Podcasts about nataliya shpylova saeed

When the powers of Europe were at their prime, present-day Ukraine was divided between the Austrian and Russian empires, each imposing different political, social, and cultural models on its subjects. This inevitably led to great diversity in the lives of its inhabitants, shaping modern Ukraine into the multiethnic country it is today.  Making innovative use of methods of social and cultural history, gender studies, literary theory, and sociology, Laboratory of Modernity: Ukraine Between Empire and Nation, 1772-1914 (McGill-Queen's UP, 2023) explores the history of Ukraine throughout the long nineteenth century and offers a unique study of its pluralistic society, culture, and political scene. Despite being subjected to different and conflicting power models during the nineteenth and early twentieth centuries, Ukraine was not only imagined as a distinct entity with a unique culture and history but was also realized as a set of social and political institutions. The story of modern Ukraine is geopolitically complex, encompassing the historical narratives of several major communities - including ethnic Ukrainians, Poles, Jews, and Russians - who for centuries lived side by side. The first comprehensive study of nineteenth-century Ukraine in English, Laboratory of Modernity traces the historical origins of some of the most pressing issues facing Ukraine and the international community today. Nataliya Shpylova-Saeed is a Preceptor in Ukrainian at the Department of Slavic Languages and Literatures, Harvard University. Learn more about your ad choices. Visit megaphone.fm/adchoices

When the powers of Europe were at their prime, present-day Ukraine was divided between the Austrian and Russian empires, each imposing different political, social, and cultural models on its subjects. This inevitably led to great diversity in the lives of its inhabitants, shaping modern Ukraine into the multiethnic country it is today.  Making innovative use of methods of social and cultural history, gender studies, literary theory, and sociology, Laboratory of Modernity: Ukraine Between Empire and Nation, 1772-1914 (McGill-Queen's UP, 2023) explores the history of Ukraine throughout the long nineteenth century and offers a unique study of its pluralistic society, culture, and political scene. Despite being subjected to different and conflicting power models during the nineteenth and early twentieth centuries, Ukraine was not only imagined as a distinct entity with a unique culture and history but was also realized as a set of social and political institutions. The story of modern Ukraine is geopolitically complex, encompassing the historical narratives of several major communities - including ethnic Ukrainians, Poles, Jews, and Russians - who for centuries lived side by side. The first comprehensive study of nineteenth-century Ukraine in English, Laboratory of Modernity traces the historical origins of some of the most pressing issues facing Ukraine and the international community today. Nataliya Shpylova-Saeed is a Preceptor in Ukrainian at the Department of Slavic Languages and Literatures, Harvard University. Learn more about your ad choices. Visit megaphone.fm/adchoices

When the powers of Europe were at their prime, present-day Ukraine was divided between the Austrian and Russian empires, each imposing different political, social, and cultural models on its subjects. This inevitably led to great diversity in the lives of its inhabitants, shaping modern Ukraine into the multiethnic country it is today.  Making innovative use of methods of social and cultural history, gender studies, literary theory, and sociology, Laboratory of Modernity: Ukraine Between Empire and Nation, 1772-1914 (McGill-Queen's UP, 2023) explores the history of Ukraine throughout the long nineteenth century and offers a unique study of its pluralistic society, culture, and political scene. Despite being subjected to different and conflicting power models during the nineteenth and early twentieth centuries, Ukraine was not only imagined as a distinct entity with a unique culture and history but was also realized as a set of social and political institutions. The story of modern Ukraine is geopolitically complex, encompassing the historical narratives of several major communities - including ethnic Ukrainians, Poles, Jews, and Russians - who for centuries lived side by side. The first comprehensive study of nineteenth-century Ukraine in English, Laboratory of Modernity traces the historical origins of some of the most pressing issues facing Ukraine and the international community today. Nataliya Shpylova-Saeed is a Preceptor in Ukrainian at the Department of Slavic Languages and Literatures, Harvard University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

When the powers of Europe were at their prime, present-day Ukraine was divided between the Austrian and Russian empires, each imposing different political, social, and cultural models on its subjects. This inevitably led to great diversity in the lives of its inhabitants, shaping modern Ukraine into the multiethnic country it is today.  Making innovative use of methods of social and cultural history, gender studies, literary theory, and sociology, Laboratory of Modernity: Ukraine Between Empire and Nation, 1772-1914 (McGill-Queen's UP, 2023) explores the history of Ukraine throughout the long nineteenth century and offers a unique study of its pluralistic society, culture, and political scene. Despite being subjected to different and conflicting power models during the nineteenth and early twentieth centuries, Ukraine was not only imagined as a distinct entity with a unique culture and history but was also realized as a set of social and political institutions. The story of modern Ukraine is geopolitically complex, encompassing the historical narratives of several major communities - including ethnic Ukrainians, Poles, Jews, and Russians - who for centuries lived side by side. The first comprehensive study of nineteenth-century Ukraine in English, Laboratory of Modernity traces the historical origins of some of the most pressing issues facing Ukraine and the international community today. Nataliya Shpylova-Saeed is a Preceptor in Ukrainian at the Department of Slavic Languages and Literatures, Harvard University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

When the powers of Europe were at their prime, present-day Ukraine was divided between the Austrian and Russian empires, each imposing different political, social, and cultural models on its subjects. This inevitably led to great diversity in the lives of its inhabitants, shaping modern Ukraine into the multiethnic country it is today.  Making innovative use of methods of social and cultural history, gender studies, literary theory, and sociology, Laboratory of Modernity: Ukraine Between Empire and Nation, 1772-1914 (McGill-Queen's UP, 2023) explores the history of Ukraine throughout the long nineteenth century and offers a unique study of its pluralistic society, culture, and political scene. Despite being subjected to different and conflicting power models during the nineteenth and early twentieth centuries, Ukraine was not only imagined as a distinct entity with a unique culture and history but was also realized as a set of social and political institutions. The story of modern Ukraine is geopolitically complex, encompassing the historical narratives of several major communities - including ethnic Ukrainians, Poles, Jews, and Russians - who for centuries lived side by side. The first comprehensive study of nineteenth-century Ukraine in English, Laboratory of Modernity traces the historical origins of some of the most pressing issues facing Ukraine and the international community today. Nataliya Shpylova-Saeed is a Preceptor in Ukrainian at the Department of Slavic Languages and Literatures, Harvard University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

When the powers of Europe were at their prime, present-day Ukraine was divided between the Austrian and Russian empires, each imposing different political, social, and cultural models on its subjects. This inevitably led to great diversity in the lives of its inhabitants, shaping modern Ukraine into the multiethnic country it is today.  Making innovative use of methods of social and cultural history, gender studies, literary theory, and sociology, Laboratory of Modernity: Ukraine Between Empire and Nation, 1772-1914 (McGill-Queen's UP, 2023) explores the history of Ukraine throughout the long nineteenth century and offers a unique study of its pluralistic society, culture, and political scene. Despite being subjected to different and conflicting power models during the nineteenth and early twentieth centuries, Ukraine was not only imagined as a distinct entity with a unique culture and history but was also realized as a set of social and political institutions. The story of modern Ukraine is geopolitically complex, encompassing the historical narratives of several major communities - including ethnic Ukrainians, Poles, Jews, and Russians - who for centuries lived side by side. The first comprehensive study of nineteenth-century Ukraine in English, Laboratory of Modernity traces the historical origins of some of the most pressing issues facing Ukraine and the international community today. Nataliya Shpylova-Saeed is a Preceptor in Ukrainian at the Department of Slavic Languages and Literatures, Harvard University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

When the powers of Europe were at their prime, present-day Ukraine was divided between the Austrian and Russian empires, each imposing different political, social, and cultural models on its subjects. This inevitably led to great diversity in the lives of its inhabitants, shaping modern Ukraine into the multiethnic country it is today.  Making innovative use of methods of social and cultural history, gender studies, literary theory, and sociology, Laboratory of Modernity: Ukraine Between Empire and Nation, 1772-1914 (McGill-Queen's UP, 2023) explores the history of Ukraine throughout the long nineteenth century and offers a unique study of its pluralistic society, culture, and political scene. Despite being subjected to different and conflicting power models during the nineteenth and early twentieth centuries, Ukraine was not only imagined as a distinct entity with a unique culture and history but was also realized as a set of social and political institutions. The story of modern Ukraine is geopolitically complex, encompassing the historical narratives of several major communities - including ethnic Ukrainians, Poles, Jews, and Russians - who for centuries lived side by side. The first comprehensive study of nineteenth-century Ukraine in English, Laboratory of Modernity traces the historical origins of some of the most pressing issues facing Ukraine and the international community today. Nataliya Shpylova-Saeed is a Preceptor in Ukrainian at the Department of Slavic Languages and Literatures, Harvard University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In 1986 Soviet Ukraine, two boys and two girls are welcomed into the world in a Donetsk maternity ward. Following a Soviet tradition of naming things after prominent Communist leaders from far away, a local party functionary offers great material benefits for naming children after Ernst Thälmann, the leader of the German Communist Party from 1925 to 1933. The fateful decision is made, and the local newspaper presents the newly born Ernsts and Thälmas in a photo on the front page, forever tying four families together. In Cecil the Lion Had to Die (HURI, 2023), Olena Stiazhkina follows these families through radical transformations when the Soviet Union unexpectedly implodes, independent Ukraine emerges, and neoimperial Russia occupies Ukraine's Crimea and parts of the Donbas. Just as Stiazhkina's decision to write in Ukrainian as part of her civic stance--performed in this book that begins in Russian and ends in Ukrainian--the stark choices of family members take them in different directions, presenting a multifaceted and nuanced Donbas. A tour de force of stylistic registers, intertwining stories, and ironic voices, this novel is a must-read for those who seek deeper understanding of how Ukrainian history and local identity shapes war with Russia. Nataliya Shpylova-Saeed is a Preceptor in Ukrainian at the Department of Slavic Languages and Literatures, Harvard University. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1986 Soviet Ukraine, two boys and two girls are welcomed into the world in a Donetsk maternity ward. Following a Soviet tradition of naming things after prominent Communist leaders from far away, a local party functionary offers great material benefits for naming children after Ernst Thälmann, the leader of the German Communist Party from 1925 to 1933. The fateful decision is made, and the local newspaper presents the newly born Ernsts and Thälmas in a photo on the front page, forever tying four families together. In Cecil the Lion Had to Die (HURI, 2023), Olena Stiazhkina follows these families through radical transformations when the Soviet Union unexpectedly implodes, independent Ukraine emerges, and neoimperial Russia occupies Ukraine's Crimea and parts of the Donbas. Just as Stiazhkina's decision to write in Ukrainian as part of her civic stance--performed in this book that begins in Russian and ends in Ukrainian--the stark choices of family members take them in different directions, presenting a multifaceted and nuanced Donbas. A tour de force of stylistic registers, intertwining stories, and ironic voices, this novel is a must-read for those who seek deeper understanding of how Ukrainian history and local identity shapes war with Russia. Nataliya Shpylova-Saeed is a Preceptor in Ukrainian at the Department of Slavic Languages and Literatures, Harvard University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

In 1986 Soviet Ukraine, two boys and two girls are welcomed into the world in a Donetsk maternity ward. Following a Soviet tradition of naming things after prominent Communist leaders from far away, a local party functionary offers great material benefits for naming children after Ernst Thälmann, the leader of the German Communist Party from 1925 to 1933. The fateful decision is made, and the local newspaper presents the newly born Ernsts and Thälmas in a photo on the front page, forever tying four families together. In Cecil the Lion Had to Die (HURI, 2023), Olena Stiazhkina follows these families through radical transformations when the Soviet Union unexpectedly implodes, independent Ukraine emerges, and neoimperial Russia occupies Ukraine's Crimea and parts of the Donbas. Just as Stiazhkina's decision to write in Ukrainian as part of her civic stance--performed in this book that begins in Russian and ends in Ukrainian--the stark choices of family members take them in different directions, presenting a multifaceted and nuanced Donbas. A tour de force of stylistic registers, intertwining stories, and ironic voices, this novel is a must-read for those who seek deeper understanding of how Ukrainian history and local identity shapes war with Russia. Nataliya Shpylova-Saeed is a Preceptor in Ukrainian at the Department of Slavic Languages and Literatures, Harvard University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

In 1986 Soviet Ukraine, two boys and two girls are welcomed into the world in a Donetsk maternity ward. Following a Soviet tradition of naming things after prominent Communist leaders from far away, a local party functionary offers great material benefits for naming children after Ernst Thälmann, the leader of the German Communist Party from 1925 to 1933. The fateful decision is made, and the local newspaper presents the newly born Ernsts and Thälmas in a photo on the front page, forever tying four families together. In Cecil the Lion Had to Die (HURI, 2023), Olena Stiazhkina follows these families through radical transformations when the Soviet Union unexpectedly implodes, independent Ukraine emerges, and neoimperial Russia occupies Ukraine's Crimea and parts of the Donbas. Just as Stiazhkina's decision to write in Ukrainian as part of her civic stance--performed in this book that begins in Russian and ends in Ukrainian--the stark choices of family members take them in different directions, presenting a multifaceted and nuanced Donbas. A tour de force of stylistic registers, intertwining stories, and ironic voices, this novel is a must-read for those who seek deeper understanding of how Ukrainian history and local identity shapes war with Russia. Nataliya Shpylova-Saeed is a Preceptor in Ukrainian at the Department of Slavic Languages and Literatures, Harvard University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Prismatic and polysemous, On the Road to Lviv (Arrowsmith Press, 2023) invites us on an odyssey across Ukraine in the hour of war. "This chronicle/ Took shape the day the war began, which was/ My 65th birthday," writes legendary traveler, war correspondent, memoirist and poet Christopher Merrill. At once deeply personal yet rooted in history so recent you can almost see the smoke billowing from the ruins of Mariupol, the poem is equal parts chronicle, a document of war crimes, and a sober self-reflection in which the poem's speaker examines his own engagement with Ukraine as a "democratic-minded" Westerner "determined to develop/ Civil societies around the world." Not since Byron's Mazeppa has there been an English-language poem comparably engaged with Ukrainian history, appearing here en face with Nina Murray's masterly translation into Ukrainian. Nataliya Shpylova-Saeed is a Preceptor in Ukrainian at the Department of Slavic Languages and Literatures, Harvard University.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Prismatic and polysemous, On the Road to Lviv (Arrowsmith Press, 2023) invites us on an odyssey across Ukraine in the hour of war. "This chronicle/ Took shape the day the war began, which was/ My 65th birthday," writes legendary traveler, war correspondent, memoirist and poet Christopher Merrill. At once deeply personal yet rooted in history so recent you can almost see the smoke billowing from the ruins of Mariupol, the poem is equal parts chronicle, a document of war crimes, and a sober self-reflection in which the poem's speaker examines his own engagement with Ukraine as a "democratic-minded" Westerner "determined to develop/ Civil societies around the world." Not since Byron's Mazeppa has there been an English-language poem comparably engaged with Ukrainian history, appearing here en face with Nina Murray's masterly translation into Ukrainian. Nataliya Shpylova-Saeed is a Preceptor in Ukrainian at the Department of Slavic Languages and Literatures, Harvard University.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Prismatic and polysemous, On the Road to Lviv (Arrowsmith Press, 2023) invites us on an odyssey across Ukraine in the hour of war. "This chronicle/ Took shape the day the war began, which was/ My 65th birthday," writes legendary traveler, war correspondent, memoirist and poet Christopher Merrill. At once deeply personal yet rooted in history so recent you can almost see the smoke billowing from the ruins of Mariupol, the poem is equal parts chronicle, a document of war crimes, and a sober self-reflection in which the poem's speaker examines his own engagement with Ukraine as a "democratic-minded" Westerner "determined to develop/ Civil societies around the world." Not since Byron's Mazeppa has there been an English-language poem comparably engaged with Ukrainian history, appearing here en face with Nina Murray's masterly translation into Ukrainian. Nataliya Shpylova-Saeed is a Preceptor in Ukrainian at the Department of Slavic Languages and Literatures, Harvard University.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

Prismatic and polysemous, On the Road to Lviv (Arrowsmith Press, 2023) invites us on an odyssey across Ukraine in the hour of war. "This chronicle/ Took shape the day the war began, which was/ My 65th birthday," writes legendary traveler, war correspondent, memoirist and poet Christopher Merrill. At once deeply personal yet rooted in history so recent you can almost see the smoke billowing from the ruins of Mariupol, the poem is equal parts chronicle, a document of war crimes, and a sober self-reflection in which the poem's speaker examines his own engagement with Ukraine as a "democratic-minded" Westerner "determined to develop/ Civil societies around the world." Not since Byron's Mazeppa has there been an English-language poem comparably engaged with Ukrainian history, appearing here en face with Nina Murray's masterly translation into Ukrainian. Nataliya Shpylova-Saeed is a Preceptor in Ukrainian at the Department of Slavic Languages and Literatures, Harvard University.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Anna Wylegala, Sabine Rutar, and Malgorzata Lukianow's edited volume No Neighbors' Lands in Postwar Europe: Vanishing Others (Palgrave MacMillan, 2023) focuses on the social voids that were the result of occupation, genocide, mass killings, and population movements in Europe during and after the Second World War. Historians, sociologists, and anthropologists adopt comparative perspectives on those who now lived in 'cleansed' borderlands.  Its contributors explore local subjectivities of social change through the concept of 'No Neighbors' Lands'. How does it feel to wear the dress of your murdered neighbor? How does one get used to friends, colleagues, and neighbors no longer being part of everyday life? How is moral, social, and legal order reinstated after one part of the community participated in the ethnic cleansing of another? How is order restored psychologically in the wake of neighbors watching others being slaughtered by external enemies? This book sheds light on how destroyed European communities, once multi-ethnic and multi-religious, experienced postwar reconstruction, attempted to come to terms with what had happened, and negotiated remembrance. Nataliya Shpylova-Saeed is a Preceptor in Ukrainian at the Department of Slavic Languages and Literatures, Harvard University.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

Anna Wylegala, Sabine Rutar, and Malgorzata Lukianow's edited volume No Neighbors' Lands in Postwar Europe: Vanishing Others (Palgrave MacMillan, 2023) focuses on the social voids that were the result of occupation, genocide, mass killings, and population movements in Europe during and after the Second World War. Historians, sociologists, and anthropologists adopt comparative perspectives on those who now lived in 'cleansed' borderlands.  Its contributors explore local subjectivities of social change through the concept of 'No Neighbors' Lands'. How does it feel to wear the dress of your murdered neighbor? How does one get used to friends, colleagues, and neighbors no longer being part of everyday life? How is moral, social, and legal order reinstated after one part of the community participated in the ethnic cleansing of another? How is order restored psychologically in the wake of neighbors watching others being slaughtered by external enemies? This book sheds light on how destroyed European communities, once multi-ethnic and multi-religious, experienced postwar reconstruction, attempted to come to terms with what had happened, and negotiated remembrance. Nataliya Shpylova-Saeed is a Preceptor in Ukrainian at the Department of Slavic Languages and Literatures, Harvard University.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/genocide-studies

Anna Wylegala, Sabine Rutar, and Malgorzata Lukianow's edited volume No Neighbors' Lands in Postwar Europe: Vanishing Others (Palgrave MacMillan, 2023) focuses on the social voids that were the result of occupation, genocide, mass killings, and population movements in Europe during and after the Second World War. Historians, sociologists, and anthropologists adopt comparative perspectives on those who now lived in 'cleansed' borderlands.  Its contributors explore local subjectivities of social change through the concept of 'No Neighbors' Lands'. How does it feel to wear the dress of your murdered neighbor? How does one get used to friends, colleagues, and neighbors no longer being part of everyday life? How is moral, social, and legal order reinstated after one part of the community participated in the ethnic cleansing of another? How is order restored psychologically in the wake of neighbors watching others being slaughtered by external enemies? This book sheds light on how destroyed European communities, once multi-ethnic and multi-religious, experienced postwar reconstruction, attempted to come to terms with what had happened, and negotiated remembrance. Nataliya Shpylova-Saeed is a Preceptor in Ukrainian at the Department of Slavic Languages and Literatures, Harvard University.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

Anna Wylegala, Sabine Rutar, and Malgorzata Lukianow's edited volume No Neighbors' Lands in Postwar Europe: Vanishing Others (Palgrave MacMillan, 2023) focuses on the social voids that were the result of occupation, genocide, mass killings, and population movements in Europe during and after the Second World War. Historians, sociologists, and anthropologists adopt comparative perspectives on those who now lived in 'cleansed' borderlands.  Its contributors explore local subjectivities of social change through the concept of 'No Neighbors' Lands'. How does it feel to wear the dress of your murdered neighbor? How does one get used to friends, colleagues, and neighbors no longer being part of everyday life? How is moral, social, and legal order reinstated after one part of the community participated in the ethnic cleansing of another? How is order restored psychologically in the wake of neighbors watching others being slaughtered by external enemies? This book sheds light on how destroyed European communities, once multi-ethnic and multi-religious, experienced postwar reconstruction, attempted to come to terms with what had happened, and negotiated remembrance. Nataliya Shpylova-Saeed is a Preceptor in Ukrainian at the Department of Slavic Languages and Literatures, Harvard University.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Anna Wylegala, Sabine Rutar, and Malgorzata Lukianow's edited volume No Neighbors' Lands in Postwar Europe: Vanishing Others (Palgrave MacMillan, 2023) focuses on the social voids that were the result of occupation, genocide, mass killings, and population movements in Europe during and after the Second World War. Historians, sociologists, and anthropologists adopt comparative perspectives on those who now lived in 'cleansed' borderlands.  Its contributors explore local subjectivities of social change through the concept of 'No Neighbors' Lands'. How does it feel to wear the dress of your murdered neighbor? How does one get used to friends, colleagues, and neighbors no longer being part of everyday life? How is moral, social, and legal order reinstated after one part of the community participated in the ethnic cleansing of another? How is order restored psychologically in the wake of neighbors watching others being slaughtered by external enemies? This book sheds light on how destroyed European communities, once multi-ethnic and multi-religious, experienced postwar reconstruction, attempted to come to terms with what had happened, and negotiated remembrance. Nataliya Shpylova-Saeed is a Preceptor in Ukrainian at the Department of Slavic Languages and Literatures, Harvard University.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Ivan and Phoebe (Deep Vellum, 2023) spotlights the uproarious generation that led the Ukrainian independence movement of 1990; from subjugation to revolution to post-Soviet rule, it investigates the difficulties and absurdities of societal change and the families that change with it. Ivan and Phoebe chronicles the lives of several young people involved in the Ukranian student protests of the 1990's, otherwise known as the Revolution On Granite or the "First Maidan." The story bounces between politically charged cities like Kyiv and Lviv, and protagonist Ivan's small, traditional hometown of Uzhgorod. As characters come to exercise their rights to free speech and protest, they must also re-evaluate the norms of marriage, family, and home life. While these initially appear to be spaces of peace and harmony, they are soon revealed to be hotbeds of conflict and multigenerational trauma. Married couple Ivan and Phoebe grapple with questions about family, trauma, and independence. Although Ivan tells the story, Phoebe's voice rings through the text as she divulges her own traumas through poetic monologues. The two reflect on the traumatic aftermath of revolution: torture at the hands of the KGB and each other. While Ivan refuses to talk about his pain, Phoebe describes her past through poetic monologues. Lutsyshyna's poetic form allows her to experiment with characterization and genre, creating her own category. Through her characters' vivid voices, Lutsyshyna creates a his- and her-story of Ukraine: a panoramic view of post-Soviet society and family life through social, political, and economic crises. Nataliya Shpylova-Saeed is a Preceptor in Ukrainian at the Department of Slavic Languages and Literatures, Harvard University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ivan and Phoebe (Deep Vellum, 2023) spotlights the uproarious generation that led the Ukrainian independence movement of 1990; from subjugation to revolution to post-Soviet rule, it investigates the difficulties and absurdities of societal change and the families that change with it. Ivan and Phoebe chronicles the lives of several young people involved in the Ukranian student protests of the 1990's, otherwise known as the Revolution On Granite or the "First Maidan." The story bounces between politically charged cities like Kyiv and Lviv, and protagonist Ivan's small, traditional hometown of Uzhgorod. As characters come to exercise their rights to free speech and protest, they must also re-evaluate the norms of marriage, family, and home life. While these initially appear to be spaces of peace and harmony, they are soon revealed to be hotbeds of conflict and multigenerational trauma. Married couple Ivan and Phoebe grapple with questions about family, trauma, and independence. Although Ivan tells the story, Phoebe's voice rings through the text as she divulges her own traumas through poetic monologues. The two reflect on the traumatic aftermath of revolution: torture at the hands of the KGB and each other. While Ivan refuses to talk about his pain, Phoebe describes her past through poetic monologues. Lutsyshyna's poetic form allows her to experiment with characterization and genre, creating her own category. Through her characters' vivid voices, Lutsyshyna creates a his- and her-story of Ukraine: a panoramic view of post-Soviet society and family life through social, political, and economic crises. Nataliya Shpylova-Saeed is a Preceptor in Ukrainian at the Department of Slavic Languages and Literatures, Harvard University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Ivan and Phoebe (Deep Vellum, 2023) spotlights the uproarious generation that led the Ukrainian independence movement of 1990; from subjugation to revolution to post-Soviet rule, it investigates the difficulties and absurdities of societal change and the families that change with it. Ivan and Phoebe chronicles the lives of several young people involved in the Ukranian student protests of the 1990's, otherwise known as the Revolution On Granite or the "First Maidan." The story bounces between politically charged cities like Kyiv and Lviv, and protagonist Ivan's small, traditional hometown of Uzhgorod. As characters come to exercise their rights to free speech and protest, they must also re-evaluate the norms of marriage, family, and home life. While these initially appear to be spaces of peace and harmony, they are soon revealed to be hotbeds of conflict and multigenerational trauma. Married couple Ivan and Phoebe grapple with questions about family, trauma, and independence. Although Ivan tells the story, Phoebe's voice rings through the text as she divulges her own traumas through poetic monologues. The two reflect on the traumatic aftermath of revolution: torture at the hands of the KGB and each other. While Ivan refuses to talk about his pain, Phoebe describes her past through poetic monologues. Lutsyshyna's poetic form allows her to experiment with characterization and genre, creating her own category. Through her characters' vivid voices, Lutsyshyna creates a his- and her-story of Ukraine: a panoramic view of post-Soviet society and family life through social, political, and economic crises. Nataliya Shpylova-Saeed is a Preceptor in Ukrainian at the Department of Slavic Languages and Literatures, Harvard University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Ivan and Phoebe (Deep Vellum, 2023) spotlights the uproarious generation that led the Ukrainian independence movement of 1990; from subjugation to revolution to post-Soviet rule, it investigates the difficulties and absurdities of societal change and the families that change with it. Ivan and Phoebe chronicles the lives of several young people involved in the Ukranian student protests of the 1990's, otherwise known as the Revolution On Granite or the "First Maidan." The story bounces between politically charged cities like Kyiv and Lviv, and protagonist Ivan's small, traditional hometown of Uzhgorod. As characters come to exercise their rights to free speech and protest, they must also re-evaluate the norms of marriage, family, and home life. While these initially appear to be spaces of peace and harmony, they are soon revealed to be hotbeds of conflict and multigenerational trauma. Married couple Ivan and Phoebe grapple with questions about family, trauma, and independence. Although Ivan tells the story, Phoebe's voice rings through the text as she divulges her own traumas through poetic monologues. The two reflect on the traumatic aftermath of revolution: torture at the hands of the KGB and each other. While Ivan refuses to talk about his pain, Phoebe describes her past through poetic monologues. Lutsyshyna's poetic form allows her to experiment with characterization and genre, creating her own category. Through her characters' vivid voices, Lutsyshyna creates a his- and her-story of Ukraine: a panoramic view of post-Soviet society and family life through social, political, and economic crises. Nataliya Shpylova-Saeed is a Preceptor in Ukrainian at the Department of Slavic Languages and Literatures, Harvard University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

"We act like children with our dead," Halyna Kruk writes as she struggles to come to terms with the horror unfolding around her: "confused, / as if none of us knew until now/ how easy it is to die." In poem after devastating poem, Kruk confronts what we would prefer not to see: "a person runs toward a bullet/ with a wooden shield and a warm heart..." Translated with the utmost of care by Amelia Glaser and Yulia Ilchuk, A Crash Course in Molotov Cocktails (Arrowsmith Press, 2023) is a guidebook to the emotional combat in Ukraine. These stunning poems of witness by one of Ukraine's most revered poets are by turns breathless, philosophical, and visionary. In a dark recapitulation of evolution itself, Kruk writes: "nothing predicted the arrival of humankind..../ nothing predicted the arrival of the tank..." Her taught, lean lines can turn epigrammatic: "what will kill you will seduce you first," or they can strike you like Lomachenko's lightening jabs: "flirt, Cheka agent, bitch." Leading readers into the world's darkest spaces, Kruk implies that the light of language can nevertheless afford some measure of protection. Naming serves as a shield, albeit a wooden one. The paradox is that after the bullets have been fired and the missiles landed, the wooden shield, the printed book, reconstitutes itself. Nataliya Shpylova-Saeed has a Ph.D. in Slavic languages and literatures (Indiana University, 2022). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

"We act like children with our dead," Halyna Kruk writes as she struggles to come to terms with the horror unfolding around her: "confused, / as if none of us knew until now/ how easy it is to die." In poem after devastating poem, Kruk confronts what we would prefer not to see: "a person runs toward a bullet/ with a wooden shield and a warm heart..." Translated with the utmost of care by Amelia Glaser and Yulia Ilchuk, A Crash Course in Molotov Cocktails (Arrowsmith Press, 2023) is a guidebook to the emotional combat in Ukraine. These stunning poems of witness by one of Ukraine's most revered poets are by turns breathless, philosophical, and visionary. In a dark recapitulation of evolution itself, Kruk writes: "nothing predicted the arrival of humankind..../ nothing predicted the arrival of the tank..." Her taught, lean lines can turn epigrammatic: "what will kill you will seduce you first," or they can strike you like Lomachenko's lightening jabs: "flirt, Cheka agent, bitch." Leading readers into the world's darkest spaces, Kruk implies that the light of language can nevertheless afford some measure of protection. Naming serves as a shield, albeit a wooden one. The paradox is that after the bullets have been fired and the missiles landed, the wooden shield, the printed book, reconstitutes itself. Nataliya Shpylova-Saeed has a Ph.D. in Slavic languages and literatures (Indiana University, 2022). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

"We act like children with our dead," Halyna Kruk writes as she struggles to come to terms with the horror unfolding around her: "confused, / as if none of us knew until now/ how easy it is to die." In poem after devastating poem, Kruk confronts what we would prefer not to see: "a person runs toward a bullet/ with a wooden shield and a warm heart..." Translated with the utmost of care by Amelia Glaser and Yulia Ilchuk, A Crash Course in Molotov Cocktails (Arrowsmith Press, 2023) is a guidebook to the emotional combat in Ukraine. These stunning poems of witness by one of Ukraine's most revered poets are by turns breathless, philosophical, and visionary. In a dark recapitulation of evolution itself, Kruk writes: "nothing predicted the arrival of humankind..../ nothing predicted the arrival of the tank..." Her taught, lean lines can turn epigrammatic: "what will kill you will seduce you first," or they can strike you like Lomachenko's lightening jabs: "flirt, Cheka agent, bitch." Leading readers into the world's darkest spaces, Kruk implies that the light of language can nevertheless afford some measure of protection. Naming serves as a shield, albeit a wooden one. The paradox is that after the bullets have been fired and the missiles landed, the wooden shield, the printed book, reconstitutes itself. Nataliya Shpylova-Saeed has a Ph.D. in Slavic languages and literatures (Indiana University, 2022). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

"We act like children with our dead," Halyna Kruk writes as she struggles to come to terms with the horror unfolding around her: "confused, / as if none of us knew until now/ how easy it is to die." In poem after devastating poem, Kruk confronts what we would prefer not to see: "a person runs toward a bullet/ with a wooden shield and a warm heart..." Translated with the utmost of care by Amelia Glaser and Yulia Ilchuk, A Crash Course in Molotov Cocktails (Arrowsmith Press, 2023) is a guidebook to the emotional combat in Ukraine. These stunning poems of witness by one of Ukraine's most revered poets are by turns breathless, philosophical, and visionary. In a dark recapitulation of evolution itself, Kruk writes: "nothing predicted the arrival of humankind..../ nothing predicted the arrival of the tank..." Her taught, lean lines can turn epigrammatic: "what will kill you will seduce you first," or they can strike you like Lomachenko's lightening jabs: "flirt, Cheka agent, bitch." Leading readers into the world's darkest spaces, Kruk implies that the light of language can nevertheless afford some measure of protection. Naming serves as a shield, albeit a wooden one. The paradox is that after the bullets have been fired and the missiles landed, the wooden shield, the printed book, reconstitutes itself. Nataliya Shpylova-Saeed has a Ph.D. in Slavic languages and literatures (Indiana University, 2022). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

Ukraine may be the only country on earth that owes its existence, at least in part, to a poet. Ever since the appearance of Taras Shevchenko's Kobzar in 1840, poetry has played an outsized role in Ukrainian culture. "Our anthology begins: Letters of the alphabet go to war and ends with I am writing/ and all my people are writing," note the editors of this volume, acclaimed poets Carolyn Forché and Ilya Kaminsky. "It includes poets whose work is known to thousands of people, who are translated into dozens of languages, as well as those who are relatively unknown in the West." The poems in In the Hour of War: Poetry from Ukraine (Arrowsmith Press, 2023) offer a startling look at the way language both affects and reflects the realities of war and extremity. This anthology is sure to become the classic text marking not only one of the darkest periods in Ukrainian history, but also a significant moment in the universal struggle for democracy and human rights. Nataliya Shpylova-Saeed has a Ph.D. in Slavic languages and literatures (Indiana University, 2022). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

Ukraine may be the only country on earth that owes its existence, at least in part, to a poet. Ever since the appearance of Taras Shevchenko's Kobzar in 1840, poetry has played an outsized role in Ukrainian culture. "Our anthology begins: Letters of the alphabet go to war and ends with I am writing/ and all my people are writing," note the editors of this volume, acclaimed poets Carolyn Forché and Ilya Kaminsky. "It includes poets whose work is known to thousands of people, who are translated into dozens of languages, as well as those who are relatively unknown in the West." The poems in In the Hour of War: Poetry from Ukraine (Arrowsmith Press, 2023) offer a startling look at the way language both affects and reflects the realities of war and extremity. This anthology is sure to become the classic text marking not only one of the darkest periods in Ukrainian history, but also a significant moment in the universal struggle for democracy and human rights. Nataliya Shpylova-Saeed has a Ph.D. in Slavic languages and literatures (Indiana University, 2022). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

Ukraine may be the only country on earth that owes its existence, at least in part, to a poet. Ever since the appearance of Taras Shevchenko's Kobzar in 1840, poetry has played an outsized role in Ukrainian culture. "Our anthology begins: Letters of the alphabet go to war and ends with I am writing/ and all my people are writing," note the editors of this volume, acclaimed poets Carolyn Forché and Ilya Kaminsky. "It includes poets whose work is known to thousands of people, who are translated into dozens of languages, as well as those who are relatively unknown in the West." The poems in In the Hour of War: Poetry from Ukraine (Arrowsmith Press, 2023) offer a startling look at the way language both affects and reflects the realities of war and extremity. This anthology is sure to become the classic text marking not only one of the darkest periods in Ukrainian history, but also a significant moment in the universal struggle for democracy and human rights. Nataliya Shpylova-Saeed has a Ph.D. in Slavic languages and literatures (Indiana University, 2022). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Ukraine may be the only country on earth that owes its existence, at least in part, to a poet. Ever since the appearance of Taras Shevchenko's Kobzar in 1840, poetry has played an outsized role in Ukrainian culture. "Our anthology begins: Letters of the alphabet go to war and ends with I am writing/ and all my people are writing," note the editors of this volume, acclaimed poets Carolyn Forché and Ilya Kaminsky. "It includes poets whose work is known to thousands of people, who are translated into dozens of languages, as well as those who are relatively unknown in the West." The poems in In the Hour of War: Poetry from Ukraine (Arrowsmith Press, 2023) offer a startling look at the way language both affects and reflects the realities of war and extremity. This anthology is sure to become the classic text marking not only one of the darkest periods in Ukrainian history, but also a significant moment in the universal struggle for democracy and human rights. Nataliya Shpylova-Saeed has a Ph.D. in Slavic languages and literatures (Indiana University, 2022). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In 2021, the world commemorates the 80th anniversary of the massacres of Jews at Babyn Yar. The present collection brings together for the first time the responses to the tragic events of September 1941 by Ukrainian Jewish and non-Jewish poets of the Soviet and post-Soviet periods, presented here in the original and in English translation by Ostap Kin and John Hennessy. Written between 1942 and 2017 by over twenty poets, these poems belong to different literary canons, traditions, and time frames, while their authors come from several generations. Together, the poems in Babyn Yar: Ukrainian Poets Respond (HURI, 2022) create a language capable of portraying the suffering and destruction of the Ukrainian Jewish population during the Holocaust as well as other peoples murdered at the site. Nataliya Shpylova-Saeed has a Ph.D. in Slavic languages and literatures (Indiana University, 2022). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/genocide-studies

In 2021, the world commemorates the 80th anniversary of the massacres of Jews at Babyn Yar. The present collection brings together for the first time the responses to the tragic events of September 1941 by Ukrainian Jewish and non-Jewish poets of the Soviet and post-Soviet periods, presented here in the original and in English translation by Ostap Kin and John Hennessy. Written between 1942 and 2017 by over twenty poets, these poems belong to different literary canons, traditions, and time frames, while their authors come from several generations. Together, the poems in Babyn Yar: Ukrainian Poets Respond (HURI, 2022) create a language capable of portraying the suffering and destruction of the Ukrainian Jewish population during the Holocaust as well as other peoples murdered at the site. Nataliya Shpylova-Saeed has a Ph.D. in Slavic languages and literatures (Indiana University, 2022). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In 2021, the world commemorates the 80th anniversary of the massacres of Jews at Babyn Yar. The present collection brings together for the first time the responses to the tragic events of September 1941 by Ukrainian Jewish and non-Jewish poets of the Soviet and post-Soviet periods, presented here in the original and in English translation by Ostap Kin and John Hennessy. Written between 1942 and 2017 by over twenty poets, these poems belong to different literary canons, traditions, and time frames, while their authors come from several generations. Together, the poems in Babyn Yar: Ukrainian Poets Respond (HURI, 2022) create a language capable of portraying the suffering and destruction of the Ukrainian Jewish population during the Holocaust as well as other peoples murdered at the site. Nataliya Shpylova-Saeed has a Ph.D. in Slavic languages and literatures (Indiana University, 2022). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

In 2021, the world commemorates the 80th anniversary of the massacres of Jews at Babyn Yar. The present collection brings together for the first time the responses to the tragic events of September 1941 by Ukrainian Jewish and non-Jewish poets of the Soviet and post-Soviet periods, presented here in the original and in English translation by Ostap Kin and John Hennessy. Written between 1942 and 2017 by over twenty poets, these poems belong to different literary canons, traditions, and time frames, while their authors come from several generations. Together, the poems in Babyn Yar: Ukrainian Poets Respond (HURI, 2022) create a language capable of portraying the suffering and destruction of the Ukrainian Jewish population during the Holocaust as well as other peoples murdered at the site. Nataliya Shpylova-Saeed has a Ph.D. in Slavic languages and literatures (Indiana University, 2022). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

In 2021, the world commemorates the 80th anniversary of the massacres of Jews at Babyn Yar. The present collection brings together for the first time the responses to the tragic events of September 1941 by Ukrainian Jewish and non-Jewish poets of the Soviet and post-Soviet periods, presented here in the original and in English translation by Ostap Kin and John Hennessy. Written between 1942 and 2017 by over twenty poets, these poems belong to different literary canons, traditions, and time frames, while their authors come from several generations. Together, the poems in Babyn Yar: Ukrainian Poets Respond (HURI, 2022) create a language capable of portraying the suffering and destruction of the Ukrainian Jewish population during the Holocaust as well as other peoples murdered at the site. Nataliya Shpylova-Saeed has a Ph.D. in Slavic languages and literatures (Indiana University, 2022). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

In 2021, the world commemorates the 80th anniversary of the massacres of Jews at Babyn Yar. The present collection brings together for the first time the responses to the tragic events of September 1941 by Ukrainian Jewish and non-Jewish poets of the Soviet and post-Soviet periods, presented here in the original and in English translation by Ostap Kin and John Hennessy. Written between 1942 and 2017 by over twenty poets, these poems belong to different literary canons, traditions, and time frames, while their authors come from several generations. Together, the poems in Babyn Yar: Ukrainian Poets Respond (HURI, 2022) create a language capable of portraying the suffering and destruction of the Ukrainian Jewish population during the Holocaust as well as other peoples murdered at the site. Nataliya Shpylova-Saeed has a Ph.D. in Slavic languages and literatures (Indiana University, 2022). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Length of Days: An Urban Ballad (Harvard Ukrainian Research Institute, 2023) is set mostly in the composite Donbas city of Z--an uncanny foretelling of what this letter has come to symbolize since February 24, 2022, when Russia launched a full-scale invasion of Ukraine. Several embedded narratives attributed to an alcoholic chemist-turned-massage therapist give insight into the funny, ironic, or tragic lives of people who remained in the occupied Donbas after Russia's initial aggression in 2014. With elements of magical realism, Volodymyr Rafeyenko's novel combines a wicked sense of humor with political analysis, philosophy, poetry, and moral interrogation. Witty references to popular culture--Ukrainian and European--underline the international and transnational aspects of Ukrainian literature. The novel ends on the hopeful note that even death cannot have the final word: the resilient inhabitants of Z grow in power through reincarnation. This is an interview with The Length of Days' translator, Sibelan Forrester. Nataliya Shpylova-Saeed has a Ph.D. in Slavic languages and literatures (Indiana University, 2022). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

The Length of Days: An Urban Ballad (Harvard Ukrainian Research Institute, 2023) is set mostly in the composite Donbas city of Z--an uncanny foretelling of what this letter has come to symbolize since February 24, 2022, when Russia launched a full-scale invasion of Ukraine. Several embedded narratives attributed to an alcoholic chemist-turned-massage therapist give insight into the funny, ironic, or tragic lives of people who remained in the occupied Donbas after Russia's initial aggression in 2014. With elements of magical realism, Volodymyr Rafeyenko's novel combines a wicked sense of humor with political analysis, philosophy, poetry, and moral interrogation. Witty references to popular culture--Ukrainian and European--underline the international and transnational aspects of Ukrainian literature. The novel ends on the hopeful note that even death cannot have the final word: the resilient inhabitants of Z grow in power through reincarnation. This is an interview with The Length of Days' translator, Sibelan Forrester. Nataliya Shpylova-Saeed has a Ph.D. in Slavic languages and literatures (Indiana University, 2022). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

The Length of Days: An Urban Ballad (Harvard Ukrainian Research Institute, 2023) is set mostly in the composite Donbas city of Z--an uncanny foretelling of what this letter has come to symbolize since February 24, 2022, when Russia launched a full-scale invasion of Ukraine. Several embedded narratives attributed to an alcoholic chemist-turned-massage therapist give insight into the funny, ironic, or tragic lives of people who remained in the occupied Donbas after Russia's initial aggression in 2014. With elements of magical realism, Volodymyr Rafeyenko's novel combines a wicked sense of humor with political analysis, philosophy, poetry, and moral interrogation. Witty references to popular culture--Ukrainian and European--underline the international and transnational aspects of Ukrainian literature. The novel ends on the hopeful note that even death cannot have the final word: the resilient inhabitants of Z grow in power through reincarnation. This is an interview with The Length of Days' translator, Sibelan Forrester. Nataliya Shpylova-Saeed has a Ph.D. in Slavic languages and literatures (Indiana University, 2022). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today I talked to the translators of Marianna Kiyanovska's The Voices of Babyn Yar (HURI, 2022), Max Rosochinsky and Oksana Maksymchuk. With this collection of stirring poems the award-winning Ukrainian poet honors the victims of the Holocaust by writing their stories of horror, death, and survival in their own imagined voices. Artful and carefully intoned, the poems convey the experiences of ordinary civilians going through unbearable events leading to the massacre at Kyiv's Babyn Yar from a first-person perspective to an effect that is simultaneously immersive and estranging. While conceived as a tribute to the fallen, the book raises difficult questions about memory, responsibility, and commemoration of those who had witnessed an evil that verges on the unspeakable. Nataliya Shpylova-Saeed has a Ph.D. in Slavic languages and literatures (Indiana University, 2022). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Today I talked to the translators of Marianna Kiyanovska's The Voices of Babyn Yar (HURI, 2022), Max Rosochinsky and Oksana Maksymchuk. With this collection of stirring poems the award-winning Ukrainian poet honors the victims of the Holocaust by writing their stories of horror, death, and survival in their own imagined voices. Artful and carefully intoned, the poems convey the experiences of ordinary civilians going through unbearable events leading to the massacre at Kyiv's Babyn Yar from a first-person perspective to an effect that is simultaneously immersive and estranging. While conceived as a tribute to the fallen, the book raises difficult questions about memory, responsibility, and commemoration of those who had witnessed an evil that verges on the unspeakable. Nataliya Shpylova-Saeed has a Ph.D. in Slavic languages and literatures (Indiana University, 2022). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/genocide-studies

Today I talked to the translators of Marianna Kiyanovska's The Voices of Babyn Yar (HURI, 2022), Max Rosochinsky and Oksana Maksymchuk. With this collection of stirring poems the award-winning Ukrainian poet honors the victims of the Holocaust by writing their stories of horror, death, and survival in their own imagined voices. Artful and carefully intoned, the poems convey the experiences of ordinary civilians going through unbearable events leading to the massacre at Kyiv's Babyn Yar from a first-person perspective to an effect that is simultaneously immersive and estranging. While conceived as a tribute to the fallen, the book raises difficult questions about memory, responsibility, and commemoration of those who had witnessed an evil that verges on the unspeakable. Nataliya Shpylova-Saeed has a Ph.D. in Slavic languages and literatures (Indiana University, 2022). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Today I talked to the translators of Marianna Kiyanovska's The Voices of Babyn Yar (HURI, 2022), Max Rosochinsky and Oksana Maksymchuk. With this collection of stirring poems the award-winning Ukrainian poet honors the victims of the Holocaust by writing their stories of horror, death, and survival in their own imagined voices. Artful and carefully intoned, the poems convey the experiences of ordinary civilians going through unbearable events leading to the massacre at Kyiv's Babyn Yar from a first-person perspective to an effect that is simultaneously immersive and estranging. While conceived as a tribute to the fallen, the book raises difficult questions about memory, responsibility, and commemoration of those who had witnessed an evil that verges on the unspeakable. Nataliya Shpylova-Saeed has a Ph.D. in Slavic languages and literatures (Indiana University, 2022). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Endless Flight: The Life of Joseph Roth (Granta Books, 2022) travels with Roth from his childhood in the town of Brody on the eastern edge of the Austro-Hungarian Empire to an unsettled life spent roaming Europe between the wars, including spells in Vienna, Paris and Berlin. His decline mirrored the collapse of civilized Europe: in his last peripatetic decade, he opposed Nazism in exile from Germany, his wife succumbed to schizophrenia and he died an alcoholic on the eve of WWII. Exploring the role of Roth's absent father in his imaginings, his attitude to his Jewishness and his restless search for home, Keiron Pim's gripping account of Roth's chaotic life speaks powerfully to us in our era of uncertainty, refugee crises and rising ethno-nationalism. Published as Roth's works rapidly gain new readers and recognition, Endless Flight delivers a visceral yet sensitive portrait of his quest for belonging, and a riveting understanding of the brilliance and beauty of his work. Nataliya Shpylova-Saeed has a Ph.D. in Slavic languages and literatures (Indiana University, 2022).  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Endless Flight: The Life of Joseph Roth (Granta Books, 2022) travels with Roth from his childhood in the town of Brody on the eastern edge of the Austro-Hungarian Empire to an unsettled life spent roaming Europe between the wars, including spells in Vienna, Paris and Berlin. His decline mirrored the collapse of civilized Europe: in his last peripatetic decade, he opposed Nazism in exile from Germany, his wife succumbed to schizophrenia and he died an alcoholic on the eve of WWII. Exploring the role of Roth's absent father in his imaginings, his attitude to his Jewishness and his restless search for home, Keiron Pim's gripping account of Roth's chaotic life speaks powerfully to us in our era of uncertainty, refugee crises and rising ethno-nationalism. Published as Roth's works rapidly gain new readers and recognition, Endless Flight delivers a visceral yet sensitive portrait of his quest for belonging, and a riveting understanding of the brilliance and beauty of his work. Nataliya Shpylova-Saeed has a Ph.D. in Slavic languages and literatures (Indiana University, 2022).  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Endless Flight: The Life of Joseph Roth (Granta Books, 2022) travels with Roth from his childhood in the town of Brody on the eastern edge of the Austro-Hungarian Empire to an unsettled life spent roaming Europe between the wars, including spells in Vienna, Paris and Berlin. His decline mirrored the collapse of civilized Europe: in his last peripatetic decade, he opposed Nazism in exile from Germany, his wife succumbed to schizophrenia and he died an alcoholic on the eve of WWII. Exploring the role of Roth's absent father in his imaginings, his attitude to his Jewishness and his restless search for home, Keiron Pim's gripping account of Roth's chaotic life speaks powerfully to us in our era of uncertainty, refugee crises and rising ethno-nationalism. Published as Roth's works rapidly gain new readers and recognition, Endless Flight delivers a visceral yet sensitive portrait of his quest for belonging, and a riveting understanding of the brilliance and beauty of his work. Nataliya Shpylova-Saeed has a Ph.D. in Slavic languages and literatures (Indiana University, 2022).  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

Endless Flight: The Life of Joseph Roth (Granta Books, 2022) travels with Roth from his childhood in the town of Brody on the eastern edge of the Austro-Hungarian Empire to an unsettled life spent roaming Europe between the wars, including spells in Vienna, Paris and Berlin. His decline mirrored the collapse of civilized Europe: in his last peripatetic decade, he opposed Nazism in exile from Germany, his wife succumbed to schizophrenia and he died an alcoholic on the eve of WWII. Exploring the role of Roth's absent father in his imaginings, his attitude to his Jewishness and his restless search for home, Keiron Pim's gripping account of Roth's chaotic life speaks powerfully to us in our era of uncertainty, refugee crises and rising ethno-nationalism. Published as Roth's works rapidly gain new readers and recognition, Endless Flight delivers a visceral yet sensitive portrait of his quest for belonging, and a riveting understanding of the brilliance and beauty of his work. Nataliya Shpylova-Saeed has a Ph.D. in Slavic languages and literatures (Indiana University, 2022).  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Svetlana Lavochkina's book Dam Duchess (Whiskey Tit, 2018) invites readers to take a surreal journey into the past: the construction of Dnipro Dam, the Stalinist regime, the fate of the aristocrats of the Russian Empire, the horrors of the Holodomor, the memory of the Cossack Hetmanate that travels from generation to generation, the Soviet harrowing of life and psyche. To survive in the Soviet Union, one has to learn how to adjust to the system that embraces fear and intimidation to impose a distorted sense of loyalty and comradeship. Agreements can certify the collapse of empires, but the individual's memory of violence sanctioned by brutal regimes will travel through years, decades, and generations. Lavochkina's Dam Duchess calls for compassion that can easily be lost once terror is normalized. Nataliya Shpylova-Saeed has a Ph.D. in Slavic languages and literatures (Indiana University, 2022). Her dissertation explores contested memory focusing on Ukraine and Russia. She also holds a Ph.D. in American literature (Taras Shevchenko Institute of Literature, National Academy of Sciences of Ukraine, 2007). In her dissertation on Richard Brautigan, she focuses on postmodernism in American literature. Currently, she is Visiting Assistant Professor in the Department of Russian and Eurasian program at Colgate University (Hamilton, NY). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network