POPULARITY
26 episodes with industrial light
13 episodes with industrial light
6 episodes with industrial light
6 episodes with industrial light
4 episodes with industrial light
4 episodes with industrial light
4 episodes with industrial light
3 episodes with industrial light
4 episodes with industrial light
In the first episode of the second season of Light & Magic, George Lucas and Industrial Light & Magic take viewers behind the scenes of creating the special effects for The Phantom Menace.
Jedi master of visual effects Rob Bredow, known for his work at Industrial Light & Magic and Lucasfilm, takes us on a cinematic journey through the evolution of visual effects, with behind-the-scenes stories from the making of fan favorites like “Jurassic Park,” “Star Wars,” “Indiana Jones” and more. He shares how artist-driven innovation continues to blend old and new technology, offering hope that AI won't replace creatives but instead will empower artists to create new, mind-blowing wonders for the big screen. Hosted on Acast. See acast.com/privacy for more information.
Adam Howard is the winner of four Primetime Emmy Awards for Outstanding Individual Achievement in Special Visual Effects and has been nominated a total of nine times for his VFX work on multiple Star Trek series. He originally trained in his home town of Melbourne Australia as a graphic designer, illustrator and animator, using very traditional artist tools. His passion for visual effects in film and television led him to be one of the first digital artists on the planet creating groundbreaking digital effects and animation for ABC-TV Melbourne and AAV Studios. He moved to Los Angeles in 1990 getting his dream jobs of working as lead animator and compositor on Star Trek: The Next Generation and MacGyver, and a few years later working as a senior artist at George Lucas's Industrial Light & Magic (ILM).Adam has worked on over 145 feature films including Titanic, Birdman, Star Wars Episode III - Revenge of the Sith, Pirates of the Caribbean 2: Dead Man's Chest, Mission Impossible 3, Rush Hour 3, Jarhead, Cliffhanger, The Sandlot, The River Wild, Pee Wee's Big Holiday, War of the Worlds, Star Trek: First Contact, The Day After Tomorrow, Van Helsing, Coneheads, The Hurricane Heist, Tower Heist, The Twilight Saga: Breaking Dawn 1 & 2, X-Men Origins: Wolverine, The Island, Peter Pan, The Chronicles of Narnia: The Lion, The Witch and The Wardrobe, and Bram Stokers Dracula.He also created visual effects and animation for TV series including Star Trek: Deep Space Nine, Star Trek: Voyager, Star Trek: Enterprise, Will & Grace, That 70's Show and the iconic opening title chalkboards for The Simpsons. He was senior VFX Supervisor for the Harry Potter and the Forbidden Journey ride experience at Universal Studios Orlando, Tokyo and Los Angeles. Adam is also a fine artist creating custom painted portraits which are available by commission on his website www.adam howard.art. In addition to his VFX and fine art work, Adam is also Manager to award winning actress and screenwriter Lorenne Clarke. Adam recently completed work as VFX Supervisor for M. Night Shyamalan's TV series SERVANT and season 4 of EVIL on CBS.Connect with Adam:➡️ Instagram: @adamhoward_officialwww.adamhoward.arthttps://www.adamhoward.art/visualeffectsAbout The Lot1 Podcast ✨The Lot1 Podcast is designed for anyone who is interested in or working in filmmaking. Whether you're just starting out or a seasoned veteran, we hope you gain the knowledge you need to improve your craft, achieve your filmmaking goals, or simply get an understanding and appreciation for the roles and duties of your peers and colleagues.Follow Us! ⤵️Instagram & TikTok: @thelot1podcasthttps://www.instagram.com/thelot1podcast/?hl=enhttps://www.tiktok.com/@thelot1podcast–Hosted byDeji Bankole (@deji_bankole)Christopher Henley (@henley_son)Produced byMina VazirianEdited byChristopher Henleyhttps://linktr.ee/thelot1podcast Hosted on Acast. See acast.com/privacy for more information.
Dany et Sébastien offrent leurs commentaires sur les trois premiers épisodes de la deuxième saison du documentaires Light and Magic réalisé par Joe Johnston qui continu à mettre de l'avant l'évolution des effets spéciaux par la compagnie Industrial Light and Magic. Star Wars en Direct est disponible sur les applications Apple Podcast / Spotify / Amazon Music / Audible / Deezer Venez rejoindre et participer à notre communauté d'auditeurs sur les plateformes Discord / Facebook / X / Instagram Merci à nos partenaires : MintInBox.net, Planete-StarWars.com, Boutique Kaia et Générations SW et SF Comme toujours, si vous avez suggestions ou réactions sur les sujets que nous venons de discuter, écrivez-nous un commentaire ci-dessous ou envoyez-nous un e-mail à studio@starwars.direct.
SURPRISE GUEST! A little shortyboi pod where we chat the new Naked Gun, Thunderboltsterisk, and the finalé of The White Lotus. Bud’s Weekly Geek-out 01:48 – election texts (and Switch 2 updates) Coming Soon 08:27 – The Naked Gun (in theatres August 1) (Zoner Tim) 13:12 – TRON: Ares (in theatres October 10) 15:17 – Murderbot (Apple TV+ series, first two eps May 16, season finale July 11, VF first look) 17:45 – Gizmodo just saw the first footage from Masters of the Universe (in theatres June 5, 2026) 19:58 – Superman (and Krypto, in theatres July 11) 21:30 – Thunderbolts* (in theatres May 1) 26:36 – Star Trek: Strange New Worlds (Star Trek series, S3, Paramount+, summer) (Zoner Mary) 26:59 – Mission: Impossible – The Final Reckoning (in theatres May 23) 29:17 – M3GAN 2.0 (in theatres June 27) 29:42 – The Accountant 2 (in theatres April 25, with TAX DAY SCREENINGS APRIL 15) 30:19 – Not an April Fool’s joke: Rick and Morty really did announce its season premiere date (Adult Swim series, May 25, 7p Pacific) 31:00 – Also not an April Fool’s joke: Once Upon a Time in Hollywood follow-up in the works with Brad Pitt starring, David Fincher directing a Quentin Tarantino script 31:36 – LOVE DEATH + ROBOTS (Netflix series, S4, May 15) 32:52 – Predator: Killer of Killers (Hulu animated series, Disney+, June 6) 34:36 – The Rehearsal (HBO series, S2, April 20, whoa) 35:35 – The King Of Kings (in theatres April 11) 41:18 – New ‘Matrix’ movie in the works with Drew Goddard writing, directing aaand: South Park renewed through season 27 aaand: The Simpsons renewed through season 40 NOT Coming Soon 41:52 – Disney pushes pause on live-action Tangled movie Geek News Proper 42:10 – Val Kilmer dead at 65 44:24 – Disney opens Industrial Light and Magic’s largest studio at The Stack tower in Vancouver 44:37 – 32 years later, a Mighty Morphin Power Rangers writer addresses racially insensitive casting RUMOURS and HEARSEY 47:06 – New James Bond will be very young as Amazon REPORTEDLY plans retro reboot (source: We’re Not Getting Any Younger podcast) Reviews and Recommendayshes 50:54 – Zoner Tim: A Minecraft Movie related: review: it’s good, actually related: crushing numbers and records related: CHAOS TEENS 56:45 – The White Lotus S3 related: Cristóbal Tapia de Veer quits as composer related: S3 theme with woooooooooooloolooloolooloolooloolooloo related: S4 location HiNtS related: The White Lotus finale had a sex scene with Piper and Zion that got cut related: Proxima doesn’t speak in Endgame because Marvel reportedly didn’t want to pay Carrie Coon more Join The Geek-out Podcast’s Facebook page (where we’ll release new episodes, and where you can talk with us) and Facebook group (where fans of the podcast can gather and talk geeky stuff)! Questions? Comments? Corrections? Suggestions? e-mail geekout@TheZone.fm Subscribe to The Zone’s Geek-out Podcast on Apple Podcasts. Or, copypasta this link to subscribe using your podcatcher of choice: https://omny.fm/shows/the-geek-out-podcast/playlists/podcast.rss And, get more Zone podcasty goodness at TheZone.fm/podcast
Today, Matt & Todd discuss Willow—a fantasy epic directed by Ron Howard, starring Warwick Davis, Val Kilmer, and Joanne Whalley.Released in 1987 with massive marketing and high expectations, Willow had the powerhouse backing of George Lucas and cutting-edge visual effects from Industrial Light & Magic. While the film found moderate success both critically and commercially, it never quite soared to the legendary heights of Star Wars or Raiders of the Lost Ark. Perhaps its biggest limitation? Familiarity.Let's be honest—Willow follows a well-worn path in the fantasy genre: an ancient prophecy, dark sorcery, thrilling wagon chases, sword fights, dragons—you name it. But to its credit, it doesn't shy away from those tropes; rather, it embraces them wholeheartedly. The creators understood the genre and let the cast revel in its magic, making Willow an adventure worth revisiting.Matt reigns as the wise and benevolent ruler of more than 100 meticulously curated lists on Letterboxd—follow the wings of his ravens on Bluesky [@MovieMattSirois].Prophecy speaks of Marcus, his cunning twin, who haunts Facebook's Movie Asylum of the Weird, Bad and Wonderful tearing through the desolate wasteland of low-budget, underdeveloped Z-action films—shrouding the land in eldritch snark.Join in wonder at the tales of lore of Once Upon a Geek and The Fade Out Podcast
To celebrate National Film Score Day, Gilbert and Frank are joined by Oscar-winning composer and guest co-host Michael Giacchino for a chat with one of Michael's childhood heroes, Academy Award-winning special effects artist (and GGACP fan!) Dennis Muren. In this episode, Dennis praises the artistry of stop-motion animation, looks back on the early days of Industrial Light & Magic and shares behind-the-scenes stories from the making of modern classics “E.T.,” “Jurassic Park” and “The Empire Strikes Back.” Also, Marlon Brando ages gracefully, Irwin Allen breaks up the Marx Brothers, Michael gets nostalgic for the “Temple of Doom” mine car sequence and Dennis remembers longtime friends Forrest Ackerman and Ray Harryhausen. PLUS: “Flesh Gordon”! The magic of Willis O'Brien! “Casablanca” in 3-D! And Bob Burns recreates “The Exorcist”! Learn more about your ad choices. Visit megaphone.fm/adchoices
It's a new month, and in honor of the Oscars, we're talking about one of the Academy's most recognized filmmakers of all time: Steven Spielberg. By the 90s, Spielberg had become one of Hollywood's preeminent entertainers. He arguably reached his apex in 1993, when he directed the highest-grossing film of all time and a Best Picture winner in the same year. We're starting with the box office behemoth: Jurassic Park. Christian and Scott are revisiting this rewatchable classic to talk about dino danger, Spielbergian themes, and how hot Jeff Goldblum is. Plus, we're still talking about Industrial Light & Magic, whose 1982 output gave us our January theme this year. With ground-breaking effects, Jurassic Park was one of the most influential films of the 90s, but does it hold up? Well, that's maybe a dumb question. So, how much *does* it hold up? And, after talking for 3 hours about the our thoughts on the Oscars (whoops), we share our thoughts on Anora's big night. What's your favorite decade of Steven Spielberg's career? Let us know at cinemaontappodcast@gmail.com
Scott Ross (born November 20, 1951) is an American digital media executive with a career spanning three decades. In the 1980s he led George Lucas' companies and in 1993 he founded, along with James Cameron and Stan Winston, Digital Domain, Inc., one of the largest digital production studios in the motion picture and advertising industries.[citation needed]In the 1980s Ross was general manager of Lucasfilm's Industrial Light and Magic (ILM) and under his leadership, ILM won five Academy Awards for Best Visual Effects (Who Framed Roger Rabbit, Innerspace, Terminator 2: Judgment Day, The Abyss, Death Becomes Her). The company re-organized in 1991 and Ross was named senior vice president of the LucasArts Entertainment Company, which comprised Skywalker Sound, LucasArts Commercial Productions, LucasArts Attractions, EditDroid/SoundDroid and ILM.Under Ross' direction, from 1993 to 2006, Digital Domain garnered two Academy Awards and three nominations, receiving its first Oscar in 1997 for the ground-breaking visual effects in Titanic. That was followed by a second Oscar for What Dreams May Come. Digital Domain received additional nominations for True Lies, Apollo 13 and I, Robot and won three Scientific and Technical Academy Awards for its proprietary software.Digital Domain's Commercials Division has established itself as the premier visual effects studio in the advertising industry. With Fortune 500 clients such as Nike, American Express, Gatorade, Anheuser-Busch, Coca-Cola and Mercedes-Benz, the Commercials Division has garnered dozens of Clio Awards. In addition to the visual effects divisions, Mr. Ross launched Digital Domain Films, a feature film production division. The first feature film produced by Ross was the New Line Cinema release Secondhand Lions which achieved both critical and box office success. In 2006, as Digital Domain's CEO and Chairman, Ross sold Digital Domain to Wyndcrest Holdings led by film director, Michael Bay, and his partner John Textor.At present, Ross sits on multiple boards and is an advisor to companies and schools such as the Beijing Film Academy, Lenovo Computers, DeTao Masters Academy in Shanghai, Eyellusion (a holographic live concert touring production company) and is a co-founder of Trojan Horse Was A Unicorn. the world's leading digital artist conference which takes place in Malta. Ross also continues developing film screenplays that focus on the pressing issues of the day.A native of New York City, Ross began his career in media studies at Hofstra University, where he graduated with a BS in communication arts in 1974. He returned to Hofstra in June 1997 to receive an honorary doctorate degree from his alma mater. Ross is a member of the Academy of Motion Picture Arts and Sciences (OSCARS) and the Academy of Television Arts and Sciences (EMMYS). He has worked on over 100 of the world's largest special effects films and has lectured extensively about the creative process, content and technology in over 30 countries around the world.Read His New Book Here:https://www.amazon.com/UPSTART-DIGITAL-REVOLUTION-MANAGING-UNMANAGEABLE/dp/1836636911
In this conversation, Maryan discusses her journey into the film industry, detailing her entry point after film school, her experiences at Industrial Light & Magic (ILM), and the challenges she faced as a woman in a male-dominated field. She shares insights into the creative environment at ILM, the collaborative spirit among teams, and the innovative techniques used in films like Return of the Jedi. Maryan reflects on her post-ILM career, the changing dynamics in the industry, and the importance of perseverance and creativity in filmmaking. In this conversation, Maryan reflects on her experiences in the film industry, particularly focusing on the creative processes behind visual effects, the impact of influential figures like George Lucas, and the transition from effects work to live action and music videos. We discuss the challenges of working in different effects houses, the importance of collaboration, and the evolution of technology in filmmaking. The conversation also touches on personal career transitions, the balance between work and family life, and the shift towards education in the arts.All my links
For this brand new podcast episode, Chris and Alex are delighted to discuss the spectacle and staging of virtual holograms with Ian Comley, VFX Supervisor at Industrial Light & Magic and part of the creative team that brought the ABBA Voyage (2022-) musical experience to life. Over three years in the making, ABBA Voyage uses computer-generated imagery to (re)imagine the long-retired Swedish group for 21st century audiences. The show combines sophisticated de-aging techniques to craft the illusion of the band's 1979 selves, combined with re-recorded vocals and a contemporary light show. Topics include the fluctuating role of nostalgia in the ‘retro' creation of ABBA's virtual ‘abbatars' and the speculative aesthetic of contemporary musical concerts; the ethics of virtual holography when combined with digitally-mediated posthumous performance; the myth of the photographic ‘close-up' rendered in computer graphics; questions of likeness, liveness, and duration in the construction of an immersive concert; and the complex status of ABBA Voyage as a feature-length animation that negotiates the musical star as a computerised base asset. **Fantasy/Animation theme tune composed by Francisca Araujo** **As featured on Feedspot's 25 Best London Education Podcasts**
Entrepreneurship isn't just about building a product. It's about building a culture and a vision that lasts.For Abhik Pramanik, Co-Founder & VP of Engineering of Ashby, the journey to creating a company wasn't a straight path. From working in visual effects at Industrial Light & Magic to the world of entrepreneurship, Abhik learned firsthand that success often comes from listening to customers, navigating failures, and staying adaptable. Alongside his co-founder, Benji, Abhik transformed Ashby into an all-in-one recruiting platform by focusing on execution, customer collaboration, and innovative solutions that scale.In this episode, Abhik shares his insights on building a company that listens deeply to its customers, cultivates a strong team culture, and stays nimble in the face of evolving challenges. Whether you're a founder, team leader, or just someone curious about entrepreneurship, this conversation is packed with lessons on scaling with purpose and precision.In this episode, you'll learn:Validate your ideas with real-world input: Don't rely on assumptions. Broad validation helps ensure your product or service is solving genuine customer problems.Stay nimble while balancing vision and customer needs: Ashby's success came from staying adaptable. When market conditions shifted, they reprioritized product development to address customer pain points.Empower your team with purpose and autonomy: A culture that supports creativity and problem-solving starts with leadership. Building a team culture gives employees the freedom to innovate while staying aligned with company goals.Jump into the conversation:(00:00) Meet Abhik Pramanik(01:35) From visual effects to entrepreneurship: Abhik's early journey(03:08) Realizing you're one of the “crazy ones”(05:14) Lessons from being a passionate but “terrible employee”(07:10) The birth of Ashby: How problem-solving led to opportunity(09:39) Navigating failure: The role of past start-ups in shaping success(12:28) Validating ideas with 100+ conversations(16:12) Scaling Ashby while maintaining customer focus(19:21) Balancing vision and customer listening in product development(22:03) Building a culture of collaboration through customer success(25:36) Leveraging partnerships and feedback loops to drive innovation(30:45) The art of sequencing priorities for growth(36:40) What's next for Ashby in 2025(41:12) Building a culture where rebels thrive
Our look at the films Industrial Light and Magic worked on in 1982 comes to a close as we look at the horror classic Poltergeist! The film follows the Freeling family whose upwardly mobile middle class existence is thrown for a major loop after their daughter Carol Ann starts talking to “the TV people,” ghosts haunting their home. After Carol Ann disappears, the family enlists the help of paranormal investigators to bring her back to the realm of the living. The film also features legendary behind the scenes tension between director Tobe Hooper and writer/producer Steven Spielberg. Our hosts talk about the story of the film's making before diving into their review. Plus, we react to the recently announced Oscar nominations! Stay tuned to hear about our plans for February. Have any thoughts about our review? Let us know at cinemaontappodcast@gmail.com
Our look at Industrial Light & Magic's 1982 films continues, as we take a look at the cult classic, all-puppets all-the-time spectacular: The Dark Crystal. This is the first time we're talking about anything Jim Henson related, so we talk about his career, The Muppets, and Sesame Street before diving into his dark fantasy film (co-directed with fellow muppeteer, Frank Oz). The Dark Crystal is set in a fantasy world, where young Jen must go on an adventure to restore the titular crystal and stop the evil Skesis. The Dark Crystal received mixed reviews on release, but has endured as a cult classic, with the darker tone and extraordinary puppets winning hearts and minds over the years. But, what will our hosts think? Have you seen The Dark Crystal? Let us know your thoughts at cinemaontappodcast@gmail.com
It's time to kick off our first marathon of the year! This year, Christian is in charge of January, and he's taking us back in time to 1982 to discuss the work of special effects royalty. George Lucas formed Industrial Light & Magic to take care of the special effects for 1977's Star Wars. After working on 3 films from 1977-1981, ILM took a leap and took care of the special effects for 5 major films in 1982, including E.T. and Conan the Barbarian. We're taking a look at the 3 films we haven't seen to cross off some blindspots, starting with Star Trek II: The Wrath of Khan! Trekkies, this one is for you. The sequel to Star Trek: The Motion Picture (as well as an episode from the original run of the TV show), Wrath of Khan features the crew of the Enterprise facing off against Khan, a genetically modified warlord who has spent 15 years marooned on a deserted planet. Featuring legendary performances from William Shatner, Leonard Nimoy, and Ricardo Montalban, this film has surpassed its franchise trappings to become a beloved sci-fi classic in its own right. What will our hosts think? Listen along and find out. What's your favorite Star Trek movie? Let us know at cinemaontappodcast@gmail.com. [GoFundMe info] Entertainment Community List: https://docs.google.com/spreadsheets/d/1aTMre3zZqO3aplOKBJVmQUn55VpNb3CNS2DA28fyH00/edit?usp=sharing Black Displaced Families https://docs.google.com/spreadsheets/u/0/d/1pK5omSsD4KGhjEHCVgcVw-rd4FZP9haoijEx1mSAm5c/htmlview?pli=1&usp=embed_facebook BIPOC Families affected by EATON FIRE https://docs.google.com/spreadsheets/u/2/d/1qhkh8v967DJYkVi7kubA8VsHYsO2yB3MBKe8tkWRrhw/htmlview?urp=gmail_link
We're back for our first episode of 2025 and another Transformers One chat, and this time, we're going BIG with no less than three extra special guests from the Industrial Light & Magic team who created the gorgeous film. Joining us are Stephen King (Head of Animation for ILM Sydney) Amy Beth Christenson (Art Director & Lead Character Designer) and Alex Fry (Compositing Supervisor) as they talk us through everything from character design to Easter eggs. Not one to miss! If you enjoy our podcast then find more... much more than meets the ear at www.patreon.com/tripletakeover TONS of weekly exclusive content & perks, including bonus episodes, outtakes, early access and more! Sign up at 'Gold Box Classics' level today to get immediate access to: Over 80 'minisodes' on a wide range of topics (plus commission your own!) Over 55 'miniseries' chapters on ongoing topics, including toys & comics Early release of regular episodes - normally a week in advance! Our Patreon Discord server - the place to be! Bonus podcast artwork & more!
On this episode of 8111 I talk with Craig Barron. Craig is an Academy Award-winning visual effects supervisor, entrepreneur, and film historian with a groundbreaking career spanning over two decades. He has contributed to visual effects on more than 100 films and served as a founding member of the Visual Effects Society. Barron also spent nine years on the Academy of Motion Picture Arts and Sciences Board of Governors and was co-chair of the Science & Technology Council.At just 18, Barron joined Industrial Light & Magic during the "Star Wars" era, contributing to classics like The Empire Strikes Back, Raiders of the Lost Ark, and E.T. He later co-founded Matte World, an Emmy-winning studio that evolved into Matte World Digital, known for its innovative visual effects in films such as Batman Returns, Zodiac, Hugo, and The Curious Case of Benjamin Button, for which he won an Oscar and BAFTA in 2009.Barron co-authored The Invisible Art: The Legends of Movie Matte Painting, an award-winning book chronicling the history of matte painting. A dedicated film historian, he frequently lectures for AMPAS and Turner Classic Movies, collaborating with sound designer Ben Burtt to showcase the artistry behind classic films like Modern Times and Forbidden Planet.In recent years, Barron has worked as a visual effects supervisor at Tippett Studio and now serves as Creative Director of Magnopus, a cutting-edge visual storytelling company based in Los Angeles.It was a genuine pleasure to talk with Craig about his incredible career.
In supporter Mike's last pick and appearance he went with a classic 90's British flick, Trainspotting. And this time he's swung the dial to little renowned sword and sorcery adventure, Dragonslayer! Dragonslayer (1981) was an ambitious collaboration between Paramount Pictures and Walt Disney Productions, marking a rare foray into darker, more mature fantasy for Disney. Directed by Matthew Robbins, the film was developed as a gritty and realistic take on medieval mythology, deviating from the lighter tone often associated with fantasy films of the time. The screenplay, written by Robbins and Hal Barwood, aimed to explore themes of faith, power, and heroism. Principal photography took place in the rugged landscapes of Wales and Scotland, chosen for their authentic medieval atmosphere, and the production faced significant challenges in capturing the epic scope of the story while dealing with unpredictable weather and remote locations. The standout feature of the film was its groundbreaking special effects, particularly the creation of the dragon, Vermithrax Pejorative. To bring the creature to life, the production team employed a combination of animatronics, puppetry, and the pioneering go-motion technique developed by Industrial Light & Magic (ILM). This approach allowed for smoother, more lifelike movements than traditional stop-motion animation. Phil Tippett, the lead visual effects artist, played a crucial role in crafting Vermithrax, which has since been hailed as one of the most convincing cinematic dragons ever created. Despite mixed reviews upon release, Dragonslayer gained a cult following and remains a landmark in special effects innovation, bridging the gap between the practical techniques of the past and the CGI-dominated future of filmmaking. Mike & Dave have a monthly Star Wars pod with fellow VHS support Maff, plus Mike, Dave & Chris have collaborated on numerous podcast in the past, to find all of Mike's links, go here: https://linktr.ee/GenuineChitChat As Mike noted in his recording, he has discussed Dragonslayer in-depth with his wife Megan, fellow VHS supporter Spider-Dan and Ria Carrogan of the Femme On Collective, in their series "Disney Discussions", found on the feeds of Genuine Chit-Chat, Spider-Dan & The Secret Bores and Femme On. The episode was released on Spider-Dan's pod in September 2022! Listen wherever you're listening to the VHS Strikes Back, or find all DD episodes (with video) in this YouTube playlist: https://www.youtube.com/playlist?list=PLcO1Ib_BGD8ajqsEDJPAYC0DSuIUqa26e If you enjoy the show we have a Patreon, so become a supporter. www.patreon.com/thevhsstrikesback Plot Summary: Young sorcerer's apprentice Galen embarks on a perilous quest to slay Vermithrax Pejorative, a fearsome dragon terrorizing a kingdom that appeases it with human sacrifices. Armed with his late master's enchanted amulet and his growing confidence, Galen ventures into danger, facing the dragon's fiery wrath and uncovering political intrigue that reveals the kingdom's rulers have sinister motives of their own. Combining themes of heroism, faith, and sacrifice, the film delivers a gritty, visually striking fantasy tale that stands out for its groundbreaking special effects and its unflinching portrayal of medieval darkness. thevhsstrikesback@gmail.com https://linktr.ee/vhsstrikesback --- Support this podcast: https://podcasters.spotify.com/pod/show/thevhsstrikesback/support
In this special episode of Tabletop Tune Up, Mark and Ben sit down with Tad Leckman, a seasoned learning professional with experience at Industrial Light and Magic, Activision-Blizzard, and as a game design instructor at the University of California, Santa Cruz. Tad shares his insights on leading creative teams in both games and movies and how those skills overlap with the role of a gamemaster. We discuss the art of crafting compelling tutorial plays, explore the nuances of different RPG genres and gameplay styles, and dive into the time and creativity demands of various genres. Tad also recommends books and modules that showcase brilliant game design. Tune in for an inspiring conversation that will inspire you to put some new books on your shelf and try some new ideas with your players.
"Ultraman: Rising" is a Japanese-American co-production between Netflix Animation and Tsuburaya Productions, with animation by Industrial Light & Magic; it is the 44th film in the franchise with Shannon Tindle making his feature directorial debut. The film stars Christopher Sean as Ken Sato/Ultraman, along with the voices of Gedde Watanabe, Tamlyn Tomita, Keone Young, and Julia Harriman. The film was released worldwide on Netflix over the summer and received positive reviews for its animation, writing, and voice performances. Next Best Picture was invited to Industrial Light & Magic to interview Tindle, Co-Director John Aoshima, Composer Scot Stafford, and Visual Effects Supervisor Hayden Jones, which you can listen to below. The film is up for your consideration in all eligible categories at the 97th Academy Awards, including Best Animated Feature. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices
In this conversation, TyRuben shares his journey into the world of visual effects and concept design, detailing the profound impact of films like '2001: A Space Odyssey' on his aspirations. He discusses the importance of self-permission in pursuing one's dreams, the skills he developed over the years, and his experiences at Industrial Light & Magic (ILM). He emphasizes the significance of collaboration, the fast-paced nature of concept design, and the evolution of CGI in filmmaking. He reflects on his work with industry legends like George Lucas and James Cameron, the transformative experience of working on 'Avatar', and his eventual transition into education and engagement with artificial intelligence.Key moments:Seeing '2001: A Space Odyssey' sparked my interest in visual effects.Self-permission is crucial for success in any field.Building a diverse skill set is essential for a career in VFX.Collaboration is key in the creative process.The fast-paced environment at ILM taught me to adapt quickly.Pitching ideas is a vital part of the creative process.Working with George Lucas was a dream come true.The experience on 'Avatar' solidified my role in the industry.Teaching is a natural progression in my career.All the links
Robert Winfree, Mark Radulich, Jason Teasley and Cole Marentette present their Transformers One 2024 Movie Review!Transformers One is a 2024 American animated science fiction action film based on Hasbro's Transformers toy line. It was directed by Josh Cooley from a screenplay by Eric Pearson and the writing duo of Andrew Barrer and Gabriel Ferrari, based on a story by Barrer and Ferrari. The ensemble voice cast includes Chris Hemsworth, Brian Tyree Henry, Scarlett Johansson, Keegan-Michael Key, Steve Buscemi, Laurence Fishburne, and Jon Hamm. It is set on Cybertron, the home planet of the Transformers and depicts the origins and early relationship of Optimus Prime and Megatron.In March 2015, following the release of Transformers: Age of Extinction (2014), Paramount Pictures tasked Akiva Goldsman to set up a writers' room to create ideas for potential future Transformers films. By May 2015, Barrer and Ferrari had signed on as writers, and they came up with the idea of an animated prequel set on Cybertron. The film was announced in August 2017, and by April 2020, Cooley had been hired to direct. Animation services were provided by Industrial Light & Magic, and the design was primarily influenced by Generation 1 and Art Deco. The score was composed by Brian Tyler.Transformers One premiered in Sydney, Australia on September 11, 2024, and was released by Paramount Pictures in the United States on September 20. The film has grossed $38.6 million worldwide and received largely positive reviews from critics, who praised the story, humor, action sequences, animation and voice performances.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59
Mandarava has always been a maker. Her way into puppetry came initially through trying to make sense of deep family grief. Mandarava's work is brimful of magic - filtered through fairy tales, her own deep immersion in illustrative art and the realm of stories accompanying long-cherished images, both from childhood and her further adventures as a grown-up. We hear about her exploration of female figures from the Buddhist and other mythic traditions, including the resonances between old mythologies and certain kinds of visualisation meditations that feature imagery representing a rich seam of possibilities for transcendent Buddhist practice. Aryajit, animator extraordinaire, was inspired as a boy by Star Wars' retelling of classic mythology. It was a major influence on his deciding to live out the Buddhist path as “the adventure of my life”; and to help make the tradition new in his own work animating many aspects of that path. His work appears extensively on The Buddhist Centre Online, explaining and evoking in brilliant ways both the nuances of the Dharma and the life of the Buddha as a set of nested myths and stories that still resonate today when re-presented in this way. Watch any of his animations (see the show notes below!) and you can feel his own quietly passionate heart in the work. Prasannavira from The Windhorse Trust was instrumental in helping fund Aryajit's new animated series, ‘The Legend of the Buddha'. We talk about helping shape a Buddhist context to fund creators and innovators. And how bringing up his own children within a broadly Buddhist culture informed by classic stories and images has helped him as a parent. We also hear about Prasannavira's own trove of mythic reference points, including Studio Ghibli's ‘The Tale of the Princess Kaguya'. And about his early days as a Buddhist in London, profoundly affected by modern evocations (inspired by Tibetan tradition) of the great guru Padmasambhava. There's so much to enjoy in these thoughtful exchanges: from the legacy of classic British children's television and theatre to the life of the imagination itself. We explore how stories can help us work with past trauma to figure out a realistic path through life in relation to our ideals. And the connections between new work in animation, illustration, puppetry, drawing and painting and established traditions of folk and classical Buddhist art (from India, China, Japan and elsewhere). Whether it's the value of dramatization, theatre and ritual for evoking the best of Buddhism, or how being “good” at art isn't the point - everything flows in this fun episode about how to never lose touch with the sense of wonder and creativity we have as kids, and need now more than ever. Show Notes Home Retreats by Mandarava and Nagasiddhi (with original puppetry and set design):
After Steven Spielberg took the reins for both Jurassic Park and The Lost World: Jurassic World, it was time for some fresh meat for Jurassic Park III, which was the first to not be directed by Spielberg and not be based on a Michael Crichton novel.Jurassic Park III would start to have problems early, though. The original script was thrown out five weeks before filming was due to start, with the project already having spent $18 million. New writers Alexander Payne and Jim Taylor were quickly hired to improve the story and characters , but they never actually completed a script.Filming would start without a complete script, which would lead to a myriad of problems. It meant entire days shooting only one or two scenes, and quickly the production was behind schedule.While Jurassic Park III is mostly known for "Alan", being the shortest movie in the franchise at a lean 92 minutes, and the lowest grossing movie of the franchise, it was also quietly revolutionary with its visual effects - the practical led by the legendary Stan Winston Studio and the CG by Industrial Light and Magic. And who knew it would predict an actual scientific discovery on dinosaur behaviour?I would love to hear your thoughts on Jurassic Park III !Verbal Diorama is now an award-winning podcast! I won the Best Movie Podcast in the inaugural Ear Worthy Independent Podcast Awards recently. I am beyond thrilled, and hugely grateful to the Ear Worthy team. It means so much to me to be recognised by a fellow indie outlet, and congratulations to all the other winners!CONTACT.... Twitter @verbaldiorama Instagram @verbaldiorama Facebook @verbaldiorama Letterboxd @verbaldiorama Email verbaldiorama [at] gmail [dot] com Website verbaldiorama.comSUPPORT VERBAL DIORAMA....Give this podcast a five-star Rate & Review Join the Patreon | Send a Tip | Buy Merch ABOUT VERBAL DIORAMAVerbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em | This podcast is hosted by Captivate, try it yourself for free. Theme Music: Verbal Diorama Theme Song. Music by Chloe Enticott - Compositions by Chloe. Lyrics by Chloe Enticott (and me!) Production by Ellis Powell-Bevan of Ewenique StudioPatrons: Simon E, Sade, Claudia, Simon B, Laurel, Derek, Vern, Cat, Andy, Mike, Griff, Luke, Michael, Scott, Brendan, Lisa, Sam, Will, Jack, Dave, Chris, Stuart, Nicholas, Zo, Kev, Pete, Heather, Danny, Aly, Stu, Brett, Philip M, Michele, Xenos, Sean, Ryno, Russell, Philip K Adam and BRAND-NEW PATRON ELAINE!This podcast uses the following third-party
It's a new edition of BLAST POINTS PRESENTS as we listen to our friend Tom Spina from Regal Robot talk to Industrial Light and Magic Legend HOWIE WEED! Listen as they discuss Howie's experience inside the special edition Wampa suit, working on classics like Gremlins and The Fly! AND - hear just what priceless advice George Lucas gave him while in the Wampa suit! It's a really fun chat so listen today! Check out the giant screen sized Wampa wall bust here : https://regalrobot.com/shop/star-wars/starwars-busts-statues-collectibles/wampa-life-sized-wall-bust/ See the Regal Robot line of awesome maquette replicas made from digital scans of the original artifacts here: https://regalrobot.com/custom-star-wars-busts-statues/ Explore everything Regal Robot here: www.regalrobot.com EXPERIENCE TOM SPINA DESIGNS HERE: www.tomspinadesigns.com JOIN THE BLAST POINTS ARMY and SUPPORT BLAST POINTS ON PATREON! ACOLYTE COMMENTARIES! BAD BATCH SEASON 3 REVIEW EPISODES! MANDALORIAN SEASON 3 COMMENTARIES! KENOBI COMMENTARIES! Theme Music downloadable tracks! Extra goodies! and so much MORE! www.patreon.com/blastpoints SUBSCRIBE ON YOUTUBE TO SEE ALL THE CELEBRATION LONDON SUPER LIVE FROM HOME MADNESS : www.youtube.com/@blastpointspodcast2160/featured Blast Points T-SHIRTS are now available! Represent your favorite podcast everywhere you go! Get logo shirts while supplies last! Perfect for conventions, dates, formal events and more! Get them here: www.etsy.com/shop/Gibnerd?section_id=21195481 If you dug the show, please leave BLAST POINTS a review on iTunes, Spotify and share the show with friends! If you leave an iTunes review, we will read it on a future episode! Honestly! Talk to Blast Points on twitter at @blast_points leave feedback, comments or ideas for shows! "Like" Blast Points on Facebook for news on upcoming shows and links to some of the stuff we talk about in the show!! Join the Blast Points Super Star Wars Chill Group here www.facebook.com/groups/BlastPointsGroup/we are also on Instagram! Wow! www.instagram.com/blastpoints your hosts are Jason Gibner & Gabe Bott! contact BLAST POINTS at : contact@blastpointspodcast.com Send show ideas, feedback, voice messages or whatever! May the Force be with you, always! This podcast is not affiliated in any way with Lucasfilm Ltd. LLC, The Walt Disney Company, or any of their affiliates or subsidiaries.
Welcome to Star Wars Reactions!Our own Aaron Harris hosts our all new Saga World Report for September 6, 2024!This week, Aaron discusses news out of the Venice Film Festival, Industrial Light and Magic's (ILM) new podcast, and the latest Star Wars news coming out of DragonCon. Aaron also covers the latest about the late Carl Weathers and lets you know what books and comics are coming out during the month of September!Plus stick around to the end for an all new Star Wars Dad Joke of the Week and find out whats coming up on the 193rd episode of Star Wars Reactions!Talking Points for Episode 192:OpeningNews You May Have MissedSigourney Weaver Meets GroguLighter DarkerStar Wars Outlaws is out!News from DragonConCarl WeathersUpcoming PublicationsClosingSWR Convention ScheduleEpisode 193 TopicStar Wars Dad Joke of the WeekStar Wars Reactions: Elegant discussions for a more civilized age!Click here to leave us a voicemail via SpeakPipe!Email us here!Follow us on X (formerly known as Twitter)!Follow us on Facebook!Follow us on Instagram!Follow us on TikTok!Follow us on Threads!Follow us on Bluesky!Follow us on Pinterest!Subscribe on YouTube!Follow Aaron and David on X (formerly known as Twitter)!Follow David on Instagram!
“Jurassic Park,” “Forrest Gump,” “Star Wars,” “Cars,” “Ratatouille,” “WALL•E,” “UP” and “Toy Story 3.”A short list of the most beloved franchises and animated features with magnificent VFX and post-production contributions overseen by today's guest on MOVIES WITH… David H. Tanaka. David served at Industrial Light & Magic in VFX Production/Editorial and then went on to Pixar Animation Studios as a Special Projects Editor. Currently at Tippett Studio, David's career spans over 35 years in the industry.Join us as David relays his journey growing up in the San Francisco Bay Area, landing VFX and animation gigs with industry legends like George Lucas and Steven Spielberg and launching his cinema program for youths, Cinemabilities.The wonderful David H. Tanaka on this week's MOVIES WITH…Send us a Text Message.Thank you for listening! Please visit our website at www.nrjmediagroup.com to learn more.
It's a new edition of BLAST POINTS PRESENTS as we listen to Tom Spina from Regal Robot talk to Industrial Light and Magic Legends as they tell the story of how they crafted "maquettes" to design the creatures of Return of the Jedi. The audio is from a Regal Robot video put together from Tom's exclusive interviews with Phil Tippett, Jeanne Lauren, Chris Walas, Dave Carson, Kirk Thatcher, Judy Elkins and Ken Ralston. See the Regal Robot line of maquette replicas made from digital scans of the original artifacts discussed here: https://regalrobot.com/custom-star-wars-busts-statues/ Explore everything Regal Robot here: www.regalrobot.com EXPERIENCE TOM SPINA DESIGNS HERE: www.tomspinadesigns.com JOIN THE BLAST POINTS ARMY and SUPPORT BLAST POINTS ON PATREON! ACOLYTE COMMENTARIES! BAD BATCH SEASON 3 REVIEW EPISODES! MANDALORIAN SEASON 3 COMMENTARIES! KENOBI COMMENTARIES! Theme Music downloadable tracks! Extra goodies! and so much MORE! www.patreon.com/blastpoints SUBSCRIBE ON YOUTUBE TO SEE ALL THE CELEBRATION LONDON SUPER LIVE FROM HOME MADNESS : www.youtube.com/@blastpointspodcast2160/featured Blast Points T-SHIRTS are now available! Represent your favorite podcast everywhere you go! Get logo shirts while supplies last! Perfect for conventions, dates, formal events and more! Get them here: www.etsy.com/shop/Gibnerd?section_id=21195481 If you dug the show, please leave BLAST POINTS a review on iTunes, Spotify and share the show with friends! If you leave an iTunes review, we will read it on a future episode! Honestly! Talk to Blast Points on twitter at @blast_points leave feedback, comments or ideas for shows! "Like" Blast Points on Facebook for news on upcoming shows and links to some of the stuff we talk about in the show!! Join the Blast Points Super Star Wars Chill Group here www.facebook.com/groups/BlastPointsGroup/we are also on Instagram! Wow! www.instagram.com/blastpoints your hosts are Jason Gibner & Gabe Bott! contact BLAST POINTS at : contact@blastpointspodcast.com Send show ideas, feedback, voice messages or whatever! May the Force be with you, always! This podcast is not affiliated in any way with Lucasfilm Ltd. LLC, The Walt Disney Company, or any of their affiliates or subsidiaries.
Order your exclusive da Vinci BoldBrush paintbrush set!https://brushoffer.com/collections/boldbrushLearn the magic of marketing with us here at BoldBrush!https://www.boldbrushshow.com/Get over 50% off your first year on your artist website with FASO:https://www.FASO.com/podcast/---On today's episode, we sat down with Frank Ordaz a fine artist with a deep love of connecting with others through story and through his work. Frank shares with us his personal journey and his personal philosophy on being a complete human being in every aspect of life. He discusses the importance of confidence, believing in your "giftings", and finding your own artistic voice. He also reflects on his experiences working as an illustrator at George Lucas' studio Industrial Light & Magic where he worked on such films as Star Wars Return of the Jedi, ET, and Indiana Jones, and he also tells us about the lessons he learned about excellence and continuous improvement. Frank emphasizes the value of community, personal connection, and creating art that is meaningful and appreciated by others. He also reflects that finding your tribe is easier today thanks to social media, so you may as well paint what you love. Finally, Frank tells us about all his upcoming shows and events at Broadmoor Galleries in Colorado Springs, another at the Hilbert Museum of California Art at Chapman University, American Narratives, and a few others.Frank's FASO site:https://www.ordazart.com/Frank's Instagram:https://www.instagram.com/frank_ordaz_jr/
ICYMI: Hour Three of ‘Later, with Mo'Kelly' Presents – A conversation with venerable actress, and L.A.'s own, Tamlyn Tomita (The Karate Kid Part II, The Joy Luck Club, Cobra Kai, Blue Eye Samurai, Monarch: Legacy of Monsters, Avatar: The Last Airbender) regarding the Netflix, Tsuburaya Productions, and Industrial Light & Magic release “Ultraman: Rising” (Streaming June 14th on Netflix) which tells the story of “Ken Sato, a star athlete reluctantly returns home to take over his father's duties as Ultraman, shielding Tokyo from giant monsters as he becomes a legendary hero” - on KFI AM 640…Live everywhere on the iHeartRadio app
ICYMI: ‘Later, with Mo'Kelly' Presents – A conversation with actress Tamlyn Tomita (The Karate Kid Part II, The Joy Luck Club, Cobra Kai, Blue Eye Samurai, Monarch: Legacy of Monsters, Avatar: The Last Airbender) regarding the Netflix, Tsuburaya Productions, and Industrial Light & Magic release “Ultraman: Rising” (Streaming June 14th on Netflix) which tells the story of “Ken Sato, a star athlete reluctantly returns home to take over his father's duties as Ultraman, shielding Tokyo from giant monsters as he becomes a legendary hero” - on KFI AM 640…Live everywhere on the iHeartRadio app
This episode contains: Steven and Ben wonder if anyone is reading these notes… but regardless, they're your hosts this week, just so you know what to expect. Can you believe that Rubik's Cubes are back? Ben's son has mastered ye olde cube of Rubick, but isn't it kind of like magic on the surface? And don't even get me started on juggling Rubik's cubes, geesh! You should stop what you're doing and watch Godzilla Minus One. It's an incredible depiction of the horrors of WWII. Ben got frazzled preparing for a BBQ, and told a story where he was asked to rate an Instacart driver's scorpion face tatoo, even though it was shedding. What does one do after a BBQ? Well, Ben and Steven met in person and had beers and played Kings in the Corner. Ben was hoping to maybe play some Buried Treasure, but Steven wouldn't have it. Rules for Kings in the Corner: https://www.wikihow.com/Play-Kings-Corners Rules for Buried Treasure (it's a great game, really!): https://www.denexa.com/blog/buried-treasure/ Science or Fiction: Ruh Roh: As leaks on the space station worsen, there's no clear plan to deal with them. NASA and Roscosmos are struggling to address worsening leaks in the International Space Station, specifically in the PrK module of the Russian segment. Despite attempts to mitigate the issue, the leaks persist. While not currently posing an existential threat to the station, the leaks are now classified as a high likelihood, high consequence risk. The aging infrastructure of the station, particularly the Zvezda module, and limited resources due to geopolitical tensions, are contributing to the problem. The situation raises concerns about the future of the space station, set to retire in 2030. https://arstechnica.com/space/2024/06/on-the-space-station-band-aid-fixes-for-systemic-problems/ Roh My: Adobe Sparks Backlash Over AI Terms That Let It 'Access, View Your Content'. Adobe's updated terms of use allow its machine learning tools to view and use customers' content to develop future Adobe products—but it's unclear exactly what that entails. This is a big deal for a company making enterprise-level and industry leading products, and may impact whether corporate customers that have NDAs should continue to use Photoshop. Adobe later says the controversy is a misunderstanding about its effort to crack down on child sexual abuse material, but that seems flimsy, especially as they didn't lead with that when they pushed the new terms to customers. Steven remembers the beginnings of Photoshop, and it's connection to Industrial Light and Magic through Executive Creative Director John Knoll, who codeveloped Photoshop with his brother Thomas. https://www.pcmag.com/news/adobe-sparks-backlash-over-ai-terms-that-let-it-access-view-your-content https://www.ilm.com/people/john-knoll/ Who is this show for? Everybody! Let's go! Steven review the first two episodes of The Acolyte. Is it truly the first BRAND NEW Star Wars since A New Hope? The rumor mill is swirling with talks of a new Star Wars trilogy set 25,000 years before the Skywalker Saga. We are here for it. Maybe not Devon, but Star Wars still has the other two man-children who host this show in it's thrall. Book Club: Next week we'll be reading Stories in the sand, by Griffon McElroy, published in the Star Wars short story anthology From a Certain Point of View. But this week, we read a different story from that same anthology: The Trigger by Kieron Gillen. The story follows Aphra as she encounters stormtroopers while scavenging on Dantooine. Aphra is sentenced to execution… how will she escape? The story explores Aphra's changing views on the Empire after the destruction of Alderaan. So cool to see another story following Doctor Aphra, and another story by Kieron Gillen. We like it. So will you. https://starwars.fandom.com/wiki/Chelli_Lona_Aphra
As a pioneer in digital visual effects, Scott Ross was instrumental in the advancement of VFX in Hollywood. He led groundbreaking work at Industrial Light and Magic (ILM) and co-founded Digital Domain with James Cameron and Stan Winston. Scott looks back on his career, discusses systemic problems within the VFX industry, and possible ways to fix them. Scott began his career in sound recording for television and film in the San Francisco Bay Area for a video production company, becoming president of the San Francisco office. The success of Star Wars ignited a space race for studios, and ILM became the holy grail for VFX artists. “I get a phone call from a headhunter who says, 'Hey, Lucasfilm is looking for somebody to head up production operations at Industrial Light and Magic.' And my head exploded," says Scott. "If you're going to live in San Francisco, you want to work at Lucasfilm. That's how I got hired.” At the time, ILM was creating visual effects for Who Framed Roger Rabbit. His experience in the nascent digital video industry sped up the process, and by 1989, ILM developed a technique to work in a digital medium for making special effects. While Scott was at ILM, the company won five Academy Awards for Best Visual Effects. However, ILM's creative spirit began to wane under corporate pressure. "It turned into cubicles and whatnot," says Ross, favoring a "work hard, play hard" environment. This philosophy fueled his decision to leave and co-found Digital Domain in 1993. “When I started Digital Domain, we're going to play hard, work hard and party hard. And that's the culture that I wanted to create. I think generally we did a pretty good job of it.” Digital Domain became a leading VFX company, creating visual effects for films such as Cameron's Titanic. The VFX industry is notoriously troubled, with visual effects houses underbidding on projects to stay competitive and creating dismal working conditions for employees. “There are certain companies that the only way that they could stay alive is by taking advantage of their employees, not paying them overtime, not having health care,” says Scott. “That really comes as a result of the way the clients, studios and the directors deal with the visual effects companies.” He blames a producer mentality that prioritizes squeezing VFX houses rather than fostering a sustainable industry. “The visual effects industry workers need advocates for themselves. Currently, they have no one fighting for them. They need an international trade association that changes the business model.” Today, effects workers continue to voice their need to form a union. The rise of AI further complicates the picture, with some fearing job replacement. Find Scott Ross: https://www.linkedin.com/in/scottross/ Instagram: @scott_ross Sponsored by Hot Rod Cameras www.hotrodcameras.com Get Tickets to Cinebeer 2024! https://www.tickettailor.com/events/hotrodcameras/1263845? The Cinematography Podcast website: www.camnoir.com Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz
Former Disney animator, Davy Liu, and founder of Destiny Studios Meri Crouley, joins the program to share their plan to create a new wholesome family oriented animated motion picture to rival Disney and Pixar without the propaganda. Davy Liu is an experienced animator who has worked on the Lion King, Mulan and others. His team of former Disney and Dreamworks animators have the experience and talent to change Hollywood. They have teamed up with Meri Crouley and Destiny studio to make this dream a reality. Davy and Meri share the incredible story behind this movement to change Hollywood back to family oriented wholesomeness that parents everywhere expect. You can support their project by purchasing a ticket or by becoming an investor. Learn more at https://www.givesendgo.com/BeAHero/donate?Code=SARAH Learn more about Davy Liu's Films at Kendu Films Links Mentioned in show: Support and learn more about Destiny Studio at https://www.givesendgo.com/BeAHero/donate?Code=SARAH Turn back time with NuM8Trx, the world's most effective collagen building treatment. But now at https://purebellavita.com/pages/sarah-num8trx Learn more about Leela's Quantum Tech at https://bit.ly/3iVOMsZ or at https://SarahWestall.com/shop Consider subscribing: Follow on Twitter @Sarah_Westall Follow on my Substack at SarahWestall.Substack.com See Important Proven Solutions to Keep Your from getting sick even if you had the mRNA Shot - Dr. Nieusma MUSIC CREDITS: “In Epic World” by Valentina Gribanova, licensed for broad internet media use, including video and audio See on Bastyon | Bitchute | Brighteon | CloutHub | Odysee | Rumble | Youtube | Tube.Freedom.Buzz Meri Crouley Bio Meri Crouley is an anointed speaker who operates with a strong prophetic anointing. She has traveled all across the United States and overseas where she has spoken at conferences and crusades to compel the body of Christ and prepare them for another great awakening. She is the President of Destiny Studios and is in development on several major motion pictures. She also hosts her own television program called “Now is the Time” which is broadcast around the world via satellite, various media outlets and on You Tube. Meri believes that there is another spirit of Renaissance which is being released where millions are going to enter the Kingdom of God through the creative arts and music. She also has founded a non-profit organization called Youthwave Explosion. It was established in 1996 and Youthwave has hosted many large outreach concerts where thousands of young people's lives have been impacted through music and the gospel. Meri has hosted many prophetic conferences and also been a featured speaker at churches, retreats, woman's conferences and youth outreaches around the nation and world. Her message is to challenge people to rise up, take action and find their destiny and purpose for their lives. Her first book was released a few years ago by Deeper Calling Media entitled “When God Speaks” and has sold thousands of copies. She also has produced many teaching CD's and DVD's for people's inspiration and encouragement to take action to achieve their lives destiny. Davy Liu Bio Davy is a celebrated artist in the United States, China, and around the world. His artistic talent is most known for works he completed at Walt Disney Feature Animation, including Beauty and the Beast, Aladdin, Mulan, and The Lion King. He also worked for George Lucas at Industrial Light and Magic and for Warner Bros. Feature Animation. Davy founded Kendu Films in 2004 and has subsequently published the Invisible Tails series of picture books, namely “The Giant Leaf”,“Fire Fish”, “Jordan's Guest”,“The Royal Feast”and “Enchanted Tree”. Davy is also a dynamic speaker in North American and in Asia where he talks about creativity and pursuing your dreams. His biography was published in July of 2013 by Business Weekly in Taiw...
For more of my work visit me on instagram at http://www.instagram.com/davidminiatures or my website https://www.davidminiatures.com Special thanks to my guest on this episode Fon Davis Creative director and founder of Fonco, Instructor at The Stan Winston School and an alumn of the Industrial Light and Magic Model Shop, Fon has worked on feature films such as Star Wars, The Matrix, Terminator, Mission Impossible, and Jurassic Park franchises. Check him out on Instagram: https://www.instagram.com/fonhdavis/ https://www.instagram.com/foncostudios/ Big thanks to Episode sponsor: https://ninestepsind.com/ All the tools and materials I use can be found on Amazon: USA: https://www.amazon.com/shop/davidminiatures Canada: https://www.amazon.ca/shop/davidminiatures Shout out to Joe Gaudet for the Voice over for the logo sting! https://direct.me/joegaudet
You won't want to miss this incredible episode of Comes A Time with special guest Sean House! Sean takes us behind the scenes of his amazing career working on some of the biggest movies and with legendary artists like the Grateful Dead. His story of how he made his lifelong dream come true working at Industrial Light & Magic is truly inspiring. From building mind-blowing props and effects for Star Wars, Indiana Jones, and more, to crafting iconic pieces for Mickey Hart's touring rig, Sean's tales give you an insider's look at movie magic. Hear how he went from writing George Lucas as a kid to having Lucas hire him personally on a project. Sean's journey is full of synchronicity and proof that when you follow your passion, the universe conspires to help make it happen. His detailed accounts of working on the ILM models and blowing up buildings for films will blow your mind. Don't miss this fascinating glimpse into the world of movie wizardry and Grateful Dead lore from a true master of his craft. Subscribe now for more captivating stories! Comes A Time Podcast and content posted by Comes A Time is presented solely for general informational, educational, and entertainment purposes. The use of information on this podcast or materials linked from this podcast is at the user's own risk. It is not intended as a substitute for the advice of a physician, professional coach, psychotherapist, or other qualified professional, diagnosis, or treatment. Users should not disregard or delay in obtaining medical advice for any medical or mental health condition they may have and should seek the assistance of their healthcare professionals for any such conditions. Learn more about your ad choices. Visit megaphone.fm/adchoices
We speak with two-time Emmy Award-winning and Oscar nominated VFX supervisor Andrew Roberts on this episode of Post In Black. Andrew's credits include Haunted Mansion, Killers of the Flower Moon, Babylon, Obi-Wan Kenobi, Umma, Godzilla vs. Kong, Aquaman, Black Panther, Gemini Man and Snow White and the Huntsman, just to name a few from Andrew's long list of projects that span over 25 years in the industry. Because Post In Black is an interview series that features professionals working in post-production while highlighting their experiences and insight as Black people working in the entertainment industry, this discussion is a perfect season 5 premiere episode because we get to talk about Andrew's experience emigrating to the United States from London and navigating the industry without a network or community and how it has informed his involvement with the Academy GOLD Program, a career development initiative for professionals from underrepresented communities. In that the pathways into entertainment are varied and rarely linear, we talk about how Andrew's academic background in computer programming landed him a job at an architect firm which in turn ignited a special appreciation for the inner workings of software design and 3D technology. Through hard work, risk, hope and relocating to LA, he landed at Industrial Light & Magic where he began as a brain bar supervisor/virtual production supervisor on Obi-Wan Kenobi and later, became a visual effects supervisor for ILM. We were able to really geek out on this episode at length with a lot of great insight from Andrew on what it was like working on the sci-fi thriller, The Creator. We get some really cool filmmaking app recommendations and so much more from this conversation. Dig in! Stay tuned for more episodes of Post In Black's fourth season as we continue to amplify the stories and experiences of Black professionals working in post-production. Look out for new episodes every second and fourth Wednesday. TITLE SPONSOR: The Dolby Institute Also brought to you by AVID Host: David Hunter Jr. | Executive Producers: Eric Johnson, Aurelia Belfield, Daniel K. Hunter, David Hunter Jr., Tatiana M. Johnson | Producers: Daniel K. Hunter, David Hunter Jr., Tatiana M. Johnson | Post-Production Supervisor: Tatiana M. Johnson | Editor: Landon T. Bost | Audio Post/Re-recording Mixer: Trailblazer Studios® | Special Guest: Andrew Roberts | Theme Song: "Sanctuary" by Chvrles | BTS Photography: J Nyce | Creative Commons Photographs: https://commons.wikimedia.org/wiki/File:Gary_Yost_with_camera_December_2014.jpg., https://commons.wikimedia.org/wiki/File:John_Knoll_(2)_(cropped).jpg, https://commons.wikimedia.org/wiki/File:Superbowl_XXXIX,_2005.JPG, https://www.flickr.com/photos/creative_tools/7603172584 | Produced by Made for More Entertainment in association with Trailblazer Studios and Landon Bost Media RELATED VIDEOS Post in Black – Season 4: https://youtube.com/playlist?list=PLm2w_b9TK6WAYLhXPNkA52FWM49JEbMwY Post in Black – Season 3: https://youtube.com/playlist?list=PLm2w_b9TK6WDVPHsYggzwBdwOTsJvt5pb Post In Black – Season 2: https://youtube.com/playlist?list=PLm2w_b9TK6WCA1y1AEh-lSn9ga9yZv5sq Post In Black – Season 1: https://youtube.com/playlist?list=PLm2w_b9TK6WBUJGPdXlHNIn8nuQBxri4U CONNECT WITH POST IN BLACK & MADE FOR MORE ENTERTAINMENT https://www.madeformoreent.com/ IG: @PostInBlack & @MadeForMoreEnt Twitter: @PostInBlack & @MadeForMoreEnt FB: @PostInBlack & @MadeForMoreEntertainment SUBSCRIBE TO OUR YOUTUBE CHANNEL https://www.youtube.com/channel/UCXX9qvIHg44P60FMfoLz4xA LISTEN TO THE PODCAST https://anchor.fm/postinblack CONNECT WITH ANDREW ROBERTS INSTAGRAM: @ANDREWVFX LINKEDIN: ANDREW ROBERTS TWITTER: @ANDREWBROBERTS --- Support this podcast: https://podcasters.spotify.com/pod/show/postinblack/support
You won't want to miss this incredible episode of Comes A Time with special guest Sean House! Sean takes us behind the scenes of his amazing career working on some of the biggest movies and with legendary artists like the Grateful Dead. His story of how he made his lifelong dream come true working at Industrial Light & Magic is truly inspiring. From building mind-blowing props and effects for Star Wars, Indiana Jones, and more, to crafting iconic pieces for Mickey Hart's touring rig, Sean's tales give you an insider's look at movie magic. Hear how he went from writing George Lucas as a kid to having Lucas hire him personally on a project. Sean's journey is full of synchronicity and proof that when you follow your passion, the universe conspires to help make it happen. His detailed accounts of working on the ILM models and blowing up buildings for films will blow your mind. Don't miss this fascinating glimpse into the world of movie wizardry and Grateful Dead lore from a true master of his craft. Subscribe now for more captivating stories! Comes A Time Podcast and content posted by Comes A Time is presented solely for general informational, educational, and entertainment purposes. The use of information on this podcast or materials linked from this podcast is at the user's own risk. It is not intended as a substitute for the advice of a physician, professional coach, psychotherapist, or other qualified professional, diagnosis, or treatment. Users should not disregard or delay in obtaining medical advice for any medical or mental health condition they may have and should seek the assistance of their healthcare professionals for any such conditions. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of 8111, we talk with John Bell, a New Jersey native who developed a passion for drawing and cars in his youth. To earn money as a kid, he and his brother sold his car drawings at dragster races. This passion led John to the Art Center's Transportation Design program. After graduating, he joined GM's Advanced Concept Studio in Detroit.John's career expanded further when he moved to California to work as a conceptual artist at Atari Games. By the late 1980s, he began a twenty-year intermittent tenure at Industrial Light & Magic, where he collaborated on films like "Star Trek IV," "Innerspace," and "Back to the Future II & III," earning an Academy Award nomination and a BAFTA. In 1991, he became the Art Director for "Jurassic Park."Post-Jurassic Park, John explored new avenues at Nike as a Senior Designer, diversifying into footwear, clothing, graphics, and branding. He later returned to Northern California to create concept art for films such as "Men in Black," "Mission Impossible," and "A.I. Artificial Intelligence." His work extended into production design for Dreamworks' "ANTZ."John then ventured into video game design at Electronic Arts, contributing to titles like "Freekstyle" and "Dead Space," and freelanced on animated films including "Cars" and "The Penguins of Madagascar."He later returned to ILM, working on Oscar-winning films "Rango", "Pirates IV" and "The Revenant." John has also collaborated with multiple clients including Nike, BMW, and Samsung. His broad portfolio spans film, gaming, automotive design, product design and advertising, showcasing his remarkable artistic talent. John is awesome and it was a real pleasure catching up with him and hearing his inspiring story.https://www.johnbell.studio/
On the latest 8111 I catch up with Stephen Rosenbaum!!! Stephen grew up in Los Angeles and always loved building things. As the youngest of three he thought he'd likely follow in his father's footsteps and become a doctor. But in 1977 he saw Star Wars and the seed was planted. While attending Berkeley he enrolled in the College of Environmental Design and began working in the nascent field of computer graphics. Stephen decided to stay in Northern California after college and landed a dream job as the first TA (Technical Assistant) at Industrial Light and Magic in 1989. Under the guidance of Doug Kay and George Joblove he honed his skills, developing software tools and scripts for managing files. The team was small and the opportunities were omnipresent. In those early days Stephen shared an office with John Knoll and they worked together to present some of the first digital composites. With the successes of The Abyss, Terminator 2, and Jurassic Park (among others) Stephen became the Computer Graphics Supervisor on Forrest Gump. In 1995 he won the VFX Oscar alongside Ken Ralston and George Murphy. When Ken Ralston left ILM for Sony Imageworks, Stephen joined his mentor and began working as a Visual Effects Supervisor on Contact. Stephen list of credits is impressive; Indian in the Cupboard, I Robot, The Waterhorse, Avatar, and he's been nominated for the VFX Oscar three times. Most recently Stephen served as the Visual Effects Supervisor on the impressive Apple TV+ series Masters of the Air. It was great fun to catch up with Stephen and to hear about his amazing journey. I cannot wait to see what he works on next.
On their previous episode, the TMI gang wondered about doing an episode on the windy '90s disaster drama. Then, when the first trailer for the new Twister sequel dropped days later, they knew it had to be a sign. In anticipation of TwisterS, Jordan and Heigl look back at the original. You'll learn all about the injury-filled set, the insane Dutch director who had physical altercations with his crew, the soundtrack that reunited Fleetwood Mac AND broke up Van Halen 2.0, the bizarre animal noises recorded to make that horrific wind sound, the time Bill Paxton nearly saw the assassination of JFK, and the time the SFX experts at Industrial Light and Magic had to use CGI to erase Philip Seymour Hoffman's testicles. Enjoy TMI's 'Twister' Edition — with more hot air than usual! See omnystudio.com/listener for privacy information.
With Amy Hood and Jen Hood, Co-Founders and Principals of Hoodzpah; Rob Bredow, Senior Vice President of Creative Innovation for Lucasfilm and Chief Creative Officer of ILM; and Jenny Ely, Production Manager of the Office of the Chief Creative Officer of ILM. The original post for the project can be found at https://bit.ly/bnpodcast076
On this episode of Friends Talking Nerdy, join Professor Aubrey and Tim the Nerd as they kick off with Tim the Nerd's heartwarming update about Annie and Mimsy's successful spay procedure. He shares the relief and joy of having both furry companions healthy post-operation, adding a touch of his signature humor to the experience. Meanwhile, Professor Aubrey delves into the holiday spirit by excitedly unwrapping thoughtful gifts from her Tennessee-based family. Her enthusiasm shines through as she describes each gift, sharing the personal connections and geeky delights tucked within. The conversation takes a turn into the realm of music and technology as Tim the Nerd dives into the farewell live show of KISS. He discusses the band's announcement about using digital avatars, courtesy of Industrial Light and Magic, to carry on their legacy on tour. Together, Tim the Nerd and Professor Aubrey ponder the implications this futuristic approach could have on the future of classic musicians' presence in the live music scene. As the episode winds down, both hosts share their five New Year's Resolutions for 2024. From personal growth goals to geeky aspirations, they offer a mix of humorous and heartfelt commitments for the upcoming year, ensuring an engaging conclusion to the podcast. Throughout the episode, their banter, camaraderie, and deep dives into nerdy topics keep the audience entertained while fostering a sense of community among fellow enthusiasts. As always, we wish to thank Christopher Lazarek for his wonderful theme song. Head to his website for information on how to purchase his EP, Here's To You, which is available on all digital platforms. Head to our Linktree for more information on where to find us online. Friends Talking Nerdy is a proud member of the Deluxe Edition Network. Head to their website to find out more information about all the shows available on the Network. --- Send in a voice message: https://podcasters.spotify.com/pod/show/ftnerdy/message
Follow me to see #HeadsTalk Podcast Audiograms every Monday on LinkedInEpisode Title:-
LOOP 8.4: LOOP Showrunner Dan Tapster returns to give a retrospective on the series and its production. We look at went well and address criticisms; is it possible to keep everyone happy? We finish this series by discussing the show's take-home messages and Dan's hopes for Life On Our Planet's legacy. Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story. This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been. And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things. In this unofficial series, we've been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show's academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP. Image courtesy and copyright of Netflix.
LOOP 8.1: Dave and Tom introduce episode 8 and round of this special series on Life On Our Planet. We talk about our favourite scenes and reflect on our time working on the documentary and how our perspectives of documentary making has changed. We'd love your feedback on this podcast series. Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story. This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been. And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things. In this unofficial series, we've been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show's academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP. Image courtesy and copyright of Netflix.
LOOP 8.2: Prof. Danielle Schreve, Royal Holloway University of London, joins us to cover the last 2 million years of Earth's history. We explore the periodicity of glacials and interglacials and the control Earth's orbit around the sun has on climate. She then places the Holocene's megafaunal extinctions and major palaeobiogeograpical events within this climatic context. We finally look at the impact of human radiation on the world and the lessons we can learn from this time. Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story. This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been. And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things. In this unofficial series, we've been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show's academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP. Image courtesy and copyright of Netflix.
LOOP 8.3: Episode 8's producer, Sophie Lanfear, joins us again to describe how difficult it was to wrap the series up, having to balance telling the story of the last ice age with conveying the message of the series. We speak about climate change and the 6th mass extinction and try to find any positives. Ultimately, if documentaries keep having to make this point, is the message really getting through? Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story. This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been. And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things. In this unofficial series, we've been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show's academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP. Image courtesy and copyright of Netflix.
LOOP 7.1: In the introduction to episode 7, Dave and Tom just about keep it together whilst reflecting on the most emotional scene of the show. We also celebrate the inclusion of the Antarctic Circumpolar Current in the series, before giving it a little rebranding to make the science even more approachable. Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story. This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been. And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things. In this unofficial series, we've been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show's academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP. Image courtesy and copyright of Netflix.
LOOP 7.2: Prof. Christine Janis, University of Bristol, outlines mammalian evolution and focusses on the global events that governs their radiation. We look at why mammals survived the K-Pg mass extinction and how the archaic mammals radiated immediately after. We end by looking at how mammals, similar to what we learned about birds, are relatively insignificant to today's ecosystems. Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story. This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been. And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things. In this unofficial series, we've been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show's academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP. Image courtesy and copyright of Netflix.
© 2020-2025 Ivy Podcast Discovery LLC
