Podcasts about industrial light

Send us Fan MailTGTPTU's olds take a break from handing out shiny nickels and Werther's Originals warm from their pockets and yelling at clouds to join Gen Z cohosts Thomas and Jack for the latter's third pick from Ron Howard, the child star turned hack director's big studio, Industrial Light & Magic, four-quadrant blockbuster COCOON (1985).   Chosen due to nightmares it'd given to, and an insane plot retelling by, Jack's friend, this first-time watch for him is remembered fondly as a family outing and rewatch by Gen X cohosts Ken and Ryan. That friend's plot summary of extraterrestrials passing in human skinsuits abducting retirement home residents after seducing them with youthful lives of breakdancing and sexual congress does sound terrifying, but the film filters much of this through an all-star cast of Golden Age Hollywood actors (including this film's Oscar-winning Best Supporting Actor Don Ameche and his four-out-of-four-star gams) and the youthful innocence of child actor Barret Oliver from The NeverEnding Story (1984) and the titular Daryl in D.A.R.Y.L. (1985). The flick also has a mid-twenties Steve Guttenberg in short shorts. Who likes the Gute in short shorts? We like the Gute in short shorts.  Exclusive to listeners of this episode, Ryan reveals the location of Atlantis; Thomas considers sex as an and/or with elderly person(s); Jack reveals his childhood-trauma-by-proxy; and Ken is unimpressed by the chase scenes but very into Gwen Verdon's legs. Meanwhile, John Ritter's testicle enters the chat.   This episode is, to borrow a phrase, “blue steel; a cat couldn't scratch it.”  THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Bluesky: @goodpodugly.bsky.socialYouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gLetterboxd (follow us!):Podcast: goodpoduglyKen: Ken KoralRyan: Ryan Tobias

In 1991, cinema changed forever.This week on Code Noir, Curtis J François and Jamaal Norman dive into Terminator 2: Judgment Day — the blockbuster that redefined action, revolutionised visual effects, and gave us one of the most unexpected emotional gut-punches in film history.But beneath the explosions, the liquid metal, and the iconic one-liners, T2 is something deeper: a story about control, surveillance, and the terrifying speed of technological progress. It's a film that asks what happens when the systems we build to protect us become the very thing that destroys us.We break down:How James Cameron and Industrial Light & Magic changed cinema foreverThe T-800's evolution from villain to protector — and unlikely father figureSarah Connor as one of the most important action heroes ever put on screenThe T-1000 as a perfect, unstoppable symbol of modern policing and controlWhy Miles Dyson might be the moral centre of the entire storySet against a pivotal year in entertainment, alongside The Silence of the Lambs, Beauty and the Beast, and Boyz n the Hood, Terminator 2 stands as both a technical milestone and a cultural warning.Because in the end, this isn't just a story about machines rising up.It's about the choices we make before they do.No fate. No guarantees. Just consequences.

Uno ti dice a cena “ho visto una serie, le do un sette” e parte il corto circuito. Ma prima, dinosauri. The Dinosaurs è il nuovo documentario Netflix di Amblin e Silverback (Spielberg produce, Morgan Freeman narra, effetti Industrial Light & Magic, musica della Royal Scottish National Orchestra): 165 milioni di anni di rettiloni raccontati […]

pWotD Episode 3279: Michael (2026 film) Welcome to popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 251,066 views on Friday, 24 April 2026 our article of the day is Michael (2026 film).Michael is a 2026 American biographical film directed by Antoine Fuqua and written by John Logan. It follows the life of the American singer Michael Jackson, covering his involvement in the Jackson 5 in the 1960s to the 1980s Bad tour. Jackson is portrayed by his nephew Jaafar Jackson and as a child by Juliano Krue Valdi, both in their film debuts. The supporting cast includes Nia Long, KeiLyn Durrel Jones, Laura Harrier, Jessica Sula, Mike Myers, Miles Teller and Colman Domingo.Development began in November 2019, when it was reported that the producer Graham King had secured the rights to produce a film about Jackson, with Logan attached to write. Lionsgate Films announced the film in February 2022. Fuqua was announced as the director in January 2023, and casting began that month when Jaafar was cast; further casting took place from January to April 2024. After delays caused by the 2023 SAG-AFTRA strike, filming took place between January and May 2024. After a clause was discovered in a legal settlement, references to the 1993 child sexual abuse allegations against Jackson were removed, the third act was revised, and reshoots took place in June 2025. Studios including Industrial Light & Magic provided the visual effects.The first trailer, released in November 2024, became the most viewed for any musical biopic or concert film. Michael premiered in Berlin on April 10, 2026, and was released on April 24 by Lionsgate in the US and by Universal Pictures in other territories. It received generally negative reviews; critics praised Jaafar Jackson's performance but criticized the story as "sanitized". It has grossed $31 million.This recording reflects the Wikipedia text as of 04:25 UTC on Saturday, 25 April 2026.For the full current version of the article, see Michael (2026 film) on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Arthur.

Today on THE ESSENTIAL SOUNDTRACKS, Erik Woods, Robert Daniels, and Randy Andrews continue their journey through the STAR TREK films and their soundtracks as they discuss the eighth movie in the series, STAR TREK: FIRST CONTACT. You'll hear them discuss the film in great detail, including such topics as the selection of Jonathan Frakes as director, the design of the new Enterprise E, Worf's return, the Defiant, the special effects as created by Industrial Light and Magic, the Borg Queen, and more. Also covered in great length is Jerry Goldsmith's incredible score (with help from son Joel). STAR TREK: FIRST CONTACT was released on November 22, 1996. James Cromwell, Alfre Woodard, and Alice Krige join cast members from the 1987 series STAR TREK: THE NEXT GENERATION who were starring in their very first solo STAR TREK motion picture. In the film, the Borg travel back in time, intent on preventing Earth's first contact with an alien species. Captain Picard and his crew pursue them to ensure that Zefram Cochrane makes his maiden flight, reaching warp speed. The original soundtrack album was released at the time of the film's release on GNP Crescendo Records, featuring 44 minutes worth of score with two licensed songs. On April 2, 2012, GNP Crescendo Records announced a limited-edition collector's CD pressed to 10,000 copies. It features the complete score by Jerry Goldsmith with additional music by his son Joel, newly remastered by recording engineer Bruce Botnick, with an accompanying 16-page booklet including informative notes by Jeff Bond and John Takis. The album is still available to purchase at the time of this recording. NOTE - Our Patreon-only episode includes an extra segment discussing the cue "The Dish." You can listen to that version HERE. Enjoy the show! The Essential Soundtracks Theme by Alexander Schiebel. —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Alex Brouns, Randall Derchan, Angela Rabatin, Larry Reese, Rudy Amaya, Stacy Livitsanis, Carl Wonders, Lee Wileman, Nathan Blumenfeld, Daniel Herrin, Scott Bordelon, James Alexander, Brett French, Ian Clark, Andy Gray, Joel Nichols, Steve Daniel, Corey O'Brien, John Leggett, Mim Williams, Grace Hamilton, Rob Kemp, Simon Parker, Harry Fiddlesticks, Jonas Wilstrup, Alexandre Richardson, Amy Stewart, Jack Zhu, Cole Losey. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Episode 147: John DuncanIn this episode, I'm joined by model maker John Duncan, whose career spans nearly fifteen years at Industrial Light & Magic and includes work across Star Wars, Star Trek, Galaxy Quest, Pirates of the Caribbean, The Matrix and more.John talks about his early fascination with building miniatures as a kid, making models out of paper and cardboard, and how that instinct to just try things eventually led him into the film industry. What started as architectural model work and a stint in television quickly turned into a career at ILM, beginning in 1993, where he arrived for what was meant to be a two-week job and stayed for over a decade .We get into the realities of model making for film, learning to build for the camera rather than for close inspection, working under tight deadlines, and letting go of work when it needs to be modified or destroyed for the shot.John also discusses his time as a concept model maker on the Star Wars prequels, working with Doug Chiang to create what he describes as “3D blueprints” for the wider production. These models helped bridge the gap between design, practical builds and digital assets, ensuring consistency across departments.There's plenty here on specific projects too, including building the Enterprise-E for Star Trek: First Contact, working on the ships for Galaxy Quest, and contributing to the large-scale pirate ships in Pirates of the Caribbean. He also shares stories about unusual materials, problem-solving on the fly, and the collaborative nature of the ILM model shop.We also talk about the shift from practical models to digital effects, where miniatures still have a place today, and why physical builds continue to resonate with filmmakers and audiences alike.John is thoughtful, practical, and clearly still passionate about the craft. This is a great insight into a side of filmmaking that often goes unnoticed, but is absolutely fundamental to how these films were made.Topics coveredGrowing up building models and early creative influencesFirst steps into the film industry via architectural modelsJoining ILM in 1993 and working alongside industry legendsBuilding models for camera vs building for displayWorking on Star Trek: First Contact and Galaxy QuestConcept model making on the Star Wars prequelsCollaborating with Doug Chiang and George LucasThe idea of “3D blueprints” in film productionPractical effects vs digital effectsWorking on Pirates of the CaribbeanMaterials, techniques and problem-solving in the model shopReplica prop community and fan researchWhy physical models still matterThis podcast is completely independent and made possible by listener support. If you'd like to help me keep making these episodes, you can join my Patreon community here: https://patreon.com/jamiebenning Watch more on YouTube:Check out the Filmumentaries YouTube channel for behind-the-scenes clips and extra content: https://youtube.com/filmumentariesAll my links

This week on The Video Store Podcast, I am recommending four movies built around one of the simplest and most reliable science fiction ideas there is, shrinking people down. It is a strong trope because every one of these films understands that once a character gets small, nothing has to be exotic to feel dangerous. A bloodstream can look like deep space. A shopping cart can feel absurd and threatening at the same time. A backyard can turn into a full scale survival story. The fun of these movies is not just the effect itself, it is the way each one finds its own tone inside the same basic setup.Fantastic Voyage starts this set in an old-style studio style. Richard Fleischer directed it, Raquel Welch was still early in her career, and the movie ended up winning Academy Awards for art direction and special effects. Isaac Asimov wrote the novelization, which helped give the film an added layer of science fiction prestige even though the movie was not adapted from one of his earlier books. It is still one of those sixties films where the production design does a lot of the selling. You are watching people turn the inside of a human body into a full cinematic world, and they do it with real confidence.The Incredible Shrinking Woman takes the same basic concept and pushes it toward satire. Lily Tomlin is the main reason to see it, and she is surrounded by exactly the kind of bright, slightly unreal suburban world that makes the jokes work. Jane Wagner wrote it, Joel Schumacher directed it, and the movie has a cast that includes Charles Grodin and Ned Beatty. There is also a nice eighties detail in the score, since Suzanne Ciani handled the music, which gives the film one more thing separating it from the older version of this idea. It is not the most famous title in this group, but it feels very specific to its moment, especially in the way it folds consumer culture and household products into the premise.Innerspace may be the easiest recommendation here because it is so good at being funny, fast, and a little chaotic without losing track of the effects work. Joe Dante directed it, Dennis Quaid and Martin Short make a very good mismatch at the center, and the movie won the Academy Award for visual effects. This is one of those late eighties studio movies where the effects are both impressive and funny. It also has that Dante who has a habit of making a mainstream movie feel just a little off center. You can sense the touch of Industrial Light and Magic in the technical side, but it never turns into a dry demonstration reel.Honey, I Shrunk the Kids is a joy to watch. Joe Johnston made his live action directing debut with it, Rick Moranis is exactly right for the inventor at the center, and Disney turned a backyard into a full adventure landscape. It was a major hit, and for a while it stood as Disney's highest grossing live action film. Part of what makes it hold up is that so much of it was built around practical effects, oversized sets, models, puppetry, and carefully staged perspective tricks. It also had Tummy Trouble attached in theaters, so for a lot of people there was a Roger Rabbit bonus built into the experience. That is a pretty good rental memory to have.What I like about putting these four recommendations is that they show how flexible a shrinking movie can be. One plays it as a polished sixties science fiction trip. One turns it into satire. One uses it for special effects comedy with a little manic energy. One makes it into a family adventure that a lot of people probably first met on cable or VHS. Same basic hook, very different results. That is usually a good sign you have a real movie trope and not just a gimmick.Thanks for reading Video Store Podcast! Subscribe for free to receive new posts and support my work. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.videostorepodcast.com

The weather is getting warmer, the birds are chirping, and it's never been a better time to ask to speak to your manager.  That's right, our Podders watched White Chicks.  So get your crew at Industrial Light and Magic to drop you straight into the uncanny valley because it's time to go SHOPPING!!!!!!  Just remember to not stress about your huge bedonkey, everyone's beautiful. It's wild out there so go to your happy place and visualize Terry Crews popping and locking while singing every word to A Thousand Miles.  Scuse Me!!!!!! Hold my poodle!!!!!

La experta Mar Grandío recomienda para estos días festivos la nueva miniserie documental "Dinosaurios", disponible en Netflix desde el 6 de marzo bajo el sello de Steven Spielberg. Esta producción de cuatro episodios destaca por su carácter pedagógico y su espectacular factura visual, gracias al trabajo de Industrial Light and Magic y la narración de Morgan Freeman en su versión original. Por otro lado, el panorama seriéfilo se agita con el primer tráiler de la serie de Harry Potter en HBO, cuyo estreno se ha adelantado a diciembre de 2026. Esta nueva adaptación promete ser más fiel y detallada que las películas, contando con Francesca Gardiner (responsable de Succession) como showrunner para trasladar los libros de J.K. Rowling a la pequeña pantalla.

What happens to a rock band's legacy when the touring stops forever?  When Pophouse acquired the KISS catalog, brand, name, image, and likeness rights, they didn't just buy music. They bought the blueprint for keeping one of rock's most iconic bands alive indefinitely through digital avatars, biometric data, and AI-driven live experiences. This deal, built on the success of ABBA Voyage and developed in partnership with Industrial Light and Magic, may be the most forward thinking music IP acquisition ever negotiated.  In this episode, Dmitri unpacks it all with Spencer Klein, chair of Morrison Foerster's Global Mergers and Acquisitions Group, who represented KISS co-founders Gene Simmons and Paul Stanley in the deal. Together, they explore how music catalog valuation is expanding beyond audio rights into merchandise, transmedia storytelling, and immersive concert experiences. They also dig into what this means for the broader music industry as artificial intelligence and digital avatar technology begin reshaping how artist IP is valued, monetized, and preserved for future generations. Whether you follow KISS, entertainment law, or the future of artist brands, this episode offers a rare inside look at how the music industry is evolving beyond the limits of what any band can do in a lifetime.    The news Mogul says it has tracked $1.5B in music royalties, raised $5M in funding | TechCrunch Neptune Raises $1.5 Million to Scale Digital Music Education in the UAE AI Sample Generator Just 4 Noise Closes $1 Million Round   The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!    Get Dmitri's Rock Paper Scanner newsletter.

Anthony Lucero sits down with me to talk about his fatherhood journey. We chat about the values he looks to teach his son. In addition, he talks about how fatherhood has changed his life. After that we discuss his is latest film called, Paper Bag Plan. Lucero shares the family inspiration behind his film. Thirdly, we talk about the how this film can help parents to let go and let their children learn to grow. Lastly, we finish the interview with the Fatherhood Quick Five.  About Anthony Lucero Writer and Director Anthony Lucero's feature film, Paper Bag Plan, to date has won 12 festival awards. Some of those awards included Best Feature and Best Actor. His directorial debut feature film, East Side Sushi garnered 15 festival awards nationwide. Plus it has a 94% Rotten Tomatoes score. It was listed as one of the “Top 10 Films of 2015” by SF Weekly and "One of the Most Overlooked Films of 2015" from the Los Angeles Times. In 2017, Lucero was selected as a U.S. Envoy and spoke at six U.S. Embassies and Consulates as a film ambassador throughout Japan. https://www.youtube.com/watch?v=GFRKK3wIQ3E After receiving his B.A. in Film, Lucero spent over a decade in visual effects at George Lucas' Industrial Light and Magic. He worked on such films as Ironman, Harry Potter, Pirates of the Caribbean and The Avengers. Moreover, Lucero is an alum of the Disney Directors Fellowship Program. In addition, he was invited to participate in the Netflix Director's on the Rise Masterclass. Make sure you follow Anthony on Instagram at @antlucero1. Also make sure you check out his film, Paper Bag Plan. SLIDEMVP Is This Week's Podcast Sponsor As a dad and coach, inspired by some awkward slides and makeshift cardboard sliding tools, Coach Robby asked: “How can I help players slide better?” After countless brainstorming sessions and prototypes, the SLIDEMVP™ was born. Players immediately had fun, and their sliding skills improved dramatically. To further support athletes, Coach Robby has hosted multiple sliding clinics, building confidence and teaching techniques like the pop-up slide. Proudly manufactured in the USA, SLIDEMVP™ is player-tested and coach-approved. It enhances sliding technique, boosts speed, and improves agility on the basepaths. Most importantly, SLIDEMVP™ helps players build confidence and take their game to the next level. To learn more go to their website at SlideMVP.com. About The Art of Fatherhood Podcast  The Art of Fatherhood Podcast follows the journey of fatherhood. Your host, Art Eddy talks with fantastic dads from all around the world where they share their thoughts on fatherhood. You get a unique perspective on fatherhood from guests like Bob Odenkirk, Hank Azaria, Joe Montana, Kevin Smith, Danny Trejo, Jerry Rice, Jeff Foxworthy, Patrick Warburton, Jeff Kinney, Paul Sun-Hyung Lee, Kyle Busch, Dennis Quaid, Dwight Freeney and many more.

Reach for the Stars, 22min., Australia Directed by Dylan Randall After her mother's passing, young Madeline is struggling with coming to terms with her grief. One night, when a small spacecraft crashes in her backyard, she meets B3R1, a stranded visitor from the stars. https://www.instagram.com/outatimepictures Director Statement Reach For the Stars is a project that I hold very close to my heart, as the idea came after the passing of my Grandad, and how my family and I dealt with the grief that followed. My film aims to be a light-hearted, wonder-filled adventure with emotional undertones that helps us explore the idea of how different people deal with loss, and how that can be overcome.When bringing this story to life, I was heavily inspired by the wonderful work of the ‘Industrial Light and Magic' studio and the puppets created for the original Star Wars, and I began to wonder how I could incorporate these techniques into my story. The emotional weight of this film is carried by B3R1, our little robot friend, while also bringing wonder to your screens. B3R1 acts as an emotional bridge for our audience to connect them to the story and to act as a sense of hope that people may need. Reach For the Stars is a heartfelt, nostalgic, science fiction tale that I hope brings you joy, wonder, and lets you know that it is okay to miss somebody, because that means you really loved them. ——- Subscribe to the podcast: Tweets by wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

Every reign comes to an end. After months of speculation, Lucasfilm has announced that Kathleen Kennedy will step down as President. Kathy has been President of Lucasfilm since the Disney acquisition of the company in 2012. Despite a fandom that at many times were hostile towards her, Kathy led Lucasfilm into a bright new era of Star Wars which saw so many animated shows, comics, books, live action series, and films which has expanded the mythos and helped the Galaxy reach a plethora of new fans.In her "Exit Interview" with Deadline, Kathy discusses her storied career and discuss what has happened with many cancelled projects like Steve Soderbergh and Adam Driver's The Hunt For Ben Solo, James Mangold and Beau Willimon's Dawn of The Jedi and beyond.As Kathy returns to producing (including the upcoming The Mandalorian And Grogu, and Starfighter), we salute her incredible career and wish her all the best in her future projects.While one reign ends, another begins. Kathy steps down and (as rumored) Dave Filoni and Lynwen Brennan rise. Dave will serve as President and Chief Creative Officer and Lynwen will serve as Co-President. Everyone knows about Dave's role within Lucasfilm as apprentice to George Lucas, but Lynwen's role within Lucasfilm has been equally as impressive. Lynwen has been at Lucasfilm since 1999, beginning her tenure at Industrial Light & Magic where she become its leader in 2009. She was General Manager of Lucasfilm in 2015 and President & General Manager of Lucasfilm Business in 2024. Her leadership has been recognized with a Lifetime Achievement Award from the Visual Effects Society and the honor of Commander of the Most Excellent Order of the British Empire.With this new leadership, questions and concerns arise about what we can expect from what we've called colloquially "Phase 3" of Star Wars. Join us as we celebrate Kathy's career, toast to Dave and Lynwen's new roles, and speculate about what might be in store for Star Wars future!• • •TRIAD Of The FORCE is a STAR WARS+ podcast hosted by Gus, Nani, & Chase—Puerto Rican and queer creators sharing deep dives, and heartfelt conversations from a galaxy far, far away. Featured on the STAR WARS CELEBRATION Podcast Stage (2022 & 2023), we explore STAR WARS, fantasy, comic books, and other POP-culture media honestly. We engage in inclusive commentary across film, TV, books, comics, and beyond with humor, critical analysis, and cultural perspective (without the toxicity).Follow TRIAD Of The FORCE at:BlueSky: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bsky.app/profile/triadoftheforce.bsky.social⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/triadoftheforce/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/c/TriadoftheForce/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠If you like us, get some merch and help the channel:TeePublic: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.teepublic.com/user/triad-of-the-force⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠• • •Acknowledgement: The Intro and Outro music is the Triad of the Force Theme, composed and performed by Grushkov with full permission for use by Grushkov (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/Grushkov⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠).• • •This channel is not affiliated in any way with Lucasfilm Ltd. LLC, The Walt Disney Company, or any of their affiliates or subsidiaries.

In 1975 a man named George Lucas began preparing to make an audacious film that would come to be known as Star Wars. The movie, released in 1977 would go on to blow the minds and capture the hearts of countless people all over the world. The movie showed them things they'd never imagined they'd see, space battles, laser swords, a battle-station the size of a moon destroying a planet, and a guy in a suit with asthma.  The problem was, back in 75 no company existed to create the effects George needed to see his dream become reality...so he created one. Industrial Light & Magic was born. The crew that initially created the visual effects were a rag tag team of nerds, outcasts, and people with hobbies other's saw as ridiculous. Together they literally made magic happen, and it didn't end there. For the last 50 years ILM has been making the impossible possible by creating some of the most memorable moments in cinematic history. ILM has put you on the edge of your seat, they've put your jaw on the floor, and they've taken your breath away more times than you know. It's time to tell their story, the Historically High way. Punch it Chewie. Support the show

Today on Too Opinionated, we sit down with Director Anthony Lucero to talk about his new film, Paper Bag Plan! Synopsis: After being diagnosed with cancer, Oscar (Lance Kinsey) realizes his overprotectiveness may be holding his son Billy (Cole Massie) back from gaining independence. Determined to secure Billy's future, Oscar helps him build the skills needed for a job as a grocery store bagger. Their heartfelt journey highlights the challenges and triumphs of fostering self-reliance, revealing the deep love between father and son—and the courage it takes to let go. Anthony Lucero's directorial debut feature film, East Side Sushi, was picked up by HBO after screening at the Miami International Film Festival where it was also nominated for Best Screenplay. Written by Lucero, this drama/comedy indie favorite garnered 15 film festival awards nationwide, 8 Diosa de Plata award nominations including Best Picture and Best Director, has a 94% Rotten Tomatoes score and has the distinction of being listed as one of the "Top 10 Films of 2015" by SF Weekly and one of "The Most Overlooked Films of 2015" from the Los Angeles Times. In 2017, Lucero was selected as a U.S. Envoy and screened East Side Sushi at six U.S. Embassies and Consulates throughout Japan. Born and raised in Oakland, Lucero draws on his Chicano roots to create stories that are multicultural and socially relevant. After receiving his B.A. in Film from San Francisco State University, Lucero spent over a decade working in visual effects at George Lucas' Industrial Light and Magic, working on such films as Star Wars Episode I & II, Ironman, Pirates of the Caribbean and The Avengers.   Want to Watch: YouTube Meisterkhan Pod (Please Subscribe)

Forrest, Conan Neutron, Kristina Oakes and Mike Scott of Bottled 'n' Bond talk about Who Framed Roger Rabbit A 1988 Disney BLOCKBUSTER, directed by Robert Zemeckis and produced by Spielberg's Amblin Entertainment Pioneering an advanced version of hybrid live action/cartoon style using both animation cels and some small early CGI technological advances by Industrial Light and Magic Starring Bob Hoskins, Charles Fleischer, Kathleen Turner as Jessica Rabbit, Joanna Cassidy, and Christopher Lloyd It was also Mel Blanc's last time playing Bugs Bunny, Daffy Duck. Tweety, Sylvester the Cat, and Porky Pig #disney #rogerrabbit #toontown #bugsbunny #mickeymouse #looneytunes #toons #whoframedrogerrabbit #bettyboop #felixthecat #animation #moviepodcast #filmpodcast #noir #kathleenturner #jessicarabbit #acme #eddievaliant #jessicarabbit #spielberg #amblinentertainment #melblanc Forrest and Kristina are starting a new YouTube channel/show The Absurdity Space!! https://www.youtube.com/@UCa3LavkP9F_NxOnl0A2soXQ We are also streaming on @thisspacetv throw them a followJoin our discord: https://discord.gg/ZHU8W55pnhJoin our Patreon to get all our After Parties https://www.patreon.com/MovieNightExtraConan Neutron & the Secret Friends new noir inspired music video "A Villain of Circumstance" https://www.youtube.com/watch?v=qXjmjKzbTSI

The Men in Black phenomenon started as rumours of a government agency, where strange men wearing black suits would visit witnesses of UFO sightings, and coerce and threaten them into silence. Real-life Men in Black sightings inspired countless conspiracy theories, making them a staple of UFO folklore since their first appearance in the late 1940s. It was only a matter of time before these sinister men were turned into a comic book, and then adapted into a movie, but how did a dark, obscure comic get transformed into a summer blockbuster that would gross over $589 million worldwide and launch a franchise?Director Barry Sonnenfeld and screenwriter Ed Solomon made the bold decision to completely reimagine Men in Black as a buddy-cop action-comedy, keeping only the core premise while building something entirely new around it, with the premise of New York being the hub of alien activity, and Earth a sanctuary for alien refugees.Will Smith and Tommy Lee Jones' on-screen chemistry made the titular Men in Black iconic, with Jones bringing his signature stoic humour to create the perfect counterbalance to Smith's energetic comedy, resulting in one of cinema's most memorable buddy cop pairings.Men in Black's impressive practical effects work earned Rick Baker's team an Academy Award, with cutting-edge animatronics and makeup seamlessly blended with CGI from Industrial Light & Magic, creating a visual experience that still holds up today.It's the perfect summer blockbuster, that was never intended or seen as a summer blockbuster. The script was constantly evolving, even into post-production, and the movie's plot was changed after test screenings forced an edit, and those changes would make Frank the Pug one of the most important characters in the movie...I would love to hear your thoughts on Men in Black !Verbal Diorama is now an award-winning podcast! Best Movie Podcast in the inaugural Ear Worthy Independent Podcast Awards and was nominated for the Earworm Award at the 2025 Golden Lobes.CONTACT.... Twitter @verbaldiorama Instagram @verbaldiorama Facebook @verbaldiorama Letterboxd @verbaldiorama Email verbaldiorama [at] gmail [dot] com Website verbaldiorama.comSUPPORT VERBAL DIORAMA....Give this podcast a five-star Rate & Review Join the Patreon | Send a Tip ABOUT VERBAL DIORAMAVerbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em | This podcast is hosted by Captivate, try it yourself for free. Theme Music: Verbal Diorama Theme Song. Music by Chloe Enticott - Compositions by Chloe. Lyrics by Chloe Enticott (and me!) Production by Ellis Powell-Bevan of Ewenique...

In this episode of Boz To The Future, Meta CTO and Head of Reality Labs and host Andrew "Boz" Bosworth is joined by Lucasfilm and Industrial Light & Magic CTO Francois Chardavoine. They discuss how technology is transforming the entertainment industry and creating new opportunities for creators. Francois, with 20 years of experience in immersive storytelling, highlights how the history of film is essentially a history of technology, and how each technological advancement, from early visual effects to recent developments in AI, has changed storytelling. They explore the frontiers of interactive and immersive experiences, touching on projects like Star Wars: Beyond Victory, and discuss the "undervalued" art form of video games. Francois believes traditional storytelling will continue to evolve with technology, making narratives more accessible and diverse. Don't miss the quickfire round where Chardavoine names his picks for the pinnacle of visual effects in movies.Leave Boz feedback on on Instagram, X, and Threads @boztank. 

Welcome to Star Wars Reactions!Due to some unforeseen emergencies, hosts Aaron Harris and David Modders are sidelined, yes they are fine. Filling in for them this week are two people who are not strangers to podcasting or SWR. From the Rebel Base Card podcast Greg McLaughlin and from Force Ghost Conversations, Anthony King, sit down and discuss one of the latest projects tackled by Industrial Light & Magic, Tron: Ares! Then Greg fills in for Aaron with an all new Star Wars Dad Joke of the Week!Show Outline:Episode IntroDiscussionFinal ReactionsClosingStar Wars Dad Joke of the WeekStar Wars Reactions: Elegant discussions for a more civilized age!Follow The Rebel Base Card Podcast on Facebook!Follow The Rebel Base Card Podcast on X!Follow The Rebel Base Card Podcast on Instagram!Listen to The Rebel Base Card Podcast here!Check out Anthony King and Force Ghost Conversations on FacebookCheck out Anthony King and Force Ghost Conversations on InstagramCheck out Anthony King and Force Ghost Conversations on XCheck out Anthony King and Force Ghost Conversations on TikTokCheck out Anthony King and Force Ghost Conversations on YouTubeListen to Force Ghost Conversations hereClick here to leave us a voicemail via SpeakPipe!Email us here!Follow us on X!Follow us on Facebook!Follow us on Instagram!Follow us on TikTok!Follow us on Threads!Follow us on Bluesky!Follow us on Pinterest!Subscribe on YouTube!Follow Aaron and David on X!Follow Aaron and David on Instagram!

The Fantasy/Animation podcast presents its Halloween special with this deep dive into Casper (Brad Silberling, 1995) featuring a conversation with the film's lead animator Mark Austin, who as part of the team at Industrial Light and Magic (ILM) worked on bringing the supernatural spectacle of Casper's lonely ghost roaming the corridors of Whipstaff Manor to life. Since his involvement with the film, Mark has developed over 30 years experience in visual effects production (specifically within previsualization) across multiple features, games, commercial projects, and 3D attractions. After a decade at the visual effects studio Moving Picture Company (MPC), Mark recently joined Netflix Animation Studio in 2020 as a Sequence Designer and is now a freelance ‘Previs' Supervisor. Listen as Mark discusses with Chris and Alex his own career and shift from cel-animated advertisements into the world of computer-generated imagery, and his role in crafting Casper's many digital VFX sequences; the technologies involved in building virtual performances and the eponymous ghost's status as cinema's first fully CG film character; where Casper sits in relation to the 1990s' boom in ‘live-action cartoons' from Hocus Pocus (Kenny Ortega, 1993) to Flubber (Les Mayfield, 1997); and how Brad Silbering's feature marked an often forgotten turning point in Hollywood's ability to (inter)act digital with physical elements. **Fantasy/Animation theme tune composed by Francisca Araujo** **As featured on Feedspot's 25 Best London Education Podcasts**

Howdy!In Cinema there was before Industrial Light & Magic and after Industrial Light & Magic. The George Lucas created special effects company changed the way movies and visual effects were made forever and we are joined by Jamie, from The Jamie And Steven Show Podcast' to countdown our greatest ILM movie moments.You can check out all of Jamies stuff on the links below!Youtube: https://youtube.com/@thejamieandstevenshow?feature=sharedApple podcasts: https://podcasts.apple.com/gb/podcast/the-jamie-and-steven-show-lets-talk-movies-music-and-magic/id1715287752Spotify: https://open.spotify.com/show/68o6kovMmbupBgDn6o0vm1Instagram: https://www.instagram.com/thejamieandstevenshow?igsh=MXM3aGF4bzFvZmM4eg%3D%3D&utm_source=qrThreads: https://www.threads.com/@thejamieandstevenshow?igshid=NTc4MTIwNjQ2YQ==Facebook: https://www.facebook.com/share/17R9xwHq6y/?mibextid=wwXIfrSeason 4 is coming November 2nd and we are now entering The Experimental era of Disney animated classics!Here's all our Gubbins - SOCIAL MEDIAwww.twitter.com/toptenpodswww.instagram.com/toptenpodswww.facebook.com/toptenpodsEMAILGet in touch with us right here:toptenpods@hotmail.comPATREONCome and support the podcast at Patreon for some great rewards including -BE A GUEST ON YOUR OWN EPISODES VIDEO PLAYLISTS FOR EVERY EPISODEEXCLUSIVE TTTOAP BADGEEPISODES 5 DAYS EARLY AND AD FREE!www.patreon.com/toptenpodsEPISODE LINKSApple: apple.co/3ica0FySpotify: spoti.fi/3BRhkypYouTube: https://bit.ly/3jQETisMERCH https://www.podcastmerch.co.uk/170026-top-10-of-anythingLINKTREEhttps://linktr.ee/toptenpodsSupport this show http://supporter.acast.com/the-top-ten-of-anything-podcast. Hosted on Acast. See acast.com/privacy for more information.

Michael Savage speaks with Steve Williams, a pioneer in computer animation. Steve is renowned for his work on major films like Terminator 2 and Jurassic Park, where he developed groundbreaking visual effects including the T-1000 and the T-Rex. They discuss Steve's journey from being a weapons engineer to his significant role at Industrial Light and Magic (ILM), working with high-profile directors such as Steven Spielberg and James Cameron. Steve shares personal anecdotes about his rebellious nature, experiences with famous personalities, and technical insights into computer graphics and animation. The conversation also touches upon the evolution of the film industry, the impact of AI, and Steve's relocation to the Ozarks for a simpler life.

Another live panel from Dragon Con - Bryan Young took the stage with Matthew Wood, Henry Gilroy, and Fon Davis to talk about the legacy George Lucas left behind with Industrial Light and Magic, Skywalker Sound, and Lucasiflm Animation in front of a live audience.

Dennis Muren sits down with me to talk about his fatherhood journey. He shares the values he looked to instill into his kids as they grew up. In addition, he shares what his kids have taught him about life. After that we talk about his career working on films like Star Wars, Jurassic Park and many more. Afterwards, Dennis shares some stories from his time working at Industrial Light & Magic. Lastly, we finish the interview with the Fatherhood Quick Five.  About Dennis Muren Dennis Muren is the Senior Visual Effects Supervisor and Creative Director of Industrial Light & Magic. Muren is the recipient of 8 Academy Awards for Best Achievement in Visual Effects. Plus he worked on design and development of new techniques and equipment. Muren is the first visual effects artist to be honored with a Star on the Hollywood Walk of Fame. Muren is working on a book focusing on ‘observation' for digital artists. As Creative Director of Industrial Light & Magic, Muren is a key member of the company's leadership team and collaborates with all of ILM's supervisors on each of the films that the company contributes to. In addition, for more on ILM's history that created movie magic check out Light & Magic, a two-season, documentary series now streaming on Disney+. Brainiac Is This Week's Podcast Sponsor Brainiac is the first and only line of snacks to contain the BrainPack, a blend of Omega-3s and choline. The company was started as part of their pursuit to provide the healthiest and smartest food for their our own kids. Brainiac Snacks offers foods kids love that parents can feel good about. They can be found at retailers like Walmart, Target and regional grocers nationwide. To learn more about their products and discover where you can purchase them, check out their website over at brainiacfoods.com.  About The Art of Fatherhood Podcast  The Art of Fatherhood Podcast follows the journey of fatherhood. Your host, Art Eddy talks with fantastic dads from all around the world where they share their thoughts on fatherhood. Therefore you get a unique perspective on fatherhood from guests like Bob Odenkirk, Hank Azaria, Joe Montana, Kevin Smith, Danny Trejo, Jerry Rice, Jeff Foxworthy, Patrick Warburton, Jeff Kinney, Paul Sun-Hyung Lee, Kyle Busch, Dennis Quaid, Dwight Freeney and many more.

Poltergeist marked Hollywood's big-budget engagement with the ghost film in 1982. Produced by Stephen Spielberg and directed by Tobe Hooper, it took the haunted house film and mashed it together with the family adventure film. Throw in some special effects courtesy of Industrial Light and Magic, and you end up with the film that relocated haunted houses to the suburbs. The film obliquely references the settlement of land in California and a failure to acknowledge earlier inhabitants of that land. It also explicitly engages with the growing consumer boom of the 1980s, using technology - here in the form of the TV set - as a means to communicate with the other side. It's a film worthy of study for various reasons. But one of the talking heads in the special feature on the 25th anniversary edition of the film exclaims that everything in the film 'really happened'. Does the depicted activity bear any relation to historically recorded cases of poltergeist activity? Where does the film draw on this record? What are these earlier cases? Let's find out! Find the images and references on the blog post: https://www.icysedgwick.com/poltergeist-1982-film/ Tell me your supernatural stories: https://forms.gle/WzXyGZLoe8iLZh656 Order Ghostlore: https://geni.us/ghostlore Get your free guide to home protection the folklore way here: https://www.icysedgwick.com/fab-folklore/ Become a member of the Fabulous Folklore Family for bonus episodes and articles at https://patreon.com/bePatron?u=2380595 Buy Icy a coffee or sign up for bonus episodes at: https://ko-fi.com/icysedgwick Fabulous Folklore Bookshop: https://uk.bookshop.org/shop/fabulous_folklore Pre-recorded illustrated talks: https://ko-fi.com/icysedgwick/shop Request an episode: https://forms.gle/gqG7xQNLfbMg1mDv7 Get extra snippets of folklore on Instagram at https://instagram.com/icysedgwick Find Icy on BlueSky: https://bsky.app/profile/icysedgwick.bsky.social 'Like' Fabulous Folklore on Facebook: https://www.facebook.com/fabulousfolklore/

Ya tenemos en los cines la séptima entrega de la saga de Parque Jurásico, Jurassic World: el renacer , cuarta bajo el nombre “Jurassic World”. Cinco años después de ‘Jurassic World: Dominion’, la ecología del planeta Tierra ha demostrado ser insoportable para los dinosaurios. Las tres criaturas más grandes dentro de esta biosfera tropical tienen en su ADN la clave para fabricar un medicamento que aportará beneficios milagrosos a la raza humana. Zora Bennett (Scarlett Johansson) es una experta en operaciones encubiertas contratada para dirigir a un equipo de especialistas en una misión secreta cuyo objetivo es conseguir el material genético… Nuevas intrigas y nuevos efectos referentes a cargo, de nuevo de ILM.Hoy hablamos con una española que ha trabajado en la película como compositora de efectos visuales, que lleva trabajando 4 años en Industrial Light & Magic y que ya ha trabajado en proyectos como Andor, Willow o Ultraman. Subimos a la Nabucodonosor a Alba Sánchez-Serrano.Y enlazando con los cómics y ofreciendo su análisis personal de la película, conectamos con Duque de Champagne.Escuchar audio

The CGS Honor Roll celebrating the amazing guests that have contributed to the podcast over our 20 years continues with Tom Martinek, Senior Digital Artist at Industrial Light & Magic. Recorded back in March, our conversation covers Tom's work history, how his geekdom has changed, his CGS contributions, practical vs digital effects, and so much more. We also share our reactions to the first three episodes of Daredevil: Born Again. It's been a joy to know “Mr. Fusion” over the years and to recognize his place within the larger CGS Community! (1:37:39)

Industrial Light & Magic create lava for Mustafar, undead pirates for Pirates of the Caribbean, and a digital car escape from aliens in the last episode of Light & Magic.

Send Kevin a Text MessageIn this episode of Don't Kill the Messenger, host Kevin Goetz interviews Scott Ross, a pioneering figure in the visual effects industry. As the former general manager of Industrial Light and Magic (ILM), Senior VP of LucasArts Entertainment, and co-founder of Digital Domain with James Cameron and Stan Winston, Scott Ross shares insights into the evolution of visual effects, from practical models to the digital revolution. His impressive portfolio includes iconic films like Star Wars, Terminator 2, Titanic, Apollo 13, and What Dreams May Come, and in this conversation, Ross reflects on working with some of Hollywood's greatest directors and creative minds.Early Career and Entry into Visual Effects (01:59)Ross talks about his unexpected journey from studying film at Hofstra University to running ILM.The Evolution of Visual Effects (04:26)Ross offers a historical perspective on the development of visual effects, from early innovations like The Great Train Robbery and Trip to the Moon, through the stop-motion animation of King Kong, to the groundbreaking digital effects of the 1980s.Working at Industrial Light and Magic (09:19)Ross recounts his experience running ILM, explaining how he rose through the ranks despite having limited direct experience with the optical and chemical processes used before the digital era.Seminal Projects: Who Framed Roger Rabbit (15:04)Ross shares insights on his groundbreaking work on Who Framed Roger Rabbit.Collaborating with George Lucas and James Cameron (17:57)Ross offers candid reflections on working with George Lucas and his partnership with James Cameron in founding Digital Domain.Visual Effects Economics and Challenges (25:54)Ross explains why visual effects are so expensive, mainly due to the enormous personnel requirements.The Impact of AI on Visual Effects (30:36)Ross offers a balanced view of artificial intelligence as both "an incredibly wonderful technology" and a potentially frightening force that could eliminate jobs.Reflections on Iconic Films (39:09)In a rapid-fire segment, Ross shares memories of working on films like Apollo 13, Titanic, Terminator 2, and What Dreams May Come.Throughout the conversation, Ross shares his perspective as a business leader who navigated the transition from creating practical to digital effects, offering both historical context and insights about the future of filmmaking as the technology continues to evolve.We look forward to bringing you more revelations from behind the scenes next time on Don't Kill the Messenger! Please leave us a review or connect on social media.Host: Kevin GoetzGuest: Scott RossProducer: Kari CampanoWriters: Kevin Goetz, Darlene Hayman, and Kari CampanoAudio Engineer: Gary Forbes (DG Entertainment) For more information about Scott Ross:Wikipedia: https://en.wikipedia.org/wiki/Scott_Ross_(film_executive)IMDB:https://www.imdb.com/name/nm0743824/Upstart: The Digital Film Revolution (Book): https://a.co/d/iRhI0uR For more information about Kevin Goetz:Website: www.KevinGoetz360.comAudienceology Book: https://www.simonandschuster.com/books/Audience-ology/Kevin-Goetz/9781982186678Instagram, Facebook, X, TikTok, YouTube, and Substack: @KevinG

One day prior to leading multiple tours of the original location of Industrial Light & Magic, in Van Nuys, CA, for over a hundred people, renowned visual effects innovator and nine-time Academy Award winner Dennis Muren met up with us at the location. It was the first time Dennis had stepped foot inside the building in nearly fifty years, making it once-in-a-lifetime 'On Location" episode. We talked about the maddening pressure of creating the groundbreaking visual effects for "Star Wars" (1977) at this nondescript industrial property outside the Van Nuys airport, why he wanted to work for George Lucas and the filmmaker's clear cinematic vision, meeting Steven Spielberg for the first time at ILM, Van Nuys, his genuine love of movies and filming locations, and his feelings on the reemergence of VistaVision. Today, the location is home to Neiman & Company, an established architectural signage firm that's been in business since 1965 and purchased the building in the early 2000's. www.neimanandco.com

Artwork from Key of Dreams When you're working on a project with other people, a comic collaboration for example, it's usually best to decide on different roles for everyone according to what they're best at (writer, artist, layout design, pencils, inks, colour, backgrounds lettering etc), and let them handle it. You don't micromanage and make decisions for them. Basically they're the “experts” on those things now so you wait and see what they do. The idea for this Quackcast came to me after someone defended the super clunky Star Wars prequels with the old argument that George Lucas created them and he also created the original Star Wars so he must know best and certainly better than any “haters”. In reality though the prequels are an excellent example of why you MUST defer to people who know better. The original trilogy of Star Wars movies were created at a time when George was still a small fish in a big pond, he wasn't powerful or rich enough to have much control in the industry at that stage. He came up with great ideas (Star Wars, Indiana Jones etc), but had to rely on the studio system to get them made, which meant he had to collaborate with people who's job it was to make great movies: directors, script editors, Foley artists, casting directors, concept designers, model makers etc. As well as studio execs and producers. He had to compromise on what was feasible. But after the massive success of the movies, making a mint off of the sale of IP and merchandising, and his SFX studio Industrial Light and Magic being the industry standard, many years later when Luca worked on the prequels he had unrivalled power. He didn't have to defer to anyone anymore, he didn't have to collaborate or make compromises. He was the last word and he knew best… Except he didn't. In the years since he made those initial movies he hadn't directed much or written many scripts and the Prequels show that all too well with bad dialogue, clunky direction, bad plot choices etc. He even got rid of his expert model makers and all the work they did and used CGI instead because it gave him more control. TL,DR: The original Star Wars were good because they were made as collaborative projects by very experienced people while the prequels were mainly controlled by a guy who lacked a lot of expertise and it shows. The Dunning Kruger effect makes us think we're experts in things we only know a little about, ALL of us suffer from it constantly, even me, but when you've had some success in a field: that gives you confirmation bias that “proves” you really ARE an expert. This was Lucas's position during the prequels. I've worked in 2 collabs recently, Bottomless Waitress with Banes and Key of Dreams with Tantz and Banes. On both those projects we all have distinct roles and we stuck with them very easily! We worked within them and didn't ever bump into each other or try and take over anyone's role and so these are good examples of smooth collaborations which produce results people like. Bands are great examples of collaborative projects, especially when they're working with people who all get the chance to shine and handle their own roles. This is why I love Led zeppelin so much: back in the day Jimmy Page was the band leader and lead guitarist but he let each member handle what they were best at in their own way so it worked as a group of collaborative experts and you can really hear that in the sound! I ramble because I'm tired and I have a headache but I think this is an interesting point: You can't be an expert at everything so when you work with others let them handle what they do best and you do what you do best. There are many examples of great collaborative projects where many people working on them are great at what they do and come together to produce something magical. Some of my faves are Jeff Wayne's War of the Worlds (rock opera), Led Zeppelin, The Life of Brian, The Empire Strikes Back and more… What are yours? This week it's another best off from Gunwallace! The Jacket Comic - Wiry, punk, gritty, shiny and cool, this one jangles in on lyrical chords, sounding indie-rock with an almost Arabian flavour at times as the strings howl and echo up and down the scales. A rocky tune it for the coolest jacket in the world. Topics and shownotes Links Featured comic: Highly Devolved - https://www.theduckwebcomics.com/news/2025/may/06/featured-comic-highly-devolved/ Featured music: The Jacket Comic - https://www.theduckwebcomics.com/The_Jacket_Comic/ - by RTHaldeman, rated M. Special thanks to: Gunwallace - https://www.theduckwebcomics.com/user/Gunwallace/ Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/ Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean Banes - https://www.theduckwebcomics.com/user/Banes/ VIDEO exclusive! Become a subscriber on the $5 level and up to see our weekly Patreon video and get our advertising perks! - https://www.patreon.com/DrunkDuck Even at $1 you get your name with a link on the front page and a mention in the weekend newsposts! Join us on Discord - https://discordapp.com/invite/7NpJ8GS

100% geballtes Wissen. 100% ungeschönte Meinung. 100% Strafzölle auf...was auch immer. Diese Folge Zwei wie Pech & Schwafel macht keine halben Sachen - wir reden vollumfänglich über den Micky Maus-Horrorfilm "Screamboat", das neue Blake Lively Desaster "Nur noch ein kleiner Gefallen" und vervollständigen die Hot-Take-Bingo-Karte mit unserer Sicht zu Steven Soderbergh und "Black Bag". Und Donald Trump, der ist auch dabei. 00:00:00 Start 00:08:53 Screamboat 00:17:15 Nur noch ein kleiner Gefallen 00:28:45 Blake Lively vs Justin Baldoni 00:37:55 YouTube Changed My Life 00:42:17 Industrial Light & Magic Doku 00:46:13 Black Back 01:04:37 100% Zölle Zwei Wie Pech und Schwafel Instagram: https://www.instagram.com/zweiwiepechundschwafel Alle Werbepartner und weiterführende Infos findest du hier: https://linktr.ee/zweiwiepechundschwafel

In the first episode of the second season of Light & Magic, George Lucas and Industrial Light & Magic take viewers behind the scenes of creating the special effects for The Phantom Menace.

Jedi master of visual effects Rob Bredow, known for his work at Industrial Light & Magic and Lucasfilm, takes us on a cinematic journey through the evolution of visual effects, with behind-the-scenes stories from the making of fan favorites like “Jurassic Park,” “Star Wars,” “Indiana Jones” and more. He shares how artist-driven innovation continues to blend old and new technology, offering hope that AI won't replace creatives but instead will empower artists to create new, mind-blowing wonders for the big screen. Hosted on Acast. See acast.com/privacy for more information.

Adam Howard is the winner of four Primetime Emmy Awards for Outstanding Individual Achievement in Special Visual Effects and has been nominated a total of nine times for his VFX work on multiple Star Trek series. He originally trained in his home town of Melbourne Australia as a graphic designer, illustrator and animator, using very traditional artist tools. His passion for visual effects in film and television led him to be one of the first digital artists on the planet creating groundbreaking digital effects and animation for ABC-TV Melbourne and AAV Studios. He moved to Los Angeles in 1990 getting his dream jobs of working as lead animator and compositor on Star Trek: The Next Generation and MacGyver, and a few years later working as a senior artist at George Lucas's Industrial Light & Magic (ILM).​Adam has worked on over 145 feature films including Titanic, Birdman, Star Wars Episode III - Revenge of the Sith, Pirates of the Caribbean 2: Dead Man's Chest, Mission Impossible 3, Rush Hour 3, Jarhead, Cliffhanger, The Sandlot, The River Wild, Pee Wee's Big Holiday, War of the Worlds, Star Trek: First Contact, The Day After Tomorrow, Van Helsing, Coneheads, The Hurricane Heist, Tower Heist, The Twilight Saga: Breaking Dawn 1 & 2, X-Men Origins: Wolverine, The Island, Peter Pan, The Chronicles of Narnia: The Lion, The Witch and The Wardrobe, and Bram Stokers Dracula.​He also created visual effects and animation for TV series including Star Trek: Deep Space Nine, Star Trek: Voyager, Star Trek: Enterprise, Will & Grace, That 70's Show and the iconic opening title chalkboards for The Simpsons. He was senior VFX Supervisor for the Harry Potter and the Forbidden Journey ride experience at Universal Studios Orlando, Tokyo and Los Angeles. Adam is also a fine artist creating custom painted portraits which are available by commission on his website www.adam howard.art. In addition to his VFX and fine art work, Adam is also Manager to award winning actress and screenwriter Lorenne Clarke. Adam recently completed work as VFX Supervisor for M. Night Shyamalan's TV series SERVANT and season 4 of EVIL on CBS.Connect with Adam:➡️ Instagram: @adamhoward_officialwww.adamhoward.arthttps://www.adamhoward.art/visualeffectsAbout The Lot1 Podcast ✨The Lot1 Podcast is designed for anyone who is interested in or working in filmmaking. Whether you're just starting out or a seasoned veteran, we hope you gain the knowledge you need to improve your craft, achieve your filmmaking goals, or simply get an understanding and appreciation for the roles and duties of your peers and colleagues.Follow Us! ⤵️Instagram & TikTok: @thelot1podcasthttps://www.instagram.com/thelot1podcast/?hl=enhttps://www.tiktok.com/@thelot1podcast–Hosted byDeji Bankole (@deji_bankole)Christopher Henley (@henley_son)Produced byMina VazirianEdited byChristopher Henleyhttps://linktr.ee/thelot1podcast Hosted on Acast. See acast.com/privacy for more information.

To celebrate National Film Score Day, Gilbert and Frank are joined by Oscar-winning composer and guest co-host Michael Giacchino for a chat with one of Michael's childhood heroes, Academy Award-winning special effects artist (and GGACP fan!) Dennis Muren. In this episode, Dennis praises the artistry of stop-motion animation, looks back on the early days of Industrial Light & Magic and shares behind-the-scenes stories from the making of modern classics “E.T.,” “Jurassic Park” and “The Empire Strikes Back.” Also, Marlon Brando ages gracefully, Irwin Allen breaks up the Marx Brothers, Michael gets nostalgic for the “Temple of Doom” mine car sequence and Dennis remembers longtime friends Forrest Ackerman and Ray Harryhausen. PLUS: “Flesh Gordon”! The magic of Willis O'Brien! “Casablanca” in 3-D! And Bob Burns recreates “The Exorcist”!  Learn more about your ad choices. Visit megaphone.fm/adchoices

It's a new month, and in honor of the Oscars, we're talking about one of the Academy's most recognized filmmakers of all time: Steven Spielberg. By the 90s, Spielberg had become one of Hollywood's preeminent entertainers. He arguably reached his apex in 1993, when he directed the highest-grossing film of all time and a Best Picture winner in the same year. We're starting with the box office behemoth: Jurassic Park. Christian and Scott are revisiting this rewatchable classic to talk about dino danger, Spielbergian themes, and how hot Jeff Goldblum is. Plus, we're still talking about Industrial Light & Magic, whose 1982 output gave us our January theme this year. With ground-breaking effects, Jurassic Park was one of the most influential films of the 90s, but does it hold up? Well, that's maybe a dumb question. So, how much *does* it hold up? And, after talking for 3 hours about the our thoughts on the Oscars (whoops), we share our thoughts on Anora's big night. What's your favorite decade of Steven Spielberg's career? Let us know at cinemaontappodcast@gmail.com

In this conversation, Maryan discusses her journey into the film industry, detailing her entry point after film school, her experiences at Industrial Light & Magic (ILM), and the challenges she faced as a woman in a male-dominated field. She shares insights into the creative environment at ILM, the collaborative spirit among teams, and the innovative techniques used in films like Return of the Jedi. Maryan reflects on her post-ILM career, the changing dynamics in the industry, and the importance of perseverance and creativity in filmmaking. In this conversation, Maryan reflects on her experiences in the film industry, particularly focusing on the creative processes behind visual effects, the impact of influential figures like George Lucas, and the transition from effects work to live action and music videos. We discuss the challenges of working in different effects houses, the importance of collaboration, and the evolution of technology in filmmaking. The conversation also touches on personal career transitions, the balance between work and family life, and the shift towards education in the arts.All my links

Entrepreneurship isn't just about building a product. It's about building a culture and a vision that lasts.For Abhik Pramanik, Co-Founder & VP of Engineering of Ashby, the journey to creating a company wasn't a straight path. From working in visual effects at Industrial Light & Magic to the world of entrepreneurship, Abhik learned firsthand that success often comes from listening to customers, navigating failures, and staying adaptable. Alongside his co-founder, Benji, Abhik transformed Ashby into an all-in-one recruiting platform by focusing on execution, customer collaboration, and innovative solutions that scale.In this episode, Abhik shares his insights on building a company that listens deeply to its customers, cultivates a strong team culture, and stays nimble in the face of evolving challenges. Whether you're a founder, team leader, or just someone curious about entrepreneurship, this conversation is packed with lessons on scaling with purpose and precision.In this episode, you'll learn:Validate your ideas with real-world input: Don't rely on assumptions. Broad validation helps ensure your product or service is solving genuine customer problems.Stay nimble while balancing vision and customer needs: Ashby's success came from staying adaptable. When market conditions shifted, they reprioritized product development to address customer pain points.Empower your team with purpose and autonomy: A culture that supports creativity and problem-solving starts with leadership. Building a team culture gives employees the freedom to innovate while staying aligned with company goals.Jump into the conversation:(00:00) Meet Abhik Pramanik(01:35) From visual effects to entrepreneurship: Abhik's early journey(03:08) Realizing you're one of the “crazy ones”(05:14) Lessons from being a passionate but “terrible employee”(07:10) The birth of Ashby: How problem-solving led to opportunity(09:39) Navigating failure: The role of past start-ups in shaping success(12:28) Validating ideas with 100+ conversations(16:12) Scaling Ashby while maintaining customer focus(19:21) Balancing vision and customer listening in product development(22:03) Building a culture of collaboration through customer success(25:36) Leveraging partnerships and feedback loops to drive innovation(30:45) The art of sequencing priorities for growth(36:40) What's next for Ashby in 2025(41:12) Building a culture where rebels thrive

Our look at the films Industrial Light and Magic worked on in 1982 comes to a close as we look at the horror classic Poltergeist! The film follows the Freeling family whose upwardly mobile middle class existence is thrown for a major loop after their daughter Carol Ann starts talking to “the TV people,” ghosts haunting their home. After Carol Ann disappears, the family enlists the help of paranormal investigators to bring her back to the realm of the living. The film also features legendary behind the scenes tension between director Tobe Hooper and writer/producer Steven Spielberg. Our hosts talk about the story of the film's making before diving into their review. Plus, we react to the recently announced Oscar nominations! Stay tuned to hear about our plans for February. Have any thoughts about our review? Let us know at cinemaontappodcast@gmail.com

Our look at Industrial Light & Magic's 1982 films continues, as we take a look at the cult classic, all-puppets all-the-time spectacular: The Dark Crystal. This is the first time we're talking about anything Jim Henson related, so we talk about his career, The Muppets, and Sesame Street before diving into his dark fantasy film (co-directed with fellow muppeteer, Frank Oz). The Dark Crystal is set in a fantasy world, where young Jen must go on an adventure to restore the titular crystal and stop the evil Skesis. The Dark Crystal received mixed reviews on release, but has endured as a cult classic, with the darker tone and extraordinary puppets winning hearts and minds over the years. But, what will our hosts think? Have you seen The Dark Crystal? Let us know your thoughts at cinemaontappodcast@gmail.com

It's time to kick off our first marathon of the year! This year, Christian is in charge of January, and he's taking us back in time to 1982 to discuss the work of special effects royalty. George Lucas formed Industrial Light & Magic to take care of the special effects for 1977's Star Wars. After working on 3 films from 1977-1981, ILM took a leap and took care of the special effects for 5 major films in 1982, including E.T. and Conan the Barbarian. We're taking a look at the 3 films we haven't seen to cross off some blindspots, starting with Star Trek II: The Wrath of Khan! Trekkies, this one is for you. The sequel to Star Trek: The Motion Picture (as well as an episode from the original run of the TV show), Wrath of Khan features the crew of the Enterprise facing off against Khan, a genetically modified warlord who has spent 15 years marooned on a deserted planet. Featuring legendary performances from William Shatner, Leonard Nimoy, and Ricardo Montalban, this film has surpassed its franchise trappings to become a beloved sci-fi classic in its own right. What will our hosts think? Listen along and find out. What's your favorite Star Trek movie? Let us know at cinemaontappodcast@gmail.com. [GoFundMe info] Entertainment Community List: https://docs.google.com/spreadsheets/d/1aTMre3zZqO3aplOKBJVmQUn55VpNb3CNS2DA28fyH00/edit?usp=sharing   Black Displaced Families https://docs.google.com/spreadsheets/u/0/d/1pK5omSsD4KGhjEHCVgcVw-rd4FZP9haoijEx1mSAm5c/htmlview?pli=1&usp=embed_facebook BIPOC Families affected by EATON FIRE https://docs.google.com/spreadsheets/u/2/d/1qhkh8v967DJYkVi7kubA8VsHYsO2yB3MBKe8tkWRrhw/htmlview?urp=gmail_link

We're back for our first episode of 2025 and another Transformers One chat, and this time, we're going BIG with no less than three extra special guests from the Industrial Light & Magic team who created the gorgeous film. Joining us are Stephen King (Head of Animation for ILM Sydney) Amy Beth Christenson (Art Director & Lead Character Designer) and Alex Fry (Compositing Supervisor) as they talk us through everything from character design to Easter eggs. Not one to miss! If you enjoy our podcast then find more... much more than meets the ear at www.patreon.com/tripletakeover TONS of weekly exclusive content & perks, including bonus episodes, outtakes, early access and more! Sign up at 'Gold Box Classics' level today to get immediate access to: Over 80 'minisodes' on a wide range of topics (plus commission your own!) Over 55 'miniseries' chapters on ongoing topics, including toys & comics Early release of regular episodes - normally a week in advance! Our Patreon Discord server - the place to be! Bonus podcast artwork & more!

On this episode of 8111 I talk with Craig Barron. Craig is an Academy Award-winning visual effects supervisor, entrepreneur, and film historian with a groundbreaking career spanning over two decades. He has contributed to visual effects on more than 100 films and served as a founding member of the Visual Effects Society. Barron also spent nine years on the Academy of Motion Picture Arts and Sciences Board of Governors and was co-chair of the Science & Technology Council.At just 18, Barron joined Industrial Light & Magic during the "Star Wars" era, contributing to classics like The Empire Strikes Back, Raiders of the Lost Ark, and E.T. He later co-founded Matte World, an Emmy-winning studio that evolved into Matte World Digital, known for its innovative visual effects in films such as Batman Returns, Zodiac, Hugo, and The Curious Case of Benjamin Button, for which he won an Oscar and BAFTA in 2009.Barron co-authored The Invisible Art: The Legends of Movie Matte Painting, an award-winning book chronicling the history of matte painting. A dedicated film historian, he frequently lectures for AMPAS and Turner Classic Movies, collaborating with sound designer Ben Burtt to showcase the artistry behind classic films like Modern Times and Forbidden Planet.In recent years, Barron has worked as a visual effects supervisor at Tippett Studio and now serves as Creative Director of Magnopus, a cutting-edge visual storytelling company based in Los Angeles.It was a genuine pleasure to talk with Craig about his incredible career. 

In supporter Mike's last pick and appearance he went with a classic 90's British flick, Trainspotting. And this time he's swung the dial to little renowned sword and sorcery adventure, Dragonslayer! Dragonslayer (1981) was an ambitious collaboration between Paramount Pictures and Walt Disney Productions, marking a rare foray into darker, more mature fantasy for Disney. Directed by Matthew Robbins, the film was developed as a gritty and realistic take on medieval mythology, deviating from the lighter tone often associated with fantasy films of the time. The screenplay, written by Robbins and Hal Barwood, aimed to explore themes of faith, power, and heroism. Principal photography took place in the rugged landscapes of Wales and Scotland, chosen for their authentic medieval atmosphere, and the production faced significant challenges in capturing the epic scope of the story while dealing with unpredictable weather and remote locations. The standout feature of the film was its groundbreaking special effects, particularly the creation of the dragon, Vermithrax Pejorative. To bring the creature to life, the production team employed a combination of animatronics, puppetry, and the pioneering go-motion technique developed by Industrial Light & Magic (ILM). This approach allowed for smoother, more lifelike movements than traditional stop-motion animation. Phil Tippett, the lead visual effects artist, played a crucial role in crafting Vermithrax, which has since been hailed as one of the most convincing cinematic dragons ever created. Despite mixed reviews upon release, Dragonslayer gained a cult following and remains a landmark in special effects innovation, bridging the gap between the practical techniques of the past and the CGI-dominated future of filmmaking. Mike & Dave have a monthly Star Wars pod with fellow VHS support Maff, plus Mike, Dave & Chris have collaborated on numerous podcast in the past, to find all of Mike's links, go here: https://linktr.ee/GenuineChitChat As Mike noted in his recording, he has discussed Dragonslayer in-depth with his wife Megan, fellow VHS supporter Spider-Dan and Ria Carrogan of the Femme On Collective, in their series "Disney Discussions", found on the feeds of Genuine Chit-Chat, Spider-Dan & The Secret Bores and Femme On. The episode was released on Spider-Dan's pod in September 2022! Listen wherever you're listening to the VHS Strikes Back, or find all DD episodes (with video) in this YouTube playlist: https://www.youtube.com/playlist?list=PLcO1Ib_BGD8ajqsEDJPAYC0DSuIUqa26e If you enjoy the show we have a Patreon, so become a supporter. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/thevhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Plot Summary: Young sorcerer's apprentice Galen embarks on a perilous quest to slay Vermithrax Pejorative, a fearsome dragon terrorizing a kingdom that appeases it with human sacrifices. Armed with his late master's enchanted amulet and his growing confidence, Galen ventures into danger, facing the dragon's fiery wrath and uncovering political intrigue that reveals the kingdom's rulers have sinister motives of their own. Combining themes of heroism, faith, and sacrifice, the film delivers a gritty, visually striking fantasy tale that stands out for its groundbreaking special effects and its unflinching portrayal of medieval darkness. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thevhsstrikesback@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠ --- Support this podcast: https://podcasters.spotify.com/pod/show/thevhsstrikesback/support

"Ultraman: Rising" is a Japanese-American co-production between Netflix Animation and Tsuburaya Productions, with animation by Industrial Light & Magic; it is the 44th film in the franchise with Shannon Tindle making his feature directorial debut. The film stars Christopher Sean as Ken Sato/Ultraman, along with the voices of Gedde Watanabe, Tamlyn Tomita, Keone Young, and Julia Harriman. The film was released worldwide on Netflix over the summer and received positive reviews for its animation, writing, and voice performances. Next Best Picture was invited to Industrial Light & Magic to interview Tindle, Co-Director John Aoshima, Composer Scot Stafford, and Visual Effects Supervisor Hayden Jones, which you can listen to below. The film is up for your consideration in all eligible categories at the 97th Academy Awards, including Best Animated Feature. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

In this conversation, TyRuben shares his journey into the world of visual effects and concept design, detailing the profound impact of films like '2001: A Space Odyssey' on his aspirations. He discusses the importance of self-permission in pursuing one's dreams, the skills he developed over the years, and his experiences at Industrial Light & Magic (ILM). He emphasizes the significance of collaboration, the fast-paced nature of concept design, and the evolution of CGI in filmmaking. He reflects on his work with industry legends like George Lucas and James Cameron, the transformative experience of working on 'Avatar', and his eventual transition into education and engagement with artificial intelligence.Key moments:Seeing '2001: A Space Odyssey' sparked my interest in visual effects.Self-permission is crucial for success in any field.Building a diverse skill set is essential for a career in VFX.Collaboration is key in the creative process.The fast-paced environment at ILM taught me to adapt quickly.Pitching ideas is a vital part of the creative process.Working with George Lucas was a dream come true.The experience on 'Avatar' solidified my role in the industry.Teaching is a natural progression in my career.All the links

After Steven Spielberg took the reins for both Jurassic Park and The Lost World: Jurassic World, it was time for some fresh meat for Jurassic Park III, which was the first to not be directed by Spielberg and not be based on a Michael Crichton novel.Jurassic Park III would start to have problems early, though. The original script was thrown out five weeks before filming was due to start, with the project already having spent $18 million. New writers Alexander Payne and Jim Taylor were quickly hired to improve the story and characters , but they never actually completed a script.Filming would start without a complete script, which would lead to a myriad of problems. It meant entire days shooting only one or two scenes, and quickly the production was behind schedule.While Jurassic Park III is mostly known for "Alan", being the shortest movie in the franchise at a lean 92 minutes, and the lowest grossing movie of the franchise, it was also quietly revolutionary with its visual effects - the practical led by the legendary Stan Winston Studio and the CG by Industrial Light and Magic. And who knew it would predict an actual scientific discovery on dinosaur behaviour?I would love to hear your thoughts on Jurassic Park III !Verbal Diorama is now an award-winning podcast! I won the Best Movie Podcast in the inaugural Ear Worthy Independent Podcast Awards recently. I am beyond thrilled, and hugely grateful to the Ear Worthy team. It means so much to me to be recognised by a fellow indie outlet, and congratulations to all the other winners!CONTACT.... Twitter @verbaldiorama Instagram @verbaldiorama Facebook @verbaldiorama Letterboxd @verbaldiorama Email verbaldiorama [at] gmail [dot] com Website verbaldiorama.comSUPPORT VERBAL DIORAMA....Give this podcast a five-star Rate & Review Join the Patreon | Send a Tip | Buy Merch ABOUT VERBAL DIORAMAVerbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em | This podcast is hosted by Captivate, try it yourself for free. Theme Music: Verbal Diorama Theme Song. Music by Chloe Enticott - Compositions by Chloe. Lyrics by Chloe Enticott (and me!) Production by Ellis Powell-Bevan of Ewenique StudioPatrons: Simon E, Sade, Claudia, Simon B, Laurel, Derek, Vern, Cat, Andy, Mike, Griff, Luke, Michael, Scott, Brendan, Lisa, Sam, Will, Jack, Dave, Chris, Stuart, Nicholas, Zo, Kev, Pete, Heather, Danny, Aly, Stu, Brett, Philip M, Michele, Xenos, Sean, Ryno, Russell, Philip K Adam and BRAND-NEW PATRON ELAINE!This podcast uses the following third-party

It's a new edition of BLAST POINTS PRESENTS as we listen to our friend Tom Spina from Regal Robot talk to Industrial Light and Magic Legend HOWIE WEED! Listen as they discuss Howie's experience inside the special edition Wampa suit, working on classics like Gremlins and The Fly! AND - hear just what priceless advice George Lucas gave him while in the Wampa suit! It's a really fun chat so listen today! Check out the giant screen sized Wampa wall bust here : https://regalrobot.com/shop/star-wars/starwars-busts-statues-collectibles/wampa-life-sized-wall-bust/ See the Regal Robot line of awesome maquette replicas made from digital scans of the original artifacts here: https://regalrobot.com/custom-star-wars-busts-statues/ Explore everything Regal Robot here: www.regalrobot.com EXPERIENCE TOM SPINA DESIGNS HERE: www.tomspinadesigns.com JOIN THE BLAST POINTS ARMY and SUPPORT BLAST POINTS ON PATREON! ACOLYTE COMMENTARIES! BAD BATCH SEASON 3 REVIEW EPISODES! MANDALORIAN SEASON 3 COMMENTARIES! KENOBI COMMENTARIES! Theme Music downloadable tracks! Extra goodies! and so much MORE! www.patreon.com/blastpoints SUBSCRIBE ON YOUTUBE TO SEE ALL THE CELEBRATION LONDON SUPER LIVE FROM HOME MADNESS : www.youtube.com/@blastpointspodcast2160/featured Blast Points T-SHIRTS are now available! Represent your favorite podcast everywhere you go! Get logo shirts while supplies last! Perfect for conventions, dates, formal events and more! Get them here: www.etsy.com/shop/Gibnerd?section_id=21195481 If you dug the show, please leave BLAST POINTS a review on iTunes, Spotify and share the show with friends! If you leave an iTunes review, we will read it on a future episode! Honestly! Talk to Blast Points on twitter at @blast_points leave feedback, comments or ideas for shows! "Like" Blast Points on Facebook for news on upcoming shows and links to some of the stuff we talk about in the show!! Join the Blast Points Super Star Wars Chill Group here www.facebook.com/groups/BlastPointsGroup/we are also on Instagram! Wow! www.instagram.com/blastpoints your hosts are Jason Gibner & Gabe Bott! contact BLAST POINTS at : contact@blastpointspodcast.com Send show ideas, feedback, voice messages or whatever! May the Force be with you, always! This podcast is not affiliated in any way with Lucasfilm Ltd. LLC, The Walt Disney Company, or any of their affiliates or subsidiaries.

It's a new edition of BLAST POINTS PRESENTS as we listen to Tom Spina from Regal Robot talk to Industrial Light and Magic Legends as they tell the story of how they crafted "maquettes" to design the creatures of Return of the Jedi. The audio is from a Regal Robot video put together from Tom's exclusive interviews with Phil Tippett, Jeanne Lauren, Chris Walas, Dave Carson, Kirk Thatcher, Judy Elkins and Ken Ralston. See the Regal Robot line of maquette replicas made from digital scans of the original artifacts discussed here: https://regalrobot.com/custom-star-wars-busts-statues/ Explore everything Regal Robot here: www.regalrobot.com EXPERIENCE TOM SPINA DESIGNS HERE: www.tomspinadesigns.com JOIN THE BLAST POINTS ARMY and SUPPORT BLAST POINTS ON PATREON! ACOLYTE COMMENTARIES! BAD BATCH SEASON 3 REVIEW EPISODES! MANDALORIAN SEASON 3 COMMENTARIES! KENOBI COMMENTARIES! Theme Music downloadable tracks! Extra goodies! and so much MORE! www.patreon.com/blastpoints SUBSCRIBE ON YOUTUBE TO SEE ALL THE CELEBRATION LONDON SUPER LIVE FROM HOME MADNESS : www.youtube.com/@blastpointspodcast2160/featured Blast Points T-SHIRTS are now available! Represent your favorite podcast everywhere you go! Get logo shirts while supplies last! Perfect for conventions, dates, formal events and more! Get them here: www.etsy.com/shop/Gibnerd?section_id=21195481 If you dug the show, please leave BLAST POINTS a review on iTunes, Spotify and share the show with friends! If you leave an iTunes review, we will read it on a future episode! Honestly! Talk to Blast Points on twitter at @blast_points leave feedback, comments or ideas for shows! "Like" Blast Points on Facebook for news on upcoming shows and links to some of the stuff we talk about in the show!! Join the Blast Points Super Star Wars Chill Group here www.facebook.com/groups/BlastPointsGroup/we are also on Instagram! Wow! www.instagram.com/blastpoints your hosts are Jason Gibner & Gabe Bott! contact BLAST POINTS at : contact@blastpointspodcast.com Send show ideas, feedback, voice messages or whatever! May the Force be with you, always! This podcast is not affiliated in any way with Lucasfilm Ltd. LLC, The Walt Disney Company, or any of their affiliates or subsidiaries.