Podcasts about White lotus

You can't be it till you see it while your nervous system is running the show. In this part two of the Regulation Series, Lesley gets practical about calming a dysregulated nervous system, walking through top-down tools and bottom-up somatic resets for when your mind won't quiet down. She frames self-trust as the safe place you come back to, and regulation as self-parenting rather than one more thing to discipline yourself into. Whatever your nervous system is carrying today, there is a tool in here to meet it. If you have any questions about this episode or want to get some of the resources we mentioned, head over to LesleyLogan.co/podcast https://lesleylogan.co/podcast/. If you have any comments or questions about the Be It pod shoot us a message at beit@lesleylogan.co mailto:beit@lesleylogan.co. And as always, if you're enjoying the show please share it with someone who you think would enjoy it as well. It is your continued support that will help us continue to help others. Thank you so much! Never miss another show by subscribing at LesleyLogan.co/subscribe https://lesleylogan.co/podcast/#follow-subscribe-free.In this episode you will learn about:Prioritize nervous system regulation before making decisions.Understand your autonomic nervous system responses.Cognitive tools to time-box worries and racing thoughts.The somatic tools to practice that calm the body.Build self-trust by honoring the achievements you tend to forget.Episode References/Links:Weighted Blanket - https://bearaby.com/collections/weighted-blanketsSleep Mask - https://nodpod.com/products/nodpodSensate (10% discount ) - https://www.getsensate.com/BEITEp. 709 - ft Megan Applegate - https://beitpod.com/ep709Submit your wins or questions - https://beitpod.com/questions If you enjoyed this episode, make sure and give us a five star rating and leave us a review on iTunes, Podcast Addict, Podchaser or Castbox. https://lovethepodcast.com/BITYSIDEALS! DEALS! DEALS! 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I will just sit down and write down all the things that are on my mind because there are open tabs in my brain and they're all running. Your computer runs slower when all your tabs are running. Lesley Logan 0:39  Welcome to the Be It Till You See It podcast where we talk about taking messy action, knowing that perfect is boring. I'm Lesley Logan, Pilates instructor and fitness business coach. I've trained thousands of people around the world and the number one thing I see stopping people from achieving anything is self-doubt. My friends, action brings clarity and it's the antidote to fear. Each week, my guest will bring bold, executable, intrinsic and targeted steps that you can use to put yourself first and Be It Till You See It. It's a practice, not a perfect. Let's get started.Lesley Logan 1:22  Hey, Be It babe! Welcome back to the Be It Till You See It podcast. We are in our second episode of the Regulation series, so if you have, this is your first time listening to us, hi, welcome, and you should go listen to the first one because otherwise this will make no sense. Or you can listen to this one. You know what? I'm a believer of you doing you. So I'm excited because the last episode we talked about not needing more discipline and not another journal and another plan, but really actually having awareness of when we're dysregulated and regulated. Because when we are dysregulated, we cannot be successful, and when we're regulated, we notice it's not about discipline; it's just about showing up, being yourself, being the version of you you always want to be. Right? You are definitely not able to be it till you see it when you are dysregulated, overwhelmed, stressed out, worrying, spiraling, all that stuff, right? Lesley Logan 2:07  So, how do we regulate ourselves when life gets lifey? Because let me just tell you, life gets lifey every day. Every day, life gets lifey. I was having a really kind of solid, awesome day, and then I got some bad news, and so life got lifey today, on a day when it should just be chill, as just chill. Tuesdays are chill days for me, right? So how how do we not let our nervous system run the show? Because I mean, let me tell you right now, if I let my nervous system run the show after that news, I would not be recording this right now. That's the for sure. But because I was able to understand how I was feeling, I was able to take a moment for myself. I was able to do the things I need to do, so that I could come back here and go. You know, I can do this right now. I can do this right now because this matters, too. This matters as much as the other thing that's bothering me matters, right? And I mean, my goodness, every time we open up our Instagrams or emails, there's something there to derail how we feel about ourselves, about what's possible, all that stuff. Lesley Logan 3:02  So now, since we know what was keeping us stuck, how do we actually shift our biology, our brain, our mood in the middle of a crazy day? It might happen multiple times. How do we do that? So the thing I want to take away from this episode is regulate first, decide second. So you know this. I know you know this. I know this. I know you know this. But just in case you need the reminder, we never send an email or make a pivot or critique ourselves in a dysregulated state, right? When you, have you ever? Oh my God! Why this? What the fuck is this happening? And why is that happening? Why is this person doing this?Lesley Logan 3:39  And you go to respond, and you you know, it's not the response you want to do. You send it, and you already feel regretful because that's not how you are. It's not how you want to be perceived. It's not how you want people to receive that information. So we need to notice, become aware, and then regulate ourselves before making the next decision. I will also say I heard this other thing that could be really helpful is the instant reaction we have is kind of a pattern how we were raised, trained, the thing that got us to adulthood that made us feel safe, and then oftentimes we're just ah I haven't gotten over that I haven't I still have that problem but actually the second thought you have is the person you want to be. It's the person how you want to react. And so if you can, instead of getting stuck on, I don't want to react, that I hate that I'm reacting like that. And instead you go, "Oh, there's just that old brain, my old thing, trying to run the show." Hold on, I do this one thing over here, and then I'm back to being the person I am, the person I want to be receiving that email, the person I want to be receiving that news, right? So, regulate first, decide second. Lesley Logan 4:47  So we need to we need to talk about your internal landscape, right? We got to talk about your autonomic nervous system. So I'm not a scientist, but a simple explanation of our default survival mode. These are simple. Okay, simple. But you've got blazer, the fight or flight, right? You move fast, you breathe shallow, you get a little snappy. That's you. Something happens, you're ready to take action. You're ready to kick some ass. You also can be a freezer, right? You can freeze or fawn, so you can go numb, right? You can say yes to things you hate, like a fawn response. Oh, I'm so sorry. It's my fault. I did that. It's not you. Calming the person down, but taking yourself down with it, right? So we got to understand that's how things can react, right? Those are the simple versions. And if you are having hormonal shifts, then your threshold for stress is lower. And so, things that didn't bother us 10 years ago could bother us now, and that's okay, right? If you are dealing with just other health stuff, sometimes you get activated a little more quickly. Your threshold is lower. So, those of you who already have a lot on your plate, you know, it can be harder to stay regulated. So I just want. I think it's really important to map out what's your internal landscape. What is your go-to when things aren't going well, right? What is the way that you tend to go? Lesley Logan 6:11  In the last episode, I talked about how I will tend to worry about things I can't control, and then focus on all the things we haven't done either. So I'll just like go, and that's not working, and that's not working. That's not working. And Brad, hold on. We were talking about this one plugin that doesn't work, and now you're talking about 10 things we're still working on. Why are we catastrophizing? That's me, right? Really important that once we once you take a second to go, who am I? How do what? What are the signs that I'm not regulated? So that then you can build your regulation toolkit, right? Your real life regulation toolkit. So these are some tools that could work for you. They might not work for you, but I'm giving a few, right? So and if you come up with your own, let the Be It Pod know, so we can share it with other people on FYF episode. But you can have something like a more like a top down tool, a mental cognitive tool. Some people like time boxing, so worry windows, so this is the idea of something comes up that you want to worry about, and you actually just go, "Oh, I'm going to put that at the 1 p.m. I can worry about that at 1 p.m. but right now I'm working on this.Lesley Logan 7:11  That is the idea of parking the car or driving away, postponing the thing, or park and then and and worry, but don't don't try to do think two things at the same time. The thing you're working on and worry. So have some worry windows. That isn't something I could do because I have ADHD and sometimes I you know love to fuck around my calendar. So that's not for me. But it might be for a worry window. And then maybe you don't have it scheduled to worry. But maybe when you start to worry, you're like, you know what? This is gonna be a worry window. So I'm gonna worry about everything right now. I'm going to get all on the table, get out, get out of my heart, get out of my mind. I'm going to set a timer, and now it's done. Right? Something that does help me is a brain dump. So I will just sit down and write down all the things that are on my mind because they're open tabs in my brain, and they're all running, and they are, you know, your computer runs slower when all your tabs are running. So I will go. Okay, hold on. I got too much in my mind. What is everything I think I need to get done? And then you look at the list. holy fuck! That's so many things. No wonder. No wonder I felt dysregulated. No wonder I feel overwhelmed. I'm overwhelmed. There's too many things. I had a girlfriend who took all the things that she had to get done and she gave it to her chatbot, and her chatbot goes, "Well, no wonder you're exhausted and feeling overwhelmed. This is enough work for three years." Lesley Logan 8:27  So those were top down. Here's some bottom-up tools. This is more somatic, right? That's stuff you can do that's mental, cognitive, but also you can actually take action on it. Bottom-up tools are for more body. I think these are really great for when the mind really won't quiet down. So there's a five-second psychological sigh. We talked about this a couple times on the pod. It's two quick inhales through the nose and a long exhale through the mouth. It's just in, in, out, in, in through the nose, out, right? Oh my gosh! You do that a couple times, and it literally resets how your body is. If you're weight training and you do a heavy weightlifting set, if you do that afterwards a couple times, it'll reset the whole body. It's crazy. Also, you can do this: if you take your index finger and thumb together and you breathe in, it's more chest. If you take your middle finger and your thumb and you breathe in, it's more diaphragm. If you take your ring finger and your thumb and you breathe in, it's more stomach. And if you take your pinky and your thumb and you breathe in, it's more root, right? So if you find yourself in that dysregulated state and you're taking short breaths, you can go to your pinky and your thumb and just ground yourself down. Ooh, takes so little time. You can do it in one breath. All right. Lesley Logan 9:38  Another thing you can do is just change the physical temperature, so cold water to the face, right? I actually do love my cold plunge. It is set for a woman in perimenopause. It's not 32 degrees, but I do like it because I don't wake up going, "Oh my god, it's rainbows and butterflies! I'm so excited!" I never get enough sleep. I wish I could get eight hours. I can be in bed for eight and I get six and a half. My body just has a really hard time. Seven is really a sweet spot for me. But I still don't wake up going, "Oh, life is great." But I get in that cold plunge, and okay, I can take on this day. I can take on this day, right? Weighted blankets, a firm hug, right? So I have an eye mask that is weighted that I can just put on my eyes. I don't take naps, but I can just put it on my eyes. Or I have a weighted blanket—we have a link for that that I can find for you guys.Lesley Logan 10:29  But I have this weighted blanket that I just love. I could just wrap it around me, and I'm okay. It's a big hug, because what I don't want when I'm dysregulated is a hug from somebody else, because I don't want their energy. And then this other one I think could be really helpful: it's like a microdose concept. A lot of people think, "I need a spa day, that'll relax me." Oh my god! I'll tell you right now, what won't relax me is a full spa day. I'll be like, "There's so many things I need to be doing right now. I should be doing these things." So when I'm dysregulated, a spa day is not what I need. What I really have found to be helpful is just taking 90 seconds of intentional breathing between calls, walking around my block, it's a little hard in the summertime, but fall through spring, I can. It takes me 12 minutes to walk around my block, 15 if I take the dog, because they like to smell things. Even on the way out the door: "This day sucks." By the time I get around the corner: "All right, I got this. Right, I got this." You just need some things. I have a Sensate. It's this really cool tool that you can put on your chest, and it really helps regulate your nervous system. There's different Hrz of music you can play. I have found that if I work with this one type of music on, I stay quite focused and a little upbeat, so it keeps me positive. I love having it in the background; I get so annoyed when I have to turn it off. So I find that that can be really helpful when sometimes it's not like you're not doing the tools, but there's just so much life lifeing that you need regular, regulating moments, right? Because you're waiting for results from this thing, and you're anticipating this thing, and then there's this going on, and there's that going on. There's so much going on. It's not just one thing once a day that helps you; it's 10 little things that just keep bringing you back. And so this brings us to self-trust, your future self, your Be It Till You See It self. When you take the time to listen to yourself, you can actually hear your intuition, right? You can hear it, and so if you make listening to your intuition a priority, you'll actually want to do it more. And the thing is that when your brain is buzzing with anxiety, that intuition gets drowned out. It sounds like static, and it's not there. So I would really encourage you to spend time trying to hear your inner voice, your inner intuition, so that you get so obsessed with how helpful that is that you'd rather spend time there than in the dysregulated state that probably feels safe because that's probably how you were raised and that felt safe to you. For me, I know that I will do whatever it is I said I was going to do, not because I'm disciplined, but because I have a history of achievements that I have done because I did the thing that I said I was going to do. And so what I will say is, if you haven't taken time to do a data dump of just how much you have achieved and how much of the things you said you would do that you did do, you need to do that because if you don't, then you don't have self-trust. And if you don't have self-trust, you can't become a safe place for yourself. So no wonder you feel dysregulated. No wonder you don't feel successful. No wonder you think you need more discipline, because you haven't taken the time to honor all of the things that you did. We had a really great guest about resume building, and she talked about making sure you're writing down your achievements. We have FYFs on this podcast. You're supposed to send them in, and if you're not going to send them in, at least write them down. Write your wins down, right?Lesley Logan 14:05  My girlfriend wrote down her wins every single week to put them in a jar, and at the end of the year, she took out all 52 and read them, right? And some of them were, oh my god, I forgot I did that. Whatever you need to do to build self trust, you have to do because without that, it's really hard to regulate because you don't have a safe place to come back to, and I'll just say it's really hard to be it till you see it if your current nervous system can't handle baseline stress. So, if you are in a space where just your baseline stress is a lot for you, I really encourage you to take some time to get honest about what is it that you are really responsible for. What can we let go of? What can you say? I know I said yes to this, but I need to delay that. What can we postpone? What boundaries can we put in place so you have a container of stress that you can actually handle? Life is. Stressful. Stress also builds diamonds, guys. So stress is not bad. Stress also builds stronger bones. Stress is how you build stronger muscles. So stress is not bad, but we need to get your nervous system to a space that can handle your baseline stress. And then when it comes to being it till you see it, taking the time to understand who is a version of you that you want to be, and how do they handle it? What do they do? What actions do they take? Can you take any of those actions right now? Can you do a version of that right now? We can't do all of that, but you can do a version of it. If you think that when you have more money, you'll take time off, that's a lie. You're telling yourself there are rich people who never stop working all the time. Have you watched the White Lotus? The Thai, the Thailand one is perfect example of that. Right, these people couldn't get rid of their cell phones. So I just want to say, if you think when I have this, then I'll have less stress and I'll be more regulated, more relaxed. That's not true. To practice for it right now, and sometimes it means saying no. Sometimes it means not talking to some people. Sometimes it means just taking a break. It does until you can get you got to know yourself. You have to have self trust to get to be able to be it till you see it. So, what I like to say is, what's one thing in this episode that you can take action on right now that will actually feel good to you and doesn't feel overwhelming? Is it the worry box? Is it the brain dump is it making a list of all the things that are going on right now that you're supposed to be doing and that you're not, and then seeing what you can get rid of, which you can just go, I can't do that right now. Is it taking time to get back to your inner voice? What is it that you are? Can't do all. Don't tell me I'll do that one too. I'm gonna do that one too. You're just going to overwhelm yourself, babe. You're just going to dysregulate yourself in trying to regulate yourself. So let's not do that. It's also something I really think is important: is regulation is an act of self-parenting, not a chore. It's not a task. It's just taking care of yourself. One other little tidbit I want to give you is maybe what you need to do is just set an alarm three times a day. That ask yourself, "How am I feeling right now? How am I feeling right now? Am I feeling? Do I feel good right now? Do I feel overwhelmed right now? Do I feel excited right now? Do I feel overwhelmed right now. I feel regulated, dysregulated. Just notice that maybe at the end of every day you feel dysregulated. Okay, that's an interesting pattern. That's good awareness. So what's happening between the last time when you felt good and the end of the day? What are you doing too much of? What are you forcing yourself to do?Lesley Logan 17:45  Whether you have ADHD, perimenopause, whether you're in the sandwich generation, there are always tools, but you have to know which tool works best for you. You cannot always bring a hammer to everything. Sometimes we need a drill. Sometimes we need a screwdriver. Sometimes we need a crane. Sometimes we need cement. So, what do you need? Take time this week to figure that out. Otherwise, just taking more advice from all the other people is just gonna overwhelm you and put you in a dysregulated state when you're trying to get better. Isn't that silly, to get dysregulated trying to get self-help? But it happens all the time. It happens all the time with my perfectionists and overachievers, my people pleasers, my firstborn parentified daughters. I see you. We're not trying to be monks. We're just trying to be aware. It's our job to figure out what helps us feel good and helps us take on what we want to be, what we want to do, so we can Be It Till You See It. Thank you for watching. I hope this is helpful. Let me know what your takeaways are. Send this to a friend who needs to hear it. Until next time, Be It Till You See It.Lesley Logan 18:53  TThat's all I got for this episode of the Be It Till You See It Podcast. One thing that would help both myself and future listeners is for you to rate the show and leave a review and follow or subscribe for free wherever you listen to your podcast. Also, make sure to introduce yourself over at the Be It Pod on Instagram. I would love to know more about you. Share this episode with whoever you think needs to hear it. Help us and others Be It Till You See It. Have an awesome day. Be It Till You See It is a production of The Bloom Podcast Network. If you want to leave us a message or a question that we might read on another episode, you can text us at +1-310-905-5534 or send a DM on Instagram @BeItPod. Brad Crowell 19:35  It's written, filmed, and recorded by your host, Lesley Logan, and me, Brad Crowell.Lesley Logan 19:41  It is transcribed, produced and edited by the epic team at Disenyo.co.Brad Crowell 19:45  Our theme music is by Ali at Apex Production Music and our branding by designer and artist, Gianfranco Cioffi.Lesley Logan 19:52  Special thanks to Melissa Solomon for creating our visuals.Brad Crowell 19:56  Also to Angelina Herico for adding all of our content to our website. And finally to Meridith Root for keeping us all on point and on time.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Notes: Will is Phil Collins-ing hard! 3 Reasons why Phil Collins has that cash in his pocket! The kind of art Phil Collins purchases is subtly erotic! Will's amazing Sting impression! Invisible Tush! Will denies having visited Thailand (sure, Will)! The White Lotus to Thailand pipeline! Nelson and Walter Goggins would get along! Kids, don't wear all white while visiting a rich food culture encompassing many broths and noodles! Diarrhea interlude! #Assploded! Ollie drops in! Freddie Ticklefingers is here! Blowing in on the ol' west wind! The lineage linking Freddie Ticklefingers to the Big Bad Wolf! Mickey Mouse is up to important business! Engaging Spicy Beef Gaus unless the Mouse catches our scent, but we fly too low to the ground for the Mouse's eyes to find us! Patton Oswalt is calling out Will's dad! A defense of honor which helps the prosecution strengthen its case! Phil Collins might have done that Italian murder! I Can Feel it Coming in the Air Tonight is a strong shower song! Billy Joel's Only the Good Die Young as a system of measurement! Phil Collins Shower Hack! That deep arcana, that forgotten early Fresh Prince lore that the children are clamoring for! Charlie Mack was the first out the limo, but who was Fresh Prince and DJ Jazzy Jeff's beatboxer!? 1-877-DoubleDeuce! Contact Us! Follow Us! Love Us! Email: doubledeucepod@gmail.com Twitter, Instagram, Threads: @doubledeucepod Bluesky: @doubledeucepod.bsky.social Facebook: www.facebook.com/DoubleDeucePod/ Patreon: patreon.com/DoubleDeucePod Also, please subscribe/rate/review/share us! We're on Apple, Android, Libsyn, Stitcher, Google, Spotify, Amazon, Radio.com, RadioPublic, pretty much anywhere they got podcasts, you can find the Deuce! Podcast logo art by Jason Keezer! Find his art online at Keezograms! Intro & Outro featuring Rob Schulte! Check out his many podcasts! Brought to you in part by sponsorship from Courtney Shipley, Official Superfans Stefan Rider, Amber Fraley, Nate Copt, and listeners like you! Join a tier on our Patreon! Advertise with us! If you want that good, all-natural focus and energy, our DOUBLEDEUCE20 code still works at www.magicmind.com/doubledeuce for 20% off all purchases and subscriptions. Check out the Lawrence Times's 785 Collective at https://lawrencekstimes.com/785collective/ for a list of local LFK podcasts including this one!  

Sick of watching Shiv Roy or Tanya McQuoid strut around luxury properties? You're not alone. For years, depictions of extreme wealth have dominated the airwaves with shows like Succession and The White Lotus having a huge cultural impact. But lately watching rich people has started to feel a bit… mundane. Enter Beef, The Bear, DTF St Louis and Margo's Got Money Troubles and, with it, TV's sudden interest in seeing ordinary people just getting by. But why? And why has it taken so long? The New Yorker's television critic Inkoo Kang joins Dorian Lynskey to unpack the age of Broke TV. • Read Inkoo's New Yorker article here.• Back us on Patreon – www.patreon.com/bunkercastWritten and presented by Dorian Lynskey. Producer: James Liddell. Audio production: Tom Taylor. Managing Editor: Jacob Jarvis. Group Editor: Andrew Harrison. Music by Kenny Dickinson. THE BUNKER is a Podmasters Production.www.podmasters.co.uk Hosted on Acast. See acast.com/privacy for more information.

For 35 years Southern native Walton Goggins has been acting on hit TV series, movies, and more. Discover how the "Justified" and "The White Lotus" star rose to fame. The Y'all Show is a production of Yall.com and hosted by Jon Rawl.

With thick skin, an optimist's heart and a realist's mind, the incomparable Michelle Monaghan tells us how being championed by her parents in a town of 700, mentored by Frances McDormand in North Country, and ending up on Constantine's cutting room floor gave her the courage, confidence and opportunity to make every mission… possible. Michelle Monaghan is a Golden Globe nominated actress with over two decades of experience in this industry. Her roles in television and film are as diverse as they are challenging and powerful to watch. She is best known for her work as Harmony Faith Lane in Kiss Kiss Bang Bang, alongside Robert Downey Jr. and Val Kilmer; her recurring role as Julia Meade-Hunt in J.J. Abrams' massive hit Mission: Impossible series, starring Tom Cruise; and her role as Angie Gennaro in Ben Affleck's Academy Award nominated Gone Baby Gone. Michelle is additionally known for her film performances in Source Code, Trucker, North Country, The Heartbreak Kid, and The Bourne Supremacy. She starred in the Hulu series The Path as Sarah Lane with Aaron Paul and Hugh Dancy, and the critically acclaimed Emmy and Golden Globe nominated True Detective as Maggie Hart. More recently, she's been seen in HBO's The White Lotus, Apple TV+'s Your Friends & Neighbors, and Bad Monkey. These are the unforgettable stories that landed Michelle Monaghan right here. Credits: White Lotus True Detective Your Friends & Neighbors Gone Baby Gone Bad Monkey Mission Impossible Kiss Kiss Bang Bang The Path The Heartbreak Kid North Country Mr. & Mrs. Smith Guest Links: IMDB: Michelle Monaghan, actress THAT ONE AUDITION'S LINKS: For exclusive content surrounding this and all podcast episodes, sign up for our amazing newsletter at AlyshiaOchse.com. And don't forget to snap and post a photo while listening to the show and tag me: @alyshiaochse & @thatoneaudition THE BRIDGE FOR ACTORS: Become a WORKING ACTOR (50% off special) THE PRACTICE TRACK: Membership to Practice Weekly CONSULTING: Get 1-on-1 advice for your acting career from Alyshia Ochse COACHING: Get personalized coaching from Alyshia on your next audition or role INSTAGRAM: @alyshiaochse INSTAGRAM: @thatoneaudition WEBSITE: AlyshiaOchse.com APPLE PODCASTS: Subscribe to That One Audition on Apple Podcasts SPOTIFY: Subscribe to That One Audition on Spotify STITCHER: Subscribe to That One Audition on Stitcher EPISODE CREDITS: HOST/PRODUCER: Alyshia Ochse WRITER: Maddie McCormick WEBSITE & GRAPHICS: Chase Jennings SOCIAL: Alara Cerikcioglu

durée : 00:07:30 - Le masque et la plume - par : Rebecca Manzoni - James Frey signe une satire féroce aux allures de thriller hollywoodien en embarquant le lecteur dans une fête libertine chez les ultra-riches qui vire au crime. La majorité du Masque a savouré ce roman qu'ils recommandent de lire sur le transat. - équipe : Stéphane Le Guennec, Ilinca Negulesco Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Portsmouth is worse than Fanny could've imagined, and in these chapters, she tries to find a friend among her family. Mary sends a gossipy letter to Fanny, and Fanny kind of likes it. Fanny buys a knife for her little sister AND joins a library! Topics discussed include regency era dentistry, Fanny's llama mama, Mrs. Price's resemblance to her sisters, the social status of the Ward sisters, Spicy Susan, the Saturday half-holiday, the comparison of Portsmouth to celibacy, Mary poking the bear, Baron Wildenhaim's courtship of Julia, what qualities in a person are innate, and luxurious and daring wealth.Patron Study Questions come from Avi, Kate, Ghenet, and Linnea. Topics discussed include how Fanny's sisters could've benefitted if she'd come home earlier, Mrs. Price as a tragic figure, and Fanny's lack of a female friendship, where Fanny truly belongs, whether Portsmouth is an enticement or warning about marrying Henry, and Maria as a warning.Becca's Study Questions: Topics discussed include the picture Jane Austen is painting of the lower classes and how Susan complicates that picture, what role Susan plays in the narrative, whether Fanny really misses Mansfield, why Maria is unhappy, and predictions about our former main characters. Funniest Quote(s):“As to the little irritations, sometimes introduced by Aunt Norris, they were short, they were trifling, they were a drop of water to the ocean, compared with the ceaseless tumult of her present abode.”“I hope she will recollect it and be satisfied, as well she may, with moving the queen on a palace, though the king may appear best in the background.”Questions moving forward: How close will Fanny and Susan get? Will we go to the Rushworths' party? Will Edmund propose?Who wins the chapters? Mary Crawford!Glossary of People, Places, and Things: Arthur (Mr. Ratburn and the Special Someone), High School Musical, Is Your Mama a Llama?, Mean Girls, Rugrats, the White Lotus, Dr. Johnson, the Office, Money with MelNext Episode: Mansfield Park Volume III Chapters 10-11 or Chapters 41 and 42Our show art was created by Torrence Browne, and our audio is produced by Graham Cook. For bios and transcripts, check out our website at podandprejudice.com. Pod and Prejudice is transcribed by speechdocs.com. To support the show, check out our Patreon! Check out our merch at https://podandprejudice.dashery.com.Instagram: @podandprejudiceTwitter: @podandprejudiceFacebook: Pod and PrejudiceYoutube: Pod and PrejudiceMerch store: https://podandprejudice.dashery.com/

The new game show “Nation's Dumbest,” flips the classic “Jeopardy!” script on its head. The format: twelve famous-ish contestants are peppered with basic logic and trivia questions. The twist is that those who perform well are sent home, with the last one standing receiving the title of “Nation's Dumbest.” On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz consider how the figure of the idiot has evolved over time, from Shakespearean fools—whose position of apparent ignorance allows them to speak difficult truths—to more recent “happy fools” like Austin Powers and the goofy, stunt-obsessed heroes of the “Jackass” franchise. Once a laughingstock, the idiot has reached new heights of influence in the era of A.I. summaries and the infinite scroll. Resisting stupidity can feel like an uphill battle. “Whatever it is to be smart, I'm doing this Sisyphean thing of continuing to push it up the hill, and the rock feels heavy,” Cunningham says. “The question is: is society a wind at your back, or going in the opposite direction?”  Read, watch, and listen with the critics: “Nation's Dumbest” (2026-) “Jeopardy!” (1984-) “Austin Powers” (1997) “Seinfeld” (1989-98) “The White Lotus” (2021-) “30 Rock” (2006-13) “Tracy Morgan Turns the Drama of His Life Into Comedy,” by Vinson Cunningham (The New Yorker) “American Humor,” by Constance Rourke “Born Yesterday” (1950) “Legally Blonde” (2001) Green Day's “American Idiot” “Jackass: Best and Last” (2026) Shakespeare's “King Lear” Shakespeare's “Hamlet” “A Short History of Stupidity,” by Stuart Jeffries “The Year in Stupidity,” by Naomi Fry (The New Yorker) “A Theory of Dumb,” by Lane Brown (New York) “Naked Gun” (2025) New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts.Critics at Large is a weekly discussion from The New Yorker which explores the latest trends in books, television, film, and more. Join us every Thursday as we make unexpected connections between classic texts and pop culture. Learn more about your ad choices. Visit podcastchoices.com/adchoices

There's a new drama on Binge that's already got everyone talking, and the cast list alone is worth the watch — Jennifer Garner, Gemma Chan, Regina Hall, Judy Greer, Timothy Olyphant and a scene-stealing Chloë Sevigny. Based on a beloved bestseller, it follows a grieving food blogger who gathers a friend from every era of her life for one weekend on the island. And we can't stop thinking about the Netflix true crime doc that's genuinely one of the best we've seen. It opens with an idyllic Californian couple, some terrifying anonymous emails and a Craigslist twist too disturbing to spoil — then keeps flipping. Conflicting accounts, lying witnesses, evidence that changes everything: you won't know what to think until the very end.Plus a soapy, sexy small-town Texas romance is back on Netflix for season two — basically Yellowstone's fun cousin, led by two faces you've loved for years. TAKE THE SPILL QUIZ HERERemember The Spill drops the tea twice a day in this feed so follow us for all the latest entertainment news… OR you can WATCH our show in full length video on the Apple Podcast app - make sure your phone is up to date and enjoy the watch! Link here. THE END BITS Find and follow us on socials: Instagram: https://www.instagram.com/thespillpodcast/ TikTok: https://www.tiktok.com/@thespillpod Facebook: https://www.facebook.com/thespillpodcast/ Read all the latest entertainment news on Mamamia: https://mamamia.com.au/entertainment/ Support Independent Women’s Media. Your subscription helps us continue to tell the stories that matter to women. The Out Loud hosts have handpicked their all-time favourite reads and one subscriber is winning the entire 12-book stack. Subscribe to Mamamia here to be automatically entered to win. Current subscriber? You're already in the draw. T&Cs apply. Want to join the conversation? Have feedback or a topic you want us to discuss? Send us a voice message or email us at thespill@mamamia.com.au and we’ll get back to you ASAP! Executive Producer: Monisha Iswaran Audio & Video Producer: Michael Kean Mamamia acknowledges the traditional owners of the land on which we have recorded this podcast.Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

We've been fans of Murray Bartlett's for years, so it was an absolute delight to talk to him on this week's EXQUISITE episode! Now you know Murray from a million things, as the Emmy Award-winning supporting actor from The White Lotus, as well as from The Last of Us, Welcome to Chippendales, Looking, Nine Perfect Strangers and so much more including the wonderful Apple TV+ show Maximum Pleasure Guaranteed (starring former guest Tatiana Maslany!), which just finished its first season! This is just a small sampling of Murray's CV, but today we're getting to know the real person behind the roles, and folks, he's a joy! We talk about Perth in the 1980s, moving across Australia to live with his first boyfriend, acting as a doorway to flawed self-perception as well as therapy as a tool to fix one's perception of oneself, and SO MUCH MORE! PLUS, obvi, we answer YOUR advice questions! If you'd like to ask your own advice questions, call 323-524-7839 and leave a VM or just DM us on IG or Twitter!BUY A SUPER CUTE "Open Your Hearts, Loosen Your Butts" mug! Also, we're in culture critic and Vulture writer Sean Malin's book The Podcast Pantheon: 101 Podcasts That Changed How We Listen! And:Support the show on Patreon (two extra exclusive episodes a month!) or gift someone a Patreon subscription! Or get yourself a t-shirt or a discounted Quarantine Crew shirt! And why not leave a 5-star review on Apple Podcasts? Or Spotify? It takes less than a minute! Follow the show on Instagram! Check out some CT clips on YouTube!Plus some other stuff! Watch Naomi's Netflix half hour or Mythic Quest! Check out Andy's old casiopop band's lost album or his other podcast Beginnings!Theme song by the great Sammus! Hosted on Acast. See acast.com/privacy for more information.

Emmy-winning actor Murray Bartlett joins Kevin Fallon to talk about his thrilling new series Maximum Pleasure Guaranteed, the unforgettable success of The White Lotus, and why there's still hope for a return to Mike White's hit HBO drama. He also reflects on filming one of television's most beloved love stories in The Last of Us, breaking stereotypes through LGBTQ+ representation, behind-the-scenes secrets from his most shocking scenes, and the surprising impact his work continues to have on audiences around the world. Follow Kevin Fallon on Instagram ⁠@kpfallon⁠ Follow Matt Wilstein on Instagram ⁠@mattjwilstein⁠ Follow Obsessed on Instagram ⁠⁠@beastobsessed Learn more about your ad choices. Visit podcastchoices.com/adchoices

We switch to sunnier climes this week, to a posh hotel in Sicily. It’s where the TV series White Lotus was filmed, and it’s also where our colleagues at The Australian Financial Review spotted One Nation leader Pauline Hanson poolside with billionaire Gina Rinehart. So what’s Hanson doing in Europe? In today’s episode, host Jacqueline Maley and chief political correspondent Paul Sakkal talk about who Hanson met overseas and how that plays for voters back home in Australia. Also, Prime Minister Anthony Albanese gave a landmark speech this week about the government’s approach to AI.Subscribe to The Age & SMH: https://subscribe.smh.com.au/See omnystudio.com/listener for privacy information.

Friday Headlines: Bianca Jones’ father calls on Albanese to intervene over inadequate methanol poisoning charges Iran launches fresh attacks on Gulf states as US strikes ship attempting to breach blockade Second case of bird flu detected in NSW Smoking rates hit historic low across Australia Pauline Hanson and Gina Rinehart spotted at White Lotus hotel Deep Dive: Is Australia a world leader on AI? Anthony Albanese wants you to think so – he gave a speech last week in the Great Hall at The University of Sydney, where he implied that new Australian AI regulations could set a global benchmark – similar to superannuation and the social media ban. Today we’re looking at Labor’s AI plan, and whether it really is a world-leading attempt to curb the harms of AI and harness its potential. What’s right with the plan, and what’s missing? Joining The Briefing is AI expert Professor Toby Walsh, Chief Scientist of the Artificial Intelligence Institute at the University of New South Wales. Further listening from the headlines: Why smoking is ‘cool’ again Follow The Briefing: TikTok: @thebriefingpodInstagram: @thebriefingpodcast YouTube: @TheBriefingPodcastSee omnystudio.com/listener for privacy information.

We switch to sunnier climes this week, to a posh hotel in Sicily. It’s where the TV series White Lotus was filmed, and it’s also where our colleagues at The Australian Financial Review spotted One Nation leader Pauline Hanson poolside with billionaire Gina Rinehart. So what’s Hanson doing in Europe? In today’s episode, host Jacqueline Maley and chief political correspondent Paul Sakkal talk about who Hanson met overseas and how that plays for voters back home in Australia. Also, Prime Minister Anthony Albanese gave a landmark speech this week about the government’s approach to AI.Subscribe to The Age & SMH: https://subscribe.smh.com.au/See omnystudio.com/listener for privacy information.

Een vakantiethriller vol zon, zee en geheimen. Voor fans van Suzanne Vermeer en The White Lotus. Uitgegeven door Heartbeat Spreker: Amber Tomas

My guest is Kurt Johnson Co-author of The Moon Tavern, A Culinary Love Story With Recipes. The Moon Tavern takes the reader on a romantic and culinary journey through the Islands of Croatia, where dark family secrets are revealed, quirky friends and relatives are found, and love is discovered.Vesna, or Ves, is a cookbook writer from Minneapolis who travels to the remote, exotic island of Lastovo off Croatia's Mediterranean coast to reconnect with her biological grandmother. She'd been adopted as a young child after her parents died in the Yugoslav Wars of the 1990s. Ves is also fleeing a frayed relationship with her live-in partner, Reed.In Lastovo, she meets Dinko, a single, handsome, and wealthy vineyard owner, and his cute daughter Mia. With his help with the translation, Ves discovers her biological family's history and the dark secrets of what happened during the war. Romance, travel, and cooking ensue. She ultimately learns what matters most to her: simplicity in life, closeness with family, and someone to share love with. And, of course, food!Stephanie [00:00:00]:Hello, everybody, and welcome to Dishing with Stephanie's Dish, the podcast where we talk to people in the food space and other spaces. All the spaces of all the fun things. Kurt is my spouse, Kurt Johnson, and also the co author of the Moon Tavern, a culinary romance with recipes. It is a fiction book that is available on your bookshelf now. Welcome to the podcast, Kurt.Kurt Johnson [00:00:22]:Hi, thanks for having me.Stephanie [00:00:24]:Thanks for having us. The idea that we should work on a book together. I am, as many of you listening know, a cookbook writer and my husband is a fiction writer. And somewhere along the way, we decided that maybe it would be good to collaborate together. Kurt, was it you or me that had the idea first? I think it was you.Kurt Johnson [00:00:42]:Yeah, probably. I was kind of done with my past book writing about Las Vegas and looking for something different. And we'd been traveling a lot, so going to Croatia, going to Italy, going out west, going to Turkey. So I wanted to incorporate travel with a novel, and I also wanted to incorporate food. And so I thought this would be a lot of fun. Since we're traveling together, we have those shared experiences and you have the food experience and the food writing experience. So I thought it'd be a fun collaboration. And I've always liked the idea of love stories.Kurt Johnson [00:01:18]:Even my thriller books in Las Vegas had kind of a love story element. And it adds a dimension to a novel that, I don't know, makes it cohesive, makes it pull together in an emotional arc that's kind of fulfilling in the end.Stephanie [00:01:33]:Do you think you're a romantic at heart, or what is it about romances that are fun to write for you?Kurt Johnson [00:01:39]:Maybe I'm a romance at heart. I may be more stoic than that, though. I just. I like the idea of seeing people get together, seeing people enjoy the same interests and finding people that can fall in love. Of course, that's always the fun part. The hard part is once you get married and move on from there and have to deal with kids and daily life and work and all the other things that go with living life. And that's not that much fun to write.Stephanie [00:02:07]:Yeah, exactly. We as a couple, I think I can speak for me and you maybe on this one. We've always had great experiences traveling. We are good traveling companions. We like the spirit of adventure. Did you know that Croatia would be the spot for the first fiction endeavor?Kurt Johnson [00:02:24]:Yeah, that was a given since we'd been there five times and four times running a sailboat and visiting the islands. And as you know, Stephanie, I'm just enamored with those islands, I think they're so beautiful. And there was one island we discovered out there, Lastovo, which is the furthest island out. So a lot of the sailors and tourists just never get there. They stay closer to shore. So, you know, going out there the first time, this beautiful bay of Zachlopedia, where, you know, it's a, it's a protective cove which is beautiful turquoise water. And then taking the dinghy in, and then you walk up this path, I think it's about a two mile hike. And then you go over this ridge and this 16th, 15th century town opens up.Kurt Johnson [00:03:10]:You know, at one point maybe it had 10,000 residents. And, and it, it, when we first saw it, I don't know, 10, 15 years ago, it was abandoned. So it was a ghost town of 15th century buildings and churches and apartments in this beautiful valley of lush green foliage. So that's very picturesque. We had an incredible meal there of just simple anchovies and blitfa. And for you, for you people out there that don't know, blitfa is ubiquitous in Croatia. And it's, it's just spring potatoes with Swiss chard, but it's served with everything.Stephanie [00:03:52]:It is served with everything. And they sometimes have spinach, sometimes have like another type of green, but it's sort of like the potatoes are cooked till they're pretty soft, and then it's kind of mashed in a little bit. So it's not fully a mashed potato and it's not fully a roasted potato. It's sort of a combination of both. But it is good.Kurt Johnson [00:04:12]:Yeah, so, yeah, that's so, you know, it seemed such an exotic place, the island of Lastovo in Croatia, that it was a natural to place it there.Stephanie [00:04:23]:Can you tell a little bit of just an introduction of the story, like what people will find when they crack open the book?Kurt Johnson [00:04:30]:Sure. It's about Vesna, who is. Has a breakup with her live in boyfriend, and they'd had a restaurant. She was a chef, a cookbook authority, and had a restaurant, not unlike my dear wife Stephanie. And she has a breakup and she leaves Minneapolis to go to Croatia to uncover her. Her heritage. She had been adopted from Croatia, specifically Dubrovnik, when her parents died in the Serb bombing of Dubrovnik in 1991. So she was adopted out of there and raised in Minnesota.Kurt Johnson [00:05:05]:So then she goes to Croatia and rediscovers her dark family secrets and meets Dinko Radek, who is a winery owner, and, you know, romance ensues. But she has a life still back in Minneapolis that she has to go back to and resolve.Stephanie [00:05:24]:When we talked about putting this first concept together, you know, I see the world through food. Like, literally everything in sort of my life is framed by a meal, an experience, just the way that I see the world. It's always around food, celebrations. And so did you know that that would work for this Croatia book? Because I didn't. When you first brought it up, I was like, I can't be a Croatian grandma here. And writing recipes about what at the time I perceived as, like, dumplings.Kurt Johnson [00:05:53]:Yeah, I wasn't sure either, frankly. You know, so each chapter, there's 25 chapters, and each chapter in it has a description of cooking. And it's all Croatia cooking, Croatia recipes. You know, all food we at over the years where we were there. And then the idea of tagging on recipes was just kind of bringing it home. Like, here's the Croatia experience. Now here's how Stephanie would bring that back to the real world, which is here in the United States.Stephanie [00:06:21]:We have talked about doing a series of books. What is it about this genre that you think lends itself to other titles and other characters?Kurt Johnson [00:06:29]:Well, you know, it's an adventure book on one level, and there's always new places to visit. So the next book is based in Panza, Italy, where we've been a couple times. And it's this beautiful island off the coast of Italy in the Mediterranean. And, you know, Italian food. You go to Italy and what you remember is the pizza in Naples or the. The pasta in Rome and. And the busteca up in the hills. So, you know, a way to experience a place is.Kurt Johnson [00:07:04]:Is through food. And I like writing about new settings. You know, it. It's not as interesting writing about Minnesota,Stephanie [00:07:11]:but you've written a lot about Las Vegas. You've had how many books about Las Vegas? Three.Kurt Johnson [00:07:16]:Yeah, three. You know, two of the. Of kind of a thriller in. Two thrillers in a series, and then a book about RVing that ends up in. In Las Vegas. And Las Vegas is a interesting place, and I lived there for five years running nightclubs and restaurants. And so two of the books are Underbelly of Las Vegas, which I was a part of in the nightclub scene back in the late 80s. So that's just flat out fun to write about.Kurt Johnson [00:07:39]:And Las Vegas is such a weirdo place that it's fun to bring that to life.Stephanie [00:07:45]:It's interesting to hear you talk about that. The way you choose your stories is about place, because the first book, the Barrens, that you wrote with our Daughter Ellie, inspired by her experiences as a canoe camper in the tundra. That's also based in Place, too. Place is sort of what starts you on these journeys. It seems like, yeah, you know something,Kurt Johnson [00:08:07]:you threw me a curveball because I never really thought about it. But you're exactly right.Stephanie [00:08:12]:All.Kurt Johnson [00:08:12]:All these books start off with a setting, with a place, and then, you know, the plots revolve around. Around that. And there's just so many. So many different. There's a finite number of, really, plots you can choose from. It's kind of like a piano keyboard has all the. The notes that you want to make up a. A music piece the same way with plot structures.Kurt Johnson [00:08:34]:And so to take it to the next level, you really have to search out characters, and the characters are in a setting, so those two are inexplicably, Inextricably. Inextricably linked. Yeah, exactly. So, you know, the two go hand in hand. So character and place really can set a novel apart.Stephanie [00:08:59]:Can you think of other books that you've written or. Excuse me. No, not that you've written, that you've read. Where Place sort of started you off on this adventure?Kurt Johnson [00:09:07]:Yeah, probably. I really love Beautiful Ruins.Stephanie [00:09:11]:Jess Walters.Kurt Johnson [00:09:13]:Walters, yeah. And that starts off in Italy, kind of near Cinque de Terre. And it's kind of the poor version of Cinque de Terre, where the tourists don't go. And it was such a fascinating story. And then they bring that all back to Hollywood in America, and it just works so well. But what really captures your imagination is the description of this little seaside community. Before the whole plot takes over, IStephanie [00:09:41]:kind of think about that book. The Embarrassment of Mangoes.Kurt Johnson [00:09:44]:Yeah.Stephanie [00:09:44]:When you and I first started sailing and going on these adventures, we read that book. It was about a couple that buys a boat and sails through the Caribbean, and she is discovering spices and fruits and vegetables and things that she's never eaten before. And I just loved that book. It was really what got me into sailing and thinking about how to make that our life and whether or not, you know, we could buy a boat and do that. And that boat really had a huge setting of place. Can you think of, like. I don't know. When I think of other books, there's very few books that I think about character first.Stephanie [00:10:19]:I usually always think about the place. Maybe that's just something.Kurt Johnson [00:10:22]:Or the plot, too. Yeah, they're all just linked together. And you don't think about. Well, you were saying you don't think about character as much.Stephanie [00:10:31]:Not really.Kurt Johnson [00:10:32]:Yeah, it's funny. I think, you know, the best books people say are character driven, but they're inexplicable. What's the word again?Stephanie [00:10:41]:Inextricably.Kurt Johnson [00:10:43]:Inextricably. Trouble with that. Linked. So, you know, you pick a place and you pick a plot and then you build these characters. The characters have to build around that plot and so they kind of naturally flow. And, and I, I think they, if they're well written and honest, you shouldn't think of them. You know, they're interesting characters and you'll say, you know, this is Rabbit and the Rabbit series. And you'll know, but you won't say, oh, that's just a great character.Kurt Johnson [00:11:10]:I, I, I don't know that I certainly, you know, I'm probably deep into it and I look at the craft a lot so I can see where somebody has really spent some time to develop an honest character or where, you know, the narrative voice comes through and, and a character comes to life through this first person narrative voice. So I see that a lot moreStephanie [00:11:30]:people have a real, like they can't believe you can write a book. Like the idea of the literal act of sitting down and writing and how that works. People fantasize about writing it, but then very few people do. What was it that got you over the hump from thinking about writing it to actually sitting down and doing it?Kurt Johnson [00:11:47]:Well, selling our business and all of a sudden being able to free up time. Because for me, novel writing and I think was it Chrisham talked about, you know, writing at 5 in the morning before he goes to work at 7. I just couldn't do that. You know, I just, I'm very focused on one thing and, and so I needed to free up my time from work in order to get going. And then it was, can you put together, you know, a thousand or fifteen hundred words every day so that it links up into a novel and have that, not only that, that discipline, but also have the creative juices to produce scenes almost every day because, you know, like a, a good novel is created from 50 scenes. So I went from, you know, writing a memoir that I probably won't publish just to see if I can get, you know, a thousand words every day and put this together to then writing Las Vegas turnaround. And there I, I, I really just copied a lot of plot structures that I saw that I liked. And so it was easier for me to set up main characters, set up tertiary characters, subplots, because I had a blueprint from somebody else.Kurt Johnson [00:12:56]:And then, and then once, you know, you Keep writing. You get muscle memory for it and it becomes more, more natural and actually more fun because it becomes more organic. You'll follow characters through a town and they'll meet somebody and all of a sudden that person becomes a character in their universe and they say something and all of a sudden that takes off and you have to follow it. Now, you know, the woman's gonna fall in love with a guy at the end. But getting there is the fun part. And now I can do that a lot more organically.Stephanie [00:13:27]:If you are talking to any aspiring novel writers, what kind of advice do you have for them to get started?Kurt Johnson [00:13:34]:Well, you know, you gotta lower your expectations just because publishing is so hard, you know.Stephanie [00:13:39]:Can you elaborate on that?Kurt Johnson [00:13:41]:Well, you know, there's maybe two or three or 400 agents, most of them in New York City and they're all trying to make a buck. And it's hard to make a buck off a debut writer. It helps if you're MFA and you're writing in a genre because, you know, let's say 70% of the books are read by women and 70% of those are romances. And then men, the other 30%, probably 80% of what they read are, you know, thrillers or mysteries. So if you can pick a genre, that always helps. But yeah, it, you have to be more thoughtful about it. And I think, I think so many first time writers, you know, once they get the discipline and put, put the, the words on a page, they write that first personal novel, you know, and I wrote my memoir and it's, it's really 90% of those, they, you know, people have the, they aspire for the great American novel and it's too personal, it's too close to home. They can't break out from the reality of their lives to have fun with the plot and make things happen.Kurt Johnson [00:14:45]:So a lot of times these books, nothing happens. They're deeply emotional books where nothing happens and they're, they're excruciatingly boring. So you gotta get past that phase and then you gotta look at it as a, as a craft. And, you know, a big chunk of it's art, of course, whatever you wanna call that, you know, shedding light on the human experience. But a big chunk is craft. And I don't think you can get to the craft for most people in that first book. So you gotta keep writing, you know, and realize that the first couple books may not get published. So, you know, the barons got published.Kurt Johnson [00:15:21]:That was one, two, that was my third, fourth book, you know, and the, and two, the, the first three, two of them were duds that will never be published.Stephanie [00:15:31]:Yeah. Yeah. All right, well, it's good to chat with you about the book. We are in the marketing process of the book. I feel like books come in three waves. One is the idea that you're thinking about it. The second, the actual writing of it. And then the third is actual the marketing of it.Stephanie [00:15:48]:What do you think's the hardest part?Kurt Johnson [00:15:49]:Well, I mean, it's. The hardest part's finding an agent and finding a publisher. Then if you self publish, the hardest part is marketing. And at least it is for me because writing is so natural and fun for me. But I think for most people, you know, the writing's a hard part. And, and you know, like the Minnesota writer o', Brien, he hates writing, so he forces himself. Tim o'. Brien.Kurt Johnson [00:16:12]:So he forces himself to get those books out there. So probably that's the hardest part for him.Stephanie [00:16:17]:We had, I had a cookbook, two cookbooks out and I had a publisher, but they didn't publish this book because it was a fiction book. I think some people just assume like, oh, well, they've already had books out, but we self published this book. Why did we make that decision from your standpoint?Kurt Johnson [00:16:33]:Well, we couldn't get an A list agent or a New York publisher. There's just not, it comes off as almost a debut book and it's hard for them to make any money. So if you can't get an A lister, then you're, you know, stuck with boutique publishing companies and others and, and they just don't support the marketing of your book. And I've self published books in the past, so I know how to do it. I know how to put a professional product out there. And, and we can, you know, both of us are marketers and, and Stephanie has a large platform, so we can do a lot of our own marketing or, or outsource it, you know, but still we retain most of the profits. So when we do the marketing, we can reinvested or keep those profits.Stephanie [00:17:17]:Yeah, I, when you say profits, it sounds like there's a lot there. I'd like to, I mean, I mean,Kurt Johnson [00:17:22]:maybe, maybe we broke it even at this point, but then now we're looking at a marketing PR firm that's going to set us back another $5,000. But you know, if, if these books succeed and somebody makes a lot of money, it's the, it's the third, you know, book that's going to put them over the top. It's not the first.Stephanie [00:17:40]:I have this idea too that we're going to write these books and then sooner or later someone's going to turn them into a T series because it's going to be like the White Lotus where each season is a different location and a different cast of characters, but sort of the general premise is sort of the same.Kurt Johnson [00:17:56]:I hope so. You know, I hope an A list agent comes along and, and frees us from our servitude or whatever. And, but, and yeah, you know, there's, there's plenty of stories of self published authors that, that get deals or even boutique. Boutique authors that get deals. So you know, we can dream.Stephanie [00:18:16]:One thing that I'd like the listener to hear is what their part is in this because we've. I was leaving the coffee shop today. We're in Ely. That is the vacation backgrounds. But.Kurt Johnson [00:18:25]:Right.Stephanie [00:18:25]:I was leaving the coffee shop today and a woman stopped me and said, Stephanie, I had the opportunity to read the Moon Tavern. It's so good. I loved it so much. And she's telling me about it and telling her friend. And I have that experience a lot where people have really, really enjoyed this book. And I just want the listener to know that leaving reviews on Goodreads or Amazon or Barnes and Noble or wherever you bought the book or if you can' find a book, asking for it at your local bookseller. Cause they can always order it when you're self published. The more buzz you can create about these books, the better chance that someone will hear about it, someone will buy it and eventually a publisher, if they hear about a book and they like it, then they may pick it up.Stephanie [00:19:03]:So I think if you like what you're reading and you want to see more of this type of work in the world and books that you like, that's something that you can do to help us out.Kurt Johnson [00:19:13]:Yes, a 5 on Amazon or top rating on any other Goodreads is good too. Yeah, it's, it's all, it's all good. So yes, those, those help a lot. Just because the more reviews you can get and the more five star reviews you get, the more people will pick up the book, the more buzz you'll get. So yeah, so it helps us immeasurably.Stephanie [00:19:35]:Another thing before we wrap up here, someone asked me about the Cover of the book. Do you want to talk about how you picked the artwork?Kurt Johnson [00:19:41]:Yeah, I was pretty much online Xee Reider, she's in St. Paul and she's a muralist mostly. And I really liked the look that she had. So I reached out to her, and she did the original artwork, and then each chapter ends with a recipe, and there's a pen and ink drawing, and she did those. And I really think that adds another level to the book. And I love a beautiful cover.Stephanie [00:20:10]:Yeah, the cover is really nice. She did a great job. All right, well, that is it for this episode of the podcast. Just want to chat with you and give people a little background. Thanks for being a guest. Stephanie Hansen's @StephaniesDish Newsletter is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit stephaniehansen.substack.com/subscribe

My guest is Kurt Johnson Co-author of The Moon Tavern, A Culinary Love Story With Recipes. The Moon Tavern takes the reader on a romantic and culinary journey through the Islands of Croatia, where dark family secrets are revealed, quirky friends and relatives are found, and love is discovered.Vesna, or Ves, is a cookbook writer from Minneapolis who travels to the remote, exotic island of Lastovo off Croatia's Mediterranean coast to reconnect with her biological grandmother. She'd been adopted as a young child after her parents died in the Yugoslav Wars of the 1990s. Ves is also fleeing a frayed relationship with her live-in partner, Reed.In Lastovo, she meets Dinko, a single, handsome, and wealthy vineyard owner, and his cute daughter Mia. With his help with the translation, Ves discovers her biological family's history and the dark secrets of what happened during the war. Romance, travel, and cooking ensue. She ultimately learns what matters most to her: simplicity in life, closeness with family, and someone to share love with. And, of course, food!Stephanie [00:00:00]:Hello, everybody, and welcome to Dishing with Stephanie's Dish, the podcast where we talk to people in the food space and other spaces. All the spaces of all the fun things. Kurt is my spouse, Kurt Johnson, and also the co author of the Moon Tavern, a culinary romance with recipes. It is a fiction book that is available on your bookshelf now. Welcome to the podcast, Kurt.Kurt Johnson [00:00:22]:Hi, thanks for having me.Stephanie [00:00:24]:Thanks for having us. The idea that we should work on a book together. I am, as many of you listening know, a cookbook writer and my husband is a fiction writer. And somewhere along the way, we decided that maybe it would be good to collaborate together. Kurt, was it you or me that had the idea first? I think it was you.Kurt Johnson [00:00:42]:Yeah, probably. I was kind of done with my past book writing about Las Vegas and looking for something different. And we'd been traveling a lot, so going to Croatia, going to Italy, going out west, going to Turkey. So I wanted to incorporate travel with a novel, and I also wanted to incorporate food. And so I thought this would be a lot of fun. Since we're traveling together, we have those shared experiences and you have the food experience and the food writing experience. So I thought it'd be a fun collaboration. And I've always liked the idea of love stories.Kurt Johnson [00:01:18]:Even my thriller books in Las Vegas had kind of a love story element. And it adds a dimension to a novel that, I don't know, makes it cohesive, makes it pull together in an emotional arc that's kind of fulfilling in the end.Stephanie [00:01:33]:Do you think you're a romantic at heart, or what is it about romances that are fun to write for you?Kurt Johnson [00:01:39]:Maybe I'm a romance at heart. I may be more stoic than that, though. I just. I like the idea of seeing people get together, seeing people enjoy the same interests and finding people that can fall in love. Of course, that's always the fun part. The hard part is once you get married and move on from there and have to deal with kids and daily life and work and all the other things that go with living life. And that's not that much fun to write.Stephanie [00:02:07]:Yeah, exactly. We as a couple, I think I can speak for me and you maybe on this one. We've always had great experiences traveling. We are good traveling companions. We like the spirit of adventure. Did you know that Croatia would be the spot for the first fiction endeavor?Kurt Johnson [00:02:24]:Yeah, that was a given since we'd been there five times and four times running a sailboat and visiting the islands. And as you know, Stephanie, I'm just enamored with those islands, I think they're so beautiful. And there was one island we discovered out there, Lastovo, which is the furthest island out. So a lot of the sailors and tourists just never get there. They stay closer to shore. So, you know, going out there the first time, this beautiful bay of Zachlopedia, where, you know, it's a, it's a protective cove which is beautiful turquoise water. And then taking the dinghy in, and then you walk up this path, I think it's about a two mile hike. And then you go over this ridge and this 16th, 15th century town opens up.Kurt Johnson [00:03:10]:You know, at one point maybe it had 10,000 residents. And, and it, it, when we first saw it, I don't know, 10, 15 years ago, it was abandoned. So it was a ghost town of 15th century buildings and churches and apartments in this beautiful valley of lush green foliage. So that's very picturesque. We had an incredible meal there of just simple anchovies and blitfa. And for you, for you people out there that don't know, blitfa is ubiquitous in Croatia. And it's, it's just spring potatoes with Swiss chard, but it's served with everything.Stephanie [00:03:52]:It is served with everything. And they sometimes have spinach, sometimes have like another type of green, but it's sort of like the potatoes are cooked till they're pretty soft, and then it's kind of mashed in a little bit. So it's not fully a mashed potato and it's not fully a roasted potato. It's sort of a combination of both. But it is good.Kurt Johnson [00:04:12]:Yeah, so, yeah, that's so, you know, it seemed such an exotic place, the island of Lastovo in Croatia, that it was a natural to place it there.Stephanie [00:04:23]:Can you tell a little bit of just an introduction of the story, like what people will find when they crack open the book?Kurt Johnson [00:04:30]:Sure. It's about Vesna, who is. Has a breakup with her live in boyfriend, and they'd had a restaurant. She was a chef, a cookbook authority, and had a restaurant, not unlike my dear wife Stephanie. And she has a breakup and she leaves Minneapolis to go to Croatia to uncover her. Her heritage. She had been adopted from Croatia, specifically Dubrovnik, when her parents died in the Serb bombing of Dubrovnik in 1991. So she was adopted out of there and raised in Minnesota.Kurt Johnson [00:05:05]:So then she goes to Croatia and rediscovers her dark family secrets and meets Dinko Radek, who is a winery owner, and, you know, romance ensues. But she has a life still back in Minneapolis that she has to go back to and resolve.Stephanie [00:05:24]:When we talked about putting this first concept together, you know, I see the world through food. Like, literally everything in sort of my life is framed by a meal, an experience, just the way that I see the world. It's always around food, celebrations. And so did you know that that would work for this Croatia book? Because I didn't. When you first brought it up, I was like, I can't be a Croatian grandma here. And writing recipes about what at the time I perceived as, like, dumplings.Kurt Johnson [00:05:53]:Yeah, I wasn't sure either, frankly. You know, so each chapter, there's 25 chapters, and each chapter in it has a description of cooking. And it's all Croatia cooking, Croatia recipes. You know, all food we at over the years where we were there. And then the idea of tagging on recipes was just kind of bringing it home. Like, here's the Croatia experience. Now here's how Stephanie would bring that back to the real world, which is here in the United States.Stephanie [00:06:21]:We have talked about doing a series of books. What is it about this genre that you think lends itself to other titles and other characters?Kurt Johnson [00:06:29]:Well, you know, it's an adventure book on one level, and there's always new places to visit. So the next book is based in Panza, Italy, where we've been a couple times. And it's this beautiful island off the coast of Italy in the Mediterranean. And, you know, Italian food. You go to Italy and what you remember is the pizza in Naples or the. The pasta in Rome and. And the busteca up in the hills. So, you know, a way to experience a place is.Kurt Johnson [00:07:04]:Is through food. And I like writing about new settings. You know, it. It's not as interesting writing about Minnesota,Stephanie [00:07:11]:but you've written a lot about Las Vegas. You've had how many books about Las Vegas? Three.Kurt Johnson [00:07:16]:Yeah, three. You know, two of the. Of kind of a thriller in. Two thrillers in a series, and then a book about RVing that ends up in. In Las Vegas. And Las Vegas is a interesting place, and I lived there for five years running nightclubs and restaurants. And so two of the books are Underbelly of Las Vegas, which I was a part of in the nightclub scene back in the late 80s. So that's just flat out fun to write about.Kurt Johnson [00:07:39]:And Las Vegas is such a weirdo place that it's fun to bring that to life.Stephanie [00:07:45]:It's interesting to hear you talk about that. The way you choose your stories is about place, because the first book, the Barrens, that you wrote with our Daughter Ellie, inspired by her experiences as a canoe camper in the tundra. That's also based in Place, too. Place is sort of what starts you on these journeys. It seems like, yeah, you know something,Kurt Johnson [00:08:07]:you threw me a curveball because I never really thought about it. But you're exactly right.Stephanie [00:08:12]:All.Kurt Johnson [00:08:12]:All these books start off with a setting, with a place, and then, you know, the plots revolve around. Around that. And there's just so many. So many different. There's a finite number of, really, plots you can choose from. It's kind of like a piano keyboard has all the. The notes that you want to make up a. A music piece the same way with plot structures.Kurt Johnson [00:08:34]:And so to take it to the next level, you really have to search out characters, and the characters are in a setting, so those two are inexplicably, Inextricably. Inextricably linked. Yeah, exactly. So, you know, the two go hand in hand. So character and place really can set a novel apart.Stephanie [00:08:59]:Can you think of other books that you've written or. Excuse me. No, not that you've written, that you've read. Where Place sort of started you off on this adventure?Kurt Johnson [00:09:07]:Yeah, probably. I really love Beautiful Ruins.Stephanie [00:09:11]:Jess Walters.Kurt Johnson [00:09:13]:Walters, yeah. And that starts off in Italy, kind of near Cinque de Terre. And it's kind of the poor version of Cinque de Terre, where the tourists don't go. And it was such a fascinating story. And then they bring that all back to Hollywood in America, and it just works so well. But what really captures your imagination is the description of this little seaside community. Before the whole plot takes over, IStephanie [00:09:41]:kind of think about that book. The Embarrassment of Mangoes.Kurt Johnson [00:09:44]:Yeah.Stephanie [00:09:44]:When you and I first started sailing and going on these adventures, we read that book. It was about a couple that buys a boat and sails through the Caribbean, and she is discovering spices and fruits and vegetables and things that she's never eaten before. And I just loved that book. It was really what got me into sailing and thinking about how to make that our life and whether or not, you know, we could buy a boat and do that. And that boat really had a huge setting of place. Can you think of, like. I don't know. When I think of other books, there's very few books that I think about character first.Stephanie [00:10:19]:I usually always think about the place. Maybe that's just something.Kurt Johnson [00:10:22]:Or the plot, too. Yeah, they're all just linked together. And you don't think about. Well, you were saying you don't think about character as much.Stephanie [00:10:31]:Not really.Kurt Johnson [00:10:32]:Yeah, it's funny. I think, you know, the best books people say are character driven, but they're inexplicable. What's the word again?Stephanie [00:10:41]:Inextricably.Kurt Johnson [00:10:43]:Inextricably. Trouble with that. Linked. So, you know, you pick a place and you pick a plot and then you build these characters. The characters have to build around that plot and so they kind of naturally flow. And, and I, I think they, if they're well written and honest, you shouldn't think of them. You know, they're interesting characters and you'll say, you know, this is Rabbit and the Rabbit series. And you'll know, but you won't say, oh, that's just a great character.Kurt Johnson [00:11:10]:I, I, I don't know that I certainly, you know, I'm probably deep into it and I look at the craft a lot so I can see where somebody has really spent some time to develop an honest character or where, you know, the narrative voice comes through and, and a character comes to life through this first person narrative voice. So I see that a lot moreStephanie [00:11:30]:people have a real, like they can't believe you can write a book. Like the idea of the literal act of sitting down and writing and how that works. People fantasize about writing it, but then very few people do. What was it that got you over the hump from thinking about writing it to actually sitting down and doing it?Kurt Johnson [00:11:47]:Well, selling our business and all of a sudden being able to free up time. Because for me, novel writing and I think was it Chrisham talked about, you know, writing at 5 in the morning before he goes to work at 7. I just couldn't do that. You know, I just, I'm very focused on one thing and, and so I needed to free up my time from work in order to get going. And then it was, can you put together, you know, a thousand or fifteen hundred words every day so that it links up into a novel and have that, not only that, that discipline, but also have the creative juices to produce scenes almost every day because, you know, like a, a good novel is created from 50 scenes. So I went from, you know, writing a memoir that I probably won't publish just to see if I can get, you know, a thousand words every day and put this together to then writing Las Vegas turnaround. And there I, I, I really just copied a lot of plot structures that I saw that I liked. And so it was easier for me to set up main characters, set up tertiary characters, subplots, because I had a blueprint from somebody else.Kurt Johnson [00:12:56]:And then, and then once, you know, you Keep writing. You get muscle memory for it and it becomes more, more natural and actually more fun because it becomes more organic. You'll follow characters through a town and they'll meet somebody and all of a sudden that person becomes a character in their universe and they say something and all of a sudden that takes off and you have to follow it. Now, you know, the woman's gonna fall in love with a guy at the end. But getting there is the fun part. And now I can do that a lot more organically.Stephanie [00:13:27]:If you are talking to any aspiring novel writers, what kind of advice do you have for them to get started?Kurt Johnson [00:13:34]:Well, you know, you gotta lower your expectations just because publishing is so hard, you know.Stephanie [00:13:39]:Can you elaborate on that?Kurt Johnson [00:13:41]:Well, you know, there's maybe two or three or 400 agents, most of them in New York City and they're all trying to make a buck. And it's hard to make a buck off a debut writer. It helps if you're MFA and you're writing in a genre because, you know, let's say 70% of the books are read by women and 70% of those are romances. And then men, the other 30%, probably 80% of what they read are, you know, thrillers or mysteries. So if you can pick a genre, that always helps. But yeah, it, you have to be more thoughtful about it. And I think, I think so many first time writers, you know, once they get the discipline and put, put the, the words on a page, they write that first personal novel, you know, and I wrote my memoir and it's, it's really 90% of those, they, you know, people have the, they aspire for the great American novel and it's too personal, it's too close to home. They can't break out from the reality of their lives to have fun with the plot and make things happen.Kurt Johnson [00:14:45]:So a lot of times these books, nothing happens. They're deeply emotional books where nothing happens and they're, they're excruciatingly boring. So you gotta get past that phase and then you gotta look at it as a, as a craft. And, you know, a big chunk of it's art, of course, whatever you wanna call that, you know, shedding light on the human experience. But a big chunk is craft. And I don't think you can get to the craft for most people in that first book. So you gotta keep writing, you know, and realize that the first couple books may not get published. So, you know, the barons got published.Kurt Johnson [00:15:21]:That was one, two, that was my third, fourth book, you know, and the, and two, the, the first three, two of them were duds that will never be published.Stephanie [00:15:31]:Yeah. Yeah. All right, well, it's good to chat with you about the book. We are in the marketing process of the book. I feel like books come in three waves. One is the idea that you're thinking about it. The second, the actual writing of it. And then the third is actual the marketing of it.Stephanie [00:15:48]:What do you think's the hardest part?Kurt Johnson [00:15:49]:Well, I mean, it's. The hardest part's finding an agent and finding a publisher. Then if you self publish, the hardest part is marketing. And at least it is for me because writing is so natural and fun for me. But I think for most people, you know, the writing's a hard part. And, and you know, like the Minnesota writer o', Brien, he hates writing, so he forces himself. Tim o'. Brien.Kurt Johnson [00:16:12]:So he forces himself to get those books out there. So probably that's the hardest part for him.Stephanie [00:16:17]:We had, I had a cookbook, two cookbooks out and I had a publisher, but they didn't publish this book because it was a fiction book. I think some people just assume like, oh, well, they've already had books out, but we self published this book. Why did we make that decision from your standpoint?Kurt Johnson [00:16:33]:Well, we couldn't get an A list agent or a New York publisher. There's just not, it comes off as almost a debut book and it's hard for them to make any money. So if you can't get an A lister, then you're, you know, stuck with boutique publishing companies and others and, and they just don't support the marketing of your book. And I've self published books in the past, so I know how to do it. I know how to put a professional product out there. And, and we can, you know, both of us are marketers and, and Stephanie has a large platform, so we can do a lot of our own marketing or, or outsource it, you know, but still we retain most of the profits. So when we do the marketing, we can reinvested or keep those profits.Stephanie [00:17:17]:Yeah, I, when you say profits, it sounds like there's a lot there. I'd like to, I mean, I mean,Kurt Johnson [00:17:22]:maybe, maybe we broke it even at this point, but then now we're looking at a marketing PR firm that's going to set us back another $5,000. But you know, if, if these books succeed and somebody makes a lot of money, it's the, it's the third, you know, book that's going to put them over the top. It's not the first.Stephanie [00:17:40]:I have this idea too that we're going to write these books and then sooner or later someone's going to turn them into a T series because it's going to be like the White Lotus where each season is a different location and a different cast of characters, but sort of the general premise is sort of the same.Kurt Johnson [00:17:56]:I hope so. You know, I hope an A list agent comes along and, and frees us from our servitude or whatever. And, but, and yeah, you know, there's, there's plenty of stories of self published authors that, that get deals or even boutique. Boutique authors that get deals. So you know, we can dream.Stephanie [00:18:16]:One thing that I'd like the listener to hear is what their part is in this because we've. I was leaving the coffee shop today. We're in Ely. That is the vacation backgrounds. But.Kurt Johnson [00:18:25]:Right.Stephanie [00:18:25]:I was leaving the coffee shop today and a woman stopped me and said, Stephanie, I had the opportunity to read the Moon Tavern. It's so good. I loved it so much. And she's telling me about it and telling her friend. And I have that experience a lot where people have really, really enjoyed this book. And I just want the listener to know that leaving reviews on Goodreads or Amazon or Barnes and Noble or wherever you bought the book or if you can' find a book, asking for it at your local bookseller. Cause they can always order it when you're self published. The more buzz you can create about these books, the better chance that someone will hear about it, someone will buy it and eventually a publisher, if they hear about a book and they like it, then they may pick it up.Stephanie [00:19:03]:So I think if you like what you're reading and you want to see more of this type of work in the world and books that you like, that's something that you can do to help us out.Kurt Johnson [00:19:13]:Yes, a 5 on Amazon or top rating on any other Goodreads is good too. Yeah, it's, it's all, it's all good. So yes, those, those help a lot. Just because the more reviews you can get and the more five star reviews you get, the more people will pick up the book, the more buzz you'll get. So yeah, so it helps us immeasurably.Stephanie [00:19:35]:Another thing before we wrap up here, someone asked me about the Cover of the book. Do you want to talk about how you picked the artwork?Kurt Johnson [00:19:41]:Yeah, I was pretty much online Xee Reider, she's in St. Paul and she's a muralist mostly. And I really liked the look that she had. So I reached out to her, and she did the original artwork, and then each chapter ends with a recipe, and there's a pen and ink drawing, and she did those. And I really think that adds another level to the book. And I love a beautiful cover.Stephanie [00:20:10]:Yeah, the cover is really nice. She did a great job. All right, well, that is it for this episode of the podcast. Just want to chat with you and give people a little background. Thanks for being a guest. Stephanie Hansen's @StephaniesDish Newsletter is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit stephaniehansen.substack.com/subscribe

Lukas Gage (I Wrote This For Attention, Voicemails for Isabelle, and The White Lotus) is an actor and author. Lukas joins Armchair Expert to discuss growing up in a chaotic family in San Diego, surviving a brutal hate crime as a teenager, and being sent to a troubled teen wilderness program. Lukas and Dax talk about navigating Hollywood as a closeted actor, the surreal experience of getting married on The Kardashians, and Conor McGregor fracturing a disc in his back while filming Road House. Lukas explains how a BPD diagnosis changed the way he understood himself, how shame and secrecy can distort identity, and what it means to stop performing for other people's approval.Check Allstate first for a quote that could save you hundreds: https://www.allstate.com/See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

White Lotus, Succession, Real Housewives... Depuis plusieurs années, les ultra-riches ont envahi nos écrans. Alors que les inégalités se creusent, des personnages réels ou fictionnels étalent leurs privilèges pour notre divertissement. Alors pourquoi on regarde ?Ameziane :Son compte Instagram : https://www.instagram.com/hahamez/?hl=frLe Summer Tour de la Random Family : https://www.billetweb.fr/random-summer-tourSon spectacle Seum & Spleen à La Nouvelle Seine : https://www.billetreduc.com/spectacle/ameziane-dans-seum-spleen-393302Sources : Emma Garland, "Why Do We Love Watching Rich Arseholes on TV?", Vice (2021)Sophie Gilbert, "Money Is Ruining Television", The Atlantic (2025)Emily J. Smith, "When Did TV Stop Worrying About Money?", Substack (2025)Amelia Eqbal, "After years of 'eat the rich' television, are we finally full?", CBC (2025)Mia Sato, "Streaming services really want you to buy stuff while you watch TV", The Verge (2024)Erica Sweeney, "Wealth on TV Could Change Attitudes Toward Low-Income People, Study Finds", Teen Vogue (2018)"Rich People on TV: Satire or Good PR?", Wisecrack (2022)Kaleigh Werner, "Are TikTok Influencers Mainstreaming the Birkin?", WWD (2026)Rob Grams, Bourgeois Gaze, La domination de classe au cinéma, Editions Les liens qui libèrent (2026)Abonnez-vous à la newsletter sur Substack : chaque mois, je publie un article sur un sujet de la pop culture !Suivez Star System sur les réseaux :Instagram : @starsystempodcastTikTok : @starsystempodcastIllustration : Ines Basille. Musique : Naaha. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

HAPPY 4th OF JULY!

New York Times bestselling author and Shakespeare Professor Emeritus, Eloisa James, spoke with us about balancing literary scholarship with romance writing, leaving academia to write full-time, and her new “gothic adjacent” novel, THE LAST LADY B. Eloisa James is a New York Times bestselling author who has lead a “double life” as both Mary Bly—a Harvard, Oxford, and Yale-educated Shakespeare professor—and Eloisa James—a powerhouse of historical romance (recognized for her Regency and Georgian-era romances). Eloisa, called “a reigning queen of romance” by CBS Sunday Morning and a newly retired Shakespeare professor, continues to reinvent herself with her latest novel. THE LAST LADY B is a sharp, contemporary take on historical romance and her first foray into near-gothic storytelling—described as Jane Austen meets The White Lotus in the Scottish Highlands. Publishers Weekly said of the book in a starred review, "As the intrigue ramps up—complete with death, scandalous revelations, criminal allegations, and the potential for supernatural interference—sparks fly …" Eloisa James inherited a fascination with literature from her father, American Book Award-winning poet Robert Bly; her mother, short story author Carol Bly; and her godfather, Pulitzer Prize winner James Wright. [Discover The Writer Files Extra: Get 'The Writer Files' Podcast Delivered Straight to Your Inbox at writerfiles.fm] [If you're a fan of The Writer Files, please click FOLLOW to automatically see new interviews. And drop us a rating or a review wherever you listen] In this file Eloisa James, Milena, and I discussed: The burnout she experienced as a professor and former head of the Creative Writing program at Fordham University Why she decided to break the fourth wall and write her latest in first person What the romance genre offers writers in creative freedom and experimentation Her Popular course on writing genre fiction “Dragons, Daggers, and Dukes” How she collaborated with co-author Julia Quinn And a lot more! Show Notes: ElevenReader is a new, award-winning audio app for iOS, Android, Web Get up to $200 off Square hardware when you sign up at square.com/go/files! #squarepod eloisajames.com  The Last Lady B: A Novel By Eloisa James (Author) Eloisa James on Facebook Eloisa James on TikTok Eloisa James on Instagram Milena Gonzalez | Writer | Reader | Book Reviewer diary_of_a_book_babe on Instagram Kelton Reid Instagram Kelton Reid on Twitter Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Bubbles Mushrooms, now available on AOL. This week is no exception! We finally have Ann back on the show and we're definitely doin' dogs. Ann's foster dog Hank (the best boy you've ever seen) has been adopted by some lady, we break down the particulars of the current housing crisis, we break down the particulars of the manosphere and we break down the particulars of airing out your bits. Elon Musk has been blowing up people's Honda's so they go buy a Cybertruck, we check out some jams from Herb Alpert, discuss White Lotus and talk about all the different PPs we have seen. This week's special game is all about doggies in honor of Hank. We're doing a bracket to find out who the bestest boy (or girl) of all is once and for all! Will it be Benji or Chevy Chase? Can Ren Höek beat out Scooby Doo? Find out this week on your favorite podcast named after a dog - Bubbles Mushrooms. Email the show at bubbmush@gmail.com and follow us on all the socials @bubbmush - Thanks for checking out the show.

In this episode of Obsessed: The Podcast, Kevin Fallon sits down with Jake Lacy to discuss his acclaimed new film Mosquito in the Ear, the emotional complexities of portraying fathers in crisis, and what it was like filming in India. Jake reflects on working alongside stars like Nicole Kidman, earning an Emmy nomination for The White Lotus, and navigating the transition from playing lovable boyfriends in Girls and High Fidelity to scene-stealing villains. He also shares stories about collaborating with Mike White and Lena Dunham, offering a candid look at the career moments that shaped one of television's most versatile actors. Follow Kevin Fallon on Instagram ⁠@kpfallon⁠ Follow Matt Wilstein on Instagram ⁠@mattjwilstein⁠ New episodes every Thursday, and Saturday; ⁠early drops on YouTube⁠. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Here we are, season 6, episode 2, things are in motion, momentum is building, and I'm joined by one of my favorite composers: Cristobal Tapia de Veer (The White Lotus, Smile)! Cristo's latest project is the 2026 BBC adaptation of Lord of the Flies, featuring some incredible child actor performances and an increasingly psychedelic and psychotic score. We focus our conversation around that score, but inevitably veer off into different directions, also covering some of his past works with Lord of the Flies director and his longtime collaborator Marc Munden as well as Smile director Parker Finn, our shared interest in metal, the inspiration and magic of the unknown, and plenty more. I even ask point-blank about what happened in The White Lotus. How does he answer? Cristo's score for Lord of the Flies, and much of his other music, is available on all major platforms while the show itself is available on Netflix.

Featured article: "Wellness Tourism Could Top 900 Billion in 2030. Luxury Hotels Are Racing to Keep Up." — Forbes A Forbes feature highlighting 12 luxury hotels leading the wellness tourism shift — immersive White Lotus–style programming, longevity-driven design, destination spa experiences — opens the door to one of the most consequential conversations on the show this year. Wellness tourism is on track to hit nearly $900 billion by 2030. The architecture is gorgeous. The marketing is aspirational. But the strategic story underneath is bigger than any single hotel. Joe, Dave, and Aransas use the article as a launch point to talk about what luxury actually means now, why reflection is the highest-leverage cost-free upgrade an experience stager can make, why integration therapists are showing up at high-end destinations, and what the White Lotus effect tells us about the power of the guide. Key Ideas Place is the offer. The most successful destinations are not selling generic luxury — they are repositioning their authentic environments as wellness solutions. Sedona sells healing rituals. Greece sells the water. Aransas's framing: these hotels immerse you in a film, a script, an aspirational lifestyle you have already seen on Netflix. The destination becomes the set, and you get to step into the story. The MGM prediction came true. Joe takes the show back to 2000–2002, when he told MGM in Las Vegas that there would come a day when they made more revenue, and eventually more profit, off non-gaming experiences than off gaming. They thought he was crazy. The line crossed before 2010. Today the money-value-of-time per minute in the spa beats gaming. The Aria does not care if you skip the casino for the spa floor. Luxury is no longer about exclusivity. It is about transformation. Dave's reframe: luxury used to be the biggest diamond and the nicest car. Now it is who can go to Greece and walk away with better sleep, better biometrics, hormones optimized, and a body ready for the next experience. The shift is from possession to durable change. That is why the willingness to pay is climbing — the value compounds instead of fading on the flight home. The transformation stack. GLP-1s, biometrics, prevention, hormone optimization, longevity supplements, fitness tracking, anti-aging skincare — all converging inside hotels and spas. The result is not a vacation. It is a chrysalis. Joe's frame from the Rotterdam Third Place Summit: think of your place as a chrysalis between what your guest was before and what they are becoming, and help them through the change. Reflection is the highest-leverage upgrade in the experience economy. Dave names it clearly: the single biggest thing you can do to increase the value of an experience costs nothing. Get people to reflect. Joe builds on it from the work he and Aransas did at the Arival travel event in DC — reflection automatically and retroactively increases the value of the experience. It cements the memory, surfaces the impact, fuels the aspiration to come back, and turns guests into evangelists. It is the most consistently skipped step in experience staging today. The four-step transformation arc. From Joe's chapter on encapsulation in The Experience Economy: preparation (some academics call it preflexion), the experience itself, reflection, and integration. The fourth step is where most experience providers fall off — what happens after the guest leaves your property to keep the change taking root. Integration therapists are entering hospitality. Joe references a Wall Street Journal piece on luxury hotels hiring integration therapists — a model previously associated with ketamine therapy and plant medicine — to help guests integrate transformations they undertook elsewhere. Othership in Toronto and Brooklyn does the same thing for ayahuasca journeys done in the desert. The pattern is spreading. The White Lotus effect is really about the guide. Aransas's read on the most recent season: it makes the case, in narrative form, for how intimate and consequential the guide relationship can be inside a transformation setting. Some guides are destructive, some are generative. Either way, the show is teaching mainstream audiences to imagine what it would mean to travel with someone helping you become the next version of yourself. That imagination is what hotels are now being asked to deliver. A Useful Distinction Aransas's nuance on what counts as transformation: in your research, guests draw a hard line. A massage and a facial feel good. They are not transformation. Longevity — sustained, measurable, durable change — is transformation. The risk for the industry is selling the impression of transformation without delivering the underlying change. Beautiful sets, aspirational scripts, and no actual chrysalis. Memorable Moments Joe on the Aria: "It's a hundred degrees outside. We will keep you so pampered you won't want to leave." Dave: "Luxury used to be about who has the biggest diamond. Now it is about who can go to Greece and walk away with their sleep better, their biometrics better." Aransas: "You can't logic emotion, Joe." The Strategic Takeaway If you are in hospitality, third places, or any business adjacent to the transformation economy, the upgrade path is clear: Stop selling memorable experiences. Sell transporting ones — and inside the transport, design transformation. Pick the chrysalis you actually are. Place, ritual, regimen, guide — what specifically helps the guest move from before to after? Stage all four steps. Preparation, experience, reflection, integration. Reflection is free and almost no one does it. Start there. Treat the guide as a role, not a job title. The White Lotus audience is being trained to look for one. Subscribe and Continue the Conversation Find the show on theexperiencestrategist.substack.com, the podcast feed, and everywhere else. Got a topic you want us to dig into? Reach out on Substack. We are building the next round of episodes around what listeners are actually reading. And if you have a kid going to college this fall, Aransas would like to start a support group.

Reposted from The Handmaid's Tale Podcast: The Testaments, which you can find and subscribe to at: https://podcastica.com/podcast/the-handmaids-tale-podcast  — Another big batch of passionate, thoughtful, insightful messages from you guys. Praise be! It was a pleasure for us to go through these and respond, and think about The Testaments in new ways. We really made the right decision making these podcasts interactive, because you all really do add a lot. As we mentioned on the podcast, there's a chance (though not guaranteed) that we'll be back soon with an interview with The Testaments showrunner Bruce Miller. Otherwise, we may or may not be in this feed before The Testaments season two, but we'll definitely be back for that!  In the meantime, here are some other podcasts of ours you might be interested in: Dragon ‘Cast, where Wendy, Veronica, and Archmaester Renny cover HBO's Game of Thrones follow-ups, House of the Dragon and A Knight of the Seven Kingdoms: https://podcastica.com/podcast/dragon-cast  Yellowjackets wtf?, where Daphne, Wendy, Jason, and Penny cover the delightfully dark show, Yellowjackets: https://podcastica.com/podcast/yellowjackets-wtf  Run for Your Lives, where Daphne and Pake cover all kinds of monster, disaster, and horror movies: https://podcastica.com/podcast/run-for-your-lives-podcast  Wax Episodic, Jason's main podcast, where he and various others cover top-tier shows like Severance, Pluribus, Fallout, Welcome to Derry, and Alien: Earth, with others to come: https://podcastica.com/podcast/wax-episodic  Welcome to the White Lotus, where Jason, his wife Jenny, and their friend Randy cover The White Lotus: https://podcastica.com/podcast/welcome-to-the-white-lotus  The Walking Dead ‘Cast, the one that started it all way back in 2010, where Jason, Lucy, and others cover The Last of Us, all the Walking Dead spinoffs, and our ep-by-ep Walking Dead rewatch: https://podcastica.com/podcast/walking-dead-cast  Talk to you soon, D, W, & J P.S. If you want more conversation during the hiatus: Come check out our Handmaid's Tale: Mayday Facebook group, where we put up comment posts for each episode, at facebook.com/groups/thtmayday. Or join our Discord where you can leave comments and chat with hosts and other listeners: https://discord.gg/6WUMt3m3qe  Learn more about your ad choices. Visit megaphone.fm/adchoices

Join us as Keala Kendall, author of the compelling gothic novel That Which Feeds Us, takes us through her creative process, the importance of representation in storytelling, and how horror can serve as a mirror to society's fears and unresolved histories. This conversation uncovers the layers behind her work, blending culture, history, and genre to provoke thought and evoke emotion. Main topics covered: Kendall's artistic process and how the novel evolved from initial inspiration The significance of Hawaiian history, colonialism, and land in her storytelling How research and world-building influenced the succinct yet powerful narrative The role of horror in exploring societal fears and marginalized voices The creative benefits of genre fiction, especially horror, in addressing difficult truths Personal journey: reading influences, media inspiration, and her experiences as a Pacific Islander author The novel's reception, including selection by Reese Witherspoon's Book Club, and its impact on conversations about Hawaii The importance of representation and amplification of Pacific Islander stories in publishing How fiction can be a tool for education and social change Timestamps: 00:00 - Introduction to the novel That Which Feeds Us 00:30 - The inspiration and artistic process behind the book 01:25 - Use of horror to tell stories rooted in colonial history 02:16 - Hawaii as a gothic setting and its historical echoes 03:00 - How the novel balances brevity with depth and world-building 06:13 - Introducing the protagonist, Lihua, and her connection to Hawaii 07:03 - The significance of the book's title and themes of reciprocal land relationships 07:53 - The impact of the Reese Witherspoon Book Club selection 08:28 - What readers might discuss after reading the book 10:05 - Amplifying Pacific Islander voices and stories in publishing 11:17 - The concept of ghosts and history as a collective haunting 12:49 - Confronting Hawaii's dark history and media portrayals 13:17 - The influence of reading and media on her writing, including White Lotus and horror films 14:05 - Early ideas for the novel and Hawaiian cultural motifs in her stories 15:36 - How horror makes space for taboo topics and societal critique 16:24 - Early stories about sisters and the significance of land in Hawaiian culture 17:22 - Her transition from Massachusetts inspiration to homeland storytelling 18:07 - Influences from film and media, including Moana and Hollywood's depiction of Hawaii 19:02 - The intersection of media representations and authentic cultural narratives 20:58 - The pandemic's role in shaping her perspective on Hawaii's infrastructure 22:12 - Why horror's capacity for boundary-pushing makes it vital today 23:58 - The societal fears reflected in horror, from Godzilla to Get Out and Us 25:26 - The power of horror in sparking conversations and societal reflection 26:20 - Closing remarks and thoughts on the book's impact and importance Keala Kendall is the New York Times and USA Today bestselling author of How Far I'll Go and Nobody Gets Left Behind in Disney's A Twisted Tales series. Hapa Native Hawaiian, she is a co-founder of Pacific Islanders Publishing and a past organizer of the charity Books for Maui.

Laura is headed to Cannes and may or may not accidentally end up in White Lotus season 4, the Solidcore guy somehow gets even weirder, and the JP Morgan “cannons” lawsuit continues to spiral into one of the funniest workplace scandals on the internet.This week, we get into:Men paying for fake cauliflower ear surgeryRobert Pattinson getting ghosted by his own stalkerElon Musk losing his OpenAI lawsuitThe scientifically hottest male dance movesCatholic school “mixers”A law associate asking if hanging an original Picasso in his office is too obnoxiousWhispering Angel rosé discourseWhy women absolutely do NOT want fake cage fighter earsPlus: ringworm in the Bahamas, White Lotus filming chaos, and the return of “leave room for Jesus.”

Purple Pants Podcast | Survivor 50 Finale Tea Breakdown The baby boys are back for one more Survivor 50 Tea Breakdown! Even though the season ended last week, Brice and Jack had to jump back on the mic to unpack all the chaos and conversation coming out of the live finale and reunion. From the exit interview fallout and their thoughts after finally processing the finale to the “White Lotus effect,” the future of Survivor 51, and all the extra tea in between, Brice and Jack are covering it ALL. The season may be over, but the conversation is far from done! You can also watch along on Brice Izyah’s YouTube channel to watch us break it all down https://youtube.com/channel/UCFlglGPPamVHaNAb0tL_s7g LISTEN: Subscribe to the Purple Pants podcast feed  WATCH: Watch and subscribe to the podcast on YouTube SUPPORT: Become a RHAP Patron for bonus content, access to Facebook and Discord groups plus more great perks! Previously on the Purple Pants Podcast Feed: Purple Pants Podcast Archives

Purple Pants Podcast | Survivor 50 Finale Tea Breakdown The baby boys are back for one more Survivor 50 Tea Breakdown! Even though the season ended last week, Brice and Jack had to jump back on the mic to unpack all the chaos and conversation coming out of the live finale and reunion. From the exit interview fallout and their thoughts after finally processing the finale to the “White Lotus effect,” the future of Survivor 51, and all the extra tea in between, Brice and Jack are covering it ALL. The season may be over, but the conversation is far from done! You can also watch along on Brice Izyah’s YouTube channel to watch us break it all down https://youtube.com/channel/UCFlglGPPamVHaNAb0tL_s7g LISTEN: Subscribe to the Purple Pants podcast feed  WATCH: Watch and subscribe to the podcast on YouTube SUPPORT: Become a RHAP Patron for bonus content, access to Facebook and Discord groups plus more great perks! Previously on the Purple Pants Podcast Feed: Purple Pants Podcast Archives

Purple Pants Podcast | Survivor 50 Finale Tea Breakdown The baby boys are back for one more Survivor 50 Tea Breakdown! Even though the season ended last week, Brice and Jack had to jump back on the mic to unpack all the chaos and conversation coming out of the live finale and reunion. From the exit interview fallout and their thoughts after finally processing the finale to the “White Lotus effect,” the future of Survivor 51, and all the extra tea in between, Brice and Jack are covering it ALL. The season may be over, but the conversation is far from done! You can also watch along on Brice Izyah's YouTube channel to watch us break it all down https://youtube.com/channel/UCFlglGPPamVHaNAb0tL_s7g Previously on the Purple Pants Podcast Feed:Purple Pants Podcast Archives LISTEN: Subscribe to the Purple Pants podcast feed WATCH: Watch and subscribe to the podcast on YouTubeSUPPORT: Become a RHAP Patron for bonus content, access to Facebook and Discord groups plus more great perks! Learn more about your ad choices. Visit megaphone.fm/adchoices

It's Mental Health Awareness Month, and Trish is getting real. As she looks back at some of her most infamous and cringey public feuds, she also shares insight into her mental health during those callouts, revealing the connection between past incidents and her personal well-being.

After a party- and screening-filled weekend on the Croisette, Rebecca and John report back from the Cannes Film Festival, including a peek inside Vanity Fair's casually elegant event at Tetou. They discuss the couple of great films and the larger number of disappointing ones, and give a preview of the premieres to come. Plus, did Rebecca help Jordan Firstman decide which studio to go with for Club Kid? Did the cast of the new White Lotus season spill any juicy secrets to John? There's one way to find out!Follow along on Vanity Fair's Cannes liveblog, and send your festival questions to littlegoldmen@vf.com. Learn about your ad choices: dovetail.prx.org/ad-choices

Boots Riley talks about his new film, ‘I Love Boosters.' It stars Keke Palmer as the leader of a crew of women shoplifters who steal from luxury stores and sell the goods cheap to people who can't afford retail. Riley says he thinks of his work labor organizing, filmmaking and writing hip-hop music as the same project. Also, we'll hear from actor Will Sharpe. He starred in season two of ‘The White Lotus,' Lena Dunham's series ‘Too Much,' and the movie ‘A Real Pain.' Now he plays Mozart in a new adaptation of ‘Amadeus.' TV critic David Bianculli reviews a new special by David Attenborough.See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

The army that marches north out of Quanzhou in June 1852 is not the same one that left Jintian 18 months prior. It has left its prime architect in an unmarked grave, massacred the city that killed him, and crossed into the unknown territory of Hunan. At Daozhou, for the first time, the Taiping Heavenly Kingdom starts speaking to Empire at large, calls upon brotherhood to honor their blood-oaths, & dares name the emperor himself a demon. It's beginning to get real, and all roads - it seems - lead toward Changsha... Time Period Covered:June – October 1852 Major Historical Figures:Taiping Heavenly Kingdom:Hong Xiuquan, Heavenly King, Second Son of God [1814–1864]Yang Xiuqing, East King, Voice of God the Father [d. 1856]Xiao Chaogui, West King, Voice of Jesus Christ [d. 1852]Wei Changhui, North King [1823–1856]Shi Dakai, Wing King [1831–1863] Qing Dynasty:Luo Bingzhang, Governor of Hunan [1793–1867] Other:Lan Chengzun, Yao tribesman, White Lotus chieftain [fl. 1836]Lei Zaihao, Yao chieftain [fl. 1847]Li Yuanfa, Han Triad rebel leader [fl. 1849] Major Sources Cited:Kuhn, Philip A. "Ch. 6, The Taiping Rebellion" in The Cambridge History of China, Vol. 10.Platt, Stephen R. Autumn in the Heavenly Kingdom.Spence, Jonathan D. God's Chinese Son: The Taiping Heavenly Kingdom of Hong Xiuquan. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sharpe played a newly rich tech bro on vacation in Italy the second season of ‘The White Lotus.' Now he's starring as Mozart, a musical genius who struggles to "read the room" in the new STARZ limited TV series ‘Amadeus.' He spoke with Fresh Air producer Ann Marie Baldonado about studying piano, acting opposite Kieran Culkin in ‘A Real Pain,' and feeling like an outsider as a kid. See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Lisa Kudrow finally reveals if Ross and Rachel were "on a break." Plus Mike White speculation...Ready to reach your goals? Visit forhers.com/rosepricks to get personalized, affordable care that gets you.Sleep better with Magnesium Breakthrough! Go to bioptimizers.com/rosepricks, use code ROSEPRICKSTry Lumi! Go to LumiGummies.com and use code ROSEPRICKS for 30% off your order.

Vacation recaps! (00:00-59:28). Summer House reunion audio leaks (1:00:59-1:09:49). Maura Higgins & Ciara Miller join the next season of Dancing with the Stars (1:09:50-1:16:22). Whitney Leavitt exiting The Secret Lives of Mormon Wives (1:16:23-1:19:24). Laura Dern replaces Helena Bonham Carter in The White Lotus (1:19:25-1:24:19). Harry Styles & Zoë Kravitz are engaged (1:24:20-1:31:43). Weekly Watch Report: Summer House, Euphoria, Survivor + more! (1:32:27-1:57:02). Interview with the hilarious Heather McMahan - talking about us joining her cruise, going to The Masters with her husband, filming her next special + more! (1:58:08-2:36:14). CITO LINKS > barstool.link/chicks-in-the-office.You can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/chicks-in-the-office

Listen if you want to… Hear Heather M and Susie Evans from the Bachelor on dating older men… Adam Levine is looking a lot different these days. What are the red flags on instagram Is dating via email a thing? What actress is replacing Helena Bonham Carter on the upcoming White Lotus season See omnystudio.com/listener for privacy information.

Listen if you want to… Hear Heather M and Susie Evans from the Bachelor on dating older men… Adam Levine is looking a lot different these days. What are the red flags on instagram Is dating via email a thing? What actress is replacing Helena Bonham Carter on the upcoming White Lotus season See omnystudio.com/listener for privacy information.

Chris and Andy talk about the news that Laura Dern is replacing Helena Bonham Carter in ‘The White Lotus' Season 4 (9:15), Yung Lean's dazzling new music video (4:08), and the updated box office tracking of ‘The Mandalorian & Grogu' (16:31). Then, they discuss the first two episodes of ‘Widow's Bay,' the Apple TV series starring Matthew Rhys, and highlight how the show seamlessly balances elements of horror and comedy (19:32). Later, they react to ‘Top Chef' Season 23, Episode 8 (57:02). Finally, The Watch: After Dark (01:08:58). Subscribe to the Ringer TV YouTube channel here for full episodes of The Watch and so much more! Hosts: Chris Ryan and Andy Greenwald Producers: Kaya McMullen and Kai Grady Additional Video Supervision: Donald LoBianco Order and it will come. Like today. Learn more about your ad choices. Visit podcastchoices.com/adchoices

1. Ariana Grande Announces New Album ‘Petal' and Sets July Release Date (Variety) (19:20) 2. ‘White Lotus' Season 4 Casts Laura Dern (Variety), The White Lotus Season 4 shake-up gets juicy as Jennifer Tilly to allegedly replace Helena Bonham Carter amid alleged on-set drama (Pop Rant) (29:37) 3. Dianna Russini Spotify Playlist For 'Mike' Raises Eyebrows Amid Vrabel Scandal (TMZ) (35:51) 4. Charlize Theron and Taron Egerton Were 'Forced' to Take Baths Next to Each Other While Making Apex (PEOPLE) (40:14) 5. Kyle Cooke blasts West Wilson for letting Amanda Batula take ‘brutal beat down' at ‘Summer House' reunion (Page Six) (53:45) The Toast with Jackie (@JackieOshry) and Claudia Oshry (@girlwithnojob) ⁠⁠⁠The Toast Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Toast Merch ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Girl With No Job by Claudia Oshry ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Camper & The Counselor⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Lean In⁠⁠⁠⁠⁠⁠ Disclaimer: Yasso awarded as product coupons. No purchase necessary. Open to 50 US/DC, 18+. Ends 11:59pm ET 4/30. Rules: ⁠⁠⁠yasso.com/TOAST⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Who has more pet peeves, Hugh Grant or Matty? ‘Friends' ended in 2004, but you won't believe how much the cast is still raking in every year in residuals. They never have to work again, so why is David Schwimmer doing workplace training videos? ‘Ted Lasso' is coming back for season 4. If you're looking for a new show, Sarah is raving about ‘Sexual Education.' ‘The White Lotus” has already replaced Helena Bonham Carter with Laura Dern. Mountain View is still dealing with a major water issue. The Oakland and San Francisco airports have settled their beef. GenZ should consider moving to these cities.

Chris and Andy discuss Helena Bonham Carter's exit from Season 4 of ‘The White Lotus' (1:14) before reacting to the trailers for ‘House of the Dragon' Season 3 (2:53) and the ‘For All Mankind' spinoff series, ‘Star City' (6:54). Then they discuss ‘Euphoria' Season 3, Episode 3 (11:57). Later, they are joined by ‘Beef' series creator Lee Sung Jin to discuss why Season 2 is set in Ojai (and Seoul), the millennial cringe undercurrent, how he convinced Youn Yuh-jung and Song Kang-ho to join the cast, writing the ‘X-Men' movie, and more (34:15). Subscribe to the Ringer TV YouTube channel here for full episodes of The Watch and so much more! Email us! thewatch@spotify.com Hosts: Chris Ryan and Andy Greenwald Guest: Lee Sung Jin Producers: Kaya McMullen and Kai Grady Additional Video Supervision: Sarah Reddy Order and it will come. Like today. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Robach and Holmes cover the latest news headlines and entertainment updates and give perspective on current events in their daily “Morning Run.”See omnystudio.com/listener for privacy information.

Robach and Holmes cover the latest news headlines and entertainment updates and give perspective on current events in their daily “Morning Run.”See omnystudio.com/listener for privacy information.

In this episode of Decoding TV, David and Patrick discuss what's going on in the world of TV, then dive into the latest episode of Euphoria.Is Half Man worth the painful experience of watching it? Is Peacock a must-have streaming service? What might have happened on the set of The White Lotus season 4? Listen to hear us discuss all these questions and more.Homework for next week:Show of the Week: Widow's BayEuphoria season 3 episode 4 (HBO Max)Bonus Ep: Beef season 2 (Netflix)Bonus Ep (hopefully!): The Boys season 5 episode 5 (Prime Video)Shownotes (All timestamps are approximate):03:15 - Show of the Week (Thanks to Adam for this week's bumper!)Half Man20:12 - TV NewsGen V is cancelledPeacock has lost $432MM in Q1Peacock cancellations are highest amongst all servicesBeef season 2 down 60% from first seasonNetflix second seasons don't do as wellWhite Lotus: Helena Bonham Carter recast days into shooting44:20 - Euphoria Season 3Episode 3 - The Ballad of PaladinLinks:Thanks to Michael J Johnson for our Show of the Week and Patrick Finishes the Damn Show audio bumpersListen to Patrick's videogame podcast, Remap RadioSubscribe to Patrick's newsletter, CrossplaySubscribe to this podcast on YouTubeFollow this podcast on InstagramFollow this podcast on TiktokSubscribe to David's free newsletter, Decoding EverythingFollow David on InstagramFollow David on Tiktok Hosted on Acast. See acast.com/privacy for more information.

Hannah & Lamorne chat about location sharing, Max on White Lotus 4, bad teenage decisions and New Girl-themed tattoos!Follow @TheMessAroundPod on Instagram, TikTok and YouTube.Rate The Mess Around on Apple Podcasts and Spotify!This is a Headgum podcast. Follow Headgum on Twitter, Instagram, and Tiktok.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Chris and Andy talk about the buzz out of CinemaCon (3:19) and the news that the next season of ‘The White Lotus' is taking place in Cannes (8:14). Next, they talk about ‘Bandi,' a Netflix crime series from the creator of ‘The Bureau' (18:48). Then they discuss the Season 2 finale of ‘The Pitt' (29:31). Later, they react to ‘Top Chef' Season 23, Episode 6 (60:54). Finally, The Watch: After Dark (01:08:47). Subscribe to the Ringer TV YouTube channel here for full episodes of The Watch and so much more! Hosts: Chris Ryan and Andy Greenwald Producers: Kaya McMullen and Kai Grady Additional Video Supervision: Sarah Reddy Order and it will come. Like today. Learn more about your ad choices. Visit podcastchoices.com/adchoices

1. Taylor Frankie Paul Breaks Silence After Domestic Violence Investigation News: 'It's a Heavy Time' (PEOPLE) (26:23) 2. Miley Cyrus Sings ‘Best of Both Worlds' and ‘The Climb' as Hannah Montana and Has Emotional Reunion With Parents in 20th Anniversary Special Trailer (Variety) (45:22) 3. Alix Earle poses in pearl-covered bikini for Sports Illustrated Swimsuit Issue (Page Six) (48:49) 4. ‘White Lotus' Season 4 Casts Max Greenfield, Kumail Nanjiani, Chloe Bennet, Charlie Hall, Jarrad Paul (Variety) (54:16) 5. Zendaya Addresses Tom Holland Marriage Rumors, Shares Spoof Wedding Video to ‘Clear the Confusion' (PEOPLE) (59:44) - Dear Toasters Advice Segment (1:02:32) The Toast with Jackie (@JackieOshry) and Claudia Oshry (@girlwithnojob) ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Toast Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Toast Merch ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Girl With No Job by Claudia Oshry ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Camper & The Counselor⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Lean In Learn more about your ad choices. Visit megaphone.fm/adchoices