Podcasts about Osumare

Ifaism and my findings from reading Osumare books this is amazing the information. I can't be the only person who has read it. Sometimes I feel like the community is going to ruin I been studying 12 years and I must say I am disappointed. From fraud and all the mal intent its crazy in the community may olodumare help us. --- Send in a voice message: https://podcasters.spotify.com/pod/show/renesea-lashaan-byrdsong/message

Nessa Live do Café com Bàbá, que ocorre todas as segundas às 6:52 em nosso Instagram, falamos sobre alguns Òrìsàs Encantados, tais como Osumare, Yewa, Ajé, dentre outros.   #ifa#yewa#babakayode#orisas#esumare#oxumare

Welcome to Contemporary Black Canvas. I am your host, Dr. Pia Deas. On this episode of Contemporary Black Canvas, we are sharing an audio recording entitled “ It’s A Commitment,” an audio recording. This audio piece features esteemed dance scholars Dr. Halifu Osumare and Dr. Brenda Dixon Gottschild. This is part of a larger, artists’ […] The post BAM EP 5 Scholars, Dancers, and Choreographers: Dr. Osumare and Dr. Dixon Gottschild appeared first on Contemporary Black Canvas.

Ntozake Shange was a playwright, poet, activist and dancer. As a self-proclaimed black feminist, she addressed intersectional issues of race, gender, sexuality, and activism in much of her work. Shange was born Paulette Linda Williams in Trenton, NJ on October 18, 1948; she died in her sleep on October 27, 2018, aged 70, in Bowie, Maryland. Ntozake Shange was best known for the Obie Award-winning play, for colored girls who have considered suicide / when the rainbow is enuf. Publications: For Colored Girls Who Have Considered Suicide/When the Rainbow is Enuf (Shameless Hussy Press, 1976) Sassafrass, Cypress & Indigo (1982) Betsey Brown (St. Martin's Press, 1985) The Black Book (1986, with Robert Mapplethorpe). Liliane (1994) Among her numerous honors and awards are fellowships from the Guggenheim Foundation and the Lila Wallace Reader's Digest Fund, a Pushcart Prize, the Barnard Medal of Honor, an honorary degree from Oberlin College, a certificate of Special Congressional Recognition, and several City Proclamations in honor of her work. In April 2016, Barnard College announced that it acquired Shange's archive. Movies: For Colored Girls, Whitewash, An Evening with Diana Ross (The Big Event) Her Plays include: From Okra to Greens/A Different Kinda Love Story (1983). Three views of Mt. Fuji (1987). First produced in San Francisco at the Lorraine Hansberry Theatre; first New York production at the New Dramatists. Daddy Says (1989). Whitewash (1994). Children's books Coretta Scott (2009) Ellington Was Not a Street (2003) Float Like a Butterfly: Muhammad Ali, the Man Who Could Float Like a Butterfly and Sting Like a Bee (2002) Daddy Says (2003) Whitewash (1997 Guests: Carol Marie Webster, PhD. Dr. Webster is a Visiting Scholar at the Institute for Religion, Culture and Public Life at Columbia University. She is also the conductor/Instructor/co-producer of AfrobeatRadio’s ongoing workshops on Critical Joy. Halifu Osumare PhD. Dr. Osumare is Professor Emerita in the Department of African American and African Studies (AAS) at University of California, Davis, and was the Director of AAS from 2011-2014. She has been a dancer, choreographer, arts administrator, and scholar of black popular culture for over forty years. Host: Wuyi Jacobs Credits Live broadcast 2018-11-07 on WBAI 99.5 FM, NYC Pacifica Radio #AfrobeatRadio #NtozakeShange.

Combining memoir with auto-ethnography, historical study and sociocultural analysis, Halifu Osumare draws on her decades of experience to explore the complexities of black dance in the United States. Starting in San Francisco during the rise of the Black Arts and Black Power Movements as well as of hippie counterculture, Osumare’s narrative follows her subsequent journeys to twenty-three countries across Europe, Africa and North America. Throughout Dancing in Blackness: A Memoir (University Press of Florida, 2018), she reflects on her subjectivity as a black woman traveling through and performing in diverse national/cultural contexts. Drawing on her academic grounding in black studies as well as her artistic experiences as a professional dancer, Osumare underscores the relationship between art, performance, and the black struggle for recognition, justice and self-empowerment. Dr. Osumare is professor emerita of African American and African Studies at the University of California, Davis, is the author of The Hiplife in Ghana: West African Indigenization of Hip-Hop and The Africanist Aesthetic in Global Hip-Hop: Power Moves. Sitara Thobani is Assistant Professor in the Residential College in the Arts and Humanities, Michigan State University. Her research focuses on the performance arts in colonial and postcolonial South Asia and its diasporas, especially as these relate to formations of nation, gender, sexuality and religion. She received her DPhil in Social and Cultural Anthropology form Oxford University, and is the author of Indian Classical Dance and the Making of Postcolonial National Identities: Dancing on Empire’s Stage (Routledge 2017). Learn more about your ad choices. Visit megaphone.fm/adchoices

Combining memoir with auto-ethnography, historical study and sociocultural analysis, Halifu Osumare draws on her decades of experience to explore the complexities of black dance in the United States. Starting in San Francisco during the rise of the Black Arts and Black Power Movements as well as of hippie counterculture, Osumare’s narrative follows her subsequent journeys to twenty-three countries across Europe, Africa and North America. Throughout Dancing in Blackness: A Memoir (University Press of Florida, 2018), she reflects on her subjectivity as a black woman traveling through and performing in diverse national/cultural contexts. Drawing on her academic grounding in black studies as well as her artistic experiences as a professional dancer, Osumare underscores the relationship between art, performance, and the black struggle for recognition, justice and self-empowerment. Dr. Osumare is professor emerita of African American and African Studies at the University of California, Davis, is the author of The Hiplife in Ghana: West African Indigenization of Hip-Hop and The Africanist Aesthetic in Global Hip-Hop: Power Moves. Sitara Thobani is Assistant Professor in the Residential College in the Arts and Humanities, Michigan State University. Her research focuses on the performance arts in colonial and postcolonial South Asia and its diasporas, especially as these relate to formations of nation, gender, sexuality and religion. She received her DPhil in Social and Cultural Anthropology form Oxford University, and is the author of Indian Classical Dance and the Making of Postcolonial National Identities: Dancing on Empire’s Stage (Routledge 2017). Learn more about your ad choices. Visit megaphone.fm/adchoices

Combining memoir with auto-ethnography, historical study and sociocultural analysis, Halifu Osumare draws on her decades of experience to explore the complexities of black dance in the United States. Starting in San Francisco during the rise of the Black Arts and Black Power Movements as well as of hippie counterculture, Osumare’s narrative follows her subsequent journeys to twenty-three countries across Europe, Africa and North America. Throughout Dancing in Blackness: A Memoir (University Press of Florida, 2018), she reflects on her subjectivity as a black woman traveling through and performing in diverse national/cultural contexts. Drawing on her academic grounding in black studies as well as her artistic experiences as a professional dancer, Osumare underscores the relationship between art, performance, and the black struggle for recognition, justice and self-empowerment. Dr. Osumare is professor emerita of African American and African Studies at the University of California, Davis, is the author of The Hiplife in Ghana: West African Indigenization of Hip-Hop and The Africanist Aesthetic in Global Hip-Hop: Power Moves. Sitara Thobani is Assistant Professor in the Residential College in the Arts and Humanities, Michigan State University. Her research focuses on the performance arts in colonial and postcolonial South Asia and its diasporas, especially as these relate to formations of nation, gender, sexuality and religion. She received her DPhil in Social and Cultural Anthropology form Oxford University, and is the author of Indian Classical Dance and the Making of Postcolonial National Identities: Dancing on Empire’s Stage (Routledge 2017). Learn more about your ad choices. Visit megaphone.fm/adchoices

Combining memoir with auto-ethnography, historical study and sociocultural analysis, Halifu Osumare draws on her decades of experience to explore the complexities of black dance in the United States. Starting in San Francisco during the rise of the Black Arts and Black Power Movements as well as of hippie counterculture, Osumare’s narrative follows her subsequent journeys to twenty-three countries across Europe, Africa and North America. Throughout Dancing in Blackness: A Memoir (University Press of Florida, 2018), she reflects on her subjectivity as a black woman traveling through and performing in diverse national/cultural contexts. Drawing on her academic grounding in black studies as well as her artistic experiences as a professional dancer, Osumare underscores the relationship between art, performance, and the black struggle for recognition, justice and self-empowerment. Dr. Osumare is professor emerita of African American and African Studies at the University of California, Davis, is the author of The Hiplife in Ghana: West African Indigenization of Hip-Hop and The Africanist Aesthetic in Global Hip-Hop: Power Moves. Sitara Thobani is Assistant Professor in the Residential College in the Arts and Humanities, Michigan State University. Her research focuses on the performance arts in colonial and postcolonial South Asia and its diasporas, especially as these relate to formations of nation, gender, sexuality and religion. She received her DPhil in Social and Cultural Anthropology form Oxford University, and is the author of Indian Classical Dance and the Making of Postcolonial National Identities: Dancing on Empire’s Stage (Routledge 2017). Learn more about your ad choices. Visit megaphone.fm/adchoices

Combining memoir with auto-ethnography, historical study and sociocultural analysis, Halifu Osumare draws on her decades of experience to explore the complexities of black dance in the United States. Starting in San Francisco during the rise of the Black Arts and Black Power Movements as well as of hippie counterculture, Osumare’s narrative follows her subsequent journeys to twenty-three countries across Europe, Africa and North America. Throughout Dancing in Blackness: A Memoir (University Press of Florida, 2018), she reflects on her subjectivity as a black woman traveling through and performing in diverse national/cultural contexts. Drawing on her academic grounding in black studies as well as her artistic experiences as a professional dancer, Osumare underscores the relationship between art, performance, and the black struggle for recognition, justice and self-empowerment. Dr. Osumare is professor emerita of African American and African Studies at the University of California, Davis, is the author of The Hiplife in Ghana: West African Indigenization of Hip-Hop and The Africanist Aesthetic in Global Hip-Hop: Power Moves. Sitara Thobani is Assistant Professor in the Residential College in the Arts and Humanities, Michigan State University. Her research focuses on the performance arts in colonial and postcolonial South Asia and its diasporas, especially as these relate to formations of nation, gender, sexuality and religion. She received her DPhil in Social and Cultural Anthropology form Oxford University, and is the author of Indian Classical Dance and the Making of Postcolonial National Identities: Dancing on Empire’s Stage (Routledge 2017). Learn more about your ad choices. Visit megaphone.fm/adchoices

Combining memoir with auto-ethnography, historical study and sociocultural analysis, Halifu Osumare draws on her decades of experience to explore the complexities of black dance in the United States. Starting in San Francisco during the rise of the Black Arts and Black Power Movements as well as of hippie counterculture, Osumare's narrative follows her subsequent journeys to twenty-three countries across Europe, Africa and North America. Throughout Dancing in Blackness: A Memoir (University Press of Florida, 2018), she reflects on her subjectivity as a black woman traveling through and performing in diverse national/cultural contexts. Drawing on her academic grounding in black studies as well as her artistic experiences as a professional dancer, Osumare underscores the relationship between art, performance, and the black struggle for recognition, justice and self-empowerment. Dr. Osumare is professor emerita of African American and African Studies at the University of California, Davis, is the author of The Hiplife in Ghana: West African Indigenization of Hip-Hop and The Africanist Aesthetic in Global Hip-Hop: Power Moves. Sitara Thobani is Assistant Professor in the Residential College in the Arts and Humanities, Michigan State University. Her research focuses on the performance arts in colonial and postcolonial South Asia and its diasporas, especially as these relate to formations of nation, gender, sexuality and religion. She received her DPhil in Social and Cultural Anthropology form Oxford University, and is the author of Indian Classical Dance and the Making of Postcolonial National Identities: Dancing on Empire's Stage (Routledge 2017). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

It has been fifty-one weeks since our "World Premiere" episode, which means next week makes ONE YEAR! This week our IEWeeklyPlaylist was an awesome serving of #Gumbo, with just the right amount of Hip-Hop, Soul, & R&B! We had sounds from Logic, Jeremih, Bobby V. and PJ Morton! We were also joined by special guest, @VibeOnKeyah, who spoke with us about aligning her chakras and creating her album "Osumare," saving young black boys, and whether or not Bruno Mars appropriates culture. During #MUSICNEWS we give Tank his due, and prepare to go #OnTheRun again with Beyonce & Jay-Z. Finally for the #TheBLACKNESS Serena has returned, but lost to Venus after facing each other for the twenty-ninth time! Join our convo and tweet us your thoughts to @onthewayweekly - See you next week!

1. Halifu Osumare, Ph.D., author of the new work, Dancing in Black, A Memoir (2018, University of Florida Press). Dr. Osumare is professor emerita of African American and African Studies at the University of California, Davis, is the author of "The Hiplife in Ghana: West African Indigenization of Hip-Hop" and "The Africanist Aesthetic in Global Hip-Hop: Power Moves." New York: Palgrave Macmillan, 2007.  2. WO2WO members: Karla Brundage, Tyrice Brown, Sanda "Makeda" Hooper-Mayfield, and Zakiyyah Capehart-Bollings, join us to talk about African Diaspora conversations through the Japanese poetic form, Renshi. 3. Archived interview 2/24 (Geoffrey Grier and Jeffery Smith) 4. SF Indie 2018 directors: Cathy Lee Crane, director, The Manhattan Front (2/10:4:30 PM); 2/14: 7 PM); Rocky Capella, dir., Guitar Man (2/11:7 PM; 2/15: 9:15). Cathy Lee CRANE, 2000 MFA graduate from SF State's Cinema Program has been charting a speculative history on film since 1994. She joins us to talk about The Manhattan Front: "Women, anarchists, and spies conjure the fantastically true story of how America entered WW1," which is having its world premiere at the SF Indie Festival 2/10 4 PM and 2/14 7 PM at the Roxie Rocky Capella, dir., "Don't Shoot I'm the Guitar Man," has worked in the film industry on more than six hundred films, commercials, television and internet projects as an award-winning action director, stunt coordinator and performer. Rocky has been a member of the Director's Guild of America for more than 25 years. "Don't Shoot! I'm the Guitar Man" is gives the average person an "inside look" at prison and the inner workings of a music program in San Quentin State Prison.    

We open with the second part of a series of conversations, with returning guest, Ayotunde A. Akindele, Sacramento, CA and his partner and our special guest Claude Maredza, who is joining us from Harare, ZM, to talk about the Chapwati Great Zimbabwe Leisure Resort project, he heads, but more importantly what the continued effect US sanctions is having on Zimbabwean people and these unauthorized sanctions need to be lifted. Visit change.org For info: uni_tees@hotmail.com & maredzac@yahoo.com 2. Steven Anthony Jones, Artistic Director, Lorraine Hansberry Theatre, pops in to talk about LHT newest initiative  and the staged reading of The Jamaican Wash, a revisioning of Philip Kan Gotanda's work with Carl Lumbley and Edris Cooper-Anifososhe, this weekend tonight, 7 p.m. and tomorrow, Sat., Jan. 12, 2 p.m. at The Costume Shop, A.C.T.'s newest performance venue  1117 Market, SF (Civic Center BART, 7th St. exit.  1/2 block walk nr. UN Plaza). Visit lhtsf.org We close with a conversation between two of the San Francisco Bay Area's stunning creative art mavens: Halifu Osumare and Denise Pate. Dr. Osumare is being honored at Unity Day at the Community Dance event and arts showcase, Sun., Jan. 13, 9-5 at the Malonga Casquelourde Center for the Arts, 1428 Alice Street, Oakland. Ms. Pate, currently Cultural Arts Funding Director for the City of Oakland, will facilitate a conversation which looks at Oakland and the Arts, specific to the synergy and the definition of place, held by its Pan African citizens, especially artists. Dr. Osumare, founder of Everybody's Creative Art Ctr. (later Citidance, which Ms. Pate was executive diretor of), an honoree this Sunday, will talk about this dance center's history. This comes at a time when Oakland is being hailed as an arts destination by ArtsPlace.org, named, No. 5 re: NYtimes Top 45 Places to Go in 2012.Music: WolfHawkJaguer's Cowrie Shell, Amikaeyla's Lovely Day.