Podcasts about kutchins

Qiological is on vacation for the month of July, this discussion is one of a series of ‘summer re-runs' of some of our favorite conversations from Everyday Acupuncture Podcast, which was the forerunner of Qiological. Many of us fire up a meditation practice only to find ourselves sitting in an overwhelming riot of thought and agitation. Isn't this practice supposed to calm us down, lower blood pressure, ease the migraines, and maybe give our recurring assortment of anxieties, troubles and tribulations a nudge to the curb? Yeah, that's a common story, but the reality of a clear mirror held up to the mind will not have you feeling like those just-so poised and apparently calm models on the Internet. You'll probably want to get away from the noise and chaos between your ears. And that's a good reason to learn to sit in the storm. Our guest today has decades of experience with both meditation and acupuncture. And in this show we will get into the details of why you shouldn't believe everything you think, and why healing often defies the logical stair-step process we think it should take.

THE WHITE LOTUS features incredible voyeuristic-style cinematography that constantly keeps you on edge. Director of photography Ben Kutchins explains his unique visual approach and the difficulty of filming in an actual hotel. Ben and Go Creative Show host, Ben Consoli, discuss the juxtaposition between the warm color palette and plot, filming with as much natural light as possible, constantly rolling with the punches on set,  and much more! Subscribe Now! What you will learn in this episode The crazy writing of THE WHITE LOTUS (01:39) Not having firm rules in cinematography (01:42) Achieving voyeuristic cinematography (08:03) Embarrassment through cinematography tricks (13:19) Warm color palette of THE WHITE LOTUS (17:43) Masterclass in covering dialogue scenes (22:06) Shooting with Super Baltar and Cooke lenses (32:27) Primarily using natural lighting (35:13) Logistics of filming in an actual hotel (41:17) Filming the water and boat scenes (48:32) Not worrying about realism with sunlight (52:07) Having to roll with the punches on set (57:06) Filming Paul McCartney's latest music video (01:02:21) And more! Go Creative Show is supported by: MZed - Education for Creatives   Subscribe + Follow Go Creative Show Twitter Facebook Apple Podcasts Stitcher Google Play Podcasts iHeart Radio YouTube Show Links THE WHITE LOTUS IMDb THE WHITE LOTUS on HBO Paul McCartney music video Follow Our Guest Ben Kutchins' IMDb Ben Kutchins' website Ben Kutchins' Instagram Follow Ben Consoli BC Media Productions BenConsoli.com Twitter Instagram  Follow Dave Siegel (sound mixer) Dave Siegel's website Dave Siegel's Instagram Follow Connor Crosby (producer) Ignition Visuals' website Ignition Visuals' Instagram

We have a fun one today with cinematographer Ben Kutchins. Ben does great work, you've seen most of it, check out the newest stuff down below and then listen in as Ben talks about working on a show with all the new COVID protocols, finding success in cinematography, and more. Enjoy!Commercial Cinematography: The Foundation CourseIf you are […] The post The Wandering DP Podcast: Episode #255 – Ben Kutchins appeared first on Cinematography Podcast & Tutorials.

Cinematographer Ben Kutchins feels that in filmmaking, you have to be fully committed to believing the story you're telling, and your focus must be unwavering when shooting. There is no other story happening in the world other than the story you're telling. This single-mindedness has served Ben well when shooting the series Ozark for Netflix, which is shot with very controlled light sources and camera movements. Every scene in the show is planned out carefully to reveal more about the story or the character. He and director/producer Jason Bateman wanted it to always look dark and shadowy, and many of the shots in the show are done as “oners,” or one long take. It might take seven to ten takes to get the oner, depending on how intricate it is. Before Ozark, Ben started off exploring still photography as a teen, then landed an internship at Industrial Light and Magic (ILM), which led to a production assistant job at ILM. He had the opportunity to use the lab at Lucasfilm to experiment and process film to understand how it could look. But Ben knew his passion was film, so he enrolled at NYU Film School in order to learn more and work with other young filmmakers such as Rachel Morrison and Reed Morano. He shot about 60 short films in two years, then worked on several indie films before getting hired to shoot the Veronica Mars movie and then the Amazon series, Mozart in the Jungle. Shooting Mozart in the Jungle gave Ben the opportunity to work with and learn from very seasoned directors. He thinks working in television has been an amazing opportunity to collaborate with other DPs and that television has helped him develop a style and hone his craft. You can find Ozark season three streaming on Netflix. Find Ben Kutchins: http://www.benkutchins.com/ Instagram: @benkutchins Find out even more about this episode, with extensive show notes and links: http://camnoir.com/ep92/ Sponsored by Hot Rod Cameras: www.hotrodcameras.com WIN a Sony A7SIII, Gitzo tripod and $100 Hot Rod Cameras gift card! Worth over $4,000, for one lucky winner! Follow us on Instagram @thecinepod and click on the link in bio to enter by September 29, 2020. Website: www.camnoir.com Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz

Ben Kutchins (Ozark, Legion, Mozart in the Jungle) is an American, Emmy Award-nominated cinematographer. Ben chats with Portbox about his creative process and his approach to developing the visual language of Netflix's Ozark with Director Jason Bateman. Madhav wonders if the darker tone of a show can affect its critical success. Madhav and Ben discuss the distinction between 'the right image' and 'a good looking image.' Ben explains how character psychology influences his work as a cinematographer and puts further emphasis on the collaborative effort of filmmaking by saying, "we are all here for the story."

Go behind the scenes and learn about the cinematography of Netflix’s hit series Ozark season 3 with director of photography Ben Kutchins. Ben Kutchins and Go Creative Show host, Ben Consoli, discuss how the series has evolved visually, shooting on the large format Sony Venice camera, overcoming shooting challenges, and more! Subscribe Now! What you will learn in this episode How Ozark has evolved visually (03:09) Shooting on the Sony Venice (07:08) Benefits of shooting on a large format camera (11:55) Visual approach to the Missouri Belle casino (19:10) Challenges of filming with slot machine lighting (24:16) Challenges of shooting on water (26:38) Lighting and filming Omar Navarro's home (31:42) Why season 3 may have a different look (35:05) Using Astera LED light tubes (37:27) Blocking and camera movement (41:59) The challenges of filming daylight exteriors (49:00) The lenses of Ozark (53:20) And more! Go Creative Show is supported by: MZed - Education for Creatives   Subscribe + Follow Go Creative Show Twitter Facebook Apple Podcasts Stitcher Google Play Podcasts iHeart Radio YouTube Show Links Ozark season 3 trailer Ozark on Netflix Follow Our Guest Ben Kutchins on Instagram Ben Kutchins website Ben Kutchins IMDb Follow Ben Consoli BC Media Productions BenConsoli.com Twitter Instagram  Follow Matt Russell Gain Structure Sound Twitter

Monshin Albert Kutchins began practicing at San Francisco Zen Center in 1984. In the years following he completed several practice periods in Tassajara and one at Rinso-in in Japan, and received the precepts from Tenshin Reb Anderson Roshi and again from Hoitsu Suzuki Roshi. In addition to teaching and practicing the Dharma whenever he can, and serving on the Zen Center Board, he practices law in Berkeley, where he lives with his family and Satchel the dog.

  Ben Kutchins is the director of photography for the hit Netflix series Ozark and we discuss it’s unique look, shooting on Panasonic VariCam, working with Jason Bateman and more. The Go Creative Show is supported by: Premium Beat Rule Boston Camera Hedge Shutterstock News Shooter Show Topics Creating the look of Ozark The power of color grading Challenges of filming on a lake Working with Jason Bateman Shooting on Panasonic VariCam Cinematography tips for shooting outdoors and much more! PremiumBeat.com Song of the Week Sun Shine by Cymatix   Follow Go Creative Show Twitter Facebook Apple Podcasts Stitcher Google Play Podcasts iHeart Radio Follow Our Guest Ben Kutchins Website Follow Ben Consoli BC Media Productions BenConsoli.com Twitter Instagram   Follow Matt Russell Gain Structure Sound Twitter

For Ben Kutchins, his love of film and filmmaking started out the way it did for a lot of kids; finding an old 35mm camera in a parent's drawer, dusting it off and giving it a go. Looking at life through a lens became a hobby, then a passion and during college he interned, as many people who are interested in film and live in Northern California do, at Lucasfilm. That internship turned into a job but he saw the tides turning from film to digital and that he was on track to a working at a desk, which he didn't want. Pushing back, he left a job offer from Lucasfilm and entered NYU's film program. It was everything he wanted; shooting over 60 short films, learning the language of film and learning from and with Reed Morano (Emmy-winning director of The Handmaid's Tale) and Rachel Morrison (Mudbound, and the first ever female director of photography nominated for the Cinematography Oscar). Throughout his career Kutchins has been inspired by cinematographers like Oscar-winner Emmanuel Lubezki ("He moves the camera in the most naturalistic way that I've seen of any modern cinematographer"), Roger Deakins ("The best lighting cameraman I've ever seen), Gordon Willis ("He knows how to give each location its own beating heart") and more. For his work on Netflix's Ozark, Kutchins earned the first Emmy nomination of his career in the category of Outstanding Cinematography for a Single-Camera Series (One Hour). But he'll tell you he didn't get there alone ("I take every day as a gift, I don't take that lightly"). He had been the cinematographer on a film starring Jason Bateman (The Longest Week) and that relationship earned him a spot on Bateman's team for the Emmy-nominated Netflix hit ("We get excited about the same things, we're real film nerds"). Working with Stephani Lewis (costume designer) and Derek Hill (production designer, who's also Emmy-nominated) on finding the look of Ozark, Kutchins calls it a "melding of minds" and "gearing towards the same aesthetic." Ozark returns to Netflix for its second season on August 31st. You can watch the trailer here. The Emmy voting period ends August 27th at 10pm PST. The Creative Arts Emmys will be a two-night affair on Saturday, September 8th (where Kutchin's category is slotted) and Sunday, September 9th. The 70th Primetime Emmy Awards will be Monday, September 17th.

On this episode, we talk with Paul Papadimitriou about a wide range of future pointing topics. We start off talking about how aviation companies are innovating, which airlines are shaking up the industry, and finish up talking about which countries are building models for future airports. Make sure you check out his podcast, Layovers on all podcasting apps. Check out the link to connect with him: Layovers Website: www.layovers.to Layovers Twitter: @lay_overs Paul’s Website: www.paulpapa.com Paul’s Twitter: @papadimitriou As always, we want to thank Bruno Misonne for our intro music. To listen to more of Bruno Misonne, check out his website for the full album: www.brunomisonne.com. As well as thank, Kutchins & Groh, an airport planning firm that specializes with capital planning and helping airport prepare for future development. Check out their website at: www.kutchins-groh.com.

This one is going to be another experimentation episode, so let us know what you think. On this episode, we try to give you an insight into the conversation that happens when people think about starting a company - specifically a regional airline company. Joining us for the conversation is Staacy Cannon, a former regional airline president who is using data and innovation to think about the future of airline travel. We talk a little bit about her experience over the past year running an airline right before and then throughout bankruptcy. But we really dive into how she would start a regional airline company and how it would operate, if she could take what she knew now and start over. As a listener warning: we make A LOT of assumptions and some of them may be flat wrong - but this is how this kind of conversation goes. We're thinking about doing a few follow ups to this episode in the future validating some of these episodes and seeing what could shake out. Let us know what you think. Check out Staacy online at: Twitter: https://twitter.com/CannonGroks LInkedIn: https://www.linkedin.com/in/staacycannon/ Be sure to follow us on Twitter at: www.twitter.com/runwayvc and visit our website: www.runway.vc As always, we want to thank Bruno Misonne for our intro music. To listen to more of Bruno Misonne, check out his website for the full album: www.brunomisonne.com. As well as thank, Kutchins & Groh, an airport planning firm that specializes with capital planning and helping airport prepare for future development. Check out their website at: www.kutchins-groh.com.

We're still experimenting with episode formats and this episode is no different. On this episode, we talk Shashank Nigam, Founder & CEO of SimpliFlying. Rather than our typical interview style, Shashank and I have a conversation that is more likely to be heard at a conference happy hour, rather than on conference stage. Our conversation circles around a hypothetical situation of an airline merging with a hotel chain and what each could bring to the table. However, we don't just leave it at an unnamed hotel chain - we're talking specifically about Airbnb (arguably the biggest hotel chain). We talk about which airlines would be a good match for an Airbnb partner, as well as end with our top pick. Check out Shashank online: Website: http://simpliflying.com/ Twitter: https://twitter.com/SimpliFlying Soar on Amazon: https://goo.gl/EWHedA Live Facebook Show: https://www.facebook.com/simpliflying/ Be sure to follow us on Twitter at: www.twitter.com/runwayvc and visit our website: www.runway.vc As always, we want to thank Bruno Misonne for our intro music. To listen to more of Bruno Misonne, check out his website for the full album: www.brunomisonne.com. As well as thank, Kutchins & Groh, an airport planning firm that specializes with capital planning and helping airport prepare for future development. Check out their website at: www.kutchins-groh.com.

This is bit little different type of episode. Rather than the typical interview we’ve done with industry leaders and innovators, I invited Peter Slatin, founder of the Slatin Group, and Scott Gorence, an airport architect at Corgan, to discuss airport design specifically related to passengers with physical disabilities. During out conversation we talk about how the industry is involving to help those with physical disabilities, as well what airports could be doing better. We go further than just making sure people who may be deaf or blind can navigate an airport and talk about what the aging population will mean for airport design. We also address how people that may not need any assistance today, will need to be accommodated for when it’s not as easy for them to take all the steps needed to get around a large airport. Website: Slatin Group: www.slatingroup.com/ Corgan: www.corgan.com Twitter: Slatin Group: www.twitter.com/SlatinGroup Corgan: www.twitter.com/CorganInc Be sure to follow us on Twitter at: www.twitter.com/runwayvc and visit our website: www.runway.vc As always, we want to thank Bruno Misonne for our intro music. To listen to more of Bruno Misonne, check out his website for the full album: www.brunomisonne.com. As well as thank, Kutchins & Groh, an airport planning firm that specializes with capital planning and helping airport prepare for future development. Check out their website at: www.kutchins-groh.com.

On this episode we’re talking with Krystal Brumfield, the CEO of the Airport Minority Advisory Council - or otherwise known as AMAC.  During our conversation, Krystal & I talk about a few different things - including her journey to become the head of AMAC, which actually doesn’t include any background in Aviation, and how she’s using that different background to bring a new perspective to industry issues. We also talk about how they are working with women & minority owned businesses to get them more involved with projects going on at airports, as well as the benefits those types of companies can bring to table and the challenges that they still face. Finally, we wrap up our conversation by talking about the role of industry organizations today and how they may be more relevant than ever.  Website: www.amac-org.com/ Twitter: www.twitter.com/AMAC_ORG Facebook: www.facebook.com/AirportMinorityAdvisoryCouncil/ Linkedin: https://goo.gl/UK5qRl Conference: www.amacbusinessdiversityconference.com/ Sign up for the Newsletter: https://goo.gl/b7Srlr Be sure to follow us on Twitter at: www.twitter.com/runwayvc and our website: www.runway.vc As always, we want to thank Bruno Misonne for our intro music. To listen to more of Bruno Misonne, check out his website for the full album: www.brunomisonne.com. As well as thank, Kutchins & Groh, an airport planning firm that specializes with capital planning and helping airport prepare for future development. Check out their website at: www.kutchins-groh.com.

On this episode, we talk with Dawn Callahan - the CMO of Boingo. During our conversation, we talk about the history of Boingo and how they got into the business of airport wifi. We also talk about how they are working through aging infrastructure and growing traveler demands. Finally we wrap up talking about the future of airport connectivity and how they are preparing for the "always connected" traveler. For more information about Dawn & Boingo, check out the links below: Website: www.boingo.com/ Blog: www.boingo.com/blog Twitter: www.twitter.com/boingo Dawn on Twitter: www.twitter.com/dawncallahan Be sure to follow us on Twitter at: www.twitter.com/runwayvc and our website: www.runway.vc As always, we want to thank Bruno Misonne for our intro music. To listen to more of Bruno Misonne, check out his website for the full album: www.brunomisonne.com/. As well as thank, Kutchins & Groh, an airport planning firm that specializes with capital planning and helping airport prepare for future development. Check out their website at: www.kutchins-groh.com.

On this episode of the Runway.VC podcast, we talk with Kerry Frank, the Founder and CEO of Comply 365 - a software company responsible for bringing airlines into the mobile age. Kerry and I talk about a number of different including: how she started a company in the industry with zero aviation or technical experience, the journey she wen through with her family and how they dealt with the struggles and celebrated the successes, and how she grew a business from only a few people to over 60 employees that works with 70% of the North American airlines. Finally, we wrap up our conversation talking about how Kerry sees the industry moving into using wearable technology and how airports need to start moving towards using a centralized management system. For more information about Comply365 and Kerry, check out the links below: Website: www.comply365.com Twitter: www.twitter.com/comply365 Kerry's Blog: www.kerryfrank.com Kerry on Twitter: www.twitter.com/kerryfrank365 Be sure to follow us on Twitter at: www.twitter.com/runwayvc and our website: www.runway.vc As always, we want to thank Bruno Misonne for our intro music. To listen to more of Bruno Misonne, check out his website for the full album: www.brunomisonne.com/. As well as thank, Kutchins & Groh, an airport planning firm that specializes with capital planning and helping airport prepare for future development. Check out their website at: www.kutchins-groh.com.

Income tax basis issues as they relate to S Corporation shareholders require an awareness that if overlooked can cause unexpected tax results for the S Corporation shareholders. When an S Corporation shareholder receives his or her annual K-1, a shareholder basis schedule must be included so that the tax preparer can properly report the shareholder's pro rata share income or loss from the S Corporation. In this podcast, attorney Steve Migala and his guest, David Diamond, a CPA and Partner with Kutchins, Robbins & Diamond, discuss these important tax issues and explain how to avoid increased federal and state income taxes, penalties and interest upon IRS audit.  

Many of us fire up a meditation practice only to find ourselves sitting in an overwhelming riot of thought and agitation. Isn't this practice supposed to calm us down, lower blood pressure, ease the migraines, and maybe give our recurring assortment of anxieties, troubles and tribulations a nudge to the curb? Yes, that's the common story, but the reality of a clear mirror held up to the mind will not have you feeling like those just-so poised and apparently calm models on the Internet. You'll probably want to get away from the noise and chaos between your ears. And that's a good reason to learn to sit in the storm. Our guest today has decades of experience with both meditation and acupuncture. And in this show we will get into the details of why you shouldn't believe everything you think, and why healing often defies the logical stair-step process we think it should take.