Podcasts about misrables

In this podcast I talk about my transition into manliness

Catalyst is a Creative Industries podcast, from Chapman University. Each episode features Chapman students who have completed a Podcasting course through the Center for Creative and Cultural Industries at the university. Students who had no podcasting experience or technical ability in the genre before taking the course were able to contribute all the segments to Catalyst this season with the goal being that they will take this ‘hands-on' experience and carry it over to the launching of their very own series. Each episode of Season 6 will feature one to two different interviews conducted by CCI students, exploring different aspects of the Creative and Cultural Industries. This week we listen along as Even Johnson and Kali Weisman speak with voice actress and musical theater star, Melissa Lyons Caldretti.  Caldretti, who is also a faculty member with Fullerton College has played, among others, the role of “Éponine” with the Broadway Touring Company of Les Misérables and might be best known as the singing voice of “Barbie” in several animated movies, albums, and toys. Kali and Even dive in with Melissa to talk about what it is like to work in musical theater including the nerve-racking process of being cast, the differences between performing in a theater production and animation voice acting and even cover the roots of musical theater in America. They wrap up the interview with several stories from Melissa that highlight the by-the-seat-of-you-pants nature of live performance, before closing with a recording of Caldretti singing ‘Perfect' by Tom Kitt.

Das 15. Zurich Film Festival steht vor der Tür. Artistic Director Karl Spoerri und Senior Programmer Christian Jungen sprechen über das Programm, die Schwerpunkte "Grüne Welle" und "Speaking the Truth". Spoerri verrät, wie das Festival an Stargäste wie Roland Emmerich und Oliver Stone herankommt und blickt zurück auf die Anfänge, als das Feuilleton über Stars wie Sylvester Stallone das Näschen rümpfte. Jungen wollte von Spoerri auch wissen, wie er sich fit hält für die Arbeitstage von 6.30 bis 23.30 und Spoerri fragte seinen Nachfolger, was dessen Eindrücke nach 5 Monaten im Team seien.

In our latest episode of The Pop Disciple Podcast, we are joined by John Murphy, the renowned composer behind BBC's compelling non-musical adaptation of Victor Hugo's masterpiece, Les Misérables. ABOUT POP DISCIPLE Pop Disciple is a storytelling platform, exploring the creative work of entertainment industry professionals. With a focus in music in media, we present in-depth interviews with world-class music supervisors, film and television composers, and influencers in the realms of film and music. Visit PopDisciple.com. Follow @PopDisciple on Instagram. Music Credits Podcast Theme & Outro Music: Goldo Cues Throughout Episode: John Murphy

We're a man down this week with Wait Wait Don't Tell Me, The Long Dumb Road, Apex Legends. Trailer time at 27 minutes with What We Do In the Shadows. Movie talk at 40 minutes. Next Week: La La Land

¿Cómo es ser un swing? Nos explican Estíbalitz Ruiz de Les Misérables y Héctor Berzunza "El Aguacate". También hablamos acerca de los teatros que han cerrado en la CDMX, un nuevo sistema para subtitular el teatro y más.

En este episodio Pepe nos presenta TeatrApp, la nueva aplicación móvil por suscripción para disfrutar el teatro, la reseña de Vaselina. Dai Liparotti, quien interpreta a Éponine en Los Misérables México nos habla acerca de su carrera.

Your favourite weekly podcast about musicals continues with the most miserable one of them all... Les Misérables!