Podcasts about mcgill queen's up

Juan Perón's decade-long regime, from 1946 to 1955, is often presented as Nazi-fascist and antisemitic - claims that are strongly rooted in Argentina's collective unconscious and popular culture. Challenging this widely held view, Raanan Rein asserts that there was greater Jewish support for Perón than previously believed, and that fewer antisemitic incidents took place in Argentina during Perón's rule than during any other period in the twentieth century.  Recovering the silenced voices of Jewish Argentines who supported Peronism from the beginning, Populism and Ethnicity: Peronism and the Jews of Argentina (McGill-Queen's UP, 2020) is a historical, sociological, and political analysis that describes the many positive changes experienced by the Jewish community as a direct result of Perón's presidencies. Perón and his wife Eva gave numerous speeches denouncing antisemitism, and Perón's Argentina was the first Latin American country to open an embassy in the newly established State of Israel.  Arguing that no president before Perón so unambiguously rejected discrimination against Jews, Rein shows that many Jews secured more important posts in government in the 1940s and 1950s than in previous years, among them members of the Argentine Jewish Organization, which became a section of the ruling Peronist party. Deconstructing the myth of antisemitism during Perón's regime, Populism and Ethnicity looks deep into the heart of international memory for the truth behind Jewish-Argentine relations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

Juan Perón's decade-long regime, from 1946 to 1955, is often presented as Nazi-fascist and antisemitic - claims that are strongly rooted in Argentina's collective unconscious and popular culture. Challenging this widely held view, Raanan Rein asserts that there was greater Jewish support for Perón than previously believed, and that fewer antisemitic incidents took place in Argentina during Perón's rule than during any other period in the twentieth century.  Recovering the silenced voices of Jewish Argentines who supported Peronism from the beginning, Populism and Ethnicity: Peronism and the Jews of Argentina (McGill-Queen's UP, 2020) is a historical, sociological, and political analysis that describes the many positive changes experienced by the Jewish community as a direct result of Perón's presidencies. Perón and his wife Eva gave numerous speeches denouncing antisemitism, and Perón's Argentina was the first Latin American country to open an embassy in the newly established State of Israel.  Arguing that no president before Perón so unambiguously rejected discrimination against Jews, Rein shows that many Jews secured more important posts in government in the 1940s and 1950s than in previous years, among them members of the Argentine Jewish Organization, which became a section of the ruling Peronist party. Deconstructing the myth of antisemitism during Perón's regime, Populism and Ethnicity looks deep into the heart of international memory for the truth behind Jewish-Argentine relations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Juan Perón's decade-long regime, from 1946 to 1955, is often presented as Nazi-fascist and antisemitic - claims that are strongly rooted in Argentina's collective unconscious and popular culture. Challenging this widely held view, Raanan Rein asserts that there was greater Jewish support for Perón than previously believed, and that fewer antisemitic incidents took place in Argentina during Perón's rule than during any other period in the twentieth century.  Recovering the silenced voices of Jewish Argentines who supported Peronism from the beginning, Populism and Ethnicity: Peronism and the Jews of Argentina (McGill-Queen's UP, 2020) is a historical, sociological, and political analysis that describes the many positive changes experienced by the Jewish community as a direct result of Perón's presidencies. Perón and his wife Eva gave numerous speeches denouncing antisemitism, and Perón's Argentina was the first Latin American country to open an embassy in the newly established State of Israel.  Arguing that no president before Perón so unambiguously rejected discrimination against Jews, Rein shows that many Jews secured more important posts in government in the 1940s and 1950s than in previous years, among them members of the Argentine Jewish Organization, which became a section of the ruling Peronist party. Deconstructing the myth of antisemitism during Perón's regime, Populism and Ethnicity looks deep into the heart of international memory for the truth behind Jewish-Argentine relations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Juan Perón's decade-long regime, from 1946 to 1955, is often presented as Nazi-fascist and antisemitic - claims that are strongly rooted in Argentina's collective unconscious and popular culture. Challenging this widely held view, Raanan Rein asserts that there was greater Jewish support for Perón than previously believed, and that fewer antisemitic incidents took place in Argentina during Perón's rule than during any other period in the twentieth century.  Recovering the silenced voices of Jewish Argentines who supported Peronism from the beginning, Populism and Ethnicity: Peronism and the Jews of Argentina (McGill-Queen's UP, 2020) is a historical, sociological, and political analysis that describes the many positive changes experienced by the Jewish community as a direct result of Perón's presidencies. Perón and his wife Eva gave numerous speeches denouncing antisemitism, and Perón's Argentina was the first Latin American country to open an embassy in the newly established State of Israel.  Arguing that no president before Perón so unambiguously rejected discrimination against Jews, Rein shows that many Jews secured more important posts in government in the 1940s and 1950s than in previous years, among them members of the Argentine Jewish Organization, which became a section of the ruling Peronist party. Deconstructing the myth of antisemitism during Perón's regime, Populism and Ethnicity looks deep into the heart of international memory for the truth behind Jewish-Argentine relations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today I talked to Ryan Manucha about his new book Booze, Cigarettes, and Constitutional Dust-Ups: Canada's Quest for Interprovincial Free Trade (McGill-Queen's UP, 2022). In 2012, after Gerard Comeau had driven to Quebec to purchase cheaper beer and crossed back into New Brunswick, police officers tailed and detained him, confiscated his haul, and levied a fine. With Comeau's story as his starting point, Ryan Manucha tells the fascinating tale of Canadian interprovincial trade. Interprovincial trade barriers and other frictions bring much-needed revenue into the coffers of provincial governments, which then can direct these funds toward various social services, but hinder the mobility of professionals, account for the different building codes imposed by Canadian provinces, and generally increase the price tag for Canadian consumers. In a candid interview, Ryan explains his interest in this topic, the backbone of his book's argument, and his efforts to make change workable. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy

Today I talked to Ryan Manucha about his new book Booze, Cigarettes, and Constitutional Dust-Ups: Canada's Quest for Interprovincial Free Trade (McGill-Queen's UP, 2022). In 2012, after Gerard Comeau had driven to Quebec to purchase cheaper beer and crossed back into New Brunswick, police officers tailed and detained him, confiscated his haul, and levied a fine. With Comeau's story as his starting point, Ryan Manucha tells the fascinating tale of Canadian interprovincial trade. Interprovincial trade barriers and other frictions bring much-needed revenue into the coffers of provincial governments, which then can direct these funds toward various social services, but hinder the mobility of professionals, account for the different building codes imposed by Canadian provinces, and generally increase the price tag for Canadian consumers. In a candid interview, Ryan explains his interest in this topic, the backbone of his book's argument, and his efforts to make change workable. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/law

Today I talked to Ryan Manucha about his new book Booze, Cigarettes, and Constitutional Dust-Ups: Canada's Quest for Interprovincial Free Trade (McGill-Queen's UP, 2022). In 2012, after Gerard Comeau had driven to Quebec to purchase cheaper beer and crossed back into New Brunswick, police officers tailed and detained him, confiscated his haul, and levied a fine. With Comeau's story as his starting point, Ryan Manucha tells the fascinating tale of Canadian interprovincial trade. Interprovincial trade barriers and other frictions bring much-needed revenue into the coffers of provincial governments, which then can direct these funds toward various social services, but hinder the mobility of professionals, account for the different building codes imposed by Canadian provinces, and generally increase the price tag for Canadian consumers. In a candid interview, Ryan explains his interest in this topic, the backbone of his book's argument, and his efforts to make change workable. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/economics

Today I talked to Ryan Manucha about his new book Booze, Cigarettes, and Constitutional Dust-Ups: Canada's Quest for Interprovincial Free Trade (McGill-Queen's UP, 2022). In 2012, after Gerard Comeau had driven to Quebec to purchase cheaper beer and crossed back into New Brunswick, police officers tailed and detained him, confiscated his haul, and levied a fine. With Comeau's story as his starting point, Ryan Manucha tells the fascinating tale of Canadian interprovincial trade. Interprovincial trade barriers and other frictions bring much-needed revenue into the coffers of provincial governments, which then can direct these funds toward various social services, but hinder the mobility of professionals, account for the different building codes imposed by Canadian provinces, and generally increase the price tag for Canadian consumers. In a candid interview, Ryan explains his interest in this topic, the backbone of his book's argument, and his efforts to make change workable. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Point Saint-Charles, a historically white working-class neighborhood with a strong Irish and French presence, and Little Burgundy, a multiracial neighborhood that is home to the city's English-speaking Black community, face each other across Montreal's Lachine Canal, once an artery around which work and industry in Montreal were clustered and by which these two communities were formed and divided.  In Deindustrializing Montreal: Entangled Histories of Race, Residence, and Class (McGill-Queen's UP, 2022), Steven High challenges the deepening divergence of class and race analysis by recognizing the intimate relationship between capitalism, class struggles, and racial inequality. Drawing extensive interviews, a massive and varied archive of imagery, and original photography by David Lewis into a complex chorus, Steven High brings the two communities to life, tracing their history from their earliest years to their decline and their current reality. He extends the analysis of deindustrialization, often focused on single-industry towns, to cities that have seemingly made the post-industrial transition. Steven High is an interdisciplinary oral and public historian with a strong interest in transnational approaches to working-class studies, forced migration, community-engaged research, oral history methodology and ethics, and living archives. He is a professor of History and founding member of the Centre for Oral History and Digital Storytelling at Concordia University. Yadong Li is a PhD student in anthropology at Tulane University. His research interests lie at the intersection of the anthropology of state, the anthropology of time, hope studies, and post-structuralist philosophy. More details about his scholarship and research interests can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Point Saint-Charles, a historically white working-class neighborhood with a strong Irish and French presence, and Little Burgundy, a multiracial neighborhood that is home to the city's English-speaking Black community, face each other across Montreal's Lachine Canal, once an artery around which work and industry in Montreal were clustered and by which these two communities were formed and divided.  In Deindustrializing Montreal: Entangled Histories of Race, Residence, and Class (McGill-Queen's UP, 2022), Steven High challenges the deepening divergence of class and race analysis by recognizing the intimate relationship between capitalism, class struggles, and racial inequality. Drawing extensive interviews, a massive and varied archive of imagery, and original photography by David Lewis into a complex chorus, Steven High brings the two communities to life, tracing their history from their earliest years to their decline and their current reality. He extends the analysis of deindustrialization, often focused on single-industry towns, to cities that have seemingly made the post-industrial transition. Steven High is an interdisciplinary oral and public historian with a strong interest in transnational approaches to working-class studies, forced migration, community-engaged research, oral history methodology and ethics, and living archives. He is a professor of History and founding member of the Centre for Oral History and Digital Storytelling at Concordia University. Yadong Li is a PhD student in anthropology at Tulane University. His research interests lie at the intersection of the anthropology of state, the anthropology of time, hope studies, and post-structuralist philosophy. More details about his scholarship and research interests can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Point Saint-Charles, a historically white working-class neighborhood with a strong Irish and French presence, and Little Burgundy, a multiracial neighborhood that is home to the city's English-speaking Black community, face each other across Montreal's Lachine Canal, once an artery around which work and industry in Montreal were clustered and by which these two communities were formed and divided.  In Deindustrializing Montreal: Entangled Histories of Race, Residence, and Class (McGill-Queen's UP, 2022), Steven High challenges the deepening divergence of class and race analysis by recognizing the intimate relationship between capitalism, class struggles, and racial inequality. Drawing extensive interviews, a massive and varied archive of imagery, and original photography by David Lewis into a complex chorus, Steven High brings the two communities to life, tracing their history from their earliest years to their decline and their current reality. He extends the analysis of deindustrialization, often focused on single-industry towns, to cities that have seemingly made the post-industrial transition. Steven High is an interdisciplinary oral and public historian with a strong interest in transnational approaches to working-class studies, forced migration, community-engaged research, oral history methodology and ethics, and living archives. He is a professor of History and founding member of the Centre for Oral History and Digital Storytelling at Concordia University. Yadong Li is a PhD student in anthropology at Tulane University. His research interests lie at the intersection of the anthropology of state, the anthropology of time, hope studies, and post-structuralist philosophy. More details about his scholarship and research interests can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Point Saint-Charles, a historically white working-class neighborhood with a strong Irish and French presence, and Little Burgundy, a multiracial neighborhood that is home to the city's English-speaking Black community, face each other across Montreal's Lachine Canal, once an artery around which work and industry in Montreal were clustered and by which these two communities were formed and divided.  In Deindustrializing Montreal: Entangled Histories of Race, Residence, and Class (McGill-Queen's UP, 2022), Steven High challenges the deepening divergence of class and race analysis by recognizing the intimate relationship between capitalism, class struggles, and racial inequality. Drawing extensive interviews, a massive and varied archive of imagery, and original photography by David Lewis into a complex chorus, Steven High brings the two communities to life, tracing their history from their earliest years to their decline and their current reality. He extends the analysis of deindustrialization, often focused on single-industry towns, to cities that have seemingly made the post-industrial transition. Steven High is an interdisciplinary oral and public historian with a strong interest in transnational approaches to working-class studies, forced migration, community-engaged research, oral history methodology and ethics, and living archives. He is a professor of History and founding member of the Centre for Oral History and Digital Storytelling at Concordia University. Yadong Li is a PhD student in anthropology at Tulane University. His research interests lie at the intersection of the anthropology of state, the anthropology of time, hope studies, and post-structuralist philosophy. More details about his scholarship and research interests can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/economics

Point Saint-Charles, a historically white working-class neighborhood with a strong Irish and French presence, and Little Burgundy, a multiracial neighborhood that is home to the city's English-speaking Black community, face each other across Montreal's Lachine Canal, once an artery around which work and industry in Montreal were clustered and by which these two communities were formed and divided.  In Deindustrializing Montreal: Entangled Histories of Race, Residence, and Class (McGill-Queen's UP, 2022), Steven High challenges the deepening divergence of class and race analysis by recognizing the intimate relationship between capitalism, class struggles, and racial inequality. Drawing extensive interviews, a massive and varied archive of imagery, and original photography by David Lewis into a complex chorus, Steven High brings the two communities to life, tracing their history from their earliest years to their decline and their current reality. He extends the analysis of deindustrialization, often focused on single-industry towns, to cities that have seemingly made the post-industrial transition. Steven High is an interdisciplinary oral and public historian with a strong interest in transnational approaches to working-class studies, forced migration, community-engaged research, oral history methodology and ethics, and living archives. He is a professor of History and founding member of the Centre for Oral History and Digital Storytelling at Concordia University. Yadong Li is a PhD student in anthropology at Tulane University. His research interests lie at the intersection of the anthropology of state, the anthropology of time, hope studies, and post-structuralist philosophy. More details about his scholarship and research interests can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Point Saint-Charles, a historically white working-class neighborhood with a strong Irish and French presence, and Little Burgundy, a multiracial neighborhood that is home to the city's English-speaking Black community, face each other across Montreal's Lachine Canal, once an artery around which work and industry in Montreal were clustered and by which these two communities were formed and divided.  In Deindustrializing Montreal: Entangled Histories of Race, Residence, and Class (McGill-Queen's UP, 2022), Steven High challenges the deepening divergence of class and race analysis by recognizing the intimate relationship between capitalism, class struggles, and racial inequality. Drawing extensive interviews, a massive and varied archive of imagery, and original photography by David Lewis into a complex chorus, Steven High brings the two communities to life, tracing their history from their earliest years to their decline and their current reality. He extends the analysis of deindustrialization, often focused on single-industry towns, to cities that have seemingly made the post-industrial transition. Steven High is an interdisciplinary oral and public historian with a strong interest in transnational approaches to working-class studies, forced migration, community-engaged research, oral history methodology and ethics, and living archives. He is a professor of History and founding member of the Centre for Oral History and Digital Storytelling at Concordia University. Yadong Li is a PhD student in anthropology at Tulane University. His research interests lie at the intersection of the anthropology of state, the anthropology of time, hope studies, and post-structuralist philosophy. More details about his scholarship and research interests can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

When the powers of Europe were at their prime, present-day Ukraine was divided between the Austrian and Russian empires, each imposing different political, social, and cultural models on its subjects. This inevitably led to great diversity in the lives of its inhabitants, shaping modern Ukraine into the multiethnic country it is today.  Making innovative use of methods of social and cultural history, gender studies, literary theory, and sociology, Laboratory of Modernity: Ukraine Between Empire and Nation, 1772-1914 (McGill-Queen's UP, 2023) explores the history of Ukraine throughout the long nineteenth century and offers a unique study of its pluralistic society, culture, and political scene. Despite being subjected to different and conflicting power models during the nineteenth and early twentieth centuries, Ukraine was not only imagined as a distinct entity with a unique culture and history but was also realized as a set of social and political institutions. The story of modern Ukraine is geopolitically complex, encompassing the historical narratives of several major communities - including ethnic Ukrainians, Poles, Jews, and Russians - who for centuries lived side by side. The first comprehensive study of nineteenth-century Ukraine in English, Laboratory of Modernity traces the historical origins of some of the most pressing issues facing Ukraine and the international community today. Nataliya Shpylova-Saeed is a Preceptor in Ukrainian at the Department of Slavic Languages and Literatures, Harvard University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

When the powers of Europe were at their prime, present-day Ukraine was divided between the Austrian and Russian empires, each imposing different political, social, and cultural models on its subjects. This inevitably led to great diversity in the lives of its inhabitants, shaping modern Ukraine into the multiethnic country it is today.  Making innovative use of methods of social and cultural history, gender studies, literary theory, and sociology, Laboratory of Modernity: Ukraine Between Empire and Nation, 1772-1914 (McGill-Queen's UP, 2023) explores the history of Ukraine throughout the long nineteenth century and offers a unique study of its pluralistic society, culture, and political scene. Despite being subjected to different and conflicting power models during the nineteenth and early twentieth centuries, Ukraine was not only imagined as a distinct entity with a unique culture and history but was also realized as a set of social and political institutions. The story of modern Ukraine is geopolitically complex, encompassing the historical narratives of several major communities - including ethnic Ukrainians, Poles, Jews, and Russians - who for centuries lived side by side. The first comprehensive study of nineteenth-century Ukraine in English, Laboratory of Modernity traces the historical origins of some of the most pressing issues facing Ukraine and the international community today. Nataliya Shpylova-Saeed is a Preceptor in Ukrainian at the Department of Slavic Languages and Literatures, Harvard University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

When the powers of Europe were at their prime, present-day Ukraine was divided between the Austrian and Russian empires, each imposing different political, social, and cultural models on its subjects. This inevitably led to great diversity in the lives of its inhabitants, shaping modern Ukraine into the multiethnic country it is today.  Making innovative use of methods of social and cultural history, gender studies, literary theory, and sociology, Laboratory of Modernity: Ukraine Between Empire and Nation, 1772-1914 (McGill-Queen's UP, 2023) explores the history of Ukraine throughout the long nineteenth century and offers a unique study of its pluralistic society, culture, and political scene. Despite being subjected to different and conflicting power models during the nineteenth and early twentieth centuries, Ukraine was not only imagined as a distinct entity with a unique culture and history but was also realized as a set of social and political institutions. The story of modern Ukraine is geopolitically complex, encompassing the historical narratives of several major communities - including ethnic Ukrainians, Poles, Jews, and Russians - who for centuries lived side by side. The first comprehensive study of nineteenth-century Ukraine in English, Laboratory of Modernity traces the historical origins of some of the most pressing issues facing Ukraine and the international community today. Nataliya Shpylova-Saeed is a Preceptor in Ukrainian at the Department of Slavic Languages and Literatures, Harvard University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

When the powers of Europe were at their prime, present-day Ukraine was divided between the Austrian and Russian empires, each imposing different political, social, and cultural models on its subjects. This inevitably led to great diversity in the lives of its inhabitants, shaping modern Ukraine into the multiethnic country it is today.  Making innovative use of methods of social and cultural history, gender studies, literary theory, and sociology, Laboratory of Modernity: Ukraine Between Empire and Nation, 1772-1914 (McGill-Queen's UP, 2023) explores the history of Ukraine throughout the long nineteenth century and offers a unique study of its pluralistic society, culture, and political scene. Despite being subjected to different and conflicting power models during the nineteenth and early twentieth centuries, Ukraine was not only imagined as a distinct entity with a unique culture and history but was also realized as a set of social and political institutions. The story of modern Ukraine is geopolitically complex, encompassing the historical narratives of several major communities - including ethnic Ukrainians, Poles, Jews, and Russians - who for centuries lived side by side. The first comprehensive study of nineteenth-century Ukraine in English, Laboratory of Modernity traces the historical origins of some of the most pressing issues facing Ukraine and the international community today. Nataliya Shpylova-Saeed is a Preceptor in Ukrainian at the Department of Slavic Languages and Literatures, Harvard University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

When the powers of Europe were at their prime, present-day Ukraine was divided between the Austrian and Russian empires, each imposing different political, social, and cultural models on its subjects. This inevitably led to great diversity in the lives of its inhabitants, shaping modern Ukraine into the multiethnic country it is today.  Making innovative use of methods of social and cultural history, gender studies, literary theory, and sociology, Laboratory of Modernity: Ukraine Between Empire and Nation, 1772-1914 (McGill-Queen's UP, 2023) explores the history of Ukraine throughout the long nineteenth century and offers a unique study of its pluralistic society, culture, and political scene. Despite being subjected to different and conflicting power models during the nineteenth and early twentieth centuries, Ukraine was not only imagined as a distinct entity with a unique culture and history but was also realized as a set of social and political institutions. The story of modern Ukraine is geopolitically complex, encompassing the historical narratives of several major communities - including ethnic Ukrainians, Poles, Jews, and Russians - who for centuries lived side by side. The first comprehensive study of nineteenth-century Ukraine in English, Laboratory of Modernity traces the historical origins of some of the most pressing issues facing Ukraine and the international community today. Nataliya Shpylova-Saeed is a Preceptor in Ukrainian at the Department of Slavic Languages and Literatures, Harvard University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

When the powers of Europe were at their prime, present-day Ukraine was divided between the Austrian and Russian empires, each imposing different political, social, and cultural models on its subjects. This inevitably led to great diversity in the lives of its inhabitants, shaping modern Ukraine into the multiethnic country it is today.  Making innovative use of methods of social and cultural history, gender studies, literary theory, and sociology, Laboratory of Modernity: Ukraine Between Empire and Nation, 1772-1914 (McGill-Queen's UP, 2023) explores the history of Ukraine throughout the long nineteenth century and offers a unique study of its pluralistic society, culture, and political scene. Despite being subjected to different and conflicting power models during the nineteenth and early twentieth centuries, Ukraine was not only imagined as a distinct entity with a unique culture and history but was also realized as a set of social and political institutions. The story of modern Ukraine is geopolitically complex, encompassing the historical narratives of several major communities - including ethnic Ukrainians, Poles, Jews, and Russians - who for centuries lived side by side. The first comprehensive study of nineteenth-century Ukraine in English, Laboratory of Modernity traces the historical origins of some of the most pressing issues facing Ukraine and the international community today. Nataliya Shpylova-Saeed is a Preceptor in Ukrainian at the Department of Slavic Languages and Literatures, Harvard University. Learn more about your ad choices. Visit megaphone.fm/adchoices

When the powers of Europe were at their prime, present-day Ukraine was divided between the Austrian and Russian empires, each imposing different political, social, and cultural models on its subjects. This inevitably led to great diversity in the lives of its inhabitants, shaping modern Ukraine into the multiethnic country it is today.  Making innovative use of methods of social and cultural history, gender studies, literary theory, and sociology, Laboratory of Modernity: Ukraine Between Empire and Nation, 1772-1914 (McGill-Queen's UP, 2023) explores the history of Ukraine throughout the long nineteenth century and offers a unique study of its pluralistic society, culture, and political scene. Despite being subjected to different and conflicting power models during the nineteenth and early twentieth centuries, Ukraine was not only imagined as a distinct entity with a unique culture and history but was also realized as a set of social and political institutions. The story of modern Ukraine is geopolitically complex, encompassing the historical narratives of several major communities - including ethnic Ukrainians, Poles, Jews, and Russians - who for centuries lived side by side. The first comprehensive study of nineteenth-century Ukraine in English, Laboratory of Modernity traces the historical origins of some of the most pressing issues facing Ukraine and the international community today. Nataliya Shpylova-Saeed is a Preceptor in Ukrainian at the Department of Slavic Languages and Literatures, Harvard University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today I talked with historian Erika Dyck about Aldous Huxley, Humphry Osmond and their correspondence over a ten year period. Psychedelic Prophets: The Letters of Aldous Huxley and Humphry Osmond (McGill-Queen's University Press, 2018) is a collection of letters which were carefully curated by Erika and Cynthia Carson Bisbee, Paul Bisbee, and Patrick Farrell. During our discussion, Erika recounts the special relationship between two intellectual juggernauts, Huxley and Osmond, and their discussions about drugs, addiction, and death and dying. This important set of letters raises fascinating questions about medicines, the "psychedelic renaissance," the nature of the mind, and perceptions of reality. Dyck is the author of Psychedelic Psychiatry: LSD From Clinic to Campus (Johns Hopkins UP, 2010) as well as Culture's Catalyst: Historical Encounters with Peyote and the Native American Church in Canada (Manitoba, 2017). Lucas Richert is an associate professor in the School of Pharmacy at the University of Wisconsin, Madison. He studies intoxicating substances and the pharmaceutical industry. He also examines the history of mental health. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychology

In 1936, long before the discovery of the Viking settlement at L'Anse aux Meadows, the Royal Ontario Museum made a sensational acquisition: the contents of a Viking grave that prospector Eddy Dodd said he had found on his mining claim east of Lake Nipigon. The relics remained on display for two decades, challenging understandings of when and where Europeans first reached the Americas. In 1956 the discovery was exposed as an unquestionable hoax, tarnishing the reputation of the museum director, Charles Trick Currelly, who had acquired the relics and insisted on their authenticity. In Beardmore: The Viking Hoax That Rewrote History (McGill-Queen's University Press, 2018), Dr. Douglas Hunter reconstructs the notorious hoax and its many players. Beardmore unfolds like a detective story as the author sifts through the voluminous evidence and follows the efforts of two unlikely debunkers, high-school teacher Teddy Elliott and government geologist T.L. Tanton, who find themselves up against Currelly and his scholarly allies. Along the way, the controversy draws in a who's who of international figures in archaeology, Scandinavian studies, and the museum world, including anthropologist Edmund Carpenter, whose mid-1950s crusade against the find's authenticity finally convinced scholars and curators that the grave was a fraud. Shedding light on museum practices and the state of the historical and archaeological professions in the mid-twentieth century, Beardmore offers an unparalleled view inside a major museum scandal to show how power can be exercised across professional networks and hamper efforts to arrive at the truth. Ryan Tripp (Ph.D., History) is currently an adjunct in History at Los Medanos Community College and Southern New Hampshire University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today I talked with historian Erika Dyck about Aldous Huxley, Humphry Osmond and their correspondence over a ten year period. Psychedelic Prophets: The Letters of Aldous Huxley and Humphry Osmond (McGill-Queen's University Press, 2018) is a collection of letters which were carefully curated by Erika and Cynthia Carson Bisbee, Paul Bisbee, and Patrick Farrell. During our discussion, Erika recounts the special relationship between two intellectual juggernauts, Huxley and Osmond, and their discussions about drugs, addiction, and death and dying. This important set of letters raises fascinating questions about medicines, the "psychedelic renaissance," the nature of the mind, and perceptions of reality. Dyck is the author of Psychedelic Psychiatry: LSD From Clinic to Campus (Johns Hopkins UP, 2010) as well as Culture's Catalyst: Historical Encounters with Peyote and the Native American Church in Canada (Manitoba, 2017). Lucas Richert is an associate professor in the School of Pharmacy at the University of Wisconsin, Madison. He studies intoxicating substances and the pharmaceutical industry. He also examines the history of mental health. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today I talked with historian Erika Dyck about Aldous Huxley, Humphry Osmond and their correspondence over a ten year period. Psychedelic Prophets: The Letters of Aldous Huxley and Humphry Osmond (McGill-Queen's University Press, 2018) is a collection of letters which were carefully curated by Erika and Cynthia Carson Bisbee, Paul Bisbee, and Patrick Farrell. During our discussion, Erika recounts the special relationship between two intellectual juggernauts, Huxley and Osmond, and their discussions about drugs, addiction, and death and dying. This important set of letters raises fascinating questions about medicines, the "psychedelic renaissance," the nature of the mind, and perceptions of reality. Dyck is the author of Psychedelic Psychiatry: LSD From Clinic to Campus (Johns Hopkins UP, 2010) as well as Culture's Catalyst: Historical Encounters with Peyote and the Native American Church in Canada (Manitoba, 2017). Lucas Richert is an associate professor in the School of Pharmacy at the University of Wisconsin, Madison. He studies intoxicating substances and the pharmaceutical industry. He also examines the history of mental health. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Today I talked with historian Erika Dyck about Aldous Huxley, Humphry Osmond and their correspondence over a ten year period. Psychedelic Prophets: The Letters of Aldous Huxley and Humphry Osmond (McGill-Queen's University Press, 2018) is a collection of letters which were carefully curated by Erika and Cynthia Carson Bisbee, Paul Bisbee, and Patrick Farrell. During our discussion, Erika recounts the special relationship between two intellectual juggernauts, Huxley and Osmond, and their discussions about drugs, addiction, and death and dying. This important set of letters raises fascinating questions about medicines, the "psychedelic renaissance," the nature of the mind, and perceptions of reality. Dyck is the author of Psychedelic Psychiatry: LSD From Clinic to Campus (Johns Hopkins UP, 2010) as well as Culture's Catalyst: Historical Encounters with Peyote and the Native American Church in Canada (Manitoba, 2017). Lucas Richert is an associate professor in the School of Pharmacy at the University of Wisconsin, Madison. He studies intoxicating substances and the pharmaceutical industry. He also examines the history of mental health. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/medicine

Today I talked with historian Erika Dyck about Aldous Huxley, Humphry Osmond and their correspondence over a ten year period. Psychedelic Prophets: The Letters of Aldous Huxley and Humphry Osmond (McGill-Queen's University Press, 2018) is a collection of letters which were carefully curated by Erika and Cynthia Carson Bisbee, Paul Bisbee, and Patrick Farrell. During our discussion, Erika recounts the special relationship between two intellectual juggernauts, Huxley and Osmond, and their discussions about drugs, addiction, and death and dying. This important set of letters raises fascinating questions about medicines, the "psychedelic renaissance," the nature of the mind, and perceptions of reality. Dyck is the author of Psychedelic Psychiatry: LSD From Clinic to Campus (Johns Hopkins UP, 2010) as well as Culture's Catalyst: Historical Encounters with Peyote and the Native American Church in Canada (Manitoba, 2017). Lucas Richert is an associate professor in the School of Pharmacy at the University of Wisconsin, Madison. He studies intoxicating substances and the pharmaceutical industry. He also examines the history of mental health. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Today I talked with historian Erika Dyck about Aldous Huxley, Humphry Osmond and their correspondence over a ten year period. Psychedelic Prophets: The Letters of Aldous Huxley and Humphry Osmond (McGill-Queen's University Press, 2018) is a collection of letters which were carefully curated by Erika and Cynthia Carson Bisbee, Paul Bisbee, and Patrick Farrell. During our discussion, Erika recounts the special relationship between two intellectual juggernauts, Huxley and Osmond, and their discussions about drugs, addiction, and death and dying. This important set of letters raises fascinating questions about medicines, the "psychedelic renaissance," the nature of the mind, and perceptions of reality. Dyck is the author of Psychedelic Psychiatry: LSD From Clinic to Campus (Johns Hopkins UP, 2010) as well as Culture's Catalyst: Historical Encounters with Peyote and the Native American Church in Canada (Manitoba, 2017). Lucas Richert is an associate professor in the School of Pharmacy at the University of Wisconsin, Madison. He studies intoxicating substances and the pharmaceutical industry. He also examines the history of mental health. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In 1936, long before the discovery of the Viking settlement at L'Anse aux Meadows, the Royal Ontario Museum made a sensational acquisition: the contents of a Viking grave that prospector Eddy Dodd said he had found on his mining claim east of Lake Nipigon. The relics remained on display for two decades, challenging understandings of when and where Europeans first reached the Americas. In 1956 the discovery was exposed as an unquestionable hoax, tarnishing the reputation of the museum director, Charles Trick Currelly, who had acquired the relics and insisted on their authenticity. In Beardmore: The Viking Hoax That Rewrote History (McGill-Queen's University Press, 2018), Dr. Douglas Hunter reconstructs the notorious hoax and its many players. Beardmore unfolds like a detective story as the author sifts through the voluminous evidence and follows the efforts of two unlikely debunkers, high-school teacher Teddy Elliott and government geologist T.L. Tanton, who find themselves up against Currelly and his scholarly allies. Along the way, the controversy draws in a who's who of international figures in archaeology, Scandinavian studies, and the museum world, including anthropologist Edmund Carpenter, whose mid-1950s crusade against the find's authenticity finally convinced scholars and curators that the grave was a fraud. Shedding light on museum practices and the state of the historical and archaeological professions in the mid-twentieth century, Beardmore offers an unparalleled view inside a major museum scandal to show how power can be exercised across professional networks and hamper efforts to arrive at the truth. Ryan Tripp (Ph.D., History) is currently an adjunct in History at Los Medanos Community College and Southern New Hampshire University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Today I talked with historian Erika Dyck about Aldous Huxley, Humphry Osmond and their correspondence over a ten year period. Psychedelic Prophets: The Letters of Aldous Huxley and Humphry Osmond (McGill-Queen's University Press, 2018) is a collection of letters which were carefully curated by Erika and Cynthia Carson Bisbee, Paul Bisbee, and Patrick Farrell. During our discussion, Erika recounts the special relationship between two intellectual juggernauts, Huxley and Osmond, and their discussions about drugs, addiction, and death and dying. This important set of letters raises fascinating questions about medicines, the "psychedelic renaissance," the nature of the mind, and perceptions of reality. Dyck is the author of Psychedelic Psychiatry: LSD From Clinic to Campus (Johns Hopkins UP, 2010) as well as Culture's Catalyst: Historical Encounters with Peyote and the Native American Church in Canada (Manitoba, 2017). Lucas Richert is an associate professor in the School of Pharmacy at the University of Wisconsin, Madison. He studies intoxicating substances and the pharmaceutical industry. He also examines the history of mental health. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Today I talked with historian Erika Dyck about Aldous Huxley, Humphry Osmond and their correspondence over a ten year period. Psychedelic Prophets: The Letters of Aldous Huxley and Humphry Osmond (McGill-Queen's University Press, 2018) is a collection of letters which were carefully curated by Erika and Cynthia Carson Bisbee, Paul Bisbee, and Patrick Farrell. During our discussion, Erika recounts the special relationship between two intellectual juggernauts, Huxley and Osmond, and their discussions about drugs, addiction, and death and dying. This important set of letters raises fascinating questions about medicines, the "psychedelic renaissance," the nature of the mind, and perceptions of reality. Dyck is the author of Psychedelic Psychiatry: LSD From Clinic to Campus (Johns Hopkins UP, 2010) as well as Culture's Catalyst: Historical Encounters with Peyote and the Native American Church in Canada (Manitoba, 2017). Lucas Richert is an associate professor in the School of Pharmacy at the University of Wisconsin, Madison. He studies intoxicating substances and the pharmaceutical industry. He also examines the history of mental health. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In 1936, long before the discovery of the Viking settlement at L'Anse aux Meadows, the Royal Ontario Museum made a sensational acquisition: the contents of a Viking grave that prospector Eddy Dodd said he had found on his mining claim east of Lake Nipigon. The relics remained on display for two decades, challenging understandings of when and where Europeans first reached the Americas. In 1956 the discovery was exposed as an unquestionable hoax, tarnishing the reputation of the museum director, Charles Trick Currelly, who had acquired the relics and insisted on their authenticity. In Beardmore: The Viking Hoax That Rewrote History (McGill-Queen's University Press, 2018), Dr. Douglas Hunter reconstructs the notorious hoax and its many players. Beardmore unfolds like a detective story as the author sifts through the voluminous evidence and follows the efforts of two unlikely debunkers, high-school teacher Teddy Elliott and government geologist T.L. Tanton, who find themselves up against Currelly and his scholarly allies. Along the way, the controversy draws in a who's who of international figures in archaeology, Scandinavian studies, and the museum world, including anthropologist Edmund Carpenter, whose mid-1950s crusade against the find's authenticity finally convinced scholars and curators that the grave was a fraud. Shedding light on museum practices and the state of the historical and archaeological professions in the mid-twentieth century, Beardmore offers an unparalleled view inside a major museum scandal to show how power can be exercised across professional networks and hamper efforts to arrive at the truth. Ryan Tripp (Ph.D., History) is currently an adjunct in History at Los Medanos Community College and Southern New Hampshire University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Released in 1919, "Anders als die Andern" (Different from the Others) stunned audiences with its straightforward depiction of queer love. Supporters celebrated the film's moving storyline, while conservative detractors succeeded in prohibiting public screenings. Banned and partially destroyed after the rise of Nazism, the film was lost until the 1970s and only about one-third of its original footage is preserved today. Directed by Richard Oswald and co-written by Oswald and the renowned sexologist Magnus Hirschfeld, "Anders als die Andern" is a remarkable artifact of cinema culture connected to the vibrant pre-Stonewall homosexual rights movement of early-twentieth-century Germany. The film makes a strong case for the normalization of homosexuality and for its decriminalization, but the central melodrama still finds its characters undone by their public outing. Ervin Malakaj sees the film's portrayal of the pain of living life queerly as generating a complex emotional identification in modern spectators, even those living in apparently friendlier circumstances. There is a strange comfort in knowing that we are not alone in our struggles, and Malakaj recuperates "Anders als die Andern"'s mournful cinema as an essential element of its endurance, treating the film's melancholia both as a valuable feeling in and of itself and as a springboard to engage in an intergenerational queer struggle. Over a century after the film's release, Anders als die Andern (McGill-Queen's UP, 2023) serves as a stark reminder of how hostile the world can be to queer people, but also as an object lesson in how to find sustenance and social connection in tragic narratives. Ervin Malakaj is associate professor of German studies at the University of British Columbia. Armanc Yildiz is a postdoctoral researcher at Humboldt University. He received his Ph.D. in Social Anthropology at Harvard University, with a secondary degree in Studies of Women, Gender, and Sexuality. He is also the founder of Academics Write, where he supports scholars in their writing projects as a writing coach and developmental editor. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Released in 1919, "Anders als die Andern" (Different from the Others) stunned audiences with its straightforward depiction of queer love. Supporters celebrated the film's moving storyline, while conservative detractors succeeded in prohibiting public screenings. Banned and partially destroyed after the rise of Nazism, the film was lost until the 1970s and only about one-third of its original footage is preserved today. Directed by Richard Oswald and co-written by Oswald and the renowned sexologist Magnus Hirschfeld, "Anders als die Andern" is a remarkable artifact of cinema culture connected to the vibrant pre-Stonewall homosexual rights movement of early-twentieth-century Germany. The film makes a strong case for the normalization of homosexuality and for its decriminalization, but the central melodrama still finds its characters undone by their public outing. Ervin Malakaj sees the film's portrayal of the pain of living life queerly as generating a complex emotional identification in modern spectators, even those living in apparently friendlier circumstances. There is a strange comfort in knowing that we are not alone in our struggles, and Malakaj recuperates "Anders als die Andern"'s mournful cinema as an essential element of its endurance, treating the film's melancholia both as a valuable feeling in and of itself and as a springboard to engage in an intergenerational queer struggle. Over a century after the film's release, Anders als die Andern (McGill-Queen's UP, 2023) serves as a stark reminder of how hostile the world can be to queer people, but also as an object lesson in how to find sustenance and social connection in tragic narratives. Ervin Malakaj is associate professor of German studies at the University of British Columbia. Armanc Yildiz is a postdoctoral researcher at Humboldt University. He received his Ph.D. in Social Anthropology at Harvard University, with a secondary degree in Studies of Women, Gender, and Sexuality. He is also the founder of Academics Write, where he supports scholars in their writing projects as a writing coach and developmental editor. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Released in 1919, "Anders als die Andern" (Different from the Others) stunned audiences with its straightforward depiction of queer love. Supporters celebrated the film's moving storyline, while conservative detractors succeeded in prohibiting public screenings. Banned and partially destroyed after the rise of Nazism, the film was lost until the 1970s and only about one-third of its original footage is preserved today. Directed by Richard Oswald and co-written by Oswald and the renowned sexologist Magnus Hirschfeld, "Anders als die Andern" is a remarkable artifact of cinema culture connected to the vibrant pre-Stonewall homosexual rights movement of early-twentieth-century Germany. The film makes a strong case for the normalization of homosexuality and for its decriminalization, but the central melodrama still finds its characters undone by their public outing. Ervin Malakaj sees the film's portrayal of the pain of living life queerly as generating a complex emotional identification in modern spectators, even those living in apparently friendlier circumstances. There is a strange comfort in knowing that we are not alone in our struggles, and Malakaj recuperates "Anders als die Andern"'s mournful cinema as an essential element of its endurance, treating the film's melancholia both as a valuable feeling in and of itself and as a springboard to engage in an intergenerational queer struggle. Over a century after the film's release, Anders als die Andern (McGill-Queen's UP, 2023) serves as a stark reminder of how hostile the world can be to queer people, but also as an object lesson in how to find sustenance and social connection in tragic narratives. Ervin Malakaj is associate professor of German studies at the University of British Columbia. Armanc Yildiz is a postdoctoral researcher at Humboldt University. He received his Ph.D. in Social Anthropology at Harvard University, with a secondary degree in Studies of Women, Gender, and Sexuality. He is also the founder of Academics Write, where he supports scholars in their writing projects as a writing coach and developmental editor. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

Released in 1919, "Anders als die Andern" (Different from the Others) stunned audiences with its straightforward depiction of queer love. Supporters celebrated the film's moving storyline, while conservative detractors succeeded in prohibiting public screenings. Banned and partially destroyed after the rise of Nazism, the film was lost until the 1970s and only about one-third of its original footage is preserved today. Directed by Richard Oswald and co-written by Oswald and the renowned sexologist Magnus Hirschfeld, "Anders als die Andern" is a remarkable artifact of cinema culture connected to the vibrant pre-Stonewall homosexual rights movement of early-twentieth-century Germany. The film makes a strong case for the normalization of homosexuality and for its decriminalization, but the central melodrama still finds its characters undone by their public outing. Ervin Malakaj sees the film's portrayal of the pain of living life queerly as generating a complex emotional identification in modern spectators, even those living in apparently friendlier circumstances. There is a strange comfort in knowing that we are not alone in our struggles, and Malakaj recuperates "Anders als die Andern"'s mournful cinema as an essential element of its endurance, treating the film's melancholia both as a valuable feeling in and of itself and as a springboard to engage in an intergenerational queer struggle. Over a century after the film's release, Anders als die Andern (McGill-Queen's UP, 2023) serves as a stark reminder of how hostile the world can be to queer people, but also as an object lesson in how to find sustenance and social connection in tragic narratives. Ervin Malakaj is associate professor of German studies at the University of British Columbia. Armanc Yildiz is a postdoctoral researcher at Humboldt University. He received his Ph.D. in Social Anthropology at Harvard University, with a secondary degree in Studies of Women, Gender, and Sexuality. He is also the founder of Academics Write, where he supports scholars in their writing projects as a writing coach and developmental editor. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Released in 1919, "Anders als die Andern" (Different from the Others) stunned audiences with its straightforward depiction of queer love. Supporters celebrated the film's moving storyline, while conservative detractors succeeded in prohibiting public screenings. Banned and partially destroyed after the rise of Nazism, the film was lost until the 1970s and only about one-third of its original footage is preserved today. Directed by Richard Oswald and co-written by Oswald and the renowned sexologist Magnus Hirschfeld, "Anders als die Andern" is a remarkable artifact of cinema culture connected to the vibrant pre-Stonewall homosexual rights movement of early-twentieth-century Germany. The film makes a strong case for the normalization of homosexuality and for its decriminalization, but the central melodrama still finds its characters undone by their public outing. Ervin Malakaj sees the film's portrayal of the pain of living life queerly as generating a complex emotional identification in modern spectators, even those living in apparently friendlier circumstances. There is a strange comfort in knowing that we are not alone in our struggles, and Malakaj recuperates "Anders als die Andern"'s mournful cinema as an essential element of its endurance, treating the film's melancholia both as a valuable feeling in and of itself and as a springboard to engage in an intergenerational queer struggle. Over a century after the film's release, Anders als die Andern (McGill-Queen's UP, 2023) serves as a stark reminder of how hostile the world can be to queer people, but also as an object lesson in how to find sustenance and social connection in tragic narratives. Ervin Malakaj is associate professor of German studies at the University of British Columbia. Armanc Yildiz is a postdoctoral researcher at Humboldt University. He received his Ph.D. in Social Anthropology at Harvard University, with a secondary degree in Studies of Women, Gender, and Sexuality. He is also the founder of Academics Write, where he supports scholars in their writing projects as a writing coach and developmental editor. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

Released in 1919, "Anders als die Andern" (Different from the Others) stunned audiences with its straightforward depiction of queer love. Supporters celebrated the film's moving storyline, while conservative detractors succeeded in prohibiting public screenings. Banned and partially destroyed after the rise of Nazism, the film was lost until the 1970s and only about one-third of its original footage is preserved today. Directed by Richard Oswald and co-written by Oswald and the renowned sexologist Magnus Hirschfeld, "Anders als die Andern" is a remarkable artifact of cinema culture connected to the vibrant pre-Stonewall homosexual rights movement of early-twentieth-century Germany. The film makes a strong case for the normalization of homosexuality and for its decriminalization, but the central melodrama still finds its characters undone by their public outing. Ervin Malakaj sees the film's portrayal of the pain of living life queerly as generating a complex emotional identification in modern spectators, even those living in apparently friendlier circumstances. There is a strange comfort in knowing that we are not alone in our struggles, and Malakaj recuperates "Anders als die Andern"'s mournful cinema as an essential element of its endurance, treating the film's melancholia both as a valuable feeling in and of itself and as a springboard to engage in an intergenerational queer struggle. Over a century after the film's release, Anders als die Andern (McGill-Queen's UP, 2023) serves as a stark reminder of how hostile the world can be to queer people, but also as an object lesson in how to find sustenance and social connection in tragic narratives. Ervin Malakaj is associate professor of German studies at the University of British Columbia. Armanc Yildiz is a postdoctoral researcher at Humboldt University. He received his Ph.D. in Social Anthropology at Harvard University, with a secondary degree in Studies of Women, Gender, and Sexuality. He is also the founder of Academics Write, where he supports scholars in their writing projects as a writing coach and developmental editor. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Released in 1919, "Anders als die Andern" (Different from the Others) stunned audiences with its straightforward depiction of queer love. Supporters celebrated the film's moving storyline, while conservative detractors succeeded in prohibiting public screenings. Banned and partially destroyed after the rise of Nazism, the film was lost until the 1970s and only about one-third of its original footage is preserved today. Directed by Richard Oswald and co-written by Oswald and the renowned sexologist Magnus Hirschfeld, "Anders als die Andern" is a remarkable artifact of cinema culture connected to the vibrant pre-Stonewall homosexual rights movement of early-twentieth-century Germany. The film makes a strong case for the normalization of homosexuality and for its decriminalization, but the central melodrama still finds its characters undone by their public outing. Ervin Malakaj sees the film's portrayal of the pain of living life queerly as generating a complex emotional identification in modern spectators, even those living in apparently friendlier circumstances. There is a strange comfort in knowing that we are not alone in our struggles, and Malakaj recuperates "Anders als die Andern"'s mournful cinema as an essential element of its endurance, treating the film's melancholia both as a valuable feeling in and of itself and as a springboard to engage in an intergenerational queer struggle. Over a century after the film's release, Anders als die Andern (McGill-Queen's UP, 2023) serves as a stark reminder of how hostile the world can be to queer people, but also as an object lesson in how to find sustenance and social connection in tragic narratives. Ervin Malakaj is associate professor of German studies at the University of British Columbia. Armanc Yildiz is a postdoctoral researcher at Humboldt University. He received his Ph.D. in Social Anthropology at Harvard University, with a secondary degree in Studies of Women, Gender, and Sexuality. He is also the founder of Academics Write, where he supports scholars in their writing projects as a writing coach and developmental editor. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Forensic genetic technologies are popularly conceptualized and revered as important tools of justice. The research and development of these technologies, however, has been accomplished through the capture of various Indigenous Peoples' genetic material and a subsequent ongoing genetic servitude.  In Forensic Colonialism: Genetics and the Capture of Indigenous Peoples (McGill-Queen's UP, 2023), Mark Munsterhjelm explores how controversial studies of Indigenous Peoples have been used to develop racializing forensic technologies. Making moral and political claims about defending the public from criminals and terrorists, international networks of scientists, police, and security agencies have developed forensic genetic technologies firmly embedded in hierarchies that target and exploit many Indigenous Peoples without their consent. Collections began under the guise of the highly controversial Human Genome Diversity Project and related efforts, including the 1987 sampling of Brazilian Indigenous Peoples as they recovered from near genocide. After 9/11, War on Terror rhetoric began to be used to justify research on ancestry estimation and physical appearance (phenotyping) markers, and since 2019, international research cooperation networks' use of genetic data from thousands of Uyghurs and other Indigenous Peoples from Xinjiang and Tibet has contributed to a series of controversies.  Munsterhjelm concludes that technologies produced by forensic genetics advance the biopolitical security only of privileged populations, and that this depends on imposing race-based divisions between who lives and who dies. Meticulously researched, Forensic Colonialism adds to growing debates over racial categories, their roots in colonialism, and the political hierarchies inherent to forensic genetics. Melek Firat Altay is a neuroscientist, biologist and musician. Her research focuses on deciphering the molecular and cellular mechanisms of neurodegenerative and neurodevelopmental disorders. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Forensic genetic technologies are popularly conceptualized and revered as important tools of justice. The research and development of these technologies, however, has been accomplished through the capture of various Indigenous Peoples' genetic material and a subsequent ongoing genetic servitude.  In Forensic Colonialism: Genetics and the Capture of Indigenous Peoples (McGill-Queen's UP, 2023), Mark Munsterhjelm explores how controversial studies of Indigenous Peoples have been used to develop racializing forensic technologies. Making moral and political claims about defending the public from criminals and terrorists, international networks of scientists, police, and security agencies have developed forensic genetic technologies firmly embedded in hierarchies that target and exploit many Indigenous Peoples without their consent. Collections began under the guise of the highly controversial Human Genome Diversity Project and related efforts, including the 1987 sampling of Brazilian Indigenous Peoples as they recovered from near genocide. After 9/11, War on Terror rhetoric began to be used to justify research on ancestry estimation and physical appearance (phenotyping) markers, and since 2019, international research cooperation networks' use of genetic data from thousands of Uyghurs and other Indigenous Peoples from Xinjiang and Tibet has contributed to a series of controversies.  Munsterhjelm concludes that technologies produced by forensic genetics advance the biopolitical security only of privileged populations, and that this depends on imposing race-based divisions between who lives and who dies. Meticulously researched, Forensic Colonialism adds to growing debates over racial categories, their roots in colonialism, and the political hierarchies inherent to forensic genetics. Melek Firat Altay is a neuroscientist, biologist and musician. Her research focuses on deciphering the molecular and cellular mechanisms of neurodegenerative and neurodevelopmental disorders. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/medicine

Forensic genetic technologies are popularly conceptualized and revered as important tools of justice. The research and development of these technologies, however, has been accomplished through the capture of various Indigenous Peoples' genetic material and a subsequent ongoing genetic servitude.  In Forensic Colonialism: Genetics and the Capture of Indigenous Peoples (McGill-Queen's UP, 2023), Mark Munsterhjelm explores how controversial studies of Indigenous Peoples have been used to develop racializing forensic technologies. Making moral and political claims about defending the public from criminals and terrorists, international networks of scientists, police, and security agencies have developed forensic genetic technologies firmly embedded in hierarchies that target and exploit many Indigenous Peoples without their consent. Collections began under the guise of the highly controversial Human Genome Diversity Project and related efforts, including the 1987 sampling of Brazilian Indigenous Peoples as they recovered from near genocide. After 9/11, War on Terror rhetoric began to be used to justify research on ancestry estimation and physical appearance (phenotyping) markers, and since 2019, international research cooperation networks' use of genetic data from thousands of Uyghurs and other Indigenous Peoples from Xinjiang and Tibet has contributed to a series of controversies.  Munsterhjelm concludes that technologies produced by forensic genetics advance the biopolitical security only of privileged populations, and that this depends on imposing race-based divisions between who lives and who dies. Meticulously researched, Forensic Colonialism adds to growing debates over racial categories, their roots in colonialism, and the political hierarchies inherent to forensic genetics. Melek Firat Altay is a neuroscientist, biologist and musician. Her research focuses on deciphering the molecular and cellular mechanisms of neurodegenerative and neurodevelopmental disorders. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Forensic genetic technologies are popularly conceptualized and revered as important tools of justice. The research and development of these technologies, however, has been accomplished through the capture of various Indigenous Peoples' genetic material and a subsequent ongoing genetic servitude.  In Forensic Colonialism: Genetics and the Capture of Indigenous Peoples (McGill-Queen's UP, 2023), Mark Munsterhjelm explores how controversial studies of Indigenous Peoples have been used to develop racializing forensic technologies. Making moral and political claims about defending the public from criminals and terrorists, international networks of scientists, police, and security agencies have developed forensic genetic technologies firmly embedded in hierarchies that target and exploit many Indigenous Peoples without their consent. Collections began under the guise of the highly controversial Human Genome Diversity Project and related efforts, including the 1987 sampling of Brazilian Indigenous Peoples as they recovered from near genocide. After 9/11, War on Terror rhetoric began to be used to justify research on ancestry estimation and physical appearance (phenotyping) markers, and since 2019, international research cooperation networks' use of genetic data from thousands of Uyghurs and other Indigenous Peoples from Xinjiang and Tibet has contributed to a series of controversies.  Munsterhjelm concludes that technologies produced by forensic genetics advance the biopolitical security only of privileged populations, and that this depends on imposing race-based divisions between who lives and who dies. Meticulously researched, Forensic Colonialism adds to growing debates over racial categories, their roots in colonialism, and the political hierarchies inherent to forensic genetics. Melek Firat Altay is a neuroscientist, biologist and musician. Her research focuses on deciphering the molecular and cellular mechanisms of neurodegenerative and neurodevelopmental disorders. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Anti-blackness has until recently been a taboo topic within Arab society. This began to change when Nader Kadhem, a prominent Arab and Muslim thinker from Bahrain, published the first in-depth investigation of anti-black racism in the Arab world in 2004. This translation of the new and revised edition of Kadhem's influential text brings the conversation to the English-speaking world. Al-Istifraq or Africanism, a term analogous to Orientalism, refers to the discursive elements of perceiving, imagining, and representing black people as a subject of study in Arabic writings. Kadhem explores the narratives of Africanism in the Arab imaginary from the Middle Ages to the nineteenth century to show how racism toward black people is ingrained in the Arab world, offering a comprehensive account of the representations of blackness and black people in Arab cultural narratives - including the Quran, the hadith, and Arabic literature, geography, and history.  Africanism: Blacks in the Medieval Arab Imaginary (McGill-Queen's UP, 2023) examines the pejorative image of black people in Arab cultural discourse through three perspectives: the controversial anthropological concept that culture defines what it means to be human; the biblical narrative of Noah cursing his son Ham's descendants - understood to be darker-skinned - with servitude; and Greco-Roman physiognomy, philosophy, medicine, and geography. Describing the shifting standards of inclusion that have positioned Arab identity in opposition to blackness, Kadhem argues that in the cultural imaginary of the Arab world, black people are widely conflated with the Other. Analyzing canonical Arabic texts through the lens of English, French, and German theory, Africanism traces the history of racism in Arab culture. Africanism digs deep into the cultural constructions of blacks in all aspects of the Arab imaginary, including language, religion, philosophy, literature, geography, and history. Author: Nader Kadhem is a professor emeritus of cultural studies at the University of Bahrain. Kadhim authored many literature and cultural criticism articles and studies published in Bahraini Arabic media. He has published 16 books that can be found here. Translator: Amir Al-Azraki is an Arab-Canadian playwright, literary translator, Theatre of the Oppressed practitioner, Associate Professor, and Coordinator of the Studies in Islamic and Arab Cultures Program, Renison University College, University of Waterloo. His research interests include Arab Theatre, Afro-Arab Cultural Heritage and Representation, and Literary Translation (Arabic-English) Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University. His research focuses on the intersection of law, the occult sciences, and the environment across the Western Indian Ocean. He can be reached by email at almaazmi@princeton.edu or on X @Ahmed_Yaqoub. Listeners' feedback, questions, and book suggestions are most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Anti-blackness has until recently been a taboo topic within Arab society. This began to change when Nader Kadhem, a prominent Arab and Muslim thinker from Bahrain, published the first in-depth investigation of anti-black racism in the Arab world in 2004. This translation of the new and revised edition of Kadhem's influential text brings the conversation to the English-speaking world. Al-Istifraq or Africanism, a term analogous to Orientalism, refers to the discursive elements of perceiving, imagining, and representing black people as a subject of study in Arabic writings. Kadhem explores the narratives of Africanism in the Arab imaginary from the Middle Ages to the nineteenth century to show how racism toward black people is ingrained in the Arab world, offering a comprehensive account of the representations of blackness and black people in Arab cultural narratives - including the Quran, the hadith, and Arabic literature, geography, and history.  Africanism: Blacks in the Medieval Arab Imaginary (McGill-Queen's UP, 2023) examines the pejorative image of black people in Arab cultural discourse through three perspectives: the controversial anthropological concept that culture defines what it means to be human; the biblical narrative of Noah cursing his son Ham's descendants - understood to be darker-skinned - with servitude; and Greco-Roman physiognomy, philosophy, medicine, and geography. Describing the shifting standards of inclusion that have positioned Arab identity in opposition to blackness, Kadhem argues that in the cultural imaginary of the Arab world, black people are widely conflated with the Other. Analyzing canonical Arabic texts through the lens of English, French, and German theory, Africanism traces the history of racism in Arab culture. Africanism digs deep into the cultural constructions of blacks in all aspects of the Arab imaginary, including language, religion, philosophy, literature, geography, and history. Author: Nader Kadhem is a professor emeritus of cultural studies at the University of Bahrain. Kadhim authored many literature and cultural criticism articles and studies published in Bahraini Arabic media. He has published 16 books that can be found here. Translator: Amir Al-Azraki is an Arab-Canadian playwright, literary translator, Theatre of the Oppressed practitioner, Associate Professor, and Coordinator of the Studies in Islamic and Arab Cultures Program, Renison University College, University of Waterloo. His research interests include Arab Theatre, Afro-Arab Cultural Heritage and Representation, and Literary Translation (Arabic-English) Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University. His research focuses on the intersection of law, the occult sciences, and the environment across the Western Indian Ocean. He can be reached by email at almaazmi@princeton.edu or on X @Ahmed_Yaqoub. Listeners' feedback, questions, and book suggestions are most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/islamic-studies

Anti-blackness has until recently been a taboo topic within Arab society. This began to change when Nader Kadhem, a prominent Arab and Muslim thinker from Bahrain, published the first in-depth investigation of anti-black racism in the Arab world in 2004. This translation of the new and revised edition of Kadhem's influential text brings the conversation to the English-speaking world. Al-Istifraq or Africanism, a term analogous to Orientalism, refers to the discursive elements of perceiving, imagining, and representing black people as a subject of study in Arabic writings. Kadhem explores the narratives of Africanism in the Arab imaginary from the Middle Ages to the nineteenth century to show how racism toward black people is ingrained in the Arab world, offering a comprehensive account of the representations of blackness and black people in Arab cultural narratives - including the Quran, the hadith, and Arabic literature, geography, and history.  Africanism: Blacks in the Medieval Arab Imaginary (McGill-Queen's UP, 2023) examines the pejorative image of black people in Arab cultural discourse through three perspectives: the controversial anthropological concept that culture defines what it means to be human; the biblical narrative of Noah cursing his son Ham's descendants - understood to be darker-skinned - with servitude; and Greco-Roman physiognomy, philosophy, medicine, and geography. Describing the shifting standards of inclusion that have positioned Arab identity in opposition to blackness, Kadhem argues that in the cultural imaginary of the Arab world, black people are widely conflated with the Other. Analyzing canonical Arabic texts through the lens of English, French, and German theory, Africanism traces the history of racism in Arab culture. Africanism digs deep into the cultural constructions of blacks in all aspects of the Arab imaginary, including language, religion, philosophy, literature, geography, and history. Author: Nader Kadhem is a professor emeritus of cultural studies at the University of Bahrain. Kadhim authored many literature and cultural criticism articles and studies published in Bahraini Arabic media. He has published 16 books that can be found here. Translator: Amir Al-Azraki is an Arab-Canadian playwright, literary translator, Theatre of the Oppressed practitioner, Associate Professor, and Coordinator of the Studies in Islamic and Arab Cultures Program, Renison University College, University of Waterloo. His research interests include Arab Theatre, Afro-Arab Cultural Heritage and Representation, and Literary Translation (Arabic-English) Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University. His research focuses on the intersection of law, the occult sciences, and the environment across the Western Indian Ocean. He can be reached by email at almaazmi@princeton.edu or on X @Ahmed_Yaqoub. Listeners' feedback, questions, and book suggestions are most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Anti-blackness has until recently been a taboo topic within Arab society. This began to change when Nader Kadhem, a prominent Arab and Muslim thinker from Bahrain, published the first in-depth investigation of anti-black racism in the Arab world in 2004. This translation of the new and revised edition of Kadhem's influential text brings the conversation to the English-speaking world. Al-Istifraq or Africanism, a term analogous to Orientalism, refers to the discursive elements of perceiving, imagining, and representing black people as a subject of study in Arabic writings. Kadhem explores the narratives of Africanism in the Arab imaginary from the Middle Ages to the nineteenth century to show how racism toward black people is ingrained in the Arab world, offering a comprehensive account of the representations of blackness and black people in Arab cultural narratives - including the Quran, the hadith, and Arabic literature, geography, and history.  Africanism: Blacks in the Medieval Arab Imaginary (McGill-Queen's UP, 2023) examines the pejorative image of black people in Arab cultural discourse through three perspectives: the controversial anthropological concept that culture defines what it means to be human; the biblical narrative of Noah cursing his son Ham's descendants - understood to be darker-skinned - with servitude; and Greco-Roman physiognomy, philosophy, medicine, and geography. Describing the shifting standards of inclusion that have positioned Arab identity in opposition to blackness, Kadhem argues that in the cultural imaginary of the Arab world, black people are widely conflated with the Other. Analyzing canonical Arabic texts through the lens of English, French, and German theory, Africanism traces the history of racism in Arab culture. Africanism digs deep into the cultural constructions of blacks in all aspects of the Arab imaginary, including language, religion, philosophy, literature, geography, and history. Author: Nader Kadhem is a professor emeritus of cultural studies at the University of Bahrain. Kadhim authored many literature and cultural criticism articles and studies published in Bahraini Arabic media. He has published 16 books that can be found here. Translator: Amir Al-Azraki is an Arab-Canadian playwright, literary translator, Theatre of the Oppressed practitioner, Associate Professor, and Coordinator of the Studies in Islamic and Arab Cultures Program, Renison University College, University of Waterloo. His research interests include Arab Theatre, Afro-Arab Cultural Heritage and Representation, and Literary Translation (Arabic-English) Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University. His research focuses on the intersection of law, the occult sciences, and the environment across the Western Indian Ocean. He can be reached by email at almaazmi@princeton.edu or on X @Ahmed_Yaqoub. Listeners' feedback, questions, and book suggestions are most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Anti-blackness has until recently been a taboo topic within Arab society. This began to change when Nader Kadhem, a prominent Arab and Muslim thinker from Bahrain, published the first in-depth investigation of anti-black racism in the Arab world in 2004. This translation of the new and revised edition of Kadhem's influential text brings the conversation to the English-speaking world. Al-Istifraq or Africanism, a term analogous to Orientalism, refers to the discursive elements of perceiving, imagining, and representing black people as a subject of study in Arabic writings. Kadhem explores the narratives of Africanism in the Arab imaginary from the Middle Ages to the nineteenth century to show how racism toward black people is ingrained in the Arab world, offering a comprehensive account of the representations of blackness and black people in Arab cultural narratives - including the Quran, the hadith, and Arabic literature, geography, and history.  Africanism: Blacks in the Medieval Arab Imaginary (McGill-Queen's UP, 2023) examines the pejorative image of black people in Arab cultural discourse through three perspectives: the controversial anthropological concept that culture defines what it means to be human; the biblical narrative of Noah cursing his son Ham's descendants - understood to be darker-skinned - with servitude; and Greco-Roman physiognomy, philosophy, medicine, and geography. Describing the shifting standards of inclusion that have positioned Arab identity in opposition to blackness, Kadhem argues that in the cultural imaginary of the Arab world, black people are widely conflated with the Other. Analyzing canonical Arabic texts through the lens of English, French, and German theory, Africanism traces the history of racism in Arab culture. Africanism digs deep into the cultural constructions of blacks in all aspects of the Arab imaginary, including language, religion, philosophy, literature, geography, and history. Author: Nader Kadhem is a professor emeritus of cultural studies at the University of Bahrain. Kadhim authored many literature and cultural criticism articles and studies published in Bahraini Arabic media. He has published 16 books that can be found here. Translator: Amir Al-Azraki is an Arab-Canadian playwright, literary translator, Theatre of the Oppressed practitioner, Associate Professor, and Coordinator of the Studies in Islamic and Arab Cultures Program, Renison University College, University of Waterloo. His research interests include Arab Theatre, Afro-Arab Cultural Heritage and Representation, and Literary Translation (Arabic-English) Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University. His research focuses on the intersection of law, the occult sciences, and the environment across the Western Indian Ocean. He can be reached by email at almaazmi@princeton.edu or on X @Ahmed_Yaqoub. Listeners' feedback, questions, and book suggestions are most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Anti-blackness has until recently been a taboo topic within Arab society. This began to change when Nader Kadhem, a prominent Arab and Muslim thinker from Bahrain, published the first in-depth investigation of anti-black racism in the Arab world in 2004. This translation of the new and revised edition of Kadhem's influential text brings the conversation to the English-speaking world. Al-Istifraq or Africanism, a term analogous to Orientalism, refers to the discursive elements of perceiving, imagining, and representing black people as a subject of study in Arabic writings. Kadhem explores the narratives of Africanism in the Arab imaginary from the Middle Ages to the nineteenth century to show how racism toward black people is ingrained in the Arab world, offering a comprehensive account of the representations of blackness and black people in Arab cultural narratives - including the Quran, the hadith, and Arabic literature, geography, and history.  Africanism: Blacks in the Medieval Arab Imaginary (McGill-Queen's UP, 2023) examines the pejorative image of black people in Arab cultural discourse through three perspectives: the controversial anthropological concept that culture defines what it means to be human; the biblical narrative of Noah cursing his son Ham's descendants - understood to be darker-skinned - with servitude; and Greco-Roman physiognomy, philosophy, medicine, and geography. Describing the shifting standards of inclusion that have positioned Arab identity in opposition to blackness, Kadhem argues that in the cultural imaginary of the Arab world, black people are widely conflated with the Other. Analyzing canonical Arabic texts through the lens of English, French, and German theory, Africanism traces the history of racism in Arab culture. Africanism digs deep into the cultural constructions of blacks in all aspects of the Arab imaginary, including language, religion, philosophy, literature, geography, and history. Author: Nader Kadhem is a professor emeritus of cultural studies at the University of Bahrain. Kadhim authored many literature and cultural criticism articles and studies published in Bahraini Arabic media. He has published 16 books that can be found here. Translator: Amir Al-Azraki is an Arab-Canadian playwright, literary translator, Theatre of the Oppressed practitioner, Associate Professor, and Coordinator of the Studies in Islamic and Arab Cultures Program, Renison University College, University of Waterloo. His research interests include Arab Theatre, Afro-Arab Cultural Heritage and Representation, and Literary Translation (Arabic-English) Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University. His research focuses on the intersection of law, the occult sciences, and the environment across the Western Indian Ocean. He can be reached by email at almaazmi@princeton.edu or on X @Ahmed_Yaqoub. Listeners' feedback, questions, and book suggestions are most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

No two nations have exchanged natural resources, produced transborder environmental agreements, or cooperatively altered ecosystems on the same scale as Canada and the United States. Environmental and energy diplomacy have profoundly shaped both countries' economies, politics, and landscapes for over 150 years. Natural Allies: Environment, Energy, and the History of US-Canada Relations (McGill-Queen's UP, 2023) looks at the history of US-Canada relations through an environmental lens. From fisheries in the late nineteenth century to oil pipelines in the twenty-first century, Daniel Macfarlane recounts the scores of transborder environmental and energy arrangements made between the two nations. Many became global precedents that influenced international environmental law, governance, and politics, including the Boundary Waters Treaty, the Trail Smelter case, hydroelectric megaprojects, and the Great Lakes Water Quality Agreements. In addition to water, fish, wood, minerals, and myriad other resources, Natural Allies details the history of the continental energy relationship - from electricity to uranium to fossil fuels -showing how Canada became vital to American strategic interests and, along with the United States, a major international energy power and petro-state. Environmental and energy relations facilitated the integration and prosperity of Canada and the United States but also made these countries responsible for the current climate crisis and other unsustainable forms of ecological degradation. Looking to the future, Natural Allies argues that the concept of national security must be widened to include natural security - a commitment to public, national, and international safety from environmental harms, especially those caused by human actions. Daniel Macfarlane is associate professor at the School of the Environment, Geography, and Sustainability at Western Michigan University and senior fellow at the Bill Graham Centre for Contemporary International History at the University of Toronto. Filippo De Chirico is a PhD student in History and Politics of Energy at Roma Tre University (Italy). Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network