Podcasts about Indigo

SummaryIn this conversation, Clayton Cuteri explores the relationship between money and personal abundance, emphasizing the need to shift focus from money as a primary goal to a broader mission that includes saving Nature. He discusses the detrimental effects of viewing money as a demon that controls our lives and suggests that true abundance comes from aligning with nature and its resources. Through personal anecdotes and insights, he encourages listeners to find peace and fulfillment beyond financial pursuits.Clayton's Social MediaLinkTree | TikTok | Instagram | Twitter (X) | YouTube | RumbleTimecodes00:00 - Intro01:08 - Unlocking Abundance: The Money Mindset Shift02:35 - The Demon of Money: Understanding Its Control05:56 - Money as a Tool: Shifting Focus to the Mission10:07 - Nature Over Money: The True Source of AbundanceIntro/Outro Music Producer: Don KinIG: https://www.instagram.com/donkinmusic/Spotify: https://open.spotify.com/artist/44QKqKsd81oJEBKffwdFfPSuper grateful for this guy ^Send Clayton a text message!Support the showNEWSLETTER - SIGN UP HERE

Today's episode of Community is a powerful one as Kristina is joined by entrepreneur, author, and business coach Jana Boyko for a conversation that is equal parts insightful and soul-nourishing.Jana shares her honest journey from working in corporate advertising to taking the leap into entrepreneurship at 25. She gets deep and shares how a failed business partnership led to her finding her footing as a business coach and co-founder of a guided journal company.Tune in to hear:What it really means to be an authentic entrepreneur.How to know when hustle turns into self-abandonment.The difference between manifesting and actually taking action.Why doing things the scrappy, old-school way still works.Why your personal growth is just as important as your business growth. And the magic that happens when you slow down, get quiet, and reconnect with what you actually want.If you're in the early stages of building a business, navigating burnout, or needing a reminder that you don't have to hustle yourself into the ground to be successful, this episode is for you!Find Jana's new guided journal now "Employee to Entrepreneur" at Indigo stores across Canada!If this episode resonated with you, share it with a friend or tag us on social! Mentioned in the Episode:Grab Jana's guided journal Employee to Entrepreneur!Connect with Jana:InstagramLinkedInBeside Business PlanTake Our Social Media QuizWork with The Social Snippet!Jake KelferSend me a text!PodMatchPodMatch Automatically Matches Ideal Podcast Guests and Hosts For InterviewsSupport the showFor Your Information: • Host your podcast on Buzzsprout! •Join The High Vibe Women Online Community! • Join our favourite scheduling platform Later • FLODESK Affiliate Code | 50% off your first year! Don't forget to come say hi to us on Instagram @thesocialsnippet, join the Weekly Snippet or follow us on any social media platform! Website . Instagram . Facebook . Linkedin

On this episode of the Classic Hits Show broadcast live on Liffey Sound 96.4FM we had the super Ger and Earl from Indigo Lights ( https://www.instagram.com/indigolightsofficial?igsh=d3d1dDBiMGQ1bHZk ) joining us live in studio for music and chats and they were super performing live and we had super craic agus ceol

Suzanne Connors of Aya Fiber Studio joins us this week to talk about her career practicing a variety of Japanese dyeing techniques. While Shibori and indigo dyeing is her go-to technique, she also practices Katazome, Rozome, Natural dyeing, and Eco printing among others. Suzanne also weaves and does beautiful Sashiko stitching. She conducts an extensive schedule of classes in her beautiful, fully equipped Florida studio and produces some amazing dyed fabrics. Make some time to visit her website to learn more.–Gary Listen to the podcast: Watch the video You can listen by using the player above or you can subscribe to Fiber Talk through iTunes, Amazon Music, Spotify, Audible, Google Podcasts, TuneIn, Podbay, and Podbean. To receive e-mail notification of new podcasts, provide your name and e-mail address below. We do not sell/share e-mail addresses. Here are some links: Aya Fiber Studio website Aya Fiber Studio on Instagram Suzanne Connors on Facebook We hope you enjoy this week’s conversation with Suzanne Connors. We’re always looking for guests, so let me know if there is someone you’d like me to have on the show.–Gary To add yourself to our mailing list and be notified whenever we post a new podcast, provide your name and email address below. You won’t get spam and we won’t share your address.

SummaryIn this conversation, Clayton Cuteri explores the spiritual concept of Shambhala and the return of Kalki, drawing parallels between various religious beliefs regarding the second coming of a savior. He discusses the illusions surrounding the timing of these events, the signs of moral decline in society, and the significance of Shambhala as a spiritually balanced location. Cuteri emphasizes the need for unity among different faiths and the importance of honoring divine energies through the establishment of temples.Clayton's Social MediaLinkTree | TikTok | Instagram | Twitter (X) | YouTube | RumbleTimecodes00:00 - Intro01:06 - The Concept of Kalki and the Second Coming02:59 - Illusions of Time and the Return of the Messiah04:53 - Signs of Moral Decline and Prophecies08:44 - Understanding Shambhala and Its Significance10:54 - The Location of Shambhala: A New Perspective12:45 - The Prophecy of Kalki and Its Implications15:32 - The Parallels Across Religions17:51 - The Call for Unity and Divine Energy20:45 - Building Temples and Honoring the DivineIntro/Outro Music Producer: Don KinIG: https://www.instagram.com/donkinmusic/Spotify: https://open.spotify.com/artist/44QKqKsd81oJEBKffwdFfPSuper grateful for this guy ^Send Clayton a text message!Support the showNEWSLETTER - SIGN UP HERE

Send us a textThe Sandman, BWT, Tyler, and Oliver discuss Hak's trip to the Indigo dispensary, next years WrestleMania's ticket prices, WWE's Wrestlepalooza, and all things you gotta understand.0:54 - Intro/Indigo Dispensary trip4:13 - WrestleMania 2026 ticket prices15:21 - WWE's Wrestlepalooza 2025 recap58:14 - Listener questions1:12:36 - Cane of the week/Toast of the weekEpisode recorded 9/25/25

With three sleepy hosts, the OSPod proceeds nonetheless! This week, musical numbers and Macedonia take the stage, while the crew reflects on the bangers of soundtracks past.  Our podcast, like our videos, sometimes touches on the violence, assaults, and murders your English required reading list loves (also we curse sometimes). Treat us like a TV-14 show.OSP has new videos every Friday:https://www.youtube.com/c/OverlySarcasticProductionsChannelQuestion for the Podcast? Head to the #ask-ospod discord channel:https://discord.gg/OSPMerch:https://overlysarcastic.shopFollow Us:Patreon.com/OSPTwitter.com/OSPyoutubeTwitter.com/sophie_kay_Music By OSP Magenta ★ Support this podcast on Patreon ★

In Episode 207, Sarah chats with author Regina Black about her newest novel, August Lane. A second-chance romance about two people healing from trauma, August Lane is set in Arcadia, Arkansas, with themes of family, generational scars, and a unique thread of Black country music. Regina also talks about how she got into writing Romance on top of her job as a law school administrator, how long she's been writing, and what spurred her on to seeking publication. Plus, Regina shares some of her top book recommendations! This post contains affiliate links through which I make a small commission when you make a purchase (at no cost to you!). CLICK HERE for the full episode Show Notes on the blog. Highlights Books by Regina Black: The Art of Scandal and August Lane A brief, spoiler-free overview of August Lane.  How long Regina has been writing and what moved her to seeking publication. Her unique journey to finding an agent What exactly does it mean to have a likable character? The way Regina uses and leans into typical romance tropes. Her decision to step away from social media to write like “no one's watching.” A bit about the novel she's working on. Regina talks about how a lot of writers become lawyers rather than the reverse. Regina's Book Recommendations [34:41] Two OLD Books She Loves The Space Between Worlds (The Space Between Worlds, 1) by Micaiah Johnson (2020) | Amazon | Bookshop.org [34:57] Indigo by Beverly Jenkins (1996) | Amazon | Bookshop.org  [36:54]   Two NEW Books She Loves The Princess and the P.I. by Nikki Payne (2025) | Amazon | Bookshop.org[38:59] Black in Blues:How a Color Tells the Story of My People by Imani Perry (2025) | Amazon | Bookshop.org [41:03] Other Books Mentioned South to America by Imani Perry (2022) [41:14]  One Book She DIDN'T Love Pride and Prejudice by Jane Austen (1813) | Amazon | Bookshop.org [42:41] Other Books Mentioned Persuasion by Jane Austen (1817) [44:54]  One NEW RELEASE She's Excited About Where the Wild Flowers Grow by Terah Shelton Harris (February 17, 2026) | Amazon | Bookshop.org [46:36] Books From the Discussion Seven Days in June by Tia Williams (2021) [7:34]

It's been a thing...   Be prepared for more strong opinions and very personal views as Indigo hosts the final episode exploring queer life and some of the stand out issues for the queer community. This week, the topic is politics.   Indigo and Luke will get very frank in sharing their thoughts and opinions, please remember that these are the views of the individuals.   Share your own thoughts, experiences and join the conversation on Insta: @aheartstopperpodcast and in the Facebook group.   For advice and support on any of the issues we have discussed, check out these links:   https://switchboard.lgbt https://www.mind.org.uk/information-support/tips-for-everyday-living/lgbtqiaplus-mental-health/useful-contacts/ https://www.stonewall.org.uk https://lgbt.foundation https://mindout.org.uk

At the end of Turtlemania, Noir joins the pod to cover a movie that is at least 51% Ninja Turtles, Batman vs Teenage Mutant Ninja Turtles (2019). Let's give it one last Cowabunga and load into the Party Wagon for a shell-shocking finale! ---Thank you to everyone who joined us for the Patron Drive! We made it to the first stretch goal, so Noir, OSP Blue, and Sophia will soldier on through the finale Bionicle film, Bionicle: The Legend Reborn.---Where to find Noir:Instagram: @noirgalaxiesTwitter: @NoirGalaxiesBlueSky: @noirgalaxies.bsky.socialContact the Podmoviestruckpod@gmail.comwww.moviestruck.transistor.fmPatreon: https://www.patreon.com/moviestruckDiscord: https://discord.gg/cT2vm3KdeSBlueSky: @moviestruck.bsky.socialTheme by Prod. DomSoundcloudThank you to our $10 Patrons!Cai, Clove, Maddy New, Adam Bagnall, UwU, Zas, Ken M, Madidid, Ethan, Jim8333, Jacob Hunt, Azraq Shinji, Case Aiken, Ebony Voigt, AnOptimist, Lairde Ray, the Norwegian one, Travis Poe, William Warren, Stag Hart (Deer Deer), Rusty_Fork, Mura Purcell, insomnite, Nathan Dunlap. ★ Support this podcast on Patreon ★

In this episode, we are discussing RM's first studio album, Indigo, giving our interpretations of the lyrics and our thoughts on the tracks. We also discuss the music videos from the album- Still Life & Wild Flower, looking at the story, setting, and wardrobe. Here is the link to our Patreon, any support is appreciated, thank you so much! https://www.patreon.com/user?u=58248926

For many, last year made it impossible to ignore the scale of global change — what we see as global instability is only one dimension of a larger meta-crisis. Portals has been following the signs of this broader evolutionary cycle, which is reshaping our planet and humanity. With the epoch insight and perspective, we can trace the emergence and patterns of this epochal movement across every area of life, from grand global systems to everyday human endeavors.In the latest conversation from the The Universalis Project, Aviv Shahar is joined by Karen Heney and Kyriaki Nikandrou to explore the flow of history and evolution through a “7-fold epoch.” This special lens examines the nature of each epochal impulse and its influence on culture, as well as on human growth and development. The epoch framework is not a new meta-theory about life or evolution; instead, it reflects an observable quality within all natural processes. We can see 7-fold patterns in the natural world — including flora, fauna, and human behavior.For instance, the world's major religions arose during the Yellow phase of planetary evolution, while the drive to resolve conflict, balance pressures, and collaborate in scalable systems reflects a Blue impulse.Other insights from this exploration include:The nature of Red: This planet, in its cosmology in the galaxy, and its function as the cradle for evolving conscious life, discovers the unique emergence of a new epoch and conscious life in the frequency and nature of Red.Indigo theater: Social media and the internet represent a fantastic Indigo theater of merging and transference.Violet phase-shift: In the larger purpose of the epoch, a great endeavor or civilization ends in Violet as part of a phase-change to the next evolutionary leap, sometimes with a violent dimension.Living History: The living experience of history — the energy — has not been destroyed; those memories, feelings, and sentiments are encapsulated in time; as we become attuned, we feel the living nature of their experience.Capacity for destruction: The unfolding story of the evolution of life includes the capacity to destroy it. We help metabolize lower influences by expanding consciousness and unlocking higher human capabilities.• Indigo-Violet Acceleration: A core premise of the epoch study is that it's a continuing revelation inside the context of a rolling event — the Indigo-Violet acceleration, as witnessed through the meta-crisis and other profound planetary change.This conversation is part of the continuing Portals discovery into what is emerging on the frontiers of human experience in this time of profound change. Information about upcoming special events can be found on the Events page. Also visit and subscribe to our YouTube channel. TWEETABLE QUOTES “So the story of the evolution of life is accompanied by the story of the development of the capacity to destroy life. And the reason we feel so compelled to bring the consciousness of this story into being is that there is an awareness that when we bring consciousness to this story, we may intensify and unlock capacities for humanity to do both the healing and liberation work, at all the levels, the level of the individual, the level of the group, and the level of the tribe and the nation.” (Aviv)“Every human that's born on the planet, it's designed in such a way that every life can have a spiritual journey, can have a connective, purposeful life. And we're all born into this unfolding epoch. First of all, we need to be aware of it, which is the wonder of these recordings and this journey. Because if we become aware of it, and we opt in to being consciously mindful of these different progressions, then we're saying that we can co-join evolution and a human update.” (Karen) RESOURCES MENTIONED Portals of Perception WebsiteAviv's LinkedIn Aviv's TwitterAviv's WebsiteThe Universalis Project #13: The 7-fold Epoch Progression

Summary In this episode, Clayton Cuteri explores the concept of momentum in personal growth and spirituality, drawing on teachings from Jesus and the Pareto principle. He emphasizes the importance of focusing on positive thoughts and actions to create momentum in life and how this can lead to significant transformations. The conversation also touches on the interconnectedness of individuals in their spiritual journeys and the importance of supporting one another.Clayton's Social MediaLinkTree | TikTok | Instagram | Twitter (X) | YouTube | RumbleTimecodes00:00 - Intro01:04 - The Power of Momentum in Life03:51 - Understanding the Pareto Principle06:04 - Creating Positive Momentum12:00 - Transforming Your Life Through Focus15:40 - Supporting Each Other's Spiritual JourneysIntro/Outro Music Producer: Don KinIG: https://www.instagram.com/donkinmusic/Spotify: https://open.spotify.com/artist/44QKqKsd81oJEBKffwdFfPSuper grateful for this guy ^Send Clayton a text message!Support the showNEWSLETTER - SIGN UP HERE

Tonight, I will be sitting down with Jessica Dawn, whose human design is reflector, the rarest human design classification there is..We will be discussing her spiritual awakening, what it means to be a reflector, the spiritual alchemy of transforming pain into wisdom, how fake and gay the world stage is, the current events/tests humanity is undergoing, overcoming spiritual warfare, how humor/lightheartedness will get us through the times ahead and more.... Check out jessica:https://www.tiktok.com/@Indigo.scorpiohttps://scorpiojess8.wixsite.com/indigoscorpiohttps://www.facebook.com/indigoscorpio8 Check out our sponsor Divine Creation gifts:https://www.divinecreationgifts.com/Check out David the lion for NEW EARTH entertainment:https://linktr.ee/TheLionKD369https://open.substack.com/pub/thelionkd369/p/dear-lilith-i-love-you-sweet-dreams-743?r=25spp7&utm_medium=iosCheck out Forbidden Knowledge Network and support all 4 documentaries:www.forbiddenknowledge.newshttps://watch.amazon.com/detail?gti=amzn1.dv.gti.763483a7-ad3f-4990-b5b3-98897169249c&territory=US&ref_=share_ios_movie&r=webCheck out Milagro Mushroomswww.milagromushrooms.comWatch Jones Plantation!https://jonesplantationfilm.com/?fbclid=IwAR0zE6457BtHWhrH1iyHKUscUsnPCPZNkE7tS0wPfw8n3N1Jd6RakDNX38wCheck out my friend The Lion's game!https://store.steampowered.com/app/1193210/Hunt_the_Muglump/Check out Black Flag news!https://x.com/BlackFlag_NewsI do not own the songMidnight danger - end of days

Comment redéfinir son projet agricole tout en s'engageant pour une agriculture durable et respectueuse de l'environnement ? Dans cet épisode captivant d'ArtEcoVert, la voix de la couleur végétale et des plantes tinctoriales, Pauline Leroux, ingénieure agronome passionnée par la couleur végétale, reçoit Aline Perdereau, agricultrice spécialisée dans l'agriculture tinctoriale. Aline, qui a lancé son aventure en 2023, nous partage son parcours inspirant et ses projets actuels autour des plantes tinctoriales.Au fil de la discussion, Aline nous explique comment elle a su adapter son projet en fonction des besoins du marché tout en maintenant une qualité élevée de production. Elle cultive sur ses 6 hectares des plantes telles que l'indigo et la garance, et aborde les défis liés à la transformation et à la commercialisation de ses produits. L'épisode est une véritable plongée dans le monde des colorants biosourcés et des pigments végétaux, où la teinture végétale prend tout son sens.Ensemble, elles mettent en lumière l'importance de la formation continue pour les agriculteurs et la nécessité de créer des réseaux de soutien au sein de la filière tinctoriale. Aline souligne également l'impact des tanins et des fibres naturelles dans la création de nuances uniques et durables. Ce podcast est une belle illustration de la passion et de l'innovation dans le domaine de l'agriculture tinctoriale, tout en mettant en avant les tendances actuelles en matière de teinture et d'encre végétale.Vous découvrirez également des liens utiles pour approfondir vos connaissances sur les plantes tinctoriales et les formations disponibles pour les agriculteurs. Ne manquez pas cette occasion d'explorer l'univers fascinant de la couleur végétale et des colorants végétaux. Belle écoute !Paulinehttps://kerliviou.bzh/https://boutique.kerliviou.bzh/sur les formations 1/ le stage paysan creatif par tous les feader en départementhttps://ciap56.fr/accompagnements/la-formation-paysan-creatif/Le réseau des GAB, celui de Bretagne donne accès à des formations techniques très utileshttps://www.agrobio-bretagne.org/type_agenda/formation/diplôme agricole en ppamhttps://montmorot.educagri.fr/formation/bprea-ppam-bio/et plus généralement tous les BPREA maraîchage sont valables pour qui veut se former. les Cigales citoyens financeurshttps://www.citoyens-financeurs.org/projet/initiative France, pour un financement complémentairehttps://www.initiative-france.fr/ 

Episode 595 - Terry Kirk - Pitfall, Chicago trader Frank Cork navigates the 1929 Market Crash. He's at the top of his game... and then he's notI write historical fiction novels—fast-paced, gritty financial thrillers that delve into real-life cataclysmic events.  Follow my cast of characters through three novels.In Pitfall, Chicago trader Frank Cork navigates the 1929 Market Crash. He's at the top of his game... and then he's not. Can he fight his back to his family, his fortune, and his life? Plunder is coming soon. Frank is dispatched to London at the behest of the President in July 1940 to raise a War Chest. Beset by bombs and politics, he must come up with a plan to finance the costs of America's entry into World War II. So much is riding on Frank's plan.  Probe is up next. Frank's daughter has taken the reins at the firm and helping the cash-starved Martin Company (now Lockheed Martin) launch a response to the Russian sputnik.Follow the Cork family on a rollicking journey through these world-changing financial events and more. Each book will send you reaching for the next in this multi-generational family saga.I have a Juris Doctor (Law) degree and practiced law for more than a decade. There is no better way to uncover riveting stories! Later, I migrated to the innovator sector as  Founder & CEO of Funding portal, a fintech platform for helping companies find funding. Recently, I led the sale of the company to a global firm.PITFALL IS FOR SALE ON AMAZON, INDIGO, AND OTHER MAJOR PLATFORMS AND BOOKSTORESPITFALL is Book #1 in my historical fiction series featuring rogue trader Frank Cork. Visit the 'PITFALL' page for a summary, and listen to Chapter 1.  The fast-paced, gritty historical fiction has been named a 'Top Book to Read this Spring' by CBC Reads!Coming Next I  PLUNDER. Beset by bombs and politics, Frank goes to London to build a war chest to fund America's entry into World War II. So much is riding on Frank's success! Visit the 'PLUNDER' page to learn more.https://terrykirkbooks.com/Support the show___https://livingthenextchapter.com/podcast produced by: https://truemediasolutions.ca/Coffee Refills are always appreciated, refill Dave's cup here, and thanks!https://buymeacoffee.com/truemediaca

"Booboo 2" es la secuela de "Booboo", la canción que Yaeji publicó el pasado año regrabada junto a Underscores y Aliyah's Interlude para convertirla en una reinvención de alto voltaje, divertida y sumamante bailable. Escuchamos a Indigo de Souza con "Serious", nuevo pasaje junto a Mothé, a Nine Inch Nails con, -atención- Judeline en "Who Wants To Live Forever", para la banda sonora de "Tron: Ares" y a Soulwax con doble single, "Gimme A Reason/Meanwhile on the Continent". Aparte, compartimos "I Believe In Love", la preciosa canción de Tyler Ballgame, para su próximo debut y la primera canción de UFO's, la nueva aventura de los productores franceses Braxe + Falcon con sus amigos, Phoenix.REPION - El Sueño Dura Una SemanaBiffy Clyro - It's Chemical!KNEECAP - SayonaraDUA LIPA - HoudiniTAME IMPALA - LoserDJO - They Don't Know What's RightNINE INCH NAILS FT JUDELINE - Who Wants To Live ForeverUFOs - UFOSOULWAX - Gimme A Reason/Meanwhile on the ContinentLADY BANANA, SHO-HAI - Acción de GraciasKARAVANA - Baila SumeriaINDIGO DE SOUZA & MOTHÉ - SeriousTYLER BALLGAME - I Believe In LoveALBERT HAMMOND, JR. & JUDE LAW - Turned to Black (The Black Rabbits)YAEJI - Booboo2 (feat. aliyah's)MERINA GRIS Y GORKA URBIZU - Tesla Bat SutanEscuchar audio

The stars appear to rotate in the sky, raising the question of how birds can use stars to navigate during migration. Ornithologist Stephen Emlen brought Indigo Buntings to a planetarium, tracking their movements as the simulated night sky changed above them. The buntings oriented themselves using star patterns that appear to rotate the least — especially the North Star, Ursa Major and Cassiopeia.More info and transcript at BirdNote.org.Want more BirdNote? Subscribe to our weekly newsletter. Sign up for BirdNote+ to get ad-free listening and other perks. BirdNote is a nonprofit. Your tax-deductible gift makes these shows possible.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

On this episode, my guest is Stephen Jenkinson, culture activist and ceremonialist advocating a handmade life and eloquence. He is an author, a storyteller, a musician, sculptor and off-grid organic farmer. Stephen is the founder/ principal instructor of the Orphan Wisdom School in Canada, co-founded with his wife Nathalie Roy in 2010. Also a sought-after workshop leader, articulating matters of the heart, human suffering, confusions through ceremony.He is the author of several influential books, including Money and the Soul's Desires, Die Wise: A Manifesto for Sanity and Soul (2015), Come of Age: The Case for Elderhood in a Time of Trouble (2018), A Generation's Worth: Spirit Work While the Crisis Reigns (2021), and Reckoning (2022), co-written with Kimberly Ann Johnson. His most recent book, Matrimony: Ritual, Culture, and the Heart's Work, was released in August 2025. He is also involved in the musical project Nights of Grief & Mystery with singer-songwriter Gregory Hoskins, which has toured across North America, Europe, Australia, and New Zealand.Show Notes:* The Bone House of the Orphan Wisdom Enterprise* Matrimony: Ritual, Culture and the Heart's Work* The Wedding Industry* Romantic Sameness and Psychic Withering* The Two Tribes* The Roots of Hospitality* The Pompous Ending of Hospitality* Debt, And the Estrangement of the Stranger* More Than Human Hospitality* The Alchemy of the Orphan Wisdom SchoolHomework:Matrimony: Ritual, Culture, and the Heart's Work | PurchaseOrphan WisdomThe Scriptorium: Echoes of an Orphan WisdomTranscription:Chris: This is an interview that I've been wondering about for a long time in part, because Stephen was the first person I ever interviewed for the End of Tourism Podcast. In Oaxaca, Mexico, where I live Stephen and Natalie were visiting and were incredibly, incredibly generous. Stephen, in offering his voice as a way to raise up my questions to a level that deserve to be contended with.We spoke for about two and a half hours, if I remember correctly. And there was a lot in what you spoke to towards the second half of the interview that I think we're the first kind of iterations of the Matrimony book.We spoke a little bit about the stranger and trade, and it was kind of startling as someone trying to offer their first interview and suddenly hearing something [00:01:00] that I'd never heard before from Stephen. Right. And so it was quite impressive. And I'm grateful to be here now with y'all and to get to wonder about this a little more deeply with you Stephen.Stephen: Mm-hmm. Hmm.Chris: This is also a special occasion for the fact that for the first time in the history of the podcast, we have a live audience among us today. Strange doings. Some scholars and some stewards and caretakers of the Orphan Wisdom enterprise. So, thank you all as well for coming tonight and being willing to listen and put your ears to this.And so to begin, Stephen, I'm wondering if you'd be willing to let those who will be listening to this recording later on know where we're gathered in tonight?Stephen: Well, we're in... what's the name of this township?Nathalie: North Algona.Stephen: North Algona township on the borders, an eastern gate [00:02:00] of Algonquin Park. Strangely named place, given the fact that they were the first casualties of the park being established. And we're in a place that never should have been cleared - my farm. It should never have been cleared of the talls, the white pines that were here, but the admiralty was in need back in the day. And that's what happened there. And we're in a place that the Irish immigrants who came here after the famine called "Tramore," which more or less means "good-frigging luck farming."It doesn't technically mean that, but it absolutely means that. It actually means "sandy shore," which about covers the joint, and it's the only thing that covers the joint - would be sand. You have to import clay. Now, that's a joke in many farming places in the world, but if we wanted any clay, we'd have to bring it in and pay for the privilege.And the farm has been in [00:03:00] my, my responsibility for about 25 years now, pretty close to that. And the sheep, or those of them left because the coyotes have been around for the first time in their casualty-making way... They're just out here, I'm facing the field where they're milling around.And it's the very, very beginnings of the long cooling into cold, into frigid, which is our lot in this northern part of the hemisphere, even though it's still August, but it's clear that things have changed. And then, we're on a top of a little hill, which was the first place that I think that we may have convened a School here.It was a tipi, which is really worked very well considering we didn't live here, so we could put it up and put it down in the same weekend. [00:04:00] And right on this very hill, we were, in the early days, and we've replaced that tipi with another kind of wooden structure. A lot more wood in this one.This has been known as "The Teaching Hall" or "The Great Hall," or "The Hall" or "The Money Pit, as it was known for a little while, but it actually worked out pretty well. And it was I mean, people who've come from Scandinavia are knocked out by the kind of old-style, old-world visitation that the place seems to be to them.And I'd never really been before I had the idea what this should look like, but I just went from a kind of ancestral memory that was knocking about, which is a little different than your preferences, you know. You have different kinds of preferences you pass through stylistically through your life, but the ones that lay claim to you are the ones that are not interested in your [00:05:00] preferences. They're interested in your kind of inheritance and your lineage.So I'm more or less from the northern climes of Northern Europe, and so the place looks that way and I was lucky enough to still have my carving tools from the old days. And I've carved most of the beams and most of the posts that keep the place upright with a sort of sequence of beasts and dragons and ne'er-do-wells and very, very few humans, I think two, maybe, in the whole joint. Something like that. And then, mostly what festoons a deeply running human life is depicted here. And there's all kinds of stories, which I've never really sat down and spoken to at great length with anybody, but they're here.And I do deeply favour the idea that one day [00:06:00] somebody will stumble into this field, and I suppose, upon the remains of where we sit right now, and wonder "What the hell got into somebody?" That they made this mountain of timber moldering away, and that for a while what must have been, and when they finally find the footprint of, you know, its original dimensions and sort of do the wild math and what must have been going on in this sandy field, a million miles in away from its home.And wherever I am at that time, I'll be wondering the same thing.Audience: Hmm.Stephen: "What went on there?" Even though I was here for almost all of it. So, this was the home of the Orphan Wisdom School for more than a decade and still is the home of the Orphan Wisdom School, even if it's in advance, or in retreat [00:07:00] or in its doldrums. We'll see.And many things besides, we've had weddings in here, which is wherein I discovered "old-order matrimony," as I've come to call it, was having its way with me in the same way that the design of the place did. And it's also a grainery for our storage of corn. Keep it up off the ground and out of the hands of the varmints, you know, for a while.Well that's the beginning.Chris: Hmm. Hmm. Thank you Stephen.Stephen: Mm-hmm.Chris: You were mentioning the tipi where the school began. I remember sleeping in there the first time I came here. Never would I have thought for a million years that I'd be sitting here with you.Stephen: It's wild, isn't it?Chris: 12 years later.?: Yeah.Chris: And so next, I'd like to do my best in part over the course of the next perhaps hour or two to congratulate you on the release of [00:08:00] your new book, Matrimony: Ritual, Culture, and the Heart's Work.Stephen: Thank you.Chris: Mm-hmm. I'm grateful to say like many others that I've received a copy and have lent my eyes to your good words, and what is really an incredible achievement.For those who haven't had a chance to lay their eyes on it just yet, I'm wondering if you could let us in on why you wrote a book about matrimony in our time and where it stands a week out from its publication.Stephen: Well, maybe the answer begins with the question, "why did you write a book, having done so before?" And you would imagine that the stuff that goes into writing a book, you'd think that the author has hopes for some kind of redemptive, redeeming outcome, some kind of superlative that drops out the back end of the enterprise.And you know, this is [00:09:00] the seventh I've written. And I would have to say that's not really how it goes, and you don't really know what becomes of what you've written, even with the kind people who do respond, and the odd non-monetary prize that comes your way, which Die Wise gamed that.But I suppose, I wrote, at all partly to see what was there. You know, I had done these weddings and I was a little bit loathe to let go, to let the weddings turn entirely into something historical, something that was past, even though I probably sensed pretty clearly that I was at the end of my willingness to subject myself to the slings and arrows that came along with the enterprise, but it's a sweet sorrow, or there's a [00:10:00] wonder that goes along with the tangle of it all. And so, I wrote to find out what happened, as strange as that might sound to you. You can say, "well, you were there, you kind of knew what happened." But yes, I was witness to the thing, but there's the act of writing a book gives you the opportunity to sort of wonder in three-dimensions and well, the other thing I should say is I was naive and figured that the outfit who had published the, more or less prior two books to this one, would kind of inevitably be drawn to the fact that same guy. Basically, same voice, new articulation. And I was dumbfounded to find out that they weren't. And so, it's sort of smarted, you know?And I think what I did was I just set the whole [00:11:00] enterprise aside, partly to contend with the the depths of the disappointment in that regard, and also not wanting to get into the terrible fray of having to parse or paraphrase the book in some kind of elevator pitch-style to see if anybody else wanted to look at it. You know, such as my touchy sense of nobility sometimes, you know, that I just rather not be involved in the snarl of the marketplace any longer.So, I withdrew and I just set it aside but it wasn't that content to be set, set aside. And you know, to the book's credit, it bothered me every once in a while. It wasn't a book at the point where I was actually trying to engineer it, you know, and, and give it some kind of structure. I had piles of paper on the floor representing the allegation of chapters, trying to figure out what the relationship was [00:12:00] between any of these things.What conceivably should come before what. What the names of any of these things might be. Did they have an identity? Was I just imposing it? And all of that stuff I was going through at the same time as I was contending with a kind of reversal in fortune, personally. And so in part, it was a bit of a life raft to give me something to work on that I wouldn't have to research or dig around in the backyard for it and give me some sort of self-administered occupation for a while.Finally, I think there's a parallel with the Die Wise book, in that when it came to Die Wise, I came up with what I came up with largely because, in their absolute darkest, most unpromising hours, an awful lot of dying people, all of whom are dead now, [00:13:00] let me in on some sort of breach in the, the house of their lives.And I did feel that I had some obligation to them long-term, and that part of that obligation turned into writing Die Wise and touring and talking about that stuff for years and years, and making a real fuss as if I'd met them all, as if what happened is really true. Not just factually accurate, but deeply, abidingly, mandatorily true.So, although it may be the situation doesn't sound as extreme, but the truth is, when a number of younger - than me - people came to me and asked me to do their weddings, I, over the kind of medium-term thereafter, felt a not dissimilar obligation that the events that ensued from all of that not [00:14:00] be entrusted entirely to those relatively few people who attended. You know, you can call them "an audience," although I hope I changed that. Or you could call them "witnesses," which I hope I made them that.And see to it that there could be, not the authorized or official version of what happened, but to the view from here, so to speak, which is, as I sit where I am in the hall right now, I can look at the spot where I conducted much of this when I wasn't sacheting up and down the middle aisle where the trestle tables now are.And I wanted to give a kind of concerted voice to that enterprise. And I say "concerted voice" to give you a feel for the fact that I don't think this is a really an artifact. It's not a record. It's a exhortation that employs the things that happened to suggest that even though it is the way it is [00:15:00] ritually, impoverished as it is in our time and place, it has been otherwise within recoverable time and history. It has.And if that's true, and it is, then it seems to me at least is true that it could be otherwise again. And so, I made a fuss and I made a case based on that conviction.There's probably other reasons I can't think of right now. Oh, being not 25 anymore, and not having that many more books in me, the kind of wear and tear on your psyche of imposing order on the ramble, which is your recollection, which has only so many visitations available in it. Right? You can only do that so many times, I think. And I'm not a born writing person, you know, I come to it maniacally when I [00:16:00] do, and then when it's done, I don't linger over it so much.So then, when it's time to talk about it, I actually have to have a look, because the act of writing it is not the act of reading it. The act of writing is a huge delivery and deliverance at the same time. It's a huge gestation. And you can't do that to yourself, you know, over and over again, but you can take some chances, and look the thing in the eye. So, and I think some people who are there, they're kind of well-intended amongst them, will recognize themselves in the details of the book, beyond "this is what happened and so on." You know, they'll recognize themselves in the advocacy that's there, and the exhortations that are there, and the [00:17:00] case-making that I made and, and probably the praying because there's a good degree of prayerfulness in there, too.That's why.Chris: Thank you. bless this new one in the world. And what's the sense for you?Stephen: Oh, yes.Chris: It being a one-week old newborn. How's that landing in your days?Stephen: Well, it's still damp, you know. It's still squeaky, squeaky and damp. It's walking around like a newborn primate, you know, kind of swaying in the breeze and listening to port or to starboard according to whatever's going on.I don't know that it's so very self-conscious in the best sense of that term, yet. Even though I recorded the audio version, I don't think [00:18:00] it's my voice is found every nook and cranny at this point, yet. So, it's kind of new. It's not "news," but it is new to me, you know, and it's very early in terms of anybody responding to it.I mean, nobody around me has really taken me aside and say, "look, now I want to tell you about this book you wrote." It hasn't happened, and we'll see if it does, but I've done a few events on the other side of the ocean and hear so far, very few, maybe handful of interviews. And those are wonderful opportunities to hear something of what you came up with mismanaged by others, you know, misapprehend, you could say by others.No problem. I mean, it's absolutely no problem. And if you don't want that to happen, don't talk, don't write anything down. So, I don't mind a bit, you know, and the chances are very good that it'll turn into things I didn't have in mind [00:19:00] as people take it up, and regard their own weddings and marriages and plans and schemes and fears and, you know, family mishigas and all the rest of it through this particular lens, you know. They may pick up a pen or a computer (it's an odd expression, "pick up a computer"), and be in touch with me and let me know. "Yeah, that was, we tried it" or whatever they're going to do, because, I mean, maybe Die Wise provided a bit of an inkling of how one might be able to proceed otherwise in their dying time or in their families or their loved ones dying time.This is the book that most readily lends itself to people translating into something they could actually do, without a huge kind of psychic revolution or revolt stirring in them, at least not initially. This is as close as I come, probably, to writing a sequence of things [00:20:00] that could be considered "add-ons" to what people are already thinking about, that I don't force everybody else outta the house in order to make room for the ideas that are in the book. That may happen, anyway, but it wasn't really the intent. The intent was to say, you know, we are in those days when we're insanely preoccupied with the notion of a special event. We are on the receiving end of a considerable number of shards showing up without any notion really about what these shards remember or are memories of. And that's the principle contention I think that runs down the spine of the book, is that when we undertake matrimony, however indelicately, however by rote, you know, however mindlessly we may do it, [00:21:00] inadvertently, we call upon those shards nonetheless.And they're pretty unspectacular if you don't think about them very deeply, like the rice or confetti, like the aisle, like the procession up the aisle, like the giving away of someone, like the seating arrangement, like the spectacle seating arrangement rather than the ritual seating arrangement.And I mean, there's a fistful of them. And they're around and scholars aside maybe, nobody knows why they do them. Everybody just knows, "this is what a wedding is," but nobody knows why. And because nobody knows why, nobody really seems to know what a wedding is for, although they do proceed like they would know a wedding if they saw one. So, I make this a question to be really wondered about, and the shards are a way in. They're the kind of [00:22:00] breadcrumb trail through the forest. They're the little bits of broken something, which if you begin to handle just three or four of them, and kind of fit them together, and find something of the original shape and inflection of the original vessel, kind of enunciates, begins to murmur in your hands, and from it you can begin to infer some three-dimensionality to the original shape. And from the sense of the shape, you get a set sense of contour, and from the sense of contour, you get a sense of scale or size. And from that you get a sense of purpose, or function, or design. And from that you get a sense of some kind of serious magisterial insight into some of the fundament of human being that was manifest in the "old-order matrimony," [00:23:00] as I came to call it.So, who wouldn't wanna read that book?Chris: Mm-hmm.Thank you. Mm-hmm. Thank you, Stephen. Yeah. It reminds me, just before coming up here, maybe two weeks ago, I was in attending a wedding. And there was a host or mc, and initially just given what I was hearing over the microphone, it was hard to tell if he was hired or family or friends. And it turned out he was, in fact, a friend of the groom. And throughout the night he proceeded to take up that role as a kind of comedian.Audience: Mm-hmm.Chris: This was the idea, I guess. Mm-hmm. And he was buzzing and mumbling and swearing into the microphone, [00:24:00] and then finally minimizing the only remnant of traditional culture that showed up in the wedding. And his thing was, okay, so when can we get to the part where it's boom, boom, boom, right. And shot, shot, shot, whatever.Stephen: Right.Chris: There was so much that came up in my memories in part because I worked about a decade in Toronto in the wedding industry.Mm-hmm. Hospitality industry. Maybe a contradiction in terms, there. And there was one moment that really kind of summed it up. I kept coming back to this reading the book because it was everything that you wrote seemed to not only antithetical to this moment, but also an antidote.Anyways, it was in North Toronto and the [00:25:00] owner of the venue - it was a kind of movie theatre turned event venue - and there was a couple who was eventually going to get married there. They came in to do their tasting menu to see what they wanted to put on the menu for the dinner, for their wedding.And the owner was kind of this mafioso type. And he comes in and he sees them and he walks over and he says, "so, you're gonna get married at my wedding factory."Audience: Mm-hmm.Chris: In all sincerity.Stephen: Mm-hmm.Chris: Right.Without skipping a beat. Could you imagine?Stephen: Yeah.I could. I sure could.Chris: Yeah. Yeah.Stephen: I mean, don't forget, if these people weren't doing what the people wanted, they'd be outta business.Audience: Mm-hmm.Stephen: No, that's the thing. This is aiding and abetting. This is sleeping with the enemy, stylistically-speaking. [00:26:00] The fact that people "settle" (that's the term I would use for it), settle for this, the idea being that this somehow constitutes the most honest and authentic through line available to us is just jaw dropping. When you consider what allegedly this thing is supposed to be for. I mean, maybe we'll get into this, but I'll just leave this as a question for now. What is that moment allegedly doing?Not, what are the people in it allegedly doing? The moment itself, what is it? How is it different from us sitting here now talking about it? And how is it different from the gory frigging jet-fuelled aftermath of excess. And how's it different from the cursing alleged master of ceremonies? How can you [00:27:00] tell none of those things belong to this thing?And why do you have such a hard time imagining what doesAudience: Hmm mmChris: Well that leads me to my next question.Stephen: Ah, you're welcome.Chris: So, I've pulled a number of quotes from the book to read from over the course of the interview. And this one for anyone who's listening is on page 150. And you write Stephen,"Spiritually-speaking, most of the weddings in our corner of the world are endogamous affairs, inward-looking. What is, to me, most unnerving is that they can be spiritually-incestuous. The withering of psychic difference between people is the program of globalization. It is in the architecture of most things partaking of the internet, and it is in the homogeneity of our matrimony. [00:28:00] It is this very incestuous that matrimony was once crafted and entered into to avoid and subvert. Now, it grinds upon our differences until they are details.And so, this paragraph reminded me of a time in my youth when I seemed to be meeting couples who very eerily looked like each other. No blood or extended kin relation whatsoever, and yet they had very similar faces. And so as I get older, this kind of face fidelity aside, I continue to notice that people looking for companionship tend to base their search on similitude, on shared interests, customs, experiences, shared anything and everything. This, specifically, in opposition to those on the other side of the aisle or spectrum, to difference or divergence. And so, opposites don't attract anymore. I'm curious what you think this psychic [00:29:00] withering does to an achieve understanding of matrimony.Stephen: Well, I mean, let's wonder what it does to us, generally, first before we get to matrimony, let's say. It demonizes. Maybe that's too strong, but it certainly reconstitutes difference as some kind of affliction, some kind of not quite good enough, some kind of something that has to be overcome or overwhelmed on the road to, to what? On the road to sameness? So, if that's the goal, then are all of the differences between us, aberrations of some kind, if that's the goal? If that's the goal, are all the [00:30:00] differences between us, not God-given, but humanly misconstrued or worse? Humanly wrought? Do the differences between us conceivably then belong at all? Or is the principle object of the entire endeavor to marry yourself, trying to put up with the vague differences that the other person represents to you?I mean, I not very jokingly said years ago, that I coined a phrase that went something like "the compromise of infinity, which is other people." What does that mean? "The compromise of infinity, which is other people." Not to mention it's a pretty nice T-shirt. But what I meant by the [00:31:00] phrase is this: when you demonize difference in this fashion or when you go the other direction and lionize sameness, then one of the things that happens is that compromise becomes demonized, too. Compromise, by definition, is something you never should have done, right? Compromise is how much you surrender of yourself in order to get by. That's what all these things become. And before you know it, you're just beaten about the head and shoulders about "codependence" and you know, not being "true to yourself" as if being true to yourself is some kind of magic.I mean, the notion that "yourself is the best part of you" is just hilarious. I mean, when you think about it, like who's running amuck if yourself is what you're supposed to be? I ask you. Like, who's [00:32:00] doing the harm? Who's going mental if the self is such a good idea? So, of course, I'm maintaining here that I'm not persuaded that there is such a thing.I think it's a momentary lapse in judgment to have a self and to stick to it. That's the point I'm really making to kind of reify it until it turns ossified and dusty and bizarrely adamant like that estranged relative that lives in the basement of your house. Bizarrely, foreignly adamant, right? Like the house guest who just won't f**k off kind of thing.Okay, so "to thine own self be true," is it? Well, try being true to somebody else's self for ten minutes. Try that. [00:33:00] That's good at exercise for matrimony - being true to somebody else's self. You'll discover that their selves are not made in heaven, either. Either. I underscore it - either. I've completely lost track of the question you asked me.Chris: What are the consequences of the sameness on this anti-cultural sameness, and the program of it for an achieved understanding of matrimony.Stephen: Thank you. Well, I will fess up right now. I do so in the book. That's a terrible phrase. I swear I'd never say such a thing. "In my book... I say the following," but in this case, it's true. I did say this. I realized during the writing of it that I had made a tremendous tactical error in the convening of the event as I did it over the years, [00:34:00] and this is what it came to.I was very persuaded at the time of the story that appears in the chapter called "Salt and Indigo" in the book. I was very, very persuaded. I mean, listen, I made up the story (for what it's worth), okay, but I didn't make it up out of nothing. I made it up out of a kind of tribal memory that wouldn't quite let go.And in it, I was basically saying, here's these two tribes known principally for what they trade in and what they love most emphatically. They turn out to be the same thing. And I describe a circumstance in which they exchange things in a trade scenario, not a commerce scenario. And I'm using the chapter basically to make the case that matrimony's architecture derives in large measure from the sacraments of trade as manifest in that story. [00:35:00] Okay. And this is gonna sound obvious, but the fundamental requirement of the whole conceit that I came up with is that there are two tribes. Well, I thought to myself, "of course, there's always two tribes" at the time. And the two tribe-ness is reflected in when you come to the wedding site, you're typically asked (I hope you're still asked) " Are you family or friend of the groom or friend of the bride?" And you're seated "accordingly," right? That's the nominal, vestigial shard of this old tribal affiliation, that people came from over the rise, basically unknown to each other, to arrive at the kind of no man's land of matrimony, and proceeded accordingly. So, I put these things into motion in this very room and I sat people accordingly facing each other, not facing the alleged front of the room. [00:36:00] And of course, man, nobody knew where to look, because you raised your eyes and s**t. There's just humans across from you, just scads of them who you don't freaking know. And there's something about doing that to North Americas that just throws them. So, they're just looking at each other and then looking away, and looking at each other and looking away, and wondering what they're doing here and what it's for. And I'm going back and forth for three hours, orienting them as to what is is coming.Okay, so what's the miscalculation that I make? The miscalculation I made was assuming that by virtue of the seating arrangement, by virtue of me reminding them of the salt and indigo times, by virtue of the fact that they had a kind of allegiance of some sort or another to the people who are, for the moment, betrothed, that those distinctions and those affiliations together would congeal them, and constitute a [00:37:00] kind of tribal affiliation that they would intuitively be drawn towards as you would be drawn to heat on a cold winter's night.Only to discover, as I put the thing into motion that I was completely wrong about everything I just told you about. The nature of my error was this, virtually all of those people on one side of the room were fundamentally of the same tribe as the people on the other side of the room, apropos of your question, you see. They were card carrying members of the gray dominant culture of North America. Wow. The bleached, kind of amorphous, kind of rootless, ancestor-free... even regardless of whether their people came over in the last generation from the alleged old country. It doesn't really claim them.[00:38:00]There were two tribes, but I was wrong about who they were. That was one tribe. Virtually everybody sitting in the room was one tribe.So, who's the other tribe? Answer is: me and the four or five people who were in on the structural delivery of this endeavour with me. We were the other tribe.We didn't stand a chance, you see?And I didn't pick up on that, and I didn't cast it accordingly and employ that, instead. I employed the conceit that I insisted was manifest and mobilized in the thing, instead of the manifest dilemma, which is that everybody who came knew what a wedding was, and me and four or five other people were yet to know if this could be one. That was the tribal difference, if you [00:39:00] will.So, it was kind of invisible, wasn't it? Even to me at the time. Or, I say, maybe especially to me at the time. And so, things often went the way they went, which was for however much fascination and willingness to consider that there might have been in the room, there was quite a bit more either flat affect and kind of lack of real fascination, or curiosity, or sometimes downright hostility and pushback. Yeah.So, all of that comes from the fact that I didn't credit as thoroughly as I should have done, the persistence in Anglo-North America of a kind of generic sameness that turned out to be what most people came here ancestrally to become. "Starting again" is recipe for culture [00:40:00] loss of a catastrophic order. The fantasy of starting again. Right?And we've talked about that in your podcast, and you and I have talked about it privately, apropos of your own family and everybody's sitting in this room knows what I'm talking about. And when does this show up? Does it show up, oh, when you're walking down the street? Does it show up when you're on the mountaintop? Does it show up in your peak experiences? And the answer is "maybe." It probably shows up most emphatically in those times when you have a feeling that something special is supposed to be so, and all you can get from the "supposed to" is the allegation of specialness.Audience: Mm-hmm.Stephen: And then, you look around in the context of matrimony and you see a kind of febral, kind of strained, the famous bridezilla stuff, all of that stuff. [00:41:00] You saw it in the hospitality industry, no doubt. You know, the kind of mania for perfection, as if perfection constitutes culture. Right? With every detail checked off in the checkbox, that's culture. You know, as if everything goes off without a hitch and there's no guffaws. And in fact, anybody could reasonably make the case, "Where do you think culture appears when the script finally goes f*****g sideways?" That's when. And when you find out what you're capable of, ceremonially.And generally speaking, I think most people discovered that their ceremonial illiteracy bordered on the bottomless.That's when you find out. Hmm.Chris: Wow.Stephen: Yeah. And that's why people, you know, in speech time, they reach in there and get that piece of paper, and just look at it. Mm-hmm. They don't even look up, terrified that they're gonna go off script for a minute as [00:42:00] if the Gods of Matrimony are a scripted proposition.Chris: Mm-hmm. Yeah. Thank you for sharing that with us, that degree of deep reflection and humility that I'm sure comes with it.Stephen: Mea Culpa, baby. Yeah, I was, I got that one totally wrong. Mm-hmm. And I didn't know it at the time. Meanwhile, like, how much can you transgress and have the consequences of doing so like spill out across the floor like a broken thermometer's mercury and not wise up.But of course, I was as driven as anybody. I was as driven to see if I could come through with what I promised to do the year before. And keeping your promise can make you into a maniac.Audience: Hmm hmm.Chris: But I imagine that, you [00:43:00] know, you wouldn't have been able to see that even years later if you didn't say yes in the first place.Stephen: Oh, yeah. Yeah. And I wouldn't have been able to make the errors.Chris: Right.Stephen: Right. Yeah. I mean, as errors go, this is not a mortal sin. Right, right. And you could chalk it up to being a legitimate miscalculation. Well, so? All I'm saying is, it turns out I was there too, and it turns out, even though I was allegedly the circus master of the enterprise, I wasn't free and clear of the things we were all contending with, the kind of mortality and sort of cultural ricketiness that were all heirs to. That's how I translated it, as it turns out.So, PS there was a moment, [00:44:00] which I don't remember which setting it was now, but there was a moment when the "maybe we'll see if she becomes a bride" bride's mother slid up to me during the course of the proceedings, and in a kind of stage whisper more or less hissed me as follows."Is this a real wedding?"I mean, that's not a question. Not in that setting, obviously not. That is an accusation. Right. And a withering one at that. And there was a tremendous amount of throw-down involved.So, was it? I mean, what we do know is that she did not go to any of the weddings [00:45:00] that she was thinking of at the time, and go to the front of the room where the celebrant is austerely standing there with the book, or the script, or the well-intentioned, or the self-penned vows and never hissed at him or her, "is this a real wedding?"Never once did she do that. We know that.Right.And I think we know why. But she was fairly persuaded she knew what a real wedding was. And all she was really persuaded by was the poverty of the weddings that she'd attended before that one. Well, I was as informed in that respect as she was, wasn't I? I just probably hadn't gone to as many reprobate weddings as she had, so she had more to deal with than I did, even though I was in the position of the line of fire.And I didn't respond too well to the question, I have to say. At the moment, I was rather combative. But I mean, you try to do [00:46:00] what I tried to do and not have a degree of fierceness to go along with your discernment, you know, just to see if you can drag this carcass across the threshold. Anyway, that happened too.Chris: Wow. Yeah. Dominant culture of North America.Stephen: Heard of it.Chris: Yeah. Well, in Matrimony, there's quite a bit in which you write about hospitality and radical hospitality. And I wanted to move in that direction a little bit, because in terms of these kind of marketplace rituals or ceremonies that you were mentioning you know, it's something that we might wonder, I think, as you have, how did it come to be this [00:47:00] way?And so I'd like to, if I can once again, quote from matrimony in which you speak to the etymology of hospitality. And so for those interested on page 88,"the word hospitality comes from hospitaller, meaning 'one who cares for the afflicted, the infirm, the needy.' There's that thread of our misgivings about being on the receiving end of hospitality. Pull on it. For the written history of the word, at least, it has meant, 'being on the receiving end of a kind of care you'd rather not need.'"End quote.Stephen: That's so great. I mean, before you go on with the quote. It's so great to know that the word, unexamined, just kind of leaks upside, doesn't it? Hospitality, I mean, nobody goes "Hospitality, ew." [00:48:00] And then, if you just quietly do the obvious math to yourself, there's so much awkwardness around hospitality.This awkwardness must have an origin, have a home. There must be some misgiving that goes along with the giving of hospitality, mustn't there be? How else to understand where that kind of ickiness is to be found. Right? And it turns out that the etymology is giving you the beginnings of a way of figuring it out what it is that you're on the receiving end of - a kind of succor that you wish you didn't need, which is why it's the root word for "hospital."Chris: Hmm hmm. Wow.Audience: Hmm.Chris: May I repeat that sentence please? Once more."For the written history of the word, at least, it has meant, [00:49:00] 'being on the receiving end of a kind of care you'd rather not need.'"And so this last part hits home for me as I imagine it does for many.And it feels like the orthodoxy of hospitality in our time is one based not only in transaction, but in debt. And if you offer hospitality to me, then I owe you hospitality.Stephen: Right.Chris: I'm indebted to you. And we are taught, in our time, that the worst thing to be in is in debt.Stephen: Right?Chris: And so people refuse both the desire to give as well as the learning skill of receiving. And this is continuing on page 88 now."But there's mystery afoot with this word. In its old Latin form, hospice meant both 'host' and 'guest.'"Stephen: Amazing. One. Either one, This is absolutely amazing. We're fairly sure that there's a [00:50:00] acres of difference between the giver of hospitality and the receiver that the repertoire is entirely different, that the skew between them is almost insurmountable, that they're not interchangeable in any way. But the history of the word immediately says, "really?" The history of the word, without question, says that "host" and "guest" are virtually the same, sitting in different places, being different people, more or less joined at the hip. I'll say more, but you go ahead with what you were gonna do. Sure.Chris: "In it's proto Indo-European origins, hospitality and hospice is a compound word: gosh + pot. And it meant something like [00:51:00] 'stranger/guest/host + powerful Lord.'It is amazing to me that ancestrally, the old word for guest, host, and stranger were all the same word. Potent ceremonial business, this is. In those days, the server and the serve were partners in something mysterious. This could be confusing, but only if you think of guest, host, and stranger as fixed identities.If you think of them as functions, as verbs, the confusion softens and begins to clear. The word hospice in its ancient root is telling us that each of the people gathered together in hospitality is bound to the others by formal etiquette, yes, but the bond is transacted through a subtle scheme of graces.Hospitality, it tells us, is a web of longing and belonging that binds people for a time, some hithereto unknown to each other is a clutch of mutually-binding elegances, you could say. In its ancient practice, [00:52:00] hospitality was a covenant. According to that accord, however we were with each other. That was how the Gods would be with us. We learn our hospitality by being on the receiving end of Godly administration. That's what giving thanks for members. We proceed with our kin in imitation of that example and in gratitude for it."Mm-hmm.And so today, among "secular" people, with the Gods ignored, this old-time hospitality seems endangered, if not fugitive. I'm curious how you imagine that this rupture arose, the ones that separated and commercialized the radical relationships between hosts and guests, that turned them from verbs to nouns and something like strangers to marketplace functions.[00:53:00]Stephen: Well, of course this is a huge question you've asked, and I'll see if I can unhuge it a bit.Chris: Uhhuh.Stephen: Let's go right to the heart of what happened. Just no preliminaries, just right to it.So, to underscore again, the beauty of the etymology. I've told you over and over again, the words will not fail you. And this is just a shining example, isn't it? That the fraternization is a matter of ceremonial alacrity that the affiliation between host and guest, which makes them partners in something, that something is the [00:54:00] evocation of a third thing that's neither one of them. It's the thing they've lent themselves to by virtue of submitting to being either a host or a guest. One.Two. You could say that in circumstances of high culture or highly-functioning culture, one of the principle attributes of that culture is that the fundament of its understanding, is that only with the advent of the stranger in their midst that the best of them comes forward.Okay, follow that. Yeah.So, this is a little counterintuitive for those of us who don't come from such places. We imagine that the advent of strangers in the midst of the people I'm describing would be an occasion where people hide their [00:55:00] best stuff away until the stranger disappears, and upon the disappearance of the stranger, the good stuff comes out again.You know?So, I'm just remembering just now, there's a moment in the New Testament where Jesus says something about the best wine and he's coming from exactly this page that we're talking about - not the page in the book, but this understanding. He said, you know, "serve your best wine first," unlike the standard, that prevails, right?So again, what a stranger does in real culture is call upon the cultural treasure of the host's culture, and provides the opportunity for that to come forward, right? By which you can understand... Let's say for simplicity's sake, there's two kinds of hospitality. There's probably all kinds of gradations, [00:56:00] but for the purposes of responding to what you've asked, there's two.One of them is based on kinship. Okay? So, family meal. So, everybody knows whose place is whose around the table, or it doesn't matter - you sit wherever you want. Or, when we're together, we speak shorthand. That's the shorthand of familiarity and affinity, right?Everybody knows what everybody's talking about. A lot of things get half-said or less, isn't it? And there's a certain fineness, isn't it? That comes with that kind of affinity. Of course, there is, and I'm not diminishing it at all. I'm just characterizing it as being of a certain frequency or calibre or charge. And the charge is that it trades on familiarity. It requires that. There's that kind of hospitality."Oh, sit wherever you want."Remember this one?[00:57:00]"We don't stand on ceremony here.""Oh, you're one of the family now." I just got here. What, what?But, of course, you can hear in the protestations the understanding, in that circumstance, that formality is an enemy to feeling good in this moment, isn't it? It feels stiff and starched and uncalled for or worse.It feels imported from elsewhere. It doesn't feel friendly. So, I'm giving you now beginnings of a differentiation between how cultures who really function as cultures understand what it means to be hospitable and what often prevails today, trading is a kind of low-grade warfare conducted against the strangeness of the stranger.The whole purpose of treating somebody like their family is to mitigate, and finally neutralize their [00:58:00] strangeness, so that for the purposes of the few hours in front of us all, there are no strangers here. Right? Okay.Then there's another kind, and intuitively you can feel what I'm saying. You've been there, you know exactly what I mean.There's another kind of circumstance where the etiquette that prevails is almost more emphatic, more tangible to you than the familiar one. That's the one where your mother or your weird aunt or whoever she might be, brings out certain kind of stuff that doesn't come out every day. And maybe you sit in a room that you don't often sit in. And maybe what gets cooked is stuff you haven't seen in a long time. And some part of you might be thinking, "What the hell is all this about?" And the answer is: it's about that guy in the [00:59:00] corner that you don't know.And your own ancestral culture told acres of stories whose central purpose was to convey to outsiders their understanding of what hospitality was. That is fundamentally what The Iliad and The Odyssey are often returning to and returning to and returning to.They even had a word for the ending of the formal hospitality that accrued, that arose around the care and treatment of strangers. It was called pomp or pompe, from which we get the word "pompous." And you think about what the word "pompous" means today.It means "nose in the air," doesn't it? Mm-hmm. It means "thinks really highly of oneself," isn't it? And it means "useless, encumbering, kind of [01:00:00] artificial kind of going through the motions stuff with a kind of aggrandizement for fun." That's what "pompous" means. Well, the people who gave us the word didn't mean that at all. This word was the word they used to describe the particular moment of hospitality when it was time for the stranger to leave.And when it was mutually acknowledged that the time for hospitality has come to an end, and the final act of hospitality is to accompany the stranger out of the house, out of the compound, out into the street, and provision them accordingly, and wish them well, and as is oftentimes practiced around here, standing in the street and waving them long after they disappear from view.This is pompous. This is what it actually means. Pretty frigging cool when you get corrected once in a while, isn't it? [01:01:00] Yeah.So, as I said, to be simplistic about it, there's at least a couple of kinds, and one of them treasures the advent of the stranger, understanding it to be the detonation point for the most elegant part of us to come forward.Now, those of us who don't come from such a place, we're just bamboozled and Shanghai'ed by the notion of formality, which we kind of eschew. You don't like formality when it comes to celebration, as if these two things are hostile, one to the other. But I'd like you to consider the real possibility that formality is grace under pressure, and that formality is there to give you a repertoire of response that rescues you from the gross limitations of your autobiography.[01:02:00]Next question. I mean, that's the beginning.Chris: Absolutely. Absolutely. Mm-hmm. Thank you once again, Stephen. So alongside the term or concept of "pompe," in which the the guest or stranger was led out of the house or to the entrance of the village, there was also the consideration around the enforcement of hospitality, which you write about in the book. And you write that"the enforcement of hospitality runs the palpable risk of violating or undoing the cultural value it is there to advocate for. Forcing people to share their good fortune with the less fortunate stretches, to the point of undoing the generosity of spirit that the culture holds dear. Enforcement of hospitality is a sign of the eclipse of hospitality, typically spawned by insecurity, contracted self-definition, and the darkening of the [01:03:00] stranger at the door.Instead, such places and times are more likely to encourage the practice of hospitality in subtle generous ways, often by generously treating the ungenerous."And so there seems to be a need for limits placed on hospitality, in terms of the "pompe," the maximum three days in which a stranger can be given hospitality, and concurrently a need to resist enforcing hospitality. This seems like a kind of high-wire act that hospitable cultures have to balance in order to recognize and realize an honorable way of being with a stranger. And so I'm wondering if you could speak to the possibility of how these limits might be practiced without being enforced. What might that look like in a culture that engages with, with such limits, but without prohibitions?Stephen: Mm-hmm. That's a very good question. [01:04:00] Well, I think your previous question was what happened? I think, in a nutshell, and I didn't really answer that, so maybe see how I can use this question to answer the one that you asked before: what happened? So, there's no doubt in my mind that something happened that it's kind of demonstrable, if only with the benefit of hindsight.Audience: Right.Stephen: Or we can feel our way around the edges of the absence of the goneness of that thing that gives us some feel for the original shape of that thing.So you could say I'm trafficking in "ideals," here, and after a fashion, maybe, yeah. But the notion of "ideals," when it's used in this slanderous way suggests that "it was never like that."Chris: Mm-hmm.Stephen: And I suggest to you it's been like that in a lot of places, and there's a lot of places where it's still like that, although globalization [01:05:00] may be the coup de grâce performed upon this capacity. Okay. But anyway.Okay. So what happened? Well, you see in the circumstance that I described, apropos of the stranger, the stranger is in on it. The stranger's principle responsibility is to be the vector for this sort of grandiose generosity coming forward, and to experience that in a burdensome and unreciprocated fashion, until you realize that their willingness to do that is their reciprocity. Everybody doesn't get to do everything at once. You can't give and receive at the same time. You know what that's called? "Secret Santa at school," isn't it?That's where nobody owes nobody nothing at the end. That's what we're all after. I mean, one of your questions, you know, pointed to that, that there's a kind of, [01:06:00] what do you call that, teeter-totter balance between what people did for each other and what they received for each other. Right. And nobody feels slighted in any way, perfect balance, et cetera.Well, the circumstance here has nothing of the kind going with it. The circumstance we're describing now is one in which the hospitality is clearly unequal in terms of who's eating whose food, for example, in terms of the absolutely frustrated notion of reciprocity, that in fact you undo your end of the hospitality by trying to pay back, or give back, or pay at all, or break even, or not feel the burden of "God, you've been on the take for fricking hours here now." And if you really look in the face of the host, I mean, they're just getting started and you can't, you can't take it anymore.[01:07:00]So, one of the ways that we contend with this is through habits of speech. So, if somebody comes around with seconds. They say, "would you like a little more?"And you say, "I'm good. I'm good. I'm good." You see, "I'm good" is code for what? "F**k off." That's what it's code for. It's a little strong. It's a little strong. What I mean is, when "I'm good" comes to town, it means I don't need you and what you have. Good God, you're not there because you need it you knucklehead. You're there because they need it, because their culture needs an opportunity to remember itself. Right?Okay. So what happened? Because you're making it sound like a pretty good thing, really. Like who would say, "I think we've had enough of this hospitality thing, don't you? Let's try, oh, [01:08:00] keeping our s**t to ourselves. That sounds like a good alternative. Let's give it a week or two, see how it rolls." Never happened. Nobody decided to do this - this change, I don't think. I think the change happened, and sometime long after people realized that the change had had taken place. And it's very simple. The change, I think, went something like this.As long as the guest is in on it, there's a shared and mutually-held understanding that doesn't make them the same. It makes them to use the quote from the book "partners," okay, with different tasks to bring this thing to light, to make it so. What does that require? A mutually-held understanding in vivo as it's happening, what it is.Okay. [01:09:00] So, that the stranger who's not part of the host culture... sorry, let me say this differently.The culture of the stranger has made the culture of the host available to the stranger no matter how personally adept he or she may be at receiving. Did you follow that?Audience: A little.Stephen: Okay. Say it again?Audience: Yes, please.Stephen: Okay. The acculturation, the cultured sophistication of the stranger is at work in his or her strangerhood. Okay. He or she's not at home, but their cultural training helps them understand what their obligations are in terms of this arrangement we've been describing here.Okay, so I think the rupture takes place [01:10:00] when the culturation of one side or the other fails to make the other discernible to the one.One more time?When something happens whereby the acculturation of one of the partners makes the identity, the presence, and the valence of the other one untranslatable. Untranslatable.I could give you an example from what I call " the etiquette of trade," or the... what was the word? Not etiquette. What's the other word?Chris: The covenant?Stephen: Okay, " covenant of trade" we'll call it. So, imagine that people are sitting across from each other, two partners in a trade. Okay? [01:11:00] Imagine that they have one thing to sell or move or exchange and somebody has something else.How does this work? Not "what are the mechanics?" That can be another discussion, but, if this works, how does it work? Not "how does it happen?" How does it actually achieve what they're after? Maybe it's something like this.I have this pottery, and even though you're not a potter, but somebody in your extended family back home was, and you watched what they went through to make a fricking pot, okay?You watched how their hands seized up, because the clay leached all the moisture out of the hands. You distinctly remember that - how the old lady's hands looked cracked and worn, and so from the work of making vessels of hospitality, okay? [01:12:00] It doesn't matter that you didn't make it yourself. The point is you recognize in the item something we could call "cultural patrimony."You recognize the deep-runningness of the culture opposite you as manifest and embodied in this item for trade. Okay? So, the person doesn't have to "sell you" because your cultural sophistication makes this pot on the other side available to you for the deeply venerable thing that it is. Follow what I'm saying?Okay. So, you know what I'm gonna say next? When something happens, the items across from you cease to speak, cease to have their stories come along with them, cease to be available. There's something about your cultural atrophy that you project onto the [01:13:00] item that you don't recognize.You don't recognize it's valence, it's proprieties, it's value, it's deep-running worth and so on. Something happened, okay? And because you're not making your own stuff back home or any part of it. And so now, when you're in a circumstance like this and you're just trying to get this pot, but you know nothing about it, then the enterprise becomes, "Okay, so what do you have to part with to obtain the pot?"And the next thing is, you pretend you're not interested in obtaining the pot to obtain the pot. That becomes part of the deal. And then, the person on the making end feels the deep running slight of your disinterest, or your vague involvement in the proceedings, or maybe the worst: when it's not things you're going back and forth with, but there's a third thing called money, which nobody makes, [01:14:00] which you're not reminded of your grandma or anyone else's with the money. And then, money becomes the ghost of the original understanding of the cultural patrimony that sat between you. That's what happened, I'm fairly sure: the advent, the estrangement that comes with the stranger, instead of the opportunity to be your cultural best when the stranger comes.And then of course, it bleeds through all kinds of transactions beyond the "obvious material ones." So, it's a rupture in translatability, isn't it?Chris: You understand this to happen or have happened historically, culturally, et cetera, with matrimony as well?Stephen: Oh, absolutely. Yeah.Yeah. This is why, for example, things like the fetishization of virginity.Audience: Mm-hmm. [01:15:00]Stephen: I think it's traceable directly to what we're talking about. How so? Oh, this is a whole other long thing, but the very short version would be this.Do you really believe that through all of human history until the recent liberation, that people have forever fetishized the virginity of a young woman and jealously defended it, the "men" in particular, and that it became a commodity to trade back and forth in, and that it had to be prodded and poked at to determine its intactness? And this was deemed to be, you know, honourable behavior?Do you really think that's the people you come from, that they would've do that to the most cherished of their [01:16:00] own, barely pubescent girls? Come on now. I'm not saying it didn't happen and doesn't still happen. I'm not saying that. I'm saying, God almighty, something happened for that to be so.And I'm trying to allude to you now what I think took place. Then all of a sudden, the hymen takes the place of the pottery, doesn't it? And it becomes universally translatable. Doesn't it? It becomes a kind of a ghosted artifact of a culturally-intact time. It's as close as you can get.Hence, this allegation of its purity, or the association with purity, and so on. [01:17:00] I mean, there's lots to say, but that gives you a feel for what might have happened there.Chris: Thank you, Stephen. Thank you for being so generous with your considerations here.Stephen: You see why I had to write a book, eh?Audience: Mm-hmm.Stephen: There was too much bouncing around. Like I had to just keep track of my own thoughts on the matter.But can you imagine all of this at play in the year, oh, I don't know, 2022, trying to put into motion a redemptive passion play called "matrimony," with all of this at play? Not with all of this in my mind, but with all of this actually disfiguring the anticipation of the proceedings for the people who came.Can you imagine? Can you imagine trying to pull it off, and [01:18:00] contending overtly with all these things and trying to make room for them in a moment that's supposed to be allegedly - get ready for it - happy.I should have raised my rates on the first day, trying to pull that off.But anyway.Okay, you go now,Chris: Maybe now you'll have the opportunity.Stephen: No, man. No. I'm out of the running for that. "Pompe" has come and come and gone. Mm.Chris: So, in matrimony, Stephen, you write that"the brevity, the brevity of modern ceremonies is really there to make sure that nothing happens, nothing of substance, nothing of consequence, no alchemy, no mystery, no crazy other world stuff. That overreach there in its scripted heart tells me that deep in the rayon-wrapped bosom of that special day, the modern wedding is scared [01:19:00] silly of something happening. That's because it has an ages-old abandoned memory of a time when a wedding was a place where the Gods came around, where human testing and trying and making was at hand, when the dead lingered in the wings awaiting their turn to testify and inveigh."Gorgeous. Gorgeous.Audience: Mm-hmm.Chris: And so I'm curious ifStephen: "Rayon-wrapped bosom." That's not, that's not shabby.Chris: "Rayon-wrapped bosom of that special day." Yeah.So, I'm curious do you think the more-than-human world practices matrimony, and if so, what, if anything, might you have learned about matrimony from the more-than-human world?Stephen: I would say the reverse. I would say, we practice the more-than-human world in matrimony, not that the more-than-human world practices matrimony. We practice them, [01:20:00] matrimonially.Next. Okay. Or no? I just gonna say that, that's pretty good.Well, where do we get our best stuff from? Let's just wonder that. Do we get our best stuff from being our best? Well, where does that come from? And this is a bit of a barbershop mirrors situation here, isn't it? To, to back, back, back, back.If you're thinking of time, you can kind of get lost in that generation before, or before, before, before. And it starts to sound like one of them biblical genealogies. But if you think of it as sort of the flash point of multiple presences, if you think of it that way, then you come to [01:21:00] credit the real possibility that your best stuff comes from you being remembered by those who came before you.Audience: Hmm.Stephen: Now just let that sit for a second, because what I just said is logically-incompatible.Okay? You're being remembered by people who came before you. That's not supposed to work. It doesn't work that way. Right?"Anticipated," maybe, but "remembered?" How? Well, if you credit the possibility of multiple beginnings, that's how. Okay. I'm saying that your best stuff, your best thoughts, not the most noble necessarily. I would mean the most timely, [01:22:00] the ones that seem most needed, suddenly.You could take credit and sure. Why, why not? Because ostensibly, it arrives here through you, but if you're frank with yourself, you know that you didn't do that on command, right? I mean, you could say, I just thought of it, but you know in your heart that it was thought of and came to you.I don't think there's any difference between saying that and saying you were thought of.Audience: Mm-hmm.Stephen: So, that's what I think the rudiments of old-order matrimony are. They are old people and their benefactors in the food chain and spiritually speaking. Old people and their benefactors, the best part of them [01:23:00] willed to us, entrusted and willed to us. So, when you are willing to enter into the notion that old-order matrimony is older than you, older than your feelings for the other person, older than your love, and your commitment, and your willingness to make the vows and all that stuff, then you're crediting the possibility that your love is not the beginning of anything.You see. Your love is the advent of something, and I use that word deliberately in its Christian notion, right? It's the oncomingness, the eruption into the present day of something, which turns out to be hugely needed and deeply unsuspected at the same time.I used to ask in the school, "can you [01:24:00] have a memory of something you have no lived experience of?" I think that's what the best part of you is. I'm not saying the rest of you is shite. I'm not saying that. You could say that, but I am saying that when I say "the best part of you," that needs a lot of translating, doesn't it?But the gist of it is that the best part of you is entrusted to you. It's not your creation, it's your burden, your obligation, your best chance to get it right. And that's who we are to those who came before us. We are their chance to get it right, and matrimony is one of the places where you practice the gentle art of getting it right.[01:25:00] Another decent reason to write a book.Chris: So, gorgeous. Wow. Thank you Stephen. I might have one more question.Stephen: Okay. I might have one more answer. Let's see.Chris: Alright. Would I be able to ask if dear Nathalie Roy could join us up here alongside your good man.So, returning to Matrimony: Ritual, Culture and the Heart's Work. On page 94, [01:26:00] Stephen, you write that"hospitality of the radical kind is

Saddle up! We're riding our high horses in a parade...   Be prepared for more strong opinions and very personal views as Indigo hosts the second of three episodes exploring queer life and some of the stand out issues for the queer community. This week, the topic is pride!   Indigo and Luke will get very frank in sharing their thoughts and opinions, please remember that these are the views of the individuals.   Share your own thoughts, experiences and join the conversation on Insta: @aheartstopperpodcast and in the Facebook group.

We're getting big and explosive with Teenage Mutant Ninja Turtles: Out of the Shadows (2016)! And to avoid squinting at this Michael Bay flick, licensing producer on TMNT: Tactical Takedown Mike Futter joins the pod! ---The Patron Drive is back! Join the Moviestruck Patreon at any paid tier to work towards bonus episodes of Moviestruck! At 250 total Patrons we'll be covering Bionicle: The Legend Reborn (2009) with OSP Blue and Noir, and at 300 total Patrons we'll be watching Kraven the Hunter (2024) with Austin from Rolling with Difficulty! Head on over to Patreon and stick around for the post roll for all the deets on this monthly event.---Dive in for ninja action! Play TMNT Tactical Takedown on Steam and Switch today!https://www.strangescaffold.com/our-games/Steam: https://store.steampowered.com/app/3229100/Teenage_Mutant_Ninja_Turtles_Tactical_Takedown/Where to find Mike:https://michaelfutter.com/F-Squared: https://www.fsquared.biz/Bluesky: @futterish.fsquared.bizContact the Podmoviestruckpod@gmail.comwww.moviestruck.transistor.fmPatreon: https://www.patreon.com/moviestruckDiscord: https://discord.gg/cT2vm3KdeSBlueSky: @moviestruck.bsky.socialTheme by Prod. DomSoundcloudThank you to our $10 Patrons!Cai, Clove, Maddy New, Adam Bagnall, UwU, Zas, Ken M, Madidid, Ethan, Jim8333, Jacob Hunt, Azraq Shinji, Case Aiken, Ebony Voigt, AnOptimist, Lairde Ray, the Norwegian one, Travis Poe, William Warren, Stag Hart (Deer Deer), Rusty_Fork, Mura Purcell, insomnite, Nathan Dunlap. ★ Support this podcast on Patreon ★

Savez-vous que la chlorophylle, ce pigment vert qui donne vie à nos plantes, joue un rôle fondamental non seulement dans la photosynthèse, mais aussi dans de nombreuses applications humaines ? Dans cet épisode captivant du podcast ArtEcoVert La voix de la couleur végétale et des plantes tinctoriales, nous avons le plaisir d'accueillir Pauline Leroux, ingénieure agronome passionnée par la couleur végétale et les plantes tinctoriales. Avec son expertise, elle nous plonge dans l'univers fascinant de la chlorophylle, ce pigment essentiel à la vie sur Terre. Au cours de cette discussion enrichissante, Pauline nous explique comment la chlorophylle permet aux plantes de convertir la lumière en énergie chimique, un processus vital qui soutient toute la chaîne alimentaire. Elle aborde également le paradoxe de la capture et de la stabilisation de ce pigment dans les pratiques humaines, soulevant des questions cruciales sur notre interaction avec la nature. Vous découvrirez les différents types de chlorophylle et leurs propriétés uniques, ainsi que leurs applications innovantes dans des domaines variés tels que le textile, l'alimentation et la cosmétique. Mais ce n'est pas tout ! Pauline partage également des défis passionnants liés à la stabilité de la chlorophylle, notamment sa tendance à se dégrader rapidement. Elle propose des solutions prometteuses, telles que l'encapsulation et l'utilisation de mélanges pigmentaires, pour garantir que ce précieux pigment puisse être utilisé de manière durable et efficace. En fin de compte, cet épisode met en lumière l'importance cruciale de la recherche sur la chlorophylle et son potentiel dans des applications futures. Avec une approche bienveillante et pédagogique, Pauline nous invite à explorer davantage ce sujet fascinant et à envisager comment nous pouvons intégrer ces connaissances dans notre quotidien. Ne manquez pas cette occasion d'en apprendre davantage sur la chlorophylle et son impact sur notre vie ! Écoutez cet épisode inspirant de ArtEcoVert La voix de la couleur végétale et des plantes tinctoriales et laissez-vous emporter par la magie de la couleur végétale. Belle écoute !ArtEcoVert informe et inspire celles et ceux qui veulent repenser la couleur autrement, et les accompagne dans leur transition vers une couleur plus durable — avec des témoignages concrets le jeudi

That's right, this is a denim episode! Longtime listeners will remember our 13-part, 7-hour audio epic about the history of denim where we covered 500 years of history of our favorite fabric.Relax, we're not doing that again. That was a graduate level seminar, instead, this is denim 101 and by the end of it you should have all the tools and info needed to make an informed purchase and join the wonderful fraternity of people who talk about their jeans way too much.If you only know whispers of the discomfort associated with raw denim, the supposed high cost, or even about people putting their jeans in the freezer or wearing them to the beach, then this is for you.Brands mentioned:Levi'sLeft FieldHiroshi KatoTildenToday's episode featured writing from “The Essential Raw Denim Breakdown” by yours truly on Heddels.com and the producing talents of Sean Thornton and theme music by Andrew Ryan.If you have any questions, comments, feedback or suggestions for other topics, email us at blowout@heddels.com.

SummaryIn this conversation, Clayton Cuteri delves into the history of Atlantis, tracing its connection to the teachings of Krishna. He discusses the significance of the curse placed on Krishna and its implications for humanity today, emphasizing the need for unity and love among all people to overcome this curse.Clayton's Social MediaLinkTree | TikTok | Instagram | Twitter (X) | YouTube | RumbleTimecodes00:00 - Intro01:02 - The Real History of Atlantis02:31 - Krishna and the City of Atlantis04:54 - The Curse of Gandhari and Its Consequences07:20 - The Impact of Atlantis on Modern Humanity11:33 - Unity and Overcoming the CurseIntro/Outro Music Producer: Don KinIG: https://www.instagram.com/donkinmusic/Spotify: https://open.spotify.com/artist/44QKqKsd81oJEBKffwdFfPSuper grateful for this guy ^Send Clayton a text message!Support the showNEWSLETTER - SIGN UP HERE

On this episode of Not For Radio... 02:40 - Army navigation exercise yarns https://bit.ly/4mr9W2S11:40 - Biggest rooters in the animal kingdom18:00 - The bungee rocket chick in Bali - https://bit.ly/4na2b2z25:00 - Indigo child had a connection with a ghost granny31:00 - A follow-up from a recent yarn and an update on Jay's nut35:10 - A rogue VHS dating tape37:10 - Waterbed chat40:20 - Family BBQ shower shit Supermensch - Amazing Doco - https://www.youtube.com/watch?v=BF0jKEMSDGwHit us up and get all our links: https://linktr.ee/notforradioBecome a Sniper Elite: https://plus.rova.nz/ Learn more about your ad choices. Visit megaphone.fm/adchoices

After deciphering a series of symbols that look remarkably like "love, death, and robots," the OSPod also takes the time to talk about the world right before WWI! In less speculative news, we also vindicate Doc Oc, start a Sinister Six rock band, and once more think about Oscar the Grouch ice skating! Our podcast, like our videos, sometimes touches on the violence, assaults, and murders your English required reading list loves (also we curse sometimes). Treat us like a TV-14 show.OSP has new videos every Friday:https://www.youtube.com/c/OverlySarcasticProductionsChannelQuestion for the Podcast? Head to the #ask-ospod discord channel:https://discord.gg/OSPMerch:https://overlysarcastic.shopFollow Us:Patreon.com/OSPTwitter.com/OSPyoutubeTwitter.com/sophie_kay_Music By OSP Magenta ★ Support this podcast on Patreon ★

It's deep cut season.    Be prepared for strong opinions and very personal views as Indigo hosts the first of three episodes exploring queer life and some of the stand out issues for the queer community. This week, the topic is dating!   Indigo and Luke will get very frank in sharing their thoughts and opinions, please remember that these are the views of the individuals.   Share your own thoughts, experiences and join the conversation on Insta: @aheartstopperpodcast and in the Facebook group.

Connection! This is the chapter where I really feel like the rubber hits the road. We see how the practices support us in our relationship with ourselves, and then we can apply these skills to our relationships in the bigger world. That's what we cover in this next to final chapter in the book.Feel free to share your thoughts with me at meanderingswithtrudy@gmail.com. I'd love to hear how your work is going as we meander through these daily practices.Episode links:You can find "The Joy Diet: 10 Daily Practices for a Happier Life" by Martha Beck at Indigo in Canada, and at local bookstores near you, like Books on Beechwood.Learn more about Martha Beck.Brené Brown on shame and vulnerabilityThe anatomy of a conversationThe Five Love Languages, by Gary ChapmanMy friend Richard Godin shot this beautiful picture of the water lily.  I use it with permission. As always, this podcast is sponsored by the guests who give of their time, and by my company, Chapman Coaching Inc.Royalty free music is gratefully received and is called Sunday Stroll – by Huma-HumaLife live joyfully, and always let kindness guide you.

What do you think the secret of the ooze is? We try and find the answer by diving in to Teenage Mutant Ninja Turtles II: Secret of the Ooze (1991) with hosts of the Only Podcast About Movies (hey!) Shahir and Matt! ---The Patron Drive is back! Join the Moviestruck Patreon at any paid tier to work towards bonus episodes of Moviestruck! At 250 total Patrons we'll be covering Bionicle: The Legend Reborn (2009) with OSP Blue and Noir, and at 300 total Patrons we'll be watching Kraven the Hunter (2024) with Austin from Rolling with Difficulty! Head on over to Patreon and stick around for the post roll for all the deets on this monthly event.---The Only Podcast About Movies:The Only Podcast About Movies: https://www.onlymoviepodcast.com/YouTube: https://www.youtube.com/@onlymoviepodWhere to find Matt:Extra Credits: https://www.youtube.com/extracreditsExtra History: https://www.youtube.com/extrahistoryTwitter: @EmperorMSKBlueSky: @matthewkrol.bsky.socialWhere to find Shahir:BlueSky: @shahirdaud.bsky.socialContact the Podmoviestruckpod@gmail.comwww.moviestruck.transistor.fmPatreon: https://www.patreon.com/moviestruckDiscord: https://discord.gg/cT2vm3KdeSBlueSky: @moviestruck.bsky.socialTheme by Prod. DomSoundcloudThank you to our $10 Patrons!Cai, Clove, Maddy New, Adam Bagnall, UwU, Zas, Ken M, Madidid, Ethan, Jim8333, Jacob Hunt, Azraq Shinji, Case Aiken, Ebony Voigt, AnOptimist, Lairde Ray, the Norwegian one, Travis Poe, William Warren, Stag Hart (Deer Deer), Rusty_Fork, Mura Purcell, insomnite, Nathan Dunlap. ★ Support this podcast on Patreon ★

Suivez la série COULEURS DU VIVANT : ICI Savez-vous que les champignons pourraient bien être la clé d'une révolution dans le monde de la couleur végétale et des matériaux durables ? Dans cet épisode captivant du podcast ArtEcoVert, Pauline Leroux accueille Elodie Choque, maître de conférence àl'Université de Picardie Jules Verne, pour plonger au cœur de l'univers fascinant des champignons, de la biotechnologie et de la couleur végétale. Elodie, passionnée par les champignons, notamment ceux qui produisent des couleurs, nous fait découvrir son parcours académique et son enthousiasme contagieux pour ces organismes extraordinaires.Ensemble, ils explorent comment ces êtres vivants, qu'ils soient unicellulaires comme les levures ou filamenteux, jouent un rôle essentiel dans des domaines variés tels que l'alimentation, la construction, et même la cosmétique. L'épisode met en lumière l'importance des champignons dans la création de bioplastiques, leur potentiel pour dépolluer les sols, ainsi que leur utilisation dans des applications innovantes comme le smart packaging. Elodie souligne que les champignons ne sont pas seulement une source de couleur, mais également des alliés précieux dans la lutte contre les plastiques non biodégradables.Ce dialogue riche et engagé met en avant la nécessité d'intégrer les connaissances sur les champignons dans les pratiques durables, tout en insistant sur l'importance de la recherche collaborative dans ce domaine. Les colorants végétaux, issus de la teinture végétale et des plantes tinctoriales comme l'indigo et la garance, trouvent une nouvelle dimension grâce à la biotechnologie fongique. Les pigments végétaux et les tanins, extraits de fibres naturelles, offrent une palette de nuances qui pourrait transformer notre approche de la couleur et de la teinture.En conclusion, cet épisode se termine sur une note d'optimisme quant à l'avenir de la biotechnologie fongique. Elodie Choque nous invite à envisager un monde où les matériaux et les couleurs sont non seulement esthétiques mais aussi durables, en harmonie avec notre environnement. Ne manquez pas cette occasion d'en apprendre davantage sur l'impact des champignons dans l'agriculture tinctoriale et les jardins de demain. Pour écouter cet épisode inspirant, rendez-vous sur notre site ArtEcoVert et plongez dans l'univers des colorants biosourcés. Belle écoute !ArtEcoVert informe et inspire celles et ceux qui veulent repenser la couleur autrement, et les accompagne dans leur transition vers une couleur plus durable — avec des témoignages concrets le jeudi

Parliamo di smartphone. Con Roberto Pezzali, esperto di tecnologia della redazione di Dday.it, sentiamo quali sono le novità delle ultime settimane in questo settore, dai nuovi iPhone all’aggiornamento dei Pixel.Intelligenza artificiale. Facciamo il punto sullo stato dell’arte dopo il rilascio nell’estate di ChatGPT5 con Enrico Bertino, Chief Technology Officer di Indigo.ai.Prosegue la corsa per riportare l’uomo sulla Luna e prosegue anche la sfida tra Stati Uniti e Cina per arrivarci per primi. Sappiamo che le strategie messe a punto a questo scopo sono molto diverse e che la Nasa dovrebbe usare la Starship di SpaceX che ha recentemente concluso con successo il test di lancio numero 10, come ci racconta Luigi Bignami, giornalista scientifico ed esperto di Spazio.A partire dal 1 gennaio 2026 scatta per gli esercenti l’obbligo di collegare il POS al registratore di cassa telematico in modo che ogni transazione elettronica venga automaticamente registrata e comunicata all’Agenzia delle Entrate. Assieme a Stefano Lieto, direttore commerciale di A-Tono, azienda specializzata in servizi digitali di pagamento integrati, vediamo come funziona il primo POS che integra le funzioni di un registratore telematico, una stampante incorporata e un sistema di trasmissione sicura dei corrispettivi fiscali.E come sempre in Digital News le notizie di innovazione e tecnologia più importanti della settimana.

SummaryIn this conversation, Clayton Cuteri explores the spiritual significance of numbers, particularly the number 666, and its perception as evil. He delves into the historical context of this belief, discussing how symbols can be misinterpreted and how their true meanings can be empowering. Cuteri emphasizes the importance of intent in using symbols and numbers, arguing that they are neither inherently good nor evil but can be used as divine weapons for positive change. He encourages listeners to question societal perceptions of good and evil and to explore the deeper meanings behind symbols.Clayton's Social MediaLinkTree | TikTok | Instagram | Twitter (X) | YouTube | RumbleTimecodes00:00 - Intro 01:03 - The History of 666 and Its Perception04:30 - The Duality of Numbers: 666 and 99906:05 - Divine Weapons: The Nature of Symbols10:39 - The Power of Symbols in History14:58 - The Role of Intent in Using Symbols19:52 - The Illusion of Good and Evil22:01 - Empowering the Use of Cosmic WeaponsIntro/Outro Music Producer: Don KinIG: https://www.instagram.com/donkinmusic/Spotify: https://open.spotify.com/artist/44QKqKsd81oJEBKffwdFfPSuper grateful for this guy ^Send Clayton a text message!Support the showNEWSLETTER - SIGN UP HERE

Grab your magic swords and surf the audio-waves as we talk with developers and composers Matt Nava and Austin Wintory from the Sword of the Sea team about their latest foray into atmospheric video game making!Our podcast, like our videos, sometimes touches on the violence, assaults, and murders your English required reading list loves (also we curse sometimes). Treat us like a TV-14 show.Where to play Sword of the Sea:https://swordoftheseagame.comGiant Squid: https://giantsquidstudios.comSteam: https://store.steampowered.com/app/2453160/Sword_of_the_SeaPS5: https://www.playstation.com/en-us/games/sword-of-the-seaEpic Games: https://store.epicgames.com/en-US/p/sword-of-the-sea-385364Socials: https://linktr.ee/giantsquidstudiosWhere to find Austin:YouTube: https://www.youtube.com/awintoryInstagram: @a.wintoryOSP has new videos every Friday:https://www.youtube.com/c/OverlySarcasticProductionsChannelQuestion for the Podcast? Head to the #ask-ospod discord channel:https://discord.gg/OSPMerch:https://overlysarcastic.shopFollow Us:Patreon.com/OSPTwitter.com/OSPyoutubeTwitter.com/sophie_kay_Music By OSP Magenta ★ Support this podcast on Patreon ★

Skift's latest Power Rankings spotlight bold leaders reshaping travel, from Airbnb's Brian Chesky relaunching Experiences, to Perplexity's Aravind Srinivas challenging Google's travel search with AI, and IndiGo's Pieter Elbers pushing long-haul expansion with new widebodies. Apple's new AirPods Pro 3 add live language translation for English, French, German, Portuguese, and Spanish. Meanwhile, United CEO Scott Kirby says airline demand is rebounding and the industry is stabilizing amid eased tariff worries and new tax provisions. The Leaders Making the Biggest Bets in Travel Apple Unveils Live Translation on AirPods United CEO Expresses Confidence About the Economy Connect with SkiftLinkedIn: https://www.linkedin.com/company/skift/WhatsApp: https://whatsapp.com/channel/0029VaAL375LikgIXmNPYQ0L/Facebook: https://facebook.com/skiftnewsInstagram: https://www.instagram.com/skiftnews/Threads: https://www.threads.net/@skiftnewsBluesky: https://bsky.app/profile/skiftnews.bsky.socialX: https://twitter.com/skiftSubscribe to @SkiftNews and never miss an update from the travel industry.

Ever wondered how singers record vocals remotely and make them sound professional? In this episode of Inside The Mix, Marc Matthews is joined by New Zealand synthwave vocalist INDIGO to explore the art of remote vocal collaboration and the songwriting process behind her unique sound.From her unexpected start in the synthwave scene to collaborations with artists like Wolf Club and Turbo Knight, INDIGO shares how she records vocals from home while working with producers across the world. We dive into her vocal recording techniques—including why she double-tracks every vocal and prefers recording in the evenings for her best takes.You'll also learn how Indigo adapts her lyrics to fit electronic music, moving between dreamy love songs and darker themes, and how she overcomes songwriter's block with practical strategies like listening to instrumentals on long drives or stepping away from projects overnight.For the tech-minded, Indigo reveals her setup, using the Aston Origin microphone, basic vocal processing, and clear communication with producers to make remote collaborations successful. She also opens up about the challenges of online music partnerships and why trust and reliability matter as much as technical skill.Whether you're a producer looking to collaborate with vocalists or a singer wanting to deliver better takes from home, this episode is packed with actionable tips for remote recording, lyric writing, and collaboration in the digital age.Links mentioned in this episode:Follow INDIGOListen to Darklight (feat. INDIGO)Listen to Engraved DisillusionSend me a message Support the showWays to connect with Marc: Book your FREE Music Breakthrough Strategy Call Radio-ready mixes start here - get the FREE weekly tips Grab exclusive access to BONUS content on Patreon Try Riverside for FREE Follow Marc's Socials: Instagram | YouTube | Synth Music Mastering Thanks for listening!!

Laughter! That's the focus of today's meander, as we explore the third last chapter in Martha Beck's book, “The Joy Diet: 10 daily practices for a happier life.” We visit a laughter yoga class from 2023 on Australia's sunshine coast and hear from two laughter yoga teachers about the benefits of such a thing. There's good science behind it too, that Beck explores in the book. I hope you'll have a read of that, and explore her invitation to increase your quotient of laughs per day.Feel free to share your thoughts with me at meanderingswithtrudy@gmail.com. I'd love to hear how your work is going as we meander through these daily practices.Episode links:You can find "The Joy Diet: 10 Daily Practices for a Happier Life" by Martha Beck at Indigo in Canada, and at local bookstores near you, like Books on Beechwood.Learn more about Martha Beck.Laughter Yoga, edited, care of ABC Australia, Laughter Yoga InternationalBaby laughter, child laughter, royalty free, with thanksMy friend Richard Godin shot this beautiful picture of the water lily.  I use it with permission. As always, this podcast is sponsored by the guests who give of their time, and by my company, Chapman Coaching Inc.Royalty free music is gratefully received and is called Sunday Stroll – by Huma-HumaLife live joyfully, and always let kindness guide you.

We're heading back to the sewers with another Turtlemania entry, Teenage Mutant Ninja Turtles: Mutant Mayhem (2023) with Nando of Nando V Movies! Perhaps the most teenage of all the TMNT flicks, grab some milk and settle in for a modern Turtle flick! ---The Patron Drive is back! Join the Moviestruck Patreon at any paid tier to work towards bonus episodes of Moviestruck! At 250 total Patrons we'll be covering Bionicle: The Legend Reborn (2009) with OSP Blue and Noir, and at 300 total Patrons we'll be watching Kraven the Hunter (2024) with Austin from Rolling with Difficulty! Head on over to Patreon and stick around for the post roll for all the deets on this monthly event.---Where to find Nando:https://www.nandovmovies.com/YouTube: https://www.youtube.com/@NandovMoviesPatreon: https://www.patreon.com/nandovmoviesBlueSky: @nandovmovies.bsky.socialTwitter: @NandovMoviesContact the Podmoviestruckpod@gmail.comwww.moviestruck.transistor.fmPatreon: https://www.patreon.com/moviestruckDiscord: https://discord.gg/cT2vm3KdeSBlueSky: @moviestruck.bsky.socialTheme by Prod. DomSoundcloudThank you to our $10 Patrons!Cai, Clove, Maddy New, Adam Bagnall, UwU, Zas, Ken M, Madidid, Ethan, Jim8333, Jacob Hunt, Azraq Shinji, Case Aiken, Ebony Voigt, AnOptimist, Lairde Ray, the Norwegian one, Travis Poe, William Warren, Stag Hart (Deer Deer), Rusty_Fork, Mura Purcell, insomnite, Nathan Dunlap. ★ Support this podcast on Patreon ★

Yeehaw (in space!) The OSPod crew is exploring their musical interests and exposing their baking disasters in yet another thrilling installment of the Overly Sarcastic Podcast. So grab your ray guns and cowboy hats and listen along! Our podcast, like our videos, sometimes touches on the violence, assaults, and murders your English required reading list loves (also we curse sometimes). Treat us like a TV-14 show.OSP has new videos every Friday:https://www.youtube.com/c/OverlySarcasticProductionsChannelQuestion for the Podcast? Head to the #ask-ospod discord channel:https://discord.gg/OSPMerch:https://overlysarcastic.shopFollow Us:Patreon.com/OSPTwitter.com/OSPyoutubeTwitter.com/sophie_kay_Music By OSP Magenta ★ Support this podcast on Patreon ★

Join Luke and Indigo, with additional notes from Ellie, for a full de-brief on season 1 of Young Royals, discussing thoughts and feelings on the series as a whole. The crew will be be sharing their top music picks, villains and surprises of the series, reviewing their favourite moments and much more.   If we've missed any of your top picks, let us know on Insta: @aheartstopperpodcast or on our Facebook group.

Cowabunga! We're kicking off TURTLEMANIA! All September long Moviestruck going shellhead to cover all thing Teenage Mutant Ninja Turtle on screen. We'll have weekly releases of ninja action with a whole slew of special guests. So grab some pizza and settle in for the first entry of Turtlemania, TMNT (2007)with Red of Overly Sarcastic Productions! ---The Patron Drive is back! Join the Moviestruck Patreon at any paid tier to work towards bonus episodes of Moviestruck! At 250 total Patrons we'll be covering Bionicle: The Legend Reborn (2009) with OSP Blue and Noir, and at 300 total Patrons we'll be watching Kraven the Hunter (2024) with Austin from Rolling with Difficulty! Head on over to Patreon and stick around for the post roll for all the deets on this monthly event.--- Where to find Red:YouTube: https://www.youtube.com/c/OverlySarcasticProductionsChannelTwitter: @OSPyoutubeBlueSky: @overlysarcastic.bsky.socialInstagram: @overly.sarcastic.productionsPatreon: https://www.patreon.com/OSPContact the Podmoviestruckpod@gmail.comwww.moviestruck.transistor.fmPatreon: https://www.patreon.com/moviestruckDiscord: https://discord.gg/cT2vm3KdeSBlueSky: @moviestruck.bsky.socialTheme by Prod. DomSoundcloudThank you to our $10 Patrons!Clove, Maddy New, Adam Bagnall, UwU, Zas, Ken M, Madidid, Ethan, Jim8333, Jacob Hunt, Azraq Shinji, Case Aiken, Ebony Voigt, AnOptimist, Lairde Ray, the Norwegian one, Travis Poe, William Warren, Stag Hart (Deer Deer), Rusty_Fork, Mura Purcell, insomnite, Nathan Dunlap. ★ Support this podcast on Patreon ★

The year is 2025 - Aaron is the last remaining survivor of the SUPER GHOST crew after Gerry, Beth, and Greg were taken out by robo-Young Sheldons. With the help of Dre, Steve, Darren, and the Carrie Underwood fanbase, Aaron will lead a mighty resistance to reclaim earth. But mostly we'll talk about candy bars, Vin Diesel movies, and gaming magazines.

Abbas is back on the AMA and it’s gloriously unhinged: from co-parenting a cat after a breakup to an Indigo co-pilot’s loo fiasco, Dream11’s exit, Priyadarshan’s “100 and out?”, Pujara’s retirement, and whether Messi is actually coming to India. Plus: Supreme Court vs dogs, mallu-spotting hacks, and more Mumbai monsoon misery. What’s inside (highlights): Breakups, awkward run-ins & the “cat maintenance” economics—Abbas splits vet/food costs and all the social weirdness that follows. “Man climbed the Parliament building!” → sneaking into govt buildings, delivery-boy disguises & canteens. Supreme Court vs Dogs (and Cyrus’ PSA about not getting into certain ‘positions’). Barging into an airplane loo: the co-pilot incident that had everyone talking. Priyadarshan eyeing retirement after film #100 (allegedly) The ₹76 lakh marriage story. Dream11 reportedly backs out as Team India’s kit/title sponsor—escape clause gossip & “condom brand” jokes. Pujara retires: stats, love, and… why “Chintu” doesn’t work at 36. “Messi in India?!”—survival tips for the GOAT if he lands here. Plus Putin/Trump’s English, wheelchairs & biology, identifying mallus, and mattresses that practically sponsor podcasts. See omnystudio.com/listener for privacy information.

SummaryIn this conversation, Clayton Cuteri explores the intersection of spirituality, money, and the figure of Jesus Christ. He discusses how societal programming leads to fear and suffering, and proposes a reimagining of Jesus as a symbol of empowerment and kingship. Cuteri emphasizes the need for a new church that reflects this vision, advocating for a shift in how we perceive leadership and community.Clayton's Social MediaLinkTree | TikTok | Instagram | Twitter (X) | YouTube | RumbleTimecodes00:00 - Intro01:02 - The Programming of Fear and Control03:10 - Reimagining Jesus: From Suffering to Kingship06:31 - Empowering the Common Man09:15 - Creating a New Church for King JesusIntro/Outro Music Producer: Don KinIG: https://www.instagram.com/donkinmusic/Spotify: https://open.spotify.com/artist/44QKqKsd81oJEBKffwdFfPSuper grateful for this guy ^Send Clayton a text message!Support the showNEWSLETTER - SIGN UP HERE

The crew are joined by the wonderful ToCoSo to talk all about his new album, Radio7: Attack of The Onionheadz.Community Corner“TITAN Contractors – Cinematic Trailer” by Radium – https://youtu.be/qAgJfS8QJHM“I'm Making a Player Group, You're Invited” by Indigo – https://youtu.be/jFSTdhR0L7k“A Beginner's Guide to Exploration” by Xpeigh – https://youtu.be/mDqwHJhEUWASRVSurvey – RavenColonial's gallery of all orbital and surface colonisation constructions.https://ravencolonial.com/#vis“A History Of Expeditions in Elite Dangerous | Tribute poster v2 2025” by Qohen Lethhttps://forums.frontier.co.uk/threads/a-history-of-expeditions-in-elite-dangerous-tribute-poster-v2-2025.640516/Anthony Hunt's blueprint and 3d print website – https://www.elite-dangerous-blog.com/ToCoSo – https://bsky.app/profile/tocoso.bsky.socialToCoSo patreon – https://www.patreon.com/tocosomusicToCoSo bandcamp – https://tocoso.bandcamp.com/

It's the most Philly by volume Moviestruck of all time! This week we're gonna fly now talking Rocky (1976) with Party of One host and fellow Philadelphian Jeff Stormer. Is Rocky (1976) the best sports movie ever? Who knows! But man does it make us incredibly hype! Where to find Jeff:https://jeffstormer.com/Party of One: https://www.partyofonepodcast.com/BlueSky: @jeffstormer.gobirds.onlineContact the Podmoviestruckpod@gmail.comwww.moviestruck.transistor.fmPatreon: https://www.patreon.com/moviestruckDiscord: https://discord.gg/cT2vm3KdeSBlueSky: @moviestruck.bsky.socialTheme by Prod. DomSoundcloudThank you to our $10 Patrons!Clove, Maddy New, Adam Bagnall, UwU, Zas, Ken M, Madidid, Ethan, Jim8333, Jacob Hunt, Azraq Shinji, Case Aiken, Ebony Voigt, AnOptimist, Lairde Ray, the Norwegian one, Travis Poe, William Warren, Stag Hart (Deer Deer), Rusty_Fork, Mura Purcell, insomnite, Nathan Dunlap. ★ Support this podcast on Patreon ★

Feeling like reality is splitting around you? Relationships shifting, old systems crumbling, your intuition changing? You're not imagining it—and Kryon has answers. In this profound channeling with Lee Carroll (original Kryon channel) and Monika Muranyi, discover why humanity is experiencing a dimensional split and how to ensure you stay aligned with the higher timeline. Kryon reveals: Why some souls are thriving while others struggle in 2025 The truth about humanity's multidimensional shift How to recognize which "side" of the split you're on Practical steps to maintain your frequency during the transition Why your intuition may feel different lately The role of awakened souls in this historic moment This isn't about being "left behind"—it's about understanding your natural evolution and staying aligned with your highest path during the greatest consciousness shift in human history. Perfect for: Lightworkers, spiritual seekers, anyone feeling the intensity of current global changes Resources mentioned: Lee Carroll's Kryon work at Kryon.com Monika Muranyi's channeled teachings Michael's Automatic Writing Course for developing your own channeling abilities Ready to understand your role in humanity's evolution? This timely message will help you navigate 2025 with clarity and confidence. To find out more visit: https://amzn.to/3qULECz - Order Michael Sandler's book, "AWE, the Automatic Writing Experience" www.automaticwriting.com  - Automatic Writing Experience Course www.inspirenationuniversity.com - Michael Sandler's School of Mystics Join Our YouTube Membership for behind-the-scenes access - https://www.youtube.com/channel/UCVoOM-cCEPbJ1vzlQAFQu1A/join  https://inspirenationshow.com/ https://www.dailywoohoo.com/ - Sign up for my FREE daily newsletter for high-vibration content. ✨ Experience the Indigo Emergence Summit! ✨ Catch the full 3-day replay and dive into powerful talks, insights, and transformations: ➡️ https://nlightn.tv/checkout/new?o=212743?via=michael  ……. Follow Michael and Jessica's exciting journey and get even more great tools, tips, and behind-the-scenes access. Go to https://www.patreon.com/inspirenation   For free meditations, weekly tips, stories, and similar shows visit: https://inspirenationshow.com/   We've got Merch! - https://teespring.com/stores/inspire-nation-store   Follow Inspire Nation, and the lives of Michael and Jessica, on Instagram - https://www.instagram.com/InspireNationLive/   Find us on TikTok - https://www.tiktok.com/@inspirenationshow

From ancient ostracisms to modern cinematic heroes, this Overly Sarcastic Podcast has it all! Plus! The inaugural menu of Dark Lunch, cursed hairstyle ideas, and much much more!  Our podcast, like our videos, sometimes touches on the violence, assaults, and murders your English required reading list loves (also we curse sometimes). Treat us like a TV-14 show.OSP has new videos every Friday:https://www.youtube.com/c/OverlySarcasticProductionsChannelQuestion for the Podcast? Head to the #ask-ospod discord channel:https://discord.gg/OSPMerch:https://overlysarcastic.shopFollow Us:Patreon.com/OSPTwitter.com/OSPyoutubeTwitter.com/sophie_kay_Music By OSP Magenta ★ Support this podcast on Patreon ★

It's a bird! It's a plane! It's an oops all Superman bonus podcast! In the wake of a very charming Superman movie, the OSPod crew assembles special guests Nando V Movies and Case Aiken to talk all things Man of Steel. Our excitement that Superman is a nice guy is immeasurable. Our podcast, like our videos, sometimes touches on the violence, assaults, and murders your English required reading list loves (also we curse sometimes). Treat us like a TV-14 show.Where to find Nando:https://www.nandovmovies.com/YouTube: https://www.youtube.com/@NandovMoviesPatreon: https://www.patreon.com/nandovmoviesBluesky: @nandovmovies.bsky.socialTwitter: @NandovMoviesWhere to find Case:Another Pass Podcast: https://www.certainpov.com/another-pass-podcastMen of Steel Podcast: https://www.certainpov.com/men-of-steelYouTube: https://youtube.com/channel/UCOVt-vtlMhSeHgwmOuG8bDwBluesky: @caseaiken.bsky.socialOSP has new videos every Friday:https://www.youtube.com/c/OverlySarcasticProductionsChannelQuestion for the Podcast? Head to the #ask-ospod discord channel:https://discord.gg/OSPMerch:https://overlysarcastic.shopFollow Us:Patreon.com/OSPTwitter.com/OSPyoutubeTwitter.com/sophie_kay_Music By OSP Magenta ★ Support this podcast on Patreon ★

The heroes recover from a gruelling fight in Netting-On-Sea and track down some loose leads! MANY ANNOUNCEMENTS: Discworld Live! 28th November at Indigo at the 02! Tickets: https://aegp.uk/Discworld New merch collaboration with Harps Corp! https://harpscorp.com/high-rollers-dnd-x-harps-corp/ Use discount code 'altheya' for £2 off per coaster! Use code 'roller5' for £5 off every thing else! (£5 per item!) Can't wait for Part 2 of each episode? Join our Patreon to get early access EVERY week (+ a few other bonuses)! www.patreon.com/HighRollers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ _______________ Boost your Charisma with some HR merch! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://highrollersdnd.teemill.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Add official High Rollers Minis to your TTRPG collection here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://only-games.co/collections/high-rollers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Bless your table with the Clever Toad Dice Set: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://dispeldice.com/collections/high-rollers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Enhance your bath time experience with the official Altheya themed DiceBombs at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://geekyclean.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! Check out ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.highrollersdnd.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for all the latest HR News! Love the podcast? Give us a glittering 5 star review! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcasts.apple.com/us/podcast/high-rollers-dnd/id1401508198?see-all=reviews⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Music courtesy of Epidemic Sound, TCT Adventures (Solasta: Crown of the Magisters), Monument Studios and Jolene Khor! Check out Jolene Khor and all her wonderful work on High Rollers on Spotify: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/artist/1WX3ICiTmf4GpHwImnQMs6⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit podcastchoices.com/adchoices