performing art consisting of movement of the body
POPULARITY
Categories
228 episodes with dancers
91 episodes with dancers
73 episodes with dancers
88 episodes with dancers
52 episodes with dancers
124 episodes with dancers
94 episodes with dancers
52 episodes with dancers
22 episodes with dancers
37 episodes with dancers
20 episodes with dancers
75 episodes with dancers
33 episodes with dancers
16 episodes with dancers
26 episodes with dancers
25 episodes with dancers
12 episodes with dancers
13 episodes with dancers
13 episodes with dancers
8 episodes with dancers
12 episodes with dancers
14 episodes with dancers
10 episodes with dancers
9 episodes with dancers
32 episodes with dancers
24 episodes with dancers
15 episodes with dancers
11 episodes with dancers
7 episodes with dancers
22 episodes with dancers
6 episodes with dancers
11 episodes with dancers
18 episodes with dancers
15 episodes with dancers
10 episodes with dancers
10 episodes with dancers
6 episodes with dancers
9 episodes with dancers
9 episodes with dancers
15 episodes with dancers
8 episodes with dancers
8 episodes with dancers
14 episodes with dancers
6 episodes with dancers
10 episodes with dancers
8 episodes with dancers
4 episodes with dancers
11 episodes with dancers
10 episodes with dancers
5 episodes with dancers
12 episodes with dancers
5 episodes with dancers
5 episodes with dancers
6 episodes with dancers
![Solly's Podcast [The Dizz]](https://ivyfm.s3.amazonaws.com/i320/841616.jpg)
9 episodes with dancers
11 episodes with dancers
8 episodes with dancers
12 episodes with dancers
6 episodes with dancers
8 episodes with dancers
10 episodes with dancers
7 episodes with dancers
6 episodes with dancers
5 episodes with dancers
5 episodes with dancers
6 episodes with dancers
8 episodes with dancers
5 episodes with dancers
6 episodes with dancers
9 episodes with dancers
9 episodes with dancers
5 episodes with dancers
9 episodes with dancers
7 episodes with dancers
4 episodes with dancers
13 episodes with dancers
9 episodes with dancers
3 episodes with dancers
5 episodes with dancers
10 episodes with dancers
4 episodes with dancers
4 episodes with dancers
4 episodes with dancers
4 episodes with dancers
7 episodes with dancers
3 episodes with dancers
5 episodes with dancers
5 episodes with dancers
8 episodes with dancers
3 episodes with dancers
4 episodes with dancers
4 episodes with dancers
4 episodes with dancers
7 episodes with dancers
3 episodes with dancers
4 episodes with dancers
3 episodes with dancers
73 episodes with dancers
6 episodes with dancers
5 episodes with dancers
3 episodes with dancers
7 episodes with dancers
2 episodes with dancers
4 episodes with dancers
3 episodes with dancers
10 episodes with dancers
2 episodes with dancers
3 episodes with dancers
7 episodes with dancers
4 episodes with dancers
7 episodes with dancers
6 episodes with dancers
6 episodes with dancers
7 episodes with dancers
2 episodes with dancers
6 episodes with dancers
3 episodes with dancers
7 episodes with dancers
3 episodes with dancers
5 episodes with dancers
2 episodes with dancers
3 episodes with dancers
2 episodes with dancers
3 episodes with dancers
2 episodes with dancers
5 episodes with dancers
6 episodes with dancers
4 episodes with dancers
4 episodes with dancers
4 episodes with dancers
5 episodes with dancers
4 episodes with dancers
3 episodes with dancers
3 episodes with dancers
5 episodes with dancers
Millions of people around the world will soon welcome in the Year of the Horse. A key part of Lunar New Year celebrations for many communities is lion dancing, which is said to bring good luck and prosperity into the new year. But it takes discipline to master the skill, as one group of dancers in Brisbane hopes to continue the traditional performance - Ключевой частью празднования Лунного Нового года для многих общин является танец льва, который, как считается, приносит удачу и процветание в новом году. Но для освоения этого навыка требуется дисциплина, и одна группа танцоров в Брисбене надеется продолжить это традиционное представление.
A JAZZ DANCE FUSION SPECIALSPOTLIGHTING ORIGINAL BIRMINGHAM JAZZ DANCERSLANCE LOWE CARL LOWE RICK AND TY HASSELLMALCOLM STRETCH PATRICK COLIN "LIZARD " HIGGINS & DONALD " BULLDOG" ANDERSONMUSICAL CLUB HISTORY FROM THE ORIGINAL JAZZ DANCEFLOOR STYLISTS
Today is Monday, Feb. 16, 2026. The Brainerd Dispatch Minute is a product of Forum Communications Co. and is brought to you by reporters at the Brainerd Dispatch. Find more news throughout the day at BrainerdDispatch.com.
Millions of people around the world will soon welcome in the Year of the Horse. A key part of Lunar New Year celebrations for many communities is lion dancing, which is said to bring good luck and prosperity into the new year. But it takes discipline to master the skill, as one group of dancers in Brisbane hopes to continue the traditional performance
Millions of people around the world will soon welcome the Year of the Horse. An important part of the celebration of the Chinese New Year for many communities is the lion dance, which is said to bring good luck and prosperity in the new year. - Jutaan orang di seluruh dunia akan segera menyambut Tahun Kuda. Bagian penting dari perayaan Tahun Baru Imlek bagi banyak komunitas adalah tarian singa, yang konon membawa keberuntungan dan kemakmuran di tahun baru.
Not too long ago, in the 2000s and 2010s, many felt that the internet–even one behind the Great Firewall–would bring about a more open China. As President Bill Clinton famously quipped in 2000, Beijing trying to control the internet would be like “trying to nail jello to the wall.” Things don't look quite so certain now. China's internet is now more controlled than it was a decade ago, with platforms, content creators, and tech companies now firmly guided by rules and signals from Beijing. Yi-Ling Liu charts the story of the Chinese internet in her book The Wall Dancers: Searching for Freedom and Connection on the Chinese Internet (Knopf, 2026), with profiles of creators like Ma Baoli, the founder of one of China's, and the world's, largest gay dating apps, or Chinese hip hop pioneer Kafe Hu. Yi-Ling's work has been published in The New York Times Magazine, The New Yorker, Harper's Magazine, WIRED, and The New York Review of Books. She has been a New America Fellow, a recipient of the Matthew Power Literary Reporting Award, and an Overseas Press Club Foundation Scholar. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Wall Dancers . Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
We are live! And this time from Apogee Dispo in Sunland Park NM. Tune in as Juantito Jones makes his After Party debut and Tiara, a local up and coming nightlife promoter, her company TNS Productions and DJ tells us about some after party stories, her favorite after party she has been to plus! She answers some horny questions straight from instagram. Follow us on social media @AaronScenesAfterParty
Not too long ago, in the 2000s and 2010s, many felt that the internet–even one behind the Great Firewall–would bring about a more open China. As President Bill Clinton famously quipped in 2000, Beijing trying to control the internet would be like “trying to nail jello to the wall.” Things don't look quite so certain now. China's internet is now more controlled than it was a decade ago, with platforms, content creators, and tech companies now firmly guided by rules and signals from Beijing. Yi-Ling Liu charts the story of the Chinese internet in her book The Wall Dancers: Searching for Freedom and Connection on the Chinese Internet (Knopf, 2026), with profiles of creators like Ma Baoli, the founder of one of China's, and the world's, largest gay dating apps, or Chinese hip hop pioneer Kafe Hu. Yi-Ling's work has been published in The New York Times Magazine, The New Yorker, Harper's Magazine, WIRED, and The New York Review of Books. She has been a New America Fellow, a recipient of the Matthew Power Literary Reporting Award, and an Overseas Press Club Foundation Scholar. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Wall Dancers . Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies
Not too long ago, in the 2000s and 2010s, many felt that the internet–even one behind the Great Firewall–would bring about a more open China. As President Bill Clinton famously quipped in 2000, Beijing trying to control the internet would be like “trying to nail jello to the wall.” Things don't look quite so certain now. China's internet is now more controlled than it was a decade ago, with platforms, content creators, and tech companies now firmly guided by rules and signals from Beijing. Yi-Ling Liu charts the story of the Chinese internet in her book The Wall Dancers: Searching for Freedom and Connection on the Chinese Internet (Knopf, 2026), with profiles of creators like Ma Baoli, the founder of one of China's, and the world's, largest gay dating apps, or Chinese hip hop pioneer Kafe Hu. Yi-Ling's work has been published in The New York Times Magazine, The New Yorker, Harper's Magazine, WIRED, and The New York Review of Books. She has been a New America Fellow, a recipient of the Matthew Power Literary Reporting Award, and an Overseas Press Club Foundation Scholar. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Wall Dancers . Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society
Not too long ago, in the 2000s and 2010s, many felt that the internet–even one behind the Great Firewall–would bring about a more open China. As President Bill Clinton famously quipped in 2000, Beijing trying to control the internet would be like “trying to nail jello to the wall.” Things don't look quite so certain now. China's internet is now more controlled than it was a decade ago, with platforms, content creators, and tech companies now firmly guided by rules and signals from Beijing. Yi-Ling Liu charts the story of the Chinese internet in her book The Wall Dancers: Searching for Freedom and Connection on the Chinese Internet (Knopf, 2026), with profiles of creators like Ma Baoli, the founder of one of China's, and the world's, largest gay dating apps, or Chinese hip hop pioneer Kafe Hu. Yi-Ling's work has been published in The New York Times Magazine, The New Yorker, Harper's Magazine, WIRED, and The New York Review of Books. She has been a New America Fellow, a recipient of the Matthew Power Literary Reporting Award, and an Overseas Press Club Foundation Scholar. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Wall Dancers . Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review
Not too long ago, in the 2000s and 2010s, many felt that the internet–even one behind the Great Firewall–would bring about a more open China. As President Bill Clinton famously quipped in 2000, Beijing trying to control the internet would be like “trying to nail jello to the wall.” Things don't look quite so certain now. China's internet is now more controlled than it was a decade ago, with platforms, content creators, and tech companies now firmly guided by rules and signals from Beijing. Yi-Ling Liu charts the story of the Chinese internet in her book The Wall Dancers: Searching for Freedom and Connection on the Chinese Internet (Knopf, 2026), with profiles of creators like Ma Baoli, the founder of one of China's, and the world's, largest gay dating apps, or Chinese hip hop pioneer Kafe Hu. Yi-Ling's work has been published in The New York Times Magazine, The New Yorker, Harper's Magazine, WIRED, and The New York Review of Books. She has been a New America Fellow, a recipient of the Matthew Power Literary Reporting Award, and an Overseas Press Club Foundation Scholar. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Wall Dancers . Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology
Hand balancing is entering a new chapter. In this episode, Meaghan Wegg introduces the Hand Balancing syllabus under Aerial Arts and shares why balance is not a trick or a strength test, but a skill that can be taught safely and progressively. From reducing fear upside down to building confidence through clear structure, this conversation explores how a syllabus changes the way hand balancing is taught in studios. If you teach dancers, aerialists, or acro students, this episode offers a fresh perspective on balance, alignment, and what is now possible with a structured approach. Ready to bring Hand Balancing to your studio? Register now and be part of the first wave of teachers building this discipline the right way. Meaghan Wegg Meaghan grew up dancing where she studied Jazz, Tap, Hip Hop and Acro. In 2001, Meaghan was accepted in to L'Ecole Nationale de Cirque in Montreal where she specialized in aerial hoop and contortion with additional training in Ballet, Contemporary and Modern. Upon graduation in 2005, Meaghan performed professionally as a principal dancer in many roles, including the cast of ‘Tomorrow' (Pigeons, International) and the cast of ‘Loft' (7 Fingers). From 2009 – 2012, Meaghan performed on tour globally with Cirque Du Soleil's ‘Quidam' as a feature aerialist. Following an extremely successful performance career, Meaghan shifted her focus to coaching and choreography. In 2013 Meaghan graduated with a diploma from L'Ecole Nationale de Cirque (Montreal, Canada) with a major in Research of Acrobatics, and a minor in Hand to Hand partnering for dancers. Currently she works as a private acrobatic coach and choreographer, and attracts students from around the world with a focus on career development, choreography and professional stage preparation. Meaghan founded Move With The Beat dance competitions in 2013. She is the Aerial Arts Division Manager with Acrobatic Arts. Most recently she has launched her Aerial Arts Online syllabus guiding teachers with her course for their students and class preparations. Meaghan started The Academy Circus as a local London, Ontario circus and acrobatic facility in 2017. Meaghan recently has been hired for global choreographic projects in Australia, Montreal, France, China and India creating large scale shows for special events, Casino shows and year end performance university shows. She is passionate about welcoming everyone into the performance industry while sharing tips and tools about making it a reality. She is now an on call Artistic Coach with Cirque du Soleil. Meaghan is very happy to be settled in her home town of London Ontario with her small family! A full transcript of the podcast is available here: https://www.acrobaticarts.com/blog/ep-128-hand-balancing-reimagined-with-meaghan-wegg Listen to Meaghan's Previous Episodes: Ep. 114 Take it to the Air with Meaghan WeggEp. 83 Headstand Progressions for Beginners with Meaghan WeggEp. 71 Student vs Professional Training with Tim Buckley & Meaghan WeggEp. 46 Managing Headaches During Acro Class with Meaghan WeggEp. 7 Acrobatic Arts Australia, New Zealand and Asia Division Managers - Meaghan Wegg and Tim Buckley If you'd like more amazing content more tips and ideas check out our Acrobatic Arts Channel on YouTube. Subscribe Now! Connect with Acrobatic Arts on your favourite social media platform: Instagram: https://www.instagram.com/acrobaticarts/ Facebook: https://www.facebook.com/Acroarts Twitter: https://twitter.com/acrobatic_arts/ Learn more and register for our programs at AcrobaticArts.com
Alessandra Mauro"Irving Penn. Photographs 1939 - 2007"Centro della Fotografia, RomaFino al 29 giugno 2026Ad inaugurare il programma espositivo del neonato Centro della Fotografia di Roma è la grande mostra IRVING PENN. PHOTOGRAPHS 1939 – 2007, che presenta al pubblico una selezione di 109 stampe provenienti dalla prestigiosa collezione della Maison Européenne de la Photographie (MEP) di Parigi, realizzate tra il 1939 e il 2007. La collezione della MEP è il risultato di un lungo rapporto di collaborazione con l'artista e, negli anni più recenti, di un dialogo continuo con la Irving Penn Foundation, istituzione fondata dallo stesso Irving Penn per preservare e promuovere il suo lascito artistico.La mostra è curata da Pascal Hoël, Head of Collections MEP, Frédérique Dolivet Deputy to Head of Collections MEP e Alessandra Mauro curatrice per il Centro della Fotografia di Roma.Irving Penn (1917–2009) è universalmente riconosciuto come uno dei più grandi maestri della fotografia del Novecento. Per oltre sessant'anni protagonista della scena internazionale e firma storica della rivista Vogue, Penn ha rivoluzionato i generi della fotografia di moda, del ritratto e della natura morta, con uno stile inconfondibile fatto di rigore formale, eleganza essenziale e straordinaria attenzione ai dettagli. Le sue immagini, per lo più realizzate in studio, sono celebri per la loro apparente semplicità e per la capacità di restituire, con la stessa intensità, soggetti famosi e persone comuni. Accanto ai ritratti di artisti, scrittori e celebrità, Penn ha dedicato grande attenzione a progetti personali diventati iconici, come le nature morte con mozziconi di sigarette o oggetti abbandonati, trasformati in immagini di sorprendente bellezza.La mostra, articolata in sei sezioni, offre una panoramica completa della sua opera, mettendo in luce non solo la potenza della sua visione artistica, ma anche la sua straordinaria abilità di stampatore. Penn seguiva, infatti, ogni fase del processo con estrema cura, sperimentando tecniche raffinate come la stampa al platino, per ottenere immagini senza tempo, oggi considerate pietre miliari della storia della fotografia.Il percorso espositivo si apre con i Primi lavori (1939-1947), cioe le prime fotografie che realizza lungo le strade di New York, poi nel sud degli Stati Uniti e poi ancora in Messico nel 1941. Nel 1945 e in Europa e in Italia, come autista volontario di ambulanze dell'esercito americano e utilizza la sua macchina fotografica per raccogliere testimonianze visive di quel periodo travagliato. In mostra anche la celebre fotografia dedicata al “gruppo d'intellettuali italiani al Caffe Greco” realizzata a Roma da Irving Penn per Vogue nel 1948. La seconda sezione e dedicata ai numerosi Viaggi tra il 1948 ed il 1971 per Vogue, dal Peru al Nepal, dal Camerun alla Nuova Guinea, nei quali realizza ritratti degli indigeni immersi nella luce naturale, dopo averli isolati dal loro ambiente in uno spazio neutro. La sezione numero tre riguarda invece i Ritratti (1947 – 1996) soprattutto delle celebrità e che vengono fotografate per lo più nel suo studio, dove Penn crea i suoi set. Nella quarta sezione troviamo i Nudi (1949 – 1967): una serie molto personale di fotografie di nudi femminili, per i quali sceglie modelle professioniste per pittori e scultori con l'obiettivo di inquadrare i corpi il piu da vicino possibile, senza mai mostrare i volti, celebrando la loro bellezza scultorea. Sottopone poi i suoi negativi a tecniche di stampa sperimentali, sbiancando e rielaborando le sue stampe fino a ottenere toni diafani che variano sempre da una stampa all'altra. La sua forza creativa e evidente anche nel lavoro che realizza nel 1967 per il Dancers' Workshop di San Francisco in cui non cerca di dare un preciso significato a una coreografia specifica, ma piuttosto sceglie un'interpretazione piu libera dei corpi in movimento che si esibiscono solo per essere fotografati. Infine, le ultime due sezioni: Moda e bellezza (1949 – 2007), durante la sua lunga carriera per Vogue, la moda e parte essenziale del suo lavoro e Still Life (1949 –2007), nella quale dimostra grande creativita nella messa in scena di oggetti inanimati, con una costante determinazione a rimuovere il superfluo. Spesso include nelle sue realizzazioni riferimenti alla Vanitas e al memento mori dell'arte antica, che conferiscono alle sue immagini un potere e una presenza senza tempo. E anche interessato a soggetti che a prima vista possono sembrare banali, insignificanti o ripugnanti, come i mozziconi di sigarette trovate in strada o le gomme da masticare usate, che Penn glorifica in sontuose stampe al platino-palladio. Così, esplorando nuovi soggetti con nuove tecniche, continua sempre a forzare i confini creativi del mezzo fotografico.Accompagna la mostra un booklet in vendita al bookshop del Centro di Fotografia.La mostra è promossa da Roma Capitale e Fondazione Mattatoio e organizzata da Civita Mostre e MuseiDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/
Millions of people around the world will soon welcome in the Year of the Horse. A key part of Lunar New Year celebrations for many communities is lion dancing, which is said to bring good luck and prosperity into the new year. But it takes discipline to master the skill. - 千年以上の歴史を持ち、伝統芸能かつ競技スポーツでもあるライオンダンス（獅子舞）。若い移民とコミュニティーをつなぐ存在でもあります。旧正月を前に、ブリスベンにあるグループに話を聞いたリポートです。
Self-care gets marketed as bubble baths and spa days. But for dancers, real self-care is often much less glamorous and much more powerful.In this solo episode, I break down what sustainable self-care actually looks like for dancers who want long, healthy, fulfilling careers. From sleep and hydration to decision fatigue, physical therapy, and getting off social media, this conversation focuses on the small, proactive habits that protect your body, brain, and soul.Because true self-care isn't reactive; it's the daily basics that make everything else easier.If you've been feeling burnt out, overwhelmed, or like you're constantly playing catch-up with your health, this episode is your reminder to go back to the foundations.Resources mentioned in this episode:Self Care for Dancers Blog Post: https://www.thebrainyballerina.com/blog/self-care-for-dancers-that-actually-worksJoin the Brainy Ballerina Book Club: https://www.thebrainyballerina.com/the-brainy-ballerina-book-clubThe Lazy Genius: https://amzn.to/45Kuxty (affiliate link)Brick: https://getbrick.appRelated episodes:BONUS: The Impact of the Ballet World's Obsession with Weight with Dr. Stephanie Potreck23. A Holistic Approach to Strength Training with Wendy Reinert25. Nourishing Dancers: a Conversation on Nutrition, Body Image, and Eating Disorders with Registered Dietitian Monika Saigal68. Fueling the Mind-Body Connection with Registered Sports Dietitian Lisa Rivera84. 2025 Year in Review and Being Where Your Feet Are in 2026Let's connect!My WEBSITE: thebrainyballerina.comINSTAGRAM: instagram.com/thebrainyballerina1-1 Career Mentoring: book your complimentary career callQuestions/comments? Email me at caitlin@thebrainyballerina.com
Heart Health for DancersHost: Anna Harsh Dancer, Author, Director of Allegro Dance Company www.AnnaHarsh.com Tips and advice to keep your heart healthy as a dancer. Ways to train and breathe to allow they heart to work efficiently.#heartHealth #February #TheDanceFloorPodcast
Good day ladies and gentlemen, this is IRC news, and I am Joy Stephen, an authorized Canadian Immigration practitioner bringing out this Canada Work Permit application data specific to LMIA work permits or employer driven work permits or LMIA exempt work permits for multiple years based on your country of Citizenship. I am coming to you from the Polinsys studios in Cambridge, OntarioNew Brunswick issued work permits between 2015 and 2024 for Dancers under the former 4 digit NOC code 5134, currently referred to as NOC 53120.A senior Immigration counsel may use this data to strategize an SAPR program for clients. More details about SAPR can be found at https://ircnews.ca/sapr. Details including DATA table can be seen at https://polinsys.co/dIf you have an interest in gaining assistance with Work Permits based on your country of Citizenship, or should you require guidance post-selection, we extend a warm invitation to connect with us via https://myar.me/c. We strongly recommend attending our complimentary Zoom resource meetings conducted every Thursday. We kindly request you to carefully review the available resources. Subsequently, should any queries arise, our team of Canadian Authorized Representatives is readily available to address your concerns during the weekly AR's Q&A session held on Fridays. You can find the details for both these meetings at https://myar.me/zoom. Our dedicated team is committed to providing you with professional assistance in navigating the immigration process. Additionally, IRCNews offers valuable insights on selecting a qualified representative to advocate on your behalf with the Canadian Federal or Provincial governments, accessible at https://ircnews.ca/consultant.Support the show
In this episode we dive into chondromalacia and how it affects dancers. You'll learn what exactly chrondromalacia is, how it is graded and what causes it. You'll also learn the most common ways it presents in dancers, and best practice for treatment of it.Additional podcast episodes mentioned in this episode:Episode 59: Patellofemoral Pain Syndrome in DancersEpisode 86: Femoroacetabular Impingement (FAI) in DancersLearn more about Erika Mayall:Follow me on Instagram: @dancephysioerikaLearn more about me on my website: https://www.allegroperformance.comSign up for my newsletter: Click hereSend me an email: hello@allegroperformance.comSupport the showSupport the show
all men are dancers and their tread - #4433 (97R73 percent 103 left) by chair house 260202 (again, William Butler Yeats from May 22, 2025) *** NEW CATCHPHRASE FOR PIANO TEN THOUSAND LEAVES *** " Gentleness, carried on 4,536 leaves of sound " =========================== The Complete Works of Piano Ten Thousand Leaves Vol.1-5 =========================== VOLUME1-5 just released! Gentleness, carried on 4,536 leaves of sound. --- youtube full video: https://youtu.be/keXS3AEO1a4 --- spotify: https://open.spotify.com/intl-ja/album/4bNp2s3LQmQRKW20I9nqg6?si=J3ecOB_ySXKqrtjWViXNgA --- Apple Music: https://music.apple.com/jp/album/the-complete-works-of-piano-ten-thousand-leaves-vol-1-5/1851196335 --- amazon Music: https://amazon.co.jp/music/player/albums/B0G14M9TRF?marketplaceId=A1VC38T7YXB528&musicTerritory=JP&ref=dm_sh_AW167RpyD3hxpUR2jIAjg0SRa --- Line Music: https://music.line.me/webapp/album/mb0000000004ca05e8 --- AWA: https://s.awa.fm/album/79acc2b85cbe01e0a992 --- all music streaming services: https://linkco.re/GqnQvNyP?lang=en ######## Latest Album: 31st SELECTION ALBUM JUST RELEASED ######## "forest moon dream" - the 31st selection album of piano ten thousand leaves youtube: FULL VIDEO with 20 full songs in very high quality sounds https://youtu.be/hRY7rtkp-hw?si=dpSjSeY7rHAyOvtC spotify: https://open.spotify.com/intl-ja/album/0GL5j2gohVbt5rgcbZqslM?si=Al-XczUJTJmNYgpcGbff7w apple Music: https://music.apple.com/jp/album/forest-moon-dream/1843588627 amazon music: https://amazon.co.jp/music/player/albums/B0FTMBPY75?marketplaceId=A1VC38T7YXB528&musicTerritory=JP&ref=dm_sh_dz30EicNlOoEQrCadNDGVEtSW all music streaming services: https://linkco.re/GzFhAvTg?lang=en *** "PIANO TEN THOUSAND LEAVE" COMPLETE WORK ALBUM SERIES START *** Now begins a new challenge: to compile all 4,536 pieces into 91 albums and deliver them to the future. Just as "Ten Thousand Leaves ( Manyoushu ) " carried the hearts of lovers across a thousand years, we hope these piano pieces will reach people a thousand years from now. =================== VOLUME1-5 =================== See the description above. =================== VOLUME1-4 =================== *** youtube full video: https://youtu.be/a77YDMMgv7o *** spotify: https://open.spotify.com/intl-ja/album/3mISdsZNVdEAD2BMxCE0ku?si=2l36hot_TsyV_kCVnKwLBg *** Apple Music: https://music.apple.com/jp/album/the-complete-works-of-piano-ten-thousand-leaves-vol-1-4/1840586819 *** amazon Music: https://amazon.com/music/player/albums/B0FRMNGD1K?marketplaceId=ATVPDKIKX0DER&musicTerritory=US&ref=dm_sh_mFt4isWbmtWKlgKqqHDbRNiff *** all music streaming services: https://linkco.re/m0nqEtsg?lang=en =================== VOLUME1-3 =================== *** youtube full video https://youtu.be/ue7KsUBdLME?si=5UbdJelOAPjqboiJ *** spotify: https://open.spotify.com/intl-ja/album/6BAV5XloL6HDGboFeiE3VF?si=e4E-3zI0RqCt8aQNrnMHrQ *** Apple Music: https://music.apple.com/jp/album/the-complete-works-of-piano-ten-thousand-leaves-vol-1-3/1834912123 *** all music streaming services: https://linkco.re/8RNRdEa3?lang=en =================== VOLUME1-2 =================== *** youtube: full video of 50 pieces 2 hours https://youtu.be/fBmIMLpM10g?si=MQmAdF95M7GCm4Ve *** spotify: https://open.spotify.com/intl-ja/album/1KDM283kVS8x7fO9q79w2v?si=iIJ4sZidSqWW8ah59Y_a1g *** Apple Music: https://music.apple.com/jp/album/the-complete-works-of-piano-ten-thousand-leaves-vol-1-2/1832629621 *** all music streaming services: https://linkco.re/VeA0UreQ?lang=en =================== VOLUME1-1 =================== *** youtube: full video of 50 pieces 2 hours https://youtu.be/YERNF74cvKw?si=6FiU67TOdybggkQk *** spotify: https://open.spotify.com/intl-ja/album/12vCnNiO4EfBz6eVPGhvOr?si=P3cL7RZSTV-87jeswyI8BA *** Apple Music: https://music.apple.com/jp/album/the-complete-works-of-piano-ten-thousand-leaves-vol-1-1/1831717286 *** all music streaming services: https://linkco.re/Y9VNVN23
If January didn't go as planned, this episode is for you.Maybe you started the year motivated and consistent… and then got sick, missed class, or lost momentum. Maybe your ballet routine didn't restart the way you hoped it would.In this short, encouraging episode, we're reframing the idea that you're “behind” and talking about why losing momentum isn't a personal failure, especially for adult ballet dancers. We'll explore why consistency matters more than intensity, why your body doesn't forget everything when you take a break, and how to move forward without pressure or shame.This is a gentle reset you can take with you — a reminder that you didn't miss your moment, and you're allowed to begin again.✨ Thank you Frenchies Hairpins for sponsoring this episode! Get your velvet coated hairpins (my go-to product for French twists and ballet buns) at frenchieshairpins.com and use code AFTERCLASS10 for 10% off your order!Support the showFollow Hannah on Instagram @thebusybunheadExplore blog posts, merchandise & resources for adult ballet dancers like you at thebusybunhead.comPodcast produced by Mission Bridge Media.www.MissionBridgeMedia.com
We're launching our Spotlight Series by revisiting the very first episode of the Acrobatic Arts Podcast, featuring Rick Tjia, dancer, choreographer, educator, and freelance casting director. This episode focuses on how teachers can help dancers leave a strong impression at auditions, support them after emotional outcomes, and guide them through video auditions clearly and professionally. Practical, direct, and immediately applicable for anyone supporting dancers on audition pathways. About Rick Tjia Rick's early training years began with tap dancing, eventually branching out into professional studies of classical ballet, jazz, hip-hop, and contemporary dance (training with teachers like David Howard, Finis Jhung, Christine Busch, Bruce Marks, Laura Young and Geri Houlihan). He also trained in other disciplines (trumpet, physics, and later on, guitar studies and various studies in business). After an extensive career in dance and acting that includes performances with Ballet Austin, Boston Ballet and Delta Festival Ballet, as well as three years of work in film and television in Los Angeles doing hip-hop, jazz, and ballet (with choreographers like Twyla Tharp, Joe Layton, and with film directors like Mark Rydell, and James Brooks), Rick joined La La La Human Steps in Montreal in 1993, with whom he danced and toured the world for 8 years. As with many dancers and musicians, Rick is also a composer, a dance and acrobatic choreographer, and judges dance competitions, and teaches various workshops around the globe. During his 16 years as a Talent Scout specializing in dance at Cirque du Soleil, Rick's contributions to the Casting Department also extended itself to contributing to and drawing up new operational and business strategies, as well as contributing to creative and innovative internal and external strategies of various types. Rick also works closely with International Performing Arts & Theatre (I-PATH) through leading dance education in the 21st Century. In 2016, he joined the creative team of the Cirque du Soleil Big Top touring show Volta as an acrobatic choreographer, and In 2018, he started up the online choreography market Choreography Online with two partners, which had its official public launch in September, 2019. Through Choreography Online he continues to cast for various live show and film projects, teach a Diploma in Choreography Program online, and manage Choreography Online's International Online Dance Competition. He is also an integral contributor to JamarGig, a new and innovative online casting and audition management system. Rick is also still a freelance casting director. If you are a professional performing artist who would like to be considered for future casting calls, please open a profile in the Choreography Online Casting database here: http://casting.choreography.onl/ A full transcript of the podcast is available here: https://www.acrobaticarts.com/blog/ep-127-spotlight-series-expert-advice-on-auditioning-for-dance-roles-with-rick-tia If you'd like more amazing content more tips and ideas check out our Acrobatic Arts Channel on YouTube. Subscribe Now! Connect with Acrobatic Arts on your favourite social media platform: Instagram: https://www.instagram.com/acrobaticarts/ Facebook: https://www.facebook.com/Acroarts Twitter: https://twitter.com/acrobatic_arts/ Learn more and register for our programs at AcrobaticArts.com Acrobatic Arts: https://www.acrobaticarts.com
'DANCE 4 OZ', National Indian Dance Competition 2026 in Sydney brings together talented young performers from across Australia, celebrating the diversity, skill, and cultural richness of Indian dance, including classical, folk, contemporary, and fusion styles, in a vibrant national showcase. We spoke to the founder and director Siju Johny to learn more about the event and its vision.
"Dance Talk” ® with Joanne Carey and special guest Kanon SuginoIn this episode of "Dance Talk” ® , host Joanne Carey interviews dancer and choreographer Kanon Sugino, who shares her journey from a young dancer in New York to a recipient of the Clive Barnes Award. Kanon discusses her experiences at LaGuardia High School, the challenges of company life, and the differences between modern and contemporary dance. She reflects on her cultural identity as a Japanese American dancer and how it influences her choreography. Kanon encourages artists to take up space and share their voices through art.Kanon Sugino is a Japanese American dancer and choreographer born and raised in New York. She attended Fiorello H. LaGuardia High School of Music & Art and Performing Arts and SUNY Purchase College, graduating Summa Cum Laude with a BFA in Dance and a BA in Arts Management. Kanon has worked with Nimbus Dance, and is currently a company dancer with Doug Varone and Dancers and MICHIYAYA Dance. She has performed in works choreographed by Doug Varone, Bill T. Jones, Keerati Jinakunwiphat, Jie-Hung Connie Shiau, Norbert De La Cruz lll, Gregory Lau, Fredrick Earl Mosley, Peter Chu, Darrell Grand Moultrie, MICHIYAYA, Merce Cunningham, Martha Graham, and more. As a choreographer, she has presented work at the We Belong Here: AAPI Festival, split bill performances at Arts On Site and the Triskelion Theater, and self-curated shows at the Puffin Room Art Gallery and the Triskelion Theater.During her time at Purchase College, she took on the role of co-leader of the Conservatory of Dance's Racial Equity Group, and was awarded the Distinguished Leadership Award for her work. Additionally, Kanon was named the Jadin Wong Fellow for Dance with Asian American Arts Alliance as well as an Honored Artist for Dance with the Clive Barnes Foundation in 2024. Kanon has taught at SUNY Purchase's Conservatory of Dance, New York Theatre Ballet, and at Doug Varone and Dancer's summer and winter intensives in addition to various colleges in the U.S. while on tour with the company.Learn more about Kanon:https://www.kanonsugino.com/“Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."https://dancetalkwithjoannecarey.com/Please leave us a Review.Please help support the podcast:https://gofund.me/e561b42ac
Mary J. Blige is in the next studio and Jay is a little star struck. | Mickey Rourke is broke and refusing any help so Jay and Bob offer to buy the house he is renting. | Jacob is jealous of an influencer who stands outside clubs waiting for women to fawn over him because of his looks and height. | Jay plays videos of a prank where a man walks through the ghetto with a see-through backpack filled with cash. *To hear the full show to go www.siriusxm.com/bonfire to learn more! FOLLOW THE CREW ON SOCIAL MEDIA: @thebonfiresxm @louisjohnson @christinemevans @bigjayoakerson @robertkellylive @louwitzkee @jjbwolf Subscribe to SiriusXM Podcasts+ to listen to new episodes of The Bonfire ad-free and a whole week early. Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.
Mexico's still-rising demand for U.S.-sourced natural gas — and new pipelines to deliver it — has been driven by the buildout of new power plants and, more recently, by planned LNG exports. Today, we discuss more private-sector midstreamers and the new gas demand that may bring them new opportunities.
Coming at you LIVE from Benny Frank's! Where we are joined by Food Network's ‘Chopped' Champion Chef Enrique where he gives us some incite to being a chef, his speciality menu at Benny Frank's and the perks of being Chef Enrique. Plus Voo hits us with 21 questions where things get a little spicy. Follow us on social media @AaronScenesAfterParty
Adult dancer, does pas de deux feel out of reach or like a long-lost dream? Many of us have been telling ourselves that partnering is only for pre-professionals or company dancers, and that if we didn't start early, we somehow “missed our chance.” Sound familiar?I'm joined in this episode by Lester and Laurence, founders of Pas De Deux Workshops & Coaching, for an honest, approachable conversation about pas de deux for adult dancers.✨But first, thank you Jule Dancewear for sponsoring this episode! If you're looking for a supportive new leo, flattering tights, or soft legwarmers, look no further. Use code JULEBUNHEAD15 for 15% off your order at juledancewear.com In this episode, we break down why pas de deux is more accessible than you might think, how partnering can be taught safely and thoughtfully, and what adult dancers truly need (and don't need) before trying it for the first time.In this episode, we cover:What makes pas de deux so specialWhy adult dancers often feel intimidated by partneringHow workshops create physical and emotional safetyCommon technical challenges (balance, coordination, weight sharing)How much ballet technique is recommended before trying pas de deuxWays adult dancers can prepare to feel more confidentEncouragement for dancers navigating fear or imposter syndromeIf you've ever been curious about pas de deux but told yourself, “I'm not ready,” this episode is for you. Let's get into it!Connect with Pas De Deux Workshops:Website: pasdedeuxworkshops.comInstagram: @pasdedeuxworkshopsJoin the After Class Corps de Ballet below
Auditioning for professional ballet companies is very different than auditioning for summer intensives, and that reality can catch even the most prepared dancers off guard.In this solo episode of The Brainy Ballerina Podcast, I'm pulling back the curtain on the audition process and sharing the lessons I learned the hard way while navigating company auditions across the country. All the things I wish someone had told me before stepping into the room.Key Points in this Episode: Why professional company auditions operate differently from summer intensive auditions When the audition actually begins The unexpected mindset shifts dancers need when auditioning for contracts What directors may be looking for behind the scenes (and why you often won't know it) How to mentally survive the uncertainty, rejection, and waiting that come with audition seasonThis episode is a must-listen for: Aspiring professional ballet dancers Pre-professional dancers transitioning into company auditions Dancers feeling discouraged, confused, or stuck during audition season Anyone who wants a more realistic, grounded understanding of how the ballet industry works
Discovering Grayslake: Unveiling the Stories and People That Make Our Town Unique
They share their excitement about heading to nationals in Orlando, discuss their dedicated fundraising efforts, and reflect on the team's growth and achievements. The conversation highlights the team's hard work, the community's generosity, and the lifelong memories being made. Listeners are encouraged to support the team and celebrate the hometown pride that makes Grayslake such a special place. Donate Here https://checkout.square.site/merchant/D9CMRY3QZPT9A/checkout/TUKEBMOUZGWXAG3FBQNMP4V6?src=qr Behind the Scenes with the Grayslake Central Varsity Dance Team: Lessons in Dedication, Community, and Going for Gold There's something special about small-town spirit, and nowhere is that more evident than in the journey of the Grayslake Central Varsity Dance Team. In a recent episode of "Discovering Grayslake," recorded at the Grayslake Area Public Library, the host sat down with team members Janai, Addy, Ella, and parent Megan Willhite to discuss their upcoming trip to nationals in Orlando, the hard work behind their success, and the powerful role of community support. This blog post dives deep into the main themes of the episode—dedication, teamwork, fundraising, and the impact of community—offering actionable insights and expert advice for anyone involved in youth sports, dance, or community initiatives. Whether you're a dancer, a parent, or a supporter, there's something here for you. 1. Earning a Spot at Nationals: The Power of Teamwork and Leadership How They Did It Choreographing a Winning Routine:** The team earned their nationals bid at the UDA summer camp at Northern Illinois University, where they performed a routine choreographed in part by junior Ella. Their first-place win was a historic moment for the program. Leadership from Seniors:** Seniors like Janai played a pivotal role, setting the tone for the season and inspiring underclassmen to push harder. Actionable Advice Empower Student Leadership:** Allowing students to choreograph and lead fosters ownership and pride. Encourage upperclassmen to mentor younger teammates. Set Clear, Ambitious Goals:** The team's focus on reaching nationals gave everyone a shared purpose. Set specific, challenging goals to unite your group. Expert Insight "When you have younger people coming up behind you, it encourages more to join. Success breeds success." — Discovering Grayslake Host 2. Fundraising: Building Community and Teaching Life Skills The Challenge High Costs:** Each dancer faces nearly $2,000 in expenses for the trip, not including food. Creative Fundraising:** The team organized bake sales, bingo nights, and participated in community events like the Grayslake tree lighting and skate nights. Lessons Learned Community Outreach:** Addy shared her experience going door-to-door on Center Street, learning valuable communication and fundraising skills. Gratitude and Generosity:** Parent Megan highlighted the overwhelming support from local businesses and residents. Actionable Advice Diversify Fundraising Efforts:** Don't rely on a single event. Mix traditional (bake sales) and experiential (bingo nights, community performances) fundraisers. Engage the Community:** Involve local businesses and make fundraising a team effort. Personal outreach (like going door-to-door) builds relationships and teaches responsibility. Express Gratitude:** Always thank donors and supporters publicly and privately. Gratitude strengthens community ties. Expert Insight "Fundraising isn't just about the money—it's about teaching responsibility, teamwork, and perseverance." — Megan Willhite, Dance Team Parent 3. The Demands of Competition: Commitment and Time Management A Grueling Schedule Early Mornings and Long Days:** Practices start as early as 6:30 a.m., and competition days can last from dawn until mid-afternoon for a two-minute performance. Balancing Academics and Athletics:** Dancers juggle schoolwork, rehearsals, and competitions, often requesting extra practices to perfect routines. Actionable Advice Prioritize Time Management:** Use planners or digital calendars to balance school, dance, and personal time. Practice with Purpose:** Focus on quality over quantity in rehearsals. Set specific goals for each practice session. Support Each Other:** Encourage open communication about stress and workload. Peer support is crucial during busy seasons. Expert Insight "The season starts with spring auditions, continues through summer and fall, and peaks in winter. It's a marathon, not a sprint." — Megan Willhite 4. The Value of the Experience: College, Confidence, and Lifelong Memories Looking Ahead College Opportunities:** Janai is heading to Cleary University on a dance scholarship. Ella is attending college clinics and reaching out to coaches, while Addy is keeping her options open. Resume Boost:** Competing at nationals can give dancers an edge in college applications and recruiting. Cherished Moments Team Camaraderie:** Addy values the time spent with seniors and the sense of family on the team. Milestone Memories:** Janai's last football game performance and Ella's pride in winning the spirit stick are highlights. Actionable Advice Document the Journey:** Encourage dancers to keep journals or photo albums. These memories will be cherished for years. Leverage Achievements:** Highlight national-level participation in college applications and interviews. Celebrate Every Win:** Take time to acknowledge both big and small victories throughout the season. Expert Insight "Soak it all in—it'll be over just like that. These are the moments you'll remember." — Discovering Grayslake Host 5. Community Support: The Heartbeat of Small-Town Success How Grayslake Rallies Local Businesses and Residents:** Their generosity makes the trip possible. Home Competition:** The team will host over 20 schools at their home event, showcasing not just their talent but their organizational skills. Actionable Advice Invite the Community In:** Host open practices, invite local media, and make events family-friendly. Give Back:** Encourage dancers to volunteer or perform at community events as a thank you. Promote Random Acts of Kindness:** As the host signs off, he reminds listeners to spread kindness—an ethos that strengthens community bonds. Expert Insight "Get out there today and do one or two random acts of kindness. You never know what people are going through." — Discovering Grayslake Host Key Takeaways for Dancers, Parents, and Community Leaders Success is a Team Effort:** From choreography to fundraising, everyone plays a role. Fundraising Builds More Than Budgets:** It teaches life skills and connects the team to the community. Hard Work Pays Off:** Early mornings and long days are worth it for the memories and opportunities created. Cherish the Journey:** The friendships, lessons, and experiences last long after the final performance. Community is Everything:** Local support turns dreams into reality. How You Can Support the Grayslake Central Varsity Dance Team Attend the Home Competition:** Sunday, February 18th at the Grayslake Central Fieldhouse. Donate Online:** Every dollar helps these dedicated dancers reach their goals. Spread the Word:** Share their story and encourage others to support youth arts in Grayslake. From the first eight-count to the final bow, the Grayslake Central Varsity Dance Team's journey is a testament to what can happen when passion, hard work, and community come together. Let's keep cheering them on—all the way to Orlando and beyond! Subscribe to "Discovering Grayslake" on Apple, Spotify, or YouTube to meet more inspiring members of our hometown. And remember: a little kindness goes a long way. Written with pride for Grayslake, by your friendly neighborhood blog.
JOIN THE MAN LIFE BROTHERHOOD TODAY AND GROW AS A GOD-MADE MAN!!! https://brotherhood.bizelli.org ***** Saving Heroes in Crisis - Fuel Our Fire Dancers -- https://www.givesendgo.com/FireDance --
Listen to Conversations on Dance ad-free on Patreon: https://www.patreon.com/cw/conversationsondanceOn today's episode of "Conversations On Dance", we are joined by Kari Brunson Wright, Josh Spell and Rachel Coats, founders of the ILUMN Collective and former professional dancers turned therapists and coaches. We talk the various mental health challenges they faced as dancers, how they came together to create a program to offer people of all stripes in the dance world a way to overcome those hurdles and the specifics of some of the methods they are now offering at ILUMN. The sessions offered at ILUMN are customized towards all kinds of people in the dancer world: not only students and professional dancers, but former dancers, teachers, directors and rehearsal directors. To set up your first ILUMN session, visit www.theilumncollective.com or download the app for short, powerful audio sessions you can access at any time. Download the app: https://apps.apple.com/ph/app/ilumn/id6751722723LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceCOD MerchListen to COD on YouTubeJoin our email listSponsorship information Hosted on Acast. See acast.com/privacy for more information.
Mexico's process for planning new gas pipelines is very top-down, with state-owned Cenagas and CFE playing key roles. But the buildout of pipelines there has been largely accomplished by private-sector companies that are now planning another round of projects that will spur more gas exports from the U.S.
In Mexico, state-owned players like Cenagas and CFE continue to play central roles in planning and underpinning the development of natural gas pipelines. At the same time, however, Mexico has leveraged the participation of a handful of private-sector companies that have built a significant share of the newer pipelines there.
COURTSIDE MAVERICK feat. @xo.mariza_ & @louis.lit We're kicking off the new year with the OG horny crew! Mariza comes by for a little after party reunion as we catch up with her and her latest move to Dallas. She tells us why El Paso men give her the ick and she tells us all about her throuple in paradise. Follow us on social media @AaronScenesAfterParty
Today I spoke with Lesley Nicole Braun to talk about her new book on Congo's dancers. Dance music plays a central role in the cultural, social, religious, and family lives of the people of the Democratic Republic of the Congo. Among the various genres popular in the capital city of Kinshasa, Congolese rumba occupies a special place and can be counted as one of the DRC's most well-known cultural exports. The public image of rumba was historically dominated by male bandleaders, singers, and musicians. However, with the introduction of the danseuse (professional concert dancer) in the late 1970s, the role of women as cultural, moral, and economic actors came into public prominence and helped further raise Congolese rumba's international profile. In Congo's Dancers: Women and Work in Kinshasa (U Wisconsin Press, 2023), Lesley Nicole Braun uses the prism of the Congolese danseuse to examine the politics of control and the ways in which notions of visibility, virtue, and socio-economic opportunity are interlinked in this urban African context. The work of the danseuse highlights the fact that public visibility is necessary to build the social networks required for economic independence, even as this visibility invites social opprobrium for women. The concert dancer therefore exemplifies many of the challenges that women face in Kinshasa as they navigate the public sphere, and she illustrates the gendered differences of local patronage politics that shape public morality. As an ethnographer, Braun had unusual access to the world she documents, having been invited to participate as a concert dancer herself. Dr. Suvi Rautio is an anthropologist of China. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Today I spoke with Lesley Nicole Braun to talk about her new book on Congo's dancers. Dance music plays a central role in the cultural, social, religious, and family lives of the people of the Democratic Republic of the Congo. Among the various genres popular in the capital city of Kinshasa, Congolese rumba occupies a special place and can be counted as one of the DRC's most well-known cultural exports. The public image of rumba was historically dominated by male bandleaders, singers, and musicians. However, with the introduction of the danseuse (professional concert dancer) in the late 1970s, the role of women as cultural, moral, and economic actors came into public prominence and helped further raise Congolese rumba's international profile. In Congo's Dancers: Women and Work in Kinshasa (U Wisconsin Press, 2023), Lesley Nicole Braun uses the prism of the Congolese danseuse to examine the politics of control and the ways in which notions of visibility, virtue, and socio-economic opportunity are interlinked in this urban African context. The work of the danseuse highlights the fact that public visibility is necessary to build the social networks required for economic independence, even as this visibility invites social opprobrium for women. The concert dancer therefore exemplifies many of the challenges that women face in Kinshasa as they navigate the public sphere, and she illustrates the gendered differences of local patronage politics that shape public morality. As an ethnographer, Braun had unusual access to the world she documents, having been invited to participate as a concert dancer herself. Dr. Suvi Rautio is an anthropologist of China. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies
Today I spoke with Lesley Nicole Braun to talk about her new book on Congo's dancers. Dance music plays a central role in the cultural, social, religious, and family lives of the people of the Democratic Republic of the Congo. Among the various genres popular in the capital city of Kinshasa, Congolese rumba occupies a special place and can be counted as one of the DRC's most well-known cultural exports. The public image of rumba was historically dominated by male bandleaders, singers, and musicians. However, with the introduction of the danseuse (professional concert dancer) in the late 1970s, the role of women as cultural, moral, and economic actors came into public prominence and helped further raise Congolese rumba's international profile. In Congo's Dancers: Women and Work in Kinshasa (U Wisconsin Press, 2023), Lesley Nicole Braun uses the prism of the Congolese danseuse to examine the politics of control and the ways in which notions of visibility, virtue, and socio-economic opportunity are interlinked in this urban African context. The work of the danseuse highlights the fact that public visibility is necessary to build the social networks required for economic independence, even as this visibility invites social opprobrium for women. The concert dancer therefore exemplifies many of the challenges that women face in Kinshasa as they navigate the public sphere, and she illustrates the gendered differences of local patronage politics that shape public morality. As an ethnographer, Braun had unusual access to the world she documents, having been invited to participate as a concert dancer herself. Dr. Suvi Rautio is an anthropologist of China. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
Today I spoke with Lesley Nicole Braun to talk about her new book on Congo's dancers. Dance music plays a central role in the cultural, social, religious, and family lives of the people of the Democratic Republic of the Congo. Among the various genres popular in the capital city of Kinshasa, Congolese rumba occupies a special place and can be counted as one of the DRC's most well-known cultural exports. The public image of rumba was historically dominated by male bandleaders, singers, and musicians. However, with the introduction of the danseuse (professional concert dancer) in the late 1970s, the role of women as cultural, moral, and economic actors came into public prominence and helped further raise Congolese rumba's international profile. In Congo's Dancers: Women and Work in Kinshasa (U Wisconsin Press, 2023), Lesley Nicole Braun uses the prism of the Congolese danseuse to examine the politics of control and the ways in which notions of visibility, virtue, and socio-economic opportunity are interlinked in this urban African context. The work of the danseuse highlights the fact that public visibility is necessary to build the social networks required for economic independence, even as this visibility invites social opprobrium for women. The concert dancer therefore exemplifies many of the challenges that women face in Kinshasa as they navigate the public sphere, and she illustrates the gendered differences of local patronage politics that shape public morality. As an ethnographer, Braun had unusual access to the world she documents, having been invited to participate as a concert dancer herself. Dr. Suvi Rautio is an anthropologist of China. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology
Today I spoke with Lesley Nicole Braun to talk about her new book on Congo's dancers. Dance music plays a central role in the cultural, social, religious, and family lives of the people of the Democratic Republic of the Congo. Among the various genres popular in the capital city of Kinshasa, Congolese rumba occupies a special place and can be counted as one of the DRC's most well-known cultural exports. The public image of rumba was historically dominated by male bandleaders, singers, and musicians. However, with the introduction of the danseuse (professional concert dancer) in the late 1970s, the role of women as cultural, moral, and economic actors came into public prominence and helped further raise Congolese rumba's international profile. In Congo's Dancers: Women and Work in Kinshasa (U Wisconsin Press, 2023), Lesley Nicole Braun uses the prism of the Congolese danseuse to examine the politics of control and the ways in which notions of visibility, virtue, and socio-economic opportunity are interlinked in this urban African context. The work of the danseuse highlights the fact that public visibility is necessary to build the social networks required for economic independence, even as this visibility invites social opprobrium for women. The concert dancer therefore exemplifies many of the challenges that women face in Kinshasa as they navigate the public sphere, and she illustrates the gendered differences of local patronage politics that shape public morality. As an ethnographer, Braun had unusual access to the world she documents, having been invited to participate as a concert dancer herself. Dr. Suvi Rautio is an anthropologist of China. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology
1. Week 17 Takeaways-DKrom: Voters face an EXTREMELY difficult decision on 2025 Coach of the Year honors-Hal: Teams that had nothing to play for played HARD (e.g.: Browns, Colts, Bengals, Falcons)2. Week 17 Honors-GOAT of the Week (DKrom: Derrick Henry, Hal: Drake Maye)-Dunce of the Week (DKrom: Mike Tomlin, Hal: Arthur Smith)3. Rating the Playoff Teams (One-And-Done, Dancers, Championship Caliber)-Packers-Texans 4. On a scale of 1-10 (1 being not likely at all, 10 being all but guaranteed), how possible is it that Maxx Crosby has played his final down as a Raider? 5. Truth or Exaggeration -The Saints have a HC/QB combo that they can rely on for the next five seasons or more-On Sunday night, John Harbaugh and Mike Tomlin will be coaching for job security beyond 2026 -Assuming the current draft order holds (and both Fernando Mendoza and Dante Moore declare), the Giants will trade the #2 overall pick to another QB-needy team -The Titans must hire another Vrabel-type program builder as head coach (Jesse Minter, Jeff Hafley) as long as they bring in a proven OC (Brian Daboll, Kevin Stefanski)-Bears DB's coach Al Harris will be the hottest DC candidate this cycle-The Bills will not win another AFC East title with Josh Allen unless they fire both Sean McDermott and Brandon Beane-Michael Penix, Jr. will permanently lose the Falcons starting QB job at some point next season -Malik Willis will be the starting QB for either the Steelers, Cardinals or Dolphins in 20266. Week 18 Game Picks-Lock of the Week (DKrom: Panthers over Bucs, Hal: Broncos over Chargers)-Upset Special (DKrom: Chargers over Broncos, Hal: Steelers over Ravens)-Seahawks at 49ers -Colts at Texans -Cowboys at Giants -Browns at Bengals -Saints at Falcons -Packers at Vikings -Titans at Jaguars -Cardinals at Rams -Chiefs at Raiders -Dolphins at Patriots -Commanders at Eagles -Lions at Bears-Jets at Bills7. Week 18 Bold Predictions-DKrom: Lions lay another 50-burger on the Bears as Jared Goff sets the single game record with 8 TD passes in a 56-35 win-Hal: Ravens score go-ahead TD on 4th down with just over a minute remaining in the game to take 20-19 lead...but on the two-point conversion, Lamar fumbles and Jalen Ramsey scoops it up and returns it 90-yards for two points and the Steelers win 21-20 8. Challenge Flags-DKrom: Bucs…win or lose this weekend, do NOT extend Baker Mayfield this offseason and make him earn it next year -Hal: All playoff teams...the field is wide open like never before...y'all have a shot, so make the most of this chance!
After we filmed the podcast - the media started reporting on all the cancellations at the Kennedy Center. We then got “friendly inquiries” from CNN and The Washington Post asking if we were cancelling. This is designed to intimidate us and our cast and crew. It's like the mafia expressing concern for that nice restaurant - it would be a shame if something happened to it. They want us to buckle under the pressure. We will NOT.Below is our statement on the cancellation attempt. The OCTOBER 7 play will absolutely be on stage on January 28th.Good riddance to these taxpayer-funded cosplaying rebels. They seem to think producing art is about them feeling comfortable and cozy. Artists should always go where they feel uncomfortable, even unwanted—if they want to change the world, that's where they should be, instead of speaking into their taxpayer-funded echo chamber.These performative walkouts are for their friends and funders—they don't care about the wider audience or creating new audiences. And they wonder why so many theaters are struggling?Even their friends are bored with the woke, clichéd, and hectoring art they are producing. "Doug Varone and Dancers," the New York dance company, said their walkout was "morally exhilarating."That's very telling.They create to make themselves feel better, not the audience.We create to bring the truth to the audience. Good to see these woke “artists” leave the stage. It leaves more stage time for the rest of us who want to produce genuine art.We are already thinking about future events at the Kennedy Center.Phelim McAleer & Ann McElhinneyJust to remind everyone about what we are planning for the Kennedy Center.We are taking OCTOBER 7, our verbatim play, to the venue on January 28. The play will be in the beautiful Terrace Theater. We went to Israel after the October 7 massacres and interviewed survivors, the bereaved and heroes who fought back. We turned their testimony into the play that has been performed across the country from Off-Broadway in New York to the UCLA campus in Los Angeles. It has also been performed on several other college campuses - places that really need to hear the truth. The performance at the Kennedy Center will be intimate, raw, and unforgettable. Please watch the podcast to hear the full story - you can also get tickets at the link below. I really want to see you there. The New York Post said OCTOBER 7 was "Spellbinding..powerful and a sanctuary for truth. It breathes life into characters that will hopefully inspire people…When you can put yourself in the shoes of what these people went through, that's what creates empathy. That's very important ... right now in this country, regardless of your politics." So please come see the play. If you can't come to DC you can donate to fight the bullies and censors at the link below. And while the mainstream media is obsessing over the fake genocide in Gaza, 7,000 Christians were slaughtered by Islamist radicals in Nigeria in the first eight months of this year. However the mainstream media is pretending that they are being killed in a land war caused by climate change. This week we interviewed Brian Orme, the CEO of Global Christian Relief. He has been to Nigeria and has a team working to aid displaced, persecuted Christians, terrorized by radical muslims.Watch the scoop to hear what's really going on!And the Los Angeles Times shocked us, as they actually did their jobs and reported actual news on the true cause of the deadly Palisades fire and how the city administration tried to cover it up. Watch the scoop to see our coverage of the Palisades wreckage.
Looking polished and confident in your dancing isn't always about doing more — often, it's about small the details. In this fan-favorite episode from the After Class archives, we're revisiting three small but powerful elements that can instantly elevate how you look and feel as an adult ballet dancer: hands, eyes, and head placement.We break down the subtle choices that make a big difference — from properly extending your fingers, to activating your eye line, to holding your head with intention — details teachers don't always have time to explain fully in class.Whether you're dancing at home or in the studio, these simple refinements can dramatically improve your lines, presence, and confidence. If you're listening again or tuning in for the first time, I hope this episode helps you dance with more clarity and ease. Let's get into it!
One more episode before Christmas with the crew...LOL
All dancers deal with disappointment from time to time. And that means that we dance parents are also dealing with it! In this conversation we get to interview Dr Chelsea Pierotti to learn about all the tips and tricks parents can use to help their child through these uncomfortable and trying times. Dr Chelsea Pierotti was a former professional dancer and dance team coach, and currently works as a podcast host, Mental Performance Coach, and Teaching Associate Professor for the University of Colorado, Boulder. LINKS FOR DR. CHELSEA PIEROTTIPassion For Dance Podcastwww.chelseapierotti.cominstagram @dr.chelsea.pierottiEPISODE SPONSORSDream Duffel, the original rolling duffel with a built in garment rack! Choose from multiple sizes, colors, patterns, & styles!www.dreamduffel.comApolla Performance Compression Socks, Made by dancers for dancers! Increase stability and support, while reducing pain and fatigue. www.apollaperformance.comRATE & REVIEWRate & Review Apple Podcast Rate on Spotify SOCIALS Instagram: https://www.instagram.com/twodancemomspodcast/
Lizzo's background dancers dropped claims that Lizzo fat shamed them. Lady Gaga stopped her concert after her dancer fell off the stage because of the pouring rain! Kaelin tells us everything we need to know about New York's Jingle Ball!See omnystudio.com/listener for privacy information.
© 2020-2026 Ivy Podcast Discovery LLC
