Podcasts about les mis

WHAT LURKS IN THE CREEL HOUSE?! Stranger Things 4 Full Reaction Watch Along:   / thereelrejects   LIQUID IV: Visit http://www.liquidiv.com & use Promo Code: REJECTS Support The Channel By Getting Some REEL REJECTS Aparrel! https://www.rejectnationshop.com/ With Stranger Things 5 on it's way, it's time for Stranger Things Season 4x3 Reaction, Recap & Breakdown! Tara Erickson & Andrew Gordon dive back into the Upside Down with their Reaction, Review, Breakdown, and Spoiler Discussion for Stranger Things Season 4, Episode 3, continuing the epic saga of Hawkins, Indiana! The Duffer Brothers' hit Netflix series blends supernatural horror, heartfelt friendships, and 1980s nostalgia as a group of kids battles sinister forces from another dimension. In Episode 3, the mystery of Vecna deepens as Eleven (Millie Bobby Brown – Enola Holmes, Godzilla vs. Kong) struggles without her powers, Mike Wheeler (Finn Wolfhard – It, Ghostbusters: Afterlife) grows concerned about their fractured friendships, and Dustin Henderson (Gaten Matarazzo – Prank Encounters, Les Misérables) teams with Steve Harrington (Joe Keery – Free Guy, Spree) and Robin Buckley (Maya Hawke – Do Revenge, Asteroid City) to uncover shocking truths. Lucas Sinclair (Caleb McLaughlin – Concrete Cowboy, High Flying Bird) navigates tensions with his basketball teammates, while Max Mayfield (Sadie Sink – Fear Street, The Whale) begins to feel Vecna's sinister pull. Winona Ryder (Beetlejuice, Edward Scissorhands) and David Harbour (Black Widow, Hellboy) continue their high-stakes arc abroad as Joyce Byers and Jim Hopper. From the chilling Creel House visions to key confrontations in Hawkins, this episode delivers major reveals, tense horror sequences, and emotional character moments that set the stage for what's to come. Follow Andrew Gordon on Socials:  YouTube: https://www.youtube.com/@MovieSource Instagram:  https://www.instagram.com/agor711/?hl=en Twitter:  https://twitter.com/Agor711 Follow Tara Erickson: Youtube: https://www.youtube.com/@TaraErickson Instagram:  https://www.instagram.com/taraerickson/ Twitter:  https://twitter.com/thetaraerickson Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

It's time for another Mind Gap Podcast! This week, Doug and Justin explore the concept of personality types through the lens of food, discussing what type of food they would be and why. The dorks then shift to their main topic, using the D&D alignment chart, they explore the moral complexities of characters like Darth Vader, Dolores Umbridge, Magneto, the Operative from Serenity, Javert from Les Misérables, Agent Smith from The Matrix, and many more to determine which fictional villains are truly Lawful Evil.   Things are wrapped up with another round of the movie clip guessing game, where Doug plays clips from different movies and Justin does his best to guess which films they're from.   Check out our YouTube channel where we livestream our new podcast episodes every Tuesday at 8pmCT and our video game stream every Saturday at 8pmCT. Be sure to like and subscribe for this content as well as episode highlights, Doug Watches Awkward Videos, Justin Plays Video games, and more!   We have MERCH now!   Follow us on all of our social medias and other platforms!  

On this episode, Tiff joins Erin to discuss depictions of sex workers in film and television. They explore why they believe Hollywood hasn't always portrayed sex work positively, highlight some of the worst and best portrayals, and consider whether Hollywood is improving. Spoilers for: Desperate Housewives, Les Misérables, The Feast of All Saints, Dangerous Beauty, Magic Mike XXL, Harlots, Poor Things, Hustlers, The Menu, Leaving Las Vegas, Short Cuts, and Showgirls. Trigger Warnings for talk of sex work, sexual assault, drug abuse, and suicide. Consider supporting us on Patreon: https://www.patreon.com/itsafandomthingpod. You can follow us on Facebook: facebook.com/itsafandomthingpod Twitter: @fandomthingpod Instagram: @itsafandomthingpod Discord: ⁠⁠⁠⁠⁠⁠⁠https://discord.com/invite/7aTTCAWZRx⁠⁠⁠⁠⁠⁠⁠ You can follow Fergie on TikTok: https://www.tiktok.com/@schroederandfergs Cover art by Carla Temis. Podcast logo by Erin Amos. Consider becoming a Patreon supporter of Portia Burch: https://patreon.com/portia_noir?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=creatorshare_fan&utm_content=join_link and White Woman Whisperer: https://patreon.com/whitewomanwhisperer?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=creatorshare_fan&utm_content=join_link. Are you looking to buy some shirts that make a difference? Check out Wear the Peace: https://wearthepeace.com/pages/collections?utm_source=Klaviyo&utm_medium=flow&utm_klaviyo_id=01J35XBQFAPE052R8E3A4140TSkx=vpLEr9K3aUVqJ0N-d6KKWR608od7avLWJ2fXcHbEPI.U45QAK. Join the Here4TheKids Substack: https://here4thekids.substack.com/. To order the book, "White Women," click here: https://www.race2dinner.com/white-women Learn more about your ad choices. Visit megaphone.fm/adchoices

Originally Recorded: July 26, 2025 A musical about a revolution in 18th century France?! No, they didn't finally make a Les Mis anime, but something much closer to home for many an shojo loving weeb. Join Hardy, Gigi, and Lac as they discuss the dub for the 2025 musical adaptation of The Rose of Versailles! Our theme music is composed by Gabriel Pulcinelli / Ponpoko in the Distance. You can find more of their work at https://ponpokointhedistance.com/ and at @gabrpulcinelli on Instagram, Twitter, TikTok, and Facebook. AUDIO PLATFORMS: Spotify: https://open.spotify.com/show/47LMCAgEW0BAOy9BnKYmLv Apple Podcast: https://podcasts.apple.com/ca/podcast/dub-talk/id1514880122 Like what we do? Support us on Patreon! https://www.patreon.com/dubtalkpodcast Or consider buying us a Ko-fi! https://ko-fi.com/dubtalk Hosts: @SpacemanHardy @animepalooza @LacTheWatcher Editor: @AmonduulUS Music: "The Rose of Versailles" by Miyuki Sawashiro, Aya Hirano, Toshiyuki Toyonaga, & Kazuki Katō "Anger and pain" by Miyu Irino & Parisians "Believe in My Way" by Miyuki Sawashiro, Aya Hirano, Toshiyuki Toyonaga, & Kazuki Katō "Child of Mars" by Miyuki Sawashiro "Enchanting Masquerade" by Masked nobilities "Kokoro no Arika" by Miyuki Sawashiro "Libération" by Tielle "Ma Vie en Rose" by Aya Hirano "Never Surrender" by Shunsuke Takeuchi "Our King and Queen" by Parisians "Ravine" by Toshiyuki Toyonaga "Resonance of Love" by Aya Hirano & Kazuki Katō "Return to nothing" by Miyuki Sawashiro "Soul to Soul" by Kazuki Katō "Yoru o Komete" by Miyuki Sawashiro & Toshiyuki Toyonaga "Versailles" by Ayaka Selections from The Rose of Versailles OST by Hiroyuki Sawano & Kohta Yamamoto

A four-year-old boy has died after being hit by a bus outside a Kent hospital.Emergency crews rushed to the car park at the QEQM in Margate after it happened yesterday afternoon.The little boy has been named as Zaahir Jan and his mum has posted a heartbreaking tribute online.Also in today's podcast, two men have been charged with murder by detectives investigation the death of another man in Sittingbourne.He reportedly fell from a wall and collided with a vehicle after being chased in the town centre on Saturday night.A housing company's being urged to do more to support residents in Strood who say they're dealing with ongoing sewage problems.We're told waste from toilets has been coming up through sinks at Kingswear Gardens. We've been speaking to someone who lives there.It's feared more people in Kent could be glorifying animal cruelty on social media for likes and shares.The RSPCA has released figures showing a 27% rise in reports across the country between January and May - hear from the charity.A Dover businessman's hit out at the local town council after a public bike rack was installed directly in front of the doorway to his new property.Roger Knight's planning to launch an art gallery on the first floor of the former Barclays bank building in Market Square.A group of young people are preparing for their first performance of one of the most popular musicals - after just two weeks of rehearsals.Medway Academy of Performing Arts launched a summer intensive programme and will put on a production of Les Misérables over the next three days.And in sport, it's Gillingham's first home game of the season this weekend...They're taking on Walsall in league two at Priestfield after drawing with Accrington Stanley last Saturday.

Raising Expectations with Pastor Joe Schofield, Stefanie and Dr Craig Thayer, Dr Paul Hall, and Ron Greer Guest, Evelyn Robinson BA/MS - Awaken the Artistry Within Evelyn Robinson BA/MS has an extensive background in music education and performance spanning the past 35 years. As a well-known specialist in musical theater, choral music, and private voice instruction, she is also known for her creative ability to teach music theory and music appreciation to students from 5 to 85. Her choral groups in church, school, and community formats, both in California and Texas, have received multiple gold and silver ratings in both the US and Canada. Additionally, her choirs have been invited to perform at Carnegie Hall and in several international festival venues, including Austria, Romania, Germany, England, Spain, China, Japan, Canada, and Mexico. She has coached students in competitions in classical, gospel, Broadway/musical theater, and worship categories. Several of her students have had successful auditions, landing roles in Les Misérables, The Wizard of Oz, Anastasia, Phantom of the Opera, Shrek, and others. Evelyn brings a love of music to each of her students and their families, believing that each student is special and may progress differently than others. She adapts a learning program to the individual student, producing a unique and highly exciting experience that often includes the entire family! Faith in Jesus, Family values and Parental love are always a visible and special part of her gifted ability to encourage and teach! Tell your friends and tune in and watch this week's show! The Team! Pastor Joe Schofield,  Dr. Paul Paul Hall,  Stef Stefanie Shaw Thayer,  Dr. Craig Craig Tank Thayer,  Pastor Ron Ron Greer.

Amara Okereke is In The Frame!Amara is playing She in Echo by Susan Eve Haar at the King's Head Theatre. Following runs in Edinburgh and New York, Echo has opened in London directed by Abigail Zealey Bess. The psychological thriller delves into the ethics of reproductive technology, the performance of intimacy and the terrifying beauty of being made.Amara made her West End debut as Cassie in 13 The Musical. She went on to train at Arts Ed and then won Best Actress in a Musical at the 2018 Stage Debut Awards for her adult West End debut as Cosette in Les Misérables.Amara's other theatre credits include Laurie in Oklahoma! (Chichester Festival Theatre), Polly in The Boyfriend (Menier Chocolate Factory) and Wendla in Spring Awakening (Almeida). Amara starred as Eliza Dootlittle in the West End revival of My Fair Lady (London Colesium). She has made West End history twice as the first black actress to play both Cosette and Eliza Doolittle.More recently Amara played Stella in A Streetcar Named Desire (Sheffield Crucible). Her film and television credits include The Morning After (Amazon), Red Rose (BBC/Netflix), The Choral (Sony) and In The Lost Lands (Constantin Films).In this episode Amara speaks about the whirlwind process of Echo and why she's loving "weirding people out"! She also delves into her incredible career, discussing some of the major roles she has played, life as a soprano and making history as the first black Cosette and Eliza Dootlittle.Echo runs at the Kings Head Theatre until Sunday 17th August. Visit www.kingsheadtheatre.com for info and tickets. This podcast is hosted by Andrew Tomlins @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

BOSSes, get ready for an inspiring conversation with a true powerhouse of performance. In this episode of the VO Boss Podcast, we welcome the incredibly talented Stacia Newcomb, a veteran voice actor and performer who has been lighting up the mic and screen for over 20 years!   00:01 - Speaker 1 (Announcement) Hey bosses, if you're ready to start that demo journey, let's craft your professional demo together. As an award-winning professional demo producer, I'll collaborate with you to showcase your talent in the best possible light. From refining your delivery to selecting the perfect scripts to showcase your brand, I'll ensure your demo reflects your skills and personality. Let's create a demo that opens doors and paves the way for your success. Schedule your session at anneganguzza.com today.  00:33 - Speaker 2 (Announcement) It's time to take your business to the next level, the Boss level. These are the premier business owner strategies and successes being utilized by the industry's top talent today. Rock your business like a Boss a VO Boss. Now let's welcome your host, Anne Ganguzza.  00:52 - Anne (Host) Hey, hey everyone. Welcome to the VO Boss Podcast. I'm your host, Anne Ganguzza, and today I'm here with a very special guest who's been lighting up the mic and the screen for over 20 years. Who's been lighting up the mic and the screen for over 20 years?  01:09 Stacia Newcomb is a powerhouse voice actor, performer and creator whose work spans just about every medium, let's say television, radio, video games, audiobooks and even puppetry. You might recognize her as the star voice See what I did there and fuzzy face of star from the Good Night Show on Sprout, where she's brought warmth and comfort to bedtime for kids for over a decade. Not only that, but she's voiced characters for Disney, nickelodeon, pbs, kids and Cartoon Network. And, of course, you've heard her in campaigns for brands like Geico, verizon, subway and Dunkin'. She's made her mark on stage and screen from a memorable appearance on 30 Rock, which I found to be quite interesting We'll talk about that in a minute to sold-out off-Broadway comedy shows like Can I Say this? I Can Shit Show and Potty in the USA. I can't say that because it's my podcast. Yes, these days she's running her own studio in the Berkshires Sound and the Furry where she produces family-friendly content and helps other performers find their voice. Welcome to the show Stacia.  02:12 - Stacia (Guest) Wow, thank you. That was quite the intro.  02:15 - Anne (Host) I'm like wow, I was like wow, I don't think 30 minutes is enough time for us, Stacia, to go through everything that you've done. Let's not, then We'll talk about whatever we want to. It's just, it's so amazing. I mean, so you've been in the industry for over 20 years, which actually to me, I've been in it just the voiceover aspect for like 18. And so 20 years feels like it was yesterday to me. But talk to us a little bit, talk to the bosses and tell us a little bit how you first got into performance. I assume performance was before voiceover.  02:50 - Stacia (Guest) Yeah, yeah, hey, bosses. Yeah, I started as an actor. I wanted to be an actor for as long as I can remember, I mean when I was little. My mom still tells a story about how I performed for all of my five-year-old friends at my fifth birthday party, which sounds like still a good party to me, right? So, yeah, so I started as an actor and through that I tried to just branch off into any direction that I could, to be living a creative life and be able to continue performing in whatever medium I could. You know.  03:34 - Anne (Host) So what was one of the first things that you did? Performance wise, professionally, yes, professionally.  03:38 - Stacia (Guest) So I this is so random, but there is. I'm from Massachusetts, that's where I grew up. In Newport, rhode Island, which I don't know if there are any Gilded Age fans out there there was a mansion, the Astors Beachwood, and the Astors Beachwood was owned by the Astors at the time when I graduated high school. At the time, for about 10 or 15 years, I think they had. They hired actors from all over the country to live there and perform as both aristocrats and servants of the 1890s the year was 1891. And we yeah, it was all improv, like some days I'd be an aristocrat and some days I'd be a little housemaid.  04:22 - Anne (Host) Wow, that sounds so interesting. Now you said Massachusetts. Now see, I'm originally a New York State girl, right, and I've been up and down the East Coast, so Massachusetts would suggest that you have an accent in there somewhere. Yeah, I sure do.  04:37 - Stacia (Guest) It's right there.  04:38 - Anne (Host) Yeah, and of course I feel like, because I had a very New York State accent which was kind of similar, believe it or not, not quite as I don't know, not quite as accented as, not as ugly. Is that what you're trying to say? Oh no, because I would say things like car and water and it would be like really flat with my A is water.  05:01 And when I moved to New Jersey, oh my gosh did they make fun of me, and so I should not make fun of you?  05:04 in New Jersey, in New.  05:04 - Stacia (Guest) Jersey, they say, they say water.  05:05 - Anne (Host) They say water, what's water, and so I literally like and I think you're, I think possibly at the time this was before voiceover I said, oh gosh, all right, so let me try to tame that, and so I did my own taming of my own accent and then ultimately, I got into voiceover.  05:36 And back when I got into voiceover it was a thing to neutral, to quote, unquote, neutralize, whatever that means, neutralize your accent. And I said it was in a pink envelope and I brought it to the backstage door and so I heard myself say that and I was like and so from then on I just I started pronouncing my R's and have never looked back.  06:02 I imagine once you do, you have family that's still in the area.  06:05 - Stacia (Guest) Yes, in fact, we just moved my mom out of the area.  06:08 - Anne (Host) Yeah, when you go to family reunions and I think that when I get around my you know, my family in New Jersey, like we all start talking quicker and then we start, you know, well, let's talk about you know, we just like get into that accent and it just happens inadvertently but outside of the accent. So that's a really cool first gig. And so then did you go to school for theater?  06:33 - Stacia (Guest) We did OK. So I had done a little dinner theater and then I but I had been auditioning in New York. I had a big callback when I was like 18. I was called back for Les Mis and it didn't happen, unfortunately. But it's cool because it led me on other adventures.  06:52 - Anne (Host) Sure, that was one of my first shows by the way that I saw that. I saw that. I was in a show. No, yeah. No, I can't claim that, but but a callback for Les Mis is really awesome.  07:01 - Stacia (Guest) Yeah, it was a big deal, I and I, so I always. The plan was always to move to New York City, but it just takes a while to get on your feet and New York City is very expensive and a little scary when you're you know, sure is Absolutely Very scary.  07:15 Yeah, and so I ended up getting there eventually. But I did go to college and then I quit college because I realized at some point, like I'm getting a degree in musical theater and what am I going to do with that degree? And I'm spending so much money, but when you're 19 years old you don't realize what you're signing on the dot. You're signing your name on the dotted line for thousands upon thousands of dollars and it's the program itself ended up falling apart. And there were all these promises that were made to me, like you know I, because they gave me a bunch of credits because I'd already been working as an actor, and then I was going to go to London and then they were going to give me my master's so I should have had my master's within five years master's in theater performance. They also had a program where, like I would get my equity card and they do theater during the summers. But it was a small liberal arts Catholic college in Minnesota and the program sort of fell apart and I escaped. I was like this is not.  08:21 - Anne (Host) I had to get out of there. I escaped. That was a lot of that was a lot of words, and I'm not going to make this political at all, but that was a lot of words when you said Minnesota Catholic theater. Coming from a Catholic girl.  08:35 - Stacia (Guest) So I get that. Yes, so it was run by these two incredible gay men who were. They were amazing, but as you can imagine the politics at the time and just yeah, they were amazing, but as you can imagine the politics at the time and just yeah, yeah, yeah, absolutely, and so all right.  08:48 - Anne (Host) So you quit college. And then what? I quit college.  08:53 - Stacia (Guest) But I got a job before I left, so I needed the impetus and the excuse to get out, which so I ended up working for Goodspeed Musicals, which is in Connecticut and they're a really pretty famous like regional theater. They'd won a lot of awards at the musical Annie started there, so I went there to be an intern in costuming and then I left that because I was like this is not what I want to be doing, I want to be performing. But it got me back east, which was great, and then from there I ended up taking like odd jobs, living with my parents for a little bit until I landed a show that took me on tour as a one person it was actually two different one woman shows for this company that's an educational theater company, and so I did that for like five years and while I was doing that I was able to make enough money to move to New York City and just keep going.  09:47 - Anne (Host) Now, what shows were those that you did that? The one woman shows, because that's quite a thing to do, a one woman show.  09:53 - Stacia (Guest) Yeah, and they're educational. So we would go to I would go alone really, I would travel all over the country, and one of them I played the fictional best friend of Anne Frank, and then the other one I played this young Irish girl who came over during the great wave of immigrants in the early 1900s. So I would go to, like schools and libraries and small theaters, and it was.  10:16 - Anne (Host) It was really incredible, an incredible job for a learning experience Now, at any given time at this point in your life. Did your parents or anyone ever say to you well, okay, so when are you going to get a real job? Do you know what I mean? Is it that? Was it ever like that for you?  10:35 - Stacia (Guest) I mean, yeah, I mean, I think probably in my own mind I thought not real job, but like when's the real, when are we gonna you know, and certainly when I would do my? You know, when that really happens is like around March or April, when you start doing your taxes and you're like exactly, theater doesn't pay, and so yeah, but I didn't get pressure like that from my parents. I got, I was lucky to get their support.  11:05 - Anne (Host) Yeah, that's wonderful.  11:06 - Stacia (Guest) I mean, they didn't have to support me financially and that's, I think, all that mattered to them.  11:10 - Anne (Host) Well, that's actually huge.  11:12 - Speaker 2 (Announcement) And.  11:12 - Anne (Host) I love that Because you had support to be able to go out and follow your creative dreams, which, I mean, my gosh, you, you've actually I mean you have the gamut of of creative things that you've done, and I imagine that just gives you such wonderful experience, because you're so rounded in all the areas that would make it important for you to be successful in any of those business areas.  11:38 - Stacia (Guest) Thank you, I think it's it's. It's also like trying new things and being new at things and, um, trying to not get be stagnant. You know, like just um, and and even always in my voiceover career, it's like I have to remind myself to uh, like that I get to do this and that that this is what I love, and just to to make it. How do you make it fresh when you've been doing it for so long?  12:08 - Anne (Host) For so long, absolutely.  12:11 - Stacia (Guest) And it's a different thing when you look at whatever you're about to experience or do with fresh eyes or like beginner eyes or like from a beginner experience, because you immediately are like, whoa, I love this, you know, and sometimes I think that can easily bring back the magic to whatever you're working on.  12:34 - Anne (Host) Yeah, yeah. So, these days are you mostly doing voiceover, doing voiceover and performing.  12:41 - Stacia (Guest) Yeah Well, so the pandemic changed a lot of things for me. We, because I've been in New York City and you know I'm still. We still have our apartment in New York City, but I'm mostly up at our house in the woods in the Berkshires. Yeah, I am still auditioning, I am still doing voice, a lot of voiceover. So yeah, I'm kind of all over the place and sort of open to whatever happens. I'm not I think I haven't been fully steering my own ship. I've kind of been like I don't know where are we going to go, Whatever you know, and just being open to whatever.  13:15 - Anne (Host) And there's so much good to be said in that though.  13:18 Yeah kind of allowing it to happen. I, I think for me and I don't know, I don't know what to call it, but for me I've always followed my gut or my intuition, and a lot of times, if things don't come right away, I know they will at some point, but I don't. I try not to rush myself to get to any specific spot, because I know that if it's going to happen, it's going to happen, and and the time it takes to kind of evolve the solution or the you know, to actually say okay, yes, now I know I have more, I have more direction, and now I'm heading in this direction. So I love that you said that. I love that Because you're not always sure right, you're not.  13:55 - Stacia (Guest) You're not. And you know the business has changed so much over the last, you know, over the last five years. I mean it's. It's kind of crazy. It's a new world and it's different. Navigating it is different, even though I'm with the same agents, even though I'm, you know, still in the business and I know the casting people or the producers that I know and have worked with. It's just, it's different. Approaching it like, hey, yeah, I don't have to rush. I really love that, Anne, because I feel like there is a rush.  14:30 - Anne (Host) There's always a rush I want it now. Yeah, no, I agree, I think so many of my students are always. They want it, they want it now, and I'm like, well, there's something to be said to letting it marinate and letting it evolve and letting it happen.  14:43 - Stacia (Guest) And also like looking in the other direction or seeing what else you know, I think. I think a lot of times, artists, especially if you're focused on one particular medium, you just focus on that one thing. And I, I recently started painting. Am I good at it?  15:01 - Anne (Host) No, I love it. I love it, but I don't think anybody could ever accuse you of not like experiencing or exploring different mediums, but it keeps you alive, it keeps you like, creative and happy, and that's what I want.  15:14 - Stacia (Guest) It'd be exactly that like lightens you up and it opens you up to when you are approaching commercial copy or whatever. It is Right Because you're, because you haven't been like. Why am I not looking? Why am I not? What am I? Who do I?  15:31 - Anne (Host) need to be for this piece of copy and you're just, you're just letting it, you're letting it happen. Yeah, yeah, I love that. Oh my gosh. So what? Before I actually talk to you about, let's say, some character, I want to. I have some character questions to ask you, because I think you're always a character in voiceover and no matter what genre you're working on. But I do want to talk about puppetry and what got you into that?  15:51 - Stacia (Guest) I had been doing Pokemon. I was very lucky. When I moved to New York I worked as a cater waiter when I wasn't doing the that one of those one woman shows and a friend had introduced me to the studio that that at the time was recording Pokemon. So you know how it's like things trickle Around. That same time this show was off Broadway it was called Avenue Q and then that musical came to Broadway, which is where I was finally able to get tickets, because you could not get tickets to it and it was crazy and it was such a special show. It's just so funny. The music is great and touching. It has so much heart to it. I mean it's a little dated now, but at the time it was, it was just extraordinary.  16:38 - Anne (Host) And it's still yeah.  16:39 - Stacia (Guest) So in that show for anyone who any of the bosses out there that that haven't seen it or don't know about it in that musical you see the full-on puppeteers playing the puppets on stage and it's so revealing. And me, as a young woman, I always loved puppets. I had puppets as a kid. I had like an Alf puppet from Burger King. I had a Kermit the Frog puppet. I loved puppets. Never thought that it could be a career, never thought in a million years. And when you think about it there aren't a lot of. It seems like there aren't a lot of female puppeteers. There are and there are more, but as I was growing up it was all men really, and then you would have like even the female characters. I mean Miss Piggy's, like one of the most famous women female characters of all time. She's played by a man and so you know the idea of being able to play a, be a puppet. It just was not. It never, you know. And so I saw that show and it was just incredibly revealing to me. It was like a light bulb moment. So I immediately got a puppet and started training.  17:52 I actually was so lucky that I got into a class that John Tartaglia had been teaching at that point in the city and I got to study with him, which was amazing and he's a beautiful human being, and so from there it was just kind of magical. Somehow this show was uh happening. I did another little uh on camera thing, but then this show the good night show happened. I auditioned for it and I had already created this little four-year-old girl character. They wanted me to change it up and make it a boy character. Well, those voices are going to be very similar, because a four-year-old boy and girls can sound pretty similar oh yeah yeah, Actually I was listening to it, I was trying to figure out.  18:35 - Anne (Host) You know, I felt like it could have been either yeah, right, right, because it's so young.  18:41 - Stacia (Guest) So yeah, so I auditioned for it and I booked that job and it became a huge part of my life. I ended up creating a part of the show and writing for the show and helping create the spinoff of the show, and so there's your, there's your acting, your puppetry, your your voiceover.  19:00 - Anne (Host) I mean you're, I mean production, I mean it's all aspects.  19:04 - Stacia (Guest) Yeah, absolutely yeah that's, that's amazing. It was, it was a really it was a really special show and a beautiful community and even now I, michelle who, michelle Lepe, who was the host on the show she still gets messages about, you know, from the kids who grew up with it, just like how much it meant to them, which is very sweet. I don't because no one, because I don't look like this.  19:29 - Anne (Host) Well, you know, I can say something similar because I was a teacher for 20 years and so I watched my kids grow up and I literally had one of them contact me just recently on LinkedIn thanking me for setting them on the path, and I was like, oh my gosh, like that just meant the world to me, and so I think that's beautiful.  19:49 Right, and that's one of the reasons why I love doing any educational voiceover. Sure, because I feel like there's, and not just e-learning, but like medical, like I mean anything that educates an explainer that can help someone, and even corporate. Do you know what I mean? Because you're always come at it from an aspect of how can I help you, the person that I'm talking to, you know, look better, feel better, be better, you know, and really that's commercial too, because it really should be about how you're helping the person that's listening to you, yeah, and connecting in that way, and not necessarily what you sound like while you're doing it, yeah.  20:31 Let's not get wrapped up in that, yeah, no. And so with that, it's a good segue to start talking about characters, because you've done so many characters, but you also have done commercials. So when it comes to characters in voiceover, let's talk a little bit about that. How is it that you prepare for any given piece of copy? Is it always a character?  20:56 - Stacia (Guest) Is it always a character you mean like with?  21:00 - Anne (Host) character copy or what you mean, or any kind of copy. Do you create a character for any type of copy, any type of copy, I think?  21:06 - Stacia (Guest) for me, my approach to commercial copy is it depends on the spot but it also is like how you know the age old question how would I talk to? A friend about this sitcom, you know, like whatever it is, but I and so it's just about bringing my authentic self to it. But also there's a there's. I think there is a musicality to it, but also it really depends on what's on the page right or what we're selling, you know do you ever envision?  21:37 - Anne (Host) do you ever envision yourself as the um, the, the? On camera the zip cream or the character zip cream or the. The person on camera. The character Zipcreme or the person on camera.  21:47 - Stacia (Guest) Sure, yeah, I think I mean I love when you get any kind of visual or if they give you the break of what is gonna be on screen and then you can kind of I love visualizing. I think visualizing because what it does for me is it brings my imagination to life, which immediately I'm having way more fun in the booth yeah. Yeah, and it's enjoyable, even when the copy is like maybe a little like dry or sad or whatever, like liven it up by visualizing what's happening.  22:26 - Anne (Host) Yeah absolutely Believe it or not. That's a big thing. Even if I'm doing e-learning, I'm imagining that I'm the teacher, because I was a teacher for so long and so I can draw upon that experience, and it's better for me to talk almost like a one-on-one coaching with a student. And if I try to envision myself in front of the class, even when I was a teacher, I was always looking at one person at any given time. Yes, so it made it much more personal, of course, and so for e-learning, I'm a character Corporate narration. I'm a character because I work for the company and I'm trying to provide a solution that is going to help the person that I'm talking to, which makes it a whole lot more interesting than if you're just reading about it to someone.  23:15 - Stacia (Guest) Totally yeah, or sound, trying to sound like someone who reads these kinds of things. Right, it's like, because it's a really I think what it comes down to is connection and we, as actors, need to connect right copy, which means I probably need to understand it. That's, that's excellent.  23:25 - Anne (Host) So yeah, so how? What are your steps for connecting to copy?  23:28 - Stacia (Guest) It really depends on the piece. Recently I had to do what was pretty lengthy and I had to do the spot in 15 seconds and it was like okay, I don't usually read things over and over and over again because they feel like there's an element of um, uh, over overdoing it you know, I agree I agree.  23:52 So my booth is here behind me. That's why I'm pointing behind me, in case anyone's wondering Um, and so sometimes when I get in there, I will run it a few times like that particular spot because it had to be so quick. But at the same time, of course, they're going to want it to sound like I just talk, like that, you know, and so it's like it's marrying those two things right when I want it to come off like it feels like me. I'm just sort of having this talk, but I'm also. It's very quick and rapid and it falls within the 15 seconds. Yeah, so my approach is not always the same thing. It really depends on what I'm working with, and sometimes there isn't enough time, like in that 15 seconds, there's not enough time to visualize or do this. It's wall to wall copy and it's also I'm talking about this cool thing that you're going to love, and so it's just about like who sometimes I like playing with? Who am I talking to? Where am I? Proximity is such a fun thing to play with too.  24:57 - Anne (Host) You can do that in a minute or two, totally Right. Yeah, and that's the thing I always try to emphasize to my students is that it doesn't take a whole lot of time to figure out who you are and who you're talking to and maybe set a scene up, yeah, and to get yourself rolling on that. I mean it's nice if you have the entire scene as it progresses through, because that allows you to help tell the story. But if you don't have all the time in the world, but a lot of times we're auditioning in our studios. I mean, we're not live auditioning as much as we used to. Gosh knows that's the case, right? Um, and unless we're like in front of a, we're being live directed. That's a different story, right, but if we've got the time before we go into the studios, I mean, what do you take five minutes?  25:37 - Stacia (Guest) if you put different scenarios on it, because you're probably sending more than one read on this commercial copy and we don't know. But the thing that I've loved playing with recently is I really love doing a take. That's for me what do I want?  25:53 to do with this? How do I want to bring myself to this? Because I think that what makes us viable, that what makes us marketable, is us. We are not disembodied voices. We are human beings with lived in experiences, and so we're not just bringing our incredibly gorgeous voices. We are human beings with lived in experiences, and so we're not just bringing our incredibly gorgeous voices. We are bringing ourselves to this copy and what our lived experiences and our lives, and so that that's really fun to to, just like I would. I would, I would encourage everyone to just do one for you. What do you want it to sound like?  26:29 - Speaker 1 (Announcement) Exactly.  26:30 - Stacia (Guest) Because that's the most empowering feeling is to be like I want to do this with this, and that's when you're collaborating too Sure sure, and is that the take that you submit first?  26:42 - Anne (Host) Not necessarily. Is that take one, or is it the second take?  26:46 - Stacia (Guest) Like lately I have been exploring it and I just feel like I just want to be a little more playful, yeah, and so, yeah, I mean, I say not necessarily.  26:56 - Anne (Host) The truth is I lean towards that one, unless I've worked with the people before.  27:00 - Speaker 2 (Announcement) Yeah, and I know what they're looking for. You know what I mean then I'm gonna just give them what they want.  27:04 - Anne (Host) But uh, if I don't know, and it's not like a critical like I, I always think like it's kind of like gambling for me, right, sure we're all gambling.  27:13 - Stacia (Guest) We're just all right, we're all gambling, right.  27:15 - Anne (Host) So I'm just gonna like, well, you know what, I'm just gonna do my best and I'm gonna, and I'm, and I'm gonna, just, you know, send it and forget it, that kind of thing. So I'm not gonna put so much stock in like, oh my god, did I do the right thing? Did I give them what they wanted? Am I going to get this? I try never to like hope and wish in that way for any job.  27:35 - Stacia (Guest) If you're saying I want to do this and that's where I'm like no, both of those takes are for me. It's not that it's for me, but it's like I'm going to give you what I want to give you, and then I'm going to give you another take of something different that I want to do with this.  27:53 And of course I read all the specs and of course I read and I'll even, you know, watch other spots that they've done to get an idea. Like we got to do our homework right, but then it's like you asked me to do this. I'm going to got to do our homework right, but then it's like you asked me to do this. I'm gonna do it my way. See, it's fun. I'm gonna have fun with it. I'm gonna. It's so much easier to let go when you like, because if you hold on to what you like, if you, if you don't give the what you want to do with it, read, then it's like you might live with regret yeah, you know, or like it sounds like everybody else's yeah right  28:29 at the end of the day maybe even they're all gonna sound somewhat the same, anyway, you know, but it's like at least you know you had fun with it. You felt like your authentic self and you and you played yeah yeah, you know.  28:43 - Anne (Host) So, being a singer, which I, that was the other part of the medium that I didn't really talk to you about, but I mean, I can actually hear just your talking voice, although I've never heard you sing. Except I did, I did go, you know, I did my homework, I did my, I did my YouTube. You have a gorgeous voice.  28:58 Oh, thank you, but I can hear that.  29:00 I can hear that in your voice as you speak to me, and it's so funny because I think that no one should have to try, right.  29:10 I think that no one should have to try right to create a voice that somebody thinks they want to hear. Because when we're connecting right and I actually listened to quite a different number of songs that you did in different styles, and one was from your potty show, and so you had such a range there and what was so cool is that you were just undoubtedly yourself and just like in all aspects of yourself, and that was just so cool because it was connecting and that was what I was looking for as a human being. I was looking for that, that connection in the voice and while you were on stage and while you were communicating to me, and I feel like it's the same exact thing. It's the same exact thing for voiceover, right. It's all about like your voice is beautiful, no matter what you're you know what I mean, no matter what you're doing, you don't have to try and so just connect with me, and that's really what I'm looking for as a human being, and I think that's what most casting directors are looking for.  30:04 And they tell me over and over again, that's really what they're looking for. Is connection, not necessarily the sound.  30:11 - Stacia (Guest) I think we get caught up in the sound. The sound or I flubbed on this, or I you know this or that, whatever it is, and it's like I. I don't want to be listening and I am because it's so hard when you're doing this yourself.  30:28 - Anne (Host) It is hard not to listen.  30:30 - Stacia (Guest) You have to take off the director hat while you're the actor, and then you have to take off the engineering.  30:39 - Anne (Host) You know you have to compartmentalize, because if you don't, and you don't because you'll, and then when you come back, Because if you don't and you don't because you'll, and then when you come back and you're the engineer slash director and you listen back and you're like, oh, as an actor, I really loved that last take, that's weird. I don't like listening to it, like I don't. I don't have that feeling brought this up because it's hard. It's hard for us to separate the ears, right. It's like you have to develop an ear, right, you have to develop an ear as an actor, you have to develop an ear as an audio engineer and you have to be able to separate them.  31:13 And it's funny because I've always maintained back, when I was really, you know, moving on this in this career, I was in a place where they were doing construction outside my home and I had, when I was in my studio, I had my headphones on. I had to keep them on because I had to make sure that there was none of that sound coming in, and so I had my headphones on a lot of time. And if, if you get good at it, I always say the headphones are just amplifying your voice, and so if you can not listen to your voice and just you know what I mean, like you can record with your headphones on. I mean, right, you got to do it when you're live directed anyways. So I'm always saying people are saying, oh, I don't wear my headphones because I try to listen to myself.  31:53 I'm like I could listen to myself with my headphones off. Do you know what I mean? But you've got to be able to compartmentalize, and I love that you said that, because that is a skill and it's a skill that I think takes a little bit of time for for people to to really really get to be able to to say, okay, this is my, this is my actor ears. Yeah, versus what do I sound like?  32:16 - Stacia (Guest) right, it's that constant like don't listen what you sound like and it's. It's also like there's because there is that judgment that comes in you and that when you are wearing cans, if you aren't telling your self limiter I talk about this a lot and we'll talk about it when when we work together with everyone, but if you aren't challenging them and saying I don't need you here right now, it's very powerful to send them away, to send that voice to me. For some reason, it's right here.  32:48 - Anne (Host) It's just very like right, that's like the magic secret Stacia, I mean I love that it works for me. So, I want to say that we are going to be having you as a VO Boss workshop guest director, so, and and we are going to be talking character creation. So will we be discussing, talk a little bit about what we're going to be talking character creation. So will we be discussing, talk a little bit about what we're going to be doing in that class.  33:08 - Stacia (Guest) What I would love to do is see where everyone's at, what they want to play with, and, of course, do that, but also, I think, for everyone, I would love to share the self limiter and what I, what I do to get rid of that sort of you know, it's a, it's a protection right. That's what that voice is doing. It's trying to help you, but it's not helpful. I love that.  33:34 - Anne (Host) Oh my gosh, that's like secret sauce.  33:36 - Speaker 2 (Announcement) Yeah, yeah, I think so.  33:38 - Anne (Host) I know how hard that I mean. It's just, it's so hard. I mean, and you do have to, you have to be able to, you have to be able to separate it, you have to wrangle that?  33:46 - Stacia (Guest) Yeah, because that that voice that's trying to protect you inevitably is is keeping you safe. It's keeping you safe, it's doing its job and you don't. You do not want anyone keeping you safe when you're in your booth. Yeah, it is not a place for safety.  34:04 - Anne (Host) It is a place to play.  34:06 - Stacia (Guest) If you're playing safe and you're in a dramatic role for a video game and you're, you know you're about to I don't know shoot up some monsters, or you're afraid for your life or it, or you're, you know, some silly little kid like you got to be a little kid, you got to be playful and you know, or you got to be scared of those monsters or whatever's on that page. It is not a place for you to be protected or be playing it safe.  34:33 - Anne (Host) Yeah, yeah, I love that. Did I just get on a soapbox? I think I did. I think that, no, I love that and and all right. So, from a different perspective right, I mean a different perspective, it the way that it hit me, but I love that. You teach that because I am.  34:47 You know, I've had health issues, right, I had cancer, and before I was diagnosed, I was like so worried about what I was sounding like and what. You know how the audition went and did. Should I have done it this way? Should I have you know? And then all of a sudden, it was like whoa, like what was I? Like that just didn't seem important anymore. I shouldn't be.  35:09 Why was I so worried about what I sounded like when, in fact, I just, you know, I'm fighting this disease right now, and so it gave me such a license to permit myself to be free. Yeah, just not worry and not have that self-judgmental voice on me all the time. It was an amazing thing that happened to me and unfortunately I mean well, I mean fortunately I'm here and everything's good, you know. So nobody, nobody, has to worry about it. But in reality, it was one of the best things that could have happened for my performance, for my actor, my actor self, was to say what the hell was I so damn worried about? What was I? What was I trying to be? You know what? Just screw it Like, isn't it incredible?  35:47 - Stacia (Guest) how? So empowering? So it's like grief is off. Grief is awful and we all, as humans, live through it and the way that it can have some magical elements and empowerment in it is really incredible. Talking about that and how you're like I don't care, Like I don't. Why am I going to concentrate on what I sound like? That was not a priority.  36:16 - Anne (Host) No, Well, what I sounded like is not a priority anymore.  36:19 - Stacia (Guest) No, no no, it was amazing, because it's like a reminder of who you are, who your soul is Like. You want to connect with people and that's what you do. I love it.  36:29 - Anne (Host) Oh, my God, I'm so excited, so excited for you to join us. So, bosses, make sure that you check out the show notes and I'll have a link to the VO. Boss, or just go right to the VO Boss website.  36:41 - Stacia (Guest) Is it down here? Is it? Should I point to things?  36:45 - Anne (Host) I'll be putting it in the post. So it's on VeoBosscom. You guys check out the events and sign up for Stacia, because it's going to be an amazing class. And, stacia, I just want to say thank you, this has been so much fun. Thank you so much for joining us.  36:59 - Stacia (Guest) It was a pleasure.  37:00 - Anne (Host) Yeah, it's been wonderful Really getting really getting to know you even better. I'm so excited.  37:05 - Stacia (Guest) Back at you. You're an incredible interviewer. It's really what a joy.  37:10 - Anne (Host) Thank you Well thank you, I appreciate it. Well, look, bosses. I'm going to give a shout out to our sponsor, ipdtl. You too can connect and network like bosses, like Stacia and myself. Find out more at IPDTLcom. Bosses have an amazing week and we'll see you at Stacia's class right. Yay, in August. I'll be there and we'll be with you next week with another episode. Thanks, so much.  37:33 - Speaker 2 (Announcement) Join us next week for another edition of VO Boss with your host, Anne Ganguzza, and take your business to the next level. Sign up for our mailing list at vobosscom and receive exclusive content. Sign up for our mailing list at vobosscom and receive exclusive content industry revolutionizing tips and strategies and new ways to rock your business like a Boss. Redistribution with permission. Coast to coast connectivity via IPDTL.   

Acteur en zanger Freek Bartels is deze zomer te zien in ‘Willem & Frieda: Roze Verzet', een voorstelling over twee moedige queer verzetshelden die tijdens de Tweede Wereldoorlog betrokken waren bij de beroemde aanslag op het Amsterdamse bevolkingsregister. Eerder was Bartels te zien in musicals als ‘Les Misérables', ‘Sister Act' en ‘Ja, ik wil'. In 2021 vertolkte hij de hoofdrol van Jezus in ‘The Passion'. Presentatie: Sacha Bronwasser

It's musical theatre week in the Flamingo Lounge! Doug Kern and Leigha Marie Eichhorn from Rocking Horse Productions joined Rockabilly Greg on July 22, 2025, to chat about their journeys in theatre, including the world of musical theatre, and how they've thrived in a challenging industry. Rocking Horse Productions is a community theatre company based in Buffalo New York, established in 2006 by Douglas Kern. The company is dedicated to presenting high-quality live theatre, ranging from musicals and classic plays to new works, with a mission to inspire, entertain, and challenge audiences. They prioritize developing local talent, providing equal opportunities for both seasoned and novice performers. Rocking Horse Productions has a history of diverse productions, including musicals like "Les Misérables" and "Joseph and the Amazing Technicolor Dreamcoat," and dramas such as "12 Angry Men" and "A Few Good Men." In 2019, they were recognized as a theatre group in-residence by the Williamsville Arts and Culture Committee, leading to their "Theatre in the Village" season at The Meeting House in Williamsville.

Galatians 4: From Law to Sonship—Living in the Freedom of Grace In this episode of the Exploring More Podcast, Michael Thompson and SJ Jennings continue their journey through Galatians, unpacking the powerful contrast between life under the law and life as sons and daughters of God. Using the characters of Les Misérables—Javert and Valjean—they illustrate the stark difference between rigid justice and transformative grace. Michael and SJ reflect on Galatians 4 and the metaphor of the law as a guardian or tutor—meant to lead us to maturity, not define our identity. With personal stories and biblical insight, they explore the theme of adoption into God's family, emphasizing both the legal authority and intimate connection that come with true sonship. The conversation calls believers to grow from spiritual slavery into spiritual maturity—moving from performance and obligation into freedom and responsibility, led by the Spirit. Grace isn't just forgiveness—it's the empowering presence of God that brings about real transformation. Listeners are encouraged to reflect on their own journey with grace, and to prepare their hearts for the next step in the series: the fruit of the Spirit in Galatians 5. We hope you enjoy this episode and invite you to connect with us!

Matthew James Thomas opens up in this heartfelt conversation about his journey from a rebellious, bullied teen in the English countryside to finding truth and belonging on stage. Growing up feeling misunderstood, he found safety and purpose in acting, discovering early on that truth-telling through performance was his way of making sense of the world. He shares the emotional weight he carries playing Harry Potter on Broadway, how he navigates the show's intense emotional peaks night after night, and why live theatre never gets old — even after over 135 performances. We also dive into the legacy of Spider-Man: Turn Off the Dark, his love-hate relationship with social media, and why he believes musicals are only great when they get it exactly right. And yes, there's some mutual fan-girling over Severance, a hilarious attempt at explaining Les Misérables, and plenty of insight into what makes live theatre both terrifying and electrifying. Matthew James Thomas is a British actor, director, and songwriter. He originated the title role in the 2013 Broadway revival of Pippin, starred as Peter Parker in Spider-Man: Turn Off the Dark, and has appeared in Accused, Summer of Rockets, Britannia High, Billy Elliot, and About a Boy. He currently stars as Harry Potter in Harry Potter and the Cursed Child on Broadway. Connect with Matthew: Instagram: @mattjamesthomasyes Connect with The Theatre Podcast: Support the podcast on Patreon and watch video versions of the episodes: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/TheTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter & Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theatre_podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook.com/OfficialTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheTheatrePodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Alan's personal Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@alanseales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

Message from Hubert Dixon on July 20, 2025

On the Saturday July 19, 2025 edition of The Richard Crouse we meet Louise Pitre. Often hailed as Canada's first lady of musical theatre, she is a Tony-nominated actress renowned for her powerful performances on Broadway and across North America and Europe. Best known for originating the role of Donna Sheridan in “Mamma Mia!,” she has also played Fantine in “Les Misérables” and Edith Piaf in “The Angel & the Sparrow” among many others. Today we talk about “Natasha, Pierre and The Great Comet of 1812,” an innovative musical from Mirvish that follows Natasha's scandalous affair and Pierre's existential crisis amidst the backdrop of 19th-century Moscow, drawn from Tolstoy's “War and Peace.” Then, we'll meet British author, academic, and adventurer Robert Macfarlane. A Cambridge University fellow, Macfarlane's work often reflects his deep engagement with wild places, from ancient pathways to subterranean realms, earning him acclaim for his evocative prose and environmental advocacy. Today we talk about his new book “Is a River Alive?” a book that suggests rivers are not mere matter for human use, but living beings, who should be recognized as such in both imagination and law.

Hey everyone, James Scully here, producer and host of Breaking Walls, the docu-podcast on the history of US Network Radio Broadcasting. I wanted to let you know about a new webinar I'm doing this Thursday July 17th, at 7PM on Orson Welles' early career of Orson Welles through the end of 1941. If you can't make it live this Thursday July 17th at 7PM, don't worry, I'll be emailing every person who registers a video of the webinar once it's over. Here's a link to register: https://www.eventbrite.com/e/orson-welles-career-part-1-from-boy-wonder-to-trouble-maker-webinar-tickets-1445315741289?aff=oddtdtcreator Some more information: Throughout the last one-hundred years of American entertainment, few people have gotten as strong a reaction as Orson Welles. A rare quadruple threat: writer, director, actor, producer, Welles found immense success on stage, in films, on television, and in radio. In fact, he took center stage in the United States on more than one occasion… and not always to a positive reaction, but always with pushing the creative envelope in mind. Welles managed to alienate the newspaper industry, the Hollywood studio system, and occasionally even the broadcasting networks, but he rarely had a door closed in his face. Welles was known to work himself to the bone, and party even harder. He had romances with some of the most famous and attractive women in the country, including Virginia Nicholson, Dolores del Rio, and Rita Hayworth. He was hailed as a genius, a charlatan, a magician, an incredible friend, an a***hole, a hard-driver, a steady worker, and a man who drank too much. Welles liked to joke that he began his career on top and spent the rest of his life working his way down. Such a strong-willed, creative person deserves an in-depth look. In Part 1: From Boy Wonder To Trouble Maker (1931-1941) we'll explore Welles' early life, through his explosion of success in the 1930s all the way to the end of 1941, complete with audio clips and highlights including: • Beginnings in Illinois and China — How they helped shape Orson • The Todd Seminary School — His first exposure to theater and Radio • Connections and Early Breaks — How his mentor Roger Hill, Thornton Wilder, Alexander Woollcott, and Katharine Cornell helped Orson get to Broadway • Orson meets John Houseman and Archibald MacLeish, and first appears on the March of Time • 1935-1937 — From the March of Time to the Columbia Workshop, and how Irvin Reis taught Orson how to create for radio • How the US Government shaped the opportunity for Orson to write, direct, and star in Les Misérables on the Mutual Broadcasting System in 1937 • The Shadow Knows! — Agnes Moorehead and Orson Welles' one season on The Shadow • The birth of the Mercury Theater on the Air as First Person singular. How its success led to the most infamous night in radio in October of 1938 • Mainstream success with Campbell's Soups • Orson goes to Hollywood, and signs the greatest autonomous film contract in history at 24 • Citizen Kane — How William Randolph Hearst and RKO shaped the film • Lady Esther Presents — Orson comes back to radio in the autumn of 1941 • Pearl Harbor Day and collaborating with Norman Corwin • How Joseph Cotton introduced Orson to Rita Hayworth Afterward, I'll do a Q&A — any and all questions are welcomed and encouraged! Can't attend live? Not to worry! I'll be recording the event and sending the video out to all guests who register so you can watch it later. See you (virtually) there!

The bearded geek is with me this week, and we are finally sitting down to talk about a few characters from Victor Hugo and the lessons they have for us today. Joe Dea and I are discussing the characters of Bishop Myriel from Les Misérables, Frollo from The Hunchback of Notre Dame, and the Disney add-on of the Archdeacon of Notre Dame. What do these characters and stories, written by a 19th-century French Humanist, have for us in the modern-day American Church.For more information on Thoughts From A Bearded Geek: https://www.kfmbroadcasting.com/shows/thoughts-from-a-bearded-geek For more information on Ministry Misfits visit www.ministrymisfits.comTo become a Patron for Ministry Misfits visit www.patreon.com/ministrymisfitsFor more from KFM Broadcasting: www.kfmbroadcasting.com To support the KFM Broadcasting network: www.patreon.com/kfmbroadcasting Send us a textSupport the showFollow us on: TWITCH: twitch.tv/ministrymisfits INSTAGRAM: instagram.com/ministrymisfit FACEBOOK: facebook.com/ministrymisfit YOUTUBE: YouTube.com/@ministrymisfits

The bearded geek is with me this week, and we are finally sitting down to talk about a few characters from Victor Hugo and the lessons they have for us today. Joe Dea and I are discussing the characters of Bishop Myriel from Les Misérables, Frollo from The Hunchback of Notre Dame, and the Disney add-on of the Archdeacon of Notre Dame. What do these characters and stories, written by a 19th-century French Humanist, have for us in the modern-day American Church.For more information on Thoughts From A Bearded Geek: https://www.kfmbroadcasting.com/shows/thoughts-from-a-bearded-geek For more information on Ministry Misfits visit www.ministrymisfits.comTo become a Patron for Ministry Misfits visit www.patreon.com/ministrymisfitsFor more from KFM Broadcasting: www.kfmbroadcasting.com To support the KFM Broadcasting network: www.patreon.com/kfmbroadcasting Send us a textSupport the showFollow us on: TWITCH: twitch.tv/ministrymisfits INSTAGRAM: instagram.com/ministrymisfit FACEBOOK: facebook.com/ministrymisfit YOUTUBE: YouTube.com/@ministrymisfits

From the stages of Broadway to school classrooms and men's ministries, J. Mark McVey's journey is one of persistence, transformation, and service. Best known for his role as Jean Valjean in Les Misérables, J. Mark brings not only vocal talent but also deep wisdom on living a life with purpose and impact. In this episode, J. Mark shares how his upbringing in Huntington, West Virginia, shaped his love of music and gratitude. He reflects on the grind of New York theater life, how faith transformed his approach to performance, and why leading from a place of humility—not ego—is his guiding principle. You'll hear about the unexpected audition that changed his career, a powerful 22-year collaboration with legendary composer Marvin Hamlisch, and how he's now channeling his talents into helping the next generation discover their gifts. Through music, mentorship, and ministry, J. Mark shows what it means to perform for an audience of one—and how living with intention creates lasting ripple effects far beyond the spotlight. “You're either going to step on people on the way up—or you're going to help them climb.” – J. Mark McVey “At the end of my life, I want to hear ‘Well done, good and faithful servant.' That's the only audience I'm focused on.” – J. Mark McVey “A great leader doesn't end up on the mountaintop alone. That's not a leader—that's a hiker.” – J. Mark McVey This Week on The Wow Factor: How a childhood filled with song and gratitude shaped J. Mark's artistic identity The six-year college journey that led to a bold move to New York City What it's really like to perform on Broadway under constant pressure Why storytelling at a 12-year-old's level is J. Mark's secret to audience connection The pivotal moment that transformed his faith and redirected his career Behind-the-scenes stories from Les Misérables and singing for presidents The unlikely invitation that led to decades of collaboration with Marvin Hamlisch How J. Mark uses performance and prayer to lead with love backstage His new mission: helping students identify their gifts and find confidence early in life J. Mark McVey's Word of Wisdom: A great leader is always in a supportive role. Leadership isn't about being at the front—it's about listening well, serving others, and keeping your hand out to help the next person up the ladder. You don't climb alone, and you don't perform alone. The best impact comes from giving, not taking. Connect with J. Mark McVey:Visit jmarkmcvey.com to learn more about upcoming concerts, speaking events, and his work with schools and ministries. Connect with The Wow Factor:  WOW Factor Website  Brad Formsma on LinkedIn   Brad Formsma on Instagram   Brad Formsma on Facebook   X (formerly Twitter)  

Episode Notes For the Uniform: Michael Eddington is a smarmy bastard. Marooning is cruel and unusual punishment. The Maquis. Experimental Holo-Zoom. Jude gets angry about Starfleet's DevOps. Odo reminds them that Eddington is their problem because they didn't trust Odo. The Defiant as submarine. Eddington has freshman philosophy major energy. The wrestling theory of heat. Warcrime Airhorn 1: Biogenic weapon Warcrime Airhorn 2: Les Mis, the novel Warcrime Airhorn 3: WMDs on a civilian population Warcrime Airhorn 4: Firing on an unarmed civilian transport Warcrime Airhorn 4: WMDs on a civilian population Warcrime Airhorn 0: Faking a distress signal BabSpace9 is a production of the Okay, So network. Connect with the show at @babylonpod.page Help us keep the lights on via our Patreon! Justen can be found at @justen.babylonpod.page Ana can be found at @ana.babylonpod.page, and also made our show art. Both Ana and Justen can also be found on The Compleat Discography, a Discworld re-read podcast. Jude Vais can be found at @jude.athrabeth.com. His other work can be found at Athrabeth - a Tolkien Podcast and at Garbage of the Five Rings. Clips from the original show remain copyrighted by Paramount Entertainment and are used under the Fair Use doctrine. Music attribution: Original reworking of the Deep Space 9 theme by audioquinn, who stresses that this particular war crime is not their fault. This show is edited and produced by Aaron Olson, who can be found at @aaron.compleatdiscography.page Find out more at http://babylonpod.page

It's hard to believe that after a career as iconic as Anne Hathaway's—whether as the ambitious intern in The Devil Wears Prada, the beloved royal in The Princess Diaries, or the tormented Fantine in Les Misérables—her most challenging role, by her own admission, is still to come. The August cover star of Vogue, Hathaway opens up to writer Maya Singer about transforming into a global pop sensation in the upcoming film Mother Mary. On this episode of The Run-Through, Chloe and Vogue's Deputy Editor Taylor Antrim chat with Maya about what it was like spending time with Anne (they bonded over their favorite Criterion Collection films), what this transformative moment in her career means, and her adorable friendship with actor Bradley Cooper.  Learn about your ad choices: dovetail.prx.org/ad-choices

In a world that punishes the poor and rewards betrayal, Les Misérables shows us that love, grace, and solidarity are revolutionary acts. This week, we'll explore the daily choices that shape us—will we join the people singing for liberation, or cling to systems that cannot save us?

Fri, 04 Jul 2025 00:00:00 GMT http://relay.fm/material/523 http://relay.fm/material/523 Andy Ihnatko and Florence Ion It's been a miserable week for Google. So, before we get into it, much ado about Nothing. It's been a miserable week for Google. So, before we get into it, much ado about Nothing. clean 3914 It's been a miserable week for Google. So, before we get into it, much ado about Nothing. This episode of Material is sponsored by: Vitally: A new era for customer success productivity. Get a free pair of AirPods Pro when you book a qualified meeting. Links and Show Notes: Nothing Phone (3) Nothing Headphone (1) Google hit with $314 million US verdict in cellular data class action Racist AI-generated videos are the newest slop garnering millions of views on TikTok Google kills the fact-checking snippet Simplifying the search results page Support

Fri, 04 Jul 2025 00:00:00 GMT http://relay.fm/material/523 http://relay.fm/material/523 Les Misérables 523 Andy Ihnatko and Florence Ion It's been a miserable week for Google. So, before we get into it, much ado about Nothing. It's been a miserable week for Google. So, before we get into it, much ado about Nothing. clean 3914 It's been a miserable week for Google. So, before we get into it, much ado about Nothing. This episode of Material is sponsored by: Vitally: A new era for customer success productivity. Get a free pair of AirPods Pro when you book a qualified meeting. Links and Show Notes: Nothing Phone (3) Nothing Headphone (1) Google hit with $314 million US verdict in cellular data class action Racist AI-generated videos are the newest slop garnering millions of views on TikTok Google kills the fact-checking snippet Simplifying the search results page Support Material

Two universally important musicals that changed the game forever.

MEPHISTO IS HERE!! Ironheart Full Reaction Watch Along:   / thereelrejects   Visit https://huel.com/rejects to get 15% off your order Ironheart Reaction, Recap, Commentary, Analysis, Spoiler Review, Breakdown, & Review!! Greg Alba, Coy Jandreau (DC Studios), & Aaron Alexander react to Ironheart Episodes 4, 5, & 6 (season finale), where the Marvel Cinematic Universe finally reveals Mephisto (played by Sacha Baron Cohen from Borat, The Trial of the Chicago 7, Les Misérables) and unveils Riri Williams' (Dominique Thorne – Black Panther: Wakanda Forever) new Ironheart suit and origin of The Hood (Anthony Ramos – In the Heights, Hamilton). This Disney Plus Marvel series continues to expand the MCU with key players like Parker Robbins/The Hood, Mephisto, and the Wakandan legacy of Ironheart. Also featuring Alden Ehrenreich (Solo: A Star Wars Story), Lyric Ross (This Is Us), Shea Couleé (RuPaul's Drag Race), Harper Anthony (Vengeance), Manny Montana (Good Girls), and Regan Aliyah (XO, Kitty). The story dives deep into technology, magic, grief, legacy, and identity. This season ties into Thunderbolts (just covered on our channel), as well as setting up for Avengers: Doomsday, Avengers: Secret Wars, Young Avengers, Spider-Man: Brand New Day, and Daredevil: Born Again Season 2. Ironheart's new suit is a fan-favorite moment, while the Hood's origin and Mephisto's long-awaited appearance are game-changers for the MCU's mystical future. Follow Aaron On Instagram: https://www.instagram.com/therealaaronalexander/?hl=en Follow Coy Jandreau:  Tik Tok: https://www.tiktok.com/@coyjandreau?l... Instagram: https://www.instagram.com/coyjandreau/?hl=en Twitter:  https://twitter.com/CoyJandreau YouTube: https://www.youtube.com/channel/UCwYH2szDTuU9ImFZ9gBRH8w Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 01:28:32 - Une saison exceptionnelle de Cabarets 42e rue - par : Laurent Valière - Company, Les Misérables, Starmania, Gypsy ou Sweeney Todd : retour sur une saison exceptionnelle de Cabarets 42e rue au Carreau du Temple cette saison. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

In this episode, we dive into the gripping second and final season of Andor, the critically acclaimed Star Wars series on Disney+. We unpack the emotional stakes, powerful performances, and how the story masterfully bridges the gap between rebellion and Rogue One. From character arcs to thematic depth, we explore what made this series stand out—and why it may be one of the best things Star Wars has given us in recent years. Plus some fandom news and your feedback! Our Linktree: https://linktr.ee/FiveishFangirls #FiveishFam  TIME STAMPS 00:00:24 Intro 00:01:16 News 00:10:18 Feedback 00:37:20 Andor Season 2 01:46:30 Closing Thoughts 01:49:10 Outro Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

On this dazzling episode of Friends Talking Nerdy, Professor Aubrey and Tim the Nerd put on their tap shoes and warm up their vocal cords for a deep dive into the world of musicals—both on stage and on screen. From Golden Age classics to rock operas and cult comedy gems, the duo shares their personal favorites and discusses what makes each musical special to them.The conversation opens with a look at the glitz and glam of Gentlemen Prefer Blondes, and the iconic performances of Marilyn Monroe and Jane Russell, before taking a hard left into irreverent territory with Trey Parker and Matt Stone's Cannibal! The Musical and South Park: Bigger, Longer, and Uncut, celebrating their unique ability to blend satire with catchy tunes.The pair reflects on the cultural impact and rebellious spirit of Hair, the groundbreaking score of Jesus Christ Superstar, and the emotional gravitas of Les Misérables. They also take time to honor musical legends with There's No Business Like Show Business and Singin' in the Rain, breaking down the artistry and historical significance of these silver screen staples.And of course, no musical conversation is complete without a nod to rock, as Tim the Nerd and Professor Aubrey discuss the stylized storytelling and sound of The Who's Tommy, as well as the Beatles' innovative entry into film musicals with A Hard Day's Night.Whether you're a die-hard musical theater fan or just dipping your toes into showtunes, this episode offers laughs, insights, and a playlist-worthy celebration of one of entertainment's most expressive art forms. Curtain up—tune in and sing along!As always, we wish to thank Christopher Lazarek for his wonderful theme song. Head to his ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for information on how to purchase his EP, Here's To You, which is available on all digital platforms.Head to Friends Talking Nerdy's⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠for more information on where to find us online.

Dena is joined again by Ashley, friend of the pod, for an exciting episode. Dena's return from London (where she saw Beyonce, Les Mis, etc.) had them comparing London's weather to the current NYC weather (@jrue17). And of course, there was more Beyonce content - this time surrounding the Grammy's news (@beysus.christ). And the newest Blue vs. Gold dress argument is Blue vs. Gray couch (@im.krispy). Spoiler: it's gray. Dena shared her Amanda Bynes jump scare video (@amandabynesupdates) which had Ashley vowing to never get a manicure from the Nickelodeon queen. And it wouldn't be an episode without broadway content, this time from the West End, London with #EvitaTok (@joshplaysthepiano, @ashleyhufford). Ashley's FYP is a combination of random linguistics videos (@kwaku2k), the NYC Democratic Primary (@yochrisjames), yadda, yadda, yadda. Then they get into NYCTok with the pigeon pageant (@mickmicknyc); new creator spotlight with @misfitsandmatcha, and FoodTok with a video by @juliakatzin and a watermelon “flight” by @sloanecoe. Tune in to hear more!  Check out all the videos we mention and more on our blog (2old4tiktok.com), Instagram (@2old4tiktokpod), and TikTok (@2old4tiktok_podcast). 

Host Jodi Katz sat down with two women at the forefront of redefining health care as we know it: Liz Josefsberg, Founder & CEO of Target 100 Inc and Sarah Pesce, COO of stealth-mode wellness startup Radence.Despite wildly different paths—Liz went from Broadway star to Weight Watchers executive, while Sarah pivoted from nurse practitioner to health-tech builder—both share a mission: to help people move from “sick care” to well care.Liz's early career was center stage—literally. She spent years performing in Showboat and Les Misérables, all while privately battling weight fluctuations. That struggle led her to Weight Watchers, first as a member, then as a team member, and ultimately as their Director of Brand Advocacy. She helped build programs, consulted for the CEO, and guided celebrities like Jennifer Hudson and Charles Barkley through their own wellness transformations.But Liz wanted more than just the Weight Watchers playbook. She authored Target 100, a behavioral weight loss book that evolved into an app platform connecting hydration tracking, biometrics, and movement. Her mission? To give people a simple, evidence-based way to understand their bodies—and stay in the game without guilt or shame.Sarah began in cardiology, treating patients already facing chronic illness. It didn't sit right. She saw an opportunity to move upstream—to build better systems for prevention. That led her to advanced degrees, hospital innovation work, and eventually to launching wellness labs that deliver “digital twins” of users through biomarker testing, wearables, and environmental data.Now, at Radence, Sarah's team is developing a member-based preventative screening experience backed by a powerhouse science team. Her focus? Making cutting-edge longevity care accessible, personalized, and understandable—without needing an advanced medical degree to interpret your own labs.Liz and Sarah agreed on nearly everything: that bio-data is only helpful if it's explained clearly. That technology is outpacing consumer understanding. That shame is a sales tool used too often—and that emotional support is what most health programs are missing. Whether it's using AI to build “Liz in your pocket” or designing a membership that meets people where they are, their north star is clarity, context, and compassion.As Liz put it: “No woman has ever come to me and said she doesn't know an apple is better than a Snickers. The problem isn't information. It's behavior—and how we stay in the game.”

In our final hour, we are joined by The Press Times along with Kelsey Denae. Kelsey is a hometown talent from Ashwaubenon, who shares her journey from local choir performances to starring in “Les Misérables” at the Kennedy Center. After a whirlwind career that took her to New York City, she's back, joining the popular band Big Mouth and the Power Toolhorns. To end the show, co-hosts John Maino and Jim Schmitt delve into the evolution of athletic prowess in sports, the charm of picnics, and the quest for a healthy candy bar! Maino and the Mayor is a part of the Civic Media radio network and airs Monday through Friday from 6-9 am on WGBW in Green Bay and on WISS in Appleton/Oshkosh. Subscribe to the podcast to be sure not to miss out on a single episode! To learn more about the show and all of the programming across the Civic Media network, head over to https://civicmedia.us/shows to see the entire broadcast lineup. Follow the show on Facebook and X to keep up with Maino and the Mayor! Guest: Kelsey Denae

Join Opie and the crew for a wild ride at Gebhards Beer Culture, where the conversation veers from crooning about "Blue Christmas" to debating Michael Bublé's lisp and the genius of Brian Wilson's Pet Sounds. The gang dives into pizza controversies, pineapple toppings, and a bizarre beachside Christmas tree fantasy. Things get gritty with Ron's oozing foot reveal—eczema or something worse?—and a heated rant about overblown riots and Broadway musicals (spoiler: Phantom gets no love). From Trump's questionable taste in Les Mis to Fiddler on the Roof sing-alongs, this episode is a chaotic mix of laughs, music trivia, and questionable hygiene. Grab a Miller Lite and tune in for the madness!

Dear Humans, The latest episode of the God Pod is now available ad-free, exclusively for Letters from God Substack subscribers. To support ad-free episodes like this, please consider joining as a paid subscriber today! Today Jesus and I are joined by writer and author of “On This Day in History Sh!t Went Down” James Fell! James has a dirty mouth and was a natural fit with God as the trio discusses James' many creative Trump nicknames, the latest news including Donold's latest TACO moment, an upcoming rainy weekend in D.C., and much more! On this episode of the God Pod: God, Jesus, and James discuss the GOOD thing that happened on this day in history, James' piece “Why Some Long for a King to Rule Them All.” and we take a break from all the serious news by having a laugh over Donold getting booed at The Kennedy Center (Does he even know the plot of Les Mis, by the way?) Don't forget: God and Jesus stream daily. Catch God Pod LIVE every weekday at 2 PM ET / 11 AM PT. And next week on God Pod Live: Wednesday, June 18 at 3:30 PM ET: Leah Litman, author of “Lawless: How the Supreme Court runs on Conservative Grievance, Fringe Theories, and Bad Vibes”! Thursday, June 19 at 2 PM ET: Comedian Brent Terhune! Friday, June 20 at 2 PM ET: Comedian Zach Zimmerman! Tune in. Tell a friend! Remember to add the God Pod wherever you listen to podcasts, like Apple Podcasts or Spotify.

Henry tackles the films of director Tom Hooper including The King's Speech, Les Misérables (2012), The Danish Girl, and Cats (2019), plus BONUS reviews of Eddie Redmayne's The Theory of Everything, Hugh Jackman's The Greatest Showman, and Disney's Hamilton (2020).0:00 - Intro1:32 - The King's Speech12:31 - Les Misérables22:43 - The Danish Girl32:07 - Cats40:45 - The Theory of Everything51:19 - The Greatest Showman56:39 - Hamilton1:04:12- OutroFollow Film Buds:LinktreeFaceBookTwitter / XInstagramYouTubeWebsiteFollow Henry & Elle on Letterboxd:Henry's ProfileElle's ProfileBuy Our Premium Podcasts:BandcampSponsors / Inquiries:FilmBudsPodcast@gmail.com

June 16-22Many years ago, I read Les Misérables, by Victor Hugo: the unabridged version which is 1,463 pages long. Next to the scriptures, it was the greatest reading experience of any book I have ever had. I became so close to the characters, Jean Valjean, Monsieur Charles-François-Bienvenu Myriel—the Bishop of Digne (‘deen'), Fantine, Cosette, Gavroche, Marius, Javert and many others that I wept for a long time after I finished the book because I was so sad, I would not be able to meet them in the Spirit World! Maurine reminded me they were fictional characters. I was completely transported into their hearts, their world, their times, their pain, their burdens. Maurine and I even went to Victor Hugo's home in Guernsey Island off the coast of Normandy in the English Channel to get a sense of where he wrote this classic novel. Do you want to know my very favorite moment from the entire 1,463 pages? It has to do with our lesson in this episode.

Audience boos Trump at Kennedy Center ‘Les Mis,’ CSC announces season featuring ‘Meadlowlark’ and Ethan Slater, Noblezada sings ‘Maybe This Time’ Since 2016, “Today on Broadway” has been the first and only daily podcast recapping the top theatre headlines every Monday through Friday. Any and all feedback is appreciated:Grace Aki: grace@broadwayradio.com | read more The post Today on Broadway: Friday, June 13, 2025 appeared first on BroadwayRadio.

It's our Friday News Roundup! We're talking about the logistics and symbolism of this weekend's military parade, the latest twist in the Eleanor Holmes Norton story, and the mystery of the abandoned casket. Plus, in our member's-only fourth topic, the scene at The Kennedy Center this week when Donald Trump went to see Les Mis. Want some more DC news? Then make sure to sign up for our morning newsletter Hey DC. You can also become a member, with ad-free listening, for as little as $10 a month. Learn more about the sponsors of this June 13th episode: PaintCare Alliance Francaise InKind - Get $25 off your next order of $50 or more! Gala Theatre Nace Law Group Interested in advertising with City Cast? Find more info HERE Learn more about your ad choices. Visit megaphone.fm/adchoices

It's being called the miracle in seat 11a. Initial reports about that devastating jumbo jet crash in India presumed all 242 on board were dead. Then a man in a white t-shirt, emerged from the wreckage... and just walked away with minor injuries. And a mix of cheers and boos greeted President Trump and first lady Melania as they arrived at the first big Kennedy Center event since Trump overhauled the iconic arts venue. It was opening night for Trump's favorite musical Les Mis... but at least one of the cast members refused to go onstage. Plus, another high-profile athlete has been targeted in a home invasion. This time it's the Mariners star center fielder and his girlfriend, a professional soccer player. She was home alone when she heard three intruders, so she hid in the bathroom and called 911. And now some sad news ... Ananda Lewis who rose to fame as an MTV VJ and then had her own daytime talk show has died of breast cancer. She had publicly shared her journey including mistakes she said she made along the way that gravely impacted her health.  To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

-- On the Show: — Senator Brian Schatz (D-HI) joins David to discuss Trump's authoritarian power grabs, Senate resistance, and what happens next — Trump's anti-war image goes up in flames as he floats war with Iran after sabotaging the working nuclear deal and now pretends there's no other option — Millions expected to protest across 1,500 cities on Trump's birthday in the largest mobilization since his return to power, as tanks roll through D.C. and he threatens peaceful demonstrators — Trump stages a Soviet-style military parade on his birthday with tanks, 7,000 troops, and 50 helicopters while most Republicans quietly skip the event — Gavin Newsom demolishes Arkansas Governor Sarah Huckabee Sanders with facts after she claims Trump values “order”—even though Arkansas has double California's homicide rate — Trump's press secretary Karoline Leavitt calls a question about protesters “stupid,” makes up stats about violence, and pretends Biden's autopen is a criminal offense — Trump suffers an unhinged Truth Social meltdown, claiming L.A. would be a “crime scene” without his troops and bragging about an economic bill that actually explodes the deficit — Trump gets brutally booed at the Kennedy Center, cluelessly fumbles a Les Misérables reference, and insists Fox News is wrong about nationwide protests—even though it's Fox's own data — YouTube caves to Trump and quietly changes moderation rules to allow more hate, lies, and violent content as long as it's “political,” squeezing out independent media like this one -- On the Bonus Show: MAGA boycotts Walmart over “No Kings” ad, David Hogg quits the DNC amid backlash, and Rand Paul whines about losing respect for Trump after being uninvited to a picnic, much more...

Michael Cohen reacts to Trump getting booed while attending Les Misérables at the Kennedy Center. Learn more about your ad choices. Visit megaphone.fm/adchoices

The co-hosts weigh in on how President Trump was received at last night's Kennedy Center production of "Les Misérables." Then, they weigh in after some were unhappy with pop star Sabrina Carpenter's upcoming album cover for "Man's Best Friend" where she's on all fours next to a man who has her by the hair. Next, they discuss one social media influencer's viral post inviting perimenopausal women to join her "I don't care" club. Gerard Butler tells us about adding a new dimension to his role in the live-action reimagining of the animated classic, "How to Train Your Dragon." "RuPaul's Drag Race" winner Bob the Drag Queen shares how he's giving American hero Harriet Tubman a hip-hop remix with his new novel, "Harriet Tubman: Live in Concert: A Novel." Learn more about your ad choices. Visit podcastchoices.com/adchoices

Thursday, June 12. The seven stories you need to know today.Read today's briefing.If you're not a subscriber, click here to start.

An L.A. curfew was implemented amid protests against ICE raids there. Elizabeth Findell from the Wall Street Journal looks at the marching orders from the White House that started the migrant crackdown. Reporting from NPR’s Jasmine Garsd details the unsanitary conditions migrants are facing in an overcrowded ICE facility in Florida. ‘Les Misérables' is a story of the downtrodden. It’s also a musical loved by Trump. The Atlantic looks at its appeal for him. Plus, the Smithsonian agreed to review all of its museums for bias, some promising news on fentanyl use, and the many benefits of singing. Today’s episode was hosted by Yasmeen Khan.

In the 8 AM hour, Larry O'Connor and Julie Gunlock discussed: Continued Lawlessness and Disorder in Los Angeles Unhinged Wealthy, White Leftist Women WMAL GUEST: Kennedy Center Spokesperson Roma Daravi on Les Miserables' Opening Night Where to find more about WMAL's morning show: Follow Podcasts on Apple, Audible and Spotify Follow WMAL's "O'Connor and Company" on X: @WMALDC, @LarryOConnor, @JGunlock, @PatricePinkfile, and @HeatherHunterDC Facebook: WMALDC and Larry O'Connor Instagram: WMALDC Website: WMAL.com/OConnor-Company Episode: Wednesday, June 11, 2025 / 8 AM HourSee omnystudio.com/listener for privacy information.

‘The Brick' is finally finished! Kate and Sheila discuss Les Miserables in its entirety… (spoiler alerts galore-avoid if  surprises you adore) …it has taken us a bit, but so totally worth it!Victor Hugo shows readers that, “Heroes come in all shapes” from the unbelievable bravery of young Gavroche to the mysterious motives of the misunderstood Jean Valjean. Hugo can bloviate like no other author, from Waterloo to the sewers of France! He can also pack quite a punch in  few words:“One cannot goad people into moving faster than they are prepared to go. Woe to him who tries to force their hands.” People will rise to the level of expectations but we must let them rise (like bread in the making) we cannot force anyone's progress! Victor nailed it!“What is Progress? We have just said it. It is the permanent life of all people. But it sometimes happens that the momentary life of individuals is opposed to the eternal life of the human race.”Do we oft times put the pebbles in first? Do we worry and fret over the trivial? Eternal life is one that is lived in harmony with God❤️He is our Rock He must come first!“But a civilizing race must be a masculine race…Those who become effeminate bastardize themselves.” In our society young men are committing suicide 4 times the regular population! The war against toxic masculinity has wreaked havoc by giving young men false  identities, leaving our society with boys.Readers are taken on a journey starting with injustice and evil and falsity and darkness toward justice and goodness and truth and light! What an emotional roller coaster ride for determined readers! Warning: Not for the faint of heart! Let's put on SCUBA gear before embarking on this deeper than deep dive! Thanks for joining us on our quest to read the best! May you have a day that is blessed with a book, a cuppa, and  friends! 

Rob Madge grew up staging living room musicals with wigs, smoke machines, and the unwavering support of their parents and grandmother—but what started as childhood play eventually became the viral, heartfelt, and Olivier-nominated solo show My Son's a Queer (But What Can You Do?). In this episode, Rob shares how those home videos evolved into a theatrical sensation, and how a show born during lockdown has become a powerful celebration of queer joy, family, and radical acceptance—now heading to New York City Center for its limited U.S. debut. We talk about everything from queer theory and comedy as activism to being a theater kid in a small UK village and why their grandmother was the ultimate co-conspirator. Rob opens up about the emotional weight of visibility, the importance of letting kids be themselves, and the unshakable confidence that comes from being loved early and completely. Plus, they reflect on their journey from Gavroche to leading their own story—and the joy of tweaking the show for each new audience. Rob Madge is a writer and performer whose solo show My Son's a Queer (But What Can You Do?) earned an Olivier Award nomination following its West End run. They began their career as a child actor in Mary Poppins, Oliver!, and Les Misérables, and trained at Sylvia Young Theatre School before studying English Literature at Warwick University. Rob also stars as the Emcee in Cabaret on the West End, and continues to explore themes of identity, family, and theatricality through their writing and performance. Connect with Rob Instagram: @robmadge02 Connect with The Theatre Podcast: Support the podcast on Patreon and watch video versions of the episodes: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/TheTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter & Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theatre_podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook.com/OfficialTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheTheatrePodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Alan's personal Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@alanseales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

TONY AWARD®, United States Congressional Record & National Recording Registry of the Library of Congress, Hollywood Walk of Fame InducteePresidential Life Time Achievement Award, In Addition, Joseph Biden Public Service Award.The Music Historian in ME Loves to Talk to the Legends.Melba has a Music Compilation called "Imagine'. Already Topping the American & British Soul charts.Melba Moore has done it all, twice. At the tender age of 10, Melba notes that it was then that she was introduced to music and that “I didn't have any music in my life before my mother married my stepfather. He introduced music into our home and into my life.” From that moment forward, Melba began to develop her 5-octave, note-holding soprano that would soon bring audiences to their feet. Theater: Won a Tony Award for best featured actress in a musical for her role in the musical "Purlie," Replaced  Diane Keaton in  the Broadway musical "Hair" Was first African American woman to play the female lead in the musical "Les Misérables" on Broadway. The Newark, NJ Arts High School graduate started doing recording sessions after a chance meeting with singer/songwriter/composer Valerie Simpson (of Ashford & Simpson).  That opportunity in the studio led Melba in the company of the Broadway musical “HAIR!” First in the ensemble of the show, Melba's name was tossed into the conversation when actress Diane Keaton left the show and Melba took the female lead and broke all the rules, being the first Black woman to replace a white actress in a featured role on Broadway. The journey of Melba's career took her meteorically from there to the lead of “PURLIE,” a musical adaptation of a play written by acting husband and wife pioneers Ossie Davis and Ruby Dee.  That role and its musical soundtrack would earn Moore a Grammy nomination as Best New Artist in 1971 and a Tony Award for Best Featured ActressTelevisionStarred in her own sitcom, "Melba Melba's Career continues with2024  Live Apperances at 54 Below in New York City this Spring.   MelbaMoore.com© 2024 Building Abundant Success!!2024 All Rights ReservedJoin Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASAmazon ~ https://tinyurl.com/AmzBASAudacy:  https://tinyurl.com/BASAud

Joe Baggs (star of Gogglebox and social media!) and his boyfriend Kaine Ruddach (theatre star and now keen gardener on social media!) join us this week! From meeting at a birthday party (with some very heavy breathing involved) to moving in together after just 6 months, these two spill ALL the tea about modern gay dating.We put them through our Red Flag, Green Flag, Beige Flag game where they accidentally call out each other's worst habits - from Joe's need to win every argument to Kaine's plant obsession that's literally taking over their house. Plus, Joel reveals why he ghosted his therapist mid-session and Kaine explains how he converted his anti-plant boyfriend into a secret plant lover.Joe Baggs: https://www.instagram.com/joebxggs/?hl=enKaine Ruddach: https://www.instagram.com/kaineruddach/?hl=enIn this episode:

Thu, 22 May 2025 21:15:00 GMT http://relay.fm/rd/261 http://relay.fm/rd/261 Apparatus Tycoon 261 Merlin Mann and John Siracusa Your hosts finally discuss The Apparatus. Your hosts finally discuss The Apparatus. clean 5332 Your hosts finally discuss The Apparatus. This episode of Reconcilable Differences is sponsored by: Grist: A modern, open source spreadsheet that goes beyond the grid. Try it for free today. Links and Show Notes: Things kick off with some Billy Joel talk. Merlin thinks he's hearing double, but John's not so sure. Anyway, be sure to hang that graduation on the wall. In follow-up, John shares a listener's collection of colorful zipper nudges from around the world. Next, Merlin's kid continues to unintentionally learn how to do computer things. The legends and lore of YouTube engagement strategies are considered. This week's main topic is The Apparatus. In which your hosts investigate a fascinating and evolving contraption that appeared in Merlin's neighborhood. Things wrap with some anecdotes about places in Merlin's neighborhood where people have made numbers one and two in gross, anti-social ways. (Recorded on Tuesday, May 13, 2025) Credits Audio Editor: Jim Metzendorf Admin Assistance: Kerry Provenzano Music: Merlin Mann The Suits: Stephen Hackett, Myke Hurley Get an ad-free version of the show, plus a monthly extended episode. Billy Joel - "It's Still Rock and Roll to Me" (Glass Houses, 1980) Billy Joel's Allentown vs. Levittown vs. Bethlehem “He thrusts his fists against the posts and still insists he sees the ghosts.” On My Own, as sung by Kaho ShimadaThe best version of On My Own, according to John. It's from Les Misérables (Highlights from the Complete Symphonic International Cast Recording) Les Misérables (Highlights from the Complete Symphonic International Cast Recording) ATP Top Four: Game Consoles The Apparatus Makeshift AC outlet adapter meme What Roy Wood was capable of. | Everybody's a critic. | FlickrMerlin's kid has a history of forging technological desire pa