Podcasts about les mis

It took Robin Emdon 10 years to finish a six-year degree. On the 20-minute drive home from celebrating with his brother, he started counting what procrastination had actually cost him: relationships, finances, career, health. By the time he pulled into his driveway, he was furious. He was a trained life coach. And he didn't have the cure. That moment sent him into 900 research studies on procrastination and what he found will completely change how you think about why you delay, avoid, and stall on the things that matter most. Procrastination isn't a character flaw or a discipline problem. It's hardwired into your brain and there's a science-backed way to work with it instead of against it. In this high-energy, deeply practical conversation, George sits down with Robin J. Emdon, accountability coach, creator of GetResultsology®, and host of the GoalBusters Podcast, to unpack the real psychology behind why entrepreneurs stay stuck and exactly what to do about it. This one is equal parts neuroscience and permission slip. You'll leave with a completely new framework for productivity and the clarity to finally stop mistaking busyness for progress. What You'll Learn In This Episode: Why procrastination and productivity are just vehicles and what you're actually driving toward The brain science behind why we're hardwired to procrastinate (and why it's not your fault) The three neurotransmitters that determine your productivity state and how to activate them Robin's Inner Productivity Team: the Conductor, the Scholar, and the Fun-Sized Warrior Why setting big goals can actually trigger procrastination and what to use instead How external accountability can raise goal achievement by up to 33% The Pomodoro technique and how to use it to break patterns and build momentum fast Why the most productive environment isn't always the tidiest one The four questions that cut through any form of self-deception around avoidance How to connect your daily micro-actions to your Personal Life Vision Key Takeaways: ✔️Procrastination is what stops you from living the life of your dreams. Productivity is what gets you there. ✔️We're hardwired to procrastinate. The brain's limbic system is designed for survival, not creativity.  ✔️To get into the groove of productivity, you need three neurotransmitters present: dopamine (the Conductor), acetylcholine (the Scholar), and noradrenaline (the Fun-Sized Warrior). When all three are active, you're in flow. ✔️Goals create obligation. Obligation creates anxiety. Anxiety triggers threat modality which shuts down your prefrontal cortex entirely. Use micro-deadlines and clear next steps instead ✔️External accountability is one of the most powerful productivity tools available.  ✔️One POM (25-minute focused block) is enough to start. You don't have to solve everything today. You just have to begin. ✔️The four questions that cut through any avoidance:  What are you pretending not to know?  What are you pretending not to see?  Where else does this show up in your life?  And what is it costing you? Timestamps & Highlights: [00:00] — Robin's origin story: 10 years for a six-year degree and the 20-minute drive that changed everything [01:09] — Welcome and intro: the Procrastination Slayer enters the building [04:23] — Room 100 and the most useless-but-entertaining fact you'll hear today [05:40] — Why Robin doesn't actually care about procrastination or productivity [08:13] — The Personal Life Vision: what you're really working towards [09:02] — 900 research studies, one cold coffee shop, and a furious life coach [13:20] — What procrastination actually costs: relationships, finances, career, and health [17:39] — Turning the science into plain English and why that's Robin's superpower [19:00] — Why goals can cause procrastination (and what to use instead) [22:12] — You're hardwired to procrastinate: the limbic system explained [26:29] — The prefrontal cortex: where rational thinking lives and why it shuts down under stress [30:34] — The three neurotransmitters you need to get in the groove [31:32] — Meet the Conductor: dopamine and the music of your life [33:29] — Meet the Scholar: acetylcholine and the lost superpower of childhood focus [35:58] — Meet the Fun-Sized Warrior: noradrenaline and productive pressure [38:31] — George's Marine brain, the Fun-Sized Warrior, and "put them away" [39:29] — Environmental design: why George's clean garage unlocks 10 hours of focus [41:39] — What to do when you're procrastinating: structure, next steps, and feedback loops [43:03] — Why we're herd animals and why AI accountability will never replace a human [44:30] — The procrastination disguised as preparation (and the printer Robin didn't need) [46:05] — Productivity meter: how to tell the difference between real work and rearranging deck chairs [54:44] — What to do today: just do something, even for five minutes [57:00] — The Pomodoro technique and Robin's POM system for daily momentum [58:46] — Why goals trigger threat modality and what the science actually recommends [1:00:14] — Victor Hugo, Les Misérables, and the extreme distraction-free environment that worked [1:01:37] — George's 10-minute POM pattern interrupt and how to build from there [1:04:53] — Robin shares free resources and how to connect [1:06:04] — George's challenge: set a 20-minute timer the moment the episode ends Connect with Robin Website: getresultsology.com  GoalBusters Podcast: getresultsology.com/podcast  Instagram: @robinjemdon — instagram.com/robinjemdon  LinkedIn: linkedin.com/in/robinjemdon Free video course: skyrocketyourproductivitychallenge.com  Free book: reallyusefultips.com Your Challenge This Week: Robin answers his messages. That's the point. If something from this episode landed send him a message and tell him what it was.  And if you have a burning question for Round 2 (because George is already planning it) send George a DM on Instagram. He's building an arsenal for the next conversation. The Alliance: George's community for entrepreneurs who are done with distraction and ready to build with intention. Real strategy, real people, real accountability. 1:1 Private Coaching: Limited availability. If you want George on the field with you, not coaching from the sideline, apply to work together directly. Live Retreats: Immersive in-person experiences for entrepreneurs ready to stop performing and start executing on what actually matters.

Stand-upcomedian en columnist Michael Van Peel is Star Wars-fan en liet dat zelfs binnensijpelen in zijn vorige show ‘Welcome to the Rebellion!'. Op het podium durft hij politiek al eens op de korrel te nemen. De perfecte gast voor een aflevering over de reeks ‘Andor'. Een buitenbeentje in het universum, met een diep politiek verhaal.‘Andor' is vreemd genoeg geen fan service, en net dat maakt het zo sterk. Het vertelt het verhaal over personage Cassian Andor, in de aanloop naar de spin-off film ‘Rogue One: A Star Wars Story'.We hebben het ook over fondue, een Les Mis-moment en de Freggels. Over Lord of the Rings en feit dat er niemand swipet in Star Wars. Dat vrouwen alles voor het zeggen hebben in het Star Wars-universum. En dat Michael met z'n Vespa per ongeluk op de originele set is beland in Tunesië.

Dave's been throwing parties. Three in four days. Confirmation sponsor for a friend's son, family and friends over the next night, and then — because the universe has a sense of humor — some local gentleman decided to remodel Dave's brick mailbox. With his truck. At speed. Bricks were found over a hundred feet away. The guy left his license plate behind, which Dave is now holding like a man who accidentally picked up evidence and doesn't know what to do with it. The driver's fine. Well — he's in jail. But he's alive. Dave wants him to know that God's mercy is always ready and present, even for the man who turned a brand-new brick mailbox into gravel.Meanwhile, Adam got a new plum tree. Planted a maple. He's getting oaks for the pig pen so they'll drop acorns someday. One of his chickens died in a water barrel trap that nobody designed on purpose — the lid flipped, the chicken couldn't get out. Farm life. And then the real news: baby Mary is doing better. Haylee got to hold her. Adam held her for over three hours — only his second time since she was born in February. Three months of NICU, and the man finally got to just sit with his daughter. Praise God. Keep those prayers coming.Also — Adam's turning 40 on June 2nd. And Lady Pamela is due with their next baby on June 4th. They floated the idea of recording an episode in the delivery room. Pamela has not been consulted.This week we're sipping 13th Colony Distilleries Southern Rye Whiskey, French Oak Finish, Small Batch — 47.5% ABV. Platinum award-winning. Silky texture with hints of rye, apricot, and brown sugar. The rye's there but it doesn't overpower — still has a lot of bourbon elements to it. About forty bucks. That's a great buy.Then the conversation turns to something Adam's son Jude sparked. Jude — Adam's second oldest — just finished reading the entire Bible, Genesis through Revelation, straight through. Now he's reading the Council of Trent Catechism. He's a kid. Nobody told him to do this. He just had good books lying around the house and picked them up. That's the whole point.The virtue of study — studiositas — isn't what school taught us it was. It's not cramming. It's not memorizing facts to dump after the test. Aquinas calls it a habit of the mind ordered towards truth. Classical education at its best doesn't fill your head — it forms the way you think. The more you read rightly, the more you can arrive at correct conclusions through a sound process, not just recall. Study leads to contemplation. Contemplation is rest in truth. And it's not about finishing the book. If you're reading to check the box, you've already lost the plot. Sit with it. Let yourself be carried. The intellectual life doesn't compete with the family — it serves the family.From there, Adam and Dave go back and forth on the books that actually formed them. Adam leads with Joseph Pieper's In Tune with the World — a short, devastating argument for why festivity dies when we strip the divine out of celebration. Dave counters with The Soul of the Apostolate — the book that reordered his understanding of what has to come first before any ministry means anything. Adam brings John Senior's The Restoration of Christian Culture — hard opinions, harder truths, and a quote worth sitting with: the virtue of study requires a canon, a body of great works proven across time. Without tradition to guide what's worth studying, you're just chasing novelty.Dave goes deep on Fr. Timothy Gallagher's The Discernment of Spirits — a practical walkthrough of St. Ignatius's rules that shed light on the stages of the spiritual life and how the enemy shifts tactics as you grow. Adam responds with Raymond Arroyo's biography of Mother Angelica — a story of suffering, faithfulness, and a woman who said yes without knowing where it would lead. Dave makes a case for the Psalms — Psalm 51, the De Profundis in Latin, and the realization that there's a psalm for every moment of a man's life, and he'd been skimming past them for years.Adam goes deep cut: Fr. Paul Murray's Aquinas at Prayer — a book that reoriented his understanding of St. Thomas from pure intellect to contemplative soul. Dave brings Divine Mercy in My Soul by St. Faustina — hundreds of pages of our Lord's words on mercy that are sometimes scandalously generous. Adam throws in Simon Sinek's Start with Why as the non-Catholic book that changed how he thought about business, marriage, and fatherhood. Both men land on fiction that haunts them — Adam with Sigrid Undset's Kristin Lavransdatter, Dave with Candice Millard's Hero of the Empire on young Churchill. They touch on Lencioni's Five Dysfunctions of a Team, Gone with the Wind, the bishop chapters of Les Misérables, Neil Postman's Amusing Ourselves to Death, and close with John Senior's Thousand Good Books — the canon itself, the list that connects it all.They end where they always end: with Plato. They're halfway through the Republic in their great books group. David sits on the dumb couch. He knows he sits on the dumb couch. He's fine with it.Raise your glass.TOPICS COVEREDDave's brick mailbox obliterated by a truck — bricks found 100 feet away, driver in jail, license plate left behindThree parties in four days at Porter Prairie: confirmation, family gathering, and involuntary demolitionDave building a grain cradle for his scythe for the upcoming grain harvestAdam's new plum tree, maple tree, and oak trees planned for the pig penThe chicken that died in a water barrel trap nobody designed on purposeBaby Mary update — doing better, Adam held her for three hours, Haylee held her tooAdam turning 40 on June 2nd and Lady Pamela due June 4thBourbon of the week: 13th Colony Distilleries Southern Rye Whiskey, French Oak Finish, 47.5% ABVJude Minihan reading the entire Bible and now the Council of Trent Catechism — and nobody told him toWhy having good books lying around the house matters more than assigned readingThe virtue of studiositas — Aquinas on study as a habit of the mind ordered towards truthStudy isn't cramming — it's forming the way we think, not filling our headsWhy finishing the book isn't the point — sit with it, let yourself be carriedThe intellectual life doesn't compete with family — it serves the familyJoseph Pieper's In Tune with the World — why festivity dies without the divineThe Soul of the Apostolate — what has to come first before any ministry mattersJohn Senior's The Restoration of Christian Culture — hard opinions and the necessity of a canonFr. Timothy Gallagher's The Discernment of Spirits — St. Ignatius's rules made practicalRaymond Arroyo's biography of Mother Angelica — suffering, faithfulness, and saying yesThe Psalms as treasure — Psalm 51, the De Profundis in Latin, and why Dave had been skimming past themFr. Paul Murray's Aquinas at Prayer — reorienting Aquinas from intellect to contemplativeSt. Faustina's Divine Mercy in My Soul — mercy so generous it's almost scandalousSimon Sinek's Start with Why — a non-Catholic book that changed everythingSigrid Undset's Kristin Lavransdatter — fiction that haunts you because it doesn't read like fictionCandice Millard's Hero of the Empire — young Churchill before the cigar and the brandyPatrick Lencioni's Five Dysfunctions of a Team — why hard conversations are acts of charityGone with the Wind — Rhett Butler as a man whose virtues take a lifetime to findThe bishop chapters of Les Misérables — Hugo's best character, written by a man who wasn't even a fan of the ChurchNeil Postman's Amusing Ourselves to Death — prophetic in 1985, terrifying nowJohn Senior's Thousand Good Books — the canon that connects all the great worksThe Count of Monte Cristo as a commentary on Dante's InfernoPlato's dialogues — the Republic, Euthyphro, the Symposium, and why you need a great books groupAdam sits on the dumb couch at great books night and he's fine with itREFERENCED IN THIS EPISODEBooks & Writings:In Tune with the World: A Theory on Festivity by Joseph PieperLeisure, the Basis of Culture by Joseph Pieper (mentioned)The Intellectual Life by A.G. SertillangesThe Soul of the Apostolate (Dave's pick)The Restoration of Christian Culture by John SeniorThe Death of Christian Culture by John Senior (mentioned)The Discernment of Spirits by Fr. Timothy Gallagher (based on St. Ignatius's rules)Mother Angelica: The Remarkable Story of a Nun, Her Nerve, and a Network by Raymond ArroyoAquinas at Prayer by Fr. Paul Murray, O.P.Divine Mercy in My Soul by St. Maria FaustinaStart with Why by Simon SinekKristin Lavransdatter by Sigrid UndsetAnna Karenina by Leo TolstoyThe Five Dysfunctions of a Team by Patrick LencioniGone with the Wind by Margaret MitchellHero of the Empire: The Boer War, a...

Tess shares her journey of embracing authenticity and finding her unique voice across stage, television, and film. She opens up about how she found true artistic fulfillment by embracing the "kooky," quirky, and offbeat parts of herself rather than trying to constantly force her five-foot-nine frame into a traditional ingenue box. She breaks down the surreal whirlwind of her recent career milestones, from performing on The Today Show at five o'clock in the morning to hearing the news of a Tony nomination. Alan and Tess swap hilarious stories about major life updates happening in the least convenient places, including the exact moment she received a FaceTime call inviting her to Broadway while riding completely alone in an Amtrak quiet car. The conversation also shifts into creative endeavors outside the theater world, including Tess's passion for music and her upcoming solo album. She breaks down the therapeutic process of heading to Nashville to record a deeply personal breakup album, laying down tracks on the legendary microphone used for Kelly Clarkson's Breakaway. Alan and Tess bond over their shared experiences with self-diagnosed ADHD, hilariously dissecting the reality of "body doubling," "doom scrolling," and the mounting clutter of "doom piles". From a formative high school moment where a failed math test accidentally set her on a path to music school, to a lightning-fast, 60-second summary of Les Misérables, Tess delivers a wonderfully candid, smart, and funny look at a life in the arts. Tess Marshall is a versatile performer whose stage credits include a year and ten months as a swing and dance captain for the off-Broadway production of Titanique at the Daryl Roth Theatre, where she ultimately stepped into the iconic role of Celine Dion. Her screen credits include playing the recurring role of Dionne in the NBC series Ordinary Joe, as well as making her feature film debut in Beauty of Poverty, which premiered at the Cannes Film Festival. In addition to her extensive performance career, she also performs as a rock vocalist with the band Clyde Frog and works as an arts educator. This episode is powerbed by WelcomeToTimesSquare.com, the billboard where you can be a star for a day. Connect with Tess: @tess_marshall @clydefrogmusic Connect with The Theatre Podcast: Support the podcast on Patreon and watch video versions of the episodes: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/TheTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theatre_podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook.com/OfficialTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheTheatrePodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Alan's personal Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@alanseales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

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Broadway star and Olivier nominee Sierra Boggess is In The Frame!Sierra is preparing to return to London for a one-night-only concert at the Theatre Royal Drury Lane.She is one of Broadway and the West End's most beloved sopranos, best known for originating the role of Ariel in Disney's The Little Mermaid on Broadway, for which she received Drama Desk and Drama League nominations, as well as the Broadway.com Audience Award for Favourite Female Breakthrough Performance.Sierra has a long history with The Phantom of the Opera, having played Christine Daaé on Broadway and in London for the special 25th anniversary concert at the Royal Albert Hall. She also originated the role of Christine in Love Never Dies in the West End, receiving an Olivier Award nomination for her performance.Her many other credits include Fantine in the West End production of Les Misérables alongside Broadway productions of Master Class, School of Rock, Harmony and It Shoulda Been You. Sierra has also performed concerts across the world, including appearances at the BBC Proms, Carnegie Hall and Lincoln Center.In this episode Sierra discusses her return to London and her incredible concert career. She also reflects on her journey through theatre, the pressures of playing iconic roles such as Ariel and Christine, social media, sustaining longevity in the industry and lots more.Sierra performs at the Theatre Royal Drury Lane on Sunday 31st May. Visit www.lwtheatres.co.uk for info and tickets.This podcast is hosted by Andrew Tomlins @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

We've all thought about it before - that one song in a great musical that you just don't love listening to, or seeing it onstage.Well, Mickey-Jo sat down with one of his closest friends, Kate Reinking, with whom he disagrees about theatre constantly, to debate some of the worst songs in some of the best and most popular musicals.Check out which numbers they chose from shows like Heathers, Beetlejuice, Wicked, Into the Woods, Les Misérables, Waitress, Legally Blonde, and more, and feel free to share your own thoughts in the comments!SUBSCRIBE to @theatreislife on YouTube for more theatre content!SUBSCRIBE to Mickey-Jo's Channel: @MickeyJoTheatreAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

From action movies like X-Men to dramas like Australia to musicals like Les Mis and The Greatest Showman -- is there anything Hugh Jackman can't do? KSL Movie Show hosts Andy Farnsworth and Val Cameron join Greg and Holly to discuss the greatest flicks featuring Australian hunk Hugh Jackman.  

In this episode of the Film Ireland podcast, Gemma Creagh sits down with Dungannon actor Fra Fee to chat about his impressive catalogue of work that spans stage, film & TV, while delving into those key moments that shaped his career.From his breakout screen role as Courfeyrac in Les Misérables to performances in local films including Animals & Boys From County Hell, Fra has built a strong presence on screen, balancing indie projects against large-scale productions like Hawkeye on Disney+ & Zack Snyder's Rebel Moon.Now, Unchosen is available to stream on Netflix, in which he plays the enigmatic & manipulative Sam. Fra discusses his approach to this complex, morally ambiguous role, the contrast in working across different mediums, & how he develops a character from script to performance.This podcast has been made possible with the support of the Fís Éireann/Screen Ireland Stakeholders Fund.Listen now to the podcast on SoundCloud, Apple, Spotify, Acast & Amazon, subscribe to Film Ireland wherever you get your podcasts or watch the original recording back:https://www.filmireland.net/podcast-actor-fra-fee-unchosen-rebel-moon-hawkeyeAbout Fra FeeImmediately after graduating from the Royal Academy of Music, Dungannon actor Fra landed a role in the West End production of Dirty Dancing. Since then, he has worked consistently across stage & screen. Recently, Fra Fee starred in the leading role of Emcee in the Olivier Award-winning production of Cabaret in the West End. Fra also appeared in Jez Butterworth's critically acclaimed run, The Ferryman at the Royal Court Theatre, London's West End & on Broadway. Fra won the 2018 WhatsOnStage Award for Best Supporting Actor in a Play, for his role in the show. Fra's other theatre credits include Translations & As You Like It, both at the National Theatre, the World Premiere of The Wind in the Willows, & the title role in Candide at the Menier Chocolate Factory. On screen, Fra is known for his portrayal of Courfeyrac in Tom Hooper's film adaptation of Les Misérables. In 2021, he appeared as Kazi in the Disney+ series Hawkeye, which is set in the Marvel Cinematic Universe. He worked with director Zack Snyder, starring as Balisarius in Rebel Moon Part 1 & 2. He also had roles in Animals, Boys From County Hell, Pixie & The Laureate.UnchosenAll six episodes are available to stream on Netflix now.Molly Windsor & Asa Butterfield (Sex Education) star alongside Christopher Eccleston, Siobhan Finneran, & Fra in the series from Intergalactic writer/creator Julie Gearey. This psychological thriller takes viewers behind the closed doors of a fictional conservative religious sect.Unchosen follows Rosie, who lives in a cloistered Christian community with her husband, Adam (Butterfield) & their daughter. The fateful arrival of the mysterious Sam, an escaped prisoner, throws into relief the reality & restraints of Rosie's world: Perhaps her hidden religious community doesn't have her best interests at heart. As cracks begin to appear in Rosie & Adam's marriage, Sam presents himself as Rosie's savior. But with his dark criminal past, where does the greatest danger lie - with the cult, or with Sam?Sam is an escaped convict who was arrested as a teen for a deadly crime. He quickly integrates himself into the fellowship & uses his powers of coercion to become a pillar of the community. While balancing an affair with Rosie & flirtation with Adam, Sam lives in fear of being sent back to prison. “He is fiercely intelligent, highly manipulative, & able to get what he wants by abusing other characters' insecurities or their weaknesses,” Fee tells Tudum. “A lot of the time, I don't think it's necessarily premeditated. He's just very reactionary & a real survivor.” Figuring out how to play Sam was a lesson in embracing the grey areas. Because the character's intentions were often murky & complex, Gearey encouraged Fee to never “fully dot the i's or cross the t's” in scenes. “There always had to be room for an alternative intention,” Fee explains. Over the years, the podcast has featured acclaimed guests such as Phyllida Lloyd, Lenny Abrahamson, M. Night Shyamalan, John Boorman, Saoirse Ronan, Colin Farrell, Aisha Tyler, Colm Meaney, Paul Reiser, Niamh Algar, David Freyne, Ciarán Donnelly, Joshua Oppenheimer, John Crowley, Niamh Algar, Gene Stupnitsky, and Terence Davies, alongside many of the most influential voices working in film and television today.So make sure to subscribe and listen back! Hosted on Acast. See acast.com/privacy for more information.

durée : 01:02:38 - Les Nuits de France Culture - par : Albane Penaranda - réalisation : Mathias Le Gargasson, Antoine Dhulster, Rafik Zénine, Vincent Abouchar, Emily Vallat, Hassane M'Béchour, INA Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Nathania Ong is the first Singaporean to lead both Les Misérables and Hamilton on London's West End. But before any of that, she was 18, alone in a foreign city, rejected by every drama school she applied to in a single week. This is a story about the years nobody sees.. the flight home after every door closes, and the quiet season where you have to decide: Do I keep going, or do I let this go? In this conversation, Nathania opens up about: the rejections that almost broke her the stage fright she developed after going viral ⁠the best friend who talked her back from the edge and the philosophy that has carried her through every closed door since “Sometimes it's not no. Sometimes it's not yet. And what is for you will not pass you by.” Chapters 00:00:00 Introduction 00:01:29 Meet Nathania Ong: From Singapore to the West End 00:02:35 Growing Up in a House Full of Voices 00:07:11 The First Win That Changed Everything 00:10:00 Losing Singing — and Finding Herself Again 00:13:57 Five Rejections in One Week 00:18:00 “I Almost Gave Up” 00:19:47 The Second Chance She Almost Didn't Take 00:25:55 Her Greatest Triumph Wasn't Success 00:28:10 What Keeps You Going When Nothing Does 00:29:18 Why Rejection Feels So Personal 00:32:22 Becoming Éponine — And Redefining the Role 00:37:00 When Success Brings Fear 00:38:28 Stage Fright, Anxiety, and Finding Ground Again 00:41:04 Pre-Show Rituals & Becoming the Character 00:42:04 Creating Something Honest for Herself 00:43:33 What She'd Tell Her Younger Self 00:45:11 Advice for Anyone Chasing a Dream 00:45:38 Final Reflections Follow Rachel here:  https://www.instagram.com/ms_rach/ Follow Nathania Ong here: https://www.instagram.com/nattyong/ Write in to the team at hello@rachreflects.com.

In this episode of They Remade It, Stuart and Jacob go through yet another musical as they're looking at two takes on Victor Hugo's classic novel. One of them isn't even a musical, huh?! Yes, similarly to previous topic "The Phantom of the Opera", there are non-musical versions that have been eclipsed by the ones with songs. How do things hold up? Is the story better to watch when people aren't belting out tunes? How is Liam Neeson against Hugh Jackman? And is Russell Crow's singing really that bad?Also in this episode are thoughts on recent films like "Hoppers" and "Project Hail Mary", talks about the struggles of adapting classic literature that neither of them have read, musical analysis from non-professionals, and "The Man in the Iron Mask" on Broadway?! All this and more on They Remade It!Plot Synopsis Timestamps: 25:50 - 33:14----------Socials----------@theyremadeit.bsky.social on Blueskytheyremadeit@gmail.com

In the fourth episode of Season 25 of Star Wars: In a Galaxy, Eli and Jacob discuss the fourth episode of Season 2 of Andor: A Star Wars Story, "Ever Been to Ghorman?".Among their discussion:– 3 BBY.– The massive sets and culture built for the planet of Ghorman.– Eli sings Les Misérables. No, seriously. – What is Syril Karn thinking? – The most uncomfortable relationship in all of galactic history.– Bix's recovery and Cassian's protectiveness. – The reauthorization of the P.O.R.D., which certainly does not have parallels to current America.– D'Qar is back! And so is Saw Gerrera!The next episode of Star Wars: In a Galaxy will release on May 1, 2026.Follow us on BlueSky, Instagram, and Threads: @InaGalaxyPod/@inagalaxypod.bsky.appFollow our spinoff trivia show on BlueSky: @inagalaxytrivia.bsky.socialFollow Eli everywhere: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/_ochifan327⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Leave us a 5-star rating and review on Apple and Spotify! It really helps!You can email us at swinagalaxy@gmail.com

Two RISK! stories pulled from the archive, and both are worth your time. "The Best of Adventure Stories #3" is funny and unsettling in equal measure, sometimes within the same story. Winter Tashlin was 16 years old, at a Jewish summer camp in New York, and desperately wanted one good day. The plan was the Empire State Building and a performance of Les Mis. He has Tourette syndrome, the city is unforgiving, and the day keeps getting worse. Meanwhile, Marshall York drove solo across the American West, pitched a tent alone in the Grand Tetons, and went to sleep. Sometime in the night, a voice started speaking to him from inside the tent, calm and close and saying something he could not explain. Full episode details and music credits at risk-show.com/podcast/the-best-of-adventure-stories-3 Support RISK! & Get Involved

In this episode, we chat with Dr. Gary Welton, a dedicated professor and administrator at Grove City College, about his personal journey, the unique environment at Grove City, and the role of standardized assessments like the CLT in higher education. Discover how faith influences academic pathways and the importance of preserving classical liberal arts traditions in today's educational landscape.CLT Study: https://www.gcc.edu/Home/Staff-Directory/Staff-Detail/gcc-study-finds-predictive-value-in-classic-learning-testKey topics include:Dr. Welton's upbringing in Grove City and his faith-based education journeyThe advantages of Grove City College's emphasis on classical and Christian educationInsights into the College Learning Test (CLT) and its predictive validity for college successTrends in standardized testing following the shift toward test-optional policiesHow classical literacy and familiarity with tradition benefit modern studentsFavorite books that have shaped Dr. Welton's worldview, including Les Misérables and The PossessedTimestamps:(0:05) - Welcome and introduction to Dr. Welton's background(1:20) - The impact of Grove City College on student development(4:44) - Dr. Welton's faith background and experience in secular universities(8:27) - The origin and findings of the pioneering CLT outcome study(10:53) - Trends in college admissions and test requirement policies(13:08) - Validation of the CLT as a predictor of first-year GPA(14:56) - Connection between classical texts and assessment literacy(16:17) - The importance of cultural and literary literacy in education(18:24) - Unexpected results and insights from the CLT study(20:28) - Homeschooling and school background impacts on scores(24:45) - Lessons for other institutions from the CLT validation study(26:22) - The importance of focused reading for developing mature intellectual skills(28:23) - Dr. Welton's top books and their influence on his life and work(32:14) - Closing remarks and future hopes for college assessment

Les Misérables hollow man stare, an impotent confession, a waking nightmare. An empty shell, qlippothic grace, a pool for man to see his face. Cool, this face. Buried it will be, without a trace. "Why don't you get a job, Al?" 

Stage Door Repertory Theatre in Rigby will begin performing “Les Misérables School Edition” on April 10. The show is performed entirely by students. Artistic director Nick Charles shares details on the production

This week we're diving deep into some songs that have changed our lives for the better, including Waterfalls by TLC, the Les Mis soundtrack, and Lana.  Join us on Patreon! No filter. No notes. No pants (optional). New episodes drop Thursdays at 8PM EST: https://www.patreon.com/goodchildrenpod EDITOR: Kenzie Edmonson LISTEN: https://linktr.ee/goodchildren FOLLOW US ON INSTAGRAM: instagram.com/goodchildrenpod   instagram.com/joehegyes   instagram.com/andrewmuscarella   FOLLOW US ON TIKTOK: tiktok.com/goodchildrenpod   tiktok.com/bequietjoe tiktok.com/@andrew_musky Learn more about your ad choices. Visit podcastchoices.com/adchoices

Comment un manuscrit commencé par un pair de France est-il devenu, vingt ans plus tard en exil, Les Misérables, le roman le plus célèbre de Victor Hugo ?Remontez le temps et découvrez comment un scandale a failli briser la carrière de Victor Hugo, l'un des plus grands écrivains français. Suivez son parcours fascinant, de son entrée dans la haute sphère politique à son exil forcé, alors qu'il travaille sur son chef-d'œuvre : « Les Misérables ». Explorez les coulisses de la naissance de ce roman emblématique, façonné par les bouleversements historiques de la France. Plongez dans les tourments d'un homme de lettres devenu figure de l'opposition, et laissez-vous captiver par cette histoire riche en rebondissements. Préparez-vous à être transportés dans le Paris du XIXe siècle, où la destinée de Victor Hugo s'est jouée.Plongez dans l'histoire des grands personnages et des évènements marquants qui ont façonné notre monde ! Avec enthousiasme et talent, Franck Ferrand vous révèle les coulisses de l'histoire avec un grand H, entre mystères, secrets et épisodes méconnus : un cadeau pour les amoureux du passé, de la préhistoire à l'histoire contemporaine.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Equity's Live Stream Program continues with esteemed casting director Lauren Wiley talking with Equity member Helen Dallimore about all things auditions, musicals, casting, current and past projects, the actor/casting director relationship and answering all your questions. Lauren Wiley is one of Australia's most accomplished Casting Directors, bringing more than two decades of experience. She is currently the Casting Director for the forthcoming Australian premiere of A Beautiful Noise – The Neil Diamond Musical (TEG Dainty/Ken Davenport). Her extensive credits include MJ The Musical (Michael Cassel Group), Gaslight (Newtheatricals/Queensland Theatre), Hamilton (International Tour) and Hamilton (Australia) (Michael Cassel Group), Come From Away (Junkyard Dog/Newtheatricals), Beautiful: The Carole King Musical (Michael Cassel Group), and Kinky Boots (Michael Cassel Group). Lauren also served as Consulting Casting Director for Tina – The Tina Turner Musical (TEG Dainty/Stage Entertainment) and was Casting Administrator for Cameron Mackintosh's Les Misérables (Michael Cassel Group). Lauren began her theatrical casting career at Sydney Theatre Company in 2009, appointed Casting Coordinator to Co-Artistic Directors Cate Blanchett and Andrew Upton. She later returned to Sydney Theatre Company as in-house Casting Director under Artistic Director Kip Williams, a role she held until 2019. A graduate of Charles Sturt University with a Bachelor of Arts in Communications (Theatre/Media), Lauren spent two years based in London, where she worked as Casting Assistant to Jina Jay on major feature films including The Lovely Bones (Dir. Peter Jackson), Body of Lies (Dir. Ridley Scott), Agora (Dir. Alejandro Amenábar), and The Adventures of Tintin (Dir. Steven Spielberg) as well as time working for London's most established talent agencies.

Michael, Pax, and Rob are back in the lounge a little early this month talking about Silver Age Etta Candy, Scream 7, Tom Selleck's memoir, how Les Misérables plays in 2026 Minneapolis, The Will of the Many by James Islington, and Tom Selleck movies.

See Alex 4/18 in Pottstown, PA - https://souljoels.com/shop/tickets/alexpearlman/ Social Media Workshop 4/18 in Pottstown, PA - https://souljoels.com/shop/merch/socialmediaworkshop/ Mr. and Mrs. P return to the christian movie guide to see what MAGA thinks of their favorite  (and least favorite) musicals. From Sweeney Todd, A Star is Born, Moulin Rouge!, Chiago to the Sound of Music, Les Mis and of course The Greatest Showman. It goes exactly as you would expect, hilarious, enraging and sometimes downright confusing. JOIN OUR PATREON COMMUNITY -

Adam Filipe is In The Frame!Last year Adam starred as Joseph in Joseph and the Amazing Technicolor Dreamcoat (UK & Ireland Tour) and also played Jon in Tick Tick BOOM! (China Tour).His theatre credits also include: Galileo in We Will Rock You (Campo Pequeno, Lisbon), Frederick Barrett in Titanic (UK Tour), Tony in West Side Story (Ljubljana Festival), Gino in MIMMA: The Musical (Teatro Verdi, Trieste), Robin Gibb in The Music of the Bee Gees (Malaysia Philharmonic, Petronas Towers), Duet Partner/Vocalist in Lea Salonga UK Tour (UK Tour), Houdini in Side Show (London Palladium), Jean‑Michel in R&H's Cinderella (Hope Mill Theatre), The Man (emergency stand‑by) in Whistle Down the Wind (Watermill Theatre), cover Moses and Ramses in The Prince of Egypt (Dominion Theatre) and swing in Les Misérables (Queen's Theatre).Adam has also done workshops and regularly performs in concerts alongside teaching stage combat and self-defence. In this episode, Adam shares his journey into theatre and his path to becoming a leading man. He also reflects on the whirlwind experience of playing Joseph, the pressures that came with the role, and other standout moments from his career... plus much more!Follow Adam on Instagram: @filipe.navidad This podcast is hosted by Andrew Tomlins @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

Send us Fan MailThis week on Broadway Besties, Mark and Carson take on the ultimate theater lover debate… recasting some of Broadway's most iconic shows. From Next to Normal to Les Misérables to Rent, nothing is off limits as they dream up their ideal casts, make some bold choices, and probably spark a little controversy along the way. Expect strong opinions, unexpected picks, and a lot of “wait… actually that works” moments. The real question is… did they get it right, or are they about to be completely canceled by theater fans?

Dans cette enquête, l'autrice Typhaine Samoyault déploie le destin éditorial des Misérables, de Victor Hugo, publié en 1862 et devenu un classique...  Les Misérables, roman fleuve de Victor Hugo a été publié en 1862. Devenu un classique de la littérature malgré ses 2 500 pages, ce roman social et historique a été dès sa parution adapté, réécrit, traduit, abrégé de nombreuses fois. Il a également fait l'objet de nombreuses adaptations cinéma ou télé : près d'une cinquantaine. Il y a même eu une comédie musicale.  Réécrire les classiques : une fausse question ? Typhaine Samoyault a lu les Misérables trois fois mais n'a jamais lu la même version ! Dans Toutes sortes de Misérables, elle révèle comment ce roman est devenu l'un des plus réappropriés du monde et interroge : « Faut-il réécrire les classiques ? » Est-ce, en fait, une fausse question ?  Des personnages qui se sont affranchis du roman  Le roman social et historique de Victor Hugo est devenu un classique et ses personnages Cosette, Gavroche, Jean Valjean et autres Thénardier, des icônes de la culture populaire. Leurs noms sont même devenus des expressions ! « Les personnages sont des personnages qui se sont affranchis du texte pour devenir des familiers comme s'ils appartenaient à la réalité, comme s'ils prenaient leur autonomie : c'est la force des grandes œuvres ! » Adaptations et traductions : faire usage des classiques Mais, selon Typhaine Samoyault, si ce roman est devenu un classique ce n'est pas uniquement dû à sa qualité littéraire, c'est aussi grâce à la profusion d'adaptations et de traductions. Dès 1884, il existe déjà même une version adaptée à la jeunesse. « Victor Hugo voulait une réception populaire de son texte. Il a voulu qu'il y ait des éditions bon marché et accessibles de son texte » Ce roman traduit dans toutes les langues, en Chine ou en Russie, ce sont des versions différentes car le texte est adapté. « La langue change le texte : on ne produit jamais de traduction miroir, c'est aussi une occasion pour les traducteurs de proposer une version abrégée. » Une œuvre vivante, c'est une œuvre changeante  Pour Typhaine Samoyault, un classique constamment est reprise. « Il n'y a pas de contre-exemple. Une œuvre qui n'est plus adaptée aux époques ou autres cultures ne peuvent pas des classiques. On garde la mémoire orale de cette littérature ». La littérature doit donc être en mouvement car cela fait vivre les livres, car il ne s'agit pas seulement de les conserver, il faut les faire circuler, les transformer, les réinventer. « Il ne faut pas avoir peur des réécritures, ce n'est pas un phénomène récent ». L'autrice rappelle que de nombreux classiques ont été expurgés de leurs références religieuses lors de la séparation de l'Église et de l'État par exemple...  Invitée : Typhaine Samoyault, directrice d'études de l'EHESS, directrice du Centre de recherches sur les arts et le langage. Elle est aussi romancière et traductrice. Son essai Toutes sortes de Misérables est publié aux éditions du Seuil.  Programmation musicale : L'artiste NeS avec le titre Le bruit et le silence.  

Dans cette enquête, l'autrice Typhaine Samoyault déploie le destin éditorial des Misérables, de Victor Hugo, publié en 1862 et devenu un classique...  Les Misérables, roman fleuve de Victor Hugo a été publié en 1862. Devenu un classique de la littérature malgré ses 2 500 pages, ce roman social et historique a été dès sa parution adapté, réécrit, traduit, abrégé de nombreuses fois. Il a également fait l'objet de nombreuses adaptations cinéma ou télé : près d'une cinquantaine. Il y a même eu une comédie musicale.  Réécrire les classiques : une fausse question ? Typhaine Samoyault a lu les Misérables trois fois mais n'a jamais lu la même version ! Dans Toutes sortes de Misérables, elle révèle comment ce roman est devenu l'un des plus réappropriés du monde et interroge : « Faut-il réécrire les classiques ? » Est-ce, en fait, une fausse question ?  Des personnages qui se sont affranchis du roman  Le roman social et historique de Victor Hugo est devenu un classique et ses personnages Cosette, Gavroche, Jean Valjean et autres Thénardier, des icônes de la culture populaire. Leurs noms sont même devenus des expressions ! « Les personnages sont des personnages qui se sont affranchis du texte pour devenir des familiers comme s'ils appartenaient à la réalité, comme s'ils prenaient leur autonomie : c'est la force des grandes œuvres ! » Adaptations et traductions : faire usage des classiques Mais, selon Typhaine Samoyault, si ce roman est devenu un classique ce n'est pas uniquement dû à sa qualité littéraire, c'est aussi grâce à la profusion d'adaptations et de traductions. Dès 1884, il existe déjà même une version adaptée à la jeunesse. « Victor Hugo voulait une réception populaire de son texte. Il a voulu qu'il y ait des éditions bon marché et accessibles de son texte » Ce roman traduit dans toutes les langues, en Chine ou en Russie, ce sont des versions différentes car le texte est adapté. « La langue change le texte : on ne produit jamais de traduction miroir, c'est aussi une occasion pour les traducteurs de proposer une version abrégée. » Une œuvre vivante, c'est une œuvre changeante  Pour Typhaine Samoyault, un classique constamment est reprise. « Il n'y a pas de contre-exemple. Une œuvre qui n'est plus adaptée aux époques ou autres cultures ne peuvent pas des classiques. On garde la mémoire orale de cette littérature ». La littérature doit donc être en mouvement car cela fait vivre les livres, car il ne s'agit pas seulement de les conserver, il faut les faire circuler, les transformer, les réinventer. « Il ne faut pas avoir peur des réécritures, ce n'est pas un phénomène récent ». L'autrice rappelle que de nombreux classiques ont été expurgés de leurs références religieuses lors de la séparation de l'Église et de l'État par exemple...  Invitée : Typhaine Samoyault, directrice d'études de l'EHESS, directrice du Centre de recherches sur les arts et le langage. Elle est aussi romancière et traductrice. Son essai Toutes sortes de Misérables est publié aux éditions du Seuil.  Programmation musicale : L'artiste NeS avec le titre Le bruit et le silence.  

Emmy-nominated actress and singer Lea Michele has spent more than 30 years performing, from her Broadway debut in Les Misérables at the Imperial Theatre when she was just 8-years-old to starring in hits like Spring Awakening, Glee, Funny Girl and Scream Queens. Michele sits down with Willie Geist backstage at the Imperial Theatre to discuss her full-circle return to the theater where it all began, how Chess has brought joy and creative spark back to her life, and why feeling fulfilled as a mother and wife has made this chapter feel especially meaningful. Plus, she steps back into the dressing room she used during Les Misérables and reflects on the confidence that first led her from an open call in Englewood, New Jersey, to the Broadway stage. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Four movies. One week. Here's what was worth your time — and what wasn't. This week: a James Brooks comedy-drama that can't quite figure out what it's about, Jason Statham doing exactly what Jason Statham does (and delivering), a Nuremberg trials drama with Russell Crowe having a blast and Rami Malek in a completely different movie, and Les Misérables — because sometimes you just end up watching Les Misérables.00:00 Cold Open00:20 Intro00:46 Ella McCay (2025)03:12 Shelter (2026)04:44 Nuremberg (2025)07:10 Les Misérables (2012)09:28 Outro

Everyone is back in London, and what happened at the cottage has to stay at the cottage. Sophie takes a position below stairs at Bridgerton House, placing her firmly within the family orbit but very much outside its privileges. Benedict struggles with the distance that uniform creates, and when he makes what he believes is a generous offer, it lands as something else entirely. Meanwhile, Lady Danbury nudges Alice into a public role she never asked for, Francesca says the quiet part out loud, and Violet redefines ‘the tea'. Featuring: - Capital-p Plot - Snack wars - The rules of society - Visual metaphors - The importance of good sex education - Lack of Stakes - Buttons…and buttons - Alternative History - The importance of good communication - Sapphic panic - Tea as a sex drink - The Bridgerton Brother (Finger) Bang Here are is the media we talk about in this episode: - Bridgerton, a television series - An Offer from a Gentleman, a book by Julia Quinn - Cinderella, a fairytale - Downton Abbey, a television series - Queen Charlotte, a mini-series - It's in His Kiss by Julia Quinn - RuPaul's Drag Race, a television series - To Sir Phillip, With Love, a book by Julia Quinn - Lady Chatterley's Lover, a book by DH Lawrence - Pretty Little Liars, a television series - Younger, a television series - North and South, a television mini-series - Les Misérables, a film by Tom Hooper - Notting Hill, a film by Roger Michell - Romancing Mr Bridgerton, a book by Julia Quinn - ‘bad idea right?', a song by Olivia Rodrigo - Heartbreak High, a television show - Buffy the Vampire Slayer, a television show Some extra notes: - Benedict's lover in season 3 is named Tilly - Sutton Foster's character in Younger is named Liza Our guest host this episode is friend of the podcast Patrick Lenton. You can hear more from Patrick on instagram, his fantastic newsletter Nonsense or read his fabulous debut novel, In Spite of You. For your TBR, Patrick brought Her Majesty's Royal Coven by Juno Dawson. Don't forget you can find us on facebook @bridgertonpod and instagram and bluesky @wwddpod and join the conversation using the hashtag #WWDDpod. Please follow us on your favourite podcast provider! Leaving a 5-star rating and a review will not only help us find more listeners, but also help you achieve real pinnacles. This episode was recorded on the traditional and unceded land of the Kaurna, Wurundjeri and Boonwurrung people. Our editor is Ben McKenzie of Splendid Chaps Productions. If you need production work completed, you can find them here: splendidchaps.com

Brian Parry is a veteran Chicago-area actor with several decades of experience, currently retired but staying active in the performing arts through his long-standing membership with Redtwist Theater on the city's north side. He was drawn to play Hercule Poirot in Deerfield Theater's production of Murder on the Orient Express because it represented a rare, bucket-list opportunity, a role he felt uniquely suited for given his naturally deep, distinctive voice and age. Brian shared highlights from his career, including standout performances as Willie Loman in Death of a Salesman, Richard Nixon in Frost/Nixon (which moved a Watergate attorney to sympathize with Nixon), and his role in The Cripple of Inishmaan. He also recalled the joy of watching his young son perform in Les Misérables on Broadway. He expressed optimism about live theater's future in the face of AI, arguing that the irreplaceable human tension of a live performance — the possibility that something could go wrong — is something no AI can replicate.Performances at Caruso Auditorium, 1801 Montgomery Rd., Deerfield on:* Thursday, April 9 at 7:30pm* Fridays, April 3 and 10 at 7:30pm* Saturdays, April 4 and 11 at 2:00pm and 7:30pm* Sunday, April 12 at 2:00pmDeerfield TheaterPurchase TicketsWe're looking for enthusiastic volunteers to help make our upcoming shows a success! Whether you want to greet guests, paint sets, or help backstage, your time and energy make a huge difference. Please take a moment to let us know how you'd like to be involved. Click the “Start Survey” button below. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit deerfieldtheater.substack.com

This episode is packed with updates! Raeleen saw Les Mis on the stage, Ariel is deep into F1, Raeleen went to an exclusive zoo event, and Ariel eats peanuts by the sea... another classic!Support The Podcast:Join our patreon and become a Dust Jacket! patreon.com/booksunboundFollow us on instagram: https://www.instagram.com/books_unbound/Our website: booksunboundpodcast.comNeed Info or Some Books?Buy books with our affiliate link: https://bookshop.org/shop/BooksUnboundAll the books we mentioned in this episode: https://www.booksunboundpodcast.com/booksUse our affiliate link to get 2 audiobooks for the price of 1! https://tidd.ly/3dyW1XwOur Patrons:A special thanks to our Gold Foil Team on Patreon: Adriane, Alex A, Alex D, Alli, Bellanora, Brittany, Bronte, Candis, Cassie, Christina, Claire, Debra, Diana, Gene, Gerald, Inbar, Jessica, Jill, Judith, Karina, Léane, Livi, Michelene, Nicole, Róisin, Sherralle, Tiffany!Chapters:00:00:00 - CJ's 29th???00:01:22 - Ariel's Quest for a Mouse00:09:43 - The Pride & Prejudice Trailer00:11:48 - Jane Eyre Announcement00:13:59 - Drive To SURVIVE00:15:47 - Rae Update!00:29:22 - Chattin' Books00:43:41 - #currentlyreading00:54:25 - Book Hauls!01:02:15 - Mail Room

In this episode of Adventures in Advising, Matt and Ryan sit down with Julie Montgomery, academic advising generalist manager at Sinclair Community College (Mason Campus), who leads with equal parts clarity, compassion, and “let's-get-this-done” energy. Julie serves up practical wisdom on building a healthy advising office culture (hint: purpose + philosophy + communication make the whole thing rise) and introduces a powerful concept every team needs: compassionate colleague correction, aka how to fix mistakes without torching trust. You'll also hear Julie break down Virginia Gordon's “Three I” career conversation framework so advisors can navigate those “this was supposed to be course planning, but now it's a life crossroads” appointments with confidence. Along the way: community college myth-busting, leadership lessons from Les Mis, Wicked, and Hamilton, and the real talk behind the dissertation grind.

TONY AWARD®, United States Congressional Record & National Recording Registry of the Library of Congress, Hollywood Walk of Fame InducteePresidential Life Time Achievement Award, In Addition, Joseph Biden Public Service Award.The Music Historian in ME Loves to Talk to the Legends.Melba has a Music Compilation called "Imagine'. Already Topping the American & British Soul charts.Melba Moore has done it all, twice. At the tender age of 10, Melba notes that it was then that she was introduced to music and that “I didn't have any music in my life before my mother married my stepfather. He introduced music into our home and into my life.” From that moment forward, Melba began to develop her 5-octave, note-holding soprano that would soon bring audiences to their feet. Theater: Won a Tony Award for best featured actress in a musical for her role in the musical "Purlie," Replaced  Diane Keaton in  the Broadway musical "Hair" Was first African American woman to play the female lead in the musical "Les Misérables" on Broadway. The Newark, NJ Arts High School graduate started doing recording sessions after a chance meeting with singer/songwriter/composer Valerie Simpson (of Ashford & Simpson).  That opportunity in the studio led Melba in the company of the Broadway musical “HAIR!” First in the ensemble of the show, Melba's name was tossed into the conversation when actress Diane Keaton left the show and Melba took the female lead and broke all the rules, being the first Black woman to replace a white actress in a featured role on Broadway. The journey of Melba's career took her meteorically from there to the lead of “PURLIE,” a musical adaptation of a play written by acting husband and wife pioneers Ossie Davis and Ruby Dee.  That role and its musical soundtrack would earn Moore a Grammy nomination as Best New Artist in 1971 and a Tony Award for Best Featured ActressTelevisionStarred in her own sitcom, "Melba Melba's Career continues with2024  Live Apperances at 54 Below in New York City this Spring.   MelbaMoore.com© 2026 Building Abundant Success!!2026 All Rights ReservedJoin Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASAmazon ~ https://tinyurl.com/AmzBASAudacy:  https://tinyurl.com/BASA

In order to line up with the Oscars, we're releasing this episode a little early! Here's the Oscar ballot for your review - Oscar Ballot Your favorite Oscar prognosticators are back and here to hopefully help you win your office pool! And, as it's our favorite season (RIP Catherine O'Hara), Christy is here!! Listen as we try to make an educated (kinda) guess on who and what will win this year. Plus, stick around to the end to hear one film bro's (Rory) predictions! Join us with your reactions on Sunday, March 15 - check your local listings (I've always wanted to say that)! In small talk we're catching up with Christy (and Jeremy!) while discussing such pop culture events as The Traitors (mostly just Rob), The Secret Lives of Mormon Wives, The Pitt, Harrison Ford's knowledge (or lack thereof) of Les Mis, and a lot more entertainment miscellany. TSHE Recommends: The Town Ep with Michael LaskerJustWatch App TaskmasterConnect with the show!This is your show, too. Feel free to drop us a line, send us a voice memo, or fax us a butt to let us know what you think.Facebook group: This Show Has EverythingFax Bobby Your Butt: 617-354-8513 Feedback form: www.throwyourphone.com Email: tsheshow@gmail.comAOL Keyword: TSHE

When Ben Crowe, world-renowned professional mentor and leadership coach, tells us his favourite mantra, we listen. “I am enough no matter what, but I’m not done yet”.

durée : 00:51:21 - Les Nuits de France Culture - par : Albane Penaranda - "Les Misérables" fiction radiophonique d'après Victor Hugo. En 2012, France Culture fête les 150 ans de la publication des "Misérables" par une adaptation radiophonique en dix épisodes. - réalisation : Virginie Mourthé

Musical numbers aren't always violets and silverbells: here are moments from the musical stage where the truth is spoken to power. Songs from Les Misérables, Suffs, Kiss of the Spider Woman, The Cradle Will Rock (of course), and more.

Each Tuesday, we share our thoughts on a newer entertainment property. Currently, that's Shrinking. This season is supposed to be about moving on, but our characters are really moving in a one-step-forward, two-steps-back manner. Mentioned: Jason Segel singing "Nightswimming," the Les Mis car karaoke scene from this episode, an earlier rendition of the song by Jason Segel and his How I Met Your Mother castmate Neil Patrick Harris, and the apropos songs "Letting Go" (about making mistakes) and "Bad Decisions."Next week, we'll continue with Shrinking S3 E6, "Dereks Don't Die." We'll be back tomorrow to discuss Lost.

Raeleen finishes three books, Ariel has an update about her TBR Challenge, and both of us haul new (sort of) books!Support The Podcast:Join our patreon and become a Dust Jacket! patreon.com/booksunboundFollow us on instagram: https://www.instagram.com/books_unbound/Our website: booksunboundpodcast.comNeed Info or Some Books?Buy books with our affiliate link: https://bookshop.org/shop/BooksUnboundAll the books we mentioned in this episode: https://www.booksunboundpodcast.com/booksUse our affiliate link to get 2 audiobooks for the price of 1! https://tidd.ly/3dyW1XwOur Patrons:A special thanks to our Gold Foil Team on Patreon: Adriane, Alex, Alli, Bellanora, Brittany, Bronte, Candis, Cassie, Christina, Claire, Debra, Diana, Gene, Gerald, Inbar, Jessica, Jill, Judith, Karina, Léane, Livi, Michelene, Nicole, Róisin, Sherralle, Tiffany!

Dave and Cody recap Shrinking Season 3, Episode 5, “Hold Your Horsies.”This week feels like the show hitting its stride again. Almost everyone is being pulled out of their comfort zone at the same time...Sean trying to loosen his grip on routine, Alice wondering who she is beyond being “the responsible one,” and Gabby spiraling when “we” suddenly enters her relationship vocabulary.Meanwhile, Jimmy desperately wants one uncomplicated romantic moment… and instead gets something far messier when Meg shows up at his door. Add in Dr. Paul quietly preparing to move across the country, a surprise Les Mis performance in the car, and Night Swimming by R.E.M. and you've got an episode about disruption, nostalgia, and what happens when the safe version of your life starts slipping away.Did Jimmy just make his life infinitely more complicated?https://linktr.ee/PopCulturePastorPod

Today's guest is Jon Robyns who is starring as Miss Trunchbull in the West End production of Matilda.Having premiered in Stratford-upon-Avon in 2010, the Royal Shakespeare Company's musical has been seen by 11 million people across 100 cities worldwide. Written by Dennis Kelly, Matilda has music and lyrics by Tim Minchin and direction by Matthew Warchus. Jon took over as Miss Trunchbull last year, immediately after his run as Tom Buchanan in The Great Gatsby at the London Coliseum.Jon's West End credits include The Phantom in The Phantom of the Opera, Jean Valjean in Les Misérables (having previously played Enjolras and Marius), King George in Hamilton, alternate Huey in Memphis, Scrooge & others in Dickens Abridged, Galahad in Spamalot and Princeton & Rod in Avenue Q.Jon's other theatre credits include: Adam Nehemiah in Dessa Rose (Trafalgar Studios 2), Robbie in The Wedding Singer (UK & Ireland Tour), Emmet in Legally Blonde (Leicester Curve), Eddie in Sister Act (UK & Ireland Tour), Caractacus Potts in Chitty Chitty Bang Bang (West Yorkshire Playhouse), Jamie in The Last Five Years (Greenwich Theatre), Hollis in Road Show (Menier Chocolate Factory), Mark in Rent (Frankfurt) and alternate Chris in Miss Saigon (UK & Ireland Tour). Jon performs in concerts all around the world and, alongside his performing work, is also a writer. Jon and his writing partner Christopher J Orton's musical Then, Now & Next premiered at the Southwark Playhouse in the summer of 2023, and they continue to collaborate on new writing projects.In this episode Jon discusses his time in The Great Gatsby, the process of taking over as Miss Trunchbull and his next writing project, plus lots more.Matilda runs at the Cambridge Theatre. Visit www.uk.matildathemusical.com for info and tickets.This podcast is hosted by Andrew Tomlins @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

Today, John Ortberg uses Les Misérables by Victor Hugo to explore two ways of living:• the condemning life (Javert)• the blessing life (the Bishop)• and the transformed life (Jean Valjean)Drawing on Romans 8, 2 Corinthians 3, and insights from Dallas Willard, John explains:- why condemnation feels powerful- what the “ministry of condemnation” really does- how grace humiliates before it heals- why pride resists light- how blessing rewires the soulThrough the unforgettable moment of the candlesticks, we see how self-giving love defeats condemnation. One man bends the knee and is transformed. One refuses grace and collapses under its weight.“To love another person is to see the face of God.”That is the blessing life.That is the transformed life.And there is now no condemnation for those who are in Christ Jesus.

The video is a podcast episode of the Adventure Game Hotspot podcast, hosted by Joshua Cleveland and Jack Allin. They discuss adventure games released in the first two months of 2026 and anticipated games for the rest of the year.**Adventure Games Discussed:** * **Inkl games:** * ***Earth Must Die***: * ***Perfect Tides***: * ***Shadows of the Afterland***: * ***Reanimal*** * ***Life is Strange: Reunion*** * ***Anomalous Use Protocol*** * ***Anttos*** * ***Directive 8020*** * ***Crushed in Time*** * ***The Dark Eye*** **Anticipated Games (Likely not 2026 releases):** * **Tex Murphy - Under Killing Moon remake:** Started as a fan remake, but the original team, including Chris Jones and Matt Von Rune, are now involved. A Kickstarter was recently announced. * ***Less Miserables***: The next game from the creators of *Protagonist*. It is a hand-drawn spoof of *Les Misérables*. * ***Gilt***: Ben Chandler's project, with Dave Gilbert providing support. Chandler is the artist for Wadjet Eye's biggest games. The game has a "really unique premise" and is ambitious.**Media & Entertainment in 2026**The hosts also discussed movies and TV shows they are looking forward to in 2026, including: * ***The Magician's Nephew***: A Narnia movie funded by Netflix and directed by the director of *Barbie*. The host is excited they are starting with this prequel instead of remaking *The Lion, the Witch, and the Wardrobe*. * ***Spider-Man Noir***: A live-action TV series on Amazon Prime starring Nicholas Cage as a 1930s detective Spider-Man. * ***Spider-Man: Brand New Day***: A new Tom Holland Spider-Man movie. * ***Alex Cross*** (new season): One host enjoyed the first season, finding it an easier-to-digest adaptation of the books with an added "tough guy" element to the main character. * ***Coyote vs. Acme***: A live-action and animated movie about Wile E. Coyote suing the Acme Company for faulty products. It involves James Gunn. * ***The Bride***: A Frankenstein story starring Christian Bale, Jake Gyllenhaal, Annette Benning, Peter Sarsgard, Jesse Buckley, and Penelope Cruz, and directed by Maggie Gyllenhaal. * ***The Mandalorian and Grogu***: The movie extension of *The Mandalorian* series. * ***The Odyssey***: The next Christopher Nolan movie, based on Odysseus after the Trojan War, starring Tom Holland, Anne Hathaway, Jon Bernthal, and Robert Pattinson. * ***Blade Runner***: A new TV show set for release in 2026. * ***He-Man***: A live-action movie.Video was recorded using Google Meet.Description was scribed by Google Meet's transcription summaryThumbnail was created using CanvaAGH Overlay was created by artist: Alexander VHM

Lawrence Zarian hosts an episode of “You Are Beautiful” with guest Melissa Errico, beginning with a candid, humorous setup about lighting, auditions, and aesthetics before moving into Lawrence's background as a longtime TV makeover expert and QVC clothing designer behind “Beautiful by Lawrence Zarian.” They talk about how fashion is less about how you look and more about how you feel, share favorite pieces from Lawrence's line (including blues, an off-the-shoulder rosette top, and a scalloped V-neck stripe), and discuss what Melissa wears to feel confident—V-necks, black-and-white Breton stripes, vintage biker boots, and eclectic, artsy combinations. Lawrence and Melissa also answer a mirror question about what they like seeing in themselves that day, including Melissa's healing from an eye stye, feeling rested, and fresh red hair, and Lawrence's enjoyment of wearing blue, having a good hair day after hair loss post-COVID, and embracing turning 60. The conversation expands into Melissa's artistry and origins: her father playing Michel Legrand at home during the Vietnam era, how that music later led to Melissa's close collaboration with Legrand on Broadway and on a symphonic record (“Legrand Affair” with the Brussels Philharmonic), and her formative experience seeing “On Your Toes” on Broadway that made her sob and sparked her desire to perform. They discuss Sondheim's “Beautiful” from “Sunday in the Park with George,” which Melissa reads aloud to frame beauty as something that changes, and Lawrence's intent to focus his podcast on the essence of people rather than projects. Melissa then describes her evolving relationship with Barbra Streisand—how Malcolm Gets pushed her to truly listen, how Streisand's artistry feels like a force of nature, and how Melissa's “The Streisand Effect” concert is an homage exploring what Streisand made possible rather than a tribute imitation. They share personal connections to Broadway (including Lawrence's first love story with Hugh Panaro after seeing “Les Misérables,” and plans to coordinate seeing him perform again), and Melissa recounts meeting Streisand briefly backstage at Madison Square Garden. Melissa also describes creating a new song concept, “Daughter of Fire,” inspired by Streisand's memoir and a moment with her own daughter, and she closes by sharing her current release: an album titled “I Can Dream, Can't I?” rolled out as weekly singles via a “waterfall release,” featuring classic American songs and ending with Joni Mitchell's “Both Sides Now.” The episode ends with Lawrence's signature prompt—Melissa answering “I am beautiful because…”—and she responds that she is beautiful because she feels music deeply as something precious that passes through her.Timestamp Menu: 00:51 Broadway Beginnings and My Fair Lady01:49 Meet Lawrence and the Beauty Theme02:46 Fashion Crushes and QVC Picks04:24 How a Designer Is Made08:31 Podcast Origin and Mirror Question09:32 Melissa on Exhaustion and Healing12:38 Three Things You Like Today15:14 Aging and Self Acceptance at 6017:24 Sondheim Beautiful Reading21:58 Melissa Musical Spark and Legrand26:56 Broadway Awakening and Les Mis30:48 Broadway Crush Memories31:30 Broadway Boyfriends Bond32:14 Streisand Effect Origins37:05 Meeting Barbra Briefly39:40 Daughter of Fire Song42:26 Style That Feels Fire48:21 Wardrobe Tips After 4053:37 New Album Dreaming56:32 Beautiful Because Music58:35 Blue Love Farewell

Maya Jade Frank joins the podcast to share the fascinating journey of a career that began with a serendipitous audition for her sister's project and led her to the Broadway stages of Evita and Mary Poppins. She opens up about the unique experience of growing up on the road with the 25th Anniversary National Tour of Les Misérables, where she balanced three hours of daily schooling with visits to historical monuments and backstage "Docu-drama" marathons. Maya discusses the transition from being a child actor in New York to a Disney Channel star in Los Angeles, reflecting on how her supportive, non-theatre parents helped her stay grounded while she pursued a "normal" college experience at USC. The conversation dives deep into Maya's impressive ability to merge her creative passions with a sharp business mind. Beyond her current starring role as Zoe Murphy in the South Florida premiere of Dear Evan Hansen, she reveals the inner workings of her digital media company, Mangoes and Bubblegum, and her work as a global Pilates instructor. From her "morning jump around" ritual to early 2000s pop punk to her dreams of performing Shakespeare at the Globe, Maya exemplifies a modern multi-hyphenate artist who prioritizes physical health and analytical data just as much as her vocal warm-ups. Maya Jade Frank is a New York City native whose extensive credits include the Broadway revival of Evita, the final Broadway cast of Mary Poppins, and the 25th Anniversary National Tour of Les Misérables. She received a Daytime Emmy nomination for her work on Nickelodeon's History and Heritage and appeared on Disney Channel's Bizaardvark. A graduate of the University of Southern California and the Royal Academy of Music in London, her recent stage work includes Next to Normal and the UK revival of Be More Chill. She is currently appearing in Dear Evan Hansen at the Actors' Playhouse in Coral Gables. Connect with Maya: Instagram: @mayajadefrank Connect with The Theatre Podcast: Support the podcast on Patreon and watch video versions of the episodes: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/TheTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theatre_podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook.com/OfficialTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheTheatrePodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Alan's personal Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@alanseales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome back to Season 9 of the Recovering Perfectionist Podcast!In this episode, Christine chats with our newest Dance Wellness Community Ambassador and first one to represent Ballet, Ian Parsons. Ian is an internationally recognized ballet educator, choreographer, and former professional dancer whose career spans elite classical performance, commercial theatre, and advanced professional training. A double graduate of Canada's National Ballet School, he completed both the Professional Ballet Program and the highly selective Teacher Training Program for Former Professional Dancers, earning the Betty Oliphant Award for Excellence in Teaching.As a performer, Ian danced with The National Ballet of Canada and Les Ballets de Monte-Carlo, working with choreographers including James Kudelka, John Neumeier, Jiří Kylián, and Jean-Christophe Maillot. His career also includes appearances in the feature film adaptation of Les Misérables, the Olivier Award–nominated West End revival of Cabaret, and the UK and European tour of Cats, with the distinction of performing at the Olivier Awards at the Royal Opera House.Following his performing career, Ian developed an extensive teaching and leadership practice across Canada, the UK, and the United States. He joined the artistic faculty of Canada's National Ballet School, where he taught across all levels of the Professional Ballet Program, from foundational training through to stage-ready repertoire. During his tenure, he created the school's formalized pas de deux curriculum and served as Manager of the International Exchange Program, overseeing international placements for more than 100 students annually. His students have gone on to perform with companies including The Royal Ballet, American Ballet Theatre, Dutch National Ballet, Boston Ballet, Stuttgart Ballet, Houston Ballet, Tulsa Ballet, The Washington Ballet, Miami City Ballet, and The National Ballet of Canada, among many others.In addition to his work at NBS, Ian has taught and choreographed for professional training programs and institutions in Canada and the UK, including Performers College, The School of Ballet Theatre UK, Chantry School, Canada's Ballet Jörgen, and the Maritime Conservatory of Performing Arts, with choreography presented by Youth America Grand Prix and conservatory-level programs across North America and Europe.Ian's teaching philosophy is grounded in classical rigor, musical clarity, and long-term dancer development. Shaped by years of institutional teaching, curriculum design, and mentorship, his work centers on maintaining uncompromising technical standards while supporting dancers as whole artists, with an emphasis on sustainability, agency, and artistic longevity. Ian is currently the Artistic Director of Ballet Theatre of Phoenix and Convergence Ballet, and is based in Phoenix, Arizona.DANCE WELLNESS COMMUNITY:Join us in the INNER CIRCLE:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://dancewellnesscommunity.com⁠⁠⁠⁠⁠⁠CONNECT WITH IAN:https://www.instagram.com/ianparsonsballet/CHRISTINE BAR NOEL:All The Things! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://beacons.ai/christinebarnoel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/recoveringperfectionistpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/dancewellnesscommunity

Please Support Breaking Form!Review the show on Apple Podcasts here.Aaron's STOP LYING is available from the Pitt Poetry Series. And BEAUTIFUL PEOPLE is available from Bridwell Press. James's ROMANTIC COMEDY is available from Four Way Books. Show Notes:Read the London Review of Books praising Aracelis Girmay's volume, How to Carry Water: Selected Poems by Lucille Clifton. Watch Girmay read Clifton's poem "praise song."Learn more about Lucille Clifton here, here, and here. Explore more about The Clifton House, and learn more about Clifton's life in Baltimore. Watch Debby Boone sing her 1977 hit, "You Light Up My Life" Listen to Deborah Ann Gibson sing "On My Own" from Les Misérables. Here is the trailer for Boxing Helena, directed by Jennifer Lynch.Read more about the friendship between Toni Morrison and James Baldwin.For more about Clifton's children's book series, Everett Anderson, read here.Here is a partial list of the poems we read and discuss on the show:"my friends""a poem written for many moynihans""5/23/67 RIP" (for Langston Hughes)"alabama 9/15/63" (which appeared in a 1999 special folio of Callalo)"jasper Texas 1998" in Ploughshares Issue #78 Spring 1999https://www.poetryfoundation.org/poems/49491/jasper-texas-1998"If I should (to clark kent)""further note to clark""hag riding""to my last period" 

Canadian theatre legend Louise Pitre is back on stage in Canada in the Tony Award-winning musical Kimberly Akimbo. It tells the story of a teenage girl who has a rare genetic condition that ages her four times as fast as her classmates. Recognized as Canada's first lady of musical theatre, Louise has led productions of Les Misérables, Piaf, Sweeney Todd, and she originated the part of Donna in Mamma Mia! on Broadway, but she says Kimberly might be the most perfect part for her right now. She sits down with guest host Talia Schlanger to tell us why as she reflects on her acclaimed stage career.

Fresh off a flight from LA, Vogue's cover star, Amanda Seyfried is back in New York and on The Run Through to talk about award season!“I will say my favorite part … was being at the A24 party at the Chateau,” says Seyfried reflecting on the Golden Globes that happened Sunday evening.  “I was just on the couch with a bunch of people that I like and don't ever see except at award shows.” Seyfried says she was surprised when a conversation in the Golden Globes ballroom with Jennifer Lawrence was picked up by cameras. “There are still moments when I forget that people are watching it,” says Seyfried. “It was a little bit unnerving when I saw that because I just believed, I guess, stupidly that it was a private conversation.” Seyfried was a two-time nominee at the ceremony for her roles in the Testament on Ann Lee and the television series Long Bright River. With award season in full swing, she's been working closely with her stylist Elizabeth Stewart to make sure she is red carpet ready. “We've been wearing a lot of Prada and we decided to wear a Versace [to the Golden Globes], which is always trusted and beautiful and classic as well. Away from Hollywood, Seyfried's wardrobe is much more casual as she cares for 52 animals on her farm upstate. “I'll wear the big tall muck boots,” says Seyfried. “The ones you can't drive a car in 'cause your foot can't reach the pedal.” Her animals include peacocks, chickens, goats, horses, donkeys and a new rescue rabbit named Bugsy that is a bit stand-offish. “He could be 37 years-old.” says Seyfried. “ I have absolutely no idea. He's got a droopy wet eye. But he's very nice it seems.”  In The Testament of Ann Lee directed by Mona Fastvold, Seyfried plays the titular character who is credited with creating the Shaker religious community in the mid-18th century. “The Shakers worshiped through song and dance,” says Seyfried on the challenge of undertaking the role as their leader.“The singing had to be second nature.” says Seyfried on her performance. “But with singing, I've always been judging myself as I've been doing it. Even in Les Mis, I wasn't present the way I was. So I had to let go of that very early on. And the key to that was she's human and I need to feel it. It's not about how it sounds. It's about how it feels. And I need the audience to become a Shaker for two and a half hours.”While promoting the film, Seyfried's 8 year-old daughter Nina was introduced to one of her mother's earlier roles in the cult classic Mean Girls. “She said that she didn't think it was that funny,” recalls Seyfried. “but she really loved my role. That was Nina's critique of Mean Girls at age eight.”The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews. Learn about your ad choices: dovetail.prx.org/ad-choices

This week on Second Helpings, Jackie and MJ are BAAACK, and start things off with DWTS, including the fact that it got sadly spoiled as they could not watch it live, but watching Alfonso Ribeiro get roasted by his kids (and looking like his soul left him) was great! JoJo Siwa danced through a burst ovarian cyst because she had a performance scheduled and WTF!??!, MaCaulay Culkin got booed for saying "Die Hard" ISN'T a Christmas movie, Kara and Jackie got tickets to the Mariah Carey Holiday bar!!!, and MJ got tickets for "Les Misérables: The Arena Concert Spectacular"! Jackie reveals she DIDN'T get poocraved with her advent calendar this year, Kevin Spacey is starting up a harmonic lounge show in Tel Aviv, plus Alexa and Brennon from "Love is Blind" are GETTIN' A DIVORCE-O! Quentin toesuckin Tarantino has some garbage thoughts on Paul Dano's acting performance with commentary from producer Adam! MJ's had a UTURN opinion on Lloyd Dobler and his boombox after a viewing + live Q&A with one Mr. John POOSACK, and Jackie's got a new show rec that she was surprised even Geoff liked, plus Jackie is learning about an all new type of penalty box with the discovery of hockey smut! All that and more on this week's Second Helpings!Want even more Page 7? Support us on Patreon! Patreon.com/Page7Podcast  Subscribe to SiriusXM Podcasts+ to listen to new episodes of Page 7 ad-free.Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.