesas do tribunal tenha sido criado, em 1994, com a vedação a pagamentos de “concessões de vantagens”, uma nova redação da lei, na prática, autorizou as despesas, permitindo o desembolso em auxílios para alimentação, saúde e outros, além de ônus “decorrentes do cumprimento de decisões administrativas”. Oficialmente, o objetivo do fundo é “assegurar recursos para expansão e aperfeiçoamento” da Justiça, sendo abastecido por taxas e outras receitas do tribunal. Em nota, o TJ afirmou que “a utilização dos recursos observa estritamente o disposto na legislação vigente”. Economia: Defesa de Vorcaro fecha proposta de delação Internacional: Em má fase e com eleição à vista, Lula e Trump debatem economia e segurança Esportes: PSG empata com o Bayern e vai defender o título contra o Arsenal Cultura: Rolling Stones anunciam álbum de inéditas com participação de Paul McCartney e Chad SmithSee omnystudio.com/listener for privacy information.

Morgan Neville is an Academy Award-winning filmmaker whose work has captured some of the most iconic figures in American music, film, and television. Neville’s 2013 film “20 Feet from Stardom” won the Oscar for best documentary feature. A few years later, his 2018 film about Fred Rogers, “Won’t You Be My Neighbor?” became the highest-grossing biographical documentary of all time. Neville has directed films about subjects ranging from Keith Richards to Anthony Bourdain, from Orson Welles to Steve Martin, and Paul McCartney.In addition to his Academy Award, Neville has earned a Grammy, an Emmy, and a Peabody award for his work. A native of Southern California, Neville studied colonial American history at the University of Pennsylvania. He began his career as a journalist and later founded his film company, Tremolo Productions, in 1999. Neville's most recent film “Lorne” profiles the creator of Saturday Night Live.See omnystudio.com/listener for privacy information.

Lisa Dent checks in with the newsroom to hear their stories including Mick Jagger, Keith Richards and Ronnie Wood are each scheduled to appear on individual upcoming episodes of “The Tonight Show with Jimmy Fallon” to promote the new Rolling Stones album, “Foreign Tongues.”

Keith Richards, president and chief portfolio manager at ValueTrend Wealth Management, shares his outlook on Technical Analysis.

Welcome to the Nothing Shocking Podcast episode 329 with our guest Joey Huffman (Witness, Hank Williams Jr, Mick Jagger, Keith Richards & the X-pensive Winos; Soul Asylum, Brother Cane, Drivin' n' Cryin', The Georgia Satellites, Izzy Stradlin, Matchbox 20, Cee-Lo Green and many more!).  We discuss his book "East of the Sun: Memoirs of an Accidental Rock Star," producing and guiding up and coming bands; Career highlights, and more!    For more information: https://www.facebook.com/joey.huffman.keyboards/ https://www.instagram.com/joey_huffman/   Please like our Facebook page: https://www.facebook.com/nothingshockingpodcast/  Follow us on X at  https://twitter.com/hashtag/noshockpod.   Libsyn website: https://nothingshocking.libsyn.com For more info on the Hong Kong Sleepover: https://thehongkongsleepover.bandcamp.com Help support the podcast and record stores by shopping local at   Big Stricks Vinyl Records and Sports Cards - https://www.facebook.com/p/Big-Stricks-LLC-61560351678007/

Since its first episode in April 2006, the “Book Review” podcast has played host to hundreds of authors talking about their new works and possibly as many conversations about the best (and sometimes worst) that books have to offer. In this anniversary episode, the Book Review editor Gilbert Cruz is joined by the deputy editor Tina Jordan and the critic Dwight Garner to look back at some of the titles, trends and turning points that have helped define the last two decades in publishing. They revisit blockbuster hits, literary movements and industry-shifting moments, starting with an unforgettable Oprah-related controversy and moving through several hit genres and literary trends. To close out this two-decade retrospective, Cruz puts his colleagues' literary memories to the test with an only slightly grueling quiz. Books discussed on this episode: “A Million Little Pieces,” by James Frey “Eat, Pray, Love,” by Elizabeth Gilbert “The Hunger Games,” by Suzanne Collins “Harry Potter and the Deathly Hallows,” by J.K. Rowling “The Road,” by Cormac McCarthy “Twilight,” by Stephenie Meyer “The Girl With the Dragon Tattoo,” by Stieg Larsson “My Struggle,” Book 1, by Karl Ove Knausgaard “How Should a Person Be?,” by Sheila Heti “My Brilliant Friend,” by Elena Ferrante “The Story of the Lost Child,” by Elena Ferrante “Wolf Hall,” by Hilary Mantel “Bring Up the Bodies,” by Hilary Mantel “The Mirror and the Light,” by Hilary Mantel “Life,” by Keith Richards with James Fox “Just Kids,” by Patti Smith “Born to Run,” by Bruce Springsteen “Chronicles: Volume 1,” by Bob Dylan “Fifty Shades of Grey,” by E.L. James “Gone Girl,” by Gillian Flynn “The Sellout,” by Paul Beatty “Where the Crawdads Sing,” by Delia Owens “American Dirt,” by Jeanine Cummins “Crying in H Mart,” by Michelle Zauner “Blood, Bones & Butter,” by Gabrielle Hamilton “Heat,” by Bill Buford “Dirt,” by Bill Buford “The Song of Achilles,” by Madeline Miller “We Were Liars,” by E. Lockhart “A Court of Thorns and Roses,” by Sarah J. Maas “Fourth Wing,” by Rebecca Yarros Listen to and Follow ‘The Book Review' Apple Podcasts | Spotify | Amazon Music | YouTube | iHeartRadio Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. We Want to Hear From You We would love to hear your thoughts about this episode, and about the Book Review's podcast in general. You can send them to thebookreview@nytimes.com. Credits The “Book Review” podcast is hosted by Gilbert Cruz and produced by Sarah Diamond and Amy Pearl with help this week from Alex Barron. The show is edited by Larissa Anderson and mixed by Pedro Rosado. Special thanks to MJ Franklin, Dahlia Haddad and Brooke Minters. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Es imposible no ser de Patti Smith, galardonada con el Premio Princesa de Asturias de las Artes. Patti no es sólo música, es literatura, es poesía y es arte puro. Fue una niña que aterrizó en Nueva York y que trabajó en librerías, donde dormía, porque vivía sumida en una pobreza extrema. Una muchacha fascinada por Keith Richards, al que imitaba a la hora de vestir. Se subía a los escenarios para hacer recitales de poesía y de repente, en 1975, se reveló como una artista global.

Dr. Lindsay Owens, Executive Director of the Groundwork Collaborative, joins America at Night with McGraw Milhaven to discuss surveillance pricing—a practice where companies use personal data to tailor prices to individual consumers. While some lawmakers have begun passing legislation to restrict the practice, Owens argues these early efforts are a step in the right direction but don't go far enough to fully protect consumers from data-driven pricing strategies. Later, Bob Spitz, acclaimed music biographer and author of “The Rolling Stones: The Biography,” joins the show to discuss the legendary band's rise, influence on rock and roll, and the enduring cultural impact of Mick Jagger, Keith Richards, and the Stones. Spitz shares insights into the personalities, history, and moments that helped shape one of the most iconic bands in music history. Learn more about your ad choices. Visit podcastchoices.com/adchoices

A new biography tells the story of the legendary British band The Rolling Stones, focusing particularly on the special relationship between Mick Jagger and Keith Richards. Bob Spitz discusses the new book, The Rolling Stones: The Biography. Photo by Michael Putland/Getty Images

Bob Spitz has built a reputation for capturing the lives of iconic lives of artists with depth and narrative drive. Most notably and his bestselling biography ‘The Beatles,' now he turns his attention to another seismic force in music history, The Rolling Stones. In this new biography Spitz traces the band's evolution from scrappy blues devotees to 1960s London to global rock titans with the focus on the creative tensions, cultural impact, and enduring mystique of figures like Mick Jagger and Keith Richards. The book offers a vivid portrait of a band that didn't just define an era but continues to shape an era. Bob Spitz is the award-winning author of the biographies ‘the Beatles,' ‘Led Zeppelin,' ‘Dearie: The Remarkable Life of Julia Child' and many other non-fiction books including a screenplay. The new book is ‘The Rolling Stones: The Biography' it is published by Penguin Press.

On this episode, my guest is Dr. Devon Taylor, the President of the Jamaica Beach Birthright Environmental Movement (JaBBEM), an advocacy group founded in 2022 that fights for equitable beach access and environmental justice in Jamaica. He is a Biomedical Research Scientist and environmental and social justice advocate who leads efforts to repeal the colonial-era Beach Control Act of 1956, which he describes as discriminatory and a barrier to public access.JABBEM uses legal tools, including the Prescription Act of 1882, to establish long-standing community rights to beaches and rivers. The group is currently involved in multiple court cases, including those concerning Bob Marley Beach, Little Dunn's River, and Flanker/Providence Beach, to secure public access and prevent privatization by luxury resorts like Sandals.Dr. Taylor emphasizes that beach access is a fundamental human right and reparative justice issue, arguing that Jamaica's beaches—national treasures—should be accessible to all Jamaicans, not just tourists. He calls for government action to replace outdated laws with modern legislation that ensures constitutional protection for public access and sustainable management of coastal resources.Show Notes* The violence and displacement from which JaBBEM emerged* The Beach Control Act of 1956* Coastal colonialism / plantation tourism* Shoreline personhood and the birth of humanity* The medicinal space of the sea* Taking the fight to the courts in Jamaica* Pan-Caribbean solidarity and dilemmas* Critical mass: advice for guests/touristsHomeworkJabbem - Website - Instagram - Facebook - YouTubeStronger Caribbean TogetherTranscriptChris: [00:00:00] Welcome Dr. Taylor, to the End of Tourism Podcast. Thank you for being willing to join me today. And I'm wondering to start, if you could share with our listeners where you're sitting today and what the world looks like there for you where you are.Devon: Yeah. You know, funny enough, I'm sitting just outside of Washington, DC today.Chris: Oh.Devon: You know, I just got back from Jamaica. All right. And I'm just outside the capital of the “free world” today. Yeah, but Jamaica is home, so we just got back from some community service work, advocacy work. And I'm happy to engage the End of Tourism audience and share what the experience and the livity of the Jamaican people is like.Chris: Hmm. Thank you, Dr. Taylor. As far as I understand, you are the president of Jabbem, the Jamaica Beach Birthright [00:01:00] Environmental Movement, which was founded in 2022 as “a grassroots organization acutely aware of the adverse effects of misguided development and environmental injustices to beaches, beach property, and sensitive terrestrial ecosystems” And so I'd like to ask you, Devin, a bit about your story, about how and why Jabbem was created, if I can.Devon: Yeah. So my story is the story of my community - my community of Steer Town, a coastal community that I grew up in, but that's also the story of the descendants of enslaved Africans, really, and a former slave plantation known as Jamaica, right?There's a history that is rooted in displacement, disposition, and disempowerment of a people, you know. [00:02:00] So, Jabbem is a response to continued injustice, injustice not only to black bodies, you know what I mean? And the indigenous ones, the Tainos who were there first, right? But also the desecration of land, right?Land have a relationship with human beings and with indigenous people, and we have a relationship with land. But all that get disturbed, through this “development.” So, you know, myself, my community, experienced that displacement and disposition and disempowerment in 2019, at the heights of COVID.When our childhood beach that our community has been using for more than a hundred years, you know, we were displaced from it. And the displacement. It's around 29 acres of beachfront land that the community... as an extension of our community that we use for everything, everything that Jamaicans use the beach [00:03:00] for, right? You know, recreation, fishing, spirituality, I mean, courtship, artisan work, farming you know all that space that offers a multitude of opportunities, multitude of possibilities, right, which made it that node, that connectivity to the community of Steer Town, to the community of Chalky Hill, to the community of Epworth and Davis Town and, you know, parts of, and tourism mecca of Ocho Rios. You know what I mean? This is what this space represented. It was a community that birthed ideas and continual livity of our people.And we were displaced from it, displaced from it by force. You know, a force that was part of the state, the Jamaican police, private security, the political class. It was violent. It was a very [00:04:00] violent displacement. And so, if you have ever experienced disposition and displacement, it unsettles you. It arms you. You know, I mean, you are rattled, right?And so, we had to figure out how this happened and how we need to move, because we're a resilient people, we never give up. This is where we're able to survive 500 years of chattel slavery. So, it took us a minute to kinda understand what was happening and knowing that we have to move from the grassroots. We have to come together in solidarity and farm something that could push back at our displacement. So Jabbem was born through state-sponsored violence and private violence, the displacement of communities from beach ecosystems, from the sea, in that time.Chris: Thank you for that, Dr. Taylor. You know, you mentioned 2019 as a kind [00:05:00] of watershed moment for your community and for the creation of Jabbem. But of course most people have some understanding that the tourism industry has a long history on the island, in Jamaica. And there's something that arises quite a bit in the work of your organization and in the interviews and in the media that's come out, and specifically around a law that was created or enacted in 1956, The Beach Control Act in Jamaica. And so, I'm wondering if you would be willing to offer up a little bit about this law, why it's so infamous in your country and maybe a little something of what was happening in Jamaica before 2019 and perhaps since that act, that law was created in the fifties.Devon: Yeah. The struggle for beach rights, you know, access to the beaches use of the sea [00:06:00] is historical, right? There are giants before my time who stood in the fight. You know what I mean? We had Dr. Carolyn Cooper, you know what I mean, very instrumental. John Maxwell. We have Kabu Ma'at Kheru. We have Esther Figueroa and many other Jamaicans who lend their voice to a struggle, observing and seeing that, with every new hotel that's built, every new villa that's built, every new guest house that's built, is a loss of the Jamaican people to really continue to enjoy spaces that they have been doing since childhood. Right.You know, as you mentioned, there's a long history of tourism in Jamaica. Yes, there is. I mean, Jamaica is still a colony of England. The King Charles is still the king of Jamaica, right? With all that said, Jamaica does have its prime minister who runs the country, and the king don't really get in his way, so all the experiences of the Jamaican people now is [00:07:00] actually a product of the political class that is running the country.And the tourism model at one point was more integrated, right? There was more a blend of locals and visitors traversing in beaches and enjoying these spaces, walking around in the country, participating in other cultural activities that are not based along the beach, right? You would come into villages, enjoy villages. You know, that was true for, also, my community. My community was close to a couple of these hotels and guest houses at the time. Many members in our community work in these spaces. Some of those tourists would venture up into the village and enjoy all that we offer, you know, in the Jamaican life.I should point out that musical albums, between Keith Richards of the Rolling Stones was made with members of of the Steer Town community. “Wingless Angel” is the name of that album.So this was a time when it was more [00:08:00] of that kind of integration. But the colony that Jamaica is right, and just pre-independence, Jamaica became independent in 1962... a law was passed in 1956 just on the eve of independence, which you alluded to earlier - The Beach Control Act of 1956 - and we're still trying to fully grasp why there was a need to put a law in place that says that no Jamaicans have the right to the foreshore, or the floor of the sea and was translated by the head of the National Environment and Planning A gency (NEPA), that we do not have the right to swim, to bathe, to fish, to walk along the foreshore. All those rights are vested in the government, in what they basically call “the crown,” controls all that kind of things. And the thinking we are trying to understand, is that the [00:09:00] result is very clear, that it's stripped us of any inherent rights to the foreshore. Stripped us.And very important for accessing beaches is the rights, the land. So you cannot get to the beach or the sea without traversing land.Chris: Right.Devon: And so this legislation, really inherently, did not give us any land rights. And that is what you know happened post-emancipation. There was never any reparative justice around the rights of descendants of enslaved Africans to land, where compensation was given to the enslavers. They got millions and millions of dollars when slavery was abolished. There was no compensation to the descendants in any form. No rights to land, no distribution of land, nothing [00:10:00] that was constitutionally put in place, nothing for provisions were made. In fact, the secretary of the islands made sure that they put tariffs so high on government land that the descendants could not afford them.So it kept the Jamaican people, and for that case, most of the Caribbean Islands' peoples, landless, right? So we walk out of slavery as a homeless people, despite the many rebellions and revolutions that were fought by our ancestors to free our people. You know, the powers to be never gave us any of that rights to land.And so, the 1956 Beach Control Act is consistent with colonial logic of dispossession and disempowerment.Chris: Wow.Devon: And that's what that legislation has really done to us.Chris: Wow. Yeah. I mean some of the statistics that have [00:11:00] come up in Jabbem's research is that at least 35% of Jamaica's GDP is tourism, that 25% of all jobs on the island are tourism-based jobs, that 70% of tourism dollars go to foreign investors while only 10% goes to the community and 20% going to the government. Then finally, less than 1% and maybe less of Jamaica's shoreline is accessible to Jamaicans.You refer to this, I think as coastal colonialism. Is that right, Devin?Devon: Yeah, it is coastal colonialism. It's a kind of plantation tourism, right? And the numbers speak, for themselves. I mean, they're very consistent with colonial logic around ownership of land, possession of land, what land is used for, and who the [00:12:00] usage of land benefits. The resources of the land benefit the colonial master. Of course, in this case, it is the government of Jamaica with it's elite. You know, the elites are sometimes Jamaican. Sometimes they're multinational corporations. So all of these kind of things are linked to plantation tourism and the exploitation of labour. Now there's no way that you can have, in 2024, a tourism product made 4.3 billion US dollars, and more than 3 billion of it, did not stay in Jamaica. It may not even enter the country, because of the way all these transactions are done. You could book your tour from overseas, pay for your hotel from overseas, you pay for your flight, you pay all these things. So those dollars does not even enter the country.Even many of the Jamaican tours, their banking companies are in international spaces. Many of these entities are the owners of these hotel, these [00:13:00] corporations, also registered in other countries. You'll have some of them registered in other Caribbean islands, St. Lucia and other tax havens across the planet. So, I mean, all of these things are very similar to the way that the plantation work.And then of course the workers and the exploitations of the worker, being paid very low wages, wages that are not livable wages. I mean, they're overworked. And so, the whole thing is consistent just the way the plantation works, right? And so we have to call it what it is. And at the same time, you work at the hotel and you can't enjoy the beach, right? Not while you're working there. Neither can you go home and say, “I'm taking my family of five to where I work, and I'm gonna put my towel down on the beach and take a swim, or I'm going to go roll out, and I'm going to fish.So I mean, the whole model, as to how it's constructed right now is very [00:14:00] oppressive, and is a continuation of the systems of oppressions that were characteristic of the plantation. So it makes it a plantation tourism model that the Jamaican government is supporting. And it is the government of the country because as you mentioned, you know less than 1% of beaches in the country is accessible by the Jamaicans, right?The country, the island is 494 miles around right now. 150 miles of it is technically sandy, right? Most of it is are rocky terrain, but the rocky terrains are beautiful terrains. You know, these are terrains that we all meditations from. You know what I mean, we go fish at, you find your moment in these spaces and they're becoming far and few, and that is supported by just the way all the legislation is constructed, and no government in the history of [00:15:00] “independent Jamaica” from 62, right... The law will be on the book for 70 years, and none of them changed that law to empower the Jamaican people with inherent rights.Not just to... because I know sometimes the reasoning is that, “well, we just wanna go to the beach to swim.”Well, we are thinking about a new imagination of our relationship with the coastline that we have been having for many, many, many decades.It wasn't just swimming.You know? No, no, no. It's beyond that.So, they may project that that's all we need: is just to go into the water.Right? I mean, absolutely. That's part of it. Absolutely we need to go there where our deads were washed upon the shores from these slave ships, that many were thrown overboard, many jumped overboard.But livity along the coastline for fisher folks, for vendors, for those who harvest [00:16:00] seaweed, right? For those baptisms, for the artists who get their inspiration there, for farmers who farm there, all of these possibilities, that we used to use the space for.We are saying that we should be able to continue doing so. Right? And we are fighting for this kind of a justice in this space.Chris: Wow. I mean, this is a theme, a through line, that that comes up in so many of the conversations I have with people like yourself who are fighting for land and land rights in their homes, in their places.It seems there's so much in common. One of the strange things... I don't know how strange it is really, but I was reading recently on the history of what they call “the enclosure of the commons” in Britain from I think the 13th or 14th century on, and how slowly, little by little, the rich landowner started kind of carving away, the land from the peasants and forcing them into the [00:17:00] towns and cities to work for wages, essentially, and to undermine, not only their ancestral relationships with the land, the places where they're dead were buried for many, many centuries, but also the kind of lived spiritual relationship they have with it. Right.And so, this is something that I've seen on Jabbem's website regarding the organization's principle goals. And that one of them is “the promotion of environmental personhood to beaches, selected rivers and important land formations to protect nature for future generations and to safeguard the intrinsic value of nature by recognizing them [that's the beaches, the selected rivers, and land] as living entities.”Now, I think this is something that's a common understanding, if not something that ecologists and environmentalists today campaign for, which is giving waterways and [00:18:00] land rights, but also legal and judicial protections.And so I'm curious, how do you think giving legally-bound personhood to land and water could change the lives or the relationships that travellers and local people have to those places?You know, when we come to live our lives in the presence of rivers and beaches and land as alive and sentient and as having history, their own personal history, how do you think our relationships to places might change, either as tourists or locals.Devon: Yeah. I mean these ideas are not distant to the human consciousness, because it was like that in the beginning. If we look at the scientific history of earth, right? You know, the sea, oceans are the birthplace of humanity. We crawled out the [00:19:00] sea onto land, and where did we enter first? It was on the shoreline?So, historically, ancient shoreline is the birthplace of humanity. And we just imagine, what happened in that space was the beauty of evolution. Evolution, physically. Evolution, spiritually. Evolution, in all ways and form you could think of. That space was a space of a multitude of births and rebirths. A space of energy, that led to all that we know it right now - plants and animal life, running around and terra firma.So I mean, that recognizes that this space of a right to exist because without it, I mean, I and I would not be in existence in this present formation. So it's not really a kind of thinking that is outside of the grasp of humanity. [00:20:00] It's just that a version of humanity turned its back against nature, you know, to degrade it, to use it without recognizing the relationship that it had with us.And so to really raise these ideas, that the space has its own consciousness, has its own intrinsic value, has its own understanding of I and I, knowing what I needed within such time. Give it to I so that I could thrive and manifest. So it did its work and it continues to do its work. It's just that humanity, a version of humanity, is robbing the space of its ability to continue to serve as a crucible for next generation, even the protection of the planet Earth.And you will hear it all the while that the shoreline is very important to protect us against the fallout of climate change, in terms of [00:21:00] protecting land. You know, we hear those words, but we don't live those words. So I think the recognition of personhood status to these kinds of ecosystem will bring us back to our relationship with the land, whereas we are custodian of it and it is custodian of us. And so that kind of duality, between man and environment can reign again, so the environment can serve its role in the next phase of human consciousness, right? It's not just a space to degrade, but it offers many things. I'm sure you go to the beach and when you go to the beach, you're alive. And you feel more alive when you go to a beach that is rustic, that when you look around you, you hear the sounds of nature. You can feel the beauty of that sun under your foot, and the smell that you are smelling is smell of a natural coastal forest, a natural ocean. You're not smelling [00:22:00] chlorine or suntans, or you're not hearing the bustling of engine mechanizations. You know what I mean? All what we have created in these spaces, right?You're not seeing the beautiful crabs run, the crustaceans in the space. You're not seeing the vibrancy of all the creatures that live in the ocean at near shore, because you take out hectares of grass beds, which is necessary for replenishing life.You know, the ocean produce more oxygen than the land, because earth is more than 70% water. So the importance there of understanding personhood status is for us to understand our livity and our life is critically linked to this space. And that's what we're trying to say.Understand this space for what it meant for human evolution, what it means for our continued survival, [00:23:00] and allow it to do so, but we have to give it that kinda legal protection. We have to make generations coming on board understand what it is in terms of how critical it is for livity.My work is based in the gift economy. To receive new posts and support my work, consider becoming a free or paid subscriber.Chris: Wow. That's beautiful.Yeah. Thank you so much Dr. Taylor. When I think about all the times that I spent on beaches, I mean maybe not as many as other people, but I also think about how much, in our time, in the last few generations that so many people go to the beach to relax. And you know, as far as I know, this wasn't a very common thing around the world before the Industrial Revolution - to go to the beach to relax, at least en masse, at least with so many people. And it makes me wonder, what might be happening mythically or mythologically or mythopoetically, when people go to the beach, they lie down in front of the [00:24:00] sun and in front of the ocean, and in terms of what you were saying, I always wondered, this seems like a kind of devotion that people are almost, in a religious way, devoting their bodies to being in this place with the sun and the ocean.But also in this place, as you mentioned, just between the ocean and the land. Right. The shoreline. And while it seems like a kind of religious devotion, maybe the fact that it's kind of commodified and industrialized and manipulated in such a way so that people don't recognize the life or lives of the shoreline, of the rivers, of the beach, of the ocean, et cetera, that there's something in there that humans are longing to express, but it gets turned into this really, really strange and almost demented form of, you know, “oh, take my picture and let's put it on Instagram” and all that kind of thing, right?So yeah, thank you for that, Devin. It was really beautiful to [00:25:00] hear.And for our listeners who can see some of the work that Jabbem is doing on their website, there are many, many campaigns that your organization is involved in in Jamaica, and some of them involve court cases, but I'm curious if you'd be willing to comment, I guess, on how your organization, how your team has been dealing with the campaigns, what kind of successes or failures, what kind of learning has come your way. What can you tell us about the work that you've been doing with the people on the ground there and what, if any kind of successes you've had so far.Devon: Yeah. Yeah. So, so we have just been around like four years now. This is our fourth year. Right. You know, kinda listening to how you were kinda talking about the reverence when one goes into these spaces, because the sea is medicine. It's a medicine space. And I think that's why a lot of people gravitate towards it. And what we are trying to do [00:26:00] is saying that everyone should be able to experience their birthplace, which is the foreshore, right? And so our fight and our struggle is that, as the United Nation Convention and the Law of the Sea puts it, the sea is the common heritage of humankind. So what we are doing is consistent with what the United Nation goal, that this space, this sea, this ocean, these rivers are common edge heritage of humanity. And so, we must be able to access them, engage them, we must be able to experience them and they must remain protected for all generations.So, Jabbem's campaign on the ground are not campaigns that are just for the liberation of the communities, where these beaches are. But it's for the community of humanity, that when they come into our country, they will experience the ecological heritage of the country, not [00:27:00] restricted by how much money you have in your pocket, by how much you could pay to go to one of these all inclusive hotels. Or one of these high-end villas that are encroaching in the sea, or any of these hotels that they are now building in the sea, is that you could've travelled from another country to experience what the foreshore and the sea - which is your heritage, as a human - in Jamaica.So the campaign, we are fighting for liberation of the coastline, right? So we have five of these cases right now in the Jamaican court system, right? Yeah. We have the case fighting for Bob Marley Beach. I mean, I could speak uniquely to what these spaces symbolize, about what they have been for the Jamaican people. You know, that particular beach has been a space where Rastafari, who are oppressed in Jamaica as a black liberation movement, with its central spiritual nucleus being [00:28:00] Emperor Haile Selassie I. That beach was the cradle of where thoughts and ideas were born in versions of Rastafari, and we had to move into protect that space because ultra-luxury hotels is slated to be built here that was going to displace the community. And so, that fight continues, right?We have the fightof Mammee Bay, which is my childhood space. As we explained to you earlier, you know, more than a hundred years of usage within this space, an extension of our community. It's a space that provide livity for many, right?And we speak to Blue Lagoon, right? Very historical, very beautiful mix of salt and fresh water, which many underground springs being fed from the Blue Mountain, a space that was used by the indigenous Tainos and Africans used this space for spirituality, for food, for all that you could imagine beyond recreation. This space is being commandeered by elite private interests.We have that in the court. We're fighting [00:29:00] our own government for liberation of the Blue Lagoon, which is a national monument, which would means that, “oh, can a national monument be privatized?”But Jamaican laws allow for this to happen. And if we don't fight to protect the space for humanity, then you may not be able to see this majestic space.It is the same that is true for a Little Dunn's River. Again, the intersection of a beautiful waterfalls with the Caribbean Sea, that was occupied by Rastafari from in the fifties. This space is majestic. You know, the rush of the water, the sound that we hear in this space, just brings you to these meditative spaces. You know, feel the blend of sea water meeting fresh water and how that turns into the warmth. Right. It is just beautiful.We are fighting for that and we are fighting... you know, our newest case is in Providence/F lanker in Montego Bay. One of the tours in mecca, which, you know, the hotel [00:30:00] giant, Sandal Resort International, applied to the National Environmental Planning Agency for a permit to build hotel rooms in the sea and to build villas on this land.And so we are in the courts trying to defend that, because when we lose these spaces, right, it's not just Jamaicans lose. It's just not, you know, “we have been ripped from our culture.” I mean, it's that humankind loses. Humankind loses.You know, it's cultural desecration, right? It's exploitation. It's a form of capitalism that see the concentration of wealth in the hands of few people. And the exploitation of labour and, degradation of coastal forests.So we are fighting with communities, so the way we work, every community that we go into expresses their willingness to protect their spaces. I mean, most of the time they reach out, because we're grassroots. You know, we're not a NGO. We don't [00:31:00] operate and move like these spaces. We are truly community-run. You know, as members from the community that leads up those fights. And we collaborate and we build, because we are one people. And the struggle is led by these communities. You know, I mean, we are just networking the struggle across the island, just as the struggle for people across Earth is always finding brotherhood, sisterhood, and connection in the struggle for liberation.Chris: Amen. Amen, brother. I'm curious as well if that solidarity has reached beyond the island's shoreline, if you have any brothers and sisters that you've been working with in other Caribbean islands or other countries to forward the cause.Devon: Yeah, man. Yeah, man. We work very closely with Stronger Caribbean Together Network. It's a network with other Caribbean countries who are undergoing similar things, similar land struggles for coastal spaces all across the [00:32:00] Caribbean. You know, so while Jamaica has this Beach Control Act that gives us no inherent right to access the beaches and to use the sea, most of the other Caribbean islands, you can access the foreshore, and you can use the sea.All right. You know, Jamaica is one of the unique countries that does that. It's not withstanding though that the tourism product across the Caribbean is now where most Caribbean economies are moving towards in terms of investment. So, they are building out these hotels and these overwater bungalows across the Caribbean, which is impacting lives and livelihood as well, because yes, you can go on some of these beaches, but you can't truly enjoy them in their fullness. And they are building on these beaches, as well, which is also causing environmental issue.So, I mean, it's funny that the commonality among Caribbean Islands, since the time of enslavement was plantation [00:33:00] economy, based on sugar and cotton and rum and all these things. And that was not good for us. And the region now is moving towards a very similar tourism model, that doesn't pay its people as much. Seeing these lands, coastal lands, being owned by private interests, that is actually displacing the indigenous population, and the descendants of enslaved Africans from these spaces. So we're not really benefitting at scale to the kind of tourism that is coming into the Caribbean.I mean, I think you are in Mexico, you are seeing it in different parts of Mexico too. I mean, wealthy people come and buy coastal lands or, lease them, I guess in the case of Mexico, of a slightly different kind of law where you, I don't think you can own coastal lands. I mean, you have a right to beach, but there are barriers that are put in place that makes it difficult for you to sometimes traverse these spaces. And they're intentional. [00:34:00] All right. You know, I mean, we have experienced them in Puerto Rico as well. You know, we're seeing them emerging in places like Costa Rica and and in St. Lucia.In spaces, they're wide open, but in spaces you can see the creep is coming, Because there's a thing about capitalism where when it comes in, it takes everything. It swallows everything. It's not a good political economic model, that takes the environment into consideration as to what it gives back to humanity.So it takes, and it takes, and it takes, and that's not the sustainability that you will hear being preached on the planet. If we truly want to be sustainable, then the environment must have as much rights as a moving animal. It was here [00:35:00] before I and I. Earth existed before I and I. So, all I and I come, in the context of Earth, and treated Earth like it's a second class entity in existence. It must be afforded that right.I mean, it's only 3% of the planet that is water, fresh water. So, we know water is a very essential source for life. So we cannot allow this to be controlled. Access to the sea, access to the oceans, must not be controlled by no entity. We must freely move in these spaces. So Jabbem is at the view also that all coastal land must be public land. You know, must be public land.Chris: Yeah. I mean, I completely agree, you know, that offering rights in these regards can definitely change our understanding of how we are with land, of how we [00:36:00] are with other people. And I think that in order for the function of rights to work that we need to undertake a degree of responsibility for how we are with the land, with each other and the way we implement those rights.And you know, it's been a great pleasure to speak with you Dr. Taylor. I know we're just running out of time now. Before we finish off, I'd like to ask in regards to those responsibilities, you know, I'm sure this conversation or question has come up many times for you and your team, your people there on the island.If local people have a responsibility to their homes, to their places, to how they live and even host in those places, then what do you think the responsibilities are of the guest, of what we would otherwise call the tourists in our time? What do you think their responsibilities are when, either coming to your island or just even thinking of planning a vacation, because I've had many guests on the podcast who are [00:37:00] fighting similar fights as you and your people are.Some of them say, “please come, please come, and we'll figure it out.”And some of them say, “please don't come. This is not the time.”So I'm curious what those conversations like look like with Jabbem.Devon: Yeah. Yeah. No, it's a good question, because we know that there are some countries that too much tourists goes there, and it has a critical mass that it can't take anymore. And so there's need to kind of regulate the number of people.You know, Jamaica's not at that point right now. And myself and our team believe in freedom of movement. We see this as a world without borders, despite how politicians, and kings, have drawn artificial borders across the world to limit all your move, and requires visa to go in spaces and validation, that you can afford your stay within spaces. Yeah. We don't have that view still, you know. Those kind of views are colonial logic, because [00:38:00] if that unconsciousness was birthed in humanity, then the migration of I and I outside of Africa would never have happened, and would've never had the multitude of nations that make this planet a very beautiful space. So freedom of movement is something that we cherish. So come to Jamaica.What we would say is that you need to do your homework. You don't want to participate in injustice. You don't want to participate in discrimination. You don't want to participate in displacement and disempowerment of people, so do your homework. Before you come to Jamaica, look where you are staying. And check out whether or not these communities can freely access these beaches, use the sea, whether these fishing communities are thriving, as they were before, whether or not workers are compensated enough, whether the social health of the [00:39:00] community where this hotel is is good, whether or not the space that you are actually coming to is degraded. I think these are question for you to ask yourself.I would say you boycott those spaces, because I think one thing that the capitalists understand is that when his money is in danger, his behaviour changes. He first gets violent. He first gets violent and come after you, which would be we the people, but if we have the protection of the international community who is demanding a more equitable and just product interact with, a product that is fierce. So you can't be charging me $3000-$6,000 to stay in a hotel room or $500 to stay in a hotel room, but you're paying your people minimum wages that are, I think, $15,000 Jamaican dollar might be a hundred US dollars a week. You know, I mean, that is labour exploitation.“ Then I'm not going to go there. I'm gonna participate in some other products across the island.”[00:40:00] I know Airbnb have their own sets of issues, but though that's a growing space in Jamaica. Small mom-and-pop establishments that are there. So it might not be easy, but search them out, you know?And we are getting ready to actually help the international community by importing some of that resources on our page, so you could see places that you could stay. So we are saying, being responsible, be responsible in your travels.And when you come, venture out. You know, come amongst our people, come experience the real Jamaican culture. You know, those things are important because tourism is an educational thing, right? It's idea sharing, right? It is cultural exchange, right? It's getting to feel outside of your normal space and getting to a new mindset to understand how other people are living around the world, and what adjustment you can make in your life. What can you impart? What can you take back? And these things are important for the [00:41:00] growth of humanity, for us to understand each other. I think these things prevent wars and conflicts. But contrary, you know, I mean, what we see world leaders are doing is driving domination of particular cultures, domination of particular economic systems that are unjust.And Jamaica is still growing. We still have a lot to offer to the world. We provide real good, music to the world, but we are beyond music. You know what I mean? We are very creative people of just a lot of goodness and a lot of niceness. So come to Jamaica, but you know what I mean? Be responsible in your travel and seek out the spaces that are equitable and just, and help in our struggle, advocate on our behalf in the international community for the repeal and replacement of the Beach Control Act of 1956, for different tourism models to come into play.Chris: Mm mm mm Thank you, Dr. Taylor. Our listeners can find out more about [00:42:00] the actions and campaigns on the Jabbem website, jabbem.org, if I'm not mistaken.Devon: That's it.Chris: And I believe on Instagram as well.Devon: JabbemJabbem on Instagram. We are also on Facebook and on your Tiktoks, and all your other spaces. You know, I mean, and reach out to us. We have a GoFundMe page where we are trying to raise money for legal struggles.You know, we have many more cases that we need to push forward to protect communities. So if you want to help out, you know check us out on GoFundMe there.And when you come to Jamaica, just link us up and we'll bring it to couple of the spaces and in some of the communities then you'll get the real Jamaica, you know?Chris: So, I'll make sure that all those links are up on the End of Tourism website and Substack page when the episode launches. And on behalf of our listeners, Devin, I'd like to wish you an amazing, amazing day and to your team, to your organization. It seems like you're doing incredible work and with a really grounded and [00:43:00] equally political and spiritual basis or foundation for the way that you and your team walk in the world.I'm very, very grateful for that and for your time today. So, I wish you also the best of luck in the so-called, capital of the free world there, and all the best.Devon: Yeah, man. Give thanks. Give thanks, Chris, and give thanks to you and your team for having us. Give thanks.My work is based in the gift economy. To receive new posts and support my work, consider becoming a free or paid subscriber. Get full access to Chris Christou at chrischristou.substack.com/subscribe

This week we dive into the legendary career of the Rolling Stones with our panel of musical experts, Dave Boll and Michael Kay! We start out by discussing the band's early influences like blues artists Muddy Waters and Chuck Berry. We also talk about the band's incredible longevity including the secret to Keith Richards' immortality. We do take a quick detour to discuss the latest news regarding Rush, before sharing a hilarious story about a Keith Richards and Chuck Berry documentary, and reminiscing about the iconic Andy Warhol-designed cover for Sticky Fingers. Finally, we touch on the internal dynamics of the group—including the time Charlie Watts allegedly punched Mick Jagger, the origin of the band's name and much, much more! Enjoy!

Shockingly, Mick Taylor turned in his resignation to The Rolling Stones in late 1974 after the Tour of the Americas had already been booked. That changed the landscape for the band immediately so they shelved plans to make a new release in 1975 and gave us the compilation Made in the Shade. While they enlisted Ronnie Wood to fill in on the tour, they brought in multiple guitar heroes to take a crack at it. Harvey Mandel (Canned Heat, John Mayall) brought funk (Hot Stuff) , Wayne Perkins added some tough southern riffs (Hand of Fate), Ronnie chipped in some reggae & latin rhythms (Cherry Oh Baby, Ney Negrita) and Jeff Beck even showed up to jam for a couple of hours. The end result didn't fit one cohesive style - it was the Stones looking for inspiration from black cultures all over the world, putting their own spin on things. Keith Richards wasn't always reliable so Mick Jagger carried forward with music he loved from all over. And they brought back some of the usual suspects in Nicky Hopkins and Billy Preston. However, Mick and Keith would cross a line with Billy that ruined their relationship forever (and we'll get into that on the show). Some might see it as a mixed bag, lacking cohesion and suffering from weak lyrics. Some Stones fans see it as an adventurous album with beloved deep tracks. Fool To Cry was an international hit but isn't huge in their repertoire so Black and Blue is often overlooked in their catalog. As it turns 50 we are getting better acquainted with Black & Blue and include a little overview of the 40th anniversary edition (which was released just months from its 50th annivesary). Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Visit our sponsor ⁠⁠⁠⁠⁠⁠RareVinyl.com⁠⁠⁠⁠⁠⁠ and use code UGLY to save 10% off one ENTIRE ORDER! ⁠⁠⁠⁠⁠⁠bit.ly/UAWILRocks⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Shockingly, Mick Taylor turned in his resignation to The Rolling Stones in late 1974 after the Tour of the Americas had already been booked. That changed the landscape for the band immediately so they shelved plans to make a new release in 1975 and gave us the compilation Made in the Shade. While they enlisted Ronnie Wood to fill in on the tour, they brought in multiple guitar heroes to take a crack at it. Harvey Mandel (Canned Heat, John Mayall) brought funk (Hot Stuff) , Wayne Perkins added some tough southern riffs (Hand of Fate), Ronnie chipped in some reggae & latin rhythms (Cherry Oh Baby, Ney Negrita) and Jeff Beck even showed up to jam for a couple of hours. The end result didn't fit one cohesive style - it was the Stones looking for inspiration from black cultures all over the world, putting their own spin on things. Keith Richards wasn't always reliable so Mick Jagger carried forward with music he loved from all over. And they brought back some of the usual suspects in Nicky Hopkins and Billy Preston. However, Mick and Keith would cross a line with Billy that ruined their relationship forever (and we'll get into that on the show). Some might see it as a mixed bag, lacking cohesion and suffering from weak lyrics. Some Stones fans see it as an adventurous album with beloved deep tracks. Fool To Cry was an international hit but isn't huge in their repertoire so Black and Blue is often overlooked in their catalog. As it turns 50 we are getting better acquainted with Black & Blue and include a little overview of the 40th anniversary edition (which was released just months from its 50th annivesary). Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Visit our sponsor ⁠⁠⁠⁠⁠RareVinyl.com⁠⁠⁠⁠⁠ and use code UGLY to save 10% off one ENTIRE ORDER! ⁠⁠⁠⁠⁠bit.ly/UAWILRocks⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

BEN WATERS on tour now in and around the London UK area. Check out his website for dates!This brilliant show on this week's Rick Flynn Presents worldwide podcast features UK boogie-woogie pianist BEN WATERS who appears in promotion of his new "Deluxe Edition" of his "Boogie 4 Stu: A Tribute to Ian Stewart" 15-song deluxe edition album. This album is available right now. You will not be sorry about picking up a copy for yourself especially if you like the blues and boogie-woogie style of blend of music as popularized by Jerry Lee Lewis, Leon Russell, and certainly by Ian Stewart himself. You will be amazed who is playing on this album.Includes the Single: "Come Back Baby" featuring Keith Richards and dedicated to Charlie Watts. This show, Episode 280 of Rick Flynn Presents, is guaranteed to provide all listeners with Rock & Roll history in the making. Buy you copy here:www.GrinningDogRecords.comContact Ben Waters here: www.BenWaters.com

Hour 1: Let's eat the headlines: Noah Kahan has a documentary about going home to Vermont. Peter Dinklage joins the cast of ‘Alien: Earth' for season 2! What was the messiest death on Game of Thrones? Natasha Lyonne has an explanation for her airport behavior. ‘Emily in Paris' is leaving Italy! It's tax week! Get her done. Artemis II has splashed down! Dianna Russini is under investigation at work after pictures surfaced of her with the coach of the New England Patriots. Pets are getting more expensive. Can you put a price on love? Gamers have a new career path ahead of them. Hour 2: If you're rooting for Britney Spears, we might have good news. Vinnie says what she really needs are some friends. Euphoria season 3 is here and it's shocking. Vinnie is recommending books! Check out the Alice973 Instagram for the list. Bob's Movie Club is coming up quick! Catch up on ‘The Notebook' before Thursday. Which state spends the most on alcohol? The boring ones, obviously. A GIANT fact about Andre the Giant. The NBA playoffs are about to begin. Hour 3: Taylor Swift can't get away from the Blake Lively lawsuit. Then, Sarah's telling us outrageous celebrity facts that sound fact: A little love for Dolly Parton, Tupac's hair, Jack Black's mom, and Keith Richards rolling up your friends. Vinnie's showing Sarah a horse toilet - is it a joke? The average car price officially crosses $50,000. Plus, things the US does better than other countries. Hour 4: Even Vinnie wished he was at Coachella this weekend: Kylie Jenner created conversation. Justin Bieber's set was controversial, at least according to Katy Perry. Sabrina Carpenter had to apologize for a confusing moment during her performance. Heidi Klum was there, but no one recognized her. The Foo Fighters have a new song. Revenge porn is disgusting. The 130th Boston Marathon is next week. We need to talk about the surge in betting. PSA: Do NOT gamble your savings away.

Taylor Swift can't get away from the Blake Lively lawsuit. Then, Sarah's telling us outrageous celebrity facts that sound fact: A little love for Dolly Parton, Tupac's hair, Jack Black's mom, and Keith Richards rolling up your friends. Vinnie's showing Sarah a horse toilet - is it a joke? The average car price officially crosses $50,000. Plus, things the US does better than other countries.

On this episode of Talking Guitars, we explore an incredible collection of rock and roll history now up for auction through Backstage Auctions. This remarkable lineup of instruments—once owned, played, or modified by legends like Eddie Van Halen, Eric Clapton, and Keith Richards—is expected to fetch a combined total of more than $1.5 million. One of the standout pieces is a Don Musser acoustic guitar reportedly used by Eddie Van Halen during the recording of Balance and Van Halen III, and heard on tracks such as “Take Me Back,” “Without You,” and “Neworld.” The auction also features Eric Clapton's 1974 Fender Stratocaster, later gifted to Ronnie Lane of the Small Faces, as well as Keith Richards' 2005 Duesenberg Starplayer Outlaw, a unique birthday gift to Ian McLagan, complete with a striking custom pearl mosaic finish and chrome skull knobs. Adding a touch of Hollywood nostalgia, the auction includes a Gibson acoustic guitar used during the filming of Viva Las Vegas, starring Elvis Presley. Also featured is McLagan's customized 1965 Fender Telecaster, fitted with a Stratocaster neck and later used by Steve Marriott to record Small Faces classics like “Tin Soldier” and “All or Nothing.” With many items coming from the estate of Ian McLagan, this auction represents a rare opportunity for collectors and fans to own a true piece of rock and roll history.

Episode 168 of the Destination Angler Fly Fishing Podcast – April 9, 2026 In Part 2 of our two-part episode, our destination is Yellowstone Country with angling legend Craig Mathews. We dive into his new book, Pheasant Tail Simplicity, and why fewer flies might make you a better angler. Plus, winter tactics, the story behind the Sparkle Dun, and stories involving Keith Richards, Tom Broaw, Yvon Chouinard, and the origins of 1% for the Planet. This one just might just change the way you think about fly fishing.  With host Steve Haigh. Be the first to know about new episodes.  Become a subscriber  Contact Craig:  https://www.craigmathewsyellowstone.com/   Instagram:  @CraigMatthewsYellowstone Craig's latest book:  Pheasant Tail Simplicity  | Instagram  @patagoniabooks | @patagonia_flyfish Destination Angler Podcast:   Website  |  YouTube  |  Instagram & Facebook  @DestinationAnglerPodcast  Please check out our Sponsors: Redd's Flies Premium flies, tied with purpose.  Redd's is a family-run company built around premium, hand-tied flies that actually hold up and flat-out catch fish, delivered to your doorstep in days, not weeks.   A portion of every order goes directly to organizations protecting trout habitat and restoring rivers.  Use discount Code DESTINATION for a good deal on your next order  Facebook @ReddsFlies      Instagram @ReddsFlies TroutRoutes  The #1 Mapping Resource for Trout Anglers.  Podcast listeners can try one month of TroutRoutes PRO for FREE by clicking the link in the episode description. Explore 50,000 trout streams with TroutRoutes today.   Get 1 Month Free   Facebook @troutinsights Instagram @TroutRoutes    Got Fishing  Crafting world-class fly-fishing adventures specially designed to your level of experience and budget.    Facebook @GotFishingAdventures Instagram @GotFishing  High N Dry Fishing Where science and performance meet.  Check out the full lineup of floatants, line dressings, and sighter waxes at www.highndryfishingproducts.com    Facebook @highndryfishingproducts  Instagram @highndryfishing   Comments & Suggestions:  host, Steve Haigh, email shaigh@DestinationAnglerPodcast.com Available on Apple, Spotify, or wherever you get your podcasts. Recorded Mar 5, 2026

La Plazuela son El Nitro y El Indio. Su nuevo disco se llama Lugar N°0 (DLY). Charlamos en el Hotel sobre hacer música, la Dyson, el camello de Keith Richards, Camarón, leer sobre física, toallas, Manzanita, Leonard Cohen, tiempos raros, María Zambrano y mandar en la tristeza de uno

Pacific St BluesSkiffle, The Banjo, & Libba CottenPart 1 of 2 1. fIREHOSE / In Memory of Elizabeth Cotton2. Grateful Dead / Oh Babe, It Ain't No Lie3. Elizabeth Cotten & Brenda Evans / Shake Sugaree4. The Undisputed Truth / Smiling Faces5. Van Morrison / Freight Train (Sue Foley, Rory Block, Gary Clark Jr., Tommy Castro)6. The Beatles / Maggie Mae7. The Vipers / Don't You Rock Me Daddy-O 8. Chris Barber & Eric Clapton / Weeping Willow9. Harry McClintock / Big Rock Candy Mountain 10. Ramblin' Jack Elliot / Roll in My Sweet Baby's Arms 11. Ewan MacColl & Peggy Seeger / The First Time Ever I Saw Your Face (Roberta Flack, The Fugees) 12. Kirsty MacColl / Days (The Kinks) 13. Mark Knopfler / Donegan's Gone 14. Traveling Wilbury's / Nobody's Child (Tom Petty, George Harrison) 15. Lonnie Donegan / Does Your Chewing Gum Lose It's Flavour on the Bed Post Overnight? 16. Leadbelly Rock Island Line 17. John Fogerty / Midnight Special 18. Keith Richards / Goodnight Irene

In this monthly conversation series Grant Scott speaks with editor, writer and curator of photography Bill Shapiro. In an informal conversation each month Grant and Bill comment on the photographic environment as they see it. This month Bill and Grant take on the photo competition. Bill Shapiro Bill Shapiro served as the Editor-in-Chief of LIFE, the legendary photo magazine; LIFE's relaunch in 2004 was the largest in Time Inc. history. Later, he was the founding Editor-in-Chief of LIFE.com, which won the 2011 National Magazine Award for digital photography. Shapiro is the author of several books, among them Gus & Me, a children's book he co-wrote with Rolling Stones guitarist Keith Richards and, What We Keep, which looks at the objects in our life that hold the most emotional significance. A fine-art photography curator for New York galleries and a consultant to photographers, Shapiro is also a Contributing Editor to the Leica Conversations series. He has written about photography for the New York Times Magazine, Vanity Fair, the Atlantic, Vogue, and Esquire, among others. Every Friday — more or less — he posts about under-the-radar photographers on his Instagram feed, where he's @billshapiro. Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8 magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. ©Grant Scott 2026

Enjoying Frets? Send me an email.I've been a fan of Kevin's music for a long time and it was great to catch up with him recently. We talked about his early days growing up in Louisiana, his early punk band, his move to Nashville, and also the musicians, including Keith Richards, Scotty Moore, Levon Helm, Webb Wilder and Irma Thomas who've performed his songs. Stay tuned for more music and great stories from a very gifted musical artist. An interview with Kevin GordonPhoto by John Partipilo. You can view John's beautiful work here.Save on Certified Pre-Owned ElectronicsPlug has great prices on refurbished electronics. Up to 70% off with a 30-day money back guarantee!Euclid Records – Buy and sell records.A gigantic selection of vinyl & CDs. We're in St. Louis & New Orleans, but are loved worldwide!Subscribe for FREE at YouTubeFind extras like Frets YouTube Shorts & videos. Your FREE subscription helps keep the podcast going.Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Thanks for listening to Frets with DJ Fey. You can follow or subscribe for FREE at most podcast platforms.And now, Frets is available on YouTube. There are a lot of fun extras like videos and shorts and audio of all episodes. Subscribing for FREE at YouTube helps support the show tremendously, so hit that subscribe button! https://www.youtube.com/@DJFey39 You can also find information about guitarists, bands and more at the Frets with DJ Fey Facebook page. Give it a like! And – stay tuned…Contact Dave Fey at davefey@me.com or call 314-229-8033

Today's episode of The Rizzuto Show is a masterclass in controlled chaos — which is impressive considering Rizz isn't even here. What is here? A lot of opinions, questionable takes, and one of the most aggressive “you need to listen to this music” segments we've ever had.We kick things off with a little “Back in the Day” before diving headfirst into Crap on Celebrities, where things get real interesting. Keith Richards is dealing with arthritis and possibly slowing down touring — which leads to the invention of what might be the greatest phrase ever said on this show: the “jitterbug guitar.” From there, we spiral into the emotional reality of attending a concert that could secretly be an artist's last… and yes, it gets weirdly deep for a funny podcast.Then we talk about the absolute betrayal of seeing Mick Jagger eating leftovers like a normal human being. Some things just shouldn't be seen. Ever.On the celebrity news front, Taylor Swift is facing a lawsuit over her album title, and it's got real legal legs. We break down what happened, why someone might actually get paid, and how this could turn into a quiet (but massive) payout. It's giving courtroom drama — but make it pop star money.We also hit on Celine Dion's emotional comeback, LeAnn Rimes' viral jaw-release meltdown (yes, that's a real thing), and a Christopher Walken appreciation segment that proves nobody — and we mean nobody — is more impersonated.And then… Tina steps in.What follows is a full-blown intervention where she tries to convince the entire audience to embrace “pop girlies” like Charli XCX, Taylor Swift, and St. Louis' own Slayyyter. It's passionate. It's chaotic. It might actually work. This funny podcast somehow turns into a TED Talk with glitter.By the end, we've covered everything from lawsuits to playlists to whether you can emotionally recover from seeing your rock idols behave like regular dads.It's messy, it's hilarious, and it's exactly what a funny podcast should be — unpredictable, sarcastic, and just self-aware enough to know how ridiculous it all is.Follow The Rizzuto Show → linktr.ee/rizzshow for more from your favorite daily comedy show.Connect with The Rizzuto Show Comedy Podcast online → 1057thepoint.com/RizzShow.Hear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Rizz is out living his best New York life, so naturally the show immediately spirals—in a fun, “we promise this is still a professional daily comedy show” kind of way. Moon, Rafe, King Scott, and guest chaos-agent Tina D. Ball take over and deliver a beautifully unhinged episode packed with Internet debates, improv games, celebrity news, and at least one philosophical breakdown that absolutely started as a dumb question and somehow got way too deep.We kick things off with Tina's return and a discussion about the Internet—specifically whether it's making us better people or just more anxious versions of ourselves. (Spoiler: both.) That somehow leads into conspiracy rabbit holes, social media detoxes, and the realization that maybe scrolling less and texting actual humans is the real life hack.Then comes the segment that broke everyone's brain: a “would you rather” scenario involving cutting your bed into a letter shape… but losing all foods that start with that letter. What begins as a dumb toilet-thought question turns into a full-blown strategic crisis involving noodles, zucchini, ice cream, and whether anyone is emotionally strong enough to give up watermelon. The show debates sleep positioning, relationship logistics, and food sacrifices like it's a life-or-death decision—because apparently it is.Speaking of chaos, the crew dives into more “would you rather” questions, including reliving high school (hard pass for most), going viral for something embarrassing (also a hard pass… unless you can monetize it), and whether being funny or respected matters more. Shockingly, everyone chooses funny—because if you're gonna spiral, at least be entertaining while doing it.On the pop culture side, “Crap on Celebrities” delivers everything from aging rock legends to legal drama. The Rolling Stones might be slowing down thanks to Keith Richards' arthritis (a.k.a. the most rock-and-roll way to say “my fingers don't work like they used to”), while Celine Dion is gearing up for an emotional comeback after her health battle—proving once again she is, in fact, built different. Meanwhile, Taylor Swift is dealing with a trademark lawsuit because apparently even global superstars can't escape paperwork drama.There's also a bizarre-but-fascinating moment involving LeAnn Rimes and a “jaw release” procedure that somehow turns into an emotional breakdown mid-session. Equal parts therapy and horror movie.And because no episode is complete without competition, the crew dives into March Movie Mayhem—debating iconic 90s films like it's the Super Bowl of nostalgia. Friendships are tested, opinions are judged, and someone definitely gets called old.The episode wraps with the “Mind Meld” game, where listeners bet on whether two people can say the same word at the same time. Sometimes it works instantly (which feels suspicious), and sometimes it derails into absolute nonsense involving fruit snacks, gummies, and the slow realization that human brains are not nearly as connected as we'd like to believe.Follow The Rizzuto Show → https://linktr.ee/rizzshow for more from your favorite daily comedy show.Connect with The Rizzuto Show Comedy Podcast online → https://1057thepoint.com/RizzShowHear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.Cruise Ship Workers Accidentally Ruin Couple's Engagement by Singing in Celebration Before Man Proposed to His Girlfriend$6B data center in Festus gets OK from city councilJoe Edwards to sell his share of The Pageant concert hall in the Delmar LoopChild abduction report was made up, St. Louis County police saySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Pacific St BluesSkiffle, The Banjo, & Libba CottenPart 1 of 2 1. fIREHOSE / In Memory of Elizabeth Cotton2. Grateful Dead / Oh Babe, It Ain't No Lie3. Elizabeth Cotten & Brenda Evans / Shake Sugaree4. The Undisputed Truth / Smiling Faces5. Van Morrison / Freight Train (Sue Foley, Rory Block, Gary Clark Jr., Tommy Castro)6. The Beatles / Maggie Mae7. The Vipers / Don't You Rock Me Daddy-O 8. Chris Barber & Eric Clapton / Weeping Willow9. Harry McClintock / Big Rock Candy Mountain 10. Ramblin' Jack Elliot / Roll in My Sweet Baby's Arms 11. Ewan MacColl & Peggy Seeger / The First Time Ever I Saw Your Face (Roberta Flack, The Fugees) 12. Kirsty MacColl / Days (The Kinks) 13. Mark Knopfler / Donegan's Gone 14. Traveling Wilbury's / Nobody's Child (Tom Petty, George Harrison) 15. Lonnie Donegan / Does Your Chewing Gum Lose It's Flavour on the Bed Post Overnight? 16. Leadbelly Rock Island Line 17. John Fogerty / Midnight Special 18. Keith Richards / Goodnight Irene

It is difficult for me to characterize what Scott, Elizabeth, and myself discussed on the latest LGM podcast, better known as “the tightest 117 minutes in the history of podcasting.” Our writ was to discuss the latest Paranoid Style album, “Known Associates,” as well as to talk about Elizabeth’s contribution of liner notes to The Replacements’ Let it Be: Deluxe Edition and we did indeed discuss these things, but there were digressions. Some questions that emerged and re-emerged over the course of the pod: What is your theory of album sequencing, in terms of where you put the best song and where you put the hardest song? Is this album the Paranoid Style’s entry into the Yacht Rock genre? Does the presence of a saxophone necessarily imply Yacht Rock, or is some sort of boat reference also required? Is Van Halen Yacht Rock? Let’s phone a friend. Do you have strong feelings about the remastering of Tim? Elizabeth would like to hear from you. Are you offended by aspersions against Soul Asylum? Did Rod Stewart sell out? Is selling out even bad? How does Donald Trump feel about Kiss? What’s the deal with authenticity? What would say to Prince if he were using the urinal next to you? What would you say to Jon Langford? Would you like to hear a funny story about Keith Richards and drugs? Or one about Wussy? Did SEK go on a bender with Keith Richards? Did RFK Jr.? What will it be like the day that Sir Paul McCartney leaves us? A bunch of songs about Canadian songwriters, where Gordon Lightfoot is asked to be ranked by some metric? Is Gordon Lightfoot Yacht Rock? Is any expression of admiration for the Drive By Truckers excessive? The answer is no. Are the DBTs Yacht Rock? What is the demographic profile of an LGM podcast listener? Would we mind more of Elizabeth’s review of rock n’ roll books? Could Elizabeth be lured to Lexington for the Keeneland Spring Meet? Could this podcast have been more effectively edited for content and coherence? Possibly. Transcript is here. Apple Podcasts Android Youtube Podchaser Podcast Index Subscribe by E-mail Audible Spotify Amazon Music The post LGM Podcast: Known Associates appeared first on Lawyers, Guns & Money.

On this week's show, Rush has high hopes for a permanent base on the moon--while PreKay is getting offers of sweet love from certain female listeners, John quizzes Keith Richards on guitar theory and execution, and Randy the Chipmunk has a warning re: the UPS driver. And much more!

On this week's episode, Randy the Chipmunk has a problem with turkeys in general, Rush is throwing a star-studded Turkey Day bash, Keith Richards is the last to hear of a new Stones tour, DJ PreKay's been late-night shopping again, and much more!

On this week's episode, Chevy Chase calls in for a visit--plus, Keith Richards is "on the wagon," Scrappy the Christmas Elf wants to be reassigned, GMTV is planning this year's Christmas party, and much more!

On this week's show, the Wolfe Pack welcomes Washington DC's Big 100 to the club house! Plus, Rush warns John about playing it safe with affiliate audiences, Keith Richards knows a thing or two about hotel maids, John has a new stripper friend in Houston, and much more!

On this week's episode, Keith Richards weighs in on March Madness, Rush thinks there'll be much worse than Russian collusion in the Mueller Report, John goes toe-to-toe with an honestly dishonest customer prospect, and much more!

On this week's episode, Neil Young's classic catalog gets a classy do-over, Keith Richards looks into his finances, PreKay's career in Rap is taking off, and much more!

On this week's episode, Rush is getting peculiar items in the mail too! Plus, Keith Richards' special Halloween recipe, DJ PreKay has a trippy "What Were They On" story, JD Ryan is on a new diet, Randy the Chipmunk loves scary movies, and much more.

On this week's episode, Randy the Chipmunk has a problem with turkeys in general, Rush is throwing a star-studded Turkey Day bash, Keith Richards is the last to hear of a new Stones tour, DJ PreKay's been late-night shopping again, and much more!